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      <Text><![CDATA[<P>When the COVID-19 pandemic swept the world, Australian children's screen use surged - and with it came urgent questions about what this meant for reading, learning and family life. Drawing on national surveys and interviews with families and librarians, <I>Between Reading and Screens</I> uncovers how deeply digital devices have reshaped contemporary childhood.</P><P>Children are now more likely to own a tablet than a shelf of print books. Yet the story is far more complex than the familiar 'screens versus books' debate. Lockdowns, remote learning and other pandemic restrictions not only intensified children's media use - they also transformed many parents' attitudes. For some, closer involvement in children's digital lives fostered understanding rather than fear. For others, particularly those with limited support or resources, the challenges were profound.</P><P>This richly researched study situates children's engagement with books and screens where it matters most: within the everyday rhythms of family life. Through survey data and diverse family portraits, it reveals how reading and digital media now intertwine, how parental habits shape household media cultures, and what all this means for the future of children's literacy and imagination.</P><P><I>Between Reading and Screens</I> offers a fresh and essential perspective on how families are navigating a rapidly evolving mediascape - and what's at stake for the next generation of readers.</P>]]></Text>
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      <Text><![CDATA[<P><I>Ngarn Wa'ngal: Art of the Gum Tree</I> is a landmark publication dedicated to the eucalypt and the art it inspires. It traces the gum tree through art history and contemporary practice, engaging with Indigenous sovereignty, Australian identity, nationalism, climate change, land management and the tree's global impact.</P><P>Richly illustrated, the book features a range of contributors, from artists, Aboriginal Elders and art historians to ecologists, poets and writers who share their responses to this iconic Australian symbol, charting the gum tree's ever-evolving significance in art, culture, ecology and wider society.</P><P>The title <I>Ngarn Wa'ngal </I>was gifted by Wurundjeri Elder Uncle Bill Nicholson and translates as breathing for us.</P>]]></Text>
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      <Text><![CDATA[<P>Alisa Bunbury is Senior Curator, Grimwade Collection, at the University of Melbourne, and has previously worked as a curator at the National Gallery of Victoria and Art Gallery of South Australia. Her interests include a specialisation in colonial art history and evolving creative responses to Australia's natural history.</P><P>Sophie Gerhard is Curator of Australian and First Nations Art at the National Gallery of Victoria. Her curatorial interests include conversations surrounding national identity and colonialism within Australian art history. She is a PhD candidate at the University of Melbourne, with her research focusing on the emotion of shame and its role within Australian and First Nations art.</P>]]></Text>
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      <Text><![CDATA[<B>*** THE </B><I><B>NEW YORK TIMES</B></I><B> BESTSELLER ***&#160;</B><BR><BR><B>** WINNER OF THE SABEW BEST IN BUSINESS BOOK AWARDS 2025 FOR BUSINESS REPORTING **</B><BR><BR><B>* UPDATED TO INCLUDE A NEW EPILOGUE *</B><BR><BR><B>What if the greatest business success story of the twenty-first century was hiding the West&rsquo;s gravest mistake?</B><BR><BR>For two decades, Apple poured billions into China, training millions of workers and building the most advanced supply and manufacturing system in history. But those same investments transferred knowledge, skills and power, handing China the tools to challenge America&rsquo;s dominance and putting Apple in the middle of a new Cold War between two superpowers.<BR><BR>Based on hundreds of exclusive interviews, Patrick McGee&rsquo;s gripping expos&#233; reveals Apple&rsquo;s vulnerability for the first time &#8211; and shows how one company&rsquo;s triumph inadvertently reshaped the global balance of power.<BR><BR>&lsquo;Devastatingly clear&rsquo;<B>&#160;</B><I><B>New York Times&#160;</B></I><BR><BR>&lsquo;Scrupulously reported&rsquo;&#160;<I><B>New Yorker</B></I>&#160;<BR><BR>&lsquo;Absolutely riveting&rsquo;<B>&#160;Peter Frankopan &#160;</B><BR><BR>&lsquo;Disturbing and enlightening&rsquo;<B>&#160;Chris Miller&#160;</B><BR><BR>'This is&#160;the best book about Apple ever written&rsquo;<B>&#160;Ben Thompson,&#160;</B><I><B>Stratechery</B></I><B>&#160;</B>]]></Text>
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      <Text><![CDATA[&lsquo;As Patrick McGee makes devastatingly clear in his <b>smart and comprehensive</b> <I>Apple in China</I>, the American company&rsquo;s decision under Tim Cook, the current C.E.O., to manufacture about 90 percent of its products in China has created an <b>existential vulnerability not just for Apple, but for the United States</b> &ndash; nurturing the conditions for Chinese technology to outpace American innovation . . . <b>[a] persuasive expos&eacute; of the trillion-dollar company&rsquo;s uncomfortably close relationship with the global power </b>. . . what began as a feat of manufacturing has troubling consequences for the entire world&rsquo;&nbsp;]]></Text>
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      <Text><![CDATA[<I><B>ADHD.</B></I><BR><I><B>OCD.</B></I><BR><I><B>Toxic. </B></I><BR><I><B>Unwell.</B></I><BR><BR>Over the past decade, psychiatrist Suzanne Garfinkle-Crowell noticed that girls were coming to her office with an increasingly long list of psychiatric diagnoses, often pulled from social media. It seemed like it was becoming impossible for young women to talk about their feelings without the framework of &#8216;therapy speak&#8217; or mental illness. At the same time, she saw parents responding to this jargon with either alarm or dismissiveness, both of which only broadened the communication gap with their daughters.<BR><BR>In <I>Girlhood, Translated,</I> Dr Garfinkle-Crowell explores how &#8216;therapy speak&#8217; is fundamentally reshaping the identities of girls. Drawing on vibrant, moving stories from the therapy room, she reveals, with stunning insight and compassion, the dynamics at play underneath the labels. She helps us see why girls rely on this lexicon to be heard - and teaches us to listen better. <BR><BR><I>Girlhood, Translated </I>is a powerful call to change the conversation around mental health, showing how girls can move beyond the language of illness for real agency, healing and connection.]]></Text>
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      <Text><![CDATA[&lsquo;This book will change conversations the very next day. Smart, compassionate, and bracingly clear, it distrusts quick labels while honouring real suffering. An exceptional contribution&rsquo;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[&lsquo;Understanding girls today is impossible without seeing the culture that shapes them. &quot;Therapy speak&quot; has puzzled parents (me included) &mdash; and the impulse to dismiss or overreact is real. Dr. Garfinkle-Crowell&nbsp;explains what it means, why it&#39;s happening, and &mdash; importantly &mdash; how to respond with nuance and care. She brings seasoned medical guidance, keen cultural insight, and a deep reverence for the girls she treats. This is a voice you can trust and a resource you will rely on throughout your daughter&#39;s young adulthood&rsquo;?<I>&nbsp;</I>]]></Text>
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      <Text><![CDATA[&lsquo;<I>Girlhood, Translated</I>&nbsp;zaps into focus something you have both known and not known all along. Garfinkle-Crowell writes with respect and care about the complexities girls face, even as she dissects how &ldquo;therapy speak&rdquo; undermines the ability to effectively address them. In both insight and action, this book is absolutely indispensable for anyone raising or working with teen girls&rsquo;]]></Text>
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Constantine Cavafy; poet; poetry; Alexandria; biography; literature; literary life; Onassis; Greek-Egyptian; Greece; Egypt; London; Liverpool; Istanbul; LGBTQ+; history; Ithaca; 19th Century; artist; Stephen Fry; E.M. Forster; T.S. Eliot; Virginia Woolf; Peter Jeffreys; Gregory Jusdanis; famous poets; world literature; cities; Barbarians at the Gate; homoerotic; lyrical; Books about famous poets; Biography of poet; literary biographies of poets;
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      <Text><![CDATA[<B>A gripping and revealing new biography of one of the greatest of modern poets, the queer, Greek-Egyptian Constantine Cavafy, whose admirers have ranged from E.M. Forster, T.S. Eliot and Virginia Woolf to Jackie Onassis, Leonard Cohen and Stephen Fry.</B><BR><BR><B>Shortlisted for the Anglo-Hellenic League Runciman Award</B><BR><BR>'A deeply researched and engaging biography&hellip; Jeffreys and Jusdanis brilliantly recreate Cavafy&rsquo;s world&rsquo; - <I><B>Guardian</B></I><BR><BR>&lsquo;A nuanced and original portrait&rsquo; - <I><B>Literary Review</B></I><BR><BR>&lsquo;A richly detailed and clear-sighted account of Cavafy&rsquo;s life and work&rsquo; - <I><B>Spectator</B></I><BR><BR><B>'</B>Melancholy and majesty. . . [an] extraordinary life story' -&#160;<I><B>New Statesman</B></I><BR><BR>In this illuminating book, Peter Jeffreys and Gregory Jusdanis reveal Cavafy as a troubled, brilliant poet who sacrificed love for his art and changed the course of world poetry.&#160;<I>Alexandrian&#160;Sphinx</I>&#160;chronicles&#160;the extraordinary story&#160;of&#160;his family, the vicissitudes of their fortunes, and their eventual poverty&#160;when&#160;they left&#160;Egypt and moved&#160;to Liverpool, London and Istanbul. As the poet reached&#160;adulthood, his story centred&#160;on his beloved Alexandria, the city that nourished his imagination and became for him a metaphor of both his poetry and modern life.&#160;Deep archival research uncovers the poet&rsquo;s relationships with his teenage companions, his friends of middle age, and the individuals whom in later life he enlisted in his steadfast pursuit of fame.<BR><BR><I>Alexandrian&#160;Sphinx</I>&#160;tells not only of Cavafy&rsquo;s life but of his work and his artistic journey, from his early poetic experiments to his startling reinvention in middle age, when he renounced much of what he had written and developed a radical new poetics.&#160;Erotic, philosophical, and linguistically suggestive, this widely imitated yet singular style is now recognized and revered as Cavafian.]]></Text>
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      <Text><![CDATA[<B>Peter Jeffreys</B> is an Associate Professor of English at Suffolk University in Boston and has written, translated and edited a number of books on Cavafy: <I>Eastern Questions: Hellenism and Orientalism in the Writings of E. M. Forster</I>; <I>C. P. Cavafy</I>; <I>The Forster-Cavafy Letters: Friends at a Slight Angle</I>; <I>C. P. Cavafy: Selected Prose Works</I>; <I>Reframing Decadence: C. P. Cavafy&#8217;s Imaginary Portraits</I>; and <I>Approaches to Teaching the Works of C.P. Cavafy</I>. He is a member of the International Cavafy Archive Academic Committee at the Onassis Foundation and served as a consultant for the exhibits at the Cavafy House in Alexandria and the Cavafy Archive Space in Athens.<BR><BR><B>Gregory Jusdanis, </B>a Distinguished Arts and Sciences Professor at Ohio State University, is the author of <I>The Poetics of Cavafy</I>, <I>Belated Modernity</I> and <I>Aesthetic Culture</I>, <I>The Necessary Nation</I>, <I>Fiction Agonistes</I>, and <I>A Tremendous Thing</I>.]]></Text>
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      <Text><![CDATA[&lsquo;In the fifty years since a biography of the poet last appeared, Constantine Cavafy has emerged as an essential poet of modernity on the world stage. Gregory Jusdanis and Peter Jeffreys have given us an extraordinary biography, eminently readable and as unconventional, scholarly, and impassioned as its subject.&#39;&nbsp;]]></Text>
      <TextAuthor>&lt;B&gt;Mark Doty&lt;/B&gt;, author of&#160;&lt;i&gt;My Alexandria&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&#39;A painstakingly researched biography of a quiet Alexandrian who left few traces of his life but whose body of poems the world worships and never tires of translating&#39;&nbsp;]]></Text>
      <TextAuthor>&lt;B&gt;Andr&#233;&#160;Aciman&lt;/B&gt;, author of &lt;i&gt;Out of Egypt&lt;/i&gt; and &lt;i&gt;Call Me by Your Name&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&lsquo;Cavafy spoke for young men with big desires and little money, excluded from society and consumed by love and lust. In his maturity he turned all those wasted nights into the work of a world genius.&rsquo;&nbsp;]]></Text>
      <TextAuthor>&lt;b&gt;Edmund White&lt;/b&gt;, author of &lt;I&gt;A Boy’s Own Story&lt;/I&gt;&#160;and&lt;i&gt;The Loves of My Life&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&#39;A deeply researched and engaging biography&hellip; Jeffreys and Jusdanis brilliantly recreate Cavafy&rsquo;s world&rsquo;]]></Text>
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      <Text><![CDATA[&#39;A richly detailed and clear-sighted account of Cavafy&rsquo;s life and work . . . it sends one back to Cavafy&rsquo;s extraordinary body of poems both enlightened and newly enthused&#39;<BR> <BR> <b>&nbsp;</b>]]></Text>
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      <Text><![CDATA[&lsquo;A&nbsp;wonderful miscellanea about Cavafy and the world around him&hellip; detailed and fascinating&hellip; &nbsp;Jusdanis and Jeffreys are insightful critics&rsquo;&nbsp;]]></Text>
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      <Text><![CDATA[&#39;A tender investigation . . . I closed Alexandrian Sphinx with a different and richer sense of a poet I&rsquo;ve read for decades . . . a nuanced and original portrait&#39;]]></Text>
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      <Text><![CDATA[<B>*** THE&#160;</B><I><B>NEW YORK TIMES&#160;</B></I><B>BESTSELLER ***</B><BR><BR><B>Chosen as a book of the year by the </B><I><B>New Yorker</B></I><B>,&#160;</B><I><B>Financial Times</B></I><B>,&#160;</B><I><B>The Times</B></I><B>&#160;and&#160;</B><I><B>Sunday Times</B></I><B>.</B><BR><BR><B>&lsquo;A field guide to the super-rich . . . a hoot to chronicle &#8211; and even more fun to read&rsquo;</B><B>&#160;</B><I>Sunday Times</I><B>&#160;</B><BR><BR>The one percent now hold more of America&rsquo;s wealth than they did in the heyday of the Carnegies and Rockefellers, and their habits cast a longer shadow than ever before. With deft storytelling and meticulous reporting, Evan Osnos exposes the hidden world of the ultrarich in all its outrageous, fabulous, ridiculous detail: superyachts, luxury bunkers, private gigs, wealth managers, elite tax dodges and a torrent of political donations.<BR><BR>Osnos&rsquo;s essays are an entertaining, unsettling and eye-opening wake-up call &#8211; a case against complacency in the face of unchecked excess and staggering disparities of wealth and power. As the choices of the ultrarich ripple through our lives, <I>The Haves and Have-Yachts</I>&#160;couldn&rsquo;t be more relevant to today&rsquo;s world.<BR><BR><B>&lsquo;A prestige romp&rsquo;&#160;</B><I>New York Times<B>&#160;</B></I><BR><BR><B>&lsquo;Superb&rsquo;&#160;</B><I>Literary Review&#160;</I> &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<B> &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;</B><BR><BR><B>&lsquo;Charming&rsquo;&#160;</B><I>Washington Post<B>&#160;</B></I><BR><BR><B>&lsquo;Important&rsquo;&#160;</B><I>Irish Times</I><BR><BR><B>&lsquo;Entertaining and unsettling&rsquo;&#160;</B><I>Financial Times</I>]]></Text>
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      <Text><![CDATA[<B>A woman confronts the surprising results of an ancestry test and begins to question the meaning of family and friendship in this wise, tender novel teeming with life&#8212;from the beloved </B><I><B>New York Times</B></I><B> bestselling author of </B><I><B>After Annie.</B></I><BR><BR>High school English teacher Polly Goodman can talk about everything and anything with the women in her book club, which is why they&rsquo;ve become her closest friends and, along with her veterinarian husband, the bedrock of her life. Her students, her fraught relationship with her mother, her struggles with IVF&#8212;Polly&rsquo;s book club friends have heard it all.<BR><BR>But when they give Polly an ancestry test kit as a joke, the results match her with a stranger. Despite it seeming clear that this match is a mistake, Polly cannot help but comb through her own family history for answers. Then, when it seems that the book club circle of four will become three, Polly learns how friendships can change your life in the most profound ways.<BR><BR>Written with Anna Quindlen&rsquo;s trademark warmth, humor, and insight into the power of love and hope, More Than Enough explores how we find ourselves again and again through the relationships that define us.<BR><BR><B>Praise for Anna Quindlen</B><BR><BR>&lsquo;Leaves the reader feeling grateful, wide awake, lucky to be alive&rsquo; <B>Michael Chabon</B><BR>&lsquo;Simply impossible to forget&rsquo; <B>Alice Hoffman</B><BR>&lsquo;Qualities and shades of&#160;love&#160;are this writer's strong suit, and she has the unusual talent for writing about them with so much&#160;truth and heart&rsquo;&#160;<B>Elizabeth Jane Howard</B><BR>&lsquo;Breathtaking... Quindlen writes superbly about families, grief and betrayal. I was completely mesmerised&rsquo; <B>Lisa Jewell</B><BR>&lsquo;Engaging, immaculately constructed storytelling&rsquo; <I><B>Guardian</B></I><BR>&lsquo;One of our most astute chroniclers of modern life&rsquo; <I><B>New York Times Book Review</B></I><BR>&lsquo;Brave and beautiful&rsquo; <I><B>The Times</B></I><BR>&lsquo;Her storytelling is exemplary&rsquo; <I><B>Sunday Telegraph</B></I><BR>&lsquo;With relentless and dazzling brilliance, Quindlen grapples with the lancing pain and the swirls of disorientation experienced by anyone who has loved and lost&rsquo; <I><B>Daily Mail</B></I><BR>&lsquo;A wise, closely observed, achingly eloquent book&rsquo; <I><B>Huffington Post</B></I><BR>&lsquo;Overwhelmingly moving&rsquo; <I><B>New York Times</B></I><BR><BR>&#160;]]></Text>
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      <Text><![CDATA[<B>Violinist Vijay Gupta&#8217;s searing memoir of prodigy, ambition, collapse, and renewal reveals how music is not just performance but also survival, a lifeline of human connection - for readers of Jeremy Denk's </B><I><B>Every Good Boy Does Fine,</B></I><B> Hua Hsu's </B><I><B>Stay True</B></I><B>, and Patrick Bringley&#8217;s </B><I><B>All the Beauty in the World</B></I><B>.</B><BR><BR>'Every page burns with moral conviction&#8217; <B>Alex Ross, author of </B><I><B>The Rest is Noise</B></I>? <BR><BR>By age 25, Vijay Gupta had lived several lifetimes: he played Carnegie Hall at eight, studied at Juilliard and Yale before most had finished high school, joined the Los Angeles Philharmonic at nineteen, gave a celebrated TED Talk seen by millions, and launched a nonprofit. But behind the accolades was estrangement, addiction, and a private unraveling.<BR><BR><I>Restrung </I>is Gupta&#8217;s unflinching memoir of breaking apart and remaking a self. It begins with a boy raised between the strict devotion of Bengali immigrant parents and the ruthless demands of the conservatory. It follows him through the shimmering world of elite orchestras, into the depths of burnout, and ultimately toward an unexpected reawakening - where he discovered that the music he&#8217;d spent his life studying was seen not as a curio of high culture or mere entertainment, but a lifeline of connection - most vividly in Skid Row, where people living through addiction, homelessness, and incarceration heard it as survival itself.<BR><BR>There, audiences spoke to how they saw their own lives reflected in the stories of composers too often frozen into marble busts: the rage of Beethoven, the fragility of Schumann&#8217;s mind, the alienation of Bart&#243;k, the plight of Handel - who wrote Messiah bankrupt, ill, and broken, yet transformed despair into an enduring Hallelujah. Restrung unsettles assumptions about success while illuminating how art restores not just audiences, but artists themselves.]]></Text>
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      <Text><![CDATA[<b>This compelling biography tells the story of Roy Vel&#225;squez and how he built a community fighting against segregation and discrimination in Austin, Texas, by starting a thriving taxi company for those not being served by the city's institutions.</b><BR><BR>Roy Vel&#225;squez was the son of Mexican immigrants, living in Austin, Texas, at the height of segregation. Roy knew<BR>the hardships faced by people of color because of the insurmountable policies put into place. What was anyone to do? Even just simple acts can go a long way. But Roy went further than that. . . .<BR><BR>In segregated Austin, people of color weren't allowed in taxis, and the streetcar ended far from their homes. So Roy borrowed five dollars from a friend, purchased a taxi permit and a tank of gas, and drove people of color wherever they needed to go.<BR><BR>Before long, one lone taxi became a fleet. For over seventy-five years, Roy's Taxi Service helped to fight segregation and poll taxes, and grow Austin into a community for everyone. Roy's story is a reminder that we can all affect change and that inclusion is our strength.]]></Text>
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      <Text><![CDATA[<b>Debbie Zapata </b>LCSW, enjoys helping others as a counselor and writing children's books filled with heart. She loves telling stories about ordinary people doing extraordinary things. A proud Austin native, she earned her bachelor's and master's degrees from the University of Texas at Austin and her Master of Social Work from New York University. Growing up in Northeast Austin, she remembers Roy's Taxi as part of the city's story. Debbie is the author of <i>Abuela's Letter</i>, an NCTE Charlotte Huck Award&#174; title for Outstanding Fiction for Children, and <i>Up and Adam</i>, recognized by the Texas Institute of Letters. Her most recent picture book, <i>Isabel's Birthday Surprise</i>, celebrates family and community. When she's not writing, she enjoys exploring local trails, practicing yoga,<BR>and listening to live music. Find out more about Debbie at debbiezapata.com.<BR><BR><b>Laura Sandoval Herrera </b>is a Mexican illustrator living in Brooklyn, New York. Her grandfather was a bus driver during the same years that Roy worked to create change in Texas, which is why she is especially proud to illustrate this book. Laura holds an MFA in Illustration from the School of Visual Arts. See more of Laura's work at laurasanherr.com.]]></Text>
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      <SubjectHeadingText>Vaping; Vape; Juul; cloud chasing; nic stick; vaper; drugs; cigarettes; addiction; parent-child relationship; pornography; desperation; corporate greed; profiting from addiction; downward spiral; loss of free will dignity identity; Juuling; THC; pain pills; substance abuse; sexual abuse; cautionary tale; percocet, heroin; crack; therapy; rehab; e-cigarettes; e-cigs; EVALI; therapy; suicide; betrayal; friendship; peer pressure; dependency; stunt mountain biking; academic pressure; National Book Award; Newbery Award; young adult thriller for 8 9 10 11 12 year olds grades 3 4 5 6 7; AAPI Japanese American author protagonist character; hapa; Tweak; Go Ask Alice; Smack; Crank; Kira-Kira; Looking for Alaska by John Green; Ellen Hopkins;</SubjectHeadingText>
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      <Text><![CDATA[<B>A teen boy thinks his vaping habit is harmless until it becomes a crippling addiction of nightmarish dimensions in this &ldquo;vivid&rdquo; (<I>School Library Journal</I>) young adult novel from Newbery and National Book Award winner Cynthia Kadohata.</B><BR><BR>So, stuff has, like, a beginning and an end.<BR> <BR>And you don&rsquo;t really realize that until the end, or right before.<BR> <BR>Before that, you&rsquo;re just thinking that you and your homies are chillin&rsquo; and getting high, and it&rsquo;s all gonna work out. You know?<BR> <BR>Truth is, the way life works is that you were born in the eye of a hurricane, and you think that&rsquo;s just the way life is, calm-like.<BR> <BR>Until&hellip;it isn&rsquo;t.<BR> <BR>So, yeah, Elijah is only sixteen, and already he would change a lot of stuff if he could go back in time.<BR> <BR>But you can&rsquo;t ever do that.<BR> <BR>And when you can&rsquo;t, that&rsquo;s when you find out who you really are.]]></Text>
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      <Text><![CDATA[Cynthia Kadohata won the National Book Award for <I>The Thing About Luck </I>and the Newbery Medal for <I>Kira-Kira</I>. She&rsquo;s also the author of many more critically acclaimed novels, including <I>Checked</I>, <I>A Million Shades of Gray</I>, <I>A Place to Belong</I>, <I>Weedflower</I>, <I>Cracker!</I>, and <I>Outside Beauty</I>. In addition to rescuing Dobermans, she&rsquo;s also managed her son&rsquo;s hockey team. She lives in California. Visit her online at CynthiaKadohata.com.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>Under the Fading Sky</i></b><BR> <BR>By Cynthia Kadohata<BR><BR><b>About the Book</b><BR> <BR>Elijah is a high school junior who gets caught up in the drug scene in California after one of his friends is injured in a bike accident. <i>Under the Fading Sky</i> tells the story of Elijah&rsquo;s experience with addiction and the societal pressures that led him there, from his own perspective, starting with vaping THC and gradually including pills, as well as how his addiction, several ineffective therapists, and drug dealers impact the lives of his family and friends, as well as himself. Themes include drug addiction, mental health, suicide, family, and friendship.<BR> <BR><b>Discussion Questions</b><BR> <BR>1. What does the cover of this book tell you about what you might expect from the story? What do you think the title might be referencing? Does anything you see on the cover provide any clues? Explain your answers.<BR> <BR>2. In the first chapter, Elijah frequently mentions demons. Do you think he means literal or figurative demons? Explain your answer.<BR> <BR>3. What are the ways in which the author tries to connect with teenage readers throughout the novel? In what ways are they effective?<BR> <BR>4. &ldquo;Do you ever wonder how your parents even got as far as they have?&rdquo; Elijah asks, and later speculates that life must have been easy for his parents. (Chapter one) Have you ever wondered about the journey your own parents or guardians have taken to get where they are? In what ways have their experiences influenced your own choices? Do you agree that life is easy for parents? Why or why not?<BR> <BR>5. Throughout the book, Elijah talks about the different responsibilities, goals, and ambitions he and his friends have and the pressure to be successful in their endeavors. What kind of pressure or expectations do your family and teachers have for you? How do you think those pressures and responsibilities impact the characters when it comes to the choices they make later in the book?<BR> <BR>6. On the first day of sixth grade, Ms. Lawrence writes on the board that &ldquo;boys will be boys, unless you teach them to be something better.&rdquo; (Chapter three) What do you think this means? How does this statement make you feel? How do you think it makes Elijah feel? Explain your answer.<BR> <BR>7. Elijah talks about writing a school assignment using old fashioned tools such as pens and paper. Why does Elijah call them old-fashioned? Do you agree with this assessment? Why or why not? What tools do you use now to do assignments that might be considered old-fashioned to future generations?<BR> <BR>8. At the beginning of chapter five, Elijah talks about a book he read about Nazi Germany and how people doing bad things may not realize they are doing bad things because they believe that they are good people. Based on what you know about this story from the first chapter, how do you think this statement will be relevant to the characters in this book as the story continues?<BR> <BR>9. Lee and Elijah discuss the lives their parents are designing for them and how the trajectories of their lives are dependent upon the &ldquo;box&rdquo; each of their parents has built for them. What boxes, if any, have been built for you? Do you think the box is helpful or is it restrictive? Explain your answer.<BR> <BR>10. In chapter six, Elijah talks about how Anthony&rsquo;s personality changed and he started liking more expensive things and hanging out with new people. How have the people in your own life changed over the years? How have you changed from the person you were in elementary school? Middle school? Last year? How does your development change the roles of the people around you?<BR> <BR>11. When the boys go to visit Lee after he breaks his leg, Banker is there, even though they had only just met him as a result of the accident. Based on what you know about these characters from the first chapter, why do you think Banker is at Lee&rsquo;s house?<BR> <BR>12. As Elijah starts to get high with Lee and Banker, he talks about how the things he used to like doing, such as digging in the pits and biking, now feel a lot more like work. Why do you think he feels this way about these activities he used to love?<BR> <BR>13. Why do you think that Elijah has a nagging feeling about Banker?<BR> <BR>14. Elijah talks about feeling like he&rsquo;s walked through a door and left guilt on the other side, that he isn&rsquo;t in <i>The Truman Show </i>anymore. What does he mean by this? Describe why he felt as if his life was like <i>The Truman Show</i>, and debate how that relates to Lee&rsquo;s observation about the boxes they live in. Have you ever had a moment where you felt like something you did, or a choice you had to make, would shift your perspective or your reality? Share how things changed, if you feel comfortable doing so.<BR> <BR>15. After visiting Hii-Obaachan in Tokyo just before she died, Elijah ruminates on how nice it feels having people who care about you, even if it sometimes also makes you feel worse about yourself. Why do you think Elijah felt worse about himself based on how much his great-grandmother cared for him? Have you ever felt worse about yourself because someone cared so much for you? Why or why not?<BR> <BR>16. Why do you think Banker is trying so hard to impress Lee?<BR> <BR>17. By chapter twenty-three, Banker&rsquo;s attitude toward Lee seems to have shifted. What do you think happened between them to make him act so differently?<BR> <BR>18. Why do you think Elijah&rsquo;s parents handled their son&rsquo;s vaping the way they did? What was their reasoning? If you had a friend you found out had gotten involved with drugs, what would you do?<BR> <BR>19. In rehab, Martin seemed like he was really trying to get help for his addiction and wanted to quit. Why do you think he turned back to his vice?<BR> <BR>20. One of the counselors at rehab states that she learned in graduate school that all addicts have experienced trauma. Noah says that he hasn&rsquo;t had any trauma, he&rsquo;s just bored with life. Debate the ways the counselor&rsquo;s point has merit, or if Noah&rsquo;s way of thinking is just as valid.<BR> <BR>21. While in the second rehab facility, the parents of the teenagers in the program are told that kids don&rsquo;t always hear their parents and so parents need to be better at listening. One mother asks the counselor for specifics on how to listen to her daughter. What are some ways that parents could do a better job of listening to their children, especially when it comes to tough situations like the ones the characters in the book have faced?<BR> <BR>22. Chapter forty ends with Elijah&rsquo;s realization that Davis was crying because he was scared and that they all were scared. What do you think the boys feared at that moment? Why?<BR> <BR>23. A recurring theme in the novel is the men in Elijah&rsquo;s family saying &ldquo;the only way out is through.&rdquo; Elijah comes to an understanding of what his grandfather means when he says this later in the novel. Why does he at last understand this? How do you think the characters in this book will get through the challenges they&rsquo;re dealing with?<BR> <BR>24. At Christmas, Elijah has his first moment in a long time where he feels good about life and himself. He talks about how he might be able to escape from the demonworld after all. Do you think he will be successful in overcoming his addiction? Explain your answer.<BR> <BR>25. Elijah realizes too late that Lee intends to kill himself. Do you think there is something that Elijah could have done to save Lee? If you had a friend you thought might commit suicide, how would you handle it?<BR> <BR>26. How do you think life ends up for Elijah after the events of the book? Why? Be descriptive in your answer.<BR><BR><b>Extension Activities</b><BR> <BR>1. Elijah talks about how a lot of historical writers had actually written about their own times and not about the past. At the end of the book, he says that he is keeping a historical record of his own life and that of his friends. Write a historical essay about your life as though you intend for someone to read it in the future to help them understand what life is like for you now.<BR> <BR>2. Near the end of the novel, Elijah notes that more Americans had been murdered, overdosed, or committed suicide than had died in World War II. &ldquo;We&rsquo;d been in a war these last few years, but nobody bothered to tell us,&rdquo; he thinks. (Chapter sixty) Find statistics to support this statement, and write a comparative essay about the mental health and substance abuse crisis compared with World War II. What do you feel is a driving force? <BR> <BR>3. Three to four times more males die by suicide than females in the United States. Investigate the statistics, by age group, as well as reasons for this disparity. <BR> <BR>4. During Lee&rsquo;s memorial service, Elijah&rsquo;s dad makes it clear how much he loves Elijah and how much he wants him to get through his struggle with addiction. Elijah says that this moment with his dad makes him realize that he hasn&rsquo;t screwed up so much that nobody loves him anymore. Write about a moment when you realized that you are loved. Be descriptive.<BR><BR><b>If you or someone you know suffers from addiction, resources are available. The Administration for Children and Families is a great place to start to find help:</b> https://www.acf.hhs.gov/behavioral-health/teens-and-young-adults/substance-use-resources-teens-young-adults.<BR><BR><i>Guide written by Cory Grimminck, Director of the Portland District Library in Michigan.</i><BR> <BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net or simonandschuster.net/thebookpantry.</i>]]></Text>
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      <Text><![CDATA[<B>&#8220;Cultural Monopoly&#8221; exposes how America&#8217;s artistic narrative was captured by the political left&#8212;and why reclaiming creativity is vital to preserving our nation&#8217;s story. A bold call for conservatives to reenter the cultural arena and end the left&#8217;s century-long control of the arts.</B><BR><BR>Liberals in the United States have a monopoly on the message American arts and culture tell the world. Cultural Monopoly is an examination of historical events that pushed control of high art to the left and how it affects American culture, today. The left fiercely protects their monopoly, not because they want to ensure high quality in the arts, but because they understand art is a great tool to convey and control a message. Control of the arts means power and there is nothing the left loves more than power.<BR><BR>The monopoly started more than a century ago. People on the right always knew it was happening but chose to focus on other things ... a mistake for many reasons. Art is an important part of our national economy, it&#8217;s a critical tool in documenting our history, and can be a factor in personal health. Most importantly, it's the tangible object the American experiment is built on. Throughout history, art has served as the storyteller of the human condition. It documents our relationship with ourselves, each other, and our connection to the physical and spiritual world. In the last 100 years art has turned into a tool, of the left, to convey an increasingly anti-American message. This has resulted in a dramatic decrease in the quality of American art.<BR><BR>Art produced today will be viewed by future generations as an indicator of our society and a keeper of our story. Narcissists try to write history to only reflect themselves. Conservative America can be part of the arts story again if we have the courage to undo the left&#8217;s monopoly. The purpose of Cultural Monopoly is to convince conservative America to reengage with the arts. The author concludes with a road map for bringing the arts back to critical, neutral ground. We can and must tell the left, your monopoly of American culture is over.]]></Text>
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      <Text><![CDATA[<B>Catherine Wines</B> is an architect and a strong advocate of all creative arts. She is also politically conservative. Those two things are not a contradiction, much to the amazement of many from both sides of the U.S. political aisle.<BR><BR>Her personal experience working and volunteering in the arts, along with her deep knowledge of historical context, helped her write an engaging book that exposes the dangerous leftward tilt in the arts and reveals her vision to bring them back to critical, neutral ground.<BR><BR>Catherine owns and operates a small architecture firm in rural Nevada.]]></Text>
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      <Text><![CDATA[<B>Shortlisted for the International Prize for Arabic Fiction.</B><BR><BR><B><I>Suleima&rsquo;s Ring</I> isn&rsquo;t just a novel; it&rsquo;s an exploration of life&rsquo;s intricate dance between love and contradiction, roots and aspirations, rebellion and compliance.</B><BR><BR>Unfolding across Aleppo and Toledo, it tells the interwoven stories of half Spanish, half Jewish photographer Lucas and Syrian protagonist Salma.<BR><BR>Switching between multiple narrators, it explores the relationships between Salma and Shams al-Din&#8212;an Italian musician living in Aleppo with whom she is infatuated&#8212;along with Lucas, Lucas&rsquo; girlfriend Lola, and his son.<BR><BR>Bali skillfully navigates the complexities of relationships, traditions, and the ever-elusive concept of truth. The novel, born in the historic city of Toledo, Spain, carries the fragrance of Aleppo, inviting readers to wander through its ancient alleys and rest on the banks of the Tagus River.<BR><BR>The titular ring, at times held by various characters, alludes to the legendary ring of Solomon with its fabled magical powers. Although Salma, Lucas, and Shams al-Din are distinct personalities from contrasting backgrounds, they all share one thing: their love for Aleppo, the enthralling and afflicted city buried under the rubble of dreams and lost opportunities.<BR><BR><I>Suleima&rsquo;s Ring</I> navigates Salma&rsquo;s struggle between love and duty, past affluence, and a present marked by loss and conflict. The novel poses questions about Salma&rsquo;s heart&rsquo;s compass and her ultimate decision. Will she succumb to the sands of the past, or will she embrace the West&rsquo;s taut bowstring? Will Suleima&rsquo;s magic ring be enough to free the lost souls of Aleppo? Or will it take another Solomon to come to life and reassert his authority over the warring creatures who are left, if he can only find his lost ring?<BR><BR><I>Suleima&rsquo;s Ring</I> draws the reader into an atmosphere permeated by Sufism, perfume, dreams, and passionate love, against the backdrop of the Syrian war.]]></Text>
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      <Text><![CDATA[&ldquo;Suleima&rsquo;s Ring is more than a novel; it&rsquo;s a symphony of love for Aleppo, a place that stands resilient despite the trials. Rima Bali extends this fragrant breeze from Aleppo as a heartfelt gift to every &hellip; reader. Engage with the story that transcends time and resonates with the heartbeat of Aleppo.&rdquo;]]></Text>
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      <Text><![CDATA[<B>A</B><B> memoir that bears witness to the horror of genocide in Gaza.</B><BR><BR><I>At dawn on October 13, 2023, a week after the Hamas attack on Israel and the start of the war in the Gaza Strip, Palestinian journalist Sami al-Ajrami locks the door of his home in Jabalia, where he has lived all his life. According to the instructions of the Israeli army, he and his family are evacuating to the south.</I><BR><BR>For the Italian newspaper <I>La Repubblica</I>, Al-Ajrami begins a diary in which he reports on the escalating conflict and the journey to southern Gaza. He writes about the constant search for a safe shelter, for food and warmth, but also about the sadness of leaving everything behind and the constant fear of the bombings. These daily reports form the basis for this book.<BR><BR>He writes without embellishment, only what he sees and hears. Al-Ajrami describes the days, the waiting, the bombs, the hunger and thirst, the deaths. He describes the little things people do to keep each other going: the jokes they make, the stories they tell each other. What he does to distract children during bombings: he solves a Rubik's cube, while the children look on as if hypnotized.<BR><BR><I>The Keys to the House</I> is a chronicle of an immense tragedy, of daily life in the bomb-ravaged Gaza Strip, but also an intimate portrait of a family experiencing the drama of war firsthand.<BR><BR>This is the human story behind the cold numbers from Gaza. The story of a father who cannot protect his daughters, of a son who cannot bury his father properly and has to leave his mother behind. But this is also monumental journalism: factual, informative, and detailed. As if it wants to say: &ldquo;This is how it is, this has happened, this is happening now. It's on paper, you just have to read it.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;To understand the extent of the tragedy, there is no better analysis than direct testimonies. The devastating impact on the people of Gaza from this conflict is portrayed in the book <I>The Keys to the House</I> by Sami al-Ajrami,&rdquo;]]></Text>
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      <Text><![CDATA[<B>Our economic system has changed, and younger generations are being locked out of the opportunities our parents once had. </B><B><I>Generation F</I></B><B>cked* exposes how the system broke, why the old rules no longer work, and what Millennials and Gen Z can do to reclaim their financial futures.</B><BR><BR>Cancel your subscriptions. Make coffee at home. Go to college. Don&rsquo;t rent. Buy a house to build equity. That advice was built for a different economy. Today, those choices come with far less certainty.<BR> <BR>With rising inflation, unaffordable housing, stagnant wages, and crushing student debt, the traditional &lsquo;rules of success&rsquo; for many working- and middle-class young adults no longer lead to the outcomes once promised. This leaves younger generations searching for strategies that actually work in today&rsquo;s world.<BR> <BR>Drawing on Freddie Smith&rsquo;s personal journey and data-driven insights, <I>Generation F</I>cked* explores the uncomfortable reality of how the American Dream&#8212;homeownership, family, and a secure retirement&#8212;has become increasingly difficult for people under forty-five. With a frank, solutions-oriented approach, this modern guide to our financially f*cked reality will help you:<BR> <ul> <li>Understand how the economy became so unequal and which institutions profit as the cost of living rises</li> <li>Talk about the generational wealth divide with older generations in ways that encourage empathy, understanding, and productive conversation</li> <li>Decide whether renting or homeownership makes sense for your life, and take meaningful steps toward clearing debt, investing, and saving</li> <li>Build a retirement plan without relying on Social Security or sacrificing your work&#8211;life balance</li> <li>Stay informed, advocate for change, and redefine success on realistic, modern terms</li> </ul> <BR>The current system isn&rsquo;t sustainable. By pairing big-picture clarity with actionable, ground-level guidance, <I>Generation F</I>cked* offers a path toward a more stable, fair, and achievable future, serving as a guide for generations navigating a radically different economy.]]></Text>
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      <Text><![CDATA[&ldquo;Freddie has authored a bold, eye-opening breakdown of how Millennials and Gen Z were handed a completely unforeseen economic reality.&rdquo;<BR> <b>&mdash;Zachary Foust (@ZacharyLoft), economic journalist</b>]]></Text>
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      <Text><![CDATA[<B>A record-breaking MLB star turned minister shares the wisdom he gained from overcoming hardships&#8212;and reminds us that it&rsquo;s never too late to find a new life through love, generosity, compassion, and personal growth.</B><BR><BR>With four World Series rings, baseball legend Darryl Strawberry is one of the greatest hitters in the long history of the New York Mets, with a home-run record that held for 37 years. But Darryl&rsquo;s success on the baseball field came hand-in-hand with personal challenges that included substance abuse, divorces, cancer, and jail time. <BR> <BR>Two decades ago, he overcame the demons brought on by his childhood traumas and found true redemption and restoration. Today, as an ordained Minister of the Gospel, his purpose and passion is helping others transform their lives. <BR> <BR><I>Another Life</I> takes readers on the road with Darryl as he travels around the country with his son Jordan, preaching 270 days a year at motivational conferences and churches, and in schools, prisons, and hospitals. Strawberry&rsquo;s life experiences show us that we all can heal what&rsquo;s broken and hurting on the inside, and that our physical health is as important as our emotional and spiritual health. <BR> <BR>In these pages, he reflects on the invaluable lessons he&rsquo;s learned&#8212;and the deep-rooted values and principles he&rsquo;s gained&#8212;through hard experience, the powerful living examples of his mother Ruby and wife Tracy, and his eventual acceptance of Christ&rsquo;s unconditional love. <BR> <BR>Everyone knows Darryl Strawberry as the home-run king. <I>Another Life</I> shares Darryl&rsquo;s true legacy as a minister, father, and a believer in restoration, redemption, and starting over.]]></Text>
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      <Text><![CDATA[Four-time World Series Champion <B>Darryl Strawberry </B>is described as a legend by many who have been dazzled by the dynamics of his game, the power he possessed at the plate, and the story of redemption that continues to bring hope to so many lives. He has earned the legendary status of being one of the most feared home-run hitters ever to play baseball.<BR> <BR>Today, Darryl&rsquo;s purpose and passion is serving the Lord Jesus Christ by speaking a message of hope and helping others transform their lives through the power of the gospel. Darryl travels the country speaking and bringing a message of hope and restoration in Christ.]]></Text>
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      <Text><![CDATA[&ldquo;From player to preacher, Darryl&rsquo;s life is a testimony of grace, restoration, and new beginnings. If you&rsquo;re in a tough season or ready to step into the next level, this book will build your faith and remind you: your story isn&rsquo;t over, God still has something greater ahead.&rdquo;<BR> <b>&mdash;Joel Osteen, senior pastor of Lakewood Church and #1 <i>New York Times</i> bestselling author</b><BR> <BR> &ldquo;If you have ever felt like your past has disqualified you from your future, you need to read this book . . .&nbsp;<I>Another Life</I>&nbsp;is more than a memoir&mdash;it is a message of hope. And that is a message our world desperately needs right now.&rdquo;<BR> <B>&mdash;Greg Laurie, pastor of Harvest Christian Fellowship and evangelist for Harvest Crusades</B><BR> <BR> &ldquo;I managed Straw on the field, but his greatest victories came off it. This book shows the courage it takes to confront your past and embrace a new life&mdash;a story that will inspire anyone seeking redemption.&rdquo;<BR> <b>&mdash;Joe Torre, Hall of Fame manager</b><BR> <BR> &ldquo;Darryl Strawberry has been a brother to me through the highest of highs on the world&rsquo;s biggest stages and the toughest moments off the field. To witness his transformation into a man of such profound faith and purpose is the greatest &lsquo;comeback&rsquo; I have ever seen. He was a titan in the dugout, but the man he is today is my true inspiration.&rdquo;<BR> <b>&mdash;David Cone, five-time World Series champion</b><BR> <BR> &ldquo;There was always a goodness in Darryl Strawberry, but that goodness would frequently lose the battle with the demons. Now he has conquered them and he is not just satisfied with his own salvation but has made the redemptive journeys of others his mission. He has turned one life into <i>Another Life</i> and it has been so satisfying to witness his amazing journey.&rdquo;<BR> <b>&mdash;Michael Kay, voice of the New York Yankees on YES Network</b><BR> <BR> &ldquo;In <i>Another Life</i>, Darryl opens his heart and shares the powerful story of redemption, restoration, and the healing power of Christ. His journey reminds us that no life is too broken for God to restore and no past is too far gone for His grace to reach. Darryl&rsquo;s willingness to share both the victories and the struggles of his life will encourage countless people who are searching for hope and a new beginning.&rdquo;<BR> <b>&mdash;Dr. Gabriel L. Swaggart, pastor at Family Worship Center and president of Jimmy Swaggart Bible College</b>]]></Text>
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      <Text><![CDATA[<B>Discover a foolproof method for crafting customer-centric copy that converts visitors into leads and leads into sales&#8212;while staying true to your brand.</B><BR><BR>The most effective copywriters aren&rsquo;t wordsmiths&#8212;they&rsquo;re salespeople. They follow a hidden system that helps them sell anything, from tech to subscriptions to experiences. They work with their marketers to engineer deliberate, strategic messaging. They understand that copy that sounds good isn&rsquo;t the same as copy that sells.<BR> <BR> Their secret? Start with the <i>customer</i>, not the brand.<BR> <BR> Drawing on her experience as the inventor of conversion copywriting and decades of consulting for brands like AWS and Canva, Joanna Wiebe demonstrates how most copywriting fails to connect with its audience&#8212;and offers a time- and industry-tested alternative that generates leads and revenue at scale. As a copyseller, learn to:<BR> <ul> <li><b>Skip brainstorming and pinpoint your core message</b> by listening to new leads and customers</li> <li><b>Replace guesswork with a foolproof message</b> matrix that increases your chances of delivering the right message at the right time on the right channel</li> <li><b>Troubleshoot tractionless copy </b>and use formulas to find messaging that pops</li> <li><b>Understand how AI tools </b>like ChatGPT and Claude are changing the industry and how best to leverage them in your practice</li> <li><b>Connect with marketers and salespeople</b> to strategize and and create copy that energizes your team</li> </ul> <BR><BR> Transform your copywriting into salesmanship in print. With <I>The </I><i>Copyselling System</i>&rsquo;s surefire system, you can streamline your writing process to create dynamic, customer-focused, brand-friendly copy that sells.]]></Text>
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      <Text><![CDATA[<B>You&rsquo;ve got a story inside you&#8212;but writing it feels impossible.</B><BR> <BR><B>What if writing didn&rsquo;t have to be a struggle? What if all you had to do was </B><B>harness your brain's natural storytelling instincts to craft the book you&rsquo;ve always dreamed of?</B><BR><BR>If you&rsquo;re having trouble bringing your story to life, the problem isn&rsquo;t you. It&rsquo;s that you&rsquo;ve been buried under a mountain of rigid rules, theory, and advice that contradicts itself.<BR> <BR>In <I>Make Your Story Matter</I>, writing coach and popular YouTuber Abbie Emmons shares a refreshing new method that fuses brain science with storytelling to help you write a book with heart, power, and impact.<BR> <BR>With over half a million writers in her online community, Abbie has helped storytellers all over the world craft novels that resonate using the Who, What, Why Method&#8212;a simple but powerful 3-step framework rooted in psychology. <BR> <BR>With this method, you&rsquo;ll learn to:<BR> <ul> <li><B>Break free from rigid writing rules</B> and harness your brain&rsquo;s natural storytelling instincts</li> <li><B>Transform raw ideas</B> into emotionally compelling stories</li> <li><B>Craft complex, magnetic characters</B> that readers connect with and care about</li> <li><B>Outline gut-gripping plots</B> that hook readers from the opening sentence to the final page</li> <li><B>Find your unique voice</B> and make it unforgettable</li> <li><B>Beat creative burnout</B> and reconnect with the joy of writing</li> </ul> <BR>Featuring templates, guided exercises, and a printable workbook, this book gives you a repeatable method and a reliable way to stay focused and energized, even when the writing gets tough. By the final page, you&rsquo;ll have a clear roadmap to writing a story that <I>matters</I>&#8212;to you, to your readers, and to the world.]]></Text>
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      <Text><![CDATA[<b>Abbie Emmons</b><b> </b>has been writing stories ever since she could hold a pencil. What started as an intrinsic love for storytelling became her lifelong passion. For over seven years, Emmons has been sharing her wisdom on her YouTube channel (@AbbieEmmons), where she teaches writers how to make their stories matter by harnessing the power and psychology of storytelling to transform their ideas into masterpieces.<BR> <BR>Drawing on her passion for psychology and neuroscience, she&rsquo;s made it her mission to decode the &ldquo;story instincts&rdquo; we all naturally possess. What started as a personal quest to improve her writing skills has overflowed into a vibrant online community of half a million passionate writers who have connected with Emmons&rsquo;s creed to &ldquo;make your story matter.&rdquo; Emmons went on to launch Abbie&rsquo;s Story University, an online learning platform that has attracted thousands of students worldwide. Through monthly live lectures and in-depth courses, Abbie&rsquo;s Story University offers comprehensive instruction on creative writing, editing, publishing, and more, nurturing a thriving community of writers dedicated to honing their craft.]]></Text>
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      <Text><![CDATA[<B>Heart pounding and laugh-out-loud funny, <I>USA TODAY</I> and <I>Wall Street Journal </I>Bestselling author K.F. Breene will take you on a magical joy ride you won&rsquo;t soon forget in the addictive fantasy romance hit, <I>BORN IN FIRE.</I></B><BR><BR><B>This beautiful hardcover features striking stenciled edges, never-before-seen custom endpapers, and a spot gold-foil cover!</B><BR> <BR>Supernatural Bounty Hunter isn&rsquo;t the sort of thing you see on LinkedIn. But with a rare type of magic like hers, Reagan doesn&rsquo;t have many options. So dangerous or not, the job is hers.<BR> <BR>And it was going fine, until an old-as-sin vampire stole her mark, and with it, her payday.<BR> <BR>Knowing she&rsquo;s poor and desperate, he offers Reagan a job. She&rsquo;ll have to work by his side to help solve a top-secret case.<BR> <BR>Everyone knows not to trust vampires. Especially a hot elder vampire. But without any other jobs coming up, Reagan is stuck.<BR> <BR>As she uncovers a web of lies and treachery, revealing an enemy she didn&rsquo;t know existed, the truth of her identity is threatened. She might make it out alive, only to end up in a gilded cage.<BR> <BR><B>Starring a kickass, snarky heroine armed with a sword, a gun, and chip on her shoulder, BORN IN FIRE is the start of the multi-million copy bestselling DEMON DAYS, VAMPIRE NIGHTS series, where the only thing hotter than the magic is the attitude.<BR> <BR> If you like Laurell K. Hamilton, Kim Harrison, Shannon Mayer, Patricia Briggs, Ilona Andrews, Jennifer Estep, Jennifer L. Armentrout, and Dannika Dark, you&rsquo;ll feel right at home with this fun and exciting romantasy thrill ride!</B><BR> <BR> <ul> <li><B>Awards/Recognitions:</B> <ul> <li><B>Bestselling Author Status:</B> KF Breene is a USA Today, Wall Street Journal, Washington Post, Amazon Charts and #1 Kindle Store bestselling author.</li> <li><B>Audiobook Recognition:</B> <I><B>Born in Fire</B></I> is a "Winner of the Audiobook Listener's Choice Award."</li> </ul> </li> </ul>]]></Text>
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As others cling to hope and fear, he continues to focus on mana manipulation and embraces the chaos with cold strategy, carving his path forward through sheer willpower.<br Open Sans", sans-serif; font-size: 14px;" /> In a system where hesitation means death, the only way out is through&#8212;and Nathaniel plans to master it one step at a time.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <i Open Sans", sans-serif; font-size: 14px;">Hell Difficulty Tutorial (Light Novel) Volumes 1-3</i> narrative corresponds to<i font-size:="" open="" Open Sans", sans-serif; font-size: 14px;"> Hell Difficulty Tutorial, Book 1 </i>eBook from Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> With more than 10 million views as a web serial, the Light Novel edition from Vault Books is perfect for fans of <i font-size:="" open="" Open Sans", sans-serif; font-size: 14px;">The Primal Hunter, Defiance of the Fall, Apocalypse: Generic System, Path of Ascension, The Calamitous Bob, System Change, Stitched Worlds, The Tutorial is Too Hard (</i>Korean manga webcomic),<i font-size:="" open="" Open Sans", sans-serif; font-size: 14px;">ReStart (Level Up series #1), Dungeon Crawler Carl, Tower of Power </i>series, <i font-size:="" open="" Open Sans", sans-serif; font-size: 14px;">System Universe </i>series,<i font-size:="" open="" Open Sans", sans-serif; font-size: 14px;"> Master Hunter K, Traveller's Trial, Apocalypse: Reborn, Step 1: Limbo: A LitRPG Adventure (A Gamer's Guide to Beating the Tutorial) , The Advance Player of the Tutorial Tower, SOLO LEVELING, Limit Breaker, Second Coming of Gluttony, Completionist Chronicles, Modern Awakening, Only I am a Necromancer, A Snake's Life, Full Murder HOBO, Where It All Began, Primeverse, The Gam3, Fullmetal Alchemist, Beyblade (Viz), Overlord, Undead Unluck (Viz), Cautious Hero: The Hero Is Overpowered but Overly Cautious (light novel &#8211; Yen Press), Shangri-la Frontier (anime and manga), Kaiju No.8 (Viz), Rising of the Shield Hero (light novel series and anime), The Legendary Moonlight Sculptor (light novel series and anime), Overgeared, Leveling With the Gods, The Tutorial Tower is too Tough, Tutorial Tower, </i>and <i font-size:="" open="" Open Sans", sans-serif; font-size: 14px;">The Player of Games (Book 2 in The Culture series) </i>by Iain M. Banks.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <u >About Light Novels from Aethon & Vault:</u><br font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> All Aethon & Vault Light Novels are based on mega-bestselling LitRPG and Progression Fantasy eBooks published by trailblazing digital Science Fiction and Fantasy publisher, Aethon Books.<br font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> <br font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;ve read and enjoyed the Aethon eBooks, Aethon & Vault light novels have kept everything you love about those eBooks &#8211; and upped the game. By dividing each original Aethon eBook into two to four Light Novel volumes, Aethon & Vault endeavors to enhance the reading experience by providing an easily-digestible print edition with illustrations and design details. 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      <BiographicalNote><![CDATA[<b>Der-shing Helmer&nbsp;</b>is the Eisner-nominated and Ignatz-award winning independent science-fantasy and educational comic artist from the CA Bay Area, now based in the San Diego Area. Der-shing is currently the Managing Editor at Vault Comics. She is a self-taught artist, and has a biology degree from UC Berkeley as well as a formal background in secondary science education.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[<b data-stringify-type="bold">Adam Cahoon&nbsp;</b>is a Senior Designer and Production Lead for Vault Comics. He is a comic book artist best known for&nbsp;<i data-stringify-type="italic">The Nasty</i>&nbsp;from Vault Comics and his self-published comics&nbsp;<i data-stringify-type="italic">The Tuffs, Origin House: Spa and Retreat</i>, and&nbsp;<i data-stringify-type="italic">Anomaly</i>. He is a member of Second Rocket Comics and has design work as well as short comics in the books&nbsp;<i data-stringify-type="italic">Everything Is Different Now</i>&nbsp;from Justin Richards,&nbsp;<i data-stringify-type="italic">Morsels</i>&nbsp;by J Donahue, and&nbsp;<i data-stringify-type="italic">Dead Blood</i>&nbsp;by DB Andry.<BR> <i data-stringify-type="italic">Keep up with Adam Cahoon:</i><BR> <b data-stringify-type="bold"><a data-sk="tooltip_parent" data-stringify-link="http://adamcahoon.com" delay="150" href="http://adamcahoon.com/" rel="noopener noreferrer" target="_blank">adamcahoon.com</a></b><BR> <b data-stringify-type="bold">Bluesky</b>&nbsp;and&nbsp;<b data-stringify-type="bold"><a data-sk="tooltip_parent" data-stringify-link="https://www.instagram.com/adamccahoon/?hl=en" delay="150" href="https://www.instagram.com/adamccahoon/?hl=en" rel="noopener noreferrer" target="_blank">IG</a></b>&nbsp;as @adamccahoon]]></BiographicalNote>
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      <Text><![CDATA[<B><i>THE WHEEL OF TIME </i>meets <i>DEMON SLAYER </i>in the bestselling LitRPG Epic Fantasy Action Adventure series<i> THE PATH OF ASCENSION &#8211; </i>in print and as a Light Novel for the very first time with<i> THE PATH OF ASCENSION (Light Novel) Vol. 4 </i>from Aethon & Vault!</B><BR><BR>The ascension to power continues in Volume 4!<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Orphaned by monsters, Matt must power-up to save others from the same fate.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Matt plans to delve the rifts responsible for the monsters that destroyed his city and murdered his parents. But his dreams are crushed when his Tier 1 Talent is rated as detrimental and no guild or group will take him.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Working at a nearby inn, he meets a mysterious and powerful couple who give him a chance to join the Path of Ascension, an empire-wide race to ascend the Tiers and become living legends.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> With their recommendation and a stolen Skill, Matt begins his journey to the peak of power. Maybe then, he can get vengeance he seeks...<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Experience the start of an action-packed fantasy adventure that blends the best of LitRPG and Progression Fantasy with Xianxia (Chinese for &ldquo;immortal heroes&rdquo; and is Chinese fantasy inspired by Chinese mythology). With more than 5 million views on Royal Road, this hit web serial is new-and-improved - and now in Light Novel format from Vault!<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <i Open Sans", sans-serif; font-size: 14px;">The Path of Ascension (Light Novel) Volumes 1-4</i> narrative corresponds to <i Open Sans", sans-serif; font-size: 14px;">The Path of Ascension, Book 1</i> eBook from Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> About the series: This is a mix between LitRPG and Xianxia. It's like a car that looks like a LitRPG with dungeons and skills, but the interior and engine are all Xianxia. It features a magic system and progression system that are logically and internally consistent, as well as realistic fight scenes and a rational MC.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <i >THE PATH OF ASCENSION (Light Novel) Vol. 4 </i>is for fans of: The <i Open Sans", sans-serif; font-size: 14px;">SUMMONER </i>Series <i Open Sans", sans-serif; font-size: 14px;">(The Novice, The Inquisition, The Battlemage, The Outcast </i>by Taran Matharu<i Open Sans", sans-serif; font-size: 14px;">), The Wheel of Time </i>series (Robert Jordan), <i Open Sans", sans-serif; font-size: 14px;">The Name of the Wind / The Kingkiller Chronicle (</i>Patrick Rothfuss), The <i Open Sans", sans-serif; font-size: 14px;">Traveler&rsquo;s Gate</i> Trilogy (Will Wight), Will Wight&rsquo;s<i Open Sans", sans-serif; font-size: 14px;"> Cradle</i> series<i Open Sans", sans-serif; font-size: 14px;"> , Coiling Dragon, Stellar Transformation, Mark of the Fool, Path of the Dragon Mage, Black Clover, Mother of Learning, Mage Errant, System Universe, I Shall Seal the Heavens, Renegade Immortal, A Hero Born, The Primal Hunter, Defiance of the Fall, Azarinth Healer, Beware of Chicken, The Beginning After the End, A Will Eternal, Amelia the Level Zero Hero, System Reborn/Apocalypse Reincarnation, All the Skills, Sufficiently Advanced Magic, He Who Fights With Monsters, My Necromancer Class, Axis Church vs. Eris Church</i>, <i Open Sans", sans-serif; font-size: 14px;">Kino&rsquo;s Journey, </i>and Brandon Sanderson&rsquo;s Cosmere universe.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <u Open Sans", sans-serif; font-size: 14px;">About Light Novels from Aethon & Vault:</u><br Open Sans", sans-serif; font-size: 14px;" /> All Aethon & Vault Light Novels are based on mega-bestselling LitRPG and Progression Fantasy eBooks published by trailblazing digital Science Fiction and Fantasy publisher, Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;ve read and enjoyed the Aethon eBooks, Aethon & Vault light novels have kept everything you love about those eBooks &#8211; and upped the game. By dividing each original Aethon eBook into two to four Light Novel volumes, Aethon & Vault endeavors to enhance the reading experience by providing an easily-digestible print edition with illustrations and design details. Every Aethon & Vault light novel volume is produced in conjunction with and approved by the author/creator of the bestselling eBook.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Each Aethon & Vault light novel volume contains seven original, exclusive illustrations &#8211; in both full color and black and white - from some of the most talented manga artists and illustrators from around the world, while every page of the book is meticulously designed and embellished with never-before-seen elements taken directly from the narrative heart of the story.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;re already an existing fan and you&rsquo;ve devoured the eBook, now is the time to grab the light novels in print format and widely distributed for the very first time! And if you&rsquo;ve never read any of the bestselling eBooks, this is your opportunity to dive into the intersecting world of Light Novels, LitRPG, Progression Fantasy, Isekai, and Manga!]]></Text>
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      <Text><![CDATA[C.Mantis is the author of the bestselling LitRPG series, <I><B>The Path of Ascension</B></I>.]]></Text>
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      <Text><![CDATA[<b><i>Codex Alera</i> meets <i>Mashle: Magic and Muscles</i> in the bestselling LitRPG Fantasy Action Adventure series<i> ROAD TO MASTERY </i>&#8211; in print and as a Light Novel for the very first time with<i> ROAD TO MASTERY (Light Novel) Vol. 3</i> from AETHON: Vault!</b><BR><BR>Alone. Surrounded by monsters. Armed only with his fists... Time to fight.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Jack Rust was a disillusioned biologist with a PhD&#8212;almost. When an extraterrestrial AI calling itself the System invaded Earth and thrust it into a world of aliens, magic, and violence, Jack hoped to at least get some magic himself.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Nope.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Even worse, the System spawned a forest dungeon around him and a goblin in his face...<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Armed with nothing but his fists, Jack must grow strong enough to survive hordes of monsters. He needs to return to civilization and find out what the heck is going on. He might even get magic&#8212;or not. Surprising himself, Jack discovers that violence is fun.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> In this battle-ridden new world, Jack finds the life he always dreamed about. He won&rsquo;t just survive. He will thrive.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <i Open Sans", sans-serif; font-size: 14px;">Road to Mastery (Light Novel) Volumes 1-3</i> narrative corresponds to <i Open Sans", sans-serif; font-size: 14px;">Road to Mastery, Book 1</i> eBook from Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Don't miss this action-packed new LitRPG Apocalypse Series from Valerios (<i Open Sans", sans-serif; font-size: 14px;">The Twelfth Cataclysm</i> series, the Cultivator vs. System series). Join Jack the brawler as he pummels everything that gets in his way with his fists on his road to mastery and power.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> For fans of: LitRPG/GameLit: <i Open Sans", sans-serif; font-size: 14px;">He Who Fights With Monsters, Cradle</i> series (Will Wight), <i Open Sans", sans-serif; font-size: 14px;">The Primal Hunter</i>, the <i Open Sans", sans-serif; font-size: 14px;">Traveler&rsquo;s Gate Trilogy</i> (Will Wight), <i Open Sans", sans-serif; font-size: 14px;">Defiance of the Fall</i>, <i Open Sans", sans-serif; font-size: 14px;">Dungeon Crawler Carl,</i> and all things Progression Fantasy and LitRPG. Manga/Anime: <i Open Sans", sans-serif; font-size: 14px;">Mashle: Muscles and Magic, One Punch Man, Black Clover, My Hero Academia, A Certain Magical Index, Handyman Saitou in Another World, Grimgar of Fantasy and Ash. </i>Fantasy novels: <i Open Sans", sans-serif; font-size: 14px;">Furies of Calderon</i> (Book 1 in Jim Butcher&rsquo;s <i Open Sans", sans-serif; font-size: 14px;">Codex Alera</i> series), <i Open Sans", sans-serif; font-size: 14px;">Rincewind the Wizzard</i> (Discworld books by Terry Prachett), <i Open Sans", sans-serif; font-size: 14px;">The Darksword Trilogy</i> (Margaret Weis & Tracy Hickman), <i Open Sans", sans-serif; font-size: 14px;">The Rithmatist </i>(Brandon Sanderson), <i Open Sans", sans-serif; font-size: 14px;">The Lies of Lockmorra, Tales of the Black Company, The Reckoners</i> (Brandon Sanderson), Comics/Graphic Novels: Batman, Iron Man, Nick Fury, Captain America, Hawkeye, Green Arrow<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <u >About Light Novels from Aethon & Vault:</u><br Open Sans", sans-serif; font-size: 14px;" /> All Aethon & Vault Light Novels are based on mega-bestselling LitRPG and Progression Fantasy eBooks published by trailblazing digital Science Fiction and Fantasy publisher, Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;ve read and enjoyed the Aethon eBooks, Aethon & Vault light novels have kept everything you love about those eBooks &#8211; and upped the game. By dividing each original Aethon eBook into two to four Light Novel volumes, Aethon & Vault endeavors to enhance the reading experience by providing an easily-digestible print edition with illustrations and design details. Every Aethon & Vault light novel volume is produced in conjunction with and approved by the author/creator of the bestselling eBook.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Each Aethon & Vault light novel volume contains seven original, exclusive illustrations &#8211; in both full color and black and white - from some of the most talented manga artists and illustrators from around the world, while every page of the book is meticulously designed and embellished with never-before-seen elements taken directly from the narrative heart of the story.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;re already an existing fan and you&rsquo;ve devoured the eBook, now is the time to grab the light novels in print format and widely distributed for the very first time! And if you&rsquo;ve never read any of the bestselling eBooks, this is your opportunity to dive into the intersecting world of Light Novels, LitRPG, Progression Fantasy, Isekai, and Manga!]]></Text>
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      <Text><![CDATA[Valerios enjoys letters and numbers. One day, combining them crossed his mind, and now he spends most of his time placing one after the other until something pleasant appears.<BR> <BR>Besides transforming words into worlds, Valerios also enjoys moving figurines over chess boards, spending quality time with quality people, and stubbornly trying to convince machines that cats are not, in fact, dogs.]]></Text>
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      <Text><![CDATA[<b><i>Solo Leveling</i> meets <i>Bleach </i>in the bestselling, hit LitRPG supernatural fantasy series <i>SALVOS</i> - in print and as a Light Novel for the very first time with <i>SALVOS (Light Novel) Vol. 2 </i>from AETHON: Vault!</b><BR><BR>Salvos, a demon from the Netherworld is trapped in the Mortal Realm&hellip; and she wants OUT!<BR> <BR> But she won&rsquo;t be able to claw her way out of this strange world unless she gets stronger than ever before. Alongside her bizarre human friends, she&rsquo;ll learn&#8212;and break&#8212;the rules of a completely different world and face a powerful monster from her past on her quest to return home.<BR> <BR> Other beings might fear a challenge as impossible as hers, but she&rsquo;s no ordinary wild demon&hellip; she is SALVOS! <BR> <BR>This novel is an action-packed monster evolution litrpg fantasy following the adventures of a Demon girl set inside a game-like world with Classes and Levels, but it is <i Open Sans", sans-serif; font-size: 14px;">not</i> inside the world of a video game. For the characters in the novel, the world is as real as the real world is to me and you.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <i >Salvos (Light Novel) Vol. 1-3</i> narrative corresponds to the hit eBook <i >Salvos, Book 1: Curious Beginnings: A Monster Evolution </i>from Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> For fans of: <i Open Sans", sans-serif; font-size: 14px;">Amelia the Level Zero Hero, Lord of Goblins, So I&rsquo;m a Spider, So What?, Paranoid Mage, Worth the Candle, Re: Monarch, The Primal Hunter, Free2Play, Flagbearer, Shogunned, Reborn as a Monster, Undead King, </i>, <i Open Sans", sans-serif; font-size: 14px;">The Beginning After the End, My Best Friend is an Eldritch Horror, </i><i Open Sans", sans-serif; font-size: 14px;">RuriDragon</i>, <i Open Sans", sans-serif; font-size: 14px;">Bleach, Black Torch, Demon Slayer, and Yashahime: Princess Half-Demon.</i><br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <u >About Light Novels from Aethon & Vault:</u><br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> All Aethon & Vault Light Novels are based on mega-bestselling LitRPG and Progression Fantasy eBooks published by trailblazing digital Science Fiction and Fantasy publisher, Aethon Books.<br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> <br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;ve read and enjoyed the Aethon eBooks, Aethon & Vault light novels have kept everything you love about those eBooks &#8211; and upped the game. By dividing each original Aethon eBook into two to four Light Novel volumes, Aethon & Vault endeavors to enhance the reading experience by providing an easily-digestible print edition with illustrations and design details. Every Aethon & Vault light novel volume is produced in conjunction with and approved by the author/creator of the bestselling eBook.<br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> <br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> Each Aethon & Vault light novel volume contains seven original, exclusive illustrations &#8211; in both full color and black and white - from some of the most talented manga artists and illustrators from around the world, while every page of the book is meticulously designed and embellished with never-before-seen elements taken directly from the narrative heart of the story.<br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> <br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;re already an existing fan and you&rsquo;ve devoured the eBook, now is the time to grab the light novels in print format and widely distributed for the very first time! And if you&rsquo;ve never read any of the bestselling eBooks, this is your opportunity to dive into the intersecting world of Light Novels, LitRPG, Progression Fantasy, Isekai, and Manga!]]></Text>
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She hopes one discovery will lead to another and that uncovering the truth behind Owen&rsquo;s curse will help her learn who and what she really is. Axe, for his part, is clearly connected to the old gods, who keep getting mentioned, but all he's hoping for is another drink.<BR> <BR> For fans of <i>BRZRKR!, The Witcher, Conan the Barbarian, Red Sonja, Heathen, Rat Queens, Kings of the Wyld</i>, and <i>Dungeons and Dragons</i>!<BR> <BR> <i>BARBARIC Volume 5: The Long Death</i> collects the entire fifth, completely berserk, three-issue miniseries!<BR> <BR> It&rsquo;s just &hellip; BARBARIC!<BR> <BR> From writer Michael Moreci (<i>Wasted Space, The Plot, Spree</i>, and <i>Revealer</i>) and artist Nathan C. Gooden (<i>Brandon Sanderson's Dark One, The RUSH, Vampire: The Masquerade</i>)!<BR> <BR> <b><u>Own a whole lot of Owen, Axe, and the BARBARIC universe with:</u></b><BR> <i>Barbaric Vol. 1: Murderable Offenses</i> (hardcover)<BR> <i>Barbaric Vol. 1: Murderable Offenses</i> (trade paperback)<BR> <i>Barbaric Vol. 2: Axe to Grind</i> (trade paperback)<BR> <i>Barbaric Vol. 3: Hell to Pay</i> (trade paperback)<BR> <i>Queen of Swords: A Barbaric Tale</i> (trade paperback)<BR> <i>Barbaric Vol. 4: Born in Blood</i> (trade paperback)<BR> <i>Barbaric Vol. 5: The Long Death</i> (trade paperback)<BR> <BR> <b><u>PRAISE FOR BARBARIC</u></b><BR> "<i>Deadpool</i> meets <i>Game of Thrones</i>." - <i>Deadline</i><BR> <BR> &lsquo;One of the &ldquo;10 Best Comics of 2021&hellip;&rdquo; Barbaric took only three issues to establish itself as a first-rate comic.&rsquo; - <i>Entertainment Weekly</i><BR> <BR> &lsquo;One of the &ldquo;Best Comics of 2021&hellip;&rdquo; It's a funny, gory, weird comic with stunning art in muted colors.&rsquo; &#8211; <i>Thrillist</i><BR> <BR> &lsquo;One of the &ldquo;Best Comic Books and Graphic Novels of 2021&hellip;&rdquo; the &ldquo;excellent&hellip;violent, expletive-filled fantasy epic Barbaric never holds back&hellip; It&rsquo;s bloody spectacular.&rdquo;&rsquo; - <i>Screen Rant</i><BR> <BR> "... fantastic!" - Alex Segura (Award-winning and bestselling author of <i>Secret Identity</i>)<BR> <BR> "Man o man! It is a glorious time to be reading comics. Barbaric ... delivers on the action, the violence & the funny! ... a meaty read. Bravo!" --- George G. Gustines (Writer - <i>The New York Times</i>)<BR> <BR> "Don't miss this book!"<BR> Scott Snyder (Writer - <i>American Vampire, Batman, Justice League </i>(DC Comics); <i>Wytches</i> (Image))<BR> <BR> &ldquo;Barbaric is excellent. Beautifully drawn and brilliantly written, it&rsquo;s epic, action-packed, and utterly hilarious.&rdquo;<BR> Nicholas Eames (Author - <i>Kings of the Wyld</i>)<BR> <BR> &ldquo;Barbaric is a riotous, hearty stew of wit and gore&hellip; Long may Owen and Axe trod their bloodstained path, bringing us along for the adventure.&rdquo;<BR> Jonathan French (Author - <i>The Grey Bastards</i>)<BR> <BR> "This comic is absolutely badass. A sentient wise-cracking morally correct axe that punishes the wicked. And its human. SO. DAMNED. GOOD."<BR> John Hornor Jacobs (Author - <i>This Dark Earth, Infernal Machines, A Lush and Seething Hell</i>)<BR> <BR> "This book is seriously great. Do not miss out!"<BR> Darick Robertson (Artist, Co-Creator of <i>The BOYS</i>, Co-Exec Producer)<BR> <BR> "From the legitimate belly laugh ...to the air-punching violence throughout to the eyebrow-raising final page, this is a perfect example of exactly why I read comics. To be entertained. " - <i>Big Comic Page</i><BR> <BR> "<i>Barbaric</i> looks set to be, without a doubt, one of the finest titles Vault has published, an achievement enhanced by the fact most of Vault&rsquo;s line is top tier stuff." - <i>Pipedream Comics</i><BR> <BR> <i>"Barbaric</i> ... really does have that it factor that makes me very excited to read more. There&rsquo;s tons of bloody action, humor, smart ideas, and some heart. This is without question the best debut I've read this year." - <i>Panel Patter</i><BR> <BR> BARBARIC is the best new comic of 2021 and a must-read for all fans of fantasy and action comics." -<i> Kaboooooom</i><BR> <BR> "A visually stunning, incredibly funny, action-packed bloody tale." - <i>Comic Book Yeti</i><BR> <BR> "A raucous and rambunctious read." - <i>The Fanboy Factor</i><BR> <BR> "This book is a wild ride that you just have to experience for yourself. It has all the potential to be one of the best Vault books ever, which is a hard seat to take with so many amazing books." - <i>Wandering Nerd Girl</i><BR> <BR> "This is a highly entertaining book with some absolutely spectacular writing, witty dialogue and fantastic interior artwork." - <i>Reading With A Flight Ring</i>]]></Text>
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      <Text><![CDATA[<B>From <I>New York Times</I> bestselling author Jeremy Robinson, comes <I>NECTAR</I>, a supernatural thriller where horror comes on gossamer wings.</B><BR><BR>An island village off Salem, Massachusetts, is inundated by a strange species of butterflies that spread the Dancing Plague and have a very particular taste in nectar...human blood. <i>New York Times</i> bestselling author Jeremy Robinson and Italian phenom artists Annapaola Martello & Francesco Francini horrify readers with a quaint village&rsquo;s descent into madness.<BR> <BR> For fans of the Netflix series <i>Midnight Mass</i>, Stephen King's <i>Salem's Lot</i>, <i>Let The Right One In</i>, <i>30 Days of Night</i> (Steve Niles and Ben Templesmith) graphic novel and film,<i> Those Across the River,</i> <i>The Witch</i>, and <i>The Town.</i><BR> <BR><u><B>PRAISE FOR <I>NECTAR</I> and JEREMY ROBINSON</B></u><BR> <BR><i>&ldquo;<b>NECTAR </b>is great, cinematic folk horror, absolutely worth your time and money! I love this stuff!&rdquo; </i> &#8212;Christopher Golden (<i>New York Times </i>and Bram Stoker Award-winning author of <i>Road of Bones, All Hallows</i>, and <i>Red Hands</i>)<BR> <BR>&ldquo;<I><B>NECTAR</B></I> i<I>s a creepy-cool comic that proves there&rsquo;s horror everywhere! A fast-paced nail-biter of a script, superb art, and moody colors combine to make this a must-have! Highly recommended!&rdquo;</I> -Jonathan Maberry (<I>New York Times</I> bestselling author and 5-time Bram Stoker Award winner of <I>V-Wars, Rot & Ruin, Black Panther: DoomWar, Bad Blood,</I> and the Joe Ledger series)<BR> <BR>&ldquo;<I><B>NECTAR </B></I>i<I>s the kind of horror comic that crawls under your skin&#8212;gorgeous, grotesque, and completely fearless. A rare creature and a stunning debut.&rdquo; </I>--Sean Murphy (<I>Batman, American Vampire, Hellblazer</I>)<BR> <BR><I>"A truly unique and disturbing tale. A great read! &ldquo;</I> &#8212;Shawn McManus (Artist: <I>Sandman, Swamp Thing, </I>and <I>Fables</I>)<BR> <BR>&ldquo;<I>Jeremy Robinson is the only writer since Hitchcock who's been able to blend suspense, sci-fi, paranormal, and the supernatural together seamlessly.&rdquo; </I><i >&#8212;Suspense Magazine</i>]]></Text>
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      <Text><![CDATA[<B>Right now, your brain is selling you a story about who you are, what's true, and what you should believe. </B><BR> <BR><B>And you're buying it, even when it sabotages your success.</B><BR><BR>In <i>Inner Propaganda</i>, psychologist Owen Fitzpatrick reveals the internal persuasion system shaping your thoughts, your decisions, and your reality. After decades studying external propaganda, from witnessing first-hand modern influence operations in North Korea, Afghanistan, and Washington D.C., to analyzing the incredible double agent who helped change the outcome of World War II, Fitzpatrick reached a startling conclusion:<BR> <BR> The same tactics that sway nations also operate inside each of us.<BR> <BR> Your mind has its own propaganda machine. It manufactures certainty, reinforces old narratives, and keeps you loyal to beliefs that no longer serve you. And in an era of infinite information and AI-generated content, these internal distortions intensify&#8212;making it nearly impossible to distinguish between genuine insight and manufactured conviction.<BR> <BR> But understanding your own propaganda is the key to understanding everyone else's. Once you see how your brain manipulates you, you finally understand why others believe what they believe. As the current media landscape fragments our relationships, this can help you bridge divides rather than deepen them.<BR> <BR> To do this, he offers a deceptively simple framework: <b>Feels Right, Fits In, Makes Sense</b>&#8212;three forces that explain why ideas take hold, why we cling to them even when they harm us, and how to reshape beliefs that actually support better mental health, clearer decision-making, and stronger leadership.<BR> <BR> Fitzpatrick's insights come from deep research and lived experience. Early struggles with mental health set him on a lifelong path to understand how beliefs form and how they can change&#8212;a journey that led him to study the science of influence at Harvard and MIT and advise organizations across 33 countries. Through that work, he explains:<BR> <ul> <li dir="ltr">Why the inner voice you trust most might be lying to you</li> <li dir="ltr">Why smart leaders make terrible decisions</li> <li dir="ltr">Why teams resist great strategies</li> <li dir="ltr">Why the harder you argue, the more people dig in</li> </ul> <BR><BR> Your inner story war never ends.<BR> <BR> <b>But now, you can choose which side wins.</b>]]></Text>
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      <Text><![CDATA[&ldquo;Owen Fitzpatrick puts his finger on something every great leader eventually learns the hard way: power rests on belief long before it rests on force. <i>Inner Propaganda</i> shows you how to shape belief ethically &mdash; starting with your own &mdash; and it&#39;s the playbook these turbulent times demand&rdquo;. <b>&ndash;&ndash;TONY ROBBINS, Philanthropist, Global Businessman, and #1 New York Times Bestselling Author</b><BR> <BR> &quot;Your brain isn&#39;t a neutral narrator. It&#39;s a double agent that&rsquo;s running influence operations on you around the clock. <I>Inner Propaganda</I> reverse engineers this hidden system, revealing how false stories take hold, why they stick, and how to rewrite them before they silently distort your decisions.&rdquo;&nbsp;<b>&ndash;&ndash;DANIEL H. PINK, #1 New York Times bestselling author of DRIVE and THE POWER OF REGRET</b><BR> <BR> &ldquo;<i>Inner Propaganda</i> provides something we haven&rsquo;t seen before. It shows us not just how we form and select the beliefs that shape our thinking but, as well, how they take root and dictate our decision-making. Best of all, it provides clear steps for how to take control of these powerful inner accounts and transform them to lead to better life choices.&rdquo; <b>&ndash;&ndash;ROBERT CIALDINI, Author of <i>Influence</i> and <i>Pre-Suasion</i></b><BR> <BR> &ldquo;We&rsquo;re very good at spotting bias in other people, but often blind to it in ourselves. That&rsquo;s what makes it so powerful. If you&rsquo;ve ever been certain and wrong,&nbsp;<I>Inner Propaganda</I>&nbsp;is the book you didn&rsquo;t know you need.<b>&rdquo;<i>&nbsp;&ndash;&ndash;JONAH BERGER, Bestselling Author of Contagious and The Catalyst</i></b><BR> <BR> &ldquo;People think their thoughts are about reality. They&#39;re not. They&#39;re about the last time they thought the same thought. <i>Inner Propaganda</i> pulls the curtain back on that magic show &mdash; and the moment you can see the trick, you&#39;re already free of it.&rdquo; <b>&ndash;&ndash;DR. RICHARD BANDLER, Co-Creator of NLP&nbsp;</b><BR> <BR> &ldquo;<i>Inner Propaganda</i> makes a crucial argument that the belief systems tearing us apart aren&rsquo;t just imposed from outside, they&rsquo;re constructed from within. As Fitzpatrick teaches you how stories hijack your beliefs, he&rsquo;s demonstrating it in real time. Hard book to put down (which is part of the point)!&rdquo; &ndash;&ndash;<b>ZOE CHANCE, Bestselling Author of <i>Influence Is Your Superpower</i></b><BR> <BR> &ldquo;Before we can influence others, we must understand the stories shaping their thinking. <i>Inner Propaganda</i> exposes the hidden narratives that drive belief and behavior and helps leaders guide hearts and minds with intelligence and empathy.&rdquo;<b> &ndash;&ndash;PHIL M. JONES, Author of <i>Exactly What to Say</i></b><BR> <BR> &ldquo;Your brain is a powerful storyteller, and not always a reliable one. Owen Fitzpatrick&rsquo;s <i>Inner Propaganda</i> is a sharp, eye-opening look at the hidden narratives driving our beliefs and the influence they hold over our lives.&rdquo; <b>&ndash;&ndash;HENNA PRYOR, Author of <i>Good Awkward</i></b><BR> <BR> &ldquo;<i>Inner Propaganda</i> makes the case that your brain isn&rsquo;t always on your side. Then it goes on to lay out a detailed blueprint for how to turn it into your greatest ally and most powerful advantage. Owen Fitzpatrick has given us the kind of book Robert Cialdini might have written if his interest was in how to influence ourselves rather than other people.&rdquo; <b>&ndash;&ndash;MICHAEL F. SCHEIN, Author of The Hype Handbook &nbsp;</b><BR> <BR> &ldquo;Leadership is hard. Juggling different realities&mdash;stakeholders, shareholders, and teams&mdash;is part of the job. The problem is that we don&rsquo;t see the world as it is; we see it as our beliefs require it to be. That single truth is leadership&rsquo;s biggest blind spot. <i>Inner Propaganda</i> cuts straight to the level that actually drives everything: meaning. It exposes the hidden mechanism behind your decisions, your culture, and your results. Owen Fitzpatrick has masterfully laid out a path for leaders pursuing genuine excellence to develop the kind of self-awareness most leaders avoid.&rdquo; <b>&ndash;&ndash;</b><b>DOV BARON, Architect of the Emotional Source Code and the Anatomy of Meaning, Multi-Bestselling Author, 5x Global Leadership Guru</b><BR> <BR> &ldquo;If you&#39;re a human in the world today, you need this book. This book is a deep dive into what makes you tick, why and how you believe what you do, and how you can influence yourself to change those beliefs to better your life, your work, and your relationships. If you&#39;re a leader in the world today, you need this book times two. By learning your own inner propaganda, you&#39;ll learn the best way to positively influence those you work with improving work culture, performance, innovation, and engagement.&rdquo; <b>&ndash;&ndash;CAIT DONOVAN, Author of <i>The Match Move</i> and Burnout &amp; Leadership Expert</b><BR> <BR> &ldquo;<i>Inner Propaganda</i> is the kind of book that makes you stop and question the voice in your own head. Owen Fitzpatrick takes a complex idea&mdash;how our beliefs are shaped and manipulated&mdash;and makes it both accessible and deeply personal. It&rsquo;s a sharp, thought-provoking read that challenges you to take back control of the stories you believe.&rdquo; <b>&ndash;&ndash;DR. MARSHALL GOLDSMITH, Thinkers50 #1 Executive Coach and <i>New York Times</i>&nbsp;Bestselling Author of <i>The Earned Life</i>, <i>Triggers</i>, and <i>What Got You Here Won&rsquo;t Get You There</i></b><BR> <BR> &ldquo;<i>Inner Propaganda</i> is a masterclass in how beliefs shape our behavior, decisions, and leadership. Owen Fitzpatrick brilliantly unpacks the invisible psychological forces that guide what we think is true. If you want to understand why people believe what they believe&mdash;and how to lead hearts and minds in an age of misinformation&mdash;this book is essential reading!&rdquo; <b>&ndash;&ndash;HOWIE CHAN, Host of The Influence Anyone Podcast</b><BR> <BR> &quot;Beliefs aren&#39;t conclusions. They&#39;re constructions&mdash;built from emotion, identity, and narrative long before rationality ever enters the room. Owen Fitzpatrick shows you exactly how that construction works, which means you can finally stop being its unwitting architect. <I>Inner Propaganda</I> will change what you think persuasion is&mdash;and where it starts.&quot;<b> &ndash;&ndash;TAMSEN WEBSTER, Author of SAY WHAT THEY CAN&rsquo;T UNHEAR</b>]]></Text>
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      <Text><![CDATA[<B>A girl searches for her lost dog and truths about her family in this heartwarming, poignant illustrated novel in verse from Jamie Sumner, the acclaimed author of <I>Roll with It</I>.</B><BR><BR><I>Disappeared. Vanished. Vamoosed.</I><BR> <BR>Glory has the best dog in the world. Roux wags his tail so hard his whole round little body shakes. He touches his nose to hers like E.T. phoning home. Roux is always there for her&#8212;but now he&rsquo;s gone. And Glory is worried her daddy had something to do with it.<BR> <BR>Daddy&rsquo;s been getting into trouble since the day Glory was born. Now it&rsquo;s worse than worse. As she searches all over New Orleans for her lost pup, Glory discovers some things about her city and herself. Enough to make her wonder: How do you know when to hang on to the ones you love&hellip;and when to let go?]]></Text>
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      <Text><![CDATA[Jamie Sumner is the author of the&nbsp;Roll with It trilogy,&nbsp;<I>Tune It Out</I>,&nbsp;<I>One Kid&rsquo;s Trash</I>,&nbsp;<I>The Summer of June</I>,&nbsp;<I>Maid for It</I>,&nbsp;<I>Deep Water</I>,&nbsp;<I>Please Pay Attention</I>,&nbsp;<I>Schooled</I>,&nbsp;<I>Glory Be</I>, and&nbsp;<I>Wish You Well</I>.&nbsp;Her work has appeared in&nbsp;<I>The</I>&nbsp;<I>New York Times</I>,&nbsp;<I>The Washington Post</I>, and other publications. She loves stories that celebrate the grit and beauty in all kids. She&nbsp;is also the mother of a son with cerebral palsy and has written extensively about parenting a child with special needs. She and her family live in Nashville, Tennessee.&nbsp;Visit her at Jamie-Sumner.com.&nbsp;]]></Text>
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      <Text><![CDATA[1. Glory Be <link rel="stylesheet" type="text/css" href="../styles/9781665905732.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <h2 id="ch01_hd" >GLORY BE</h2> <BR>Legend has it<BR> <BR>the second my mama pushed me<BR> <BR>out<BR> <BR>she took one look<BR> <BR>and said, &ldquo;Glory be!&rdquo;<BR> <BR>The nurse mopping sweat<BR> <BR>drip<BR> <BR>drip<BR> <BR>drip<BR> <BR>p<BR> <BR>i<BR> <BR>n<BR> <BR>g<BR> <BR>from Mama&rsquo;s forehead uttered, &ldquo;Amen,&rdquo;<BR> <BR>and that&rsquo;s how I became &ldquo;Glory.&rdquo;<BR> <BR>Not Gloria,<BR> <BR>like the old ladies smoking Camels, gossiping in lawn chairs<BR> <BR>morning noon night.<BR> <BR>I&rsquo;m Glory.<BR> <BR>The gold at the end of the rainbow.<BR> <BR>The lucky charm.<BR> <BR>The black-haired blessing,<BR> <BR>or if I&rsquo;ve been sassy,<BR> <BR>&ldquo;glory, glory hallelujah,&rdquo;<BR> <BR>with a shake of the head<BR> <BR>because it is always a battle with me.<BR> <BR>Mama, though, she claims my name<BR> <BR>had nothing to do with luck or God.<BR> <BR>She was just glad that labor was<BR> <BR><i>D.O.N.E.</i> Done.<BR> <BR>Either way, I was Glory from that day forward.<BR> <BR>Where was my daddy, you ask?<BR> <BR>Good question.<BR> <BR>THE question, really,<BR> <BR>because that answer explains everything that&rsquo;s<BR> <BR>led<BR> <BR>up<BR> <BR>to<BR> <BR>TODAY:<BR> <BR>nine years later<BR> <BR>and one day after<BR> <BR>my dog, Roux, disappeared<BR> <BR>vanished<BR> <BR>vamoosed<BR> <BR>and now is nothing but a dot of light in my heart.<BR> <BR><i>That&rsquo;s</i> why I am walking this very crooked line<BR> <BR>along the burnt-up summer grass<BR> <BR>behind the school<BR> <BR>instead of sitting in my seat<BR> <BR>like the &ldquo;good little girl&rdquo; Ms. Roche always tells me to be.<BR> <BR>I am a girl.<BR> <BR>But I am not good.<BR> <BR>And I am not little.<BR> <BR>Sorry, Ms. Roche,<BR> <BR>you&rsquo;re out of luck,<BR> <BR>because Glory be GONE and she ain&rsquo;t coming back<BR> <BR>until she finds her dog.<BR> </section>]]></Text>
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      <Text><![CDATA[<b >&ldquo;</b>This verse novel, rife with New Orleans vernacular and sensory descriptions of Glory&rsquo;s somewhat rough neighborhood, focuses on a little kid dealing with big stuff. . . . With an ending that&rsquo;s just the right amount of bittersweet, containing both hope and ambiguity, Glory shows readers that even in tough situations, &lsquo;NOLA&rsquo;s got all kind of magic if you keep your head up.&rsquo;&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Sumner&rsquo;s rhythmic verse suits Glory&rsquo;s feisty voice and outsize personality. . . . Sumner sensitively considers the harsh realities of loving someone who can turn violent, but tender bonds of friendship and gentle humor alleviate the darkness as Glory comes to accept some difficult truths . . . Seeded with love and hope, a tale that nevertheless addresses turmoil and pain.&rdquo;]]></Text>
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      <Text><![CDATA[When Clarity started a summer romance with fellow camper Hannah at her Christian sleepaway camp, she was hesitant to label herself as gay, and even more so when she was outed by some judgmental counselors in a decidedly conservative environment. The fallout has been rough but limited&mdash;her camp friends have cut her off, but the director took Clarity&rsquo;s professed apology to heart and chose not to notify Clarity&rsquo;s Baptist parents. Her plans to stay on the straight and narrow her senior year, however, are quickly derailed by none other than Hannah, who volunteers to be Clarity&rsquo;s co-president of the annual autumn festival. Hormones and emotions take over, and they are soon happily smooching in secret, but Clarity can only ask Hannah, who is notably out, to stay in the closet with her for so long. Irrational, selfish, and capable of some seriously bad decision making, Clarity is nonetheless entirely sympathetic as she tries to reconcile her sexuality with her faith, figuring out who she wants to be and whose disappointment&mdash;and even disgust&mdash;she can bear. Her romance with Hannah is a headlong dive into hot and heavy makeout sessions, but their connection clearly is not just physical: Clarity can fully be herself with Hannah, and Hannah adores Clarity enough to keep their secret, even when it&rsquo;s painful. Clarity&rsquo;s struggle with Christianity is more with the judgement of the people who practice it than the love of her God, but Richardson offers a thoughtful portrayal of loving parents who are devout without being dismissive and who ultimately fully embrace their daughter when she begins to live life as her authentic self.&nbsp; KQG]]></Text>
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      <Text><![CDATA[A queer teen must decide how far she&rsquo;s willing to go to live her truth in this tender sapphic romance from Richardson (<I>The Meet-Cute Project</I>). When 18-year-old Clarity arrives at Christian Camp Refuge as a counselor, she&rsquo;s expecting a quiet summer minding the younger campers. During her first night there, she encounters classmate and fellow counselor Hannah. Though they rarely interact at school, Clarity suddenly senses a spark between them that makes her feel &ldquo;more tethered to my own life than I&rsquo;d felt in a long time.&rdquo; The girls keep their developing romantic relationship secret from their peers, but when they&rsquo;re found out, Clarity struggles to deal with the resulting alienation from her coworkers. Resolving to avoid a similar fallout at home, Clarity breaks up with Hannah and hides her revelation about her sexual identity from her family. But after Clarity and Hannah are made copresidents of their school&rsquo;s festival committee, Clarity must confront their past relationship. &ldquo;Then&rdquo; and &ldquo;Now&rdquo; chapters deftly alternate between vulnerable moments throughout the teens&rsquo; romance and their strained present-day dynamic. The love interests&rsquo; joyful interactions&mdash;instigated primarily by patient and gentle Hannah&mdash;buoy Clarity&rsquo;s charged attempts at grappling with her shifting identity and perception of her religious faith. Clarity is Black; Hannah cues as white. Ages 12&ndash;up.&nbsp;<I>Agent: John Cusick, Folio Jr. (Apr.)</I>]]></Text>
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      <Text><![CDATA[Because of the fallout of &ldquo;the Incident,&rdquo; Clarity Jones keeps her relationship with Hannah Fitzpatrick a secret.<BR> <BR> At Camp Refuge, a Christian summer camp run by her family&rsquo;s church, Clarity (who&rsquo;s Black) grows closer to fellow camp counselor and classmate Hannah (who&rsquo;s cued white), discovering a part of herself that just feels right. But when they&rsquo;re caught kissing by other counselors, Clarity experiences the sting of her peers&rsquo; disapproval of her sexuality&mdash;something she still doesn&rsquo;t have totally figured out. One thing she knows is that she&rsquo;s not ready to come out to her Baptist parents, so she avoids Hannah for the last week of camp. Clarity&rsquo;s senior year becomes a series of obstacles, testing her ability to keep her secret: Her best friend, Kristen, tries to set her up with a boy; the camp director, Mrs. Patricia, who knows about what happened with Hannah, wants Clarity to be her Sunday school assistant; and Clarity is forced to be around Hannah because they&rsquo;re co-presidents of their school&rsquo;s festival committee. While aspiring to embody her name, Clarity also yearns to figure things out at her own pace, offering a refreshingly honest reminder that developing self-knowledge is a complex and nuanced journey. Her anxiety over being outed, her struggle with faith, and the impact of hiding her true self from the most important people in her life unequivocally tugs at the heart.<BR> <BR> A heartwarming and introspective story about coming out while coming of age.]]></Text>
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      <Text><![CDATA[<b>A middle school boy gets drawn into his new town&rsquo;s intense summer game of capture the flag in this </b><b>&ldquo;</b><b>thrilling</b><b>&hellip;</b><b>often profound</b><b>&rdquo;</b><b> (<i>Booklist</i>, starred review)</b><b> slice-of-life graphic novel debut perfect for fans of The Cardboard Kingdom and <i>Craig of the Creek</i>.</b><BR><BR>When Fred Townsend and his family move to Lakeside, Illinois, Fred is inducted into a game of capture the flag that has split the entire town in two. But this isn&rsquo;t a normal game. It&rsquo;s been going on for decades and has been passed down from generation to generation. It has its own history, laws, and institutions, with elaborate castle-like bases, dreary prisons, kid-run saloons, and even a council of home-schooled kids that preside over the rules of the game.<BR> <BR>But for Fred, and all of Lakeside&rsquo;s kids, this unending war is not just about winning&#8212;it&rsquo;s also about learning how you want to fit into the world, the power of friendship, and making sure this summer is one they will never forget.]]></Text>
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      <Text><![CDATA[J.D. Amato is a writer based in Astoria, New York. He is best known for his work in comedy television. Outside of writing, he is an amateur distance runner and loves colorful things.<BR><BR>Sophie Morse is an illustrator based in Boston. After graduating from Rhode Island School of Design, she has been working in publishing and editorial. She dreams of one day living in a tiny shack by the ocean with 200 dogs.]]></Text>
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      <Text><![CDATA[Fred&rsquo;s dad&rsquo;s job has the family moving around a lot, so Fred is not about to get attached to anyone in Lakeside, Illinois, knowing he&rsquo;ll just have to say goodbye in a couple of months anyway. Lakeside, however, is different from the other towns he&rsquo;s lived in; here, the kids&rsquo; lives are dominated by a decades-long game of capture the flag, and the Downhill kids are happy for new recruits in their battle against their nemesis, the Uphill kids. Jamie, the Uphill King, has gotten even more ruthless since last summer, when he framed Mike, the then Downhill king, for tagging a public building, an act of delinquency that landed Mike a stint in Montana at his grandparents&rsquo; place. The Downhill kids are dead set on clearing Mike&rsquo;s name and finally capturing the flag, and Fred might be a key player in doing so. A bit like Lakeside&rsquo;s endless game itself, this graphic novel is both silly and emotional, with low stakes that nonetheless feel compelling as readers get to know a deeply sympathetic Fred and his new group of ragtag friends. The game has been handed down from parent to child for years, so readers who themselves are dealing with parental expectations of competition might recognize the subtle indications that plenty of the players would love to define themselves outside of the game. In a way, however, that makes their participation all the more poignant and even a little noble&mdash;none of them will leave the game or abandon their teammates. Character design and style have a retro Archie-comic appeal but with more earthy, muted tones that lend focus and weight, while the structured paneling is disrupted in moments of high drama. Fans who have outgrown Weinersmith&rsquo;s <I>Bea Wolf</I> (BCCB 1/23) will appreciate this title&rsquo;s cheeky irreverence and pure celebration of the worlds kids create with imagination and fervor.&nbsp; KQG]]></Text>
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      <Text><![CDATA[*Have you heard the legend of the two towns divided by a stream, where for decades the children compete at a game that lasts until they become adults and their own children take their places?In concept, Amato&rsquo;s graphic novel rings with the power of a folktale, but this thrilling, characterful, and deep story could hardly be more relevant or contemporary. The rules and mythology of this vast, super-high-stakes game of capture the flag will resonate in the imagination of every reader who&rsquo;s ever run through a field or down a block, an irresistible invitation of investment that only redoubles with its complex, diverse cast. While the emotional through line belongs to Fred, a new arrival cursed with an ever-relocating family, every character gets their well-earned moments of growth, drama, and victory. Morse and Calhoun&rsquo;s art resonates further still, with its summer light, its gripping action design, and its idiosyncratic faces. Just beneath the surface of all the raucous fun are questions resonating with immediacy: How do you overcome opposition that lies, cheats, and intimidates but is never held accountable? How does friendship and teamwork bring out the very best in us? And, more distantly and disturbingly, what are the implications of a community devoting itself to a traditional practice over generations without question? Deeply satisfying and often profound.&nbsp;&nbsp;]]></Text>
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      <Text><![CDATA[Fred is the new kid in town, again. He is used to moving and tries to fly under the radar because he knows he&rsquo;s going to move again soon. But Lakeside, IL, is different. Every kid in town is caught up in one of the longest and most intense games of capture the flag to ever exist, a competition that has been running for generations. When Fred is pulled into the fray, his newfound friends show him the ropes. With that, Fred is determined to enjoy this summer and talk his parents into not moving again. This is an adventurous and fun tale about finding a place to belong to, even when it feels like an impossible task. Amato weaves in underlying messages about fitting in, friendship, and carrying on traditions. The graphics are vibrant and easy to follow, while each character has their own style and personality that shines through in their depictions. Fred cues white, his friends are depicted with a range of skin tones and hair textures. VERDICT An enjoyable, approachable story about being the new kid that would be a good addition to any library.]]></Text>
      <TextAuthor>School Library Journal</TextAuthor>
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      <Text><![CDATA[In Lakeside, Illinois, generations of neighborhood kids have competed in an epic battle of capture the flag.<BR> <BR> Fred Townsend and his family arrive in the summer of 1998. Fred moves often for his father&rsquo;s job, and he dreads being the new kid again. When white-presenting Fred meets his neighbor Rusty, who appears Black, he&rsquo;s pulled into the town&rsquo;s capture the flag game&mdash;a tradition dating back to 1923. Intended to ease tensions between Uphill and Downhill, the two halves of town, it only made the rivalry stronger. Today, the game includes kings, castles, jails, and the nonpartisan rule enforcers the Council of Homeschool Kids. Fred joins Downhill amid chaos: King Mike was framed for spraying graffiti and banished. The new leader, King Raquel, must juggle winning with pressures to prove Mike&rsquo;s innocence. Visually, the teams are worlds apart: Downhill players are portrayed in soothing earth tones with a faint golden glow, and the members have individual styles, while Uphill members, whose panels feature cooler tones, stick to matching button-down shirts and dark pants, and several are named Matt. The teams&rsquo; looks reflect their worldviews: Downhill values individual strengths, while Uphill depends on conformity and obedience. The racially diverse players on both teams feel real and complex, showing that people are more than just &ldquo;good&rdquo; or &ldquo;bad.&rdquo; Together, they realize winning isn&rsquo;t about the flag&mdash;it&rsquo;s about friendship and discovering one&rsquo;s unique purpose.<BR> <BR> A nostalgic celebration of childhood and how it helps shape who we become.]]></Text>
      <TextAuthor>Kirkus</TextAuthor>
      <TextSourceTitle>March 1, 2026</TextSourceTitle>
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      <Text><![CDATA[In summer 1998, middle schooler Fred Townsend and his family move to Lakeside, Ill., where children have been playing a town-wide game of capture the flag since 1923. What began as a way to unite the feuding youths of Uphill and Downhill Lakeside, however, has evolved into an even more intense rivalry, whose grudges continue to grow with each generation, further polarizing already combative divisions. Fred quickly falls in with the Downhill kids, who school him in the game&rsquo;s history, rules, and everyone&rsquo;s carefully defined roles, and tour him around their grand headquarters and eerie jail cells. As Fred becomes embroiled in the serious business of this everlasting war&mdash;including the intense competition, cheating, and corruption that commands the kids&rsquo; days from 11 a.m. until the streetlights go on&mdash;he learns hard-won lessens in friendship, teamwork, problem-solving, and self-awareness. Morse&rsquo;s stylized cartooning depicts children of various abilities, body types, and skin tones discovering personal strengths while doing whatever it takes to come out on top. Nostalgic, slice-of-life storytelling by Amato bursts with absurd action and cheerful intrigue, making this double debut an winning pick for reluctant and savvy readers alike. Ages 8&ndash;12.&nbsp;<I>Illustrator&rsquo;s agent: Charlie Olsen, InkWell Management. (Apr.)</I>]]></Text>
      <TextAuthor>Publishers Weekly</TextAuthor>
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      <Text><![CDATA[<b>A middle school boy gets drawn into his new town&rsquo;s intense summer game of capture the flag in this </b><b>&ldquo;</b><b>thrilling</b><b>&hellip;</b><b>often profound</b><b>&rdquo;</b><b> (<i>Booklist</i>, starred review)</b><b> slice-of-life graphic novel debut perfect for fans of The Cardboard Kingdom and <i>Craig of the Creek</i>.</b><BR><BR>When Fred Townsend and his family move to Lakeside, Illinois, Fred is inducted into a game of capture the flag that has split the entire town in two. But this isn&rsquo;t a normal game. It&rsquo;s been going on for decades and has been passed down from generation to generation. It has its own history, laws, and institutions, with elaborate castle-like bases, dreary prisons, kid-run saloons, and even a council of home-schooled kids that preside over the rules of the game.<BR> <BR>But for Fred, and all of Lakeside&rsquo;s kids, this unending war is not just about winning&#8212;it&rsquo;s also about learning how you want to fit into the world, the power of friendship, and making sure this summer is one they will never forget.]]></Text>
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      <Text><![CDATA[J.D. Amato is a writer based in Astoria, New York. He is best known for his work in comedy television. Outside of writing, he is an amateur distance runner and loves colorful things.<BR><BR>Sophie Morse is an illustrator based in Boston. After graduating from Rhode Island School of Design, she has been working in publishing and editorial. She dreams of one day living in a tiny shack by the ocean with 200 dogs.]]></Text>
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      <Text><![CDATA[Gr 3-8&ndash;Fred is the new kid in town, again. He is used to moving and tries to fly under the radar because he knows he&rsquo;s going to move again soon. But Lakeside, IL, is different. Every kid in town is caught up in one of the longest and most intense games of capture the flag to ever exist, a competition that has been running for generations. When Fred is pulled into the fray, his newfound friends show him the ropes. With that, Fred is determined to enjoy this summer and talk his parents into not moving again. This is an adventurous and fun tale about finding a place to belong to, even when it feels like an impossible task. Amato weaves in underlying messages about fitting in, friendship, and carrying on traditions. The graphics are vibrant and easy to follow, while each character has their own style and personality that shines through in their depictions. Fred cues white, his friends are depicted with a range of skin tones and hair textures. VERDICT An enjoyable, approachable story about being the new kid that would be a good addition to any library.&ndash;Harley Smith]]></Text>
      <TextSourceTitle>School Library Journal&#160;</TextSourceTitle>
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      <Text><![CDATA[Gr 3-8&ndash;Fred is the new kid in town, again. He is used to moving and tries to fly under the radar because he knows he&rsquo;s going to move again soon. But Lakeside, IL, is different. Every kid in town is caught up in one of the longest and most intense games of capture the flag to ever exist, a competition that has been running for generations. When Fred is pulled into the fray, his newfound friends show him the ropes. With that, Fred is determined to enjoy this summer and talk his parents into not moving again. This is an adventurous and fun tale about finding a place to belong to, even when it feels like an impossible task. Amato weaves in underlying messages about fitting in, friendship, and carrying on traditions. The graphics are vibrant and easy to follow, while each character has their own style and personality that shines through in their depictions. Fred cues white, his friends are depicted with a range of skin tones and hair textures. VERDICT An enjoyable, approachable story about being the new kid that would be a good addition to any library.&ndash;Harley Smith]]></Text>
      <TextSourceTitle>School Library Journal&#160;</TextSourceTitle>
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      <Text><![CDATA[Fred&rsquo;s dad&rsquo;s job has the family moving around a lot, so Fred is not about to get attached to anyone in Lakeside, Illinois, knowing he&rsquo;ll just have to say goodbye in a couple of months anyway. Lakeside, however, is different from the other towns he&rsquo;s lived in; here, the kids&rsquo; lives are dominated by a decades-long game of capture the flag, and the Downhill kids are happy for new recruits in their battle against their nemesis, the Uphill kids. Jamie, the Uphill King, has gotten even more ruthless since last summer, when he framed Mike, the then Downhill king, for tagging a public building, an act of delinquency that landed Mike a stint in Montana at his grandparents&rsquo; place. The Downhill kids are dead set on clearing Mike&rsquo;s name and finally capturing the flag, and Fred might be a key player in doing so. A bit like Lakeside&rsquo;s endless game itself, this graphic novel is both silly and emotional, with low stakes that nonetheless feel compelling as readers get to know a deeply sympathetic Fred and his new group of ragtag friends. The game has been handed down from parent to child for years, so readers who themselves are dealing with parental expectations of competition might recognize the subtle indications that plenty of the players would love to define themselves outside of the game. In a way, however, that makes their participation all the more poignant and even a little noble&mdash;none of them will leave the game or abandon their teammates. Character design and style have a retro Archie-comic appeal but with more earthy, muted tones that lend focus and weight, while the structured paneling is disrupted in moments of high drama. Fans who have outgrown Weinersmith&rsquo;s <I>Bea Wolf</I> (BCCB 1/23) will appreciate this title&rsquo;s cheeky irreverence and pure celebration of the worlds kids create with imagination and fervor.&nbsp; KQG]]></Text>
      <TextAuthor>BCCB</TextAuthor>
      <TextSourceTitle>March 2026 Issue</TextSourceTitle>
    </OtherText>
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      <Text><![CDATA[*&nbsp;Have you heard the legend of the two towns divided by a stream, where for decades the children compete at a game that lasts until they become adults and their own children take their places?In concept, Amato&rsquo;s graphic novel rings with the power of a folktale, but this thrilling, characterful, and deep story could hardly be more relevant or contemporary. The rules and mythology of this vast, super-high-stakes game of capture the flag will resonate in the imagination of every reader who&rsquo;s ever run through a field or down a block, an irresistible invitation of investment that only redoubles with its complex, diverse cast. While the emotional through line belongs to Fred, a new arrival cursed with an ever-relocating family, every character gets their well-earned moments of growth, drama, and victory. Morse and Calhoun&rsquo;s art resonates further still, with its summer light, its gripping action design, and its idiosyncratic faces. Just beneath the surface of all the raucous fun are questions resonating with immediacy: How do you overcome opposition that lies, cheats, and intimidates but is never held accountable? How does friendship and teamwork bring out the very best in us? And, more distantly and disturbingly, what are the implications of a community devoting itself to a traditional practice over generations without question? Deeply satisfying and often profound.&nbsp;&nbsp;]]></Text>
      <TextAuthor>Booklist Review, STARRED</TextAuthor>
      <TextSourceTitle>03/01/2026</TextSourceTitle>
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      <Text><![CDATA[In Lakeside, Illinois, generations of neighborhood kids have competed in an epic battle of capture the flag.<BR> <BR> Fred Townsend and his family arrive in the summer of 1998. Fred moves often for his father&rsquo;s job, and he dreads being the new kid again. When white-presenting Fred meets his neighbor Rusty, who appears Black, he&rsquo;s pulled into the town&rsquo;s capture the flag game&mdash;a tradition dating back to 1923. Intended to ease tensions between Uphill and Downhill, the two halves of town, it only made the rivalry stronger. Today, the game includes kings, castles, jails, and the nonpartisan rule enforcers the Council of Homeschool Kids. Fred joins Downhill amid chaos: King Mike was framed for spraying graffiti and banished. The new leader, King Raquel, must juggle winning with pressures to prove Mike&rsquo;s innocence. Visually, the teams are worlds apart: Downhill players are portrayed in soothing earth tones with a faint golden glow, and the members have individual styles, while Uphill members, whose panels feature cooler tones, stick to matching button-down shirts and dark pants, and several are named Matt. The teams&rsquo; looks reflect their worldviews: Downhill values individual strengths, while Uphill depends on conformity and obedience. The racially diverse players on both teams feel real and complex, showing that people are more than just &ldquo;good&rdquo; or &ldquo;bad.&rdquo; Together, they realize winning isn&rsquo;t about the flag&mdash;it&rsquo;s about friendship and discovering one&rsquo;s unique purpose.<BR> <BR> A nostalgic celebration of childhood and how it helps shape who we become.]]></Text>
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      <Text><![CDATA[In summer 1998, middle schooler Fred Townsend and his family move to Lakeside, Ill., where children have been playing a town-wide game of capture the flag since 1923. What began as a way to unite the feuding youths of Uphill and Downhill Lakeside, however, has evolved into an even more intense rivalry, whose grudges continue to grow with each generation, further polarizing already combative divisions. Fred quickly falls in with the Downhill kids, who school him in the game&rsquo;s history, rules, and everyone&rsquo;s carefully defined roles, and tour him around their grand headquarters and eerie jail cells. As Fred becomes embroiled in the serious business of this everlasting war&mdash;including the intense competition, cheating, and corruption that commands the kids&rsquo; days from 11 a.m. until the streetlights go on&mdash;he learns hard-won lessens in friendship, teamwork, problem-solving, and self-awareness. Morse&rsquo;s stylized cartooning depicts children of various abilities, body types, and skin tones discovering personal strengths while doing whatever it takes to come out on top. Nostalgic, slice-of-life storytelling by Amato bursts with absurd action and cheerful intrigue, making this double debut an winning pick for reluctant and savvy readers alike. Ages 8&ndash;12.&nbsp;<I>Illustrator&rsquo;s agent: Charlie Olsen, InkWell Management. (Apr.)</I>]]></Text>
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      <Text><![CDATA[<b>Two starred reviews!</b><BR> <BR><b>From award-winning author Candice Iloh and <i>New York Times </i>illustrator Bea Jackson comes a </b><b>&ldquo;jovial&hellip;heartfelt&rdquo; (<i>Publishers Weekly</i>, starred review) </b><b>picture book celebration of traditional Nigerian home cooking and the surprising joys of trying new things, from the perspective of a boy on the autism spectrum.</b><BR><BR>Emeka&rsquo;s favorite food is jollof rice. He eats it <i>every </i>day. &ldquo;Emeka, come and try this egusi!&rdquo; Mama and Papa urge. But orange rice is what Emeka knows. He doesn&rsquo;t want anything different.<BR> <BR>Then one day, Emeka comes home from school to find Mama in the kitchen waiting for him to help her cook egusi. One by one, new things go into the pot. There are so many colors and smells and sounds! And Emeka is a great helper. Could it be that trying something new might actually be&hellip;good?]]></Text>
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      <SubjectHeadingText>vampire; immortal; romance; violence; political; sexy; LGBTQIA+; life partner; May December couple; human vampire couple; love; grief; loss; age difference; aging; ambition; murder; gay identity; civil rights; US American history; horror; it gets better; old-fashioned lover; hope; revenge; vengeance; homophobia; abuse; pain; microagression; discrimination; degradation; queer; gay; AIDS; protest Queer Student Alliance; open relationship; heteronormativity; righteous anger; loneliness; romantasy; dual POV; young adult teen novel for 14 15 16 17 18 year olds grades 9 10 11 12; Hugo Award; Nebula Award; Infested by Angel Luis Colon; She Is a Haunting by Tran Thanh Tran; The Honeys by Ryan La Sala; The Taking of Jake Livingston by Ryan Douglass; Cemetery Boys by Aiden Thomas; Let the Right One In; Crave series by Tracy Wolff; The Lost Girls by Sonia Hartl; A Dowry of Blood by S. T. Gibson;</SubjectHeadingText>
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      <Text><![CDATA[<B>&ldquo;Vampire aficionados and romantasy fans alike will swoon over&rdquo; (<I>Publishers Weekly</I>) this insatiable romantic horror novel from Hugo and Nebula Award&#8211;nominated author Kellan McDaniel about two gay men&#8212;one young, one ageless&#8212;who reclaim their lives and identities from those who would silence them.</B><BR><BR>Howard is biding his time until he can finally leave for college, where he has been promised it gets better. The last thing he expected was to meet a boy. But George reminds Howard of the movie stars from the 1960s he&rsquo;s obsessed with. Plus, George is endearingly formal and well-read, and his grandpa fashion is super authentic.<BR> <BR>After over twenty years together, George is about to lose his life partner. He met James when they were teenagers then lost track of him until they reconnected in their early sixties. Now, James is going somewhere beyond George&rsquo;s reach&#8212;because George is a vampire, forever trapped in the body of a nineteen-year-old.<BR> <BR>As the two grow closer, George begins to see a future beyond losing his first love, and Howard stops imagining himself always being alone&hellip;even if companionship comes at the cost of his mortality. When the discrimination the men have suffered their whole lives rears its ugly head to take away their happy ending, they finally strike back at the world that&rsquo;s done its best to subdue them their entire lives.]]></Text>
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      <Text><![CDATA[K.M. Szpara, writing here as Kellan McDaniel,&nbsp;is a queer and trans author. He is the author of&nbsp;<I>Docile</I>,&nbsp;<I>Till Death</I>, and&nbsp;<I>First, Become Ashes</I>, as well as the Hugo and Nebula Award&ndash;nominated &ldquo;Small Changes Over Long Periods of Time&rdquo; novelette. He lives in Baltimore, Maryland, with his tiny dog.]]></Text>
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      <Text><![CDATA[Chapter 1: Howard <link rel="stylesheet" type="text/css" href="../styles/9781665949095.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <h2 id="ch01_hd" >CHAPTER 1 HOWARD</h2> <BR>In my nightmares, my locker is a fortress guarded by a lock with an impossible combination. Once I get it open&#8212;if I ever do&#8212;the inside is stuffed with books at odd angles, crushing loose papers, stained with spilled coffee. On the door, creased photos hang alongside my class schedule and a whiteboard marked with former attempts at organization.<BR> <BR>In reality, my locker looks exactly like that. Not because I want it to, but because this hallway is an active war zone for queers, and if I spend more than five seconds trying to organize it&hellip; Oh, thank god. Here comes Sue. Two bodies are always better than one; plus maybe he&rsquo;ll remember where the hell I shoved my math homework this morning. We were literally talking about problem six together when&#8212;<BR> <BR>&ldquo;Looking for this, Howie?&rdquo; A hand plunges into the depths of my locker and grabs exactly what I&rsquo;m looking for. Of course.<BR> <BR>My heart sinks as I turn to see not Sue, but the familiar blonde buzz cut and square jaw of the guy I&rsquo;d call my archnemesis if I thought he considered me a rival at all. &ldquo;It&rsquo;s&#8212;&rdquo;<BR> <BR>Christof Holley crumples my homework in his fist and shoves it against my sternum so hard, I stumble backward and bang my head on the shelf in my locker. His hand lingers, hot and meaty, against my floral shirt. Then, just as fast, it&rsquo;s gone and he&rsquo;s gone, and my math homework drops to the floor, soon to be trampled.<BR> <BR>Sue stops beside me, scooping up my ruined homework, then hurls &ldquo;Eat shit, Christof!&rdquo; down the hall before offering me a less aggressive &ldquo;Howard, I&rsquo;ve told you a million times&#8212;you can&rsquo;t let these assholes push you around.&rdquo;<BR> <BR>He offers me the wrinkled assignment, which I take before any worse can happen to it. Knowing my luck, Christof will loop back around and dump his red sports drink on it or whatever. Shouldn&rsquo;t have lost focus. After twelve years at this school, I should know better.<BR> <BR>&ldquo;Howard.&rdquo; Sue says my name loudly as he tries to get me to agree with him. In the hall. Where other people can hear.<BR> <BR>&ldquo;You&rsquo;re right,&rdquo; I mutter, and it&rsquo;s not like I don&rsquo;t agree with him, but also it wouldn&rsquo;t have happened if I&rsquo;d stayed on task rather than let myself grow complacent with Sue&rsquo;s impending arrival. I should just keep everything in my backpack from now on and carry it to class. Except that bags were banned from classrooms during school hours for safety. Not my safety, that&rsquo;s for damn sure. I rub the back of my head, trying to fix my hair. &ldquo;I should be better about it.&rdquo;<BR> <BR>&ldquo;You&rsquo;re literally the secretary of the QSA.&rdquo;<BR> <BR>&ldquo;Sorry, Mister President,&rdquo; I say, managing a smile.<BR> <BR>I almost earn one in response, but his mouth shifts into a serious line. &ldquo;I know I just told you to be confident and all,&rdquo; he says, &ldquo;but I&rsquo;m nervous about the upcoming board meeting.&rdquo;<BR> <BR>&ldquo;Don&rsquo;t be. We&rsquo;ve built a solid list of demands, and Gray and Tiana have both emailed me, like, a dozen relevant articles and statistics to support them. I&rsquo;ve got the raw information in a doc&#8212;I shared that with you, right?&rdquo;<BR> <BR>&ldquo;All three of you shared it with me.&rdquo;<BR> <BR>&ldquo;Oh, sorry.&rdquo;<BR> <BR>&ldquo;No, it&rsquo;s fine. I mean, when is Tiana <i>not</i> sharing something she read? And when is Gray <i>not</i> online?&rdquo;<BR> <BR>&ldquo;And when have you <i>not</i> pulled together a great speech?&rdquo;<BR> <BR>&ldquo;Fair&hellip;&rdquo; His voice hangs on indecision, which is wild, because Sue&rsquo;s nothing if not sure of himself.<BR> <BR>Sue&rsquo;s always seemed to have that quality, even back in freshman year when we first met at the Spring Fling. Christof was making this big, public show of asking me to dance, and I, like an idiot, thought he was serious&#8212;no, I <i>wanted</i> him to be serious, because he was taller and had muscular arms and didn&rsquo;t have acne but did have a lacrosse haircut. He&rsquo;s since buzzed that off, and I&rsquo;ve since realized he&rsquo;s a complete ass, but that doesn&rsquo;t stop either of us from remembering how he humiliated me in front of the whole school. Laughing and scoffing. Throwing a &ldquo;Gross, dude!&rdquo; at me as he crossed the school gym, only to call me a fag a half dozen times to his friends. My favorite way to be reminded that Wyndhurst Preparatory School is really only preparing me for how queerphobic the world is.<BR> <BR>Sue had appeared as Christof slinked off to high-five the other kids. Literally slid up beside me, dressed in a vintage suit he&rsquo;d tailored himself. I was also wearing a vintage (read: thrifted) suit, but my oma had done most of the tailoring. He was totally at home under that tacky gym mirror ball, while I was ready to disappear. Without saying a word, Sue offered me his hand, twirled me beneath the glittering lights with a smile, and then led me out to the school courtyard, where we talked until Oma came to pick me up. Almost three years later, we&rsquo;re doing about the same, except everyone thinks we&rsquo;re a couple because he transitioned and most straight people cannot conceive of queerplatonic relationships.<BR> <BR>&ldquo;What&#8212;what&rsquo;s that tone?&rdquo; I ask, still staring in the direction Christof has disappeared to. In case. &ldquo;Wait, did you not&#8212;&rdquo;<BR> <BR>&ldquo;Tell my mom I&rsquo;ll be reading our queer agenda? No. She&rsquo;s going to shit herself when she sees me up there, but I don&rsquo;t want to start a whole thing about it ahead of time&#8212;like, it&rsquo;s already hard enough living with her. And I don&rsquo;t want her having any advance notice. Not that she&rsquo;ll research our issues anyway&hellip;&rdquo; He sighs. &ldquo;I can already hear her ranting about how &lsquo;we can&rsquo;t just alter construction plans for the new gym to make the bathrooms and lockers gender neutral,&rsquo; as if it&rsquo;s more than sticking an &lsquo;All Gender&rsquo; sign on the door. I love her, but it&rsquo;s like she doesn&rsquo;t see me at all sometimes. Like she doesn&rsquo;t have a whole trans kid living under her roof.&rdquo;<BR> <BR>Sometimes I don&rsquo;t get Sue. It wasn&rsquo;t hard leaving my parents&#8212;they were awful to me, so I left. Life got way better when I started living with Oma. Sue&rsquo;s situation&rsquo;s a little different, though. His dad moved to West Virginia when his parents separated, and I can&rsquo;t blame Sue for not wanting to move somewhere with <i>fewer</i> protections&#8212;but at least his dad was cool. At least he helped Sue get HRT and stuff. His mom fully sucks.<BR> <BR>&ldquo;Yeah, I remember when we asked about pronouns in school emails,&rdquo; I say, &ldquo;and she gave you a whole speech about how much work it would be and how we didn&rsquo;t understand the cost or something.&rdquo;<BR> <BR>&ldquo;?&lsquo;Can&rsquo;t you just type it in yourself?&rsquo; she said.&rdquo; Sue growls in frustration and kicks the locker next to mine, prompting the stack of books balanced on my shelf to teeter. I slam it shut before disaster can strike. And then in a scathing falsetto Sue adds, &ldquo;?&lsquo;Why do you even need pronouns?&rsquo; As if she doesn&rsquo;t use them daily.&rdquo;<BR> <BR>&ldquo;I&rsquo;m sorry cis people are terrible,&rdquo; I say, scouring the hallway. Just need to drop off this math homework, and then we can go. Sue to his house. Me to volunteer at my favorite place in the world. &ldquo;And I&rsquo;m sorry your mom is among the most terrible.&rdquo;<BR> <BR>&ldquo;Same.&rdquo;<BR> <BR>Sue walks with confidence alongside me, like he&rsquo;s my escort or bodyguard, as we head toward my math classroom. He waits outside as I slip my homework into Mr. Redd&rsquo;s inbox. I like to think of it as him keeping watch, but really I know he&rsquo;s just enjoying himself&#8212;a prince surveying his&hellip; &ldquo;kingdom&rdquo; isn&rsquo;t the right word, mostly because he doesn&rsquo;t believe in that kind of thing, but there is a power to the way he holds himself. Shoulders back, hands in his pockets, meeting the eyes of everyone who walks by him.<BR> <BR>&ldquo;Okay, let&rsquo;s get out of here,&rdquo; I say, rejoining my sentry, keeping a close eye on some lacrosse players down the hall. <i>Please don&rsquo;t notice me. Don&rsquo;t notice</i>&#8212;oh dammit. I feel their eyes on me before I can avert mine. This is why I usually keep my head down. &ldquo;Sue, can we&#8212;&rdquo;<BR> <BR>&ldquo;Sure,&rdquo; he says, reassuring me with a glance. Already his attention makes me feel safer. &ldquo;You&rsquo;ve got, uh&hellip;&rdquo; He snaps his fingers three times, searching for the words. &ldquo;Tonight,&rdquo; he finally concludes, knowing I can fill in the blank on my own.<BR> <BR>&ldquo;Yup.&rdquo; If I walk behind him, no one bumps into me and almost no one sees me. Ideal. &ldquo;But let me know if you want help working some of those studies into your speech. I think we have some really strong examples in support of more rigorous and inclusive sex education classes.&rdquo;<BR> <BR>&ldquo;God, remember that video they showed us freshman year?&rdquo;<BR> <BR>&ldquo;I&rsquo;ve tried to forget it.&rdquo; I breathe in fresh air as we push our way into the courtyard and through a dozen small social groups neither of us belongs to. Almost there&hellip;<BR> <BR>&ldquo;There&rsquo;s my guy!&rdquo; I barely dodge Kenna as she launches herself at Sue. He and Kenna aren&rsquo;t together like that, but they&rsquo;re also not <i>not</i>. She&rsquo;s had a crush on him for the last two years&#8212;ever since it became clear to her that he and I weren&rsquo;t going to hook up, actually. But Sue gets so much attention from the other queers, I sometimes wonder if hers doesn&rsquo;t go over his head. To my point, three other QSA members drift our way: Tiana, who actually looks up from her book; Phoenix, who is bouncing alongside her, still dressed in her dance tights and tank; and Gray, who seems to be typing out a novel of a text message. We all watch Gray for a minute before he hits send and looks up like a gopher poking its head out of a hole.<BR> <BR>&ldquo;What essay were you finishing?&rdquo; Tiana asks, voice dry as she adjusts her round black glasses.<BR> <BR>Gray scrunches his face before smiling at me. We had a thing for a minute during sophomore year. Or, it&rsquo;s less we had a thing, and more we <i>tried</i> to have a thing. He was a cute transfer and also the only other queer guy I knew besides Sue. We even went out a few times, but it was&hellip; well, let&rsquo;s just say we weren&rsquo;t compatible. Our nights were better spent with him painting our nails while we discussed the men on that year&rsquo;s Olympics gymnastics team.<BR> <BR>Sue&rsquo;s phone dings.<BR> <BR>Gray looks over as if it&rsquo;s his&#8212;he&rsquo;s always looking at a screen&#8212;then says, &ldquo;Oh,&rdquo; when he realizes the obvious.<BR> <BR>&ldquo;I was texting Sue a few more references for his speech,&rdquo; Gray says in response to Tiana&rsquo;s question. &ldquo;Specifically, some local orgs that train teachers on how to work with queer kids and be more inclusive, and also examples of other Maryland schools that have implemented their methods with good results.&rdquo;<BR> <BR>&ldquo;Can you put them in that doc Howard&rsquo;s compiling?&rdquo; Sue asks with a smile as he hugs Kenna closer.<BR> <BR>&ldquo;Of course.&rdquo; And Gray&rsquo;s back on his phone.<BR> <BR>Tiana glances back down at her book. Phoenix is suddenly as tall as I am as she rolls up onto the toes of her sneakers, one arm outstretched as she balances with the other on Gray&rsquo;s shoulder. She&rsquo;s regularly cast as the lead in performances but has never been brave enough to audition for the parts she really wants. Instead of getting to wear tutus, she&rsquo;s costumed in black tights and a coat. Instead of being lifted, she lifts. Like, just because she has great arms doesn&rsquo;t mean she doesn&rsquo;t deserve to soar. The dance department might be more liberal than the athletics department, but it&rsquo;s still stupidly gendered.<BR> <BR>Christof bangs through the doors with a few of his friends, and I tense. Sue glances between me and him. &ldquo;I should go,&rdquo; I say. Read: I should run to my car before I can attract any more attention.<BR> <BR>Sue sighs before nodding me off. &ldquo;Go, then.&rdquo; He watches Christof whack someone on the helmet with a lacrosse stick. &ldquo;But I will bother you about my speech tomorrow.&rdquo;<BR> <BR>With a &ldquo;Please do,&rdquo; I slink out the interior courtyard and back inside, trying not to glance over my shoulder. Sue&rsquo;s superpower is commanding attention, and mine is hiding from it. Often that means he&rsquo;s the only one who sees me. Even within what is ostensibly <i>our</i> friend group, everyone&rsquo;s eyes and ears are almost always on him, unless he calls on me at a QSA meeting or something. Which is fine with me, really. I have quiet moments with them, like when it&rsquo;s just me and Tiana reading silently beside each other or Gray trying some new nail art on me while I watch an old movie. Phoenix and Kenna, outside of meetings, I only really ever see on the stage or the field, but we&rsquo;re all so busy with extracurriculars. And besides, what&rsquo;s the point of drawing positive attention to myself when it&rsquo;s only ever been joined by negative?<BR> <BR>I hurry as the lacrosse team hoots and hollers behind me, their voices growing louder. But I&rsquo;m through the school&rsquo;s front doors before I can attract another ounce of attention.<BR> <BR>&ldquo;Oh, these are so beautiful, Howard. I just love pansies!&rdquo; Despite her gloves and apron, Barbara has dirt all over herself. To think I&rsquo;d suggested potting flowers as an indoor craft series. Last week, while painting her ceramic, she almost glazed Walter&rsquo;s wheelchair.<BR> <BR>&ldquo;You keep your dirty hands away from me, Barb,&rdquo; Walter says, giving her a sly look.<BR> <BR>Those two have been flirting since I started volunteering at Spring Meadows my freshman year. I&rsquo;m kind of hoping they&rsquo;ll get together before I graduate this spring. Depending on how my college applications go, I might be off living my best gay life at Ithaca, Columbia, or hell, even Princeton. And then who will hang out with the local over-eighty crowd on Wednesday evenings?<BR> <BR>Barb presses one of her dirty fingers against Walter&rsquo;s cheek, and I just roll my eyes, giving them space. To be honest, the two of them finding each other after a lifetime of love and loss gives me hope. Like, maybe I&rsquo;ll find a boyfriend by the time <i>I&rsquo;m</i> eighty. Maybe by then some of them will finally share some of my current hobbies, like horticulture. Then who will be cool for having been president of his high school gardening club? Yours truly. Assuming we haven&rsquo;t totally destroyed the planet by then.<BR> <BR>&ldquo;&#8212;and so late! When I moved in, I was told no movers after sunset, but I guess men don&rsquo;t have to follow the rules.&rdquo; I cock my head at the words. Rosalie is a retired journalist and certified gossip, and I love her. When she realized I was gay, she pulled out all her old articles about Stonewall, the removal of homosexuality as a psychiatric disorder, and the evolution of cross-dressing laws. &ldquo;I even kissed a woman or two in my time!&rdquo; she&rsquo;d added, as if to her r&#233;sum&#233;.<BR> <BR>&ldquo;Oh, I saw him,&rdquo; says Gladys, Rosalie&rsquo;s partner in crime&#8212;I mean, in journalism. She presses soil around the roots of her purple pansies, of which she has managed to cram three into her small pot.<BR> <BR>&ldquo;Um, Gladys&hellip;&rdquo; I reach over and rescue them before she can smash the roots. Just because pansies are hardy doesn&rsquo;t mean they&rsquo;re immortal.<BR> <BR>&ldquo;He&rsquo;s very handsome.&rdquo; Gladys pulls off her gloves to reveal a perfect set of pink nails. She reaches out to me, and I feel the press of her delicate skin against my hand, think of the day when my hands will become stiffer and bonier like hers. Hope I&rsquo;ll also have a great manicure. I bet Gray will. &ldquo;I wonder if the new gentleman might like to join us for evening crafts.&rdquo; By which she means: <i>Howard, would you go ask the new guy to join us? I want to flirt with him.</i> Also hope my libido is still going this strong when I&rsquo;m their age.<BR> <BR>&ldquo;I&rsquo;ll go ask.&rdquo; I make a show of standing so they know I&rsquo;m cooperating. Rosalie fishes a small notepad out of her purse while Gladys winks at me. &ldquo;Please, no one kill your pansies while I&rsquo;m gone. Maybe just&hellip;&rdquo; I airlift Barb&rsquo;s and Walter&rsquo;s pots from between them before they can knock them over. It&rsquo;s a wonder those two ever pay attention to anything besides each other.<BR> <BR>I can still hear Rosalie flipping through flimsy pieces of paper as I wash my hands and dry them on a towel that&rsquo;s as soft as construction paper. I toss it toward the bin and miss, of course. I swear I&rsquo;m coordinated&#8212;more in the direction of cultural dance than basketball, though. If Kenna were here, she&rsquo;d have showed me the proper form. Instead, I place the crumpled towel into the bin directly, then head to the front desk.<BR> <BR>Spring Meadows isn&rsquo;t one of those fancy new retirement communities with multiple buildings and sprawling grounds. It&rsquo;s &ldquo;cost-efficient,&rdquo; according to my parents, which is why they moved my dziadzi here when he needed more support than he could get at home. That&rsquo;s why I started volunteering here. But even after Dziadzi passed, I stayed because the residents had grown on me, as had the building: a big mansion built in the sixties that was previously occupied by a hippie commune with a green thumb before being turned into a retirement home in the eighties. Their gardens are where Dziadzi and I spent much of our time and where I befriended Walter and Barb, and then a bunch more folks. It&rsquo;s impossible not to bump into Rosalie and Gladys when they&rsquo;re always hanging on open doors, Gladys cranking up her hearing aid. Got to scoop the hot goss.<BR> <BR>&ldquo;Hey, Ada.&rdquo; I lean onto the wooden counter and make eye contact with the overworked woman. She needs a real office.<BR> <BR>&ldquo;Oh.&rdquo; She straightens her glasses, tucking their beaded chain behind her ears. &ldquo;Hi, Howard. You need something, hon?&rdquo;<BR> <BR>&ldquo;I&rsquo;ve been instructed to ask the new resident if he wants to join us for crafts.&rdquo; I glance down the hall, where Rosalie pretends to enthusiastically admire a painting that&rsquo;s been hanging on the wall since before she moved in.<BR> <BR>Ada looks between her and me, then shrugs with the energy of someone who has a thousand more important things to care about. &ldquo;Why not? He&rsquo;s in suite 217, west tower. Name&rsquo;s&hellip;&rdquo; She clicks through a database that looks like it was created in the nineties. Actually, the computer also looks like it was created in the nineties. &ldquo;James Bedford.&rdquo;<BR> <BR>&ldquo;Thanks.&rdquo; I make a point to smile, since I distracted her from the pile of papers on her desk, and head west. Don&rsquo;t have to look behind me to know Rosalie and Gladys are watching&#8212;maybe even following.<BR> <BR>The west tower used to house the main bedrooms in Spring Meadows during its commune days. Now, of course, there are bedrooms everywhere, some even with little kitchenettes and vintage appliances that make my heart sing. Barb once joked that I&rsquo;d be the facility&rsquo;s youngest resident if I could. She wasn&rsquo;t wrong.<BR> <BR>I run my hand along the thick wooden banister that leads to the tower. There are elevators that are somehow both new and rickety, but I prefer the stairs. The big spiraling stairway is lined with photographs of the commune members who lived here until the state kicked them out over a scary number of housing violations, which have since been mostly remedied. Rosalie swears it&rsquo;s haunted, but I find it cozy.<BR> <BR>I pause on the second-story landing. At the opposite end of the hall, a neat stack of broken-down boxes rests against the wall. That must be it. Down at the end of the wallpapered hallway, a door is ajar.<BR> <BR>I&rsquo;m good at approaching residents. Part of my volunteer work is literally recruiting them, getting them out of their suites to spend time with one another, keeping their bodies moving in healthy ways and their brains active and creative. And they like me here! Usually all it takes is a glimpse of my vintage aesthetic to spark their interest, but if it&rsquo;s not my fashion, it&rsquo;s my excitement for movie night&#8212;always something black-and-white and romantic&#8212;or needlepoint or gardening.<BR> <BR>But for some reason, tonight I can&rsquo;t move. My beeswax leather boots stick to the floor as if they aren&rsquo;t well worn by my feet and the feet of those who owned them before me. Wood creaks behind me, and I turn quickly, hoping to catch Gladys or Rosalie sneaking up on me.<BR> <BR>Nothing. No one. Didn&rsquo;t I just remind myself how cozy this place is? How unhaunted? I&rsquo;m not scared. Don&rsquo;t know why I&rsquo;m still standing here. <i>Get on with it, Howard. Before the folks downstairs destroy their pansies.</i><BR> <BR>I put on my best smile, check the collar of my shirt, and walk. The hardwood creaks with every step as I draw closer. I catch the eye of a photographed hippie before stepping in front of the open doorway.<BR> <BR>Huh. The overhead lights are off; the collapsed boxes all say &ldquo;Bedford 217,&rdquo; so James must be in here. I rest my hands on the sides of the doorway and peek in, not daring to step a foot over the threshold. This is someone&rsquo;s home, after all. I can&rsquo;t just walk&#8212;<BR> <BR>A click sounds from the darkness before a soft light shows two silhouettes. Two. I flatten my back to the wall beside James&rsquo; door, hiding myself as whispers sound from inside the suite. Snippets of a conversation I shouldn&rsquo;t be listening to. A deep, breathy, &ldquo;I&rsquo;m sorry, I&hellip;&rdquo;<BR> <BR>And a brighter, younger, &ldquo;Don&rsquo;t.&rdquo; Before their voices hush again. &ldquo;&hellip; to be okay.&rdquo; Shoes squeak over old, creaky floorboards.<BR> <BR>I let out the breath I&rsquo;ve been holding. Time to go. Tell Rosalie and Gladys&#8212;<i>ping!</i><BR> <BR>Oh no.<BR> <BR><i>Ping! Ping, ping!</i><BR> <BR>I fumble for my phone&#8212;the freaking sound is on. I glance at the screen; the ladies are blowing up my texts asking me to&hellip; &ldquo;Sneak a pic?&rdquo; I whisper incredulously to myself, before realizing I&rsquo;ve said that out loud and that I&rsquo;m holding my phone like a creep beside James&rsquo; open doorway.<BR> <BR>I peer around the edge of the door, into the suite, freezing as a figure steps into the light. A boy who looks my age, with silver eyes like a predator&rsquo;s at night. I face him fully, entranced as if I&rsquo;m his prey. Can&rsquo;t help but stare as a wave of black hair falls across his pale, unblemished skin.<BR> <BR>And then he&rsquo;s walking toward me slowly&#8212;slower than I think is even possible for someone to move&#8212;and we&rsquo;re only twenty feet apart. Fifteen feet. Ten.<BR> <BR>I realize then that I&rsquo;m gripping the doorjamb, holding myself in place so I won&rsquo;t&#8212;I don&rsquo;t know, trip over my own feet? He is beautiful and more so the closer he comes, and I cannot move. Cannot speak.<BR> <BR>The boy reaches out and closes his hand over mine&#8212;over the edge of the open door. His touch sends fractals like lightning through my arm. No one&rsquo;s touched me&#8212;I mean, I haven&rsquo;t been touched&#8212;like this ever. And by &ldquo;like this,&rdquo; I mean gently and with purpose.<BR> <BR>Even though his purpose is prying my hand from the frame and slamming the door in my face.<BR> </section>]]></Text>
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      <Text><![CDATA[&quot;McDaniel skillfully portrays queer loneliness and contemporary society&rsquo;s capacity to stall social progress via aching prose and tender&nbsp;character interactions. Vampire aficionados and romantasy fans alike will swoon over this unusual depiction of the paranormal mythos.&quot;]]></Text>
      <TextSourceTitle>--&lt;I&gt;Publishers Weekly&lt;/I&gt;</TextSourceTitle>
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      <BiographicalNote><![CDATA[Moses Ose Utomi is a Nigerian American fantasy writer, martial artist, and nomad currently based out of Honolulu, Hawaii. He has an MFA in fiction from Sarah Lawrence College and has had work published with Tor and&nbsp;<I>Fantasy Magazine</I>, among others. When he isn&rsquo;t reading or writing, he&rsquo;s indulging his restlessness by traveling about, making progress on his martial arts journey, or doing karaoke&mdash;with or without a backing track. Visit him on&nbsp;Instagram @ProfSeaquill and TikTok @MosesOseUtomi.]]></BiographicalNote>
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      <Text><![CDATA[Chapter 1: Goodbye to a Dream <link rel="stylesheet" type="text/css" href="../styles/9781665949934.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <BR><img src="../images/common01.jpg" role="presentation" alt=""><BR> 1 Goodbye to a Dream <BR>NORMALLY THE Mud camp was a modest, quiet place.<BR> <BR>It sat in a small clearing in an otherwise unremarkable part of the jungle. In the back, near the tree line, was the long wooden sleep lodge, with bunked sleeping cots to fit dozens. In front of that, right at the camp&rsquo;s center, the Bowing ring stretched five strides across and was rounded by sandbags. A garden, chicken coop, and another, much smaller hut&#8212;a meeting space for the Mud Fam&rsquo;s leaders&#8212;completed the camp.<BR> <BR>Normally the only sounds were the hush of the breeze through the branches, the yelps and giggles and thuds of girls training.<BR> <BR>However, on the night of Swoo&rsquo;s first victory as a full Sis, the Mud camp was a party. A gaggle of Flagga boys was visiting with their drums and other instruments, leading the song and dance. Swoo, drunk off palm wine, was dancing so hard in the middle of the ring that she was covered in sweat. The Flagga boys stood in a circle around her, urging her on and nearly laughing themselves off their feet.<BR> <BR>Sis Dirt, First of the Mud, sat at the high table. Beside her was Sis Webba, the Second of the Mud. These two eldest Mud sisters watched the festivities with amusement. So much of Dirt&rsquo;s life now was watching. She didn&rsquo;t mind it. Ever since the end of the last season, when she and Carra Carre had destroyed the Grand Temple in the chaos of their fight, she&rsquo;d been banned from competing. Antie Yaya&rsquo;s decision. In a way, her life of watching was a return to how things had been before the Godskin powers changed everything.<BR> <BR>&ldquo;I must go, my Sis,&rdquo; Webba said.<BR> <BR>Dirt nodded. It was late. And she knew that Webba&rsquo;s wrists sometimes pained her deep into the evening. Ever since her legs were destroyed by Carra Carre, Webba had moved herself around by rolling the large wheels on the side of her chair, a task that strained the arms. Dirt stood to help push Webba&rsquo;s rolling chair to the sleep hut.<BR> <BR>&ldquo;No,&rdquo; Webba said. &ldquo;I must leave.&rdquo;<BR> <BR>Dirt was confused. She went to stand in front of Webba to better understand her sister.<BR> <BR>That was when Dirt saw it. It was easy to miss against Webba&rsquo;s dark skin, and hidden as it was beneath her hair, but it was unmistakably a Scar. A jagged curve following the arc of her ear, roiling deep inside with a black fire.<BR> <BR>Dirt nearly choked. &ldquo;When?&rdquo; she asked.<BR> <BR>Webba shrugged. &ldquo;I see it today. Before Swoo&rsquo;s Bow.&rdquo;<BR> <BR>Dirt sighed. &ldquo;Look at us. Two oldold girls, eh? Time is cruel.&rdquo;<BR> <BR>&ldquo;Time is forever,&rdquo; Webba responded. &ldquo;That is why I must go.&rdquo;<BR> <BR>Dirt could see the somberness in her sister. &ldquo;Antie Yaya will allow you to stay,&rdquo; she said reassuringly.<BR> <BR>Webba looked up at Dirt with a smile unlike any she had ever given. &ldquo;No, my Sis,&rdquo; she said. &ldquo;In this world of Bowers and Godskins, I have no place. Na Fam does not need me. Look and see.&rdquo;<BR> <BR>She nodded her head at the festivities, forcing Dirt to turn and look. There were the Flagga boys, teeth shining as they strummed kora and blew algaita and pounded talking drums. There was sweat-covered Swoo, feet flashing in the moonlight.<BR> <BR>And there were fifty Bibi&#8212;last season&rsquo;s recruits&#8212;all laughing with the freedom of unburdened youth, swaying to the music and wind, chasing each other round the camp and through the trees with a reckless joy. Since childhood, Dirt had dreamed of building the Mud into a big fam, with her and Webba at the head. The day the recruits joined&#8212;six months ago now&#8212;that dream had been fulfilled.<BR> <BR>&ldquo;We are strongstrong now, my Sis,&rdquo; Webba said. &ldquo;We have na thing we always want to have. But these Bibi do not know me. They know only you. Sis Dirt. Na Godskin.&rdquo;<BR> <BR>Dirt turned back to Webba, shaking her head. &ldquo;No, no&hellip;&rdquo; She was surprised to find tears clouding her vision. She wiped them angrily. She refused to cry. Crying meant that it was really happening, that Webba was really leaving. &ldquo;I need you.&rdquo;<BR> <BR>&ldquo;You will lead na Fam,&rdquo; Webba said. &ldquo;And Sis Swoo will be your Second. Think how happy she will be. Let me leave for her, if not for myself.&rdquo;<BR> <BR>Dirt swelled up to protest, only to see by Webba&rsquo;s amused expression that she was joking.<BR> <BR>&ldquo;That is not funny,&rdquo; Dirt said.<BR> <BR>&ldquo;I disagree.&rdquo;<BR> <BR>Dirt couldn&rsquo;t think of any further argument. Webba was right. At some point, all of them were supposed to move on, go off to join the Mamas and Papas. Dirt had refused, and Antie Yaya had allowed it, but that didn&rsquo;t mean every girl sought the same life as Dirt. She had chosen her path. She had to let Webba choose hers.<BR> <BR>&ldquo;But tomorrow is Flagga Day,&rdquo; Dirt tried, weakly.<BR> <BR>Webba bellowed laughter, rubbing her belly. &ldquo;You want me to stay for na day with na Flagga boys and their mighty sticks, eh? You must truly despise me.&rdquo;<BR> <BR>Dirt called a halt to the party and made the announcement to the Mud Fam and their guests. The reactions were more varied than she&rsquo;d expected. Among the Flagga boys, there was jaw-dropping disbelief, followed immediately by them forming into a line to honor Webba. One by one they approached her and fell to a knee, thanking her for her career and for all the times she&rsquo;d inspired them and any number of things. Dirt found it impossible to control her tears as she watched. It was exactly the respect Webba deserved.<BR> <BR>The Bibi had a very different response. They mostly fell quiet and watched, polite enough to not interrupt the ceremony, but uncertain what else they should do. As always, Webba was right. It was Dirt they revered, not her. Webba&rsquo;s departure meant little to them.<BR> <BR>It was not the same for Snore and Swoo. Snore immediately fled into the jungle and was gone for the entire night. Swoo was last in line behind the Flagga boys, and when they were finished, she knelt in front of Webba and simply laid her head in Webba&rsquo;s lap. After a long moment, she stood, gave Webba a long hug, then moved to stand beside Sis Dirt, her head bowed.<BR> <BR>&ldquo;We are na Mud sisters!&rdquo; Swoo sang out, her voice cracked to the verge of breaking.<BR> <BR>The song was picked up by the others..<BR> <BR><i>We fight, oh yes, ooooooh!</i><BR> <BR><i>We are na Mud sisters! (We are na Mud sisters!)</i><BR> <BR><i>We never quit, noooooo!</i><BR> <BR>Webba had already packed her few things, so all she had to do was gather them before rolling herself off into the jungle toward Antie Yaya&rsquo;s. All the while the Mud Fam sang, ensuring that her departure was a melodic one. Even when she had disappeared into the dark jungle, the song continued.<BR> <BR>As the Flagga boys left and the Bibi went to bed and Swoo went off to go exercise her frustrations away, Dirt stayed out, singing her sister off until her mouth and throat were too dry to make anything but the faintest noise.<BR> <BR>Only then did she go to sleep. As her mind drifted, she hoped that she would at least continue to see Webba in her dreams, the one place where time held no power over Dirt and her sisters.<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Marie Benedict is a lawyer with more than ten years of experience as a litigator at two of the country&rsquo;s premier law firms. She found her calling unearthing the hidden historical stories of women. Her mission is to excavate from the past the most important, complex, and fascinating women of history and bring them into the light of present day where readers can finally perceive the breadth of their contributions as well as the insights they bring to modern day issues. Marie is the author of many books for adults including the&nbsp;<i>New York Times&nbsp;</i>bestseller&nbsp;<i>The First Ladies</i>.&nbsp;<i>The Secrets of Lovelace Academy</i>, written with Courtney Sheinmel, is her first book for kids. Visit her online at AuthorMarieBenedict.com.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Courtney Sheinmel is a chocolate-lover, mac and cheese expert, mom to Archer, and the author of nearly thirty books for kids and teens, including the acclaimed&nbsp;Stella Batts&nbsp;and&nbsp;My Pet Slime&nbsp;series for young readers. Her book&nbsp;<i>She</i>&nbsp;<i>Persisted:&nbsp;</i><i>Helen Keller</i>&nbsp;was part of Chelsea Clinton&rsquo;s She Persisted series. Courtney received a National Scholastic Educator Award for her work as a writing instructor at the nonprofit Writopia Lab. Visit her online at CourtneySheinmel.com.]]></BiographicalNote>
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      <Text><![CDATA[<B>&ldquo;A charming tale weaving in historical events, epic adventure, and a coming-of-age story that readers will devour.&rdquo; &#8212;Gayle Forman, bestselling author of <I>Not Nothing</I></B><BR> <BR><B>From <I>New York Times </I>bestselling author Marie Benedict and Courtney Sheinmel comes a historical adventure about a young girl plucked from a London orphanage to begin attending a boarding school with more secrets than she could imagine&#8212;perfect for fans of Enola Holmes.</B><BR><BR>Lainey Philipps has lived at the Sycamore Home for Orphaned Children since she was three years old. Now nearly a teenager, her life is hard, and she doesn&rsquo;t expect it to get better&#8212;until a chance encounter during an open house changes everything when Lainey meets a woman who invites her to attend the prestigious Lovelace Academy.<BR> <BR>Fitting in amongst the many privileged students within the ivy-covered walls of Lovelace Academy presents challenges unlike the ones Lainey has faced in the past. Her life of drudgery has hardly prepared her for the aristocratic airs and cutthroat academic ambition of the other girls. Terrified she&rsquo;ll be cast out of the academy, Lainey grabs at her chance to prove herself by traveling to Switzerland to meet a female scientist crafting a groundbreaking theory.<BR> <BR>Determined to prove her capability and reach her destination, Lainey must rely on her own wit&#8212;as well as a mysterious boy who has yet to prove himself as friend or foe. But the real test is what awaits her in Switzerland, at the home of Mileva Maric, wife of Albert Einstein.]]></Text>
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      <Text><![CDATA[Marie Benedict is a lawyer with more than ten years of experience as a litigator at two of the country&rsquo;s premier law firms. She found her calling unearthing the hidden historical stories of women. Her mission is to excavate from the past the most important, complex, and fascinating women of history and bring them into the light of present day where readers can finally perceive the breadth of their contributions as well as the insights they bring to modern day issues. Marie is the author of many books for adults including the&nbsp;<i>New York Times&nbsp;</i>bestseller&nbsp;<i>The First Ladies</i>.&nbsp;<i>The Secrets of Lovelace Academy</i>, written with Courtney Sheinmel, is her first book for kids. Visit her online at AuthorMarieBenedict.com.<BR><BR>Courtney Sheinmel is a chocolate-lover, mac and cheese expert, mom to Archer, and the author of nearly thirty books for kids and teens, including the acclaimed&nbsp;Stella Batts&nbsp;and&nbsp;My Pet Slime&nbsp;series for young readers. Her book&nbsp;<i>She</i>&nbsp;<i>Persisted:&nbsp;</i><i>Helen Keller</i>&nbsp;was part of Chelsea Clinton&rsquo;s She Persisted series. Courtney received a National Scholastic Educator Award for her work as a writing instructor at the nonprofit Writopia Lab. Visit her online at CourtneySheinmel.com.]]></Text>
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      <Text><![CDATA[Chapter One <link rel="stylesheet" type="text/css" href="../styles/9781665950237.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common1.jpg" role="presentation" alt=""></figure> <h2 id="ch01_hd" > ONE</h2> <BR>ON A SEEMINGLY ORDINARY TUESDAY morning, Mrs. Mary Holsapple, proprietress of the Sycamore Home for Orphaned Children, announced that everyone would be going on a &ldquo;walk around the neighborhood.&rdquo;<BR> <BR>Lainey Philipps had lived at the orphanage since she was three years old, nearly nine long years ago. She could count on her fingers the number of times that she&#8212;or any of the other kids, for that matter&#8212;had been allowed to venture more than ten feet beyond the institution&rsquo;s thick iron gates. So Mrs. Holsapple&rsquo;s announcement took her quite by surprise.<BR> <BR><i>There&rsquo;s got to be a reason for this,</i> Lainey thought. The pit that was permanently lodged in her stomach grew a bit larger. <i>And it&rsquo;s certainly not going to be a kind one, like wanting us to breathe fresh air and experience the hustle and bustle of London streets the way regular kids do.</i><BR> <BR>Mary Holsapple and her husband, Darnell, were cruel and crooked. Lainey figured they were the last two people on Planet Earth who should&rsquo;ve been left in charge of a house full of orphans in need of extra care and love.<BR> <BR>How had the Holsapples ended up at SHOC? (That was what everyone called the Sycamore Home for Orphaned Children for short, since the whole name was such a mouthful.) Who&rsquo;d picked them to have this job? And why had they ever accepted it?<BR> <BR>Lainey didn&rsquo;t know, and she didn&rsquo;t dare ask. The Holsapples had a strict no-questions rule, and she didn&rsquo;t want to get a whipping. So those questions, along with all the others Lainey had had over the years, stayed buttoned up inside her.<BR> <BR>&ldquo;Hey.&rdquo; Lainey heard a whisper and felt a tug at her side. It was Nora, one of the younger girls at the orphanage. Though Lainey never said it out loud, Nora was her favorite. If her parents had lived long enough to give her a little sister, Lainey imagined she would&rsquo;ve been someone just like Nora. &ldquo;What&rsquo;s a <i>neighborhood</i>?&rdquo; she asked.<BR> <BR>Nora was only four. But that wasn&rsquo;t the only reason she didn&rsquo;t know such a simple word. Most of the older kids didn&rsquo;t know it either. Maybe they&rsquo;d heard it, but they didn&rsquo;t really understand what it meant. They&rsquo;d never been part of a neighborhood. They&rsquo;d never even walked through one.<BR> <BR>Oh, how Lainey yearned for life outside the orphanage&#8212;a neighborhood to walk through, where you&rsquo;d go to school and have teachers who actually wanted you to learn things. And, at the end of the day, most importantly, you&rsquo;d go home to parents who loved you.<BR> <BR>The SHOC kids didn&rsquo;t have parents&#8212;at least not ones who were able to take care of them. They slept on narrow cots in one big room: girls on one side, boys on the other, with a series of sheets hanging down between them. In the summer, the flies buzzed by the kids&rsquo; ears and landed on their eyelids. In the fall, someone would catch a cold, and by winter it would have passed through the whole orphanage, and everyone was coughing.<BR> <BR>There were nights when loneliness overtook her, and all the tears that Lainey had held back for so long burned to get out. That was the only good part about the coughing. It drowned out the soft sounds of her crying, so the Holsapples didn&rsquo;t punish her for it. They also had a strict no-crying rule.<BR> <BR>On usual weekday mornings, Lainey and the other kids headed downstairs to the classroom. One big classroom for all the kids, of all ages and all skills, all lumped together. There weren&rsquo;t enough desks for everyone, but the Holsapples didn&rsquo;t care a lick about that. The kids were given old workbooks with pages missing, or answers already filled in&#8212;often filled in wrong. Most days, the so-called teacher would stand in front of the classroom and announce that it was &ldquo;silent reading time.&rdquo; But how did they expect the kids to read silently if no one had ever taught them how?<BR> <BR>The answer was that they probably <i>didn&rsquo;t</i> expect them to. To them, the kids were lost causes. Hopeless. The unluckiest of the unlucky. Those who didn&rsquo;t get adopted by the time they were thirteen&#8212;and most of them would not&#8212;would be sent to workhouses to toil to the bone, or else turned out onto the streets, where the dark cloud of bad luck would surely follow them.<BR> <BR>Lainey tried not to think too much about her awful fate. There was nothing she could do about it. But at least she was lucky about one thing. Back when she was barely three years old, her mum had taught her all the letter sounds.<BR> <BR>When Lainey closed her eyes and concentrated hard enough, she could even picture it. There was her mum, lying next to her in bed, an alphabet book between them. It had drawings of animals with their bodies bent into letter shapes. An alligator dipping at the waist to make an <i>A</i>. A bumblebee with wings like the curves on a <i>B</i>. And on and on. Lainey would trace the animals with her fingers, and her mum would tell her the letter sounds.<BR> <BR>Lainey held on to that memory the way you&rsquo;d hold on to a precious stone&#8212;knowing you&rsquo;re holding something valuable, something that requires great care. Often on those lonely nights, Lainey would squeeze her eyes shut and strain to hear her mum&rsquo;s kind and steady voice inside her head: &ldquo;<i>A</i> says &lsquo;aah.&rsquo; <i>B</i> says &lsquo;buh.&rsquo;?&rdquo;<BR> <BR>Later, in the classroom at SHOC, Lainey figured out for herself that stringing those sounds together made words, and that the words made up sentences, made up paragraphs, made up books. She read all the books she could get her hands on&#8212;though in truth there weren&rsquo;t that many to choose from. The books at SHOC were either really old, or they were books that other people didn&rsquo;t want, so they&rsquo;d dropped them off for the orphans instead of throwing them in the trash.<BR> <BR><i>One person&rsquo;s rubbish is another person&rsquo;s riches,</i> Lainey&rsquo;s dad used to say.<BR> <BR>It was lovely to hear his voice in her head. Lovely and hard. But Lainey would take the hard to get the lovely. When she pictured her dad in her head, he often had a book in his hands. She thought he&rsquo;d be happy to know that she considered the books left at the orphanage to be her riches.<BR> <BR>One of the books happened to be a dictionary. She&rsquo;d read it from start to finish and learned the definitions of &ldquo;aardvark,&rdquo; &ldquo;zygote,&rdquo; and everything in between&hellip; including &ldquo;<i>neighborhood</i>.&rdquo;<BR> <BR>&ldquo;Don&rsquo;t ask such daft questions, Nora,&rdquo; Mrs. Holsapple said now, having unfortunately overheard her.<BR> <BR>Lainey bent close to the girl&rsquo;s ear. &ldquo;It&rsquo;s the people who live close to you,&rdquo; Lainey whispered. &ldquo;That&rsquo;s your neighborhood.&rdquo; She smiled inside her heart as she said it. She knew better than to let a smile form on her face. The Holsapples were practically allergic to the children experiencing any happiness at all, no matter how small a moment it might be. But Lainey liked being able to teach things to the other kids. It made her feel useful, and that made her feel hopeful. Nora was her favorite kid of all to help.<BR> <BR>&ldquo;This one&rsquo;s a dolt; that one&rsquo;s a know-it-all,&rdquo; Mrs. Holsapple said.<BR> <BR>And just like that, Lainey&rsquo;s happiness was snuffed out like a candle. Her chest filled with anger. She kept it locked inside, just like her smile. Just like every other emotion she ever felt.<BR> <BR>&ldquo;That means the people in SHOC are my neighborhood,&rdquo; Nora said. &ldquo;We&rsquo;re going to walk around SHOC?&rdquo;<BR> <BR>&ldquo;Enough chattering,&rdquo; Mr. Holsapple said. &ldquo;Shut up or I&rsquo;ll wallop you.&rdquo;<BR> <BR>&ldquo;Hurry and line up,&rdquo; Mrs. Holsapple added.<BR> <BR>The Holsapples were always making the kids line up. At bedtime. When they woke up in the morning. When it was time for chores. When chores were finished (not that they were ever finished).<BR> <BR>Boys lined up on the left, and girls on the right. The lines were in size order, with the shorter kids in front and tall ones in the back. The boys&rsquo; line was longer, so Mr. Holsapple told Jacob and all the boys behind him to get to the back of the girls&rsquo; line, to even things out.<BR> <BR>&ldquo;I ain&rsquo;t going on no girls&rsquo; line,&rdquo; Jacob said. He was ten years old and tall for his age, with sandy-colored hair and a red birthmark shaped like a teensy baked bean beside his right eye. Lainey wished that he&rsquo;d keep quiet around the Holsapples, like she did. But Jacob couldn&rsquo;t help himself. He always said what he was thinking.<BR> <BR>Mr. Holsapple grabbed Jacob by his earlobe and dragged him over. It felt awful to watch and not stick up for him. But Lainey knew that saying something wouldn&rsquo;t help Jacob at all. The other boys followed behind him. The lines were even&#8212;or at least even <i>enough</i> to satisfy the Holsapples&#8212;and out they went.<BR> <BR>They made a left at the gate and marched down the sidewalk.<BR> <BR>It was so bright outside! That was the first thing Lainey noticed. The courtyard at SHOC was almost always darkened by shadows from the buildings surrounding the orphanage. But the streets beyond were bathed in warm yellow light. The sky was a deep but bright blue. Of all the colors in the world, sky blue was her favorite. It was a small moment of good luck to be out on a clear, cloudless day and be able to see it.<BR> <BR>Though Lainey knew from an old science textbook she&rsquo;d found at the orphanage that the sky wasn&rsquo;t <i>actually</i> blue, at least not completely. The light from the sun was made up of all the colors of the rainbow. Blue light traveled in smaller, shorter waves than the other colors, so it was what you saw.<BR> <BR>Lainey tipped her head back, squinting to look at it, and she tripped over the heel of the girl in front of her.<BR> <BR>&ldquo;Ow!&rdquo; Peg cried. She was only a couple of months younger than Lainey. They&rsquo;d been together at the orphanage nearly the whole time.<BR> <BR>&ldquo;Oh my, I&rsquo;m sorry, Peggy,&rdquo; Lainey said. &ldquo;The sky distracted me. I love it, don&rsquo;t you?&rdquo;<BR> <BR>&ldquo;Huh. I never gave the sky much thought,&rdquo; Peg said.<BR> <BR>&ldquo;Do you think the skies on other planets are the same color blue?&rdquo; Lainey asked.<BR> <BR>&ldquo;I&rsquo;ve definitely never thought about that,&rdquo; Peg said.<BR> <BR>&ldquo;Shut your traps,&rdquo; Mr. Holsapple said. &ldquo;Or you&rsquo;ll be emptying chamber pots for the next week.&rdquo;<BR> <BR>Chamber-pot duty was the most dreaded chore of all the bad chores at SHOC. You had to heave up the full pots and hold your nose so as not to faint from the stench as you carried them down the steps and out the door. You&rsquo;d empty them into the gutters that ran alongside the street, hoping that you didn&rsquo;t accidentally splash anything on your only pair of shoes and socks while you poured.<BR> <BR>The girls stopped talking and kept walking. Lainey watched her feet so as not to step on Peg again. And not to step on anything else that might&rsquo;ve been poured into the gutter.<BR> <BR>Other people were outside, their clothes clean and bright. The SHOC kids looked like a giant dust cloud passing by, all wearing raggedy old clothes in shades of brown and gray. A couple of women lifted scented dried flowers to their noses. They inhaled and blocked out the stench of dirty kids.<BR> <BR>That was a thing some people did when they visited the city: they brought sachets or flowers to block out the bad smells. And though it made Lainey ashamed that they were lifting their flowers to their noses in front of the orphans, she could hardly blame them. She knew that she and her fellow waifs were filthy and must smell terrible. When it was just the kids together at the orphanage, they were all so used to it, they barely noticed. But out in the world, Lainey was reminded of just how bad it all was. Even her eyelids felt heavy with dirt. Her eyeballs were the only part of her that remained clean.<BR> <BR>A little boy stopped in front of them to wave. &ldquo;Hi, kids!&rdquo;<BR> <BR>His mother yanked his arm, as if pulling him from something contagious. Which she probably was. Lainey&rsquo;s head itched from something that was likely lice.<BR> <BR>&ldquo;This way, Teddy,&rdquo; the boy&rsquo;s mum said.<BR> <BR>&ldquo;Who are they?&rdquo; Lainey heard him ask.<BR> <BR>The mum loud-whispered &ldquo;orphans&rdquo; as if it were a dirty word. Lainey was so embarrassed, even if it wasn&rsquo;t her fault. It wasn&rsquo;t any of the kids&rsquo; fault. The only difference between the SHOC kids and Teddy was that they&rsquo;d had bad luck and he&rsquo;d had good luck.<BR> <BR>Teddy probably didn&rsquo;t even think about his good luck. He probably didn&rsquo;t know he had it&#8212;just like most lucky kids. It&rsquo;s when bad luck happens that you become aware of these things. And the thing about bad luck is it can sneak up on you at any time. You could be in the middle of a great day&#8212;maybe even your best day. Then bad luck swoops in and shocks you and you have your worst day.<BR> <BR>And yet Lainey always tried to hold out hope that her luck would change.<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[A third-generation Japanese American, Debbi Michiko Florence is the acclaimed author of more than twenty books for children and tweens. Her books have received starred reviews, Junior Library Guild Selections, and inclusion on lists such as Amazon Best Books and the Chicago Public Library Best of the Best. She loves to write stories about friendship and family. Her middle grade novels include&nbsp;<I>Sweet and Sour</I>,&nbsp;<I>This Is How I Roll</I>,&nbsp;<I>A Study in Secrets</I>, and&nbsp;<I>Just Be Cool, Jenna Sakai.&nbsp;</I>She is also the author of the award-winning Jasmine Toguchi chapter book series. A native Californian, Debbi now lives in Connecticut.]]></BiographicalNote>
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      <SubjectHeadingText>mystery; boarding school; treasure hunt; scavenger hunt; friendships; coming of age; puzzles; ciphers; secrets; death of a parent; grief; loss; healing; family dysfunction; threats; saving the school; fundraiser; showcase; gala; ticking clock; legacy; local history; beach vacation; California; upstate New York; fast-paced; short chapters; AAPI; Japanese American character; middle grade book novel for 8 9 10 11 12 year olds grades 3 4 5 6 7; duology; completed series; Edgar Award nominated; only murders in the building; westing game; inheritance games; jasmine toguchi series; keep it cool; jenna sakai; this is how we roll; lindsey currie; Escape from Mr. Lemoncello&#39;s Library; The Swifts; Mystery of the Locked Rooms; A Strange Thing Happened in Cherry Hall by Jasmine Warga; Sherlock Society by James Ponti; Charlie Thorne by Stuart Gibbs; Murder Most Unladylike by Robin Stevens; The Liars Society; A Study in Secrets;</SubjectHeadingText>
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      <Text><![CDATA[<B>In this sequel to <I>A Study in Secrets</I> that&rsquo;s <I>Only Murders in the Building </I>meets <I>The</I> <I>Westing Game</I>, Meg must figure out the identity of the mysterious Mastermind to save her school and her friends.</B><BR><BR>After winning a scavenger hunt with her new friends&#8212;Tana, Zane, and Ryan&#8212;Meg Mizuno is looking forward to winter break and enjoying their grand prize of an all-expenses paid trip to California. But after learning that their boarding school, Leland Chase Academy (called Last Chance Academy by students), is in danger of shutting down, it&rsquo;s hard to enjoy the sun and surf.<BR> <BR>When they return, the Head of School reminds the student body of their mandatory participation in the Student Showcase, with the goal of bringing in needed funds to the school. If that weren&rsquo;t enough pressure, Meg discovers a new note: the Mastermind wants her to help him with one more scavenger hunt. This time, though, she must work alone, or else the Mastermind will not only ruin the school, but also publicly reveal secrets about all her friends that would turn their lives upside down.]]></Text>
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      <Text><![CDATA[A third-generation Japanese American, Debbi Michiko Florence is the acclaimed author of more than twenty books for children and tweens. Her books have received starred reviews, Junior Library Guild Selections, and inclusion on lists such as Amazon Best Books and the Chicago Public Library Best of the Best. She loves to write stories about friendship and family. Her middle grade novels include&nbsp;<I>Sweet and Sour</I>,&nbsp;<I>This Is How I Roll</I>,&nbsp;<I>A Study in Secrets</I>, and&nbsp;<I>Just Be Cool, Jenna Sakai.&nbsp;</I>She is also the author of the award-winning Jasmine Toguchi chapter book series. A native Californian, Debbi now lives in Connecticut.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665950527.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-label="Chapter 1"> <figure ><img src="../images/ch001.jpg" alt="Chapter 1"></figure> <BR>I GLARE AT MY nemesis.<BR> <BR>&ldquo;Tamago,&rdquo; I declare as I place a small rectangular pan onto the stove, &ldquo;I will master you!&rdquo;<BR> <BR>This is the last dish I need to finish before our afternoon meal. Dad and I already spent all morning making traditional foods for Oshogatsu, New Year&rsquo;s Day, like inarizushi. We stuffed balls of sushi rice into fried tofu pockets. They look pretty good. Dad and I didn&rsquo;t attempt to make sushi, though. Mom used to make the most beautiful nigiri and futomaki.<BR> <BR>But I want to make the Japanese omelet on my own. I can easily follow Mom&rsquo;s recipe, but rolling the tamago takes practice. Props to Dad, who ate my ugly, tattered, uneven attempts for the last three days without complaint. I guess they tasted good, at least.<BR> <BR>&ldquo;Here we go,&rdquo; I mutter.<BR> <BR>I use my cooking chopsticks to rub a small square of paper towel soaked in vegetable oil onto the pan&rsquo;s surface. I take a deep breath for courage and slowly pour enough of the seasoned scrambled eggs to thinly coat the bottom of the pan. I wait a beat and then use my chopsticks to carefully roll the cooking liquid, and leave it on one side of the pan. So far, so good. I pour another thin layer of eggs and roll the already cooked egg over the cooking layer. I do this several more times back and forth until the omelet is a thick roll. Not once did I tear any of the layers.<BR> <BR>&ldquo;Yatta!&rdquo; I shout.<BR> <BR>Dad pokes his head into the kitchen. &ldquo;You did it?&rdquo; he asks with a smile.<BR> <BR>I slide the tamago onto a platter. &ldquo;I&rsquo;ll slice it after it cools,&rdquo; I say.<BR> <BR>&ldquo;Looks just like Mom&rsquo;s,&rdquo; he says, standing at the counter.<BR> <BR>It&rsquo;s been two years since Mom died, and this is the first time Dad and I are doing any celebrating of any kind. But here we are. I&rsquo;m home in Connecticut with Dad. He took time off work, and we had a really nice Christmas.<BR> <BR>&ldquo;I can&rsquo;t wait to eat,&rdquo; I say, wiping my hands on a towel.<BR> <BR>&ldquo;Are you sure you don&rsquo;t want to invite Aunt Vivian?&rdquo; Dad asks for the fifth time this week.<BR> <BR>My answer remains the same. &ldquo;Dad, I want it to be just the two of us.&rdquo;<BR> <BR>Aunt Vivian&#8212;Dad&rsquo;s sister&#8212;is the absolute worst. After Mom died, because Dad was traveling for work, I moved in with my aunt for sixth grade. She was horrible and mean. I was so miserable that I started cutting school and failing tests. That&rsquo;s why in September, Dad enrolled me at Leland Chase Academy, an elite boarding school in upstate New York better known as Last Chance Academy.<BR> <BR>New Year&rsquo;s Day is a celebration. I don&rsquo;t want Aunt Vivian ruining this holiday and the good vibes between me and Dad. I don&rsquo;t want to spend any time with her at all.<BR> <BR>&ldquo;Actually&#8212;&rdquo; Dad says.<BR> <BR>My phone chimes with an incoming text.<BR> <BR>&ldquo;Just a sec,&rdquo; I say, stepping away into the living room, preventing Dad from probably insisting that we invite Aunt Vivian.<BR> <BR>I check my phone and smile. It feels strange to have my phone again because we&rsquo;re not allowed to have any personal electronic devices of any kind at LCA, but it feels even more strange to actually have friends to text.<BR> <BR>Tana Rabin: Two more days!!!!!<BR> <BR>Ryan Hsieh: Zane has been packing since yesterday.<BR> <BR>Zane Yoshikawa: Have not.<BR> <BR>Zane doesn&rsquo;t have a home to go to. I&rsquo;m happy that he&rsquo;s spending the holidays with Ryan and his family. Plus, I know Ryan is relieved to have the buffer of his roommate, because Ryan isn&rsquo;t close with his family.<BR> <BR>Megumi Mizuno: I&rsquo;m going to start packing tonight.<BR> <BR>Tana Rabin: Don&rsquo;t forget sunscreen.<BR> <BR>Ryan Hsieh: And swimsuits! <img src="../images/icon01.jpg" alt="Emoji: Smirking face."><BR> <BR>Zane Yoshikawa: Not getting in the water.<BR> <BR>Megumi Mizuno: Can&rsquo;t swim?<BR> <BR>Zane Yoshikawa: Sharks jellyfish pee trash.<BR> <BR>Ryan Hsieh: Killjoy.<BR> <BR>Tana Rabin: Whatever! TWO MORE DAYS!!!!<BR> <BR>In two days Dad and I are flying to California for a weeklong vacation with my friends from my boarding school. The vacation is a prize I won during a secret treasure hunt at LCA during fall semester. The treasure hunt helped distract me from being sad and angry. And it brought me friends even though I&rsquo;d been determined not to make any.<BR> <BR>Over the course of the secret treasure hunt, my friends and I started to feel like the Mastermind (as he calls himself) had ulterior motives, and maybe he does, because that note he sent us before winter break was a little creepy. But he didn&rsquo;t lie. There was a prize, and I won it. I&rsquo;m especially excited because for the first time since Mom died, I&rsquo;m going on vacation with my dad.<BR> <BR>&ldquo;Meg? When you&rsquo;re done, can you come here, please?&rdquo; Dad calls.<BR> <BR>I tuck my phone into my pocket and join him in the dining room. My stomach growls as I gaze at the feast spread out on the table.<BR> <BR>Dad squeezes my shoulder gently. We stand there, suspended in time, remembering the last time we celebrated Oshogatsu, when our family was three instead of two.<BR> <BR>&ldquo;I have some bad news, Megumi,&rdquo; Dad says. &ldquo;But also some good news.&rdquo;<BR> <BR>I turn to him with a frown.<BR> <BR>&ldquo;I&rsquo;m really sorry, but I can&rsquo;t go to California with you and your friends,&rdquo; Dad says.<BR> <BR>&ldquo;What?&rdquo; I stumble back against the table.<BR> <BR>Dad reaches for me, but I dodge his hands and scoot around the table, using it as a barrier. But I know nothing can protect my heart from whatever excuse he has.<BR> <BR>&ldquo;I&rsquo;m sorry,&rdquo; he says again. &ldquo;You know I&rsquo;m trying to wrap up all my projects so I can stop traveling and you can move home this summer.&rdquo;<BR> <BR>&ldquo;Right,&rdquo; I say tightly.<BR> <BR>&ldquo;An issue has come up with one of those projects, and I need to fly out the same day we were supposed to leave for California.&rdquo;<BR> <BR>&ldquo;Dad!&rdquo; I shout. &ldquo;You promised! You&rsquo;re the chaperone! It&rsquo;s too late to get someone else. So not only are we not going on vacation together but now my friends can&rsquo;t go either.&rdquo;<BR> <BR>&ldquo;That&rsquo;s the good news I have,&rdquo; Dad says in a soothing tone. &ldquo;You and your friends can still go. I found a replacement chaperone.&rdquo;<BR> <BR>&ldquo;Who?&rdquo;<BR> <BR>&ldquo;Aunt Vivian.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[<i>Only Murders in the Building</i>&nbsp;meets&nbsp;<i>The</i>&nbsp;<i>Westing Game</i>&nbsp;in this middle grade series about a&nbsp;new student at a boarding school who is pulled into a mysterious treasure hunt and must learn to work with her classmates, who all have secrets of their own, from acclaimed author Debbi Michiko Florence.]]></Text>
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      <Text><![CDATA[&quot;Readers will enjoy returning to Last Chance Academy, filled with a fabulous diverse cast, friendship, and mystery.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;Well-drawn characters strengthen their bonds as they tackle another page-turning mystery.&rdquo;]]></Text>
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      <Text><![CDATA[<b>Winner of the William C. Morris Debut YA Book Award</b><BR> <b>Three starred reviews!</b><BR> <BR><b>A Black, autistic teen tries to figure out what happened the night his older brother was unjustly arrested in this &ldquo;propulsive&rdquo; (Jas Hammonds, award-winning author of <i>We Deserve Monuments</i>), moving story about brotherhood, identity, and social justice.</b><BR><BR>All Aiden has ever wanted to do was play football just like his star quarterback brother, Brandon. An overstimulation meltdown gets in the way of Aiden making the team during summer tryouts, but when the school year starts and a spot unexpectedly needs to be filled, he finally gets a chance to play the game he loves.<BR> <BR>However, not every player is happy about the new addition to the team, wary of how Aiden&rsquo;s autism will present itself on game day. Tensions rise. A fight breaks out. Cops are called.<BR> <BR>Brandon interferes on behalf of his brother, but is arrested by the very same cops who, just hours earlier, were chanting his name from the bleachers. When he&rsquo;s wrongly charged for felony assault on an officer, everything Brandon has worked for starts to slip away, and the brothers&rsquo; relationship is tested. As Brandon&rsquo;s trial inches closer, Aiden is desperate to figure out what really happened that night. Can he clear his brother&rsquo;s name in time?]]></Text>
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      <Text><![CDATA[DeAndra Davis is New York&ndash;born and Florida-bred. She&rsquo;s a hopeless musical theater nerd (<i>Wicked</i>&nbsp;is definitely her favorite), a perpetual student and teacher, and always trailed by a kid or a dog because she has way too many of both. She has an opinion for everything, an argument ready, and a hug for everyone, and she thinks you should, too. She is the author of&nbsp;<i>All the Noise at Once</i>,&nbsp;winner of the William C. Morris Award for best young adult debut book,&nbsp;and&nbsp;<i>The Lovers, the Liars, and Me</i>. DeAndra can be found on most socials @DeAndraWrites.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>All the Noise at Once</i></b><BR> <BR>By DeAndra Davis<BR> <BR><b>About the Book</b><BR> <BR>All Aiden wants is to play football with his older brother, Brandon, but he knows his autism will set him apart in some teammates&rsquo; eyes. When a fight breaks out after a game, police are called, and Brandon is wrongly arrested. As the situation with the police worsens, Aiden must find someone who was there that night to help clear his brother&rsquo;s name, before the brothers&rsquo; lives are changed forever.<BR><BR><b>Discussion Questions</b><BR> <BR>1. What is the noise Aiden experiences? Is he the only one who hears it? How is his perception of &ldquo;noise&rdquo; unsettling, and what are some of the instinctive behaviors and learned skills he uses to regain his composure?<BR> <BR>2. Which of the novel&rsquo;s characters prove themselves as champions for Aiden&rsquo;s self-advocacy and confidence? How do they show this throughout the football season? Which characters are adversarial to Aiden in these areas, and how do you know?<BR> <BR>3. Consider how Aiden views his brother, Brandon. At the beginning of the novel, he thinks about all the negativity and noise jostling around in his own brain, but how &ldquo;Brandon never hears it. All he sees in me are the bright spots.&rdquo; (Chapter one) Discuss other examples of the ways Brandon helps Aiden see his own bright spots. Consider creating a list of your own bright spots to remind yourself on tough days.<BR> <BR>4. Consider Aiden&rsquo;s and Isabella&rsquo;s Life Skills class. In what ways does Aiden&rsquo;s opinion of the class change over the course of the football season? How do Ms. Findley&rsquo;s assignments and exercises play a role in his progression?<BR> <BR>5. Discuss the ways in which Aiden notices how Isabella is different from other classmates, even ones he&rsquo;s known for years. Which of Isabella&rsquo;s characteristics and behaviors prove comforting to Aiden? How do Isabella and Aiden give support to each other?<BR> <BR>6. On numerous occasions in the novel, Aiden makes mental &ldquo;notes&rdquo; to himself. He applies these notes in a variety of ways to build understanding of the world around him. Discuss two or three notes that help the reader understand Aiden&rsquo;s thoughts or emotions in a particular moment or situation.<BR> <BR>7. Consider the team, especially Gregory, Carter, Reg, Bernard, and Louis: How are these characters different from one another? Aiden observes that &ldquo;something about their behavior seems as though it is teetering somewhere between friendship and rivalry. Somewhere between friend and foe.&rdquo; (Chapter five) Provide examples of how his teammates align with this observation, and discuss how you think that plays out in the aftermath of &ldquo;the incident.&rdquo;<BR> <BR>8. After an encounter with a local police officer, Brandon says to Aiden, &ldquo;&lsquo;we important to someone who&rsquo;s important to them,&rsquo;&rdquo; making <i>them</i> important. (Chapter four) How does that sentiment repeat or contradict itself later in the novel? Consider the several interactions Aiden and Brandon have with police officers in the book. Did police officers treat Brandon and Aiden differently depending on the circumstances? Discuss as a class why you believe this is true or false.<BR> <BR>9. Without including the title of chapter six as &ldquo;The Incident,&rdquo; identify different elements of Aiden&rsquo;s descriptions of the team and Randy&rsquo;s diner that lets readers know tension was high and Aiden was feeling &ldquo;off&rdquo; even before the fight.<BR> <BR>10. How does Aiden react to Brandon&rsquo;s new position of vulnerability after the arrest? Can you identify an event that signaled a shift in the balance of supporting roles between the two brothers? Discuss how a shift of their roles was meaningful for their relationship.<BR> <BR>11. One of Aiden&rsquo;s Life Skills projects is to interview, get, and maintain an after-school job. He&rsquo;s apprehensive and realizes that his job at the library will be the first time someone will be placing &ldquo;an obligation in front of me without some expectation of needing to assist me with it.&rdquo; (Chapter ten) How does this expectation make Aiden feel? Have you ever had a job, and if so, how did you feel during the application and interview process? How did you feel when you first started? If you haven&rsquo;t had a job yet, what are you most nervous or excited about?<BR> <BR>12. How does the theme of self-advocacy and empowerment change for characters in the book? Choose a character and explain how they use their empowerment to resist opposition and support other characters.<BR> <BR>13. How does Aiden allow peer pressure, or his perceived expectations of others, to play a role in his decisions?<BR> <BR>14. How does the author address racial bias and racial violence in different scenarios? How do students, parents, and police respond to racism throughout the novel? How, if at all, does racial bias play a part in the actions of Brandon&rsquo;s teammates? His coaches?<BR> <BR>15. What did Aiden&rsquo;s parents mean by teaching their sons &ldquo;comply&rdquo; and &ldquo;get home alive&rdquo;? (Chapter four) How does Aiden question his parents&rsquo; view of why they chose to live in their specific neighborhood? Discuss whether you agree or disagree with his parents&rsquo; reasoning.<BR> <BR>16. Why does Aiden think Brandon&rsquo;s situation is his fault? How would you advise Aiden to view the situation?<BR> <BR>17. Consider Brandon&rsquo;s situation after the arrest. Discuss the scope and slant the news media and Brandon&rsquo;s peers on social media have on his situation. Debate if the media outlets are focused on providing information about the incident in a fair and unbiased manner. How would you have approached discussion about the events?<BR> <BR>18. While leading Brandon to have a conversation with Ms. Findley, Aiden defends the Life Skills class, stating &ldquo;&lsquo;it is not just for troubled kids, either. It is for life skills. It is for helping you deal with all the crap that life throws at you.&rsquo;&rdquo; (Chapter nineteen) How does the conversation help Brandon voice, and later come to terms with, his deeper feelings about his identity at school and in life? How does Brandon&rsquo;s admission impact his relationship with Aiden?<BR> <BR>19. Discuss how characters in the book handle their fears and mistakes. Discuss whether you think some mistakes are beyond forgiveness and redemption.<BR><BR><b>Extension Activities</b><BR> <BR>1. Consider the themes of friendship, loyalty, social responsibility, redemption, and empathy. Have students select individual characters they feel represent one or more of the themes. Have them discuss their choices in small groups.<BR> <BR>2. Have students write a letter to the author discussing how the book has helped them better understand how someone with autism may experience certain stimuli differently. Include a discussion of how they will seek to promote greater empathy and understanding of neurodivergent individuals in their community.<BR> <BR>3. Have students research online professional and Olympic athletes diagnosed with autism and report what they learned about how these athletes continue to meet challenges successfully. Have students discuss new approaches or perspectives they intend to apply.<BR> <BR>4. Have students research online several national or local organizations that support research and advocacy for autistic teens. Have them identify an organization or project they feel inspired to support.<BR> <BR>5. Throughout the novel, Aiden&rsquo;s mental &ldquo;notes&rdquo; pause the story to elaborate on Aiden&rsquo;s thought processes and how things he&rsquo;s learned or knows or wants to know fit into the moment. Ask students to write a descriptive essay or timeline about what they did yesterday. Once they have their schedule, have them create notes like Aiden&rsquo;s in certain spots to insert further personality and perspective into their day. These notes can be questions they thought about when something happened, or quotes or songs they always think about when they go somewhere or talk to someone, etc.<BR><BR><i>Guide created by Damon L. Austin, a school librarian and library information consultant who has worked with public, academic, special, and school libraries. He currently serves on the Board of Trustees of the American Library in Paris.</i><BR> <BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.</i>]]></Text>
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      <Text><![CDATA[&quot;Davis masterfully weaves a powerful story and elements of suspense with issues of race, social justice, and disability. Equal parts witty and heartbreaking,&nbsp;<i>All The Noise at Once</i>&nbsp;serves as a window into the Black autistic experience and as a beacon of hope for those our justice system has forgotten and failed. Easily one of the best books I&#39;ve read all year.&quot;&mdash;Jay Coles, author of&nbsp;<I>Tyler Johnson Was Here</I>&nbsp;and&nbsp;<I>Things We Couldn&rsquo;t Say</I>]]></Text>
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      <Text><![CDATA[&ldquo;In this winning debut, Davis tackles brotherhood, forgiveness, and unbreakable bonds with propulsive tension. Aiden is an unforgettable narrator whose sharp insight and wit will have readers rooting for him on and off the football field.&rdquo;&mdash;Jas Hammonds, award-winning author of&nbsp;<i>We Deserve Monuments</i>]]></Text>
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      <Text><![CDATA[&quot;Somehow both heart-wrenchingly beautiful and cramp-your-abs hilarious, <i>All the Noise at Once</i> is the warm hug my inner teenage autistic self desperately needed.&quot;&mdash;Sonora Reyes, National Book Award for Young People&#39;s Literature finalist of <i>The Lesbiana&#39;s Guide to Catholic School</i>]]></Text>
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      <Text><![CDATA[* &quot;[A] propulsive debut. Aiden&rsquo;s intimate first-person perspective offers an organic portrayal of a Black autistic teen navigating social stigma and systemic racism. Writing nuanced and complexly rendered characters, family dynamics, and social commentary, Davis delivers a powerful portrayal of identity and siblinghood that&rsquo;s as gripping as it is thoughtful.&quot;]]></Text>
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      <Text><![CDATA[* &quot;A stellar debut about ignorance and privilege and the abuse of it that resonates beyond the final page.&quot;]]></Text>
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      <Text><![CDATA[* &quot;A stunning debut that empathetically captures the nuances of being both Black and autistic with care and love. Aiden and Brandon&rsquo;s relationship as brothers is complex and layered, and readers will root for both of them and hope they reconcile their differences. At its heart, this is a story about brotherhood, family, the fight against police brutality and the carceral system, racism and anti-Blackness, and ableism through the autistic experience&mdash;all in all, it is essential reading about activism and collective action. Aiden&rsquo;s voice will linger long after you finish this riveting work.&quot;]]></Text>
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      <Text><![CDATA[&quot;Davis masterfully weaves a powerful story and elements of suspense with issues of race, social justice, and disability. Equal parts witty and heartbreaking,&nbsp;<i>All The Noise at Once</i>&nbsp;serves as a window into the Black autistic experience and as a beacon of hope for those our justice system has forgotten and failed. Easily one of the best books I&#39;ve read all year.&quot;&mdash;Jay Coles, author of&nbsp;<I>Tyler Johnson Was Here</I>&nbsp;and&nbsp;<I>Things We Couldn&rsquo;t Say</I>]]></Text>
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      <Text><![CDATA[&ldquo;In this winning debut, Davis tackles brotherhood, forgiveness, and unbreakable bonds with propulsive tension. Aiden is an unforgettable narrator whose sharp insight and wit will have readers rooting for him on and off the football field.&rdquo;&mdash;Jas Hammonds, award-winning author of&nbsp;<i>We Deserve Monuments</i>]]></Text>
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      <Text><![CDATA[&quot;Somehow both heart-wrenchingly beautiful and cramp-your-abs hilarious, <i>All the Noise at Once</i> is the warm hug my inner teenage autistic self desperately needed.&quot;&mdash;Sonora Reyes, National Book Award for Young People&#39;s Literature finalist of <i>The Lesbiana&#39;s Guide to Catholic School</i>]]></Text>
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      <Text><![CDATA[* &quot;A stellar debut about ignorance and privilege and the abuse of it that resonates beyond the final page.&quot;]]></Text>
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      <Text><![CDATA[* &quot;A stunning debut that empathetically captures the nuances of being both Black and autistic with care and love. Aiden and Brandon&rsquo;s relationship as brothers is complex and layered, and readers will root for both of them and hope they reconcile their differences. At its heart, this is a story about brotherhood, family, the fight against police brutality and the carceral system, racism and anti-Blackness, and ableism through the autistic experience&mdash;all in all, it is essential reading about activism and collective action. Aiden&rsquo;s voice will linger long after you finish this riveting work.&quot;]]></Text>
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      <Text><![CDATA[1. Faculty Kid: (Ten Days Before) <link rel="stylesheet" type="text/css" href="../styles/9781665956093.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <h2 id="ch01_hd" >1. Faculty Kid (Ten Days Before)</h2> <BR>&ldquo;Birdsong&rdquo; is one of my favorite words.<BR> <BR>It sounds old-fashioned and also<BR> <BR>like someone made it up,<BR> <BR>which I guess they did,<BR> <BR>because how else do we get words?<BR> <BR>I wake<BR> <BR>to birdsong&#8212;<BR> <BR>the chirp-chirrupy-chirp<BR> <BR>of robins readying their lungs<BR> <BR>for a full day of<BR> <BR>humming and hopping<BR> <BR>and enjoying their birdselves.<BR> <BR>I press my nose to the open window screen<BR> <BR>and chirrup back<BR> <BR>because it is Friday<BR> <BR>and Max said I can go green today.<BR> <BR>I&rsquo;ve been orange sherbet for<BR> <BR>six weeks,<BR> <BR>which is how long she says<BR> <BR>I have to wait<BR> <BR>before I dye my hair again;<BR> <BR>otherwise it will fall out.<BR> <BR>That&rsquo;s what she says, anyway.<BR> <BR>I have to listen to her<BR> <BR>because as the school nurse,<BR> <BR>she knows the human body,<BR> <BR>and as my guardian,<BR> <BR>she buys me Cheetos Puffs.<BR> <BR>My whole scalp tingles<BR> <BR>in anticipation.<BR> <BR>Maybe I can dye it in the teacher&rsquo;s lounge bathroom<BR> <BR>during lunch<BR> <BR>so I don&rsquo;t have to wait aaaaaall the way until<BR> <BR>after school.<BR> <BR>In the kitchen of our tiny duplex on Battlefield Ave.,<BR> <BR>she catches me tucking the box of lime-green dye<BR> <BR>into my bag.<BR> <BR>&ldquo;Not going to happen.&rdquo;<BR> <BR>She reaches for the box,<BR> <BR>but not before I roll back<BR> <BR>and take a lap<BR> <BR>around the kitchen table,<BR> <BR>out of reach.<BR> <BR>&ldquo;Bea.&rdquo;<BR> <BR>&ldquo;Max.&rdquo;<BR> <BR>She takes a sip of coffee<BR> <BR>that is mostly cream<BR> <BR>and gives me the look&#8212;<BR> <BR>the grown-up stare<BR> <BR>that sinks into your soul<BR> <BR>and scans it for devious intentions.<BR> <BR>&ldquo;The school is not a hair salon.&rdquo;<BR> <BR>&ldquo;But Josie will love it!&rdquo; I beg.<BR> <BR>&ldquo;Josie loves you no matter what color your hair is.&rdquo;<BR> <BR>Max picks up her keys.<BR> <BR>She&rsquo;s right about Josie<BR> <BR>but wrong about the rest.<BR> <BR>What&rsquo;s the point of being a faculty kid<BR> <BR>if you can&rsquo;t use the teacher&rsquo;s bathroom<BR> <BR>to make a huge mess?<BR> <BR>I surrender the box anyway<BR> <BR>and follow her purple clogs out the door,<BR> <BR>because it is Friday,<BR> <BR>and there is birdsong,<BR> <BR>and I&rsquo;ve never been one to put up much of a fight.<BR> </section>]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>Please Pay Attention</i></b><BR> <BR>By Jamie Sumner<BR> <BR><b>About the Book</b><BR> <BR>Bea Coughlin is a survivor. Born with cerebral palsy, she has learned to navigate a world that was not made for her wheelchair and to overcome the obstacles life has put in her way. After a shooter enters her small and close-knit school, Bea must learn how to heal and survive all over again. With the help of her community and animal therapy, she gains the strength to face her fears and use her voice to advocate for change.<BR><BR><b>A Note to Teachers:</b> American students are all too familiar with active shooter drills. They know what to do in case of a lockdown or Code Red: <i>run, hide, fight</i>. For many students, even a drill can be a scary experience. <i>Please Pay Attention</i> handles the depiction of a school shooting with sensitivity and grace, but students may still find some passages difficult to read. Yet this is precisely what makes it an important book to teach. While we prepare students for running and hiding, we do not teach them about what happens afterward: <i>surviving</i>.<BR> <BR>This guide is focused on the message of hope in Sumner&rsquo;s novel. It will help prepare your students with tools to understand the emotions that come after a traumatic experience, helping them become more resilient and empathetic.<BR><BR><b>Discussion Questions</b><BR> <BR>1. A novel written as a letter or series of letters is called an <i>epistolary</i> novel&#8212;this comes from the Greek word <i>epistole</i>, which means <i>letter.</i> Explore the ways in which this book is a letter to someone. Who do you think is the intended recipient?<BR> <BR>2. Why does Bea&rsquo;s school pair sixth graders with kindergarteners? Who is Bea&rsquo;s &ldquo;Little&rdquo;? What responsibilities does Bea have as an older Buddy? How do you know she takes her role seriously?<BR> <BR>3. Look up the definitions of the qualities Cedar Crest values: leadership, stewardship, friendship. (p. 1) What do these qualities have in common? How are they different? How does Bea demonstrate that she has these qualities?<BR> <BR>4. Describe the relationships between Bea, Max, Lucy, and Aaron. Although they are not relatives, how have they formed a sort of &ldquo;found family&rdquo;? Who are the people in your life that are so important to you that they are like family?<BR> <BR>5. How does Ms. Canelli encourage Bea to keep drawing (just not on the desk)? Think of a time that a teacher encouraged you. How did their encouragement help you? Why is it important to be a person that encourages others?<BR> <BR>6. Explain the meaning of Max and Bea&rsquo;s promise: &ldquo;Xs to Xs.&rdquo;<BR> <BR>7. Why is Easter especially meaningful to Bea?<BR> <BR>8. How does the author show that Josie is experiencing anxiety? How does Bea help her feel better? Why do you think this works? What other things do you think Bea could do to help Josie?<BR> <BR>9. At the beginning of the section entitled &ldquo;Hide,&rdquo; Bea writes, &ldquo;These are my people, sir, / and it&rsquo;s important that you can picture them.&rdquo; (p. 57) Why is it important for Bea to tell the reader specific details about the people who will be and are impacted by the shooting at her school? How does being able to picture them impact the way you feel about what happens?<BR> <BR>10. As Josie&rsquo;s sixth-grade Buddy, one of Bea&rsquo;s jobs is &ldquo;to show the Little / how to live with Intention.&rdquo; (p. 62) What does it mean to live with intention? What actions reveal the ways that Max, Bea, Lucy, and Trina are living with intention?<BR> <BR>11. Pages 70&#8211;73 describe Bea&rsquo;s experience during the shooting and evacuation at her school. Why do you think it is important for Bea to describe her experience to the reader? What details about the day does Bea emphasize? How did you feel when you were reading this section?<BR> <BR>12. Bea includes very few details about the shooter&rsquo;s identity or motive. Why do you think she did not include these details? What does she want the reader to remember instead?<BR> <BR>13. After the shooting, Bea does not want to talk about how she&rsquo;s feeling, and at first she pushes Max away. Why do you think people sometimes respond to a traumatic event by isolating or pushing others away? How can understanding this help you respond with kindness when you see someone who is hurting or struggling? When you are upset, do you seek comfort from others, or do you want space?<BR> <BR>14. Why does Bea start to sleep on the porch instead of in her bedroom?<BR> <BR>15. How does working with Dumpling help Bea process her feelings? What helps you when you feel anxious or afraid?<BR> <BR>16. What causes Bea to fall off Dumpling? How does this relate to her ongoing fears after surviving the shooting?<BR> <BR>17. Why does Bea feel like she failed? How does Max reassure her?<BR> <BR>18. After falling off her horse, Bea realizes, &ldquo;I need to go back / before the memory of the fall / grows bigger / than the fall itself.&rdquo; (p. 208) How could this quote apply to the way Bea feels about returning to school? Why do you think it is important to face your fears?<BR> <BR>19. On page 9, Bea says, &ldquo;I&rsquo;ve never been one to put up much of a fight.&rdquo; At the end of the book, she has changed her mind and states, &ldquo;Maybe I <i>am</i> a fighter.&rdquo; (p. 206) What helps her decide to not give up? When you want to give up, what helps you keep going?<BR> <BR><b>Poetry Activities</b><BR> <BR><b>Allusion </b>is a literary term for an author referencing another work of art or literature or another well-known person or event. Allusions often add meaning by making connections. On page 15, Bea writes:<BR> <BR> If brick walls can lead to train platforms<BR> <BR> and wardrobes to forests<BR> <BR> and rabbit holes to tea parties<BR> <BR> and twisters to yellow brick roads,<BR> <BR> then why can&rsquo;t my butterfly in purple pen<BR> <BR> come to life?<BR> <BR>Identify the allusions in this passage. How does recognizing the allusions help you understand Bea?<BR> <BR><b>Close reading </b>is the practice of looking at the way specific words, phrases, and punctuation help create deeper meaning or understanding. You can practice close reading by looking at this passage from page 46 where Bea is watching videos of a magician to learn how to do a card trick:<BR> <BR> &ldquo;Show the little lady whatcha got!&rdquo;<BR> <BR> An order.<BR> <BR> A cheer.<BR> <BR> A prayer.<BR> <BR>Examine the differences between an order, a cheer, and a prayer. How can the magician&rsquo;s words be all three of these things at the same time? What does it tell you about the way the magician is feeling about the magic trick?<BR> <BR><b>Imagery</b> is the use of words that appeal to the senses like sight, smell, taste, or touch. Poets use imagery to create a sensory experience, allowing readers to connect to their poem more deeply. Look at the section entitled &ldquo;Arts & Crafts&rdquo; on pages 123&#8211;129 or find another passage in <i>Please Pay Attention</i> that uses imagery. What senses do the words appeal to and how does it help you imagine the scene? One way to practice using imagery in writing is to write a detailed description of an item of food. Give each student an item of food (suggestions: a stick of gum, a peppermint, a saltine cracker, a strawberry, a cookie). Read Bea&rsquo;s description of eating a cherry on pages 13&#8211;14, then instruct students to look closely at the food and write descriptive details about what they see, smell, feel, and taste.<BR> <BR><b>Similes and metaphors</b> are forms of figurative language that compare two things that would not normally be compared. By making a connection, the writer can help the reader understand a character&rsquo;s feelings more deeply. Similes use the words <i>like</i> or <i>as</i>, while metaphors are a direct comparison. One example of a simile is on page 28:<BR> <BR> &ldquo;I couldn&rsquo;t help it!&rdquo; I squeak,<BR> <BR> because Max hardly ever gets mad,<BR> <BR>so when she does,<BR> <BR>it lands like a too-heavy blanket on my shoulders.<BR> <BR>What two things are being compared in this simile? What does this simile help you understand about the way that Bea is feeling? How does it help you understand the relationship between Max and Bea? As you read, look for other similes and metaphors and write them down along with the page number in a notebook. Choose one and write a paragraph that explains how the figurative language deepens your understanding.<BR> <BR><b>Syntax</b> is the way that poets use the arrangement of words to create meaning, including word order, punctuation, sentence length, and spacing. Look at the poem &ldquo;Dear Sir&rdquo; on pages 97&#8211;98, and identify all the places where syntax helps create meaning or effect.<BR> <BR><b>Symbolism </b>is the use of objects to represent ideas. Symbolism helps deepen a poem&rsquo;s meaning. How does the author use the symbol of the rainbow? (pp. 214&#8211;220) What does the rainbow symbolize to Bea? What does it symbolize for the reader?<BR><BR><b>Writing as Healing</b><BR> <BR><b>A Note to Teachers:</b> Pages 70&#8211;93 describe Bea&rsquo;s traumatic experience during the shooting and evacuation at her school. <b>Trauma Theory </b>is a growing field of literary study that examines how literature deals with events that are traumatic for individual characters or communities. These texts focus on themes of identity, memory, and resilience. Authors use techniques like fragmented narratives to show the way that people experience trauma&#8212;where initial memories may be largely sensory and limited and how understanding of what happened and how it has impacted a person unfolds over time. This activity will help you guide your students to think about the ways that writing can help them process an event:<BR> <BR>- Have your students think about a time in their life when they had a strong emotional response to an event. This does not need to be a traumatic event.<BR> <BR>- Guide students to write about the event in three different ways: First, have them write in the style of a newspaper report. Second, have them write a first-person narrative about the event. Third, have them write a poem about the event in the style of <i>Please Pay Attention</i>.<BR> <BR>- Afterward, have the students reflect on which account feels the most like the way they felt during the event&#8212;in other words, which account makes them feel closer to what they experienced. Which account makes them feel more distant from the experience?<BR> <BR>- Ask students to think about why Bea wrote about her experience in poetry. How do they think writing about what happened helped Bea start to heal?<BR> <BR>- As a class discuss how and why it could be helpful to write each of the different types of narratives after experiencing something traumatic or difficult.<BR><BR><b>Extension Activities</b><BR> <BR>1. Bea explains that Intention and Curiosity are two of Ceder Crest&rsquo;s core values. (p. 62) What are your school&rsquo;s mission statement and core values? Write a personal essay about the core value that means the most to you, and describe the actions you take (or could take) to demonstrate this value. As an extra activity, work with your teacher and classmates to develop a set of core values for your classroom.<BR> <BR>2. Post-traumatic stress disorder (PTSD) is a mental health condition that can occur after experiencing or witnessing a traumatic event. Research the causes and symptoms of PTSD, and identify places in the text where Bea exhibits these symptoms. What treatments can help people with PTSD? What helps Bea begin to heal?<BR> <BR>3. After the shooting, Bea writes, &ldquo;I am a planet drifting / farther / and / farther / away from everything / I thought was true.&rdquo; (pp. 103&#8211;104) How does connecting with others help Bea resolve her doubts? Think of a time in your life when you found yourself questioning or challenging something you once believed was true. Write a personal essay about this time. Did you resolve your questions, or are you still in a place of questioning?<BR> <BR>4. Max tries to help Bea stop dwelling on her bad memories by encouraging her to sew colorful G-tube pads to donate to the hospital. (pp. 123&#8211;129) Why is helping others good for mental health? Research local or regional projects that you can do to help others. The website <a href="https://createtodonate.org/">https://createtodonate.org/</a> is a good place to find ideas, instructions, and tutorials. You may want to choose one item to make and donate as a class project.<BR> <BR>5. On pages 171&#8211;172, Bea writes about the &ldquo;Why&rdquo; questions she had when she was little and the &ldquo;Why&rdquo; questions that she has now. Think about your own &ldquo;Whys&rdquo; and brainstorm a list of fifteen questions you have, including questions that probably have straightforward answers and questions that may have no set answer. Choose one of your questions to research, and present your findings.<BR> <BR>6. After dwelling on failure (pp. 201&#8211;202), Bea realizes that to move forward, she must shift her mindset: &ldquo;I focus on what I <i>can</i> do / instead of what I cannot.&rdquo; (p. 205) Make a list of all the things you can do. Use this list to create a personal mantra (an affirmation that you can repeat to yourself when you need encouragement or motivation). Decorate your personal mantra, and put it somewhere you will see it daily.<BR> <BR>7. In <i>Please Pay Attention</i>, equine-assisted therapy helps Bea process her emotions and start to heal. Using library resources and trusted internet databases, research the roles that animals play in therapy. What are some of the physical and mental health conditions that can be addressed with animal therapy? What roles do the animals play? How are the animals trained?<BR> <BR><b>Note to Teachers:</b> Your local hospital, nursing home, sheriff or fire department may have a therapy dog program. If so, you may want to reach out to see if they can visit your class to talk about the program.<BR> <BR>8. Bea helps Josie by being her Buddy, but she also received help from Janae, who was her Buddy when she was little (p. 22). Later, she writes that her therapy horse, Dumpling, is her Buddy. (pp. 207&#8211;213) Write about a time when someone helped you. Why did you need help or encouragement? What did they do to help you? How can you pay that kindness forward the way that Bea does with Josie?<BR> <BR>9. <i>Please Pay Attention</i> is written as a letter asking for changes to laws protecting students with special needs and to make it more difficult for people who should not have guns to access them. Think about an issue that you care about, and write a letter to a local or national representative to ask them to fight for changes. Like Bea, introduce yourself and explain why the issue matters to you before you ask them to take a specific action to help.<BR><BR><i>Guide prepared by Amy Jurskis, English Department Chair at Oxbridge Academy in Florida.</i><BR> <BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.</i>]]></Text>
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      <Text><![CDATA[* &quot;The poetic language makes the horror of school violence clear without depicting it in a graphic way. In the end, Bea&rsquo;s courageous recovery will prompt readers of all ages to examine whether school lockdown policies truly accommodate all students&mdash;and consider the possibility of a more peaceful world where such policies can be a relic of the past.&quot;]]></Text>
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      <Text><![CDATA[* &quot;This heartfelt exploration of trauma, recovery, and the search for light in the darkest of times will resonate with middle school readers, offering a meaningful reflection on personal and societal healing.&quot;]]></Text>
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      <Text><![CDATA[* &ldquo;Intimate, lyrical . . . . an accessible and cohesive interpretation of what it means to live with grief and find a way to feel like oneself after tragedy, as well as an homage to young voices and their impact on society.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;An emotionally gripping story about school violence, trauma, and recovery, whose focus on disability and mobility asks important questions about common assumptions and protocols of disaster preparedness and safety.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;[In]&nbsp;this haunting, painfully relevant verse novel&nbsp;. . . Sumner proves yet again to be a deft hand in matching cadence and form with her subject . . . Bea&rsquo;s story gives voice to the frustration and fear of students, teachers, and parents living in a world where young lives are collateral damages to people&rsquo;s political beliefs.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;[T]his novel in verse invites the reader to feel Bea&rsquo;s every emotion while still rooting for the growth we know is coming. Well-paced with care taken in more sensitive scenes, this is a must-read book for fans of Erin Bow&#39;s&nbsp;<i>Simon Sort of Says</i>&nbsp;and Barbara Dee.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;Poignantly portrays the devastation that gun violence wreaks while leaving room for hope. . . . Bea&rsquo;s gradual improvement via equine therapy and Max&rsquo;s emphatic support are heartening, and readers will root both for Bea&rsquo;s recovery and for adults in power to &lsquo;please pay attention / and then / act.&rsquo; . . . Heart-wrenching yet hopeful.&rdquo;]]></Text>
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      <Text><![CDATA[<B>Acclaimed author P. O&rsquo;Connell Pearson tells the inspiring story of the trailblazing women of the Progressive movement and their work that led to political, economic, and social change that impacts us to this very day in this nonfiction middle grade book.</B><BR><BR>A country torn apart. A staggering gulf between rich and poor. Rampant inequality. The United States in the 1800s sounds a lot like it does today. But the actions taken by everyday citizens back then can empower us now.<BR> <BR>Through grassroots movements, people remade American society and government from the ground up. These activists were the Progressives, and thousands of them were women&#8212;even though women did not yet have the right to vote. From every part of the country and from every background, women set about seeking reforms&#8212;broadening democracy, moving American society from the perspective of <I>me</I> to <I>us</I>, and ushering in a new way of thinking about our responsibilities to one another. The result was sixty years of political, economic, and social national achievement.<BR> <BR>All Americans have the power to create equity and justice. After all, the people at the forefront of this movement were just ordinary women&#8212;who did something extraordinary.]]></Text>
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      <Text><![CDATA[Stephanie Cooke is an award-winning writer of graphic novels such as&nbsp;<i>ParaNorthern</i>,<i>&nbsp;Oh My Gods!</i>, and The Racc Pack series.&nbsp;She&rsquo;s an avid reader, gamer, movie watcher, and pun connoisseur. She&rsquo;s based out of the City of Raccoons (a.k.a. Toronto, Canada) where she can be found curled up with her very snuggly cat that she happens to be very allergic to.<BR><BR>Whitney Gardner is an author, illustrator, and cartoonist. She started drawing stick figures in second grade and somehow no one&rsquo;s been able to stop her. If there&rsquo;s ever a moment when she isn&rsquo;t drawing, she&rsquo;s likely to be found rolling twenty-sided dice. Her favorite color is yellow. She is the author of the YA novels&nbsp;<I>You&rsquo;re Welcome, Universe</I>&nbsp;and&nbsp;<I>Chaotic Good</I>, as well as the creator of&nbsp;<I>Fake Blood</I>,<I> Long Distance</I>, and <I>Free Piano (Not Haunted)&nbsp;</I>and the illustrator for Debbie Levy&rsquo;s&nbsp;<I>Becoming RBG&nbsp;</I>and Stephanie Cooke&rsquo;s The Racc Pack series.]]></Text>
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      <Text><![CDATA[<B>The vibrant and inspiring story of beloved singer and fierce activist Cyndi Lauper.</B><BR><BR>Before Cyndi Lauper was the larger-than-life icon we know today, she was a boisterous little girl who had a hard time fitting in. But she <I>knew </I>she had something amazing to share with the world. She just needed to figure out how.<BR> <BR>So one day, Cyndi set off to find her own voice, bopping from place to place and trying out all kinds of jobs along the way. Though she faced many challenges and encountered people who didn&rsquo;t understand her particular shine, she never dimmed her light and always had music in her heart.<BR> <BR>Cyndi went on to share her powerful songs with the world and become a passionate advocate for any person who didn&rsquo;t quite fit in. She let people know it&rsquo;s okay to be different, and that you should never, ever be afraid to show your true colors!]]></Text>
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      <Text><![CDATA[Amy Guglielmo&nbsp;lives a life in pictures. In addition to writing about art, artists, and makers, she is a painter, teacher, and supporter of arts education for children of all ages. Amy once created a Barbie house, equipped with a working elevator, and she is an A-plus hugger. She lives with her husband on the Adirondack coast of Lake Champlain. You can visit Amy online at AmyGuglielmo.com.<BR><BR>Jacqueline Tourville&rsquo;s experience working with children with autism as a public school teacher opened her eyes to the importance of inclusive stories for kids. The author of&nbsp;<i>Albie&rsquo;s First Word: A Tale Inspired by Albert Einstein&rsquo;s Childhood</i>&nbsp;and coauthor with Amy Guglielmo of&nbsp;<i>Pocket Full of Colors: The Magical World of Mary Blair, Disney Artist Extraordinaire</i>&nbsp;and&nbsp;<i>Like a Rainbow: The Colorful Story of Cyndi Lauper</i>, Jacqueline lives in Maine with her family. Ask her about the miniature log cabin she once built for her cat!&nbsp;<BR><BR>Brigette Barrager is an artist, designer, writer, and the illustrator of&nbsp;<I>Pocket Full of Colors</I>&nbsp;and&nbsp;<I>Like a Rainbow</I>&nbsp;by Amy Guglielmo and Jacqueline Tourville as well as the<I>&nbsp;New York Times</I>&nbsp;bestselling&nbsp;<I>Uni the Unicorn</I>&nbsp;by Amy Krouse Rosenthal. She attended the California Institute of the Arts and spent some time working in animation before taking the plunge into book illustration, where she&rsquo;s lived happily ever after. She resides in Los Angeles with her handsome husband, cute doggy, and terrible cat. Visit Brigette online at BrigetteB.com.]]></Text>
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      <Text><![CDATA[&quot;A love song to Lauper and to tenacious oddballs everywhere.&quot;]]></Text>
      <TextAuthor>Kirkus</TextAuthor>
      <TextSourceTitle>1/15/26</TextSourceTitle>
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      <Text><![CDATA[&quot;A vibrant, energetic biography, this book celebrates individuality, creativity, and advocacy, making it a must-have for elementary collections and fans of inspirational real-life stories.&quot;]]></Text>
      <TextAuthor>School Library Journal</TextAuthor>
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      <Text><![CDATA[&quot;The open-minded individualism of singer and songwriter Cyndi Lauper sparkles in Guglielmo and Tourville&rsquo;s openhearted account of the musician&rsquo;s road to stardom...Combining textures and pointillist backgrounds, Barrager&rsquo;s inky vignettes have a rainbow-toned pop art vibe that establishes Lauper&rsquo;s fun-loving punk-like aesthetic.&quot;]]></Text>
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      <Text><![CDATA[&quot;The&nbsp;art is ultimately the star here; Lauper&rsquo;s flamboyant style&nbsp;and creative flair has&nbsp;always been part of her&nbsp;appeal,&nbsp;and that is best presented with&nbsp;an explosion of colors&nbsp;and movement,&nbsp;a&nbsp;chaos that is rooted in&nbsp;a&nbsp;visual declaration of individuality, joy,&nbsp;and inclusion. The story does important work too, however, explaining that some kinds of brilliance&nbsp;are often misunderstood or unappreciated, particularly in children. Just&nbsp;as Cyndi was saved by finding good to hold on to in&nbsp;a&nbsp;harsh world, kids who seek out her videos&nbsp;and music may find the same comfort.&quot;]]></Text>
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      <Text><![CDATA[&quot;The upbeat text occasionally references her lyrics, while Barrager&rsquo;s illustrations&nbsp;are&nbsp;appropriately bright, bold,&nbsp;and layered; young Cyndi&rsquo;s changing hair color&nbsp;and footwear&nbsp;as the book progresses hint&nbsp;at her iconic style.&nbsp;The story ends with Lauper&rsquo;s&nbsp;achievement of musical success,&nbsp;and&nbsp;an&nbsp;author&rsquo;s note provides&nbsp;additional details&nbsp;about her life,&nbsp;activism,&nbsp;and greatest hits.&quot;]]></Text>
      <TextAuthor>Horn Book Magazine</TextAuthor>
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      <SubjectHeadingText>music song elemental magic; exile; desert; unlikely friendship allies; birds; eagles; vultures; garuda; kite; sky pirates ship castle; assassins; prince; royalty; journey; quest; social hierarchy; clans; intrigue; caste; humor; big fantasy; action adventure; thrilling books; open world; second world; indian mythology; injury; crutch; disability; grief; loss of parents; healing; BIPOC; muslim author; AAPI; disability middle grade book novel for 8 9 10 11 12 year olds grades 3 4 5 6 7; skandar and the unicorn thief series; arabian nights; The Storm Runner by J.C. Cervantes; Amari and the Night Brothers by B. B. Alston; Onyeka by Tola Okogwu; Once There Was by Kyash Monsef; Zachary Ying and the Dragon Emperor by Xiran Jay Zhao;</SubjectHeadingText>
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      <Text><![CDATA[<B><I>Skandar and the Unicorn Thief</I> meets <I>One Thousand and One Nights</I> in this &ldquo;action-packed, fantastically imaginative&rdquo; (<I>BCCB</I>) middle grade fantasy from Rick Riordan Presents author Sarwat Chadda about a girl with the magical power to control the elements with her song.</B><BR><BR>In a land ruled by fierce winged warriors known as eagle garudas, twelve-year-old Nargis is just a poor, lowly human, a Worm who hates the garudas that killed her parents. But even though she can&rsquo;t fly&#8212;and her childhood attempt left her walking with a crutch&#8212;she is far from powerless. Nargis is a spirit singer: able to coax small bits of wind, water, fire, and earth to do her bidding through song&hellip;well, sometimes.<BR> <BR>When Nargis loses control of her power in a high-stakes kite fight, she is exiled. Cast into the desert, she discovers Mistral, an injured boy who turns out to be an eagle garuda, the prince of her enemies! He&rsquo;s on a mission to take back his throne from a terrible vulture garuda. In spite of their mutual distrust, the two have no choice but to forge an unlikely alliance if they want to escape the desert alive.<BR> <BR>And as Nargis and Mistral battle dangerous assassins, befriend crafty sky pirates, and sneak into the mysterious sky castle of Alamut, Nargis discovers she carries a family secret, one that could bring Monsoon&rsquo;s rains back to the desert, but only if she&rsquo;s willing to risk her life in the bargain&hellip;]]></Text>
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      <Text><![CDATA[Sarwat Chadda&nbsp;is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of the City of the Plague God duology, the Spiritstone Saga, the Ash Mistry trilogy, the Shadow Magic trilogy, and the Devil&rsquo;s Kiss duology. He has written for Star Wars and Minecraft as well as the 39 Clues and Spirit Animals series. Sarwat is a first-generation Muslim immigrant of South Asian descent who loves writing over-the-top adventures. His work has received numerous starred reviews and was a Goodreads Choice Best Middle Grade Award Nominee. He has been published in over a dozen languages. Outside of novels, he&rsquo;s written plays, comic books, and TV shows, including&nbsp;<i>The Legend of Hanuman</i>&nbsp;for Disney+&nbsp;Hotstar. Sarwat lives in London. Feel free to drop him a line on X at @SarwatChadda and Instagram at @Sarwat_Chadda or visit him at SarwatChadda.com.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665962469.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" role="presentation" alt=""></figure> CHAPTER 1 <BR>My kite was something special. Swifter than a falcon, stronger than an eagle, and more beautiful than a kingfisher, it ruled the sky. It was more than a kite; it was a sky-fighter. A patang.<BR> <BR>The sun had only just come up, and the desert shimmered with heat. I sat as comfortably as I could manage, in the shade of the rustling leaves of our great old banyan tree, beside my parents&rsquo; shrine of piled stones. Sat amongst my paint pots, brushes, and other materials, job finally done. I turned my patang slowly, savoring how the low sunlight shone through the multicolored tissue paper to cast a rainbow blanket over my lap.<BR> <BR>The fiery red swirls gave it rage. It wouldn&rsquo;t back down from its opponent, willing to take on anyone, anytime.<BR> <BR>Next I&rsquo;d painted blocks of gray for the earth, for power. A sky-fighter, a patang, must be strong.<BR> <BR>I&rsquo;d added blue meandering lines. Water was precious, but everyone knew that.<BR> <BR>Finally, of course, wind. Soft brushstrokes of white for the wind. It was life itself, breath, laughter, secret whispers.<BR> <BR>All it needed was a name, but that wasn&rsquo;t up to me. I&rsquo;d give it to&#8212;<BR> <BR>There was a clatter from the hut. A banging, then a cry.<BR> <BR>I put my kite down against the tree trunk. &ldquo;Baba? What&rsquo;s going on?&rdquo;<BR> <BR>&ldquo;I can&rsquo;t find my pants!&rdquo;<BR> <BR>&ldquo;Try on top of your head!&rdquo;<BR> <BR>&ldquo;Oye!&rdquo; he cried, exasperated. &ldquo;I&rsquo;ll have none of your cheek, young lady! I am your grandfather and deserve respect! I need to&#8212; Ah. Never mind!&rdquo;<BR> <BR>It wasn&rsquo;t the first time Baba had woken up, grabbed the nearest strip of cloth, and wound it around his head, thinking it was his turban.<BR> <BR>The hut door crashed open, and Baba hopped out, tying up his pants while his turban dangled loosely around his bald head. &ldquo;Stop dawdling, Nargis! Help me! What are you doing&hellip; Oh.&rdquo; He picked up my kite and cast his expert eye over it. He pushed it in from the sides, testing the flexibility of the bamboo frame, letting it spring back into shape, peering close for any tears in the tissue paper. &ldquo;Marvelous, a real patang. Got a name for it?&rdquo;<BR> <BR>&ldquo;You know I only build them, Baba.&rdquo;<BR> <BR>&ldquo;Of course, of course.&rdquo; Baba scratched his chin as he gazed north. &ldquo;The wind&rsquo;s been blowing down from the Eyries all week. Perfect for kite season. Did you see the storm last night?&rdquo;<BR> <BR>&ldquo;I saw a shooting star. Fell right out of the clouds.&rdquo;<BR> <BR>&ldquo;You make a wish?&rdquo; he asked as he struggled with his turban. &ldquo;What&rsquo;s wrong with this cloth?&rdquo;<BR> <BR>&ldquo;Nothing. It&rsquo;s your head that&rsquo;s all out of shape.&rdquo;<BR> <BR>Baba grinned, exposing his few remaining teeth. &ldquo;It&rsquo;s my brain. Still expanding with all my deep thoughts! Anyway, did you? Make a wish?&rdquo;<BR> <BR>&ldquo;Of course.&rdquo;<BR> <BR>&ldquo;For what?&rdquo; he asked.<BR> <BR>&ldquo;The usual. Rain.&rdquo;<BR> <BR>Baba snorted. &ldquo;Rain? Here? Carry on wishing, girl.&rdquo;<BR> <BR>I squinted to get a better look at him. He had his medicine bag dangling from his bony shoulder. &ldquo;You off somewhere?&rdquo;<BR> <BR>&ldquo;Lalpani,&rdquo; he said, rewrapping his turban around his head. &ldquo;Pandit&rsquo;s peach tree&rsquo;s sick.&rdquo;<BR> <BR>&ldquo;Our peach tree. He stole it from us. From Dad.&rdquo;<BR> <BR>&ldquo;Nargis&hellip;&rdquo;<BR> <BR>&ldquo;Look around you, Baba. Look where we live.&rdquo;<BR> <BR>&ldquo;It&rsquo;s easier for everyone if we live outside of Lalpani. We&rsquo;ve got all we need here, haven&rsquo;t we?&rdquo;<BR> <BR>I gazed around our small farm sullenly. The mud-brick hut was so old, it sagged, and the palm fronds covering the roof needed replacing. I was constantly sweeping sand from the herb garden. The low stone wall did nothing to prevent the wind from blowing sand in from the desert that surrounded us. Before dawn I&rsquo;d filled the gullies that fed our small vegetable patch, lifting bucket after bucket from the well, but the morning sun had already dried them out. The tomatoes were tiny, and the yellow patch of mustard was weed infested. &ldquo;We deserve much more.&rdquo;<BR> <BR>He sighed. &ldquo;One day you&rsquo;ll have everything, I promise. No more patchwork shalwar kameezes. It&rsquo;ll be saris of gold silk, and you&rsquo;ll wear ruby earrings instead of those tin ones.&rdquo;<BR> <BR>&ldquo;I like the noise these make.&rdquo; I shook my head and let the earrings jangle.<BR> <BR>Anyway, I didn&rsquo;t want rubies. I wanted diamonds.<BR> <BR>Diamonds that fell from the sky.<BR> <BR>Rain.<BR> <BR>I closed my eyes and turned my face upward, imagining the raindrops pummeling my skin, soaking me down to my bones.<BR> <BR>Baba shook the dust off his sandals. &ldquo;Why don&rsquo;t you give your hair a quick brush? You always look as if&hellip; Hold on.&rdquo; He narrowed his gaze suspiciously. &ldquo;What&rsquo;s that you&rsquo;ve got wrapped round your head?&rdquo;<BR> <BR>&ldquo;This? This is just for keeping my hair out of my eyes.&rdquo;<BR> <BR>&ldquo;You must think I&rsquo;ve got fungus for brains.&rdquo; Baba grabbed the loose end and tugged it off. Hard.<BR> <BR>&ldquo;Ow, Baba!&rdquo;<BR> <BR>He waved the long twine object in front of my face. &ldquo;A sling? How many times must we do this? I&rsquo;m trying to make a respectable young lady out of you, Nargis!&rdquo;<BR> <BR>&ldquo;Respectable, Baba? We&rsquo;ll never be respectable!&rdquo; I snatched the sling off him and wrapped it back in place, giving it an extra knot. &ldquo;You wouldn&rsquo;t recognize respectable even if it grew out of your big hairy ears! Which reminds me, they need trimming! Shall I get the clippers?&rdquo;<BR> <BR>&ldquo;I like them hairy. And what do you need a sling for? It&rsquo;d better not be for the birds! You know the law about harming birds! The Patels got fined a sack of rice when their cat killed a sparrow! A sparrow!&rdquo;<BR> <BR>&ldquo;I use it to scare the birds off our garden, that&rsquo;s all. Otherwise they&rsquo;d eat all the seeds. I promise I miss. Or you could stand out there all day. That might work.&rdquo;<BR> <BR>&ldquo;Why would I&hellip; Oh. A scarecrow. I see. That&rsquo;s what you think of your venerable grandfather, is it?&rdquo; His lower lip trembled as he wiped away nonexistent tears. &ldquo;Oye, what did I do to deserve such a grandchild?&rdquo;<BR> <BR>&ldquo;I&rsquo;m just following your example, Baba.&rdquo;<BR> <BR>&ldquo;So it&rsquo;s my fault?&rdquo; He smoothed out his bushy eyebrows. &ldquo;I thought I heard singing earlier.&rdquo;<BR> <BR>&ldquo;?&lsquo;Mom&rsquo;s Song,&rsquo; while I was watering the plants.&rdquo; I gazed at the empty sky. Not a wisp of cloud. &ldquo;One day it&rsquo;ll work.&rdquo;<BR> <BR>He smiled at the memory. &ldquo;Your mother had a voice sweeter than any nightingale! Can&rsquo;t say the same about your father. Sounded as if he had a frog dying in his throat.&rdquo;<BR> <BR>&ldquo;Then it&rsquo;s good I inherited my voice from&hellip; Ribbit. Ribbit.&rdquo; I coughed dramatically. &ldquo;Sorry. It&rsquo;s that frog again.&rdquo;<BR> <BR>Normally Baba would have laughed. Instead he chewed his mustache. He only did that when he was worried. He&rsquo;d been doing it a lot lately.<BR> <BR>&ldquo;I&rsquo;ll come along,&rdquo; I continued. &ldquo;Someone wants this patang.&rdquo; I rolled to my side and picked up my crutch.<BR> <BR>What&rsquo;s it for, Daddy?<BR> <BR>For you to find your way, Nargis.<BR> <BR>It had been six years since the accident. I could barely remember it, but my right leg reminded me every day, from when I woke till when I settled into bed. Dad had known I&rsquo;d need the crutch forever and had designed it cleverly, with a sleeve over the main wooden shaft that could be extended as I grew, and the handle doubling as a peg to hold it in place. I adjusted the new padding I&rsquo;d stitched around the armpit piece and blew the dust out of the carvings decorating the wood.<BR> <BR>Dad had loved carving. My shelf was still cluttered with wooden toys, my favorite a bird with flapping wings. The door, the frame around it, even the legs of the bed were decorated with swirls and mysterious patterns. I wrapped one finger at a time around the crutch handle and settled it under my left armpit. &ldquo;Ready.&rdquo;<BR> <BR>&ldquo;Good, good,&rdquo; Baba replied vaguely, all the while chewing his mustache.<BR> <BR>&ldquo;It&rsquo;ll be fine, Baba.&rdquo;<BR> <BR>He sighed. &ldquo;It wasn&rsquo;t fine last time.&rdquo;<BR> <BR>He&rsquo;d been asked to heal one of the villagers&rsquo; fields, just a tiny patch of ground that was more stones than soil but had grown enough wheat to keep a family going. We still didn&rsquo;t know what had gone wrong. The entire field had withered, right before our eyes, leaving Baba sick for a week, unable to eat or drink, his already scrawny frame turning skeletal. I&rsquo;d tried every herb in the garden, but nothing had worked. I&rsquo;d been terrified. I couldn&rsquo;t let it happen again.<BR> <BR>&ldquo;I&rsquo;ll do it,&rdquo; I said.<BR> <BR>&ldquo;Huh?&rdquo; Baba replied. &ldquo;Do what?&rdquo;<BR> <BR>&ldquo;Let me sing to <i>Pandit&rsquo;s</i> peach tree. My song&rsquo;s stronger than ever. The spirits are starting to listen.&rdquo;<BR> <BR>Baba screwed up his eyes until they&rsquo;d almost disappeared into his wrinkles. &ldquo;Every time?&rdquo;<BR> <BR>&ldquo;Yes. Mostly. More often than not.&rdquo;<BR> <BR>&ldquo;Mostly is when it&rsquo;s most dangerous, Nargis.&rdquo;<BR> <BR>I tried one last time to persuade him. &ldquo;What&rsquo;s the point of being able to command the elements if I never get the chance to do it? That dhal I cooked last night? I got the fire spirits working overtime! They were just wanting to sleep in the embers, but I gave them a few lines, and they were jumping everywhere.&rdquo; I put my hand over my head. &ldquo;This high!&rdquo;<BR> <BR>&ldquo;?&lsquo;Command,&rsquo; Nargis? We don&rsquo;t command the elemental spirits. That&rsquo;s not what spirit singing is about. A song is to delight, to charm. To touch hearts. The spirits of the earth, of the air, fire, and water only offer their help if we ask nicely. Never, ever try to command a spirit.&rdquo;<BR> <BR>I picked up the patang, dangling it from the crook of my little finger. Making it suddenly didn&rsquo;t feel that special anymore. &ldquo;I suppose.&rdquo;<BR> <BR>He smiled kindly, but it didn&rsquo;t soften my disappointment. &ldquo;Don&rsquo;t be too much in a rush. Bad things happen when you rush. One day you&rsquo;ll be as great as your father. Greater. A song will come, and it&rsquo;ll change <i>everything.</i>&rdquo; He gave the tips of his mustache a sharp twist. &ldquo;Now let&rsquo;s go be marvelous.&rdquo;<BR> <BR>The ground I wanted&#8212;needed&#8212;was flat, straight, and solid. The ground I had was anything but. My crutch constantly sank into the sand, each dip forcing another hiss from between my clenched teeth. It was only a mile between our small farm and Lalpani, but it was a long mile, with the worst saved till last, the great sandbank wall littered with broken bricks and half-buried rubble that surrounded the village, which I cursed every step of the way up and swore at every step of the way down.<BR> <BR>Lalpani wasn&rsquo;t big. Some scattered fields and twenty or so mud-brick huts, with a well and a dried-out river nearby. Cattle sat in the shade, too listless to flick away the flies that swarmed around their rumps, and mangy dogs panted in the heat. Not much came through here except the wind. Hot and parched by the long journey down from the Eyries and across the desert, that wind was alive today.<BR> <BR>Every kite was a shard of bright, bold color against the blistering sky, with some painted with images of birds, butterflies, and&#8212;of course&#8212;garudas.<BR> <BR>The winged warriors ruled us, taking our food as taxes and giving nothing in return. I didn&rsquo;t understand why we, the Earthbound, admired them. Maybe it made serving them easier.<BR> <BR>Kites darted and danced over the entire village, their paper bodies rustling loudly. Kids crowded every roof, eyes on the sky, directing their kites with deft tugs of their twine, cheering when they won, shrieking when they lost.<BR> <BR>Sky fighting was a serious business.<BR> <BR>The adults were busy, as usual. Repairing their huts, tending their animals, preparing meals on open fires, weaving carpets out of palm fronds. You worked, or you starved. I knew everyone, had helped most of them one way or another, but upon entering Lalpani, I didn&rsquo;t even earn a smile.<BR> <BR>Even after all this time, they were afraid. Moms pulled their children closer as we approached. A few touched their protective amulets and muttered prayers under their breath. I shuffled along, looking ahead and not at the scowls. &ldquo;After all the times we&rsquo;ve helped them, it doesn&rsquo;t matter. I&rsquo;m still just a witch.&rdquo;<BR> <BR>Baba shook his head. &ldquo;A spirit singer. They just don&rsquo;t understand.&rdquo;<BR> <BR>&ldquo;We heal nature, Baba, and they still despise us. Why? They should be greeting us with garlands instead of this&hellip; hate. Doesn&rsquo;t it bother you?&rdquo;<BR> <BR>Baba kicked a stone out of the way. &ldquo;Since when did you care about the opinions of others?&rdquo;<BR> <BR>More often than I liked to admit.<BR> <BR>&ldquo;Ignore them,&rdquo; said Baba, pointing ahead. &ldquo;That&rsquo;s why we&rsquo;re here.&rdquo;<BR> <BR>The trees ahead looked like spindly old folk, frozen in a dance. As you got closer, they slowly revealed that their crooked limbs were branches laden with gem-like fruits, their leaves trembling in the hot breeze while sparrows, starlings, and blackbirds darted through the speckled shade. The true treasure of Lalpani.<BR> <BR>Some villages, not many, might have a couple of date palms growing. Vaalipur had a papaya tree. Just the one, but it attracted merchants from a hundred miles away to trade.<BR> <BR>Lalpani had an orchard.<BR> <BR>Orange trees gently swayed as if dancing to a tune only they could hear. A gnarly mango stood with bowed branches weighed down by rich pickings. There were cherry trees and a few stout banana trees, while elegantly tall palm trees cast their leafy shade over goats nibbling at broken coconut husks. Gullies, almost as empty as ours, ran in neat rows and were fed by two shadoofs standing idle at either end.<BR> <BR>We should have been rich, everyone here living in a palace from the wealth growing on those trees, but the orchard and every fruit was owned by one person. Pandit.<BR> <BR>He waited in the shade of a silk parasol, drinking lassi from a frosted glass. He&rsquo;d had his hair done in a fine, bright green-and-blue crest, more than six inches tall&#8212;it would have looked even taller if it hadn&rsquo;t been drooping. The dye streamed turquoise down his otherwise shaven scalp and into the folds of his fleshy neck. The thousands of feathers on his ankle-length cloak shimmered in the sunlight. The brilliant blue of the kingfisher, the vivid green of parakeets, the scarlet of toucans, countless more that must have been imported from far, far away.<BR> <BR>A peacock. Someone who mimicked the ways of the garudas. It was a joke, really. Birds that can&rsquo;t fly. But maybe the joke was on us. Pandit owned the orchard, making him the richest man in the village. Peacocks might be useless, but they were proud.<BR> <BR>&ldquo;Namaste, Pandit Sahib,&rdquo; said Baba, palms pressed together. &ldquo;I&rsquo;d touch your feet, but I&rsquo;m not sure I&rsquo;d be able to get up afterward. It&rsquo;s these old bones, you see.&rdquo;<BR> <BR>I wiggled the toes of my crooked right foot. &ldquo;I can&rsquo;t kneel. So sorry.&rdquo;<BR> <BR>&ldquo;Can&rsquo;t, or won&rsquo;t?&rdquo; Pandit sneered. &ldquo;Just get a move on. My orchard is dying as you flap your mouth.&rdquo;<BR> <BR>&ldquo;Your orchard?&rdquo; I scowled at his ridiculous dye-stained face. &ldquo;My dad planted every one of those seeds. His song created the orchard. Every single apricot, mango, orange, and peach over there is ours. You stole it from us.&rdquo;<BR> <BR>Pandit&rsquo;s eyes darkened. &ldquo;Payment for your debts. You know the law.&rdquo;<BR> <BR>&ldquo;Talon Law, you mean.&rdquo;<BR> <BR>&ldquo;What other law is there?&rdquo; Pandit replied. &ldquo;You spoil her. She needs to be reminded of who she is.&rdquo;<BR> <BR>&ldquo;Oh, Nargis knows exactly who she is,&rdquo; said Baba. Then he cleared his throat. &ldquo;It&rsquo;s good you called me. I can feel the peach tree&rsquo;s pain from here. I&rsquo;ll have her ripening in no time. Peaches fit for Alamut.&rdquo;<BR> <BR>&ldquo;Just get on with it,&rdquo; Pandit snapped.<BR> <BR>Baba nudged me along, and we entered the orchard. There wasn&rsquo;t much water trickling along the gullies feeding the trees, and it was scummy with yellow froth and smelled foul. I wrinkled my nose. &ldquo;The water&rsquo;s contaminated. That&rsquo;s why the peach tree&rsquo;s sick.&rdquo;<BR> <BR>Baba frowned. &ldquo;Soon it won&rsquo;t just be the peach tree. Everyone uses the well.&rdquo;<BR> <BR>Year by year the water level got lower and lower, and the water got more and more polluted. It didn&rsquo;t rain here, hadn&rsquo;t in centuries, and the underground rivers were finally drying up. How long before Lalpani became another abandoned village, slowly disappearing under the sands?<BR> <BR>&ldquo;Oye, Nargis!&rdquo;<BR> <BR>Arjuna darted through the trees and skidded to a halt in front of us, grinning. He stared at the kite. &ldquo;Now, that&rsquo;s the best one yet.&rdquo;<BR> <BR>I looked him up and down. &ldquo;You look ridiculous.&rdquo;<BR> <BR>&ldquo;And namaste to you too.&rdquo; He turned his head from side to side, proudly displaying his own dyed crest, emerald green with yellow streaks. His cloak only came down to his waist, the feathers made up of wrinkled paper and limp cloth. Pandit didn&rsquo;t allow his servants real feathers. &ldquo;I think I look amazing. Enough about fashion, a subject you know nothing about,&rdquo; said Arjuna, reaching for the patang. &ldquo;Let&rsquo;s have a closer look.&rdquo;<BR> <BR>I blocked him with my crutch. &ldquo;Keep your sticky fingers off. Where are the mangoes you promised me?&rdquo;<BR> <BR>&ldquo;Mangoes?&rdquo; he replied vaguely, his attention focused on the patang.<BR> <BR>&ldquo;Six of your ripest. That was the deal.&rdquo;<BR> <BR>&ldquo;Six?&rdquo; he cried. &ldquo;But I thought we were friends!&rdquo;<BR> <BR>I swung the patang back and forth. &ldquo;You want me to make it ten?&rdquo;<BR> <BR>&ldquo;Six, then. Give it here.&rdquo;<BR> <BR>I handed it over, and Arjuna whistled softly as he tested the frame. &ldquo;I would have paid ten.&rdquo;<BR> <BR>Baba gestured over his shoulder. &ldquo;Get going. The wind&rsquo;s perfect today.&rdquo;<BR> <BR>I shook my head. &ldquo;I&rsquo;d better stay with you, Baba. Just in case.&rdquo;<BR> <BR>&ldquo;I don&rsquo;t need a nanny, Nargis. Now go.&rdquo;<BR> <BR>I was just trying to help, but you needed to be confident when summoning the elemental spirits. Me standing over him was only going to undermine him. Baba gave his mustache tip an extra twist. &ldquo;It&rsquo;ll be fine.&rdquo; Then he headed off to the peach tree.<BR> <BR>&ldquo;We&rsquo;ll fly it up on the wall,&rdquo; said Arjuna, practically skipping.<BR> <BR>I groaned. He wanted me to march all the way back up? &ldquo;That ridiculous wall? They should have knocked it down years ago.&rdquo;<BR> <BR>&ldquo;That wall is to protect the village, Nargis.&rdquo;<BR> <BR>&ldquo;How? Our enemies come down from the sky.&rdquo;<BR> <BR>Arjuna sighed. &ldquo;Garudas aren&rsquo;t our enemies.&rdquo;<BR> <BR>&ldquo;No, they&rsquo;re our masters, which is worse.&rdquo;<BR> <BR>&ldquo;Have you ever seen a garuda up close?&rdquo; he asked. &ldquo;I have. I&rsquo;m not talking about the Raptor Lords caste, but once we had a kingfisher garuda visit on business. Gave Pandit one of his feathers as a gift. They&rsquo;re not so different from us, not really. Apart from the wings, of course.&rdquo;<BR> <BR>&ldquo;That&rsquo;s a pretty big difference. And what about their claws? Their beaks?&rdquo;<BR> <BR>&ldquo;Only a few have beaks. Most have faces just like ours,&rdquo; Arjuna answered. We&rsquo;d bickered about garudas for years, and it never got anywhere. &ldquo;Another well&rsquo;s run dry. Pandit had Hassan dig until he hit rock. Nothing.&rdquo;<BR> <BR>&ldquo;Baba will find you some water. Oh, before I forget.&rdquo; I pulled a small paper packet from my sash and handed it to him. &ldquo;Give this to Bina. Tell her to mix it with her chai before bed. Only a pinch. It&rsquo;s Baba&rsquo;s dream root, and it&rsquo;s a lot stronger than the sawdust the others sell. Too much, and she&rsquo;ll sleep through the whole week.&rdquo;<BR> <BR>Arjuna nodded as he tucked it away, then turned his attention back to the orchard. &ldquo;How long do you think it&rsquo;ll take?&rdquo;<BR> <BR>&ldquo;You can&rsquo;t rush this. Bad things happen.&rdquo;<BR> <BR>&ldquo;Lalpani needs those peaches. I&rsquo;ve got&#8212;&rdquo;<BR> <BR>&ldquo;Arjuna! Where are those tools you promised me?&rdquo; It was Hassan, the cow herder. &ldquo;The shed&rsquo;s not going to build itself.&rdquo;<BR> <BR>&ldquo;Where&rsquo;s that bucket of milk you promised me?&rdquo; said Arjuna. &ldquo;Tomorrow, Hassan!&rdquo;<BR> <BR>&ldquo;Tools?&rdquo; I asked. &ldquo;Where did you get those from, or shouldn&rsquo;t I ask?&rdquo;<BR> <BR>He winked. I shouldn&rsquo;t ask.<BR> <BR>The baker gave him a naan fresh from the oven. After hesitating for a moment, the baker handed me one. Lakshmi waved Arjuna to her door and slipped him a letter she wanted delivered, and a rupee to make sure no one knew to whom.<BR> <BR>Arjuna was handsome, charming, and friendly, everything I wasn&rsquo;t. Why we were friends was a mystery to the whole of Lalpani. We were the same age, give or take a few months, and had known each other for years, pretty much since soon after he&rsquo;d started serving Pandit, after Arjuna&rsquo;s parents had sold him into service. Ten years for a few sacks of grain. That&rsquo;s why Pandit was so rich. Desperate people make desperate bargains, so Pandit made sure he paid as little as possible for as much as possible.<BR> <BR>But Arjuna hadn&rsquo;t let that stop him. Poor peasant servant that he was, everyone loved him.<BR> <BR>Almost everyone.<BR> <BR>Krish waited for us in the middle of the street, along with brutish Angad. He twirled his kite on his finger. &ldquo;Why aren&rsquo;t you working, Arjuna? The latrines need cleaning.&rdquo;<BR> <BR>Krish was Pandit&rsquo;s one and only son, and everyone knew that one day he&rsquo;d be in charge of everything. It didn&rsquo;t matter if Arjuna did all the work. Krish collected all the profit.<BR> <BR>All that joy, all that confidence, just evaporated. Arjuna lowered his gaze. &ldquo;Your father gave me the day off. It&rsquo;s the beginning of the rainy season. Everyone flies kites this week.&rdquo;<BR> <BR>Krish searched the sky. &ldquo;Rainy season? Where are the clouds, then?&rdquo;<BR> <BR>I stepped up between them. &ldquo;The wind&rsquo;s blowing from the mountains. That&rsquo;s when the rains used to come.&rdquo;<BR> <BR>Krish smirked. &ldquo;Ah, Monsoon. She&rsquo;s just a fairy tale.&rdquo;<BR> <BR>&ldquo;She was real,&rdquo; I said. &ldquo;But the garudas killed her.&rdquo;<BR> <BR>Krish laughed as he turned to Angad. &ldquo;That&rsquo;s Nargis for you. Everything&rsquo;s the garudas&rsquo; fault. She stubs her toe, blames a garuda. Can&rsquo;t find her crutch, a garuda swooped down in the middle of the night and stole it.&rdquo; Then he turned his attention back to Arjuna, and the kite. &ldquo;That kite&rsquo;s way too nice for a peasant like you. Give it to me. Now.&rdquo;<BR> <BR>I&rsquo;d spent days making that kite, for Arjuna. Krish was not going to have it. I stuck my crutch out at Krish&rsquo;s chest. &ldquo;It&rsquo;s mine.&rdquo;<BR> <BR>Krish paused, and frowned. &ldquo;Everyone knows you don&rsquo;t fly.&rdquo;<BR> <BR>&ldquo;Everyone&rsquo;s wrong,&rdquo; I said. I gazed at his bat-winged patang and snorted. &ldquo;Now get lost before I tear that rag of yours to shreds.&rdquo;<BR> <BR>&ldquo;You really think you can take on Rakshasa? The Demon?&rdquo; Krish snarled.<BR> <BR>&ldquo;Of course.&rdquo;<BR> <BR>The snarl became a smirk. &ldquo;You&rsquo;re on, witch.&rdquo;<BR> <BR>I raised my crutch. Krish flinched. Then he narrowed his gaze. &ldquo;Go on, I dare you. Hit me and see what happens.&rdquo;<BR> <BR>My arm was trembling with the urge to do exactly that, but nothing good would come out of it. He wasn&rsquo;t the only one who called me a witch, but he was the only one who&rsquo;d say it to my face.<BR> <BR>I lowered my crutch, screwing the tip solidly into the ground.<BR> <BR>They strode off. Then Arjuna turned to me and sighed. &ldquo;That was close.&rdquo;<BR> <BR>&ldquo;There&rsquo;s a better way of teaching Krish some respect,&rdquo; I said. &ldquo;By ripping his patang out of the sky.&rdquo;<BR> <BR>&ldquo;And how are you going to do that?&rdquo;<BR> <BR>&ldquo;How do you think?&rdquo; Kites crowded the sky, everyone playing and fighting. It was a good wind. &ldquo;I&rsquo;m going to cheat.&rdquo;<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Deva Fagan&nbsp;writes fantasy and science fiction for all ages. When she&rsquo;s not writing, she spends her time reading, doing geometry, playing video games, hiking, and drinking copious amounts of tea. She is the author of several books, including&nbsp;<I>Rival Magic</I>,&nbsp;<I>Nightingale</I>,&nbsp;<I>The Mirrorwood</I>,&nbsp;<I>A Game of Noctis</I>, and&nbsp;<I>The Delta Codex</I>. She lives in Maine with her husband and their dog. You can find her online at DevaFagan.com.]]></BiographicalNote>
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      <SubjectHeadingText>science fiction; sci-fi fantasy; mystery; suspense; thriller; post-apocalyptic; censorship; misinformation; finding your voice; corruption; forbidden knowledge; questioning authority; colonialism; environmental exploitation; political pawn; deprogramming; propaganda; vow of silence; isolation; loneliness; revolt; revolution; friendship; adventure; quest; rewritten history; walled city; social class inequality; wasteland; climate change; terraforming; orphan; monks; codex; libraries; record-keeping; preserving memory; pet companion robot; sky ship; gargoyles; runes; giant worm; action-packed; middle grade novel book for 8 9 10 11 12 year olds 3rd 4th 5th 6th 7th graders; Scott Reintgen; The Giver by Lois Lowry; Uglies by Scott Westerfeld; The Last Cuentista by Donna Barba Higuera; The Shadow Children; Margaret Peterson Haddix; Nausicaa of the Valley of the Wind; Diana Wynne Jones; Patricia C. Wrede; Frances Harding; Lloyd Alexander; Keeper of the Rend Maxwell; Tristan Strong Mbalia; Dragon Pearl Lee; The Girl Who Drank the Moon;</SubjectHeadingText>
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      <Text><![CDATA[<b>A girl whose subconscious contains dangerous ancient knowledge finds her voice in this </b><b>&ldquo;</b><b>gripping</b><b>&hellip;</b><b>emotionally resonant</b><b>&rdquo;</b><b> (<i>School Library Journal</i>, starred review) </b><b>middle grade sci-fi fantasy perfect for fans of Diana Wynne Jones and Scott Reintgen.</b><BR><BR><I>Is there safety in silence?</I><BR> <BR>In the city of Danak-Tol, children known as codexes are chosen to safeguard echoes&#8212;fragments of ancient knowledge too valuable to destroy but too dangerous to use. Forbidden to speak lest she accidentally release her echo, codex Delta lives a lonely life. Still, she knows she must obey the wardens&rsquo; strict rules to keep her home safe from the vicious beasts, heretical Scrappers, and toxic blood storms that lurk beyond the city walls.<BR> <BR>But when Delta breaks her vows to help a young girl escape a blood storm, she begins to have strange dreams, which lead her to question everything she knows to be true about herself and her city. To find answers, Delta must journey to the one place she most fears: the wasteland beyond the walls of Danak-Tol.<BR> <BR>Together with her small but feisty mechanical companion Flick, Delta dares the perilous ruins of a long-abandoned skyship, the gullet of a ravenous sphincter worm, and even befriends a young Scrapper named Drii. But all these adventures only lead to more questions. What is the true danger that threatens her entire planet&#8212;is it really her echo, or is it the silence that has imprisoned the truth for so long?]]></Text>
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      <Text><![CDATA[Deva Fagan&nbsp;writes fantasy and science fiction for all ages. When she&rsquo;s not writing, she spends her time reading, doing geometry, playing video games, hiking, and drinking copious amounts of tea. She is the author of several books, including&nbsp;<I>Rival Magic</I>,&nbsp;<I>Nightingale</I>,&nbsp;<I>The Mirrorwood</I>,&nbsp;<I>A Game of Noctis</I>, and&nbsp;<I>The Delta Codex</I>. She lives in Maine with her husband and their dog. You can find her online at DevaFagan.com.]]></Text>
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      <Text><![CDATA[* &quot;In this gripping science fiction thriller, Fagan reiterates her strength as a masterful world builder. . . . Fans of Scott Reintgen and Fagan&rsquo;s earlier works will eagerly embrace this thought-provoking, emotionally resonant novel.&quot;]]></Text>
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      <Text><![CDATA[&quot;Delta&#39;s journey from parroting propaganda to thinking for herself is the kind of compelling and believable that has brought decades of readers to Lois Lowry&#39;s&nbsp;<i >The Giver</i>&nbsp;and newer generations to Donna Barba Higuera&#39;s&nbsp;<i >Alebrijes</i>.&quot;]]></Text>
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      <Text><![CDATA[&quot;A unique setting with an intriguing history, a dystopian society of secrets and hierarchies, and a tween learning on the fly just how bold she can be&mdash;there&rsquo;s a lot here to recommend to sci-fi fans.&quot;]]></Text>
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      <Text><![CDATA[&quot;From the intriguing premise to the rapidly unspooling mystery of the bloodstorms and how they relate to the Founders, Fagan keeps things moving in this energetic sci-fi tale, where every ally Delta makes takes her one step closer to understanding what has been placed in her head. The stakes get higher throughout, so that by the end planetary survival is on the line and the deceit has been stripped from every bastion Delta&rsquo;s life is founded on, leaving her the better for it.&quot;]]></Text>
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      <Text><![CDATA[Heartfelt gratitude infuses Florian&rsquo;s simple rhymes and naive-style artwork in this accessible collection of nature-based appreciations. For each composition, a sincere &ldquo;thank you&rdquo; acts as both title and beginning line as text and art jointly anchor in observation. . . . scribbly illustrations employ colored pencil, gouache, and rubber stamps to capture scenes of figures enjoying nature in this ode to songbirds and bees, snowflakes and wind, mountains and rivers.]]></Text>
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      <Text><![CDATA[*Florian&rsquo;s new anthology of poems gives thanks to aspects of the natural world. . . . The artwork is modern, with vibrant colors created with colored pencils and gouache on brown paper bags; this gives the pages a childlike feel, &shy;making the poems easily accessible for even the youngest readers. For reading aloud or a unit on the natural world, this is also a great introduction to poetry. An excellent addition to any library&rsquo;s poetry collection, and good for teaching about the gifts of the natural world.]]></Text>
      <TextAuthor>School Library Journal Starred Review</TextAuthor>
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      <Text><![CDATA[The veteran poet&rsquo;s simply phrased rhymes offer thanks to 14 more wonders as vast as the stars, as small as snowflakes, and as varied as wildlife and landforms. Each short poem is distinct enough to stand alone, but with their unity of theme the verses can also be read straight through as articulations of a single feeling. Florian&rsquo;s rhymes and rhythms fall so naturally that his lines never sound singsong; few poets can match him for readability or clarity of expression. More serious than silly, and vintage Florian.]]></Text>
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      <Text><![CDATA[*This new book . . . [creates] a series of concise but heartfelt, memorable tributes to animals, plants, rivers, and oceans, as well as other forces of nature. Poetry fans will appreciate his proficiency with rhyme and cadence, and ably illustrating each concise poem is multimedia artwork often incorporating unusual combinations of elements such as &quot;rubber stamps on primed paper bags.&rdquo; When read aloud to children, Florian&rsquo;s picture books are as direct and simple as poetry and art can be, yet their appeal to kids&rsquo; senses and imaginations can be vast and longlasting. This is a treasure chest of verse celebrating our world, including the sun, the moon, the stars, and the mountain in the distance.]]></Text>
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      <TitleText>Olivia Gray Will Not Fade Away</TitleText>
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      <BiographicalNote><![CDATA[Ciera Burch is a lifelong writer and ice cream aficionado. She has a BA from American University and an MFA from Emerson College. Her fiction has appeared in&nbsp;<I>The</I>&nbsp;<I>American Literary Magazine</I>,&nbsp;<I>Underground</I>,&nbsp;<I>Five Points</I>,&nbsp;<I>Stork</I>, and&nbsp;<I>Blackbird</I>. Her work was also chosen as the 2019 One City One Story read for the Boston Book Festival. While she is originally from New Jersey, she currently resides in Washington, DC, with her stuffed animals, plants, and far too many books. Visit Ciera at CieraBurch.com.]]></BiographicalNote>
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      <SubjectHeadingText>asexual; asexuality; invisibility; disappearing; nonbinary; coming-of-age; self-discovery; left out; feeling invisible; connection; acceptance; belonging; community; brother-sister relationship; social media; apps; toxic friendships; book club; library; Stigma; Social Change; Black Girl Magic; speculative fiction for kids; tween fiction; African American families; Intersectionality and Identity; Black African American BIPOC LGBTQ protagonist heroine; Black Feminism; Diverse Books; Tween diverse voices; Own Voices; Books about Black Experience; Books Like Us; We Need Diverse Books; middle grade children&#39;s books for ages 8 9 10 11 12 grades 5 6 7 8; ellie engel saves herself; Jennifer chan is not alone; Mind Over Monsters Uhrig; You Only Live Once, David Bravo; The Insiders by Mark Oshiro; Too Bright to See Lukoff; Rick by Alex Gino;</SubjectHeadingText>
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      <Text><![CDATA[<b>A middle schooler navigates the challenges of feeling invisible&#8212;literally and figuratively&#8212;as she comes to terms with her asexual identity in this </b><b>&ldquo;</b><b>thoughtful and accessible</b><b>&rdquo;</b><b> (<i>Booklist</i>, starred review) </b><b>speculative novel perfect for fans of<i> Ellie Engel Saves Herself</i> and <i>Jennifer Chan Is Not Alone</i>.</b><BR><BR>Seventh grade has just started, but Olivia Gray already knows this year is different. Her brother ignores her for his crush, and all her friends talk about is who likes who, something Olivia has never cared about&#8212;even when Robbie, the most popular boy in school, asks her to the fall formal. After unknowingly rejecting him, Olivia goes viral on the social app KruShh. As the chatter about Robbie and dating grows, Olivia starts to feel left out to the point of feeling invisible&#8212;literally.<BR> <BR>Seen only by her new librarian and a friendly kid named Jules, Olivia flickers in and out of sight whenever the topic of romance comes up. As she begins to realize she might be asexual, Olivia struggles to actually use the label because of the negative perception behind it. All she wants is to be normal, but can she really fit in without disappearing completely?]]></Text>
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      <Text><![CDATA[Ciera Burch is a lifelong writer and ice cream aficionado. She has a BA from American University and an MFA from Emerson College. Her fiction has appeared in&nbsp;<I>The</I>&nbsp;<I>American Literary Magazine</I>,&nbsp;<I>Underground</I>,&nbsp;<I>Five Points</I>,&nbsp;<I>Stork</I>, and&nbsp;<I>Blackbird</I>. Her work was also chosen as the 2019 One City One Story read for the Boston Book Festival. While she is originally from New Jersey, she currently resides in Washington, DC, with her stuffed animals, plants, and far too many books. Visit Ciera at CieraBurch.com.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665972642.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <img src="../images/common.jpg" role="presentation" alt=""> 1 <BR>&ldquo;SURPRISE!&rdquo;<BR> <BR>Olivia ducked into the house and out of the way just in time to avoid handfuls of colorful confetti to the face. Malcolm, her brother and the guest of honor, wasn&rsquo;t as lucky. He laughed, spitting out a flurry of tiny paper bits as he stepped farther inside.<BR> <BR>Their living room was one big rainbow. Rainbow streamers trailed down the banister of the stairs, rainbow-shaped balloons bobbed against the ceiling, and the dining room table, moved front and center just for this, was covered with rainbow foods. Colorfully dyed Rice Krispie treats, a rainbow fruit tray, and more all crowded around the star of the show: a multi-tiered, sprinkle-covered vanilla cake whose layers were all shades of the rainbow when you cut into it. At least, Olivia hoped that was how it would turn out. She&rsquo;d only helped her mom bake the orange and green layers, and she&rsquo;d been shooed away before she got a look at the final product.<BR> <BR>&ldquo;Congratulations, baby!&rdquo; Malcolm and Olivia&rsquo;s mom swooped in, pulling her older child into a hug. She was rainbow themed too, wearing the most colorful jumpsuit Olivia had ever seen. It actually hurt a little to stare at her for too long.<BR> <BR>&ldquo;Um, thanks?&rdquo; Tall enough that he could hug their mom and see over her shoulder without a problem, Malcolm was still looking around with wide eyes. &ldquo;What&rsquo;s all this for?&rdquo;<BR> <BR>&ldquo;Coming out, of course.&rdquo; Their dad stepped forward to get a hug of his own. His outfit was less colorful than their mom&rsquo;s, but that wasn&rsquo;t saying much. His button-up shirt was just slightly faded in comparison, pastel to their mom&rsquo;s neon.<BR> <BR>&ldquo;We wanted to celebrate you and how proud we are, and your mom suggested a party, so&hellip;&rdquo; He gestured around at the house. &ldquo;Here we are.&rdquo; He chuckled. &ldquo;You know she loves to go overboard.&rdquo;<BR> <BR>Their mom nudged him. &ldquo;Sean! Now, you know&hellip;&rdquo;<BR> <BR>Olivia slipped away from the tiny huddle of her family and over to the food table. She was starving. She&rsquo;d spent all morning thinking up ways to keep her brother busy, and somehow none of them had involved food. Still, it had been easy enough to get Malcolm out of the house. There was a reason he was her favorite brother, and it wasn&rsquo;t just because he was her only one.<BR> <BR>Ever since he&rsquo;d gotten his driver&rsquo;s license last year, he&rsquo;d offered to take her wherever she wanted to go. The library? No problem. The park? Why not. 7-Eleven? Of course! He&rsquo;d been going there anyway. She did her best to remember that her brother was just nice and tried not to take advantage of that. Plus, it wasn&rsquo;t like she wanted to go very many places. All her friends lived within biking distance, mostly, and there wasn&rsquo;t exactly a whole lot to do in Juniper Grove to begin with.<BR> <BR>So being tasked by her parents with keeping Malcolm busy was easy&hellip; until she&rsquo;d run out of places to go and excuses to make. Which wasn&rsquo;t her fault. <i>She&rsquo;d</i> had an hour-long plan that included every store in Juniper Grove Plaza minus the grocery store. But every time they&rsquo;d get ready to head back home, her mom would send her a just one more store! text and she&rsquo;d have to come up with a reason why they needed to go right back inside the store they&rsquo;d just thoroughly explored.<BR> <BR>She&rsquo;d just shoved a few (green) grapes and a (red) strawberry from the fruit tray into her mouth and nearly choked on all of them when she felt a hand on her shoulder.<BR> <BR>&ldquo;Happy to know you&rsquo;ve learned how to keep a secret, Livvie,&rdquo; Malcolm teased, reaching over her to snatch a piece of candy from the table.<BR> <BR>She groaned around her mouthful of fruit. &ldquo;That was one time!&rdquo; she protested. &ldquo;When I was, like, five!&rdquo;<BR> <BR>&ldquo;Six,&rdquo; he corrected, grinning.<BR> <BR>Olivia rolled her eyes. &ldquo;Whatever.&rdquo; She finished chewing before she spoke again. &ldquo;So? You like it?&rdquo;<BR> <BR>They both looked around, but the rainbow explosion their house had become hadn&rsquo;t changed. Neighbors and aunties and uncles chatted with each other or danced and even played some game that their mom had set up in the corner that had colorful dots on a mat and called for a lot of weird stretching to reach them.<BR> <BR>Malcolm laughed, nodding. &ldquo;I mean, it&rsquo;s a lot. Gay or not, can&rsquo;t say rainbows are my favorite thing all of a sudden, but&hellip;&rdquo; He smiled. &ldquo;Yeah. Yeah, I appreciate it.&rdquo; He pulled her into a hug with one arm and she wrapped both arms around him to squeeze him back. He&rsquo;d gotten so tall over the past couple of summers that she barely came up to his chest, even with her own growth spurt. &ldquo;Thanks,&rdquo; he said.<BR> <BR>&ldquo;What for? It wasn&rsquo;t my idea.&rdquo;<BR> <BR>&ldquo;No, I know. Just for listening.&rdquo;<BR> <BR>He didn&rsquo;t mean right now, she knew. He meant a few weeks ago, when he&rsquo;d come home from band practice, sat on her bed to help her with her summer math homework for all of five minutes, and then told her, quietly but decisively, that he was gay. She hadn&rsquo;t reacted like their mom had a week later, with a million kisses and hugs, or the way their dad did, with a nod and a handshake. She&rsquo;d just said okay, and asked him if he was okay&#8212;he&rsquo;d looked a little bit like he might puke&#8212;and then begged him to teach her how to find the surface area of a sphere.<BR> <BR>He didn&rsquo;t, of course. He had no clue. But he did help her google it and they figured it out together, at least enough to finish her homework.<BR> <BR>&ldquo;I like listening to you,&rdquo; she said after a moment before wrinkling her nose. &ldquo;Unless it&rsquo;s about sports. Or band. Or&#8212;&rdquo;<BR> <BR>&ldquo;Okay, okay!&rdquo; Malcolm laughed. &ldquo;I get it. Come to you with the important stuff and literally nothing else.&rdquo;<BR> <BR>He let go of her, only to lightly shove her shoulder. &ldquo;Likewise, Livvie,&rdquo; he said, even though she knew it wasn&rsquo;t true. Once school started again next week he&rsquo;d listen to her talk as much as she wanted to on the drive home, and he&rsquo;d only roll his eyes a couple of times.<BR> <BR>&ldquo;Malcolm!&rdquo; Uncle Jay, one of their big, bearded uncles, called his name as he barreled over, slapping her brother on the back with a huge hand before he began steering him back into the middle of the party. &ldquo;Proud of you, man.&rdquo;<BR> <BR>Olivia waved goodbye to Malcolm and he shot her a helpless look over his shoulder as she tossed another grape into her mouth.<BR> <BR>Like every party her parents threw, this one went on way too long. A million hours and two and a half slices of cake later, Olivia&rsquo;s mom found her in her room with her headphones on, watching a show on her tablet while she sketched in her notebook. She couldn&rsquo;t get the eyes right on the character she was trying to draw, and her eraser was almost a nub at this point.<BR> <BR>&ldquo;Knock, knock,&rdquo; Mom said, coming in and settling onto her bed. Olivia scooted over automatically, pulling her headphones down around her neck. &ldquo;All partied out, huh?&rdquo;<BR> <BR>&ldquo;There&rsquo;s no one my age here.&rdquo;<BR> <BR>Besides a few baby cousins, the party was all adults. They&rsquo;d been the ones hitting candy out of the rainbow pi&#241;ata set up in the dining room and leaving the wrappers all over the place.<BR> <BR>Her mom hummed in agreement. &ldquo;You&rsquo;re right. You&rsquo;re at a weird age.&rdquo; At Olivia&rsquo;s frown, she laughed. &ldquo;Sorry, not weird. Just&hellip; in-between. Most of our friends&rsquo; kids are little or Malcolm&rsquo;s age.&rdquo;<BR> <BR>&ldquo;None of the ones Malcolm&rsquo;s age are here either.&rdquo;<BR> <BR>Mom took a sip of her drink, one of the few non-rainbow-colored foods or drinks in the house, as she nodded. &ldquo;Well&hellip; I guess they don&rsquo;t think it&rsquo;s as important as we do. Or maybe they were busy.&rdquo; She shrugged. &ldquo;Teens,&rdquo; she said, as if that explained everything.<BR> <BR>Olivia sat up, pulling one leg to her chest. She fiddled with the pen still in her right hand, trying to get rid of the staticky feeling in her fingers. She didn&rsquo;t think it was a big deal either. Even Malcolm didn&rsquo;t seem as serious about it as most of the aunties and uncles had when they&rsquo;d hugged him and told him how happy or proud they were. It confused her. Being gay was just part of who Malcolm was, how he was born. Sure, he&rsquo;d only figured it out, or at least told the rest of them, now&hellip; but who cared? No one threw a party for someone being born with curly hair or blue eyes. She didn&rsquo;t see how this was much different. Maybe because it was something he&rsquo;d had to tell them and not something they could see for themselves?<BR> <BR>&ldquo;Why is it important?&rdquo;<BR> <BR>&ldquo;Well, because&#8212;&rdquo; her mom began, and paused. She took another sip of her drink before setting her cup on the ground and twisting around fully to look at her. &ldquo;It&rsquo;s important to show people that we love them.&rdquo;<BR> <BR>Olivia frowned. &ldquo;But Malcolm already knew we loved him.&rdquo;<BR> <BR>&ldquo;Sure, but he might&rsquo;ve been worried we thought of him differently now or that we wouldn&rsquo;t accept him, and&#8212;&rdquo;<BR> <BR>&ldquo;But we <i>do</i>,&rdquo; Olivia insisted. &ldquo;How come we needed a party to tell him?&rdquo; Her brother, she knew, didn&rsquo;t even like parties that much.<BR> <BR>Her mom&rsquo;s smile softened. &ldquo;It can be nice just to celebrate sometimes. To give people the reminder of how much they&rsquo;re loved <i>just in case</i> it&rsquo;s in doubt. Especially when they share an important part of who they are with you. Maybe&hellip;&rdquo; She raised her eyebrows. &ldquo;Maybe we&rsquo;ll be throwing a party for you too someday, huh?&rdquo;<BR> <BR>&ldquo;What, like if I&rsquo;m gay too?&rdquo;<BR> <BR>She hadn&rsquo;t thought about it much&#8212;or at all, really. Crushes were things her friends had, on each other and other people, but they had nothing to do with her.<BR> <BR>&ldquo;Sure. Or any other reason you might want to have a party, baby.&rdquo; Her mom leaned forward to cup her face in both hands. &ldquo;We just love you and your brother so much, we have to make sure you, and everyone else, know it. Okay?&rdquo; She kissed her forehead. &ldquo;Now, come say bye to everybody and help us clean up a little, please?&rdquo; She stood up, smoothing down her rainbow jumpsuit as Olivia groaned. &ldquo;Just a little, I promise! You can keep any leftover candy too. Deal?&rdquo;<BR> <BR>Her parents almost never let her have candy. That was worth sweeping up a bunch of confetti, at least. &ldquo;Deal,&rdquo; she agreed, hopping to her feet.<BR> </section>]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>Olivia Gray Will Not Fade Away</i></b><BR> <BR>By Ciera Burch<BR> <BR><b>Discussion Questions</b><BR> <BR>1. Olivia often notices that her internal reactions don&rsquo;t match the expectations of her peers. How does the novel show this disconnect early on? Use at least one scene to explain how Olivia understands herself in contrast to others.<BR> <BR>2. Olivia is a highly observant narrator. How does her attention to patterns&#8212;social, emotional, or behavioral&#8212;shape the story? Are there moments when readers may understand something before Olivia does? What effect does this have on your understanding of the narrative?<BR> <BR>3. An anonymous confessions app shapes much of Olivia&rsquo;s school&rsquo;s social environment. Define the word <i>anonymity</i>. How does anonymity affect people&rsquo;s behavior in the novel? Do you think it increases honesty, cruelty, accountability, or something else? Support your answer with examples.<BR> <BR>4. Take a moment to look up the word <i>performativity</i> if you&rsquo;re not familiar with it. How does this concept apply to how students behave at school in the novel, especially around crushes, popularity, or the school dance? How would you apply this concept to student behavior at your school?<BR> <BR>5. Olivia&rsquo;s body reacts to stress before she fully understands what she&rsquo;s feeling. How does the novel show this connection between strong emotions and the physical response to them? What do you think is important about listening to your body?<BR> <BR>6. Olivia&rsquo;s fading is a literal event, but it also works as a symbol. What do you think her invisibility represents emotionally or socially? Does its meaning remain constant, or does it evolve as Olivia changes? Cite specific moments to support your thinking.<BR> <BR>7. Define <i>agency</i> as it applies to personal choice and control. In what ways does Olivia gain agency over the course of the novel? Are there moments when her agency is limited by others or by circumstances?<BR> <BR>8. Olivia often feels caught between wanting connection and wanting privacy. How does the novel explore this tension? What does it suggest about the risks and rewards of vulnerability?<BR> <BR>9. Several friendships shift or fracture as the story progresses. Choose one relationship and describe how it changes. What causes that change, and what does it reveal about Olivia&rsquo;s growing self-understanding?<BR> <BR>10. Jules offers Olivia a different kind of relationship than what she&rsquo;s used to from her friends like Maggie, Nessa, and Elaine. What makes this connection feel safer or more genuine? How does it challenge Olivia&rsquo;s assumptions about friendship and closeness?<BR> <BR>11. The school dance functions as a turning point. Why do you think the author chose a large, public event for this moment instead of a private conversation? How does the setting heighten the stakes?<BR> <BR>12. Art plays an important role in Olivia&rsquo;s life. How does drawing function as communication, coping, or resistance for her? Choose a moment where art helps Olivia express something she can&rsquo;t yet say aloud.<BR> <BR>13. This novel raises questions about consent&#8212;not only physical consent, but emotional and social consent. Where do you see characters crossing or respecting boundaries?<BR> <BR>14. This novel suggests that labels can help people understand themselves, but that they don&rsquo;t have to define everything about a person. How does Olivia&rsquo;s relationship to labels change over the course of the story? In what ways do labels function as tools rather than rules in her journey? Use evidence from the text to explain your reasoning.<BR> <BR>15. By the conclusion, Olivia begins to choose when and how she wants to be visible. What does the novel ultimately suggest about self-definition and growth? Do you think Olivia&rsquo;s journey is finished? Why or why not?<BR><BR><b>Extension Activities</b><BR> <BR><i>Invisible for a Day</i><BR> <BR>Olivia&rsquo;s fading is often frightening, but it also invites imaginative possibilities. Ask students to write a short, humorous piece imagining what <i>they</i> would do if they were invisible for one day. Encourage exaggeration, parody, or absurdity. Students can create a diary entry, news article, or a comic strip, or use another format, and they should include a brief reflection (2&#8211;3 sentences) explaining how their piece connects to Olivia&rsquo;s experience of disappearing in the novel.<BR><BR><i>Build It Better</i><BR> <BR>In small groups, students will design an app meant to improve their school community rather than damage it. Each group should prepare a short pitch (2&#8211;3 minutes) that explains:<BR> <BR>- The app&rsquo;s purpose<BR> <BR>- How users interact with it<BR> <BR>- How it avoids the types of harm shown in the novel<BR> <BR>- Why their app would succeed at school<BR> <BR>After all pitches are presented, the class can vote on a favorite (excluding their own), with a small prize or recognition for the winning team.<BR> <BR><i>Optional</i><b>:</b> Interested groups may use age-appropriate tools (such as Thunkable, or Canva prototypes) to build a simple mock-up or demo version of their app.<BR><BR><i>Hide and Seek</i><BR> <BR>Olivia&rsquo;s fading connects to the idea of visibility in unexpected ways. As a class, make disappearing ink using simple materials, such as lemon juice or baking soda solutions. Students can write secret, affirming notes or create drawings for their classmates to find. Once students reveal the hidden messages using heat or another method, discuss:<BR> <BR>- What does it mean for something to be present but unseen?<BR> <BR>- How does this experiment connect to Olivia&rsquo;s experience?<BR> <BR>- Are there ideas or feelings in the novel that &ldquo;disappear&rdquo; unless someone knows how to look for them?<BR> <BR><b>(For grades 3 and up)</b> This activity pairs well with basic discussions of chemical reactions and observation for science fans or as a collaborative unit.<BR> <BR>Consider these example videos using different ingredients like turmeric and rubbing alcohol (<a href="https://www.youtube.com/watch?v=ShjS0MbSIIU">https://www.youtube.com/watch?v=ShjS0MbSIIU</a>) and lemon juice and food coloring (<a href="https://www.youtube.com/watch?v=TGi34lm05ow&t=44s">https://www.youtube.com/watch?v=TGi34lm05ow&t=44s</a>).<BR><BR><i>Now You See Me, Now You Don&rsquo;t</i><BR> <BR>Have students create an artwork that represents the difference between <i>being seen</i> and <i>not being seen</i>. They may choose any medium: drawing, collage, sculpture, photography, or digital art. Encourage symbolic rather than literal representations. Each student should include a short artist&rsquo;s statement explaining:<BR> <BR>- What being seen and not being seen look like in their piece<BR> <BR>- What choices they made intentionally<BR> <BR>- How the artwork connects to moments or ideas from the novel<BR><BR><i>Heads Up! (Olivia Gray </i>Edition<i>)</i><BR> <BR>Create a class set of <i>Heads Up!&#8211;</i>style cards for <i>Olivia Gray Will Not Fade Away</i> featuring:<BR> <BR>- Characters<BR> <BR>- Settings<BR> <BR>- Important objects<BR> <BR>- Major events<BR> <BR>- Narrative and literary concepts (such as <i>metaphor, point of view, rising action,</i> or <i>symbol</i>)<BR> <BR>Break the class into smaller groups of pairs and play a tournament. Winning pairs from each group advance in a March Madness&#8211;style bracket until a final face-off. Students must describe the words or concepts on the cards without saying the word, while their partner guesses as many as they can before time runs out.<BR><BR><b>Additional Resources</b><BR> <BR>For additional information about asexuality, consider starting with these resources from The Trevor Project, the world&rsquo;s largest suicide prevention and mental health organization for LGBTQ+ young people:<BR> <BR>Understanding Asexuality: <a href="https://www.thetrevorproject.org/resources/article/understanding-asexuality/">https://www.thetrevorproject.org/resources/article/understanding-asexuality/</a><BR> <BR>Asexuality 101, a stats graphic: <a href="https://www.thetrevorproject.org/wp-content/uploads/2017/09/asexuality.pdf">https://www.thetrevorproject.org/wp-content/uploads/2017/09/asexuality.pdf</a><BR><BR><i>This guide was prepared by Anastasia Collins, MA, MLIS, librarian, youth literature scholar, anti-oppression educator.</i><BR> <BR><i>The websites referenced above are provided for informational purposes only and are not intended as an endorsement or promotion of any website. Simon & Schuster is not responsible for the functionality or content of any external website and expressly disclaims all responsibility and liability in connection therewith.</i><BR><BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit https://www.simonandschuster.net/m/prek12-teachers-librarians/teaching-resources</i>]]></Text>
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      <Text><![CDATA[<B>Prince Lucas and Lady Clara try to change the future set in the stars in this twenty-third magical adventure of The Kingdom of Wrenly series!</B><BR><BR>The Kingdom of Wrenly&rsquo;s latest trend is reading your fortune written among the stars. Prince Lucas is skeptical until his unlucky fortune starts coming true, too. Can stars really decide your luck? Lucas and Clara embark on a nighttime adventure to find out&#8212;but no prediction could have prepared them for meeting mysterious constellations that have come to life!<BR> <BR>With easy-to-read language and illustrations on almost every page, The Kingdom of Wrenly chapter books are perfect for emerging readers.]]></Text>
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      <Text><![CDATA[Jordan Quinn grew up in a fairy tale castle in England. It had a spiral stone staircase, a moat, and a dungeon. As a child she liked to play hide-and-go-seek and ride her beloved horse, Prince Charming. When she wasn&rsquo;t riding, she wrote stories about fairies, trolls, dragons, and wizards. Today, Jordan lives on a ranch in California with her husband, son, and a golden retriever named Sir Toots-a-Lot.<BR><BR>Robert McPhillips has been involved in a wide variety of projects over the years&mdash;from illustrating greeting cards to animation, though he especially loves illustrating children&rsquo;s books. Robert makes his home in North Devon, England, with his wife, Sam.]]></Text>
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      <Text><![CDATA[Written in the Stars<BR><BR>&#160; It was a beautiful sunny day in the kingdom of Wrenly. But Prince Lucas was hiding under a heavy wool cape.<BR><BR>&#160; &ldquo;It&rsquo;s hot in here,&rdquo; he complained to his best friend, Clara Gills.<BR><BR>&#160; Clara nudged the prince with her elbow.<BR><BR>&#160; &ldquo;Just a little longer,&rdquo; she whispered. &ldquo;We&rsquo;re almost there.&rdquo;<BR><BR>&#160; &#160; The prince sighed. If it were up to him, he wouldn&rsquo;t be standing in this long line in the middle of Wrenly&rsquo;s town square. But Clara desperately wanted to get their fortunes read by Elyza, the Star Reader.<BR><BR>&#160; <I>Fortune-telling is nothing but a bunch of hooey,</I> Lucas thought.<BR><BR>&#160; He had only agreed to join Clara under one condition. He would wear a disguise. What would the good people of Wrenly think if they knew the prince had visited a fortune teller?<BR><BR>&#160; Well, perhaps they wouldn&rsquo;t think anything. It seemed most of the townsfolk wanted to have their fortunes told too. Every day the line for the star readings snaked all the way through the square. And today was no different.<BR><BR>&#160; &#160; Clara stood on her tiptoes and said, &ldquo;I promise the wait will be worth it!&rdquo;<BR><BR>&#160; A farmer standing in line behind them overheard her.<BR><BR>&#160; &ldquo;Absolutely!&rdquo; the farmer said. &ldquo;Elyza read my stars last month. I&rsquo;ve had nothing but good fortune ever since!&rdquo;<BR><BR>&#160; The farmer listed all the good things that had happened. Her crops had yielded more fruit. Her cow had given birth to a calf. And the crows had stopped pecking her cornstalks.<BR><BR>&#160; Clara nudged Lucas again and said, &ldquo;Did you hear that?&rdquo;<BR><BR>&#160; &#160; The prince&rsquo;s hood bobbed up and down. He heard it all right, but he wasn&rsquo;t sure he believed it. Still, he kept his mouth shut so he didn&rsquo;t blow his disguise.<BR><BR>&#160; The line slowly inched forward. Finally, Lucas and Clara reached the dark blue canvas tent. They slipped inside an opening in the flaps.<BR><BR>&#160; Inside the tent, the air smelled of earthy incense. Tapestries hung on all four sides.<BR><BR>&#160; Lucas was relieved by how dark the tent was. Only a single candle softly glowed on a table. Even so, he kept his hood on just in case.<BR><BR>&#160;&#160; &#160; &#160; Elyza sat at the small table. She had long, flowing black hair and wore a purple silk robe.<BR><BR>&#160; &ldquo;Welcome, my children,&rdquo; she said. &ldquo;What are your names?&rdquo;<BR><BR>&#160; &#160; Clara introduced herself. Then Lucas cleared his throat and used the first name that popped into his head.<BR><BR>&#160; &ldquo;I&rsquo;m Ivan,&rdquo; he said.<BR><BR>&#160; Clara coughed, covering up a giggle. Ivan was the name of Lucas&rsquo;s horse.<BR><BR>&#160; &ldquo;Well then, Clara and Ivan,&rdquo; Elyza said. &ldquo;It&rsquo;s time for your star readings.&rdquo;]]></Text>
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      <Text><![CDATA[<B>Two classmates scheme to break their parents up before they get married and ruin the girls&rsquo; lives forever in this hijinks-filled middle grade novel.</B><BR><BR>Melisa Flores and Roxy Romero are <I>not </I>fans of each other. Roxy is sporty while Meli is artsy. Meli keeps her friend circle small while Roxy is pals with everyone. Their little brothers might get along like fruit in a delicious smoothie, but Meli and Roxy do not mix.<BR> <BR>So when their parents announce their engagement, the girls are horrified. Previous experience has told them they&rsquo;ll never be friends, much less <I>sisters</I>. Meli and Roxy decide they have to do something to prevent this future blended family from ruining all their lives.<BR> <BR>The girls scheme to show their parents exactly how incompatible their families are by sabotaging the renovations of the house they&rsquo;re supposed to live happily ever after in. From home improvement store catastrophes to disastrous paint jobs, it&rsquo;s clear the girls are good teammates when it comes to causing chaos. Could it be enough to convince their parents to call off the wedding?<BR> <BR>But as the girls plot to show their parents exactly how incompatible their families are, they start to actually like each other&#8212;causing major complications when their plan begins working a little too well&hellip;]]></Text>
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      <Text><![CDATA[Chantel Acevedo, praised as &ldquo;a master storyteller&rdquo; by&nbsp;<I>Kirkus Reviews</I>, writes novels for kids and adults alike. Her Muse Squad duology and&nbsp;<I>The Curse on Spectacle Key</I>&nbsp;are Florida-set adventures inspired by her love of history and the importance of friendship.&nbsp;<I>No Way Never Sisters</I>&nbsp;is her first coauthored book. When she&rsquo;s not crafting stories, she&rsquo;s inspiring young writers as a professor at the University of Miami!<BR><BR>Natalia Sylvester writes books for children, teens, and adults. Her young adult novel,&nbsp;<I>Breathe and Count Back from Ten</I>, was named a Pura Belpr&eacute; Honor book and Schneider Family Honor book by the American Library Association, and&nbsp;<I>Running</I>&nbsp;is a Junior Library Guild Gold Standard book for teens. Born in Lima, Peru, she grew up in Florida and Texas.&nbsp;<I>No Way Never Sisters</I>&nbsp;is her first coauthored book, and her first middle grade novel!]]></Text>
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      <Text><![CDATA[Chapter 1: Meli <link rel="stylesheet" type="text/css" href="../styles/9781665974141.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-label="Chapter 1: Meli"> <figure ><img src="../images/f0003-01.jpg" alt="Chapter 1: MELI header with simple line drawings of spinning coins and small scattered shards surrounding the centred title text."></figure> <BR>Until several months ago, I could&rsquo;ve counted on one hand the things I knew about Roxy Romero.<BR> <BR>One: She was captain of the flag football team.<BR> <BR>Two: She always got her way, like when she became our sixth-grade class president by a landslide, same as in fifth grade, and fourth.<BR> <BR>Three: Our little brothers have the same name. Hers goes by Ben, mine goes by Benji, but everyone in third grade called them the Bens.<BR> <BR>Four: Last year, Roxy stole my favorite purple pen. She &ldquo;borrowed&rdquo; it to sign everyone&rsquo;s yearbook, misspelled my name with two <i>S</i>&rsquo;s, then never gave it back.<BR> <BR>And five? I used to not have any other fun facts about Roxy Romero until one day, I learned a big one.<BR> <BR>Five: Roxy&rsquo;s dad and my mom were dating.<BR> <BR><i>So</i> not fun. <i>So</i>, unfortunately, fact.<BR> <BR>&ldquo;Reservation under Carlos Romero, please. Party of six.&rdquo;<BR> <BR>It was the last week of school and our parents had taken us to Bacio del Capo (<i>chef&rsquo;s kiss</i> in Italian), a fancy but casual restaurant where people ate like they were at home sharing the same main dish. That&rsquo;s what the website said, anyway. I&rsquo;d read up on it on the way over because I wanted to know what to expect.<BR> <BR>&ldquo;Something&rsquo;s weird about this place,&rdquo; Roxy said as we followed the hostess to a large, round table in the corner of the room.<BR> <BR>&ldquo;They call it <i>family style</i>,&rdquo; I whispered. &ldquo;It means we get our own dishes, silverware, and condiments from over there.&rdquo; I pointed to a counter with stacks of freshly washed plates against the wall. &ldquo;And we &lsquo;make ourselves at home.&rsquo;?&rdquo; I made air quotes with my fingers because those were the website&rsquo;s words, not mine.<BR> <BR>&ldquo;Oh. That&rsquo;s pretty cool, actually!&rdquo;<BR> <BR>This was easy for Roxy to say, since she actually had a home. Mine was all packed up in boxes. After my parents split last year, Mami decided we should sell the house. Papi had moved out long before the divorce was official, and he was always in another country, shooting travel documentaries for work. I&rsquo;d known since I was little that my parents were happier people apart than as a couple, but still, sometimes my mind liked to play pretend. I&rsquo;d imagine being part of a whole family again. In <i>our</i> house.<BR> <BR>Roxy and her dad and Ben? They weren&rsquo;t exactly part of the fantasy.<BR> <BR>I sighed. It&rsquo;s not like I hated Roxy. I just wasn&rsquo;t her number one fan like everyone else in our school. Even before our parents started dating, she and I didn&rsquo;t mix. Once, at Field Day, we got paired for the three-legged race, and we couldn&rsquo;t get in step to save our lives. I was yelling &ldquo;Wait up!&rdquo; and she was yelling &ldquo;You got this!&rdquo; when we tripped over each other into a big old pile of mud. Our parents came rushing to help, and that&rsquo;s how they met&#8212;their origin story was our literal downfall. Mami went all heart-eyes for Carlos after he helped me wobble off the field, and now they were constantly making us hang out. There was that time they signed us up for a volleyball tournament, but I got a random nosebleed before my feet even touched sand. Then they tried to make us bond over a pottery-making class, but Roxy&rsquo;s lump of clay catapulted off the wheel and landed right on top of the flower-shaped mug I was making for Mami.<BR> <BR>We didn&rsquo;t even have each other&rsquo;s phone numbers because Roxy had never bothered asking me. We were polar opposites with nothing in common, but our parents wanted us to become BFFs. I already had those. James, Janette, and I had our own group chat because we&rsquo;d been best friends <i>and</i> neighbors ever since we were in kindergarten.<BR> <BR>Now that our house had finally sold, all that was about to change.<BR> <BR>&ldquo;There&rsquo;s always room for more friends,&rdquo; Mami loved to say. But I didn&rsquo;t want new friends, or a new house, or a replacement for Papi. I just wanted my old life back.<BR> <BR>&ldquo;You okay, Meli? You were so quiet on the way over,&rdquo; Mami said. &ldquo;I thought you&rsquo;d be excited to celebrate the new house.&rdquo;<BR> <BR>That was Mami&rsquo;s favorite word lately: <i>excited</i>. She was all about looking on the bright side of things, acting like the big changes in our lives were happy ones. I knew she was just trying to keep me and Benji from being sad about missing Papi, so I tried to play along and not be a party pooper. Besides, real artists used art to express their complicated emotions. And I had a lot of those.<BR> <BR>&ldquo;I am excited. I was just&hellip; brainstorming ideas for my presentation. You know how distracted I get when inspiration strikes.&rdquo; The Summer Kickoff Talent Show was the biggest event of the school year, and I&rsquo;d been working on my sculpture for months. This week I&rsquo;d finally share it with everyone.<BR> <BR>We took a seat. Mami sat annoyingly close to Carlos, Roxy and I sat next to each of our parents, and the Bens closed our circle by sitting side by side. Right away they opened the crayon boxes on the table and started playing tic-tac-toe on the paper place mats.<BR> <BR>&ldquo;The talent show? Trust me, don&rsquo;t stress it,&rdquo; Roxy said. &ldquo;It&rsquo;s the last thing people will care about on the last day of school.&rdquo;<BR> <BR>&ldquo;<i>I</i> care about it. And who said anything about being stressed?&rdquo; I&rsquo;d been feeling pretty good about it, actually, until Roxy decided to diss it.<BR> <BR>Roxy&rsquo;s jaw dropped, and she took in a quick breath. &ldquo;Oh. I didn&rsquo;t mean it like that.&rdquo;<BR> <BR>&ldquo;Then how did you mean it?&rdquo;<BR> <BR>&ldquo;Just that you&rsquo;ll be&hellip; never mind.&rdquo;<BR> <BR>That was one of the new facts I&rsquo;d learned about Roxy since our parents started dating.<BR> <BR>Six: She didn&rsquo;t really think before she spoke.<BR> <BR>&ldquo;Okay then!&rdquo; Roxy&rsquo;s dad clapped his hands together and set a giant iPad on the table. &ldquo;Who wants to see pictures of the new house?&rdquo;<BR> <BR>Mami placed her hand over his. &ldquo;Shouldn&rsquo;t we wait until after we eat? We never have screens during dinner.&rdquo;<BR> <BR>It was true. Mami&rsquo;s rules were ironclad. For once, I was glad, because I&rsquo;d seen the new house on Mami&rsquo;s phone and it was really old. And ugly. But Mami also had a rule about not being rude and always being nice if you can help it. So I&rsquo;d flipped through the pictures and said the house looked vintage.<BR> <BR>Carlos grinned, not even a little bit discouraged. &ldquo;But Evy, I think the kids will be excited to see the surprise on the last slide.&rdquo;<BR> <BR>Roxy leaned forward while I tried not to roll my eyes. It was probably something cheesy like a confetti meme or a video of Carlos moonwalking across our new kitchen. Roxy&rsquo;s dad had a way of treating any piece of good news like an excuse for a touchdown dance.<BR> <BR>&ldquo;Bueno, just this once,&rdquo; Mami said. I stiffened. Mami never made exceptions: not for me, or Benji, or my dad. Never, ever. What made Roxy&rsquo;s dad so special?<BR> <BR>&ldquo;Excellent,&rdquo; Carlos said, and pressed play. A slideshow with a cheery piano tune blasted from the speaker as image after image popped up. The house was boxy, with blue and white awnings and windows made of glass blocks that looked like ice cubes. It had orange ceramic roof tiles that were green from mold, and the backyard was full of overgrown banana trees. Who needed that much fruit?<BR> <BR>&ldquo;It&rsquo;s awesome,&rdquo; Ben said in a low, awestruck voice. &ldquo;Like a wild jungle out of a story.&rdquo;<BR> <BR>&ldquo;Well, yes, the landscape is a little&hellip; overgrown,&rdquo; Mami said, just as the pictures switched to the inside, which wasn&rsquo;t in much better shape. &ldquo;It&rsquo;s a fixer-upper, but it has good bones.&rdquo;<BR> <BR>&ldquo;Like a dinosaur!&rdquo; Benji practically roared.<BR> <BR>&ldquo;Yes, hijito, like a dinosaur,&rdquo; Mami said.<BR> <BR>&ldquo;Except you can actually bring this one back to life,&rdquo; Roxy added.<BR> <BR>Everyone laughed except for me. All I could think about was my old room. Two years ago, for my tenth birthday, Papi had taken me to the home improvement store and told me I could redecorate however I wanted. He filmed the before and after on his phone and made a mini documentary, our very own home makeover show. But now he was halfway across the world in Spain, shooting a documentary about history. My bedroom would soon be a memory I couldn&rsquo;t go back to.<BR> <BR>&ldquo;It&rsquo;s a cute house,&rdquo; Roxy said. &ldquo;It has loads of potential.&rdquo;<BR> <BR>&ldquo;You sound like your dad,&rdquo; I said.<BR> <BR>&ldquo;Is that a bad thing?&rdquo;<BR> <BR>Maybe it was. This was Carlos&rsquo;s fault, after all. The <i>Miami Weekly</i> had voted him &ldquo;Everyone&rsquo;s favorite family real estate agent,&rdquo; according to the ads I&rsquo;d seen on bus benches. He&rsquo;s the one who helped my mom sell our old house and buy this new one.<BR> <BR>&ldquo;I just think it&rsquo;s easy to sell someone on a new house if you&rsquo;re not the one that has to live in it,&rdquo; I finally blurted.<BR> <BR>&ldquo;Meli! That&rsquo;s not nice,&rdquo; Mami said.<BR> <BR>&ldquo;Are you calling my dad a sellout?&rdquo; Roxy scoffed.<BR> <BR>Mami and Carlos looked so hurt that I felt like the world&rsquo;s biggest meanie. I tried to backtrack. &ldquo;What? No! What I meant was, Carlos is really good at what he does. He makes every house look amazing.&rdquo;<BR> <BR>&ldquo;Wow. That&rsquo;s so kind of you, Meli, thank you,&rdquo; Carlos said.<BR> <BR><i>Way to overcorrect, Melisa</i>. Carlos was a nice-enough guy, but what did I know about his job performance? I guess I&rsquo;d just felt bad about being rude.<BR> <BR>Mami glowed, grinning ear to ear. For months now, she&rsquo;d been asking me question after question about Carlos: How do you like him? Isn&rsquo;t he great? How are you and Roxy getting along?<BR> <BR>My answers were always more or less the same: <i>He seems cool. He&rsquo;s really something. Fine, same as always.</i><BR> <BR>Technically all of those things were true. Even though they weren&rsquo;t the rave reviews Mami clearly hoped for, they seemed to make her happy. After she and Papi divorced, Mami became so quiet and sad that I got into the habit of trying to cheer her up. Now Carlos was always the one doing that. And tonight, Mami was bubbly with joy.<BR> <BR>&ldquo;You&rsquo;re right, Meli. Carlos always outdoes himself. In fact, kids, something really special happened this afternoon. When we finally got the keys to the house&hellip;&rdquo;<BR> <BR>&ldquo;We made things official!&rdquo; Carlos swiped the screen to the next slide. It was a picture of keys in a jewelry box, right next to&hellip; a diamond ring?!<BR> <BR>&ldquo;No way. You&rsquo;re getting married?&rdquo; Roxy nearly jumped out of her chair, and the boys started cheering.<BR> <BR>My throat went dry. My mind became an echo chamber of <i>no, no, no, no, no!</i> All I managed to say was, &ldquo;Wait, does this mean the new house&#8212;&rdquo;<BR> <BR>&ldquo;Is going to be our new home! For all of us!&rdquo; Mami said.<BR> <BR>&ldquo;And we&rsquo;re going to fix it up just in time for the wedding at the end of the summer!&rdquo; Carlos added.<BR> <BR>&ldquo;Yesssss!&rdquo; Benji said. &ldquo;This is the best day ever.&rdquo; He jumped up and hugged my mom and then Carlos, and soon they were all having their own little lovefest. I wished I could slip below the table, never to be found again. Roxy slouched in her chair, looking like her flag football team had just lost zero to a hundred.<BR> <BR>&ldquo;&#191;Chicas?&rdquo; Mami suddenly remembered we existed. &ldquo;We thought you&rsquo;d be happy.&rdquo;<BR> <BR>Carlos offered his hand to Roxy. &ldquo;You always said you wanted a sister.&rdquo;<BR> <BR>We locked eyes and waited to see what the other would say.<BR> <BR>&ldquo;Buona sera, everyone!&rdquo; A cheerful waitress with a name tag that said JULIA greeted us in exaggerated Italian. &ldquo;What can I get you all to drink?&rdquo;<BR> <BR>&ldquo;Um&hellip;&rdquo; Roxy blinked like she&rsquo;d just woken up from a nightmare. &ldquo;I&rsquo;d like a Sprite, please.&rdquo; I waited for Mami to interrupt. <i>Soda on a weeknight?</i> No way. But she was too busy taking her engagement ring out of her purse to notice.<BR> <BR>&ldquo;And for your sister?&rdquo; Julia asked.<BR> <BR>&ldquo;We&rsquo;re not sisters,&rdquo; we both snapped.<BR> <BR>&ldquo;Jinx!&rdquo; the Bens sang.<BR> <BR>&ldquo;Stop it!&rdquo; we said in sync again. We gasped and turned to each other. &ldquo;Now you&rsquo;re just&#8212;&rdquo;<BR> <BR>I stopped talking.<BR> <BR>&ldquo;&#8212;doing it on purpose,&rdquo; Roxy said.<BR> <BR>&ldquo;<i>Not</i> sisters. Got it. I&rsquo;ll be back with your drink orders!&rdquo; Julia said. She was gone before I could ask for an apple juice.<BR> <BR>&ldquo;Well, this is off to an interesting start,&rdquo; Carlos said, raising his eyebrows at Mami.<BR> <BR>&ldquo;How could she confuse us for sisters? We look nothing alike,&rdquo; Roxy said.<BR> <BR>It was true. Roxy had light brown wavy hair that stopped at her shoulders, while mine was straight, brownish black, and braided halfway down my back. She had a mist of freckles over her nose (Mami always said they were <i>so cute</i>), whereas all I had was a dimple on my left cheek. Everything about us was opposite: Roxy&rsquo;s features were sharp but mine were round; she was always dressed sporty but I liked more flowy, boho styles. Plus, I was at least three inches taller than her.<BR> <BR>&ldquo;Indeed. Chicas, why don&rsquo;t you go grab us some plates and silverware while we decide what we want to order for our first meal as a family?&rdquo;<BR> <BR>Roxy&rsquo;s chair screeched as she got up. &ldquo;Can we get spaghetti and meatballs?&rdquo;<BR> <BR>&ldquo;I&rsquo;d like the lasagna, please,&rdquo; I said.<BR> <BR>Mami put her hands in the air like it wasn&rsquo;t her decision. &ldquo;It&rsquo;s all meat and red sauce and pasta, no matter how you slice it.&rdquo;<BR> <BR>&ldquo;This is bananas,&rdquo; Roxy said as we walked away. &ldquo;They expect us all to live together when we can&rsquo;t even agree on dinner?&rdquo;<BR> <BR>I agreed but I didn&rsquo;t say so. The restaurant had gotten loud. There was a musician going table to table with an accordion, and a photographer taking group pictures of customers. Pots and pans clanged and steam hissed out of the kitchen. It made me feel trapped. I decided to focus on our task instead.<BR> <BR>&ldquo;Here. I&rsquo;ll get the big plates, you carry the salad plates,&rdquo; I said, handing her a small stack of six porcelain dishes before picking up the dinner plates.<BR> <BR>&ldquo;Why? We can each just use one plate.&rdquo; Roxy placed the smaller plates back on the counter. &ldquo;Less mess.&rdquo;<BR> <BR>&ldquo;No, Mami always uses a separate plate for the salad.&rdquo;<BR> <BR>&ldquo;That&rsquo;s silly. Changing it up for once won&rsquo;t hurt her.&rdquo;<BR> <BR>I piled the plates onto my stack this time. &ldquo;Well, maybe my mom doesn&rsquo;t <i>want</i> any more big changes in her life.&rdquo;<BR> <BR>Roxy started trying to take the small stack back. &ldquo;Well, maybe she should try loosening up a little!&rdquo;<BR> <BR>I had a feeling we weren&rsquo;t talking about the plates anymore.<BR> <BR>&ldquo;Maybe no one ever asked for your opinion!&rdquo; I said, snatching them out of her reach.<BR> <BR>&ldquo;Well mayb&#8212;&rdquo;<BR> <BR><i>Crashhhh.</i><BR> <BR>All twelve dishes fell to the floor, their pieces shattering at our feet. The restaurant got super quiet, then erupted into applause and laughter. Roxy brought her hands to her forehead and started breathing real fast. I felt like my face was on fire, and my cheeks tingled like when you hold back a sneeze.<BR> <BR>&ldquo;Oh no. What did you do?&rdquo; she said.<BR> <BR>&ldquo;<i>Me</i>? You&rsquo;re the one who dropped the plates because you weren&rsquo;t getting your way.&rdquo;<BR> <BR>&ldquo;My way? Ha! Moving in with you just because our parents got engaged is definitely not my way.&rdquo; Roxy&rsquo;s eyes formed tiny slits, sharp as a paper cut as she looked at me. Right then and there, I decided I&rsquo;d learned two new things about her.<BR> <BR>Seven: Roxy Romero was <i>not</i> my friend.<BR> <BR>Eight: There was <i>no way</i> she was going to be my sister.<BR> <BR>&ldquo;Girls! Are you okay?&rdquo; Carlos ran up behind us lightning fast.<BR> <BR>&ldquo;Ay, no,&rdquo; Mami said when she caught up to us. &ldquo;Where&rsquo;s the manager? We&rsquo;re going to need you girls to apologize.&rdquo;<BR> <BR>I could tell she was really upset, but then by some miracle the manager said no apology was necessary. He actually laughed and led us back to our table while the crew cleaned up. &ldquo;In parts of Italy, breaking plates is a New Year&rsquo;s tradition. It represents getting rid of the old and making room for the new! You did us a favor six months ahead of time!&rdquo;<BR> <BR>&ldquo;Is that so?&rdquo; Mami said, pinching my chin.<BR> <BR>I blinked away hot tears. This was exactly what I was afraid of. It was bad enough that Mami had sold our house and I&rsquo;d no longer live near my best friends, but now we&rsquo;d have to fix up the new one, move in with the Romeros, and deal with the chaos of wedding planning, all in the summer before seventh grade. Why did everything have to break just for us to start over?<BR> <BR>&ldquo;Let&rsquo;s keep the celebration going!&rdquo; Julia said as she brought everyone but me their drinks. She signaled for the photographer to come to our table and our parents squished us all together.<BR> <BR>&ldquo;Say <i>famiglia</i>!&rdquo; the photographer said.<BR> <BR>The boys&rsquo; faces broke into cheesy grins. Roxy curled her lips without showing any teeth. My smile felt stiff and fake, like it&rsquo;d been plastered onto my mouth.<BR> <BR>The camera flashed once, then twice. &ldquo;That&rsquo;s going straight into the family album!&rdquo; Carlos said.<BR> <BR>Us, a family? I didn&rsquo;t want to picture it. Not now, not ever.<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Chantel Acevedo, praised as &ldquo;a master storyteller&rdquo; by&nbsp;<I>Kirkus Reviews</I>, writes novels for kids and adults alike. Her Muse Squad duology and&nbsp;<I>The Curse on Spectacle Key</I>&nbsp;are Florida-set adventures inspired by her love of history and the importance of friendship.&nbsp;<I>No Way Never Sisters</I>&nbsp;is her first coauthored book. When she&rsquo;s not crafting stories, she&rsquo;s inspiring young writers as a professor at the University of Miami!]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Natalia Sylvester writes books for children, teens, and adults. Her young adult novel,&nbsp;<I>Breathe and Count Back from Ten</I>, was named a Pura Belpr&eacute; Honor book and Schneider Family Honor book by the American Library Association, and&nbsp;<I>Running</I>&nbsp;is a Junior Library Guild Gold Standard book for teens. Born in Lima, Peru, she grew up in Florida and Texas.&nbsp;<I>No Way Never Sisters</I>&nbsp;is her first coauthored book, and her first middle grade novel!]]></BiographicalNote>
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      <SubjectHeadingText>step-sisters; blended family; humor; sibling rivalry; Latinx; Florida; middle school; hijinks; sister relationship; parents remarrying dating; wedding romance sabotage; compatibility; odd couple; opposites attract friendship; middle grade for 8 9 10 11 12 year olds grades 3 4 5 6 7; The Parent Trap; Modern Family; Not if I Can Help It Carolyn Mackler; Blended Sharon Draper; Meet Me Halfway Anika Fajardo; Gigi Shin Is Not a Nerd Lyla Lee; Finally Heard Seen Kelly Yang; Something Maybe Magnificent R.L. Toalson; Yours, Mine, and Ours; Instant Family movie;</SubjectHeadingText>
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      <Text><![CDATA[<B>Two classmates scheme to break their parents up before they get married and ruin the girls&rsquo; lives forever in this hijinks-filled middle grade novel.</B><BR><BR>Melisa Flores and Roxy Romero are <I>not </I>fans of each other. Roxy is sporty while Meli is artsy. Meli keeps her friend circle small while Roxy is pals with everyone. Their little brothers might get along like fruit in a delicious smoothie, but Meli and Roxy do not mix.<BR> <BR>So when their parents announce their engagement, the girls are horrified. Previous experience has told them they&rsquo;ll never be friends, much less <I>sisters</I>. Meli and Roxy decide they have to do something to prevent this future blended family from ruining all their lives.<BR> <BR>The girls scheme to show their parents exactly how incompatible their families are by sabotaging the renovations of the house they&rsquo;re supposed to live happily ever after in. From home improvement store catastrophes to disastrous paint jobs, it&rsquo;s clear the girls are good teammates when it comes to causing chaos. Could it be enough to convince their parents to call off the wedding?<BR> <BR>But as the girls plot to show their parents exactly how incompatible their families are, they start to actually like each other&#8212;causing major complications when their plan begins working a little too well&hellip;]]></Text>
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      <Text><![CDATA[Chantel Acevedo, praised as &ldquo;a master storyteller&rdquo; by&nbsp;<I>Kirkus Reviews</I>, writes novels for kids and adults alike. Her Muse Squad duology and&nbsp;<I>The Curse on Spectacle Key</I>&nbsp;are Florida-set adventures inspired by her love of history and the importance of friendship.&nbsp;<I>No Way Never Sisters</I>&nbsp;is her first coauthored book. When she&rsquo;s not crafting stories, she&rsquo;s inspiring young writers as a professor at the University of Miami!<BR><BR>Natalia Sylvester writes books for children, teens, and adults. Her young adult novel,&nbsp;<I>Breathe and Count Back from Ten</I>, was named a Pura Belpr&eacute; Honor book and Schneider Family Honor book by the American Library Association, and&nbsp;<I>Running</I>&nbsp;is a Junior Library Guild Gold Standard book for teens. Born in Lima, Peru, she grew up in Florida and Texas.&nbsp;<I>No Way Never Sisters</I>&nbsp;is her first coauthored book, and her first middle grade novel!]]></Text>
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      <Text><![CDATA[Chapter 1: Meli <link rel="stylesheet" type="text/css" href="../styles/9781665974141.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-label="Chapter 1: Meli"> <figure ><img src="../images/f0003-01.jpg" alt="Chapter 1: MELI header with simple line drawings of spinning coins and small scattered shards surrounding the centred title text."></figure> <BR>Until several months ago, I could&rsquo;ve counted on one hand the things I knew about Roxy Romero.<BR> <BR>One: She was captain of the flag football team.<BR> <BR>Two: She always got her way, like when she became our sixth-grade class president by a landslide, same as in fifth grade, and fourth.<BR> <BR>Three: Our little brothers have the same name. Hers goes by Ben, mine goes by Benji, but everyone in third grade called them the Bens.<BR> <BR>Four: Last year, Roxy stole my favorite purple pen. She &ldquo;borrowed&rdquo; it to sign everyone&rsquo;s yearbook, misspelled my name with two <i>S</i>&rsquo;s, then never gave it back.<BR> <BR>And five? I used to not have any other fun facts about Roxy Romero until one day, I learned a big one.<BR> <BR>Five: Roxy&rsquo;s dad and my mom were dating.<BR> <BR><i>So</i> not fun. <i>So</i>, unfortunately, fact.<BR> <BR>&ldquo;Reservation under Carlos Romero, please. Party of six.&rdquo;<BR> <BR>It was the last week of school and our parents had taken us to Bacio del Capo (<i>chef&rsquo;s kiss</i> in Italian), a fancy but casual restaurant where people ate like they were at home sharing the same main dish. That&rsquo;s what the website said, anyway. I&rsquo;d read up on it on the way over because I wanted to know what to expect.<BR> <BR>&ldquo;Something&rsquo;s weird about this place,&rdquo; Roxy said as we followed the hostess to a large, round table in the corner of the room.<BR> <BR>&ldquo;They call it <i>family style</i>,&rdquo; I whispered. &ldquo;It means we get our own dishes, silverware, and condiments from over there.&rdquo; I pointed to a counter with stacks of freshly washed plates against the wall. &ldquo;And we &lsquo;make ourselves at home.&rsquo;?&rdquo; I made air quotes with my fingers because those were the website&rsquo;s words, not mine.<BR> <BR>&ldquo;Oh. That&rsquo;s pretty cool, actually!&rdquo;<BR> <BR>This was easy for Roxy to say, since she actually had a home. Mine was all packed up in boxes. After my parents split last year, Mami decided we should sell the house. Papi had moved out long before the divorce was official, and he was always in another country, shooting travel documentaries for work. I&rsquo;d known since I was little that my parents were happier people apart than as a couple, but still, sometimes my mind liked to play pretend. I&rsquo;d imagine being part of a whole family again. In <i>our</i> house.<BR> <BR>Roxy and her dad and Ben? They weren&rsquo;t exactly part of the fantasy.<BR> <BR>I sighed. It&rsquo;s not like I hated Roxy. I just wasn&rsquo;t her number one fan like everyone else in our school. Even before our parents started dating, she and I didn&rsquo;t mix. Once, at Field Day, we got paired for the three-legged race, and we couldn&rsquo;t get in step to save our lives. I was yelling &ldquo;Wait up!&rdquo; and she was yelling &ldquo;You got this!&rdquo; when we tripped over each other into a big old pile of mud. Our parents came rushing to help, and that&rsquo;s how they met&#8212;their origin story was our literal downfall. Mami went all heart-eyes for Carlos after he helped me wobble off the field, and now they were constantly making us hang out. There was that time they signed us up for a volleyball tournament, but I got a random nosebleed before my feet even touched sand. Then they tried to make us bond over a pottery-making class, but Roxy&rsquo;s lump of clay catapulted off the wheel and landed right on top of the flower-shaped mug I was making for Mami.<BR> <BR>We didn&rsquo;t even have each other&rsquo;s phone numbers because Roxy had never bothered asking me. We were polar opposites with nothing in common, but our parents wanted us to become BFFs. I already had those. James, Janette, and I had our own group chat because we&rsquo;d been best friends <i>and</i> neighbors ever since we were in kindergarten.<BR> <BR>Now that our house had finally sold, all that was about to change.<BR> <BR>&ldquo;There&rsquo;s always room for more friends,&rdquo; Mami loved to say. But I didn&rsquo;t want new friends, or a new house, or a replacement for Papi. I just wanted my old life back.<BR> <BR>&ldquo;You okay, Meli? You were so quiet on the way over,&rdquo; Mami said. &ldquo;I thought you&rsquo;d be excited to celebrate the new house.&rdquo;<BR> <BR>That was Mami&rsquo;s favorite word lately: <i>excited</i>. She was all about looking on the bright side of things, acting like the big changes in our lives were happy ones. I knew she was just trying to keep me and Benji from being sad about missing Papi, so I tried to play along and not be a party pooper. Besides, real artists used art to express their complicated emotions. And I had a lot of those.<BR> <BR>&ldquo;I am excited. I was just&hellip; brainstorming ideas for my presentation. You know how distracted I get when inspiration strikes.&rdquo; The Summer Kickoff Talent Show was the biggest event of the school year, and I&rsquo;d been working on my sculpture for months. This week I&rsquo;d finally share it with everyone.<BR> <BR>We took a seat. Mami sat annoyingly close to Carlos, Roxy and I sat next to each of our parents, and the Bens closed our circle by sitting side by side. Right away they opened the crayon boxes on the table and started playing tic-tac-toe on the paper place mats.<BR> <BR>&ldquo;The talent show? Trust me, don&rsquo;t stress it,&rdquo; Roxy said. &ldquo;It&rsquo;s the last thing people will care about on the last day of school.&rdquo;<BR> <BR>&ldquo;<i>I</i> care about it. And who said anything about being stressed?&rdquo; I&rsquo;d been feeling pretty good about it, actually, until Roxy decided to diss it.<BR> <BR>Roxy&rsquo;s jaw dropped, and she took in a quick breath. &ldquo;Oh. I didn&rsquo;t mean it like that.&rdquo;<BR> <BR>&ldquo;Then how did you mean it?&rdquo;<BR> <BR>&ldquo;Just that you&rsquo;ll be&hellip; never mind.&rdquo;<BR> <BR>That was one of the new facts I&rsquo;d learned about Roxy since our parents started dating.<BR> <BR>Six: She didn&rsquo;t really think before she spoke.<BR> <BR>&ldquo;Okay then!&rdquo; Roxy&rsquo;s dad clapped his hands together and set a giant iPad on the table. &ldquo;Who wants to see pictures of the new house?&rdquo;<BR> <BR>Mami placed her hand over his. &ldquo;Shouldn&rsquo;t we wait until after we eat? We never have screens during dinner.&rdquo;<BR> <BR>It was true. Mami&rsquo;s rules were ironclad. For once, I was glad, because I&rsquo;d seen the new house on Mami&rsquo;s phone and it was really old. And ugly. But Mami also had a rule about not being rude and always being nice if you can help it. So I&rsquo;d flipped through the pictures and said the house looked vintage.<BR> <BR>Carlos grinned, not even a little bit discouraged. &ldquo;But Evy, I think the kids will be excited to see the surprise on the last slide.&rdquo;<BR> <BR>Roxy leaned forward while I tried not to roll my eyes. It was probably something cheesy like a confetti meme or a video of Carlos moonwalking across our new kitchen. Roxy&rsquo;s dad had a way of treating any piece of good news like an excuse for a touchdown dance.<BR> <BR>&ldquo;Bueno, just this once,&rdquo; Mami said. I stiffened. Mami never made exceptions: not for me, or Benji, or my dad. Never, ever. What made Roxy&rsquo;s dad so special?<BR> <BR>&ldquo;Excellent,&rdquo; Carlos said, and pressed play. A slideshow with a cheery piano tune blasted from the speaker as image after image popped up. The house was boxy, with blue and white awnings and windows made of glass blocks that looked like ice cubes. It had orange ceramic roof tiles that were green from mold, and the backyard was full of overgrown banana trees. Who needed that much fruit?<BR> <BR>&ldquo;It&rsquo;s awesome,&rdquo; Ben said in a low, awestruck voice. &ldquo;Like a wild jungle out of a story.&rdquo;<BR> <BR>&ldquo;Well, yes, the landscape is a little&hellip; overgrown,&rdquo; Mami said, just as the pictures switched to the inside, which wasn&rsquo;t in much better shape. &ldquo;It&rsquo;s a fixer-upper, but it has good bones.&rdquo;<BR> <BR>&ldquo;Like a dinosaur!&rdquo; Benji practically roared.<BR> <BR>&ldquo;Yes, hijito, like a dinosaur,&rdquo; Mami said.<BR> <BR>&ldquo;Except you can actually bring this one back to life,&rdquo; Roxy added.<BR> <BR>Everyone laughed except for me. All I could think about was my old room. Two years ago, for my tenth birthday, Papi had taken me to the home improvement store and told me I could redecorate however I wanted. He filmed the before and after on his phone and made a mini documentary, our very own home makeover show. But now he was halfway across the world in Spain, shooting a documentary about history. My bedroom would soon be a memory I couldn&rsquo;t go back to.<BR> <BR>&ldquo;It&rsquo;s a cute house,&rdquo; Roxy said. &ldquo;It has loads of potential.&rdquo;<BR> <BR>&ldquo;You sound like your dad,&rdquo; I said.<BR> <BR>&ldquo;Is that a bad thing?&rdquo;<BR> <BR>Maybe it was. This was Carlos&rsquo;s fault, after all. The <i>Miami Weekly</i> had voted him &ldquo;Everyone&rsquo;s favorite family real estate agent,&rdquo; according to the ads I&rsquo;d seen on bus benches. He&rsquo;s the one who helped my mom sell our old house and buy this new one.<BR> <BR>&ldquo;I just think it&rsquo;s easy to sell someone on a new house if you&rsquo;re not the one that has to live in it,&rdquo; I finally blurted.<BR> <BR>&ldquo;Meli! That&rsquo;s not nice,&rdquo; Mami said.<BR> <BR>&ldquo;Are you calling my dad a sellout?&rdquo; Roxy scoffed.<BR> <BR>Mami and Carlos looked so hurt that I felt like the world&rsquo;s biggest meanie. I tried to backtrack. &ldquo;What? No! What I meant was, Carlos is really good at what he does. He makes every house look amazing.&rdquo;<BR> <BR>&ldquo;Wow. That&rsquo;s so kind of you, Meli, thank you,&rdquo; Carlos said.<BR> <BR><i>Way to overcorrect, Melisa</i>. Carlos was a nice-enough guy, but what did I know about his job performance? I guess I&rsquo;d just felt bad about being rude.<BR> <BR>Mami glowed, grinning ear to ear. For months now, she&rsquo;d been asking me question after question about Carlos: How do you like him? Isn&rsquo;t he great? How are you and Roxy getting along?<BR> <BR>My answers were always more or less the same: <i>He seems cool. He&rsquo;s really something. Fine, same as always.</i><BR> <BR>Technically all of those things were true. Even though they weren&rsquo;t the rave reviews Mami clearly hoped for, they seemed to make her happy. After she and Papi divorced, Mami became so quiet and sad that I got into the habit of trying to cheer her up. Now Carlos was always the one doing that. And tonight, Mami was bubbly with joy.<BR> <BR>&ldquo;You&rsquo;re right, Meli. Carlos always outdoes himself. In fact, kids, something really special happened this afternoon. When we finally got the keys to the house&hellip;&rdquo;<BR> <BR>&ldquo;We made things official!&rdquo; Carlos swiped the screen to the next slide. It was a picture of keys in a jewelry box, right next to&hellip; a diamond ring?!<BR> <BR>&ldquo;No way. You&rsquo;re getting married?&rdquo; Roxy nearly jumped out of her chair, and the boys started cheering.<BR> <BR>My throat went dry. My mind became an echo chamber of <i>no, no, no, no, no!</i> All I managed to say was, &ldquo;Wait, does this mean the new house&#8212;&rdquo;<BR> <BR>&ldquo;Is going to be our new home! For all of us!&rdquo; Mami said.<BR> <BR>&ldquo;And we&rsquo;re going to fix it up just in time for the wedding at the end of the summer!&rdquo; Carlos added.<BR> <BR>&ldquo;Yesssss!&rdquo; Benji said. &ldquo;This is the best day ever.&rdquo; He jumped up and hugged my mom and then Carlos, and soon they were all having their own little lovefest. I wished I could slip below the table, never to be found again. Roxy slouched in her chair, looking like her flag football team had just lost zero to a hundred.<BR> <BR>&ldquo;&#191;Chicas?&rdquo; Mami suddenly remembered we existed. &ldquo;We thought you&rsquo;d be happy.&rdquo;<BR> <BR>Carlos offered his hand to Roxy. &ldquo;You always said you wanted a sister.&rdquo;<BR> <BR>We locked eyes and waited to see what the other would say.<BR> <BR>&ldquo;Buona sera, everyone!&rdquo; A cheerful waitress with a name tag that said JULIA greeted us in exaggerated Italian. &ldquo;What can I get you all to drink?&rdquo;<BR> <BR>&ldquo;Um&hellip;&rdquo; Roxy blinked like she&rsquo;d just woken up from a nightmare. &ldquo;I&rsquo;d like a Sprite, please.&rdquo; I waited for Mami to interrupt. <i>Soda on a weeknight?</i> No way. But she was too busy taking her engagement ring out of her purse to notice.<BR> <BR>&ldquo;And for your sister?&rdquo; Julia asked.<BR> <BR>&ldquo;We&rsquo;re not sisters,&rdquo; we both snapped.<BR> <BR>&ldquo;Jinx!&rdquo; the Bens sang.<BR> <BR>&ldquo;Stop it!&rdquo; we said in sync again. We gasped and turned to each other. &ldquo;Now you&rsquo;re just&#8212;&rdquo;<BR> <BR>I stopped talking.<BR> <BR>&ldquo;&#8212;doing it on purpose,&rdquo; Roxy said.<BR> <BR>&ldquo;<i>Not</i> sisters. Got it. I&rsquo;ll be back with your drink orders!&rdquo; Julia said. She was gone before I could ask for an apple juice.<BR> <BR>&ldquo;Well, this is off to an interesting start,&rdquo; Carlos said, raising his eyebrows at Mami.<BR> <BR>&ldquo;How could she confuse us for sisters? We look nothing alike,&rdquo; Roxy said.<BR> <BR>It was true. Roxy had light brown wavy hair that stopped at her shoulders, while mine was straight, brownish black, and braided halfway down my back. She had a mist of freckles over her nose (Mami always said they were <i>so cute</i>), whereas all I had was a dimple on my left cheek. Everything about us was opposite: Roxy&rsquo;s features were sharp but mine were round; she was always dressed sporty but I liked more flowy, boho styles. Plus, I was at least three inches taller than her.<BR> <BR>&ldquo;Indeed. Chicas, why don&rsquo;t you go grab us some plates and silverware while we decide what we want to order for our first meal as a family?&rdquo;<BR> <BR>Roxy&rsquo;s chair screeched as she got up. &ldquo;Can we get spaghetti and meatballs?&rdquo;<BR> <BR>&ldquo;I&rsquo;d like the lasagna, please,&rdquo; I said.<BR> <BR>Mami put her hands in the air like it wasn&rsquo;t her decision. &ldquo;It&rsquo;s all meat and red sauce and pasta, no matter how you slice it.&rdquo;<BR> <BR>&ldquo;This is bananas,&rdquo; Roxy said as we walked away. &ldquo;They expect us all to live together when we can&rsquo;t even agree on dinner?&rdquo;<BR> <BR>I agreed but I didn&rsquo;t say so. The restaurant had gotten loud. There was a musician going table to table with an accordion, and a photographer taking group pictures of customers. Pots and pans clanged and steam hissed out of the kitchen. It made me feel trapped. I decided to focus on our task instead.<BR> <BR>&ldquo;Here. I&rsquo;ll get the big plates, you carry the salad plates,&rdquo; I said, handing her a small stack of six porcelain dishes before picking up the dinner plates.<BR> <BR>&ldquo;Why? We can each just use one plate.&rdquo; Roxy placed the smaller plates back on the counter. &ldquo;Less mess.&rdquo;<BR> <BR>&ldquo;No, Mami always uses a separate plate for the salad.&rdquo;<BR> <BR>&ldquo;That&rsquo;s silly. Changing it up for once won&rsquo;t hurt her.&rdquo;<BR> <BR>I piled the plates onto my stack this time. &ldquo;Well, maybe my mom doesn&rsquo;t <i>want</i> any more big changes in her life.&rdquo;<BR> <BR>Roxy started trying to take the small stack back. &ldquo;Well, maybe she should try loosening up a little!&rdquo;<BR> <BR>I had a feeling we weren&rsquo;t talking about the plates anymore.<BR> <BR>&ldquo;Maybe no one ever asked for your opinion!&rdquo; I said, snatching them out of her reach.<BR> <BR>&ldquo;Well mayb&#8212;&rdquo;<BR> <BR><i>Crashhhh.</i><BR> <BR>All twelve dishes fell to the floor, their pieces shattering at our feet. The restaurant got super quiet, then erupted into applause and laughter. Roxy brought her hands to her forehead and started breathing real fast. I felt like my face was on fire, and my cheeks tingled like when you hold back a sneeze.<BR> <BR>&ldquo;Oh no. What did you do?&rdquo; she said.<BR> <BR>&ldquo;<i>Me</i>? You&rsquo;re the one who dropped the plates because you weren&rsquo;t getting your way.&rdquo;<BR> <BR>&ldquo;My way? Ha! Moving in with you just because our parents got engaged is definitely not my way.&rdquo; Roxy&rsquo;s eyes formed tiny slits, sharp as a paper cut as she looked at me. Right then and there, I decided I&rsquo;d learned two new things about her.<BR> <BR>Seven: Roxy Romero was <i>not</i> my friend.<BR> <BR>Eight: There was <i>no way</i> she was going to be my sister.<BR> <BR>&ldquo;Girls! Are you okay?&rdquo; Carlos ran up behind us lightning fast.<BR> <BR>&ldquo;Ay, no,&rdquo; Mami said when she caught up to us. &ldquo;Where&rsquo;s the manager? We&rsquo;re going to need you girls to apologize.&rdquo;<BR> <BR>I could tell she was really upset, but then by some miracle the manager said no apology was necessary. He actually laughed and led us back to our table while the crew cleaned up. &ldquo;In parts of Italy, breaking plates is a New Year&rsquo;s tradition. It represents getting rid of the old and making room for the new! You did us a favor six months ahead of time!&rdquo;<BR> <BR>&ldquo;Is that so?&rdquo; Mami said, pinching my chin.<BR> <BR>I blinked away hot tears. This was exactly what I was afraid of. It was bad enough that Mami had sold our house and I&rsquo;d no longer live near my best friends, but now we&rsquo;d have to fix up the new one, move in with the Romeros, and deal with the chaos of wedding planning, all in the summer before seventh grade. Why did everything have to break just for us to start over?<BR> <BR>&ldquo;Let&rsquo;s keep the celebration going!&rdquo; Julia said as she brought everyone but me their drinks. She signaled for the photographer to come to our table and our parents squished us all together.<BR> <BR>&ldquo;Say <i>famiglia</i>!&rdquo; the photographer said.<BR> <BR>The boys&rsquo; faces broke into cheesy grins. Roxy curled her lips without showing any teeth. My smile felt stiff and fake, like it&rsquo;d been plastered onto my mouth.<BR> <BR>The camera flashed once, then twice. &ldquo;That&rsquo;s going straight into the family album!&rdquo; Carlos said.<BR> <BR>Us, a family? I didn&rsquo;t want to picture it. Not now, not ever.<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></BiographicalNote>
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      <SubjectHeadingText>Titanic; survival stories; survivors; shipwreck; iceberg; disaster; class difference; cold freezing; adventure; transatlantic; American History; historical fiction; 1910s; fast-paced; for reluctant readers; middle grade for 8 9 10 11 12 year olds grades 3 4 5 6 7; for fans of Lauren Tarshis; books like I Survived; When Giants Burn by Beth Vrabel; Wilder Boys by Brandon Wallace; Alone in the Woods by Rebecca Behrens; Lifeboat 12 by Susan Hood; What Was series; Escape This Book; Dear America series; Magic Treehouse for older readers;</SubjectHeadingText>
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      <Text><![CDATA[<B>Now with a bold new look!</B><BR><BR><b>Two kids from different walks of life fight to survive the sinking of the <i>Titanic</i> in this gripping entry in the historical fiction middle grade Disaster series.</b><BR><BR>It&rsquo;s April 14, 1912, Gavin Reilly is working in the <I>Titanic</I>&rsquo;s galley to earn his passage from Ireland to America. He knows when he finally joins his brother in New York they&rsquo;ll live their big dreams together.<BR> <BR>Karolina Green is devastated after the loss of her parents. She&rsquo;s returning home to the United States from England with her Aunt Rose and desperately dreaming of fixing her shattered life on new shores.<BR> <BR>But on a calm, clear night in April, those dreams turn into a nightmare. Rich and poor, famous and unknown, the hundreds of people aboard the <I>Titanic</I> find themselves at the mercy of the cold sea and the sinking ship. Few will live to remember the disaster the world still can&rsquo;t forget&hellip;will Gavin and Karolina be among the survivors?]]></Text>
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      <Text><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.<BR><BR>Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781442490536.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" role="presentation" alt=""></figure> CHAPTER 1 <BR>Gavin Reilly stood on the boat deck of the <i>Titanic</i>, his eyes closed tightly. He gripped the handrail and counted to ten. Then he opened his eyes again. He had to get over this. He <i>had</i> to get used to looking out over the open water. After a few dizzying seconds, he turned landward, gulping huge breaths of the cool air. He stared at the coastline and the green hills above Queenstown, Ireland. This was ridiculous. He had been swimming since he was a baby. He had never been afraid of water in his life.<BR> <BR>&ldquo;Are you all right?&rdquo;<BR> <BR>Gavin looked up to see a girl with light brown hair, and a scattering of freckles across the bridge of her nose. She looked concerned. Her accent, broadly American, sounded brash and rude.<BR> <BR>&ldquo;Are you sick?&rdquo;<BR> <BR>Gavin shook his head. There was no way to explain what was wrong with him. He didn&rsquo;t really understand it himself. &ldquo;I&rsquo;m fine,&rdquo; he said, staring back at the shoreline.<BR> <BR>The town&rsquo;s docks were all too small for the <i>Titanic</i>, so the enormous liner had been anchored two miles offshore. Passengers, goods, and mailbags were being brought out to her. Gavin watched the tenders and bumboats scuttling back and forth. The <i>Ireland</i> was not a small boat, but it looked like a toy beside the <i>Titanic.</i> The <i>America</i> stood off a little distance, waiting its turn to unload.<BR> <BR>Gavin watched a bumboat come alongside. Most of them were loaded with Irish goods. The first-class nabobs and their finely dressed wives would have their chance to buy Irish linen and lace, even if they couldn&rsquo;t go ashore.<BR> <BR>Gavin glanced sideways. The girl was still standing nearby, but she was looking out to sea now, her hair blowing in the wind. Gavin wanted more than anything to turn and face the open water, but he knew he couldn&rsquo;t. He moved a little ways away from the girl, hoping she wouldn&rsquo;t follow.<BR> <BR>Gavin leaned against the metal railing. The familiar green curve of the south Irish coast was less than two miles away over the water. He stared at Queenstown with its narrow streets and closely packed buildings. He sighed.<BR> <BR>The hills behind the town were so green, they reminded him of his home outside Belfast. He could imagine his brothers and sisters tending the potato patch in the high pasture. Sean&rsquo;s voice would be ringing out over little Katie&rsquo;s giggles. Gavin could almost see her, freckled and pink-faced. Liam would be arguing with Mary. The little ones would be with Mother at home, lined up on her cot for noontime nap. Gavin felt the now-familiar physical ache that always accompanied thoughts of his family. He might never see them again.<BR> <BR>&ldquo;Are you ill?&rdquo; the girl asked.<BR> <BR>Gavin glanced at her and shook his head, then pointedly turned his back. He forced himself to look out to sea. The cold gray water stretched all the way to the horizon. He wasn&rsquo;t sure why it bothered him so much. Everyone agreed the <i>Titanic</i> was unsinkable. That very morning they had run a full dress rehearsal emergency; alarms sounding, they had closed all the watertight doors.<BR> <BR>Gavin had been so determined to get a position on the <i>Titanic</i> that he had traveled to Southampton, lied about his age, and stood in line with several hundred others to be interviewed. Conor&rsquo;s letters from New York had set him dreaming of a different life. Like all older brothers, Conor wanted him to have opportunities, too. Their mother had lit a candle for Conor the day he had sailed for America. Now she would light two every Sunday. The idea of the candles made Gavin feel a sharp stab of homesickness.<BR> <BR>&ldquo;I didn&rsquo;t mean to intrude,&rdquo; the girl said apologetically. He glanced at her, about to apologize for his own rudeness, but she had already turned away.<BR> <BR>He watched her walk past the gigantic funnel that jutted up at an angle from the deck. The other three were real and spouted black smoke when the <i>Titanic</i> was underway. This one was fake, nothing more than a huge air vent. Still, like the others, it was anchored with thick steel cables. Gavin saw the girl start down the steep stairs toward the third-class promenade.<BR> <BR>&ldquo;Hey, Gavin! You&rsquo;d better get back down to the galley.&rdquo; Lionel&rsquo;s voice startled him. The tall, blond-haired boy dropped onto one of the wooden benches along the handrail. &ldquo;Mr. Hughes will see you slacking, and they&rsquo;ll be booting you off. That would shame your roommates, you know.&rdquo;<BR> <BR>Gavin grinned. &ldquo;I would hate to do that.&rdquo;<BR> <BR>&ldquo;Well, Harry and I would be shamed at any rate. I&rsquo;m not sure Wallace has it in him.&rdquo;<BR> <BR>They both laughed. &ldquo;I&rsquo;ve only been up here a few minutes,&rdquo; Gavin said. &ldquo;I needed fresh air.&rdquo;<BR> <BR>Lionel shrugged. &ldquo;Are you seasick? At anchor? It&rsquo;s going to be like sailing a whole city across the Atlantic, Gavin. She barely rolls at all.&rdquo;<BR> <BR>Gavin shot one more glance at the open water and felt his stomach tighten. &ldquo;I&rsquo;d better get started washing the new potatoes. First class is going to have them boiled <i>parmentier</i>.&rdquo;<BR> <BR>&ldquo;Work hard and you can end up a first-class steward like me.&rdquo; Lionel stood up straight, clowning, squaring his shoulders in exaggerated pride. &ldquo;I have to go down to the dining room to deliver a message.&rdquo;<BR> <BR>&ldquo;I&rsquo;ll go down with you,&rdquo; Gavin said, getting to his feet.<BR> <BR>Together they headed toward the second-class entrance. Gavin reached out to open the door. Side by side they started down the long stairway. Their steps were timed to a rhythmic patter that kept them moving downward at almost a running pace. Lionel had taught Gavin how to run the stairs like this and he shot him a grin of approval. &ldquo;You&rsquo;re getting good.&rdquo;<BR> <BR>Gavin grinned back, feeling better.<BR> <BR>As they descended past the windows of the Palm Court, he saw the first-class passengers seated in the elaborately decorated garden room. There were a few men onboard who were so wealthy, their clothing had probably cost more than it took to feed Gavin&rsquo;s family for a whole year. He had seen one woman wearing a necklace of diamonds so big, they shot glitters across the room.<BR> <BR>On the B-deck landing, Gavin could smell the heavy scent of tobacco coming from the second-class smoking room. Lionel lifted one hand to cover his nose and mouth. Gavin nodded. First-class was the worst&#8212;expensive cigars had a pungent odor that clung to the very walls.<BR> <BR>As they went deeper into the ship, Gavin felt his nervousness subside a little. Down here, the <i>Titanic</i> was much like a grand hotel. It was easier to forget the deep gray water that would soon separate him from his family and from the farm where he had lived his whole life.<BR> <BR>&ldquo;What time are you off Saturday night?&rdquo; Lionel asked.<BR> <BR>Gavin grabbed the handrail as they rounded the landing on C-deck. &ldquo;After cleanup. Around ten.&rdquo;<BR> <BR>&ldquo;Come up to the first-class dining room&#8212;it&rsquo;s empty by then, and a few of us are going to have a card game.&rdquo;<BR> <BR>Gavin glanced at the side of Lionel&rsquo;s face, then looked back at the stairs. &ldquo;I&rsquo;ve been coming up here.&rdquo; He pointed at the second-class library as they started downward again.<BR> <BR>&ldquo;You&rsquo;re going to read? When you could be playing poker?&rdquo;<BR> <BR>Gavin smiled and nodded. &ldquo;I have to get to New York with all my pay. I can&rsquo;t expect my brother to support me.&rdquo;<BR> <BR>Lionel slowed as they reached D-deck. &ldquo;Come up if you change your mind. You can just sit with us; you don&rsquo;t have to play.&rdquo;<BR> <BR>&ldquo;I will, thanks.&rdquo;<BR> <BR>Gavin watched as Lionel went into the first-class dining saloon. Through the open door Gavin saw that the room was still pretty full. The stewards were just beginning to clear away dirty dishes. Lionel&rsquo;s rakish grin disappeared, and his face became a mask of politeness as he turned and bent to whisper discreetly to a woman in a green silk gown.<BR> <BR>Gavin shook his head as he pulled the door closed and turned to cross the landing. Going into the first-class pantry, he walked fast, rounding the corner by the neatly stacked crates of Waken &amp; McLaughlin wine. The roast cook and one of the confectioners came through the galley door ahead of him. He stopped and turned sideways to let them pass. Neither man acknowledged his presence.<BR> <BR>Gavin watched them walk away. He wasn&rsquo;t like Lionel. It was hard for him to smile at people who were rude to him, whether they were crew or passengers. He hurried into the galley, wishing he had been hired on as a dining room steward. They had it easier. A half hour after the last passenger left the dining saloons, the stewards would be changing the white tablecloths and setting the tables for the next meal. Then they would have a break.<BR> <BR>&ldquo;Hey! Gavin!&rdquo;<BR> <BR>Gavin turned to see Harry making his way across the crowded galley. His sharp-featured face was smudged with flour. He was already developing the short-strided, agile walk necessary to avoid collisions in the crowded, busy room.<BR> <BR>Cooking never ceased here, except for a few hours in the middle of the night. The bakers began at three in the morning. The cooks started preparing breakfast early, then began lunch before the breakfast dishes were cleared. Dinner preparation sometimes started a day in advance, all the meals overlapping&#8212;only the chefs understood the schedule.<BR> <BR>&ldquo;Where have you been off to?&rdquo; Harry asked, dodging a pantryman carrying an enormous, bloody roast. &ldquo;You missed a chance to watch the pastry chef make &#233;clairs.&rdquo;<BR> <BR>Gavin shrugged. Harry wanted to be a chef someday and he rarely left the galley. &ldquo;I went up for air,&rdquo; Gavin told him. &ldquo;I just like to see the sky once in a while.&rdquo;<BR> <BR>Harry nodded vaguely, turning when the sauce chef bellowed out an order. Then his eyes focused on Gavin again. &ldquo;What do you have to do now?&rdquo;<BR> <BR>Gavin made a face. &ldquo;Wash a hundred and twenty pounds of new potatoes.&rdquo; Harry laughed, and Gavin pretended to take a swing at him. &ldquo;It isn&rsquo;t funny. I hate the new potatoes worst of all. I can&rsquo;t even use the wire brushes because the skins tear so easily.&rdquo;<BR> <BR>Harry grinned over his shoulder as he walked away. &ldquo;Better you than me.&rdquo;<BR> <BR>Gavin went to his basin. The pantrymen had already brought in the bags. He stared at the lettering. Whoever Charles Papas was, he sure raised a lot of potatoes.<BR> <BR>&ldquo;When do we raise anchor?&rdquo; someone yelled behind him.<BR> <BR>&ldquo;Soon,&rdquo; the answer came. &ldquo;Less than half an hour.&rdquo;<BR> <BR>Gavin&rsquo;s throat tightened. There was no turning back now.<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></BiographicalNote>
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      <SubjectHeadingText>survival stories; survivors; earthquake; San Francisco; disaster; looting; fires; danger; chaos; collapsing buildings; strangers; trust; different worlds; Chinatown; class difference; early 1900s; American History; historical fiction; fast-paced; for reluctant readers; middle grade for 8 9 10 11 12 year olds grades 3 4 5 6 7; for fans of Lauren Tarshis; books like I Survived; Magnitude by Jennifer Nielsen; Wilder Boys by Brandon Wallace; Alone in the Woods by Rebecca Behrens; Lifeboat 12 by Susan Hood; What Was series; Escape This Book; Dear America series; Magic Treehouse for older readers; Magnitude; Jennifer Nielsen</SubjectHeadingText>
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      <Text><![CDATA[<B>Now with a bold new look!</B><BR><BR><b>Two strangers must trust each other if they want to survive the 1906 San Francisco earthquake in this gripping entry in the historical fiction middle grade Disaster series.</b><BR><BR>Brendan O&rsquo;Connor is delivering pastries to the bustling businesses and elegant hotels of San Francisco, dreaming that someday he will be part of that life.<BR> <BR>Li Dai Yue is running from the isolated security of Chinatown, distraught over the marriage her uncle has arranged for her.<BR> <BR>Chance throws them together on the day of the San Francisco earthquake. Can two strangers from such different worlds work together to survive the terror of crumbling buildings, fire, looting, and chaos?]]></Text>
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      <Text><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.<BR><BR>Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781481400817.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" role="presentation" alt=""></figure> CHAPTER 1 <BR>It was almost dawn. Brendan O&rsquo;Connor gripped the reins, struggling to control the nervous mare without slowing her down. Up and down Market Street wagon wheels gritted over the cobblestones. Drivers were hauling produce, laundry, milk, everything the hotels and restaurants would need for the day&rsquo;s business.<BR> <BR>Brendan had worked hard to get this route and he wasn&rsquo;t going to lose it. His boss had the kind of temper no one wanted to set off. Two things made old man Hansen furious: losing money and late deliveries. Fancy San Francisco hotels like the Baldwin and the Palace would find another bakery if their wealthy guests had to wait for their fresh-baked bread and pastries.<BR> <BR>The streetlamps had been turned off a few minutes before, and the city was enveloped by a deep blue predawn glow. Brendan shivered. The damp early morning chill seeped through his worn woolen jacket. He looked up at the fading crescent moon. There wasn&rsquo;t a cloud in the sky. Maybe it would be warmer today. Still, he needed to find a better blanket for his cot soon.<BR> <BR>So far, no one had objected to his sleeping in a corner of the furniture warehouse. Kelly Rourke, the night watchman at the warehouse, was happy enough to look the other way. When Kelly wanted to slip down to MacMurrough&rsquo;s to buy a whiskey, he&rsquo;d shake Brendan awake to keep an eye on things until he got back. It seemed to be working out. Brendan hoped so. He didn&rsquo;t want to have to move for a while.<BR> <BR>The mare pranced along even though the wagon was especially heavy today. There were three casks of olive oil Finelli&rsquo;s Restaurant was paying him two bits to deliver to the Palace Hotel. Old man Hansen would fire him if he knew Brendan was using the wagon to deliver other merchants&rsquo; goods, but he needed Finelli&rsquo;s money. Every cent went into the leather pouch he had hidden behind a loose brick in the wall of Old St. Mary&rsquo;s Church. The pouch held everything that was dear to Brendan&#8212;his mother&rsquo;s wedding ring, his father&rsquo;s pocket watch, and the fifteen dollars he had managed to save over the last three years.<BR> <BR>Brendan crossed himself and kissed his St. Christopher medal, then let it slide back down beneath his shirt. God would keep his money safe. He had gotten in the habit of hiding it when he was going to the mission school, back when his father was still alive. No one&rsquo;s pennies had been safe when Liam O&rsquo;Connor had wanted a drink. Brendan had been on his own since his father had died&#8212;and it was better this way.<BR> <BR>&ldquo;May his soul rest in peace,&rdquo; Brendan whispered fiercely, as he always did to close off thoughts of his father.<BR> <BR>The gong of an approaching cable car made the mare twitch her ears. Brendan pulled her closer to the curb and looked back over his shoulder. Dolan, a boy he had known most of his life, was whipping his team up Fourth Street, swinging a wide left turn onto Market. Brendan could hear the tall milk cans clanking against each other in the back of the high-sided dairy wagon.<BR> <BR>The blue-uniformed cable car conductor shouted an angry warning. Dolan was already dragging at the reins, forcing his horses against the singletree as the cable car clattered past.<BR> <BR>&ldquo;Morning!&rdquo; Dolan shouted, still grinning at the conductor&rsquo;s curses.<BR> <BR>Brendan shook his head as Dolan got closer. &ldquo;Hasn&rsquo;t Mr. Burke fired you yet?&rdquo;<BR> <BR>&ldquo;Me?&rdquo; Dolan retorted, reining in a little. &ldquo;He couldn&rsquo;t run that place without me.&rdquo;<BR> <BR>Cracking his whip, Dolan swung toward the center of the street. Brendan watched as the near-side horse struck its hoof against the tracks. It faltered but didn&rsquo;t stumble. Dolan leaned forward like an engraving of the old stagecoach drivers, snaking his whip over the team&rsquo;s backs.<BR> <BR>Brendan faced front again. Dolan drove like a reckless fool, but you couldn&rsquo;t help but like him. It was too bad he hadn&rsquo;t been born fifty years before&#8212;he would have made a perfect freighter during the Gold Rush years.<BR> <BR>The clatter of the cable car faded as it got farther away. Within an hour the United Railway cars would be coming up the middle of Market Street every few minutes. Brendan wanted to be on First Street by then, south of The Slot. He didn&rsquo;t trust the mare to stay steady once there were people dodging through the wagon traffic, running to jump onto the cars.<BR> <BR>&ldquo;Hey, Brendan!&rdquo;<BR> <BR>Brendan ignored James Walker&rsquo;s shout. Walker was a fast-talking dandy who wore cheap suits and was always looking for a free meal. Brendan had made the mistake of giving him bread once and the man had never forgotten it. Just behind Walker, a woman with her coat collar turned up against the chill made her way down the sidewalk. Her starched white hemline marked her as a hotel housekeeper. She did not look up as she passed Walker.<BR> <BR>&ldquo;Hey, Brendan!&rdquo;<BR> <BR>&ldquo;Nothing extra this morning, Walker. Sorry.&rdquo; Brendan waved and slapped the reins on the mare&rsquo;s rump. She startled, lunging forward, and for a moment Brendan was afraid one of the oil casks would crash over, but it didn&rsquo;t. He dragged the reins back and the mare settled into her dancing walk. Brendan heard Walker&rsquo;s derisive laugh but refused to turn around.<BR> <BR>At the Baldwin Hotel, the gray-haired cook made Brendan open every crate, checking the bread. &ldquo;The crusts yesterday were like rock. I want them buttered.&rdquo; He looked up at Brendan. &ldquo;These seem to be fine. But you tell Hansen if he shorts me on butter again, I&rsquo;ll be around to see him.&rdquo;<BR> <BR>Brendan nodded. He was used to passing on the complaints&#8212;and listening to old man Hansen&rsquo;s explosive reactions. But Hansen always gave in, and he would this time, too. It was worth losing a few cents in butter to keep his clients happy.<BR> <BR>Brendan climbed back onto the driver&rsquo;s bench. The sky was lightening. The first rays of sun struck the top story of the Call Building. At eighteen floors it towered above Newspaper Row&#8212;the <i>Chronicle</i> and <i>Examiner</i> buildings were big, but not as tall. Brendan liked delivering there. The newspapermen were always excited, walking the corridors, talking about Chicago, Paris, New York.<BR> <BR>Brendan let the mare rise into a spanking trot. He sat up straighter, his chin high. He liked this part of Market Street. The buildings were smooth stone, their cornices elaborately carved. There were elegant triple-globed gas lamps. A few people were on the sidewalks now. The men wore suits of good, dark cloth, their felt bowlers tipped at jaunty angles on their heads. Some of them carried gold-handled canes. Most of them had heavy chains looped beneath their watch pockets.<BR> <BR>The mare was still jumpy, but she stood well enough as Brendan hitched her to the iron post in front of the Call Building. Banjo, the old black gelding Brendan had driven when he first started, had never even needed to be tied. Brendan missed him, but old man Hansen insisted he use the mare now. She was finer-bred and made the freshly painted wagon a more impressive turnout.<BR> <BR>Brendan opened the rear gate and leaned to slide the crates of mixed rolls toward himself. He stacked them three-high, then lifted them out, whistling to himself as he worked. The service entrance door stood open and Brendan went through.<BR> <BR>The usual crowd of errand boys was waiting. They stood back to let him open the first crate, then swarmed forward. Brendan watched as they filled their boxes with rolls. When the first crate was empty, he moved it aside and opened the second. Clemmons, a tall, arrogant boy who annoyed Brendan, raised his usual fuss about the cinnamon buns.<BR> <BR>Brendan nodded absently. &ldquo;I&rsquo;ll tell Hansen you want more frosting.&rdquo;<BR> <BR>&ldquo;I&rsquo;ve asked you to tell him that a dozen times.&rdquo;<BR> <BR>Brendan didn&rsquo;t bother to answer. Clemmons took his share of the rolls and turned away, his air of self-importance dissolving when he nearly ran into Mr. Malloy.<BR> <BR>Malloy was one of the best-known newspapermen in the city. He dodged around Clemmons, ignoring him, then smiled at Brendan. His handlebar mustache lifted to bare white, even teeth.<BR> <BR>&ldquo;Good morning, lad.&rdquo; Malloy half turned and addressed the crowd of employees. &ldquo;Never known this boy to be late as long as he has been delivering here. He&rsquo;s a lesson to us all.&rdquo; People laughed and shot back good-natured gibes.<BR> <BR>Brendan grinned. &ldquo;Good morning, sir.&rdquo; He lifted the lid of the third crate just far enough to pick out the best cinnamon bun for Mr. Malloy.<BR> <BR>&ldquo;Ah, that&rsquo;s a beauty, all right.&rdquo; Malloy reached into his vest pocket for a nickel. &ldquo;This is for your trouble.&rdquo;<BR> <BR>&ldquo;Thank you, sir.&rdquo; Brendan put the nickel in his pocket. &ldquo;What news is there today, sir?&rdquo;<BR> <BR>Malloy shook his head, frowning. &ldquo;Mine disaster in Calais, France. The report said over a hundred were killed. Terrible thing.&rdquo;<BR> <BR>&ldquo;Hey, Brendan, can you hurry it up? I&rsquo;ve got to get back to the tenth floor or my boss will kill me.&rdquo; Cal Richmond stood anxiously next to the half-open crate. His blond hair looked nearly white under the electric lights.<BR> <BR>Mr. Malloy smiled and turned back up the hallway, his polished boots clicking on the floor. Brendan watched him walk away, then turned to Cal.<BR> <BR>&ldquo;How many you need today?&rdquo;<BR> <BR>&ldquo;A dozen ought to do it.&rdquo;<BR> <BR>Cal was only a few years older than Brendan, but he was already a copyboy at the paper. Brendan liked him. Some mornings, they had time to talk a little. Cal wanted to become a reporter like Mr. Malloy. Brendan envied him. Being a reporter would be a lot more exciting than driving a bakery delivery wagon.<BR> <BR>&ldquo;See you tomorrow, Brendan?&rdquo;<BR> <BR>Brendan laughed. &ldquo;Unless Mary McDermitt is right.&rdquo;<BR> <BR>Cal smiled. &ldquo;Mary McDermitt of the Flying Rollers&#8212;&rdquo;<BR> <BR>&ldquo;&#8212;of the House of David,&rdquo; they said in unison.<BR> <BR>When they stopped laughing, Brendan shook his head. &ldquo;My father used to say there was always someone predicting the end of the world.&rdquo;<BR> <BR>&ldquo;He was right.&rdquo; Cal gathered up his boxes. He waved and started down the hallway.<BR> <BR>Brendan counted what was left in the third box. He pulled his list from his jacket pocket and wrote how many rolls he had handed out so that Mr. Hansen could bill the newspaper at the end of the month. Old man Hansen would know if Brendan was off by even one.<BR> <BR>Brendan scooped up the empty crates and hurried back out onto the sidewalk. The mare had shied at something and now stood kitty-corner in the traces. Brendan glanced upward. The sun was angling down the brick and stone buildings, working its way toward the street.<BR> <BR>Brendan backed the mare around slowly. There was a little more traffic now. Up the street on the other side of the block, he could see a few men on their way into the <i>Chronicle</i> building. After hours, every whiskey bar within a half mile was full of newsmen arguing about politics and the state of the world.<BR> <BR>A dark uniform caught Brendan&rsquo;s attention. He nodded at Officer Kerrigan, then looked quickly away. He didn&rsquo;t want to answer questions about where he was living or how he was making out. Officer Kerrigan had known his father. Every policeman in San Francisco had known his father.<BR> <BR>Brendan shook the reins over the mare&rsquo;s back. He had no time for daydreaming or dallying. His next stop was the Palace Hotel&#8212;the biggest and most important account on this route. Brendan loved the massive building, with its indoor courtyards and gardens. He had talked to several people who worked on the Palace grounds. They had told him about the fireplaces and toilets in every room.<BR> <BR>Brendan looked up at the shining windows. Someday, he would stay at the Palace, a gentleman traveler with the taste and money to appreciate the fine wines and the hours-long banquets that included ten or fifteen elaborate courses. Someday.<BR> </section>]]></Text>
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      <Text><![CDATA[<b>Celebrate the 100th anniversary of everyone&rsquo;s favorite bear-of-little-brain with this special bind-up edition of A. A. Milne&rsquo;s classic novels <i>Winnie-the-Pooh</i> and <i>The House at Pooh Corner</i>&#8212;featuring a flocked cover that&rsquo;s soft to the touch.</b><BR><BR><b>This beautiful edition is sure to delight new and old fans alike!</b><BR><BR>The story of the honey-loving, bumbling bear Winnie-the-Pooh has been a staple in children&rsquo;s libraries since its original publication in the 1900s. Venture into the Hundred Acre Wood and join sweet Pooh, understanding Christopher Robin, timid Piglet, downcast Eeyore, impatient Rabbit, loquacious Owl, loving Kanga and Roo, and bold Tigger on their exploits.<BR> <BR>In each chapter they have a new adventure, from searching for honey or celebrating birthdays to hunting Heffalumps or navigating a flood. Complete with the original black and white interior illustrations by Ernest Shepard, this edition is the perfect way to experience the children&rsquo;s classic that has captured imaginations for the past century.<BR><BR>This charming paperback bind-up includes:<BR> <i>Winnie-the-Pooh </i><BR> <i>The House at Pooh Corner</i>]]></Text>
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      <Text><![CDATA[A. A. Milne (1882&ndash;1956) was an English playwright, poet, and author. He served in both World Wars, but in peacetime devoted himself to writing. He is best known for his Winnie-the-Pooh books, which were inspired by his son, Christopher Robin Milne.<BR><BR>Ernest Shepard (1879&ndash;1976) was an English painter and book illustrator. Encouraged by his parents to pursue art, he attended the Royal Academy Schools and began his career illustrating for&nbsp;<i>Punch&nbsp;</i>magazine. During the First World War, he aided the Intelligence Department by sketching combat areas, and he was later awarded the Military Cross for his service with the Royal Artillery. In addition to his work as an artist, Shepard wrote two autobiographies and two novels for children. He is best remembered for his anthropomorphic animal illustrations in<i>&nbsp;</i><i>The Wind and the Willows&nbsp;</i>and the&nbsp;Winnie-the-Pooh series.]]></Text>
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      <BiographicalNote><![CDATA[From cupcakes to ice cream and donuts! When she&rsquo;s not daydreaming about yummy snacks, Coco Simon edits children&rsquo;s books and has written close to one hundred books for children, tweens, and young adults, which is a lot less than the number of cupcakes, ice cream cones, and donuts she&rsquo;s eaten. She is the author of the Cupcake Diaries, Cupcake Diaries: The New Batch, the Sprinkle Sundays, and the Donut Dreams series. Her newest series is Mia in the Middle.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Tracy Bishop has loved drawing since she was a little girl in Japan. She spends her time illustrating books, reading, and collecting pens. She lives with her husband, son, and hairy dog, named Harry, in San Jose, California.]]></BiographicalNote>
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      <SubjectHeadingText>friendship; sleepaway camp; archery; swim team; sportsmanship; camp; navigate discomfort; unmet expectations; disappointment; making new friends; finding place in new setting; Katie; Emma; Alexis; Mia; BFFs; cooking; long distance friendship; baking; best friends; popular girls; middle grade series for 8 9 10 11 12 year olds grades 4 5 6 7; Cupcake Diaries; Spotlight Sprinkles by Lee Heart; Mia in the Mix; Mia&#39;s Baker&#39;s Dozen; Mia&#39;s Sweet Surprises;</SubjectHeadingText>
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      <Text><![CDATA[<B>Mia tries to sweeten the disappointment of spending summer away from her friends in this first book in a brand-new middle grade Cupcake Diaries spin-off series!</B><BR><BR>Mia plans to spend the rest of her summer hanging out with her Cupcake Club friends and her fashionista friends in Manhattan. Who knows, maybe she&rsquo;ll even be able to meet up with her crush, Aaron&#8212;the possibilities are endless. That is, until Mia&rsquo;s mom tells her she&rsquo;s going to sleepaway camp. <BR> <BR>Now, Mia has to spend the rest of her summer away from her friends, with no phone, and in an itchy uniform. The whole situation is enough to make even the most easy-going baker salty. Can Mia find a way to mix in some fun?]]></Text>
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      <Text><![CDATA[From cupcakes to ice cream and donuts! When she&rsquo;s not daydreaming about yummy snacks, Coco Simon edits children&rsquo;s books and has written close to one hundred books for children, tweens, and young adults, which is a lot less than the number of cupcakes, ice cream cones, and donuts she&rsquo;s eaten. She is the author of the Cupcake Diaries, Cupcake Diaries: The New Batch, the Sprinkle Sundays, and the Donut Dreams series. Her newest series is Mia in the Middle.<BR><BR>Tracy Bishop has loved drawing since she was a little girl in Japan. She spends her time illustrating books, reading, and collecting pens. She lives with her husband, son, and hairy dog, named Harry, in San Jose, California.]]></Text>
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      <Text><![CDATA[Chapter 1: What Could Possibly Go Wrong? <link rel="stylesheet" type="text/css" href="../styles/9781665984706.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common.jpg" alt="An illustration of a cupcake with swirled frosting and small decorative dots, surrounded by dotted patterns."></figure> CHAPTER 1 What Could Possibly Go Wrong? <BR>Remember when I said I hated Mondays? Well, I did. And I do&hellip; hate Mondays, that is. I say it all the time. But I have decided that I don&rsquo;t hate any day during summer vacation. Simply because this summer has been perfect so far. Perfect weather, perfect outfits and accessories, perfectly purple and fun cupcake orders, perfectly fun parties, perfectly cute boys, and most importantly, perfectly cool friends. I even made a new friend at the beach when I visited my dad in New York City last weekend. That&rsquo;s where I&rsquo;m from and where I lived until I moved to the suburbs. I used to feel like I was trapped in Maple Grove, but I have really learned to love my new town, and I have felt totally at home in both the city and the suburbs. And this summer&hellip; This summer was shaping up to be the best one ever!<BR> <BR>It felt like anything was possible.<BR> <BR>I mean, <i>anything!</i><BR> <BR>I was more confident in my cupcake baking skills and my place in my friend group and my sense of self. My Spanish was also getting better.<BR> <BR>I just knew nothing could go wrong this summer. <i>Nothing</i> was standing in my way. I smiled to myself, swirling around in my thoughts.<BR> <BR>One thing I was super excited about was visiting New York City again, but with my friends from here, so they could finally meet my city besties. I let out a sigh and rubbed my eyes. I rolled over and texted the one and only Katie Brown, my best friend here in Maple Grove and the founder of the Cupcake Club.<BR><BR>Me: Can you believe how amazing Jake&rsquo;s friend&rsquo;s party went? I mean, pretty much thanks to us and our amazing cupcake skills, right? Cupcakes are like small, delicious fashionistas!<BR><BR>Katie: Mia, it&rsquo;s 6:57 AM. Could this text wait until the roosters stop crowing?<BR><BR>Me: Roosters? Where are you?<BR><BR>Katie: Sorry. Roosters are in my dream, or maybe nightmare at this point, lol<BR><BR>Me: I was just thinking that this summer we can go to NYC, and you can meet some of my city friends. Well, not all of them. My bestie Ava says she&rsquo;s going away for the summer so sadly you won&rsquo;t meet her.<BR><BR>Katie: Oooooh, okay, I love this for us, I also love&hellip; sleeping&hellip; five more minutes Mia&hellip; just five more&hellip;<BR><BR>At that point Katie stopped texting me, and she definitely fell asleep for longer than five minutes.<BR> <BR>But still, everything was going great.<BR> <BR>There was nothing that could ruin this day or this summer. I listened to the birds chirping outside and smiled.<BR> <BR>Nothing. Nada.<BR> <BR>Later that day, my video chat rang on my tablet. It was Lexie, the new friend from NYC I mentioned.<BR> <BR>&ldquo;Mia! I took your advice and I put some sea salt in my spray bottle. Next time we go to the beach, I&rsquo;ll for sure have more of a curly beach look!&rdquo; Lexie said, swinging her head from side to side.<BR> <BR>&ldquo;Such a great hack, right? It still looks so good right now! Are you going to the beach today?&rdquo; I asked.<BR> <BR>&ldquo;Yup!&rdquo; she said, nodding. &ldquo;You know it. Certified beach girlie. And I got a new bathing suit!&rdquo; She ran off-screen and came back holding the bathing suit up.<BR> <BR>&ldquo;I love that! I&rsquo;m going to be back in the city soon. We definitely have to chill again, and you can meet my friends from here. I&rsquo;m trying to bring them!&rdquo; I said.<BR> <BR>Lexie smiled and nodded as if she was just as excited as I was. &ldquo;One hundred percent! Text me when you&rsquo;re here and we&rsquo;ll plan! Talk to you soon!&rdquo;<BR> <BR>Lexie swiped out of the video chat, and I went on to finish primping my hair. I was friends with the coolest girl, who was a year older than me! Not only that, but she was also really into fashion and had a great sense of style. You can&rsquo;t teach style. It&rsquo;s just something you have or don&rsquo;t have, and Lexie has it, and she&rsquo;s really inspiring and down to earth about it.<BR> <BR>I let out another sigh. I was going to have the most memorable summer ever, making money with the Cupcake Club and getting to buy more bathing suits and accessories and maybe even keep some saved up in my piggy bank.<BR> <BR>&ldquo;Mia! <i>Tienes hambre</i>? You hungry, buddy?&rdquo; Dan, my stepbrother, shouted from the bottom of the stairs.<BR> <BR>I ran down the stairs. I was so hungry! &ldquo;<i>S&#237;</i>. There&rsquo;s some top-notch Spanish for you there, pal. You know, you could be almost fluent like me if you weren&rsquo;t always so busy being covered in hamburger grease. You&rsquo;re off the clock now, you can take your hat off.&rdquo; I gazed at his uniform and work hat.<BR> <BR>&ldquo;You leave my hat alone!&rdquo; Dan demanded.<BR> <BR>I threw my hands up playfully.<BR> <BR>&ldquo;So I&rsquo;ve been thinking of picking up another language so I can call myself trilingual.&rdquo;<BR> <BR>&ldquo;Hmm&hellip; that&rsquo;s very worldly. Mia who speaks all the languages!&rdquo; Dan said, smirking as he handed me my burger.<BR> <BR>Dan worked part-time at Burger Barn, and I got all the perks&#8212;free burgers and fries with a side of stepsibling embarrassment&#8212;and he got to wear that uniform, get paid, and embarrass me, so I guess we were both winning?<BR> <BR>&ldquo;<i>Gracias, hermano</i> Daniel! You&rsquo;re my favorite stepbrother ever!&rdquo; I told him.<BR> <BR>&ldquo;Okay, I see you flexing your Spanish even more! And, Mia, I&rsquo;m your only stepbrother&hellip; who, as a matter of fact, speaks Spanish far better than you! But I&rsquo;ll let you have your moment, little sis&hellip;&rdquo; Dan put his hand on my shoulder and grinned. &ldquo;Because I&rsquo;m a good person! You hear that, world? I&rsquo;m a <i>good</i> person and a great burger flipper!&rdquo; Dan took his greasy hand off my shoulder and started stuffing his face with his burger.<BR> <BR>I ignored his Spanish-speaking comment and pulled up a chair to eat with him. He split his fries with me and served us some water.<BR> <BR>&ldquo;Sooo&hellip; how&rsquo;s life?&rdquo; he asked in between bites.<BR> <BR>&ldquo;Fine&hellip; Why wouldn&rsquo;t it be?&rdquo; I asked back, furrowing my brow.<BR> <BR>&ldquo;Oh, no reason, and that&rsquo;s&#8212;that&rsquo;s great!&rdquo; Dan replied.<BR> <BR>&ldquo;Dan, don&rsquo;t be weird&hellip;,&rdquo; I told him, then continued. &ldquo;Actually, life couldn&rsquo;t be better! Wait, correction. It&rsquo;s better now with this burger! You&rsquo;re a real one!&rdquo; I put out my fist.<BR> <BR>&ldquo;Thanks, buddy,&rdquo; Dan said, meeting my fist with his. &ldquo;So, you want to know who I saw today?&rdquo;<BR> <BR>I didn&rsquo;t even get a chance to guess, but I had an idea.<BR> <BR>&ldquo;Aaaaronn!&rdquo; he said in a singsongy voice.<BR> <BR>&ldquo;Hm. I know someone named Aaron, but I&rsquo;m not sure what that sound was&hellip;&rdquo; I smirked, attempting to hide my blushing face.<BR> <BR>&ldquo;Well? You like him, right? Want to know what he was doing&hellip;?&rdquo; he went on in his singsongy voice.<BR> <BR>I shrugged and tried to play it cool. &ldquo;I mean, sure, if you want&hellip;&rdquo; I moved in a little closer, completely engulfed.<BR> <BR>&ldquo;Eh, he was just with his parents, probably back-to-school shopping. I wasn&rsquo;t really paying attention,&rdquo; Dan replied nonchalantly. Then he burped. <i>Brothers</i>, I thought.<BR> <BR>&ldquo;Okay, one, it&rsquo;s called: <i>excuse me</i>. Two, wow, that was really so detailed. Thank you so much. I am so glad I was here for that!&rdquo; I teased. Then I began to imagine Aaron shopping for new school clothes and how cute he&rsquo;d look in them. I wondered if he&rsquo;d ever let me style him. I mean, when we&rsquo;re a couple. Maybe I could just be his stylist, and then he&rsquo;d see how talented I am and he&rsquo;d fall to his knees and tell me how amazing and brilliant I am&hellip;<BR> <BR>&ldquo;You&rsquo;re welcome,&rdquo; Dan said. &ldquo;Let me guess, you just imagined your entire life with Aaron.&rdquo;<BR> <BR>&ldquo;Meh, just the first day of school and the first five years of our relationship.&rdquo; I laughed, then paused and remembered Dan sounded really weird when asking me how life was lately. &ldquo;Wait, what did you mean when you said how&rsquo;s life? I see you every day. You know how life is.&rdquo;<BR> <BR>&ldquo;Oh, that? It&rsquo;s just an expression,&rdquo; he replied.<BR> <BR>And at that very moment, the door flung open and my mom glided into the kitchen.<BR> <BR>&ldquo;Hello, my love doves!&rdquo; She maneuvered her way to us and planted a kiss on my forehead and just missed Dan&rsquo;s head for a kiss as he dodged out of the way.<BR> <BR>Dan jumped up and said his goodbyes. &ldquo;Later! Love ya.&rdquo; He grabbed his food and the rest of his things. That was weird, and let me explain why: Dan wasn&rsquo;t like a regular teenage boy. He loved eating dinner with us and catching up about our days. It was one of the reasons I loved him. But today he was jittery, almost anxious. <i>Why?</i> I wondered.<BR> <BR>&ldquo;Um&hellip; okay&hellip; What&rsquo;s going on here&hellip; Mother&hellip; Mother of mine&hellip;?&rdquo; I looked at her, questioning her words before she even got the chance to speak them.<BR> <BR>Now the look Dan gave me when he left the room made sense. It was a look of apprehension. And now Mom had that same look on her face. A look that said there was something she had to tell me, and I wasn&rsquo;t going to like what it was.<BR> <BR>&ldquo;How would you feel about&hellip; going to camp for the rest of the summer, upstate in the woods?&rdquo; my mom pushed out, gulping and looking nervous.<BR> <BR>&ldquo;What?&rdquo; I gasped.<BR> <BR>&ldquo;Mia, your dad and I were talking, and we&rsquo;re going to send you to sleepaway camp! You&rsquo;ll start next week. Isn&rsquo;t that fun?&rdquo;<BR> <BR>&ldquo;Mom&hellip; how can you make a decision like this without even asking me what I want?&rdquo; I snapped.<BR> <BR>&ldquo;It&rsquo;s sometimes not always about just what <i>you</i> want. I&rsquo;m sorry,&rdquo; she said.<BR> <BR>&ldquo;You&rsquo;re sorry? Okay, that makes me feel a lot better,&rdquo; I said sarcastically, feeling my hands shake and my stomach start to do flip-flops. &ldquo;Well, I&rsquo;m sorry too, but I&#8212;I&rsquo;m not g-g-oing, and you can&rsquo;t make me!&rdquo; And as the words tripped their way out of my mouth, I realized I may have said that a little too harshly. I pushed away my burger, my appetite completely ruined, and ran to the nearest bathroom.<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[From cupcakes to ice cream and donuts! When she&rsquo;s not daydreaming about yummy snacks, Coco Simon edits children&rsquo;s books and has written close to one hundred books for children, tweens, and young adults, which is a lot less than the number of cupcakes, ice cream cones, and donuts she&rsquo;s eaten. She is the author of the Cupcake Diaries, Cupcake Diaries: The New Batch, the Sprinkle Sundays, and the Donut Dreams series. Her newest series is Mia in the Middle.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Tracy Bishop has loved drawing since she was a little girl in Japan. She spends her time illustrating books, reading, and collecting pens. She lives with her husband, son, and hairy dog, named Harry, in San Jose, California.]]></BiographicalNote>
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      <SubjectHeadingText>friendship; sleepaway camp; archery; swim team; sportsmanship; camp; navigate discomfort; unmet expectations; disappointment; making new friends; finding place in new setting; Katie; Emma; Alexis; Mia; BFFs; cooking; long distance friendship; baking; best friends; popular girls; middle grade series for 8 9 10 11 12 year olds grades 4 5 6 7; Cupcake Diaries; Spotlight Sprinkles by Lee Heart; Mia in the Mix; Mia&#39;s Baker&#39;s Dozen; Mia&#39;s Sweet Surprises;</SubjectHeadingText>
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      <Text><![CDATA[<B>Mia tries to sweeten the disappointment of spending summer away from her friends in this first book in a brand-new middle grade Cupcake Diaries spin-off series!</B><BR><BR>Mia plans to spend the rest of her summer hanging out with her Cupcake Club friends and her fashionista friends in Manhattan. Who knows, maybe she&rsquo;ll even be able to meet up with her crush, Aaron&#8212;the possibilities are endless. That is, until Mia&rsquo;s mom tells her she&rsquo;s going to sleepaway camp. <BR> <BR>Now, Mia has to spend the rest of her summer away from her friends, with no phone, and in an itchy uniform. The whole situation is enough to make even the most easy-going baker salty. Can Mia find a way to mix in some fun?]]></Text>
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      <Text><![CDATA[From cupcakes to ice cream and donuts! When she&rsquo;s not daydreaming about yummy snacks, Coco Simon edits children&rsquo;s books and has written close to one hundred books for children, tweens, and young adults, which is a lot less than the number of cupcakes, ice cream cones, and donuts she&rsquo;s eaten. She is the author of the Cupcake Diaries, Cupcake Diaries: The New Batch, the Sprinkle Sundays, and the Donut Dreams series. Her newest series is Mia in the Middle.<BR><BR>Tracy Bishop has loved drawing since she was a little girl in Japan. She spends her time illustrating books, reading, and collecting pens. She lives with her husband, son, and hairy dog, named Harry, in San Jose, California.]]></Text>
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      <Text><![CDATA[Chapter 1: What Could Possibly Go Wrong? <link rel="stylesheet" type="text/css" href="../styles/9781665984706.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common.jpg" alt="An illustration of a cupcake with swirled frosting and small decorative dots, surrounded by dotted patterns."></figure> CHAPTER 1 What Could Possibly Go Wrong? <BR>Remember when I said I hated Mondays? Well, I did. And I do&hellip; hate Mondays, that is. I say it all the time. But I have decided that I don&rsquo;t hate any day during summer vacation. Simply because this summer has been perfect so far. Perfect weather, perfect outfits and accessories, perfectly purple and fun cupcake orders, perfectly fun parties, perfectly cute boys, and most importantly, perfectly cool friends. I even made a new friend at the beach when I visited my dad in New York City last weekend. That&rsquo;s where I&rsquo;m from and where I lived until I moved to the suburbs. I used to feel like I was trapped in Maple Grove, but I have really learned to love my new town, and I have felt totally at home in both the city and the suburbs. And this summer&hellip; This summer was shaping up to be the best one ever!<BR> <BR>It felt like anything was possible.<BR> <BR>I mean, <i>anything!</i><BR> <BR>I was more confident in my cupcake baking skills and my place in my friend group and my sense of self. My Spanish was also getting better.<BR> <BR>I just knew nothing could go wrong this summer. <i>Nothing</i> was standing in my way. I smiled to myself, swirling around in my thoughts.<BR> <BR>One thing I was super excited about was visiting New York City again, but with my friends from here, so they could finally meet my city besties. I let out a sigh and rubbed my eyes. I rolled over and texted the one and only Katie Brown, my best friend here in Maple Grove and the founder of the Cupcake Club.<BR><BR>Me: Can you believe how amazing Jake&rsquo;s friend&rsquo;s party went? I mean, pretty much thanks to us and our amazing cupcake skills, right? Cupcakes are like small, delicious fashionistas!<BR><BR>Katie: Mia, it&rsquo;s 6:57 AM. Could this text wait until the roosters stop crowing?<BR><BR>Me: Roosters? Where are you?<BR><BR>Katie: Sorry. Roosters are in my dream, or maybe nightmare at this point, lol<BR><BR>Me: I was just thinking that this summer we can go to NYC, and you can meet some of my city friends. Well, not all of them. My bestie Ava says she&rsquo;s going away for the summer so sadly you won&rsquo;t meet her.<BR><BR>Katie: Oooooh, okay, I love this for us, I also love&hellip; sleeping&hellip; five more minutes Mia&hellip; just five more&hellip;<BR><BR>At that point Katie stopped texting me, and she definitely fell asleep for longer than five minutes.<BR> <BR>But still, everything was going great.<BR> <BR>There was nothing that could ruin this day or this summer. I listened to the birds chirping outside and smiled.<BR> <BR>Nothing. Nada.<BR> <BR>Later that day, my video chat rang on my tablet. It was Lexie, the new friend from NYC I mentioned.<BR> <BR>&ldquo;Mia! I took your advice and I put some sea salt in my spray bottle. Next time we go to the beach, I&rsquo;ll for sure have more of a curly beach look!&rdquo; Lexie said, swinging her head from side to side.<BR> <BR>&ldquo;Such a great hack, right? It still looks so good right now! Are you going to the beach today?&rdquo; I asked.<BR> <BR>&ldquo;Yup!&rdquo; she said, nodding. &ldquo;You know it. Certified beach girlie. And I got a new bathing suit!&rdquo; She ran off-screen and came back holding the bathing suit up.<BR> <BR>&ldquo;I love that! I&rsquo;m going to be back in the city soon. We definitely have to chill again, and you can meet my friends from here. I&rsquo;m trying to bring them!&rdquo; I said.<BR> <BR>Lexie smiled and nodded as if she was just as excited as I was. &ldquo;One hundred percent! Text me when you&rsquo;re here and we&rsquo;ll plan! Talk to you soon!&rdquo;<BR> <BR>Lexie swiped out of the video chat, and I went on to finish primping my hair. I was friends with the coolest girl, who was a year older than me! Not only that, but she was also really into fashion and had a great sense of style. You can&rsquo;t teach style. It&rsquo;s just something you have or don&rsquo;t have, and Lexie has it, and she&rsquo;s really inspiring and down to earth about it.<BR> <BR>I let out another sigh. I was going to have the most memorable summer ever, making money with the Cupcake Club and getting to buy more bathing suits and accessories and maybe even keep some saved up in my piggy bank.<BR> <BR>&ldquo;Mia! <i>Tienes hambre</i>? You hungry, buddy?&rdquo; Dan, my stepbrother, shouted from the bottom of the stairs.<BR> <BR>I ran down the stairs. I was so hungry! &ldquo;<i>S&#237;</i>. There&rsquo;s some top-notch Spanish for you there, pal. You know, you could be almost fluent like me if you weren&rsquo;t always so busy being covered in hamburger grease. You&rsquo;re off the clock now, you can take your hat off.&rdquo; I gazed at his uniform and work hat.<BR> <BR>&ldquo;You leave my hat alone!&rdquo; Dan demanded.<BR> <BR>I threw my hands up playfully.<BR> <BR>&ldquo;So I&rsquo;ve been thinking of picking up another language so I can call myself trilingual.&rdquo;<BR> <BR>&ldquo;Hmm&hellip; that&rsquo;s very worldly. Mia who speaks all the languages!&rdquo; Dan said, smirking as he handed me my burger.<BR> <BR>Dan worked part-time at Burger Barn, and I got all the perks&#8212;free burgers and fries with a side of stepsibling embarrassment&#8212;and he got to wear that uniform, get paid, and embarrass me, so I guess we were both winning?<BR> <BR>&ldquo;<i>Gracias, hermano</i> Daniel! You&rsquo;re my favorite stepbrother ever!&rdquo; I told him.<BR> <BR>&ldquo;Okay, I see you flexing your Spanish even more! And, Mia, I&rsquo;m your only stepbrother&hellip; who, as a matter of fact, speaks Spanish far better than you! But I&rsquo;ll let you have your moment, little sis&hellip;&rdquo; Dan put his hand on my shoulder and grinned. &ldquo;Because I&rsquo;m a good person! You hear that, world? I&rsquo;m a <i>good</i> person and a great burger flipper!&rdquo; Dan took his greasy hand off my shoulder and started stuffing his face with his burger.<BR> <BR>I ignored his Spanish-speaking comment and pulled up a chair to eat with him. He split his fries with me and served us some water.<BR> <BR>&ldquo;Sooo&hellip; how&rsquo;s life?&rdquo; he asked in between bites.<BR> <BR>&ldquo;Fine&hellip; Why wouldn&rsquo;t it be?&rdquo; I asked back, furrowing my brow.<BR> <BR>&ldquo;Oh, no reason, and that&rsquo;s&#8212;that&rsquo;s great!&rdquo; Dan replied.<BR> <BR>&ldquo;Dan, don&rsquo;t be weird&hellip;,&rdquo; I told him, then continued. &ldquo;Actually, life couldn&rsquo;t be better! Wait, correction. It&rsquo;s better now with this burger! You&rsquo;re a real one!&rdquo; I put out my fist.<BR> <BR>&ldquo;Thanks, buddy,&rdquo; Dan said, meeting my fist with his. &ldquo;So, you want to know who I saw today?&rdquo;<BR> <BR>I didn&rsquo;t even get a chance to guess, but I had an idea.<BR> <BR>&ldquo;Aaaaronn!&rdquo; he said in a singsongy voice.<BR> <BR>&ldquo;Hm. I know someone named Aaron, but I&rsquo;m not sure what that sound was&hellip;&rdquo; I smirked, attempting to hide my blushing face.<BR> <BR>&ldquo;Well? You like him, right? Want to know what he was doing&hellip;?&rdquo; he went on in his singsongy voice.<BR> <BR>I shrugged and tried to play it cool. &ldquo;I mean, sure, if you want&hellip;&rdquo; I moved in a little closer, completely engulfed.<BR> <BR>&ldquo;Eh, he was just with his parents, probably back-to-school shopping. I wasn&rsquo;t really paying attention,&rdquo; Dan replied nonchalantly. Then he burped. <i>Brothers</i>, I thought.<BR> <BR>&ldquo;Okay, one, it&rsquo;s called: <i>excuse me</i>. Two, wow, that was really so detailed. Thank you so much. I am so glad I was here for that!&rdquo; I teased. Then I began to imagine Aaron shopping for new school clothes and how cute he&rsquo;d look in them. I wondered if he&rsquo;d ever let me style him. I mean, when we&rsquo;re a couple. Maybe I could just be his stylist, and then he&rsquo;d see how talented I am and he&rsquo;d fall to his knees and tell me how amazing and brilliant I am&hellip;<BR> <BR>&ldquo;You&rsquo;re welcome,&rdquo; Dan said. &ldquo;Let me guess, you just imagined your entire life with Aaron.&rdquo;<BR> <BR>&ldquo;Meh, just the first day of school and the first five years of our relationship.&rdquo; I laughed, then paused and remembered Dan sounded really weird when asking me how life was lately. &ldquo;Wait, what did you mean when you said how&rsquo;s life? I see you every day. You know how life is.&rdquo;<BR> <BR>&ldquo;Oh, that? It&rsquo;s just an expression,&rdquo; he replied.<BR> <BR>And at that very moment, the door flung open and my mom glided into the kitchen.<BR> <BR>&ldquo;Hello, my love doves!&rdquo; She maneuvered her way to us and planted a kiss on my forehead and just missed Dan&rsquo;s head for a kiss as he dodged out of the way.<BR> <BR>Dan jumped up and said his goodbyes. &ldquo;Later! Love ya.&rdquo; He grabbed his food and the rest of his things. That was weird, and let me explain why: Dan wasn&rsquo;t like a regular teenage boy. He loved eating dinner with us and catching up about our days. It was one of the reasons I loved him. But today he was jittery, almost anxious. <i>Why?</i> I wondered.<BR> <BR>&ldquo;Um&hellip; okay&hellip; What&rsquo;s going on here&hellip; Mother&hellip; Mother of mine&hellip;?&rdquo; I looked at her, questioning her words before she even got the chance to speak them.<BR> <BR>Now the look Dan gave me when he left the room made sense. It was a look of apprehension. And now Mom had that same look on her face. A look that said there was something she had to tell me, and I wasn&rsquo;t going to like what it was.<BR> <BR>&ldquo;How would you feel about&hellip; going to camp for the rest of the summer, upstate in the woods?&rdquo; my mom pushed out, gulping and looking nervous.<BR> <BR>&ldquo;What?&rdquo; I gasped.<BR> <BR>&ldquo;Mia, your dad and I were talking, and we&rsquo;re going to send you to sleepaway camp! You&rsquo;ll start next week. Isn&rsquo;t that fun?&rdquo;<BR> <BR>&ldquo;Mom&hellip; how can you make a decision like this without even asking me what I want?&rdquo; I snapped.<BR> <BR>&ldquo;It&rsquo;s sometimes not always about just what <i>you</i> want. I&rsquo;m sorry,&rdquo; she said.<BR> <BR>&ldquo;You&rsquo;re sorry? Okay, that makes me feel a lot better,&rdquo; I said sarcastically, feeling my hands shake and my stomach start to do flip-flops. &ldquo;Well, I&rsquo;m sorry too, but I&#8212;I&rsquo;m not g-g-oing, and you can&rsquo;t make me!&rdquo; And as the words tripped their way out of my mouth, I realized I may have said that a little too harshly. I pushed away my burger, my appetite completely ruined, and ran to the nearest bathroom.<BR> </section>]]></Text>
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      <SubjectHeadingText>Old MacDonald; farm; farm animals; April Fool&#39;s; prank; funny; humor; silly; mystery; whodunit; suspicious; officer; detective; case; clues; cabbages; ducks; pizza; goats; cows; mustaches; chickens; zebras; skunks; puns; wordplay; nursery rhyme; humorous picture books for 4 5 6 7 8 year olds pre-k kindergarten grades 1 2 3; read aloud; Theodor Seuss Geisel Honor author illustrator; You Are Not Sleepy!; We Are Going to Be Pals!; Stella and the Mystery of the Missing Tooth by Clothilde Ewing; Creepy Crayon Carrots by Aaron Reynolds; The Detective Dog Donaldson; Cat in the Rhinestone Suit by John Carter Cash; Wolf Won&#39;t Bite by Emily Gravett; Pig Parade Is a Terrible Idea by Michael Ian Black;</SubjectHeadingText>
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      <Text><![CDATA[<b>Robert E. Hampson&nbsp;</b>writes character-driven hard SF where space is messy, unforgiving, and achingly human. His fiction blends medical problem-solving, nuts-and-bolts engineering, and the logistics of living off-Earth&mdash;from underground Martian habitats to orbital shipyards&mdash;with an eye on plausible technology and the true costs of rescue. By day, he&rsquo;s a professor of regenerative medicine, neuroscience, neurology, and biomedical engineering. By night, he digs into Mars geography, mission architecture, and bionics research so the science on the page feels lived-in and true. He is the author of <I>The Moon and the Desert</I> and <I>Across an Ocean of Stars</I>.]]></Text>
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      <Text><![CDATA[<B>In the world of the cutthroat augmented reality game TransDimensional Hunter, Lynn Raven must outsmart stalker fans and a rogue algorithm, forcing her to push her limits to survive and win the championship.</B><b> </b><BR><BR><i>Truth is stranger than fiction . . . and it&rsquo;ll kill you a whole lot faster.</i><BR> <BR> When Lynn Raven set out to win the championship for groundbreaking augmented reality game TransDimensional Hunter, the worst she thought she&rsquo;d face was sunburn, mosquito bites, and annoying spectators.<BR> <BR> The more she plays, though, the higher the stakes become&#8212;and the stranger the obstacles she has to face.<BR> <BR> From dodging fans-turned-stalker to managing inter-team sabotage to surviving the increasingly bizarre antics of a game algorithm that seems to have it out for her, Lynn isn&rsquo;t sure how much more she can take.<BR> <BR> And then the other shoe drops.<BR> <BR> If Lynn has any hope of coming out alive and on top, she&rsquo;ll have to up her game&#8212;and that of her team&#8212;beyond anything she thought possible.<BR> <BR> And even that might not be enough.]]></Text>
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      <Text><![CDATA[<b>From the author of the <i>New York Times</i> bestselling <i>The Mysterious Case of Rudolf Diesel</i> comes the enthralling hidden history of one of the world&rsquo;s most successful business titans, a rival to the Rockefellers and the Rothschilds, whose legacy was erased in the aftermath of the Russian Revolution. </b><BR><BR>With the exception of the tsar, Emanuel Nobel was likely the wealthiest man in early twentieth-century Russia, and one of the wealthiest in the world. Over three generations, he and his family grew the Russian petroleum industry into a behemoth that surpassed even John D. Rockefeller&rsquo;s Standard Oil. The Nobels imported the best practices from America and improved on them, transforming every aspect of the industry. Though Emanuel&rsquo;s uncle Alfred would become world famous thanks to his creation of the Nobel Prize, the even more successful Nobels in Russia have been largely forgotten. The reason why is one of history&rsquo;s most gripping untold stories.<BR> <BR>Working in the oil fields of southern Russia at the same time as Emanuel was a troubled young man from a peasant family in Georgia. Though educated to be a priest, he took a different path when he discovered the revolutionary ideas of Karl Marx. In and out of prison in Siberia, charismatic and committed, always at the center of a fight, this young man would become known to the world as Joseph Stalin, a leader of the Bolshevik Revolution and eventually one of the most brutal dictators in history. Directly in Stalin&rsquo;s crosshairs was Emanuel Nobel, who represented everything Stalin despised about capitalism. As the world turned upside down, Emanuel began to plan a life-or-death escape from Russia. But would he make it out in time? And what would be the fate of the immense empire he and his family had built?<BR> <BR>Sweeping across more than a hundred years of history, from the dawn of the Victorian Age to World War I to the Russian Revolution and beyond, this captivating book chronicles one of the most influential men in history, a man whose name has been stricken from memory, and returns him thrillingly to life.]]></Text>
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      <Text><![CDATA[Douglas Brunt is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>The Mysterious Case of Rudolf Diesel</i>&nbsp;and <I>The Lost </I><I>Empire of Emanuel Nobel</I>,&nbsp;and host of the top-rated SiriusXM author podcast&nbsp;<i>Dedicated with Doug Brunt</i>. A Philadelphia native, he lives in Connecticut with his wife and three children. Visit DouglasBrunt.com for more information.]]></Text>
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      <Text><![CDATA[&ldquo;Douglas Brunt tells the extraordinary story&nbsp;of the Nobels&mdash;not Alfred of the Nobel Prize but his brother Ludvig and nephew Emanuel, who built one of the world&#39;s greatest industrial enterprises of the nineteenth century and a giant oil company that rivaled Rockefeller&rsquo;s&mdash;only to see it all shattered in their fatal collision with Joseph Stalin and the Russian Revolution. A haunting elegy for a very different Russia that might have been.&rdquo;&nbsp;<BR> &mdash;Daniel Yergin, Pulitzer Prize-winning author of <i>The Prize: The Epic Quest for Oil, Money, and Power</i> and <i>The New Map: Energy, Climate, and the Clash of Nations</i><BR> <BR> &ldquo;This true international family saga should be a movie - and taught in schools!&rdquo;<BR> &mdash;Zibby Owens<BR> &nbsp;<BR> &ldquo;Bravo. [A] fascinating dynastic saga of the great prizes of the West: power, dynamite, and oil. Gripping.&rdquo;<BR> &mdash;Simon Sebag Montefiore, author of <I>The World: A Family History of Humanity</I><BR> <BR> &ldquo;Brunt brings Nobel back to life in this excellent story. There is a sense in Brunt&#39;s writing that he is having so much fun putting this narrative together. It is infectious.&rdquo; &mdash;Brendan Dowd,&nbsp;<i>History Nerds United</i><BR> <BR> &ldquo;A brilliant epic about Edwardian industry and infamy. Brunt paints a thrilling picture of another overlooked titan. In his hands, Emanuel Nobel&rsquo;s life at the heart of the Romanov empire reads like a political thriller. I could not put this book down.&rdquo; &mdash;Gareth Russell, author of <i>The Six Loves of James I</i><BR> <BR> &ldquo;Before Alfred Nobel created his prize, his father was siring the richest family in Czarist Russia. Well-deserved attention to a little-known slice of history.&rdquo;&nbsp;&mdash;<i>Kirkus</i>]]></Text>
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      <Text><![CDATA[<b>In </b><b><i>Now We&rsquo;re Cooking</i>, Matt Broussard&#8212;known to millions as @ACookNamedMatt </b><b>proves that great food isn&rsquo;t complicated. </b><b> </b><b> </b><BR><BR>Matt&rsquo;s superpower is <I>making things easy</I>, not just making them <I>look</I> easy. Drawing inspiration from the Texas border to Asia and back again he gives home cooks of all levels weeknight-friendly recipes with punch that can be made efficiently: <BR> <ul> <li>Warm Lacinato Kale Caesar with Crispy Chickpeas </li> <li>Spicy Cold Korean Noodles</li> <li>The Creamiest, Cheesiest Mac and Cheese </li> <li>Grilled Korean Short Ribs</li> <li> OG Beef Birria</li> <li>Cold Corn Soup</li> <li>Butter-Basted Steak</li> <li>Charred Broccolini with Cotija Dressing </li> <li>Crispy Salmon with Toasted Miso Corn </li> <li>Spatchcocked Roast Chicken with Hasselback Potatoes</li> <li>Tender Biscuits with Honey Butter</li> <li>Farro Risotto with Roasted Mushrooms and Squash </li> <li>Chai Flan </li> </ul> <BR>Here, too, Matt shares the best tricks he&rsquo;s learned in his grandma&rsquo;s kitchen and top restaurants where Matt broke out in Seattle&rsquo;s electric dining scene. <BR><BR> Anyone can do this, and Matt makes you want to learn.]]></Text>
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      <Text><![CDATA[Matt Broussard is the creator behind @ACookNamedMatt. Lauded as &ldquo;The Most Fun Chef to Watch on TikTok&rdquo; by <I>Forbes</I>, he was born in Brownsville, Texas, and learned to cook from his grandmother. He went on to some of Seattle&rsquo;s best restaurants, including Palace Kitchen. With videos both fun and cutting-edge, he has drawn more than 8 million followers and billions of views across social media. Matt lives in Seattle with his cat Ladybird.]]></Text>
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      <Text><![CDATA[&quot;Anyone who follows @acooknamedmatt knows his food is bold, creative, fearless, and instantly irresistible. In <i>Now We&#39;re Cooking</i>, Matt brings that same energy to a collection of laid-back, flavor-packed recipes that build confidence and deliver every time.&quot; <b>&mdash;J. Kenji L&oacute;pez-Alt, Author of <i>The Food Lab</i> and&nbsp;<i>The Wok&nbsp;</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;Stunning, mouthwatering, and, at times, audaciously vulnerable, Now We&rsquo;re Cooking doesn&rsquo;t just show us who Broussard is. It proves that food is sometimes the best way to discover who we are.&rdquo; <B>-Joanne Lee Molinaro, author of <I>The Korean Vegan</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;I&rsquo;ve cooked alongside Matt at pop-ups and watched his process up close. He&rsquo;s thoughtful, focused, and always chasing better flavor without overcomplicating things. <i>Now We&rsquo;re Cooking</i> captures exactly how he works&mdash;smart technique, big payoff, and food that makes you want to cook more. I&rsquo;m excited to see him put his knowledge into this book and how he will make a real difference in the kitchen.&rdquo;<b> -Chef Marcus Samuelsson</b>]]></Text>
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      <Text><![CDATA[&ldquo;Matt&rsquo;s recipes in&nbsp;<I>Now We&rsquo;re Cooking</I>&nbsp;are&nbsp;so undeniably exciting, sexy, and downright delicious that I&rsquo;m jealous he can&rsquo;t be my private chef. His authenticity, love of his family, and passion for his craft build the sense of trust that we all want when following recipes. And I&rsquo;m making his tacos.&rdquo; <B>-Ryan Nordheimer</B>]]></Text>
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      <Text><![CDATA[<b><b>Perfectly aligned for readers of </b></b><b>Iain M. Banks&#8217;s</b><b><b> The Culture series and Ursula K. Le Guin&#8217;s &#8220;The Ones Who Walk Away from Omelas&#8221;<i>,</i> <i>The Sixth Nik</i> is a galaxy spanning adventure from the <i>New York Times </i>bestselling and Pulitzer Prize&#8211;winning author of <I>Angel Down </I>and <i>Whalefall.</i></b></b><BR><BR>Deep into space, far past the triworld outposts, beyond range of the lethal trollbot internet, soars <I>The Sickness</I>: a ship woven from biomatter and capable of reacting to every need of its human crew. Sisilla, a nine-year-old cultist with a brain enhanced by arcane tech known as &#8220;niks,&#8221; has boarded to investigate the enigma of F&#233;m&#8212;a plague-riddled planet that has abruptly gone rogue.<BR> <BR> The mysterious crew includes a faceless assassin, a beautiful engineer jigsawed by plastic surgery, a peyote-addicted medic, and&#8212;most lethal of all&#8212;a rugged, NonModded captain with a score to settle with Sisilla. Other dangers abound. A hacked robot begins to believe Sisilla is its daughter. <I>The Sickness</I> itself is mutating, possibly even pregnant. And the secret of F&#233;m is more horrific than anyone could have imagined. To survive, Sisilla will need to forsake her predetermined fate and embrace the unknown.]]></Text>
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      <Text><![CDATA[<B><b >Learn how to talk like a pro when tasting wine with this fun, and funny, illustrated guide by James Beard Award</b>&#8211;<b >winning writer and wine professional Maryse Chevriere.</b></B><BR><BR>Have you ever been stumped in a restaurant, when the sommelier asks if you like a super lean Chablis or a grippy Nebbiolo? Or reading the descriptions in a wine store, hoping to figure out what a hint of red fruit and smoke on the finish of that bottle really means?<BR> <BR>That&rsquo;s where this book will save you. <BR> <BR><I>How to Sound Wine Smart </I>is a one-of-a-kind visual glossary, written and playfully illustrated by certified sommelier and James Beard Award&#8211;winning writer Maryse Chevriere. It breaks down the complicated, often ridiculous-sounding language into its component parts. You&rsquo;ll learn terms to describe what&rsquo;s going on in a glass of wine, from its first impressions, aroma, flavor, acidity, texture and mouthfeel, condition, personality, to its faults and flaws&#8212;including sentences to impress people in real life. Even in a wine store! <BR> <BR>And that&rsquo;s not all. Throughout the book are informative sections that explore crucial aspects of the world of wine like unfiltered vs. filtered, old world vs. new world, and more. There&rsquo;s also a guide to glassware. Cheat sheets for tackling wine pairings, too. To put your knowledge to the test, Maryse has designed drinking games that will have you smelling and tasting wines side-by-side to understand the quality of dry and sweet German Rieslings. Or the flavor differences between chardonnays that were aged in stainless steel or new oak. She makes this topic less intimidating, more accessible, and, always, enjoyable.<BR> <BR>Whether you&rsquo;re a longtime wine lover or a curious beginner, <I>How to Sound Wine Smart</I> is a necessary (and fun, and funny) reference. No other book provides a deep dive on the lexicon of wine lingo. Learn what to say, and how to say it. Learn how to sound wine smart. And savor every sip along the way.]]></Text>
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      <Text><![CDATA[Maryse Chevriere is a writer, wine professional, and illustrator living in Boston, Massachusetts. A certified sommelier, her career in wine has spanned across New York City, San Francisco, and Boston, where she has enjoyed roles as a retail consultant, restaurant wine director, and distribution sales representative. Her witty, whimsical &ldquo;drunk doodles&rdquo; have been published in print and online in&nbsp;<I>Bon App&eacute;tit</I>,&nbsp;<I>Food &amp; Wine</I>,&nbsp;<I>Wine Enthusiast</I>, and more. Her printed work has appeared in restaurants and wine bars in New York City, Washington, DC, Boston, and London. In 2016, her Instagram @FreshCutGardenHose was honored with a prestigious James Beard Award in the category of humor. In 2020, her account was nominated as a finalist for a IACP Digital Media Award. Maryse is a fervent proponent of living life glass (at least) half full and believes that learning and talking about wine should be as accessible and fun as drinking it is.]]></Text>
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      <SubjectHeadingText>contemporary fiction; academia; professors; satire; satirical fiction; campus novel; adjunct professors; college professors; books like vladimir; adjuncting; humor; funny fiction; funny books; adjuncts; gig economy; hustle culture; millennial; higher education; grad school; college; english literature; how to be eaten; girls of a certain age; the idiot; vladimir; elif batuman; andrew sean greer; less; books like the rooster; campus life; academic satire; MeToo era; power dynamics; Baltimore; literary fiction; humorous novels; adjunct professor struggles; tragicomic novel;</SubjectHeadingText>
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      <Text><![CDATA[<B>A <I>Lit Hub </I>Most Anticipated Book of 2026 * <I>Glamour</I>'s Best Books for Book Clubs 2026 * <I>Bustle</I>'s Best New Books of March</B><BR><BR><B>From the acclaimed author of <i Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);">How to Be Eaten</i>, a fresh take on the campus novel that follows an adjunct professor gigging her way through academia&rsquo;s poor job market when she crosses paths with her old PhD adviser, whose new novel might be about her&#8212;for readers of <i Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);">Worry</i>, <i Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);">Vladimir</i>, and <i Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);">Less.</i></B><BR><BR>Sam, an adjunct professor at a public university in Baltimore, takes a last-minute gig at the private liberal arts college down the road. Overworked and underpaid, she lives in a blur of back-to-back classes, side hustles, and job applications for an ever-dwindling number of tenure-track positions. Her already precarious existence is thrown into disarray when she runs into her former grad school adviser, Dr. Tom Sternberg, on campus.<BR> <BR> Tom and Sam have a complicated history, and it&rsquo;s the last thing she wants to think about as she navigates academic politics, institutional hurdles, and romantic entanglements with men and women that further complicate a sexuality not even she can define. Then she learns that Tom left his old job for undisclosed reasons&#8212;and his long-awaited second novel is about a professor reckoning with his checkered past. As rumors spread that Sam is the inspiration behind a central character, she fights to regain control of the story.<BR> <BR>A hilarious yet sobering look at how hustle culture has come to define modern academia, <I>The Adjunct </I>offers a bold twist on a tangled MeToo story and turns Sam&rsquo;s downward spiral into a searing critique of class and the hollow promises of the American dream.]]></Text>
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      <Text><![CDATA[Maria Adelmann is the award-winning author of the story collection&nbsp;<I>Girls of a Certain Age</I>&nbsp;and the novel&nbsp;<I>How to Be Eaten</I>, an NPR book of the year and Belletrist book club pick. She has written for&nbsp;<I>The New York Times</I>, <I>Tin House</I>,&nbsp;<I>n+1</I>,&nbsp;<I>Electric Literature</I>,&nbsp;<I>McSweeney&rsquo;s</I>, and many other publications, and&nbsp;her work&nbsp;has been distinguished by The Best American Short Stories. Adelmann has worked variously as a hotel reviewer, product tester, and copywriter, and once sailed around the world while teaching on Semester at Sea.&nbsp;She has lived in Baltimore and Copenhagen and now resides in Philadelphia.]]></Text>
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      <Text><![CDATA[<i>This reading group guide for</i> The Adjunct <i>includes discussion questions and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.</i><BR><BR><b>QUESTIONS</b><BR> <BR>The novel&rsquo;s first chapter finds Sam &ldquo;writing from under a desk&rdquo; (page 1), drafting cover letters &ldquo;that attempt to cheerfully frame a career shift from academic to custodian, to cashier&rdquo; (page 2). How does this opening scene set the stage for the novel&rsquo;s exploration of the precarious academic job market? What does this reveal about the desperation Sam feels at the outset at the story, and how does that desperation manifest throughout the rest of the novel?<BR> <BR>Dr. Brighton disregards Sam&rsquo;s spiel about her academic research and qualifications, telling Sam that she &ldquo;just needs a live body&rdquo; (page 8) to teach the class. Sam later jokes that she is a live body, equipped with a beating heart and everything. How does the novel use humor to critique the dehumanization of adjunct faculty?<BR> <BR>Sam&rsquo;s friend Isaac, a private school kid who admits that those of his ilk have &ldquo;a leg up&rdquo; (page 122), helps her revise her application materials, which he describes as &ldquo;almost self-sabotaging [in their] lack of pretension&rdquo; (page 121). What does Isaac&rsquo;s guidance reveal about the culture of job hunting and the role of privilege? How does the contrast between Isaac&rsquo;s agility in navigating institutional norms and Sam&rsquo;s discomfort with self-promotion illuminate broader class divisions within academia and professional life?<BR> <BR>Discuss the novel&rsquo;s depiction of student&#8211;teacher dynamics. How are the relationships between students and teachers blurred, and what are the consequences? What role does power play in these relationships? <BR> <BR>Tom Sternberg seems to have a carefully cultivated image: the youthful genius, the once-brilliant novelist, the charming mentor. How do Tom&rsquo;s ambitions, insecurities, and self-mythologizing influence his relationships with Sam and his students? Do you read him as pathetic, powerful, sympathetic, predatory, or something else?<BR> <BR>How does <i>The Adjunct</i> portray the differences between private and public educational institutions? What disparities exist between Sam&rsquo;s students at Rosedale and those at Lewis? How does her own background complicate her role on both campuses?<BR> <BR>Aliana writes what Sam calls &ldquo;&lsquo;autofiction&rsquo;&#8212;that is, a memoir with fewer potential legal issues and more clout&rdquo; (page 30). Many of Sam&rsquo;s peers believe Tom&rsquo;s novel <i>Casualty </i>is autofiction as well. What is your take on the genre? How does <i>The Adjunct </i>critique the readerly tendency to wonder whether a piece of fiction is based on the author&rsquo;s real life? <BR> <BR>Discuss the way that identity functions throughout the novel. Sam&rsquo;s roommate, &ldquo;a cis, heterosexual, hetero-romantic, neurotypical, Gen Z, Black woman from New York City. . .&rdquo; (page 116) readily names and claims her various identity categories, while Sam seems to resist it, believing that we are &ldquo;societally, acquiring an unhealthy attachment to [identities], drilling our identities down to strange minutiae . . . trying to make ourselves static and definable when really we moved&rdquo; (page 117). How can claiming identities be freeing, restrictive, or something more complicated?<BR> <BR>How do sexual desire and attraction complicate, intensify, or deepen the relationships between characters in this novel? What consequences do they face as a result of acting on these desires, and what do their choices reveal to them about themselves and their identities? <BR> <BR> &ldquo;We were like rats fighting for scraps, then comparing the scraps to see who had it worse&rdquo; (page 299), Sam says of a fight she has with Sophie. How are Sam&rsquo;s relationships with Gabe, Sophie, and other contingent faculty complicated by the harsh realities of the academic job search and the existence (or lack thereof) of a familial safety net?<BR> <BR>Discuss the theme of embodiment&#8212;a central piece of Sam&rsquo;s dissertation&#8212;as it appears throughout the novel. &ldquo;It&rsquo;s what I wanted most,&rdquo; Sam says; &ldquo;to feel my body, to understand it effortlessly&rdquo; (page 111). How do you relate to this feeling or desire for embodiment?<BR> <BR>How does the novel portray the difficulty of sustaining intellectual or creative work under precarious positions? What does Sam&rsquo;s writing&#8212;her unfinished scholarship, her fiction, and her desperate scrawling in &ldquo;cheap spiral notebooks&rdquo; (page 310)&#8212;suggest about ambition, survival, and the possibility of pursuing art in the contemporary age?<BR> <BR>Discuss the novel&rsquo;s final chapter and how Sam comes to &ldquo;under[stand]&#8212;suddenly, completely&#8212;[her] mother&rdquo; (page 330). What do you think happens after the final line?<BR><BR><b>ENHANCE YOUR BOOK CLUB</b><BR> <BR>Select a campus novel&#8212;such as Elif Batuman&rsquo;s <i>The Idiot</i>, John Williams&rsquo;s <i>Stoner, </i>or Mary McCarthy&rsquo;s<i> The Groves of Academe&#8212;</i>for your next book club pick, and compare its portrayal of campus life and labor with <i>The Adjunct</i>.<BR> <BR>Who would you cast in a film or television adaption of the book? Fan-cast <i>The Adjunct</i>!]]></Text>
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      <Text><![CDATA[&quot;Entertaining, provocative . . . <I>The Adjunct </I>is a ripped-from-the-headlines dispatch from the front lines of the campus wars . . . both satirically absurd and sadly realistic.&quot;&nbsp;&mdash;<B><I>Brooklyn Rail</I></B>]]></Text>
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      <Text><![CDATA[&quot;<i>The Adjunct</i> feels like a unicorn, a truly thought-provoking look at power and misconduct&mdash;with a case so knotty, even the people involved are still untangling it&mdash;told from a POV rarely included in books set among quads and ivy-covered libraries.&quot;&nbsp;&mdash;<b><i>Bustle</i>,&nbsp;Best New Books of March</b>]]></Text>
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      <Text><![CDATA[&quot;This novel is a tense yet witty exploration of the ups and (mostly) downs of adjunct life at the most elite colleges; it will open up discussions about labor rights, institutional stratification, and academia on the whole. . . . Adelmann&nbsp; provides impeccably written prose.&quot;&nbsp;&mdash;<B><I>Glamour</I>, &quot;Best Books for Book Clubs in 2026&quot;</B>]]></Text>
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      <Text><![CDATA[&quot;<I>The Adjunct&nbsp;</I>turns an unflinching eye on academic precarity. . . . Adelmann&rsquo;s sharply observed prose captures the claustrophobia of intellectual labor and the subtle violence of being underestimated.&quot;&nbsp;&mdash;<B><I>BookTrib</I></B>]]></Text>
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      <Text><![CDATA[&quot;A darkly funny, deeply incisive exploration of academia&rsquo;s underbelly. Through Sam&rsquo;s eyes, [Adelmann]&nbsp;exposes the absurd hierarchies and quiet humiliations of academic life with biting wit and emotional precision. Both a campus novel and a social reckoning, <i>The Adjunct</i> holds up an unflinching mirror to the systems that exploit passion in the name of prestige.&quot;&nbsp;&mdash;<b><i>Booklist</i></b><BR> <BR> &quot;This expos&eacute; of academia from the perspective of its most vulnerable residents offers a vital message at a time when it&rsquo;s easy to forget what&rsquo;s supposed to be at the center of all institutions: people&mdash;messy, unpredictable, and filled with fragile hope. A crucial new take on the time-honored tradition of the Campus Novel.&quot;&nbsp;&mdash;<B><I>Kirkus Reviews</I></B>]]></Text>
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      <Text><![CDATA[&quot;A slashing tale of academia&rsquo;s exploitative gig economy and the aftermath of the #MeToo movement . . . Adelmann takes an unsparing and witty view of academia&rsquo;s &lsquo;pyramid scheme&rsquo; . . . This clever campus novel mischievously inverts John Williams&rsquo;s <i>Stoner</i>.&rdquo;&nbsp;&mdash;<b><i>Publishers Weekly</i></b><BR> <BR> &quot;The status inequities and power dynamics in academia are put on full display in a bleak but satirical way, spotlighting how academia exploits adjunct labor and the seemingly impossible game of catch-up that tenure-track hopefuls are forced to play. Adelmann prompts exploration about who has the power or right to control a public narrative that is eerily apt in the current social climate.&quot;&nbsp;&mdash;<B><I>Library Journal</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;Turns the campus novel on its head . . . a blistering examination of the gig economy at work in higher education.&quot; &mdash;<I><B>BookPage</B></I><BR> <BR> &quot;Adelmann&rsquo;s frank, sometimes darkly funny novel is a revealing depiction of the professional and personal challenges facing a young adjunct English professor.&quot;&nbsp;&mdash;<b><i>Shelf Awareness</i></b>]]></Text>
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      <Text><![CDATA[&quot;Maria Adelmann takes the campus novel to new, jittery, and visceral places with<I> The Adjunct</I>. This darkly comic novel is anxiety-provoking in the best of ways as it explodes the seamy guts of the academy, unravels the fabric of MeToo, and bursts the mystique of authorial intent. Adelmann&#39;s titular adjunct, Sam, feels so real that I bit my cheeks to shreds as her life implodes over and over until the jaw-dropping end. Beyond the visceral reading experience, I have to applaud the novel&#39;s craft, the cochlear structure that whirls in upon itself, only to finish in an open space. I loved the literary doubling, the mille-feuille of textual references, and the constant, inescapable thrum of late-stage capitalism.&quot; &mdash;<B>Chelsea G. Summers, author of <I>A Certain Hunger</I></B>]]></Text>
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      <Text><![CDATA[<B>When the Grim Reaper develops feelings for the children&rsquo;s librarian whose soul he is supposed to collect, he finds that with feelings comes something far worse than death&#8212;life.</B><BR><BR>Helena Hart isn&rsquo;t having the best night. Her date just ditched her, her Halloween costume bombed, and her only sympathetic ear is a dead silent partygoer in a Grim Reaper get-up. But when she falls off a balcony and he catches her with a very <i>real </i>skeletal hand, she realizes he may not be a party guest at all. Before she can process the near-death experience, he vanishes, leaving her to wonder if she hallucinated the whole thing.<BR> <BR> Grim isn&rsquo;t supposed to save souls. He&rsquo;s supposed to <i>reap</i> them. And while he&rsquo;s not sure why he spared Helena, he does know that if his superiors find out, he&rsquo;s as good as dust&#8212;which is saying something for a guy who&rsquo;s mostly bones. But keeping away from Helena is proving harder than expected&#8212;especially when she isn&rsquo;t the least bit afraid of his monstrous form.<BR> <BR> Worse, to his horror, Helena makes him<i> feel</i>. And for a reaper, feeling is a fate far more dangerous than death.]]></Text>
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      <Text><![CDATA[<B><b >A brutally honest confessional that reckons with the darkest parts of the male psyche and provides a framework for men to heal themselves and their relationships.</b></B><BR><BR>When Sean Hotchkiss watched his father spiral after his second divorce and jump off a thirty-six-story bridge, the cause of his suicide to Sean, even at twenty-two, was clear: his father couldn&rsquo;t live without a woman. And following his father&rsquo;s death, Sean vowed to never find himself in the same position. He&rsquo;d never be alone. Women became Sean&rsquo;s compass. They were the way he clocked if he was doing okay in the world: if women liked him, desired him, wanted to sleep with him, all was well. And he dated and slept with as many women as possible in the coming years, running away from himself and his pain. Then, in 2015, he hit rock bottom after another breakup. Like his father before him, he became depressed and finally, suicidal. It was the beginning of a decade-long odyssey towards healing.<BR> <BR>A candid and vulnerable memoir, <I>Hating Women</I> is a book for men who are disappointed by dating or by relationships that stagnate and sour; men who are struggling to confront their demons and with the pain they&rsquo;ve caused the women in their lives. By detailing the connection between his toxic experiences with women and suppressed rage, Hotchkiss offers a roadmap out. What begins as confession becomes initiation: a reckoning that each man must go through to reclaim a capacity for vulnerability and live a life grounded in core values, including loving and honoring the women in his life.]]></Text>
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      <Text><![CDATA[<B>An explosive inside account of how the Democratic establishment used every weapon in its arsenal to subvert the will of the people and stop Bernie Sanders&rsquo;s presidential bid in 2016&#8212;told by his chief strategist who witnessed it all firsthand.</B><BR><BR>One question haunted the American left after the 2016 election: how could a grassroots movement that drew massive crowds and shattered fundraising records fail? The answer exposes fundamental flaws in American democracy itself.<BR> <BR> In <i>How the Democrats Screwed Bernie</i>, Sanders&rsquo;s chief strategist in the 2016 Democratic primary unravels how the &ldquo;Clinton Machine&rdquo;&#8212;a network of operatives, Super PACs, and media allies&#8212;in consort with the Democratic National Committee deployed dark money and dirty tricks to stop a wildly popular outsider candidate. A candidate who may well have been the peoples&rsquo; choice and defeated Donald Trump.<BR> <BR> You&rsquo;ll discover how deeply the entrenched Democratic establishment orchestrated opposition research campaigns, the true story behind the voter file crisis that nearly derailed the campaign, and why primary rules are deliberately structured to favor insiders over often more compelling outsiders.<BR> <BR> This isn&rsquo;t just another campaign memoir. Nor is it just a reflection on the doomed Sanders&rsquo;s candidacy ten years hence. It is a cautionary tale about a crisis in American democracy that is becoming more urgent by the day. As voters grapple with growing distrust of political institutions, <I>How the Democrats Screwed Bernie</I> reveals how our democratic processes really work, how they can be manipulated by those with enough money to game the system, and how the people can make their voices heard again. <BR> <BR> This is the story the Democratic establishment doesn't want you to read.]]></Text>
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      <Text><![CDATA[<B>Suge Knight was handed nothing in life. Anything he ever had, he fought for, knowing that he had to take what he deserved. Now in this unflinching memoir from behind bars, Suge takes readers on a thrilling ride through the Golden Age of Rap and the streets of Compton.</B><BR><BR>Back when the streets and the music business mixed freely, Suge Knight brought rap icons such as Dr. Dre, Snoop Dogg, and Tupac Shakur to global superstardom with the creation of his label Death Row Records. Living by the rules of the streets, where might makes right and only the strong survive, Suge made his artists household names the same way he fought his way out of Compton, Los Angeles: By overpowering anyone who got in his way.<BR> <BR>Everyone in the rap game has a story about Suge Knight. Now, for the first time, Suge is telling his side. From his legendary encounter with Vanilla Ice to blow-out brawls with P. Diddy and the night when he and Tupac got shot in Vegas, Suge doesn&rsquo;t shy away from the controversy that has followed him his entire life. He pulls no punches, asks for no forgiveness, and explains exactly how he battled his way to the top. <BR> <BR>YOUR PAIN IS MY JOY is more than a music memoir: it&rsquo;s a candid and unapologetic look inside the mind of the original rap kingpin. Electrifying, raw, and often hilarious, Suge gives readers a shotgun seat tour through the wild, wild west of gangsta rap.]]></Text>
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      <BiographicalNote><![CDATA[Marguerite Bennett is a GLAAD-nominated, <I>New York Times</I>-bestselling comic book and screenwriter based in Los Angeles.<BR> <BR>Her comic credits include DC Comics&rsquo; BOMBSHELLS, BATWOMAN, and RWBY, along with ANIMOSITY, HORDE, and INSEXTS through Aftershock Comics, and MOTHER OF MADNESS with <I>Game of Thrones</I> superstar Emilia Clarke for Image Comics. She has written MIGHTY MORPHIN POWER RANGERS and SLEEPY HOLLOW for Boom Studios, JOSIE AND THE PUSSYCATS through Archie, A-FORCE, ANGELA, and YEARS OF FUTURE PAST at Marvel, RED SONJA and SHEENA from Dynamite, and indie horror THE LOT for Bad Idea.<BR> <BR>She is the lead writer on ARK: THE ANIMATED SERIES, adapted from the adventure/survival video game ARK: SURVIVAL EVOLVED from Studio Wildcard. She is a founder of horror publisher NINTH CIRCLE. She is the new writer of WITCHBLADE through Top Cow.]]></BiographicalNote>
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      <SubjectHeadingText>Kurt Russell; Wyatt Russell; Lee Shaw; Monarch; William Randa; Bill Randa; Anna Sawai; Emmys; Shogun; monsters; Godzilla; kong; monsterverse; apple; apple tv;toho; titans; anders holm;mutos;chris black; matt fraction;warner bros; warner brothers;skull island;ion dragon; uss lawton; apex; brambleboar; axis mundi</SubjectHeadingText>
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      <Text><![CDATA[<B>Dive into the mystical and mysterious world of MONARCH: LEGACY OF MONSTERS with five new stories in the Monsterverse not seen on TV!</B><BR><BR>Featuring the most beloved characters from the world of Monarch, this graphic novel is one prequel that fans of the Apple TV show will not want to miss!]]></Text>
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      <Text><![CDATA[<B>Paul Cornell</B> has written episodes of <I>Elementary</I>, <I>Doctor Who </I>(<I>&lsquo;</I>Father&rsquo;s Day&rsquo; and &lsquo;Human Nature&rsquo;), <I>Primeval</I>, <I>Robin Hood,</I> and many other TV series, including his own ITV children&rsquo;s show, <I>Wavelength</I>. He&rsquo;s worked for every major comics company, including his creator-owned series <I>I Walk With Monsters</I> for The Vault, <I>This Damned Band </I>for Dark Horse, and runs for Marvel and DC on <I>Batman and Robin</I>, <I>Wolverine,</I> and <I>Young Avengers</I>. His latest book is the SF novella <I>Rosebud, </I>his latest graphic novel is <I>The Witches of World War 2 </I>for TKO, and his latest comic series is <I>Con and On</I> for Ahoy.&nbsp;<BR><BR>Drew Zucker is an American-based comic book artist.&nbsp; A 2010 graduate of the Savannah College of Art and Design, the Co-Creator and artist of CANTO, THE HOUSE, and SKYBREAKER.&nbsp; His work has been featured by IDW Publishing, Dark Horse Comics, Marvel Comics, and DC Comics.&nbsp; He currently resides in New York City where&nbsp;he works as an EMT and continues to sketch his own adventures.<BR><BR><B>Brad&nbsp;Simpson&#39;s</B> distinct color art has appeared&nbsp;in numerous titles including, <I>Stray Dogs</I>, <I>Coffin Bound</I>, <I>Local Man</I>, and the current monthly series <I>Feral</I>. He&nbsp;resides&nbsp;in Ashland, Oregon with his wife&nbsp;Sarah and sons Clive and Maddox. When he is not on deadline, he enjoys&nbsp;anticipating&nbsp; future deadlines.&nbsp;<BR><BR>Marguerite Bennett is a GLAAD-nominated, <I>New York Times</I>-bestselling comic book and screenwriter based in Los Angeles.<BR> <BR>Her comic credits include DC Comics&rsquo; BOMBSHELLS, BATWOMAN, and RWBY, along with ANIMOSITY, HORDE, and INSEXTS through Aftershock Comics, and MOTHER OF MADNESS with <I>Game of Thrones</I> superstar Emilia Clarke for Image Comics. She has written MIGHTY MORPHIN POWER RANGERS and SLEEPY HOLLOW for Boom Studios, JOSIE AND THE PUSSYCATS through Archie, A-FORCE, ANGELA, and YEARS OF FUTURE PAST at Marvel, RED SONJA and SHEENA from Dynamite, and indie horror THE LOT for Bad Idea.<BR> <BR>She is the lead writer on ARK: THE ANIMATED SERIES, adapted from the adventure/survival video game ARK: SURVIVAL EVOLVED from Studio Wildcard. She is a founder of horror publisher NINTH CIRCLE. She is the new writer of WITCHBLADE through Top Cow.<BR><BR><B>Alberto Sapien</B> is a Comic artist and Illustrator from Mexico, has worked on many indie comic projects since 2016, and currently is the artist for the webtoon <I>Worth the Candle</I>. He likes manga, videogames, spooky folktales, doodling, and developing his own stories.<BR><BR><B>Eren Angiolini</B> is a comic colorist and fantasy artist. Their most recent comic publications include several titles for DC Comics (<I>Batman, Justice League, Wonder Woman,</I>&nbsp;<I>DC Pride</I>) and&nbsp;Dark Horse &amp; Critical Role&rsquo;s&nbsp;<I>The Mighty Nein Origins: Caduceus Clay&nbsp;</I>and<I>&nbsp;Nott the Brave.&nbsp;</I>Eren also works in the tabletop roleplaying space as an illustrator and produces their own D&amp;D content.<BR><BR><B>James F. Wright</B> is a writer, reader, and ramen eater. He was nominated for an Eisner Award for the sci-fi short,&nbsp;<I>Contact High</I>, and contributed to the Eisner-winning anthologies&nbsp;<I>Elements: Fire</I>&nbsp;and&nbsp;<I>You Died: An Anthology of the Afterlife</I>. For Legendary Comics, he co-created the miniseries,&nbsp;<I>Lupina</I>, with Li Buszka, and more recently wrote a Godzilla one-shot for IDW. When he&#39;s not working on comics, he&#39;s writing for video games, knitting, or going to the movies.<BR><BR>Amanda Perez Puentes is a Venezuelan illustrator and comic artist based in Toronto, Canada. She received a BFA in Painting and Drawing from Concordia University in Montreal, and has since worked on a number of projects across several genres and media. In her free time she can be found making trinkets out of clay, trying out a new recipe, or thinking too hard about whatever TV show she&#39;s currently watching.<BR><BR>A multiple-time New York Times bestseller, Eagle Award winner, and million-selling author, Tony Lee has worked professionally as a writer for over thirty-eight years. These include over two decades in comics, where he has written for publishers including Marvel, DC, Dynamite, Titan Publishing, Oni Press, Image, IDW, and others. Under the pen name Jack Gatland, he&rsquo;s written a series of UK-based crime novels featuring Detective Inspector Declan Walsh, a second series featuring &ldquo;Cop for Criminals&rdquo; Ellie Reckless, an action series featuring outcast British spy Tom Marlowe, and other books, all for digital-first publisher Hooded Man Media. As of 2025, he&rsquo;s a million-selling author, with over a quarter of a billion pages read on Kindle Unlimited.<BR><BR>Tony Shasteen, a New York Times Best Selling artist, is renowned for his contributions to various prominent projects including Star Trek, DC&rsquo;s Vampire Diaries, Burn Notice, Batman: Arkham Unhinged, and The Occult Crimes Taskforce, which he co-created with Rosario Dawson. He has collaborated with esteemed authors Stephen King and Peter Straub on the Talisman graphic novel. For over a decade, he produced monthly comics for Outdoor Life magazine. His artwork has been featured in prestigious publications such as Communication Arts, Playboy, and Spectrum. Shasteen&#39;s clientele includes notable entities such as Coca-Cola, IBM, Nascar, Hasbro, Random House, White Wolf, DC Comics, Dark Horse, Image Comics, The Comic Book Legal Defense Fund, and IDW.]]></Text>
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      <Text><![CDATA[From the creative team behind Cable: The End and Soldier X comes a tale extrapolated from the life of the first Black Deputy US Marshal! Set in the tumultuous aftermath of the American Civil War, River Bass is drawn into a career path he'd never expected: law enforcement. While he accepts the badge with an eye towards equality and justice, will the cruelty of the world allow him these ideals? <BR> <BR>Marshal Bass Vol. 1 contains three stories: <BR> <BR>First, when a Black gang earns the attention of the US Marshal Service, River Bass is recruited by Colonel Helena to infiltrate their ranks. While trying to keep his cover and accomplish his mission, he's confronted by the reality of the gang members' individual circumstances, goals, and outcomes, all weighed against his future as a US Marshal. <BR> <BR>Next, an investigation of a serial murderer goes awry when Marshal Bass confronts more killers than he bargained for...a whole family of killers, in fact! Further, while trying to escape desperate circumstances, he finds himself drawn to the daughter of the murderous clan. <BR> <BR>Then, when one of their daughters runs off with a young man, Bass is pressed by his wife to find her and bring her home, but the job becomes more complicated when the man in question becomes a murderer. Further, this man without a name may have greater ties to Bass than initially assumed...]]></Text>
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      <Text><![CDATA[Darko Macan (born 1966) is a Croatian writer and illustrator who has created and collaborated on comics, essays and science fiction and fantasy. He is also an editor.]]></Text>
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      <Text><![CDATA[Dennis Nilsen seemed unremarkable &ndash; a quiet civil servant in North London. But behind the closed doors of his Muswell Hill flat, he harboured one of the darkest secrets in British criminal history. Over five years, he murdered at least 15 young men, driven not by rage, but by a desperate need for control &ndash; and for company.<BR><BR><I>Inside the Mind of Dennis Nilsen</I> goes beyond the horror of Nilsen&rsquo;s crimes to uncover the complex psychological forces that shaped them. Through forensic analysis, behavioural profiling and insights from criminologists the book examines this killer&rsquo;s fractured psyche and reveals how loneliness, repression and identity struggles turned man into monster.<BR><BR>Chilling, thought-provoking and deeply human, this is not just a story of murder &ndash; it's a study of what happens when the mind turns inward and festers in the dark.]]></Text>
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      <BiographicalNote><![CDATA[AUTHOR LIVES IN CHESHIRE, UNITED KINGDOM. Claire Stone, also known as the White Witch of Cheshire, was born able to see and hear spiritual beings. Before stepping into her role as a bestselling author, she spent over 20 years as a practising white witch, holistic therapist, professional tutor and psychic tarot reader. Claire believes that everyone can connect to their divine guardians and manifest a magickal life. With her books, courses and award-winning academy, the Angel Mystery School - which has won a Best Spiritual Course award - she is dedicated to teaching ancient spirituality in a modern and applicable way.&nbsp;<BR> Website: https://clairestone.co.uk/<BR> Facebook: @Clairestone444<BR> Instagram: @Clairestoneuk&nbsp;]]></BiographicalNote>
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      <SubjectHeadingText>Pendle Witch trials; english witch hunt; witch burning; witchcraft; Salem Witch trials; witch hunt; witch hunt; guidance; honour; empowerment; alchemy; altar; spirit guides; intuition; intuitive development; mediumship; psychometry; Apotropaic ; power; signs; sigils; Lancashire witches; divination; magick; honour; protection; psychic; history; Pendle Hill; descendants; Alice Nutter; Alice Grey; Jennet Device; Elizabeth Device; Jane Bulcock; Old Chattox; Old Demdike; Lancashire; 1612; folklore; Salem; salem witch trials; wicca; wiccan; coven;</SubjectHeadingText>
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      <Text><![CDATA[<B>Unleash your inner magic with this 44-card oracle deck explores the legacy of the Lancashire Pendle witches through divination rooted in the rich history of the trials.</B><BR><BR>This deck draws on the legacy of the Pendle witches to encourage you to fiercely step into your power, manifest a rich and fulfilling life, and unapologetically unleash your inner magick. Explore England's most infamous witch trials through Claire Stone's sage wisdom and transformative insights. The Pendle Witch Oracle offers positive affirmations and meaningful solutions, allowing you to gain a deeper understanding of the world around you. Discover 13 Witch cards and 31 Spell Weaver cards, each infused with divinatory meanings rooted in the rich history of the era. The deck honours those wrongly accused in the Pendle trial by reclaiming the witch and encourages users to embrace magick and nurture the connection between women.<BR> Each card is a gateway to the past, offering not just insights into your present and future but also a deeper connection to the rich legacy of these fascinating figures. Unravel the stories, unlock hidden secrets, and embark on a journey of self-discovery while celebrating the courage and strength of those who lived through one of history's most intriguing tales. Are you ready to find out what the cards hold for you?]]></Text>
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PTSD, post-traumatic stress disorder, shell shock, Australian Army, Australian Defence Force, military mental health, combat trauma, veterans’ mental health, veteran suicide Australia, Royal Commission veteran suicide, military psychology, war trauma, Gallipoli, Anzac, Afghanistan war veterans, Iraq war veterans, peacekeeping missions, deployment stress, operational stress injuries, trauma recovery, PTSD treatment, mental health awareness, suicide prevention, soldier wellbeing, veteran families, military history Australia, The Body Keeps the Score, Bessel van der Kolk, Sebastian Junger, war memoir
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      <Text><![CDATA[<P>‘For the first time… the collective story of the tens of thousands of Australian soldiers who returned home with mental injuries… Their wounds were no less real because they were often hidden.’<br>— Major General John H. Pearn AO RFD, Former Surgeon-General, Australian Defence Force</P><P><B>‘A landmark contribution to understanding the human cost of Australia’s military history.’</B></P><P>Across more than a century of conflict, Australian soldiers have returned home carrying invisible wounds. From Gallipoli to the conflicts of the twenty-first century, what was once called ‘shell-shock’ or ‘war neurosis’ is now recognised as post-traumatic stress disorder, but its presence has remained constant.</P><P>In From Shell-Shock to PTSD, eminent military–medical historian Ian Howie-Willis draws on decades of research, extensive military and medical records, and a wide body of official inquiries to trace 125 years of psychological injury across the Australian Army. He reveals how trauma has been recognised, misunderstood, redefined and managed over time, often slowly, and sometimes at great human cost.</P><P>Set against the most recent national examinations of defence and veteran wellbeing and grounded in the lived experiences of soldiers and their families, this is both a definitive history and a timely reflection. It shows that while the language and treatments have evolved, the underlying reality has remained strikingly consistent.<br>As Australia continues to confront these challenges, one question endures. How can a nation prepare for war while reckoning with its lasting human toll?</P><P>‘We didn’t just lose him to war — we lived with its aftermath every day.’<br>‘Seventeen years of service… and all we were given at the end was a notebook and a sick husband.’<br>‘Each suicide sends ripples through families, friends and communities — hundreds of lives changed forever.’<br>From submissions to the Royal Commission into Defence and Veteran Suicide, as featured in ‘Shining a Light’</P>]]></Text>
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Anzac, Anzac Day, Remembrance Day, Gallipoli, World War I, First World War poetry, Australian war history, AIF soldiers, military history Australia, war remembrance, Australian identity, national memory, Legacy Australia, RSL Australia, C J Dennis, The Sentimental Bloke, Ginger Mick, Digger Smith, Banjo Paterson, Henry Lawson, Peter FitzSimons, Peter Cosgrove, The One Day of the Year, Gallipoli film, 1917 film, They Shall Not Grow Old, Anzac Girls, Gallipoli miniseries, SAS Australia, Australian poetry, narrative poetry, verse storytelling, classic Australian literature, war memoirs, war documentaries, Australian cultural history, Anzac spirit, Australian poets, patriotic poetry, military history, social history, storytelling, Australian culture, remembrance, literary chronicle, C. J. Dennis 150th anniversary, wartime verse, national remembrance, Australian storytelling, iconic characters, Sentimental Bloke, Doreen, Ginger Mick, poetry anthology, literary legacy, historical poetry
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      <Text><![CDATA[<P><I>‘I picked it up as an attractive and unusual opportunity, but read it cover to cover, smiling and laughing at CJ Dennis’ humour and insight, and from time to time, slowing down to absorb the pathos and sadness that is part of the Anzac legacy.’&#160;</I> — General Sir Peter Cosgrove AK CVO MC</P><P><B>150 years on, the voice that captured a generation returns to tell the Anzac story in full.</B><br>In 2026, the 150th anniversary of C J Dennis marks a major moment of rediscovery. Australia’s most popular poet, Dennis sold over 700,000 books and published more than 4,000 poems, creating enduring characters such as The Sentimental Bloke, Doreen and Ginger Mick, giving voice to Australians shaped by war and its aftermath.</P><P>Less widely recognised is his role in shaping Australia’s culture of remembrance.</P><P>He wrote of the war in The Moods of Ginger Mick, of its aftermath in Digger Smith, and from 1922 to 1938 marked Anzac Day and Armistice Day each year in the Melbourne Herald, recording how the Anzac story was remembered as the men of the AIF aged and a new generation inherited their story.</P><P>This is the first collection to bring together his Anzac poetry from 1908 to 1938, including classic verse alongside 44 Anzac Day and Armistice Day poems never before collected in one volume, these works have not been republished since their original appearance in the Melbourne Herald.</P><P>Presented chronologically, the collection offers a rare record of how the Anzac legacy evolved from the immediacy of war to a broader sense of Australian identity. It captures the spirit and sacrifice of those who served, and the passing of their story into national memory.</P><P>Featuring a foreword by General Sir Peter Cosgrove, <I>The Anzac Legacy of C J Dennis </I>affirms Dennis as a defining voice in Australia’s Anzac story.</P><P><B>‘A powerful and deeply human record of the Anzac story, captured as it was lived and remembered.’</B><br><B>‘Across three decades, Dennis recorded not just a war, but how a nation came to remember it.’</B><br>&#160;</P>]]></Text>
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      <Text><![CDATA[<B>Transform your organization when most change efforts fail.</B><BR><BR>After decades of organizational transformation efforts, the failure rate remains stubbornly high: over 70%. What&rsquo;s missing? The human element.<BR> <BR> In Practice Makes Culture, you'll discover why most transformations still fail and how to ensure yours succeeds by addressing what other approaches miss: the emotional dynamics, hidden narratives, and everyday behaviors that truly shape your organization.<BR> <BR> This practical guide introduces a powerful framework centered on three critical focus areas:<BR> <BR> <b>- Elephants: </b>Address the emotional aspects of change, recognize diverse perspectives, and tackle difficult conversations that most leaders avoid.<BR> <b>- Ownership:</b> Create transformation that people actually want by ensuring those affected by change are the ones steering it.<BR> <b>- Practice:</b> Transform meetings into powerful practice fields for cultural change through consistent, daily reinforcement of desired behaviors.<BR> <BR> Whether you're helping your humans grapple with GenAI (everywhere), helping turn around a business or department, or building a learning organization, you'll learn how to create lasting change that delivers both better business results and happier humans. Filled with practical templates, facilitator guides, and real-world case studies, this book translates cutting-edge research into actionable practices you can implement immediately.<BR> <BR> Don't settle for another failed transformation. Create a culture where continuous improvement and positive change become organizational habits&#8212;where your teams deliver with confidence, quality, and joy]]></Text>
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      <Text><![CDATA[Christine Hudson is a transformation strategist who bridges technology and human systems to create high-performing organizations where people thrive. She translates complex organizational challenges into practical, actionable change practices. With a background in enterprise technology, product development, and organizational change, Christine brings technical precision to the art of culture change. Her computer science and mathematics education (BS from Colorado State University) combined with over a decade of experience in helping large organizations transform helps her design transformation frameworks that work in real-world environments. A polyglot in both human and programming languages, Christine applies her multilingual mindset to help leadership teams communicate more effectively across organizational boundaries. Her facilitation work spans Fortune 500 companies to nonprofit boards, demonstrating her versatile approach to creating sustainable change. Based in Fort Collins, Colorado, Christine&#8217;s adventurous spirit&#8212;evidenced through sailing, climbing, and mountain sports&#8212;mirrors her fearless approach to guiding organizations through the challenging terrain of meaningful transformation<BR><BR>Ronica Roth is a transformation expert dedicated to revolutionizing how organizations work. She helps leaders build thriving cultures where both business results and human potential flourish. With deep expertise in product management, business agility, and organizational change, Ronica brings a unique perspective shaped by her certification as a Leadership Circle practitioner and her distinguished background as a Certified Scrum Trainer Emeritus. Her approach is informed by an MS in Journalism from Northwestern University and enriched by her earlier career in newspapers, giving her exceptional skills in storytelling and communication crucial for effective organizational change. Based in Boulder, Colorado, Ronica embodies the collaborative spirit she champions professionally&#8212;whether skiing mountain slopes, playing team sports, or building communities that celebrate authentic expression and connection.]]></Text>
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      <Text><![CDATA[&ldquo;Decades of research show that most organizational change efforts fail&mdash;not because leaders lack vision or resources, but because they underestimate the human factor. Practice Makes Culture names this problem with clarity and offers a practical, memorable system for addressing it. The three core approaches described by Hudson and Roth&mdash;welcoming elephants, creating ownership, and facilitating daily practice&mdash;when practiced consistently, can transform work. The authors remind us that culture isn&#39;t declared, it&#39;s built&mdash;meeting by meeting, conversation by conversation. A genuinely useful guide for any leader serious about making change stick.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;As AI raises the pressure and urgency on leaders to adapt faster than ever, this book makes a crucial point clear: Management is now change management, and lasting change only happens when culture and ownership reinforce each other.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Practice Makes Culture captures what I learned training for the Olympics: Excellence isn&#39;t a one-time event; it&rsquo;s a daily discipline. This book gives leaders the playbook to build the daily discipline of a winning Culture.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;I&rsquo;ve known Christine for over two decades&mdash;building companies together and spending long miles on bikes in the Colorado mountains. Those experiences taught me what this book makes clear: culture isn&rsquo;t declared, it&rsquo;s practiced. As a three-time CEO and board director, I&rsquo;ve seen many change efforts fail. Practice Makes Culture is different&mdash;a practical, day-by-day, meeting-by-meeting system for making change stick.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;Practice Makes Culture is a gift. It offers readers the tools to begin practicing in ways that will change them&mdash;and the cultures around them&mdash;forever.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;For leaders looking to unlock the potential of people and the power of teams, your search is over. This book provides a proven, thoughtful, methodical way to consistently deliver exceptional results while empowering people and enjoying the ride.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Practice Makes Culture revives and expands timeless practices that cultivate a culture of leadership at every level. I&rsquo;m grateful to Christine and Ronica for making these insights accessible for others and for me as well. This book is a powerful reminder that Culture-making is a living, breathing process.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;Practice Makes Culture reflects everything I admire about Christine and Ronica&rsquo;s approach to transformation: practical, human-centered, and grounded in what actually works.&quot;]]></Text>
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      <SubjectHeadingText>artificial intelligence management, AI transformation, business outcomes, organizational design, digital transformation, product management, strategic planning, outcome measurement, value streams, agile methodology, DevOps, flow metrics, OKR framework, team productivity, enterprise AI, business intelligence, operational excellence, lean startup, technology leadership, change management, innovation management, AI implementation, business strategy, performance metrics, organizational effectiveness, AI productivity, workflow optimization, business processes, executive leadership, corporate transformation, AI adoption, management consulting, business operations, strategic execution, team management, product development, business analytics, AI strategy, organizational culture, business improvement, technology management, competitive advantage, business growth, AI ROI, operational efficiency, business model innovation, leadership development, project management, enterprise software, business transformation, AI governance, performance management, strategic initiatives, business optimization</SubjectHeadingText>
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      <Text><![CDATA[<B>In the Age of AI, the constraint has shifted from producing outputs to delivering outcomes.</B><BR><BR>As AI automates knowledge work at unprecedented scale, most organizations remain trapped measuring the wrong things&#8212;lines of code, features delivered, and other outputs that AI can now produce almost for free. The real constraint has shifted to organizational structure and the ability to turn strategy into measurable business outcomes.<BR> <BR>In Output to Outcome, Dr. Mik Kersten&#8212;bestselling author of Project to Product and CTO of Planview&#8212;reveals why AI productivity gains are failing to materialize for most companies and provides a comprehensive operating model to unlock AI's transformative potential. Drawing on data from over 8,000 value streams, Kersten shows that success in the Age of AI depends entirely on how effectively organizations can connect inputs to outcomes through continuous feedback loops.<BR> <BR>The book introduces the Product Operating Model built around the Outcome Loop that connects strategy to results, the Outcome Tree that scales this approach across organizations, and seven critical shifts including moving from functional silos to flow-optimized value streams, from vanity metrics to meaningful measurement, and from chaotic structures to unified planning cadences.<BR> <BR>With detailed implementation guidance including Flow Metrics, Outcome Roadmaps, and practical tools for restructuring organizations into modular value streams with clear ownership, Output to Outcome provides both the strategic framework and tactical playbook executives and technology leaders need to transform their organizations from output factories into outcome engines&#8212;before their competitors do.]]></Text>
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      <Text><![CDATA[Dr. Mik Kersten started his career as a Research Scientist at Xerox PARC where he created the first aspect-oriented development environment. He then pioneered the integration of development tools with Agile and DevOps as part of his Computer Science PhD at the University of British Columbia. Founding Tasktop out of that research, Mik has written over one million lines of open-source code that is still in use today, and he has brought seven successful open-source and commercial products to market.&nbsp;Mik&#39;s experiences working with some of the largest digital transformations in the world has led him to identify the critical disconnect between business leaders and technologists. Since that time, Mik has been working on creating new tools and a new framework for connecting software value stream networks and enabling the shift from project to product.&nbsp;Mik lives with his family in Vancouver, Canada, and travels globally, sharing his vision for transforming how software is built.]]></Text>
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      <Text><![CDATA[&ldquo;If Peter Drucker taught us how to think about management in the industrial and knowledge-work eras, Mik Kersten is helping define management for the Age of AI. Output to Outcome combines systems thinking, software delivery, and organizational design into a clear playbook for leaders who need to harness AI without losing control, accountability, or purpose.&quot;]]></Text>
      <TextAuthor>Gene Kim, researcher and bestselling author of&#160;&lt;I&gt;Vibe Coding, The Phoenix Project&lt;/I&gt;, and&lt;I&gt; Wiring the WInning Organization&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;In a world where AI can amplify output endlessly, many organizations risk optimizing the wrong thing. Mik Kersten provides exactly what&rsquo;s missing: An operating model that keeps value creation and measurable outcomes at the center. Timely, insightful, and highly actionable.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;Technological revolutions reshape not only economies and industries but also the way organizations must adapt to succeed. Output to Outcome is a timely and thought-provoking contribution in a period of information technology and AI-driven socioeconomic transformation.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;Output to Outcome presents a radically new model of how a complex organization can take full advantage of the rapid rates of improvement that can take place when AI agents are fully integrated into a company&rsquo;s organizational design.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;With Output to Outcome, Mik defines the next critical shift for enterprises in the age of AI&mdash;moving from activity to measurable impact. Building on Lean principles and decades of transformation insight, he provides a clear, practical roadmap for leaders who need to compete and win. This is a must-read&mdash;and a call to action&mdash;for every software-driven organization.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;We are in a chaotic environment driven by a rate of change that current systems and businesses cannot absorb. The climate crisis, pandemics, and wars disrupt business plans and supply chains, and the pace of AI- driven development means that tools are obsolete before they stabilize. We have to reorganize to focus on outcomes, and rebuild everything to deliver them using new tools that are building themselves. This is the definitive guidebook for that transition.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;At Vanguard, we&rsquo;ve seen firsthand that meaningful transformation requires more than new technology. It requires a data-driven operating model that improves how we create and deliver value. In Output to Outcome, Mik Kersten provides a practical framework for establishing that robust data-driven operating model, allowing you to scale up in a world increasingly shaped by AI.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[<b>An instant <i>New York Times</i> and <i>Wall Street Journal</i> bestseller</b><BR> <BR><b>Bestselling author and cofounder of the Carlyle Group David M. Rubenstein explores the story of America as a grand experiment in democracy, culture, innovation, and ideas through captivating conversations with celebrated American icons.</b><BR><BR>Hailed as &ldquo;the right book at the right time&rdquo; by Tom Brokaw and &ldquo;a stirring reminder&rdquo; by Katie Couric, <I>The American Experiment</I> features inspiring and informative interviews with:<BR> <ul role="list"> <li aria-set="" data-aria-level="1" data-aria-posinset="1" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">KEN BURNS</li> <li aria-set="" data-aria-level="1" data-aria-posinset="2" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">HENRY LOUIS GATES JR</li> <li aria-set="" data-aria-level="1" data-aria-posinset="3" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">JON MEACHAM</li> <li aria-set="" data-aria-level="1" data-aria-posinset="4" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">WALTER ISAACSON</li> <li aria-set="" data-aria-level="1" data-aria-posinset="5" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">DAVID McCULLOUGH</li> <li aria-set="" data-aria-level="1" data-aria-posinset="6" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">WYNTON MARSALIS</li> <li aria-set="" data-aria-level="1" data-aria-posinset="7" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">BILLIE JEAN KING</li> <li aria-set="" data-aria-level="1" data-aria-posinset="8" data-font="Symbol" data-leveltext="&#183;" data-list-defn-props="{" data-listid="1" role="listitem">RITA MORENO</li> </ul> <BR><I>The American Experiment </I>reveals the setbacks, invention, ingenuity, and social movements that continue to shape our vision of what America is&#8212;and what it can be.]]></Text>
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      <Text><![CDATA[David M. Rubenstein&nbsp;is the&nbsp;<I>New York Times</I>&nbsp;bestselling author of&nbsp;<I>How to Invest</I>,&nbsp;<I>How to Lead</I>,&nbsp;<I>The American Experiment</I>,<I>&nbsp;The American Story</I>,&nbsp;<I>The Highest Calling</I>,&nbsp;and<I>&nbsp;Inside the Owner&rsquo;s Box</I>.&nbsp;He is&nbsp;Cofounder and Cochairman of The Carlyle Group, one of the world&rsquo;s largest and most successful private investment firms. An original signer of The Giving Pledge and a recipient of the Presidential Medal of Freedom, Mr. Rubenstein is Chairman of the Boards of the Council on Foreign Relations, the National Gallery of Art, the Economic Club of Washington, and the University of Chicago. A Baltimore native, Rubenstein is the Chairman, CEO, and principal owner of Major League Baseball&rsquo;s Baltimore Orioles.&nbsp;He is the host of&nbsp;<I>The David Rubenstein Show&nbsp;</I>on Bloomberg TV and PBS, and&nbsp;<I>Bloomberg Wealth with David Rubenstein</I>&nbsp;on Bloomberg TV.]]></Text>
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      <Text><![CDATA[&ldquo;In this fascinating compilation of interviews with historians, musicians,&nbsp;athletes, journalists, and other notables of our times, David Rubenstein&nbsp;paints what he calls the genetic picture of this country, and why it has&nbsp;succeeded&mdash;so far.&rdquo;&nbsp;<b>&mdash;Nina Totenberg, legal affairs correspondent, NPR</b>&nbsp;<BR> <BR> &ldquo;David Rubenstein is a deeply committed citizen and patriot, and a keen&nbsp;observer of human nature with a passion for history. As fellow citizen experimenters,&nbsp;he is suggesting we all engage in thinking about the past and&nbsp;present in order to forge a future that fulfills the promise of America.&rdquo;&nbsp;<b>&mdash;&nbsp;Yo-Yo Ma, cellist</b>&nbsp;<BR> <BR> &ldquo;In this timely and important book, David Rubenstein explores the lessons&nbsp;of the past that will help us through this historically challenging time.&nbsp;It is just the right book at exactly the right time.&rdquo;&nbsp;&nbsp;<b>&mdash;&nbsp;Tom Brokaw, author of&nbsp;<i>The Greatest Generation</i></b>&nbsp;<BR> <BR> &ldquo;David Rubenstein&rsquo;s insatiable curiosity and intellect bring out the best&nbsp;from those with whom he is in conversation, evoking rich interactions&nbsp;and making history entertaining.&nbsp;<i>The American Experiment&nbsp;</i>captures the&nbsp;essence of the American leader and the pivotal moments in our&nbsp;country&rsquo;s&nbsp;history.&rdquo;&nbsp;<b>&mdash;&nbsp;Deborah F. Rutter, former president, John F. Kennedy Center&nbsp;for the Performing Arts</b>&nbsp;<BR> <BR> &ldquo;An extraordinary opportunity to marvel at the United States&mdash;and&nbsp;to understand&nbsp;her principles so that we might advance them in service to&nbsp;the republic.&rdquo;&nbsp;<b>&mdash;&nbsp;Lawrence&nbsp;Bacow, former president, Harvard University</b>&nbsp;<BR> <BR> &ldquo;In this brilliant book, we hear from the best minds in the country about&nbsp;the unfinished voyage of American life. A must-read to understand our&nbsp;unique nation, its extraordinary legacy, and our&nbsp;collective future!&rdquo;&nbsp;<b>&mdash;&nbsp;Admiral James Stavridis, former 16th Supreme Allied Commander at NATO and&nbsp;author of Sailing True North: Ten Admirals and the Voyage of Character</b>&nbsp;<BR> <BR> &ldquo;David Rubenstein has a unique ability to ask the right penetrating questions&nbsp;that elicit&nbsp;illuminating answers from fascinating people who paint a&nbsp;complete and detailed picture of the American experiment from all sides.&nbsp;As the country&rsquo;s pre-eminent patriotic philanthropist, David is now&nbsp;doing&nbsp;even more to preserve American history with this important project.&rdquo;&nbsp;<b>&mdash;&nbsp;Bret Baier, chief political anchor, Fox News, and&nbsp;New York Times bestselling author</b>&nbsp;<BR> <BR> &ldquo;At this turbulent moment in our nation&rsquo;s history, this captivating dialogue about the meaning of democracy and the American dream provides much needed inspiration and hope. What a terrific book!&rdquo;&nbsp;<b>&mdash; Doris Kearns Goodwin</b>&nbsp;&nbsp;<BR> <BR> &ldquo;A truly&nbsp;amazing new book.&nbsp;The American Experiment&nbsp;is urgently needed especially during this very strenuous moment in our American history.&rdquo;<b>&nbsp;&mdash;&nbsp;Wolf Blitzer</b>&nbsp;&nbsp;<BR> <BR> &ldquo;A stirring reminder of what our &lsquo;American experiment&rsquo; has achieved so far and what&rsquo;s at stake as we move forward.&rdquo;&nbsp;<b>&mdash;Katie&nbsp;Couric</b>&nbsp;&nbsp;<BR> <BR> &ldquo;A dazzling set of conversations that inspire and illuminate. David Rubenstein highlights the salient features of the American experiment, an experiment so novel that when it began most serious observers thought it would collapse in a few years.&rdquo;&nbsp;<b>&mdash;&nbsp;Fareed Zakaria</b>&nbsp;&nbsp;<BR> <BR> &ldquo;At a time when listening is harder and divisions run deeper, David&rsquo;s interviews soar above the noise. They are hopeful, inspiring, and rigorously authentic.&rdquo;&nbsp;&nbsp;<b>&mdash;&nbsp;Valerie Jarrett</b>&nbsp;&nbsp;<BR> <BR> &ldquo;A book that forces America to look in the mirror. It&rsquo;s a reality pill.&rdquo;&nbsp;<b>&mdash;&nbsp;LL COOL J</b>&nbsp;<BR> <BR> &ldquo;Influential Americans talk about the nation&rsquo;s past and future. . . . These conversations&mdash;warm, engaging, and informative&mdash;help Rubenstein point up America&rsquo;s particular qualities that &ldquo;have made the whole American Experiment work&rdquo; even though, facing significant challenges, the country has fallen short.&rdquo;&nbsp;<b>&mdash; Kirkus Reviews</b>]]></Text>
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      <BiographicalNote><![CDATA[Victoria Johnson is a writer and professor of urban policy and planning at Hunter College in New York City, where she teaches on the history of philanthropy, nonprofits, and New York City. She is the author of&nbsp;<i>American Eden: David Hosack, Botany, and Medicine in the Garden of the Early Republic</i>, which was a finalist for the National Book Award for Nonfiction, the Pulitzer Prize for History, and the Los Angeles Times Book Prize in Biography. The book was also a&nbsp;<i>New York Times&nbsp;</i>Notable Book of the Year, and was shortlisted for the Cundill History Prize. Johnson holds a doctorate in sociology from Columbia University, as well as an undergraduate degree in philosophy from Yale. Her website is GloriousCountry.org.]]></BiographicalNote>
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      <SubjectHeadingText>biography of Frederic Church; Frederic Church artist biography; 19th century American biography; Hudson River School artists; biographies of American painters; books about 19th century American art; American art history; best nonfiction about artists; best art history books; best biographies of artists; best books about American artists; American cultural history; 19th century historical biography; best biography of an American artist; books like American Eden; famous 19th century artists; best biographies for book clubs; books about American painters; nonfiction about famous artists; best books about artists; books about artists; best biographies of 19th century Americans; award-winning biographer; books by acclaimed biographers; artist-focused nonfiction; best nonfiction; best history; Victorian-era America; 19th century art; best biography; best Frederic Church biography; Frederic Church; nonfiction; history; famous American artists; award-winning author; books by award winning biographers; books by award winning authors; American artists; biography</SubjectHeadingText>
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      <Text><![CDATA[<B>From the author of <I>American Eden</I>&#8212;finalist for the Pulitzer Prize, the National Book Award, and more&#8212;comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture&#8212;published on Church&rsquo;s bicentennial. </B><BR><BR><i>&ldquo;They came to see the world.&rdquo;</i><BR> <BR>New York, spring 1859. Outside Frederic Church&rsquo;s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent <i>Heart of the Andes</i>: a painting whose sublime, &lsquo;near supernatural&rsquo; rendering of the vast Andean landscape encountered on the artist&rsquo;s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe.<BR> <BR>Frederic Church brought the world to America, and America into the world. Cementing the United States as a cultural and artistic force a full century before America&rsquo;s Abstract Impressionists rose to prominence, Church&rsquo;s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art. Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation.<BR> <BR>Church charted, across the latter half of the 19th century, a career that both inhabited and gave shape to the artistic, cultural, and political crosscurrents of his day. Through a close examination of Church's letters, sketches, paintings, and diaries, and traveling in Church's footsteps to Egypt, the Andes, Petra, Jamaica, and Jerusalem, Johnson traces the path not only of one man&rsquo;s life, but of a country swept up in an era of vast and vertiginous change. Church worked and lived in New York in the city&rsquo;s formative years. He was a founder of its first great museum, the Met, and in paintings, not in words, he conveyed his passion for the exquisite natural beauty of the United States, but also for a Union free of slavery. He gave Americans visions of the majesty of their own new country and of the wonders of worlds only to be seen in paintings by this astonishing adventurer and artist. Church was a master artist and innovator, turning landscape painting into a portrait of a nation, and in the process, putting American art on the map of the world. <i>Glorious Country</i> is a book, Johnson writes, &ldquo;about how we see and what we save.&rdquo;]]></Text>
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      <Text><![CDATA[Victoria Johnson is a writer and professor of urban policy and planning at Hunter College in New York City, where she teaches on the history of philanthropy, nonprofits, and New York City. She is the author of&nbsp;<i>American Eden: David Hosack, Botany, and Medicine in the Garden of the Early Republic</i>, which was a finalist for the National Book Award for Nonfiction, the Pulitzer Prize for History, and the Los Angeles Times Book Prize in Biography. The book was also a&nbsp;<i>New York Times&nbsp;</i>Notable Book of the Year, and was shortlisted for the Cundill History Prize. Johnson holds a doctorate in sociology from Columbia University, as well as an undergraduate degree in philosophy from Yale. Her website is GloriousCountry.org.]]></Text>
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      <Text><![CDATA[<b>Praise for <i>Glorious Country</i></b><BR> <BR> &quot;In this absorbing biography of Frederic Church, Victoria Johnson exhibits a special intimacy with the creator of some of the most sublime landscape paintings in American history. She shadows him on his intrepid quests to remote and exotic places, then ably shows how those trips yielded imperishable art. Best of all, she dusts off the musty label of Hudson River School artist that has so often stigmatized Church and restores to us the original freshness and wonder of his work.&quot; &mdash; <b>Ron Chernow, author of&nbsp;<i>Mark Twain</i>&nbsp;and&nbsp;<i>Alexander Hamilton&nbsp;</i></b><BR> <BR> &ldquo;Victoria Johnson is a gifted writer who gives us a fresh and thrilling Frederic Church&mdash;a man far removed from the stiff Victorian who has long populated art history books. She paints a portrait of a passionate, adventurous and profoundly talented man whose life is intricately woven together with the story of the American nation. In her deeply researched and vivid telling, we meet the ambitious painter, the loving husband and father, the intrepid traveler&mdash;and so many other incarnations of this extraordinary figure.&nbsp;<i>Glorious Country</i>&nbsp;is, well, glorious.&rdquo; <b>&mdash;Andrea Wulf, author of&nbsp;<i>The Invention of Nature: Alexander von Humboldt&rsquo;s New World</i></b><BR> <BR> &ldquo;<I>Glorious Country</I>&nbsp;is a masterpiece. One of America&rsquo;s best historians delivers an epic biography that illuminates how Frederic Church came to dominate nineteenth-century American painting with his sublime landscapes honoring the natural world. This is one of the most finely written and impressively researched biographies I&rsquo;ve ever read.&rdquo; &mdash;<B>Douglas Brinkley, author of&nbsp;<I>Rightful Heritage: Franklin D. Roosevelt and the Land of America</I></B><BR> <BR> &quot;A vivid writer and perceptive researcher, Victoria Johnson has the unique talents needed to illuminate the extraordinary life of a visionary artist, Frederic Church. Blending spirituality, science, art, and awe, Church crafted grand and intricate landscapes that placed humans within a nature teeming with life and beauty. He imagined a glorious country where Americans lived in harmony with the cosmos&mdash;a vision which now resonates as elegy.&quot;&nbsp;<b><i>&mdash;</i>Alan Taylor, author of&nbsp;<i>American Civil Wars</i> and <i>The Internal Enemy: Slavery and War in Virginia</i></b><BR> <BR> &ldquo;In her usual hypnotic manner, Victoria Johnson not only reanimates the work and life of Frederic Church, she transports us to the vistas that inspired him&mdash;and which, in turn, he evoked so indelibly in his art. I doubt if Church himself could have painted a better portrait of himself.&rdquo;<b> &mdash;Harold Holzer, Winner of the Lincoln Prize</b><BR> &nbsp;<BR> &ldquo;<i>Glorious Country</i>&nbsp;is an&nbsp;ambitious, indispensable, and exciting biography that offers new vital interpretive analysis of this leading artist&rsquo;s life and career. Johnson&rsquo;s book provides a major contribution to the scholarship on nineteenth-century American art.&rdquo; <b>&mdash;Elizabeth Kornhauser, Curator Emerita, The Metropolitan Museum of Art</b><BR> &nbsp;<BR> &ldquo;Until now, the lack of a definitive biography has hindered a full appreciation of Frederic Church&rsquo;s singular importance. Drawing on primary sources, including the artist&rsquo;s own writings and that of family members, friends, and acquaintances, Victoria Johnson has vividly chronicled Church&rsquo;s life as a public figure and a private individual.&nbsp;<i>Glorious Country</i>&nbsp;will prove indispensable to any serious consideration of one of this country&rsquo;s greatest and most important artists.&rdquo; <b>&mdash;Franklin Kelly, Deputy Director and Chief Curator, National Gallery of Art (retired)</b><BR> &nbsp;<BR> &ldquo;Frederic Church was an extraordinarily talented landscape painter who often imbued his works with his perceptive observations on America&rsquo;s cultural values. Victoria Johnson has done a masterful job of illuminating those ties in a riveting biography that captures the spirit of the man, his artistic career, and the swirl of personal and political events that shaped his life. Her lively prose and acute observations make this a must-read for anyone interested in American art.&rdquo; <b>&mdash;Eleanor Harvey, Senior Curator, Smithsonian American Art Museum</b><BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>Now with a bold new look!</B><BR><BR><b>Two kids from different walks of life fight to survive the sinking of the <i>Titanic</i> in this gripping entry in the historical fiction middle grade Disaster series.</b><BR><BR>It&rsquo;s April 14, 1912, Gavin Reilly is working in the <I>Titanic</I>&rsquo;s galley to earn his passage from Ireland to America. He knows when he finally joins his brother in New York they&rsquo;ll live their big dreams together.<BR> <BR>Karolina Green is devastated after the loss of her parents. She&rsquo;s returning home to the United States from England with her Aunt Rose and desperately dreaming of fixing her shattered life on new shores.<BR> <BR>But on a calm, clear night in April, those dreams turn into a nightmare. Rich and poor, famous and unknown, the hundreds of people aboard the <I>Titanic</I> find themselves at the mercy of the cold sea and the sinking ship. Few will live to remember the disaster the world still can&rsquo;t forget&hellip;will Gavin and Karolina be among the survivors?]]></Text>
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      <Text><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.<BR><BR>Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781442490536.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" role="presentation" alt=""></figure> CHAPTER 1 <BR>Gavin Reilly stood on the boat deck of the <i>Titanic</i>, his eyes closed tightly. He gripped the handrail and counted to ten. Then he opened his eyes again. He had to get over this. He <i>had</i> to get used to looking out over the open water. After a few dizzying seconds, he turned landward, gulping huge breaths of the cool air. He stared at the coastline and the green hills above Queenstown, Ireland. This was ridiculous. He had been swimming since he was a baby. He had never been afraid of water in his life.<BR> <BR>&ldquo;Are you all right?&rdquo;<BR> <BR>Gavin looked up to see a girl with light brown hair, and a scattering of freckles across the bridge of her nose. She looked concerned. Her accent, broadly American, sounded brash and rude.<BR> <BR>&ldquo;Are you sick?&rdquo;<BR> <BR>Gavin shook his head. There was no way to explain what was wrong with him. He didn&rsquo;t really understand it himself. &ldquo;I&rsquo;m fine,&rdquo; he said, staring back at the shoreline.<BR> <BR>The town&rsquo;s docks were all too small for the <i>Titanic</i>, so the enormous liner had been anchored two miles offshore. Passengers, goods, and mailbags were being brought out to her. Gavin watched the tenders and bumboats scuttling back and forth. The <i>Ireland</i> was not a small boat, but it looked like a toy beside the <i>Titanic.</i> The <i>America</i> stood off a little distance, waiting its turn to unload.<BR> <BR>Gavin watched a bumboat come alongside. Most of them were loaded with Irish goods. The first-class nabobs and their finely dressed wives would have their chance to buy Irish linen and lace, even if they couldn&rsquo;t go ashore.<BR> <BR>Gavin glanced sideways. The girl was still standing nearby, but she was looking out to sea now, her hair blowing in the wind. Gavin wanted more than anything to turn and face the open water, but he knew he couldn&rsquo;t. He moved a little ways away from the girl, hoping she wouldn&rsquo;t follow.<BR> <BR>Gavin leaned against the metal railing. The familiar green curve of the south Irish coast was less than two miles away over the water. He stared at Queenstown with its narrow streets and closely packed buildings. He sighed.<BR> <BR>The hills behind the town were so green, they reminded him of his home outside Belfast. He could imagine his brothers and sisters tending the potato patch in the high pasture. Sean&rsquo;s voice would be ringing out over little Katie&rsquo;s giggles. Gavin could almost see her, freckled and pink-faced. Liam would be arguing with Mary. The little ones would be with Mother at home, lined up on her cot for noontime nap. Gavin felt the now-familiar physical ache that always accompanied thoughts of his family. He might never see them again.<BR> <BR>&ldquo;Are you ill?&rdquo; the girl asked.<BR> <BR>Gavin glanced at her and shook his head, then pointedly turned his back. He forced himself to look out to sea. The cold gray water stretched all the way to the horizon. He wasn&rsquo;t sure why it bothered him so much. Everyone agreed the <i>Titanic</i> was unsinkable. That very morning they had run a full dress rehearsal emergency; alarms sounding, they had closed all the watertight doors.<BR> <BR>Gavin had been so determined to get a position on the <i>Titanic</i> that he had traveled to Southampton, lied about his age, and stood in line with several hundred others to be interviewed. Conor&rsquo;s letters from New York had set him dreaming of a different life. Like all older brothers, Conor wanted him to have opportunities, too. Their mother had lit a candle for Conor the day he had sailed for America. Now she would light two every Sunday. The idea of the candles made Gavin feel a sharp stab of homesickness.<BR> <BR>&ldquo;I didn&rsquo;t mean to intrude,&rdquo; the girl said apologetically. He glanced at her, about to apologize for his own rudeness, but she had already turned away.<BR> <BR>He watched her walk past the gigantic funnel that jutted up at an angle from the deck. The other three were real and spouted black smoke when the <i>Titanic</i> was underway. This one was fake, nothing more than a huge air vent. Still, like the others, it was anchored with thick steel cables. Gavin saw the girl start down the steep stairs toward the third-class promenade.<BR> <BR>&ldquo;Hey, Gavin! You&rsquo;d better get back down to the galley.&rdquo; Lionel&rsquo;s voice startled him. The tall, blond-haired boy dropped onto one of the wooden benches along the handrail. &ldquo;Mr. Hughes will see you slacking, and they&rsquo;ll be booting you off. That would shame your roommates, you know.&rdquo;<BR> <BR>Gavin grinned. &ldquo;I would hate to do that.&rdquo;<BR> <BR>&ldquo;Well, Harry and I would be shamed at any rate. I&rsquo;m not sure Wallace has it in him.&rdquo;<BR> <BR>They both laughed. &ldquo;I&rsquo;ve only been up here a few minutes,&rdquo; Gavin said. &ldquo;I needed fresh air.&rdquo;<BR> <BR>Lionel shrugged. &ldquo;Are you seasick? At anchor? It&rsquo;s going to be like sailing a whole city across the Atlantic, Gavin. She barely rolls at all.&rdquo;<BR> <BR>Gavin shot one more glance at the open water and felt his stomach tighten. &ldquo;I&rsquo;d better get started washing the new potatoes. First class is going to have them boiled <i>parmentier</i>.&rdquo;<BR> <BR>&ldquo;Work hard and you can end up a first-class steward like me.&rdquo; Lionel stood up straight, clowning, squaring his shoulders in exaggerated pride. &ldquo;I have to go down to the dining room to deliver a message.&rdquo;<BR> <BR>&ldquo;I&rsquo;ll go down with you,&rdquo; Gavin said, getting to his feet.<BR> <BR>Together they headed toward the second-class entrance. Gavin reached out to open the door. Side by side they started down the long stairway. Their steps were timed to a rhythmic patter that kept them moving downward at almost a running pace. Lionel had taught Gavin how to run the stairs like this and he shot him a grin of approval. &ldquo;You&rsquo;re getting good.&rdquo;<BR> <BR>Gavin grinned back, feeling better.<BR> <BR>As they descended past the windows of the Palm Court, he saw the first-class passengers seated in the elaborately decorated garden room. There were a few men onboard who were so wealthy, their clothing had probably cost more than it took to feed Gavin&rsquo;s family for a whole year. He had seen one woman wearing a necklace of diamonds so big, they shot glitters across the room.<BR> <BR>On the B-deck landing, Gavin could smell the heavy scent of tobacco coming from the second-class smoking room. Lionel lifted one hand to cover his nose and mouth. Gavin nodded. First-class was the worst&#8212;expensive cigars had a pungent odor that clung to the very walls.<BR> <BR>As they went deeper into the ship, Gavin felt his nervousness subside a little. Down here, the <i>Titanic</i> was much like a grand hotel. It was easier to forget the deep gray water that would soon separate him from his family and from the farm where he had lived his whole life.<BR> <BR>&ldquo;What time are you off Saturday night?&rdquo; Lionel asked.<BR> <BR>Gavin grabbed the handrail as they rounded the landing on C-deck. &ldquo;After cleanup. Around ten.&rdquo;<BR> <BR>&ldquo;Come up to the first-class dining room&#8212;it&rsquo;s empty by then, and a few of us are going to have a card game.&rdquo;<BR> <BR>Gavin glanced at the side of Lionel&rsquo;s face, then looked back at the stairs. &ldquo;I&rsquo;ve been coming up here.&rdquo; He pointed at the second-class library as they started downward again.<BR> <BR>&ldquo;You&rsquo;re going to read? When you could be playing poker?&rdquo;<BR> <BR>Gavin smiled and nodded. &ldquo;I have to get to New York with all my pay. I can&rsquo;t expect my brother to support me.&rdquo;<BR> <BR>Lionel slowed as they reached D-deck. &ldquo;Come up if you change your mind. You can just sit with us; you don&rsquo;t have to play.&rdquo;<BR> <BR>&ldquo;I will, thanks.&rdquo;<BR> <BR>Gavin watched as Lionel went into the first-class dining saloon. Through the open door Gavin saw that the room was still pretty full. The stewards were just beginning to clear away dirty dishes. Lionel&rsquo;s rakish grin disappeared, and his face became a mask of politeness as he turned and bent to whisper discreetly to a woman in a green silk gown.<BR> <BR>Gavin shook his head as he pulled the door closed and turned to cross the landing. Going into the first-class pantry, he walked fast, rounding the corner by the neatly stacked crates of Waken &amp; McLaughlin wine. The roast cook and one of the confectioners came through the galley door ahead of him. He stopped and turned sideways to let them pass. Neither man acknowledged his presence.<BR> <BR>Gavin watched them walk away. He wasn&rsquo;t like Lionel. It was hard for him to smile at people who were rude to him, whether they were crew or passengers. He hurried into the galley, wishing he had been hired on as a dining room steward. They had it easier. A half hour after the last passenger left the dining saloons, the stewards would be changing the white tablecloths and setting the tables for the next meal. Then they would have a break.<BR> <BR>&ldquo;Hey! Gavin!&rdquo;<BR> <BR>Gavin turned to see Harry making his way across the crowded galley. His sharp-featured face was smudged with flour. He was already developing the short-strided, agile walk necessary to avoid collisions in the crowded, busy room.<BR> <BR>Cooking never ceased here, except for a few hours in the middle of the night. The bakers began at three in the morning. The cooks started preparing breakfast early, then began lunch before the breakfast dishes were cleared. Dinner preparation sometimes started a day in advance, all the meals overlapping&#8212;only the chefs understood the schedule.<BR> <BR>&ldquo;Where have you been off to?&rdquo; Harry asked, dodging a pantryman carrying an enormous, bloody roast. &ldquo;You missed a chance to watch the pastry chef make &#233;clairs.&rdquo;<BR> <BR>Gavin shrugged. Harry wanted to be a chef someday and he rarely left the galley. &ldquo;I went up for air,&rdquo; Gavin told him. &ldquo;I just like to see the sky once in a while.&rdquo;<BR> <BR>Harry nodded vaguely, turning when the sauce chef bellowed out an order. Then his eyes focused on Gavin again. &ldquo;What do you have to do now?&rdquo;<BR> <BR>Gavin made a face. &ldquo;Wash a hundred and twenty pounds of new potatoes.&rdquo; Harry laughed, and Gavin pretended to take a swing at him. &ldquo;It isn&rsquo;t funny. I hate the new potatoes worst of all. I can&rsquo;t even use the wire brushes because the skins tear so easily.&rdquo;<BR> <BR>Harry grinned over his shoulder as he walked away. &ldquo;Better you than me.&rdquo;<BR> <BR>Gavin went to his basin. The pantrymen had already brought in the bags. He stared at the lettering. Whoever Charles Papas was, he sure raised a lot of potatoes.<BR> <BR>&ldquo;When do we raise anchor?&rdquo; someone yelled behind him.<BR> <BR>&ldquo;Soon,&rdquo; the answer came. &ldquo;Less than half an hour.&rdquo;<BR> <BR>Gavin&rsquo;s throat tightened. There was no turning back now.<BR> </section>]]></Text>
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      <SubjectHeadingText>survival stories; survivors; earthquake; San Francisco; disaster; looting; fires; danger; chaos; collapsing buildings; strangers; trust; different worlds; Chinatown; class difference; early 1900s; American History; historical fiction; fast-paced; for reluctant readers; middle grade for 8 9 10 11 12 year olds grades 3 4 5 6 7; for fans of Lauren Tarshis; books like I Survived; Magnitude by Jennifer Nielsen; Wilder Boys by Brandon Wallace; Alone in the Woods by Rebecca Behrens; Lifeboat 12 by Susan Hood; What Was series; Escape This Book; Dear America series; Magic Treehouse for older readers; Magnitude; Jennifer Nielsen</SubjectHeadingText>
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      <Text><![CDATA[<B>Now with a bold new look!</B><BR><BR><b>Two strangers must trust each other if they want to survive the 1906 San Francisco earthquake in this gripping entry in the historical fiction middle grade Disaster series.</b><BR><BR>Brendan O&rsquo;Connor is delivering pastries to the bustling businesses and elegant hotels of San Francisco, dreaming that someday he will be part of that life.<BR> <BR>Li Dai Yue is running from the isolated security of Chinatown, distraught over the marriage her uncle has arranged for her.<BR> <BR>Chance throws them together on the day of the San Francisco earthquake. Can two strangers from such different worlds work together to survive the terror of crumbling buildings, fire, looting, and chaos?]]></Text>
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      <Text><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.<BR><BR>Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781481400817.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" role="presentation" alt=""></figure> CHAPTER 1 <BR>It was almost dawn. Brendan O&rsquo;Connor gripped the reins, struggling to control the nervous mare without slowing her down. Up and down Market Street wagon wheels gritted over the cobblestones. Drivers were hauling produce, laundry, milk, everything the hotels and restaurants would need for the day&rsquo;s business.<BR> <BR>Brendan had worked hard to get this route and he wasn&rsquo;t going to lose it. His boss had the kind of temper no one wanted to set off. Two things made old man Hansen furious: losing money and late deliveries. Fancy San Francisco hotels like the Baldwin and the Palace would find another bakery if their wealthy guests had to wait for their fresh-baked bread and pastries.<BR> <BR>The streetlamps had been turned off a few minutes before, and the city was enveloped by a deep blue predawn glow. Brendan shivered. The damp early morning chill seeped through his worn woolen jacket. He looked up at the fading crescent moon. There wasn&rsquo;t a cloud in the sky. Maybe it would be warmer today. Still, he needed to find a better blanket for his cot soon.<BR> <BR>So far, no one had objected to his sleeping in a corner of the furniture warehouse. Kelly Rourke, the night watchman at the warehouse, was happy enough to look the other way. When Kelly wanted to slip down to MacMurrough&rsquo;s to buy a whiskey, he&rsquo;d shake Brendan awake to keep an eye on things until he got back. It seemed to be working out. Brendan hoped so. He didn&rsquo;t want to have to move for a while.<BR> <BR>The mare pranced along even though the wagon was especially heavy today. There were three casks of olive oil Finelli&rsquo;s Restaurant was paying him two bits to deliver to the Palace Hotel. Old man Hansen would fire him if he knew Brendan was using the wagon to deliver other merchants&rsquo; goods, but he needed Finelli&rsquo;s money. Every cent went into the leather pouch he had hidden behind a loose brick in the wall of Old St. Mary&rsquo;s Church. The pouch held everything that was dear to Brendan&#8212;his mother&rsquo;s wedding ring, his father&rsquo;s pocket watch, and the fifteen dollars he had managed to save over the last three years.<BR> <BR>Brendan crossed himself and kissed his St. Christopher medal, then let it slide back down beneath his shirt. God would keep his money safe. He had gotten in the habit of hiding it when he was going to the mission school, back when his father was still alive. No one&rsquo;s pennies had been safe when Liam O&rsquo;Connor had wanted a drink. Brendan had been on his own since his father had died&#8212;and it was better this way.<BR> <BR>&ldquo;May his soul rest in peace,&rdquo; Brendan whispered fiercely, as he always did to close off thoughts of his father.<BR> <BR>The gong of an approaching cable car made the mare twitch her ears. Brendan pulled her closer to the curb and looked back over his shoulder. Dolan, a boy he had known most of his life, was whipping his team up Fourth Street, swinging a wide left turn onto Market. Brendan could hear the tall milk cans clanking against each other in the back of the high-sided dairy wagon.<BR> <BR>The blue-uniformed cable car conductor shouted an angry warning. Dolan was already dragging at the reins, forcing his horses against the singletree as the cable car clattered past.<BR> <BR>&ldquo;Morning!&rdquo; Dolan shouted, still grinning at the conductor&rsquo;s curses.<BR> <BR>Brendan shook his head as Dolan got closer. &ldquo;Hasn&rsquo;t Mr. Burke fired you yet?&rdquo;<BR> <BR>&ldquo;Me?&rdquo; Dolan retorted, reining in a little. &ldquo;He couldn&rsquo;t run that place without me.&rdquo;<BR> <BR>Cracking his whip, Dolan swung toward the center of the street. Brendan watched as the near-side horse struck its hoof against the tracks. It faltered but didn&rsquo;t stumble. Dolan leaned forward like an engraving of the old stagecoach drivers, snaking his whip over the team&rsquo;s backs.<BR> <BR>Brendan faced front again. Dolan drove like a reckless fool, but you couldn&rsquo;t help but like him. It was too bad he hadn&rsquo;t been born fifty years before&#8212;he would have made a perfect freighter during the Gold Rush years.<BR> <BR>The clatter of the cable car faded as it got farther away. Within an hour the United Railway cars would be coming up the middle of Market Street every few minutes. Brendan wanted to be on First Street by then, south of The Slot. He didn&rsquo;t trust the mare to stay steady once there were people dodging through the wagon traffic, running to jump onto the cars.<BR> <BR>&ldquo;Hey, Brendan!&rdquo;<BR> <BR>Brendan ignored James Walker&rsquo;s shout. Walker was a fast-talking dandy who wore cheap suits and was always looking for a free meal. Brendan had made the mistake of giving him bread once and the man had never forgotten it. Just behind Walker, a woman with her coat collar turned up against the chill made her way down the sidewalk. Her starched white hemline marked her as a hotel housekeeper. She did not look up as she passed Walker.<BR> <BR>&ldquo;Hey, Brendan!&rdquo;<BR> <BR>&ldquo;Nothing extra this morning, Walker. Sorry.&rdquo; Brendan waved and slapped the reins on the mare&rsquo;s rump. She startled, lunging forward, and for a moment Brendan was afraid one of the oil casks would crash over, but it didn&rsquo;t. He dragged the reins back and the mare settled into her dancing walk. Brendan heard Walker&rsquo;s derisive laugh but refused to turn around.<BR> <BR>At the Baldwin Hotel, the gray-haired cook made Brendan open every crate, checking the bread. &ldquo;The crusts yesterday were like rock. I want them buttered.&rdquo; He looked up at Brendan. &ldquo;These seem to be fine. But you tell Hansen if he shorts me on butter again, I&rsquo;ll be around to see him.&rdquo;<BR> <BR>Brendan nodded. He was used to passing on the complaints&#8212;and listening to old man Hansen&rsquo;s explosive reactions. But Hansen always gave in, and he would this time, too. It was worth losing a few cents in butter to keep his clients happy.<BR> <BR>Brendan climbed back onto the driver&rsquo;s bench. The sky was lightening. The first rays of sun struck the top story of the Call Building. At eighteen floors it towered above Newspaper Row&#8212;the <i>Chronicle</i> and <i>Examiner</i> buildings were big, but not as tall. Brendan liked delivering there. The newspapermen were always excited, walking the corridors, talking about Chicago, Paris, New York.<BR> <BR>Brendan let the mare rise into a spanking trot. He sat up straighter, his chin high. He liked this part of Market Street. The buildings were smooth stone, their cornices elaborately carved. There were elegant triple-globed gas lamps. A few people were on the sidewalks now. The men wore suits of good, dark cloth, their felt bowlers tipped at jaunty angles on their heads. Some of them carried gold-handled canes. Most of them had heavy chains looped beneath their watch pockets.<BR> <BR>The mare was still jumpy, but she stood well enough as Brendan hitched her to the iron post in front of the Call Building. Banjo, the old black gelding Brendan had driven when he first started, had never even needed to be tied. Brendan missed him, but old man Hansen insisted he use the mare now. She was finer-bred and made the freshly painted wagon a more impressive turnout.<BR> <BR>Brendan opened the rear gate and leaned to slide the crates of mixed rolls toward himself. He stacked them three-high, then lifted them out, whistling to himself as he worked. The service entrance door stood open and Brendan went through.<BR> <BR>The usual crowd of errand boys was waiting. They stood back to let him open the first crate, then swarmed forward. Brendan watched as they filled their boxes with rolls. When the first crate was empty, he moved it aside and opened the second. Clemmons, a tall, arrogant boy who annoyed Brendan, raised his usual fuss about the cinnamon buns.<BR> <BR>Brendan nodded absently. &ldquo;I&rsquo;ll tell Hansen you want more frosting.&rdquo;<BR> <BR>&ldquo;I&rsquo;ve asked you to tell him that a dozen times.&rdquo;<BR> <BR>Brendan didn&rsquo;t bother to answer. Clemmons took his share of the rolls and turned away, his air of self-importance dissolving when he nearly ran into Mr. Malloy.<BR> <BR>Malloy was one of the best-known newspapermen in the city. He dodged around Clemmons, ignoring him, then smiled at Brendan. His handlebar mustache lifted to bare white, even teeth.<BR> <BR>&ldquo;Good morning, lad.&rdquo; Malloy half turned and addressed the crowd of employees. &ldquo;Never known this boy to be late as long as he has been delivering here. He&rsquo;s a lesson to us all.&rdquo; People laughed and shot back good-natured gibes.<BR> <BR>Brendan grinned. &ldquo;Good morning, sir.&rdquo; He lifted the lid of the third crate just far enough to pick out the best cinnamon bun for Mr. Malloy.<BR> <BR>&ldquo;Ah, that&rsquo;s a beauty, all right.&rdquo; Malloy reached into his vest pocket for a nickel. &ldquo;This is for your trouble.&rdquo;<BR> <BR>&ldquo;Thank you, sir.&rdquo; Brendan put the nickel in his pocket. &ldquo;What news is there today, sir?&rdquo;<BR> <BR>Malloy shook his head, frowning. &ldquo;Mine disaster in Calais, France. The report said over a hundred were killed. Terrible thing.&rdquo;<BR> <BR>&ldquo;Hey, Brendan, can you hurry it up? I&rsquo;ve got to get back to the tenth floor or my boss will kill me.&rdquo; Cal Richmond stood anxiously next to the half-open crate. His blond hair looked nearly white under the electric lights.<BR> <BR>Mr. Malloy smiled and turned back up the hallway, his polished boots clicking on the floor. Brendan watched him walk away, then turned to Cal.<BR> <BR>&ldquo;How many you need today?&rdquo;<BR> <BR>&ldquo;A dozen ought to do it.&rdquo;<BR> <BR>Cal was only a few years older than Brendan, but he was already a copyboy at the paper. Brendan liked him. Some mornings, they had time to talk a little. Cal wanted to become a reporter like Mr. Malloy. Brendan envied him. Being a reporter would be a lot more exciting than driving a bakery delivery wagon.<BR> <BR>&ldquo;See you tomorrow, Brendan?&rdquo;<BR> <BR>Brendan laughed. &ldquo;Unless Mary McDermitt is right.&rdquo;<BR> <BR>Cal smiled. &ldquo;Mary McDermitt of the Flying Rollers&#8212;&rdquo;<BR> <BR>&ldquo;&#8212;of the House of David,&rdquo; they said in unison.<BR> <BR>When they stopped laughing, Brendan shook his head. &ldquo;My father used to say there was always someone predicting the end of the world.&rdquo;<BR> <BR>&ldquo;He was right.&rdquo; Cal gathered up his boxes. He waved and started down the hallway.<BR> <BR>Brendan counted what was left in the third box. He pulled his list from his jacket pocket and wrote how many rolls he had handed out so that Mr. Hansen could bill the newspaper at the end of the month. Old man Hansen would know if Brendan was off by even one.<BR> <BR>Brendan scooped up the empty crates and hurried back out onto the sidewalk. The mare had shied at something and now stood kitty-corner in the traces. Brendan glanced upward. The sun was angling down the brick and stone buildings, working its way toward the street.<BR> <BR>Brendan backed the mare around slowly. There was a little more traffic now. Up the street on the other side of the block, he could see a few men on their way into the <i>Chronicle</i> building. After hours, every whiskey bar within a half mile was full of newsmen arguing about politics and the state of the world.<BR> <BR>A dark uniform caught Brendan&rsquo;s attention. He nodded at Officer Kerrigan, then looked quickly away. He didn&rsquo;t want to answer questions about where he was living or how he was making out. Officer Kerrigan had known his father. Every policeman in San Francisco had known his father.<BR> <BR>Brendan shook the reins over the mare&rsquo;s back. He had no time for daydreaming or dallying. His next stop was the Palace Hotel&#8212;the biggest and most important account on this route. Brendan loved the massive building, with its indoor courtyards and gardens. He had talked to several people who worked on the Palace grounds. They had told him about the fireplaces and toilets in every room.<BR> <BR>Brendan looked up at the shining windows. Someday, he would stay at the Palace, a gentleman traveler with the taste and money to appreciate the fine wines and the hours-long banquets that included ten or fifteen elaborate courses. Someday.<BR> </section>]]></Text>
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      <Text><![CDATA[<b>Now available in an affordable paper over board edition!</b><BR><BR><b>From <i>Fox & Friends</i> journalist Ainsley Earhardt, this is a lyrical lullaby to inspire children to follow their dreams and passions&#8212;perfect for baby showers or Mother&rsquo;s Day. </b><BR><BR>Fox News First news anchor Ainsley Earhardt shares her hopes and dreams and lets her child know that whatever challenges life brings, &ldquo;Take heart, my child, I will&#8212;or my love will&#8212;always be there for you.&rdquo; It&rsquo;s a universal message, one that all readers will relate to.<BR> <BR>Inspired by her own life and how her father would leave notes for Ainsley and her siblings at the breakfast table to let them know they were loved, empowered, protected, and cherished, this is an inspiring ode to the love a parent has for their children.]]></Text>
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      <Text><![CDATA[<B>For fans of Rebecca Yarros&#8217;s <I>Fourth Wing</I>, prepare to immerse yourself in Basgiath&#8217;s world with this unofficial culinary adventure. Featuring 60 recipes designed to pair dragons with their courageous riders, along with character-driven cooking tips, lore snippets, and mess hall favorites, this cookbook brings the magic of The Empyrean to your kitchen.</B><BR><BR>Dive into the world of Basgiath War College like never before with this unofficial cookbook, crafted especially for fans of Rebecca Yarros&#8217;s electrifying <I>Fourth Wing</I> and fans of romantasy. Bursting with 60 creative recipes and imaginative lore, this vibrant culinary adventure invites readers to experience the magic, camaraderie, and chaos of The Empyrean, right from their own kitchens.<BR><BR>Each chapter draws inspiration from the legendary dragons and their courageous riders, with colors, themes, and bold flavors that echo the spirit of their bonds. Begin your journey with A Rider&#8217;s Breakfast, featuring treats like Asher&#8217;s Spiced Overnight Oats, Brennan&#8217;s Honeyed Biscuits with Strawberry Jam, and (Ripe) Fonilee Berry Muffins perfect for fueling up before a high-stakes training session. For late nights spent studying or plotting rebellion, whip up Study Snacks Fit for a Scribe: Sorrengail&#8217;s Secrets Stuffed Dates or Cheesy Buoy Ball Bites are sure to keep the pages (and conversation) turning.<BR><BR>Every page is an immersive experience, blending character-driven cooking tips (look for Jesinia&#8217;s margin notes!), in-world &#8220;textbook&#8221; excerpts, and menus designed for book clubs or themed feasts. Savor Midday Fuel, such as the Basgiath Mess Hall Turkey Melt and Riorson House Chopped Salad or prepare a celebratory Feast After Flight with showstoppers like Tairn&#8217;s Feast Shepherd&#8217;s Pie and &#8220;We Do Not Eat Our Allies&#8221; Vegetarian Chili.<BR><BR>And to sweeten your day there&#8217;s Xaden&#8217;s Chocolate Cake, Dragonfire Peaches with Honey, and Andarna&#8217;s Butterscotch Chocolate Eclipse Cookies&#8212;or recover from a wild ride with healing tinctures and spirited concoctions, from Basgiath Lavender Lemonade to The Cliffhanger Spiced Espresso Martini.<BR><BR>Unofficial yet lovingly detailed from a total fan&#8217;s perspective, this cookbook is the ultimate tribute to <I>The Empyrean</I> universe and its passionate fandom. Whether you&#8217;re a kitchen cadet or a culinary wingleader, you&#8217;ll discover both practical, comforting recipes and a perfect for bringing your squad together, celebrating victories, or simply surviving another day with a dragon at your back.]]></Text>
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      <Text><![CDATA[A Note from the Author<BR><BR>Dear Fellow Wannabe Riders,<BR><BR>Welcome to <I>A Guide to the Kitchen Quadrant</I>, a culinary tribute to the world of The Empyrean; a series that swept me off my feet faster than a wyvern attack and hasn&#8217;t let me down since. This collection of recipes is inspired by the foods, characters, and moments that have made <I>Fourth Wing</I>, <I>Iron Flame</I>, and <I>Onyx Storm</I> such a deliciously wild ride.<BR><BR>I wasn&#8217;t looking for a new obsession when I picked up <I>Fourth Wing</I>. Honestly, I was looking for something to cure my book hangover from <I>that other</I> wildly popular series. What I got was a world full of dragons, rebels, heartache, and a heroine whose voice felt instantly familiar. I devoured the books (a few times, if we&#8217;re being honest), then started dreaming up what might be on the table in Basgiath&#8217;s mess hall between training sessions.<BR><BR>Some of these recipes are directly inspired by dishes mentioned in the books (yes, Xaden&#8217;s Chocolate Cake is in here). Others are born from characters, places, or just the general chaos of being a cadet at Basgiath War College. They&#8217;re meant to be practical and comforting, but never boring. Things our favorite riders would be excited to reach for again and again.<BR><BR>This cookbook is for everyone, whether you&#8217;re a kitchen cadet or a culinary wingleader. I&#8217;ve designed these recipes to be approachable, customizable, and, most importantly, fun. I hope you&#8217;ll use this book not only for everyday meals, but also for book clubs, themed parties, or a watch party (IYKYK).<BR><BR>A quick warning: this book contains spoilers for The Empyrean books 1&#8211;3. If you haven&#8217;t finished <I>Onyx Storm</I>, proceed with caution, or just embrace the chaos, like a true rider.<BR><BR>Creating this book while pregnant with my daughter, Molly, and alongside my one-year-old son, Reggie, made this whole experience feel even more meaningful. She&#8217;s not here yet, but she&#8217;s already lived through months of recipe development, rewrites, and late-night brainstorms, like her brother has twice now. If they grow up half as brave as Violet Sorrengail, I&#8217;ll consider it a win.<BR><BR>From my kitchen to yours: May your spices be strong, your knives be sharp, and your squad always have your back.<BR><BR>Until the last venin falls,<BR><BR>Chelsea Cole<BR><BR>From the Book of Brennan: Your Guide to the Guide<BR><BR><I>Fragment recovered from the personal effects of Cadet Violet Sorrengail. Annotation and confirmation by Jesinia of the Scribe Quadrant.</I><BR><BR><B>To the Reader,</B><BR><BR>If you&#8217;re reading this, congratulations: you&#8217;re still breathing.<BR><BR>You&#8217;ve crossed the parapet. Maybe you&#8217;ve lived through Threshing, the Gauntlet, betrayal, heartbreak, victory, loss. Maybe you&#8217;re covered in scars. Maybe you&#8217;re just hungry.<BR><BR>Either way, I&#8217;m not here to lecture you. Gods know you&#8217;ve had enough of that from your dragon, I&#8217;m sure.<BR><BR>This isn&#8217;t a rulebook. It&#8217;s not a codex. It&#8217;s something to get you through when your squad&#8217;s running on fumes and the mess hall is half ash. These are meals for people who&#8217;ve fought for their lives and then had to fight again before dessert.<BR><BR>So eat. Share if you can. Hide the last roll if you must. And if you burn the first batch, that just means you&#8217;re trying. Keep at it.]]></Text>
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      <Text><![CDATA[<B>Using the Gothic alphabet for runic divination</B><BR><BR>&#8226; Examines the divinatory meanings of the 25 Gothic staves and how they correspond with the 24 runes of the Norse Futhark<BR><BR>&#8226; Provides a series of rune spreads and several divination techniques for different approaches to questioning and gaining insight<BR><BR>&#8226; Explores the Goths&#8217; spiritual beliefs, cosmology, and magical systems<BR><BR>Originating in Scandinavia, the ancient Goths viewed runes as mystical symbols from the spirit realm, using them to read the cycles of fate, known as Orl&#246;g. As the Goths migrated across Europe into North Africa, they adopted a new alphabet to mask their Pagan origins. Yet the staves, or characters of the Gothic alphabet, were rooted in the sacred runes and still used for divining, leading the Roman Catholic Church to declare the Gothic alphabet &#8220;heretical&#8221; 1400 years ago.<BR><BR>Revealing here for the first time the system of seership embedded in the Gothic alphabet, Nigel Pennick examines the 25 Gothic staves and compares their divinatory insights with those of the traditional Futhark of the 24 Norse runes. Pennick considers each stave alone and as part of its aett, the three divisions of the runic alphabet. He provides rune spreads and reading techniques, including the Raed Waen divinatory rite, and explores how new meanings arise as staves are combined in dyads or triads.]]></Text>
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      <Text><![CDATA[Nigel Pennick is an authority on ancient belief systems, traditions, runes, and geomancy and has traveled and lectured extensively in Europe and the United States. He is the author and illustrator of more than 60 books, including <I>The Pagan Book of Days</I> and <I>The Ancestral Power of Amulets, Talismans, and Mascots</I>. He lives near Cambridge, England.]]></Text>
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      <Text><![CDATA[<B>Techniques of Gothic Divination</B><BR><BR>The earliest recorded technique of rune-reading tells that slivers of wood marked with characters were cast upon a cloth. From this comes the expression &#8220;casting the runes.&#8221; A similar technique was used by the Greeks, who threw the sheep knucklebones called <i>astragali </i>in a ceremonial manner. The patterns they formed gave the divinatory reading. Sometimes the astragali were marked in some way, with letters or dots like dice, and indeed, they may be the origin of dice.<BR><BR>Significantly, Icelandic folklore ascribed the invention of both the runes and of dice to Odin. Like the runes, dice originated as a technique of divination. They are related to numerical and combinatorial oracles like divinatory geomancy.* Although at one time the runes were cast, developments in technique mean that today there are many other possibilities of using symbolic letters in divination. There are two basic forms that can be used. Either the letters or runes are carved or drawn upon stones, or some form of cards can be made. Either kind lends itself to the following methods.<BR><BR>The most basic way of choosing a rune or Gothic character is simply to pull one card from the deck (or, if using rune stones, to take one stone from a bag). This gives an instant reading, which has the merit of being spontaneous but the drawback that any negative thoughts, states of mind, or surrounding conditions will inevitably be apparent. As in all traditional systems of divination, it is far more desirable to conduct a divination in a ceremonial manner. When we cast the characters ceremonially, then we must be mindful of the diviner&#8217;s location and the direction in which the divination is to be made before we conduct the ceremony. Most importantly is to be in a proper frame of mind, free of preoccupations and distractions, while conducting a divination.<BR><BR><B>RAED WAEN: RIDING THE WAGON</B><BR><BR>A useful ceremonial technique of Gothic divination is known as Raed Waen, &#8220;riding the wagon.&#8221; In this technique, the diviner places him- or herself metaphorically in the position of the god or goddess on the wagon, from which all things can be seen. Riding the wagon is a divinatory rite in which the actual casting, called the <i>shoat </i>or shoot, is carried out. When we conduct the ceremony of Raed Waen, we always consider the surrounding physical and psychic environment. As with any activity that requires harmony with prevailing conditions, it is necessary be aware of their effects upon the proceedings.<BR><BR>When we choose to conduct Raed Waen indoors, then the axis of the shoat should coincide with the main axis of the room&#8212;the <i>rig </i>or right line. This can be visualized as an imaginary straight line drawn across the floor. It need not be accurate in surveying terms, and it can be worked out easily. Theoretically, the right line should be the alignment that is best in harmony with the energies of the Earth in that room, and is therefore an aspect of the ancient art of location. In a building where the walls are oriented correctly&#8212;that is, facing the four cardinal directions&#8212;the axis should lie in the direction east&#8211;west. In the Northern Tradition, this is the direction of non-adversarial interactions, lying at right angles to the <i>presence</i>, which is the place of the gods located in the north.<BR><BR>In the Northern Tradition, the adversarial orientation has the &#8220;plaintiff&#8220; facing northward to be judged by the judge, who faces him or her southward from the presence in the north. But as in all areas of locational practice, if it is impractical to lay an east&#8211;west axis, then the rig should be laid out parallel to the longer wall, dividing the floor space into two parts.<BR><BR>Once the line has been determined, then the casting cloth, also called a <i>shoat</i>, can be aligned along this axial rig. The shoat&#8217;s dimensions should be taken from the bodily dimensions of the diviner. This measure is the diviner&#8217;s own length from his or her feet to the fingertips, when they are held at full stretch above the head. The cloth&#8217;s width should be identical with the distance between the diviner&#8217;s outstretched arms, measured from fingertip to fingertip. This is the traditional measure of the personal fathom. Of course, the cloth should be made ceremonially well in advance of the time it is needed for divination.<BR><BR>When a divination is to be made, we place the cloth on the floor in such a way that its central point is located one-third of the way along the right line. Ideally, the view of the diviner is thus along the longer part of the room. The wall in front of the diviner then becomes positive, and the wall behind her or him, negative. Proper orientation according to the traditional European principles of locational geomancy means that east is positive, west negative, with the presence north to the left and south to the right. From the inquirer&#8217;s (also known as the <i>querent</i>, the subject of the reading who is present with the diviner) viewpoint, the direction along the rig toward the positive wall is considered &#8220;up,&#8221; and that nearer to the diviner, &#8220;down.&#8221; &#8220;Left&#8221; and &#8220;right&#8221; refer to the diviner&#8217;s actual left and right.<BR><BR>Out of doors, Gothic divination has two orientational principles. It is possible either to do an orientation by the sun, as described below, or to align the shoat toward the holy island of Gotland, the spiritual homeland of the Goths. This ancestral island lies in the Baltic Sea to the east of Sweden. Its geographical location is N 57&#730;30&#8217;, E 18&#730;30&#8217;, approximately. Use a map if necessary. By orientating toward Gotland, we can partake of the spiritual qualities of the sacred land when we use the Gothic technique. Alternatively, we can orientate the right line toward the sun at the time that we are performing the ceremony. According to traditional belief, human energy flows toward the sun, while the sun&#8217;s energy comes toward us in a complementary manner. Naturally, this direction is changing continuously, and its actual orientation depends on the time of day. At true midday, the sun stands due south, and at midnight, though it invisible to us &#8220;beneath the Earth,&#8221; it stands at due north. The other times of day and night have their own proper solar orientation, with the sun appearing to complete a whole cycle in twenty-four hours. In the Northern Tradition correspondence used here, each of these twenty-four hours corresponds with one of the twenty-four Gothic runes, and the first twenty-four Gothic letters. Only the Gothic character Quairtra is outside and beyond the cycle.<BR><BR>We can visualize this whole character-circle if we think of ourselves standing inside a circular building with a series of twenty-four stained glass windows all around us. Each of the windows is filled with radiant glass depicting one of the Gothic characters in its appropriate position. Each occupies one twenty-fourth part of the circle. During the daylight hours, we could see the sun illuminating each character in its proper turn at the correct hour. This is because each character is located at a certain <i>airt </i>(compass direction) that corresponds with the direction of the sun at a specific hour of the twenty-four-hour cycle.<BR><BR>The day cycle begins with the character Faihu, or the Gothic letter Fe. It commences at 12:30 and runs until 13:30. When we use local solar time, which is shown by a sundial, then the sun is in any one Gothic character-direction at its corresponding time of day. Correspondingly, the rune Jer or the character Gaar occupies the northernmost slot, while Dags/Daaz is the most southerly. The character guarding the eastern airt is Bairkan or Bercna, while Kusma or Chozma stands as the representative of the west.<BR><BR>The other characters occupy their corresponding positions in the day circle. Each Gothic character- hour runs from the half before the &#8220;hour&#8221; until the half after it. Using the twenty-four-hour clock, we can see that the character hour of Jer/ Gaar begins at 23:30 hours and is active until 00:30 hours. The next character hour, Aihus/Waer, runs from 00:30 until 1:30, and so on. The final Gothic character hour in the circle, ruled by Dags/Daaz, begins at 11:30 and ends at 12:30 hours.<BR><BR>It is a general principle that, unless there are exceptional circumstances, it is undesirable to conduct divinations during the hours of darkness. According to Northern Tradition teachings, divinatory procedures should take place &#8220;In the face of the Sun, and the eye of the light.&#8221; But when a divination must be carried out for a special reason in relation to a certain character and its corresponding direction, then it may have to be performed at night. This comes about because sometimes it is necessary to make the shoat in the direction of a specific character at the corresponding character-hour of the day or night. In these cases, the rig that we use must face toward the apparent position of the sun, whether it is visible or not.]]></Text>
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      <Text><![CDATA[Introduction<BR><BR>Techniques of Gothic Divination <BR><BR><B>RUNIC AND GOTHIC CHARACTERS&#8217;<BR>MEANINGS AND EXEGESIS<BR></B><BR><I>The First Aett</I> <BR><BR><B>Faihu &#9674; Fe <BR><BR>Urus &#9674; Uraz<BR><BR></B><B>Pauris &#9674; Thyth<BR><BR>Ansus &#9674; Aza<BR><BR>Raida &#9674; Reda<BR><BR>Kusma &#9674; Chozma <BR><BR>Giba &#9674; Gewa<BR><BR>Winja &#9674; Winne</B><BR><BR><I>The Second Aett</I> <BR><BR><B>Hagl &#9674; Haal <BR><BR>Nauts &#9674; Noicz<BR><BR>Eis &#9674; Iiz<BR><BR>Jer &#9674; Gaar<BR><BR>Aihus &#9674; Waer<BR><BR>Pairtra &#9674; Pertra<BR><BR>Algs &#9674; Ezec<BR><BR>Sauil &#9674; Sugil<BR></B><BR><I>The Third Aett</I> <BR><BR><B>Teiws &#9674; Tyz<BR><BR>Bairkan &#9674; Bercna<BR><BR>Egeis &#9674; Eyz<BR><BR>Mannaz &#9674; Manna<BR><BR>Lagus &#9674; Laaz<BR><BR>Iggws &#9674; Enguz<BR><BR>Odal &#9674; Utal <BR><BR>Dags &#9674; Daaz<BR></B><BR><B>Quairtra</B> <BR><BR><I>Triads of Characters</I><BR><BR>Appendix: Correspondences of the<BR>Gothic Runes and Characters<BR><BR>About the Author]]></Text>
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      <Text><![CDATA[<B>Sacred resonance for healing and higher consciousness by intoning the Divine Name</B><BR><BR>&#8226; Explains the healing and transformational power of intoning the Divine Name<BR><BR>&#8226; Teaches how to correctly intone the Divine Name through exercises and audio downloads for maximum vibrational effect<BR><BR>&#8226; Reveals how the sacred sound of the Divine Name can be used to promote human and planetary healing<BR><BR>In this book, sound healing expert Jonathan Goldman reveals the secrets of ascension harmonics and how we can learn to experience the sacred resonance of the Divine Name to reconnect to the source of all that is.<BR><BR>First prohibited from being spoken and then lost for nearly 2,500 years, the Divine Name of God, when vocalized, has the ability to raise consciousness, invoke spiritual transformation, heal the body, and balance and activate the subtle energy field.<BR><BR>Goldman shares his rediscovery of the Divine Name&#8212;the Biblical Tetragrammaton&#8212;as being a harmonically related universal sequence of vowels that is nondenominational and can be experienced by everyone. He gives a step-by-step process for effectively intoning the Divine Name with intention and prayer and offers links to 60 minutes of audio downloads that will teach you how to properly sound the Divine Name through chakra and biofield resonance.<BR><BR>Goldman also presents the latest research on the effects of this sacred sound on DNA and water and introduces readers to the Angel of Sacred Sound. He reveals how to integrate biofield resonance with universal spiritual teachings to access the ascension harmonics of the Divine Name and bring humankind to the next level of evolution.]]></Text>
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      <Text><![CDATA[Jonathan Goldman, MA, is a founding pioneer and international authority in the field of sound healing with more than 50 years of experience. He facilitates Healing Sounds Seminars throughout Europe and the United States, is the president of Spirit Music, Inc., and is the director of the Sound Healers Association. A Grammy nominee with more than 30 bestselling, award-winning recordings and books, he lives in Boulder, Colorado.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>In the Beginning</B><BR><BR>I remember as a child being with my parents in a synagogue on Yom Kippur, the highest of holy days of the Jewish year, looking at the prayer books and seeing the Hebrew word &#1497;&#1492;&#1493;&#1492; . Someone pointed at this word, composed of the Hebrew letters <i>Yod Hey Vav Hey</i> (written in English as <i>YHVH</i>), and in a hushed voice said: &#8220;That&#8217;s the secret name of God. It&#8217;s so special that whenever we come to it in prayer, we say &#8216;Adonai&#8217; because this secret name can never be spoken.&#8221;<BR><BR>The concept was breathtaking and awe inspiring! A chill went through my young body as I stared at the word. A secret name that could never be spoken? That was something I wouldn&#8217;t forget. Years later, as my interest in this name continued, I was told by someone versed in Hebrew mysticism that the name &#1497;&#1492;&#1493;&#1492; was really pronounced &#8220;Yahweh.&#8221;<BR><BR>Yahweh. Yahweh! Yahweh?<BR><BR>With bated breath I tried it: &#8220;Yahweh.&#8221; My heart raced, but nothing very special happened. I tried it again: &#8220;Yahweh.&#8221; My heart still raced, but I hadn&#8217;t been struck by lightning . . . nor had I experienced enlightenment. I tried it a third time, and when still nothing happened, I shrugged and moved on with life, deciding this secret name wasn&#8217;t what it was cracked up to be.<BR><BR><B>The Dream</B><BR><BR>Then, decades later, came the dream. The year was 1993. I had just spoken at the International Sound Colloquium in Epping, New Hampshire, presenting material on the uses of sound as a healing modality. Before returning to my home outside Boulder, Colorado, I visited with my dear friend and teacher Sarah Benson and her husband, Donald Beaman, in Chelmsford, Massachusetts, a suburb of Boston.<BR><BR>Sarah was the woman who had first initiated me into the power of sound more than a dozen years before, setting me on this path of sound healing. She continued to be my teacher, friend, and guide as I made my journey on this planet. I suppose it is only fitting that I should have had this experience of the Divine Name while at her home. My previous book, <i>The 7 Secrets of Sound Healing</i>, was dedicated to Sarah, whom I described as &#8220;The Divine Mother of Sound Healing.&#8221; Nothing has changed since that dedication, except that Sarah has transited from this planet. I still feel her presence.<BR><BR>Years before this dream, I&#8217;d discovered a system of using specific vowel sounds to resonate the chakras. That had come to me on March 21, 1986. I remember the date well because I&#8217;d been engaged in a powerful meditation that had assisted in this discovery.<BR><BR>Please know that I wasn&#8217;t alone or original in the idea of using the vowel sounds for chakra resonance&#8212;I&#8217;d drawn upon the knowledge and experience of others and simply modified some of these sounds to find a specific system that worked best for me.<BR><BR>In truth, I must admit that I don&#8217;t remember the exact details of the dream I experienced at Sarah&#8217;s. I just recall waking up and being &#8220;told&#8221; to write down the system of vowels that I&#8217;d developed back in the &#8217;80s to tone the seven chakras. This system&#8212;which I&#8217;d been teaching for many years to balance the chakras&#8212;utilized a particular sequence of vowel sounds in which I would begin sounding the first chakra, located at the base of the spine, going upward until the seventh chakra, at the top of the head, was reached. The Sacred Sound<BR><BR>Awakening from the dream at Sarah&#8217;s, I was told to sound the chakras in a specific order. I wrote down the new order of vowel sounds and examined what I&#8217;d written. It was simply a reversal of the normal routine I&#8217;d been teaching on an almost weekly basis, only with a bit of a twist: I would start at the crown chakra and go down to the root chakra, and then go back up to the crown chakra. In all my years of teaching this system, I&#8217;d never reversed the order by starting at the seventh chakra and going to the first. Nor had I taken a further step and gone back up to the seventh.<BR><BR>But what could be special about that? I had to try it. Two things immediately happened:<BR><BR>1. As I intoned the vowels in this new manner, I felt the energy go from the top of my head down to the bottom of my spine, and then back up to and out the top of my head.<BR><BR>2. I distinctly heard the name &#8220;Yahweh&#8221; in the elongated vowels I&#8217;d sounded.<BR><BR>In truth, I&#8217;d expected the first experience to occur, since I already knew about the vibratory relationship between vowels and the chakras. But I was absolutely astonished by the sonic revelation of the second experience. Somehow it seemed that I&#8217;d stumbled upon, or been guided to, the correct vocalization of the Divine Name&#8212;the Tetragrammaton. In actuality, this wasn&#8217;t a spoken word, but rather a sound composed of elongated vowels that had to be <i>intoned!</i><BR><BR>I knew I&#8217;d discovered something big. Extremely important. Perhaps even earth-shattering. And it was so very, very sacred. If legends about it were correct, it might even be a sound that could change the world!<BR><BR>Just one question remained . . .<BR><BR><B>What Was I to Do?</B><BR><BR>My response was initially to do nothing. You might well be wondering why I would choose such a course. The answer is simple&#8212;I wanted to be responsible. I&#8217;d been taught that this was a name so powerful and sacred that it was never supposed to be spoken. As will be discussed in the next chapter, its pronunciation had been suppressed, banned, and ultimately lost for millennia. I needed to determine if the vocalization I&#8217;d discovered&#8212;the actual intonation of the Divine Name as vowel sounds, not as a spoken name&#8212;should be shared with others. It certainly was the most powerful sound I&#8217;d ever experienced, and represented what I perceived as being the embodiment of Divine Light and Love through Sound. I&#8217;ve always tried to be extremely responsible when teaching information and techniques about the power of sound. This was no exception.<BR><BR>I began to slowly share my discovery with several people, including my wife, Andi, and a few extremely attuned sound-healing students of mine. Their impression of the Divine Name was similar to what mine had initially been&#8212;that it was the most powerful sound for attuning with the Divine that they&#8217;d ever experienced. We all agreed that at the time it was too powerful to share.<BR><BR>I immediately committed to secrecy anyone with whom I shared this. While the sounding of the Divine Name was relatively easy and simple to teach, I declined to do so. It wasn&#8217;t yet time. I didn&#8217;t know exactly when that &#8220;time&#8221; would be, but I was sure I would know when it arrived.<BR><BR><B>The Gregg Braden Connection</B><BR><BR>Years passed without further revelation of the Divine Name to others. Then in 2004, I attended a weekend presentation by Gregg Braden. Gregg and I had met several years before through a mutual friend, James Twyman. I&#8217;d always appreciated the information and clarity of thought in Gregg&#8217;s writings. In addition, after our initial meeting, we kept communicating and developed a deep resonance between us. We began a friendship that grew, and continues to grow, to this day.<BR><BR>Gregg had come to Denver to give a presentation based upon his latest book, <i>The God Code. </i>He invited Andi and me to be his guests at this program. The weekend began with a Friday-night multimedia lecture, and by the end, I was astounded by the material that had been covered. I turned to Andi and said, &#8220;I can&#8217;t believe this&#8212;Gregg is teaching a form of Kabbalah to the public. This is remarkable!&#8221;<BR><BR>Kabbalah is Judeo-Christian mysticism. It is defined as a body of mystical teachings of rabbinical origin, often based on an esoteric interpretation of the Hebrew scriptures. The tradition of Kabbalah is claimed to have been handed down orally from Abraham, who was the patriarch not only of Judaism but of Christianity and Islam as well. (The followers of these three religions, account for more than half the world&#8217;s population.)<BR><BR><i>Kabbalah </i>literally means &#8220;to receive,&#8221; for that is how most of the mystics got their information&#8212;through receipt of Divine messages during meditation, in prayer, or while reading the Holy Scriptures. It&#8217;s one of the most powerful spiritual approaches I&#8217;ve encountered. At the center of much of Kabbalah is the use of the Divine Name&#8212;the Tetragrammaton&#8212;as a vehicle to receive Divine inspiration during meditation and prayer.]]></Text>
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      <Text><![CDATA[Foreword by Gregg Braden <BR><BR>Preface <BR><BR>Acknowledgments<BR><BR>Introduction <BR><BR><B>PART I<BR></B>Discoveries and Revelations <BR><BR><B>1 </B>In the Beginning <BR><BR><B>2</B> By This Name Shall I Be Known<BR><BR><B>3</B> The Divine Name as Vowels <BR><BR><B>PART II<BR></B>Sacred Sound <BR><BR><B>4</B> Exploring Sacred Sound <BR><BR><B>5</B> Sounds of Power<BR><BR><B>6</B> Vowels and Harmonics <BR><BR><B>7</B> The Chakras and Sound <BR><BR><B>PART III<BR></B>Learning to Intone the Divine Name<BR><BR><B>8</B> Toning the Chakras<BR><BR><B>9</B> Vowels as Mantra Sound Bites<BR><BR><B>10 </B>The Technology of Intoning the Name<BR><BR><B>11</B> The Divine Name as Prayer <BR><BR><B>PART IV</B><BR>Finale <BR><BR><B>12</B> The Sound That Can Change the World <BR><BR><B>13</B> The Aura Imaging Phenomenon <BR><BR><B>PART V<BR></B>Encore<BR><BR><B>14</B> The Name That Rusheth <BR>Through the Universe <BR><BR><B>15</B> The Mystery of the High Priest<BR><BR><B>16</B> Effects on Water and DNA <BR><BR><B>17</B> Angel of Sacred Sound <BR><BR>Coda <BR><BR>Frequently Asked Questions <BR><BR>Recommended Resources <BR><BR>Audio Download Instructions<BR>and Track Listing <BR><BR>Bibliography<BR><BR>Index<BR><BR>About the Author]]></Text>
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      <Text><![CDATA[&ldquo;Read this book, practice the sounds, and allow Jonathan Goldman to lead you up your own stairway to heaven.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;I am a true believer that this book can induce an inner journey of transformation that can restore health, enhance creativity, and reignite our passion for life.&rdquo;]]></Text>
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      <Text><![CDATA[<I>&ldquo;Ascension Harmonics</I> is a precious guide for anyone who has a voice and wants more magic, healing, and joy in their lives. It teaches how the vowel sounds can become the foundational practices for elevating consciousness. A practical, empowering read for anyone on the path to light.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Jonathan Goldman&rsquo;s work has been profoundly influential in my life and on my journey into the healing power of sound. Once again he bridges ancient wisdom and modern understanding, revealing the sacred potential within our own voice. This book is an invitation and a guide for anyone ready to experience sound as a pathway to healing, transformation, and higher awareness.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Jonathan Goldman is truly a pioneer in the field of harmonics, so when there is any new information from him, I always jump to see what it might be. This time, it&rsquo;s revolutionary work with sacred sound and DNA! This book is the next step in our understanding of ourselves.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;A book that sings to the soul. The sacred utterance of the Divine Name, YHVH, is known as one of the highest blessings one can bring to humanity. Let the knowledge of the Sacred Tones awaken the inner guidance of our hearts and elevate us into the heavens.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Jonathan Goldman brings to sound healing that which is ancient and that which is new. He intertwines and weaves sound healing traditions through his words into the word&#8212;the divine name of God. He empowers us to connect with the universality of the Divine on our own terms through his understanding that Frequency + Intent = Healing.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Jonathan Goldman has always been one of the true pioneering voices in sound, and <I>Ascension Harmonics</I> continues that legacy, combining neverbefore- shared information that opens doorways to the heart, the Divine, and the profound healing power of sacred sound.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;A luminous re-emergence of a transformative lineage. The revelations about how this sacred vibration touches DNA, water, and higher realms are both profound and practical, inviting readers from all backgrounds to experience a direct, living connection to the universal harmonics that underlie our shared humanity.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Jonathan Goldman is a seeker and a scholar who has advanced the field of sound health immeasurably throughout his lifetime. His dedication to the medium of sound and love of living as a spiritual being consistently inspires. <I>Ascension Harmonics</I> is the embodiment of his passion for sound and spirit. Thank you, kind sir!&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;In this extraordinary book, the Divine Name of God is created through the power of intoned vowel sounds, a practice that harks back to the days of ancient Egypt. Jonathan Goldman provides a beautiful exposition of the Divine Name, a rediscovered spiritual technology that is much needed in today&rsquo;s world, engendering inner peace that radiates outward as a healing, peace-embracing light.&rdquo;]]></Text>
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      <Text><![CDATA[<B>Using science to know and embody your Soul for optimal health</B><BR><BR>&#8226; Explains how to connect with your Soul for inner guidance, peace, and an opportunity to reach your highest potential<BR><BR>&#8226; Offers integrative psychological, spiritual, and mind-body practices to help you reduce stress and your reactive behaviors, and reconnect with your higher consciousness<BR><BR>&#8226; Reveals your Soul&#8217;s purpose through proven methodology and shows how to cultivate gratitude, compassion, and happiness by living an authentic life<BR><BR>Exploring the intersection of spirituality and neuroscience&#8212;utilizing both to optimize spiritual and mental health&#8212;psychiatrist and neuroscientist Helen Lavretsky shows that the evolution of the Soul is the purpose of life. Drawing on the latest research and examples from her clinical practice, Lavretsky helps you know and embody your Soul&#8212;a union that provides inner guidance, peace, balance, happiness, and an opportunity to reach your highest potential.<BR><BR>Lavretsky aims to put the psyche (soul) back into psychology using a proven methodology to enable you to control reactive behavior and reconnect with higher consciousness. She gives guidance on how to navigate challenges and spiritual emergencies, such as the Dark Night of the Soul, with enhanced intuitive abilities and clarity.<BR><BR>With clinical examples and more than 20 practical exercises, Lavretsky shows how you can incorporate the neuroscience of spiritual awakening to transform negative thoughts and feelings into a sense of excitement and curiosity. This will increase your ability to reduce stress, regulate negative emotions, improve your brain health, and cultivate gratitude, compassion, and a consistent sense of serenity and well-being by living a truly authentic life.]]></Text>
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      <Text><![CDATA[Helen Lavretsky, MD, MS, is an integrative and geriatric psychiatrist, neuro-scientist, and a professor of psychiatry at UCLA. She directs clinical and research programs in integrative mental health and serves as a director of research for the UCLA Integrative Medicine Collaborative. She lives in Los Angeles.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>Finding My Soul&#8217;s Path<BR></B><BR><i>No one saves us but ourselves.</i><BR><BR><i>No one can, and no one may.</i><BR><BR><i>We ourselves must walk the path:</i><BR><BR><i>Buddhas only point the way.</i><BR><BR>PAUL CARUS, <i>KARMA: A STORY OF</i><BR><BR><i>BUDDHIST ETHICS </i>(1894)<BR><BR>Do you know why you were born? Do you know the purpose of your life, or what you are destined to experience?<BR><BR>Like most of us, throughout my childhood and into my adult years, I believed we were born to attain an education, work, get married, and have children. Then, at the end, we would die and be buried in a lush, green cemetery, finally finding peace. So that&#8217;s what I set out to do.<BR><BR>I was determined to make the best of my life, dying peacefully after having achieved success and a satisfying, accomplished, purposeful life. These ideas and my attitude toward life were instilled in me by my upbringing and my Russian Jewish heritage. Throughout life, expectations were placed on me by my parents and my contemporaries, and I did my best to meet them.<BR><BR>I grew up in Moscow surrounded by intellectuals and scientists, often feeling that I was born to become a psychiatrist. My mother was and still is a practicing psychiatrist, and my father was a neurologist. I had easy access to their large collection of books, which introduced me to the workings of the mind and the brain. Before the age of ten, I read books about cerebral palsy and Down syndrome. A natural empath and sensitive, I was strangely attracted to the pictures of young children who were clearly suffering. Why did they suffer? I wanted to help them.<BR><BR>My first &#8220;patient&#8221; was a friend of mine&#8212;a three-year-old boy who was completely mute. Though he struggled to communicate, I intuitively understood his wishes and translated them to the adults. I went on to receive years of medical training, but at its essence, what I do for my patients today is not much different than what I did for that boy. I understand their suffering, and I help them communicate with the world, thereby helping to alleviate that suffering.<BR><BR>Growing up, though spirituality was never part of our life, I was aware on some level of my intuitive and psychic abilities. I was a sensitive child who often experienced premonitions that came true, and from the time I could speak, I found myself intuitively &#8220;reading&#8221; people (understanding their desires and motivations). My mother was disturbed by my abilities and consulted with psychologists.<BR><BR>During my adolescence, I began painting, using art as a means of expressing my deeper psychic visions, which terrified her. My paintings underscored my mother&#8217;s view of me as being at least &#8220;strange.&#8221;<BR><BR>At age sixteen, I created a painting that so resonated with me throughout my life that I went on to reproduce it in multiple media, including oils, photography, silk screening, and collage. The image, which still guides me today, was of my head and neck sticking out of the water, facing infinity, the stars, and the moons of the universe. This was one of three paintings that I carried with me across the borders when we immigrated to the United States. It was not until my early fifties that I fully realized what that painting represents, which is my inner knowledge of my deep connection to the Universe, Divine Mother, and Source, where I am but a droplet in her ocean of consciousness.<BR><BR>It was rather remarkable that this knowledge came through me into that first painting. This would be one of several that guided my life and helped in manifesting places and events, which is a function of transcendent art practice (I had no such concept in mind at that time). After all, I had been raised in a culture of militaristic atheism. To some extent, Christian Russian Orthodox churches were available to us, despite the suppression of communism. But somehow, in my adolescence I came across books that exposed me to Judaism, Hinduism, Buddhism, and other world religions. I was drawn to them&#8212;not one, but broadly. I even tried yoga and shifted my diet accordingly by going on prolonged fasts. This was based on information I found in borrowed books, as no yoga classes were available in Russia at that time.<BR><BR>During high school, I started to develop an interest in psychiatric research. My very first summer job at fifteen was in the pharmacy of a psychiatric hospital. I watched with curiosity as patients with severe mental illness wandered through the beautiful garden of the hospital. As part of a vocational rehabilitation program, they worked in the greenhouses, growing fresh fruits and vegetables. At the time, such programs were the mainstay of psychiatry in Russia.<BR><BR>For a high school science project, I performed hypnosis on a classmate, again following the procedure outlined in a book. I used a pendulum and classified their responses. Later, after reading an old French phrenology book, I examined classmates&#8217; skulls using the topography to make phrenological descriptions of their personalities. This gained me some popularity among my peers and was an early sign of what would blossom into a deep interest and exploration of mind-body interventions and brain biomarkers.<BR><BR>In 1979, I entered the Moscow Medical Institute, where I immediately joined a research interest group in the psychiatry department. I performed my first official research study, which was on psychiatric manifestations in women with gynecological cancers. I got an opportunity to practice research methods, and I learned about the difficult feelings women deal with when facing terminal cancer, along with my own reaction to their suffering and the dying process. I was fascinated by the combination of intellectual inquiry and emotional discovery, and I spent every weekend working on the project. The study resulted in my first published paper, which won an award at a medical student research conference in Moscow.<BR><BR>After graduating, I started a psychiatry residency at the Moscow Center of Mental Health of the Academy of Medical Sciences, where I became interested in geriatric psychiatry and the brain-behavior relationship in patients with melancholic depression and post-stroke depression. After I completed my residency, I relocated to the United States. I was part of the third wave of Russian Jewish immigration just before the fall of the Soviet Union. There was a sense of impending doom in the air, and it was a relief to escape it. It was a drastic move, yet at the time, the full drama was lost on me.<BR><BR>I had to repeat my training in psychiatry, and after passing board examinations, I was matched to a residency in psychiatry at the University of California, Los Angeles, Veterans Administration campus. From there on, I completed a fellowship in geriatric psychiatry and the National VA fellowship in neuroscience, after which I joined and remained on the faculty at UCLA for the next twenty-seven years.<BR><BR>At UCLA, I did notice that, for the first time in my life, I felt at home. The melting pot that is Los Angeles was more accepting of me than Russia ever was. What made me stand out in Russia helped me fit in in California, where diversity was the norm. I loved living in LA and felt like I belonged there. My bond with the university was strengthened when I explored the marvelous biomedical library and discovered a book in its stacks by my great-uncle, Alexander Shmaryan.<BR><BR>Shortly after World War II, he had served as the chief psychiatrist of Russia and was responsible for the development of neuropsychiatry, based on his study of war-related brain injuries. His book was forbidden in Russia. It had been removed from libraries as part of Stalin&#8217;s purges of Jewish physicians and scientists. These bans also included luminaries such as Alexander Luria, a prominent neuropsychologist who contributed greatly to our knowledge of the relationship between brain and behavior.<BR><BR>In addition to the library, I spent a lot of time in the nearby botanical gardens preparing for my medical boards, feeling supported by the old trees. Once I passed the exams, I was matched to the UCLA&#8211;San Fernando Valley residency program in psychiatry, a program that was receptive to my research interests. I liked the people there, and the hospital with its vast green gardens reminded me of early experiences working in the pharmacy of the psychiatric facility in Russia. Given my fluency with models of socialized medicine, I found it easy to adjust to the medical operations at the facility, which were similar. And it was in this facility that I met a patient who would make a lifetime impression on me.]]></Text>
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      <Text><![CDATA[Preface<BR><BR><B>1</B> Finding My Soul&#8217;s Path <BR><BR><B>2</B> In Search of the Soul Connection<BR><BR><B>3</B> Benefits of Knowing Your Soul <BR><BR><B>4</B> Learning to Speak the Soul&#8217;s Language<BR><BR><B>5</B> The Science of Self-Regulation<BR><BR><B>6</B> Developing Intuition and Inner Guidance <BR><BR><B>7</B> Dealing with Trauma from a Soul&#8217;s Perspective <BR><BR><B>8</B> Building Resilience with Mind-Body Medicine <BR><BR><B>9</B> Whole Person Health: <BR>Lessons from Ancient Healing Practices<BR><BR><B>10</B> The Role of Beauty and Expressive Arts <BR><BR><B>11</B> Our Bodies Are of the Earth and<BR>Souls Are of Heaven: Connecting with Nature <BR><BR><B>12</B> The Promise and Perils of Psychedelics<BR><BR><B>13</B> The Evolution of Consciousness Is upon Us<BR><BR><B>14</B> Technology from a Soul Perspective <BR><BR><B>15</B> Spiritual Emergencies<BR><BR><B>16</B> Is There a Happy Death? <BR><BR>Epilogue <BR><BR>Acknowledgments <BR><BR>Notes<BR><BR>Bibliography<BR><BR>Index]]></Text>
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      <Text><![CDATA[<I>&ldquo;Living from the Soul</I> offers an opportunity to deepen your connection to your soul. Dr. Lavretsky shares a vast range of healing and spiritual practices from her award- winning research of wisdom traditions.&rdquo;]]></Text>
      <TextSourceTitle>Elissa Epel, PhD, professor of psychiatry, University of California, San Francisco, and author of Th</TextSourceTitle>
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      <Text><![CDATA[&ldquo;A luminous weaving of neuroscience and spirit, this book offers not just a theory, but a living pathway home. By grounding profound spiritual insights in rigorous scientific observation&#8212;from MRI studies to epigenetic changes&#8212;it masterfully rebuilds the bridge between the soul and modern psychiatry. Lavretsky&rsquo;s unique perspective, born from both clinical expertise and deep personal awakening, reframes trauma, resilience, and healing as sacred journeys of consciousness. This is more than a guide; it is an invitation to remember who you are, to reclaim your voice as a creator, and to live from that place of sovereign inner light.&rdquo;]]></Text>
      <TextSourceTitle>Anna Yusim, MD, author of Fulfilled, clinical assistant professor at Yale University, and cofounder</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Lavretsky understands deeply what makes life ultimately worth living: spirituality born of purpose and meaning, of love for others and for oneself. <I>Living from the Soul</I> provides a remarkable journey into the convergence of contemporary brain science and well-being. The book is rich with easy-to-understand observational and experimental data, portrayed with illustrations from the Lavretsky laboratory. This is a book of great importance, addressing the need to harmonize and to re-integrate humanism within medical science. As such, it is a gift to anyone seeking to awaken fully to the beauty and joy of being alive in the midst of manifold uncertainties.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;This book masterfully weaves neuroscience, psychiatry, and spirituality into a hopeful vision of advanced human development. Grounded in research yet rich with wisdom, it shows how awakening&#8212;or living from the soul&#8212;affects the brain, mental health, and spiritual purpose. It is both intellectually illuminating and deeply nourishing for anyone longing to integrate science, spirit, and lived experience.&rdquo;]]></Text>
      <TextSourceTitle>Connie Zweig, PhD, author of The Inner Work of Age and Meeting the Shadow on the Spiritual Path</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Drawing on years of clinical and scientific scholarship, Helen Lavretsky demonstrates that spiritual awakening&#8212;often viewed as ineffable&#8212;can be understood as a measurable, transformative brain-based process. With clarity, compassion, and rigor, she offers an integrative framework linking inner experience to healing, meaning, and resilience. This book will resonate with clinicians, researchers, and all seekers interested in an evidence-informed understanding of human flourishing.&rdquo;]]></Text>
      <TextSourceTitle>Dilip V. Jeste, MD, director of the Global Research Network on Social Determinants of Mental Health</TextSourceTitle>
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      <Text><![CDATA[&ldquo;We live in a world dominated by materialistic life goals, which are well known to be ultimately unsatisfying with respect to achieving a gratifying life purpose and meaning as well as quality of life. This book&#8212;written by a leading neuroscientist, mind-body medicine researcher, UCLA professor, and psychiatrist&#8212;shares suggested practices, discusses practical issues and challenges, and also provides a wealth of comprehensive and detailed information on the psychophysiology, neuroscience, psychology, and philosophy of spirituality and transcendental states. Lavretsky explains the importance of all these for achieving true happiness and a fulfilling and rewarding life.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Nicolette Miele is a pagan, writer, rune worker, and herbalist. She has practiced witchcraft for more than 20 years with focuses on runes, folk herbalism, alchemy, and trance meditation. She is the owner and operator of Handfuls of Dust Apothecary LLC, offering rune readings and handmade ritual products. She lives in Pittsburgh, Pennsylvania.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Coby Michael is a practitioner of the Poison Path of occult herbalism and a cultivator of entheogenic herbs. He contributes to the Pagan Archives at Valdosta University, writes regularly for <I>The House of Twigs</I>, and maintains a blog, <I>Poisoner&rsquo;s Apothecary</I>, on Patheos Pagan. He teaches classes and online workshops on plant magic, baneful herbs, and traditional witchcraft. He lives in Florida.]]></BiographicalNote>
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      <SubjectHeadingText>SHADOW WORK;PLANT MEDICINE;HERBS;ADDICTION RECOVERY;HEALING;TRAUMA;PSYCHIC;NEUROSCIENCE;TRANSFORMATION;SPIRITUALITY;RITUAL;DIVINE FEMININE;HERBALIST;ALCHEMY;MAGIC;SHAMANISM;ENTHEOGENIC PLANTS;NERVINES;ADAPTOGENS;ANXIETY RELIEF;GRIEF;PSYCHE;SUBSTANCE ABUSE;RECOVERY;SELF-CARE;INTUITION;SPIRITUAL HEALING;MIND-BODY CONNECTION;ENERGY;ANCIENT WISDOM;WOODLAND HERBS;FOREST BATHING;BAST PLANTS;HERBAL FORMULAS;TEAS;TINCTURES;RITUAL BATHS;HOLISTIC HEALING;CULTIVATE COMPASSION;ECOLOGY;PLANT ALLIES;SPIRITUAL REBIRTH</SubjectHeadingText>
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      <Text><![CDATA[<B>A guide to shadow work with herbs</B><BR><BR>&#8226; Introduces herbs that can help us explore our hidden depths, release trauma, grief, and shame, ease stress and anxiety, and support addiction recovery<BR><BR>&#8226; Looks at the healing abilities of plants associated with the Divine Feminine, the powers of poisonous and entheogenic plants, and how to use them safely<BR><BR>&#8226; Provides a detailed formulary for incorporating shadow work herbs into daily life, including recipes for teas, tinctures, oils, and ritual baths<BR><BR>Through their holistic healing abilities, plants are ideal allies for those seeking to embrace their shadow self and experience spiritual rebirth. Clinical herbalist and pagan Nicolette Miele introduces plants that can help us explore our hidden depths, release trauma and grief, support recovery from addiction, and heal our psyche.<BR><BR>Miele examines what shadow work is and the importance of accepting our shadow. She explores the use of nervines and adaptogens&#8212;herbs that calm stress and stabilize the nervous system, showing how when the nervous system is balanced, you can more easily connect with your intuition and your higher self. She also provides a detailed formulary for incorporating herbs into daily life, including recipes for teas, tinctures, oils, and ritual baths.<BR><BR>Presenting plants with poisonous or entheogenic qualities, Miele reveals how these plants are profoundly connected to shadow work. She explains how to work with them safely as plant spirit allies without direct contact or consumption. She also looks at plants associated with the Divine Feminine and how they can aid in integrating the hidden aspects of ourselves, and she provides practical advice on using herbs and ritual for healing trauma, depression, anxiety, heartbreak, and sexual shame.<BR><BR>This guide to shadow work with plants not only reveals new paths to healing, it also reminds us that darkness holds beauty and is an essential counterpart to light.]]></Text>
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      <Text><![CDATA[Nicolette Miele is a pagan, writer, clinical herbalist, animal advocate, and founder of Handful of Dust Alchemy. The author of <I>Runes for the Green Witch</I> and <I>The Runes and Roots Oracle</I>, she lives in Pittsburgh, Pennsylvania.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>Hello Shadow<BR></B><BR><i>One need not be a chamber to be haunted. One need</i><BR><BR><i>not be a house. The brain has corridors . . .</i><BR><BR>EMILY DICKINSON<BR><BR>I hope I don&#8217;t sound too cynical, but I&#8217;ve never been a fan of the whole &#8220;love and light&#8221; and &#8220;good vibes only&#8221; culture. Don&#8217;t get me wrong&#8212;love, light, and positivity are wonderful; but they are only part of what it means to exist, to be a person. When I hear &#8220;good vibes only&#8221; what I&#8217;m really hearing is that my whole, complex self and complicated emotions are not acknowledged. Of course, there are situations where we must set aside our personal challenges&#8212;work being one example. We also would never want to go to a friend&#8217;s birthday party or a relative&#8217;s wedding, for instance, and disrupt the festive atmosphere with our personal tales of woe. But maybe before we put on our game face at work, we approach a manager or a trusted coworker and say, <i>I&#8217;m</i> <i>struggling</i> <i>a bit right now, please bear with me</i>. Maybe at the wedding we take a moment to confide in Nana and seek comfort in a hug.<BR><BR>There will inevitably be times when we are fresh out of good vibes and all we can muster is a half-assed fake smile. There will be days when we&#8217;re walking embodiments of sadness, cynicism, and darkness, especially if we&#8217;re suffering with things like loss, addiction, chronic illness, mental illness, or depression. As someone who has dabbled in four out of the five (I know, now I&#8217;m just bragging), I can tell you that a phrase like &#8220;good vibes only&#8221; earns itself the label of toxic positivity for a reason. Toxic positivity is when positive thinking and happy emotions are overly promoted and encouraged, even when they are not suitable or can be detrimental. Picture it: It&#8217;s two o&#8217;clock in the afternoon. You&#8217;ve been in bed all day, un-showered, still in your pajamas, and riddled with heavy depression. A friend stops by to kindly bring you lunch, sits down next to you on the bed and says, &#8220;Just try to think happy thoughts.&#8221; Despite their good intentions, you can&#8217;t help but feel irritated and think<i>, Oh gee, why didn&#8217;t I think of that?! Thank you! All</i> <i>better now! </i>Unless their advice comes with a puppy, it probably won&#8217;t have any positive effect on the situation.<BR><BR>In the pursuit of spiritual growth and overall wellness, it is vital to acknowledge that light and dark coexist within us and in the world around us. By solely focusing on the light and avoiding the dark, we limit our potential for growth and self-discovery and deny ourselves wholeness. Darkness and light share equal value. They depend on each other to exist. In today&#8217;s world, the word <i>darkness </i>is often associated with evil, fear, and negativity, but I believe the truth is far more neutral than that. In his book <i>The Philosophy of Dark Paganism</i>, author Frater Tenebris writes, &#8220;Dark and light are metaphors for internal and External&#8221; (2022, 24), which I find to be a perfectly succinct description. Within this book, I aim to help dismantle the overly simplistic notion that dark = bad. Embracing the darkness involves acknowledging and integrating the hidden aspects of ourselves that we may find uncomfortable or challenging in order to attain spiritual liberation.<BR><BR>This acknowledgement and integration are what we call shadow work. Within shadow work we strive to understand and accept our dark aspects, rather than trying to eradicate them. After all, just like the dark is not bad, neither is the shadow. They develop within each of us as mechanisms for survival. The ego mind safeguards its well-being by refusing to acknowledge thoughts or events that it finds intolerable. This ego function can be particularly helpful for individuals who have experienced abuse, as an example. In order to cope with the harshness of reality, they may employ one or more defense mechanisms, and we will delve into these shortly. As life goes on and such traumas remain unresolved, they silently influence one&#8217;s perspectives, beliefs, and intentions.<BR><BR>So how do we befriend the darkness within? First it is important to bear in mind that the behaviors that arise from the shadow reflect deeper, underlying problems. For example, if Jane steals her best friend Julia&#8217;s debit card and drains her checking account, Jane should not accept and befriend her thieving tendencies! This is not what <i>befriending</i> <i>your darkness </i>means. What Jane <i>can </i>do is make an honest effort to explore and understand the repressed feelings that cause her to want to steal in the first place. Maybe Jane envies Julia&#8217;s wealth or has been harboring resentment from a past argument between them. Maybe it has nothing to do with Julia, and Jane feels like the world owes her something or has an insatiable sense of greed. Once Jane understands what causes her to act out in such a way, she can dig even deeper into the &#8220;hows and whys.&#8221; Let&#8217;s say that the reason she stole the money is because she envies Julia&#8217;s wealth. Through shadow work, Jane comes to realize that her friend&#8217;s wealth invokes feelings of inferiority within her. Now Jane wants to understand why she feels inferior. As she continues her shadow work, she recalls that her father has always equated money and success with a person&#8217;s worth. On an unconscious level, Jane believes that if she can obtain more and more money, she will be a worthy individual in the eyes of others. With every realization, Jane can dig a little deeper until she gets to the very root of the issue, and once at the root, healing can begin. When we talk about embracing our dark aspects in shadow work, we are essentially exploring and acknowledging root causes, not accepting or justifying bad behaviors.<BR><BR>The term <i>shadow</i>, coined by psychologist Carl Jung, refers to the unconscious psyche where we store repressed and rejected elements of ourselves. As mentioned before, when the ego is unable to accept a conscious impulse, quality, or memory, it is renounced to the shadow where it will impact our lives indirectly and likely negatively, until we choose to address it. While many such shadow components are born of trauma, the shadow can also hide seemingly innocuous aspects of the self. For example, ten-year-old Maggie is riding along in her older brother&#8217;s car flipping through the radio stations, when she happens upon a song she likes. She turns up the volume and begins to joyfully sing along. At that moment her brother looks over at her and with a laugh, says &#8220;Eek, your singing sounds like fighting cats!&#8221; Maggie&#8217;s brother may have thought it was a harmless joke, but at that moment, she made the silent agreement that she has an unpleasant voice and should never sing in front of anyone again, and so she doesn&#8217;t. Singing now belongs to Maggie&#8217;s shadow. There is no villain or victim in this example, it&#8217;s simply one of the ways that aspects of the self are renounced to the shadow.<BR><BR>Another example is suppressed natural talent. A person who is inherently gifted in the arts may suppress their abilities during their formative years if their parents steer them toward the sciences and belittle the value of artistic pursuits. Imagine all the talents that women had to reject in themselves during the witch trial times! Traits like strong intuition, creativity, eccentricity, intellect, and knowledge of healing could condemn a woman as a witch and result in imprisonment, torture, death, or all three!<BR><BR>When something is perceived as undesirable, whether through explicit or implicit suggestion, it tends to scurry off into the deep dark depths of the psyche as we instinctively conceal it; especially when implied by someone we look up to or fear. This is a survival mechanism. We recognize, from a very young age, that to be accepted we must be agreeable. When we are children, we want to please our immediate caregivers. They are our models for how people should operate at home and out in the world. In adolescence we begin to pull away from caregivers and place more value on our peers. What we learn in these formative years, positive, negative, and neutral, has an inevitable impact on our adult lives. During these years our shadows grow larger, filling with all the parts of ourselves that we deem unworthy. This is necessary while growing up as we need to establish our egos. Into adulthood, however, the shadow tends to transform from helpful defense mechanisms to neuroses and unhealthy patterns. Ironically, the more we ignore and reject the shadow, the harder it pushes to make itself known. Carl Jung said a mere suppression of the shadow is just as little of a remedy as beheading in response to a headache (Pascal 1992, 126).]]></Text>
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      <Text><![CDATA[Foreword by Coby Michael <BR><BR>Acknowledgments <BR><BR>Introduction <BR>Birth, Death, and Rebirth <BR><BR><I>1</I><BR>Hello Shadow<BR><BR><I>2</I><BR>Plant Spirit Allies for the Rebel Heart<BR><BR><I>3</I><BR>Take a Chill Pill Plant<BR><BR><I>4</I> <BR>Accept the Things I Cannot Change <BR><BR><I>5<BR></I>Courage to Change the Things I Can <BR><BR><I>6</I><BR>Spirit Medicine from the Underworld <BR><BR><I>7</I><BR>Spirit Medicine from the Divine Feminine <BR><BR><I>8</I> <BR>Dismantling the Cage <BR><BR><I>9</I> <BR>New Beginnings Conclusion<BR>Where Do We Go from Here? <BR><BR>Appendix A <BR>Putting the &#8220;Work&#8221; in Shadow Work <BR><BR>Appendix B<BR>Additional Tools for Healing<BR><BR>Appendix C<BR> Shadow Formulary<BR><BR>Appendix D<BR>Potential Plant Allies for the . . . <BR><BR>Appendix E<BR>Herbal Actions, Affinities, and Uses <BR><BR>Bibliography<BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;A treasure for chaotic times, offering herbal support, folk magic, and common-sense advice for working with both our personal shadow and the collective shadow. It&rsquo;s valuable information worth coming back to again and again. The author truly says it best, <I>&lsquo;The Shadow Apothecary</I> provides information on the medicinal and spiritual properties of herbs that can offer support for all stages of healing.&rsquo;&rdquo;]]></Text>
      <TextSourceTitle>Salicrow, psychic medium and author of The Path of Elemental Witchcraft, Spirit Speaker, and Tarot a</TextSourceTitle>
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      <Text><![CDATA[&ldquo;As we navigate the peaks and valleys of our lives upon this earth, we may notice that we are often surrounded by a garden. Miele has created a sincere and authentic shadow journey guide with plants, based on both personal and professional experience, offering valuable insight into the use of plant allies to assist humanity through the dark nights of the soul that we will all experience from time to time.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;We bear witness to a wisdom born of lived experience, making this book a radiant torch of hope for those walking their inner underworld. I honor Nicolette&rsquo;s brave vulnerability and feel her generous, motherly medicine woven through every word. This book awakens consciousness, self-love, and invokes the healing embrace of Green Wisdom&#8212;an offering available to all.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Abbie Rosner has been writing extensively on older adults&rsquo; explorations of cannabis and psychedelics for <I>Forbes, Double Blind</I>, and other journals since 2018. She is one of the few writers to specifically cover psychedelic use among older adults. She lives in Washington, DC.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Julie Holland, M.D., is a psychiatrist who specializes in psychopharmacology and a clinical assistant professor of psychiatry at NYU School of Medicine. An expert on street drugs and intoxication states, she was the attending psychiatrist in the Psych ER at Bellevue Hospital from 1996 to 2005 and regularly appears on the <I>Today Show</I>. The editor of <I>The Pot Book: A Complete Guide to Cannabis</I> and <I>Ecstasy: The Complete Guide</I> and the author of the bestselling <I>Weekends at Bellevue</I>, she lives in the Hudson Valley.]]></BiographicalNote>
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      <Text><![CDATA[<B>How psychedelics can transform old age into the most meaningful and joyous time of life</B><BR><BR>&#8226; Details the best practices for safe and meaningful journeying in one&#8217;s later years<BR><BR>&#8226; Shares accounts of older adults finding healing, spiritual deepening, joyous intimacy, and peace with mortality through intentional psychedelic journeying<BR><BR>&#8226; Describes how group psychedelic ceremonies can promote communities of mutual support that are essential for thriving in older life<BR><BR>Baby boomers are once again exploring the psychedelic drugs of their youth, but this time to enhance their experience of aging. In this book, Abbie Rosner does a deep dive into what psychedelics can offer us in our later years and their risks and benefits for older adults.<BR><BR>Rosner describes pivotal advances in clinical research on psychedelic medicines and scientifically validated best practices to prevent &#8220;bad trips.&#8221; She also considers the legal and underground avenues that older adults are exploring to access these experiences and the available supports for safe journeying.<BR><BR>In compelling personal stories, more than 30 older psychonauts share how their psychedelic experiences helped them heal old wounds, align with their authentic selves, experience profound love and forgiveness, and make peace with their mortality. Many describe how psychedelic journeying has made their older years the happiest, most meaningful time of their lives.<BR><BR>Beyond sharing individual stories of expansion and transformation, Rosner shows that these pioneering psychedelic elders are helping us reimagine what older age looks and feels like in our ageist, death-phobic culture. Her work illuminates the evolution&#8212;and revolution&#8212;of the role of elders in our society.]]></Text>
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      <Text><![CDATA[Abbie Rosner has been writing extensively on older adults&#8217; explorations of cannabis and psychedelics for <I>Forbes, Double Blind</I>, and other journals since 2018. She is one of the few writers to specifically cover psychedelic use among older adults. She lives in Washington, DC.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>Psychedelic Research and the Medical Mainstream</B><BR><BR>When Albert Hofmann first isolated LSD in 1938 from a bit of ergot fungus, the Swiss chemist had no idea he&#8217;d discovered one of the most powerful psychedelics the world had ever known. When initial tests of the study material revealed nothing of obvious medical value, it was shelved in the Sandoz pharmaceutical company archives and forgotten.<BR><BR>Five years later, Hofmann had a &#8220;peculiar presentiment&#8221; that compelled him to revisit that archived batch, and a specific molecule he&#8217;d labelled LSD-25.1 During handling, the scientist inadvertently ingested some of the substance. Then he went home and &#8220;sank into a not unpleasant, intoxicated-like condition, characterized by an extremely stimulated imagination.&#8221;2<BR><BR>After further self-experimentation, Hofmann knew he&#8217;d found an extraordinarily powerful psychoactive drug. Less clear, though, was what it could be used for.<BR><BR><B>The LSD Conundrum</B><BR><BR>Hofmann called the new drug a psychotomimetic: something that induced a psychotic-like state. Perhaps it could be helpful for psychiatrists wanting a glimpse into the minds of some of their patients?<BR><BR>Appealing to the scientific hive mind of the day, Sandoz offered to send samples of LSD to any researcher or therapist willing to take a stab at identifying an application for the new drug, either by using it themselves or on their patients. With this act of corporate generosity, the first wave of psychedelic research was launched.<BR><BR>Across Europe and the US, clinicians answered the call. One scientist who took Sandoz up on at least part of that offer was an anesthesiologist and pain researcher named Eric Kast. It was the early 1960s and Kast, an &#233;migr&#233; from Vienna working at the University of Chicago, was studying the emotional underpinnings of physical pain. If LSD was able to disrupt the brain&#8217;s ability to focus on pain, he reasoned, it might have some kind of lasting analgesic effect. Kast administered LSD to fifty severely ill cancer patients. Many of them reported significant and enduring pain relief. But to his surprise, several of the study subjects also described moments of euphoria and reductions in their depression and fear of death.<BR><BR><B>Peace in the Face of Death</B><BR><BR>Meanwhile, in Baltimore, researchers at Spring Grove State Hospital were studying LSD as a potential treatment for alcoholism. Aware of Kast&#8217;s work with cancer patients, when a social worker on staff named Gloria was diagnosed with advanced breast cancer, they decided to offer her the experimental drug.<BR><BR>Of her LSD session, Gloria recalled:<BR><BR>. . . in the void, alone without the time-space boundaries.<BR><BR>Life reduced itself over and over again to the least<BR><BR>common denominator . . . I became poignantly aware<BR><BR>that the core of life is love . . . I wept long for the<BR><BR>wasted years, the search for identity in false places, the<BR><BR>neglected opportunities, the emotional energy lost in<BR><BR>basically meaningless pursuits . . .<BR><BR>What has changed for me? I am living now, and<BR><BR>being. I can take it as it comes. I am still me, but more<BR><BR>at peace.3<BR><BR>Inspired by Gloria&#8217;s experience, Spring Grove expanded its psychedelic research program to include the existential distress of cancer patients. In 1967, Walter Pahnke, a young psychiatrist with an interest in psychedelics, was recruited to lead the studies.<BR><BR><B>Pahnke and the Good Friday Experiment</B><BR><BR>In addition to his medical credentials, Pahnke held advanced degrees in divinity and the history and philosophy of religion, all from Harvard. His PhD dissertation* hypothesized that a psychedelic (in this case, psilocybin) could facilitate a mystical experience similar to those described by religious mystics around the world.<BR><BR>In 1962 Pahnke recruited twenty divinity graduate students and brought them to Harvard&#8217;s Marsh Chapel for Good Friday services. Half of the volunteers were given a large dose of psilocybin and the rest a placebo. By administering the drug to subjects who were religiously attuned, in a church on one of the holiest days of the Christian calendar, Pahnke hoped to show that a conducive mindset (Set) and physical setting (Setting) would result in a transcendent religious experience.<BR><BR>After their journeys, Pahnke had the volunteers fill out a questionnaire he devised measuring different characteristics of mystical experience. These included transcendence of time and space, intuitive knowledge, deeply felt positive mood, feelings of sacredness, and a sense that was indescribable in words. From the completed questionnaires, Pahnke concluded that most of the volunteers who received psilocybin did in fact have profound religious experiences (although one manifested acute anxiety requiring medical attention). The volunteers also reported positive changes in well-being that lasted for months afterwards.<BR><BR>Pahnke brought his insights about Set and Setting and the benefits of a mystical experience to the cancer program at Spring Grove. Working alongside him was Bill Richards, a psychologist colleague and friend with a similar background in divinity and shared interest in psychedelics. Together they focused on creating an optimal Set and Setting in their trial designs, increasing the likelihood of a profound experience.<BR><BR>Patients received preparatory therapy sessions before the psychedelic drug was administered. The drug sessions themselves usually took place in a private hospital room decorated with flowers, pictures, and meaningful objects the patient brought from home. Two co-therapists, typically a male doctor and a female psychiatric nurse, were present to support them throughout the session. Afterward, both the patient and family members received follow-up therapy to integrate the experience.*<BR><BR>In 1971, when he was only forty years old, Pahnke died in a diving accident. Stanislav Grof, a psychiatrist and &#233;migr&#233; from Czechoslovakia who had studied LSD in Prague, took over the cancer studies. He was joined by his then wife, cultural anthropologist Joan (now Roshi Joan) Halifax.<BR><BR>Grof and Halifax were influenced by Joseph Campbell and fascinated by the similarities between the transcendent experiences of patients during their LSD sessions and the mystical traditions of ancient and preindustrial cultures. They also shared an appreciation of the psychedelic experience as a symbolic rite of passage into death.&#8224;<BR><BR><B>Countering the Counterculture<BR></B><BR><i>The War on Drugs</i><BR><BR>While psychedelic research was underway in hospitals across the country, the peace and love generation was busily conducting its own acid tests. On college campuses, in music and literature, and in the media, psychedelics infused virtually every aspect of the counterculture. Challenging the establishment with long hair was one thing, but when the hippie vision threatened traditional family values and the Viet Nam War effort, the backlash was inevitable.<BR><BR>In 1971, Richard Nixon launched the infamous War on Drugs and created its regulatory strong-arms, the Controlled Substances Act and the Drug Enforcement Agency. LSD, psilocybin, and other psychedelics were bundled with cannabis, heroin, and cocaine and classified under Schedule 1, the most extreme category of highly dangerous drugs with high potential for abuse and no medical value, where, as of this writing, they remain.<BR><BR>The draconian restrictions imposed by the Controlled Substances Act made finding funding and approvals for psychedelic research virtually impossible. In 1973 Grof and Halifax left the East Coast for the more permissive atmosphere of California. In Baltimore, Richards was left to hold down the fort, and in 1977, he administered the last dose of an experimental psychedelic drug to a cancer patient. With that, the first wave of psychedelic research ground to a halt.<BR><BR><B>The Second Wave</B><BR><BR>In the late 1980s, research into psychedelics with human subjects quietly resumed. It was clear in the scientific community that working with substances so mired in stigma demanded impeccable research standards. Any study involving humans and a psychedelic drug had to conform to a stringent, placebo-controlled, double-blind study design. Decades worth of findings from the first wave of psychedelic studies conducted under the more lax standards of the times were summarily disqualified.<BR><BR>In this new, second wave of psychedelic research, LSD was largely replaced by psilocybin as the study drug of preference (more about psilocybin in chapter 3). Psilocybin offered brevity&#8212;an LSD journey can take ten to twelve hours, but psilocybin&#8217;s effects last about half that time, while still opening access to profoundly altered states of consciousness.<BR><BR>For study participants, psilocybin entailed a shorter period of physical and psychic engagement. For researchers, the shift to psilocybin reduced the amount of time and associated costs involved in the studies.<BR><BR><B>Back to Baltimore<BR></B><BR>By the early 2000s, Baltimore was once again an epicenter for psychedelic research. At Johns Hopkins University, the psychedelic research program was relaunched by an esteemed psychopharmacologist named Roland Griffiths. Because he had no prior experience studying psychedelics, Griffiths brought in the veteran psychedelic researcher, Bill Richards, to help run the studies. Richards, in turn, hired a social worker named Mary Cosimano.<BR><BR>In 2006, the Johns Hopkins team published the first in a string of landmark studies: &#8220;Psilocybin Can Occasion Mystical-Type Experiences Having Substantial and Sustained Personal Meaning and Spiritual Significance,&#8221; in the prestigious <i>Journal of Psychopharmacology</i>. 4<BR><BR>The study, which effectively revisited Pahnke&#8217;s Good Friday experiment, gave healthy volunteers who regularly participated in some form of religious or spiritual activities a high dose of psilocybin. Once again, a clear majority described their psychedelic experience in terms consistent with naturally occurring mystical experiences. Followed up several months later, most reported enduring positive changes in moods, attitudes, and behaviors, and over half rated the experience as one of the top five most spiritually significant and personally meaningful events of their lives.]]></Text>
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      <Text><![CDATA[Foreword by Julie Holland, MD <BR><BR><B>PREFACE</B> My Journey to This Book <BR><BR>Acknowledgments <BR><BR><B>INTRODUCTION</B> Making the Case for a <BR>Psychedelic Counterculture of Aging <BR><BR><B>PART ONE <BR><BR><I>While You Were Out</I> <BR><BR>Catching Up with Psychedelics<BR>in Older Adulthood<BR></B><BR><B>1</B> Psychedelic Research and the Medical<BR>Mainstream<BR><BR><B>2</B> Safe and Meaningful Journeying<BR>in Older Age<BR><BR><B>3</B> The Psychedelic Basket<BR><BR><B>4</B> Avenues of Access<BR><BR><B>PART TWO<BR><BR><I>What Psychedelics Offer Us as We Age</I> <BR><BR>The Stories of Older Adult Journeyers<BR></B><BR><B>5</B> Healing Our Psyches <BR><BR><B>6</B> Connecting to Our Authentic Selves<BR><BR><B>7</B> Experiencing Love and Forgiveness<BR><BR><B>8 </B>Connecting to Our Spirits<BR><BR><B>9</B> Connecting to Our Ancestors<BR><BR><B>10</B> Experiencing Intimacy and Pleasure <BR><BR><B>11</B> Practicing Letting Go<BR><BR><B>12</B> The Journey Continues<BR><I>The Opportunity for Community</I><BR><BR>Resources and Recommended Reading <BR><BR>Notes <BR><BR>Bibliography<BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;If you seek clear, focused knowledge, not only about psychedelics but about the art of nurturing human development and discovering new dimensions of meaning in our latter years, this book is a treasure.&rdquo;]]></Text>
      <TextSourceTitle>William A. Richards, PhD, author of Sacred Knowledge</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Weaving decades of clinical research history together with the vivid, firstperson accounts of a memorable group of older psychonauts, Rosner illuminates what is truly at stake in this work&#8212;stories of healing, forgiveness, and spiritual awakening that no journal article can capture. Her nuanced attention to the medical and psychological considerations specific to older bodies and minds&#8212;from geroprotection and neuroplasticity to approaches for getting the most out of the psychedelic experience&#8212;makes this an invaluable resource for clinicians and researchers alike. And her larger vision of a reimagined culture of elderhood, grounded in authentic self-expression and fearless engagement with mortality, makes it essential reading for anyone brave enough to imagine a richer last chapter of life.&rdquo;]]></Text>
      <TextSourceTitle>Charles Raison, MD, professor of human ecology and psychiatry at the University of Wisconsin-Madison</TextSourceTitle>
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      <Text><![CDATA[&ldquo;For people in their last third of life, this is a great introduction to the current psychedelic renaissance. Filled with personal stories of mature journeys, the book is a reminder of youthful psychedelic trips along with promises of more. For those venturing into new territory, the book provides context for exploration and hope for greater joy in life.&rdquo;]]></Text>
      <TextSourceTitle>Rachel Harris, PhD, author of Listening to Ayahuasca and Swimming in the Sacred</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Rosner moves us beyond the medicalization of the &lsquo;third act&rsquo; and into a space of profound possibility. With a physician&rsquo;s eye for safety and a storyteller&rsquo;s heart for the human condition, she explores how these ancient tools can help us soften into our limitations and find expansion in the face of the unknown. This isn&rsquo;t a book about dying well; it&rsquo;s a rigorous, compassionate guide to living fully&#8212;with curiosity, connection, and a sense of wonder&#8212;until the very end.&rdquo;]]></Text>
      <TextSourceTitle>BJ Miller, MD, palliative care physician, cofounder of Mettle Health, and coauthor of A Beginner&amp;rsq</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Rosner&rsquo;s book provides a comprehensive, accessible, insightful, and responsibly cautious review of psychedelics for persons in later stages of life. This text offers robust illustrations of an oft overlooked population in this blossoming field. Inspirational, informative, and vivid narratives are interwoven throughout, guiding the reader to a fuller understanding of elders and their interface with psychedelics.&rdquo;]]></Text>
      <TextSourceTitle>Rev. Caroline Peacock, DMin, LCSW, director of spiritual health for Winship Cancer Institute of Emor</TextSourceTitle>
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      <Text><![CDATA[&ldquo;A groundbreaking invitation to rethink what it means to grow older. With vivid storytelling and rigorous reporting, Rosner reveals how psychedelic experiences can open new pathways to healing, connection, and meaning in later life. This bold and timely book reframes elderhood not as a period of decline but as a frontier of possibility&#8212;where emotional renewal, spiritual depth, and purposeful living become not only attainable but transformative.&rdquo;]]></Text>
      <TextSourceTitle>Bill Barnes, creater and co-host of Aging With Power Podcast</TextSourceTitle>
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      <Text><![CDATA[&ldquo;This book speaks to a truth many people over 50 feel but rarely see reflected with honesty and care. Grounded in real stories and responsible insight, it reframes aging as a time of depth, healing, and renewed purpose. A vital read for anyone ready to approach this next chapter with courage, curiosity, and wisdom.&rdquo;]]></Text>
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      <Text><![CDATA[<I>&ldquo;Psychedelics and the Counterculture of Aging</I> provides one of the freshest takes on psychedelic-assisted healing of any book I&rsquo;ve encountered. Rosner explores what psychedelics can offer elders and what elders can offer society&#8212;addressing a collective need around elderhood that has remained largely unspoken.&rdquo;]]></Text>
      <TextSourceTitle>James Moran, founder of DC Friends of Psychedelic Sciences</TextSourceTitle>
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      <BiographicalNote><![CDATA[Jacqueline N. Norton is a writer and plant enthusiast with more than 20 years of experience in holistic healing. She holds an Associates in Science of Chiropractic Technology degree and certifications in Oncology Massage, specializing in pain management. She lives in upstate New York.]]></BiographicalNote>
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      <Text><![CDATA[<B>The role of plants in our physical and spiritual transformation</B><BR><BR>&#8226; Explores the uses of plants across cultures and centuries for healing, protection, transformation, divination, ritual, spiritual awakening, and symbolic art<BR><BR>&#8226; Looks at 72 plants traditionally associated with death and the afterlife, heart-healing plants, alchemical herbs, protective plants, and sacred trees<BR><BR>&#8226; Draws on ancient texts like Pliny&#8217;s <I>Historia Naturalis</I> and Dioscorides&#8217; <I>De Materia Medica</I>, as well as insights from folklore and religious and spiritual traditions<BR><BR>For as long as humans have told stories, plants have served as tools, guides, symbols, and sacred allies&#8212;linking us across time to our most ancient ancestors. In this book Jacqueline Norton reveals the hidden stories of 72 remarkable plants&#8212;from aromatic herbs to towering trees&#8212;tracing their vital roles in myth, medicine, and ceremony across continents and centuries.<BR><BR>Through captivating artifacts such as a Ptolemaic statuette of Hekate carved from juniper wood, a samurai sword adorned with chrysanthemum motifs, and a Malian garment made from baobab fiber, Norton uncovers how plants intricately intertwine with human life. She shows how plants mark love and loss, protect thresholds, unlock spiritual visions, and nurture profound transformation.<BR><BR>Featuring more than 200 images of artifacts, artworks, textiles, and landscapes, this richly illustrated volume immerses readers in the vibrant material culture and living symbolism that connect plants to human experience. Whether steeped in healing brews, woven into ceremonial garments, or etched into temple walls, these plants are far more than just background scenery. They are living partners in our shared journey, connecting us intimately to our ancestors and the natural world in profound, enduring ways.]]></Text>
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      <Text><![CDATA[Jacqueline N. Norton is a writer and plant enthusiast with more than 20 years of experience in holistic healing. She holds an Associates in Science of Chiropractic Technology degree and certifications in Oncology Massage, specializing in pain management. She lives in upstate New York.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>Stygian Depths<BR><BR>Plants of Life and Death, the Afterlife, and the Underworld<BR></B><BR>Some plants have long been rooted at the edges of human existence&#8212;symbols of what lies beyond the veil of life. This section explores plants associated with death, the afterlife, and the underworld&#8212;viewed not as a fixed place but as a metaphoric realm where endings and beginnings intertwine. These plants do not merely decorate graveyards or feature in rituals of mourning; they embody transformation. Their presence marks the thresholds of burial and rebirth, descent and return.<BR><BR>In the underworld of plants, thresholds of life and death are revealed. To start with death is not to dwell in morbidity but to recognize that plants have long guarded the passage between worlds. They carry memory when humans cannot&#8212;flowering on graves, crowning the dead, sanctifying soil. No plant can place itself upon its own grave; instead, it is entrusted to the living to keep vigil across the silence of loss. In this way, plants of death embody both endings and the transformations that follow.<BR><BR>Gustave Dore&#8217;s engraving (fig. 1.1) shows Dante, Statius, and Virgil (foreground, right) witnessing the tormented souls of gluttons begging for sustenance from a fruit-laden tree&#8212;an emblem of abundance now twisted into one of eternal denial. The tree, once a promise of nourishment, becomes a source of anguish: its fruit always out of reach. This inversion reflects the torments of Purgatory and the spiritual hunger that defines the liminal state between death and salvation.<BR><BR>The plants selected for this chapter echo that liminal space. They exist in flux&#8212;caught between the pulse of life and the stillness of death, the earthly and the divine. In ancient rites, they sanctified funerals and guided souls. Their scent lingered on pyres; their blossoms adorned tombs; their roots burrowed beneath sacred soil. Some are deadly, their toxicity deepening their sacred gravitas&#8212;feared and revered as vessels of both harm and healing.<BR><BR>The toxicity of some enhances their aura&#8212;dangerous, sacred, and powerful. Capable of healing in small doses and harming in larger ones, these plants embody ambiguity. In rites of passage, it was often the poisonous or psychoactive among them that carried the soul across thresholds. Their danger commanded reverence. Their effects blurred the boundaries between body and spirit, this world and the next.<BR><BR>In Indian artist Raja Ravi Varma&#8217;s <i>Kali trampling Shiva </i>(fig. 1.2), the goddess Kali stands upon Shiva&#8217;s body. Though not a traditional chthonic figure, Kali embodies dissolution and transformation&#8212;forces central to underworld symbolism. Her garland of severed heads represents the death of ego and the destruction of illusion, clearing the way for spiritual rebirth. The crimson hibiscus, often offered in her worship, symbolizes both life-force and the willingness to surrender to the cycles of creation and dissolution. Offered in devotion, the flower is imbued with <i>shakti</i>, the vital energy of creation and destruction; its vivid petals evoke both lifeblood and sacrifice, making it a living metaphor for life at the threshold. Through these symbols, Kali illustrates that endings can be gateways, and that death, in many traditions, is not a finality but a threshold to renewal. Within its bloom lies a vision of the underworld not as oblivion but as a site of intense transition and potent possibility.<BR><BR>Throughout history, plants have played a vital role in funerary ritual&#8212;far beyond mere decoration. In ancient Egypt, aromatic herbs were essential to mummification, not only for preservation but for spiritual purification. Across cultures, such plants served as guardians and guides, carried into tombs, burned at pyres, or planted at graves to sanctify the passage from life to death.<BR><BR>This Roman sarcophagus (fig. 1.3) blends myth, nature, and the rhythms of time. Four winged erotes bear garlands woven from seasonal plants&#8212;flowers, wheat, grapes, pomegranates, and laurel&#8212;linking the body to the cosmic cycle of growth, harvest, decay, and return. Between the garlands unfold scenes from the myth of Theseus: Ariadne offering the thread, the slaying of the Minotaur, and Ariadne&#8217;s abandonment&#8212;moments of descent, transformation, and divine union. On the lid, animal-drawn chariots&#8212;bears for spring, lions for summer, bulls for autumn, and boars for winter&#8212;trace the turning of the year. In death, the body is enfolded in nature&#8217;s eternal cycle, protected and sanctified by myth and bloom alike.<BR><BR>These ancient traditions endure. All over the world, we continue to leave flowers at gravesites, light incense for the dead, and bring evergreens into our homes in the heart of winter. These gestures&#8212;quiet yet persistent&#8212;reflect a timeless need: to mark the end of life and to seek continuity beyond it. They are acts of remembrance, defiance, and hope.<BR><BR>In Maya cosmology, the bones of the dead were likened to plant seeds&#8212;dormant yet potent, capable of life. The ceramic ancestor whistles shown in fig. 1.4 depict an aged ancestor rising from a flower. To blow into the stem was to awaken the dead, animating ritual space with sound that connected worlds. These instruments are funerary metaphors&#8212;bodies blooming into spirit, echoing through a cosmos where death was not an end but the soil from which life continually reemerged.<BR><BR>The Christmas tree, descended from ancient Yule rites, is one such emblem. A green sentinel in the season of cold and shadow, it speaks to endurance and renewal. Even stripped of its original meanings, the ritual of decorating the tree still connects us to something ancient: the rhythm of death and rebirth, and the human longing to keep life alight in the darkest days.<BR><BR>The plants that follow are not merely ornamental. They are essential to the rites they accompany. Each one stands at a threshold&#8212;between body and spirit, breath and stillness, the known and the unseen. Some preserve, some intoxicate, some protect the dead, while others beckon the living toward mysteries just beyond reach. These plants do not simply mark the end, they illuminate what might follow. Together they form a sacred lexicon of loss, passage, and transformation.<BR><BR><B>Aconite<BR><BR>9 Hexed Blooms<BR></B><BR>Aconite (<i>Aconitum napellus</i>), also known as wolfsbane or monkshood, is a striking plant whose beauty is rivaled only by its notorious toxicity. Its deep blue or purple flowers, with their hooded petals, draw the eye in an almost hypnotic way&#8212;yet beneath this allure lies a deadly secret. For centuries, the plant&#8217;s potent venom has been a subject of both fascination and fear.<BR><BR>In ancient Greece, it was said to be a poison of choice for those wishing to rid themselves of unwanted enemies or rivals, often associated with the darker arts. In Greek mythology, aconite&#8217;s origins are as dark as its effects. The plant was said to have sprung from the slavering jaws of Cerberus, the three-headed dog guardian of the underworld, as Hercules dragged him into the realm of the living. This ominous beginning cemented aconite&#8217;s association with death and the unseen forces that govern it. The plant was sacred to Hecate, the goddess of witchcraft, who was said to use it in her potent magical rites. Just as Hecate straddled the threshold between life and death, so too did aconite.<BR><BR>While aconite carried mythological weight in the West, it found a more practical role in Eastern medicine. In traditional Chinese medicine, aconite&#8212;known as Fu Zi&#8212;was valued for its warming properties and its ability to rekindle the body&#8217;s internal fire, improving circulation, relieving pain, and countering ailments associated with cold and stagnation. Yet the same toxicity that made aconite a feared poison in the West demanded careful handling in the East. Through meticulous preparation methods&#8212;boiling and prolonged processing&#8212;practitioners transformed the raw plant into a potent but controlled medicinal tool. This careful alchemy between poison and remedy reflects a fundamental understanding that potency can be both destructive and restorative, depending on knowledge and intention.<BR><BR>Created during Japan&#8217;s Edo period, Kawahara Keiga&#8217;s illustration of aconite (fig. 1.6 on page 14) was likely intended for a <i>honz&#333;zu</i>, an illustrated herbal that documented medicinal plants and their properties. Such paintings were not merely scientific records but artistic expressions of reverence for nature&#8217;s power&#8212;capturing both the beauty and the formidable potency of plants like aconite. This visual tradition paralleled the careful documentation of aconite in medical texts, reinforcing its status as a substance balanced between healing and harm.<BR><BR>The 1st-century Greek physician Dioscorides described it in <i>De Materia Medica </i>as a deadly poison but noted its potential in pain relief when applied with great caution. His contemporary, the Roman naturalist<i> </i>Pliny the Elder, recorded its use in both medicine and assassination,<i> </i>warning of its lethal potency in <i>Historia Naturalis</i>. Roman physicians<i> </i>believed it could treat fevers and joint pain, yet its reputation as a poison<i> </i>was impossible to ignore. Only the most skilled healers dared to<i> </i>handle it, aware of the thin line between remedy and ruin.<i></i>]]></Text>
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      <Text><![CDATA[Introduction<BR><BR><B>Exploring Our Deep-Rooted<BR>Connection with Plants<BR></B><BR><B>1 Stygian Depths<BR><BR>Plants of Life and Death, the Afterlife,<BR>and the Underworld<BR></B><I><BR>Aconite &#8226; Belladonna &#8226;<BR>Cypress &#8226; Holly 27 &#8226; Mistletoe &#8226;<BR>Pomegranate &#8226; Red Spider Lily &#8226;<BR>Willow &#8226; Wormwood &#8226; Yew<BR><BR></I><B>2 Sentinels of the Earth<BR><BR>Plants of Protection and Warding<BR></B><I>|<BR>Garlic &#8226; Hawthorn &#8226; Ivy &#8226;<BR>Mugwort &#8226; Neem &#8226;<BR>Rue &#8226; Sage &#8226; Thistle</I><BR><BR><B>3 Blossoms of the Heart<BR><BR>Plants of Love, Fertility, and Passion<BR></B><I><BR>Rose &#8226; Rosemary &#8226; Jasmine &#8226;<BR>Lily &#8226; Lily of the Valley &#8226; Orchid &#8226;<BR>Passionflower &#8226; Peony<BR></I><BR><B>4 The Seer&#8217;s Garden<BR><BR>Plants for Divination, Vision, and<BR>Spirit Communication<BR></B><I><BR>Blue Lotus &#8226; Cannabis &#8226;<BR>Datura &#8226; Fly Agaric &#8226; Iboga &#8226;<BR>Psilocybin Mushrooms &#8226; Peyote &#8226; Poppy<BR></I><BR><B>5 The Apothecary&#8217;s Secret<BR><BR>Plants for Mending the Body</B><BR><I><BR>Aloe Vera &#8226; Blue Vervain &#8226; Chamomile &#8226;<BR>Cinchona &#8226; Echinacea &#8226; Ginger &#8226;<BR>Ginseng &#8226; Lemon Balm &#8226;<BR>Turmeric &#8226; Valerian</I><BR><BR><B>6 Metamorphosis in Green<BR><BR>Plants Symbolizing Transformation<BR></B><I><BR>Acacia &#8226; Dandelion &#8226; Frankincense &#8226;<BR>Henbane &#8226; Mandrak &#8226; Myrrh &#8226; Violet<BR></I><BR><B>7 Holy Herbarium<BR><BR>Plants Connected to the Sacred and Divine<BR></B><I><BR>Benzoin &#8226; Cedar &#8226; Elder &#8226;<BR>Juniper &#8226; Laurel &#8226; Olive &#8226; Palm<BR></I><BR><B>8 Luck in the Leaves<BR><BR>Plants to Bring Luck, Prosperity,<BR>and Good Fortune</B><BR><I><BR>Basil &#8226; Chrysanthemum &#8226; Clover &#8226;<BR>Fig &#8226; Jade Plant 307 &#8226; Marigold 310 &#8226;<BR>Mint &#8226; Wisteria<BR></I><BR><B>9 Majestic Giants <BR><BR>Enduring Plants of Strength, Wisdom,<BR>and Endurance<BR></B><I><BR>Ash &#8226; Bamboo &#8226; Baobab &#8226;<BR>Oak &#8226; Pine &#8226; Redwood<BR></I><BR>Conclusion<BR><B>Embracing Our Entwined History<BR>with Plants<BR><BR>Bibliography<BR><BR>Index</B>]]></Text>
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      <Text><![CDATA[<I>&ldquo;The Root in Every Ritual</I> is a thoughtful exploration of the mythology, medicine, and magic of plants. Visually rich, it features a stunning blend of photography, artist-rendered illustrations, and archaeological imagery that brings the cultural and historical stories of plants to life. Both informative and evocative, it is a beautiful and meaningful addition to the bookshelf of any herbalist or plant enthusiast.&rdquo;]]></Text>
      <TextSourceTitle>Nicolette Miele, author of The Shadow Apothecary, Runes for the Green Witch, and The Runes and Roots</TextSourceTitle>
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      <Text><![CDATA[&ldquo;A fascinating read. Whether as food, shelter, medicine, or sources of wisdom, plants have been essential for human survival, wellbeing, and spiritual growth. Jacqueline N. Norton&rsquo;s beautifully illustrated book is a heartfelt tribute to our long and entwined relationship with plants.&rdquo;]]></Text>
      <TextSourceTitle>Nathaniel Altman, author of The Genealogy of Plant Foods and The Honey Prescription</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Jacqueline N. Norton has crafted a volume that will be of interest to herbalists, artists, plant lovers, and occult practitioners of all types. Offering herb lore from the Bible as well as Norse, Greek, Roman, Egyptian, Chinese, Japanese, Persian, Indian, and Native American cultures, she blends art, history, and medicine into a truly magical botanical reference.&rdquo;]]></Text>
      <TextSourceTitle>Ellen Evert Hopman, author of The Sacred Herbs of Spring, The Sacred Herbs of Samhain, and The Sacre</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;The Root in Every Ritual</I> is a fantastic celebration of the plants that have served humanity for health, beauty, protection, prosperity, altering perceptions, and enhancing spiritual awareness. The author discusses how the ancient uses of cypress, rose, jasmine, willow, datura, and mugwort have long been employed for medicine and magic, devotion and divination. This book is a treasure, richly illustrated with the works of Waterhouse, Dante, and Tadema, among others. It delves into the significance of the plants that have been depicted in carvings and stained glass, as well as featured in literature and sacred texts, and will help readers go deep into the many dimensions of plant possibilities.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;For decades, the emphasis in science, medicine, and modern culture has been on molecular structure rather than on tradition, culture, experience, and imagination&#8212;on the whole person and the social environment. Modern writers are working to restore balance. <I>The Root in Every Ritual</I> belongs to this important community.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[John A. Rush, Ph.D., N.D. (1943&#8211;2024), was a retired professor of anthropology and naturopathic doctor. Author of many books, including <I>Cats: Keepers of the Spirit World</I>, <I>Spiritual Tattoo</I>, <I>The Twelve Gates</I>, and <I>The Mushroom in Christian Art</I>, he also edited several books, including <I>Entheogens and the Development of Culture</I>.]]></BiographicalNote>
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      <SubjectHeadingText>HISTORIA ESPIRITUAL DE LOS GATOS;CREENCIAS OCULTAS SOBRE LOS GATOS;MITOLOG&#205;A DEL GATO;EGIPTO;MAYA;COMPORTAMIENTO DEL GATO;SISTEMAS SENSORIALES;GATOS CONECTADOS AL MUNDO ESPIRITUAL;MIEDO A LA OSCURIDAD Y LOS GATOS;INTELIGENCIA FELINA;HABILIDADES F&#205;SICAS SOFISTICADAS DE LOS GATOS;SENTIDOS AFINADOS DE LOS GATOS;FASCINACI&#211;N DE LA HUMANIDAD CON LOS GATOS;LA IGLESIA CAT&#211;LICA DEMONIZ&#211; A LOS GATOS;S&#205;MBOLOS DEL BIEN Y DEL MAL;EVOLUCI&#211;N FELINA;HABILIDAD PS&#205;QUICA DE LOS GATOS; OJOS BRILLANTES; INFRAMUNDO</SubjectHeadingText>
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      <Text><![CDATA[<B>Conoce c&#243;mo se entrelaza la historia espiritual de la humanidad con los gatos</B><BR><BR>&#8226; Examina las creencias espirituales y ocultas relacionadas con los gatos, desde la mitolog&#237;a maya, azteca y nativa americana, hasta las creencias de la antigua India, Samaria, Babilonia, Jap&#243;n y Egipto<BR><BR>&#8226; Analiza los comportamientos espirituales atribuidos a estos felinos, as&#237; como la investigaci&#243;n biol&#243;gica moderna acerca de su comportamiento y sus altamente sofisticados sistemas sensoriales<BR><BR>&#8226; Revela las similitudes entre las emociones de los gatos y los humanos, adem&#225;s de la profunda conexi&#243;n entre los felinos y la meditaci&#243;n<BR><BR>Hemos estado conectados a los gatos durante m&#225;s de 30 millones de a&#241;os. Para nuestros antepasados prehist&#243;ricos, ellos eran depredadores mortales de la noche. Debido a este antiguo recuerdo, grabado en nuestro ADN, los gatos personifican nuestro miedo a la oscuridad. Sin embargo, adem&#225;s de su conexi&#243;n con la oscuridad y las sombras, su inteligencia, sus sofisticadas habilidades f&#237;sicas y sus sentidos poderosamente afinados, han llevado a que muchas culturas los consideren como seres conectados con el mundo de los esp&#237;ritus.<BR><BR>Al explorar la naturaleza espiritual de los gatos, John A. Rush analiza la fascinaci&#243;n y el miedo de la humanidad hacia estos felinos a lo largo de los siglos. Asimismo, examina las creencias espirituales y ocultas relacionadas con ellos seg&#250;n las mitolog&#237;as maya, azteca y de los nativos americanos, as&#237; como de la antigua India, Samaria, Babilonia, Jap&#243;n y Egipto, y explica como los antiguos egipcios se val&#237;an de estos felinos para enviar mensajes a los dioses. De igual forma, revela por qu&#233; la Iglesia cat&#243;lica demoniz&#243; a los gatos y c&#243;mo ellos son s&#237;mbolo tanto del bien como del mal. Al examinar su evoluci&#243;n, el autor analiza las habilidades espirituales que les han sido atribuidas, as&#237; como la investigaci&#243;n biol&#243;gica moderna de su comportamiento y sus sofisticados sistemas sensoriales, que a diferencia de muchos otros animales, han cambiado muy poco durante millones de a&#241;os. Rush explora su capacidad &#8220;ps&#237;quica&#8221; para sentir lo que los humanos no pueden sentir y descubre los or&#237;genes de sus ojos brillantes, que han conectado a los gatos, a trav&#233;s de los mitos, tanto con el inframundo como con el mundo de la luz. Tambi&#233;n explora similitudes entre las emociones de estos felinos y los humanos, su forma de comunicarse con la humanidad y la profunda conexi&#243;n entre ellos y la meditaci&#243;n.<BR><BR>Al revelar este viaje espiritual del gato, desde el temible depredador hasta el s&#237;mbolo oculto y compa&#241;ero del hogar, el autor muestra c&#243;mo, en muchos sentidos, ellos son espejo de nosotros mismos, pues reflejan nuestra naturaleza dual conflictiva, amorosa y a la vez distante, m&#225;gica pero vengativa, y sobre todo, profundamente conectada con el mundo espiritual.]]></Text>
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      <Text><![CDATA[John A. Rush, Ph. D., N.D. (1943&#8211;2024), fue profesor jubilado de Antropolog&#237;a y m&#233;dico natur&#243;pata. Autor de muchos libros, entre ellos <I>Spiritual Tattoo, The Twelve Gates</I> y <I>The Mushroom in Christian Art</I>, tambi&#233;n edit&#243; varios libros, entre ellos <I>Entheogens and the Development of Culture</I>.]]></Text>
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      <Text><![CDATA[<B>Prefacio<BR></B><BR><B>1. Tiernos gatitos, tigres al acecho<BR></B><BR><I>Conexi&#243;n con los gatos<BR><BR>Definiciones de &#8220;adoraci&#243;n&#8221;, &#8220;esp&#237;ritu&#8221;,<BR>&#8220;espiritual&#8221; y &#8220;sagrado&#8221;<BR><BR>Los animales como s&#237;mbolos de la naturaleza,<BR>tanto del bien como del mal<BR></I><BR><B>2. Evoluci&#243;n del gato<BR><BR></B><I>El mito de las mutaciones aleatorias<BR>y una vida sin prop&#243;sito<BR><BR>El mito de la selecci&#243;n natural<BR><BR>Selecci&#243;n endocelular:<BR>toma de decisiones y evoluci&#243;n con prop&#243;sito<BR><BR>Evoluci&#243;n de los gatos y de nuestros antepasados humanos<BR><BR>Un cambio en las creencias</I><BR><BR><B>3. Comportamientos y fisiolog&#237;a de los gatos<BR><BR></B><I>Poder <BR><BR>Ruido<BR><BR>Habla<BR><BR>Acorralamiento<BR><BR>Amasar o juguetear con sus patas<BR><BR>Territorialidad<BR></I><BR><I>Vinculaci&#243;n<BR><BR>Independencia<BR><BR>Rechazo<BR><BR>Ver al vac&#237;o<BR><BR>Estiramientos<BR><BR>Lugares ocultos y rutas de escape<BR><BR>Comportamiento de apareamiento y fertilidad<BR><BR>Aseo</I><BR><BR><B>4. Adoraci&#243;n de animales</B><BR><BR><I>Escasos y dif&#237;ciles de encontrar<BR><BR>&#191;Qu&#233; es un dios?<BR><BR>Hinduismo, jainismo y budismo<BR><BR>Usos del gato en el antiguo Egipto<BR></I><BR><B>5. Cuestiones de identidad y comportamiento<BR>de los gatos en la espiritualidad<BR><BR></B><I>Arte rupestre y chamanismo<BR><BR>La escritura y primeros conceptos del gato<BR><BR>Los gatos y la bruja italiana<BR><BR>Caracter&#237;sticas de los gatos<BR><BR>Poder<BR><BR>Guardianes del portal<BR><BR>Fertilidad<BR></I><BR><I>Visi&#243;n nocturna<BR><BR>Sigilo, astucia y sabidur&#237;a<BR><BR>Portadores de la buena fortuna<BR><BR>Maullidos, ronroneos y lenguaje gatuno<BR><BR>C&#243;mo miran<BR><BR>Rastreando lo visible y lo invisible<BR><BR>Habilidades acrob&#225;ticas</I><BR><BR><I>Conservaci&#243;n de las caracter&#237;sticas juveniles<BR><BR>Sue&#241;o<BR><BR>V&#243;mitos<BR><BR>Los gatos como chamanes, embaucadores y monstruos<BR><BR>M&#225;s sobre el gato monstruos<BR><BR>Am&#233;rica: gatos reales e imaginarios</I><BR><BR><B>6. El gato en la cultura popular<BR><BR></B><I>Cambio de forma<BR><BR>El astuto embaucador<BR><BR>Conexi&#243;n con el inframundo<BR><BR>El casamentero<BR><BR>Aventura, compa&#241;erismo y v&#237;nculos<BR><BR>Los gatos en el cine<BR><BR>Los gatos como se&#241;ales de advertencia<BR><BR>Alimentos y aceites/grasas<BR><BR>Comerciales<BR><BR>De inter&#233;s local<BR><BR>Los autos, los gatos y el poder<BR><BR></I><B>7. Los felinos y el cosmos<BR><BR></B><I>Los antiguos mayas y los aztecas<BR><BR>Medio Oriente<BR><BR>Astrolog&#237;a y astronom&#237;a chinas<BR><BR>Antiguo Egipto<BR><BR>Adivinaci&#243;n en casa con tu gato<BR><BR>Los gatos, la espiritualidad y el mundo cu&#225;ntico</I><BR><BR><B>Conclusi&#243;n<BR></B><I>Miedo y adaptaci&#243;n<BR>Folklor y mitos<BR></I><BR><B>Bibliograf&#237;a<BR><BR>&#205;ndice anal&#237;tico<BR><BR>Sobre el autor</B>]]></Text>
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      <Text><![CDATA[&ldquo;John A. Rush ha creado un libro caprichoso y profundamente estimulante sobre las misteriosas criaturas a las que los humanos se refieren como gatos. Explora reflexivamente la evoluci&#243;n de estos seres ps&#237;quicos altamente inteligentes y su viaje paralelo con los humanos&rdquo;.]]></Text>
      <TextSourceTitle>Linda Star Wolf, Ph. D., autora de Respiraci&#243;n Cham&#225;nica</TextSourceTitle>
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      <Text><![CDATA[&ldquo;John Rush escribe sobre la diversa gama de reinos felinos desde un lugar de apasionante deleite y conocimiento. Despu&#233;s de leer este libro, nunca podr&#225;s ver a los gatos de la misma manera. Entreteje la mitolog&#237;a y la ciencia, la historia y la espiritualidad, y la cultura c&#243;smica y popular, para ayudar a la consciencia de las masas. Todos los que se preocupen por entrar en completa armon&#237;a con la fuerza de la esencia de un felino, o de cualquier criatura viviente, deber&#237;an tener una copia de <I>Gatos: Guardianes del mundo espiritual&rdquo;.</I>]]></Text>
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      <Text><![CDATA[&ldquo;Como transformadores cham&#225;nicos de la consciencia humana, estos maravillosos semidioses de cuatro patas entran y salen del plano astral e influyen en el crecimiento evolutivo a niveles que los humanos a&#250;n no logramos comprender. Los gatos son los guardianes de nuestro mundo inconsciente, capaces de entrar en las diversas dimensiones para impartir magia y medicina curativa en espacios donde se esconden las heridas. Llevan dentro de sus almas los secretos del universo; y los linajes de muchos mundos arraigados en la tradici&#243;n pasan a sus cuidadores humanos a trav&#233;s de ellos. Su maullido distintivo es escuchado por cada &#225;ngel, mientras caminan por su existencia encarnando el amor y la esperanza. Los gatos absorben la oscuridad para que nuestra luz pueda brillar una y otra vez, sin pedir nada a cambio. Debemos honrarlos con el respeto que realmente merecen&rdquo;.]]></Text>
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      <SubjectHeadingText>CELTIC MYTHOLOGY;ORACLE CARDS;TUATHA D&#201; DANANN;SIDHE;FAERY WISDOM;DIVINATION DECK;CLAIRVOYANCE;SELF-TRANSFORMATION;SPIRITUAL GROWTH;ELEMENTAL CONNECTION;PERSONAL HEALING;COLLECTIVE HEALING;IMAGINOSOPHY;ORACLE READINGS;CELTIC SPIRITUALITY;INNER EARTH WISDOM;NEW EARTH CO-CREATION;COLOR SYMBOLISM;MYSTICAL CARDS;ANCIENT IRELAND;MYTHOLOGY DIVINATION;ORACLE SPREADS;ELEMENTAL TOTEMS;FAERY CARDS;ORACLE GUIDEBOOK;SACRED TREASURES;CLAIRVOYANT AWARENESS;MYSTICAL PRACTICES;CELTIC ORACLE DECK</SubjectHeadingText>
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      <Text><![CDATA[<B>Inviting you into a co-creative relationship with the Otherworld</B><BR><BR>&#8226; Combines the oracular voice of the Tuatha D&#233; Danann, or Sidhe, with the elemental faery folk, sharing a wealth of Irish folklore in 50 full-color cards<BR><BR>&#8226; Opens the senses to increased connection with the parallel dimension of the Otherworld of gods, goddesses, and faeries<BR><BR>&#8226; Provides unique card spreads and interpretations, advice from the oracle, notes on the oracle&#8217;s shadow, and three reflective questions from the Tuatha D&#233; Danann and the elements for each card<BR><BR>Combining the wisdom of the supernatural Tuatha D&#233; Danann, or Sidhe, with the mythology of Irish faery folk, this deck will enable you to expand your clairvoyant awareness beyond everyday life and connect with the creative forces of the Otherworld.<BR><BR>Reflecting the Sidhe&#8217;s love of colors, these beautiful cards represent 23 deities of the Tuatha D&#233; Danann paired with 23 Irish faeries that, arising as elementals and nature spirits, imbue the land with life-affirming wonders. The 4 magical treasures of the Sidhe&#8212;the cauldron of plenty, the sword of light, the spear of victory, and the stone of destiny&#8212;are also included as gifts to empower and support the querent.<BR><BR>The deck features Danu, the mother of the Tuatha D&#233; Danann; Macha, the shapeshifting goddess who ruled as a High King of Ireland; The Dagda, benevolent chief god associated with fertility, wisdom, and magic; and the romantic Aengus Og who presides over youth and poetry. The Faery cards include a Gnome who tends roots, dancing Undines, Sylphs, and flower spirits.<BR><BR>The guidebook gives unique card spreads, advice from the oracle, notes on the oracle&#8217;s shadow, past life associations, and three reflective questions from the Tuatha D&#233; Danann and the elements. Drawing on Irish myth and magic, <I>The Fair Folk Oracle</I> brings wisdom and practical guidance from the Otherworld.]]></Text>
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      <Text><![CDATA[Ayn Cates Sullivan, MFA, PhD, has spent four decades writing about Arthurian and Celtic mythology. She has pursued shamanic and magical initiations with John and Caitl&#237;n Matthews and with the Order of Bards, Ovates, and Druids. Ayn is the bestselling author of more than twenty books.<BR><BR>Belle Crow duCray, is an award-winning illustrator of decks and children&#8217;s books. Using the ine art medium of colored pencils, Belle draws straight from the soul. She has studied mysticism and Celtic mythology for decades.]]></Text>
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      <Text><![CDATA[<B>Using the Deck</B><BR><BR>As we give birth to the Aquarian Age, we find our world changing almost beyond recognition. What can sustain us are the ancient ones who have lived through turbulent times and continue to whisper to us from parallel realms. Opening <i>The</i> <i>Fair Folk Oracle, </i>we may feel the embrace of the Nature Spirits. There is an invitation to increased clairvoyant awareness and an expansion of consciousness beyond our human-centric world.<BR><BR><i>The Fair Folk Oracle</i> helps us re-imagine and re-engage the world around us. There are many Otherworlds, some we encounter in dreams, and most are beyond our comprehension. <i>The Fair Folk Oracle </i>is an invitation into direct knowing with some of the most ancient creator beings who know how to live in harmony with life. We might ask ourselves how we can help the New Earth emerge. Each card has a series of inquiry questions to broaden and deepen our understanding of life.<BR><BR>The deck is designed to help the reader develop greater awareness with the unseen realms. Once we tap into our guidance, the Wisdom Field can help us observe the blueprints and sparkle prints that our thoughts, words, and deeds will set in place both personally and collectively. As we become more attuned, we tend to choose our words and actions with more care. After all, our thoughts, words, and actions co-create the world we live in. As we work with the cards, we realize that if we pay attention, there are always signs, symbols, and help along the way. Querents who wish to discover more about how their lives interweave with The Fair Folk, try <i>Spread 3: &#8220;The Butterfly.</i>&#8221;<BR><BR><B>Meeting the Oracles</B><BR><BR><i>The Fair Folk Oracle</i> encourages the development of innate healing, as well as the development of poetic and oracular gifts. The age we are living in requires that we make a shift from our individual natures to global awareness. When you open the deck, simply pull a card, observe the image, and notice your ordinary thoughts about it. Then empty your mind of all thoughts, feelings, history, and sensations.<BR><BR>Once you are clear inside, allow yourself to shift into a dreamy intuitive aware state, and receive what the card might be attempting to convey to you from higher consciousness. For those of you who are sensitive, the cards might speak and they might perhaps even ask you questions. It may be that there is a <i>Sidhe </i>friend who is awaiting your acknowledgement right now. There is a simple three-card spread at the back of the book that can get you started. <i>See Spread 1: &#8220;The Triskelion.&#8221;</i><BR><BR><B>Working with the Four Guardians</B><BR><BR>There are four Guardians who act as custodians of the Four Treasures of the Tuatha D&#233; Danann. When you select a Guardian, they will offer the querent a specific gift or ask about unique superpowers. The Guardian cards may also simply be used with the other cards as Oracles.<BR><BR>Danu offers the life-affirming wisdom of the divine feminine principle. Bil&#233; acts as a guide to ancestral realms and can also bring good fortune. King Nuada offers the gift of healing and renewal. Lugh, a god of multiple skills and talents, may ask about your own genius.<BR><BR>&#8226; Danu is the Guardian of Life.<BR><BR>&#8226; Bil&#233; is the Guardian of the Ancestors.<BR><BR>&#8226; Nuada is the Guardian of Renewal.<BR><BR>&#8226; Lugh is the Guardian of Victory.<BR><BR>To receive their gifts and explore your superpowers, read their messages, listen to their whispers, and answer their three or four questions.<BR><BR><B>Discovering the Four Treasures</B><BR><BR>There are four Treasure cards. When you select one, there is a specific gift that the Guardian of that hallow is offering you. The Cauldron of Plenty arises out of the creative feminine principle and offers the gift of nourishment and a healthy life. The Stone of Destiny invites ancestral connection. Nuada&#8217;s Sword of Light destroys the shadows so that the good can prevail. Lugh&#8217;s Spear of Victory brings courage to heroes.<BR><BR>&#8226; Cauldron of Plenty/<i>Coire Ansic </i>= The gift of life.<BR><BR>&#8226; Stone of Destiny/<i>Lia F&#225;il </i>= Ancestral calling.<BR><BR>&#8226; Sword of Light/<i>Cla&#237;omh Solais </i>= Establishes the good.<BR><BR>&#8226; Spear of Victory/<i>G&#225;e Assail </i>= Celebrating bravery.<BR><BR><B>Six Spreads<BR></B><BR>There are six spreads designed specifically for <i>The Fair Folk Oracle </i>at the end of this book. <i>&#8220;The Triskelion&#8221; </i>is the first spread. It is a<i> </i>traditional past, present, and future reading. The second is called<i> &#8220;A Sip of Wisdom,&#8221; </i>which uses eight cards, and is useful for finding<i> </i>your life purpose and mission, and unique Color-Codes. <i>&#8220;The Butterfly&#8221; </i>is an eight-card reading for exploring how our personal<i> </i>lives interweave with the world around us, especially with The Fair<i> </i>Folk. It is a reading to help us fly free of the concerns of the world.<i> </i>The fourth spread, <i>&#8220;The Cross of The Fair Folk,&#8221; </i>which combines<i> </i>Oracle and Tarot, is discussed below. The fifth spread, <i>&#8220;Ancient Ireland: Ancestral Power Reading,&#8221; </i>can be undertaken as a soul<i> </i>journey to meet ancestral guides. <i>&#8220;Creating New Earth&#8221; </i>is the sixth<i> </i>spread, which moves into druidic ritual work.<i></i><BR><BR><B>Combining Oracle & Tarot</B><BR><BR>As you become increasingly adept at reading, you might wish to combine <i>The Fair Folk Oracle </i>and the <i>Celtic Elemental Tarot</i>. For instance, if there is a particularly challenging tarot card, the querent may wish to select a Guardian, Treasure, or the Draoi from <i>The Fair Folk Oracle</i>, for magical support, deeper understanding, and personal empowerment. These cards can be selected consciously, intuitively, or randomly. At the back of the book, you will find a spread and sample reading for advanced and adventurous readers, <i>&#8220;The Cross of Th e Fair Folk&#8221; </i>(see spread 4).<BR><BR><B>A Language of The Fair Folk:<BR><BR>The Color-Codes</B><BR><BR><B>DEEP RED</B> (Grounding): Deep Red is associated with the Earth Elementals, such as the Gnome, also with those who have the wisdom of the wild ways, such as Flidas. Deep Red helps a person grow their ancestral roots so they can feel at home and confident in the world. Deep Red is associated with indigenous cultures and times when people lived closer and more in harmony with the Earth.<BR><BR><B>RED </B>(Strength): A fiery color, Red stimulates our appetite for adventure. It is the color of the survival drive. With Red, we feel that we have what it takes to live and thrive. Dynamic Red can help us to feel stronger, boost our confidence, and ignite our creative fire. Red gives strength to warriors, like Macha Mong R&#250;ad. Red is related to Mars and our passion, physical drive, aggression, and courage.<BR><BR><B>CORAL </B>(Tribe): Coral is a color associated with love, community, and Honeybees. It is healing for affairs of the heart and issues with unrequited love. It helps you feel part of your tribe, or community. Fand worked with Coral to find her right place amongst The Sidhe. Astrologically, Coral is linked to the &#8220;Part of Fortune,&#8221; as well as places on the planet where luck, happiness, and material success can be found.<BR><BR><B>ORANGE </B>(Creativity): Warm and vibrant Orange is the color of life&#8217;s pleasures. It is a deeply healing color that can help you remake yourself again after an injury or trauma. As an essential quality, it is linked to enjoyment, laughter, nourishment, and all the good things in life. Like the playful Fire Spirits, Orange can help us to blossom. Astrologically, Orange is linked to the great benefic planet Jupiter, who helps us to creatively expand our beliefs, and encourages optimism and prosperity.<BR><BR><B>GOLD</B> (Wisdom): Gold is associated with the rays of the Sun and a person&#8217;s unique genius. Loved by Leprechauns, Gold can manifest as coins or assets that bring wealth, abundance, and prosperity. Gold as an essence can bring brilliant insights and act as a portal to the Field of Wisdom. Ogma worked with his inner golden wisdom to create the Ogham, the ancient Irish tree alphabet. The golden Sun helps us to develop a core identity, conscious self, and can bring purpose to our lives.<BR><BR><B>YELLOW </B>(Intelligence): Yellow stimulates the mind, inviting intelligence and inspiration. Like the sunlight emerging after a storm, Yellow clears away fear and confusion, inviting in the soul quality of joy. Sylphs and other Air Spirits love Yellow, becoming very active in the sunlight. Mercurial by nature, sunlight can travel almost anywhere bringing hope, happiness, and mental clarity. Astrologically, Yellow is linked to Mercury, intelligence, communication between worlds, and our vital force.<BR><BR><B>OLIVE</B> (Empowerment): This earthy green color is specifically linked to the empowerment of the feminine. Olive, a muted shade of Green, is naturally harmonious and stabilizing. The color encourages artistic talent and creative vision. Astrologically, Olive is linked to wisdom, strategic planning, and the asteroid Pallas Athena. Olive can assist one in overcoming destructive patterns and reestablishing constructive ways of living. Olive is loved by Tree Spirits, Dryads, and other Ladies of the Wildwood.<BR><BR><B>GREEN</B> (Friendship): Green is the color of forests and meadowlands. It is associated with an open heart, neutrality, harmony, friendship, and a sense of spaciousness. Green invites you to go into nature, walk in the forest, and hug a tree. Green is the national color of Ireland, specifically Emerald Green, and the love of the Green Man and Woman. Green, as an essential quality, opens as the companionate heart. Astrologically, Green is related to Venus. Green harmonizes and inspires love, friendship, connection, and a pleasurable existence.]]></Text>
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      <Text><![CDATA[<B>A Magical and Multidimensional Work <BR><BR>Foreword </B><B><I>by Susan Lange, OMD, L.Ac.<BR></I><BR>Encounters with The Fair Folk&#8212;A Preface<BR><BR>Introducing <I>The Fair Folk Oracle</I> <BR><BR>Using the Deck<BR><BR>Intuiting the Color-Codes</B> <BR><BR>THE CARDS<BR><BR><B>The Four Guardians & Their Treasures</B><BR><BR>1. GUARDIAN&#8212;Danu<BR>1. TREASURE&#8212;The Cauldron of Plenty<BR><BR>2. GUARDIAN&#8212;Bil&#233;<BR>2. TREASURE&#8212;The Stone of Destiny<BR><BR>3. GUARDIAN&#8212;Nuada<BR>3. TREASURE&#8212;The Sword of Light<BR><BR>4. GUARDIAN&#8212;Lugh<BR>4. TREASURE&#8212;The Spear of Victory<BR><BR><B>Druids, Oracles, & Faeries<BR><BR></B>0. DRAOI&#8212;M&#243;rf&#237;sa<BR><BR>1. ORACLE&#8212;Badb Catha <BR>1. FAERY&#8212;The Magic Cup<BR><BR>2. ORACLE&#8212;Flidas<BR>2. FAERY&#8212;The Gnome<BR><BR>3. ORACLE&#8212;Macha Mong R&#250;ad<BR>3. FAERY&#8212;The Red Woman <BR><BR>4. ORACLE&#8212;Fand<BR>4. FAERY&#8212;The Honeybees<BR><BR>5. ORACLE&#8212;Caer Ibormeith<BR> 5. FAERY&#8212;The Fire Spirits<BR><BR>6. ORACLE&#8212;Ogma<BR>6. FAERY&#8212;The Leprechaun<BR><BR>7. ORACLE&#8212;Tailtiu <BR>7. FAERY&#8212;The Sylph<BR><BR>8. ORACLE&#8212;&#193;ine<BR>8. FAERY&#8212;The Dryad<BR><BR>9. ORACLE&#8212;Brigid <BR>9. FAERY&#8212;The White Rabbit <BR><BR>10. ORACLE&#8212;The Dagda <BR>10. FAERY&#8212;The Dragonflies <BR><BR>11. ORACLE&#8212;Manann&#225;n mac Lir<BR>11. FAERY&#8212;The Merrow<BR><BR>12. ORACLE&#8212;Aengus &#211;g<BR>12. FAERY&#8212;The Swan<BR><BR>13. ORACLE&#8212;&#201;riu <BR>13. FAERY&#8212;The Undines<BR><BR>14. ORACLE&#8212;The Morrigan <BR>14. FAERY&#8212;The Wolf <BR><BR>15. ORACLE&#8212;Dian C&#233;cht <BR>15. FAERY&#8212;The Violet Flame<BR><BR>16. ORACLE&#8212;Queen Maeve<BR>16. FAERY&#8212;The Magic Flower <BR><BR>17. ORACLE&#8212;Queen &#218;na <BR>17. FAERY&#8212;The Sprite<BR><BR>18. ORACLE&#8212;B&#243;inne <BR>18. FAERY&#8212;The Salmon <BR><BR>19. ORACLE&#8212;The Cailleach <BR>19. FAERY&#8212;The Snowy Owl <BR><BR>20. ORACLE&#8212;Airmed<BR>20. FAERY&#8212;The Healing Star <BR><BR>00. BANDRAOI&#8212;Fedelma <BR><BR>SAMPLE SPREADS<BR><B>Spread 1: The Triskelion <BR>Spread 2: A Sip of Wisdom <BR>Spread 3: The Butterfly<BR>Spread 4: The Cross of The Fair Folk <BR>Spread 5: Ancient Ireland: Ancestral Power <BR>Spread 6: Creating New Earth<BR><BR>Acknowledgments <BR><BR>About the Author <BR><BR>About the Illustrator</B>]]></Text>
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      <Text><![CDATA[&ldquo;With its unique mixture of gods, spiritual beings, gifts, and nature, The Fair Folk combine together to make a very powerful oracle.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;What a delight to dive into the complexity and deep magic of the warm and enchanting <I>Fair Folk Oracle</I> that Ayn Cates Sullivan and Belle Crow duCray have shepherded through the realms. It takes us through all seasons and stages of being alive, of moving through transition, and letting go into the unknown. Approach this deck with curiosity and an open heart, and you will learn how to transit the realms as shamans and mystics do as you begin to dream your world into being whilst awake.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Using <I>The Fair Folk Oracle</I> is both grounding and expansive, providing me with greater insights to help my clients across the globe. Thank you, Ayn and Belle, for such a beautiful gift with these magical and inspirational cards that bring joy and are so uplifting. The oracle cards and the Color-Codes spark the imagination and lend a gracious hand in my energetic work of inventing healing tools for humanity, conducting intuitive readings and land clearings, and counseling businesses.&rdquo;]]></Text>
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      <Text><![CDATA[<I>&ldquo;The Fair Folk Oracle</I> is completely alive; it is a channel for The Fair Folk to guide us to the truth within, supporting our journey to Otherworldly realms, where unconditional love is a reality. It carries the reader on an inward journey of discovery, bringing us back to the origin of who we truly are in our essence and holistic self, awakening the sovereignty, virtues, clarity, and love within. The symbols and the colors of the drawings are like sparkling pools of the language of light, filled with healing frequencies and brimming with spiritual depth and wisdom. The Color-Codes act as a symbolic language helping us connect to direct knowing. The meaning of the cards, masterfully written by Ayn Cates Sullivan, reveals the purity and strength of our spiritual ancestry, reconnecting us to the ancient knowledge of the Irish and Faery worlds.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Ismael Cala is a Cuban journalist, bestselling author, international lecturer, and visionary producer. Recognized as a global authority in executive mindfulness, innovation, productivity, and high performance, his work inspires leaders and dreamers alike to unlock their highest potential. He is the creator and host of the acclaimed podcast <I>The Abundance Revolution</I> and resides in Miami, Florida.]]></BiographicalNote>
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      <SubjectHeadingText>INTUITIVE VOICE;SELF-LISTENING;INNER WISDOM;MINDFULNESS PRACTICES;EMOTIONAL AWARENESS;JOURNALING EXERCISES;MOTIVATIONAL;MIND BODY CONNECTION;NEUTRAL SELF-ASSESSMENT;SILENCE INNER CRITIC;PERSONAL GROWTH;SELF-TRANSFORMATION;SELF-REFLECTION;EMPATHIC LISTENING;LIMITING BELIEFS;STRENGTHEN INTUITION;CRITICAL SELF-REFLECTION;SUCCESS STORIES;RECOGNIZE BIASES;ENHANCE INTUITION;LISTEN TO YOURSELF;TUNE INWARD;SELF-HELP;WELLNESS STRATEGIES;AWARENESS PRACTICES;ISMAEL CALA;JOHN C MAXWELL;BODY INTELLIGENCE</SubjectHeadingText>
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      <Text><![CDATA[<B>Silence your inner critic and discover your inner wisdom</B><BR><BR>&#8226; Explores how to listen to your thoughts, body, emotions, intuition, and other people from a place of neutral self-assessment<BR><BR>&#8226; Explains how most of us respond to the world automatically based on mental habits<BR><BR>&#8226; Shares journaling exercises and mindfulness practices to enhance intuition and recognize limiting beliefs, biases, shadows, and weaknesses<BR><BR>Without realizing it, most of us tend to react based on our habits and memories, rather than what our senses, bodies, emotions, intuition, or the people around us convey. Ismael Cala explores how you can break free from these mental habits and discover the wisdom of your own inner voice to create a more balanced and fulfilling life.<BR><BR>Cala explains how to cultivate deeper self-awareness, strengthen intuition, and become more mindful through the art of non-judgmental listening. Drawing upon inspiring success stories, examples from his own life, as well as practical journaling exercises and powerful mindfulness practices, he explores ways to tune in to your inner dialogue from a place of critical self-reflection and neutral, loving self-assessment. He explains how to observe your thoughts as passing clouds rather than identifying with them as well as how to recognize limiting beliefs, biases, shadows, and weaknesses.<BR><BR>Examining the connections between the mind, heart, and body, Cala considers how emotions affect our physical well-being and how they can hinder our thoughts and reactions. By learning to listen to your body, you can better interpret what pain, discomfort, or stress may be signaling. He also shares strategies for listening to others with empathy for better communication and stronger relationships.]]></Text>
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      <Text><![CDATA[Ismael Cala is a Cuban journalist, bestselling author, international lecturer, and visionary producer. Recognized as a global authority in executive mindfulness, innovation, productivity, and high performance, his work inspires leaders and dreamers alike to unlock their highest potential. He is the creator and host of the acclaimed podcast <I>The Abundance Revolution</I> and resides in Miami, Florida.]]></Text>
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      <Text><![CDATA[<B>Introduction<BR><BR><i>In your uniqueness lies the seed of your greatness.</i><BR></B><BR>I wish someone had told me this when I was seven or eight years old, as my mind began weaving a labyrinth of beliefs, self-judgments, and false narratives about that budding, insecure being that was little Ismael.<BR><BR>The mission of this book is to liberate the child trapped in the deception of an illusory story&#8212;a child who starts to listen and awaken the adult hidden among the shadows and burdens of his secrets. The secrets we hold in childhood are the most brutal short-sighted mirage that a human being faces in their true challenge: listening neutrally and lovingly to the dichotomy between who they believed they were, shaped by external conditioning, and who they truly are&#8212;beyond the limits of mind, ego, education, and genetic, epigenetic, and spiritual inheritances.<BR><BR>We were taught to speak and instructed to say &#8220;thank you&#8221; when requesting something, but we were barely taught to understand the complex world of listening. Many people have not allowed their ears to hear without the internal narration of the original script that defines their existence. This socially prescribed script is so strong that our minds and ears live in constant noise, denying the silence that is the master key to multidimensional listening: an ability to hear that involves cognition, emotion, the body, the electromagnetic field, and, most importantly, the dual-way relationship between what is hidden in our subconscious and what we unconsciously let penetrate it.<BR><BR>This book aims to elevate the quality of what enters your ears. If you apply everything it proposes, your life will never be the same, and your world will begin to flow with revelations and magic. It is an open book, brimming with secrets, both deeply private and commonly known. This is intended to help you understand and free that other book: the one filled with your own secrets that prevents you from being freer than the person you claim to be today.<BR><BR>We are happiest when we learn to listen to ourselves and liberate the book of our personal secrets. Without intervention, those thoughts we hear repeatedly in the echo chamber of our minds that make us feel shame, guilt, fear, and helplessness shape the identity of who we believe ourselves to be. Prepare to explore the &#8220;pinata of your mind&#8221;&#8212;a metaphor I like to use for how, when you were a child, adults filled your mind with ideas, paradigms, fears, limiting beliefs, and ways of seeing the world&#8212;just as one would fill a pinata with candy. However, also within this pinata is a fascinating path filled with light, truth, and immense love&#8212;a path that bridges science and consciousness and elevates us to the sacred within the mundane. This journey leads us to explore the infinite being that we truly are and transforms us into illustrious and virtuous students of the art of listening.<BR><BR>Many of us are likely born equally gifted with grace, innocence, and boundless magic. But this state of pure magic is fleeting. Our origins of profound bliss and connection begin to fade when the pinata mind of the child starts receiving orders, labels, and memes that confine it&#8212;when fears are transferred (without malice) by our parents, alongside an absurd avalanche of biases and conditioning. These forces overshadow that infinite, whole being, who, left unaltered, would never have conformed to the herd.<BR><BR>&#8220;Education is the rush to conformity,&#8221; I once read in a powerful statement. I believe this is true: education often becomes a process designed to ensure our belonging to a family, a culture, a country, or even a religious sect. It frames us in limiting ways or shapes our individual identity alongside a fragmented sense of social belonging. Leave a child without education, and you&#8217;ll have someone lacking many social skills&#8212;but perhaps a person more connected to their essence and in tune with nature.<BR><BR>This book is a study of loving and neutral listening, both internal and external. This listening can replace and heal the conditioned listening filled with limiting thoughts, words, ideas, beliefs, and assumptions rooted in our upbringing&#8212;the listening that, over time, became the false truths about who we believe ourselves to be in the world. It is an invitation to activate critical and reflective thinking&#8212;not positive thinking, but rather the ability to listen to and accept even the parts of ourselves we don&#8217;t like or the secret ideas that pass through our minds.<BR><BR>On this journey, your shadows and darker aspects&#8212;that many consider to be their worst enemy&#8212;will emerge. However, for us, as explorers of consciousness, the shadow or dark side is simply part of who we are&#8212;or who we are not. Often, our shadow simply reflects what we have gathered, inherited, or recycled from our environment, surroundings, or the psycho-emotional legacy that has shaped our personalities.<BR><BR>Often, in the true and nonjudgmental process of listening to ourselves, we fear admitting things that make us a &#8220;bad person&#8221; (or, at least, that&#8217;s how it feels). However, even the fear of losing control, the fear of not knowing ourselves, of loneliness, abandonment, and rejection, are great allies. These are all indicators that we are beginning to recognize who we are in the fragile yet perfectly imperfect nature of humans evolving toward higher consciousness.<BR><BR>I now understand that most humans deny themselves (out of fear) the opportunity to discover who truly lives within. Instead, they choose the difficult task of continuing to please others, crafting an illusion of being someone who fits the expectations of society in an overwhelming need for acceptance and belonging.<BR><BR>You and I are here to look each other in the eye, tell each other the truth, and open the book of our secrets to begin liberating them&#8212;breaking free from the distorted illusion that these secrets have left us weak or as victims of certain events. <i>The Art of Listening to Yourself </i>leads you down the path of erasing all traces of victimhood. Because, in the end, it is not your emotions that should dictate the level of your consciousness, but your serene and neutral presence, and capacity for critical thinking to even call into question your own interpretations of reality.<BR><BR>There is a shadow within every human, filled with doubts, disturbances, and darkness&#8212;a shadow often brimming with more questions than answers. Being explorers means shining a light into every corner where fear, doubt, distrust, and even feelings of unworthiness have hidden. This shadow must be faced with compassion and immense love and filled with empathy; this is the only way to truly know what resides within our subconscious and confront it.<BR><BR>Without compassion for our shadow, life becomes a calvary of friction and overwhelm&#8212;a tug-of-war between our noble intentions for expansion and the inevitable contractions caused by the habit of replaying our old stories. Broadcast endlessly, these stories defy the mission of your life: to believe, create, and grow without limits.<BR><BR>The voices of the shadow come uninvited, discrediting others, passing judgment, and, above all, comparing you to others in an unfair and biased way. Remember that every time we believe those voices in our pinata mind, we are projecting&#8212;and projecting is dehumanizing. That&#8217;s when the shadow darkens us, and we start justifying our complaints, hatred, envy, and, above all, the unloving actions that others receive. If we think certain people are &#8220;bad,&#8221; then our minds believe they deserve whatever actions we take against them.<BR><BR>Creating peace through listening is the philosophy for banishing hatred and pain.<BR><BR>No one escapes that brutal process that cages us in the house of the familiar, the known, the &#8220;safe.&#8221; We all, in one way or another, still carry voices in our pinata mind that act either as anchors for expansion and reinforcement or as invisible shackles, seemingly unbreakable to those who bear them. We move through the world like circus elephants, trained and conditioned to display certain behaviors from the time we were defenseless and had no self-awareness. Our illusion of subjectivity in an apparently solid and scientific world has caused us to memorize data that distorts the narrative of who we truly are.<BR><BR>You and I have been left at the mercy of memory&#8212;full of knowledge, but orphans of wisdom. Yet our personality is not etched in stone; it is not our Rosetta Stone. Rather, it is possible to evolve and escape the mediocre path of being &#8220;average&#8221; in a universe where our excessive sameness is more a curse of learned apathy and hopelessness than a virtue of what we were born to be with our original rights.]]></Text>
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      <Text><![CDATA[Foreword: <BR>The Path of Integrity <BR>by John C. Maxwell <BR><BR>Prologue<BR>by Dr. C&#233;sar Lozano <BR><BR>An Invitation to Seek Common Ground<BR>by Anne Igartiburu <BR><BR>Introduction<BR><BR><B>1</B> Knowing Yourself <BR><BR><B>2</B> Listening to Your Mind <BR><BR><B>3</B> Listening to Your Body <BR><BR><B>4</B> Listening to Your Emotions<BR><BR><B>5</B> Listening to Ourselves <BR><BR><B>6</B> The Voice of Intuition<BR><BR>Conclusion<BR><BR>Epilogue<BR><BR>Acknowledgments<BR><BR>Bibliography<BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;Ismael Cala has gifted us with a life-changing resource in <I>The Art of Listening to Yourself.</I> By illuminating the power of inner listening, this book provides a guide to personal growth and wisdom that we desperately need. Cala reveals how tuning in to our bodies and spirits allows us to access our highest potential. With his trademark insight and compassion, Cala shows us how to quiet our busy minds to hear divine guidance. We can transform relationships and heal wounds when we truly listen. By listening, we can understand what our bodies are trying to tell us, leading to better health. <I>The Art of Listening to Yourself</I> is a revelation and a revolution. Cala is a pioneering voice teaching ancient truths for modern times, empowering us to create lives of meaning, harmony, and purpose. When we learn to listen, we unlock our greatest gifts. The world needs this light now more than ever.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;A deeply insightful book for anyone ready to rise.&rdquo;]]></Text>
      <TextSourceTitle>Robin Sharma, #1 international bestselling author of The 5AM Club and The Monk Who Sold His Ferrari</TextSourceTitle>
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      <Text><![CDATA[&ldquo;In <I>The Art of Listening to Yourself</I>, Ismael Cala brings his signature warmth, generosity, and uplifting spirit to one of our most essential capacities: the ability to listen deeply, beginning with ourselves. In a world that pulls our attention in a thousand directions, this book offers a much-needed reprieve. Through practical exercises in self-reflection, journaling, self-observation, and mindful attention, the reader is invited to step out of habitual reactivity and strengthen the inner capacities that support clarity, intuition, resilience, and wise action. A gem of a book that is both timely and inspiring.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;With eloquence and depth, <I>The Art of Listening to Yourself</I> invites us to embark on a journey of self-discovery. Ismael Cala&rsquo;s powerful teachings ignite a spark of curiosity and encourage us to tune in to our inner wisdom, ultimately guiding us to live more fulfilling and intentional lives.&rdquo;]]></Text>
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      <Text><![CDATA[<I>&ldquo;The Art of Listening to Yourself</I> is a quiet revolution in a noisy world. With clarity and warmth, it guides readers back to their own inner wisdom, reminding us that the answers we seek have been within us all along. A powerful invitation to slow down, tune in, and trust yourself.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;With uplifting poems, eloquent visuals, and thoughtful reflective exercises, <I>The Art of Listening to Yourself</I> by Ismael Cala guides readers through the terrain of mind, body, and emotions with clarity and depth. It reveals how to move beyond memory and conditioning by truly listening to the voices within&#8212;and finally becoming the conscious author of your own life story. A compelling must-read for anyone ready to discover the light of wisdom within.&rdquo;]]></Text>
      <TextSourceTitle>Anuradha Dayal-Gulati, PhD, author of Heal Your Ancestral Roots</TextSourceTitle>
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      <Text><![CDATA[<B>Una educadora del Bronx lucha contra la injusticia para mejorar su comunidad</B><BR><BR>Nacida en el conflictivo South Bronx, la Dra. Elaine Ruiz Lopez logr&#243; superar un embarazo adolescente y la adversidad, y fue capaz de obtener t&#237;tulos avanzados, impulsada por el deseo de servir a ni&#241;os de or&#237;genes similares al suyo. Esta inspiradora autobiograf&#237;a narra su visi&#243;n de lograr proporcionar una educaci&#243;n rigurosa y motivadora en su ciudad natal, a pesar de la existencia de un sistema que est&#225; en contra de las minor&#237;as.<BR><BR>La lucha por la equidad en el Bronx relata la inspiradora historia de una educadora del Bronx que combate la injusticia para mejorar su comunidad, y:<BR><ul> <li>sigue la trayectoria de la Dra. Ruiz Lopez, desde que fue "excluida" de la escuela secundaria hasta graduarse en la Ivy League</li> <li>relata las constantes dificultades que enfrent&#243; al abrir una escuela secundaria ch&#225;rter pionera</li> <li>comparte historias de estudiantes que ahora prosperan en universidades de todo el pa&#237;s</li> <li>destaca la importancia del activismo de los padres en la reforma educativa</li> <li>anima a los lectores a perseverar frente a los obst&#225;culos mediante la confianza en uno mismo</li> </ul><BR>Forjando su propio camino, la Dra. Ruiz L&#243;pez inaugur&#243; la primera escuela secundaria ch&#225;rter en el Bronx de Nueva York en 2006, que ofreci&#243; a estudiantes inmigrantes y multiculturales un entorno acogedor para alcanzar su potencial. Con profundos lazos comunitarios, pero enfrent&#225;ndose sola a los administradores, super&#243; numerosos intentos de desmantelar la escuela. Durante un ca&#243;tico primer a&#241;o, la Dra. L&#243;pez arriesg&#243; su reputaci&#243;n para proteger tanto a los estudiantes como a su visi&#243;n. A pesar de las constantes dificultades, hoy su academia se mantiene firme con una tasa de graduaci&#243;n del 96 %.<BR><BR>M&#225;s que la odisea inspiradora de una mujer, este es un relato de esperanza que demuestra que la equidad en la educaci&#243;n es posible a trav&#233;s de la lucha colectiva.]]></Text>
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      <Text><![CDATA[La Dra. <B>ELAINE RUIZ-L&#211;PEZ</B> fund&#243; la escuela International Leadership Charter High School de Nueva York para ofrecer una educaci&#243;n rigurosa y preparatoria para la universidad a j&#243;venes desatendidos por el sistema. Hija de padres puertorrique&#241;os de clase trabajadora, naci&#243; en South Bronx donde persever&#243; como madre adolescente. A pesar de haber sido &#8220;excluida&#8221; de la escuela secundaria, logr&#243; obtener t&#237;tulos avanzados, incluido un doctorado del Teachers College de la Universidad de Columbia. Una apasionada defensora de las comunidades de inmigrantes y multiculturales, ha desempe&#241;ado varios roles de liderazgo educativo desde 1980. Despu&#233;s de presenciar la desigualdad en las escuelas tradicionales, la Dra. Ruiz-Lopez fund&#243; su escuela ch&#225;rter en 2006. A pesar de los ataques iniciales, ahora cuenta con una tasa de graduaci&#243;n del 96%. Durante a&#241;os, los oficiales y l&#237;deres del Bronx entregaron reconocimientos a la Dra. Ru&#237;z L&#243;pez y a la escuela International Leadership Charter High School, y en 2022 fue reconocida como una de las 100 "Mujeres Poderosas del Bronx". En junio de 2023, fue reconocida por la Black Latinx Asian Charter Coalition (BLACC), una coalici&#243;n de escuelas ch&#225;rter de comunidades negras, latinas y asi&#225;ticas y recibi&#243; el premio Educator of Excellence Award, por su excelencia como docente, en la Mosaic Gala.<BR><BR>Desde luchar contra la burocracia hasta recaudar 22 millones para un nuevo edificio escolar, su autobiograf&#237;a motivadora narra su misi&#243;n de demostrar que la equidad en la educaci&#243;n es posible. Actualmente vive en su querido vecindario, el Bronx, con su esposo, Tony L&#243;pez.]]></Text>
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      <Text><![CDATA["La Dra. Elaine Ru&#237;z L&#243;pez se expresa con voz sincera para apoyar a los estudiantes que se esfuerzan por mantenerse al d&#237;a, motivar a quienes abogan desde vecindarios con dificultades y alienta a los padres que buscan inspiraci&#243;n para sus hijos. La historia de la Dra. L&#243;pez te transportar&#225; a su infancia en el Bronx, donde conocer&#225;s de primera mano la realidad de una comunidad en transici&#243;n que lucha por salir adelante. Descubre c&#243;mo la autora pudo abandonar la escuela secundaria, aprobar el examen GED y luego seguir adelante hasta conseguir su doctorado. Gracias a su trayectoria, la Dra. L&#243;pez obtuvo el reconocimiento nacional de la revista US News and World Report, que le otorg&#243; el premio Bronze Award Recipient for Best High Schools por haber desarrollado una de las mejores escuelas secundarias. <I>La lucha por la equidad en el Bronx: cambiando vidas y transformando comunidades: un estudiante a la vez</I> es una lectura obligatoria para los promotores del cambio social, los educadores, los acad&#233;micos, los investigadores y las personas que buscan ejemplos de liderazgo eficaz."<BR> &#8212; <B>Reverendo Dr. Alfonso Wyatt</B><BR> <I>Fundador, Strategic Destiny: Designing Futures Through Faith and Facts (Dise&#241;ando el futuro a trav&#233;s de la fe y los hechos)</I><BR><BR>"El libro escrito por la Dra. Elaine Ru&#237;z L&#243;pez es realmente impactante. Recomiendo su lectura a todas las personas que se dedican a la educaci&#243;n de ni&#241;os afroamericanos y latinos en lugares tan enriquecedores como South Bronx y otras comunidades similares en todo el pa&#237;s. <I>La lucha por la equidad en el Bronx</I> es un relato inspirador sobre los extraordinarios retos a los que se enfrent&#243; esta mujer de color, l&#237;der y visionaria, con el fin de proporcionar una educaci&#243;n preuniversitaria de calidad a los ni&#241;os afroamericanos y latinos."<BR> &#8212; <B>Miriam Raccah</B><BR> <I>Directora ejecutiva, Black Latinx Asian Charter Collaborative (BLACC), una coalici&#243;n de escuelas ch&#225;rter de comunidades negras, latinas y asi&#225;ticas.</I><BR><BR>"La Dra. Elaine Ru&#237;z L&#243;pez relata su vida repleta de acontecimientos, desde sus humildes comienzos como ni&#241;a en el vecindario South Bronx hasta su asombrosa historia de autodescubrimiento. Describe c&#243;mo el sistema escolar la defraud&#243; y el racismo que sufri&#243; en sus primeros a&#241;os como maestra. Adem&#225;s, podemos apreciar su activismo dentro de la comunidad junto al National Congress of Puerto Rican Rights (NCPRR), una organizaci&#243;n liderada por antiguos miembros del partido Young Lords Party (YLP), que proporcion&#243; una plataforma para luchar por los derechos civiles y humanos, la reforma educativa y, en &#250;ltima instancia, la creaci&#243;n de una escuela de libre elecci&#243;n en el Bronx. Esta emocionante historia es una verdadera inspiraci&#243;n para todos los aspirantes a l&#237;deres latinos que se encuentran al frente de la lucha por la justicia social y dirigen escuelas de elecci&#243;n en comunidades afroamericanas y latinas."<BR> &#8212; <B>Dr. John Paul Gonzalez Gutierrez</B><BR> <I>Profesor adjunto de Estudios Puertorrique&#241;os y Latinos en la CUNY</I><BR><BR>"La Dra. Elaine narra su recorrido desde que era una joven estudiante sin recursos hasta convertirse en la defensora de una educaci&#243;n de alta calidad para todos los estudiantes discriminados. Ese recorrido ha permitido fortalecer la vida de cientos de ni&#241;os. Este libro es la historia de la evoluci&#243;n de una verdadera campeona."<BR> &#8212; <B>Dra. Vashti Acosta</B><BR> <I>Directora ejecutiva em&#233;rita, Amber Charter Schools</I>]]></Text>
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      <Text><![CDATA[<b>The fourth book in the Dark Fates series is </b><B><I>Tomb Raider</I> meets <I>The Mummy</I> meets spicy Greek mythology.</B><BR><BR>For his kindness to humanity, Prometheus was chained to the Caucasus Mountains for thirty thousand years, only managing to escape when the fall of Olympus weakened Zeus&rsquo;s hold. On the run ever since, Prometheus&rsquo;s life has been marked by unspeakable tragedy, and the Titan of Knowledge&rsquo;s sole mission is to bring Zeus down.<BR> <BR> Prometheus, Ares, and Hermes go to New Orleans to meet the daughter of the former Muse of History, Zarena. Uneducated about her origins or divinity, Zarena is the adopted daughter in a family of LOA (Voodoo Gods & Goddesses of immense power). In a clash of cultures and pantheons, the truth of Zarena&rsquo;s parentage is made known, and the death of her mother and father drags her right into the fray. The attraction between Zarena and Prometheus is undeniable, and because she is a confident, self-assured anthropologist, she&rsquo;s unapologetic in her appetites.<BR> <BR> Armed with knowledge and a few of our favorite gods and goddesses, the two venture out on a Questing Road, searching for the Lost Library of Alexandria and Pandora&rsquo;s Box. Action, adventure, and death await around every corner, but with a betrayer amongst them, it&rsquo;s the threat within that puts them most at risk.]]></Text>
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      <Text><![CDATA[&quot;Readers who love the protectors-to-lovers trope will be riveted.&quot;<BR> <B>&mdash;<I>Booklist</I></B><BR> &nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;[S]crumptious&hellip;Between the two romances, this fast-paced novel will keep readers up all night. For fans of spicy mythological retellings.&rdquo;<BR> <b>&mdash;<i>Booklist </i>on <i>Of Prophecies &amp; Pomegranates</i></b>]]></Text>
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      <Text><![CDATA[<b>A timely family saga of carving one&rsquo;s path in ancestral and present culture.</b><BR><BR>Gaby, a woman in her mid-thirties, must balance the different cultures of her childhood and adult life, juggle loyalties to her family, accept her family&rsquo;s past, and discover her own identity to chart her way forward in this family saga. <BR> <BR>As Gaby prepares to marry her partner Russ, she shuttles between her current home in Boston and her childhood home in The Bronx and is confronted by her mother&rsquo;s accustomed and unwelcome expectations. While in The Bronx, childhood memories resurface as Gaby navigates her present relationship with her mother as well as with her grandmother, aunt, and cousin. In a short period of time, Gaby reexamines her past and that of her mother and grandmother, and uncovers surprising family secrets that forces her to endure and rise above a life-changing tragedy. <BR> <BR>Gaby&rsquo;s journey in <I>The Sicilian Daughter</I> will appeal to audiences looking for their next great multigenerational book club read!]]></Text>
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      <Text><![CDATA[<B>For fans of <I>The Witcher</I> and the novels of Joe Abercrombie and John Gwynne, comes a bloody Norse tale of grief, vengeance, fear, and fate from emerging SFF writer Michael Pogach.&nbsp;</B><BR><BR>It&rsquo;s 9th century Norway and R&#250;nr Njalson has been gifted supernatural warrior abilities as Odin&rsquo;s chosen Berserkr. Enemies and allies quake in fear at his approach. But when the unbeatable hero cannot save his own daughter Yrsa during a rival clan&rsquo;s raid, his only choice is to seek vengeance to gain her entry into Valhalla. <BR> <BR>Plagued with horrific visions and grappling with the loss of his precious child, whose ghost torments his nights, R&#250;nr seeks the direction of a seeress&rsquo;s prophecy, and is told he must find a mysterious red temple and there face Yrsa&rsquo;s killer to save her soul from a fate with Hel. He abandons his homeland on a hunt spanning the dark forests of the Slavs and the Rus to the fabled city of Constantinople, along the way throwing in with a motley band of Viking raiders: Captain Garmr&rsquo;s ferocity fits the namesake of Hel&rsquo;s hound; the nervous merchant Erasmus hides secrets he&rsquo;ll never tell; the warrior Ingimar whose quick temper is going to get them all into trouble; and the fierce shieldmaiden Ingirid who may be the only one able to break through R&#250;nr&rsquo;s tough exterior. <BR> <BR>While R&#250;nr&rsquo;s love for Ingirid grows, his Berserkr rage become more volatile, testing the crew&rsquo;s bonds and leading him to face an impossible sacrifice. <BR> <BR>Lift a horn of ale and taste sweat and blood in this rich and brutal dark Viking adventure.]]></Text>
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      <Text><![CDATA[<b>A <I>Pride & Prejudice</I> retelling, perfect for those looking for a mashup of sci-fi and Bridgerton and speculative romances like <i>The Ministry of Time</i> by Kaliane Bradley.</b><BR><BR>Vivian Bowen left Earth for Mars, seeking safety and a fresh start after seven long years trapped in a climate refugee camp. She&rsquo;s determined to fulfill her contract as a Red Mother by selecting a Martian partner and bearing genetically modified children to fund her family&rsquo;s survival back on Earth. In sixty days, everything will be secure.&nbsp;<BR> <BR>But beneath the glamorous lifestyle of the Martian oligarchs, with luxurious gowns, lavish balls, and charming suitors, lies a dark reality. The Red Mothers initiative is controlled by the Intelligence, an AI worshipped as a god, who is indifferent to the pain and suffering the Red Mothers will experience as they carry out their contractual duties.&nbsp;<BR> <BR>The last thing Vivian expects is to be drawn to Xavier Dorsey, a charismatic and infuriating Martian politician hell-bent on shutting down the Red Mothers initiative. As Xavier pushes her to imagine a life beyond mere survival, Vivian is torn between her obligation to her family and her own evolving dreams of a different future.&nbsp;<BR> <BR>When her younger sister is seduced by a dangerous Martian soldier and breaks her contract&mdash;threatening the lives of their family back on Earth&mdash;Vivian is forced to act. Joining forces with Xavier and the Intelligence to rescue her sister by infiltrating an enemy Martian dome, Vivian discovers a strength and power inside herself she never knew she had.&nbsp;<BR> <BR>Caught between the security she&rsquo;s always craved and a future filled with passion and uncertainty, Vivian must decide how much she&rsquo;s willing to sacrifice for freedom&mdash;and for love.]]></Text>
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      <Text><![CDATA[<b>A deadlier sequel to 9/11&#8212;and the race inside the CIA, FBI, and pentagon to stop it</b><BR><BR>In 2003, US intelligence uncovered evidence that al Qaeda had acquired nuclear materials, plotting to smuggle them into American ports. The &ldquo;Second Wave&rdquo; threat triggered one of the most urgent and secretive manhunts in US history.<BR> <BR>With the cinematic intensity of <I>Zero Dark Thirty</I> and the investigative depth of <I>The Looming Tower</I>, Michael Lebowitz captures post-9/11 chaos and drama: agents risking everything to prevent another catastrophe, families torn apart, and the ethical fault lines still dividing US intelligence.<BR> <BR>Readers meet Pakistani-American industrialist Saifullah Paracha, whose import- export business concealed ties to al Qaeda; Khalid Sheikh Mohammed, architect of 9/11; Majid Khan, a Baltimore gas-station clerk turned jihadist who mapped US targets; an FBI interrogator who broke suspects faster than any waterboard; and an Orthodox Jewish garment importer whose betrayal helped avert disaster. On the 25th anniversary of 9/11, Lebowitz&rsquo;s account reveals a global pursuit that tested America&rsquo;s moral limits and asks: Are we as prepared today as we were then?]]></Text>
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      <Text><![CDATA[<b>Mike Lebowitz </b>is one of America&#8217;s few war-crimes prosecutors with front-line counterterrorism experience. A former senior attorney at the Department of Justice&#8217;s National Security Division, he spent nearly a decade prosecuting cases at Guantanamo Bay, including the 9/11, USS <i>Cole</i>, and top Al Qaeda commander trials. A US Army combat veteran and former Pathfinder unit paratrooper officer, Lebowitz also served as a senior legal advisor to US Army Cyber Command. He has been featured or quoted by the <i>Washington Post, Wall Street Journal, </i>NPR,<i> </i>Associated Press,<i> </i>and the<i> Atlantic</i>. He lives in Washington, DC.]]></Text>
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      <Text><![CDATA[<B>A no-BS guide to building habits, confidence, and experiencing freedom that lasts far beyond the scale.</B><BR><BR><i>Breaking the Script</i> is a raw, inspiring, and practical guide for every woman who knows she was made for more than staying stuck.<BR> <BR>For years, Alex Ochoa believed the lies that intentional weight loss was toxic, that &ldquo;food freedom&rdquo; meant eating whatever you wanted, and that self-love meant never changing. But after years of fad diets, emotional eating, and pressure from the fat acceptance community, she realized that staying the same wasn&rsquo;t love&#8212;it was giving up. Determined to take her life back, Alex lost 130 pounds, healed her relationship with food, and discovered a new kind of freedom.<BR> <BR>Within these pages, Alex utilizes personal narrative to explain the strategies that helped her succeed. Readers will learn how to break free from toxic narratives about body image and diet culture, build confidence through health and self-expression, and create habits that last. Most importantly, they will discover the mindset shifts that make lasting transformation possible.<BR> <BR>This isn&rsquo;t another fad diet book. It&rsquo;s an honest, hopeful, and empowering manifesto for every woman ready to reclaim her health, her confidence, and her future.]]></Text>
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      <Text><![CDATA[<B>The inside story of the leaders, debates, and decisions that shaped Israel&#8217;s longest war.</B><BR><BR><i>In the War Room</i> is the inside story of the leaders, debates, and decisions that shaped Israel&#8217;s longest war&#8212;a multifront battle that eventually led Israeli and then US jets to the heart of Iran. This book also explains the current debates in Israeli society and the clashes or cooperation with US presidents that may shape the future of US&#8211;Israel relations, beyond the current government, for those who want to understand what will come next.<BR><BR>Led not merely by a team of rivals but by a war room of bitter enemies, Israel fought back from the October 7 massacre all the way to Tehran. To do so, the Jewish state had to defy the world and the expert predictions that claimed Israel&#8217;s strategy would lead it to calamity. Israel did fail at times, especially in Gaza, and it lost significant public support among Americans. But Israel succeeded enough to set back the Iranian proxy axis substantially.<BR><BR>Drawing from their unique access to top Israeli and US officials, including secret intelligence sources, Bob and Kaufman reveal how Israel came back from its lowest moment to outmaneuver Iran in late 2024 and 2025, leading to their greatest confrontation yet in 2026.]]></Text>
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      <Text><![CDATA[<b>Yonah Jeremy Bob</b> is the author of three books, including <i>Target Tehran </i>(Simon &amp; Schuster, 2023), which told the story of the Mossad&rsquo;s secret war against Iran&rsquo;s nuclear program and its role in the Abraham Accords. <i>The Wall Street Journal</i> listed the book in its &ldquo;Top 5 for Politics&rdquo; and it won the Jewish Book Council&rsquo;s Natan Award. As the senior military analyst for <i>The</i> <i>Jerusalem Post, </i>Yonah has unparalleled access to top Israeli officials, including in the clandestine services, and has interviewed a wide range of current and former US defense and intelligence officials. Yonah graduated from Boston University Law School and Columbia University.<BR><BR><b>Elliot Kaufman</b> is a <i>Wall Street Journal</i> editorial writer and editorial board member focusing on Israel and Iran. He has covered the Middle East war for the <i>WSJ </i>from October 7 onward, speaking regularly with top Israeli and US officials. He has also published major interviews with Israel&rsquo;s prime minister, defense minister, foreign minister and leading historian. Elliot lives in New York with his wife and son and has worked for the <i>WSJ</i> since 2018. He graduated from Stanford University.]]></Text>
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      <Text><![CDATA[&ldquo;The detailed portrayals of deliberations within Israel&rsquo;s inner sanctum are deeply illuminating&hellip;A pathbreaking work by two of the world&rsquo;s finest journalists.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Gen. David Petraeus, US Army (Ret.), &lt;/B&gt;former commander of the Surge in Iraq, CIA director, and co-author of &lt;I&gt;Conflict: The Evolution of Warfare from 1945 to Gaza&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;The book does a strong job revealing the complex relations between the political and military echelons, the dilemmas, the dangers, and opportunities&mdash;and above all&mdash;the complex conditions in which the often opaque decision-making process takes place.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Gen. Aviv Kohavi,&lt;/B&gt; &lt;B&gt;(Ret.),&lt;/B&gt; former chief of general staff of the Israel Defense Forces</TextAuthor>
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      <Text><![CDATA[&ldquo;<i>In the War Room </i>is the book to read to understand the beginning of a new era in the histories of Israel and the Middle East.&rdquo;]]></Text>
      <TextAuthor>&lt;b&gt;Lt. Gen. H. R. McMaster&lt;/b&gt;&lt;B&gt;, US Army (Ret.),&lt;/B&gt; former US national security advisor and bestselling author of &lt;i&gt;At War with Ourselves, Battleground&lt;/i&gt;</TextAuthor>
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      <TextAuthor>&lt;B&gt;Prof. Walter Russell Mead,&lt;/B&gt; Global View columnist for &lt;I&gt;The Wall Street Journal&lt;/I&gt; and author of &lt;I&gt;The Arc of a Covenant: The United Stat</TextAuthor>
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      <TextAuthor>&lt;B&gt;Elliott Abrams,&lt;/B&gt; former US special envoy for Iran, national security council senior director, deputy national security adviser, and author of &lt;I&gt;Tested by Zion&lt;/I&gt;</TextAuthor>
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      <BiographicalNote><![CDATA[A.J. Rice is America&rsquo;s publicist&mdash;the undisputed GOAT of conservative public relations. A columnist, humorist, and impresario, Rice serves as president and CEO of Publius PR, editor-in-chief of <i>The Publius National Post </i>on Substack, and author of two #1 Amazon bestsellers: <i>The White Privilege Album: Bringing Racial Harmony to Very Fine People&hellip;on Both Sides</i> and <i>The Woking Dead: How Society&rsquo;s Vogue Virus Destroys Our Culture.</i><BR> <BR>A master brand manager and media strategist, Rice has produced, promoted, or represented some of the most influential conservative figures in America, including President Donald J. Trump, Laura Ingraham, Judge Jeanine Pirro, Donald Trump Jr., Charlie Kirk, Pete Hegseth, Scott Bessent, Tulsi Gabbard, Robert F. Kennedy Jr., Monica Crowley, Dan Bongino, Michael Waltz, Marjorie Taylor Greene, Marsha Blackburn, Vivek Ramaswamy, Kari Lake, Charles Krauthammer, Steve Scalise, George P. Bush, Dr. Ben Carson, the Hodgetwins, Roger L. Simon, Buck Sexton, Ben Stein, Steve Hilton, Alan Dershowitz, Dr. Peter Navarro, Lauren Boebert, Dr. Naomi Wolf, Dr. Robert Malone, Newt Gingrich, Victor Davis Hanson, and many others.<BR> <BR>Before launching Publius PR, Rice served as executive producer of <i>The Laura Ingraham Show</i> and <i>The Monica Crowley Show</i>. He later produced the nationally syndicated America&rsquo;s Morning News with investigative journalist John Solomon and joined Glenn Beck&rsquo;s team to help launch <i>TheBlaze</i> Radio Network.<BR> <BR>Rice continues to work with organizations at the heart of the conservative movement, including the Capital Research Center, The Federalist Society, Government Accountability Institute, America First PAC, Men&rsquo;s Health Network, MAHA Action, True the Vote, CO2 Coalition, and Gun Owners of America.<BR> <BR>As a nationally syndicated columnist, Rice contributes to more than thirty outlets, including <i>Investor&rsquo;s Business Daily</i>, <i>The Hill</i>, <i>Epoch Times</i>, <i>Newsmax</i>, <i>PJ Media</i>, <i>American Greatness</i>, <i>Townhall</i>, <i>TheBlaze</i>, <i>RealClearMarkets</i>, and the <i>Washington Examiner</i>.]]></BiographicalNote>
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      <Text><![CDATA[<B>I&rsquo;m gonna make you a heteronormative offer you can&rsquo;t refuse&hellip;</B><BR> <BR><B>It turns out when Cultural Marxists lift up their skirts, there are seventy-two genders under there! </B><BR><BR>Bestselling author A.J. Rice returns with his clever and hilariously unfiltered energy in a new volume that skewers modern culture with equal parts brains and bite. Smart, funny, and unapologetically bold, this is Rice at his very best&#8212;provocative, fearless, hilarious&#8212;and impossible to put down. Hide the children, because you are about to experience the epic conclusion of the mental illness trilogy!<BR> <BR> This is not the story of a few crime families rigging poker games with NBA players. No&#8212;this is something far more horrific, far more nefarious, and far more destructive to the United States of America. A hidden network, operating in plain sight, pulling cultural strings that spread madness from boardrooms to bathrooms, to classrooms to operating rooms, stealthily reshaping the nation one woke directive at a time.<BR> <BR> We are not talking about La Cosa Nostra, we are talking about the Trans Mafia. An army of vile, gender confused, three hundred-pound blue-haired soldiers, each led by their very own Bearded Lady as commanding officer.<BR> <BR> The Bearded Lady is patient zero of a mass hysteria that swept across America and the West in the last decade. And if you think the Bearded Lady started singing after the last election and was shamed out of existence, think again.<BR> <BR> Americans are, by and large, a tolerant people. But we have our own threshold for pain. Being whatever you want to be is part of the American creed. But trying to make others believe what isn&rsquo;t so is as un-American as it gets. Men cannot &ldquo;transition&rdquo; into women, irrespective of how much they <i>feel</i> they are &ldquo;women&rdquo; deep inside. If they actually believe they <i>are</i> women&#8212;by dint of feeling that they are&#8212;then they are mentally ill and to be pitied.<BR> <BR> But as Rice points out, when the media, sports leagues, academia, Hollywood, and the Democratic Party conspire to sell you lies, it&rsquo;s not compassion they deserve&#8212;it&rsquo;s ridicule. Open disdain. Holster your pity, he says, and weaponize your humor to mock them mercilessly.<BR> <BR> A good working definition of mental illness is the inability to distinguish objective reality from fantasy. It is the test used by the legal system to determine whether a person can be held criminally responsible for their actions. If a person is adjudicated insane, he is remanded to the custody of a psychiatric hospital rather than a prison.<BR> <BR> The Democratic Party did not learn the lesson of the 2024 election. The American people rejected the Trans Mafia, but the psychiatric hospital remains open for business, while the Bearded Lady continues to hunt for dissenters to whack.<BR> <BR> There&rsquo;s no substitute for perfectly timed derision&#8212;a lesson well established in Rice&rsquo;s first two books, <i>The Woking Dead</i> and <i>The White Privilege Album</i>. Now, once again, Rice unleashes his acerbic wit with that brash, mouthy Philadelphia style, igniting a comedic donnybrook that&rsquo;s equal parts satire and street brawl.<BR> <BR> The Bearded Lady started this fight&#8212;A.J. Rice is here to finish it.<BR> <BR> &ldquo;In America&rsquo;s fight for women&rsquo;s rights in sports, culture, and life, our movement needs a variety of truth-tellers, so why not a hilarious political satirist like A.J. Rice? His latest book dismantles the Trans Mafia&rsquo;s propaganda and reveals a movement of bullies that melt when exposed to the heat of mockery. He has unleashed a fierce defense of principle, wrapped in humor.&rdquo;<BR> <BR> <B>&#8212; RILEY GAINES, Women&rsquo;s Rights Activist, a 12x All-American Swimmer, Host of <i>The Riley Gaines Show</i> on Outkick on Fox News Media</B>]]></Text>
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      <Text><![CDATA[A.J. Rice is America&rsquo;s publicist&mdash;the undisputed GOAT of conservative public relations. A columnist, humorist, and impresario, Rice serves as president and CEO of Publius PR, editor-in-chief of <i>The Publius National Post </i>on Substack, and author of two #1 Amazon bestsellers: <i>The White Privilege Album: Bringing Racial Harmony to Very Fine People&hellip;on Both Sides</i> and <i>The Woking Dead: How Society&rsquo;s Vogue Virus Destroys Our Culture.</i><BR> <BR>A master brand manager and media strategist, Rice has produced, promoted, or represented some of the most influential conservative figures in America, including President Donald J. Trump, Laura Ingraham, Judge Jeanine Pirro, Donald Trump Jr., Charlie Kirk, Pete Hegseth, Scott Bessent, Tulsi Gabbard, Robert F. Kennedy Jr., Monica Crowley, Dan Bongino, Michael Waltz, Marjorie Taylor Greene, Marsha Blackburn, Vivek Ramaswamy, Kari Lake, Charles Krauthammer, Steve Scalise, George P. Bush, Dr. Ben Carson, the Hodgetwins, Roger L. Simon, Buck Sexton, Ben Stein, Steve Hilton, Alan Dershowitz, Dr. Peter Navarro, Lauren Boebert, Dr. Naomi Wolf, Dr. Robert Malone, Newt Gingrich, Victor Davis Hanson, and many others.<BR> <BR>Before launching Publius PR, Rice served as executive producer of <i>The Laura Ingraham Show</i> and <i>The Monica Crowley Show</i>. He later produced the nationally syndicated America&rsquo;s Morning News with investigative journalist John Solomon and joined Glenn Beck&rsquo;s team to help launch <i>TheBlaze</i> Radio Network.<BR> <BR>Rice continues to work with organizations at the heart of the conservative movement, including the Capital Research Center, The Federalist Society, Government Accountability Institute, America First PAC, Men&rsquo;s Health Network, MAHA Action, True the Vote, CO2 Coalition, and Gun Owners of America.<BR> <BR>As a nationally syndicated columnist, Rice contributes to more than thirty outlets, including <i>Investor&rsquo;s Business Daily</i>, <i>The Hill</i>, <i>Epoch Times</i>, <i>Newsmax</i>, <i>PJ Media</i>, <i>American Greatness</i>, <i>Townhall</i>, <i>TheBlaze</i>, <i>RealClearMarkets</i>, and the <i>Washington Examiner</i>.]]></Text>
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      <Text><![CDATA[&ldquo;After decades on the sidelines watching the greatest male athletes in the world compete against each other, it&rsquo;s shocking&mdash;and honestly heartbreaking&mdash;to see pretenders who couldn&rsquo;t make it try to dominate women&rsquo;s sports. A.J. Rice calls out every one of these imposters in this gutsy and hilarious book. If you care about fairness, women&rsquo;s sports, and telling the truth even when it&rsquo;s controversial, this is required reading.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Michele Tafoya, Former Sideline Reporter for NBC Sunday Night Football and Host of &lt;I&gt;The Michele Tafoya Podcast&lt;/I&gt; on the Salem Podcast Network&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;The fight against the Trans Mafia is not just a legal and political fight, but a cultural one. This book is for Americans who care about women&rsquo;s rights; but also, for Democrats who still don&rsquo;t know what a woman is, my friend A.J. Rice is more than happy to mock them into oblivion.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Christina Bobb, Former Legal Counsel to President Donald J. Trump, United States Marine Corps Veteran, and Author of &lt;I&gt;Defiant: Inside the Mar-a-Lago Raid and the Left&#39;s Ongoing Lawfare&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;<I>The Curse of the Bearded Lady</I>&nbsp;grapples with two key questions related to the left&rsquo;s lunatic&nbsp;obsession with gender identity and the destruction of women&rsquo;s spaces: 1. How the hell did we get here? and 2. Is it enough to &lsquo;live and let live&rsquo;? In this devastatingly funny book, A.J. Rice manages to deliver a deeply serious takedown of the modern progressive movement and its insistence that we all tolerate its embrace of insanity.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Amber Duke, Senior Editor of the &lt;I&gt;Daily Caller&lt;/I&gt; and Author of &lt;I&gt;The Snowflakes’ Revolt: How Woke Millennials Hijacked American Media&#160;&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;The Trans Mafia empire is a dark place. A.J. Rice has the gift of cutting wit, devastating facts, and poetic perspective and he&rsquo;s the light you&#39;ll want navigating you through the madness. This book is a must read if you want to be armed and dangerous in all the right ways. I&#39;d love to see a member of the Trans Mafia try to stand up against this.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Chanel Rion, Primetime Host of &lt;I&gt;Fine Point with Chanel Rion&lt;/I&gt; on One America News Network&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;A.J. Rice brings moral clarity to a reckless and confused world. Men are men and women&nbsp;are women. This should not be controversial; this is a biological principle. In his hysterical new book, he exposes the insanity of the Trans Mafia and mocks the bad ideas that have led to men infiltrating women&rsquo;s spaces in the 21st century. This is a must-read for every American who still has a brain and the courage to use it.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Hannah Faulkner, Host of &lt;I&gt;Live with Hannah Faulkner&lt;/I&gt; on LFA TV, and Author of&#160;&lt;I&gt;Last Chance to Save Our Republic&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;A.J. Rice once again delivers a devastating&nbsp;blow to the depraved cultural forces looking to undo American sanity and destroy Western Civilization. With his hilarious new book, he wastes no time taking a verbal blow torch to the sacred cows of the Left. And in this case, the sacred&nbsp;cow has seventy-two genders.&rdquo;&nbsp;]]></Text>
      <TextAuthor>&lt;B&gt;Stacy Washington, On Air Talent on SiriusXM’s &lt;I&gt;The Patriot&lt;/I&gt;, CEO of ShareNet Ministries, and Author of &lt;I&gt;Eternally Cancel Proof: A Guide for Courageous Christians Navigating the Political Battlefront&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;As Western Civilization tiptoes toward the gallows, with his hilarious new book, my brother from another mother, A.J. Rice, pushes back with biting satire and irreverent humor in a way that only he can!&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Emerald Robinson, Host of &lt;I&gt;The Absolute Truth&lt;/I&gt; on Lindell TV, Former White House Correspondent for NewsmaxTV, and One America News Network&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;As a classically trained musician horrified by radical transgender ideology&rsquo;s takeover of mainstream music&mdash;epitomized by artists such as Chappell Roan and their aggressive activism and indoctrination of young fans&mdash;I wholeheartedly recommend A.J. Rice&rsquo;s&nbsp;The Curse of the Bearded Lady&nbsp;as an explosive, witty, and essential takedown of the Trans Mafia that every culture warrior must read as a powerful tool for reclaiming truth, sanity, and America&rsquo;s moral and creative soul!&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Jay Cohen is the co-Founder and former President of World Sports Exchange, the first fully online betting site. World Sports Exchange opened in January 1997 and closed in April 2013.<BR> <BR>On February 28, 2000, Cohen was the first person to be convicted in federal court for violation of the 1961 Federal Wire Act for operating an online gambling company despite being in Antigua, where the business was licensed and regulated. Cohen served eighteen months in Nellis Federal Prison in North Las Vegas, Nevada. He was released in March 2004.<BR> <BR>Cohen was instrumental in Antigua&rsquo;s decision in March 2003 to initiate the dispute resolution process of the World Trade Organization to challenge the US&rsquo; prohibition on the cross-border supply of online gambling services.<BR> <BR>Prior to World Sports Exchange, Cohen worked as an options market-maker for Group One Trading on the floor of the Pacific Stock Exchange.<BR> <BR>Cohen moved to Europe and renounced his citizenship in 2012. He currently lives in Eastern Europe with his wife and son. He grew up in Long Island and graduated from the University of California, Berkeley where he majored in nuclear engineering.<BR> <BR>Cohen and World Sports Exchange have been featured in <I>The</I> <I>New York Times</I>, <I>San Francisco Chronicle</I>, <I>Wall Street Journal</I>, <I>Washington Post</I> and on <I>CNBC</I>, <I>HBO Real Sports</I>, <I>60 Minutes</I>, and <I>ESPN</I>.]]></BiographicalNote>
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      <Text><![CDATA[<B>Three San Francisco traders became internet gambling pioneers after launching the first truly online sports books, but the fix is in as the professional sports leagues flex their muscle to game the system and turn its founders into fugitives, proving that no bet&#8217;s a sure thing.</B><BR><BR>Before the Supreme Court unleashed legal sports betting with its 2018 landmark decision, an unlikely trio of traders from the Pacific Stock Exchange, took a huge gamble and wagered their lives on a bet that online gaming was in America&#8217;s future. Now Americans, in 2024 alone, wagered nearly $150 billion on sports&#8212;with professional sports leagues, casinos, and betting apps all cashing in. But, before this gold rush, these same leagues fought viciously to keep sports gambling illegal.<BR> <BR>The revolution began in the mid-1990s, the early days of the internet, when three San Francisco traders dared to pursue a bold, new business venture. Jay Cohen, an options trader who had never placed a bet, found inspiration watching colleague Steve Schillinger turn the fever of the OJ Simpson trial into a wildly popular futures market. With Schillinger and twenty-one-year-old Haden Ware, Cohen set up World Sports Exchange (WSEX.com) in Antigua, a Caribbean Island paradise where sports betting ventures were legal and regulated.<BR> <BR>WSEX&#8217;s futures sports exchange platform and innovative live betting features quickly became the industry&#8217;s crown jewel. But their explosion into the gambling scene would soon unleash a powerful backlash&#8212;the first federal prosecution of internet sports betting. While Cohen willingly returned to the US to fight the charges, his partners stayed behind to handle their booming business while battling the Department of Justice, professional sports leagues, and an army of lawyers, politicians, and lobbyists. Cohen and WSEX fought back and convinced Antigua to challenge the US in the courts of the World Trade Organization, setting off a decades-long battle for justice.<BR> <BR><i>Odds Man Out </i>is an insider&#8217;s account from WSEX founder Jay Cohen, detailing a sixteen-year rollercoaster ride that ended in tragedy. Were Cohen and his colleagues criminals or ahead of their time? As today's sports leagues ultimately decided to cash in themselves and embrace an industry they once demonized, Cohen&#8217;s story exposes how a Goliath wielded power and influence to crush the pioneers of internet betting.]]></Text>
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      <Text><![CDATA[Jay Cohen is the co-Founder and former President of World Sports Exchange, the first fully online betting site. World Sports Exchange opened in January 1997 and closed in April 2013.<BR> <BR>On February 28, 2000, Cohen was the first person to be convicted in federal court for violation of the 1961 Federal Wire Act for operating an online gambling company despite being in Antigua, where the business was licensed and regulated. Cohen served eighteen months in Nellis Federal Prison in North Las Vegas, Nevada. He was released in March 2004.<BR> <BR>Cohen was instrumental in Antigua&rsquo;s decision in March 2003 to initiate the dispute resolution process of the World Trade Organization to challenge the US&rsquo; prohibition on the cross-border supply of online gambling services.<BR> <BR>Prior to World Sports Exchange, Cohen worked as an options market-maker for Group One Trading on the floor of the Pacific Stock Exchange.<BR> <BR>Cohen moved to Europe and renounced his citizenship in 2012. He currently lives in Eastern Europe with his wife and son. He grew up in Long Island and graduated from the University of California, Berkeley where he majored in nuclear engineering.<BR> <BR>Cohen and World Sports Exchange have been featured in <I>The</I> <I>New York Times</I>, <I>San Francisco Chronicle</I>, <I>Wall Street Journal</I>, <I>Washington Post</I> and on <I>CNBC</I>, <I>HBO Real Sports</I>, <I>60 Minutes</I>, and <I>ESPN</I>.]]></Text>
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      <Text><![CDATA[&ldquo;Jay Cohen&#39;s fast-paced, well-written memoir, <I>Odds Man Out</I>, tells the harrowing tale of the options-trader turned entrepreneur who helped start the huge business of online sports betting legally in Antigua, and what happened when the American judicial system decided to make an example of him. It should make your blood boil, and will.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;William D. Cohan, bestselling author of &lt;I&gt;Power Failure&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;The vast army of fans who enjoy sports gambling, owe a debt&mdash;of gratitude, yes, but a financial one, too&mdash;to the author. They were pioneers, wrongly targeted by the same sports institutions that now mint money using their innovation, technology, and frameworks. This riveting read is both tragic and triumphant, the story of enterprise, international intrigue, power, and situational ethics. And it helps explain the biggest story in sports so far this century.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Jon&#160;Wertheim, &lt;I&gt;Sports Illustrated&lt;/I&gt; senior writer and &lt;I&gt;60 Minutes&lt;/I&gt; correspondent&#160;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;It&rsquo;s not often that we get to hear about an inflection point in history, straight from the mouth of the man at its center. In&nbsp;<I>Odds Man Out</I>, Jay Cohen tells the story of how he and others pioneered online sports betting&mdash;today an industry seamlessly enmeshed with professional sports&mdash;and paid the price.<BR> <BR> Taking the reader behind the scenes for the genesis and rise of the World Sports Exchange, his indictment as part of the &lsquo;March Madness&rsquo; prosecutions, and his gamble to return to the United States for his day in court, this book offers an invaluable glimpse into how tech, sports, gambling, and the legal system collided. Reading this book drives home just how far the sports betting world has shifted since&nbsp;<I>Murphy vs NCAA</I>, and reminds us that pioneers may not always be celebrated.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;David G. Schwartz, historian and author,&#160;&lt;I&gt;Something for Your Money: A History of Las Vegas Casinos&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;Viewed through the prism of gambling&rsquo;s overtly symbiotic present-day relationship to American professional sports, the story of Jay Cohen&rsquo;s confrontation with the justice system seems comically quaint.&nbsp; He was ultimately sentenced to a prison from which he could see the lights of Las Vegas, for innovating a popular and profitable sports betting system for something millions of Americans now do every day without fear of recourse.&nbsp; But, because of the time at which he did this, and the vortex of personalities and ambitions his activities touched, he lost everything.&nbsp;His story is tragic and poignant.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Entrepreneurs who are twenty years before their time merely lose. They&nbsp;don&#39;t go to jail. In a horrible stroke of irony, the men of World Sports Exchange, invented live betting as we know it and are the forefathers of a now legal American betting industry that brings in billions of dollars every month, but were tortured by a government who chose to fix the game of regulation, which was, at best, ambiguous in its interpretation. In <I>Odds Man Out</I>, Jay Cohen gives a firsthand account of the rise and fall of WSEX and assures us that we will never forget how lives were ruined over merely being first.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Darren Rovell, &lt;I&gt;Sports Business&lt;/I&gt; reporter, &lt;I&gt;ESPN&lt;/I&gt;, &lt;I&gt;CNBC&lt;/I&gt;, &lt;I&gt;The Action Network&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;Blazing the trail in internet sports betting, Jay Cohen&#39;s World Sports Exchange offered sports betting exchange-traded futures twenty-five years before they became the rage. Jay chronicles the bullet he took for the offshore industry in his six-year legal odyssey fighting the federal government at his own personal loss.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Roxy&#160;Roxborough, iconic Las Vegas oddsmaker&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;A unique, often riveting account of Jay Cohen&#39;s battle against a government bent on destroying his brainchild, the pioneering online sports book WSEX. With a supporting cast including future Chief Justice John Roberts and the most famous whale since Moby Dick,&nbsp;<I>Odds Man&nbsp;Out</I>&nbsp;is a cautionary tale for anyone who doubts that behind-the-scenes forces can decide who wins and who loses in our courts.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;&#160;Kevin&#160;Cook, author of&#160;&lt;I&gt;Titanic Thompson&lt;/I&gt;, &lt;I&gt;Waco Rising&lt;/I&gt;&#160;and&#160;&lt;I&gt;The Tiger Slam&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <TextAuthor>&lt;B&gt;Bruce&#160;Schoenfeld, author, &lt;I&gt;Game of Edges&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <TextAuthor>&lt;B&gt;Gadoon “Spanky” Kyrollos, renowned professional sports bettor&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[<B>A heartwarming dual-perspective memoir for fans of <I>The Ride of Her Life</I> and <I>Horse Crazy</I>, <I>The Brat and the Bullfighter</I> explores how a misunderstood Lusitano stallion and an uprooted Army brat find healing, belonging, and each other.</B><BR><BR>Some horses don&rsquo;t just change your life, they save it.<BR> <BR>Arty&rsquo;s blood runs hot. White hot. A white Lusitano stallion with bullfighting in his bones, he was born on a prestigious Brazilian farm and sold through an elite auction to a private ranch in California. There, human misunderstanding dims his brilliance. Rider after rider mistakes his sensitivity for defiance, eroding his confidence and trust.<BR> <BR> As an Army brat, Erin relates. She grew up always moving&#8212;the perpetual new kid, never quite belonging, rarely feeling understood. Her love for horses was her only constant. So, when Arty&rsquo;s owner recognizes he needs something different and offers to sell him to her, she can&rsquo;t refuse.<BR> <BR> What follows isn&rsquo;t a fairytale. Erin questions everything: her choices, her ability, whether she&rsquo;s helping or hurting him. But when unexpected loss shatters her, Arty steps forward to light a path through darkness.<BR> <BR> Told from both human and horse perspectives, <i>The Brat and the Bullfighter</i> is a dual coming-of-age memoir about trust, love, and the bond that forms between two souls who, in finding each other, finally find home.]]></Text>
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      <Text><![CDATA[<B>Erin O&rsquo;Malley </B>is a lifelong horse lover and reluctant extrovert. She began her career in Paris, working for Hearst Publications on titles like <I>Harper&rsquo;s Bazaar</I>, <I>Marie Claire</I>, <I>Cosmopolitan</I>, and <I>Town &amp; Country</I>, before transitioning into tech, where she focused on marketing and content strategy. She credits her love of telling stories to her upbringing as an Army brat&mdash;always moving, ever shy. <I>The Brat and the Bullfighter</I> is her debut, told from two perspectives: a girl and the horse who saves her. She lives near Seattle with her husband, three horses, and three dogs.]]></Text>
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      <Text><![CDATA[<B>Dan Millman&rsquo;s&nbsp;<I>Way of the Peaceful Warrior</I>&nbsp;meets Dave Eggers&rsquo;s<I>&nbsp;The Circle</I>&nbsp;in this exhilarating tale, which marries visionary and political fiction together into a nail-biting, high-stakes thriller.</B><BR><BR>Cybersecurity whiz Jedd finds himself held captive, strapped to the ground in a dark tunnel, without food or water. June&rsquo;s campaign website has been hacked and she is viciously attacked by protesters. Darah flashes back to the terror of life under the dictatorship in the States, when her mother was deported.<BR> <BR>Just when&nbsp;this group of friends thought they had defeated their enemies, they&rsquo;re faced with not one but multiple immediate threats.&nbsp;Rumors and accusations are flying, and the future of the democratic nation of California is at stake. Can they figure out who is telling the truth and who is lying before it&rsquo;s too late?<BR> <BR>A taut combination of&nbsp;political, techno-thriller, and metaphysical fiction that&rsquo;s scaffolded on three realities&mdash;the ancient wisdom of the&nbsp;<I>Bhagavad Gita</I>, our current post-truth world, and the near future&mdash;this&nbsp;sequel to&nbsp;<I>The Die&nbsp;</I>is a fast-paced story about friendship, courage, and how to restore and revitalize truth.]]></Text>
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      <Text><![CDATA[<B>Jude Berman</B>&nbsp;grew up amid floor-to-ceiling shelves of books in many languages, with refugee parents who instilled in her a deep appreciation for cultural diversity and social justice. She has a BA in art from Smith College and an EdD in cross-cultural communication from UMass Amherst. After a career in academic research, she built a freelance writing and editing business and ran two small indie presses. She lives in Berkeley, California, where, in her free time, she volunteers for civic causes, paints with acrylic watercolors, gardens, and meditates. She blogs at&nbsp;https://judeberman.substack.com.]]></Text>
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      <Text><![CDATA[&ldquo;A gripping thriller with compelling characters. . . . Readers will enjoy the suspense and be enthralled.&rdquo;<B>&mdash;<I>Readers&rsquo; Favorite</I>, 5-star review</B><BR> <BR> &ldquo;A suspenseful, prescient, intriguing page-turner. Berman knows how to prey on her reader&rsquo;s fear and love of technology, making the future feel immediate.&rdquo;<B>&mdash;Lori B. Duff, author of <I>Devil&rsquo;s Defense</I></B><BR> &nbsp;<BR> &ldquo;<I>The Lie</I>, a sequel to Berman&rsquo;s futuristic <I>The Die</I>, is not so futuristic. It is chillingly close to what we face in the world today. Truths, lies, and vulnerabilities drive this story, yet it has a sweetness in its portrayal of friendship and courage. I couldn&rsquo;t put it down.&rdquo;<B>&mdash;Karen Uhlmann, author of <I>Intersections</I></B><BR> &nbsp;<BR> &ldquo;Is a lie more powerful than the truth? In <I>The Lie</I>, Berman crafts a tight, Orwellian narrative&mdash;where two plus two often equals five&mdash;set amid a battle for reality itself in which deepfakes, political sabotage, and AI-fueled manipulation threaten to rewrite what it means to know the truth.&rdquo;<B>&mdash;Francesco Paola, author of <I>Left on Rancho</I></B><BR> &nbsp;<BR> &ldquo;Clever and compelling, <I>The Lie</I> bridges ancient wisdom and modern challenges, showing that disinformation and deception are neither new nor insurmountable. A thrilling exploration of one of the greatest dangers of our time.&rdquo;<B>&mdash;Meredith Walters, author of <I>This Animal Body</I></B><BR> &nbsp;<BR> &ldquo;<I>The Lie</I> is set in an AI future, though not so far from now that we can get comfortable with our distance from it. Berman&rsquo;s characters strive for truth and justice, but whose truth to believe when all information can be hacked and trusted sources may be deepfakes? A fascinating read!&rdquo;<B>&mdash;Joan Cohen, author of <I>The Deepfake</I></B><BR> &nbsp;<BR> &ldquo;Another gift from Jude Berman&mdash;an ingenious story about truth, deception, friendship, and control in an age of deepfakes and misinformation. Jedd and his friends are deftly drawn and bring a deep humanity and hope to a scary and plausible near future. It&rsquo;s a great, inventive read, and I&rsquo;m eager for more.&rdquo;<B>&mdash;Sheri T. Joseph, author of <I>Edge of the Known World</I></B><BR> &nbsp;<BR> &ldquo;<I>The Lie</I> couldn&rsquo;t be more timely in this era of faltering democracy and hydra-headed social and environmental crises. As its characters struggle to dispel a fog of deceit spawned by a bullying dictator, the novel asks vital questions about the restoration and defense of truth, clarity, and integrity. The Lie&rsquo;s grounding in ancient wisdom is a ballast to steady our unmoored century.&rdquo;<B>&mdash;Steve Masover, author of <I>Consequence</I></B><BR> &nbsp;<BR> &ldquo;A thought-provoking story in which technology and truth collide, <I>The Lie</I> speaks to what&rsquo;s most important to us today: truth about ourselves, truth about each other, and truth about the society in which we want to live.&rdquo;<B>&mdash;Jen Braaksma, author of <I>Amaranth</I></B><BR> &nbsp;<BR> &ldquo;The world Berman creates is genius in its futuristic qualities and juxtaposition of good and evil, light and dark, truth and lies. Its positive messaging, infused throughout, taps into the soul of our humanity and leaves the reader more hopeful that we can change the future for the better.&rdquo;<B>&mdash;Julie Hatch, author of <I>The Very Best of Care</I></B><BR> &nbsp;<BR> &ldquo;This techno-thriller, set in a near-future California that has seceded from the United States, could be ripped from the pages of today&rsquo;s news: quantum computing, deepfake videos generated by AI, and an evil dictator who seeks to rule the world by conning the public with his lies.&rdquo;<B>&mdash;Leslie Schover, author of <I>Fission</I></B>]]></Text>
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