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      <Text><![CDATA[<P>Take a stunning visual journey around Australia through a selection of exquisite private and public gardens. From the humidity of the tropical north and the searingly hot interior, to the cooler temperate south, Australia's local climates have inspired gardens as diverse as the continent. <I>Great Gardens Australia</I> - Richard Allen and Kimbal Baker's eighth book - celebrates thirty striking gardens, highlighting the vision, adaptability and ingenuity of the people who both created them and tend them today.</P><P>Peek into intimate sanctuaries and marvel at sprawling country estates, be inspired by the unique designs and plant palettes of each featured garden and admire the extraordinary challenges that gardeners face around the country.</P><P>Showcasing a range of gardens from those in tropical Darwin and Far North Queensland, to the Southern Highlands of New South Wales and the European-style gardens that populate the cooler hill stations of Victoria and South Australia, <I>Great Gardens Australia</I> features Richard Allen's insightful commentary and more than four hundred of Kimbal Baker's evocative photographs.</P>]]></Text>
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      <Text><![CDATA[&ldquo;If the question is &ldquo;What&rsquo;s shame got to do it?&rdquo;&mdash;for&nbsp;us as&nbsp;individuals,&nbsp;in&nbsp;our relationships, and&nbsp;in&nbsp;our&nbsp;wider world&mdash;Dr. Pilla&rsquo;s&nbsp;well researched&nbsp;and carefully argued answer is &ldquo;everything.&rdquo;&nbsp;Shame&rsquo;s&nbsp;effects&nbsp;are not purely personal, nor are they only damaging.&nbsp;They&nbsp;also&nbsp;benefit&nbsp;us every day.&nbsp;Packed with&nbsp;examples from&nbsp;her&nbsp;long&nbsp;clinical experience, history, and culture,&nbsp;How Shame Runs the World&nbsp;offers sophisticated guidance to transform both our understanding and our experience.&rdquo;&nbsp;<BR> <B>&mdash;Dana Becker, PhD,&nbsp;</B>professor&nbsp;emerita&nbsp;of&nbsp;social work&nbsp;and&nbsp;social research, Bryn Mawr&nbsp;College and author of<I>&nbsp;One Nation Under Stress: The Trouble with Stress as an Idea&nbsp;</I>]]></Text>
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      <Text><![CDATA[&ldquo;<I>How Shame Runs the&nbsp;World</I>&nbsp;is a captivating book. It reads like a comfortable, engaging, intriguing conversation between the author as psychotherapist and her readers.&nbsp;It&rsquo;s&nbsp;proven to be a constant companion in my own professional psychotherapy practice.&nbsp;It&rsquo;s&nbsp;truly a must-have in every clinician&rsquo;s library.&nbsp;<BR> <B>&mdash;Elaine Cornelius,&nbsp;LCSW,&nbsp;MSS,</B>&nbsp;clinical social worker in private practice, New York&nbsp;&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Shame has gone viral. In this compelling and thoughtful work, Dr.&nbsp;Judith&nbsp;Pilla positions shame front and center as a force we often do not recognize&mdash;our&nbsp;&ldquo;familiar stranger.&rdquo;&nbsp;She&nbsp;takes us brilliantly through a centuries-long journey to the current day when&nbsp;social media and technology&nbsp;have amplified&nbsp;shame&rsquo;s power&nbsp;exponentially.&nbsp;Thanks to this&nbsp;book,&nbsp;shame&rsquo;s&nbsp;surprising&nbsp;character&nbsp;is&nbsp;finally&nbsp;seeing&nbsp;the light of day.&rdquo;&nbsp;<BR> <B>&mdash;Joseph McKendrick,&nbsp;</B>contributor to&nbsp;<I>Harvard Business Review</I>&nbsp;and&nbsp;<I>Forbes&nbsp;</I>on technological change, technological disruption, and AI transformation&nbsp;&nbsp;&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;This is a powerful book that reveals the many subtle ways shame affects our lives and relationships, often to our detriment, and it offers a window into how to recognize shame and overcome its effects. It is written for lay readers as well as professionals, so its concepts and solutions are readily applicable to everyday life. If you struggle with relationships or your life in general, please read this book!&rdquo;&nbsp;<BR> <B>&mdash;Debra G.,</B>&nbsp;psychotherapy client, Alcoholics Anonymous, Recovery Dharma&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Dr. Pilla provides a helpful and hopeful, specific and straightforward approach to the&nbsp;generally ignored&nbsp;(and powerful) subject of shame. I personally felt a sense of relief just reading one example after another of clients gaining self-awareness and confidence, while reducing their anxiety, depression, substance abuse, relationship difficulties, divorce shame, abuse shame, work shame, and more&mdash;with tools to make the world a better place for all of us.&nbsp;This is a great read!&rdquo;&nbsp;<BR> <B>&mdash;Bill Eddy, LCSW, Esq.,</B>&nbsp;author of&nbsp;<I>Our New World of Adult Bullies: How to Spot Them&mdash;How to Stop Them</I>, co-founder of High Conflict Institute and High Conflict Personality (HCP) Theory.&nbsp;]]></Text>
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      <Text><![CDATA[&nbsp;&ldquo;<I>How Shame Runs the World&nbsp;</I>is a highly original view of one of the most&nbsp;powerful of&nbsp;human emotions. Threaded through with real world examples, this book brings new light to one of the most feared and misunderstood areas of our psyche and shows us that shame can bring pain and suffering but also teach us more about ourselves if we allow it to.&nbsp;It&rsquo;s&nbsp;also a terrific book to read.&rdquo;&nbsp;<BR> <B>&nbsp;&mdash;Karen Woodall</B>,&nbsp;Cambridge, U.K., psychotherapist, author, researcher in family relational trauma&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;In this comprehensive, groundbreaking, and highly readable book, Dr. Judith Pilla presents a convincing argument for ditching our limited conception of shame as an unpleasant personal emotion that we must somehow hide or banish from our lives. She provides a clear account of how shame can become deeply embedded from childhood through watching and interacting with the adults on whom we depend. From this foundation, it makes perfect sense to recognize shame as a complex interpersonal and cultural phenomenon. Dr. Pilla develops this view as the basis for her straightforward tools that enable the reader to decode and solve problems related to personal shame, shame in relationships, and shame&rsquo;s role in the larger world.&nbsp;With a wealth of relatable&nbsp;examples, this book is a powerful contribution to both professional and self-help literature on the subject.&nbsp;<BR> <B>&nbsp;&mdash;Edna Neal Collins,&nbsp;Ph.D.,</B>&nbsp;Department of Human Development &amp; Family Studies, University of North Carolina, Greensboro.&nbsp;&nbsp;&nbsp;]]></Text>
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      <Text><![CDATA[&nbsp;&ldquo;I&#39;ve&nbsp;met with many rare and genetic disease patients and caregivers over the years. So many of the caregivers feel shame for having passed on the genetics that cause their loved ones to suffer from a disease, though of course it is undeserved. This book offers&nbsp;a healing antidote. It&nbsp;provides&nbsp;a way to extinguish hurtful shame and benefit from constructive shame, as well as to decode (&quot;Sherlocking,&quot; as it is called in the book) shame and thus get to the root of anxiety, depression and other mental health problems that have shame at their base. To paraphrase FDR,&nbsp;&lsquo;The only thing we have to be ashamed of is shame itself.&rsquo;&rdquo;&nbsp;<BR> <B>&mdash;Wes Michael,</B>&nbsp;president and&nbsp;founder, Rare Patient Voice, LLC&nbsp;]]></Text>
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      <Text><![CDATA[<B>A genuinely original exploration of Spanish identity among Nuevomexicanos and Nuevomexicanas, a classic cultural theme in Southwest studies.</B><BR><BR>Spanish identity has always been a striking hallmark of New Mexico culture, yet many questions remain about how this unique and provocative construction originated and what it has meant to the state&rsquo;s Hispanic populace. Through a meticulous handling of the historical record, Gonzales arrives at a clear definition of what Spanish identity has been and what it continues to be. He uncovers Spanish identity&rsquo;s origins deep in New Mexico&rsquo;s past, its cultural and political development in the nineteenth-century, the pinnacle of popularity it enjoyed beginning in the early twentieth century, and its eventual decline.<BR><BR>In <i>Hispano Nation</i> Gonzales argues that Spanish identity was formulated in the nineteenth century along the lines of ethnic nationalism. He deftly addresses the controversies that have surrounded Spanish identity, including whether it reflected a &ldquo;true&rdquo; ethnic identity in lieu of a Mexican identity for the Nuevomexicano people, and how historical conflict with Indigenous people became ingrained itself in the Spanish Americans&rsquo; view of their own heritage. The narrative is enlivened throughout with engaging stories, penetrating analyses, fascinating cultural actors, and visits to known historical legacies.]]></Text>
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      <Text><![CDATA[<P><I><B>Sometimes you just want to eat the one you love...right?</B></I><br><br>Jenny Greenteeth has watched civilizations fall and wars break out during her lifetime. Preferring to keep her own company, she has been living in Boston for the last few hundred years – currently, in an abandoned subway station. Here, she has access to the waterways, an interconnected subterranean system that allows her to travel around the globe. With a conviction that she is far superior to humans – who are petty, dangerous, and fragile – she has no qualms about satisfying her hunger with their flesh. That is, until she comes face to face with a human man who, for the first time, she doesn’t want to eat (but also…she kind of <I>does</I>). Confused by these conflicting feelings, Jenny is intrigued.<br><br>So, when two other cryptids take up residence in her station – a satyr and a selkie – she (begrudgingly) asks them to help her find this mystery man in exchange for safe passage through her waterways. Together, they embark on a quest to track him down. On the way, Jenny experiences the modern world – discovering catcalling, pigeons, protests, fashion, friendship, and…Dunkin Donuts. On her journey to find the man that she couldn’t eat at first sight, Jenny goes on an unexpected deep dive into what it means to be human and to fall in love.</P><P>“A horribly delectable and deliciously horrifying fish out of water tale about a monster pursuing love, <I><B>Jenny Will Eat You Now</B></I><B> merges the humanity of a monster and the monstrousness of humanity into a perfect symphony of camp, horror, and heart</B>.”<B> —Delilah S. Dawson, </B><I><B>New York Times </B></I><B>bestselling author of </B><I><B>Bloom </B></I><B>and </B><I><B>House of Idyll</B></I><br><br>"If I didn't already know, you'd have a hard time convincing me Jenny Will Eat You Now is Gillian Daniels' debut novel; it's that good! Easy, confident prose gives life to characters, both fantastical and real, who fully live (and sometimes kill) on the page. <B>I dare you not to love Jenny Greenteeth as she stumbles through modern Boston, modern love, and ravenous hunger.</B>" <B>—Bracken MacLeod, Shirley Jackson Award finalist and author of </B><I><B>Closing Costs</B></I><B> and </B><I><B>Let Not Your Sorrow Die</B></I><br><br>“A decadent and feral horror love story that slips its teeth in slowly. You will want to savor every bite of JENNY WILL EAT YOU NOW, which lingers on the tongue long after the final page. <B>Aching, sharp, and impossible to forget</B>, Daniels expertly crafts a tale exploring how being loved is to be consumed. I adored it!” <B>—Cat Scully, author of </B><I><B>Below the Grand Hotel</B></I><br><br>“A fish out of water story with an absurdist bend that evokes the cinema of Yorgos Lanthimos and the sincerity of a middle school romance. <B>It is dark as it is bright—which is to say a story in total harmony and balance</B>, and we all have the pleasure of bearing witness.” —<B>Aquino Loayza, author of </B><I><B>Deep </B></I><B>and </B><I><B>The Monologist</B></I></P>]]></Text>
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      <Text><![CDATA[<P>Gillian Daniels’ short fiction has appeared in Nightmare Magazine, Strange Horizons, and Beneath Ceaseless Skies, among more than thirty other publications, since she attended the 2011 Clarion Science Fiction and Fantasy Workshop, UCSD. She was born in Des Moines, Iowa, grew up in Greater Cleveland, Ohio, and she now writes and works in the Boston-area of Massachusetts. Along with writing prose, she also writes poetry, zines, and comics.</P>]]></Text>
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      <Text><![CDATA[<b>From the creators of <i>I'm Not Missing </i>and<i> Un-Wanted</i>, Bumble the dog is teaming up with his sister Queen the cat to fight a yearly intruder to their house--Santa!</b><BR><BR><i>Yep--this is the year I catch Santa red-handed.</i><BR><BR>Bumble the dog loves everything about Christmas: the decorations, the sweaters, the snacks... But there is one thing, though, that he can't stand--SANTA CLAUS! Every year Santa invades the house, eats his treats, and his reindeer leave behind a complete mess.<BR><BR>Not this year! Together with his sister, Queen the cat, they're going to catch Santa in the act and end his trespassing once and for all. From the hilarious team that brought you <i>Poe and Lars</i>, <i>I'm Not Missing</i>, and <i>Un-Wanted</i> comes a hilarious (and heartwarming) holiday story!]]></Text>
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      <Text><![CDATA[<B>A lavish anniversary edition of the iconic guide to Palestinian food and culture</B><BR><BR>Palestinian food is not just found on the streets of the Old City of Jerusalem with the<I> ka&rsquo;ak</I> (sesame) bread sellers and stalls selling za&rsquo;atar chicken and<I> mana&rsquo;eesh</I> (za&rsquo;atar and sesame bread), but in the home too; in the kitchens all across the country, where families cook and eat together every day, in a way that generations before them have always done.<BR> <BR><I>Palestine on a Plate, </I>Joudie Kalla's seminal cookbook, is a tribute to family, cooking, and home&#8212;old recipes created with love that bring people together in appreciation of the beauty of this rich heritage. It is a testament to the strength of Palestinian culture and food, cooked with the ingredients that Joudie's mother and grandmother use, and their grandmothers used before them. Immerse yourself in the stories and culture of Palestine through the food in this lavish 10-year anniversary edition.<BR> <BR>Experience the flavors of Palestine through zingy <I>fattet hummus</I> (tangy yoghurt, chickpeas and hummus, served over toasted pita bread and drizzled in buttered pine nuts), satisfyingly spiced<I> makloubeh</I> (an upside down spiced rice dish with lamb neck and fried eggplant), eggplant and zucchini stuffed full with spiced and herbed lamb, and sublimely decadent <I>awameh </I>(honey dumplings) all accompanied by fresh mint tea and white coffee (not actually coffee at all, but a refreshing mix of water, orange blossom water and sugar).<BR> <BR>Stunning photography and personal stories evoke the vibrancy and romance of a land and its people, bringing Palestine into your home and inviting you to share in traditions rooted in the past and future.]]></Text>
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      <Text><![CDATA[<B>Joudie Kalla</B> is author of highly-praised cookbooks <I>Palestine on a Plate: Memories from My Mother&rsquo;s Kitchen </I>and <I>Baladi Palestine: A Celebration of Food from Land and Sea. </I>She has been working as a chef for over 18 years. She trained at London&rsquo;s prestigious Leith&rsquo;s School of Food and Wine and has worked at restaurants such as Pengelley&rsquo;s, Daphne&rsquo;s, and Papillon. She has been running her own private catering company for over eight years and holds regular sold out supper clubs. She also ran a hugely popular deli, Baity Kitchen, for three years and hosted Palestinian-themed dinners for Jamie Oliver's Fifteen charity.]]></Text>
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      <Text><![CDATA[&ldquo;Joudie Kalla also looks homeward for inspiration in <i>Palestine in a Plate: Memories From My Mother&rsquo;s Kitchen </i>(Interlink, $35). These easygoing recipes revel in freekeh and fava beans, almonds and orange blossom water, and of course tahini, which Kalla loves so much it turns up in her brownies. She gives monkfish an excellent makeover by roasting it in a thick coat of sumac, za&rsquo;atar and cilantro, and dresses a lively cauliflower salad with yogurt and, yes, tahini. There&rsquo;s a showpiece array of stuffed vine leaves and lamb chops, flipped out of the pot and served upside down with yogurt, or you could entertain more simply with her generous platter of well-spiced chicken wings. &lsquo;I want to pay homage,&rsquo; she writes, &lsquo;to the Palestine that my family knew and remembers.&rsquo; And that&rsquo;s exactly what this book does so gracefully.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;The food of Palestine is mouth-watering and colorful. This treasure-trove of a book shows it at its best.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;This book goes to the heart of the relationship between food and identity, and conveys a sense of belonging through beautiful, compelling and, yes, joyous recipes. I just want to eat everything in it.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;An important cuisine and culinary tradition that needs to be understood, celebrated, and enjoyed.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Joudie Kalla takes the reader on a compelling and delicious culinary journey through Palestine. A much-needed compilation of hitherto undocumented Palestinian family recipes&#8212;an ode to Palestine&rsquo;s rich culinary heritage.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Once again Joudie puts Palestine on the map so beautifully by celebrating the breadth and depth of our cuisine&#8212;making Palestinians everywhere proud. This important book is a visual and culinary feast that preserves our history and cultural identity.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Joudie Kalla is an exceptionally talented chef with a deep understanding of tradition and ingredients that enables her to create exciting and adventurous dishes.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Joudie probably makes the best Palestinian food I ever tasted; I'm a huge fan of hers. Joudie will make you discover the best Palestinian food.&rdquo;]]></Text>
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      <Text><![CDATA[Great chefs create memories for us by drawing on their reminiscences: The texture, the flavors, the fragrances, the color of these beautiful creations do just that and so much more.]]></Text>
      <TextAuthor>Nick Crean, owner of chocolatiers Prestat</TextAuthor>
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      <Text><![CDATA[I first met Joudie 10 years ago as frightened young female chef and I watched her grow and develop into the fine outstanding chef she is today. She was definitely a rising star and shining light in my kitchen. She is the foremost expert on Palestinian food and is by far the biggest contributor to making Palestinian cooking the popular cuisine that it is today.]]></Text>
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      <Text><![CDATA[Palestinian Kalla lives in London, running a catering business far from her ancestral homeland. The paucity of books devoted to Palestinian cuisine and the wealth of recipes here, many emanating from her mother's and grandmothers' kitchens, recommend this book. The recipe choices can get personal. Though she includes a large and varied dessert chapter, she shuns breakfast sweets in favor of such savories as her Auntie Shahla's strudel pastry stuffed with ground lamb (no sugar there) and brown fava beans with lemon, tomato, and olive oil. And the recipes can get political, with Kalla citing the low-cost ingredients in the grain and legume recipes as reflective of the austere economic conditions under which Palestine residents live today. Prep times and difficulty levels are not included, but serving numbers and helpful color photos are, also a list of U.S.-based online suppliers. Especially recommended for libraries."]]></Text>
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      <Text><![CDATA[<B>The 40th anniversary edition of a celebrated poetry anthology, with selections from the work of twenty poets ranging from Kahlil Gibran and Ameen Rihani to Naomi Shihab Nye, Etel Adnan, and more.</B><BR><BR>Arab American poetry is an especially rich, people-involved, passionate literature that has been spawned, at least until recently, in isolation from the<BR> <BR>American mainstream. This highly-praised anthology reflects the renaissance in the literature of what may be the latest ethnic community to assert itself. Twenty poets are represented in this collection. The editors include a brief biography of each poet, together with a selection of each poet&#8217;s work. The short bios offer fascinating glimpses into Arab American literary history. <BR><BR>It starts with Kahlil Gibran and Ameen Rihani and includes celebrated contemporaries who write in Arabic or English or both. Contributors include:<BR> <BR>Kahlil Gibran, Ameen Rihani, Jamil Holway, Mikhail Naimy, Elia Abu Madi, Etel Adnan, Naomi Shihab Nye, D.H. Melhem, Samuel Hazo, Joseph Awad, Eugene Paul Nasser, H.S. (Sam) Hamod, Jack Marshall, Fawaz Turki, Doris Safie, Ben Bennani, Sharif Elmusa, Lawrence Joseph, Gregory Orfalea, and Elmaz Abinader.]]></Text>
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      <Text><![CDATA[Gregory Orfalea is a journalist, editor, and poet. He is the author of <I>The Capital of Solitude</I>, a book of poems. He is also the author of <I>Arab Americans: A History</I>, <I>Messengers of the Lost Battalion: The Heroic 551 st </I>, and <I>Turning of the Tide at the Battle of the Bulge</I>. He was director of the Center for Writing at Pitzer College, where he taught creative nonfiction and the short story.<BR><BR>Sharif S. Elmusa is a widely-published poet, editor, and an esteemed translator of Arabic poetry. His poetry collection <I>Flawed Landscape: Poems 1987 &#8211; 2008</I> was published by Interlink to great acclaim.]]></Text>
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      <Text><![CDATA["An excellent collection that does justice to the Arab-American poetic contribution to America's literature and renders it easily accessible in this handsome volume."]]></Text>
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      <Text><![CDATA[&ldquo;The superstar is the legendary Kahlil Gibran (1883-1931), born in a Lebanese mountain village and raised in Boston, one of the world&#39;s most famous modern poets. For those who know only The Prophet&#39;s &ldquo;sacred incantation,&rdquo; it&#39;s good to have available selections from other diverse Arab American voices, from Ameen Rihani (1876-1940) to Elmaz Abinader (b. 1954) &hellip; With a complex blend of ethnicity, these poets seek to build bridges &ldquo;between worlds&rdquo; and forge new kinds of identity.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Beginning with the circle around Kahlil Gibran &hellip; and concluding with such well- established younger poets as Lawrence Joseph and Naomi Shihab Nye, this is an admirably non-doctrinaire collection. The editors have included Muslim, Jewish, and Christian writers &hellip; and writers in every style from Gibran's Whitmanian cutouts to the beat prosody of San Francisco poet Etel Adnan and the droll enigmas of critic Eugene Paul Nassar &hellip; A worthy beginner-level introduction to a community of poets seldom acknowledged here.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[<B>Alyssa Rosenheck</B> is a bestselling author, advocate, and one of <I>Architectural Digest</I>&rsquo;s Top 50 Interior and Architectural Photographers in the United States. Her debut book, <I>The New Southern Style</I>, reframed creativity as a vehicle for resilience, courage, and connection&mdash;revealing how art has the power to humanize our differences and remind us of our shared humanity. In her forthcoming title, <I>White. Blonde. Jew.</I><i>, </i>she took the words used against her and made them her newest title. <I>White. Blonde. Jew.</I> is currently nominated for the Sophie Brody Medal by the American Library Association for outstanding achievement in Jewish literature.&nbsp;<BR> <BR>Beyond her creative career, Alyssa is a leading voice in the fight against antisemitism and a fearless advocate for Israel. She was honored with the 2025 <I>Hero Against Hate</I> award by the ADL and is a founding member of Artists Against Antisemitism. Since October 7th, she has traveled to Israel multiple times as a post-war delegate, participated in the UN Global Summit with the AJC, and collaborates closely with organizations including the AJC, ADL, StandWithUs, Consulate General of Israel to the South Eastern United States, and CUFI. Her grassroots impact is wide-ranging: she has mobilized communities alongside state legislators, played a key role in stopping two BDS resolutions at the city council level, and is actively engaged with the Tennessee-Israel Caucus. She regularly publishes op-eds challenging BDS, anti-American, and antisemitic ideologies, and speaks on college campuses to educate and equip the next generation to stand for truth and defend democratic values. Alyssa&rsquo;s work is a testament to the belief that creativity is not just a personal pursuit&mdash;it is a collective responsibility for truth-tellers, a tool for moral courage, and a force for building stronger bridges.]]></BiographicalNote>
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      <Text><![CDATA[<B>They used these words to shame her: <I>White. Blonde. Jew.</I> She turned them into the title of her book&#8212;and a movement.</B><BR><BR>In an age of curated silence, false virtue, and weaponized identity, Alyssa Rosenheck refused to shrink. <i>White. Blonde. Jew.</i> is a brave cultural and political narrative for anyone ready to speak truth, reclaim moral clarity, and lead with values that won&rsquo;t bend.<BR> <BR> After being targeted with antisemitic threats, sidelined by literary gatekeepers, and erased by movements claiming to fight for justice, Rosenheck&#8212;a purpose-driven creative&#8212;refused to bow. She traveled to the Gaza envelope, met with foreign ambassadors and local legislators, and interviewed combat heroes, hostages, and families who didn't allow grief to turn into silence. Through war zones and culture wars, she&rsquo;s remained steady, encouraging readers to turn pain into purpose, judgment into dialogue, and silence into a clear, unwavering voice.<BR> <BR> This is more than a book&#8212;it&rsquo;s armor for the soul and a roadmap for those who stand their ground.<BR> <BR> Readers will uncover:<BR> <ul> <li aria-level="1"><b>How antisemitism is being rebranded</b> across media, academia, and activism&#8212;and how to push back with truth, historical context, and moral clarity</li> <li aria-level="1"><b>The uncomfortable realities</b> about race, identity, and power, and why many DEI initiatives erase Jewish identity while deepening division</li> <li aria-level="1"><b>How to decode emotional manipulation and spot propaganda</b>, equipping you to think critically, resist performative outrage, and reclaim your voice in the digital age</li> <li aria-level="1"><b>Alyssa&rsquo;s signature P.A.C.E. method:</b> Pause, Analyze, Contemplate, Engage&#8212;a practical and powerful framework to replace reactivity with grounded integrity</li> <li aria-level="1"><b>Inspiration for getting involved at a local level </b>and creating positive change in one&rsquo;s immediate community</li> <li aria-level="1"><b>Access to a built-in community</b> of truth-tellers and change-makers through curated book clubs and online spaces designed for mutual support and conversation</li> <li aria-level="1"><b>Chapter-by-chapter discussion prompts </b>and reflection guides to help foster honest dialogue, deepen clarity, and spark connection in your community or book group</li> </ul> <BR><BR> <i>White. Blonde. Jew.</i> is not just something you read, it&rsquo;s something you carry. A mirror. A megaphone. A call to remember who you are, even when the world forgets.]]></Text>
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      <Text><![CDATA[&ldquo;Alyssa Rosenheck has written a courageous and timely book.<I> White. Blonde. Jew.</I> goes far beyond explanation, offering readers practical insights that invite personal reflection and action. By breaking through stereotypes, Rosenheck reminds us that each one of us has the power to stand up, speak truth, and challenge the false narratives that continue to distort the conversation about Jews and Israel.&rdquo;<BR> <B>&mdash;Rabbi Raphael Shore, author, producer, and founder&nbsp;</B><BR> <BR> &ldquo;<I>White. Blonde. Jew.</I> bravely confronts what many have chosen to ignore&mdash;the ways modern-day antisemitism has insidiously infiltrated our day-to-day lives. Alyssa Rosenheck tackles the conversations many have avoided for<BR> far too long and offers a powerful blueprint for bridging divides.&rdquo;<BR> <B>&mdash;Sandra Hagee Parker, chairwoman of CUFI Action Fund</B><BR> <BR> &ldquo;A bold and unflinching book that takes on antisemitism, misinformation, and the weaponization of race. Rosenheck&rsquo;s call to &lsquo;reclaim center&rsquo; is as timely as it is necessary&mdash;and her personal stories make it impossible to look away.&rdquo;<BR> <B>&mdash;Fleur Hassan Nahoum, Israel foreign ministry special envoy for trade and innovation</B><BR> <BR> &ldquo;<I>White. Blonde. Jew. </I>is a fearless and deeply human dismantling of the labels meant to silence us. With unflinching clarity and lived experience, Alyssa Rosenheck exposes how extremism, antisemitism, and identity politics distort truth and offers a courageous blueprint for reclaiming moral center.&rdquo;<BR> <B>&mdash;Dr. Sheila Nazarian, plastic surgeon, TV personality, and activist</B><BR> <BR> &ldquo;Alyssa illustrates the endless, iterative battle between good and evil, and the strength it takes to stand for what is right. Her bold voice and fortitude in the face of prejudice inherent to the DEI movement make clear that timidity, assimilation, and acquiescence only serve to lend might to hate.&rdquo;<BR> <B>&mdash;Julie Strauss Levin, senior counsel at America First Legal Foundation, and Mark Levin, nationally syndicated talk radio host, Fox News analyst, and #1 <I>New York Times</I> bestselling author</B><BR> <BR> &ldquo;Deeply personal and undeniably powerful. Alyssa Rosenheck has created an essential literary work&mdash;a brave confrontation with modern antisemitism and a vital reminder for anyone who has felt marginalized to reclaim their voice. This book is a true call to understanding and action.&rdquo;<BR> <B>&mdash;Julie Paris, Mid-Atlantic regional director of StandWithUs</B><BR> <BR> &ldquo;Liberty requires the courage to maintain it. Above all else, Rosenheck&rsquo;s <I>White. Blonde. Jew.</I> is courageous&mdash;in confronting hatred, in battling ignorance, and in revealing her vulnerability in the face of it all.&rdquo;<BR> <B>&mdash;Rankin Sherling, PhD, associate director of the Declaration of Independence Center for the Study of American Freedom at the University of Mississippi</B>]]></Text>
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      <Text><![CDATA[<b>The untold story of an American hero who proved that one person can turn trauma into heroic action&#8212;from the wounded construction worker who became a relentless champion of the 9/11 responders.</b><BR><BR>On September 11th, 2001, John Feal rushed to Ground Zero to assist with the recovery and cleanup in the aftermath of the terrorist attack. 96 hours later, his destiny was forged by steel when an 8,000-pound beam crushed his left foot. As he adjusted to a partial amputation and went broke paying medical bills, he watched his fellow responders suffer and die from cancer and other ailments caused by the dust in the air they were told was safe to breathe. <BR> <BR>Forgotten by a broken healthcare system and lawmakers who had promised to #NeverForget, Feal knew it was time to fight. <BR> <BR>Now, in <i>I Will Follow You Anywhere</i>, he shares his &ldquo;recipe&rdquo; for getting things done. Accompanied by stories from his fellow responders in their own words, Feal lays out his rogue approach to the ground game of representative government, empowering readers in all walks of life to take on the system and win.<BR> <BR>While working to get the 9/11 Victim Compensation Fund and healthcare bill passed, Feal caught the attention of comedian Jon Stewart, who joined the cause and became a valuable ally and dear friend. In 2019, Stewart&rsquo;s testimony before Congress went viral, placing a much-needed spotlight on the frustration and grief of those long abandoned by their government&#8212;and the bill was finally signed into law. In the years since, Feal, Stewart, and his team have championed the PACT Act for veterans exposed to burn pits and lent their expertise to other worthy causes. <BR> <BR>John is now a &ldquo;hired gun&rdquo; for activists fighting to get legislation passed. With <i>I Will Follow You Anywhere</i>, he shares his hard-won wisdom and expert strategies that will enable underdogs everywhere to stand up against a mighty system.]]></Text>
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      <Text><![CDATA[<B>John Feal </B>is a native New Yorker and Army veteran who worked as a demolition supervisor at Ground Zero until a disabling injury five days into the cleanup. He lobbied Congress to pass the James Zadroga 9/11 Health and Compensation Act of 2010, which he fought to defend and expand in 2015 and 2019 with the help of dozens of his fellow 9/11 responders, post-9/11 illness survivors, and comedian Jon Stewart. He has since gone on to pass 19 pieces of legislation and is working on number 20.&nbsp;<BR> <BR>Through the FealGood Foundation, he continues to advocate for the health needs of first responders nationwide. His appearance on Fox News with Jon Stewart has gone viral. John has spoken at the 9/11 Memorial Museum, Princeton University, and Quinnipiac University in Connecticut. His story has been covered by <I>Vanity Fair</I>, NPR, <I>The Daily Beast</I>, <I>The Wall Street Journal</I>, and all major news networks, and in two documentaries.&nbsp;<BR> <BR>John is a Pat Tilman Foundation honoree, a recipient of the New York State Liberty Award and the New York State Medal of Honor for Civilians, the founder and chairman of the 9/11 Responders Remembered Park, and a kidney donor.<BR><BR><B>Charles Daly</B> is the coauthor of <I>Make Peace or Die: A Life of Service, Leadership, and Nightmares</I>, which has been featured on <I>Jocko Podcast</I>. He has worked as a developmental editor on bestselling military memoirs, including <I>From Lawyer to Warrior</I> and <I>Civil: Life After the Foreign Legion</I>. His work has appeared in <I>The Boston Globe</I>, <I>We Are the Mighty</I>, <I>Kokatat</I>, and <I>Thought Catalog</I>. Charlie lives in a cottage on the west coast of Ireland with his wife, a Swiss crime novelist; their baby boy; and a black cat. He serves as a maritime first responder on his local lifeboat.]]></Text>
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      <Text><![CDATA[<B>A savvy, real-world guide to creating a profitable social media presence that stands out in an oversaturated industry</B><BR><BR>Today, when the average American spends around 4.5 hours a day on their phones&#8212;including 2.5 hours scrolling social media&#8212;it is undeniable that a well-crafted social media platform is a powerful lever when it comes to credibility, visibility, and opportunity in any professional field.<BR> <BR>But how do you create a lasting platform that can thrive in a swamp of competing content?<BR> <BR>A practical guide to smart social media strategy, <I>Attention Is the New Currency</I> breaks down the complex ins-and-outs of the influencer industry into a step-by-step plan to stand out, get paid, and leverage your platform to make a difference. Sisters Marissa Rachel and Shanna Lisa&#8212;veteran creators with billions of views and past brand deals with Disney, Marvel, and Amazon&#8212;share candid advice to help you:<BR> <ul> <li>Identify your niche and authentically connect with your audience</li> <li>Stay on top of trends, understand your analytics, and strategically go viral</li> <li>Gracefully navigate online hate and create a cancel-proof personal platform</li> <li>Establish steady business practices for yourself and healthy, burnout-free boundaries</li> <li>Reach out to brands, write winning pitches, and land your dream partnerships</li> </ul> <BR>Whether you&rsquo;re starting from scratch or scaling an existing platform to a larger audience, <I>Attention Is the New Currency</I> will help you invest your time wisely and create a confident online presence that resonates with the right audience and stays as lucrative and reliable as any 9 to 5.]]></Text>
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      <Text><![CDATA[<B>Marissa Rachel </B>is a Brazilian American content creator and host from Los Angeles and the creator of her own wildly popular beauty, fashion, and lifestyle YouTube channel, @MarissaRachel. With over a quarter of a billion YouTube video views, and collectively over 2 million social media followers (from millennials through Gen Z), Marissa delivers a mix of fashion and beauty tips, martial arts content, and humorous skits for her audience.<BR> <BR>Marissa hosted four seasons of a fashion competition TV show <I>Ready, Set, Style </I>which aired on the ITV2 Network in the United Kingdom. She has enjoyed partnerships with many of the world&#39;s most recognizable brands, including Disney, Amazon, Twentieth Century Fox, Marvel, Victoria&#39;s Secret Pink, Olay, Always &amp; Tampax, Toyota, Office Depot, and Procter &amp; Gamble. She has also spoken on the TEDx stage and at the United Nations General Assembly, USC School of Cinematic Arts, as well as numerous panels with Google and YouTube.<BR><BR><B>Shanna Lisa </B>is a Brazilian American content creator and artist from Los Angeles and the cocreator of the wildly popular beauty, fashion, and lifestyle YouTube channel she runs with her sister, @MarissaRachel. With over a quarter of a billion YouTube video views, and collectively over 2 million social media followers (from millennials through Gen Z), Shanna keeps her audience inspired with beauty and style tips, local travel and entertainment insights, and plenty of mom humor.<BR> <BR>Shanna has collaborated with many of the world&rsquo;s most iconic brands, including Disney, Amazon, Twentieth Century Fox, Marvel, Always &amp; Tampax, Toyota, Office Depot, Airheads Candy, and Procter &amp; Gamble. She has also spoken on the TEDx stage and at the United Nations General Assembly, USC School of Cinematic Arts, as well as numerous panels with Google and YouTube.]]></Text>
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      <Text><![CDATA[&nbsp;&ldquo;As a creator who has spent years building an online platform, I appreciate how honest and practical this book is. <I>Attention Is the New Currency</I> breaks down what it really takes to turn attention into a meaningful and sustainable career. This guide gives creators a clear and practical road map for building something authentic and lasting.&rdquo;<BR> <B>&mdash;Jessii Vee (@JessiiVee)</B><BR> <BR> &ldquo;This isn&rsquo;t just for aspiring influencers&mdash;it&rsquo;s a modern guide for anyone trying to find their online community, regardless of whether that&rsquo;s for a side hustle, nonprofit, social movement, or passion project. This is for people who are ready to reach out and make social media their tool for positive impact.&rdquo;<BR> <B>&mdash;Lawrence Dalusung, influencer marketing professional</B><BR> <BR> &ldquo;In a world that runs on social media, Marissa and Shanna make it simple to learn how to break through the complex industry to make a name for yourself!&rdquo;<BR> <B>&mdash;Melissa Tierney (@MissyonMadison)</B><BR> <BR> &ldquo;Anyone working in or hoping to work in online marketing or content creation should read this book. <I>Attention Is the New Currency </I>cuts through the noise and shares practical, proven strategies for building an audience. Imagine if I&#39;d had this book when I first started out! How nice that would have been!&rdquo;<BR> <B>&mdash;Nina Nelson (@NinaNelson), coauthor of <I>The Clear Skin Diet</I></B><BR> <BR> &ldquo;<I>Attention is the New Currency</I> is the perfect guide for anyone who wants a long-term career in social media. It&rsquo;s real, actionable, and inspiring&mdash;Marissa Rachel and Shanna Lisa are the relatable influencers everyone should learn from!&rdquo;<BR> <B>&mdash;Estrella Serrato (@CafecitoconEstrellita), podcast host and founder of <I>Cafecito con Estrellita</I></B><BR> <BR> &ldquo;<I>Attention Is the New Currency </I>is a helpful and motivating tool for existing and aspiring content creators alike. It offers practical, actionable advice on how to find your authentic voice and use it to capture an audience&rsquo;s attention. The book pulls back the curtain on what it takes to grow and guide your social media platforms with intention and impact.&rdquo;<BR> <B>&mdash;Kelleth Cuthbert (@KellethCuthbert), actress and model</B><BR> <BR> &ldquo;I wish this book existed when I started. <I>Attention Is the New Currency</I> tells the truth about growth, money, boundaries, and burnout&mdash;while actually showing you how to build a platform that still feels like you.&rdquo;<BR> <B>&mdash;Randa Nelson (@RandaNelson), Netflix producer and coauthor of <I>The Clear Skin Diet</I></B>]]></Text>
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      <Text><![CDATA[<B>The demands of motherhood can quietly deplete your body and mind. This science-based, reassuring guide will help you restore your energy, balance, and well-being, so you can be the Mom you </B><B><I>want </I></B><B>to be.</B><b> </b><BR><BR>As a mother, you are carrying more than ever: work, home, constant demands, chronic sleep loss, and the invisible mental load of keeping everything running. Taking care of your needs often feels impossible.<BR> <BR>From Rick Hanson, PhD, clinical psychologist; Jan Hanson, LAc, nutrition specialist; and Ricki Pollycove, MD, gynecologist-obstetrician, <I>A Happy, Healthy Mom</I> offers a compassionate roadmap to help moms get the rest, nutrition, help, and comfort they need. This comprehensive guide addresses the full range of physical, psychological, and relationship challenges that can peak in the demanding early years from infancy through elementary school.<BR> <BR>Inside, you'll learn how to:<BR> <ul> <li>Tune into your own body and needs with zero judgement or self-blame</li> <li>Solve common hormonal, mood, or gastrointestinal problems</li> <li>Protect yourself from stress and stop irritability before it starts</li> <li>Restore important minerals drained by pregnancy and breastfeeding</li> <li>Increase teamwork and emotional intimacy with your partner</li> <li>Return to a normal sleep cycle after your child is sleeping through the night</li> <li>Eat healthy meals that take only minutes to prepare</li> <li>Request the right medical tests at the right time</li> </ul> <BR>Far too many mothers are physically, mentally, and emotionally depleted, which can overshadow the deeply rewarding experience of motherhood. Featuring stories from real mothers, this book will ensure that you thrive&#8212;not just survive&#8212;while taking care of your little one.]]></Text>
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      <Text><![CDATA[<B>Rick Hanson, PhD</B>, is a psychologist, senior fellow at UC Berkeley&rsquo;s Greater Good Science Center, and<I> New York Times</I> bestselling author. Altogether, his seven books have been published in 33 languages and include <I>Making Great Relationships</I>, <I>Neurodharma</I>, <I>Resilient</I>, <I>Hardwiring Happiness</I>, <I>Just One Thing</I>, <I>Buddha&rsquo;s Brain</I>, and <I>Mother Nurture</I>, with over a million copies sold in English alone. He&rsquo;s the founder of the Global Compassion Coalition and the Wellspring Institute for Neuroscience and Contemplative Wisdom, as well as the cohost of the <I>Being Well</I> podcast, which has been downloaded over 25 million times. He offers free newsletters, and his online programs have scholarships available for those with financial needs. He&rsquo;s lectured at NASA, Google, Oxford, and Harvard. An expert on positive neuroplasticity, his work has been featured on CBS, NPR, the BBC, and other major media. He began meditating in 1974 and has taught in meditation centers worldwide. He and his wife live in northern California and have two adult children. He loves the wilderness and taking a break from emails.<BR><BR><B>Jan Hanson, MS, LAc</B>, is a licensed acupuncturist and integrative health practitioner with more than four decades of experience in nutritional medicine, functional testing, and holistic approaches to wellbeing. Building on early training in biochemistry, she is one of the early pioneers in bringing evidence-informed nutritional medicine into mainstream complementary care. Jan has taught widely, offering practical guidance on topics such as digestive health, allergies, and women&rsquo;s wellness.<BR> <BR> Known for her clear, compassionate teaching style, she has supported individuals and families in improving their health through accessible, step-by-step methods. She lives in northern California with her husband, psychologist and author Rick Hanson, and enjoys time with their two adult children.<BR><BR><B>Ricki Pollycove, MD, MS</B>, is a nationally recognized expert in OB-GYN, caring for women through all stages of their lives. She is passionate about helping to optimize health and inspire self-care despite multiple demands in a complex world. She is a mother and grandmother, having delivered babies while also raising her own daughter from age 3 as a single mom.<BR> <BR> In active clinical practice for over 40 years, she authored <I>The Pocket Guide to Bioidentical Hormones</I> and has appeared on national TV, radio, podcasts, and YouTube videos on fertility, motherhood, nutrition, hormones and mood, breast cancer, perimenopause, and healthy aging. She has authored scientific papers on testosterone, female sexual dysfunction, osteoporosis, and every aspect of menopause.&nbsp;Dr. Pollycove continues to provide medical education to doctors and clinicians worldwide.<BR><BR><B>Renee Brna</B> is a clinical therapist-in-training in the marriage and family therapy program at the University of Nevada, Las Vegas. Her work focuses on parental wellbeing, burnout, and mindfulness-informed approaches to supporting families. She brings experience in crisis counseling, community programming, early childhood education, and psychological research. A mother of two, she first turned to the original edition of <I>A Happy, Healthy Mom</I> during her own early parenting years and later contributed new writing and updated research to this revision. Before entering clinical training, Renee worked professionally as a Broadway and television performer.]]></Text>
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      <Text><![CDATA[&ldquo;So many mothers carry a quiet, persistent sense of not being enough. <i>A Happy, Healthy Mom</i> is a deeply needed offering&mdash;a reminder that true caregiving must include ourselves. With wisdom and practical guidance, this book shows how stress, depletion, and isolation take root&mdash;and how, with care, we can restore balance. An empowering and reassuring guide, it supports mothers in reconnecting with their innate resilience, vitality, and capacity for joy.&rdquo;<BR> <b>&mdash;Tara Brach, PhD, author of <i>Radical Acceptance</i> and <i>Radical Compassion</i></b><BR> <BR> &ldquo;This book offers thoughtful, compassionate support for mothers navigating the very real demands of raising children while also trying to care for themselves. With warmth and practicality, it reminds us that tending to a parent&rsquo;s well-being is not a luxury; it&rsquo;s foundational to the health of the whole family. A reassuring and encouraging resource for any mom who has ever felt overwhelmed or depleted.&rdquo;<BR> <b>&mdash;Tina Payne Bryson, PhD, New York Times bestselling coauthor of <i>The Whole-Brain Child</i></b><BR> <BR> &ldquo;<i>A Happy, Healthy Mom</i> is a compassionate and much-needed guide for the realities of modern motherhood. Grounded in science and real-life experience, it helps mothers restore their energy, health, and emotional balance without judgment or self-blame. Rather than asking moms to do more, this book offers practical, realistic ways to feel supported and well&mdash;so they can truly thrive, not just get through the day.&rdquo;<BR> <b>&mdash;Kristin Neff, PhD, author of <i>Self-Compassion </i>and<i> Fierce Self-Compassion</i></b><BR> <BR> &ldquo;This indispensable book is both a rallying call for nurturing motherhood, the most essential function in human life, and also a thoughtful primer for moms and those who support them. Wise, practical, and in places uproariously witty, <i>A Happy, Healthy Mom</i> is a gift to the generations, present and future.&rdquo;<BR> <b>&mdash;Gabor Mat&eacute;, MD, New York Times bestselling author of <i>The Myth of Normal</i></b><BR> <BR> &ldquo;For mothers who feel as though they are swimming upstream, this book offers both recognition and relief. The authors illuminate Depleted Mother Syndrome with clarity, compassion, and deep practical wisdom, and offer a treasure trove of strategies for addressing stress at the personal, physical, and relational levels. Written in a voice that is warm, wise, and deeply reassuring, this is a book readers will return to again and again. I highly recommend it for mothers&mdash;and for women in any caregiving role.&rdquo;<BR> <b>&mdash;Diana Divecha, PhD, assistant clinical professor at Yale Child Study Center</b><BR> <BR> &ldquo;As a mother and clinical psychologist, I believe one of the most important questions we can ask is: How do we help mothers use their precious energy in ways that sustain both their well-being and their families? <i>A Happy, Healthy Mom</i> answers that question with wisdom, compassion, and a deeply holistic, science-informed view of motherhood. It is a powerful reminder that caring for mothers is the wisest use of our energy. Healthy moms change the world.&rdquo;<BR> <b>&mdash;Diana Hill, PhD, author of <i>Wise Effort: How to Focus Your Genius Energy on What Matters Most</i></b><BR> <BR> &ldquo;As someone who has spent decades exploring how relationships shape the developing brain, I know that a mother&#39;s well-being is never separate from her family&rsquo;s.<I> A Happy, Healthy Mom</I> fills a critical gap&mdash;offering mothers the science-informed, whole-person care they deserve but rarely receive. Rick Hanson, Jan Hanson, and Ricki Pollycove have created something genuinely valuable: a compassionate, practical guide for replenishing mind, body, and relationship through every stage of the parenting journey.&rdquo;<BR> <B>&mdash;Daniel J. Siegel, MD, <I>New York Times</I> bestselling coauthor of <I>The Whole-Brain Child </I>and <I>Parenting from the Inside Out</I></B>]]></Text>
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      <BiographicalNote><![CDATA[<B>Bruce H. Lipton, PhD</B>, is an internationally recognized bestselling author and cellular biologist who has spent decades challenging scientific orthodoxy with a revolutionary message: genes don&rsquo;t control our destiny&mdash;our beliefs and environment do. As a senior research scientist at Stanford University&rsquo;s School of Medicine, his groundbreaking cloning experiments revealed the biochemical pathways by which the mind controls behavior and genetic activity, presaging today&rsquo;s revolutionary field of epigenetics. Dr. Lipton&rsquo;s research has been published in prestigious scientific journals including <I>Science</I>, <I>Nature</I>, <I>Journal of Cell Biology</I>, <I>Developmental Biology</I>, <I>Biochemistry</I>, and <I>Experimental Cell Research</I>.&nbsp;<BR> <BR> Translated into over 50 languages and with more than 500,000 copies sold, <I>The Biology of Belief</I> has become a global phenomenon. Bruce was named one of the world&rsquo;s most spiritually influential living people by the United Kingdom&rsquo;s <I>Watkins Journal </I>and received Japan&rsquo;s prestigious 2009 Goi Peace Award in honor of his scientific contribution to world harmony.]]></BiographicalNote>
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      <SubjectHeadingText>epigenetics; epigenetics books; evolution; human evolution; evolution book; human evolution; evolutionary theory; quantum science; quantum science books; darwins theory of evolution; survival of the fittest; biological evolution; fractal geometry; consciousness; consciousness book; human consciousness; human consciousness book; conscious evolution; theory of conscious evolution; fractal mathmatics; neuroscience; energy science; new scientific theories; metaconsciousness; superorganism; superorganisms; superorganism books; superorganism nonfiction</SubjectHeadingText>
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      <Text><![CDATA[<B>From survival of the fittest to survival of the most conscious, discover a revolutionary scientific message of hope for humanity's future.</B><BR><BR>For over a century, Darwin&rsquo;s concept of &ldquo;survival of the fittest,&rdquo; or life as competition, has shaped the fate of civilization. Renowned cell biologist Bruce H. Lipton, bestselling author of <I>The Biology of Belief</I>, presents a paradigm-shattering synthesis built on three key fields unknown to Darwin: epigenetics, quantum physics, and fractal geometry.<BR> <BR>From the climate crisis to collapsing &ldquo;dinosaur corporations,&rdquo; and the 1% wealth gap to our need for the resources of 1.6 planet Earths&#8212;Lipton places today&rsquo;s turmoil in an evolutionary context. We&rsquo;re not witnessing humanity&rsquo;s death throes. We&rsquo;re in the cocoon. The science reveals an optimistic vision of exactly how we can emerge as the butterfly.<BR> <BR>In this groundbreaking book, you&rsquo;ll uncover:<BR> <ul> <li>How environmental signals, not genes, control your biology (making you the creator, not victim, of your destiny)</li> <li>Why cooperation&#8212;proven from bacterial colonies to human civilization&#8212;is evolution's actual survival strategy</li> <li>The fractal patterns that make evolution predictable, showing current global chaos as a necessary breakdown before the breakthrough</li> <li>Four cultural myths keeping us trapped in self-destruction&#8212;and the scientific realities that shatter them</li> <li>Why quantum physics reveals we&rsquo;re energetically connected in a field where consciousness shapes matter</li> </ul> <BR><I>Beyond Darwin</I> is the unified theory of Conscious Evolution backed by hard science, offering evidence-based optimism precisely when we need it most. We can become conscious creators of a cooperative civilization. The evolutionary patterns prove transformation isn't just possible&#8212;it&rsquo;s predictable. The future is our own conscious evolution.]]></Text>
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      <Text><![CDATA[<B>Bruce H. Lipton, PhD</B>, is an internationally recognized bestselling author and cellular biologist who has spent decades challenging scientific orthodoxy with a revolutionary message: genes don&rsquo;t control our destiny&mdash;our beliefs and environment do. As a senior research scientist at Stanford University&rsquo;s School of Medicine, his groundbreaking cloning experiments revealed the biochemical pathways by which the mind controls behavior and genetic activity, presaging today&rsquo;s revolutionary field of epigenetics. Dr. Lipton&rsquo;s research has been published in prestigious scientific journals including <I>Science</I>, <I>Nature</I>, <I>Journal of Cell Biology</I>, <I>Developmental Biology</I>, <I>Biochemistry</I>, and <I>Experimental Cell Research</I>.&nbsp;<BR> <BR> Translated into over 50 languages and with more than 500,000 copies sold, <I>The Biology of Belief</I> has become a global phenomenon. Bruce was named one of the world&rsquo;s most spiritually influential living people by the United Kingdom&rsquo;s <I>Watkins Journal </I>and received Japan&rsquo;s prestigious 2009 Goi Peace Award in honor of his scientific contribution to world harmony.]]></Text>
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      <Text><![CDATA[&ldquo;At a moment when the world feels like it&rsquo;s falling apart, Bruce delivers the scientific proof that this chaos isn&rsquo;t the end&mdash;it&rsquo;s the beginning of something extraordinary. This book doesn&rsquo;t just challenge old thinking. It gives us a road map for conscious evolution built on cooperation, not competition. If you want to understand the science behind why transformation is not only possible but inevitable, read this book.&rdquo;<BR> <b>&mdash;Tony Robbins, #1 <i>New York Times </i>bestselling author, speaker, and philanthropist</b><BR> <BR> &ldquo;In <i>Beyond Darwin</i>, Dr. Bruce Lipton beautifully bridges science and consciousness in a way that is both illuminating and deeply hopeful. He reveals that cooperation&mdash;not competition&mdash;is the deeper intelligence guiding evolution, and that when we awaken to our interconnectedness, we become conscious participants in the healing and evolution of our planet.&rdquo;<BR> <b>&mdash;Anita Moorjani, <i>New York Times </i>bestselling author of <i>Dying to Be Me</i></b><BR> <BR> &ldquo;Dr. Lipton has addressed the single most important perspective humanity will ever face: What is our true nature and how do we better celebrate it to experience our wholeness and heal.&nbsp;<i>Beyond Darwin</i>&nbsp;answers this in a manner that will change our world&mdash;again. Thank you, Dr. Bruce, for this most significant scientific offering of our time.&rdquo;&nbsp;<BR> <b>&mdash;Dr. Sue Morter,&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>The Anatomy of Awakening</i>&nbsp;and founder and CEO of Morter Institute for BioEnergetic</b><BR> <BR> &ldquo;In <I>Beyond Darwin</I>, Bruce Lipton challenges conventional ideas about evolution and human biology with a bold synthesis of epigenetics, quantum science, and conscious evolution. Thought-provoking and deeply hopeful, this book invites readers to imagine a future shaped not by competition, but by cooperation and human potential.&rdquo;<BR> <B>&mdash;Robert Lufkin, MD, <I>New York Times</I> bestselling author of <I>Lies I Taught in Medical School</I></B><BR> <BR> &ldquo;For thirty years, I have taught what Bruce Lipton now proves: the body is not a machine to be managed but a living field to be awakened. <i>Beyond Darwin</i> gives science to what the ancients always knew. Cooperation is not idealism. It is biology. This book is medicine for our moment.&rdquo;<BR> <b>&mdash;Qigong Master Mingtong Gu, author of <i>Coming Home to Embodied Awakening</i></b><BR> <BR> &ldquo;A life-saving and heartwarming rehabilitation of traditional and often maligned concepts that rescue the emergent sciences of life from an early demise in the jaws of obsolescence.&rdquo;<BR> <b>&mdash;M&aacute;ria S&aacute;gi, PhD, psychologist and author of <i>Remote Healing</i></b><BR> <BR> &ldquo;Bruce Lipton&rsquo;s new book opens a long-awaiting era in which new sciences become relevant to human well-being and even survival on a small planet. Threatened by outdated thinking and misinformation, henceforth science becomes not only relevant but essential to mastering the basic knowledge without which there is no coherent understanding of who we are and how we relate to human life. A mind- and paradigm-shaking and reforming contribution to the evolution of humankind to be treasured for ages and generations to come.&rdquo;<BR> <b>&mdash;Ervin Laszlo, author and founder of The Club of Budapest</b><BR> <BR> &ldquo;The healing work I have witnessed across fifteen thousand certified practitioners in over one hundred countries tells me the same story this book tells: we are not accidents of biology locked in a struggle for survival. We are participants in something magnificent&mdash;a living garden meant to be tended with care, intention, and love. If you have ever sensed that there is more to your health, your relationships, and your purpose than the old story has allowed, <i>Beyond Darwin</i> will give you the scientific language, the historical context, and&mdash;most importantly&mdash;the hope to step fully into that larger truth.&rdquo;<BR> <b>&mdash;Dr. Bradley Nelson, national bestselling author of <i>The Emotion Code</i>, <i>The Body Code</i>, and <i>The Heart Code</i></b><BR> <BR> &ldquo;Understanding the root cause of a problem is the first step in solving it . . . Switching future progress from competition to cooperation provides real hope for our species. This is an important book. We are running out of time.&rdquo;<BR> <b>&mdash;David Hanscom, MD, orthopedic spine surgeon and author of <i>Calm Your Body, Heal&nbsp;</i></b><b><i>Your Mind</i></b><BR> <BR> &ldquo;Bruce helps us realize that evolution is something we can consciously contribute to and guide toward greater positivity and a healthier humanity. Such an empowering message we all need to hear and, above all, live by.&rdquo;<BR> <b>&mdash;Deva Premal and Miten, Grammy Award&ndash;nominated musicians</b><BR> <BR> &ldquo;In <i>Beyond Darwin</i>, the brilliant biologist and visionary Dr. Bruce Lipton takes a well-aimed hatchet to orthodox theories of genetics, survival-of-the-fittest evolution, and a worldview of life as predatory, self-serving, and solitary. This bold paradigm buster is filled with scientific revelations, signposting a life-enhancing vision of what it means to be human and a hopeful future based on conscious evolution and deep interconnection&mdash;just at the moment in our history when we most need it.&rdquo;<BR> <b>&mdash;Lynne McTaggart, international bestselling author of <i>The Field</i></b><BR> <BR> &ldquo;<i>Beyond Darwin</i> is a bold and deeply integrative work. By weaving epigenetics, quantum physics, and fractal geometry into evolutionary theory, Dr. Lipton challenges the reigning narrative of survival of the fittest through a new, science-based theory of cooperation that shines a powerful light on the power of our humanity.&rdquo;<BR> <b>&mdash;Lauren Monroe, healing artist, creator of Mind Body Drum, and cofounder of the Raven Drum Foundation</b><BR> <BR> &ldquo;At a time when many feel society is unraveling,<i> Beyond Darwin</i> offers a solution backed by science. Dr. Lipton&rsquo;s exploration of consciousness as a shaping force in reality is both provocative, meaningful, and deeply rooted in research. This book is arriving just when mankind needs it the most.&rdquo;<BR> <b>&mdash;Rick Allen, drummer for Def Leppard and cofounder of the Raven Drum Foundation</b><BR> <BR> &ldquo;Dr. Bruce Lipton marshals decades of pioneering research to challenge the Darwinian dogma of random mutation and blind chance, replacing it with an empowering story of conscious evolution and human purpose. If you&rsquo;re ready to trade &lsquo;accidental existence&rsquo; for something far more extraordinary, this is the book that will change how you see yourself and the world.&rdquo;<BR> <b>&mdash;Dean Radin, PhD, chief scientist at the Institute of Noetic Sciences and author of <i>The Science of Magic</i></b>&nbsp;<BR> <BR> &ldquo;Integrating insights from systems science, cell biology, and quantum physics, Bruce Lipton masterfully weaves empirical data to open our minds beyond materialistic determinism, toward a more empowered future. Through sharing his own healing journey, Lipton brings authenticity and humanity to the science&mdash;reminding us that conscious participation lies at the heart of both personal and planetary healing.&rdquo;<BR> <b>&mdash;Dr. Shamini Jain, author of <i>Healing Ourselves</i></b><BR> <BR> &ldquo;At a time when many feel society is unraveling, <i>Beyond Darwin</i> offers a solution backed by science. Dr. Lipton&rsquo;s exploration of consciousness as a shaping force in reality is both provocative, meaningful, and deeply rooted in research. If you&rsquo;ve ever wondered what truly shapes our world, this book is your invitation to explore.&rdquo;<BR> <b>&mdash;Michael Bernard Beckwith, founder and CEO of Agape International Spiritual Center</b>]]></Text>
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      <Text><![CDATA[<B>Hope is not in short supply; it is everywhere. Venture-philanthropy leader Jim Bildner shows what it takes to move beyond despair and into action.</B><BR><BR>In a world full of seemingly endless challenges, one human characteristic separates those who only see the world&rsquo;s flaws from those who see its potential for change&#8212;and that characteristic is hope.<BR> <BR> Drawing on two decades at Draper Richards Kaplan (DRK), one of the largest global venture-philanthropy foundations, and on the hard-won clarity that comes from profound personal loss, venture-philanthropy leader Jim Bildner provides a playbook on what it takes to turn hope into action, sharing inspiring stories of hope transforming lives and the ripple effect it can have on whole communities.<BR> <BR> Grounded in real cases from hundreds of social enterprises reaching millions, Bildner weaves the psychology of optimism with intimate stories of individuals finding strength through vulnerability and lessons from social entrepreneurs changing the world.<BR> <BR> <i>A Matter of Hope</i> offers a blueprint for anyone determined to make a dent in our toughest problems&#8212;poverty, food insecurity, access to health and mental health care, education, climate adaptation, justice, and more&#8212;by:<BR> <ul> <li>Understanding the nature of the problem you are trying to solve.</li> <li>Analyzing the ecosystem and existing infrastructure.</li> <li>Defining your end game early so you don&rsquo;t chase distractions.</li> <li>Developing your execution strategy: the right people, the right places, the right time.</li> <li>Knowing who needs to ultimately adopt your solution to embed or institutionalize it, and have a plan&#8212;and partners &#8212;to do that.</li> </ul> <BR><i>A Matter of Hope</i> is written for social entrepreneurs, funders, impact investors, nonprofit and philanthropic leaders and their boards, business leaders driving change, incubators and impact accelerators, faculty, and anyone who wants to make a difference in the world, in their community, and in their lives.<BR> <BR> Discover how one person&rsquo;s decision to act can make a difference in another person&rsquo;s life&#8212;and how that, scaled, can move systems.]]></Text>
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      <Text><![CDATA[<b><i>What would you do if you inherited a starship? </i>Embark on the adventure of a lifetime in this best-selling and fast-paced science fiction thrill ride, BACKYARD STARSHIP, Book 1.</b><BR><BR>Van Tudor spent his childhood on his grandfather's farm, listening to fantastic stories of spaceships and monsters, princesses and galactic knights, and empires. He thought they were all made up, only meant to entertain...until the day he inherited the family farm and discovered the real truth: that the old man really was a legendary starship pilot and every adventure really did happen.<BR> <BR> Now, hidden beneath the old barn, Van&rsquo;s legacy awaits, as he discovers his true inheritance: a starship not of this world. With the help of an android bird named Perry, who doubles a combat AI, Van takes his first steps into the wider galaxy and sets out for the stars in search of answers. He soon finds that space is far busier and more dangerous than he could have ever imagined.<BR> <BR> Destiny is calling. His grandfather's legacy awaits.<BR> <BR> <b>If you're a fan of found spaceships and galactic quests for glory, this Dragon Award Nominated novel from <i>USA Today </i>Bestselling Author J.N. Chaney and Terry Maggert might just be the story you've been waiting for.</b><BR> <BR> <b>For Fans of: </b>The Expanse, The Long Way to a Small, Angry Planet, <i>The Murderbot Diaries </i>(Martha Wells), Firefly, <i>The Hitchhiker's Guide to the Galaxy,</i> <i>Old Man's War</i> (John Scalzi), <i>Expeditionary Force</i> (Craig Alanson), and Guardians of the Galaxy.<BR> <BR><u><B>PRAISE FOR BACKYARD STARSHIP</B></u><BR> <BR>"A throwback to classic adventure stories from the heyday of science fiction. You&rsquo;ll never want to leave.&rdquo;<b >&#8212; Nicholas Sansbury Smith, <I>New York Times </I>Bestselling author of <i>Hell Divers</i></b><BR> <BR>"A rollicking tale of action, galactic intrigue, and unrelenting, unadulterated fun.&rdquo;<b >&#8212; Jonathan P. Brazee, Nebula Award Nominated author of <i>Federation Marine</i></b><BR> <BR>"The kind of fun, adventurous, wildly entertaining romp you love to read again and again."<b >&#8212; Jeffery H. Haskell, author of <I>Against all Odds</I></b><BR> <BR>"From a quiet Iowa farm to the wild frontiers of the galaxy, <i >Backyard Starship</i> is packed with memorable characters, laugh-out-loud moments, and thrilling action."<b >&#8212; Rick Partlow, author of the Drop Trooper Series</b>]]></Text>
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      <Text><![CDATA[<b>It Starts When You Walk Through the Door...</b><BR><BR>You immediately realize that this is different, special, and without yet knowing why, you get the feeling this is going to be a night to remember. Then you look around Dan Tana's and you understand. This is not the hot new fusion cooking restaurant du jour everyone is talking about, the one that will close down within a year and never be mentioned again. No, this is a timeless restaurant, a perfect combination of Old Hollywood and new Hollywood...a seven-night-a-week social scene full of stories and secrets.<BR> <BR> Built in 1929, and sandwiched between Beverly Hills and the residential Norma Triangle, the location was not a traditional restaurant location in any sense of the word, as it was basically a bungalow housing fast food joint with names that changed over the years but whose fare stayed the same: Black Lucky Spot Caf&#233;, Domenico's Lucky Spot, Dominik's Hamburger Stand. The primary clientele for this diner location were streetcar maintenance workers, on break from the Santa Monica line.<BR> <BR> But by 1964, change was coming to Los Angeles. Freeways were replacing street cars, the backlot of 20th Century Fox had been sold, and in its place Century City was rising, smog was everywhere, and every year hundreds of thousands of people were moving to LA. Still, the little house on Santa Monica Boulevard looked out over empty lots and vast undeveloped space, forever stuck in time&#8212;or so it seemed.<BR> <BR> Dan brought the location for $30,000 soon after opening the restaurant. It was a leap of faith by both Tana and the seller, given their agreement: a three-year payment schedule of $10,000 a year. In the very beginning it wasn't a roaring success. The challenge was intense competition in the LA dining scene. There were old favorites such as Musso & Franks, Villa Capri, La Scala, The Formosa Cafe, and Chasen's, plus a new restaurant, Matteo's, started by Dan's fellow La Scala staff compadre, Matty "Matteo" Jordan.<BR> <BR> For the first two years, the restaurant averaged only twenty-five dinners a night. At one low point, Joe DiMaggio stopped by to eat, and Dan Tana offered him 50% ownership for $15,000. No dice. So Tana did something The Yankee Clipper rarely did&#8212;he struck out. But Tana's tenacity and mission eventually succeeded in making Dan Tana's a legendary Hollywood mainstay that thrives to this day.]]></Text>
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      <Text><![CDATA[<b>Out of print for years&#8212;now retitled and expanded&#8212;this new edition of Gifford's celebrated handbook unlocks the secrets of noir movies and their relevance today.</b><BR><BR>For a tour of noir cinema, <I>No Daylight in That Face</I> is the perfect companion, and Barry Gifford is an ideal guide. His choice selection of films exposes the menacing, moody, and oftentimes violent underbelly of this dark movie genre that occupies a favorite niche in American popular culture.<BR> Some are classics, some are little known and seldom seen, but all, once viewed, are deeply remembered by aficionados of noir. Gifford's roll call of unforgettables includes these, and more: <I>The Asphalt Jungle, Body and Soul, Body Heat, Charley Varrick, Chinatown, The Devil Thumbs a Ride, D.O.A., Double Indemnity, High Sierra, Key Largo, Kiss of Death, Mean Streets, Mildred Pierce, Mr. Majestyk, Out of the Past, The Strange Love of Martha Ivers, Strangers on a Train, White Heat,</I> along with several noir classics from Europe: <I>Repulsion, The Hidden Room, Shoot the Piano Player, The 400 Blows, Odd Man Out.</I><BR> <BR>Gifford identifies the directors and names the many noir stars, the greats and not-so-greats who were cast in the indelible roles of hoods, B-girls, psychopaths, grifters, gumshoes, waifs, tarts, femme fatales, mobsters, molls, and ex-cons.<BR> <BR>In an introduction, novelists Edward Gorman and Dow Mossman collaboratively applaud Gifford's selections and his insights: &ldquo;The movies discussed here range from the lowest of the B's to the biggest of the A's, and this book is going to make you want to run out and locate every one of them (and good luck to you; finding <I>The Devil Thumbs a Ride</I> could take you a lifetime). Through Barry Gifford's eyes, we begin to see their similarities and their value. What Andrew Sarris did for the mainstream film in The American Cinema, Barry does here for the crime film.&rdquo;<BR><BR> With a connoisseur's insight and an offbeat sensitivity perfectly tailored to his subjects, Gifford's brief essays cover a hundred of the noir buff's favorites. His highly polished impressions take the reader through five decades of noir to find both the heart and the art of the plotline.]]></Text>
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      <TextAuthor>&lt;B&gt;Glenn Kenny, &lt;I&gt;New York Times &lt;/I&gt;critic and author of &lt;I&gt;Made Men: The Story of Goodfellas&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <BiographicalNote><![CDATA[<b >PATRICK S. NOONAN</b>&nbsp;is an award-winning professor, writer and business advisor. Dr. Noonan is Professor Emeritus at Emory University, where he taught decision analysis, business analytics, and problem-solving for over 25 years. He is a former faculty member of the Harvard Business School, where he earned his PhD in Decision Sciences. He also holds an MBA and a BS in Engineering &amp; Applied Science from Yale. A former McKinsey consultant, Dr. Noonan has also advised such organizations as Microsoft, Dow Chemical, the CDC, and Bristol-Myers Squibb. His classroom work earned him Emory&rsquo;s Distinguished Educator award 13 times, and his career contributions were recognized with INFORMS&rsquo; Annual Prize for Teaching the Practice of Analytics.]]></BiographicalNote>
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      <Text><![CDATA[<B>Are you solving problems&#8212;or smashing watermelons?</B><BR><BR>In a world where vague marching orders like &#8220;Figure it out!&#8221; are the norm, too many teams rush into action without truly understanding the problem. The result? They smash the watermelon with sloppy, haphazard problem-solving that leaves organizations wondering why their efforts fell flat.<BR> <BR> In <i>Don&#8217;t Smash the Watermelon!</i>, seasoned educators and consultants Patrick S. Noonan, PhD, and Lynne G. Segall draw on decades of experience teaching structured problem-solving to MBA students, executives, and professionals around the globe. This groundbreaking guide transforms the chaos of &#8220;smash-and-grab&#8221; approaches into a deliberate, actionable process that empowers individuals and teams to tackle even the most complex challenges.<BR> <BR> Through field-tested frameworks, practical templates, and real-world examples, this book provides an end-to-end solution for effective problem-solving and communication. Whether you&#8217;re a newly minted graduate, an experienced manager, or a senior executive, you&#8217;ll learn how to:<BR> <ul> <li>Define the problem clearly and accurately, avoiding common pitfalls.</li> <li>Break down issues into actionable components using proven frameworks.</li> <li>Develop strategies that guide research, analysis, and collaboration.</li> <li>Communicate effectively at every step, from shaping arguments to delivering presentations.</li> <li>Engage stakeholders and lead teams to lasting impact.</li> </ul> <BR><BR> Packed with vivid illustrations, annotated examples, and expert tips, <i>Don&#8217;t Smash the Watermelon!</i> demystifies the methods used by top consulting firms like McKinsey and Accenture, making them accessible to professionals at all levels. The book goes beyond what to do, showing you how to think critically, adapt to changing circumstances, and build solutions that drive meaningful results.<BR> <BR> Whether you're preparing for case competitions, managing complex projects, or leading organizational change, this book will be your trusted companion, equipping you with the skills to thrive in any industry or environment. Stop smashing watermelons and start carving solutions that matter.]]></Text>
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      <Text><![CDATA[<b >PATRICK S. NOONAN</b>&nbsp;is an award-winning professor, writer and business advisor. Dr. Noonan is Professor Emeritus at Emory University, where he taught decision analysis, business analytics, and problem-solving for over 25 years. He is a former faculty member of the Harvard Business School, where he earned his PhD in Decision Sciences. He also holds an MBA and a BS in Engineering &amp; Applied Science from Yale. A former McKinsey consultant, Dr. Noonan has also advised such organizations as Microsoft, Dow Chemical, the CDC, and Bristol-Myers Squibb. His classroom work earned him Emory&rsquo;s Distinguished Educator award 13 times, and his career contributions were recognized with INFORMS&rsquo; Annual Prize for Teaching the Practice of Analytics.<BR><BR><b >LYNNE G. SEGALL</b>&nbsp;is a global expert in building the capabilities of individuals, teams and organizations in the art of problem-solving and communication. As an Associate Dean and Associate Professor in the Practice of Organization &amp; Management at&nbsp;Emory University&rsquo;s Goizueta Business School,&nbsp;Prof. Segall&nbsp;leads Goizueta IMPACT, its&nbsp;flagship, project-based experiential-learning curriculum, in which&nbsp;MBA teams tackle real-world problems and deliver practical solutions to sponsoring organizations.&nbsp;Prof. Segall also&nbsp;develops and teaches programs&nbsp;on structured problem-solving, coaching&nbsp;teams, and communication&nbsp;to executives at&nbsp;such&nbsp;organizations as Crumbl Cookies, U.S. Army Rangers, and Warner Brothers Discovery.&nbsp;Previously, at Accenture,&nbsp;she&nbsp;served clients, designed professional development programs for 16,000 consultants worldwide, and developed talent and organization consulting services. Prof. Segall holds an MBA from Emory (as a Woodruff Scholar) and a BS in Communication Studies from Northwestern University.]]></Text>
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      <Text><![CDATA[&ldquo;Driving complex change and solving for big issues in a business needs to be deliberate and intentional. This book provides a helpful roadmap to bring that intentionality to life and deliver outcomes rather than chaos.&rdquo; <B>&mdash;MARK FOSTER, Former Chairman of IBM Consulting, Former Group Chief Executive at Accenture</B><BR> <BR>&ldquo;In a future where machines will increasingly handle the known, human advantage shifts to framing the unknown. That&rsquo;s what makes <I>Don&rsquo;t Smash the Watermelon!</I> feel so timely. It&rsquo;s a full-on field guide to disciplined curiosity: how to lead with need, ask the right questions, distill collective thinking, and wrangle complexity into confident action.&rdquo; <B>&mdash;MIKE BECHTEL, Founder &amp; Futurist - Onward, Former Chief Futurist &ndash; Deloitte, Adjunct Professor of Corporate Innovation - University of Notre Dame</B><BR> <BR>&ldquo;A masterful, indispensable guide that transforms the messy art of problem-solving into a disciplined craft&mdash;practical, wise, and immediately actionable for any leader facing complexity. The book is cool and fun &mdash;a powerful update to Minto&rsquo;s <I>Pyramid Principle</I>&nbsp;and Ackoff&rsquo;s <I>Art of Problem Solving</I>.&nbsp;Every MBA should work through the book&rsquo;s content (as should every future consultant).&rdquo; <B>&mdash;TOM EISENMANN, Howard H. Stevenson Professor of Business Administration at Harvard Business School, Peter O. Crisp Faculty Chair at the Harvard Innovation Labs, Faculty Co-chair of HBS Rock Center for Entrepreneurship, and Author of <I>Why Startups Fail</I></B> <BR> <BR>&ldquo;Most teams don&rsquo;t solve problems&mdash;they react to them. This book nails the deeper issue: We&rsquo;re often solving the wrong problem in the first place. It replaces that instinct with a disciplined way to define the right problem before racing toward answers. It&rsquo;s practical, sharp, and refreshingly honest about why so much &lsquo;work&rsquo; leads nowhere. If you want your thinking to actually drive decisions&mdash;not just slides&mdash;read this.&rdquo; <B>&mdash;SHUBBER ALI, CEO, Omnic.ai</B><BR> <BR>&ldquo;As someone who designs and runs project- based learning at scale, I&rsquo;ve encountered a crowded field of problem-solving frameworks &mdash; most promise transformation and deliver taxonomy. <I>Don&rsquo;t Smash the Watermelon!</I> is the exception. It&rsquo;s a practitioner&rsquo;s handbook and a pedagogical argument in one. Noonan and Segall have spent decades watching teams collapse under the weight of ambiguity, and from that insight they&rsquo;ve built a portable, principled methodology for doing better. This is the rare book that will change how you teach, not just what you teach.&rdquo; <B>&mdash;MICHELLANA JESTER, Senior Lecturer of Global Economics and Management, MIT Sloan School of Management</B><BR> <BR>&ldquo;This book provides a step-by-step guide to unlocking your team&rsquo;s potential and solving complex business challenges&mdash;without costly consulting fees.&rdquo; <B>&mdash;GRACIELA CHADWICK, COO Seventh Wave Refreshments, and Former COO Crumbl Cookies</B><BR> <BR>&ldquo;Too many teams &lsquo;smash the watermelon&rsquo; &mdash;rush into complex problems without the structure needed to produce real insight and value. This book offers a rich collection of practical tools and hard-won insights for problem solvers at every level. Even experienced decision professionals will find much here to adapt and apply, strengthening both their own work and the value they deliver to clients.&rdquo; <B>&mdash;CARL SPETZLER, Chairman, Strategic Decisions Group</B><BR> <BR>&ldquo;AI can capably crunch the messy middle of a vague, unstructured problem. It still can&rsquo;t frame the question or sell the answer which is where most teams fail. Noonan and Segall offer a rigorous, seven-step guide that addresses exactly those two moments: from messy first-mile problem definition to last-mile deployment. The examples are real, the tools are practical, and the timing is perfect. <I>Don&rsquo;t Smash the Watermelon! </I>is the structured problem-solving book this moment deserves.&rdquo; <B>&mdash;SHANNON MCKEEN, Professor of Practice and Executive Director of Experiential Learning and Innovation at Wake Forest University School of Business, Co-Chair of the Wake Forest Experiential Learning Initiative, Chairperson of LEPE, and Principal at Doprava Consulting, LLC</B><BR> <BR>&ldquo;For decades, the best consulting firms have been talent factories - not because of their brands or networks, but because they train people how to think and lead change. The structured problem-solving discipline core to those firms is the real competitive advantage, and until now, it&rsquo;s been locked inside their walls. Patrick S. Noonan and Lynne G. Segall have cracked it open. <I>Don&rsquo;t Smash the Watermelon!</I> gives every manager, analyst, and team leader access to the same rigorous craft that shapes the world&rsquo;s most effective problem solvers. Highly recommended!&rdquo; <B>&mdash;JASON WILD, Partner &amp; Chief Catalyst, Paradox Strategies and Co-author of <I>Genius At Scale</I></B><BR> <BR>&ldquo;<I>Don&rsquo;t Smash the Watermelon!</I> is a powerful antidote to the chaos that so often happens with organizational problem solving. The authors reveal why smart teams so often rush in, create a mess, and miss the real problem. Drawing on decades of consulting and teaching, Noonan and Segall translate the elusive craft of structured decision-making into practical tools that teams can use immediately. This is the rare book that will fundamentally change how people tackle their organization&rsquo;s toughest challenges. Embrace the watermelon; don&rsquo;t smash it.&rdquo; <B>&mdash;GRETCHEN SPREITZER, Keith E. and Valerie J. Alessi Professor of Business Administration, Ross School of Business at University of Michigan</B><BR> <BR>&ldquo;We live in a world where everything is urgent all of the time. In that world, we move recklessly. We act without thought. We &lsquo;smash the watermelon.&rsquo; Noonan and Segall deliver a masterclass in how to navigate urgency, complexity and ambiguity with intention, insight, and skill. If you are wrestling with complex challenges, <I>Don&rsquo;t Smash the Watermelon!</I> is your roadmap to the outcomes that you truly want.&rdquo; <B>&mdash;BRANDON SMITH, &ldquo;The Workplace Therapist,&rdquo; President, The Worksmiths LLC, and Author of <I>The Author vs Editor Dilemma</I> and <I>The Hot Sauce Principle</I></B><BR> <BR>&ldquo;This thought-provoking book is sorely needed! Much of the hype around AI has been about the jobs it might replace. In the analytics space, we talk about non-automatable skills that will survive, those being the critical skills of problem framing and influencing. In <I>Don&rsquo;t Smash the Watermelon!</I>, Noonan and Segall provide just what the doctor ordered for how to deal with messy problems, particularly around problem framing. Students in data science and analytics, professionals in this space, and really anyone who must manage something, will find their Structured Problem-Solving approach useful and immediately applicable.&rdquo; <B>&mdash;</B><B>JEFF CAMM, Inmar Presidential Chair in Analytics, School of Business at Wake Forest University and Co-author of <I>Business Analytics </I>and<I> Statistics For Business And Economics</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;Driving complex change and solving for big issues in a business needs to be deliberate and intentional. This book provides a helpful roadmap to bring that intentionality to life and deliver outcomes rather than chaos.&rdquo; <B>&mdash;MARK FOSTER, Former Chairman of IBM Consulting, Former Group Chief Executive at Accenture</B><BR> <BR>&ldquo;In a future where machines will increasingly handle the known, human advantage shifts to framing the unknown. That&rsquo;s what makes <I>Don&rsquo;t Smash the Watermelon!</I> feel so timely. It&rsquo;s a full-on field guide to disciplined curiosity: how to lead with need, ask the right questions, distill collective thinking, and wrangle complexity into confident action.&rdquo; <B>&mdash;MIKE BECHTEL, Founder &amp; Futurist - Onward, Former Chief Futurist &ndash; Deloitte, Adjunct Professor of Corporate Innovation - University of Notre Dame</B><BR> <BR>&ldquo;A masterful, indispensable guide that transforms the messy art of problem-solving into a disciplined craft&mdash;practical, wise, and immediately actionable for any leader facing complexity. The book is cool and fun &mdash;a powerful update to Minto&rsquo;s <I>Pyramid Principle</I>&nbsp;and Ackoff&rsquo;s <I>Art of Problem Solving</I>.&nbsp;Every MBA should work through the book&rsquo;s content (as should every future consultant).&rdquo; <B>&mdash;TOM EISENMANN, Howard H. Stevenson Professor of Business Administration at Harvard Business School, Peter O. Crisp Faculty Chair at the Harvard Innovation Labs, Faculty Co-chair of HBS Rock Center for Entrepreneurship, and Author of <I>Why Startups Fail</I></B> <BR> <BR>&ldquo;Most teams don&rsquo;t solve problems&mdash;they react to them. This book nails the deeper issue: We&rsquo;re often solving the wrong problem in the first place. It replaces that instinct with a disciplined way to define the right problem before racing toward answers. It&rsquo;s practical, sharp, and refreshingly honest about why so much &lsquo;work&rsquo; leads nowhere. If you want your thinking to actually drive decisions&mdash;not just slides&mdash;read this.&rdquo; <B>&mdash;SHUBBER ALI, CEO, Omnic.ai</B><BR> <BR>&ldquo;As someone who designs and runs project- based learning at scale, I&rsquo;ve encountered a crowded field of problem-solving frameworks &mdash; most promise transformation and deliver taxonomy. <I>Don&rsquo;t Smash the Watermelon!</I> is the exception. It&rsquo;s a practitioner&rsquo;s handbook and a pedagogical argument in one. Noonan and Segall have spent decades watching teams collapse under the weight of ambiguity, and from that insight they&rsquo;ve built a portable, principled methodology for doing better. This is the rare book that will change how you teach, not just what you teach.&rdquo; <B>&mdash;MICHELLANA JESTER, Senior Lecturer of Global Economics and Management, MIT Sloan School of Management</B><BR> <BR>&ldquo;This book provides a step-by-step guide to unlocking your team&rsquo;s potential and solving complex business challenges&mdash;without costly consulting fees.&rdquo; <B>&mdash;GRACIELA CHADWICK, COO Seventh Wave Refreshments, and Former COO Crumbl Cookies</B><BR> <BR>&ldquo;Too many teams &lsquo;smash the watermelon&rsquo; &mdash;rush into complex problems without the structure needed to produce real insight and value. This book offers a rich collection of practical tools and hard-won insights for problem solvers at every level. Even experienced decision professionals will find much here to adapt and apply, strengthening both their own work and the value they deliver to clients.&rdquo; <B>&mdash;CARL SPETZLER, Chairman, Strategic Decisions Group</B><BR> <BR>&ldquo;AI can capably crunch the messy middle of a vague, unstructured problem. It still can&rsquo;t frame the question or sell the answer which is where most teams fail. Noonan and Segall offer a rigorous, seven-step guide that addresses exactly those two moments: from messy first-mile problem definition to last-mile deployment. The examples are real, the tools are practical, and the timing is perfect. <I>Don&rsquo;t Smash the Watermelon! </I>is the structured problem-solving book this moment deserves.&rdquo; <B>&mdash;SHANNON MCKEEN, Professor of Practice and Executive Director of Experiential Learning and Innovation at Wake Forest University School of Business, Co-Chair of the Wake Forest Experiential Learning Initiative, Chairperson of LEPE, and Principal at Doprava Consulting, LLC</B><BR> <BR>&ldquo;For decades, the best consulting firms have been talent factories - not because of their brands or networks, but because they train people how to think and lead change. The structured problem-solving discipline core to those firms is the real competitive advantage, and until now, it&rsquo;s been locked inside their walls. Patrick S. Noonan and Lynne G. Segall have cracked it open. <I>Don&rsquo;t Smash the Watermelon!</I> gives every manager, analyst, and team leader access to the same rigorous craft that shapes the world&rsquo;s most effective problem solvers. Highly recommended!&rdquo; <B>&mdash;JASON WILD, Partner &amp; Chief Catalyst, Paradox Strategies and Co-author of <I>Genius At Scale</I></B><BR> <BR>&ldquo;<I>Don&rsquo;t Smash the Watermelon!</I> is a powerful antidote to the chaos that so often happens with organizational problem solving. The authors reveal why smart teams so often rush in, create a mess, and miss the real problem. Drawing on decades of consulting and teaching, Noonan and Segall translate the elusive craft of structured decision-making into practical tools that teams can use immediately. This is the rare book that will fundamentally change how people tackle their organization&rsquo;s toughest challenges. Embrace the watermelon; don&rsquo;t smash it.&rdquo; <B>&mdash;GRETCHEN SPREITZER, Keith E. and Valerie J. Alessi Professor of Business Administration, Ross School of Business at University of Michigan</B><BR> <BR>&ldquo;We live in a world where everything is urgent all of the time. In that world, we move recklessly. We act without thought. We &lsquo;smash the watermelon.&rsquo; Noonan and Segall deliver a masterclass in how to navigate urgency, complexity and ambiguity with intention, insight, and skill. If you are wrestling with complex challenges, <I>Don&rsquo;t Smash the Watermelon!</I> is your roadmap to the outcomes that you truly want.&rdquo; <B>&mdash;BRANDON SMITH, &ldquo;The Workplace Therapist,&rdquo; President, The Worksmiths LLC, and Author of <I>The Author vs Editor Dilemma</I> and <I>The Hot Sauce Principle</I></B><BR> <BR>&ldquo;This thought-provoking book is sorely needed! Much of the hype around AI has been about the jobs it might replace. In the analytics space, we talk about non-automatable skills that will survive, those being the critical skills of problem framing and influencing. In <I>Don&rsquo;t Smash the Watermelon!</I>, Noonan and Segall provide just what the doctor ordered for how to deal with messy problems, particularly around problem framing. Students in data science and analytics, professionals in this space, and really anyone who must manage something, will find their Structured Problem-Solving approach useful and immediately applicable.&rdquo; <B>&mdash;</B><B>JEFF CAMM, Inmar Presidential Chair in Analytics, School of Business at Wake Forest University and Co-author of <I>Business Analytics </I>and<I> Statistics For Business And Economics</I></B>]]></Text>
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      <SubjectHeadingText>spelling bee; San Francisco; 1980s; dementia; memory; funny; Alzheimers; humorous; intergenerational; grandma; friendship; social justice; diverse; bullying; disability; empathy; historical; city; urban; summer vacation break; strong female character; basketball; empowering; connection; coming together; siblings; family; community; insecurity; self-confidence; loneliness; dreams; memory; toxic masculinity; being true to yourself; persistence; support; middle grade book for 8 9 10 11 12 year olds grade 3 4 5 6 7 kids; chapter book; reluctant reader; fun summer read; we need diverse books; Jamie Sumner; Meg Medina; Coyote Sunrise; Parker Inheritance; Al Capone Does My Shirts by Gennifer Choldenko; Merci Suarez Changes Gears; From the Desk of Zoe Washington by Janae Marks; Memory Keeper by Jennifer Camiccia; You Go First by Erin Entrada Kelly;</SubjectHeadingText>
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      <Text><![CDATA[<B><b >A rising seventh grader visits his grandmother in 1980s San Francisco for a whirlwind summer of spelling bee training, only to begin suspecting she has Alzheimer&rsquo;s, in this witty and compassionate middle grade novel for fans of <i >Al Capone Does My Shirts</i>.</b></B><BR><BR>Ben Bellini didn&rsquo;t mean to become a champion speller&#8212;after all, he&rsquo;s <i >not </i>a nerd<i >&#8212;</i>but he sure does like spelling bee glory now that it&rsquo;s found him. He might even be good enough for the Scripps National Spelling Bee in Washington, DC! And what better way to prepare than to train with a professional spelling coach in San Francisco, where his nan lives?<BR> <BR>Through his adventures, Ben gets to know the city&#8212;and competitor Asha Krishnakumar, who&rsquo;s equally determined to spell her way to victory. But Ben also starts having odd interactions with his nan that leave him feeling like he&rsquo;s missing something. Where is Nan&rsquo;s forgetfulness coming from? And will anyone even believe him if he tries to get help?<BR> <BR>Between showing up for his loved ones and pursuing his own dreams, Ben will need to spend this summer figuring out what he owes others&hellip;and what he owes himself.]]></Text>
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      <Text><![CDATA[Margaret Finnegan is the author of the&nbsp;Junior Library Guild Selections<I>&nbsp;Sunny Parker Is Here to Stay</I>,<I> New Kids and Underdogs</I>,&nbsp;<I>Susie B. Won&rsquo;t Back Down</I>, and <I>We Could Be Heroes</I>,&nbsp;which was a <I>USA TODAY</I> bestseller.&nbsp;Her other work has appeared in&nbsp;<I>FamilyFun</I>, the&nbsp;<I>Los Angeles Times</I>,&nbsp;<I>Salon</I>, and other publications. She lives in South Pasadena, California, where she enjoys spending time with her family, walking her dog, and baking really good chocolate cakes. Visit her online at MargaretFinnegan.com.]]></Text>
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      <Text><![CDATA[1. Clodpoll C-L-O-D-P-O-L-L <BR>Clodpoll: noun. A foolish person.<BR> <BR>Picture it: 1985. There I am: Ben Bellini. Sixth grade, but probably looking closer to fifth. (Why? Because my parents threw me into kindergarten when I was four and a half years old, and I was a shrimp to boot.) I&#8217;m standing on a middle school stage somewhere in Southern California&#8217;s San Fernando Valley. My dark, shaggy hair tickles my neck. A collared shirt and black pants hang off my puny frame. There&#8217;s a microphone in front of me&#8212;and behind me, about sixty of those uncomfortable folding chairs found in school auditoriums. When this day began, there was a kid seated in each one. Now most of those chairs are empty.<BR> <BR>A voice from the audience says, &#8220;The word is <i>clodpoll</i>.&#8221;<BR> <BR>I lean forward, my mouth almost touching the microphone. The auditorium lights have been making me squint all day, but I can still see the pronouncer, and the way she bites her lower lip every time a speller pauses a beat too long. Like I&#8217;ve just done.<BR> <BR>I swallow. &#8220;Can you use it in a sentence?&#8221;<BR> <BR>The pronouncer looks down at her card. She reads, &#8220;The clodpoll wore shorts in a snowstorm.&#8221;<BR> <BR>My heart is beating faster now. I catch my mother&#8217;s eye. She&#8217;s sitting toward the middle of the auditorium with my father. She&#8217;s smiling, nodding. Waiting.<BR> <BR>Behind me, I can hear the fidgety rustles of the remaining spellers. They can already sense what&#8217;s going to happen. I can sense it too, and my stomach twists with dread.<BR> <BR>I take a deep breath. &#8220;Clodpoll. C-L-A-U-D-E-P-O-L-E.&#8221;<BR> <BR>The pronouncer&#8217;s shoulders slump. A bell rings. And I walk off the stage to take my place with the other losers of the Southern California Regional Spelling Bee.<BR> <BR>Even now, all these years later, I remember it perfectly. It&#8217;s like that memory has its own room in my brain.<BR> <BR>The minute I was off the stage, I was desperate to go home and lick my wounds in peace. But when I gave my parents a pleading look, their faces stiffened, and their eyes told me that I was going to toughen up and be a good sport even if it killed me.<BR> <BR>So that&#8217;s what I did. I sat there, lips pulled tight, no emotions showing, as speller after speller went down. They were felled by words like <i>phenomenon, bursitis</i>, and <i>accommodate</i>, and when they walked off the stage with heavy feet, they collapsed into the chairs around me.<BR> <BR>Finally, only two spellers remained: a curly-haired boy in a three-piece suit and a girl with a heart-shaped mouth, who swayed back and forth every time she said a letter.<BR> <BR>&#8220;The word,&#8221; said the pronouncer, &#8220;is <i>liaison</i>.&#8221;<BR> <BR>The boy was up first. He said, &#8220;May I have a definition?&#8221;<BR> <BR>&#8220;Noun. A person tasked with establishing and maintaining communication and cooperation between groups of people.&#8221;<BR> <BR>&#8220;Can you use it in a sentence?&#8221; he asked.<BR> <BR>&#8220;The air force liaison made sure that the army and navy generals had the proper information.&#8221;<BR> <BR>&#8220;Language of origin?&#8221; That was not a question I had ever asked, but my competitors had been asking it all day long. I couldn&#8217;t figure out why. How could it help with anything if you didn&#8217;t know the other language?<BR> <BR>&#8220;French.&#8221;<BR> <BR>The boy licked his lips. He scrunched up his nose as if the word had a bad smell to it, pausing just long enough for us to know that he didn&#8217;t have a clue.<BR> <BR>His cleared his voice and said, &#8220;Liaison. L-A-I-S-O-N.&#8221;<BR> <BR>Down fell the pronouncer&#8217;s shoulders. Her voice pained, she said, &#8220;That is incorrect.&#8221; She turned to the girl, told her it was her turn. &#8220;The word is <i>milieu</i>.&#8221;<BR> <BR>The girl took a deep breath.<BR> <BR>(We all took a deep breath.)<BR> <BR>She swallowed. Then, her voice clear and strong, she answered, &#8220;Milieu. M-I-L-I-E-U.&#8221;<BR> <BR>We knew. We knew from the smile on the girl&#8217;s face and the straight line of the pronouncer&#8217;s shoulders: she&#8217;d beaten us all. She&#8217;d just won the regional bee and advanced to the queen bee of all bees: the Scripps National Spelling Bee in Washington, DC.<BR> <BR>Eleven people finished ahead of me that day. My parents made me shake hands and congratulate every one of them, but that girl? The girl who won? Congratulating her was the hardest of all. She seemed so truly, one hundred percent authentically happy that it was like staring at the sun.<BR> <BR>I couldn&#8217;t do it. I could only blink and look away.<BR> <BR>On the drive home, I didn&#8217;t say a word.<BR> <BR>&#8220;You should be proud of yourself,&#8221; said Mom, in her cajoling way. &#8220;You did great. Twelfth place is amazing! Who cares if you didn&#8217;t win? Winning doesn&#8217;t matter. You did your best. That&#8217;s what counts.&#8221; From her place in the front passenger seat, she gave Dad&#8217;s arm a whack. &#8220;Tell Ben how proud we are of him.&#8221;<BR> <BR>&#8220;Of course we&#8217;re proud of you,&#8221; said Dad, his head moving left and right as he looked for signs to the freeway. Then he shrugged. &#8220;And besides, it&#8217;s not like winning was a big dream of yours. Right?&#8221;<BR> <BR>I slumped lower in my seat. He was kind of right; I hadn&#8217;t gone looking for spelling glory. I&#8217;d won my class bee without even knowing there was going to <i>be</i> a class bee. But as I went on to win my school bee, and then my district bee, I was shocked to discover that I loved competitive spelling. I loved the anticipation of waiting for my turn. I loved the jolt of energy that struck me when I stood in front of the microphone, staring down the pronouncer. Most of all, I loved the trance of pure focus that came over me as I visualized each word in all its possibilities. It was so different from the flustered, tongue-tied feeling I usually got when time was short, the stakes were high, and I was trying to find just the right thing to say.<BR> <BR>And, let&#8217;s be honest&#8212;winning feels good.<BR> <BR>Maybe that&#8217;s why losing that regional bee sliced right through my heart. I know that sounds dramatic, but I really thought I&#8217;d win. The other bees had been so easy, so effortless! It had never occurred to me that they wouldn&#8217;t stay that way.<BR> <BR>&#8220;Come on, Ben,&#8221; coaxed my mom. &#8220;Say something&#8212;anything.&#8221;<BR> <BR>But I couldn&#8217;t. I would have cried&#8212;and listen, my mom always insisted that it was okay to cry, but she didn&#8217;t go to my middle school. She did not understand that crying&#8212;<i>especially</i> a <i>boy</i> crying&#8212;was like blowing a dog whistle in a world full of wolves.<BR> <BR>Actually, I did say something in the car&#8212;I remember now. Quietly, just loud enough to be heard, I asked if we could get hamburgers. I said it really pitifully, too, trying to weasel one good thing out of a rotten day. But not even my sad attempt was enough to milk fried and salty sympathy out of my parents.<BR> <BR>&#8220;Oh, you know fast food is bad for you,&#8221; said Mom, throwing me a homemade granola bar (that she had probably sweetened with pureed prunes).<BR> <BR>&#8220;You think money grows on trees?&#8221; said my dad. &#8220;You know better than that.&#8221;<BR> <BR>&#8220;I&#8217;ll tell you what,&#8221; said Mom. &#8220;I&#8217;ll make those cheesy potato skins you like for dinner. They&#8217;re not super healthy, but you&#8217;ve earned it. How&#8217;s that sound?&#8221;<BR> <BR>It did not sound as good as advancing to the National Spelling Bee. (Or consolation hamburgers.) But those potato skins <i>were</i> deliciously cheesy, so I grunted approval anyway.<BR> <BR>When we got home, all I wanted to do was pancake flat on my bed and bury my face in my pillow. But before I reached my room, my sister poked her head out of her door. I wasn&#8217;t looking at her, but I could feel her frown, and I remembered the day I&#8217;d won that first bee at our school. &#8220;You think you&#8217;re so great,&#8221; she&#8217;d said. &#8220;It&#8217;s just <i>spelling</i>, Ben. Nobody cares.&#8221;<BR> <BR>Mom usually avoided our sibling drama, but after my loss she wasn&#8217;t taking any chances. Before Erin could even open her mouth, she said, &#8220;Give your brother space.&#8221; Then, giving my shoulder a consoling pat, she added, &#8220;The day didn&#8217;t go the way he&#8217;d hoped.&#8221;<BR> <BR>And here&#8217;s how Erin replied: &#8220;What did he expect? He never even studied.&#8221;<BR> <BR>That was it. No &#8220;Too bad.&#8221; No &#8220;What a shame.&#8221; Just &#8220;What did he expect? He never even studied.&#8221;<BR> <BR>Always five seconds from the clever&#8212;or even sensible&#8212;thing to say, I sputtered like a baby. &#8220;Only a nerd would study for a spelling bee.&#8221;<BR> <BR>Snorting, Erin said, &#8220;How many times do I have to tell you? You <i>are</i> a nerd.&#8221; Which may not sound bad&#8212;but trust me, it sure wasn&#8217;t a compliment in 1985.<BR> <BR>With a voice rumbling like distant thunder, Mom said, &#8220;Erin&#8230;&#8221;<BR> <BR>&#8220;What?&#8221; Erin asked, pretend-innocent. &#8220;Am I wrong? The more you practice at something, the better you get. That&#8217;s what my softball coach says. Did you ever see Ben practice? I never saw him practice.&#8221;<BR> <BR>&#8220;Yeah&#8230; well&#8230;&#8221; I stomped into the room I shared with my nine-year-old brother. &#8220;Nobody practices for spelling bees.&#8221;<BR> <BR>Mark was sitting on the carpet. He was playing with a couple of Star Wars action figures. They&#8217;d once been mine, but Erin had told me months earlier that middle school boys who played with dolls, even <i>tiny plastic manly ones</i>, got themselves stuffed in lockers. For <i>sure</i>.<BR> <BR>When I closed the door behind me, Mark said, &#8220;So I guess you didn&#8217;t win.&#8221; No matter whether he was happy or sad, Mark always had a sort of Eeyore voice. It should have added a nice texture to my pity party, but impossibly, it did the opposite.<BR> <BR>I dropped onto my bed not a sad pancake, but a half-risen souffl&#233;, leavened by a sudden sense of acceptance. I hadn&#8217;t won. It was as simple as that, and feeling sorry for myself wouldn&#8217;t change anything. If I could accept <i>that</i>, I could accept something else: that, as annoying as it was, Erin was right. I should have studied. It wasn&#8217;t true that nobody studied for spelling bees; other kids did. At the regional bee, kids pulled out dictionaries and flipped through flash cards during every break and between every round. The girl who&#8217;d won? I&#8217;d overheard her saying that she was taking French lessons so she could master French words.<BR> <BR>I&#8217;d watched every competitor silently, in wonder. The fact was, I had never studied for anything, ever. Not a weekly spelling test. Not a math quiz. Even when seeing the kids who <i>had</i> studied for the regional bee, it never occurred to me that I might have done the same. I would not have known where to begin if it had.<BR> <BR>When Scott Rothenberg and I walked to school the next day, I never mentioned the regional bee. Actually, I hadn&#8217;t even told him it was happening&#8212;and he&#8217;d been my best friend since he moved next door when we were both four years old! I hadn&#8217;t mentioned the regional bee to anyone outside my family. At my school, you kept your academic enthusiasm to yourself. If you didn&#8217;t want to be swatted like a gnat, you knew better than to answer too many questions in class, or act eager about school projects, or recount the weekend you spent at a spelling bee.<BR> <BR>My friends weren&#8217;t jerks, though. They&#8217;d actually been excited when I defeated Dawn Reece in my first spelling bee, the class bee I hadn&#8217;t known about. (Any middle school boy who beat any middle school girl at anything was somehow heroic.) But soon enough, the whole thing stumped them.<BR> <BR>&#8220;You&#8217;re just sitting there <i>spelling</i>. How is that fun? Why don&#8217;t you lose on purpose so you can be done already?&#8221; Jeremy Chu asked me before the district bee. He and a few of my other friends had just discovered heavy metal. The topic had driven a bit of wedge between us&#8212;not because my friends cared that the music was a drill to my ears, but because I couldn&#8217;t keep up with their constant conversations about Metallica and Twisted Sister. With Jeremy&#8217;s suggestion that I lose a bee on purpose, I felt the wedge drive in further.<BR> <BR>To my relief, Scott answered, &#8220;Hey, Ben&#8217;s smart to keep winning,&#8221; and I thought, <i>Phew, I&#8217;ll always have my best friend Scott</i>. Then he added, &#8220;Spelling bees are a great way to meet <i>girls</i>. Haven&#8217;t you noticed how many girls compete in those things?&#8221; And, since I actually liked spelling and had never given the number of girls in the bee any thought, I thought, <i>Oh. I wonder if I</i> will <i>always have my best friend Scott?</i><BR> <BR>But on the day after the regional bee, I wasn&#8217;t thinking about that. I was only thinking about how lonely it feels when you lose a regional spelling bee and no one knows. But lo and behold, my homeroom teacher knew. She shone a wide smile at me. Then she happily declared to the class, &#8220;I want you all to know that Ben Bellini came in twelfth at the Southern California Regional Spelling Bee this weekend. Ben, we are all very proud of you.&#8221;<BR> <BR>Except for Scott patting my arm and saying &#8220;Good job,&#8221; no one batted an eye. Which only goes to show that, surprisingly, sometimes losing a regional spelling bee and people knowing about it feels even lonelier than when it&#8217;s a secret.<BR> <BR>The stony faces of my peers did not stop my teacher, who just kept talking. &#8220;What was your final word?&#8221; she asked me.<BR> <BR><i>&#8220;Clodpoll,&#8221;</i> I answered.<BR> <BR>Screwing up her face, she asked, &#8220;What&#8217;s a clodpoll?&#8221;<BR> <BR>I said, &#8220;A person who&#8217;d wear shorts in a snowstorm.&#8221;<BR> <BR>A few kids snickered, and from the back of the room a voice said, &#8220;Ha, ha. <i>Clodpoll</i>.&#8221;<BR> <BR>&#8220;Well,&#8221; said my teacher. &#8220;I certainly hope you&#8217;ll try again next year. You can compete all the way through age thirteen, you know. Not everyone is such a gifted speller.&#8221;<BR> <BR>More kids snickered. Then the same voice from the back of the room said sarcastically, <i>&#8220;Not everyone is such a gifted speller.&#8221;</i><BR> <BR>An electric pulse seemed to charge the air, and then the whole class busted into guffaws and snorts of laughter. Even I laughed&#8212;because if you&#8217;re not in on the joke, you <i>are</i> the joke.<BR> <BR>&#8220;Not everyone <i>is</i> such a gifted speller,&#8221; my teacher insisted, her voice squeaky, as if this were the point of no return, the point when her authority would be either confirmed or destroyed. &#8220;One day, you&#8217;ll see. It&#8217;s very cool what Ben did!&#8221;<BR> <BR>We went right on laughing. Because honestly, of all the <i>gifts</i> a kid could possess, who would choose <i>spelling</i>? Especially if <i>this</i> was the reaction it provoked?<BR> <BR>I shook my head. I was done with competitive spelling. I would not be <i>that</i> kid: the nerd, the doofus, the dweeb, the <i>gifted</i>&#8212;but not gifted enough&#8212;<i>speller</i>. I would be fine, instead, being a clodpoll.]]></Text>
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      <Text><![CDATA[<B><b >Mo travels to Hong Kong to shoot her movie and unexpectedly comes across another ancient book of martial arts secrets in this fast-paced, high-kicking sequel to <i >The Legendary Mo Seto</i>.</b></B><BR><BR>After rescuing her dad, along with martial arts film star Cody Kwok and the ancient <I>Book of Joy</I> from a big player in the notorious Five Claw crime organization, Mo is on to her next challenge: filming a movie with Cody! Mo and Dax are whisked away to Hong Kong to start work on <i>The Prot&#233;g&#233;s</i>. It&rsquo;s Mo&rsquo;s first overseas trip, and she is awestruck by the glitz and glamour of the international film experience.<BR> <BR>Soon after they arrive, they attend a party at Cody&rsquo;s house, where Mo and Dax meet Cody&rsquo;s younger sister, Fiona, who appears snobby and cold. Mo is shocked when Cody&rsquo;s father gives Cody a familiar-looking book: the <i>Book of Sorrow</i>, a piece in the trilogy of books that holds ancient techniques that have been passed down for generations. She is even more shocked when a thief steals it while the party is in full swing and not even her martial arts skills can stop them!<BR> <BR>With no leads on the identity of the mysterious thief, Mo recruits the help of a reluctant Fiona, dons her detective hat, and, in between filming, sets out on a mission to find her ancient ancestors&rsquo; <i>Book of Sorrow</i>. Can she find and protect the book and make her martial arts movie dreams come true?]]></Text>
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      <Text><![CDATA[A. Y. Chan grew up in Canada&rsquo;s Greater Toronto Area reading all the middle grade and young adult books she could get her hands on. To this day, those remain her favorite genres.&nbsp;After achieving her black belt in Taekwondo, she explored other martial arts, such as Wing Chun, Hapkido, and Muay Thai. These days, she continues her martial arts training some mornings, writes in the afternoons, takes long walks to muddle out plot points, and falls asleep reading.]]></Text>
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      <Text><![CDATA[Chapter 1: It&#8217;s Showtime! CHAPTER 1 IT&#8217;S SHOWTIME! <BR>This is not how I wanted to die.<BR> <BR>The apartment stairwell echoes with the thundering footsteps of assassins only two floors above. I chance a quick, panicked glance. Scratch that. One floor up.<BR> <BR>Not that I want to die.<BR> <BR>I put on a burst of speed, jumping the last few steps to the first-floor landing.<BR> <BR>I don&#8217;t. I really, really don&#8217;t.<BR> <BR>My breath comes out in ragged gasps, but it does little to cover the angry snarls growing louder and louder. I wince at the impact of the jump on my throbbing knee, the same knee I hurt three months before when I was fighting a different bad guy&#8212;Jun. I dash through a set of doors with the number one stenciled onto them and into a long hallway. How did I get myself into this? I would&#8217;ve thought that I deserved a break, after saving Dax and Cody from kidnappers; finding my dad; and ensuring that Huangdi&#8212;the evil man behind it all&#8212;and the members of the Five Claws&#8212;his criminal organization&#8212;were locked up.<BR> <BR>With a roar the black-clad baddies blast through the doors behind me, metal objects flashing in their hands.<BR> <BR>I guess I won&#8217;t be getting that break.<BR> <BR>Residents start peeking out, curious about the loud sounds.<BR> <BR>Oh no.<BR> <BR>&#8220;Go back inside!&#8221; I scream.<BR> <BR>I turn the corner, and I almost sob with relief when I spot the faded blue metal door at the end of the hallway, leading into the alley. I know Cody&#8217;s already outside, clearing out all the other baddies, and together we can fight the ones chasing me.<BR> <BR>I&#8217;m halfway to the exit when I hear the brutes careening around the corner. Adrenaline courses through me. And panic. I hear a shrill ringing, punctured only by the rapid thumping in my ears. My scope of vision narrows until it&#8217;s like I&#8217;m looking through a long tunnel.<BR> <BR>And it&#8217;s in that small field of vision that I see the very last door in the hallway opening, the one right in front of the faded blue door leading to safety.<BR> <BR>Out waddles a small child, a toddler. In diapers.<BR> <BR>&#8220;Move!&#8221; I yell to the baby.<BR> <BR>The kid only holds up his ball. &#8220;Pway bwaw?&#8221;<BR> <BR><i>There&#8217;s no time to play ball!</i> My pursuers are right behind me. Colors in my head flicker rapidly, uncontrollably. Light, dark, light, dark.<BR> <BR>Save the baby, save myself, save the baby, save myself.<BR> <BR>I make a split-second decision. I reach out and grab the baby. Some of my friends got hurt this past summer because of bad people like the ones chasing me. I vowed never to let anyone get hurt again. The baby squirms, and I stumble. I feel the hot breath of a brute against my neck. I close my eyes, shield the baby with my back, and brace for impact.<BR> <BR>It doesn&#8217;t come.<BR> <BR>From the other end of the hallway, I hear a holler.<BR> <BR>It&#8217;s Dax. His face glistens with sweat, and his clothes are torn in several places. I haven&#8217;t been this happy to see him since he saved me and Sanjay from plummeting over a building during the movie auditions this summer. Or when he walked into my hospital room, alive and well, after being kidnapped and knocked out.<BR> <BR>&#8220;Hey!&#8221; Dax yells to the thugs. &#8220;Pick on someone your own size.&#8221;<BR> <BR>He charges over. He attacks.<BR> <BR>Black-clad bodies fly through the air and fall heavily onto the tiled floor.<BR> <BR>Clutching the baby, I spring up, dash into the apartment, and deposit him into the arms of his shocked father. I rush back out and close the door behind me.<BR> <BR>&#8220;Come on!&#8221; Dax slams open the faded blue door with his shoulder and sprints out into the alleyway.<BR> <BR>Dax slowed down the assailants, but they are now springing back onto their feet with rage in their eyes. I race through the door. At the end of the alley, I see cars zooming past on a busy road, and people walking briskly. A mom pushes a stroller.<BR> <BR>Why are there babies everywhere?<BR> <BR>There&#8217;s only one thing to do.<BR> <BR>I turn, plant my feet on the ground, hold up my fists.<BR> <BR>Fight.<BR> <BR>A hook-nosed assassin reaches me first. He lunges, but I&#8217;m ready. I reach deep inside myself and find a move from the <i>Book of Joy</i>, the ancient tome written by Xiao Xi, my ancestral grandmother, passed down from my grandfather to my dad to me, oldest child to oldest child, containing the mysteries of her powerful martial art, Xiaoxi-shu.<BR> <BR><i>As the Chipmunk Charges</i> is a super-effective technique. And it looks <i>good</i>.<BR> <BR>Sinister faces quickly surround me.<BR> <BR><i>It&#8217;s showtime!</i> I scamper on the balls of my feet, lightning quick, scurrying closer, then bounding back. I throw a high roundhouse, followed by a spinning reverse hook kick. A side kick to the chest sends one baddie flying. For the finale I leap into a string of kicks, each one landing on an arm, a torso, a chest, and down they go like bowling pins.<BR> <BR>A sharp howl pierces the air from above. Reinforcements! Four figures swing down from balconies holding menacing weapons. Thick wooden sticks, an iron pipe, and one long, lethal-looking chain.<BR> <BR>I glance to the end of the alley. It&#8217;s empty. Where did Dax go?<BR> <BR>I take a step back, suddenly feeling very alone despite being surrounded by people. But these are no friends of mine.<BR> <BR>I kick up a lid from a garbage can, hold it like a shield.<BR> <BR>Ready.<BR> <BR>I hear faint music, my ears barely picking up some sort of tinny tune over my ragged breaths and the clink of chain links dragging on the ground as the group creeps closer.<BR> <BR>The music grows louder.<BR> <BR>An assassin raises his pipe.<BR> <BR><i>Honk, honk</i>. A blur of red, white, and blue zooms into view.<BR> <BR>&#8220;I&#8217;m back.&#8221; It&#8217;s Dax, hanging off the side of a&#8212;I squint&#8212;Mister Sprinkles ice cream truck?<BR> <BR>&#8220;And me!&#8221; Cody&#8217;s behind the wheel.<BR> <BR>&#8220;Arghhhhh!&#8221; the assassins yell, attacking at once.<BR> <BR>&#8220;Arghhhhh!&#8221; Dax and Cody scream in unison.<BR> <BR>Blurs of white and brown fly though the air.<BR> <BR><i>Whack, whack, whack, whack&#8230;</i>.<BR> <BR>A flurry of soft serve cones splatters squarely onto four startled faces, stopping the killers in their tracks.<BR> <BR><i>What the&#8230;</i> My eyes widen.<BR> <BR>Streaks of vanilla stream down foreheads, slide over noses, drip onto lips. One bad guy discreetly sticks out the tip of his tongue, licking the ice cream. &#8220;Mmm,&#8221; he murmurs softly.<BR> <BR>I bite down hard on my lip. <i>Focus!</i><BR> <BR>Gramps runs up behind the truck, huffing and puffing, wearing a Mister Sprinkles apron and shaking his fist, bellowing, &#8220;Bring back my dessert distribution vehicle, you bandits!&#8221;<BR> <BR>I manage to keep my scowl steady. That is, until Gramps stomps past me grumbling under his breath, &#8220;This isn&#8217;t the kind of car chase scene I had in mind,&#8221; and yanks Cody out of the truck. Gramps flicks Cody&#8217;s nose. &#8220;This is for stealing my truck. And this&#8221;&#8212;<i>flick</i>&#8212;&#8220;is for not wearing a seat belt.&#8221;<BR> <BR>Gramps wasn&#8217;t kidding about his improv skills.<BR> <BR>I can&#8217;t hold it in anymore. I burst out laughing, clutching my stomach, leaning against the brick wall for support. I don&#8217;t stop, even when I hear our director yell, &#8220;Cut! Once again, Mr. Torres, the ice cream truck driver <i>doesn&#8217;t talk</i>!&#8221;]]></Text>
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      <Text><![CDATA[A fast-paced, high-kicking middle grade series that&rsquo;s&nbsp;<I>Crouching Tiger, Hidden Dragon</I>&nbsp;meets&nbsp;<I>Stand Up, Yumi Chung</I>&nbsp;about a young Taekwondo artist who protects ancient martial arts knowledge from falling into the wrong hands.]]></Text>
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      <BiographicalNote><![CDATA[Jennifer Torres is the award-winning author of&nbsp;<i >Stef Soto, Taco Queen</i>;&nbsp;<i >The Fresh New Face of Griselda</i>; and other books for young readers. She writes stories about home, friendship, and unexpected courage inspired by her Mexican American heritage. Jennifer started her career as a newspaper reporter, and even though she writes fiction now, she hopes her stories still have some truth in them. She lives with her family in Southern California.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Molly Magnell&nbsp;is an award-winning illustrator and designer/overgrown child who can be found petting stray cats in Brooklyn, New York. She specializes in drawing lifestyle imagery, lush realms, and powerful women. Visit her online at MollyMagnell.com.]]></BiographicalNote>
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      <SubjectHeadingText>environment; conservation; red-crowned parrots; habitat; adaptation; birds; resilience; belonging; community; resourcefulness; starting over; embracing change; birding; birdwatcher; urban; endangered noninvasive species; poaching; amazing animals; science; Mexico; home; inclusion; biodiversity; onomatopoeia; biology; ecology; biome; history; California; threatened; survival; sustainable; adjusting; naturalized; immigrant; Latinx; earth day; nonfiction; picture book for 2 3 4 5 5 7 8 year olds pre-k kindergarten first second third grade; fun; best; gift; map; science biology curriculum; best illustrated; backmatter; glossary; Geisel Award; Honeybee Monarch by Kirsten Hal; Over and Under by Kate Messner; Where Are You From?; Becoming a Good Creature by Sy Montgomery; Finding Wild by Megan Wagner Lloyd; Nest Is Noisy Shell Is Cozy by Diana Hutts Aston; Jason Chin; Katherine Roy; Listen by Gabi Snyder; Beak Book by Robin Page; Lovely Beasts by Kate Gardner; Warbler Wave by April Pulley Sayre;</SubjectHeadingText>
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      <Text><![CDATA[<B>Take wing with red-crowned parrots in this inspiring true story of animals adapting to an urban environment far from their native habitat, perfect for animal lovers and anyone who has ever needed to find a new home.</B><BR><BR><I>They <B>squawk</B>.</I><BR> <I>They <B>screech</B>.</I><BR> <I>They <B>swoop</B> from palm trees to power lines.</I><BR> <BR>In sunny California, the chatty red-crowned parrot is a part of daily life. Every day, thousands of parrots soar above city streets, cackling and clamoring. They swipe fruit from gardens. They flap over pools and parking lots. They alight on branches where parrots did not always belong.<BR> <BR>How did these urban parrots, native to the rugged slopes and wooded canyons of Mexico, find themselves so far from home? How did they form new communities and find new ways to thrive? This true story of animal adaptation and finding new places to belong is an inspiring example of resilience and resourcefulness in the natural world&#8212;and within us all.]]></Text>
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      <Text><![CDATA[Jennifer Torres is the award-winning author of&nbsp;<i >Stef Soto, Taco Queen</i>;&nbsp;<i >The Fresh New Face of Griselda</i>; and other books for young readers. She writes stories about home, friendship, and unexpected courage inspired by her Mexican American heritage. Jennifer started her career as a newspaper reporter, and even though she writes fiction now, she hopes her stories still have some truth in them. She lives with her family in Southern California.<BR><BR>Molly Magnell&nbsp;is an award-winning illustrator and designer/overgrown child who can be found petting stray cats in Brooklyn, New York. She specializes in drawing lifestyle imagery, lush realms, and powerful women. Visit her online at MollyMagnell.com.]]></Text>
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      <Text><![CDATA[&ldquo;The prose has a cumulative, almost incantatory rhythm that mirrors the birds&rsquo; restless energy before describing how these creatures came to belong somewhere they seemingly shouldn&rsquo;t. The illustrations are a standout: Pages pulse with magentas, teals, bright greens, and warm golds that evoke the hazy magic of Southern California light, the parrots glowing electric green against dusky pink skies and lush canopy scenes. Certain to have youngsters scanning their own neighborhoods for flashes of green.&rdquo;]]></Text>
      <TextAuthor>&lt;I&gt;Kirkus Reviews&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;Poetic text brings the &lsquo;bold and brave and boisterous&rsquo; birds to life, making strategic use of parallelism and repetition throughout, where the same words recontextualized drive home strikingly different emotional beats and bring the story full circle. . . . Bright colors, clean lines, and an artful blend of geometric detail and simplified stylization combine in the digital-looking illustrations to make every spread pop.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;[A] poetic, lyrical narrative . . . Colorful, detailed illustrations echo the vibrant nature of the parrot&rsquo;s feathers in their artificial surroundings, lending a sense of hope and renewal to the text. . . . Straightforward and poignant, this book encourages readers to engage with their surroundings with curiosity, and to consider ways in which resilience is reflected in many creatures around the world.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;[Torres&rsquo;s] simple but evocative text . . .&nbsp;nods to the parrots&rsquo; displacement paralleling human immigration journeys, but this message is one of resilience. Vibrant illustrations favor tropical hues against which the green of the cheerful-looking parrots pop.&rdquo;]]></Text>
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      <TextFormat>02</TextFormat>
      <Text><![CDATA[Chapter 1: Moving Day CHAPTER 1 Moving Day <BR>&#8220;Pars-1 was one of the first exoplanets colonized by the Interstellar Alliance for mineral dominance, thanks to its &#8220;super-Mercury&#8221;-style iron core. The solar system&#8217;s sun was declining, slowly expanding into a red giant. This allowed Pars-1 to be habitable enough for iron mining, though only in certain areas.&#8221;<BR> <BR>&#8212;Ali Reza Farzad, <i>A Brief History of Pars-1</i><BR> <BR>There is nothing worse to a twelve-year-old than the words, &#8220;We&#8217;re moving.&#8221;<BR> <BR>After seven years, it felt like I had <i>just</i> gotten settled on Enceladus, one of Saturn&#8217;s many moons. When we had left Earth, everything had felt so rushed and frantic. We&#8217;d had to escape, and fast. It had taken me ages to make friends as a five-year-old &#8220;terrestrial&#8221; with my shoddy cotton clothing and old-school Earth lingo. But now that I had friends, had my routine down at school, had a <i>life</i>, we were moving again.<BR> <BR>&#8220;Pars-1 has very unique geology, Rostam jan. It&#8217;s one of the biggest mining colonies in the IA,&#8221; Maman joon said to me, as if that made everything better.<BR> <BR>&#8220;And it has a theme park! Ferrous Land, I think it&#8217;s called,&#8221; Mam&#225; chimed in.<BR> <BR><i>Ferrous Land. Wow. Could a worse name for a theme park exist?</i><BR> <BR>I didn&#8217;t care how cool our new planet supposedly was, I was <i>not</i> happy. I watched glumly, forehead against the glass, as a space elevator lifted us away from the surface of the place I called home. What about my friends, Jason and Oceana? How was I going to find BFFs like them?<BR> <BR>The djinn in the space elevator held his arms out wide, smiling at the dozens of passengers aboard. Space elevators were gravity lifts that djinn moved to get to and from the spaceships docked above our atmosphere.<BR> <BR>&#8220;I hear Pars-1 is very nice,&#8221; the djinn said unhelpfully, his eyes glowing red as he manipulated the glass cube higher above Cassini, the capitol city. &#8220;They say it has a beautiful desert. Like home&#8230;&#8221; His eyes went misty, as if remembering something.<BR> <BR>&#8220;A desert,&#8221; I said flatly. &#8220;Great.&#8221;<BR> <BR><i>&#8220;Humans of clay, djinn of fire, working together so we all grow brighter!&#8221;</i> was the nursery rhyme everyone in the Interstellar Alliance learned. This djinn was probably just an ifrit, a lower-level djinn who helped transport humans around this moon.<BR> <BR>The rings of Saturn stared back at me as we were lifted to the space port. I couldn&#8217;t imagine looking into the sky and not seeing them anymore. Our new home wasn&#8217;t a moon like Enceladus&#8212;it was a planet. There would be no giant rings in the atmosphere to orient me, no brown and white swirls from Saturn to help me feel at home. Apparently, this new place didn&#8217;t even have a proper atmosphere, which meant no clouds or bright sky.<BR> <BR>I looked down at Cassini, the city I&#8217;d called home for seven years. It was so teeming with life; skyscrapers poked through the pink clouds and flying cars zipped and zoomed all over. Everything looked teeny-tiny from the space elevator, and I couldn&#8217;t tell if the ache in my stomach was from the gravity changing or from the homesickness already taking over.<BR> <BR>&#8220;Are you sure we have to go?&#8221; I asked my Maman joon one last time. I&#8217;d asked her hundreds of times before, but even now, I hadn&#8217;t given up hope.<BR> <BR>&#8220;Rostam.&#8221; Maman joon clamped a hand over my shoulder. &#8220;It&#8217;s been decided. Do you know how many strings we had to pull to get onto this shuttle? Do you even know how lucky we are?&#8221;<BR> <BR>The elevator dinged, and my family and a couple other passengers shuffled out of the cube. &#8220;<i>Are</i> we lucky, though?&#8221; I said, turning to my parents. Was I stalling? Absolutely. Anything to keep me in the warm glow of our solar system as long as possible.<BR> <BR>&#8220;Rostam,&#8221; my Mam&#225; said in a warning voice. She rolled the <i>R</i> in my name like a thundercloud. Mam&#225; rarely lost her cool, but when she did, it was <i>not</i> fun to get caught in her storm.<BR> <BR>I sighed and slunk into the waiting area outside the elevator lobby, my parents right behind me, as if to make sure I wouldn&#8217;t escape. This was the biggest space port on our moon, a permanent docking station miles above the city. Maman joon came here whenever she had to travel for work. Already, the gravity lift that had taken us up was plunging back down to the Cassini Spaceport to get more passengers. <i>Gulp. There goes my escape.</i><BR> <BR>If I squinted, I could see space elevators over Dunyazad, Shahrazade, and Moshiri, the other major cities of Enceladus, all with spaceports like ours. A webbing of satellites twinkled over us like a silver net. I could even get a good look at Saturn&#8217;s other moons like Tethys and Calypso, each with its own clusters of cities and elevators. It was my first time seeing my home from this angle. It made me miss what I was leaving even more.<BR> <BR>Maman joon chivvied me from the spaceport into our jetway. The walk to our space shuttle felt unnatural, like I was dunking my head underwater, unsure of when I&#8217;d get the chance to breathe again. <i>Here we go.</i> My stomach swooped.<BR> <BR>A space attendant led us to the passenger entrance, and I tried not to wail with disappointment as we boarded. It wasn&#8217;t even a nice shuttle, like the sleek Barnard YVX that I used in my flight simulations, or an exploratory Trappist CH6 with emergency EVA suits. This was just a regular old rusty SR911 that probably still had a joystick! Whatever favors Maman joon had pulled for this ride were clearly not worth it.<BR> <BR>I kicked a piece of metal under my foot and the paint flaked off. <i>Yeah, I&#8217;d like to be back in Cassini, please.</i> I couldn&#8217;t wait to become a pilot for the Interstellar Alliance one day and have a sleek ship of my own. Nothing like this death trap.<BR> <BR>Mam&#225; was already settling into our seats, wearing pajamas and one of those face masks that supposedly fought the radiation damage your skin got during interstellar transit. I reached into my pocket and felt the mushy sandwiches she&#8217;d packed for us earlier. Traveling forty light-years away just wasn&#8217;t as glamorous as I thought it would be. Why couldn&#8217;t we have sprung for an upgraded shuttle?<BR> <BR>&#8220;Welcome, passenger!&#8221; an Interstellar Alliance droid announced from the bulkhead. I balked. Usually, an IA representative was a <i>human</i>, not a robot. There were hundreds of IA reps all over the city, helping with anything from crossing the street to giving you a ticket for flying too fast. The Interstellar Alliance was our government, but it was weird not to see a flesh-and-blood representative onboard. I squinted at the droid.<BR> <BR>&#8220;You must be Rostam Zamini, yes? You&#8217;re the youngest soul aboard this spacecraft,&#8221; the droid said. It was white, made of carbon fiber, with a round, pixelated face that looked surprisingly lo-fi. On its chest was the lotus leaf symbol of the Interstellar Alliance. &#8220;I&#8217;m Officer Bahram, calling in from Ganymede. I&#8217;ll be moving to Pars-1, just like you!&#8221;<BR> <BR><i>Ah</i>, I realized. <i>A remote.</i> This droid was controlled by a Pars-1 officer from their HQ on Jupiter&#8217;s biggest moon. Bahram wouldn&#8217;t <i>actually</i> be moving to Pars-1 with us, just overseeing things. I sighed again. Not even the people who governed Pars-1 wanted to live there.<BR> <BR>&#8220;Can I help you get seated?&#8221; A space attendant asked, reaching for Fred&#8212;my stuffed snow leopard&#8212;and motioning to put him in the overhead compartment.<BR> <BR>I yanked Fred back by his plush black-and-white fur. He was the only friend I had left in this cruel, heartless world. &#8220;Get lost,&#8221; I hissed.<BR> <BR>I usually kept Fred in my backpack, but there was nobody on this godforsaken ship to make me feel embarrassed for having a stuffed leopard even though I&#8217;d just turned twelve. Anyone who was leaving Enceladus for the outer rim was probably a loser anyway. I didn&#8217;t care if passengers on this tin can knew about my secret stuffed animal.<BR> <BR>I&#8217;d had Fred since I was a baby. No, scratch that, from <i>before</i> I was a baby, since the hospital had been the one to give him to me. Besides, I was so short people probably thought Fred was an age-appropriate toy. Bleh.<BR> <BR>At least being tiny was good for long flights like this, where I had a lot of room in my shuttle seat, but terrible when you were a twelve-year-old surrounded by everyone else&#8217;s growth spurts at school. There was no way I&#8217;d be able to compete with my new classmates on Pars-1, who were probably fed fortified protein bars every meal and chugged synthetic plant milk to grow into huge kids who could help with the planet&#8217;s iron mining.<BR> <BR>I was not looking forward to it.<BR> <BR>I stood next to my seat, avoiding the gargantuan task of sitting in it. I knew that the second I was buckled into my harness, there was no going back.<BR> <BR>&#8220;Rostam,&#8221; Maman joon growled, her brown eyes flashing. &#8220;Sit. Down.&#8221; She looked uncomfortable and kept glancing over her shoulder to make sure people weren&#8217;t staring.<BR> <BR>My heart raced. My knees started to get shaky. I could feel my body get uncomfortably warm. This was it. My entire life, my whole <i>world</i>, was about to become a distant speck through a space shuttle window.<BR> <BR>I made one last plea. &#8220;<i>Please.</i> I am begging you! Jason&#8217;s already decked out one of his guest bedrooms for me so I can live there. His parents already said yes. Now I&#8217;ll just head back to the spaceport, and I&#8217;ll see you both at Nowruz,&#8221; I said quickly, hoping my smooth talking would bamboozle my folks into letting me return home.<BR> <BR>It had taken Jason and Oceana years to stop bullying me and become my friends. But now that we were a solid group, my parents were uprooting our lives again. Better to just stay in Cassini, even if it meant not having my moms there. Maman joon was speechless, probably awed by how much my words made sense. Mam&#225;&#8217;s eyebrows were practically in her hairline, equally impressed.<BR> <BR>I began grabbing my stuff. The cargo bay doors were still open, which meant I could waltz right off this rust bucket and never look back. I took one last look at my parents, sure this would be a tearful goodbye.<BR> <BR>But instead of nodding and agreeing with my plan like reasonable people, they looked murderous. Maman joon&#8217;s face had gone from bright red to a dark shade of purple.<BR> <BR><i>&#8220;If you can&#8217;t sit in this shuttle then you&#8217;ll never become a pilot and fly one!&#8221;</i> Maman joon whispered furiously in Persian, thinking she was being discreet. A couple people on the shuttle who spoke Persian looked over. A teen girl smirked.<BR> <BR>&#8220;I&#8217;ll never pilot something as decrepit as this!&#8221; I shouted back in English, elbowing my way to the exit. There was no way I was staying on this thing. There was a train station just outside the space elevator that I could take home.<BR> <BR>&#8220;Rostam! Regrese inmediatamente!&#8221; Mam&#225; screeched. <i>So long, suckers! Have fun on the outer rim!</i><BR> <BR>&#8220;Young man, please&#8212;!&#8221; a space attendant shouted, their crisp white suit starting to wrinkle.<BR> <BR>&#8220;This is most irregular!&#8221; Bahram chided. Who cared? I was almost out the door. <i>FREEDOM!!!</i><BR> <BR>Then, a tired voice that sounded like gravel rumbled behind me. &#8220;You can ride in the jump seat, if it&#8217;ll make you sit down and shut up.&#8221;<BR> <BR>I froze, halfway off the shuttle. A huge, imposing man loomed over me, his Interstellar Alliance uniform twinkling in the bioluminescent lighting. I gulped. Judging by the badges on his jacket, he was the pilot of the shuttle. He looked like he&#8217;d seen the ends of space&#8212;that was how deep the crags in his face were.<BR> <BR>He scowled back at me, his offer hanging in the air.<BR> <BR>I knew Jason and Oceana thought it was stupid that I was moving somewhere with slow signal and only one spaceport, but neither of them had <i>ever</i> ridden in the cockpit of a space shuttle before. Even though we all wanted to become pilots for the Interstellar Alliance, we hadn&#8217;t had many opportunities to fly on official IA flights. My heart rate started to slow, and I felt the first twinge of interest since Maman joon had mentioned we were moving to a new planet.<BR> <BR>Finally, I had something good happen to me! My friends would be jealous of this, for sure.<BR> <BR>I weighed my options carefully. Riding in the cockpit might just be worth moving to nowhere.<BR> <BR>&#8220;Deal,&#8221; I said to the grizzled pilot standing in front of me.<BR> <BR>He sighed and motioned to the cockpit. The entire shuttle clapped sarcastically back at me, glad we could finally be on our way. Mam&#225; sighed, her face mask slipping down a bit. Maman joon shook her head, clearly disappointed in her disappointment-of-a-son, clearly not mad but definitely&#8230; you guessed it. Disappointed.<BR> <BR>I couldn&#8217;t wait for the talk we&#8217;d have again later, the one about how I should be &#8220;grateful&#8221; for this &#8220;opportunity&#8221; and how I always have to &#8220;cause a scene.&#8221; But for now, I was just going to enjoy my upgrade to the best seat on the spacecraft.<BR> <BR>The attendant helped get me buckled into the jump seat, the little fold-out seat behind the pilot and co-pilot chairs. It squeaked loudly as she lowered it. I was probably the first person to use it in a while.<BR> <BR>&#8220;Want me to put that little guy in stowage?&#8221; the space attendant asked again, gesturing to Fred.<BR> <BR>&#8220;Fred stays with me,&#8221; I replied firmly, clutching his plush body even tighter.<BR> <BR>She nodded solemnly back at me. Finally, she could tell how important Fred was. I stroked his ears anxiously. Fred was afraid of the dark, and I wasn&#8217;t about to stick him in some dusty stowage compartment, which was probably just a converted weapons chamber. This ship was so old I wouldn&#8217;t be surprised if it had fought in the Interstellar Wars.<BR> <BR>The space attendant exited the cockpit and revealed the co-pilot sitting next to the old, weathered captain who had said I could ride up front with him. I gasped&#8212;it was a djinn! Probably a mar&#239;d, since our ship was making a bigger Wish than the ifrits who transported us around Enceladus could handle. The djinn grinned back.<BR> <BR>&#8220;Salaam, dude,&#8221; she said.<BR> <BR>I&#8217;d never actually met a mar&#239;d face-to-face before. They were like the other deev of the world; a class of beings who weren&#8217;t human but who worked with humans. We always saw deev working on new buildings or terraforming the uninhabitable parts of Enceladus, but from far away. Now I had the chance to actually talk to a mar&#239;d, the most powerful class of djinn in the galaxy.<BR> <BR>Her name tag said &#8220;Mitra.&#8221; She didn&#8217;t look much older than me, though she passed the height requirement for becoming an IA pilot (I still had three inches to go).<BR> <BR>&#8220;<i>You&#8217;re</i> gonna take us to Pars-1?&#8221; I asked.<BR> <BR>Mitra grinned at me, her eyes flashing red for a second. &#8220;Sure am, pesar. Why? Having second thoughts?&#8221;<BR> <BR>&#8220;Are you two done jabbering?&#8221; the captain said, swiveling a harsh blue eye toward me. &#8220;We&#8217;ve got a lot of light-years to cover.&#8221;<BR> <BR>I gulped. &#8220;Yes, sir.&#8221;<BR> <BR>&#8220;It&#8217;s Capit&#225;n Otav&#225;lo to you, kid. Space attendants, please prepare for Wish,&#8221; he barked, uttering the last part into the ship&#8217;s loudspeaker.<BR> <BR>I sat back as the ship undocked from the Cassini Spaceport and looked out the reinforced window to my home. Enceladus was so beautiful and bright, so full of life. In the distance I could see the moons of Titan and Mimas twinkling back, those other inhabited moons full of their own cities and people. It had taken over a thousand djinn to terraform those places, and almost one million Wishes. Now we were moving somewhere that hadn&#8217;t been terraformed at all.<BR> <BR>My heart lurched as the ship veered into open space. It was really happening. We were going to Wish forty light-years away to some no-name exoplanet, and my whole world was going to change. For a second, I regretted sitting in the jump seat. I wanted to hold my moms&#8217; hands as they told me it was going to be okay.<BR> <BR>I was going to miss Enceladus a lot.<BR> <BR>The ship came to a halt, my home now a small circle through my window. The big brown and yellow paint strokes of Saturn&#8217;s surface hovered consolingly over us. <i>Goodbye, world.</i><BR> <BR>Nearby, other ships in Enceladus&#8217;s orbit all docked by their own buoys, waiting to Wish to other destinations that were probably way cooler than ours. Aboard each ship was a djinn like Mitra, though they were probably less powerful ifrits for smaller trips. Pars-1 was one of the farthest planets in the Alliance. I bet we had the only mar&#239;d for miles.<BR> <BR>&#8220;Mar&#239;d 1, Wish away,&#8221; the spaceport tower crackled into the cockpit speaker. I flinched. Mitra was Mar&#239;d number <i>one</i>? As in, the first djinn ever to work for the Alliance? I analyzed her again, searching for anything that revealed she was over three thousand years old. Nothing, except a couple freckles, thick brown hair, and pitch-black eyes.<BR> <BR>&#8220;Mar&#239;d 1, Wishing SR911,&#8221; Capit&#225;n Otav&#225;lo growled into his headset. &#8220;Collar check,&#8221; he barked to Mitra.<BR> <BR>Mitra sighed and pulled aside the neck of her white IA uniform. There, underneath her pilot&#8217;s jacket, was an iron collar. I recoiled as Capit&#225;n Otav&#225;lo nodded, satisfied. Mitra&#8217;s copper skin and dark eyes suddenly turned ashy gray, her skin&#8217;s yellow undertones going blue.<BR> <BR>&#8220;What is that thing?&#8221; I asked Capit&#225;n Otav&#225;lo, horrified.<BR> <BR>&#8220;How do you think we controlled these djinn in the first place?&#8221; The old man chuckled, turning back to me.<BR> <BR>My jaw dropped. <i>This</i> was how we worked with djinn? I thought we just rubbed a lamp or something! I knew that iron was bad for djinn, but I didn&#8217;t realize we used it to control them. I had always been taught that djinn didn&#8217;t mind working for us, that they were happy to colonize space too. Djinn always generated more power for Wish than they could for themselves, and it was by teaming up with a human that they could do amazing things.<BR> <BR>Was that why the planet of Pars-1 was important? Because it had a lot of iron in it?<BR> <BR>I made eye contact with Mitra, but instead of saying anything, she just gave me a dead-eyed stare. Maybe being an IA djinn wasn&#8217;t as glamorous as I&#8217;d thought.<BR> <BR>Capit&#225;n Otav&#225;lo got out his Wish log, a black leatherbound book that recorded all the Wishes Mitra had done. It was important to keep track of them since djinn could only promise three Wishes. Every time you got to your third Wish, you had to Wish for three more.<BR> <BR>&#8220;Alright, according to your last ship, it looks like you&#8217;re on Wish two of cycle ten thousand five hundred and seventy-six,&#8221; Capit&#225;n Otav&#225;lo read from the Wish log. My mouth went dry. That meant Mitra had completed 10,576 Wishes times <i>three</i>.<BR> <BR>Mitra said nothing, her face impassive.<BR> <BR>&#8220;Mitra of the Maranjab, I Wish for you to take me to&#8211;&#8221; Capit&#225;n Otav&#225;lo froze, double-checking the leather-bound book in front of him. &#8220;Wait a second, you&#8217;re on your third Wish!&#8221;<BR> <BR>Mitra&#8217;s face remained blank. Capit&#225;n Otav&#225;lo took a shaky breath, then said, &#8220;Mitra of the Maranjab, I Wish for three more Wishes.&#8221;<BR> <BR>Mitra sighed and popped her gum loudly. &#8220;It is done.&#8221;<BR> <BR>&#8220;You tried to put one over on an old man, huh?&#8221; Capit&#225;n Otav&#225;lo roared. &#8220;All you djinn are the same. Always looking for a way out. And I bet once I used up all my Wishes you would have slaughtered every soul aboard the second you were free!&#8221;<BR> <BR>Mitra&#8217;s familiar grin flashed back, as if she had been pretending all along. &#8220;Can&#8217;t blame me for trying.&#8221;<BR> <BR>The captain took another steadying breath then looked at me. &#8220;I&#8217;d appreciate it if you keep this between me and you, kid.&#8221;<BR> <BR>I nodded, too shocked to say anything. I thought that when djinn reached the end of each Wish cycle, it wasn&#8217;t a big deal. I thought they <i>wanted</i> to work with us.<BR> <BR>I looked back through the porthole window that revealed the passenger cabin. Everyone looked calm, nobody realizing how close they&#8217;d come to freeing an angry djinn. The IA droid sat in the front row, chatting with a huge man in overalls: probably a new worker for the planet&#8217;s mines.<BR> <BR>&#8220;Mitra of the Maranjab, I Wish for you to take us to Pars-1,&#8221; Capit&#225;n Otav&#225;lo said, voice firm. I watched as he carefully marked the Wish in the logbook.<BR> <BR>&#8220;Your Wish is my command,&#8221; Mitra said.<BR> <BR>Her eyes started to glow. She placed her palms on the surface of the dashboard, right on top of two imprints built into the panel. The panel began to glow orange, as if recognizing her fingerprints. Fire suddenly appeared, licking her arms in a smokeless flame.<BR> <BR>I felt my own palms start to sweat, my stomach roiling. I clutched Fred even tighter. I was too young to remember what Wishing had been like last time, and all the flames sparking from Mitra&#8217;s body weren&#8217;t exactly comforting. Djinn were made of fire, but I&#8217;d never seen that fire in action before.<BR> <BR>I kept quiet, holding Fred as tightly as I could. IA pilots had to be tough and ruthless. That was how they commanded respect in the first place. I squeezed my knees together to keep my legs from trembling.<BR> <BR>&#8220;First real Wish, huh?&#8221; Mitra laughed, noticing me shake. Her hands were still glued to the dash, her iron collar turning red-hot. Bits of fire had started to climb up her throat.<BR> <BR>I was too busy watching the spreading flames to correct her. They danced down her torso and legs, but Capit&#225;n Otav&#225;lo just sat back like this was completely normal.<BR> <BR>Then Mitra herself started to turn bright orange, and I got the feeling that she was enjoying this. Fire was her original form, since djinn pretended to look human for our benefit.<BR> <BR>Her flames spread to the windshield, then to port and starboard, and then they began roaring until the whole front console was engulfed in heat-free flames that tickled my body. I forgot to breathe.<BR> <BR>&#8220;Don&#8217;t blink, or you&#8217;ll miss it!&#8221; she cackled.<BR> <BR>Suddenly the heat started to feel unbearable. Sweat poured down my forehead, and my eyes stung with the salt.<BR> <BR>Dimly I heard Capit&#225;n Otav&#225;lo mutter, &#8220;Show-off.&#8221;<BR> <BR>I gasped. Flames were crawling all over me! Fred turned into a little fireball in my hands. I quickly dropped him.<BR> <BR>&#8220;That&#8217;s enough, Mitra!&#8221; Capit&#225;n Otav&#225;lo yelled.<BR> <BR>Mitra laughed, her fiery eyes rolling into the back of her head. Her eyes were now two slits in a column of flame where Mitra&#8217;s human form had once sat, her arms and legs now thrashing tendrils. Maman joon had said that Wishing felt like your limbs were falling asleep, but this was way more traumatic. The flames prickled painfully now, the walls of the ship becoming hazier as they shimmered with heat. It was getting hard to breathe, and my body scrambled for oxygen that didn&#8217;t seem to be pumping through the cockpit anymore.<BR> <BR>&#8220;ENOUGH!&#8221; Capit&#225;n Otav&#225;lo roared, yanking the collar around Mitra&#8217;s throat.<BR> <BR>She screamed, and I couldn&#8217;t help it. I squeezed my eyes shut into one long blink.<BR> <BR>&#8220;Couldn&#8217;t handle the heat, huh?&#8221;<BR> <BR>I cracked an eye open. The ship was flame-free, without a single scorch mark. Did it look like it needed a new paint job more than ever now? Yes, but somehow, I wasn&#8217;t covered in burns. I looked out the window&#8212;Enceladus was long gone, replaced by a huge asteroid belt that looked nothing like the one that hung out between Mars and Jupiter back home.<BR> <BR>&#8220;You were supposed to take us to the planet!&#8221; Capit&#225;n Otav&#225;lo shouted angrily, looking out at the new solar system.<BR> <BR>&#8220;There&#8217;s Pars-1.&#8221; Mitra pointed to a tiny planet in the distance, bored. &#8220;I did what you asked.&#8221;<BR> <BR>&#8220;Yes, but I meant take us <i>onto</i> the planet!&#8221; Capit&#225;n Otav&#225;lo blustered. &#8220;Now we have to navigate through this asteroid belt!&#8221;<BR> <BR>&#8220;You didn&#8217;t specify,&#8221; Mitra said blandly, the collar still secure around her neck, her human form crystal clear. I looked past her and rested my eyes on our new sun, glowing from the dashboard. It looked considerably bigger and darker than the one I was used to.<BR> <BR>&#8220;It&#8217;s a red giant. About fifteen times the size of your old sun,&#8221; Mitra said to me in a surprisingly calm, noncackling voice as she followed my gaze. &#8220;They say it&#8217;s got a couple hundred years left on it.&#8221; She scratched at the iron collar on her neck, like the past minute of being a terrifying inferno had never happened.<BR> <BR>I picked Fred back up and leaned forward in my jump seat to get a better look. Mitra was right&#8212;this sun looked like it was about to fizzle like a bad bulb.<BR> <BR>&#8220;Space attendants, please prepare the cabin for tactical maneuvers,&#8221; Capit&#225;n Otav&#225;lo barked into the comms panel. &#8220;Can&#8217;t believe I have to put up with this. I&#8217;m leaving you on this planet and getting a new djinn as soon as I can,&#8221; he spat.<BR> <BR>Mitra yawned.<BR> <BR>This asteroid belt was massive and looked like the hardest level on my space simulators, times a thousand. I&#8217;d known Pars-1 was inside an asteroid belt, but I didn&#8217;t think I&#8217;d ever have to deal with it.<BR> <BR>&#8220;Can&#8217;t you just Wish us closer to the planet?&#8221; I asked Mitra.<BR> <BR>She smiled devilishly. &#8220;Can&#8217;t. I&#8217;m out of juice. I&#8217;ll need to recharge for at least twenty-four hours after a Wish that big.&#8221;<BR> <BR>&#8220;Hold on!&#8221; Capit&#225;n Otav&#225;lo shouted.<BR> <BR>I watched as he slammed down the fuel mixture on the ship from &#8220;lean&#8221; to &#8220;rich&#8221; and throttled the engine. Loud noises clunked throughout the shuttle, as if it wasn&#8217;t used to having to actually fly anymore. Suddenly, we were weaving between two huge redbrick asteroids, both the size of the largest skyscrapers on all of Enceladus. Fred&#8217;s eyes threatened to pop out of his head from me clutching him so hard. We squeezed past the giant rocks, and I forgot to breathe.<BR> <BR><i>Jason and Oceana are gonna flip,</i> I thought satisfyingly. Then: <i>If I live to tell them.</i><BR> <BR>Just as we threaded the needle between those two huge rocks, Capit&#225;n Otav&#225;lo plunged the ship forward and under another boulder that came sailing at us from out of nowhere. He was dipping and diving like the archival videos I&#8217;d watched of the old space wars, back before there was the Alliance, when each country on Earth had made a mad dash to claim different parts of our solar system and hired pilots like Capit&#225;n Otav&#225;lo to get there first. This guy was the real deal.<BR> <BR>Even still.<BR> <BR>&#8220;I changed my mind!&#8221; I screamed. &#8220;I don&#8217;t want to be in the jump seat anymore!&#8221;<BR> <BR>Capit&#225;n Otav&#225;lo <i>tsked</i> as I clutched Fred for dear life, watching between my fingers as we barrel-rolled between rocks that came charging out of nowhere. He dodged a rock slab that was happy just hanging out in the middle of space, relaxing, as if it wasn&#8217;t about to kill a ship full of innocent passengers like an iceberg.<BR> <BR>&#8220;The trick to navigating through asteroid belts,&#8221; Capit&#225;n Otav&#225;lo grunted, &#8220;is to imagine you&#8217;re an asteroid too. If this wasn&#8217;t a passenger ship, I&#8217;d turn off the gravity simulator. Floating in the cockpit helps you duck and weave better.&#8221;<BR> <BR><i>Who cares?</i> I wanted to shout. <i>Just shut up and save our lives!</i><BR> <BR>&#8220;Directions like up and down, left and right; those are all mental, kid,&#8221; the captain said, his eyes darting around to different obstacles. &#8220;Out here, there&#8217;s only space. Everything&#8217;s on equal footing. Remember that, and you won&#8217;t get disoriented.&#8221;<BR> <BR>I peeked into the passenger cabin and had to blink multiple times. Half the cabin was asleep, with Maman joon reading a book and Mam&#225; already sobbing over some telenovela. Even Bahram, the IA droid, had powered down. <i>Can nobody tell we&#8217;re about to die?</i> I wanted to scream. I squinted, trying to get a good look at Maman joon&#8217;s novel. It must have been a real page-turner if she couldn&#8217;t tell we were seconds away from getting flattened by a rogue asteroid.<BR> <BR><i>A Brief History of Pars-1,</i> the title read, and I shook my head in disgust. Leave it to Maman joon to be enthralled by a history book. That&#8217;s why we were out here in the first place, because Maman joon was so good at her job that the Pars-1 Energy Board had hired her to investigate alternative forms of energy for when their sun inevitably got weaker.<BR> <BR>Maman joon said it was a huge honor, but it didn&#8217;t feel like one.<BR> <BR>I turned back to the dashboard and felt my jaw go slack as a small brown planet loomed before us: Pars-1.<BR> <BR>&#8220;So, what&#8217;s the deal? You visiting family here or something?&#8221; Mitra asked, putting her feet on the dash while Capit&#225;n Otav&#225;lo sweated and swore next to her.<BR> <BR>She looked like a human girl again, though her eyes still flickered with red flame. What was it called when you were both terrified of someone and wanted to be exactly like them? Because that was how she made me feel.<BR> <BR>I sucked my eyes away from the thin gray atmosphere that hovered around the planet. &#8220;Nah, my Maman got a new job here. Home sweet home.&#8221;<BR> <BR>Mitra sighed. &#8220;Bummer.&#8221;<BR> <BR>&#8220;I know,&#8221; I replied, my shoulders slumping. &#8220;Huge bummer.&#8221;<BR> <BR>&#8220;Could be worse,&#8221; Mitra added, pointing out the dashboard to a small moon. &#8220;You could be stuck on one of Pars-1&#8217;s moons.&#8221;<BR> <BR>I recoiled, looking at a crumbling gray sphere that looked like it had a chunk taken out of it. I could see a small settlement on top of it in the distance.<BR> <BR>&#8220;Yeah,&#8221; I said, feeling only a little bit better. &#8220;At least there&#8217;s that.&#8221;]]></Text>
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      <SubjectHeadingText>romance; queer; bisexual; summer; vacation; Jamaica; adventure; estranged mother; love triangle; coming of age; self-discovery; family; friendship; travel; senior year; experiences; reunions; tarot cards; found family; tarot reading; graduation; mystery; confidence; self-esteem; identity; missing mother; absent parent; valedictorian; summer romance; journey; tropical; college; relationships; opposites attract; intersectionality; coming of age; island; Caribbean; LGBTQ; sapphic; wallflower; shyness; acceptance; Blue Hole; Dunn&#39;s River Falls; Fern Gully; summer before college; award-winning author; Black author story family heroine protagonist characters; beach read; books by black authors; teen young adult novel for 14 15 16 17 18 year olds grades 9 10 11 12; own voices; teen diverse voices; Indies Introduce Pick Next List; Junior Library Guild Selection; All the Noise at Once; You Should See Me in a Crown by Leah Johnson; Mamma Mia; Imogen Obviously Albertalli; She Gets the Girl Lippincott; Cuban Girl’s Guide to Tea and Tomorrow Namey Taylor; Felix Ever After Callender; Love and Gelato; Jenna Evans Welch; Sixteenth Summer by Michelle Dalton;</SubjectHeadingText>
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      <Text><![CDATA[<b>A teen travels to Jamaica hoping to answer questions about her absent mother, only to discover more about her identity than she could have ever expected&#8212;and find herself caught up in an unexpected love triangle&#8212;in this dazzling young adult coming-of-age novel by award-winning author DeAndra Davis.</b><BR><BR>Jaliya Powell has never had a real adventure, a real boyfriend, or spoken up for herself. She&rsquo;s never even been kissed. Despite being valedictorian of her high school class, Jaliya is used to fading into the background.<BR> <BR>But this summer will be different.<BR> <BR>This summer, Jaliya is visiting her uncle and his family in Jamaica. Under the guise of one last vacation before college, she plans to find out more about her estranged mother, whose absence has remained an unspoken mystery. But things have changed in the seven years since Jaliya last visited. Her cousin has his own life and is reluctant to let Jaliya in, her childhood crush has only gotten hotter and more unavailable, and her aunt and uncle aren&rsquo;t everything she remembered, either. Then she meets India, who&rsquo;s vibrant, gorgeous, and free-spirited. And who makes Jaliya feel something she&rsquo;s never felt before.<BR> <BR>While searching for traces of her mother across the island, Jaliya finds herself entangled in complicated relationships, tricky secrets, and a passionate new love. As she navigates this perfectly complicated summer, Jaliya must choose between who she has always been or who she hopes to become.]]></Text>
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      <Text><![CDATA[DeAndra Davis is New York&ndash;born and Florida-bred. She&rsquo;s a hopeless musical theater nerd (<i>Wicked</i>&nbsp;is definitely her favorite), a perpetual student and teacher, and always trailed by a kid or a dog because she has way too many of both. She has an opinion for everything, an argument ready, and a hug for everyone, and she thinks you should, too. She is the author of&nbsp;<i>All the Noise at Once</i>,&nbsp;winner of the William C. Morris Award for best young adult debut book,&nbsp;and&nbsp;<i>The Lovers, the Liars, and Me</i>. DeAndra can be found on most socials @DeAndraWrites.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>The Lovers, the Liars, and Me</i></b><BR> <BR>By DeAndra Davis<BR> <BR><b>About the Book</b><BR> <BR>Jaliya Powell has spent most of her life playing it safe. When her mother left years ago, Jaliya quietly folded that loss into herself and kept moving. She graduated high school with admission offers from some of the country&#8217;s best universities, but she chose a school close to home in Miami, reasoning that if she stumbled, she could always find her way back to her dad. She has one close friend, has never been in a relationship, and rarely speaks up for herself. In almost every way, Jaliya has built her life around staying small and staying close.<BR> <BR>Then an anonymous letter arrives, and Jaliya becomes convinced it is from her mother. Without telling her father the real reason, she agrees to visit Jamaica for the first time in over seven years. What she finds when she gets there is complicated. Her uncle&#8217;s house feels different, the island feels different, and Jaliya feels like a stranger in a place that is supposed to be home. Her cousin Shevaughn is inexplicably cold, and Andre, her childhood crush, is somehow both reserved and flirty in ways that confuse her, especially given that he has a girlfriend. But she also finds Dion, a familiar face from childhood, and India, a new friend with a sharp mind and an open heart, who together pull Jaliya into the kind of summer she never planned for.<BR> <BR>Over the course of that summer, Jaliya wrestles with complicated romantic feelings, long-buried family secrets, and questions of cultural belonging. Her search for her mother does not end the way she hoped, but it leads her toward the understanding that shrinking herself was never actually the safe choice, and that a full life requires showing up for it, even when things are hard.<BR><BR><b>Discussion Questions</b><BR> <BR>1. The novel uses tarot card names to structure its chapters. What do the tarot cards&#8217; traditional meanings reveal about the themes or turning points in the story? What effect does this framing device have on how you read Jaliya&#8217;s journey?<BR> <BR>2. Jaliya struggles with thinking of herself as a tourist. It makes her feel like her claim to Jamaica is somehow less legitimate than her friends&#8217;. Her friend India pushes back, arguing that there is no single, correct way to be Jamaican. How do we decide we belong to a culture? Is it a birthplace, language, memory, family? Do you agree with India?<BR> <BR>3. Passing a Starbucks on the way to her uncle&#8217;s house, Jaliya can&#8217;t quite name how she feels. There&#8217;s something unsettling about the intrusion of the familiar in a place that was supposed to feel like an escape from that world. What does this moment say about capitalism and Western expansion? Have you ever arrived somewhere meaningful and found it altered by outside forces in a way that complicated how you felt about it?<BR> <BR>4. Jaliya moves fluidly between American English and patois, adjusting her register naturally depending on who she&#8217;s with. What does code-switching signal about power, belonging, and identity? What does it mean for Jaliya specifically, someone navigating multiple worlds at once?<BR> <BR>5. Every time Jaliya feels anxious, she pulls at her fingers. Why do you think the author chose to make Jaliya&#8217;s inner life visible through this repeated physical detail? What does it add to our understanding of her?<BR> <BR>6. Jaliya&#8217;s cousin Shevaughn tells her that being gay in Jamaica is treated as a stain on the family, connecting it to the country&#8217;s high density of churches. Jaliya sits with this and with her own privilege: as a bisexual woman, she can leave Jamaica and be fully herself in a way he cannot. What does this conversation emphasize about how location shapes queer experience? What does it mean that Jaliya and her cousin share an identity but face vastly different consequences for it?<BR> <BR>7. India tells Jaliya that there are two different kinds of family: the one you&#8217;re born into, and the one you choose. What makes someone family? Is it obligation, love, history, or choice? Who has functioned as chosen family for Jaliya, and who has played that role in your own life?<BR> <BR>8. Jaliya uses the phrase &#8220;blood is thicker than water,&#8221; meaning family loyalty comes first. India states that the original phrase means the opposite: the bonds we choose run deeper than the ones we&#8217;re born into. (Chapter 25) How does learning India&#8217;s interpretation change how you understand the phrase?<BR> <BR>9. Jaliya spends much of the novel searching for the mother who left her. But the text quietly asks readers to notice that she has been mothered all along by her father, teachers, friends&#8217; mothers, and her auntie Mary. Othermothering, rooted in Black feminist and womanist traditions, names this shared labor of nurturing that extends beyond biological motherhood. Who has mothered Jaliya across the novel? What is the novel ultimately saying about what motherhood is?<BR> <BR>10. In the record shop, Jaliya pins her tarot cards among a wall of strangers&#8217; Polaroids, pairing each card with the photo that seems to fit it. She reflects that her mother can live on there, and so can she. A palimpsest is a surface where old writing has been partially erased and written over, but traces of what came before remain visible. In what ways is this wall at the store a palimpsest? In what ways is Jaliya herself one?<BR> <BR>11. Jaliya and her best friend, Ketta, are inseparable at the start of the novel. Jaliya leans on Ketta in ways that suggest she doesn&#8217;t yet fully trust herself. But once Jaliya arrives in Jamaica, Ketta largely disappears from the story. What do you make of this shift? Is it a sign of Jaliya&#8217;s growth, a failure of friendship, or both? Explain your reasoning.<BR> <BR>12. In her author&#8217;s note, the author identifies how compounding factors of identity including nationality, ethnicity, gender, sexuality, and religion are central to the book. Choose two or three characters and trace how their overlapping identities shape what they&#8217;re able to do, say, or survive. Where do you see power shifting based on who someone is?<BR> <BR>13. At one point, Jaliya recognizes that she has been measuring her own worth against the people around her, making everyone else the standard for whether she matters. Where does this habit come from for Jaliya? What would it take to stop? Have you ever found yourself doing something similar? If so, how do you break away from this behavior or thought process?<BR> <BR>14. Jaliya describes her father as someone whose natural warmth and positivity sometimes clashes with where she is emotionally. There are moments when she wants to stay in her grief rather than be pulled out of it. Is it ever necessary to protect a painful feeling rather than let someone lift you out of it? How do we honor where we are emotionally when the people who love us want to pull us somewhere else?<BR> <BR>15. Jaliya&#8217;s cousin Shevaughn tells her that it&#8217;s easier for girls to be gay because their sexuality is often fetishized and treated as spectacle, while boys face a different and often more dangerous kind of hatred. Is being fetishized a form of safety? What&#8217;s the difference between being tolerated and being accepted? Consider Jaliya&#8217;s and Shevaughn&#8217;s differing yet connected experiences. What does each one&#8217;s experience reveal about the other&#8217;s??<BR> <BR>16. Throughout her time in Jamaica, Jaliya is repeatedly marked as an outsider. She is whispered about at church, overcharged at the post office, and told to step back at the market so her Americanness doesn&#8217;t cost her friends a fair price. What does the novel suggest about how Americans are seen when they return to countries their families came from? How is Jaliya&#8217;s experience of being othered different from the typical story about American travelers abroad?<BR> <BR>17. Near a breakthrough in her search, Jaliya decides not to tell her uncle what she&#8217;s doing. She reflects that involving adults always seems to bring her sense of agency to a halt. When adults try to help, what can they unintentionally take away? Is there a meaningful difference between intervening and supporting?<BR> <BR>18. India observes that churches are holy, but that they always feel a little haunted to her. What do you think she means? What does the novel show us about what the church gives its characters and what it has cost them?<BR> <BR>19. When Jaliya&#8217;s uncle confronts her, her cousin doesn&#8217;t intervene. He explains later that defending her would have put him at risk. Jaliya faces her uncle alone and tells him directly that there is nothing wrong with her and that she accepts herself even if he cannot. What does it cost Shevaughn to stay silent, and was he right to? How do you read Jaliya&#8217;s speech to her uncle: as disrespect, as courage, or as both? Explain your reasoning.<BR> <BR>20. Near the end of the novel, Jaliya arrives at the decision that she will not argue with people who are committed to misunderstanding her. What does it take to reach that place, to stop trying to explain yourself to people who have already decided who you are? How has Jaliya changed from the person we met at the beginning of the book?<BR> <BR><b>Extension Activities</b><BR> <BR>1. Before or after reading, have students research the history and symbolism behind the colors of the Jamaican flag. Ask them to consider how those symbols connect to the novel&#8217;s themes of identity, pride, and belonging, and to think about what it means that Jamaica&#8217;s flag contains none of the colors most commonly associated with national flags around the world (red, white, blue). This can open into a broader conversation about how nations construct and communicate identity through symbols, and what those symbols include or leave out.<BR> <BR>2. Using a physical or digital map, trace all the places Jaliya visits: Montego Bay, Fern Gully, Kingston, Ocho Rios, and any others mentioned in the text. For each location, have students note what happened there and what it meant to Jaliya. Ask students to consider what the geography of the novel tells us about her journey.<BR> <BR>3. The novel moves across generations of Jamaican music, from Beres Hammond, Garnett Silk, Bob Marley and the Wailers, Dennis Brown, Gregory Isaacs, and Half Pint to Dexta Daps, Jada Kingdom, Aidonia, Teejay, and Shenseea. Have students listen to at least one track from two different artists, one from an earlier era and one contemporary. Ask them to reflect on what they notice about how the music sounds, what it&#8217;s about, and what it evokes, and to consider what the author might be saying by letting these generations share the same space in the novel.<BR> <BR>4. Marcus Garvey, born in Jamaica, became one of the most influential Black political thinkers of the twentieth century. Have students research his life and ideas, particularly Pan-Africanism and the concept of Black self-determination, and connect what they find to the novel&#8217;s themes of identity, pride, and belonging.<BR> <BR>5. Othermothering, rooted in Black feminist and womanist traditions, names the shared labor of nurturing that extends beyond biological motherhood. After discussing the concept with students, ask them to create an othermother map in which they place themselves at the center and branch out to name the people who have nurtured or shaped them, noting one specific thing each person gave them. Leave space for reflection on who surprised them and what it feels like to see that network laid out.<BR> <BR>6. In the record shop scene, Jaliya creates a kind of living archive by pairing her tarot cards with strangers&#8217; photos and letting different stories speak to each other across time. Ask students to bring in five to eight images, whether photos, clippings, or drawings, that represent different moments or people that have shaped them. Have them arrange the images together and annotate each with a word, phrase, or line from a song, poem, or the novel, then share one pairing that surprised them in the process.<BR><BR><i>Guide written by Stephanie R. Toliver, an assistant professor of Literacy and Secondary Humanities at the University of Colorado, Boulder. Her scholarship centers the freedom dreams of Black youth and honors the historical legacy that Black imaginations have had and will have on activism and social change.</i><BR> <BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net.</i>]]></Text>
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      <Text><![CDATA[Sarena and Sasha Nanua are twin sisters who love stories about friendship, ghosts, and all things magical. Born on Diwali ten minutes apart, they began writing books together at the age of nine. They are graduates of the English and professional writing programs at the University of Toronto and are the authors of&nbsp;<i>Spirit Service</i>, <I>Twice the Trouble</I>,&nbsp;<i>Sisters of the Snake</i>, and&nbsp;<i>Daughters of the Dawn</i>. You can visit them online at SarenaSashaBooks.com.<BR><BR>Sasha and Sarena Nanua are twin sisters who love stories about friendship, ghosts, and all things magical. Born on Diwali ten minutes apart, they began writing books together at the age of nine. They are graduates of the English and professional writing programs at the University of Toronto and are the authors of&nbsp;<i>Spirit Service</i>, <I>Twice the Trouble</I>,&nbsp;<i>Sisters of the Snake</i>, and&nbsp;<i>Daughters of the Dawn</i>. You can visit them online at SarenaSashaBooks.com.]]></Text>
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      <Text><![CDATA[<b><u>PRAISE FOR&nbsp;<i>SPIRIT SERVICE</i></u></b><BR> <BR> <b>Named an Indigo Staff Pick of the Month</b><BR> <BR> &ldquo;Fans of mystical mysteries, ghosts, and the supernatural will enjoy this series starter.&rdquo;<b><i>&mdash;School Library Journal</i></b><BR> <BR> &ldquo;Canadian authors Sareena and Sasha Nanua have created an enjoyable story that thoughtfully explores the ways people process grief&hellip;This is an entertaining, tender-hearted read for middle graders who like their realistic fiction with a little zap of the paranormal.&rdquo;<b><i>&mdash;Bulletin of the Center of Children&rsquo;s Books</i></b><BR> <BR> &ldquo;A perfect fit for fans of the Baby-Sitters Club series craving a haunted vibe.&rdquo;<b><i>&mdash;Booklist</i></b><BR> <BR> &ldquo;An entertainingly spooky series opener with appealing camaraderie among its characters.&rdquo;<b><i>&mdash;Kirkus Reviews</i></b><BR> <BR> &ldquo;With moments of sparkling friendship, well-timed humor, and supernatural twists, SPIRIT SERVICE is the middle grade ghostbusting story we&#39;ve all been waiting for!&rdquo;<b>&mdash;Katie Zhao, author of the&nbsp;<i>Winnie Zeng</i>&nbsp;series</b><BR> <BR> &ldquo;A heartfelt paranormal delight, Spirit Service offers an honest exploration of grief and loss balanced with the healing power of friendship, forgiveness, and letting go. But be warned: you&rsquo;ll never look at a rotary phone the same way again!&rdquo;<b>&mdash;Jenna Lee-Yun, author of&nbsp;<i>The Last Rhee Witch</i></b>]]></Text>
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      <Text><![CDATA[Gideon Sterer&nbsp;is the&nbsp;<I>New York Times</I>&nbsp;bestselling author of&nbsp;<I>The Christmas Owl</I>,&nbsp;<I>I Will Read to You</I>,&nbsp;<I>From Ed&rsquo;s to Ned&rsquo;s</I>,&nbsp;<I>Not Your Nest!</I>,&nbsp;<I>The Night Knights</I>, and&nbsp;<I>The Midnight Fair</I>, among others. Gideon grew up in upstate New York, where his parents owned a little zoo in which he would run around after hours and let the animals out. He now lives in the Hudson Valley and invites you to visit him online at GideonSterer.com and on X.<BR><BR>Charles Santoso loves drawing little things in his little journal. He gathers inspiration from his childhood memories and curiosities he discovers in his everyday travels. He has illustrated several picture books, including <i>The Snurtch</i>,&nbsp;<i>I Don&rsquo;t Like Koala</i>,<i> Finding Muchness</i>, and <i>Ida, Always. </i>Charles also works as a visual development artist, creating illustrations for feature film projects. He lives and works in Singapore. You can visit him at CharlesSantoso.com.]]></Text>
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      <Text><![CDATA[Chapter One: Thursday One THURSDAY <BR>I don&#8217;t look like a runner. I look like a rag doll trying to launch myself toward the finish line on rubbery legs that weren&#8217;t made for this.<BR> <BR>But my legs <i>were</i> made for this, so I keep going.<BR> <BR>The wind blasts against me, picking up for the home stretch. This is about the time my thighs and calves have melted into wobbly blocks of Jell-O, and my arms have numbed completely, my form long gone.<BR> <BR>Of course there&#8217;s a wind when I can&#8217;t feel my feet.<BR> <BR>I just want the misery over.<BR> <BR>I chance a look at the sky. Dark clouds glare at me. Storms are pretty typical in April, but&#8230; is that a tail?<BR> <BR>My hearts rams in my throat. I hate tornadoes. I&#8217;ve never experienced one, and I don&#8217;t live in a place that sees them often, or, like, ever, but that doesn&#8217;t stop my brain from whispering, <i>I think that is a tail. You better run for your life.</i><BR> <BR>Which makes everything harder. Running for your life is too much pressure. <i>And</i> I&#8217;m actually running <i>toward</i> the possible tail, or the imaginary one, however you want to see it, since it&#8217;s straight ahead and so is the finish line and the end of my torture.<BR> <BR>I can hear Coach Mac yelling from here. The wind&#8217;s not against her. It snatches her words, twirls them across the football field, and delivers them right to my ears.<BR> <BR>&#8220;Pick it up, Leta, or I&#8217;ll add another!&#8221;<BR> <BR>She&#8217;ll have to make me crawl another. My legs won&#8217;t make it through one more four hundred.<BR> <BR>I try to pick it up. I really do. But when I cross the finish line and bend over, gasping&#8212;just what Coach Mac tells us not to do (&#8220;Doesn&#8217;t let enough air get to your lungs, ladies!&#8221; she says)&#8212;and Coach Mac calls out my time, I wonder the same thing she asks:<BR> <BR>&#8220;What&#8217;s wrong with your feet today, Leta?&#8221;<BR> <BR>What&#8217;s wrong with my feet?<BR> <BR>I&#8217;ll tell you what&#8217;s wrong with my feet: Track shoes are expensive, which means Mom can&#8217;t buy a new pair every time mine wear out, which means I run miles and miles in my track shoes, which means all the miles someone else ran in these track shoes before me (because they&#8217;re not brand-new, they&#8217;re secondhand, that&#8217;s the way we have to do things in my family) along with my miles add up to slow slow slow<BR> <BR>SLOW!<BR> <BR>Coach Mac has me running the four-hundred-meter dash. It&#8217;s not quite long enough to wear regular running shoes. It&#8217;s more of a long-distance sprint, which calls for the special metal-spiked shoes that are supposed to help a runner&#8217;s toes grip the track so they can run super fast.<BR> <BR>Some of us don&#8217;t run super fast. At least, not every day. I&#8217;d like to remind Coach Mac of that, right now, when she&#8217;s looking at me like I&#8217;m some alien who stole Leta Laurel&#8217;s body and is now pretending she can run. Sometimes we&#8217;re tired. Sometimes our feet don&#8217;t work. Sometimes we have terrible shoes.<BR> <BR>I&#8217;m practicing today in my track spikes because our next meet is Saturday. Coach Mac likes us to spend our last practice before our meets in the shoes we&#8217;ll wear for our race.<BR> <BR>The spikes on track shoes should be sharp. Mine are so dull you might mistake them for one of those thimbles Mom wears when she&#8217;s sewing the hem of my pants, which have to be let out every month or so. Every time I bring her another pair for her magical alteration skills, she says, can I please stop growing? I tell her I&#8217;d really love to, have you ever been taller than just about every boy <i>and</i> girl <i>and</i> person <i>and</i> teacher in your school? I passed her up by the time I hit fifth grade, so I already know that answer.<BR> <BR>Growing is a problem, because Mom just bought me these track shoes six weeks ago and already they feel tight against my toes.<BR> <BR>But I won&#8217;t tell her that. Anything that costs money makes Mom get that anxious look on her face. And I don&#8217;t like making Mom more anxious than she already is.<BR> <BR>When I first handed Mom the track practice schedule, she beamed at me and said, &#8220;You made the team!&#8221; She looked so happy, I didn&#8217;t have the heart to tell her everybody made the team. Our school&#8217;s too small not to take everybody who wants to run track&#8212;and even then, Coach Mac isn&#8217;t above begging more girls to join with promises of monkey bread breakfasts before meets and free pizza on the way home. That&#8217;s not why I joined, but it&#8217;s probably why half the girls are on the team. Not a lot of money around these parts, and free pizza is free pizza. And have you ever tried monkey bread?!<BR> <BR>When I told Mom Coach Mac assigned me to the four-hundred-meter dash, her face fell like a shot-put ball in the hands of a weakling. Even she knew what kind of shoes you need for any race that ends in &#8220;dash.&#8221;<BR> <BR>The most expensive kind.<BR> <BR>&#8220;Let me see those shoes,&#8221; Coach Mac says.<BR> <BR>I wonder what she&#8217;d do if I pretended she wasn&#8217;t talking to me. But since she&#8217;d probably make me run another four hundred and my legs are already fried, I stop and lift up a foot.<BR> <BR>&#8220;<i>Give</i> me the shoe, I mean,&#8221; Coach Mac says, rolling her eyes.<BR> <BR>I almost say, &#8220;But it&#8217;s really stinky,&#8221; but I decide she gets what she deserves. I pull it off and hand it to her.<BR> <BR>She wrinkles her nose before turning it over. She clicks her tongue and shakes her head. &#8220;Well, now I see why my star runner can&#8217;t seem to do more than lumber like a deranged giraffe.&#8221;<BR> <BR>She doesn&#8217;t mean that. Does she?<BR> <BR>A couple of girls giggle. They&#8217;re no friends of mine. They&#8217;re girls who can afford the sort of shoes that should make them faster, if they had any kind of running talent.<BR> <BR>That&#8217;s mean. I shouldn&#8217;t say it. But at least the words stayed in my thoughts instead of hurtling out of my mouth.<BR> <BR>&#8220;It&#8217;s the wind,&#8221; I mumble. I&#8217;ve never liked running against the wind. Why can&#8217;t our school build an indoor track?<BR> <BR>I know why. It&#8217;s because all the athletics money goes to football. Surprise, surprise. It&#8217;s not fair, but it&#8217;s also not unusual. You pick any school in Texas, and it&#8217;s the same &#8220;football is king&#8221; story.<BR> <BR>Good spikes would help against the wind. I know this. I stare at the ground.<BR> <BR>&#8220;Get yourself some new spikes before this weekend&#8217;s meet,&#8221; Coach Mac says.<BR> <BR>Doesn&#8217;t she know that&#8217;s easier said than done? Track spikes aren&#8217;t in the budget.<BR> <BR>Unless Dad magically decides this week is the week he&#8217;ll start sending Mom some money from his out-of-state job way up in Michigan, which doesn&#8217;t seem to pay much. But since he hasn&#8217;t done that in three years, I think it&#8217;s probably unlikely.<BR> <BR>I do believe in miracles. Just not that kind.<BR> <BR>&#8220;Yes, ma&#8217;am,&#8221; I say anyway. And my chest pinches up tight, which is what happens anytime I think about Dad and the silence and what it might mean.<BR> <BR>Coach Mac hands back the shoe, but not before wrinkling her nose again. &#8220;And try some baking soda inside.&#8221; She waves a hand in front of her nose, like she&#8217;s trying to get rid of something foul. A dead skunk in the middle of the road when it&#8217;s ninety-nine degrees out and the air conditioner is blasting on high so the dead smell gets caught in the car and you&#8217;ll never get it out. The fumes from the boys&#8217; bathroom at school, which doesn&#8217;t have a true working door and gifts everyone who passes with an unexpected (but should be expected) whiff. One of Amelia&#8217;s Spam farts when we&#8217;re trapped in a car with two windows that don&#8217;t roll down.<BR> <BR>I almost tell Coach Mac the smell was there before I ever wore the shoes in the first place, but that would give away a secret I don&#8217;t want to tell. I&#8217;m just glad she didn&#8217;t notice the giant layer of superglue I applied to the flapping sole this morning. Which does not seem to work as well as it advertised.<BR> <BR>I sigh and wriggle my foot back into the shoe, feeling a little like one of Cinderella&#8217;s ugly stepsisters.<BR> <BR>How&#8217;s a girl supposed to run in shoes that don&#8217;t fit, shoes that flap, shoes that can&#8217;t grip any better than the seal on one of those off-brand sandwich bags Mom has to buy because they&#8217;re cheaper and we&#8217;re on a tight budget?<BR> <BR>You know how I know about the terrible, no-good, very bad seal of those off-brand sandwich bags Mom has to buy?<BR> <BR>Because the day I decided to take a leftover egg salad sandwich to school instead of the usual PB&J was the same day I stuck that sandwich in one of those off-brand sandwich bags and straight into my backpack instead of my lunch bag.<BR> <BR>There&#8217;s a reason I left my lunch bag at home. I got tired of bringing my old rainbow unicorn lunch bag from fourth grade, when I&#8217;m in eighth grade. I mean, I still love rainbows and I sleep with a stuffed unicorn, but those are things people don&#8217;t have to see. You know?<BR> <BR>I decided to take matters into my own hands and use my backpack as a lunch bag.<BR> <BR>Sometimes you make terrible decisions you wish you could take back. This was one of them.<BR> <BR>Anyway. I zipped the bag closed. But it didn&#8217;t stay zipped closed.<BR> <BR>Oh no.<BR> <BR>By the time lunch rolled around, egg salad had smashed into every crevice of the only new thing I got to kick off my eighth-grade year: a purple backpack.<BR> <BR>And you know what? The bad day didn&#8217;t end there. Of course it didn&#8217;t. It followed me home.<BR> <BR>I tried to wash my backpack free of its egg salad, but the only thing I washed it free of was its perfect purple color.<BR> <BR>Now I walk around with a backpack that&#8217;s more pale lavender than perfect purple.<BR> <BR>Turns out backpacks on the clearance rack aren&#8217;t made to be washed.<BR> <BR>There&#8217;s another reason I might be slow that has nothing to do with my track shoes, but I don&#8217;t like to think about it.<BR> <BR>Puberty.<BR> <BR>Coach Mac starts every track season talking to us about puberty. I&#8217;ve heard her speech two years in a row, so I practically have it memorized.<BR> <BR>&#8220;Young women throughout history have gone through puberty, and that means changing bodies,&#8221; she tells us. &#8220;And sometimes it also means slower run times for a while, until you get used to your new, changing bodies.&#8221; She squints at us during this part, like she&#8217;s trying to see which ones of us will believe her and which ones won&#8217;t. I don&#8217;t know if she can actually tell, but I always try to make my face say I believe everything she says. Because I do. She&#8217;s one of the smartest people I know, besides Mom and Pop.<BR> <BR>&#8220;Your bodies, however they look during the changing, do not tell the future of your running career,&#8221; she also tells us. &#8220;Things will settle into their proper places, and you&#8217;ll find your stride again.&#8221;<BR> <BR>I think she might have been talking about boobs when she said, &#8220;Things will settle into their proper places.&#8221; They throw off your whole center of gravity for a while. I&#8217;ve heard.<BR> <BR>Coach Mac also regularly tells us things like &#8220;Don&#8217;t worry about your weight, girls. Make sure you&#8217;re eating enough food to fuel your body. Do not EVER stop eating because you think lighter is faster. It&#8217;s not. It&#8217;s a myth, and my girls are too smart to fall for myths.&#8221;<BR> <BR>She&#8217;s very passionate about that.<BR> <BR>She&#8217;s very passionate about every part of running, actually. She&#8217;s the only coach I know who buys sports bras for anyone who needs them. &#8220;No person should be excluded from track just because her family can&#8217;t afford a good sports bra,&#8221; she says. I&#8217;ve taken a couple from her, since I know Mom doesn&#8217;t have the money for expensive sports bras, only the cheap ones that need constant adjusting. Who wants to adjust a bra while they&#8217;re running in front of other people?<BR> <BR>Track shoes and track spikes aren&#8217;t included in the community treasure chest, though, so we&#8217;re on our own for those. Track shoes are too expensive for Coach Mac to give away. But I&#8217;m not sure why she hasn&#8217;t thought of the cost of track spikes. Maybe because they&#8217;re not <i>that</i> expensive for most people. Or because we don&#8217;t need to replace them often&#8212;most of my teammates are still wearing the same ones they wore last season; mine just came old, so they&#8217;re already close to stubs.<BR> <BR>Or maybe it&#8217;s because I&#8217;ve never mentioned I need help getting them.<BR> <BR>I don&#8217;t mention it because it&#8217;s kind of embarrassing. No one wants to admit their family can&#8217;t afford new track spikes. When you admit you can&#8217;t afford ten extra dollars, people look at you a certain kind of way. I learned that back in third grade, when I told my teacher I didn&#8217;t have a foldout poster board for our wax museum project because my mom had to buy groceries that week. Some kid said, &#8220;My poster board only cost two dollars,&#8221; like that made a difference. Two dollars will also buy two bags of beans.<BR> <BR>Anyway. Back to puberty. Why does it always have to come back to puberty?<BR> <BR>Coach Mac used to be a professional runner, so she also starts every season teaching us how to monitor our periods. She hands us all a pocket-size calendar and says, &#8220;Look, girls, no one talked to me about this when I was your age. But it&#8217;s important to know where you are in your cycle and adjust your training to best suit your body. Your period is your business, and I would never, ever share that information with anyone else. But I&#8217;m here to help anytime you need it.&#8221;<BR> <BR>If we don&#8217;t want to track our period, she says that&#8217;s our choice and our business too.<BR> <BR>&#8220;Not everyone has predictable cycles, especially in the beginning,&#8221; Coach Mac says. &#8220;But they can be important indicators of your running health.&#8221;<BR> <BR>What she means is, we can monitor our periods to make sure we&#8217;re not getting into what she called RED-S.<BR> <BR>&#8220;It&#8217;s a condition we don&#8217;t want to play around with,&#8221; she tells us as often as possible. &#8220;I saw far too many of my colleagues end their careers too early because of it.&#8221;<BR> <BR>Basically, she says if we start our periods and they&#8217;re pretty regular and then we run a lot and get too thin because of the running and then go months and months where we don&#8217;t have a period, it can sometimes&#8212;but not always&#8212;mean we&#8217;re not eating enough to run as much as we run. And that can lead to holes in our bones, which makes them easier to break.<BR> <BR>I think she told us that last part to scare us a little. And it works&#8212;at least for me!<BR> <BR>Coach Mac isn&#8217;t just making all this up, either. I googled it, and RED-S is a real thing. It can end running careers, just like she said.<BR> <BR>Being a girl is complicated.<BR> <BR>So I monitor my period every month. So does everyone else, I think. And if we need to talk to Coach Mac about something, she takes us into her office, closes her door, and lets us ask our questions, however personal or ridiculous, and she never tells another person. It&#8217;s like having a big sister or another mom or a friend who&#8217;s a little bit scary sometimes.<BR> <BR>I don&#8217;t think there are many coaches like her, but I&#8217;m pretty sure there should be more.<BR> <BR>Although, she&#8217;s not perfect. She once told me, in the middle of practice, while the boys jogged past, &#8220;I got another sports bra for you to try, Leta. I found a smaller size.&#8221;<BR> <BR>I ran super fast that day, trying to outrun my burning face.<BR> <BR>I still took the bra.]]></Text>
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      <Text><![CDATA[<b>Three starred reviews!</b><BR> <BR><b>A </b><b>&#8220;</b><b>gut-wrenching and unforgettable</b><b>&#8221;</b><b> (<i>Publishers Weekly</i>, starred review)</b><b> novel in verse about a boy struggling with guilt as his family reels from the fallout of his older brother&#8217;s extreme depression and tries to hold onto hope.</b><BR><BR><I>My brother&#8217;s not here.</I><BR> <I>My brother&#8217;s not here.</I><BR> <I>My brother&#8217;s not here.</I><BR> <I>And it&#8217;s all</I><BR> <I>because of</I><BR> <I>me.</I><BR> <BR>Brooks loves and adores his older brother, Oliver. That&#8217;s why it was so hard&#8212;practically impossible, really&#8212;for him to have done what he did and told his parents about what Oliver wanted to do. <BR> <BR>Now Oliver has been sent away. He&#8217;s miserable, and Brooks&#8217;s family is falling apart. His mom and dad are sad and scared, and it seems like nothing will ever be okay again. Maybe things would be better if Brooks had just kept his mouth shut. Can he and his family find the hope they need to keep going?]]></Text>
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      <Text><![CDATA[R.L. Toalson grew up running wild through corn rows and cow-grazing fields and recording true and wildly exaggerated false tales to entertain her friends, family members, and anyone who would listen. She still runs (literally) wild through the streets of her city and spends most of her days recording true (if a little exaggerated) and false tales to entertain anyone who will listen. She lives in San Antonio, Texas, with her one brilliant husband, six delightful children, and two arrogant cats. She&#8217;s the author of <I>The Colors of the Rain</I>, which won the Arnold Adoff Poetry Honor Award for New Voices in 2020; <I>The Woods</I>, which received a starred review from <I>Booklist</I>; the highly acclaimed <I>The First Magnificent Summer</I>; and <I>Dirty Windows Don&#8217;t Open</I>. Visit her at RachelToalson.com.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>My Brother Oliver</i></b><BR> <BR>By R. L. Toalson<BR><BR><b>About the Book</b><BR> Brooks loves and adores his older brother, Oliver. That&#8217;s why it was so hard&#8212;practically impossible, really&#8212;for him to have done what he did and told his parents about what Oliver wanted to do.<BR> <BR>Now Oliver has been sent away. He&#8217;s miserable, and Brooks&#8217;s family is falling apart. His mom and dad are sad and scared, and it seems like nothing will ever be okay again. Maybe things would be better if Brooks had just kept his mouth shut. Can he and his family find the hope they need to keep going?<BR><BR><b>Discussion Questions</b><BR> <BR>1. Take note of the book&#8217;s title. How do you think the title, <i>My Brother Oliver</i>, foreshadows feelings, relationships, or themes? Will Oliver be the protagonist or antagonist? Explain your thinking.<BR> <BR>2. The story is written from Brooks&#8217;s point of view. Readers learn that Brooks&#8217;s life seems to be an emotional roller coaster. Create a Character Analysis Chart that sorts his many feelings; provide evidence from the text and what it reveals about the character. Do his feelings change throughout the book? Discuss which traits appear more often and how they affect his relationships.<BR> <BR>3. Oliver, Brooks&#8217;s brother, is a central character in this story. Describe Oliver. How does he relate to others? Is he able to tell the difference between friends and foes? What are his patterns of behavior? When Oliver upsets people, do you think he&#8217;s being manipulative, or does he not realize what he is doing? How would you react to his behavior? Explain.<BR> <BR>4. Oliver is a talented violin player. When distressed, he turns to music as his safe space. Notice when Oliver needs to regain his spirit and how he does it. What is your safe space? Describe a situation where you would feel the need to use it.<BR> <BR>5. Brooks and Oliver&#8217;s parents display different characteristics. However, they both love their children and want to keep the peace in their family. Describe Mom and Dad and how they treat each of their children. Do they respond to them fairly? How so? Is it acceptable to treat siblings differently depending on their needs? What if it is at the expense of the other siblings? Explain.<BR> <BR>6. Porter is Oliver&#8217;s best friend. Describe their friendship. What are some of the activities they like to do together? Why do you think they get along so well? When Porter visited Oliver at the hospital, he mentioned that &#8220;<i>Clearview is a good place for him.&#8221;</i> (p. 196) Why would he think that, and why would Oliver not beg his family to take him home after Porter visited?<BR> <BR>7. The day after &#8220;the incident,&#8221; Oliver goes to the hospital. Retell the scene in your own words, and describe how Mom, Dad, and Brooks each react, including what they say or do at that moment. What do you think Brooks means when he says, &#8220;I have ruined everything.&#8221; (p. 36) Do you think he&#8217;s overreacting? Explain.<BR> <BR>8. Describe the friendship between Brooks and Rocco. Do you think they know everything about each other since they are best friends? Is it okay not to tell your best friend everything? What would be off-limits?<BR> <BR>9. Think about the relationships between the main character and minor characters, whether positive, negative, or complicated. Jill is a character with a mysterious edge. Brooks and Jill used to be good friends, but now she is displaying odd behaviors toward him. What do you think is going on in her life? Do you think their relationship is over? Explain.<BR> <BR>10. Brooks often expresses feelings of self-doubt and guilt. He states, &#8220;When I looked in the mirror . . . I only saw a coward.&#8221; (p. 138) At times, Brooks wants to connect with and help Oliver, but then he freezes and doesn&#8217;t. Notice when this happens, and discuss why you think Brooks has chosen this behavior. Is it to help himself or Oliver? What would be your advice to Brooks?<BR> <BR>11. Sometimes a character behaves differently at various points in a story, which may be unexpected to the reader. When Brooks takes the solo, even though he feels Noel will bully him, he realizes he doesn&#8217;t want to live in Oliver&#8217;s shadow or be invisible anymore. Everyone in the cafeteria is looking at Brooks, and he thinks, &#8220;Is this what it&#8217;s like to be / seen?&#8221; (p. 105) In what other moments does Brooks feel seen? When have you felt the elation of being seen? How did it change your mood or perspective?<BR> <BR>12. Brooks has mixed and complicated feelings about Oliver. When does Brooks struggle most with these conflicting emotions? Explain what these moments show about Brooks&#8217;s relationship with his brother. <b>Have you</b> ever had mixed feelings about someone (a friend, sibling, teammate, etc.)? What have you done to overcome them?<BR> <BR>13. Brooks often asks himself difficult questions, in which he may never have clear answers. Pay attention to when he reflects on his actions and feelings. How do these questions affect what Brooks is going through at that moment? After having an argument with Oliver, Brooks wonders, &#8220;Would we ever have a regular / brotherly bond?&#8221; (p. 165) He also asks, &#8220;Is it possible to miss and not miss / your brother at the same time?&#8221; (p. 190) Think of someone you have conflicting feelings about. How can you explain this question?<BR> <BR>14. Oliver thinks that Brooks is the &#8220;perfect son.&#8221; However, Brooks thinks that his home revolves around Oliver. How can two people living in the same environment and sharing the same experiences have a different perspective on what is true? Have you been in a similar situation where the same event was seen in different ways? How did you come to an agreement or solve your difference of opinion?<BR> <BR>15. Bullying is when someone repeatedly tries to hurt another person through words, actions, or behavior. Brooks reminds us that, &#8220;It&#8217;s not always loud and full of fists, / like you think.&#8221; (p. 441) How does bullying occur in this story? Discuss the possible reasons people become bullies and why they get away with their behavior. How do their actions affect others? Can bullies change their behavior? Provide evidence from the text.<BR> <BR>16. Consider what happened between Oliver and Noel on the bus before &#8220;the incident.&#8221; How did Brooks, Oliver, Mom, and Dad each react to the situation? Brooks states, &#8220;Did he know how his moods / affected us / all?&#8221; (p. 152) Can the moods of your friends or family affect you in positive and/or negative ways? Explain using your own personal experiences.<BR> <BR>17. Discuss Oliver&#8217;s list. What prompted Oliver to write it? How did it get in the hands of the principal? Was Brooks doing the right thing by telling on his brother? Why or why not? What would you have done if you found a list like Oliver&#8217;s? Is there ever a time when you shouldn&#8217;t get involved? Explain.<BR> <BR>18. An author uses symbolism to give an object, character, or event a deeper meaning beyond its literal meaning. Oliver loves to build with Legos. Brooks states, &#8220;Maybe trust can be rebuilt / one Lego piece / at a time.&#8221; (p. 116) Notice when Legos are mentioned in the story and what they may symbolize. Similarly, Brooks keeps Oliver&#8217;s school ID with him while Oliver is away. What do you think the ID symbolizes? What other symbols do you recognize throughout the novel?<BR> <BR>19. While Oliver is away, Brooks wonders what it would be like to have a normal life. Life at home is not easy, but he says, &#8220;Turns out a home without Oliver / isn&#8217;t brighter or easier or better. / It&#8217;s the exact / opposite.&#8221; (p. 96) Consider the expression &#8220;Be careful what you wish for,&#8221; and describe how it pertains to Brooks in this moment. Have you ever been in a situation where you wished for something, but after it happened, you changed your mind? How did you react to it?<BR> <BR>20. Brooks is overprotective of Oliver. At one point, Noel is talking about Oliver in the cafeteria and calling him a freak. Brooks yells at Noel and thinks, &#8220;It feels good blaming someone else.&#8221; (p. 239) Does Brooks ever compromise himself to protect Oliver? Notice moments when Brooks is protective; discuss his behavior and rationale during these times.<BR> <BR>21. Mom is a pivotal character who often shares words of wisdom or offers serious advice. When Brooks is upset that Oliver invited the same mean boys to his birthday party, she sadly states, &#8220;We can&#8217;t save Oliver from everything, Brooks. / We have to let him learn for himself. / He&#8217;s in charge of his own life.&#8221; (p. 83) How do you feel about this statement? How do we know when to get involved and when to have others figure it out on their own? Explain.<BR> <BR>22. The climax is the moment in a story when the main conflict reaches its highest point of tension.<b> </b>While waiting for Oliver to return home from the hospital, Brooks breaks down and tells Mom, &#8220;I&#8217;m the reason Oliver / wanted to die.&#8221; (p. 412) He tells her everything, and they have a powerful conversation. Mom shares, &#8220;You can&#8217;t ignore / your own problems because / you think someone else&#8217;s are bigger.&#8221; (p. 415) Discuss how you think Brooks feels during and after this moment. Do you think Mom understands what Brooks is feeling because she&#8217;s been through a similar situation? Explain.<BR> <BR>23. Describe the moment when Oliver returns home from the hospital and the party to celebrate his homecoming. As you read, how were you feeling? Discuss the encounter between Brooks and Oliver. Did it surprise you that young children could speak so maturely about an adult topic? Why or why not?<BR> <BR>24. When Brooks and Oliver return to school together, Mom reminds Brooks, &#8220;Remember, he&#8217;s not your responsibility. But he is your brother.&#8221; (p. 440) What does Brooks learn about not taking the blame or feeling guilty when someone can&#8217;t be helped? What is the most powerful way you can help someone?<BR> <BR>25. The book ends with Brooks saying, &#8220;My brother Oliver, / surrounded by a collection&#8212; / no, an army&#8212; / of people so he never, ever / forgets who he is. / My brother Oliver, / safe and sound, / for now.&#8221; (p. 445) What has Brooks learned and accepted about Oliver? How can you reflect on this message?<BR><BR><b>Extension Activities</b><BR> <BR>1. Author R. L. Toalson uses specific techniques to develop and support ideas in her story. Notice her use of repetition throughout the story and how it is used in different situations. At one point, Brooks questions why Oliver is the way he is. He repeatedly asks why. When someone feels uncertain or stressed, they may ask why repeatedly because they are frustrated or trying to find reassurance or control over a situation. Has this happened to you? How do you feel when you know these questions may not be answered? Who can you go to for help? Write a &#8220;Why&#8221; poem to express questions about life, feelings, or difficult experiences as a way to reflect and better understand your thoughts.<BR> <BR>2. R. L. Toalson reminds us in the author&#8217;s note that &#8220;Writing and journaling can help pull us through our struggles.&#8221; It can help clear the mind, so worries and emotions can feel more manageable. Take a notebook or paper, and set aside a little time each day to create a peaceful routine where you relax, focus, and write down your thoughts.<BR> <BR>3. <i>Author&#8217;s craft</i> refers to the techniques a writer uses to create a story so that it is interesting, meaningful, and effective for the reader. Toalson uses figurative language and imagery to create vivid pictures or build emotion. Discuss phrases like &#8220;severing our family into two jagged pieces,&#8221; &#8220;Eggshells everywhere . . . whether we spoke or not,&#8221; and &#8220;I split open, and it feels like the sun lives inside me.&#8221; Make a list of other words or phrases expressed to reveal the emotion of what is happening in a given moment.<BR> <BR>4. Brooks describes the architectural layout of his school as he sees it. He states, &#8220;The boy&#8217;s locker room is twice the size of the library.&#8221; And there are &#8220;common spaces set up in every hallway, where kids could take breaks . . .&#8221; This structure shows the priorities of the school. Design your own floor plan of what you think the perfect school should encompass to meet the needs of all the students. Present your plan and explain your suggestions.<BR> <BR>5. Mom consistently tells Brooks, &#8220;Remember who you are&#8221; and that he doesn&#8217;t need to be like others. Create an identity web showing how special you are. Include personal identifiers, like<i> sister </i>or <i>athlete</i>, and social identifiers like ethnicity or gender. Then produce an <i>I AM </i>project, designing a poster or writing a poem or story about what makes you special. Share it with others and be proud.<BR> <BR>6. At the end of the book, Brooks wonders what causes depression, anxiety, and other mental illnesses. Mental illnesses are health conditions that affect mood, thoughts, or emotions. He realizes that people need to take one day at a time and love one another. Research different types of mental illnesses, and learn about how we can help and the importance of being patient and understanding. Support systems are crucial. Make sure adults are part of that support system.<BR> <BR>7. Write a letter to the author, R. L. Toalson, after reading about her personal connection to the story in the author&#8217;s note at the end of the book. What would you want to say to her? What questions would you want answered? <b>Please note:</b> you do not need to send the letter if you don&#8217;t want to.<BR><BR><b>Additional Resources</b><BR> <BR>There are resources that people can reach out to for help when life feels difficult or they are in crisis. The links below can be helpful for you or anyone in need:<BR> <BR>&#183; 988 Suicide & Crisis Lifeline: https://988lifeline.org/<BR> <BR>&#183; Crisis Text Line: https://www.crisistextline.org/<BR> <BR>&#183; Anxiety & Depression Association of America: https://adaa.org/<BR> <BR>&#183; National Alliance on Mental Illness Support Groups: http://nami.org/support-education/support-groups/nami-family-support-group/<BR><BR><i>Angela Benevento is a Literacy Specialist and elementary school teacher, who lives with her family in New York.</i><BR><BR><i>The websites referenced above are provided for informational purposes only and are not intended as an endorsement or promotion of any website. Simon & Schuster is not responsible for the functionality or content of any external website and expressly disclaims all responsibility and liability in connection therewith.</i><BR> <BR><i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net/m/prek12-teachers-librarians/teaching-resources.</i>]]></Text>
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      <Text><![CDATA[Chapter 1 Chapter 1 <BR>IT WAS BAD ENOUGH THAT Mario&#8217;s parents were banishing him off the face of the earth for one insignificant, harmless misdemeanor, but did they also have to hire someone to watch his every step?<BR> <BR>&#8220;Mario Gallegos?&#8221; A woman with a tight bun, a tighter smile, and an all-black uniform opened the taxi door as soon as it arrived at the Hopkins International Airport in Cleveland.<BR> <BR>To make matters worse, she&#8217;d pronounced his last name &#8220;Gally-goes&#8221; instead of the correct Spanish way.<BR> <BR>For a second, Mario thought of telling the nice cab driver he was being kidnapped. The other option would be the old &#8220;no espeeca eengleech&#8221; standby. Except that a glimpse of his sixth-grade school picture, the one that made him look like a gangster, and not in a cool way, shone from the tablet at the crook of her arm. He grunted and exited the taxi from the traffic-side door, not the one opened for him.<BR> <BR>&#8220;Who are you?&#8221; Mario demanded.<BR> <BR>The woman held out the lanyard with her ID card as if she really were an FBI agent proving her identity and high-security clearance. &#8220;My name is Frances, and I&#8217;m here to escort you to your departure gate.&#8221;<BR> <BR>Too late now to get back in the cab as the driver heaved Mario&#8217;s suitcase out of the trunk. &#8220;Have a good flight!&#8221;<BR> <BR>&#8220;Your mother said she left you money to tip the driver,&#8221; the FBI nanny reprimanded him, as if he were three and had forgotten to wash his hands after going pee pee in the potty.<BR> <BR>Mario frowned. The whole point of giving him cash for the tip had been to teach him <i>responsabilidad</i> (Papi) and accountability (Mami). Having this FBI nanny remind him to do it defeated everything.<BR> <BR>The driver grinned and flashed the folded five-dollar bill in his hand that Mario had slipped him in exchange for the suitcase. &#8220;He gave it to me already. Thank you, my friend.&#8221;<BR> <BR>&#8220;Yeah, thanks, man.&#8221; Mario jerked up his chin in farewell. As much as he had wanted to keep the money, just to annoy his parents, he couldn&#8217;t cheat the driver.<BR> <BR>The FBI nanny turned to Mario with a stern, mind-reading glare. She&#8217;d obviously been given an account of his record and even had one of those hands-free phone devices that clipped to one ear.<BR> <BR>She broke her eye contact when someone tooted their horn, and seeing his chance, Mario bolted into the crowded terminal.<BR> <BR>Unfortunately, he&#8217;d packed too much, and even with three-sixty-degree wheels, his bag wasn&#8217;t built for quick crowd maneuvering. Double unfortunately, he was spotted before he was able to hide himself among a family with six kids.<BR> <BR>Must be his darn tracked phone. One mistake and his parents acted like he&#8217;d burgled the US Treasury.<BR> <BR>&#8220;Please don&#8217;t try that again,&#8221; the FBI nanny scolded him the second she materialized next to him.<BR> <BR>&#8220;Or what, you&#8217;re going to handcuff me to you?&#8221; Mario demanded so loud, all eight members of the family in front of him turned to stare. He pulled his hood over his head.<BR> <BR>Once again, she gave him that stern, patronizing look. &#8220;No one&#8217;s handcuffing you. You&#8217;re a little boy, not a criminal.&#8221;<BR> <BR><i>A little boy?</i><BR> <BR>He swallowed several times and, once he was calmer, tried a different tactic. &#8220;Look, I don&#8217;t need a babysitter. I&#8217;ve flown more times than I can count. I&#8217;m twelve. I know how to read the boards for flight information.&#8221;<BR> <BR>&#8220;I&#8217;m just doing my job.&#8221;<BR> <BR>If only he could make a run for it again. But first he&#8217;d have to slip his phone into one of the bags of the large family and hope they were flying to Bangkok. Try tracking that.<BR> <BR>Seriously, though, if his parents thought he was such an irresponsible flight risk, they should have brought him to the airport themselves. Or at least come out of their home offices to say goodbye when the taxi had arrived at the house.<BR> <BR>Being escorted through the airport might have been bearable if he were only around strangers, people he&#8217;d never see again.<BR> <BR>But no, it had to become personal.<BR> <BR>&#8220;Yo, Mar-ee-yo!&#8221; called a familiar voice when they got to the gates.<BR> <BR>Swaggering over were Derek and Patrick, from his basketball team. They held their arms up for the high-five handshake the teammates used in greeting. To add insult to injury, they both sported brand-new limited-edition Air Jordans, the very thing that had gotten Mario into this whole &#8220;we don&#8217;t know what to do with you&#8221; mess with his parents in the first place.<BR> <BR>&#8220;Hey!&#8221; Mario plastered on a wide smile and slapped each of their backs in return. &#8220;Where are you guys off to?&#8221;<BR> <BR>&#8220;Chicago,&#8221; Derek bragged. &#8220;Dad got home-plate tickets for the Guardians&#8211;White Sox game tonight.&#8221;<BR> <BR>&#8220;Nice,&#8221; Mario lied. He secretly found baseball boring, and even more secretly, he really wanted to ask if he could go to the game with them.<BR> <BR>Patrick&#8217;s face twisted in confusion as he stared at Mario&#8217;s hovering chaperone. &#8220;You&#8217;re not Mario&#8217;s mom, are you?&#8221;<BR> <BR>&#8220;No way!&#8221; Mario said. Not that the question should have surprised him. In all the years they&#8217;d been in school with Mario, the boys had probably only seen Mami a couple of times.<BR> <BR>&#8220;I&#8217;m Frances, Mr. Gally-goes&#8217;s unaccompanied-minor escort.&#8221;<BR> <BR>For a second Derek and Patrick gave them blank expressions. Then they doubled over in fits of laughter, as if she had said that she was also responsible for changing Mario&#8217;s diapers. At least they didn&#8217;t pull out their phones to document the shame. If his whole basketball team found out, Mario wouldn&#8217;t be able to show his face in Ohio again.<BR> <BR>Not that he knew he&#8217;d be back. Papi had only bought him a one-way ticket.<BR> <BR>&#8220;It&#8217;s Gallegos,&#8221; Mario corrected, pulling up his hood even farther. Just in case the boys&#8217; phones did come out. &#8220;Pronounced &#8216;Gah-YEH-gos.&#8217;?&#8221;<BR> <BR>Instead of responding, the FBI nanny touched her earpiece as if listening to something. Was Mami seriously overhearing everything they said?<BR> <BR>Derek and Patrick&#8217;s mom came over and wrapped Mario in a big hug. She was like one of those perfect humans from TV shows: worked full time at her doctor&#8217;s practice and still managed to drop the boys off at school before the first bell and never forgot to pick them up from practice. Whenever Mario had been over for dinner, she actually cooked, too. Like, with a pan and lots of fresh ingredients.<BR> <BR>&#8220;Mario, sweetie, we heard what happened. Are you okay?&#8221; she asked, holding him at arm&#8217;s length and examining him up and down. He suddenly wished he&#8217;d taken a second look in the mirror before leaving the house.<BR> <BR>&#8220;Yeah, I&#8217;m fine,&#8221; Mario said. Like he&#8217;d say anything different.<BR> <BR>&#8220;Is it true the cops were called?&#8221; Derek asked, his eyes wide in awe.<BR> <BR>&#8220;Is that why Mary Poppins is here?&#8221; Patrick jerked his thumb at the FBI nanny.<BR> <BR>Mario tugged at the cords on his hoodie. <i>Seriously, just kill me now.</i><BR> <BR>&#8220;No, I&#8212;&#8221; Mario started, but found he couldn&#8217;t explain.<BR> <BR>His friends&#8217; mom seemed to understand something Mario didn&#8217;t and gave him another hug. &#8220;I&#8217;m sorry, sweetie. Call if you need me. Boys, they&#8217;re boarding us now.&#8221;<BR> <BR>Mario watched them join their dad for their family trip. Forget sending his phone off to Bangkok. Mario really should have asked them if they&#8217;d be open to acquiring a third son. Bet Derek and Patrick wouldn&#8217;t be shipped off if they&#8217;d done something wrong.<BR> <BR>&#8220;They seemed nice,&#8221; the FBI nanny said, reading his mind.<BR> <BR>&#8220;Don&#8217;t even,&#8221; he snapped. His flight wasn&#8217;t due to board for another forty minutes, and he couldn&#8217;t stand her one more second. He grabbed his backpack and stormed off to the one place she couldn&#8217;t follow.<BR> <BR>Mario burst into a bathroom stall, slamming the door so hard it jammed into the lock mechanism. He braced his back against a side panel and raised his feet to press against the other so he &#8220;sat&#8221; suspended in midair.<BR> <BR>Can you please tell the FBI nanny to lay off? Mario texted Mami, though he didn&#8217;t read any of her previous fifty-two messages. Stop treating me like a baby. I know what I&#8217;m doing.<BR> <BR>Mami responded so quickly, Mario wouldn&#8217;t have been surprised if she had the message drafted already: Ms. Frances is there to make sure you behave and get on the plane.<BR> <BR>Mario muttered some choice words in Spanish, which, judging by his stall neighbor&#8217;s chuckle, were understood by at least one person in the bathroom. He went back to ignoring his mother and opened a game app to pass the time.<BR> <BR>It didn&#8217;t load.<BR> <BR>He checked that he was connected to the free airport Wi-Fi and tried again. Nothing. Not only that, no streaming music or videos, no search results on the browser. <i>You have got to be kidding!</i><BR> <BR>He put in his earbuds. Time to handle this face to face.<BR> <BR>&#8220;Did you block all my apps?&#8221; he shouted in Spanish when Mami, from the attic, and Papi, from the basement, picked up the video call from their respective home computers. Even when Mario was in the house, most communication with either parent happened through screens.<BR> <BR><i>&#8220;Tienes que aprender,&#8221;</i> Papi said, his eyes clearly shifting between the two massive programming monitors in his home office. &#8220;I can&#8217;t have you getting into more trouble and acting like <i>un ni&#241;ito malcriado</i> without consequences. You&#8217;ve forfeited any trust we had in you by stealing from us.&#8221;<BR> <BR>&#8220;And we both agreed you needed less screen time,&#8221; Mami said in English. The sound of her clicking fingers typing code transferred through the speaker.<BR> <BR>Mario squeezed his phone hard, wishing he were strong enough to crush it in his bare hand. &#8220;So you&#8217;ve left me with nothing?&#8221;<BR> <BR>&#8220;Not nothing,&#8221; Mami said in a cheery voice. &#8220;You can call, text, and video your friends like normal. And to make sure you can still learn, we left the Wikipedia app active.&#8221;<BR> <BR>Also active, it turned out, was his End Call button.<BR> <BR>A different sort of escort awaited Mario when he landed at his final destination.<BR> <BR><i>&#8220;&#161;Mi amor!&#8221;</i> Abuela waved at him as soon as he had walked across the tarmac and into the building of the municipal (or minuscule, as it should be dubbed) airport in New Mexico. &#8220;How&#8217;s my favorite criminal?&#8221;<BR> <BR>And here he&#8217;d thought he&#8217;d had enough embarrassment for one day. Why couldn&#8217;t she have just driven by to pick him up once he&#8217;d gotten his checked bag? Or better yet, gotten him a taxi like a normal parent? But no, she had to meet him in person with perfect hair and makeup (&#8220;because you never know who you might see&#8221;), expensive Native jewelry, and clothes that looked like they had been made just for her.<BR> <BR>To make sure everyone in the tiny airport noticed her, she hadn&#8217;t come alone. On either side of her, still as statues, sat two intimidating Dobermans in red service vests.<BR> <BR><i>&#8220;&#161;Mira qu&#233; grande est&#225;s!&#8221;</i> Abuela hit him on the shoulder, hard, as if it were his fault he&#8217;d grown taller than her since Christmas. Then she pulled down his cheek to cover it with kisses.<BR> <BR>As soon as she released him, the dogs rose to thigh height, wagging their nub tails.<BR> <BR>&#8220;Say hello to your cousins,&#8221; Abuela ordered. &#8220;They&#8217;ll help keep you in line.&#8221;<BR> <BR><i>&#8220;Hola Pancho. Hola Villa.&#8221;</i><BR> <BR>The two Dobermans slobbered on his hands in greeting, their uncropped ears flapping in excitement. He slipped them each a pretzel he&#8217;d saved from the plane. He&#8217;d never admit it, but he didn&#8217;t mind when they kissed his hands to say hello. Despite Abuela&#8217;s tough love, he knew at least one person and two dogs were happy to see him.<BR> <BR>&#8220;Now, call your parents to let them know I have you and you arrived safely,&#8221; Abuela continued in her way of making everything she said sound like an order, which it was. &#8220;They were frantic when you gave the escort the slip in Dallas. I told them not to worry, that you knew how to read the flight information on the boards to get to the right gate.&#8221;<BR> <BR>Mario felt the heat rise on his cheeks as he tried not to smile. It had been pretty James Bond of him to dodge the new escort waiting to help him change planes when he&#8217;d landed in Dallas. Even in a bustling airport he&#8217;d darted one way and another through the hordes without crashing into anyone to get to his next gate alone. Talk about off season training.<BR> <BR>He&#8217;d also kept his phone off after having hung up on his parents to escape being tracked. Getting back online wasn&#8217;t going to be pretty.<BR> <BR>The phone flashed like a strobe light as literally hundreds of messages pelted down from the satellite.<BR> <BR>&#8220;Mami already knows.&#8221; He held up his phone showing the latest of the messages. &#8220;She just texted to say hi to you.&#8221;<BR> <BR>Abuela grumbled. &#8220;In my day, we communicated with our voices.&#8221;<BR> <BR>Not that Abuela was one of those elderly people who didn&#8217;t get smartphones&#8212;she knew how to use hers better than Mario. When his worked. But she didn&#8217;t think technology replaced live communication. As a result, Abuela was the only person Papi would actually call.<BR> <BR>&#8220;They&#8217;re both deep in deadlines.&#8221; Mario excused his parents out of habit.<BR> <BR>Abuela shot him a disapproving look. Whether the criticism was for defending his parents or his parents&#8217; behavior itself, he didn&#8217;t know.<BR> <BR>The four walked to get his suitcase, the two dogs never once pulling on their leashes. Abuela had paid to get them &#8220;service dog&#8221; training just so she could take them anywhere. Here at the airport, everyone gave them a wide berth.<BR> <BR>&#8220;You know I was the one who told your parents to send you to me, <i>&#191;verdad que s&#237;?</i>&#8221; she asked.<BR> <BR>Mario nodded.<BR> <BR>Not that it&#8217;d taken much convincing. Papi had already been on the phone with Abuela when the credit card fraud alert had come in. That had been Mario&#8217;s first mistake. He should have never tried to get away with something while Papi was talking with Abuela, who always rattled Papi&#8217;s nerves by saying what Papi didn&#8217;t want to hear.<BR> <BR>Mario was willing to bet that was the first time anyone had dared hang up on Abuela.<BR> <BR>Mistake number two came from trying to order the just-released limited-edition white-and-red Air Jordans with a certificate of authenticity signed by MJ himself from a website called genueengoodznotstollen.com. In Mario&#8217;s defense, they were fifty bucks cheaper than on other sites with guaranteed free next-day delivery.<BR> <BR>While Papi had yelled at Mario (<i>&#8220;&#191;C&#243;mo se te ocurre gastar tanto en unos zapatos?&#8221;</i> and &#8220;I should call the cops to teach you a lesson&#8221; and other threats and accusations for what felt like ten hours), Mami had gone through their credit card statements and discovered a lot of other purchases neither parent remembered making.<BR> <BR>In retrospect, Mario also probably shouldn&#8217;t have bought an e-zine subscription to <i>Farts and Toots</i>, even though it was a gas. Call that his third mistake.<BR> <BR>And of course Abuela had called back and demanded to know what was going on. His parents locked themselves in Papi&#8217;s office, but even from within his own room, Mario overheard their side of the conversation: &#8220;What are we supposed to do with him? Our jobs have us under a lot of pressure. We can&#8217;t deal with a delinquent right now.&#8221;<BR> <BR>That&#8217;s probably when Abuela had suggested having him come to her, because the next thing Mario knew, Mami had texted to tell him they&#8217;d booked him a one-way flight to New Mexico.<BR> <BR>&#8220;Thanks for having me,&#8221; Mario said automatically as he collected his luggage from baggage claim. It was what she expected him to say.<BR> <BR>&#8220;I promised your parents I&#8217;d whip you into shape. Don&#8217;t let me down,&#8221; Abuela said.<BR> <BR>Mario grumbled his agreement.<BR> <BR>It&#8217;s not like he didn&#8217;t like his <i>abuela</i>. Truthfully, she was by far his favorite family member, and he knew he was hers (after her beloved canine children, of course). She never switched between ignoring him and treating him like a <i>ni&#241;ito chiquito</i>. She got him presents she knew he&#8217;d like (and she was almost always right) and thought up things for them to do as a family. But their past time together had happened during short breaks and holidays, often during snowboarding season. What was he going to do here for an entire summer? It wasn&#8217;t as if she had friends with kids or grandkids his age.<BR> <BR>&#8220;I have a surprise for you tomorrow,&#8221; Abuela said. She pressed a button on her key fob to open the rear of her Mercedes SUV for Mario&#8217;s suitcase. Then, like a chauffeur, she held open the door to the back seat for the pups, who clambered onto the leather seats with the entitlement of spoiled children.<BR> <BR>&#8220;You signed me up for basketball camp?&#8221; Mario had overhead Mami suggesting this when they finalized the arrangements to send him away. All of two days ago.<BR> <BR>Abuela winked. &#8220;Even better. <i>Ya ver&#225;s.&#8221;</i>]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><i>Camp Big Top</i><BR> <BR>By Alexandra Diaz<BR><BR><b>About the Book</b><BR> <BR>After Mario is caught using his parents&rsquo; credit card without their permission, Mami and Papi send him to New Mexico for the summer to live with his abuela. To make matters worse, Abuela signs him up for circus camp to keep him out of trouble. But Mario isn&rsquo;t the only one struggling under the big top. Luna has practically grown up in the circus, yet her changing body&#8212;and her parent&rsquo;s high expectations and harsh words&#8212;make her wonder if she still belongs. Ricky dreams of being a circus star but his clumsiness and short attention span topple those hopes. And Betina would rather do anything than step into the spotlight. Just as this unlikely group of friends start to build confidence and trust, an angry landlord threatens to shut down the camp for good. Mario and his new friends must band together to save Camp Big Top, using their unique talents to put on the show of a lifetime. After all, under the big top is the one place they&rsquo;re free to be themselves, and everyone knows the show must go on!<BR><BR><b>Discussion Questions</b><BR> <BR>1. If you were going to be in the circus, what act would you want to be a part of? Do you already have any circus-ready skills, or would you have to learn?<BR> <BR>2. The narration in <i>Camp Big Top</i> shifts from chapter to chapter to follow our main characters Mario, Luna, Ricky, and Betina through their interactions with others. Why do you think the author chose to have these different perspectives, rather than focusing on just one character? Which character was your favorite, and why?<BR> <BR>3. Why did Mario steal his parents&rsquo; credit card? What are better ways he could have handled this situation?<BR> <BR>4. Mario starts the novel having made a big mistake. Should one mistake define a person? What does real responsibility look like? How does Mario prove himself to be responsible in this book?<BR> <BR>5. Why is Mario so resistant to circus camp at first? How do his feelings about camp change over the course of the book?<BR> <BR>6. On the first day of camp, Luna fails at climbing the silks when asked to demonstrate. How does that make Luna feel? How does she find her confidence again? What are some other ways people can rebuild confidence after setbacks?<BR> <BR>7. Luna points out that, &ldquo;&lsquo;Historically, people who don&rsquo;t belong elsewhere have always found a home at the circus.&rsquo;&rdquo; (Chapter twenty-two) How do we see this belonging play out in the story?<BR> <BR>8. Why do you think Luna doesn&rsquo;t want Cosmos to know she is arriving early to practice? How do you think Cosmos would react if they found out?<BR> <BR>9. How does Luna feel about her changing body? What advice would you give Luna about coping with these changes?<BR> <BR>10. What is Mario&rsquo;s relationship with his parents like? How is his relationship with his abuela different?<BR> <BR>11. The parents in this story often seem to struggle to relate to their children. Why do you think Cosmos and Mario&rsquo;s parents are so hard on their children? What advice would you give Mario&rsquo;s parents about interacting with him? What about Luna&rsquo;s or Betina&rsquo;s parents?<BR> <BR>12. In previous years, Luna loved performing with silks. However, this year at Camp Big Top she decides to focus on the lyra, or aerial hoop, instead. Why does Luna decide to switch acts? How does switching acts help her cope with the difficult feelings she has been having lately?<BR> <BR>13. The circus involves challenging physical skills like walking on stilts or performing on the trapeze, but what mental skills does it take to be successful in the circus?<BR> <BR>14. Did it surprise you when Betina turned out to be passionate about clowning, or when attention-seeking Ricky thrived at playing Clover the elephant in the parade? Why or why not? Have you ever discovered a hidden talent of your own?<BR> <BR>15. At Camp Big Top, &ldquo;Betina had found a place where her presence was not only noticed but made a difference.&rdquo; (Chapter 21) What does this mean? Where in the world do you make a difference?<BR> <BR>16. Why is trust important in the circus? How do the kids in this book learn to trust one another? What helps you begin to respect and trust someone new in your life?<BR> <BR>17. The students are devastated when Camp Big Top may have to close. What does the camp represent to each of them, and why does saving it matter so much?<BR> <BR>18. To save Camp Big Top, the kids must work together. What does each character contribute to the group? Could they have succeeded alone?<BR> <BR>19. To participate in the circus, each of the kids in this story must overcome personal challenges and insecurities. What strategies do you think kids can use to feel brave when they&rsquo;re doing something scary? In what ways do the different characters in this book support one another to overcome their fears and build their confidence? What helps you face your fears?<BR> <BR>20. In what ways do the characters in this book step out of their comfort zones? What can we gain from stepping outside our comfort zones? When have you had to step out of your comfort zone?<BR> <BR>21. Ricky has big dreams but struggles with focus and controlling his body. How can someone balance ambition with patience and practice? Have you ever had to work hard to overcome your natural struggles in order to make a dream come true?<BR> <BR>22. Throughout the book, the author includes Spanish and occasionally Portuguese phrases. Why might the author choose to include multiple languages in the story? How does it help readers understand the characters&rsquo; families, backgrounds, and culture?<BR><BR><b>Extension Activities</b><BR> <BR>1. <b>Design a Circus Act.</b> Imagine you are attending Camp Big Top. Work with your friends or classmates to design a circus act, or even a brand-new circus skill. Be sure to come up with:<BR> <BR>&#8212; l a name for your act<BR> <BR>&#8212; l a description of what happens in the act and how it will draw in a crowd<BR> <BR>&#8212; l roles for each team member and how they&rsquo;ll work together to help the act succeed<BR> <BR>Now imagine you&rsquo;re trying to convince the circus director to include you in the show, and pitch your act to your reading group or class.<BR> <BR>2. <b>Create a Performer Profile. </b>Choose one character from <i>Camp Big Top </i>and create a performer profile. List their strengths and fears, the challenges they need to overcome, the small steps they take to overcome these challenges, and how they grow and change over the course of the story. Then design your own circus performer profile. What would your act be? What personal strengths would you use? What challenges would you have to overcome? Write a short speech introducing yourself to the circus audience.<BR> <BR>3. <b>Write a Sequel. </b>Mario is coming back to the circus for winter break camp! Write a short-story sequel to <i>Camp Big Top </i>about what happens at winter camp. Be sure to follow standard story structure, with a beginning where a problem or goal is introduced, a middle with rising action, and an end where the action of the story is resolved.<BR> <BR>4. <b>Plan for Saving the Circus. </b>In <i>Camp Big Top</i>, Mario and his friends manage to save the circus. But imagine it is a couple of years later, and the circus needs more money to move to a new and better home. Create a mini business plan to save Camp Big Top. Be sure to include fundraising ideas, marketing strategies, community partnerships, and anything else you think it would take to save the circus&#8212;again!<BR> <BR>5. <b>Create a Circus Poster. </b>Using whatever medium you like, create a poster or commercial advertising Camp Big Top and encouraging families to send their kids there. Be sure your poster expresses the amazing experiences kids have there and what&rsquo;s special about Camp Big Top.<BR> <BR>6. <b>Advice Column. </b>Choose one character and write a letter as that character to an advice column, asking for help with something you are struggling with, such as trust, body confidence, focus, making friends, or insecurities. Then answer as if you are the advice columnist, offering guidance on how to overcome the struggle.<BR><BR><i>Chris Clark is a writer and reading teacher who lives with her family in coastal Maine.</i><BR> <BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net/m/prek12-teachers-librarians/teaching-resources.</i>]]></Text>
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      <Text><![CDATA[&quot;A sweet and tidy friendship story that will make readers want to join this inclusive circus family.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;Kirkus Reviews&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&quot;A coming-of-age friendship story in which most kids will find someone to relate to and provides a peek into a high-flying summer camp.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;School Library Journal&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Grounded emotional interactions between mostly Latinx characters meaningfully render tweens reconciling issues with self-perception against a unique, high-flying backdrop.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;Publishers Weekly&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Pura Belpr&eacute; Honor winner Diaz creates a fun setting for her character-driven story that lets readers see the hard work that goes into training different circus disciplines and the camaraderie that develops in the process. A quirky, emotionally complex read.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;Booklist&lt;/I&gt;</TextAuthor>
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      <SubjectHeadingText>family secrets; grandfather-granddaughter relationship; mother-daughter relationship; dogs; bear; wildlife; nature conservation; feisty sassy brave strong-willed female character; love; friendship; girl power; finding voice; standing up for yourself; happiness; acceptance; love; hope; self-discovery; self-love healing; abuse; emotional abuse; inspiring; sad but hopeful; realistic; contemporary; resilience; humor; support network; intergenerational relationships; oppressive religion; leaving toxic relationships; Montana; verse; poetry; novel in verse; SEL; social emotional learning; young middle grade book for 8 9 10 11 12 year olds grades 3 4 5 6 7; Love That Dog by Sharon Creech; Mountain Dog by Margarita Engle; Rez Dogs by Joseph Bruchac; Alone Away by Megan E. Freeman; Wish by Barbara O&#39;connor; When Friendship Followed Me Home by Paul Griffin; Closer to Nowhere by Ellen Hopkins; Stay by Bobbie Pyron; Deep Water Glory Be by Jamie Sumner; The Wrong Way Home by Kate O&#39;Shaughnessy;</SubjectHeadingText>
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      <Text><![CDATA[<B>A girl learns to stand up for herself and embrace the true meaning of home against the backdrop of the Montana wilderness in this heartfelt novel in verse by acclaimed author Joy McCullough.</B><BR><BR><I>A kestrel<BR> is the smallest<BR> bird of prey<BR> in North America.</I><BR> <BR>Kestrel doesn&rsquo;t feel much like the fierce bird for which she is named. Not after being rushed away from her grandfather&rsquo;s strict church community to the wilds of Montana. Her mother has gotten a job at a conservation institute, where she&rsquo;ll work with a special breed of dog to help make interactions between humans and bears safer.<BR> <BR>At first, Kes is terrified of the dogs and angry at her mother for ripping her from the only world she&rsquo;s known. But with some distance from her grandfather, she starts to understand how badly his bark hurt. In this new terrain, can Kestrel discover a safe place to spread her wings and soar?]]></Text>
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      <Text><![CDATA[Joy McCullough&nbsp;writes books and plays from her home in the Seattle area, where she lives with her husband and two children.&nbsp;She is the author of the middle grade novels&nbsp;<i>Across the Pond</i>,<i>&nbsp;A Field Guide to Getting Lost</i>,&nbsp;<i>Not Starring Zadie Louise</i>,&nbsp;<i>Code Red</i>, <I>Kestrel Takes Flight</I>, and&nbsp;<i>Basil &amp; Dahlia</i>, as well as the middle grade series Team Awkward,&nbsp;and the picture books&nbsp;<i>Harriet&rsquo;s Ruffled Feathers</i>,<i>&nbsp;Champ and Major: First Dogs</i>, and&nbsp;<i>The Story of a Book</i>. Her debut novel&nbsp;<i>Blood Water Paint</i>&nbsp;was longlisted for the National Book Award and was a William C. Morris Debut Award Finalist. Visit her at JoyMcCullough.com.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><i>Kestrel Takes Flight</i><BR> <BR>By Joy McCullough<BR><BR><b>About the Book</b><BR> <BR>Kestrel doesn&#8217;t understand why her life is being uprooted in the middle of the night. One minute, she and Mom are living with Grandpa in San Diego, and the next, Mom&#8217;s dragging her onto a plane heading to rural Montana. Her mom has taken a job training special dogs to keep bears and humans safely apart. Kestrel&#8217;s mom is excited for a fresh start, but Kestrel struggles with how different things are in their new home. She longs for the predictability of her grandpa&#8217;s home, with its strict rules and quiet order. Worse yet, the dogs terrify her. Kestrel feels nothing like the bold, powerful bird for which she was named.<BR> <BR>As the weeks pass, however, Kestrel starts to realize that maybe life with Grandpa was not as perfect as she once thought. And maybe, just maybe, this strange new place holds the possibility of something more. Can she find the courage to spread her wings and discover who she really is?<BR><BR><b>Discussion Questions</b><BR> <BR>1. Why do you think Kestrel&#8217;s mom decides to move them to Montana without consulting her daughter? How does Kestrel feel about the move initially? Have your parents ever made a big decision about your life without consulting you? What did it feel like?<BR> <BR>2. Why does Kestrel describe Montana as &#8220;another planet&#8221;? How is it different from her life in San Diego?<BR> <BR>3. How does Doc treat Kestrel when they first meet? What do you think about Doc&#8217;s approach?<BR> <BR>4. Why is Kestrel so resistant to becoming friends with Nico? How does their relationship change over the course of the book? Have you ever become friends with someone that you didn&#8217;t like at first? Describe how that friendship developed.<BR> <BR>5. Have you ever experienced a big change like a move or a new school? How did it feel, and what helped you adjust?<BR> <BR>6. After they&#8217;ve been in Montana for a while, Kestrel thinks, &#8220;Maybe there&#8217;s some freedom in the unfamiliar.&#8221; What does she mean? Do you agree?<BR> <BR>7. Why does Kestrel&#8217;s mom lie about how long they&#8217;ll be gone from Grandpa&#8217;s house? How does Kestrel react when she finds out?<BR> <BR>8. Why does Kestrel trust her grandpa more than her mom at the beginning of the book? How do her feelings about her grandpa change over time? What causes that change?<BR> <BR>9. Grandpa calls Kestrel&#8217;s mom a &#8220;walking disaster.&#8221; Do you think that is fair? Why or why not?<BR> <BR>10. Why do you think Doc is so supportive and kind to Kestrel and her mom? Has someone you didn&#8217;t know well ever done you a major kindness?<BR> <BR>11. Grandpa says some things are &#8220;of the world.&#8221; What does he mean, and how does this belief shape Kestrel&#8217;s life?<BR> <BR>12. Kestrel says that &#8220;Grandpa pays the bills / so it seems fair to me / that he makes the rules.&#8221; (p. 29) Do you agree? Why or why not?<BR> <BR>13. What do phrases like &#8220;Grandpa&#8217;s bark hurt&#8221; and Grandpa &#8220;growls / a warning / raised hackles / teeth bared&#8221; tell us about him? (p. 104) Do you think words can be as harmful as actions?<BR> <BR>14. In the author&#8217;s note, the author describes Grandpa&#8217;s behavior as emotional abuse. What exactly is emotional or verbal abuse? What are some warning signs you see in the story? What should someone do if they notice this in real life?<BR> <BR>15. Think about Kestrel&#8217;s two bird names&#8212;her given name and Grandpa&#8217;s nickname for her, Chickadee. What is each bird like? Which name fits Kestrel best at different points in the story?<BR> <BR>16. The first and last poems in the book both have the same title: A Kestrel<i>. </i>How are the poems similar and different? What do they show about how Kestrel has changed over the course of the story?<BR> <BR>17. What does it mean literally and metaphorically to &#8220;take flight&#8221;? Why is <i>Kestrel Takes Flight</i> a good title for the book?<BR> <BR>18. Kes says, &#8220;Home is where I&#8217;m free / to speak my mind. / Where people care what I think / and love me even / when I mess up.&#8221; (p. 225) What is home to you?<BR> <BR>19. Have you heard of Karelian bear dogs before? While reading this book, what did you learn about them and about how they help prevent human-bear interactions? What other ways have you seen or heard of dogs helping humans?<BR> <BR>20. How does Kestrel feel about the dogs when she and her mom first arrive in Montana? How do Kestrel&#8217;s feelings about the dogs change over time? What causes that change?<BR> <BR>21. Why do you think Doc invites Kestrel on the scenting drive, and what happens there? How does her life change afterward?<BR> <BR>22. How do Kestrel&#8217;s letters to her grandpa change over time? What does that show about her growth?<BR> <BR>23. What happens when Kestrel&#8217;s grandpa shows up at the Bear Institute? Did this turn of events surprise you? Why or why not?<BR> <BR>24. Why do you think the author chose to tell this story as a series of poems? What did you like about reading a story told in verse? How was this format either challenging or more accessible compared to a story written in prose?<BR> <BR>25. What is Kestrel&#8217;s idea to make money for the Rocky Mountain Bear Institute after they lose their funding? In what way is this idea a combination of her old and new lives?<BR> <BR>26. The main character of this book, Kestrel, is named after a small bird of prey. When does Kestrel relate to the creature that inspired her name? If you were an animal, what animal would you be, and why?<BR> <BR><b>Extension Activities</b><BR> <BR>1. <b>Human-Wildlife Interactions and Conflicts</b>. Create a slideshow or video presentation about conflicts between a specific animal species and humans. Some examples include bears in the Rocky Mountains, like those in <i>Kestrel Takes Flight</i>, jaguars in Central America, elephants in Sri Lanka, or baboons in Namibia. Be sure to include:<BR> <BR>a. Why these animals and humans come into contact.<BR> <BR>b. What happens when they intrude on each other&#8217;s space.<BR> <BR>c. What humans can do or already are doing to decrease these encounters.<BR> <BR>d. If you&#8217;d like, also include information comparing approaches in different regions (Montana vs. Alaska, for example).<BR> <BR>2.<b> Catalog of Working Dogs. </b>The Karelian dogs in this story are working dogs, trained to do a specific job to help humans. Working dogs can be trained to do many different jobs, from wildlife management to helping with medical needs. Create a catalog of different kinds of working dogs. For each job, include pictures of a dog doing that job, information about what work the dog does, and how the dog&#8217;s work helps humans.<BR> <BR>3. <b>Debate: Balancing Community Needs. </b>Imagine you live in a town where bears have been getting into people&#8217;s yards, smashing chicken coops and bird feeders, and stealing garbage. In small groups, have a debate about how the town should handle this situation. Each member of your group should take on a different role and present that person&#8217;s point of view. Be sure to consider: When humans and wild animals compete for the same space, how should we handle it? Whose needs should be prioritized? Roles can include:<BR> <BR>&#9679; A conservationist<BR> <BR>&#9679; A local resident who has had their yard wrecked by bears<BR> <BR>&#9679; A farmer/rancher who is worried about his animals<BR> <BR>&#9679; A wildlife biologist<BR> <BR>4. <b>Poetry Analysis. </b>Choose one poem in <i>Kestrel Takes Flight </i>that brought up strong emotions or especially stood out for you. What about this poem appealed to you? Analyze how the author uses language (e.g., imagery, metaphors, word choice) and structure (line length, line breaks, different types of print, poem length, etc.) to convey ideas and feelings. How does this poem contribute to the story as a whole?<BR> <BR>5. <b>Write Your Own Story in Verse. </b><i>Kestrel Takes Flight </i>is written entirely in non-rhyming verse, or poetry. Write a story in verse about an emotional or challenging time in your own life. Use vivid language and structure your poem(s) to help your reader understand what you were thinking and feeling during that experience.<BR> <BR>6. <b>Character Profile. </b>Create a character profile for Kestrel. First, create an image of her, using any medium you&#8217;d like: colored pencils, paints, collage, or online drawing tools, for example. Then list her strengths, fears, challenges she needs to overcome, and how she grows and changes over the course of the story.<BR><BR><i>Chris Clark is a writer and reading teacher who lives with her family in coastal Maine.</i><BR> <BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net/m/prek12-teachers-librarians/teaching-resources.</i>]]></Text>
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      <Text><![CDATA[<b >*</b> &ldquo;McCullough&rsquo;s skillful use of contrast between Kestrel&rsquo;s past and present drives the novel&rsquo;s powerful poetic imagery. . . Fans of Jamie Sumner&rsquo;s <i >Deep Water</i> and Megan E. Freeman&rsquo;s <i >Alone</i> will likely admire Kestrel&rsquo;s bravery.&rdquo;]]></Text>
      <TextAuthor>&lt;i&gt;Shelf Awareness&lt;/i&gt;, STARRED REVIEW</TextAuthor>
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      <Text><![CDATA[<b >*</b>&nbsp;&ldquo;McCullough&rsquo;s moving verse novel elegantly holds space for Kestrel&rsquo;s conflicting emotions as the summer progresses. Kestrel&rsquo;s spare, honest first-person narration lays bare the intensity and complexity of her feelings. . . . Well-realized secondary characters (including canine ones) support Kestrel as she moves from fear (of dogs, of freedom, of Grandpa) to belief in herself and what she&rsquo;s capable of.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;In this tender verse novel, Joy McCullough explores complications of love and loyalty, reminding us that&mdash;with great courage and true friends&mdash;we have the power to redefine ourselves, our homes, and the kinds of families we want to create.&quot;]]></Text>
      <TextAuthor>Megan E. Freeman, bestselling author of&#160;&lt;i&gt;Alone&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&quot;A layered story about found family, the desire to be understood and valued, and how nature can help us find the courage to soar.&quot;]]></Text>
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      <Text><![CDATA[&quot;What a beautiful story, and what a subtle unraveling of a young girl&#39;s understanding of abuse and what home should really feel like.&quot;]]></Text>
      <TextAuthor>Nicole Melleby, author of Lambda Literary finalist&#160;&lt;I&gt;Hurricane Season&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;McCullough chronicles one tween&rsquo;s reckoning with religious faith and overcoming fear in this empowering verse novel. . . . Accessible text portrays the protagonist&rsquo;s shift from frightened nervousness to steadfast self-confidence, resulting in a deeply introspective offering.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;McCollough offers a tender look at a girl and her mother as they slowly begin to build a life outside the shadow of an emotionally manipulative elder. Kestrel&rsquo;s relationship with her grandfather is handled thoughtfully, showing the complicated mix of love, loyalty, and fear that can exist in families. . . . An accessible and heartfelt story about emotional control, resilience, and finding a path forward.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;The sparse verse effectively conveys Kestrel&rsquo;s anxiety and gradual realization . . . An accessible and appealing exploration of coercion, autonomy, and finding one&rsquo;s voice.&rdquo;]]></Text>
      <TextAuthor>&lt;I&gt;Kirkus Reviews&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[<B>A heartwarming fantasy inspired by the Icelandic sagas about a girl and her friends who must save their found family when a swarm of terrifying undead invade their village, perfect for fans of Kelly Barnhill and Rick Riordan&rsquo;s Magnus Chase.</B><BR><BR><I>The undead are up to no good.</I><BR> <BR>Helga doesn&rsquo;t know where she comes from. All she knows is life with Goat-Thigh, who found her as a baby in the highlands and gave her a home. Goat-Thigh used to be plagued with fits of berserk fury&#8212;a battle rage that made him dangerous to everyone around&#8212;until he took in Helga. Now, Helga won&rsquo;t ever leave his side, even if their neighbors shun him.<BR> <BR>But their lives are disrupted when a nearby haunted mountain cracks open and a mob of vengeful undead invades the land. In the chaos, Goat-Thigh&rsquo;s berserk fits are triggered&hellip;and he&rsquo;s unable to break free.<BR> <BR>To save her adoptive father, Helga will need the help of some unlikely friends to banish the undead&#8212;from mischievous ox tails to rowdy house crashers and frightening monsters with family secrets. Can Helga and her allies outsmart these specters and confront the deep wounds from their tangled pasts?]]></Text>
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      <Text><![CDATA[Chapter One CHAPTER ONE <BR>Seven years later<BR> <BR>Most people don&#8217;t think of funerals as opportunities, and probably it&#8217;s wicked of me to feel that way. But Goat-Thigh and I need all the help we can get. And finally earning the favor of our chieftain will be like having a shield in battle. So though I know it&#8217;s the last thing Goat-Thigh wants, I make him come with me to the funeral feast.<BR> <BR>Side by side, we follow the worn dirt path through the valley to the chieftain&#8217;s home, Goat-Thigh plodding with the rolled-up tapestry slung over his shoulder. That tapestry is so big that two or three people could use it as a blanket; plus it&#8217;s an hour&#8217;s walk from our little farm to the chieftain&#8217;s longhouse. I can&#8217;t carry it the whole way myself.<BR> <BR>But it&#8217;s also important that the chieftain sees Goat-Thigh with the tapestry. That he knows it&#8217;s a gift from both of us. That he thanks us, honors us <i>together</i> for it.<BR> <BR>Goat-Thigh and I walk through wide and sprawling farm fields, the dirt all plowed, ready for planting. We don&#8217;t see anyone else, even though we pass several neighbors&#8217; homes: low houses built from blocks of packed dirt with grass growing on the roofs. Everyone must already be at the feast. Maybe they&#8217;ll be too distracted with food to notice Goat-Thigh and me until we&#8217;re presenting our gift.<BR> <BR>That would be best for all of us.<BR> <BR>We hear the feast before we see it, melodic tunes from harps and flutes decorating the air, punctuated by the sharp beats of a drum. At times, they&#8217;re nearly drowned out by harsh, off-key shouts&#8212;I think that&#8217;s supposed to be singing?<BR> <BR>&#8220;Drunk as dogs already.&#8221; Goat-Thigh shakes his head. &#8220;This is how they bid a man farewell?&#8221;<BR> <BR>I tug one of the locks of hair left loose around my face&#8212;most of my long, <i>long</i> hair I&#8217;ve woven up into a braid crown. &#8220;Maybe the ale is just that good?&#8221;<BR> <BR>It <i>was</i> the chieftain&#8217;s cousin who died. For a kinsman, the chieftain would buy only the finest drink shipped from the old country. Still, with how laughter bubbles up among the music, never mind those shouts that sound too much like cheers&#8230; are these people <i>celebrating</i> the man&#8217;s death?<BR> <BR>Goat-Thigh sucks his teeth, making his narrow face even thinner. &#8220;Fox-Brow would have never&#8212;&#8221; he starts, then cuts off as though someone snatched the rest of the words from his throat. He tips his face down, scratching at his eyes like dirt has gotten into them.<BR> <BR>I pause my steps. &#8220;Goat-Thigh? What&#8217;s&#8212;is something wrong?&#8221;<BR> <BR>He shakes his head and marches on, leaving me hurrying to catch up.<BR> <BR>I didn&#8217;t know the dead man, St&#237;gandi Fox-Brow. From what others say, he once lived in this valley, though that was before Goat-Thigh brought me here. A few months ago, Fox-Brow finally returned, but he was very sick and never came outside the chieftain&#8217;s house. When he died, some people say, a wail rose from that house that was fit to raise the dead. Others say that wail was a curse. They all claim that Fox-Brow was a sorcerer, that he did magic with dead bodies and dead spirits. All kinds of evil spells.<BR> <BR>These people really love their stories.<BR> <BR>We crest a slope, and the feast finally comes into view. The chieftain&#8217;s longhouse is enormous, many times the size of our little home. Its roof looks like a huge longboat turned upside down. Even so big, it still can&#8217;t hold all the people who&#8217;ve come. They spill into the grassy fields surrounding the front of the longhouse, dancing and hollering around bonfires.<BR> <BR>Everyone is in their brightest clothes and shiniest jewelry, adding pops of color we don&#8217;t usually see this early in the summer. And even from where Goat-Thigh and I stand atop the slope, the scents of smoky, roasted meat and spiced ales tingle our noses.<BR> <BR>Some people walk backward beyond the edge of that crowd, carrying big plates of meat. They&#8217;re leaving offerings for Troll Teeth, the jagged mountain that looms in the distance. More stories: Folks claim that mountain will swallow up anyone who died recently. To let the dead move on to a peaceful afterlife, the family must set aside food from the funeral feast so Troll Teeth will fill up on that instead.<BR> <BR>But don&#8217;t look at the mountain while doing that, or it will swallow <i>you</i>.<BR> <BR>Goat-Thigh&#8217;s face goes pale, and sweat dots his brow. He stares at the crowd as he might at a nightmare. &#8220;It&#8217;s not a good idea for me to be here. I&#8217;ll leave you with the tapestry and come back later to walk you home.&#8221;<BR> <BR>He&#8217;s always trying to sneak away whenever I bring him to a gathering or any place where our neighbors will see us. <i>Him.</i> But if all we do is hide, they&#8217;ll never understand why they should want us around.<BR> <BR>Why they don&#8217;t need to hate us.<BR> <BR>Those arguments don&#8217;t work with Goat-Thigh anymore. I know what does. I wrap my hands around one of his arms and rest my head against his shoulder. &#8220;I worked hard on your new tunic. People should see you in it.&#8221;<BR> <BR>The tunic was supposed to be a birthday gift, but I gave it early so he could wear it here. The color suits him, a bluish purple from dye I made by boiling crowberries for hours. I made all of it myself, spun the wool into thread so fine, it was almost a whisper against my fingers. Wove it into feather-soft cloth. Stitched it into a tunic that emphasizes his height and broad shoulders&#8212;and that hides how thin he&#8217;s become. Goat-Thigh was never a big eater, but these last few months he&#8217;s hardly touched his food. Even when I make his favorite, salmon porridge.<BR> <BR>In this tunic, he looks strong. Important. Plus that purple brings out bright flecks in his shadowy eyes. His beard needs trimming; I should have insisted on that. He&#8217;s starting to look&#8230; well, like a goat.<BR> <BR>Better to have people thinking <i>Goat</i> when they see him instead of <i>Bear-man</i>.<BR> <BR>The moment the crowd spots us, they go silent. It&#8217;s like an icy wave crashes over them, drenching their joy.<BR> <BR>My heart sinks to my toes. These people judged Goat-Thigh long ago. Even a tunic of spun gold probably wouldn&#8217;t change their minds.<BR> <BR>But if I give up, if I stop trying to make them see why we&#8217;re good to have around, what chance do we have of surviving?<BR> <BR>Everyone stares. Some tip their heads together and whisper. One man who&#8217;s missing a bunch of teeth spits on the ground. A few people make very, <i>very</i> bad hand gestures at Goat-Thigh, warding him off like he&#8217;s a monster.<BR> <BR>They&#8217;ve been getting meaner, even though in all the time I&#8217;ve been with Goat-Thigh, he&#8217;s never once gone into bear-fury. I&#8217;ve really seen him so much more like a goat than a bear. He can practically run straight up a cliffside to rescue old sheep who&#8217;ve gotten stuck. That&#8217;s how he got his nickname! But people curse when he walks by. In the past few months, they&#8217;ve begun making trouble on our farm: Breaking Goat-Thigh&#8217;s tools. Letting out our sheep in the night&#8212;it takes all day to find them again! Scratching pictures of dead bears into the dirt path outside our front door. Last week, someone set fire to our food shed. We were able to save only a little of what was inside.<BR> <BR>That was when I decided we had to come here. Winning the chieftain&#8217;s favor is our only hope. If he accepts us, everyone else will have to as well.<BR> <BR>I&#8217;m going to make it happen. Here, today.]]></Text>
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      <Text><![CDATA[Chapter 1: Top 5 Superpowers I Wish I Had Chapter 1 Top 5 Superpowers I Wish I Had <BR>1. <i>Invisibility</i>: I could leave the house without anyone staring at my big bald head. (Okay, I have <i>some</i> hair, but it&#8217;s growing back <i>sooo sloooowwwwwly</i>.)<BR> <BR>2. <i>Dance-fighting</i>: Need I say more?<BR> <BR>3. <i>Time travel</i>: I&#8217;d give anything to go back and see what the sixth grade was like&#8212;to know what happened the year I disappeared.<BR> <BR>4. <i>Invincibility</i>: How cool would it be if nothing could ever hurt you? If you could wrestle a great white shark or ride your bike off a cliff&#8212;and live to tell the tale?<BR> <BR>5. <i>Spidey-Sense</i>: If I could sense when danger was near, maybe I could just live my life&#8212;at least until I got the tingles.<BR> <BR>But mutations like Spider-Man&#8217;s? They&#8217;re risky. They could leave you permanently damaged.<BR> <BR>I know, because my mutation is the worst kind.<BR> <BR>It might kill me without giving me any powers at all.]]></Text>
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      <Text><![CDATA[Chapter One: Stakes Chapter One STAKES <BR>MAY 3<BR> <BR>I&#8217;M GIVING THE most important presentation of my life. It&#8217;s not for school, and it&#8217;s not an audition. But my stomach clenches and there&#8217;s a tingle of sweat at the back of my neck as if I&#8217;m in a packed auditorium, instead of speaking for an audience of two.<BR> <BR>Dad and my stepmom, Deb, sit in front of me on the love seat, their legs touching.<BR> <BR>If I don&#8217;t get this right, I won&#8217;t be able to go to Maine this summer. And my annual trips there are something I live for. All winter, as I&#8217;m slogging through the gray New York slush, I dream of the pebbly beach and the soft pine-needle forest paths of Spruce Point. It&#8217;s where I feel most like myself, and where I feel closest to my mom. This has to work.<BR> <BR>&#8220;We&#8217;re ready, Frankie girl,&#8221; says Dad. &#8220;Let &#8217;er rip.&#8221;<BR> <BR>I square my shoulders and open the slideshow on my laptop. The first picture is of a set of cabins nestled among bright green trees. I clear my throat and speak in my future-lawyer voice. &#8220;Welcome to my presentation on why you should allow me to apply for the leader-in-training program at Camp Asticou.&#8221;<BR> <BR>Next slide. A shot from last summer of me and my best friend, Parker Emerton, his sun-darkened arm draped over my pale shoulder. &#8220;As you know, our family has been renting the same cottage next to the Emertons&#8217; Home Away Inn since before I can remember.&#8221; Well, technically Deb has only been there three times, since she and Dad got together when I was nine.<BR> <BR>Dad&#8217;s eyes soften and he smiles. Deb&#8217;s mouth remains a straight line. She doesn&#8217;t love the rustic, woodsy vibe of the area around Fairview, Maine, the way Dad and I do. That&#8217;s why, &#8220;in the spirit of compromise,&#8221; Dad has agreed to stay closer to the city and rent a place on Long Island near where Deb grew up so they could &#8220;explore properties.&#8221; When I heard that, I knew I needed to come to my own rescue.<BR> <BR>&#8220;Summer visits are very important to Parker and me,&#8221; I continue, &#8220;and he is securing permission to apply to this program as well.&#8221;<BR> <BR>Next slide. The two of us with a bunch of other kids. &#8220;I miss my summer friends all year, and you&#8217;ve told me Mom believed in the importance of maintaining lifelong friendships.&#8221;<BR> <BR>I shift my eyes to the abstract painting on the back wall, so I won&#8217;t have to see their reactions. Using the dead-mom card is a low blow, and I know it. But desperate times and all that. My mom died when I was two, but Dad talks to me about her all the time. He always says it would be a good thing if I turned out to be the same kind of person she was.<BR> <BR>Next slide. A wide-angle view of our annual vacation spot on Spruce Point: the inn, cottages, and a few other homes with the ocean behind them.<BR> <BR>&#8220;I know us kids got in some trouble last year, back when we thought Mrs. Gruvlig was a witch. But it won&#8217;t be like that again, I promise.&#8221; Mrs. Gruvlig is Parker&#8217;s only year-round neighbor. We thought she&#8217;d reawakened a centuries-old curse on the area, so obviously we had to investigate that. I&#8217;m not sorry, either, because it led to some spectacular adventures <i>and</i> a new friend.<BR> <BR>I&#8217;ve been studying the <i>Paranormal America: Coastal Maine</i> book I found during our search and am eager to be back in an environment that sees spikes in that kind of activity every summer. Or so the book says. It certainly felt true last year. But I don&#8217;t have a slide about that, since it wouldn&#8217;t help my cause.<BR> <BR>Next slide. An enormous stone arch between two massive pillars. The center block reads <i>Camp Asticou 1928</i>.<BR> <BR>I look at the notes I took from their website.<BR> <BR>&#8220;Camp Asticou is a small, old-fashioned summer camp with a big heart. The camp hosts an average of eighty campers per session across two distinct sections and prides themselves on individual attention to each child in their care. Their leader-in-training program is a two-week immersion for thirteen-year-olds who aspire to gain independence, maturity, and leadership skills under the close mentorship of experienced counselors. There is no charge to participate in the program, as LITs assist in activity areas and are an important part of the staffing model.&#8221;<BR> <BR>Next slide. A screenshot of a map of the Spruce Point peninsula and surrounding area.<BR> <BR>&#8220;The camp is exactly 13.6 miles from the Home Away Inn, so Parker&#8217;s parents could be there quickly if there was an emergency. Which there won&#8217;t be.&#8221;<BR> <BR>Next slide. Happy camp kids swimming in a pond, the sun setting behind them. I read from my notes again. &#8220;Located on beautiful freshwater Walker Pond, Camp Asticou inspires curiosity in nature and is only minutes from the Atlantic Ocean and one of the most pristine tidal areas on the Eastern Seaboard, Penobscot Bay.&#8221;<BR> <BR>Final slide. A selfie of me with puppy-dog eyes.<BR> <BR>&#8220;Please, please, please let me apply for the leader-in-training program at Camp Asticou. Thank you for your kind attention.&#8221;<BR> <BR>I close my laptop. Every muscle in my body tenses. 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      <Text><![CDATA[<B>The club members take cues from Jane Austen when Emma swaps homes with a British family in this fourth book in the acclaimed Mother-Daughter Book Club middle grade series&#8212;now with a fresh, cozy new look!</B><BR><BR>Right before the start of their freshman year, Emma&rsquo;s family unexpectedly moves to England. The book club is stunned, but thanks to videoconferencing, they can keep the club alive. They decide to tackle Jane Austen&rsquo;s <I>Pride and Prejudice</I>, a particularly fitting choice. <BR> <BR>In England, Emma deals with a new queen bee, Annabelle, who makes her life miserable. And back home, Annabelle&rsquo;s cousins&#8212;who have swapped homes with the Hawthornes&#8212;whip the rest of the school into a frenzy. Cassidy clashes with moody Tristan, Concord&rsquo;s own version of Mr. Darcy, and everyone is taken with his younger brother Simon.<BR> <BR>Desperate for life to get back to normal, the girls throw a bake sale to raise money and bring Emma home&#8212;and suddenly, they have a thriving business, Pies & Prejudice. But when the plan they cook up falls short, will the book club ever all be together again?]]></Text>
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      <Text><![CDATA[A Reading Group Guide to </br> </br> <b><i>Pies & Prejudice</b></i></br> Book 4 in The Mother-Daughter Book Club series</br> by Heather Vogel Frederick</br> </br> <b><u>Discussion Questions</b></u></br> </br> 1. Do you have a favorite character after reading the first four Mother-Daughter Book Club books? Who are you most like? </br> </br> 2. What did you know about Jane Austen before reading <i>Pies & Prejudice</i>? Are you now interested in reading her work? </br> </br> 3. Have you ever lived outside of the United States? Where would you want to live? </br> </br> 4. With Emma moving away, the girls are worried they won&#8217;t be as close. Have you ever had a friend move away? How did you stay in touch? </br> </br> 5. Emma has some trouble with the new girls at her school. Have you ever felt bullied? How did you handle it? </br> </br> 6. While Emma and her family are in England, Simon and Tristan&#8217;s family move into the Hawthornes&#8217; house in Concord. How would you feel if your family swapped houses with someone else? </br> </br> 7. Jess tries out for a solo and doesn&#8217;t get it. Have you ever tried out for something you really wanted? How did you do? </br> </br> 8. Megan starts a fashion blog. Do you have a blog? Have you ever thought about starting one? If so, what would it be about? </br> </br> 9. Megan stays anonymous when writing her blog <i>Fashionista Jane</i>, and Jane Austen published her novels anonymously. Why do you think Megan decided to do that? What would you do? How do you think Megan&#8217;s decision to write anonymously is different than what Jane did? Have you ever done something anonymously? If so, why? </br> </br> 10. Jess rescues a wild fox. Have you ever seen an injured wild animal? Did you do anything to help it? Once the animal heals, Jess has a hard time letting her go. Have you ever had to say good-bye to someone or something when you didn&#8217;t want to? </br> </br> 11. The girls decide to start a pie-making business. Do you like to bake? What can you make? </br> </br> 12. Moody Tristan is a modern-day Mr. Darcy. Is there anyone in your life who resembles a character from literature? Explain. </br> </br> 13. Mrs. Chadwick believes something in Mrs. Hawthorne&#8217;s book is about her and gets offended. Have you ever upset someone unintentionally? Is there anyone that you think would make a great character in a book? </br> </br> 14. <i>Pies & Prejudice</i> is a pun on the Jane Austen title <i>Pride and Prejudice</i>. Are there any businesses in your town that use puns? Can you think of other clever business names using any of Jane Austen&#8217;s other books? </br> </br> 15. The book club visits the town where Jane Austen lived and sees the church where her father preached. Is there any famous person, alive or dead, whose hometown you would like to visit? Why? </br> </br> 16. Cassidy deals with a very sad loss after Mrs. Bergson dies, but her memorial is a celebration of her life. Has anyone close to you passed away? How did you get through it? </br> </br> 17. Mrs. Bergson leaves some generous gifts to Concord and the Mother-Daughter Book Club. If you could give a present to anyone you wanted, what would it be? Why? </br> </br> 18. Are there any other books you wish the Mother-Daughter Book Club would read? </br> </br> </br> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. </i>]]></Text>
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      <Text><![CDATA[<B>"</B>Fans of the series will not be disappointed with this installment. With four effervescent heroines, several budding romances, an ambitious cooking venture, and a hefty pinch of drama, <I>Pies</I> has instant teen appeal. . . . With interesting facts about Austen interspersed throughout, and a visit to relevant sites in England incorporated, this book makes an excellent introduction to one of the most masterful&#8211;and popular&#8211;writers of all time. Don&#8217;t be surprised if 12-year-olds start checking out <I>Pride &amp; Prejudice</I> after reading this teen-tailored adaptation."<BR> <b><i>-SLJ Sept 2010</i></b>]]></Text>
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      <Text><![CDATA[<B>The club members weather big changes with help from each other and Jean Webster in this third book in the acclaimed Mother-Daughter Book Club middle grade series&#8212;now with a fresh, cozy new look!</B><BR><BR>Could the book club break up? When Jess is offered an anonymous scholarship to a prestigious boarding school, she&rsquo;s not sure that leaving home&#8212;and her friends&#8212;is what she wants to do. Meanwhile Megan&rsquo;s grandmother comes for a long visit and turns everything in the Wong household upside down, Emma crusades against her middle school&rsquo;s new uniforms, and Cassidy finds out there&rsquo;s a big change ahead for her family.<BR> <BR>Inspired by Jess&rsquo;s unexpected opportunity, the book club decides to read Jean Webster&rsquo;s classic <I>Daddy-Long-Legs</I>, and there&rsquo;s an added twist this year when they become pen pals with the girls in a book club in Wyoming. There&rsquo;s plenty to write to their new friends about, from a prank-filled slumber party to a not-so-secret puppy&#8212;and even a surprise first kiss.<BR> <BR>In this third book in the beloved Mother-Daughter Book Club series, the girls learn that as long as they have one another&#8212;and a good book&#8212;they&rsquo;re ready for whatever eighth grade has in store!]]></Text>
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      <Text><![CDATA[A Reading Group Guide to </br> </br> <b><i>Dear Pen Pal</b></i></br> Book 3 in The Mother-Daughter Book Club series</br> by Heather Vogel Frederick</br> </br> </br> <b><u>Discussion Questions</b></u></br> </br> 1. Which character has changed the most since the first <i>Mother-Daughter Book Club </i>and its successor <i>Much Ado About Anne</i>? Why? </br> </br> 2. Who is your favorite character in <i>Dear Pen Pal</i>? Has your favorite character been the same in all three books? Why or why not? </br> </br> 3. Have you ever read <i>Daddy-Long-Legs, Dear Enemy</i>, or <i>Just Patty</i> by Jean Webster? If you have, did you like them? If not, are you now interested in reading them? </br> </br> 4. Do you know anyone who goes to boarding school? Do you think you would like it, or would you hate to be away from your friends and family like Jess does? </br> </br> 5. In this book, similar to <i>Daddy-Long-Legs</i>, all of the girls get pen pals. Have you ever had a pen pal? What did you write to them about? Did you write snail mail letters, or send e-mails? Have you had the chance to meet your pen pal in person? </br> </br> 6. Emma is terrified of speaking in public. What fears would you like to conquer? </br> </br> 7. Savannah volunteers at the local animal shelter. Do you, or does anyone you know, volunteer? What organizations would you be interested in helping? </br> </br> 8. Megan feels like she is stuck in the middle with her mother and grandmother. Have you ever felt like you were trying to please two people at once? </br> </br> 9. Jess has a roommate at her new school. Have you ever had to share a room? </br> </br> 10. Emma, Cassidy, Megan, and Becca go on their class trip to Washington DC, where they see several famous landmarks and museums. Have you ever been to Washington, DC? What would you like to see there? </br> </br> 11. Emma decides to write an editorial to protest the school uniforms. Is there anything you would like to change about your school? Do you think Emma&#8217;s editorial was the best way to ask for change? </br> </br> 12. Have you ever had to babysit before? What do you like, and what don&#8217;t you like about babysitting? </br> </br> 13. Do you like trying new kinds of food? What is the most exotic food you&#8217;ve sampled? What did it taste like? </br> </br> 14. The girls travel to Wyoming to meet their pen pals. What is the farthest you have traveled? What did you do there? </br> </br> 15. Do you think Cassidy and Savannah were right not to listen to the adults when sending Savannah out into the storm to look for the lost riders? What were the reasons the parents didn&#8217;t want Savannah to go? If you were in a similar situation, what do you think you would have done? </br> </br> 16. Have you performed in a talent show? If so, what did you do? If you haven&#8217;t, what do you think your talent would be? </br> </br> 17. Like Megan with Summer&#8217;s quilt, have you ever gotten a present you didn&#8217;t know how to repay? Do you think that it&#8217;s important to always have a present to give in exchange for a present that you get? </br> </br> 18. Eventually Jess and Savannah become friends after not getting along initially. Is there someone that you have given a second chance to who turned out to be a good friend? </br> </br> </br> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. </i>]]></Text>
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      <Text><![CDATA[<B>The club members weather big changes with help from each other and Jean Webster in this third book in the acclaimed Mother-Daughter Book Club middle grade series&#8212;now with a fresh, cozy new look!</B><BR><BR>Could the book club break up? When Jess is offered an anonymous scholarship to a prestigious boarding school, she&rsquo;s not sure that leaving home&#8212;and her friends&#8212;is what she wants to do. Meanwhile Megan&rsquo;s grandmother comes for a long visit and turns everything in the Wong household upside down, Emma crusades against her middle school&rsquo;s new uniforms, and Cassidy finds out there&rsquo;s a big change ahead for her family.<BR> <BR>Inspired by Jess&rsquo;s unexpected opportunity, the book club decides to read Jean Webster&rsquo;s classic <I>Daddy-Long-Legs</I>, and there&rsquo;s an added twist this year when they become pen pals with the girls in a book club in Wyoming. There&rsquo;s plenty to write to their new friends about, from a prank-filled slumber party to a not-so-secret puppy&#8212;and even a surprise first kiss.<BR> <BR>In this third book in the beloved Mother-Daughter Book Club series, the girls learn that as long as they have one another&#8212;and a good book&#8212;they&rsquo;re ready for whatever eighth grade has in store!]]></Text>
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      <BiographicalNote><![CDATA[Toby E. Stuart is the Leo Helzel distinguished professor of business administration at the Haas School of Business, UC Berkeley. He is faculty director of the Berkeley-Haas Entrepreneurship Program and faculty director of the Institute for Business Innovation; and distinguished teaching fellow. He previously has held named professorships at Harvard University, Columbia University, and the University of Chicago. Stuart is the cofounder of a tech company and on multiple corporate boards. He has published dozens of academic papers on social status and social network dynamics. He was the long-time department editor for entrepreneurship and innovation at <I>Management Science</I>, and has been an editor at many prominent journals, including<I> American Journal of Sociology</I> and <I>Administrative Science Quarterly</I>.]]></BiographicalNote>
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      <SubjectHeadingText>business; psychology; sociology; social status; hierarchy; bias; cognitive bias; matthew effect; big shift; halo effect; management; personal development; equity; equality; artificial intelligence; AI; ChatGPT; OpenAI; Harvard; Berkeley; MIT; Stanford; philosophy; big idea; evolution; evolutionary; science; inequality; women in the workplace; personal growth; identity; racism; sexism; favoritism; anointed; anointment; corporate ladder; social status; invisible hierarchies; societal structures; social dynamics; sociology books; psychology of status; societal impact; status and decision-making; prestige and power; societal hierarchies; socioeconomic inequality; fairness and justice; human bias; status and career development; psychological patterns of status; entrepreneurship and innovation; business and society; sociology of power; impact of prestige; status and recognition; authority and social structures; equity and social systems; status in relationships; sociology case studies; workplace hierarchies; social hierarchy in art; technology and societal fairness</SubjectHeadingText>
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      <Text><![CDATA[<B><b Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);"><b >A leading organizational theorist takes us deep into the realm of humanity&rsquo;s most powerful invisible force&#8212;social status&#8212;and how it shapes everything from who we trust and what we value to which ideas and innovations change the world and who gets credit for their success.</b></b></B><BR><BR>Why does an authentic Rembrandt fetch hundreds of millions while a nearly identical painting by his most talented disciple goes for a tiny fraction of that price? What makes a restaurant &ldquo;hot,&rdquo; a neighborhood &ldquo;up-and-coming,&rdquo; or a technology &ldquo;the next big thing&rdquo;? Why do people often choose the same seats in recurrent office meetings? Who is most likely to interrupt someone else mid-sentence? Why do big name lawyers earn so much? Why are health disparities so pronounced? And why, when someone gets a bit ahead in life, does the small advantage so often compound?<BR> <BR>The answer to all these questions is social status&#8212;invisible hierarchies that influence every aspect of our lives, from our health to our personal relationships and careers to how we behave in social and work settings to the tastes and preferences we form. Without it, we&rsquo;d be lost and paralyzed when faced with even the simplest decisions. But it comes at a steep cost: status works as a powerful amplifier, turning small initial advantages into insurmountable leads. Inequality is baked into its core.<BR> <BR> Through compelling examples from business, economics, literature, art, fashion, and beyond, <i>Anointed</i> demonstrates how status cascades through society, creating winners and losers in ways that often have little to do with merit. And how new technology offers a glimpse of a more equitable future.]]></Text>
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      <Text><![CDATA[Toby E. Stuart is the Leo Helzel distinguished professor of business administration at the Haas School of Business, UC Berkeley. He is faculty director of the Berkeley-Haas Entrepreneurship Program and faculty director of the Institute for Business Innovation; and distinguished teaching fellow. He previously has held named professorships at Harvard University, Columbia University, and the University of Chicago. Stuart is the cofounder of a tech company and on multiple corporate boards. He has published dozens of academic papers on social status and social network dynamics. He was the long-time department editor for entrepreneurship and innovation at <I>Management Science</I>, and has been an editor at many prominent journals, including<I> American Journal of Sociology</I> and <I>Administrative Science Quarterly</I>.]]></Text>
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      <Text><![CDATA[Chapter 1: The Other Uncertainty Principle <link rel="stylesheet" type="text/css" href="../styles/9781668001899.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> 1. The Other Uncertainty Principle <BR>On September 7, 2021, NASA&rsquo;s Perseverance rover, a metric ton of insanely ingenious robot created to scour the surface of Mars for evidence of ancient life, successfully drilled a hole into a rock. On Mars. Specifically, into the Jezero crater, a 3.9 billion-year-old lake bed. Perseverance extracted a small sample, which it gingerly tucked into a storage compartment in its own belly. Some years down the road, NASA plans to send another spacecraft to retrieve the sample and others, fly them back to Earth, and then examine them for the presence of microfossils that could prove the existence of past life on Mars. The ETA for the sample&rsquo;s return voyage: 2033.<BR> <BR>Let&rsquo;s pause for a moment to marvel at Perseverance&rsquo;s journey. Many of us feel groggy after a six-hundred-mile road trip. When the rover touched down in the crater in February 2021, it had traveled 292.5 <i>million</i> miles and then completed a final, dizzying, seven-minute-long parachute ride through the Martian atmosphere. Perseverance entered the atmosphere at a speed of 12,000 miles an hour and endured 2,500-degree temperatures on its final plunge. After all that, the rover landed exactly where and precisely when NASA&rsquo;s mission team had planned. It hit a landing area of just a few square miles on a planetary body that itself flies through space at about 54,000 miles an hour while also rotating around its axis.<BR> <BR>NASA pulled off such an amazing feat because, when it comes to understanding the physical world, human beings have become incredibly smart. We know the exact speeds and trajectories of planetary orbits, the precise moment of the minimum distance between Earth and Mars, the strength of the sun&rsquo;s gravitational pull, the topology of the Martian surface. Our remarkable ability to understand the physical world and its natural laws has not only allowed us to send rockets to Mars; it&rsquo;s also how we produce thumbnail-sized semiconductor chips that contain a trillion circuits and store gigabytes of data. It&rsquo;s how we generated a full map of the human genome. It&rsquo;s how we created cars that can do nearly everything except fly you to work&#8212;though soon enough they will do even that.<a role="doc-noteref" id="ch01en1" href="endnotes.xhtml#ch01en_1">1</a><BR> <BR>Before we get too high on ourselves, I&rsquo;ve got some sobering news: although we&rsquo;re wizards at understanding the physical world, we&rsquo;re demonstrably thickheaded when it comes to predicting the social world, and we&rsquo;re often inept at choosing what to do when human judgments and interpersonal relationships are involved. Even when highly trained experts try to make predictions about areas they know well, they miss. Often. The Scottish novelist Robert Louis Stevenson eloquently captured the difficulty of anticipating the future of human activity this way: &ldquo;The worst historian has a clearer view of the period he studies than the best of us can hope to form of that in which we live. The obscurest epoch is to-day&hellip;&rdquo;<a role="doc-noteref" id="ch01en2" href="endnotes.xhtml#ch01en_2">2</a><BR> <BR>You would think experienced publishing professionals would be able to reliably spot the next massive bestseller. In fact, authors like J. K. Rowling and John Grisham withstood numerous rejections before finding success.<a role="doc-noteref" id="ch01en3" href="endnotes.xhtml#ch01en_3">3</a> In a tragic example, John Kennedy Toole ended his life after multiple publishers rejected his novel, <i>A Confederacy of Dunces</i>. When his mother submitted the manuscript posthumously, the book went on to sell millions of copies and win the Pulitzer Prize in literature. Or take the indie rock band R.E.M.&rsquo;s biggest hit, &ldquo;Losing My Religion.&rdquo; As one critic wrote, &ldquo;Nobody would expect a five-minute song with no chorus and a mandolin being the lead instrument to be played on the radio at all&#8212;much less become a worldwide number-one hit. It was just crazy. Anybody that says they saw that coming is lying to you.&rdquo;<a role="doc-noteref" id="ch01en4" href="endnotes.xhtml#ch01en_4">4</a> The veteran producers and judges of talent-spotting television shows like <i>American Idol</i> or <i>The Voice</i> also make big mistakes, passing over musicians that later go on to win Grammy awards.<a role="doc-noteref" id="ch01en5" href="endnotes.xhtml#ch01en_5">5</a><BR> <BR>In the venture capital industry, where firms amass fortunes for their partners and investors by sourcing and selecting the best investment opportunities, highly paid pros routinely pass over pitches from founders that create world-changing companies. At Bessemer Venture Partners, one of the VC industry&rsquo;s most storied names, the list of cringe-worthy misses includes Google, Apple, Tesla, Airbnb, Intel, and FedEx. Visionary leaders, too, often get the future wrong.<a role="doc-noteref" id="ch01en6" href="endnotes.xhtml#ch01en_6">6</a> David Sarnoff, the longtime CEO of RCA, wrote an editorial in the <i>New York Times</i> in 1939 predicting, &ldquo;TV will never be a serious competitor for radio because people must sit and keep their eyes glued on a screen; the average American family hasn&rsquo;t time for it.&rdquo; And Steve Ballmer, the aforementioned CEO of Microsoft, once confidently declared, &ldquo;There&rsquo;s no chance that the iPhone is going to get any significant market share. No chance. It&rsquo;s a $500 subsidized item.&rdquo;<a role="doc-noteref" id="ch01en7" href="endnotes.xhtml#ch01en_7">7</a> Oops.<BR> <BR>We routinely fail at predicting the future because of its inherent, oftentimes irreducible uncertainty. Which of the three pairs of shoes that you just tried on would you actually wear most often? Will the majority of cars produced in 2035 drive themselves? When, if ever, will we discover evidence that there is life on another planet? Will the stock market rise or fall next week, month, or year? Will a meaningful relationship begin for us or will one come to an end? If we&rsquo;re being honest, the answer to so many interesting questions we might ask about the future is something along the lines of &ldquo;Who the hell knows&rdquo; or &ldquo;That&rsquo;s beyond my pay grade.&rdquo; When it comes to the future, we face <i>a sense of doubt that blocks or delays us from taking action</i>&#8212;which is a good working definition of uncertainty, according to decision theorists.<a role="doc-noteref" id="ch01en8" href="endnotes.xhtml#ch01en_8">8</a> We always possess imperfect knowledge about what the future will look like. We also lack a full understanding of how our current-day choices will impact our futures.<BR> <BR>Even when we&rsquo;re not directly prognosticating about the future, uncertainty remains one of life&rsquo;s most consequential and inescapable realities. You&rsquo;ve heard, no doubt, of Heisenberg&rsquo;s uncertainty principle, the notion in quantum physics that we can know either the exact location of a tiny particle or its speed, but not both at the same time.<a role="doc-noteref" id="ch01en9" href="endnotes.xhtml#ch01en_9">9</a> I&rsquo;d like to propose another uncertainty principle, one that applies to people, not electrons. This principle says that we&rsquo;re confronted with uncertainty at practically every moment and in practically every dimension of our daily lives&#8212;that life, in essence, is a high-speed ride through clouds of maybes and what-ifs.<BR> <BR>Uncertainty&rsquo;s omnipresence can leave us not only scratching our heads but feeling like we&rsquo;re standing knee-deep in mental quicksand. Fortunately, we&rsquo;ve developed individual and collective approaches that help us get a grip. Foremost among them is the dynamic of anointment, which dramatically reduces the number of options at our disposal, making the act of choosing much easier. To understand why the workings of status pervade our decision-making processes, we must think about what they do for us. And one of the most important things they do is help us navigate a social world that otherwise would be far more mystifying, paralyzing, chaotic, and, frankly, dangerous than it already is.<BR><BR>The Other Uncertainty Principle<BR> <BR>Uncertainty&#8212;defined as a sense of doubt that blocks or delays us from taking action&#8212;is one of the most consequential, inescapable, and potentially debilitating realities of social life.<BR> <BR> <section> <h2 >Three Flavors of Uncertainty</h2> <BR>The future looms as a generic source of uncertainty, but to grasp the extent of the complexity of choice, it helps to more deeply consider some specific realms in which most of us experience a pervasive sense of doubt. Three forms of uncertainty are perhaps most salient. One is uncertainty about what we should consume, broadly defined: what we purchase, read, watch, and so forth. The second is uncertainty about how other people appraise us, how to behave around them, and how their actions affect us. The third is uncertainty about how we, as members of a group, should allocate our collective resources.<BR> <BR>As consumers, we&rsquo;re kept off-balance by our imperfect understanding of the future: what we&rsquo;ll want, how we&rsquo;ll feel, what we&rsquo;ll be able to afford, and so on. We also regularly hesitate to act because we are incapacitated by the proliferation of available choices. We all know how many varieties of tomato sauce or potato chips await us in the grocery aisle and how many smartphone cases there are on Amazon; how can we possibly evaluate all of them?<BR> <BR>The profusion of choices is hardly limited to consumer products. In every moment of life, we must choose to be doing or thinking about one thing as opposed to something else. Even if you&rsquo;re sitting in a prison cell, there is always something else you could be doing. I have just chosen to write this sentence, but there are more options than I can fathom for how I could have spent the last moment. And how I can spend the next. Our endless optionality leads in turn to limitless choice. Consider the options before you when you open your eyes in the morning: Check your phone? Turn on music? Shower? Eat breakfast? What&rsquo;s for breakfast? Get dressed? What to wear? The gym? Well done; now which exercises? Straight to email?<BR> <BR>Various internet sources estimate that an adult makes about 35,000 conscious decisions each day.<a role="doc-noteref" id="ch01en10" href="endnotes.xhtml#ch01en_10">10</a> As ludicrous as this number sounds, Cornell University researchers claim that we make 227 decisions each day about food alone.<a role="doc-noteref" id="ch01en11" href="endnotes.xhtml#ch01en_11">11</a> A list of options for how one might spend their first waking hour could fill this entire chapter, and we&rsquo;d still only scratch the surface of possibility. Furthermore, say you decide to spend your hour reading. Now you&rsquo;re faced with a different form of a consumption choice: What to read? Do you open a magazine, a book, Twitter, your email, Instagram, Reddit, the local newspaper, a national newspaper, Apple News, or whatever headlines Google serves up just for you? The options never end.<BR> <BR>Psychologists inform us that one of the more difficult tasks of human consciousness is to filter out extraneous information and rule out countless options. If we attempt to consider all our options at all times, we would be instantly and always overwhelmed. We would spend all our time sorting through options and doing absolutely nothing else. These days, even if we shrank our options down to <i>I&rsquo;m going to spend the next six hours sitting on the sofa and scrolling on my phone</i>, we&rsquo;d have to confront the fact that there are more than 2 million apps in the Apple app store, at least a few billion websites we could choose to visit, and perhaps a trillion sections within them. Because human civilization has progressed so far, most of us need not spend our time seeing directly to our basic needs for food and shelter. Instead, depending of course on our circumstances, many of us can spend lots of time as we wish, grappling with this problem of infinite consumer choice.<BR> <BR>Other factors make consumer decisions even trickier to resolve. As social scientists have observed, we can&rsquo;t know in advance what to think of some goods and services. Should I try a scoop of avocado ice cream? I tasted it at a restaurant recently and regret the decision, but I couldn&rsquo;t know that until I&rsquo;d already tried it (which is why many ice cream parlors give out samples on tiny spoons). Ditto for haircuts: sure, the stylist&rsquo;s plan to give me a buzz cut when I sit down in the chair sounds good, but seeing is believing.<BR> <BR>These &ldquo;experience goods,&rdquo; as scholars call them, are challenging enough to evaluate, but a subset of goods and services, which we call &ldquo;credence goods,&rdquo; defy judgment even <i>after</i> we&rsquo;ve experienced them. Was the lawyer you hired to resolve a legal matter a good one? Bad lawyers sometimes achieve good outcomes, and great attorneys occasionally end up with poor results. Even after knowing the outcome, we can&rsquo;t necessarily discern the quality of our legal counsel, as the outcome could have hinged on any number of other factors. Likewise, did the real estate agent you chose to sell your house get you the best deal? When the auto mechanic informed you it was necessary to replace an expensive part in your vehicle, was it really? Is that piece of modern art you bought really any good? What is &ldquo;good&rdquo; in these realms is either so subjective or impossible for nonexperts to discern that most of us come away from consumption experiences struggling to understand their quality.<BR> <BR>In addition to consumer decision-making, most of us struggle to make choices in a second realm: social behavior. Interacting with others in everyday contexts is one of the most inherently unpredictable acts we undertake. Minute to minute, we&rsquo;re never completely certain how others, even close friends and family members, will respond to us. If we tell a raunchy joke, will our audience laugh or be offended? If we confide in someone, will that person keep our secret? If we attempt small talk with a stranger in a coffee shop, will they reciprocate? Likewise, we often misinterpret social discourse&rsquo;s subtle hints, not least because of differences in communication styles, values, and cultural backgrounds. What <i>did</i> our colleague intend with a particular tone of voice or facial expression? Did they intend anything at all? And how should you respond? Mix in our nearly universal anxiety around being misunderstood, judged, or rejected in some way, and it&rsquo;s easy to see how the uncertainty of social interaction becomes a challenge for many of us.<BR> <BR>Moving from the individual to the group level, we encounter another, sometimes threatening form of uncertainty: lack of clarity about who gets what in society. Let&rsquo;s say a group of people comes together to see to their collective survival. Lacking access to a grocery store or other modern amenities, they might hunt, farm, and build shelter together. One way or another, they will have to determine how to allocate scarce resources, such as food, and craft some government-like structure to formalize and enforce the rules. Without a clear system governing the distribution of resources, group members will compete among themselves. &ldquo;I want the nice red apples from that tree,&rdquo; one person will say. &ldquo;No, <i>I</i> want them,&rdquo; another will rejoin. Before you know it, the situation risks flaring out of control and the group has a WWE-style brawl on its hands. If disputes become physical, group members will run a constant risk of injury or worse. The group as a whole will become much less likely to survive.<BR> <BR>One of the most influential and extreme depictions of what we might call resource allocation uncertainty was offered by the seventeenth-century British philosopher and distinguished pessimist Thomas Hobbes. Describing a hypothetical &ldquo;state of nature&rdquo; bereft of any government structure, Hobbes believed that humans would descend into perpetual conflict over the means of survival. There would be &ldquo;no arts; no letters; no society; and which is worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.&rdquo;<a role="doc-noteref" id="ch01en12" href="endnotes.xhtml#ch01en_12">12</a> We see this kind of drama playing out in muted form on reality show competitions like <i>The Bachelor</i> and <i>Survivor.</i> Imagine that such a reality defined all of life but without the show&rsquo;s producer ready to step in when the cat fighting escalated. Actually, any number of dystopian fictions about human life after the collapse of modern society <i>have</i> imagined it&#8212;and it makes for pretty sobering entertainment.<BR> <BR>There also are many contexts in which the choice we wish to make hinges on decisions other people make. This is true of fads and fashions. When we attend a party, some of us would like to wear what everyone else does; some of us prefer to wear what no one else does; and others of us target a style that represents a moderate degree of distinctiveness from other attendees. But to choose our point on this spectrum, we need to resolve the uncertainty about what other people will wear. Likewise, in the early days of electric vehicles, would you have bought one? That probably depends on whether at the time you believed other people would purchase one. If many people made that choice, you&rsquo;d be able to count on the availability of spare parts and service and a growing network of charging stations, but like many product or technology adoption decisions, if you misread what other people will choose to do, you&rsquo;re likely to end up with an item you wish you hadn&rsquo;t selected.<BR> <BR>As we will soon see, anointment reduces all three forms of uncertainty.<BR><BR>Three Forms of Uncertainty<BR> <BR><i>Consumer choice</i><BR> <BR>Which among the vast options available do I select?<BR> <BR><i>Behavioral choice</i><BR> <BR>How do I behave in life&rsquo;s diverse social situations?<BR> <BR><i>Group resource allocation choice</i><BR> <BR>Who gets what?<BR> <BR> </section> <section> <h2 >Uncertainty Trumps Reason</h2> <BR>Given how pervasive uncertainty is, what might be a rational approach for grappling with it? How do we even begin to resolve the issue? Researchers in the field of decision theory have come up with frameworks for how we should proceed with decision-making under uncertainty. One three-step model has the pithy acronym RQP. First, you <i>Reduce</i> the number of options before you as much as you can by exhaustively gathering information to disqualify some choices. Second, you <i>Quantify</i> the remaining uncertainty by assigning probabilities to the options still under consideration. And third, you <i>Plug</i> the relevant quantities into a quantitative algorithm that takes into account your preferences and objectives.<a role="doc-noteref" id="ch01en13" href="endnotes.xhtml#ch01en_13">13</a> Simple, right? Ha.<BR> <BR>Consider the first step: gathering information to reduce uncertainty. This seems reasonable, but, in real life, collecting more information doesn&rsquo;t always get you very far. Information can be ambiguous, and searching for more of it can just amplify your confusion. Let&rsquo;s say you&rsquo;re interested in understanding the relationship between dietary changes and health. Is bacon and eggs a healthy breakfast, or are you better off going with quinoa and kale? Whole-grain toast or gluten-free? Full-fat or nonfat yogurt? Look hard enough and you&rsquo;ll find reputable information that supports all views.<BR> <BR>Likewise, if you&rsquo;re planning the destination for your next overseas holiday, the deeper you dig into the details, the more convoluted your decisions may become. The cost of flights; the options for accommodations; the culinary and cultural experiences on offer; the nightlife and the availability of outdoor activities; the likelihood of good weather&#8212;it&rsquo;s a lot to think about. You can find yourself swimming in detail, asking yourself question after question about which factors are most relevant, what is worth paying for, and so on.<BR> <BR>Gathering more information can also increase uncertainty by surfacing new options, which can further overwhelm us. In one clever study to illustrate the point, the psychologists Sheena Iyengar and Mark Lepper persuaded a local supermarket to run an experiment: reduce the number of options presented to customers to six items and track how many customers made purchases. It turned out that a much greater percentage of shoppers bought jam when they had only a few options to choose from. Faced with additional choices, people get bogged down; with fewer choices, people are more likely to actually make one.<a role="doc-noteref" id="ch01en14" href="endnotes.xhtml#ch01en_14">14</a><BR> <BR>Once we&rsquo;ve searched exhaustively for information and disqualified some options, the rational model would then have us determine how likely each remaining option is to deliver our desired objective. Then, using a systematic approach, it would have us sort the options according to our preferences.<BR> <BR>But in the real world many of us aren&rsquo;t even exactly sure what we would prefer. When choosing a new home, do we care more about the location, the size of the backyard, the light, or the quality of the finishes? And even if we know what we care about now, do we know we will care about those same things five years into the future? We aren&rsquo;t great at anticipating our own future preferences, and we often don&rsquo;t behave consistently over time. When choosing a career path, do we value higher pay, greater schedule flexibility, or more meaningful work? A recent law school graduate might believe they want the prestige and salary of a big corporate firm, only to discover years later that they find the work unfulfilling. Parents agonize over school choices for their children, weighing academics against social environment against proximity to home, often second-guessing which of these priorities truly align with a child&rsquo;s best interests. Even in smaller decisions, like choosing a gym membership, we struggle to predict whether we&rsquo;ll prefer the convenience of a nearby basic facility or someplace that&rsquo;s farther away from home but filled with better amenities. Of course, there&rsquo;s an even more basic issue: the ambitious fitness goals we set in January rarely match our actual behaviors by March. Our tastes, interests, and follow-through in many things evolve in ways we just don&rsquo;t foresee.<BR> </section> <section> <h2 >The Ultimate Shortcut</h2> <BR>If strictly rational ways of coming to a decision in the face of uncertainty fail us, we have two other options: consign ourselves to being endlessly mired in decision mode or devise work-arounds. Humanity has consistently chosen the second route, embracing a set of strategies that Nobel Prize&#8211;winning economist Herbert A. Simon called &ldquo;bounded rationality.&rdquo; Rather than getting bogged down evaluating countless options, Simon argued that people instead employ simplifying rules of thumb to search for an option that, while imperfect, will do the job. We opt for &ldquo;good enough&rdquo; and move on, putting practical bounds on our rational decision-making.<a role="doc-noteref" id="ch01en15" href="endnotes.xhtml#ch01en_15">15</a> In fact, one theory of happiness posits that those who are quick to make good enough decisions, therefore avoiding the prodigious and relentless challenge of arriving at an optimal choice, are the most content.<a role="doc-noteref" id="ch01en16" href="endnotes.xhtml#ch01en_16">16</a><BR> <BR>Bounded rationality aligns with research in psychology that affirms our tendency to use our cognitive resources sparingly when making decisions. To cope with the world&rsquo;s complexity, our impressive but overmatched brains are programmed to behave in a miserly way. Rather than expend precious brainpower parsing out every last option, we invoke mental shortcuts, relying on biases and heuristics to simplify the world for us.<BR> <BR>Maybe you&rsquo;ve heard of the confirmation bias, whereby we embrace information that confirms what we already think and selectively ignore all the inconvenient facts that contradict our beliefs. This is one such shortcut. Likewise, you&rsquo;ve undoubtedly deployed the representativeness heuristic, a cognitive shortcut that relies on (frequently harmful) stereotypes to quickly size things up. For example, we presume that someone wearing Herm&#232;s is rich.<BR> <BR>These biases, along with many others, often contribute to inequity in our world, but their root cause is harmless enough: our brains&rsquo; inherent tendency to conserve cognitive resources and seek efficiency in the face of daunting complexity. Confronted with the Other Uncertainty Principle, our minds are always looking for ways to avoid getting swept into uncertainty&rsquo;s labyrinth. A great deal of research in psychology suggests that stereotypes allow us to draw inferences quickly and move forward, albeit at the expense of accuracy. If we cross paths with a Canadian, many of us assume they&rsquo;re going to be nice, and if we&rsquo;re in an animated conversation with an Italian, we anticipate a flurry of hand gestures.<BR> <BR>We also rely on personal habits to reduce uncertainty and make life more manageable. Once we develop a routine or a way of handling a task that seems efficient, we often stick to it out of habit. We use these routines to mindlessly plow through many of our daily activities, from brushing our teeth (Left to right? Lower, then upper?) to the way we towel off after showering. (For me: hair first, then face, left leg, right leg, chest, right arm, left arm, and back, then wrap around waist.) We might find a route home each day that we default to or a particular way we prefer our coffee served. Without even thinking about it, we make these same choices again and again. Rather than stopping and considering our many options every morning at the caf&#233;, we fall back on a preset selection and move on.<BR> <BR>Like biases, stereotypes, and habits, the process of anointment drastically simplifies the social world for us. Indeed, it is an unusually pervasive, powerful, and versatile mechanism for navigating uncertainty&#8212;so much so that we can plausibly think of it as (cue dramatic music) <i>the Ultimate Shortcut</i>. Confronted with an inscrutable set of options and a complex social landscape, status hierarchies simplify decision-making, usually on an unconscious basis. Anointment is often subtle, operating just below the surface. But if for some reason we suddenly lacked its presence in our lives, boy, would we feel it.<BR> </section> <section> <h2 >That Little Black Dress</h2> <BR>To grasp anointment&rsquo;s simplifying power, let&rsquo;s revisit the three forms of uncertainty described above. We begin with consumer choice and, in particular, a dilemma that many face every day: deciding what to wear. If you have an overstuffed closet, or if you&rsquo;ve ever perused rack after rack of shirts at a department store, you know this challenge.<BR> <BR>As difficult as consumer choices might be, they would be a whole lot <i>more</i> challenging were it not for anointment&rsquo;s invisible hand. Unbeknownst to us, anointment <i>suppresses</i> most of the variety available to us before we even consider our options, thus reducing the complexity of the choice. Think about how many color shades there are, how many types and patterns of fabric, how many ways of cutting a garment, of stitching it, of fitting it. The combinatorics are vast! And yet our closets only have so many hangers, the department store so many racks. Perhaps without us realizing it, the many middlemen of the fashion industry, informed and influenced by status, have already massively curated our fashion choices for us so that we can select within a much-narrowed range. That&rsquo;s a big service the status hierarchy performs for us: it delimits and determines the options we consider in the first place.<BR> <BR>Depending on your gender identity, you might have a little black dress, or &ldquo;LBD,&rdquo; that you trot out for cocktail parties or everyday occasions. How did this particular item land in your wardrobe?<BR> <BR>No one wore form-hugging little black dresses until the mid 1920s when Coco Chanel&rsquo;s eponymous fashion house popularized the style. By the time the LBD made its debut, Chanel had not only achieved considerable commercial success; she had also become a revered creative force in French fashion. She&rsquo;d even begun to hobnob with the era&rsquo;s prominent avant-garde artists, collaborating with them on projects and in some cases backing them financially.<a role="doc-noteref" id="ch01en17" href="endnotes.xhtml#ch01en_17">17</a><BR> <BR>Chanel had been anointed by Parisian elites as a bold, stylish, forward-thinking designer. As such, it was a virtual certainty that her LBD would draw attention. In October 1926, the cover of <i>Vogue</i> featured a drawing of a woman in a simple, elegant black dress. The magazine labeled the design &ldquo;Chanel&rsquo;s Ford,&rdquo; likening the dress to the Model T, which through innovations in mass production and reductions in customization became known for its low price point and its color: black. The LBD&rsquo;s familiarity today belies how radical the design was in its time. Back then, black was reserved for servants or people in mourning. Haute couture typically featured bright colors.<BR> <BR><i>Vogue</i> predicted that the LBD would constitute a staple in women&rsquo;s wardrobes, a &ldquo;sort of uniform for all women of taste.&rdquo; Sure enough, the dress appealed to women of different social classes and went on to become a timeless essential&#8212;nearly unheard-of in fashion circles. Its status reached further heights after Audrey Hepburn&rsquo;s spectacular embodiment of Holly Golightly in the 1961 cinematic masterpiece <i>Breakfast at Tiffany&rsquo;s</i>. Bedecked in Givenchy&rsquo;s interpretation of the LBD, Hepburn&rsquo;s outfit became the 1960s version of a viral fashion trend. With the likes of Marilyn Monroe, Princess Diana, Elizabeth Taylor, Victoria Beckham, and Kate Moss following suit, the little black dress earned its hanger in closets around the world.<BR> <BR>If you have an LBD or any other garment in your closet today, you probably recognize that it&rsquo;s not because you methodically considered the endless array of potential apparel options before rationally deciding what suits you best. Rather, anointment did most of the legwork for you.<BR> <BR>Think of it like this: two things must happen before you make <i>any</i> consumption choice. First, <i>you must become aware of the option</i>. These days, advertising, word of mouth, and social media all influence what products, services, and experiences you learn about, but so do an industry&rsquo;s movers and shakers. Designers, marquee brands, magazine editors, celebrities, and influencers all sift through many options for you, dramatically winnowing your consideration set.<BR> <BR>Second, <i>you must perceive the option as relevant to your needs, preferences, or goals</i>. Here, familiarity helps. People feel drawn to an option if they have experienced it in the past, recognize a brand, or have some general knowledge about the option. The ever-present, flowing force of social influence also comes into play. We&rsquo;re massively influenced by our friends, family, coworkers, and people we admire or think are wise or cool, as well as broader societal and class-based preferences.<a role="doc-noteref" id="ch01en18" href="endnotes.xhtml#ch01en_18">18</a> If someone we know or admire endorses an option, that means a great deal to us.<BR> <BR>Anointment often is the operative force underlying both our awareness of options and our interest in pursuing them. In the case of the LBD, Chanel&rsquo;s vaunted status as a creative force in the industry endowed her with the influence to popularize a bold design choice. And because many eyes were on Chanel in 1926, the LBD drew immediate attention from the industry&rsquo;s eminent players, distinguishing it from countless other stylistic options. <i>Vogue</i>&rsquo;s endorsement added heft to the LBD, as have the generations of celebrity endorsers continuing to the present day. This is hardly an isolated occurrence. When high-status creatives establish new trends that take off, the process produces a limiting force&#8212;a stylistic gravitational pull, if you will&#8212;that constrains the options that the majority of us consider.<BR> <BR>In this way, the anointment dynamic works a lot like having your own personal stylist, albeit one that doesn&rsquo;t charge by the hour. Members of the elite exert influence to preselect which fashions we learn about in the first place. Then, because many of us take our cues from the Audrey Hepburns of the world when making choices, the number of <i>relevant</i> options in our consideration set shrinks even further. Thank goodness for this two-part process. In fashion and many other areas of our lives as consumers, we need a way around the maddening diversity of options. The anointed shrink our decision horizons&#8212;in a good way.<BR> </section> <section> <h2 >The Power of Deference</h2> <BR>Anointment also lends a hand in dealing with uncertainty about how to behave in social or work settings. Much like it does with consumer decisions, anointment helps us in social interactions by restricting the range of <i>behavioral</i> choices at our disposal. We don&rsquo;t simply behave minute to minute in ways that are unfettered or random. Rather, as I suggested in the introduction, we tend to shape our behavior to acknowledge other people&rsquo;s social rank or to reinforce our own position. In other words, we behave in ways that show <i>deference</i> to others or that lead us to expect it from them.<BR> <BR>In Catholic tradition, the faithful might pay homage to the pope by bowing down to kiss his ring. In everyday situations, acts of deference are subtler but far more profuse. We see deference in nods of affirmation and minor praises sprinkled through our interactions as well as the order in which members of a group speak, who approaches whom, who interrupts whom, who apologizes to whom, and so on.<a role="doc-noteref" id="ch01en19" href="endnotes.xhtml#ch01en_19">19</a> Each of these little acts is inherently asymmetric: inequality is baked into them. On many occasions we&rsquo;re aware of deferring to another person, deciding consciously to acknowledge that someone is higher than we are in the pecking order. But in most instances small acts of deference&#8212;facial expressions, glances, slight shifts in posture&#8212;are habitual or involuntary responses of which we&rsquo;re only dimly aware, if at all. As a result, we scarcely notice the status dynamics that animate them.<BR> <BR>We don&rsquo;t always think about it, but our use of language also is rife with deference. We recognize status differences in the pitch and intonation we use, in our choice of words, and even in the confidence with which we express ourselves. A doctor might address patients by their first names, whereas patients will often show respect for the doctor&rsquo;s position by calling them by their title. In a courtroom, attorneys don&rsquo;t call the judge &ldquo;Janice&rdquo; or &ldquo;Waleed.&rdquo; They call them &ldquo;Your Honor.&rdquo;<BR> <BR>As these last examples suggest, we often affirm status distinctions by the actions we <i>don&rsquo;t</i> take. We might show respect for a celebrity&rsquo;s social stature by <i>not</i> approaching them in a restaurant and asking for their autograph. In high schools, unpopular kids often steer clear of the popular ones. Likewise, we might refrain from using vulgar words out of respect for someone in a position of authority, just as we might refrain from casually slapping them on the back.<BR> <BR>We&rsquo;re constantly evaluating others&rsquo; qualities and actions, and they ours. We scour our social environments, seeking out verbal, tonal, visual, facial, and body language cues that help us grasp the group&rsquo;s social map.<a role="doc-noteref" id="ch01en20" href="endnotes.xhtml#ch01en_20">20</a> We&rsquo;re sensitive to whether we and others are behaving in ways that conform to or depart from the norms that apply in specific situations and to specific positions in the hierarchy. Are we dressed properly? Are we showing enough confidence, humility, aptitude, kindness, sincerity, modesty, or patience given the social context and the person with whom we&rsquo;re interacting? Are we demonstrating <i>too much</i> of these traits? In any given moment, the outcome of all of these snap judgments is our recognition or denial of someone else&rsquo;s status.<BR> <BR>At the same time, these status-driven determinants of our behavior do something very important for us on a cognitive level: <i>they convert choice into habit</i>. Conforming to the rules of the status system gives us a respite from uncertainty. We need not ponder the myriad ways we <i>might</i> behave in every minor social encounter. We&rsquo;ve been conditioned to know the established rules of deference, and we repeatedly revert to them automatically, without having to think about it.<BR> <BR>Consider a meeting at your workplace. If there is a chair at the head of the conference table, does the same person generally sit there? Do others predictably choose surrounding seats? As the conversation gets underway, who occupies more airtime and who feels compelled to pay the most attention? Who speaks more confidently and who less? Who glances at their phone surreptitiously and who feels free to do so without attempting to conceal it?<BR> <BR>As you ponder these questions, you&rsquo;ll begin to see that your organization&rsquo;s meetings all have a subtext to them, a theatrical performance of status dynamics that runs parallel to and intersects with the discussion&rsquo;s overt agenda. This subtext might lack the amusement value of <i>The Office</i>, but it does significantly simplify the range of behavioral choices we make. As attendees, we comply with the tacit code of conduct dictated by the pecking order, including who says and does what. If the status hierarchy and its unspoken rules didn&rsquo;t exist, we&rsquo;d all possess a vastly wider range of options for how to behave, and the group would spend a great deal more time negotiating among competing priorities. The mental burden of always having to decide how to act in the here and now would be exhausting, even paralyzing.<BR> </section> <section> <h2 >The Peacemaker</h2> <BR>What about the third source of uncertainty: questions about how to allocate resources? Here we find that hierarchies can serve a peacemaking function in the most profound sense of the term, helping us to resolve disputes before they even surface.<BR> <BR>In a pride of lions, the dominant male&#8212;often the eldest or the strongest&#8212;eats first. The same was true of the head of the household&#8212;often the oldest male&#8212;in many traditional societies. In corporate hierarchies, top executives receive the bulk of the perks, like the largest offices with the best views and the nicest furniture. And let us not forget that business-class travelers are entitled to board the plane first. Whether we&rsquo;re considering military organizations, ant colonies, a pack of wolves, a tribal society, or a workplace, the status hierarchy in each unburdens the group from uncertainty about how to divvy up the pie. It <i>predetermines</i> who gets what, thus creating a level of coordination that makes it easier and less costly for groups to acquire and allocate what they need.<BR> <BR>A closely related pathway through which social hierarchies promote tranquility and efficiency is that they make it more apparent who does what. Some jobs are preferable to others, and with a hierarchy in place we have greater clarity about our roles. In a hospital setting, an established hierarchy exists among medical professionals. Surgeons, attending physicians, residents, medical students, nurses, and physician assistants all have defined roles. This clarity of responsibilities avoids confusion about who makes what decisions and who performs which tasks.<BR> <BR>Of course, many of us resent where we sit in the food chain. Feelings of shame, envy, and inferiority are part and parcel of life in social hierarchies&#8212;something you know if you were ever teased or excluded by the popular kids in grade school. That said, most of us prefer short jolts of negative emotions to living with extreme uncertainty, routine disorder, and a constant, lurking risk of conflict. Interactions become more predictable when one party agrees to behave in a subordinate manner and the other in a superior one.<BR> <BR>This holds true in relationships of all kinds. Life without social hierarchies and their attendant norms often creates situations where mutual distrust prevents beneficial cooperation. In economic exchanges, each party might worry about being cheated by the other. This uncertainty can lead to a classic game theory scenario: even though both parties would benefit from cooperation, the fear of being exploited leads each to act defensively or opportunistically. The result is a self-fulfilling prophecy where the expectation of untrustworthy behavior creates exactly that outcome. Like players in the prisoner&rsquo;s dilemma, each person&rsquo;s rational response to anticipated betrayal produces an outcome that leaves everyone worse off than if they had found a way to cooperate.<BR> <BR>Social status helps us resolve this dilemma by creating incentives for good behavior, which fosters trust.<a role="doc-noteref" id="ch01en21" href="endnotes.xhtml#ch01en_21">21</a> With status hierarchies in place, cheating comes at a cost&#8212;a loss of respect and a hit to one&rsquo;s reputation&#8212;that&rsquo;s best to avoid. The longer-term goal of maintaining our position in the status hierarchy clashes with whatever short-term benefits we derive from screwing a counterparty in a deal. (Of course, this presumes that we actually have something to lose: the cost of deception tends to be higher as we ascend the hierarchy because those without status have less valuable reputations to protect.)<a role="doc-noteref" id="ch01en22" href="endnotes.xhtml#ch01en_22">22</a> The presence of status hierarchies often contributes to circumstances in which we&rsquo;ll feel more confident that people will do what they say when dealing with us. In this way, hierarchy facilitates the trust we require to enter some of the relationships that enhance our lives.<BR> <BR>Plenty of research suggests that a built-in hierarchy discourages conflict and results in higher group productivity. Imagine two teams, one of which consists entirely of high performers (like the members of an All-Star team in Major League Baseball) and the other of members who fit into a clearly established hierarchy. Which team will likely see more conflict and less cooperation? Which team will move more quickly toward decisions, and which will be more effective at divvying up tasks and allocating people&rsquo;s efforts across them? Common sense suggests&#8212;and research has confirmed&#8212;that the team of high-status players will likely experience more conflict.<a role="doc-noteref" id="ch01en23" href="endnotes.xhtml#ch01en_23">23</a> Meanwhile, teams with clear hierarchies, established patterns of deference, and a division of labor based on status distinctions experience less conflict and ultimately see better group productivity. This is true even for chickens! One study showed that egg production among chickens is highest with stable group structures, and would decline if all the high producers were assembled in a coop.<a role="doc-noteref" id="ch01en24" href="endnotes.xhtml#ch01en_24">24</a><BR> <BR>Many in our society cherish the idea of equality. We raise our glasses to the egalitarian idea that each voice holds weight, that every opinion should add its hue to a group&rsquo;s discourse. In this regard, the functioning of status hierarchies confronts us with an inconvenient truth: a system of <i>inequality</i> grounded in anointment is in fact also a magnetic force that binds the group together, serving as an antidote to entropy in the social world. We might prefer not to acknowledge how indispensable an organized system of inequality is in keeping our worst instincts at bay, but that is the inescapable reality. Social hierarchies imply inequality because the greatest quantity of resources almost always flows to individuals in the highest ranks. It might not be fair, but these hierarchies offer a clear benefit by precluding endless conflicts over who is entitled to what.<BR> </section> <section> <h2 >The Imperfect Shortcut</h2> <BR>Anointment exerts a potent grip on our lives because it makes the social world clearer, simpler, more predictable, and less chaotic than it otherwise would be. Humanity may be able to stick the landing of a spacecraft on Mars, but seemingly simple questions about what we consume, how we behave in any given social context, and how we allocate resources within groups are still endlessly confounding. We might know that we prefer a double espresso in the morning and mindlessly order it. But in countless other situations, decision-making becomes arduous because bounds on our rationality can&rsquo;t keep up with the sheer number of available choices, our difficulty in predicting the future, the subjective nature of many judgments, and so on.<BR> <BR>In ways we rarely contemplate, the anointed preselect which fashions, products, films, books, ideas, wines, and so forth come to our attention. Then, within a curated set of options, we consciously or unconsciously assess the value of each product, service, or idea based on its association with high-status individuals, further guiding us toward specific choices. In the panoply of social contexts we encounter, we are preprogrammed and acculturated to play our part in status rituals: our behavioral choices morph into habitually enacted actions. Meanwhile, amid the theoretical potential for ever-escalating spats about how to allocate resources in groups, the status ordering clarifies entitlements. Across these three realms&#8212;reducing options and facilitating evaluation, prescribing behavioral responses in social settings, and reducing conflict over resource allocation&#8212;anointment serves as a powerful shortcut. Its presence expedites our path to action and alleviates the mental strain that would otherwise mire us all in indecision.<BR> <BR>Status is kind of magical in this regard. But it&rsquo;s also deeply flawed. If it makes social life possible and our individual journeys on planet Earth less troublesome, it also creates profound problems, most notably by entrenching inequality and causing us to allocate our efforts and resources poorly. Because we rarely consider the full range of options, we routinely commit to decisions and courses of actions that underserve us and are unfair to others. If we are to have any chance of solving or at least mitigating these problems, we must examine more closely how anointment functions and whether we might somehow design a better operating system for society.<BR> </section> </section>]]></Text>
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      <BiographicalNote><![CDATA[Born in Macau then moving to Hong Kong later and eventually the United States at the age of six, celebrated actress Ming-Na Wen spent much of her youth learning about food in her family&rsquo;s Pittsburgh restaurant, the Chinatown Inn, now a historic landmark and the only remaining establishment from the city&rsquo;s original Chinatown. As an adult and now an Asian American icon, Ming-Na has appeared in television and films ranging from her breakout starring role in&nbsp;<i>The Joy Luck Club</i>, based on Amy Tan&rsquo;s bestselling novel, to&nbsp;<i>Karate Kid Legends&nbsp;</i>in 2025. She broke barriers with her seven-year run as Dr. Chen on the Emmy Award&ndash;winning NBC series&nbsp;<i>ER</i>&nbsp;and was beloved by a younger generation for voicing the titular role in Disney&rsquo;s acclaimed&nbsp;<i>Mulan</i>. She went on to be named a Disney Legend thanks to roles such as Agent May on Marvel&rsquo;s&nbsp;<i>Agents of S.H.I.E.L.D.</i>&nbsp;and Fennec Shand on the Star Wars franchise shows<i>&nbsp;The Mandalorian</i>&nbsp;and&nbsp;<i>The Book of Boba Fett</i>. With hundreds of other roles she&rsquo;s played over decades, Ming-Na was awarded a star on the Hollywood Walk of Fame in 2023. She lives with her husband Eric in Los Angeles, and she is proud that they have raised their two beautiful children, Michaela and Cooper, to be passionate foodies.]]></BiographicalNote>
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      <SubjectHeadingText>chinese-american cuisine; family meals; chinese cuisine; chinese cooking; chinese recipes; chinese-american recipes; the joy luck club; karate kid legends; ER; mulan; disney; agent may; marvel; agents of s.h.i.e.l.d.; fennec shand; star wars; the mandalorian; the book of boba fett; phil rosenthal; claissa wei; woks of life; pamela anderson; Chinatown Inn; Pittsburgh; noodles; stir-fry; dumplings; homemade; authentic; family-friendly; wonton; egg rolls; beef and broccoli; tofu; chow mein; fried rice; sweet-and-sour; dim sum; prime rib; seafood; pork; jasmine rice; soy sauce; hong kong; chinese classics; wok; wok pan; lunar new year gift; holiday gift; holiday gifts; asian recipes; chinese cook books; asian cooking; chinese food; rice cooker; holiday gifts; foodie gifts; cookbooks; cookbook;</SubjectHeadingText>
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      <Text><![CDATA[<b>A heartfelt collection of stories and recipes from beloved actress and Asian American icon Ming-Na Wen, weaving together her childhood in her family</b><B>&rsquo;</B><b>s Pittsburgh Chinese restaurant with the dishes she now cooks at home for loved ones and friends.</b><BR><BR>Legendary actress and Asian American icon Ming-Na Wen is best known for dozens of film and television roles including her breakout part in the film adaptation of Amy Tan&rsquo;s bestselling novel <i>The Joy Luck Club</i>, the voice of Disney&rsquo;s acclaimed <i>Mulan</i>, several years on the Emmy Award&#8211;winning <i>ER</i>, her part as Agent May on <i>Agents of S.H.I.E.L.D., </i>her role as Fennec Shand on the Star Wars franchise shows <i>The Mandalorian </i>and <i>The Book of Boba Fett</i>, and much more. Now Ming-Na invites fans into her kitchen to share a lifetime of recipes and stories that began in her parents&rsquo; beloved Pittsburgh restaurant&#8212;the Chinatown Inn, which is still open today&#8212;forever making food the center of her world. In this heartfelt tribute to her heritage, Ming-Na is sharing both traditional Chinese family recipes as well as recipes for her own creations that she cooks in her own home.<BR> <BR><i>Have You Eaten Yet?</i> is the ultimate love letter to food and family, offering delicious, accessible recipes for every occasion. In chapters like Restaurant Classics, you&rsquo;ll learn to master iconic dishes like The Best Egg Rolls, Simple Wonton Soup, and Shrimp Fried Rice. Discover family secrets from her father in Feasts from Chef Baba with recipes like his tender Prime Rib and comforting Winter Melon Soup. Straight from Ming-Na&rsquo;s Kitchen, you&rsquo;ll find crowd-pleasers like Shrimp with Garlic Noodles and the show-stopping Dragon Fruit Cheesecake Cups. Ming-Na even gives readers advice on perfecting rice, her guide to condiments, and restaurant-inspired tips for prepping sauces, broths, and dry spices.<BR> <BR>Filled with personal stories, heartwarming memories, practical tips, and even never-before-seen family photos, <i>Have You Eaten Yet?</i> is an essential guide for anyone looking to explore the rich flavors of Chinese American cuisine.]]></Text>
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      <Text><![CDATA[Born in Macau then moving to Hong Kong later and eventually the United States at the age of six, celebrated actress Ming-Na Wen spent much of her youth learning about food in her family&rsquo;s Pittsburgh restaurant, the Chinatown Inn, now a historic landmark and the only remaining establishment from the city&rsquo;s original Chinatown. As an adult and now an Asian American icon, Ming-Na has appeared in television and films ranging from her breakout starring role in&nbsp;<i>The Joy Luck Club</i>, based on Amy Tan&rsquo;s bestselling novel, to&nbsp;<i>Karate Kid Legends&nbsp;</i>in 2025. She broke barriers with her seven-year run as Dr. Chen on the Emmy Award&ndash;winning NBC series&nbsp;<i>ER</i>&nbsp;and was beloved by a younger generation for voicing the titular role in Disney&rsquo;s acclaimed&nbsp;<i>Mulan</i>. She went on to be named a Disney Legend thanks to roles such as Agent May on Marvel&rsquo;s&nbsp;<i>Agents of S.H.I.E.L.D.</i>&nbsp;and Fennec Shand on the Star Wars franchise shows<i>&nbsp;The Mandalorian</i>&nbsp;and&nbsp;<i>The Book of Boba Fett</i>. With hundreds of other roles she&rsquo;s played over decades, Ming-Na was awarded a star on the Hollywood Walk of Fame in 2023. She lives with her husband Eric in Los Angeles, and she is proud that they have raised their two beautiful children, Michaela and Cooper, to be passionate foodies.]]></Text>
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      <Text><![CDATA[&ldquo;Ming-Na and I share many things in common&mdash;one being that we always want our work to make people happy. I know that she&rsquo;ll be making many people happy&mdash;and full&mdash;with these recipes!&rdquo;<b>&mdash;Jackie Chan</b>]]></Text>
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      <Text><![CDATA[&ldquo;Ming-Na has been breaking barriers for decades, and doing it with so much heart and soul. With the arrival of&nbsp;<I>Have You Eaten Yet?</I>, she brings that same heart and soul into the kitchen with incredible recipes and heartwarming stories, proving yet again why she is one of my personal heroes.&rdquo;<b>&mdash;Randall Park</b>]]></Text>
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      <Text><![CDATA[&ldquo;Full of cherished family recipes, Ming-Na Wen&rsquo;s<i>&nbsp;Have You Eaten Yet?</i>&nbsp;is more than just a cookbook&mdash;it&#39;s a heartfelt journey about growing up Asian American and the stories that have shaped her life as a restaurant daughter.&rdquo;<b>&mdash;Ken Jeong</b>]]></Text>
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      <Text><![CDATA[<I>&ldquo;Have You Eaten Yet?</I>&nbsp;is a delicious deep dive into Ming-Na&rsquo;s unique journey and the profound influence of her family&rsquo;s culinary heritage. With her magical touch in the kitchen, she has crafted an incredibly heartfelt and entertaining cookbook that will bring your taste buds to new heights!&rdquo;<b>&mdash;Ralph Macchio</b>]]></Text>
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      <Text><![CDATA[&ldquo;Ming-Na Wen shows us the universal heart of every culture&mdash;home-cooked meals with recipes and intimate stories handed down through generations of women.&nbsp;<i>Have You Eaten Yet?</i>&nbsp;is an invitation to experience the meaning of a family&rsquo;s legacy shaped by secret ingredients, lessons learned, and traditions that deepen over time. The aunties of the Joy Luck Club approve.&rdquo;<b>&mdash;Amy Tan,&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>The Joy Luck Club</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;I&rsquo;ve worked with Ming-Na over many years, and this book introduced me to a whole other side of her creativity. We share a love of food and storytelling, and these recipes are presented in a way that combine both. I can&rsquo;t wait to try them out in the kitchen.&rdquo;<B>&mdash;Jon Favreau</B>]]></Text>
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      <Text><![CDATA[&ldquo;Huzzah! We no longer have to watch Ming-Na prepare these mouthwatering dishes on Instagram and wonder, &ldquo;How does she do it? Why does that look so good? What&rsquo;s her secret?&rdquo; She has&nbsp;<I>finally</I>&nbsp;graciously agreed to share her family&rsquo;s incredible recipes with us! If you love to cook, love to eat, or love Ming-Na as much as I do, you&rsquo;ll need and treasure this book.&rdquo;<B>&mdash;Noah Wyle</B>]]></Text>
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      <Text><![CDATA[&ldquo;Ming-Na Wen&rsquo;s<I>&nbsp;Have You Eaten Yet?</I>&nbsp;is a love letter not only to the recipes of an entire generation of immigrant parents&nbsp;but also to the very sacrifices our parents made so that we could enjoy a better life. This is a breathtaking tribute that is&nbsp;savory to the soul and transportive to the culture, and it will make your belly say &lsquo;Sik Fan La!&rsquo;&rdquo;<B>&mdash;Harry Shum Jr.</B>]]></Text>
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      <Text><![CDATA[&ldquo;As a restaurant daughter myself, I have watched my parents work tirelessly in the kitchen to provide for our family.&nbsp;<I>Have You Eaten Yet?</I>&nbsp;captures a beautiful snapshot of the Chinese American immigrant experience and all the love that&rsquo;s infused in our dishes. I can&rsquo;t wait to share Ming-Na&rsquo;s recipes with my own family.&rdquo;<B>&mdash;Michelle Kwan, Olympic medalist and former US&nbsp;ambassador to Belize</B>]]></Text>
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      <Text><![CDATA[&ldquo;Part memoir and part cookbook, Ming-Na Wen&rsquo;s<I>&nbsp;Have You Eaten Yet?</I>&nbsp;is a deeply moving story of how her family&rsquo;s Chinese restaurant in Pittsburgh and the tantalizing dishes it served shaped an immigrant girl from China into the American superhero that she became on the screen and in life.&rdquo;<B>&mdash;Lisa Ling, journalist</B>]]></Text>
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      <Text><![CDATA[<B>If you&rsquo;ve ever streamed a show on HBO Max, seen a Formula One race, hummed a tune on SiriusXM, bought concert tickets via Ticketmaster, or watched an Atlanta Braves game, you&rsquo;ve crossed paths with John Malone. You just didn&rsquo;t know it.</B><BR><BR>John Malone remains a stranger to most people, though millions have been touched by the technologies and content he made possible.<BR> <BR>In <i>Born to Be Wired</i>, this legendary &ldquo;cable cowboy&rdquo; shares stories from behind the scenes of the most transformative deals in media, entertainment, and technology. He recounts the extraordinary saga of how America was wired&#8212;how a single copper strand evolved from a rural TV antenna service into a high-speed backbone powering the internet and clearing the path for Amazon, Facebook, and Google. Malone offers an insider&rsquo;s account of launching television&rsquo;s first cable networks&#8212;including Discovery, TBS, QVC, and BET&#8212;and the strategy behind era-defining mergers, from Warner Bros. Discovery to Live Nation Entertainment. His Liberty Media ventures, including Formula One, have delivered long-term returns often compared to Berkshire Hathaway. More than a business story, this is a personal reflection&#8212;from a quiet kid with a mechanic&rsquo;s curiosity to a media visionary confronting the costs and consequences of disruption in an industry he helped reshape.<BR> <BR>Trained at the storied Bell Labs and gifted with a mathematical mind, Malone saw patterns in complexity. Where others saw chaos, he saw systems&#8212;and reconfigured companies with the precision of an engineer, unlocking value no one else could see.<BR> <BR>Sweeping, revealing, and deeply human<i>, Born to Be Wired </i>offers a rare glimpse into the logic&#8212;and the life&#8212;behind the screen.]]></Text>
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      <Text><![CDATA[John Malone is chairman of Liberty Media, Liberty Broadband, and Liberty Global. He was chief executive officer of Tele-Communications Inc., the largest cable operator in the US, from 1973 to 1999, when its merger closed with AT&amp;T Corp. He is a TV, internet, and digital pioneer widely recognized for his leadership role in media and telecommunications. A philanthropist in medicine and education, he is today one of the largest landowners in America, with most of it set aside for conservation. Malone is also an avid rancher, land manager, conservationist, hotelier, and horse trader. John Malone was a merit scholar at Yale University, where he earned a bachelor&rsquo;s degree in electrical engineering and economics. He later received a master&rsquo;s degree in industrial management and a PhD in operations research from Johns Hopkins University.]]></Text>
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      <Text><![CDATA[Chapter 1: Keys on the Table <link rel="stylesheet" type="text/css" href="../styles/9781668051559.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER 1 KEYS ON THE TABLE <BR>I had done this a hundred times before in a dozen different bank boardrooms, and each time the scene was the same: a cavernous, wood-paneled room with a long mahogany table polished to a sheen. Around it sit a dozen or so aging men in starched white shirts and neckties, frowning and looking up periodically from the financial numbers on the documents in front of them.<BR> <BR>But on this afternoon in 1975, the banks had requested the meeting, not us, and far from a polished boardroom, it was in our brown, flat, single-story office building in the long shadow of the Rockies. I knew this meeting would be different.<BR> <BR>The past couple of years had been pure hell for both of us. Bob Magness was the chairman of a struggling cable company on the outskirts of Denver named Tele-Communications Inc., and he had brought me in as the new CEO two years earlier.<BR> <BR>TCI had been a bright young star in the rapidly growing cable television business. We were hanging coaxial cable across the country to provide rural areas with better reception of broadcast signals from CBS, NBC, and ABC, and eventually hundreds of new TV channels and the internet.<BR> <BR>One day, this would lay the foundation for the largest cable operator in the U.S., serving one out of every four homes, and give rise to a robust, two-way digital communications network in the U.S., providing the platform for the likes of Amazon, Facebook, and Google, and unlocking immense value in a new digital economy.<BR> <BR>Bob and I had no idea of any of that potential back then. That morning, we merely were hoping to survive the day. Bob, a World War II vet and part-time rancher and cottonseed broker, had launched his cable company in Memphis, Texas, in 1956, after a chance conversation with two strangers in a cotton gin, where Bob did business.<BR> <BR>Sold on the idea, Bob and his loving and loyal wife, Betsy, sold their cattle, mortgaged their house, and jumped in. He and a small team of friends started climbing telephone poles and hanging wire, with Betsy stationed at the kitchen table as head of accounting. Several years later, Bob moved operations to Denver and took TCI public in 1970.<BR> <BR>When I first accepted the offer to come work for Bob, the pitch was solid: Come out West and run one of the largest cable operators in this new industry! Long-term contracts to wire big cities were worth millions of dollars. This set off a land grab across the country, and TCI had taken on crushing debt to finance furious growth. Around this time, TCI reached more than 621,000 subscribers through 151 systems in 33 states, with annual revenue around $34 million a year&#8212;and $84.8 million in debt.<BR> <BR>Almost immediately after I arrived in 1973, several things started breaking the wrong way for us: oil prices quadrupled, the inflation rate shot up to double digits, and interest rates skyrocketed to 12 percent in July 1974, more than doubling borrowing costs year over year. That hit the cable business especially hard, because for us more debt was like rocket fuel. The variable cost of stringing wire from pole to pole above ground had doubled, thanks to new regulations and price increases from suppliers. In big cities, where cable had to be buried underground, the costs could run as high as tens of thousands of dollars per mile.<BR> <BR>Now the banks were balking at any more lending, yet we already had pledged TCI to pour half a billion dollars into new construction to win cable franchises from local governments in Tennessee, Washington, and elsewhere. On top of that, in return for franchise agreements to operate there, we had inherited promises made by systems TCI bought to build community centers and parks.<BR> <BR>Despite healthy revenue gains and operating margins of 40 percent, our debt was closing in fast, and for the first time in my career, I was scared. To consolidate the loans he had already accumulated, Bob had drawn a $77.5 million bank line of credit in 1972, just before I joined. And we had borrowed $76.5 million of it.<BR> <BR>A week earlier, I had called a loan officer to arrange the meeting where we would ask to borrow the final $1 million. Before I could even get the words out, he cut me off.<BR> <BR>His tone on the other end of the line struck me as a little rude: &ldquo;By the way, don&rsquo;t ask for that other million. If you don&rsquo;t want the house of cards to come down, don&rsquo;t ask.&rdquo;<BR> <BR><i>What was I thinking?</i> I was educated at Yale, I had worked in the most famous laboratory in the world at Bell Labs, I had trained at the fabled McKinsey &amp; Company, and I had been CEO at Jerrold Electronics, the dominant (and highly profitable) supplier and financier to the cable industry. I had turned down a plush job with an absurdly big salary in New York, with a car and driver, to take this job instead.<BR> <BR>I had joined a bunch of cowboys and a near-bankrupt former cottonseed salesman who had bet his farm, literally, on a newfangled business called cable TV. I had uprooted my family, moved across the country, and taken a pay cut&#8212;on a promise. I had risked everything.<BR> <BR>I even had taken out a $60,000 loan from the Bank of Denver to buy TCI stock at $7 a share when I joined&#8212;a year later, the stock had fallen to $3, weighed down by high interest rates, wild inflation, and an unrelated industry scandal, briefly bottoming out at 78 cents. My start date at the company should have been my first clue: April Fool&rsquo;s Day.<BR> <BR>We were minding every nickel at the office, and my wife, Leslie, and I were counting pennies at home, using coupons at the grocery store, never eating out, and going for a month without a home phone at one point.<BR> <BR>The vise grip of home and work was squeezing my brain. We had already started slashing salaries at the office, and we were doubling up in hotel rooms and flying economy to every new city. I had not expected this.<BR> <BR>The worst, though, was that I wasn&rsquo;t the CEO people had expected me to be, the father I had wanted to be to my kids, or the husband I had promised to be for my wife.<BR> <BR>In honest moments, Leslie would let her frustration show: &ldquo;You promised me after McKinsey and Jerrold you&rsquo;d be home more, and that we&rsquo;d have dinner together like a family, and you&rsquo;re not, and we don&rsquo;t.&rdquo;<BR> <BR>As we waited for the bankers to arrive, I realized that this one meeting would determine the fate of the company, our employees, and my career. The imminent risk of losing the company and going bankrupt was an existential threat that had resurrected old demons of self-doubt, particularly the fear of letting everyone down.<BR> <BR>As the bankers arrived, they fanned out around the table in our cramped conference room. The only friendly face among the gaggle of them was that of Donne Fisher, our treasurer at TCI, and he looked like a man in the back of a long line at the DMV&#8212;irked and impatient, yet keeping it all in check.<BR> <BR>I opened the meeting with an introduction heavy on promises and light on numbers, because I knew the numbers couldn&rsquo;t save us. Then Donne and I left them to deliberate privately.<BR> <BR>Bob walked into my office and asked how things were going. He still looked every inch the laconic cottonseed salesman he had been a decade earlier, with a molasses-slow Texas drawl and dressed, almost always, in a white Western dress shirt, a bolo tie, and a cowboy hat that was perched atop neatly combed white hair.<BR> <BR>As Donne and I gave him a read on the room, he just stared off into the distance. In Bob&rsquo;s eyes I couldn&rsquo;t tell if I saw fear or despair that afternoon, maybe a bit of both. He was genuinely stoic, as if he were witnessing an accident in slow motion. In many ways, I guess, he was.<BR> <BR>The first thing the bankers decided was that one of their members had to leave: the representative for the Teachers Insurance and Annuity Association of America, which had different agreements than the banks; he was now regarded as being too close to the company. The man walked out of the meeting, stunned and a little stung, and joined Bob, Donne, and me.<BR> <BR>As we were all sitting on a couch waiting in my office, with the clock literally ticking, Bob finally stood up and said to no one in particular, &ldquo;I can&rsquo;t take it anymore. I&rsquo;m leaving.&rdquo; And he drove home.<BR> <BR>After an eternity, representatives of two of the largest debt holders, the Bank of New York and Philadelphia National, came to my office. Donne and I looked at each other, then looked at them. Tom Renyi, who would later become the CEO of the Bank of New York, revealed the verdict.<BR> <BR>&ldquo;Well, the banks have conferred, and we&rsquo;re prepared to give you the extensions that you&rsquo;ve requested,&rdquo; he declared. And then came the sucker punch: &ldquo;However, we think because of the deteriorated nature of the credit, the banks are entitled to an increase in the interest rate.&rdquo;<BR> <BR>The damned fool. When I heard those words, I knew it was over. I lost my breath and felt my skin go numb.<BR> <BR>&ldquo;Tom,&rdquo; I said quietly, &ldquo;I was afraid you were going to say that. I&rsquo;ve got every knob in this company turned down as tight as they&rsquo;ll go.&rdquo; Then my voice started to get louder. &ldquo;We&rsquo;ve got people working sixty-hour weeks and getting paid for thirty. We&rsquo;re working overtime to just get over this hump. And that&rsquo;s all it is&#8212;a hump. dWe can get over it.&rdquo; I sounded like a gambler with a hot tip.<BR> <BR>&ldquo;But if you do this now, it will kill us,&rdquo; I continued. &ldquo;It&rsquo;ll so demoralize everyone. I just can&rsquo;t continue to run the company if you&rsquo;re going to do that!&rdquo;<BR> <BR>&ldquo;And so if <i>you</i> think <i>you</i> can extract this little bit more juice out of the company&hellip; here&rsquo;s the keys to everything.&rdquo; I pulled my ring of office keys out of my front pants pocket and threw it down on the table in my office. &ldquo;You run it and let me know how you make out.&rdquo;<BR> <BR>I had pulled the keys out for effect, but the truth was I was dead serious. I also knew that all banks dread having to seize a customer&rsquo;s business, because they know nothing about running any business; they&rsquo;ll just screw it up. They know only money.<BR> <BR>Plus, in our loan accord with the banks, they were allowed to boost the interest rate on our debt only with our approval. So I told them straight-out: &ldquo;You can put us in the tank, you can put us into bankruptcy, and you can call a default, but you can&rsquo;t raise the interest rate unless we agree to it&hellip; and we&rsquo;re not going to agree to it because I think it&rsquo;s the wrong thing to do at this time.&rdquo;<BR> <BR>Silence.<BR> <BR>&ldquo;Thank you for your time, John.&rdquo;<BR> <BR>And just like that, the meeting was over.<BR> <BR>And they all left without saying goodbye. <i>Are we done? Is this the way it ends?</i><BR> <BR>That night I was so wired I couldn&rsquo;t sleep, my brain busy with unsettling scenarios. We arrived in the office the next day waiting for the phone to ring with the verdict. The call lasted less than a few minutes. The banks had decided to forgo raising our interest rate. It was good news, but there was nothing to celebrate. We could only exhale.<BR> <BR>The meeting, and that moment, would stay with me forever, and that sharp pang of fear at the imminent prospect of crushing failure has never really left me. It remains with me to this day, like a nettlesome and negative old friend I must abide, albeit I am better at keeping it in check now.<BR> <BR>It made me realize that the adage is true: in every crisis lurks opportunity. So if I could learn something from a near-death experience, maybe the whole thing was worth it. That day, now fifty years ago, I made a promise to myself that I never have broken: <i>If we get out of this alive, I will never bet the whole farm&hellip; on anything. No deal is ever worth doing that.</i><BR> <BR>Without saying it aloud, Bob and I knew the bankers saw us as just numbers on a balance sheet&#8212;and they would never understand what drove us. Bootstrapping the business over the past two years had forged a strong bond between us all at TCI. This was our life&rsquo;s work, something built on grit, optimism, and a trust that ran deeper than any balance sheet could reflect.<BR> <BR>Wall Street bankers debate which metric is best for divining the intrinsic value of a company. Is it revenue growth or the bottom line? Forward-looking earnings estimates or shareholder equity? What about any one of the alphabet soup of acronyms they so love to spout&#8212;EBITDA, ROE, ROI, ARPU, CAGR, EPS, P/E, P&amp;L?<BR> <BR>But none of these is right.<BR> <BR>I have spent my career negotiating deals in telecommunications, music, sports, horses, land, media, and more. I have been a buyer and a seller, depending on the deal and the moment. Altogether, over a lifetime, I figure I have had a hand in hundreds of transactions, maybe thousands.<BR> <BR>Now, in a lot of those deals, we focused hard on one measure: cash flow, or specifically, EBITDA (earnings before interest, taxes, depreciation, and amortization). It gives a clearer picture of operating performance and a firm&rsquo;s ability to borrow or invest. Some people say I all but invented the term. I can&rsquo;t swear to it, though it is true that I helped make it a whole new form of currency on Wall Street.<BR> <BR>But it turns out that cash flow is the wrong answer, too, in placing a value on a company, or any deal for that matter.<BR> <BR>The most valuable assets in any business are people and relationships.<BR> <BR>I may have neglected to appreciate this at the time, when we were down in the fray. Now that I am a bit older and slowing down, just a little, I have realized that, all along, the most important element was <i>who</i> was involved, not what. The people whom I befriended, learned from, and fought against&#8212;rather than the deals or the payoff&#8212;gave me the most satisfaction. And the right people produced the highest upside&#8212;giving my journey meaning and enriching my knowledge of the world.<BR> <BR>Along the way, I have been the beneficiary of extraordinary mentors, partners, and employees. If not for their support and dedication, none of the experiences I share here would have been possible. This book is a thank-you note to those people. Without these characters, I might be on an entirely different path. But through a few chance encounters, seemingly small at the time, I found myself at the heart of a technology revolution. What started with coils of coax and threads of fiber became the largest private construction project in the U.S. since World War II. And through it all, their influence echoed&#8212;proof that the right people, at the right moment, can change everything.<BR> <BR>It has been enormously exciting and at the same time gratifying to play a role in the digital revolution. Our original intent was to deliver broadcast TV signals to far-flung rural valleys and mountainous terrain that antennas couldn&rsquo;t reach. That very same cable evolved into the backbone of the broadband network better known today as the internet, three decades after we at Tele-Communications began laying down lines.<BR> <BR>As chairman of Liberty Media and Liberty Global, one of the largest broadband companies in the world, I now have diversified holdings in content, sports, digital media, broadband, ranching, forestry, farming, horses, and hospitality.<BR> <BR>Contrary to the clich&#233;d image of a rapacious business titan, I never sought to build a conglomerate, or family empire, and I can just as easily be a seller or a buyer. I believe in creating value while you own the assets you build or buy, and doing it in the most efficient way. All the stakes that I have owned in a wide array of cable channels, overseas cable systems, and other assets are less an empire than a mutual fund with a desirable portfolio of properties.<BR> <BR>I built this portfolio with one clear goal&#8212;the same one that I believe anyone who is an active member of the management of a public company should share: to maximize the value of the shares of the company over a medium term. Because that is why you were hired&#8212;to maximize shareholder returns. The recent fad of &ldquo;stakeholder capitalism&rdquo; relegates shareholders to merely one of myriad groups a company is obligated to serve, and it is simply impractical to serve multiple masters and remain productive. You have to honor your obligations to your employees, yes, and you must honor your obligations to your lenders. But you must <i>maximize</i> the value for your shareholders.<BR> <BR>I navigate by rational analysis of the hard data, but also by my sense of the people who are sitting at the table in front of me. I have come to appreciate those relationships more. As far back as I can remember, I have always perceived myself as different because I was such an introvert. And for much of my life, I thought of that as an impediment.<BR> <BR>I regarded myself as mismatched to the world to some degree, handicapped by an absence of social skills or the drive to socialize, and envious of the people who felt at ease in crowds and parties.<BR> <BR>Even the people I think I am close to sometimes see me as cold and aloof. I have come to realize later in life that, like other members of my family, I am a high-functioning autistic.<BR> <BR>As a result, I have come to appreciate more and more the lasting connections I have still managed to make with others. I know now what I should have known all along: the people in my life are the most critical asset of all.<BR> <BR>People like my most trusted partner of sixty-two years, an auburn-haired beauty with a quicksilver mind who can outwit most executives I know. Everyone in business benefits from a partner who listens, whom they trust, and who will offer unconditional love. I have Leslie. Beyond her beauty and her devotion as a mother and wife, she is blessed with keen intuition. She once saw a visitor for me park his car across three spaces in our driveway and wondered aloud how he treated his partners. Turned out she read him right; the deal didn&rsquo;t work because there was no reciprocal respect from the start.<BR> <BR>People like Monty Shapiro, my first business mentor, when I was in my twenties, who told me, &ldquo;Son, always ask, &lsquo;What if not?&rsquo; What if things do <i>not</i> go as planned?&rdquo; He taught me to assess the worst that could happen and ensure that we could live to fight another day, advice that I hear in my head thinking over every big deal.<BR> <BR>Bob Magness, my first partner, a cowboy from Texas, taught me how to take big risks and fight through the fear of tough decisions by sharing the load, and the confidence that comes with control in a company.<BR> <BR>Or Marty Flessner, my assistant of thirty-eight years, who knows more about my business affairs than I do, and has taught me empathy and humility. She is not shy about telling me precisely how I screwed things up when I really need to hear it. I&rsquo;d be lost without her.<BR> <BR>And my first teacher, my father, who taught me an engineer&rsquo;s love of problems&#8212;not to fear them, but to see them as puzzles waiting to be solved. And through it all, he passed on a stoic view of the world, reminding me that strength comes not from avoiding life&rsquo;s storms but from standing firm in the wind.<BR> <BR>Often in business, and in life, I was able to apply the lessons I learned from these people, even as I have made my share of mistakes, including a couple of real whoppers.<BR> <BR>To my chagrin, I was unable to convince Netflix founder Reed Hastings to merge his then-upstart company into DirecTV when I was chairman. Waiting for dinner to be served at a party hosted by Herb Allen at his annual Sun Valley retreat in 2011, Reed explained to me that he was betting the entire company on a rapid switch to distributing movies over the internet. I could see that he was close to cracking the code on streaming content ahead of cable TV, satellite companies&#8212;everyone. He passed. Sometimes it&rsquo;s hard to catch lightning in a bottle.<BR> <BR>I also have had the rare opportunity to help some gifted entrepreneurs with great ideas, like Bob Johnson, who came to me with a concept for a cable channel appealing to African Americans called Black Entertainment Television (BET). After a thirty-minute meeting, I loaned Bob $320,000 and gave him $180,000 for a 20 percent stake in BET. He later became one of the first Black billionaires in America. And John Hendricks, who called me in 1985 in a last-ditch play to help save his struggling but promising network called Discovery. TCI wired John $500,000 within forty-eight hours after I hung up the phone with him. Prior to its merger with Warner Bros., Discovery reached a market cap of $16 billion and could be seen in more than 220 countries and territories, in fifty languages.<BR> <BR>I found a lifelong friend in Ted Turner, a funny and fearless maverick who created a new &ldquo;Superstation&rdquo; to compete with the Big Three broadcast networks, which had held a lock on over 90 percent of viewers since television was invented. It was Ted who taught me one of the most enduring lessons in my life: about the power of wealth to do good in society and the absolute necessity to save this planet, specifically the most beautiful open spaces in this country.<BR> <BR>News Corp. Chairman Emeritus Rupert Murdoch, who at various times has been my competitor&#8212;or my consigliere, gave me a master class in business strategy. I am still learning the black magic of programming from Barry Diller, who is a bona fide genius and a maestro of television and internet content. And I am reminded of my own ambition when I counsel Mike Fries, who is one of the hardest-working, team-building, risk-taking entrepreneurs I ever have seen, helping to build one of the biggest broadband companies in the world with Liberty Global.<BR> <BR>All of these people, and the companies they drove, pushed the boundaries of modern communications and helped reshape our world. Woven together, their incredible stories help explain how we have arrived at this moment of disruption and the incredible velocity of change in how we communicate, educate, and entertain ourselves.<BR> <BR>It is a rather astonishing business tale. One of the most sophisticated networks in the history of humankind was first laid out by a ragtag group of risk-takers, idealists, and &ldquo;cable cowboys.&rdquo; They strung wire across the country, driven by their own aspirations for a better life and fueled by vivid dreams of success in a free market.<BR> <BR>Few of those cable cowboys stringing wire from the mountains could have imagined they were laying the infrastructure for the profound transformation in society that continues even today.<BR> <BR>I know, because I was there in the beginning.<BR> </section>]]></Text>
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      <Text><![CDATA[<b>One of <i>The New York Times</i>'s Sizzling New Summer Thrillers: &#8220;Even now, Lena might be in danger from some of the unscrupulous characters she met all those years ago. Can she put her history behind her?&#8221; </b><BR> <BR> <b><b>For fans of <i>The Cloisters</i> and <i>Counterfeit</i>, Natalie Lemle&#8217;s debut novel offers an insider&#8217;s view into the world of stolen artifacts and the hidden networks that link museums to organized crime, when a woman is forced to remember the summer she spent on an archaeological dig in Italy, as everyone she knew then may now be in danger.</b></b><BR><BR>Successful trusts and estates attorney Lena Connolly is asked by a colleague to assist on a case: the Italian government claims an artifact was looted and sold to a museum illegally and is seeking repatriation. The object in question is a cup made of dichroic glass, which would have been rare even in Ancient Rome, let alone thousands of years later.<BR> <BR> Lena has done everything she can to put the study abroad summer she spent on an archaeological dig in the Italian Alps behind her. Her dreams of being an archaeologist shattered when her mentor Cyrille disappeared and her enigmatic boyfriend Giamma went dark, but with this new case, the past comes roaring back.<BR> <BR> Told in alternating timelines,<i> Artifacts</i> follows young Lena as she falls in love with both archaeology and Giamma on the streets of Torino while her adult self pieces together what truly happened on the dig, now a fully restored Roman villa with World Heritage status. The dichroic cup, Lena discovers, may have been taken from the very site she helped unearth.<BR> <BR> Powerful and exuberant, Natalie Lemle&#8217;s <i>Artifacts</i> brings readers behind the museum glass and asks questions about cultural heritage and the historical preservation of our shared sense of humanity.]]></Text>
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      <Text><![CDATA[Natalie Lemle&nbsp;studied classics and art history at Tufts University and earned an MFA in creative writing from Emerson College. She is the founder of art_works, an art advisory connecting contemporary artists with global companies, and previously worked in corporate relations at the Museum of Fine Arts, Boston. She serves on the boards of the ICA/Boston and the Associates of the Boston Public Library. She lives outside of Boston with her husband and two kids. <i>Artifacts</i>&nbsp;is her first novel.]]></Text>
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      <Text><![CDATA[Chapter I I. <BR>MARCH 7, 2022<BR> <BR>NEW YORK CITY<BR> <BR>People with bad blood like us shouldn&#8217;t procreate. Jinny said that to me once when we were little, and I never forgot it.<BR> <BR>She did, though. Which is to say, Jinny&#8217;s pregnant&#8212;by choice. <i>Arrangement</i> was the exact word she used last night as she was shoving clothes into her backpack, avoiding my wide-eyed stare. I imagine her now on her flight back to LA, taking a pause from grading her students&#8217; midterms to gaze out the window at flat clouds like in the O&#8217;Keeffe skyscape at the Art Institute, the one I loved as a kid because she did.<BR> <BR>My thoughts are interrupted by an unfamiliar, genderless voice: &#8220;It&#8217;s a shakedown.&#8221;<BR> <BR>I&#8217;m in the client-facing kitchen on the fifteenth floor, the only one in the firm with an espresso machine&#8212;and I&#8217;m startled, not because I can map any significance onto these words, but because it&#8217;s seven thirty on a Monday and the labyrinth of cubicles I walked through to get here was deserted as of five minutes ago. I open a drawer and tune in as I dig for dark roast.<BR> <BR>&#8220;They want everything back,&#8221; the voice says, quieter now. &#8220;<i>Tutto. Si, tutto</i>.&#8221;<BR> <BR>I peer around the corner, momentarily locking eyes with a bright-eyed older woman pressing a cell phone to her ear. I&#8217;m pretty sure I&#8217;ve never seen her before, but she turns away before I can get a good look at her face. As she makes her way down the corridor, I take in her tweed jacket, the seam in her pantyhose, and the way she&#8217;s ever so slightly favoring her left leg.<BR> <BR>Americano in hand, I head to the elevator bank, clocking the unoccupied reception desk. I feel an impulse to turn back and ask the woman who she is and how she got up here, but then I remember about Jinny and catch the elevator.<BR> <BR>BACK AT MY DESK, I sip coffee and stare out my window at the steel-gray Hudson, ruminating on last night&#8217;s sequence of events. Jinny across the table from me at dinner, drinking water instead of Sancerre; Jinny explaining after she vomited back at my apartment that morning sickness is a misnomer for the constant nausea of early pregnancy; Jinny insisting she was doing this on her own when I asked who the father was.<BR> <BR>I&#8217;m refreshing my inbox for the tenth time when there&#8217;s a knock at my office door. &#8220;Yeah?&#8221; I call, glancing at the time in the upper right corner of my laptop. It&#8217;s 7:46. I got in early so I could proof and revise the second draft of a complicated estate plan, but I haven&#8217;t even opened the document. I should have gone to the gym, which is where I go when I really need to get something done. Nothing makes me more productive than the threat of exercising.<BR> <BR>Emmanuel Reyes, the chair of the firm&#8217;s litigation practice, sticks his head in. &#8220;Got a minute, Lena?&#8221;<BR> <BR>&#8220;Sure,&#8221; I say, getting to my feet when he signals for me to follow him. &#8220;I just need to&#8212;&#8221;<BR> <BR>He cuts me off. &#8220;I&#8217;ll be brief.&#8221;<BR> <BR>Emmanuel, who is not my boss&#8212;but whose advocacy would go a long way with the other equity partners at my annual review&#8212;is a good guy, deep down. I&#8217;ve heard him talk about his childhood in Rhode Island after a few drinks at work functions, the one-bedroom Section 8 apartment that housed him and his mother and his two brothers. When he clears his throat, I put the estate plan out of my mind and follow him.<BR> <BR>Emmanuel&#8217;s office window is at least five times the size of mine, and as he gathers up a stack of papers at his desk, I take a seat at the round table in the corner and look out into the building next door, where a man on a headset is pacing around a conference room.<BR> <BR>&#8220;Am I remembering correctly from that recruiting event way back that you speak Italian? You studied abroad or something?&#8221;<BR> <BR>I straighten my spine and nod. &#8220;It&#8217;s rusty, I&#8217;m sure,&#8221; I say. &#8220;But yes.&#8221; I look up at the white grid of his dropped ceiling and calculate: eighteen. I was in Italy eighteen years ago. Incidentally, there are six rows of three large squares in the ceiling&#8212;I&#8217;m no numerologist, but this synchronicity feels somehow meaningful. I smooth my bangs as I try to picture myself back then: center-parted ash-brown hair down to the middle of my back, wide eyes, slack jaw.<BR> <BR>&#8220;My granddaughter picked it out this morning,&#8221; he says, catching me eyeing his graffiti-print tie as he pulls out the chair next to me. &#8220;She spent the night.&#8221;<BR> <BR>&#8220;How old is she?&#8221; I ask, out of politeness rather than genuine interest.<BR> <BR>Emmanuel smiles and shakes his head. &#8220;Four. We gave up and put a sleeping bag on the floor of our room.&#8221;<BR> <BR>I nod, thinking of how I slept on Jinny&#8217;s bedroom floor throughout our childhood, and then commandeered the whole room when she went to college. Other than my <i>Romeo and Juliet</i> movie poster, which I taped to the back of her closet door so I could doze off to the sight of Claire Danes kissing Leonardo DiCaprio, the room remained a shrine to my sister. My sister, who is now ten weeks pregnant.<BR> <BR>He opens a manila folder. &#8220;Italy is accusing Fordham University&#8217;s museum of housing looted art. The report that came out of NYPD&#8217;s investigation is pretty brutal.&#8221;<BR> <BR>I open my mouth to ask what this has to do with trusts and estates, but I change my mind and nod.<BR> <BR>&#8220;We&#8217;ve been retained to represent Fordham in the case.&#8221;<BR> <BR>This is a single-office corporate law firm; we&#8217;re less hierarchical than most big firms, which means that while it takes longer to make partner, it&#8217;s also easy to keep up with cases outside my practice area. But I&#8217;ve never heard of litigation working on a cultural heritage case, or any art law case. &#8220;They don&#8217;t have their own general counsel?&#8221;<BR> <BR>&#8220;They do, but she doesn&#8217;t want to touch this.&#8221;<BR> <BR>&#8220;Why?&#8221;<BR> <BR>&#8220;She&#8217;s a higher ed attorney. She doesn&#8217;t know anything about looted antiquities&#8212;&#8221;<BR> <BR>&#8220;Sorry,&#8221; I interrupt. What does <i>Emmanuel</i> know about looted antiquities? &#8220;Since when do we do cultural heritage law?&#8221;<BR> <BR>&#8220;My team won a case a few years ago,&#8221; he says impatiently, &#8220;brought against an art dealer who was implicated in selling Nazi-looted paintings to some oil family in the fifties. I obtained a complete dismissal of all claims against the client.&#8221;<BR> <BR>&#8220;He didn&#8217;t do it? The art dealer?&#8221;<BR> <BR>&#8220;The case fell under government enforcement and compliance. The court was determined not to have jurisdiction,&#8221; Emmanuel says. &#8220;The claims were dismissed.&#8221;<BR> <BR>So Emmanuel <i>has</i> practiced art law here. And now my skepticism is replaced with the energizing realization that this conversation must be about bringing me on to his new case&#8212;it&#8217;s not unheard of, after all, for litigation to pull in support from trusts and estates, especially during discovery.<BR> <BR>&#8220;The museum only collects ancient art,&#8221; he continues. &#8220;Everything Italy wants back is fifth century or earlier. They don&#8217;t have great evidence for all of it. Most of it, actually. But this one, this cup&#8212;this is the smoking gun.&#8221;<BR> <BR>He slides a photograph of a bas-relief glass cylinder layered into an ornate metal casing toward me. It looks like a cup made from stained glass with its green glow. I spot a winged figure holding up a bow and arrow. &#8220;It&#8217;s Cupid,&#8221; I say.<BR> <BR>&#8220;Yeah,&#8221; he says. &#8220;Amor and Psyche, that&#8217;s how they have it catalogued. There&#8217;s something, some kind of metal&#8212;silver maybe?&#8212;mixed in with the glass, which makes it green.&#8221; He shuffles around his papers and pulls out another photograph. &#8220;If the light shows through the other way, it turns red. Dichroic glass, I guess it&#8217;s called.&#8221;<BR> <BR>&#8220;Why is it the smoking gun?&#8221; I ask, noticing another vignette on the cup, in which a woman with butterfly wings&#8212;Psyche&#8212;holds up a torch to sleeping Cupid&#8217;s face.<BR> <BR>&#8220;The Italians have Polaroids of it from a Swiss warehouse raid in the nineties. The dealer, this Italian guy, Valerio something, was arrested for illicit antiquities trading. Most of what he was dealing in was looted.&#8221;<BR> <BR>My throat spasms, and I start coughing as Emmanuel opens his laptop and pulls up a document that shows a series of scanned blown-out Polaroids of the cup at different angles.<BR> <BR><i>3&#8211;4 sec vetro&#8212;?</i> is written in Sharpie on the central photo&#8217;s bottom white border.<BR> <BR>&#8220;You okay, kid?&#8221;<BR> <BR>I clear my throat and nod. &#8220;So this guy was just keeping Polaroids of all the things he sold?&#8221;<BR> <BR>&#8220;Apparently it was part of an inventory system. The text down here is&#8212;&#8221;<BR> <BR>&#8220;The origin date, right? Their guess. And material.&#8221;<BR> <BR>Emmanuel grins. &#8220;See? I knew you could help.&#8221;<BR> <BR>My cheeks warm at this validation, and I try to sound as nonchalant as possible when I ask, &#8220;Where in Switzerland was the warehouse?&#8221;<BR> <BR>&#8220;Chiasso. Right over the border from Italy, in the Alps. Near Lugano.&#8221;<BR> <BR>A warehouse near Lugano. Giamma. My eye twitches, and suddenly I&#8217;m in a wind tunnel with Giamma on one end and Cyrille on the other. I can practically feel Cyrille telling me&#8212;what is he telling me? He&#8217;s moving his mouth, he&#8217;s saying something, but I can&#8217;t hear it, and I can&#8217;t read his lips.<BR> <BR>Emmanuel regards me impatiently. &#8220;What&#8217;s wrong?&#8221;<BR> <BR>&#8220;Nothing,&#8221; I say with as much confidence as I can muster.<BR> <BR>Thankfully, Emmanuel forges ahead. &#8220;The Italians haven&#8217;t shared all their evidence. But in advance of that, I need you to go through the paperwork. I know it&#8217;s not your wheelhouse, but this is too complicated to assign to someone who doesn&#8217;t understand international tax law. And a lot of it is not in English. Hence my question about whether you speak Italian.&#8221;<BR> <BR>A sudden calmness comes over me. Some part of myself, I understand, is being unearthed. An old drive, an old yearning, and for a moment I can imagine a world in which I&#8217;m not locked away in my office drawing up estate plans and red-lining paperwork and editorializing wills according to my clients&#8217; verbal tics. A world in which I am an active participant, doing work that matters.<BR> <BR>&#8220;You&#8217;d be doing me a huge favor,&#8221; he adds. &#8220;And I checked, trusts and estates leadership is good with it.&#8221;<BR> <BR>&#8220;Right,&#8221; I say, returning my gaze to the window. The man in the headset, the one I saw in the building next door when I first sat down, has disappeared. Cyrille was there too&#8212;up at the dig site in Orbagne that dark August morning&#8212;and then he was gone.<BR> <BR>I take a deep breath, cringing at the sour smell of my now-cold coffee. I cover my cup with my hand and refocus. &#8220;So I&#8217;ll start with the policy docs?&#8221;<BR> <BR>Emmanuel relaxes into his chair. &#8220;There&#8217;s a lot to wade through. State, national, international&#8212;there&#8217;s UNESCO&#8217;s charter, and then there are all the Italian policies. I&#8217;ll give you access to the folder on the drive.&#8221;<BR> <BR>&#8220;Okay,&#8221; I say. &#8220;Next steps?&#8221;<BR> <BR>He looks at his watch, then gathers up his papers. &#8220;Actually, the curator from Fordham will be here in about an hour for deposition prep. You wanna sit in?&#8221;<BR> <BR>&#8220;Sure,&#8221; I say, putting the will I came in early to revise out of my mind.<BR> <BR>BACK IN MY OFFICE, I call Lakshmi. She picks up on the first ring. &#8220;I have five minutes,&#8221; she says.<BR> <BR>&#8220;You want to call me back later?&#8221;<BR> <BR>&#8220;No, now is good.&#8221; She&#8217;s breathing audibly; I can tell she&#8217;s on foot.<BR> <BR>&#8220;Are you on your way to a meeting?&#8221;<BR> <BR>&#8220;I took my morning call from home so I could do Ovid&#8217;s walk. I&#241;igo left for a board meeting in San Francisco at the crack of dawn.&#8221;<BR> <BR>A visual of the husky mix they rescued a month ago, which I&#8217;ve only seen in photos, comes to mind. For as long as I&#8217;ve known I&#241;igo, I have a harder time picturing him; he&#8217;s always traveling for work lately. &#8220;Maybe he crossed paths with Jinny at security.&#8221;<BR> <BR>&#8220;How did it go with her this weekend?&#8221;<BR> <BR>I decide to wait until Lakshmi has more than five minutes to get into it. &#8220;I&#8217;ll tell you later.&#8221;<BR> <BR>&#8220;Tell me now!&#8221;<BR> <BR>Outside my office, two first-year associates erupt into unselfconscious laughter. I watch them for a moment, telegraphing my disapproval, then I get up and close my door. It&#8217;s better to keep work relationships professional. Also, your twenties are not for socializing&#8212;they&#8217;re for building your career. I spent those years billing ten-hour days, then eating takeout at my desk while I caught up on non-billable to-dos. I always had Lakshmi, but we only ever saw each other on the weekends when we were finished with the work we&#8217;d brought home with us.<BR> <BR>&#8220;She&#8217;s pregnant,&#8221; I say.<BR> <BR>&#8220;Oh, babe.&#8221;<BR> <BR>Hearing the empathy in her voice, I feel a wave of affection for Lakshmi, because it is such a relief not to have to explain. That with the little information she has absorbed about Jinny and me over the years, she can fill in the blanks and issue an appropriate response.<BR> <BR>&#8220;Listen,&#8221; she says. &#8220;I&#8217;m just getting to work. Come over tomorrow. You can finally see the new place.&#8221;<BR> <BR>In general I prefer to self-soothe with reality television and peanut butter and jelly on weeknights, but I should go. I should be with my friend, meet the dog, see her new place in the West Village, furnished by I&#241;igo&#8217;s IPO windfall and Lakshmi&#8217;s recent promotion to partner. &#8220;Yeah, fine. Thai?&#8221;<BR> <BR>&#8220;I&#8217;ll make us something.&#8221;<BR> <BR>Lakshmi never cooks. &#8220;Will I like it?&#8221;<BR> <BR>She laughs. &#8220;Just come over at eight. Okay?&#8221;<BR> <BR>&#8220;Wait,&#8221; I say. &#8220;Remember our professor Cyrille? From that archeology seminar sophomore year?&#8221;<BR> <BR>There&#8217;s a long silence. And then, &#8220;Why are you thinking about him?&#8221;<BR> <BR>Despite the wariness in her tone, I press forward. &#8220;The head of litigation just pulled me into this case against Fordham&#8217;s ancient art museum. Apparently they have all this stuff that Italy wants back. And I just&#8212;we never&#8212;&#8221; I hesitate, recalibrating. Then I decide to go ahead and come out with it. &#8220;Remember how Cyrille&#8217;s dig was looted?&#8221;<BR> <BR>&#8220;Lena,&#8221; she says slowly, &#8220;the last time we talked about this, it did not end well.&#8221;<BR> <BR>She&#8217;s right; the last time we talked about Cyrille, it led to the first and only fight of our nearly twenty-year friendship. We got past it, but I&#8217;ll never forget the betrayal I felt when Lakshmi said to me, eyes pleading in exasperation, <i>only</i> you <i>can get over whatever you think happened</i>. I didn&#8217;t talk to her for almost six months after that.<BR> <BR>&#8220;You&#8217;re right,&#8221; I say. &#8220;Never mind. I&#8217;ll see you tomorrow.&#8221;<BR> <BR>When we hang up, I open a new tab in my browser and search for Cyrille DuPuy, which I haven&#8217;t done in a decade. Nothing comes up except an old academic profile on the Universit&#233; de Lyon website. Next, I google <i>archeologia Orbagne</i>.<BR> <BR>My mouth floats open as I click into a press release announcing that the Roman villa I spent a summer excavating&#8212;my Orphean summer, as I&#8217;ve come to think of it, because at a certain point I started to get the sense that looking back on that brief period meant relinquishing something important about the life I&#8217;d managed to create for myself&#8212;has been granted UNESCO world heritage status.<BR> <BR>I scan the photos of <i>La villa del frutteto</i>, which is now a fully excavated, multibuilding stone compound. There are images of elaborate interior floor mosaics: some are abstract geometric patterns, and then there are figurative ones that illustrate the workings of a farm&#8212;an apple orchard, a wine harvest, a field of roses&#8212;and finally, the mountains, with their ancient roads snaking up and around them. I breathe in audibly.<BR> <BR>After I look at the images, I read the accompanying text. Cyrille&#8217;s name is nowhere to be found, and the site&#8217;s discovery is fully attributed to Dr. Pietro Botti. Which probably means what I think it means: Cyrille never came back.<BR> <BR>I was once someone who believed that unearthing something from the ground, holding it, turning it over in my hands, would somehow teach me something about my place in the world. Maybe I am still that person. Because in this moment, I want nothing more than to run my hands over the rough surface of this alpine mosaic, to understand in a practical sense how thousands of tesserae came together to form an accurate image of the magical mountains rising around it. Something tells me that if I could do that, I might finally fill in the lacunae of my summer in the Alps. I might even start to understand the person I have since become: a risk-averse, paper-pushing attorney who keeps her office door closed.<BR> <BR>Italy wants Fordham to return antiquities that belong to them. But cultural heritage is, in a way, a myth: a story conceived in retrospect to explain what to do with the things we have inherited. After my summer in Orbagne, I came to understand that ancient objects belong only to the past, which will always try to reclaim you. And to fixate on the past, I remind myself, is to sabotage the present.<BR> <BR>AT NINE O&#8217;CLOCK I GRAB my laptop and make my way to the small conference room next to Emmanuel&#8217;s office. The <i>daisy room</i>, we call it, because of the framed print on the wall adjacent to the floor-length window. Whoever picked out the firm&#8217;s art back in the nineties, before we moved from Midtown to Hudson Yards, must have been inspired by a hospital waiting room. Or maybe just the culture here. If we had decorative pillows, they would be embroidered with phrases like <i>Let&#8217;s take a surgical approach</i> and <i>We need to stop the bleeding</i>.<BR> <BR>&#8220;Lena,&#8221; Emmanuel says when I walk in, &#8220;this is Dr. Boswell.&#8221;<BR> <BR>I recognize Dr. Boswell immediately, but she looks different here than she did in the context of the kitchen downstairs. More grandmotherly, maybe&#8212;I notice now the oversized flower brooch on the lapel of her tweed jacket and the pink tone of her dyed blond hair.<BR> <BR>&#8220;Caroline,&#8221; she says, studying my face.<BR> <BR>Emmanuel pours Caroline a glass of water from the carafe on the center of the table. After a few minutes of small talk, he opens his folder.<BR> <BR>&#8220;Let&#8217;s start from the beginning,&#8221; he says. &#8220;The cup was a donation from a company called&#8212;&#8221; He looks down at the museum&#8217;s provenance report. &#8220;Creon, one of your vendors. Can you walk us through the accession process?&#8221;<BR> <BR>&#8220;Yeah, so this was part of a group donation,&#8221; Caroline says with a flippancy that counters her buttoned-up appearance. &#8220;From Creon, as you say. They manufacture the glass display cases we use throughout the museum&#8212;&#8221;<BR> <BR>&#8220;And to clarify&#8221;&#8212;Emmanuel interjects&#8212;&#8220;this was a donation, not an exchange of some sort? Was there a conflict-of-interest clause in your vendor agreement with them?&#8221;<BR> <BR>Caroline clears her throat. &#8220;Most of our vendors make generous annual cash donations,&#8221; she says. &#8220;The president of the company made a gift of art in lieu of a monetary donation. This was a one-off in 2007.&#8221;<BR> <BR>Emmanuel looks up from his papers. His silver eyebrows are knitted together. &#8220;Sidebar,&#8221; he says. &#8220;And this is not an accusation. I get that it&#8217;s standard in your world. But it sounds like pay to play. Obviously this is not a government case, but it&#8217;s a political one, and it&#8217;s higher ed. So we need to be careful with the verbiage you use to describe your relationship.&#8221;<BR> <BR>Caroline narrows her eyes and nods. I open my laptop as inconspicuously as I can and google <i>Creon museum cases</i>. The website is in English. They have sophisticated branding and high-res photos of artifacts in glass cases on their home page. I navigate to the <i>About</i> section. None of the leadership team&#8217;s bios are accompanied by headshots.<BR> <BR>&#8220;Let&#8217;s keep going,&#8221; Emmanuel continues. &#8220;How did Creon&#8217;s president determine what to give the museum? Were you involved in that decision?&#8221;<BR> <BR>Caroline breathes in deeply, and I get the feeling she&#8217;s told this story a hundred times. &#8220;Creon holds and displays an important collection of imperial Roman objects,&#8221; she says. &#8220;In their Turin office.&#8221;<BR> <BR>&#8220;Wait,&#8221; I say, glancing up from my laptop. Emmanuel shoots me a look. &#8220;I&#8217;m sorry to interrupt, but Creon&#8217;s website has them based in Rome. With offices in Los Angeles and Seoul.&#8221;<BR> <BR>Caroline regards me quizzically. &#8220;Their unofficial headquarters are in Turin. And the gallery is open by appointment.&#8221;<BR> <BR>I type <i>Creon gallery</i> into my notes document and nod at her. &#8220;Got it, okay.&#8221;<BR> <BR>&#8220;The gallery is small, and it doubles as a showroom for their products&#8212;their display cases. And I knew&#8212;I&#8217;d always known&#8212;that Filippo has a ton of stuff in storage at the office.&#8221;<BR> <BR>At this I straighten up. &#8220;Filippo Dalmasso. Creon&#8217;s president?&#8221;<BR> <BR>Caroline nods. &#8220;We&#8217;re talking rare sculptures, sarcophagi, papyrus fragments&#8212;incredible stuff. Anyway, in 2006, we were on a museum patron trip, this was with Oliver&#8212;&#8221;<BR> <BR>&#8220;Oliver?&#8221; Emmanuel asks.<BR> <BR>&#8220;Oliver Clive, Fordham&#8217;s director of planned giving.&#8221;<BR> <BR>I tilt my head to the side as an image of a solicitous, well-groomed man flashes in my mind&#8217;s eye. &#8220;I know Oliver,&#8221; I say to Emmanuel, who nods back at me. To Caroline, I clarify, &#8220;I&#8217;ve worked with him on a few estates I represent.&#8221;<BR> <BR>She looks surprised. &#8220;Really?&#8221;<BR> <BR>&#8220;For the university, not the museum. Fordham alums love giving back to Fordham.&#8221;<BR> <BR>Emmanuel shuffles through his papers. &#8220;I don&#8217;t see him on any of these witness lists.&#8221;<BR> <BR>Caroline shrugs, and Emmanuel nods at me. I type Oliver Clive in the <i>to-dos</i> section of my notes.<BR> <BR>&#8220;So anyway,&#8221; Caroline says, &#8220;one night we&#8217;re at dinner and Oliver starts telling him about the tax breaks if he donates through the American office. When the works were last appraised, all that, and whether they&#8217;re promised to any other institutions.<BR> <BR>&#8220;And then the Greek and Roman galleries reopened at the Met a few months later,&#8221; Caroline continues after a brief pause. &#8220;Filippo came in for the opening. This was when the Rothschilds&#8217; collection was getting a ton of press. And that&#8217;s when he committed to making the donation. I was thrilled, obviously.&#8221;<BR> <BR>&#8220;But the donation was anonymous?&#8221; Emmanuel asks.<BR> <BR>&#8220;Correct,&#8221; Caroline says. &#8220;Very common for a gift of that magnitude. They don&#8217;t want the other museums they work with coming after them with requests.&#8221;<BR> <BR>&#8220;Did you have a role in selecting the objects he was donating?&#8221; Emmanuel asks again.<BR> <BR>Now Caroline leans forward. &#8220;Look. I&#8217;m a papyrologist by training. I wanted the fragments. The cup, it&#8217;s special and everything, but we&#8217;re small. We&#8217;re not super focused on late Roman stuff. We&#8217;ve got one in-house conservator for the collection, which encompasses the entire ancient world, and she doesn&#8217;t do glass. I actually had to outsource conservation for a lot of what he donated. Though I will not deny that the cup raised the museum&#8217;s profile. There are only two complete figurative dichroic glass cups in the world. The other one is in the British Museum.&#8221;<BR> <BR>&#8220;Okay, so you outsourced conservation,&#8221; Emmanuel says. &#8220;Who did the cataloguing?&#8221;<BR> <BR>I raise my eyebrows, impressed with Emmanuel&#8217;s museum-speak. Caroline hesitates.<BR> <BR>&#8220;I guess what I&#8217;m asking,&#8221; Emmanuel adds, &#8220;is who verified the provenance? Was that you?&#8221;<BR> <BR>&#8220;Provenance is a judgment call,&#8221; she says. &#8220;And this was a group donation. And it was before all the drama of Marianne&#8217;s indictment. The aftermath of it, I mean.&#8221;<BR> <BR>&#8220;Marianne?&#8221; I ask.<BR> <BR>She pauses. I examine her face. She looks either exasperated or indignant, or both. &#8220;Marianne Flynn,&#8221; she says.<BR> <BR>I look over at Emmanuel, who gives me a minute shake of his head.<BR> <BR>&#8220;The point is,&#8221; Caroline continues, &#8220;it was a different time. It&#8217;s not like now, when there&#8217;s a microscope on everything we do.&#8221;<BR> <BR>Emmanuel clears his throat. He&#8217;s losing his patience, I can tell.<BR> <BR>&#8220;What you have to understand,&#8221; Caroline says, &#8220;is that most of these so-called &#8216;looted antiquities&#8217; are being repatriated on a moral basis.&#8221; She looks at Emmanuel and me expectantly. &#8220;It&#8217;s good PR.&#8221;<BR> <BR>&#8220;And so this document&#8212;&#8221; Emmanuel holds up a scan of the provenance from the original accession file. &#8220;Who composed this document?&#8221;<BR> <BR>&#8220;I did,&#8221; Caroline says with a trace of resentment. &#8220;Based on the information that Filippo provided, which I took at face value. And the collections committee ratified it.&#8221;<BR> <BR>&#8220;Who sits on the collections committee?&#8221; I ask. Emmanuel shakes his head at me again, this time vigorously. &#8220;Sorry,&#8221; I say. &#8220;Not relevant.&#8221;<BR> <BR>&#8220;It might be relevant,&#8221; Emmanuel says. &#8220;But let&#8217;s stay on track.&#8221;<BR> <BR>&#8220;Look, there&#8217;s nothing nefarious going on here,&#8221; Caroline says. &#8220;I&#8217;m not an idiot. I&#8217;ve been in the field for decades. I&#8217;ve seen sketchy deals, and trust me, this was not sketchy. There was no reason to think anything from Italy was unearthed after 1939. This cup, for example&#8212;it&#8217;s glass. The condition is too good for it to have been looted. There&#8217;s a fragment at the Met with the same dichroic properties&#8212;go look at that. <i>That</i> was probably looted.&#8221;<BR> <BR>Caroline delivers these words with such force that for a second I&#8217;m utterly convinced there&#8217;s no reason for us to be sitting here, questioning her. But then her eyes glaze over, as if she&#8217;s making a calculation of some sort. &#8220;Why?&#8221; I hear myself ask.<BR> <BR>Caroline and Emmanuel exchange a glance. &#8220;What do you mean, why?&#8221; she asks.<BR> <BR>I close my eyes hard, picturing the dark mountains surrounding Giamma&#8217;s car on the road from Orbagne to Saint-Marcel. <i>Italians would never dig holes like that</i>, his friend said from the back seat when I asked them about the looting at Cyrille&#8217;s dig that winter. Even looters in Italy care about the art, was the implication.<BR> <BR>When I open my eyes, Caroline is searching my face. I can&#8217;t tell if she&#8217;s challenging me or reconsidering me. But I decide to disengage; I don&#8217;t want to give either one of them a reason to take away my seat at this table. &#8220;Forget it.&#8221;<BR> <BR>Emmanuel gives me a quizzical look, then asks Caroline more questions about her current relationship with Filippo Dalmasso, which she tells us is ongoing and good; Creon just provided six new cases for their Etruscan gallery renovation. I stay quiet, silently berating myself. I haven&#8217;t lost my composure like this in a client-facing meeting since I was an associate.<BR> <BR>&#8220;Last thing,&#8221; Emmanuel says. &#8220;What have Creon&#8217;s people said about all this?&#8221;<BR> <BR>For the first time in our conversation, Caroline deflates slightly. &#8220;We haven&#8217;t been in contact.&#8221;<BR> <BR>She&#8217;s lying. I feel it in my bones. Caroline was speaking in Italian this morning. She must have been on the phone with Filippo Dalmasso.<BR> <BR>&#8220;So your relationship is &#8216;ongoing and good,&#8217; but you haven&#8217;t discussed the charges?&#8221; Emmanuel presses.<BR> <BR>&#8220;I&#8217;m not sure he knows about them at all,&#8221; she says. &#8220;Though every time Italy makes one of these requests it seems to end up in the press over there. But I have not brought it up, no.&#8221;<BR> <BR>Emmanuel watches Caroline for a long moment, then puts his pen down. &#8220;All right. Let&#8217;s leave it there.&#8221;<BR> <BR>On our way out of the conference room, Caroline hesitates, then reaches into her bag and pulls out a postcard. &#8220;The cup will be on view for the next few weeks for an exhibition&#8212;&#8221; She pauses, registering Emmanuel&#8217;s alarmed expression. &#8220;I know, I know,&#8221; she says. &#8220;But the show has been in the works for years, long before any of this. <i>The Many Faces of Aphrodite</i>. There&#8217;s a VIP opening tonight, just for our top-tier patrons. You&#8217;re welcome to stop by.&#8221;<BR> <BR>&#8220;I&#8217;ll be there,&#8221; I blurt, as Emmanuel simultaneously says with feigned regret, &#8220;I wish we could make it.&#8221;<BR> <BR>Caroline looks amused and takes her leave. I walk Emmanuel back to his office.<BR> <BR>&#8220;Were you just trying to be respectful of my time, or do you not want me to go to the opening?&#8221; I ask.<BR> <BR>&#8220;Go if you want to. But bill the hours and take notes. She&#8217;s slippery. I can&#8217;t put my finger on it, but something feels off about the sequence of events. We should talk to this Oliver guy. And maybe the conservator she mentioned. Can&#8217;t make it up, huh?&#8221;<BR> <BR>Now would be the moment to tell Emmanuel about the phone call I overheard this morning, but I decide not to. It&#8217;s as if I want to preserve the curiosity I&#8217;m feeling in this moment, to keep it for myself. &#8220;Do you think Filippo Dalmasso knows it was looted?&#8221; I ask.<BR> <BR>Emmanuel shrugs. &#8220;I don&#8217;t see what changes if he does.&#8221;<BR> <BR>When he closes the door to his office, I stand there in the hallway, examining the Cupid and Psyche cup on Caroline&#8217;s postcard, trying to call up as many details as I can about the myth, which I knew well at one point in my life. Venus sending Cupid to mess with the mortal princess Psyche, whose beauty rivaled hers; Cupid falling in love with her instead; Psyche disobeying when he told her never to look at him, holding up a torch to his beautiful sleeping face in the middle of the night after she realized she was pregnant. Psyche atoning for this betrayal and then marrying Cupid in an apotheosis blessed by the gods, just in time to give birth to their daughter.<BR> <BR>Mainly I recall the solitude of navigating noun declensions, conjugating verbs, grasping for English equivalents to the Latin. Words can only take you so far, I remember thinking. Maybe they can get you out of your own head, but they can&#8217;t bring you into the past. Not like artifacts can.]]></Text>
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      <Text><![CDATA[&quot;For any reader interested in the study of the past, Lemle&rsquo;s story about a quest for self-knowledge explored through the world of cultural heritage will make for a thrilling read.&quot; <B>&mdash;<I>Science Magazine</I></B>]]></Text>
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      <Text><![CDATA[&quot;Here is a rare novel that tells the truth about art theft... there really should be more fiction on this subject.&quot;&nbsp;&mdash;<b><i>Art in America</i></b><BR> <BR> &ldquo;World history, the pursuit of beauty, and the seedy underbelly of the art world all collide to make for a charming, compelling, and thrilling story.&rdquo; &mdash;<b><i>Town &amp; Country</i></b><BR> <BR> &quot;It&rsquo;s a poignant exploration of the murkiness that often complicates our understanding of the people that came before us and how we came to be who we are&hellip;&nbsp;The intricacies of archeology and its intersection with history and property ownership makes for a lush backdrop to the novel&rsquo;s interpersonal dramas, the two weaving seamlessly together without ever feeling heavy-handed. The novel&rsquo;s prose is fresh and engaging and Lemle creates a world for readers that is as visual as it is emotive.&quot;&nbsp;&mdash;<b><i>Forbes</i></b>]]></Text>
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      <Text><![CDATA[&quot;Suspenseful... armchair travelers will enjoy themselves.&quot;&nbsp;&mdash;<B><I>Publishers Weekly</I></B><BR> <BR> &quot;Lemle offers a complex story of political power, organized crime, and the underworld of antiquities pirating... readers will enjoy connecting the dots as the novel unfolds.&quot;&nbsp;<b>&mdash;<i>Library Journal</i></b>]]></Text>
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      <Text><![CDATA[&quot;Natalie Lemle&nbsp;is a spectacular new voice in American fiction. Her magnificent debut is the story of Lena Connolly,&nbsp;a hotshot Manhattan attorney&nbsp;assigned to a case regarding looted artifacts in&nbsp;Italy, a case that dredges up her romantic past&nbsp;and youthful dreams of becoming an&nbsp;archaeologist. <I>Artifacts </I>is a novel of lost dreams and the&nbsp;power of love in a practical world&nbsp;where only facts seem to matter, as Lena learns to lead with her heart to finally find her bliss.&quot; &mdash;<B>Adriana Trigiani, author of&nbsp;<I>The View from Lake Como</I></B>]]></Text>
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      <Text><![CDATA[&quot;With <i>Artifacts</i>, Natalie Lemle delivers a novel of rare density and grace, where each layer of the story rises like a stratum of archaeology&mdash;the very field that lies at the heart of the book&mdash;an accumulation of beauty, vice, hope, life, and the shadow of murder, all held together by a sensibility as precise as it is incandescent.&quot;&nbsp;&mdash;<B>Thomas Schlesser, <i>New York Times</i> bestselling author of <i>Mona&#39;s Eyes&nbsp;</i></B>]]></Text>
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      <Text><![CDATA[&ldquo;Not a lot of books can whisk you from an extravagant museum opening in New York to a dusty archaeological dig in Italy, but Natalie Lemle&rsquo;s rich story of intrigue and guilt will have readers swept up into a world of enigmatic power players in the black market of stolen antiquities. <I>Artifacts</I>&nbsp;explores the complications of what we inherit&mdash;not just from our parents, but from our history and heritage, too. Teasing out thorny unanswerable questions, Lemle works comfortably in the gray areas, as the best novelists do. I couldn&rsquo;t put it down, and I couldn&rsquo;t believe it was a debut.&rdquo;<BR> <b >&mdash;</b><B>Emily Everett, author of Reese&#39;s Book Club pick <I>All That Life Can Afford</I></B>]]></Text>
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      <BiographicalNote><![CDATA[Rachel Beanland is the author of&nbsp;<I>The House Is on Fire</I>&nbsp;and&nbsp;<I>Florence Adler Swims Forever</I>, which won the National Jewish Book Award for Debut Fiction. She is a graduate of the University of South Carolina and earned her MFA in creative writing from Virginia Commonwealth University. She lives with her family in Richmond, Virginia.]]></BiographicalNote>
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      <SubjectHeadingText>Italy; Sardinia; atomic bomb; nuclear; nuclear power; science; scientist; navy; US navy; Cold War; La Maddalena; dependents; women; wives; marriage; American exceptionalism; activism; sexy; defiance; environment; radiation; exposure; us government; affair; secrets; independence; feminism; Florence Adler Swims Forever; The House is on Fire; The Women; Husbands &amp; Lovers; Lion Women of Tehran; american navy; suspense; wartime; vietnam war; Kristin Hannah;</SubjectHeadingText>
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      <Text><![CDATA[<b>From the author of <i>Florence Adler Swims Forever </i>and <i>The House Is on Fire</i>, a novel set on a remote Italian island about a navy wife&rsquo;s reckoning with power, love, and the price of staying silent in the Atomic Age.</b><BR> <BR> <b font-size:="" open="">&ldquo;A captivating, whip-smart novel about love, loyalty, and a woman torn between two lives. I utterly adored it.&rdquo; </b><b background-color:="" font-size:="" open="">&#8212;Clare Leslie Hall, <i>New York Times </i>bestselling author of <i>Broken Country</i></b><BR><BR>When twenty-three-year-old Eileen O&rsquo;Malley meets charismatic naval officer Paul Archer in a Charleston department store, she doesn&rsquo;t expect to fall so hard, so fast. But Paul is funny and ambitious, and soon, Eileen&rsquo;s got a ring on her finger and is following him to the tiny, sun-drenched Mediterranean island of La Maddalena, where Paul will be heading up Radiological Controls aboard a submarine tender.<BR> <BR> In La Maddalena, Eileen joins a makeshift community of navy wives who are hell-bent on making the island feel a little more like home. But for Eileen, whose brother died in Vietnam, <i>home</i> is a loaded word, and as she settles into life on the island&#8212;taking Italian lessons and learning to make <i>culurgiones</i>&#8212;she begins to love the place for all the ways it is not like where she comes from.<BR> <BR> Still, it doesn&rsquo;t take long for Eileen to be confronted with the complexities of being an American abroad. The decision to send nuclear-powered subs into the La Maddalena Archipelago was a contentious one, and the U.S. government is doing whatever it can to ensure that the island&#8212;not to mention all of Italy&#8212;doesn&rsquo;t go communist in the next election.<BR> <BR> When Italian activists and scientists begin to sound the alarm about possible nuclear contamination in the water, the island erupts in a series of protests, made worse by the ongoing mishaps of the U.S. Navy. Soon, Eileen&rsquo;s marriage falters and her loyalties begin to shift as she is drawn into a web of secrets&#8212;and to a local journalist who forces her to imagine a life beyond the one she&rsquo;s been handed.<BR> <BR> Atmospheric, sexy, and quietly defiant, <i>The Half Life </i>is a story of love, complicity, and awakening&#8212;of one woman forced to choose between loyalty to her husband and country and to the Italian locals who show her the high cost of American exceptionalism.]]></Text>
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      <Text><![CDATA[<B><I><b>New York Times</b></I><b> Best-Selling Series Continues!</b></B><BR><BR>First the Glatun came, and we learned we were not alone in the galaxy. Then the Horvath arrived, and we learned the galaxy was a dangerous place. But our alien enemies underestimated how dangerous we could be.<BR> <BR> It&rsquo;s been over fifteen years since <i>New York Times </i>best-selling author John Ringo&rsquo;s <i>Live Free or Die</i> dropped us into a war we didn&rsquo;t want and couldn&rsquo;t win, or so it seemed. From that first volume through <i>Citadel</i> and <i>The Hot Gate</i>, he let us experience the triumph of the human spirit through our entrepreneurial creativity, native-born toughness, and sheer patriotic stubbornness. We marveled at gargantuan technological accomplishments so well imagined they seemed not only possible but inevitable, and equally larger-than-life characters that seemed just as remarkable and even more real.<BR> <BR> Now, for the first time, John has permitted a select cadre of authors to write new stories in his Troy Rising universe. In this volume, you&rsquo;ll find stories of espionage and subterfuge, daring and cleverness, courage and sacrifice, told with heart and humor and, above all, humanity, including an all new novella by John Ringo and stories by Adam Oyebanji, Mike Massa, Marisa Wolf, Michael Mersault, Casey Moores, Michael Gants, Karl K. Gallagher, Chris Kennedy, and Jason Cordova & Melissa Olthoff.]]></Text>
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      <Text><![CDATA[<b>A HARROWING SUPERNATURAL ADVENTURE, FULL OF COLOR, DRAMA, AND ROMANCE, AS ONLY TIM POWERS CAN DELIVER</b><BR><BR>PARIS, 1925<BR> <BR> HARRY NOLAN is an expatriate American, making a meager living as an illustrator for a low-paying magazine, but his life is upended when he is assigned to illustrate an anonymous article about the death of a god&#8212;because a centuries-old French brotherhood, the <I>s</I><i>auteurs,</i> are determined to suppress the story the article tells. The <I>s</I><i>auteurs </i>have burned the magazine&rsquo;s office and killed the editor, and Nolan has the only surviving copy of the article. The author turns out to be a local writer named ERNEST HEMINGWAY, who&#8212;at first&#8212;tries to distance himself from the article and its lethal consequences.<BR> <BR> VIVI CHASTAIN is a rootless 19-year-old orphan who sustains herself by betting on horse races&#8212;aided by the spirit of the man she was in a previous life. But now that old identity is crowding her consciousness, threatening to push her own precarious identity into oblivion. It was her alcoholic occasional &ldquo;stepfather&rdquo; who told Hemingway the story about killing a god, and the <I>s</I><i>auteurs </i>are now aware of the story&#8212;and of her.<BR> <BR> The <I>SAUTEURS </I>maintain their identities past death through controlled reincarnation&#8212;when members die and are reborn, the brotherhood finds their newborn incarnations, kidnaps them, and raises them in special nurseries, where they can fully resume their previous lives. Vivi escaped from one of these nurseries when she was six years old, and so her previous identity has not yet consummated his possession of her. The <I>s</I><i>auteurs </i>want that consummation to happen&#8212;soon.<BR> <BR> GERTRUDE STEIN is the hub of literary and artistic Paris, and knows many of the city&rsquo;s supernatural secrets. She has written a book that appears to be nonsense but which can be used to deflect the kind of psychic assault that threatens Vivi, and she becomes a Merlin-like mentor to Vivi and Nolan&#8212;<BR> <BR> &#8212;who find themselves reluctantly thrown together as hunted fugitives. Their struggles to evade the murderous <I>s</I><i>auteurs </i>and free Vivi from her increasingly intrusive previous self lead the pair to a mysterious hermit who lives in the towers of Notre Dame cathedral, and the haunted catacombs under Paris, and a confrontation with the Roman goddess Cybele in an other-worldly temple on an island in the Seine. In pursuit of a secret painting by PABLO PICASSO, they learn that the god whose death the Hemingway manuscript describes is Moloch, the child-devouring Phoenician god mentioned in the Bible&#8212;and that the <I>s</I><i>auteurs </i>make sacrifices to Moloch to maintain their reincarnations.<BR> <BR> From the narrow streets and rooftops of post-war Paris to, finally, a supernatural battle between gods in a remote village in Spain, Nolan and Vivi contend with forces natural and supernatural, enemies living and dead, and ultimately find themselves pitted against the god Moloch himself&#8212;at peril of their eternal souls.<BR> <BR> <i>The Mills of the Gods</i> is a harrowing supernatural adventure, full of color, drama, and romance, as only Tim Powers could tell it.]]></Text>
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      <Text><![CDATA[<b>Tim Powers </b>won the World Fantasy Award twice for his critically acclaimed novels&nbsp;<i>Last Call&nbsp;</i>and&nbsp;<i>Declare.&nbsp;</i><i>Declare</i>&nbsp;also received the International Horror Guild Award. His novel&nbsp;<i>On Stranger Tides</i>&nbsp;inspired the Monkey Island video game series and was sold to Disney for the movie franchise installment&nbsp;<i>Pirates of the Caribbean: On Stranger Tides.&nbsp;</i>His book&nbsp;<i>The Anubis&nbsp;Gates&nbsp;</i>won the Philip K. Dick Award and is considered a modern science fiction classic and a progenitor of the steampunk genre. Powers won the Dick Award again for straight science fiction post-apocalypse novel&nbsp;<i>Dinner at Deviant&rsquo;s&nbsp;Palace.&nbsp;</i>Many of his novels, such as&nbsp;<i>Last Call&nbsp;</i>and&nbsp;<i>Alternate Routes,</i>&nbsp;are so-called &ldquo;secret histories,&rdquo; which use real historical events in which supernatural and metaphysical elements influence the story in weird and compelling manners. Powers grew up in Southern&nbsp;California and studied&nbsp;English at Cal State Fullerton, where he met frequent collaborators James Blaylock and K.W. Jeter, as well as renowned science fiction author Philip K. Dick, who became a close friend and mentor. Powers is a practicing Catholic who claims &ldquo;Stories are more effective, and more truly represent the writer&rsquo;s actual convictions, when they manifest themselves without the writer&#39;s conscious&nbsp;assistance. I concern myself with my plots, but I let my subconscious&nbsp;worry about my themes.&rdquo;&nbsp;Powers still resides in Southern California with his wife, Serena.]]></Text>
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      <Text><![CDATA[<b>Book two in David Weber and Richard Fox</b>&rsquo;<b>s Ascent to Empire series.</b><BR><BR><b>HE NEVER WANTED TO BE A REBEL</b><BR> <BR> The Five Hundred, the elite families who rule the Terran Federation, control its political power and its wealth, and they&rsquo;ve grown steadily wealthier and more powerful, thanks to the war against the Terran League. War may be hard on the people who get caught in its path, but it&rsquo;s very good for business, in the short term, and the Five Hundred own the shipyards that build the Navy&rsquo;s ships. They own virtually all the industry that produces the weapons and mat&#233;riel the war consumes so voraciously . . . and they&rsquo;ve made damn sure someone else does the dying.<BR> <BR> True, there are a few flies in the Five Hundred&rsquo;s ointment.<BR> <BR> There&rsquo;s the growing hatred and resentment of the Fringe Worlds, whose children do eighty percent of the dying in the Five Hundred&rsquo;s war. But the Five Hundred have made sure the Fringe knows what will happen to any system that goes &rdquo;out of compliance.&rdquo;<BR> <BR> There are the lunatic conspiracy nuts who insist that the alien Rishathan Sphere is secretly aiding the League&rsquo;s military, but the Five Hundred have forced them to keep their mouths shut where it matters.<BR> <BR> And then there&rsquo;s Terrence Murphy, a man of honor who loves the Federation, who springs from the Five Hundred, yet knows it for what it is and is determined to speak for its victims. But the Five Hundred have dispatched ample force to deal with him and his handful of lunatic followers.<BR> <BR> Unfortunately, the Fringe has paid enough of its children&rsquo;s lives, and it no longer cares what may happen if it dares to defy the Five Hundred.<BR> <BR> Worse, the lunatic conspiracy nuts were right, and the Rish have planned carefully for the Federation&rsquo;s destruction.<BR> <BR> And, worst of all, the Five Hundred have fatally underestimated Terrence Murphy.]]></Text>
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      <Text><![CDATA[With more than eight&nbsp;million copies of his books in print and 33&nbsp;titles on the&nbsp;<i>New York Times</i>&nbsp;bestseller list,&nbsp;<b>David Weber</b>&nbsp;is a science fiction powerhouse. In the vastly popular Honor Harrington series, the spirit of C.S. Forester&rsquo;s Horatio Hornblower and Patrick O&rsquo;Brian&rsquo;s&nbsp;<i>Master and Commander&nbsp;</i>lives on&mdash;into the galactic future. Books in the Honor Harrington and Honorverse series have appeared on 29&nbsp;bestseller lists, including&nbsp;<i>The Wall Street Journal, The New York Times</i>, and&nbsp;<i>USA Today.</i>&nbsp;Additional Honorverse collaborations include the spin-off miniseries Manticore Ascendant with<i>&nbsp;New York Times&nbsp;</i>best-selling author, Timothy Zahn; and with Eric Flint,&nbsp;<i>Crown of</i>&nbsp;<i>Slaves</i>&nbsp;and&nbsp;<i>Cauldron of Ghosts&nbsp;</i>contribute to his illustrious list of&nbsp;<i>New York Times</i>&nbsp;and international bestseller lists.<BR> <BR> Best known for his spirited, modern-minded space operas, Weber is also the creator of the Oath of Swords fantasy series and the Dahak saga, a science fiction and fantasy hybrid. Weber has also engaged in a steady stream of best-selling collaborations: the Starfire Series with Steve White; The Empire of Man Series with John Ringo; the Multiverse Series with Linda Evans and Joelle Presby; the Ring of Fire Series with Eric Flint; and the Gordian Division&nbsp;Series&nbsp;with Jacob Holo.<BR> <BR>David Weber makes his home in South Carolina with his wife and children.<BR><BR><b>Richard Fox</b> is the winner of the 2017 Dragon Award for Best Military Science Fiction or Fantasy novel. He&rsquo;s best known for The Ember War Saga, a military science fiction and space opera series.<BR> <BR> His writing draws extensively from his experiences in the United States Army, where he served two combat tours in Iraq and was awarded the Bronze Star, Combat Action Badge, and Presidential Unit Citation.<BR> <BR> He lives in fabulous Las Vegas with his incredible wife and three boys, amazing children bent on anarchy.<BR> <BR> His website is:&nbsp;<a href="http://eepurl.com/bLj1gf">http://eepurl.com/bLj1gf</a>]]></Text>
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      <Text><![CDATA[<b>Praise for&nbsp;<i>Governor:</i></b><BR> &quot;The authors pack the story with both the specs of far-future fighting machines . . . and the hypercompetent, duty-driven warriors who crew them. Fans of old-school military sci-fi should check this out.&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR> <b>Praise for&nbsp;<i>The Gordian Protocol</i><i>:</i></b><BR> &ldquo;Tom Clancy-esque exposition of technical details . . .&nbsp;absurd humor and bloody action. Echoes of Robert Heinlein . . .&nbsp;lots of exploding temporal spaceships and bodies . . .&nbsp;action-packed . . .&rdquo; &mdash;<i>Booklist</i><BR> <BR> &ldquo;. . . a&nbsp;fun and thrilling standalone from Weber and Holo. . . . Time travel enthusiasts will enjoy the moral dilemmas, nonstop action, and crisp writing.&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR> <b>Praise for David Weber:</b><BR> &ldquo;. . . a&nbsp;balanced mix of interstellar intrigue,&nbsp;counterespionage, and epic fleet action . . .&nbsp;with all the hard- and software details and tactical proficiency that Weber delivers like no one else; along with a large cast of well-developed, believable characters, giving each clash of fleets emotional weight.&rdquo;&nbsp;<i>&mdash;Booklist</i><BR> <BR> &ldquo;. . . moves . . . as inexorably as the Star Kingdom&rsquo;s Grand Fleet, commanded by series protagonist Honor Harrington. . . . Weber is the Tom Clancy of science fiction. . . . His fans will relish this latest installment. . . .&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR> &ldquo;This entry is just as exciting as Weber&rsquo;s initial offering. . . . The result is a fast-paced and action-packed story that follows [our characters] as they move from reaction to command of the situation. Weber builds&nbsp;<i>Shadow of Freedom</i>&nbsp;to an exciting and unexpected climax.&rdquo; &mdash;<i>The Galveston County Daily News</i><BR> <BR> &ldquo;Weber combines realistic, engaging characters with intelligent technological projection and a deep understanding of military bureaucracy in this long-awaited Honor Harrington novel. . . .&nbsp;Fans of this venerable space opera will rejoice to see Honor back in action.&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR> &ldquo;This latest Honor Harrington novel brings the saga to another crucial turning point. . . .&nbsp;Readers may feel confident that they will be Honored many more times and enjoy it every time.&rdquo; &mdash;<i>Booklist&nbsp;</i><BR> <BR> &ldquo;. . . everything you could want in a heroine. . . .&nbsp;Excellent . . .&nbsp;plenty of action.&rdquo; &mdash;<i>Science Fiction Age</i><BR> <BR> &ldquo;Brilliant! Brilliant! Brilliant!&rdquo; &mdash;Anne McCaffrey<BR> <BR> &ldquo;Compelling combat combined with engaging characters for a great space opera adventure.&rdquo; &mdash;<i>Locus</i><BR> <BR> &ldquo;Weber combines realistic, engaging characters with intelligent technological projection. . . . Fans of this venerable space opera will rejoice . . .&rdquo; &mdash;<i>Publishers Weekly</i>]]></Text>
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      <Text><![CDATA[<b>The<b> </b>Compton Crook Award winning Deeds of Paksenarrion series continues as Paksenarrion continues her journey from sheepfarmer's daughter to warrior hero.</b><BR><BR><b>FROM SHEEPFARMER&rsquo;S DAUGHTER TO WARRIOR </b><BR> <BR> Once a sheepfarmer&rsquo;s daughter, now a seasoned veteran, Paksenarrion has proven herself a fighter. Years with Duke Phelan&rsquo;s Company taught her weaponry, discipline, and how to react as part of a military unit.<BR> <BR> Now, though, Paks feels spurred to a solitary destiny. Against all odds she is accepted as a paladin-candidate by the fellowship of Gird. Years of study will follow, for a paladin must be versed in diplomacy and magic as well as the fighting arts. But before she is fully trained, Paks is called on her first mission: to seek out the fabled stronghold of Luap far to the west. The way is long, the dangers many&#8212;and not even the Marshal-General of Gird can say whether glory or ruin awaits.]]></Text>
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      <Text><![CDATA[Elizabeth Moon grew up on the Texas border, served three years active duty in the USMC (1968-71), and now lives with her husband of almost sixty years, also a veteran, near Austin, Texas. She has written more than twenty-five novels, including Nebula Award winner The Speed of Dark, Hugo Award finalist Remnant Population, the Vatta&#8217;s War and Serrano Legacy space opera series, and the books of the enduring epic The Deed of Paksenarrion, multiply awarded as one of the 100 Best Fantasies of All Time. A New York Times bestselling author, her work has been published in twenty languages and sold four million copies. When not writing, Moon enjoys photographing native plants and wildlife, knitting socks, and cooking.]]></Text>
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      <Text><![CDATA[<b>Praise for Elizabeth Moon:</b><BR> &ldquo;Excellent plotting and characters support the utterly realistic action sequences: swift, jolting, confusing, and merciless. It&rsquo;s a corker!&rdquo; &mdash;<i>Kirkus Reviews</i><BR> <BR> &ldquo;Moon has created a richly imagined universe of different cultures, replete with intriguing characters and the sense of unlimited possibility that characterizes the most appealing science fiction.&rdquo; &mdash;<i>School Library Journal</i><BR> <BR> &ldquo;Rip-roaring action and intriguing science and tactics . . . [a] grand space opera tour de force.&rdquo; &mdash;<i>Publishers Weekly</i><BR> &nbsp;<BR> &quot;[T]he first work of high heroic fantasy I&#39;ve seen that has taken the work of Tolkien, assimilated it totally and deeply and absolutely, and produced something altogether new and yet incontestably based on the master . . .&nbsp;[Moon&#39;s] military knowledge is impressive, her picture of life in a mercenary company most convincing. I&#39;m deeply impressed.&rdquo;&nbsp;&mdash;Judith Tarr]]></Text>
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      <Text><![CDATA[<B><b >Delicious, stress-free meals for busy families, with flexible solutions for any dietary need, from food entrepreneur Rachel Mansfield.</b></B><BR><BR>Balancing a full plate of responsibilities&#8212;from work to home to kids&#8212;can be a handful. Add cooking three wholesome meals a day (plus snacks), and it can feel downright impossible. Social media may make it look effortless, but the truth is, it&rsquo;s not. <I>More, Please!</I> is here to help you feel less overwhelmed. With family-approved, kid-friendly meals, freezable options, and dietary flexibility to make the recipes gluten-free, dairy-free, refined-sugar free, and more, this book is the time-saving kitchen companion every busy parent needs.<BR> <BR>Food entrepreneur Rachel Mansfield @RachlMansfield has accumulated more than 1.5 million followers from sharing her inspiring approach to family meals, which are as delicious as they are doable. As a mother of three boys, she knows firsthand how important it is to find smart shortcuts without sacrificing flavor. Featuring stress-free, repeatable recipes, this cookbook isn&rsquo;t organized by traditional meals, as Rachel understands that every day does not look the same in a busy household. Instead, <I>More, Please!</I> offers quick, reliable solutions for any time of day with chapters like Not-So-Boring Chicken or Yes, You Can Cook Fish.<BR> <BR>Morning recipes such as High-Protein Cinnamon Raisin Quick Bagels can double as snacks, while versatile bowls like Crispy Rice Bowl with Ginger Sesame Dressing help keep energy up all day. You&rsquo;ll find approachable fish options including One-Skillet Lemony Shrimp and Baked Shrimp Cakes with Avocado Corn Salsa, craveable chicken dishes such as Chicken Parmesan-Stuffed Sweet Potatoes, and various ground meat recipes like tacos, meatballs, or casseroles. You&rsquo;ll also find low-effort one-sheet pan meals like Go-To Nacho Night Nachos, including many ways to cook a box of pasta like One-Skillet Cheesy Pizza Mac & Cheese. Sweet tooth? Discover treats like Sneaky Green Smoothie Pancakes and Chocolate Chip Cookie Granola that are so good you might eat them for breakfast too. Plus, Rachel includes a multipurpose section of condiments, sauces, and sides to elevate your cooking with ease.]]></Text>
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      <Text><![CDATA[<b>WITH A GLOW IN THE DARK COVER</b><BR><BR><b>The world of horror comes to life with this gorgeously illustrated and whimsical journey through the genre&#8212;exploring the folklore, monsters, and tropes that have fueled our fears for centuries.</b><BR><BR>Horror is where the macabre meets the profound, and <i>The Illustrated Compendium of Horror </i>is your visual guide to its twisted world. Drawing from film, fiction, and folklore, this immersive tour follows horror&#8217;s evolution from primal tales of survival to the heart pounding thrillers of today.<BR> <BR> We&#8217;ve dissected the genre into all its terrifying parts. Inside, you&#8217;ll discover:<BR> <BR> <b>- The Origins of Horror:</b> The ancient mythology, folklore, and religious traditions that have shaped the genre since the dawn of humanity.<BR> <BR> <b>- The Science of Horror:</b> What happens in our brains when we&#8217;re scared&#8212;and why we can&#8217;t get enough of it.<BR> <BR> <b>- The Characters of Horror:</b> The stories behind horror&#8217;s most iconic characters&#8212;the vampires, witches, and werewolves that have bled into our hearts.<BR> <BR> <b>- Horror through the Decades:</b> How history, culture, and catastrophe have shaped the genre from the turn of the century to today.<BR> <BR> And more!<BR> <BR> With seek-and-find puzzles, quizzes, and hidden surprises throughout, <i>The Illustrated Compendium of Horror</i> is a fun and interactive guide to one of world&#8217;s most enduring genres.<BR> <BR> Enter&#8230;if you dare.]]></Text>
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      <BiographicalNote><![CDATA[Ellen Pauley Goff&nbsp;(she/her) was born and raised in the wilds of Kentucky. Her short fiction has appeared in the&nbsp;<I>Indiana Review</I>,&nbsp;<I>Hunger Mountain</I>,&nbsp;<I>F(r)iction</I>, and&nbsp;<I>New Millennium Writings</I>, among others. Her poetry can be found in the&nbsp;<I>Atlanta Review</I>, and her creative nonfiction in&nbsp;<I>The Inquisitive Eater</I>&nbsp;and&nbsp;<I>Karma Comes Before</I>. Ellen received her BA from the University of Chicago and her MFA dual degree in fiction and writing for children and young adults from The New School. When she&rsquo;s not writing or reading recipes, Ellen works in publishing and international rights. She is also the founder of a longstanding writing workshop and critique group in Manhattan, with the goal of providing publishing knowledge to emerging writers.&nbsp;<I>The Farewitch of Foxe Holler&nbsp;</I>is her debut novel.]]></BiographicalNote>
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      <SubjectHeadingText>cozy read; cozy romance; cozy magic; cozy fantasy; cozy witch books; witch; witchy; witches; witch romance; romance; humorous fantasy; kitchen witch; magic; the very secret society of irregular witches; legends and lattes; the ex hex; the house in the cerulean sea; travis baldree; tj klune; grumpy sunshine; dating at 30; humor; cute; food magic; bakery; apothecary; baking; kentucky; warlock; romantasy; enemies to lovers; that time i got drunk and saved a demon; mythical creatures; cozy Halloween reads; Halloween picks; fall reads;</SubjectHeadingText>
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      <Text><![CDATA[<b>"A delicious treat of a novel! Heartfelt, hilarious, poignant, and lovely!"</b> <B>&#8212;Sarah Beth Durst, <i>New York Times</i> bestselling author of <i>The Spellshop</i></B><BR> <BR> <b><b><i>Steel Magnolias</i></b><b> meets <i>Practical Magic </i>in this charming contemporary fantasy about a thirty-something kitchen witch who is recruited to help a reclusive warlock and discovers love on the other side of the next bake.</b></b><BR><BR>Honey Frost is Foxe Holler&rsquo;s dependable Farewitch. With a dash of flour and a pinch of charm, Honey carries on her family&rsquo;s legacy for healing any ailment with the right recipe. She just didn&rsquo;t expect to inherit the role twenty years early.<BR> <BR> When the Holler&rsquo;s reclusive Warlock suddenly requests a Farewitch to cure his mysterious illness, Honey&rsquo;s ordered life turns upside down. Honey is reluctant to help&#8212;witches and warlocks do <i>not</i> get along. Then he tempts her with the one thing she can&rsquo;t resist: access to his infamous library of spellbooks and kitchen grimoires.<BR> <BR> Soon, Honey is the newest resident of his moody farmhouse, which has one gorgeous kitchen. And a Warlock that maybe&hellip;isn&rsquo;t so frightful after all. Or old. Or bad looking.<BR> <BR> Healing the Warlock would be simple if he weren&rsquo;t hiding a web of secrets. As Honey works to unravel his illness, a darker threat looms: the Widow Witch, who steals a soul from Foxe Holler every year, is due&#8212;and this time, she wants the Warlock.<BR> <BR><B>"Equal parts charming and whimsical. A cozy page-turner."</B> &#8212;Heather Fawcett<BR> <BR><B>"Will have readers believing in the magic of full tables, open hearts, and stories that we hope will never end.&rdquo; </B>&#8212;Stacy Sivinski]]></Text>
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      <Text><![CDATA[Ellen Pauley Goff&nbsp;(she/her) was born and raised in the wilds of Kentucky. Her short fiction has appeared in the&nbsp;<I>Indiana Review</I>,&nbsp;<I>Hunger Mountain</I>,&nbsp;<I>F(r)iction</I>, and&nbsp;<I>New Millennium Writings</I>, among others. Her poetry can be found in the&nbsp;<I>Atlanta Review</I>, and her creative nonfiction in&nbsp;<I>The Inquisitive Eater</I>&nbsp;and&nbsp;<I>Karma Comes Before</I>. Ellen received her BA from the University of Chicago and her MFA dual degree in fiction and writing for children and young adults from The New School. When she&rsquo;s not writing or reading recipes, Ellen works in publishing and international rights. She is also the founder of a longstanding writing workshop and critique group in Manhattan, with the goal of providing publishing knowledge to emerging writers.&nbsp;<I>The Farewitch of Foxe Holler&nbsp;</I>is her debut novel.]]></Text>
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      <Text><![CDATA[Chapter One Chapter One <BR>FRIDAY, APRIL 1<BR> <BR>Honey&#8217;s Helpful Hint, from<BR> <BR><i>Honey Frost&#8217;s Southern Cookbook for Recipes Gone Wrong</i>:<BR> <BR>The first thing you need to know about making cornbread is that food is magic.<BR> <BR>A holler is best at just that: hollering.<BR> <BR>If the folks of Foxe Holler&#8212;a crumb of a town way down on a forgotten, lonesome shelf in the pantry of the South&#8212;are good at anything, it&#8217;s making a fuss.<BR> <BR>From behind the safety of the counter, I absorb the chaos of the hunger-fueled Friday-morning rush at the Frost Apothakery, the town&#8217;s only bakery and apothecary of culinary cures. Family run, of course. <i>Epicures</i>, Momaw Frost used to call them, despite our efforts to gag her stubborn wordplay.<BR> <BR><i>Your Apothakery now, girl</i>. Momaw&#8217;s voice chimes in my head from beyond the living world. Not literally. We Frosts don&#8217;t have that kind of magic. You&#8217;d have to trek miles over to a larger town for a Tombwitch.<BR> <BR>Right. <i>Mine</i>. Honey Frost&#8217;s Apothakery. My insides squelch.<BR> <BR>But I don&#8217;t have time to dwell on how my twenties didn&#8217;t go according to plan, because Ms. Buchanan is on one helluva tear this morning.<BR> <BR>&#8220;And if I have to listen to that woman tell me about her canned pineapple one more time, so help me&#8212;Gertha, I said, you would think angels blessed you the way you carry on, but I know the good Lord does not care a lick about your church luncheons&#8230;&#8221;<BR> <BR>I mumble a quick <i>Is that the truth?</i> and bite my tongue. Any polite nodding&#8212;ingrained in my DNA like a <i>Yes, ma&#8217;am</i>&#8212;is only encouragement for a hurricane like Ms. Buchanan. I pass a still-warm honey bourbon bread pudding over the head of the chatty old woman to the man behind her, for his insomnia.<BR> <BR>&#8220;Thank you kindly,&#8221; he says, already sniffing the bag.<BR> <BR>&#8220;Sure thing, Mr. Earl,&#8221; I answer, hoping my eyes say <i>Please save me from this conversation</i>. No luck. He&#8217;s already munching on his remedy as he walks out the door, and I&#8217;m grateful he&#8217;s got a short drive home &#8217;cause my bread pudding works <i>fast</i>.<BR> <BR>&#8220;&#8212;but between you and me, the only thing she yammers on about more is her grandbabies. I told her, Gertha, I said, the only reason you got a litter of grandbabies is because your children are trying to distract you so you quit bothering them&#8212;&#8221;<BR> <BR>&#8220;Ms. Buchanan&#8212;&#8221; I try, but she&#8217;s been chugging along for five minutes, oblivious to the line that&#8217;s now ten deep. And I&#8217;ve still got to rescue the cornbread from the oven. The Apothakery is not meant to stop. It operates as quickly and efficiently as the Frost women who&#8217;ve been running it for decades. And I&#8217;m pretty sure one of Gertha&#8217;s prolific children in question is just out of earshot by the door, perusing the apple butter I jar myself. My mom calls it the curse of small towns; Momaw Frost would&#8217;ve gleefully declared <i>karma</i>.<BR> <BR>I stretch around Ms. Buchanan to hand Eva Mae a fresh Louisville Benedictine sandwich, for her pregnancy fatigue. The young woman doesn&#8217;t wait to take a bite as she cedes her place in line to the next customer, her dark eyes already clawing back some sparkle as the cucumber hits her tongue.<BR> <BR>Inheriting the Apothakery way earlier than I was supposed to&#8212;or wanted to&#8212;makes me a battlefield-promoted Farewitch. But seeing someone&#8217;s expression after the first bite of something I made never gets old. It&#8217;s as addictive as any sweet.<BR> <BR>Ms. Buchanan, however, does get old.<BR> <BR>&#8220;Ma&#8217;am, please&#8230;&#8221;<BR> <BR>&#8220;Oh, you should have seen Gertha when we were younger, a real hellcat that one, and now all she&#8217;s got time for is grandbabies, canning, and spewing that nonsense about magic and the downfall of the Holler. She won&#8217;t even buy from you and I know she needs something for her arthritis. So I told her, Gertha, I said, you quit what you&#8217;re on about, bad apples stirring up trouble don&#8217;t make the magic itself bad, and no Witch&#8217;s magic is gonna hurt you worse than the cigarette I know you sneak when you think no one&#8217;s looking&#8212;&#8221;<BR> <BR>&#8220;Ms. Buchanan!&#8221; I exclaim. The customers behind Foxe Holler&#8217;s self-proclaimed most-informed church lady (but don&#8217;t say that in front of Gertha Fudge) take a collective step back.<BR> <BR>The old woman eyes me, her wrinkled cheeks swelling with a <i>hmph</i>. &#8220;No need to shout, sugar. I&#8217;m old, not underwater.&#8221;<BR> <BR>With tired fingers that spent hours kneading this morning, I push a large yellow box across the counter. Enough for a week. &#8220;Yes, ma&#8217;am. It&#8217;s just your jam cake is ready.&#8221;<BR> <BR>&#8220;My jam cake?&#8221; Her silver hair glimmers in the late-morning haze peeking through the windows. Gossip and sunshine, a typical Southern spring day.<BR> <BR>&#8220;Yes, jam cake. Every week.&#8221; <i>For six years</i>.<BR> <BR>&#8220;Well, whatever for? I ordered apple dumplings.&#8221;<BR> <BR>&#8220;For your memory. Ma&#8217;am.&#8221;<BR> <BR>A pause. Then a bark. &#8220;Oh, hush, Beauregard,&#8221; Ms. Buchanan snips.<BR> <BR>I peer over the counter and see shiny dark eyes and a wet nose.<BR> <BR>Beauregard Buchanan is a beauty of a standard poodle, his midnight fur like licorice cotton candy and as glossy as the glaze on my jam cake. I wish my own hair looked that groomed, but when I hit twenty-five and trudged home to Foxe Holler, I cut myself some feral bangs like any self-respecting quarter-life-crisis victim.<BR> <BR>&#8220;Beauregard&#8217;s fussy because he hasn&#8217;t had his morning nap yet. Gertha was up mowing her lawn at Satan&#8217;s hour this morning. Wasn&#8217;t she?&#8221; Ms. Buchanan coos at the poodle, then waves a knobby hand at the cake box. &#8220;Thank you, sugar. I know it won&#8217;t be as good as your mama&#8217;s, but it&#8217;ll do, such as it is.&#8221;<BR> <BR>Because I grew up with Southern politeness baked into my bones, I don&#8217;t point out that the old woman didn&#8217;t know what the hell her order was thirty seconds ago. Instead, I ignore the insult and sneak a few dog treats into a to-go bag. And I definitely don&#8217;t hope she thinks they&#8217;re cookies by accident. &#8220;Believe me, ma&#8217;am, she&#8217;s still the Holler&#8217;s Farewitch in my mind, too.&#8221;<BR> <BR>&#8220;Mmm-hmm. How is mayoral life treating that mama of yours?&#8221;<BR> <BR>&#8220;Just fine.&#8221; <i>Not fine</i>.<BR> <BR>&#8220;Guess we all got jobs to do. You tell that Mayor Frost I say hey, you hear?&#8221;<BR> <BR>A timer dings from the back.<BR> <BR>I startle with relief. Lord, I love that sound, and not just because it rescues me from countless awkward conversations. My customers protest when I head for the kitchen.<BR> <BR>&#8220;Two minutes!&#8221; I promise, slipping into the back before someone catches me. Old Blanche, the choir director, is looking particularly hangry.<BR> <BR>The smell of butter hugs me the moment I slide into the peace of the kitchen. I inhale, nostrils greedy. Our neighbors and customers are important, sure. Our town has relied on the Frost family&#8217;s food and baking magic for decades, ever since the Holler was no more than a whisper. And a Farewitch is nothing without a town, without the folks who depend on her culinary cures.<BR> <BR>But the kitchen&#8230; I might not be the Farewitch my mom is, but the kitchen is home.<BR> <BR>Tension seeps from my shoulders and stomach. The only sounds are my deep breaths and the massive churning oven. An only child of a single mom and one grandma, I made that oven my best friend growing up.<BR> <BR>If I had kept up with friends more instead of work, someone would be here to laugh at that joke. Or would&#8217;ve at least warned me about the bangs.<BR> <BR>But there&#8217;s no time for reminiscing or dawdling in a Farewitch&#8217;s kitchen.<BR> <BR>I free two cast-iron skillets of cornbread from the oven just in time and leave them to cool. Frost women do not burn their cornbread. With a pastry brush, I Van Gogh some honeysuckle butter onto the perfectly golden full moons.<BR> <BR>Then my stomach shrieks&#8212;when was the last time I ate? That banana before sunrise? Can&#8217;t remember. I&#8217;ll scarf down some reject scraps of something later. The cornbread sells better fresh out of the oven and I have a full shop waiting. A full town depending on me.<BR> <BR>Every town has a Farewitch, sometimes several for big cities. But as the official Farewitch for this Holler, I&#8217;m responsible for upholding the reputation of generations of Frost women, of protecting our legacy for curing all manner of ailments with the right recipe and ingredients, the right intention, and the right dash of my own unique magical flavor.<BR> <BR>It&#8217;s a Michelin Star honor.<BR> <BR>With Michelin Star pressure.<BR> <BR>Self-taught chefs and bakers, my mom, her mom Momaw Frost, and all the Frost Farewitches before them were experts at managing oven temperatures just as well as neighbors with too much flavor. It&#8217;s part of the job, and six years into it now, I follow my duties like I follow the family recipes: precisely.<BR> <BR>Because if I don&#8217;t&#8230;<BR> <BR>Momaw Frost appears in my mind. Not her seasoned scratchy voice this time, but her skeletal frame fighting a wasting disease that no recipe could cure. As a girl, I watched my mom bend over kitchen grimoires all night long; as Farewitches, they&#8217;re our bibles. Other Witches, from Hearthwitches to Greenwitches&#8212;even the elusive Tombwitches&#8212;traveled to help, asking for nothing in return. Finally, Warlocks passed through the Holler at the idea of a good challenge. They promised a whole spice drawer of magical solutions and exclusive potions, <i>higher</i> magic much stronger than the <i>lower</i> practical magic of Witches.<BR> <BR>For a price, of course.<BR> <BR>But after the Frost family bank account was dry as a sawdust biscuit, the Warlocks disappeared and the only ingredient Momaw Frost ever needed was time. More time for us to find the solution.<BR> <BR>Her death hung on us like a lead apron. It still does. But if I do this Farewitch thing right, the Holler can depend on me. Which means Mom can depend on me.<BR> <BR>I glance at the vaulted brick wall next to the oven, where hangs the Frost family&#8217;s vast collection of cast iron. Skillets and grill pans and cornbread molds in the shape of whole ears of corn dangle from the chipped brick, seasoned under generations of strong butter, stronger magic, and the strongest women. Despite the delightful floral aroma of the honeysuckle butter cooling over the nutty cornbread, my heart clenches.<BR> <BR>I&#8217;d trade one of these priceless, magic-imbued skillets for my mom to be here with me right now. If only to see this batch of cornbread, which looks perfect, humility be damned. Rich gold crust to match everything else in this place.<BR> <BR>Once, I looked forward to becoming a Farewitch. But at forty-five, not twenty-five.<BR> <BR>I studied and organized and routined my way through college. Graduated and tucked in to the usual tasting menu of odd jobs and sporadic travel until my savings grew crumb dry and I hunted for the next job. But in a chaotic layering of events I can only picture as shoddy croissant laminating, Foxe Holler&#8217;s long-standing mayor died and my one and only mother, Marigold Frost, somehow got herself appointed the next.<BR> <BR>When I came home for the funeral, I first remember feeling glad (stunned) my mom was close enough friends with someone to attend their funeral. Because of our workload, Farewitches just don&#8217;t end up with close relationships. Second came unease. I found the Apothakery was barely afloat. Typical Frost, my mom deluded herself into thinking she could conjure up the time and energy for a hundred-hour workweek. The third feeling was&#8230; I realized something was <i>wrong</i> wrong when my mom could no longer lift her own skillet.<BR> <BR>A Farewitch&#8217;s cast iron is her ancestors&#8217;, seasoned with generations of flavor and literal magic that seeps into every new morsel of food. It&#8217;s the foundation of our altars and the Sisyphus boulder we haul again and again from a hot oven, year after year, decade after decade.<BR> <BR>So the only heir in the Frost Farewitch line&#8212;me&#8212;donned an apron, filled the vacancy, and stayed. But this was the job. A holler needs a Farewitch. <i>This</i> Holler needs <i>this</i> Farewitch.<BR> <BR>Like I said, no pressure.<BR> <BR>At the farmhouse sink, I splash cold water on my neck and avoid looking at the old Frost family kitchen grimoires strewn across the table in the center of the room. That mess is for later. One step in a recipe at a time. Folks are hungry.<BR> <BR>I cut the cornbread into plump golden bricks on a tray. In the hands of a Farewitch, cornbread can cure the common cold or general under-the-weather malaise. Mom has a stunning recipe with an old incantation to go along with it that makes the bread particularly buttery and makes it work faster than unregulated Sudafed.<BR> <BR>A breeze, awfully cold for April, slithers into the kitchen through the back door I left open for air. I shiver.<BR> <BR>True to Ms. Buchanan&#8217;s gossip, Gertha Fudge is on a tear lately, claiming the unusual season of spring colds is the work of bad magic, specifically that of the frightful old Warlock living alone up at the edge of the Holler. She&#8217;s got the other church ladies echoing her, too. Although folks tend to blame him for all of the Holler&#8217;s bad weather, now that I think about it. Rain? Angry Warlock. Hail? Warlock with a migraine. Tornado? Warlock with a vendetta.<BR> <BR>Not that I&#8217;m complaining&#8212;more colds mean more cornbread. Better for business. I should give him a discount on snickerdoodles. That is, if he ever left his tomb of a house.<BR> <BR>This is the one oddity I&#8217;ve not been able to figure out in my thirty-one years, even having grown up here: Not once, with eyes or scrying mirror, have I ever seen this Warlock. Not at the farmers&#8217; market, the post office, or even the courthouse, where a person must theoretically have to renew a driver&#8217;s license once in a while. Or, most importantly, in my shop.<BR> <BR><i>Everyone</i> shops here. If it weren&#8217;t for the other rumors&#8212;about his extensive archive of magical tomes&#8212;I&#8217;m not sure I&#8217;d believe he exists. Sometimes, I hope those whispers are true, since the Holler&#8217;s one library burned down when I was little. But no matter what Gertha Fudge tries to make the Holler believe, I&#8217;m more frightened one of my long blonde hairs will wind up in the banana pudding than of some stuffy old loner Warlock who may or may not be tampering with seasonal allergy patterns.<BR> <BR>I steel my nerves, take a few breaths, grounding myself in the comforting buttery atmosphere. Strong as cast iron. I let the peace and quiet of the kitchen work its own charm. Food is magic, and so is alone time. Hunger pangs tickle my belly button, but I ignore them. Brain on, stomach off. I need to remember: Everything I do is for my mom.<BR> <BR>I glance at the mountain of recipe books again. Everything is for her.<BR> <BR>Into the fire again, then.<BR> <BR>As I carry out the steaming cornbread, my famished customers are exactly where I left them. I spend the next hour stuck in the looping cul-de-sac of Southern small talk. Ms. Buchanan doesn&#8217;t leave, but she at least moves to a table where her poodle is safe from heavy boots and sharp church heels. I sell ambrosia salad for cravings, coconut cake for allergies&#8212;plant, not pet; that&#8217;s coconut cream pie&#8212;and chocolate chess pie for a dose of randy spirit in the bedroom.<BR> <BR>Farmer Kelsey pays for his chess pie in wrinkled bills that smell loamy. He&#8217;s been with his missus for thirty years, as he reminds me every time he visits, like I could forget. &#8220;How&#8217;s that cookbook you&#8217;re writing coming along?&#8221; he asks today.<BR> <BR>I cringe on the inside. That. Right. &#8220;Oh, it&#8217;s going. Going somewhere.&#8221; Another project I don&#8217;t have time for. I tie his box with a saucy silk red ribbon. &#8220;You two eat this together now, you hear? Date night.&#8221;<BR> <BR>Sometimes I fantasize about what it would be like to have what these two have. It doesn&#8217;t even have to be now. I&#8217;m only thirty-one. I could wait five years, ten&#8230;<BR> <BR>&#8220;You know,&#8221; he begins, and I feel my stomach drop. &#8220;My nephew is single&#8212;&#8221;<BR> <BR>Oh no.<BR> <BR>&#8220;&#8212;and you don&#8217;t have to <i>marry</i> him, by any means, but&#8212;&#8221;<BR> <BR>No no no. I know the nephew he means, and&#8230; no thank you. Anything but this.<BR> <BR>Then to my surprise and to the shock of everyone in the Apothakery that morning, <i>anything</i> happens.<BR> <BR>The shop door blows open on another chilly gust of wind, hinges squealing.<BR> <BR>Dark mist shrouds the entire Apothakery in a creeping plume and the sunlight disappears. Everything yellow turns a dull purple in the changing light and it suddenly feels like midnight, not noon. Folks squirm to the perimeter of the small shop to avoid the mysterious mist. The fog hovers, not quite reaching my patrons or the corners of the room. Finally, it stops spreading.<BR> <BR>Ominous, but I&#8217;m more concerned the obsidian smoke will change the flavor of any exposed baked goods. I really hope Gertha Fudge isn&#8217;t right about troublesome Witches and Warlocks. She&#8217;d never let anyone live it down.<BR> <BR>As I am a <i>reads the menu ahead of time</i> kind of girl, surprise is not my favorite feeling. Do I have a recipe for shock? Probably involves ashwagandha and some moonlight.<BR> <BR>I swing around the counter, grab an empty sheet pan for defense, and face the fog. Is it just me, or does the mass seem&#8230; cranky? I hesitate momentarily but Momaw and my mom wouldn&#8217;t tolerate a threat like this, so I won&#8217;t, either. I&#8217;m not going to be the Frost who loses the family shop to a <i>cloud</i>.<BR> <BR>But then the mist dissipates with a <i>POP</i> before I can swing at it. Shock dusts every face in my periphery when a black envelope falls to the floor at my feet.<BR> <BR>Surely this isn&#8217;t for me&#8230; And yet, curious, I reach down&#8212;<BR> <BR>&#8220;Don&#8217;t touch it, child!&#8221; Ms. Buchanan fans herself with an empty cupcake liner. &#8220;That&#8217;s higher magic there, that is. I&#8217;d recognize the foul stuff anywhere.&#8221;<BR> <BR>My hand pauses. Farmer Kelsey nods. &#8220;<i>Warlock</i> magic.&#8221;<BR> <BR>Everyone leans back, like just whispering <i>Warlock</i> ensures a pox. Beauregard the poodle barks and, I&#8217;m pretty sure, pees a little.<BR> <BR>&#8220;Now you all sound just like Gertha Fudge,&#8221; I say, eyebrow raised, trying my best to appear relaxed. They&#8217;re perfectly safe in the Apothakery. Whether pests or mold or bad weather, nothing dangerous&#8212;not even nefarious mail posted by curmudgeonly cumulonimbus&#8212;can make it past the warding a Farewitch&#8217;s magic bakes into her kitchen over the years.<BR> <BR>&#8220;What if Gertha&#8217;s right?&#8221; Farmer Kelsey asks, eyes wide. Folks nod with him. &#8220;The Widow Witch is bad enough. Now the Warlock is knocking at our doors?&#8221;<BR> <BR>By their reaction, you&#8217;d think we have an infestation of them. But the Holler only has one, as far as I know. I&#8217;d like to point out that no one my age has even seen the man, but I can&#8217;t over the escalating sounds of my customers growing frantic.<BR> <BR>&#8220;The Warlock ruined my tomato crop last summer&#8212;&#8221;<BR> <BR>&#8220;My chickens won&#8217;t lay eggs because of him!&#8221;<BR> <BR>&#8220;He&#8217;s why we don&#8217;t have a library, burned it right to the ground&#8230;&#8221;<BR> <BR>&#8220;I heard he did it so he could steal the books.&#8221;<BR> <BR>&#8220;People <i>died</i> in that library, you know.&#8221;<BR> <BR>&#8220;It&#8217;s not him. This has to be the Widow Witch&#8212;&#8221;<BR> <BR>&#8220;Don&#8217;t be silly. It&#8217;s too early in the season yet.&#8221;<BR> <BR>I ignore the warnings and reach for the envelope a second time. My fingers tingle with that just-scraped-by feeling that comes with remembering to grab an oven mitt just in time before touching a hot baking sheet.<BR> <BR>But the tiny constellations of oven-burn scars on my hands are one of the undeniable things I have in common with my mom and Momaw. Like the blonde hair, I inherited that urge to reach into the heat. Momaw always said there&#8217;s no such thing as foul magic, only foul intention.<BR> <BR>I snatch up the envelope.<BR> <BR>Folks gasp, then seem almost underwhelmed when I don&#8217;t immediately burst into flames. A prickling sensation kisses my neck. My fingernails turn blue. The envelope <i>does</i> burn, oddly. Not painfully, though. A good burn. The first bite of something hot yet delicious.<BR> <BR>When I open it, I find glittering silver scrawl on thick black paper.<BR> <BR>Dear Ms. Frost the Younger,<BR> <BR>I am in need of a Farewitch. The situation is advanced and beyond my efforts.<BR> <BR>Report to Knight Manor on Monday morning. You will be compensated handsomely.<BR> <BR>Regretfully,<BR> <BR>Mr. Knight<BR> <BR>The Warlock of Foxe Holler<BR> <BR>I look up to find everyone&#8217;s eyes on me. Waiting. Perhaps for the inevitable <i>kaboom</i>.<BR> <BR>This has to be an April Fool&#8217;s joke. Folks have seen the Widow Witch more than the infamous Warlock, and she plagues the Holler once a year.<BR> <BR>But my stomach growls with fear, not hunger, and I know this isn&#8217;t a game. At one point or another, I&#8217;ve healed everyone in Foxe Holler of something.<BR> <BR><i>Nearly</i> everyone.<BR> <BR>But folks come to me for everyday ailments. Not problems too complicated even for a Warlock&#8217;s magic. So why me, now? Why a second-rate, stand-in Farewitch?<BR> <BR>A gnarled knot of worry twists in my gut, dampening the fear.<BR> <BR>What the Warlock of Foxe Holler doesn&#8217;t know is that I can&#8217;t heal him.<BR> <BR>What everyone <i>else</i> doesn&#8217;t know is that I&#8217;m a fraud.]]></Text>
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      <Text><![CDATA[<b>Cherry Delight Pie</b><BR> <BR>Most of the recipes I&#8217;ve saved from my grandmothers&#8217; kitchens are written on torn pieces of paper, Post-it notes, the backs of envelopes, or in the margins of church bulletins. Because of that, there are a lot of recipes like this one for cherry pie -- recipes with a lot of sugar, minimal direction, and plenty of faith that it&#8217;ll all turn out right in the end. As Honey says<i>:</i><i> always trust the handwriting.</i><BR><BR><b>Hummingbird Cake</b><BR> <BR>This is my favorite kind cake for a whole slew of reasons, practical and sentimental. I like a lot of flavors and different textures, quite literally, in my food, whether sweet or savory, and this cake delivers: we&#8217;ve got different kinds of fruit, nuts, spice, raisins, the tang of cream cheese, and plenty of sweetness. It&#8217;s like spice cake and carrot cake and Italian cream cake came together and had the best picnic. Because of its bright and cheery flavor and white frosting, I have always associated hummingbird cake with a Southern summertime. <BR><BR><b>Lea Anne&#8217;s Strawberry Cake (definitely a little story for this one, I&#8217;m sure)</b><BR> <BR>My mom, Lea Anne, has been a working mom her whole life, so pockets of time for baking and other hobbies are rare. But, she would always make this strawberry cake for my dad on his birthday, because 1) strawberry is his favorite flavor and 2) his birthday is in June, peak strawberry season. This recipe embraces both sides of that history: intentional locally-sourced produce from Kentucky farmers markets<i> and</i> a cake mix in a box for ease and convenience. As Ina Garten says, you make a little, you buy a little. <BR><BR><b>Coconut Cake</b><BR> <BR>This recipe has my grandmother written all over it, and not just because it&#8217;s in her recognizable handwriting. She was a fiercely loyal soul, and could hold a grudge just as well as she could a heavy cast iron skillet. This extended into her cooking, and she insisted on certain brands of ingredients -- and that attention to detail is probably why her cooking and baking have such a visceral personality in my memories. Here, it was Eagle Brand PET milk or nothing; she always kept cans on hand right next to the Winn-Dixie coffee mugs.<BR><BR><b>Jam Cake</b><BR> <BR>This jam cake recipe is perhaps my grandmother&#8217;s favorite cake recipe, if not one of her top recipes of all time. She had a sweet tooth, so most of her saved recipes were desserts, so this recipe is also a reflection of what Southern cooking means to me: baking involved recipes and measurements, but savory cooking was more of an experiment or a feeling, a know-it-when-I-see-it method. My grandmothers had spiralbound community cookbooks, if they had cookbooks at all, but there was an art in the improvisation, and they always cooked via muscle memory.<BR><BR><b>One paragraph story about my family and cooking / tradition:</b><BR><BR>My mom&#8217;s side comes from West Virginia and my dad&#8217;s from Southern Kentucky. There were always very few men in the family, so I was raised by mostly women, like my two grandmothers (their favorite colloquial gems appear throughout the novel), and learned firsthand that in the South, food is a love language. As I worked on the novel, one of my grandmothers passed, and I inherited her immense assortment of kitchen wares. This included her collection of community cookbooks from across Kentucky, but also from her hometown of Marrowbone, KY. Once in a while in these books, I spot a familiar last name from my own family tree, like a grassroots, ancestral treasure hunt. I began collecting these old community cookbooks, which were usually published with neighborly fundraising and the efforts of local women&#8217;s organizations. These homegrown cookbooks tell powerful stories, not just in their recipes, but in the small anecdotes from the (nearly always) women contributors. When my grandmothers were growing up in the rural South, a woman&#8217;s name didn&#8217;t often appear front and center, but in these cookbooks, they do, and that&#8217;s how these artifacts became such a crucial inspiration behind <i>Farewitch</i>. <BR><BR><b>Playlist, in no particular order:</b><BR> <BR>9 to 5 by Dolly Parton<BR> <BR>Crisco by Miranda Lambert<BR> <BR>W.I.T.C.H. by Devon Cole<BR> <BR>I Remember Everything by Zach Bryan (feat. Kacey Musgraves)<BR> <BR>Numb Little Bug by Em Beihold<BR> <BR>Wondering Why by The Red Clay Strays<BR> <BR>Too Sweet by Hozier<BR> <BR>Taylor Swift<BR> <BR> Anti-Hero<BR> <BR> Honey<BR> <BR>Tyler Childers (Kentucky!)<BR> <BR> All Your&#8217;n<BR> <BR> Shake the Frost<BR> <BR>Help Me Make It Through the Night<BR><BR><b>5 Favorite Witches who inspired the Witches in the book: </b><BR> <BR>BELL, BOOK AND CANDLE (1958) Gillian Holroyd (Kim Novak), a witch living in New York City from the movie<BR> <BR>KIKI&#8217;S DELIVERY SERVICE by Eiko Kandono (1985) Kiki, a young witch who begins a delivery service via broom<BR> <BR>PRACTICAL MAGIC (1998) Aunt Jet (Dianne Wiest) and Aunt Frances (Stockard Channing), eccentric witches and whimsical aunts<BR> <BR>A DISCOVERY OF WITCHES by Deborah Harkness (2011) Diana Bishop, bookish and early-thirties witch in love with tall dark and handsome<BR> <BR>AGATHA ALL ALONG (2024) Agatha Harkness (Kathryn Hahn), anti-hero witch and leader of a ragtag group of witches<BR> <BR><b>Discussion questions for <i>The Farewitch of Foxe Holler</i>:</b><BR><BR>1.As Honey learns, recipes are made of ingredients that work together to create something greater than the taste of individual flavors. What are some ingredients in your life that have come together to form something larger than the sum of their parts?<BR> <BR>2.Many of the characters in Farewitch are &#8220;messy millennials&#8221; still learning lessons they thought they should have learned earlier. What are some lessons you&#8217;re still learning that you expected to have learned already? Are there lessons we never fully learn? <BR> <BR>3.While<i> Farewitch</i> is about family, it&#8217;s also about the other dear friends and neighbors we absorb into our orbits, our &#8220;found families.&#8221; Found families often develop unexpectedly on a journey--what are the crucial elements of a found family to you?<BR> <BR>4.Honey and the Warlock have an age gap romance, and there are plenty of mentions of other kinds of gaps in the characters&#8217; lives: gaps in knowledge, between differing expectations, between people, and between conflicting memories of the same history. What is a large &#8220;gap&#8221; in your life that maybe gave you the tools to bridge another gap?<BR> <BR>5.The characters in <i>Farewitch</i> often find their feelings and tastes change over the course of a meal (the novel). What&#8217;s a flavor or food you loved as a child that you don&#8217;t enjoy now? Likewise, what is something you didn&#8217;t like as a child but that you adore now? <BR> <BR>6.Honey describes her apron as armor. What&#8217;s your armor, and is it removable? It if is, do you remove it in front of others, or only when you&#8217;re by yourself?<BR> <BR>7.<i>Farewitch</i> navigates the concepts of legacy, living up to family history, and earning the reputation of our ancestors. What would you say are the most prevalent elements of your own family legacy?<BR> <BR>8.An important question for Honey that appears directly in the text courtesy of her friend Silas (page 233) is: When is the last time you did something for the first time?<BR> <BR>9.<i>Farewitch</i> is set in the South, specifically a small town in Kentucky bordering on Appalachia. Yet, the theme of community can be found in many settings and stories, both fictional and in our own lives. What are some aspects of where you grew up that you only realized were universal once you left? <BR> <BR>10.In the narrative arc of a story, the insecurities that spurred a character to take action often transform into new motivations, so that our characters can end up somewhere different from where they started. What is a change in your life that triggered a journey from your &#8220;A&#8221; to your &#8220;B&#8221;?<BR> <BR>11.<i>Farewitch</i> largely centers on the South as a setting and atmosphere, but someone&#8217;s &#8220;south&#8221; might be someone else&#8217;s &#8220;north.&#8221; What is a &#8220;south&#8221; to you that you think might be a &#8220;north&#8221; to someone else?<BR> <BR>12.The language and prose in <i>Farewitch</i> involves a lot of colloquialisms unique to its setting and the author. What was an undeniable fixture of your childhood that you only realized later in life was actually a colloquial nuance of your unique upbringing?]]></Text>
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      <Text><![CDATA[&ldquo;Goff&rsquo;s wonderful cozy romantic fantasy debut brims with Appalachian atmosphere and small-town charm....Goff has a light hand with the magical elements, using them to enhance the intimate, slow-burning story on the way to a well-earned happy ending.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Full of Southern charm and comforting culinary magic, Goff&rsquo;s debut is a delectable treat for romantasy readers.&rdquo;]]></Text>
      <TextSourceTitle>&lt;I&gt;Library Journal&#160;&lt;/I&gt;</TextSourceTitle>
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      <Text><![CDATA[&quot;<B>Equal parts charming and whimsical</B>, <I>The Farewitch of Foxe Holler</I> will delight readers with its scrappy kitchen witch heroine, cranky yet charming love interest, and a setting that is its own equally compelling character. <B>A cozy page-turner.</B>&quot;]]></Text>
      <TextAuthor>Heather Fawcett, author of &lt;i&gt;Emily Wilde&#39;s Encyclopaedia of Faeries&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;Combine&nbsp;a sassy kitchen witch forced to run the family bakery and a hot grumpy warlock in need of healing and what you get is the absolutely delicious recipe for The Farewitch of Foxe Holler.<b> Goff whips up mountain magic that will melt your heart and leave a smile on your face</b>. <B>An utter delight</B> of a novel!&rdquo;&nbsp;]]></Text>
      <TextAuthor>Gwenda Bond, &lt;i&gt;New York Times&lt;/i&gt; bestselling author of &lt;i&gt;The Frame-Up.&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;As rich and comforting as a slice of hummingbird cake on a sunny summer afternoon, <i>The Farewitch of Foxe Holler</i> is <b>an absolute delight of a novel</b>. Each page is packed to the brim with Southern charm and the kind of enchantment that&rsquo;s meant to be savored. Best enjoyed with a glass of sweet tea, <B>Goff&rsquo;s debut will have readers believing in the magic of full tables, open hearts, and stories that we hope will never end.</B>&rdquo;&nbsp;]]></Text>
      <TextAuthor>Stacy Sivinski, author of&#160;&lt;i&gt;The Crescent Moon Tearoom&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;<I>The Farewitch of Foxe Holle</I>r had me hooked from the first chapter with the honeyed dialogue, memorable characters and a homespun setting that feels cozy and charming. This book has all the best ingredients for a delicious and enjoyable read.<B> Readers seeking an absolutely wonderful witch romance dipped in sweet herbs and bittersweet memories will quickly devour this book like a home cooked meal after a long day.</B>&rdquo;]]></Text>
      <TextAuthor>Celestine Martin, author of &lt;I&gt;Witchful Thinking&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[<B>&ldquo;Magical, romantic and heartwarming,</B> Honey the kitchen witch&#39;s story is baked to perfection.&quot;&nbsp;]]></Text>
      <TextAuthor>Cecilia Edward, author of&#160;&lt;i&gt;An Ancient Witch’s Guide to Modern Dating&lt;/i&gt;.&#160;</TextAuthor>
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      <Text><![CDATA[&ldquo;A delicious treat of a novel! <B>Heartfelt, hilarious, poignant, and lovely</B>! I devoured it!&rdquo;]]></Text>
      <TextAuthor>Sarah Beth Durst,&#160;&lt;i&gt;New York Times&lt;/i&gt;&#160;bestselling author of&#160;&lt;i&gt;The Spellshop&lt;/i&gt;</TextAuthor>
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      <SubjectHeadingText>bobiverse; space opera; humorous; bobs; we are legion; we are bob; funny; engineering; cryogenic; future; spaceships; space exploration; space race; aliens; dungeon crawler carl; douglas adams; terry pratchett; topopolis; star trek; star fleet; garfield; cats; holograms; VR; AI; space; science fiction; engineering; artifical intelligence; space battles; matt dinniman; dungeon crawler carl; speculative fiction; probes; von neumann probes; cloning; pav; quinlin; fanwiki; reddit; vulcan; homer; deadelus; icarus; Bob;</SubjectHeadingText>
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      <Text><![CDATA[<B>&#8220;Emily Harding&#8217;s writing is fresh, romantic, full of wit! You can&#8217;t go wrong with one of her books!&#8221; &#8212;Ali Hazelwood, #1 <I>New York Times</I> bestselling author</B><BR> <BR><B>For fans of <I>Hello Stranger </I>and <I>Pictures of You</I>, a modern amnesia romance about fresh starts, unexpected love, and what happens when forgetting your past sends you stumbling straight into your future.</B><BR><BR>Growing up, Marnie Stephens believed that destiny was real and the universe had a plan. But at thirty, real life has become more difficult than divine. Especially when Marnie wakes up at a hospital in Boston with no memory of how she got there...or the last year of her life.<BR> <BR> Her doctor tells her she suffered a head injury, her boyfriend, Matt, insists they broke up months ago, and her hair is somehow eight inches shorter. Before she knows it, she finds herself in an apartment she doesn&#8217;t remember with a new neighbor, Ben Morgan, she&#8217;s sure she won&#8217;t forget.<BR> <BR> As Marnie sets out to retrace the last year of her life, the last thing she needs is to start falling for Ben, the grumpy&#8212;and incredibly attractive&#8212;neighbor helping her. But the universe has other plans, and it&#8217;s not long before Marnie begins to wonder if fighting for the past is as important as the one person who could be her future.]]></Text>
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      <Text><![CDATA[Emily Harding is the author of <i>How Freaking Romantic</i> and one-half of the writing duo behind the For the Love of Austen series, including <i>Anne of Avenue A</i>, <i>Elizabeth of East Hampton</i>, and <i>Emma of 83rd Street</i>. She is a graduate of Emerson College with degrees in both creative writing and film. After working over fifteen years in television development and production, she found her way back to writing.]]></Text>
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      <Text><![CDATA[&quot;Emily Harding&rsquo;s writing is fresh, romantic, full of wit! You can&rsquo;t go wrong with one of her books!&quot;<BR> <b>&ndash;&nbsp;Ali Hazelwood, #1 <i>New York Times</i>&nbsp;bestselling author</b><BR> <BR> &quot;<I>Thank You for Remembering</I> is a charming, tender scavenger-hunt for true love, as delicious&nbsp;and layered as a North End cannoli. I devoured it in one sitting!&quot;<BR> &ndash;<B>&nbsp;Emma Brodie, <I>New York Times</I>&nbsp;bestselling author of <I>Into the Blue</I> and <I>Songs in Ursa Major</I></B><BR> <BR> &quot;Tender and romantic, <i>Thank You for Remembering</i>&nbsp;is a heartwarming exploration of how our memories shape us&mdash;and whether they define us&mdash;and how, at our core, we will always come back to the things we love. I couldn&#39;t put it down!&quot;<BR> <b>&ndash;&nbsp;Kayla Olson, <i>USA Today</i>&nbsp;bestselling author of <i>The Great Outdoors</i></b><BR> <BR> &ldquo;In<i> Thank You for Remembering</i>, Emily Harding takes readers on a clever memory scavenger hunt around Boston that&rsquo;s packed with self-discovery and a love story that patiently and tenderly builds. An uplifting romance about making your own magic and the unexpected beauty in forgetting&mdash;and remembering.&rdquo;<BR> <b>&ndash;&nbsp;Lauren Kung Jessen, <i>USA Today</i> bestselling author of <i>The Fortune Flip</i></b><BR> <BR> &quot;Both playful and poignant,&nbsp;<i>Thank You For Remembering</i>&nbsp;is a love story about the people who bring us back to ourselves, and the ordinary magic that appears when we need it most. Entirely captivating from first page to last, I happily devoured it in one sitting.&quot;<BR> <b>&ndash;&nbsp;Ellen O&#39;Clover, author of&nbsp;<i>The Heartbreak Hotel</i></b><BR> <BR> &ldquo;I&rsquo;m obsessed with everything Emily Harding writes. Marnie and Ben&rsquo;s love story is witty, life-affirming, and filled with fizzy chemistry and an immersive Boston setting that comes to life under Harding&rsquo;s deft hand. <i>Thank You For Remembering</i>&nbsp;is an unforgettable romance about destiny and everyday magic from one of the genre&rsquo;s cleverest voices.&rdquo;&nbsp;<BR> <b>&ndash; Katie Naymon, author of <i>You Between the Lines</i></b>]]></Text>
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      <Text><![CDATA[<B>"Rich, insightful, and beautiful."<I> </I><I>&#8211;Foreword Reviews</I></B><BR> <BR> <b>Bring Torah wisdom into your daily life with this unique spiritual card deck rooted in color, reflection, and tradition.</b><BR><BR><i>Illuminated Paths</i> is a card deck and guidebook designed to help you tune inward to your own wisdom and find the direction you need to move forward with clarity and confidence. Using color as a guide, it helps you quickly see where you are&#8212;whether you&#8217;re feeling overwhelmed, scattered, or searching&#8212;and shows you how to take your next step.<BR> <BR> Grounded in Torah wisdom and brought to life through color, this set translates ancient insight into something you can use in everyday life. Each of the 52 cards features a color and Hebrew word that opens a path to reflection, supported by a guidebook with insights and practices drawn from Jewish mysticism and spiritual tradition.<BR> <BR> A fold-out Oracolor wheel pairs a color with each word and moves from darkness to light. Adjacent colors support balance. Opposite colors create tension and growth. Each pathway helps you better understand where you are and how to move forward.<BR> <BR> Here&#8217;s what makes <i>Illuminated Paths</i> a meaningful companion:<BR> <BR> <b>&#8226; 52 Torah Wisdom Cards:</b> Each card pairs a color with a Hebrew concept to spark reflection and understanding.<BR> <BR> <b>&#8226; A Guidebook Filled with Insight:</b> Practical teachings connect Torah wisdom to everyday life.<BR> <BR> <b>&#8226; The Oracolor Wheel: </b>A visual system that helps you see where you are and what direction to take next.<BR> <BR> <b>&#8226; A Daily Spiritual Practice: </b>Use for meditation, journaling, or setting intentions.<BR> <BR> <b>&#8226; A Blend of Tradition and Personal Growth:</b> Combines Jewish teachings, Kabbalistic symbolism, and practical self-reflection tools.<BR> <BR> <i>Illuminated Paths</i> offers a clear, grounded way to move forward with greater awareness, balance, and purpose.]]></Text>
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      <Text><![CDATA[<P><B>Winner of the MUD Literary Prize 2026</B><br><B>Winner of the Readings New Australian Fiction Prize 2025</B><br><B>Shortlisted for the ABIA Literary Fiction Book of the Year 2026</B><br><B>Longlisted for the Miles Franklin Literary Award 2026</B><br><br><B>It starts with a lie. One small lie to get everything he wants. But one lie leads to another, and another. Caught in his own web of deception, how can he recognise the truth? And what is it going to cost him?</B><br><br>The legendary career of reclusive cult author Brenda Shales remains one of Australia’s last unsolved literary mysteries. Her books took the world by storm before she disappeared from the public eye after a mysterious plagiarism case. But when an ambitious young writer stumbles across Brenda at a Melbourne pool, he realises the scoop of a lifetime is floating in front of him: the truth behind why she vanished without a trace. The<br>only problem? He must pretend to be someone he’s not to trick the story out of her.<br><br>One innocent lie leads to a slew that are definitively not, as Brenda reveals the strange and troubling truth of where her books came from. Yet the more the author unravels about Brenda’s past, the more he begins to question whether Brenda is a reliable narrator. Is she spilling secrets or spinning tales? Is she, like him, little more than a talented thief? To write the book that will make his name, he must balance his ethics and ambition and decide what he’s willing to sacrifice to become the next great Australian writer.<br><br>This astonishing debut, full of delicious twists and wicked insights, is a dazzling novel of desire and deception, authorship and authenticity, and the costs of creative ambition.<br><br>‘A dazzling debut … <I>I Want Everything</I> is a playful, delicious tale of deception that speaks to the human cost of fulfilling naked ambition.’&#160;<I><B>The Guardian</B></I><br>&#160;<br>‘The hype around <I>I Want Everything</I> is richly deserved. This is not just a hot debut novel, but a modern Australian classic …’&#160;<I><B>The Australian</B></I><br><br><br><br>&#160;</P>]]></Text>
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      <Text><![CDATA[&lsquo;<I>I Want Everything</I> is that most exquisite rarity: a brilliant concept, brilliantly executed. Amerena has so precisely rendered and skewered Australian literary culture that I was shrieking with delight while I squirmed in recognition. The&nbsp;tease of a mystery plot had me turning the pages non-stop, but there were real gem-like sentences in here too. And on top of that, he can write women. And on top of <I>that</I>, he can write writing! This book is a rollicking laugh through the ego until the bill of the id comes due. I adored it. I wish I could go back and savour it again for the first time. I&#39;ll read anything and everything Amerena does next.&rsquo;]]></Text>
      <TextAuthor>&lt;B&gt;Bri Lee, author of&#160;&lt;I&gt;Eggshell Skull&lt;/I&gt;&#160;and&#160;&lt;I&gt;The Work&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&lsquo;An ensnaring literary debut that reads like a thriller. It&rsquo;s rare to come across a novel as dedicated to the craft as it is to the reader, to literature and literary heritage. Amerena writes like his life depends on it. Here is a novel about how we tell stories, whose stories we tell, who to and what for, and how we fool ourselves and others. Reading it is like a participating in a heist. Bravo.&rsquo;<BR> <BR>&nbsp;]]></Text>
      <TextAuthor>&lt;B&gt;Katerina Gibson, author of&#160;&lt;I&gt;Women I Know&lt;/I&gt;&#160;and&#160;&lt;I&gt;The Temperature&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&lsquo;A twisty-turny, deliciously sneaky and bitingly insightful literary mystery. I laughed, cringed, squirmed, clapped and cheered.&rsquo;]]></Text>
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      <Text><![CDATA[&lsquo;<I>I Want Everything</I> is a Russian Doll of a novel set largely in an Australian city. It is a layered mystery. It is an enigma wrapped inside an enigma possibly wrapped inside an enigma. It is a book about the complexities of storytelling and idiocracies of writers. <I>I Want Everything</I> is also a debut novel by Dominic Amerena, a writer of such talent we can only hope he doesn&#39;t vanish on us.&rsquo;]]></Text>
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      <Text><![CDATA[<b>A wickedly entertaining romp featuring retired widow June who delves into the deep underbelly of paradise &#8212; Boca &#8212; to get everything she knows she deserves</b><BR><BR>June has spent a lifetime tending to the infinite needs of her four children, especially the youngest, Jimmy, who was the black sheep from the very beginning and who has dragged her down to hellish places she never expected or wanted to go: court, rehab, <i>prison</i>. After Jimmy&#8217;s latest relapse, June makes a break for it. She heads south to a place where so many like her have found their happiness: Boca. For the first time in her life, she does what she wants &#8212; until Jimmy knocks on her door unannounced with that strange hollow look in his eyes.<BR> <BR>But the prodigal son is not made for paradise, and he disappears not long after he arrives. June&#8217;s search for him draws her into the shadiest corners of this sunlit Shangri-La, where there are dirty cops, ambitious gangsters, and vicious henchmen waiting for her. Opportunities wait in the darkness, too. And after a lifetime of sacrifice and self-denial, why <i>shouldn&#8217;t </i>June partake of them? After all, Florida is expensive &#8212; she needs a new roof, a new car, a new face &#8212; and June is on a fixed income. Plus, you can&#8217;t become the queen without breaking a few rules.]]></Text>
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      <Text><![CDATA[<b>Jeff Bercuson</b> was born and raised in Toronto, where he lives with his wife and two children and teaches in the School of English and Liberal Studies at Seneca Polytechnic. For the longest time, he wanted to be a philosopher, and he wrote two books trying to prove that he was one. Then he realized that we get much closer to the truth by making up stories. <i>The Queen of Florida</i> is his first novel.]]></Text>
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      <Text><![CDATA[One of the stories in <i>Clockwork Lives </i>is &#8220;The Percussor&#8217;s Tale,&#8221; about a music professor in declining health who creates a steam-driven mechanical drummer with perfect rhythm. At the end of the story, the Percussor performs an incredibly complex symphony for the Watchmaker. This grand symphony was a tour of the wonders of the world, including &#8220;the legendary lands of the far north, Ultima Thule &#8212; a mirage of tremendous glaciers under dark skies that danced with shifting veils of colored light.&#8221;<BR> <BR>After writing that passage, Neil remarked that it would be fun to visit the far-flung icy landscape of the great white north under the auroras &#8230; and we realized that the Northern Lights must be the source of the quintessence. I suggested that we could take old Owen Hardy out for one last adventure, this time with his bright-eyed young grandson Alain. It quickly became apparent that they must be on a mission for the Watchmaker, who was running down after centuries of his Stability, and he needed Owen and the boy to find him a new source of quintessence.<BR> <BR>And if we were going to set the adventure up in the vast frozen wastelands, then another famous Rush reference would have to make an appearance: &#8220;By-Tor and the Snow Dog.&#8221;<BR> <BR>Instantly, the backbone of <i>Clockwork Destiny</i> was formed.<BR> <BR>For a couple of years, we dabbled with the idea off and on, and I kept notes of our conversations and other plot possibilities. I would talk with Neil about the story whenever we got together, but I had other book projects and deadlines. Neil embarked on the all-consuming R40 Tour, Rush&#8217;s last tour, which required extensive practice and rehearsals, and then months on the road before their final show in Inglewood CA on August 1, 2015.<BR> <BR>Previously, Neil and I had taken a three-year break between the publication of <i>Clockwork Angels </i>and<i> Clockwork Lives, </i>and we had no contract for <i>Clockwork Destiny, </i>no deadline. We decided to let it develop organically, since these novels were extremely special to both of us.<BR> <BR>There was no hurry. We had all the time in the world.<BR> <BR>Until we didn&#8217;t.<BR> <BR>Not long after he retired, Neil was diagnosed with glioblastoma, a form of terminal brain cancer. From that point, whenever we did meet or talk, we would dabble a little with <i>Clockwork Destiny</i>, but there were other things to occupy our conversations.<BR> <BR>The import of this novel, with its underlying theme of death and legacy and paying it forward, did not escape us, and writing it took on an entirely different perspective for me. An impossible task. We both knew that it wouldn&#8217;t be finished until after he was gone.<BR> <BR><i>Time is the true anarchist.</i>]]></Text>
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      <Text><![CDATA[<b><i>A Deep Dive into the Wildest Electric Guitars of &#8217;70s and &#8217;80s Hard Rock</i></b><BR> <BR><b>From Flying V to Firebird, Explorer to Warlock&#8212;this is the untold story of the most outrageous guitars in rock history.</b><BR><BR>Why did rock&#8217;s greatest guitarists choose instruments that looked like weapons, spaceships, and abstract art?<BR> <BR>In <i>Battle Axes</i>, guitarist and music historian Sean Kelly explores the cultural and musical evolution of the world&#8217;s most iconic &#8220;pointy guitars&#8221;&#8212;and how they helped define the sound and image of &#8217;70s and &#8217;80s hard rock and heavy metal.<BR> <BR>From the Flying V, Explorer, Firebird, and Moderne, to the rise of aggressive 1980s designs from Jackson/Charvel, Kramer, B.C. Rich, Dean, Ibanez, Hamer, and Lado, this is the story of how guitar design went from odd curiosity to arena-rock essential.<BR> <BR>Through deep research and interviews with legendary players, builders, and insiders, Kelly reveals how these instruments became more than tools&#8212;they became symbols of rebellion, speed, volume, and attitude.<BR> <BR>Featuring insights from members of:<BR> <b>KISS, Def Leppard, Alice Cooper, Twisted Sister, Guns N&#8217; Roses, Skid Row, <i>Autograph</i>, <i>Trans Siberian</i> <i>Orchestra</i>, <i>Savatage</i>, Megadeth, Quiet Riot, Ratt, Stryper, Racer X, MSG, Triumph, and more.</b><BR> <BR><b>Inside this book:</b><BR> <ul> <li>The origins of pointy guitars in the 1950s Space Age design era</li> <li>How the Flying V, Explorer, and Firebird went from failures to legends</li> <li>The explosion of shred culture in the 1980s and the rise of &#8220;superstrats&#8221;</li> <li>How companies like Jackson, Kramer, Dean, B.C. Rich, and Ibanez changed rock forever</li> <li>Why visual shock value became as important as sound in arena rock</li> <li>The gear, tone, and attitude behind some of rock&#8217;s most iconic moments</li> </ul> <BR>Sean Kelly&#8212;who has performed with artists including Dee Snider (Twisted Sister), Nelly Furtado, Lee Aaron, Coney Hatch, Helix, Gilby Clarke, Rough Trade, Glass Tiger&#8217;s Alan Frew, Harlequin, Honeymoon Suite, and Crash Kelly&#8212;brings an insider&#8217;s perspective to the guitars, players, and culture that defined a generation.<BR> <BR>Careful with this book&#8230; it might just poke your eye out!]]></Text>
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      <Text><![CDATA[This is a richly researched account of the behaviour, ecology, genetics and history of the famous wild cattle, and of the park in northern England in which they have lived with minimal interference for many centuries. It is packed with new and important information.<BR> <BR>These beautiful animals &#8211; seemingly placid and approachable yet which cannot be handled &#8211; are our sole window onto the aurochs, the ancestor of all domestic cattle that died out 300 years ago. Chillingham cattle consequently represent the biological gold standard against which all modern cattle may be compared and hence better understood.<BR> <BR>This authoritative, stimulating and beautifully illustrated book will appeal to zoologists, veterinarians, conservationists, landscape historians and the general reader in natural history.]]></Text>
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      <Text><![CDATA[<I>Wild Cattle of Chillingham</I>: The Natural History of an Ancient Breed is a key work for anyone passionate about native livestock conservation and the preservation of traditional landscapes. The Chillingham herd &#8211; Britain&rsquo;s last truly wild cattle &#8211; provides a rare glimpse into what cattle might be without the layers of human domestication. Living with minimal intervention in their ancient Northumbrian park, they embody a deep genetic and cultural legacy.<BR> <BR>This book fills a long-standing gap, offering an authoritative yet accessible study that weaves together ecology, genetics, behaviour, and habitat to illuminate their significance. Importantly, it also explores how these animals inform broader debates around rewilding, native breed conservation, and sustainable land use.<BR> <BR>The book is a timely and vital contribution for conservationists, policy makers, and anyone committed to the future of high nature value farming. As climate pressures force a rethink of how we manage livestock and landscapes, understanding the Chillingham cattle is more than academic &#8211; it&rsquo;s essential for shaping resilient, nature-rich rural futures rooted in our native heritage.]]></Text>
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      <Text><![CDATA[<B>A great book about an iconic herd!</B> The Chillingham cattle have survived for at least 230 years of isolation and have now changed our insight into the effects of inbreeding. Stephen Hall gives a detailed description of these cattle in the context of an expert overview of domestication and breed conservation.]]></Text>
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Mark Hollis, Paul Webb, Lee Harris, Tim Friese-Greene, Its My Life, Lifes What You Make It, Colour of Spring, Laughing Stock, Spirit of Eden, Acoustic, Pastoral, New Romantic, EMI, Psychedelic, Abbey Road, Drugs, Parlophone, Duran Duran, Portishead, Beth Gibbons, Elbow, Guy Garvey, Progressive, Prog, Prog Rock, Kate Bush
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      <Text><![CDATA[Graeme Thomson is the critically acclaimed music writer and author of biographies on Simple Minds, Kate Bush and George Harrison. Over the past 25 years his features, interviews, reviews and criticism have appeared in the <I>Observer, New Statesman, the Guardian, Radio Times, The Word, Uncut, The Telegraph, GQ, Time Out,</I><I>The Herald, Sunday Herald, MOJO, Esquire, </I>the <I>Sunday Express</I> and <I>Rolling Stone</I>.]]></Text>
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loyalty programs, business, Frequent flyer points, behavioural science, airline industry, Qantas, travel, air miles, customer behaviour, rewards points, customer strategy, airlines, Qantas Frequent Flyer Program, flight booking, flight upgrades, status points, airport lounges, travel industry, earning points, burning points
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      <Text><![CDATA[<b>Kate from <i>Jules et Jim </i>meets <i>I Love Dick</i>. A fiercely feminist novel cataloguing the innumerable obstacles encountered by young women in the 1970s and 1980s.</b><BR><BR>Ana Fried is a struggling filmmaker fighting to step out of her mother&#8217;s shadow. While researching the essence of Indian goddesses at Mount Abu for a film she was writing, a bout of malaria sends her back to her childhood suburban home. In her fever dreams, she relives her time at Yale during the early years of coeducation, where she first fought the many men who refused to take women artists seriously.<BR> <BR>Ana&#8217;s filmmaking journey takes her from the high-stakes New York art scene to the gritty blues clubs of Memphis. Along the way, she navigates toxic relationships and &#8220;mentors&#8221; who try to control her talent.<BR> <BR>Ana returns to Manhattan to finish her film, <i>The Cyborg Goddess</i>, and stop playing it safe. Confronting the ghosts of her past, she determines to finally stop letting others define her and claim her own voice.<BR> <BR><i>Portrait of an Artist as a Young Woman</i> is a powerful #MeToo story from a different era, exposing the dark side of sexual liberation and the systems designed to keep women small and under control. This novel will inspire anyone who has ever dared to choose their art to live a true life of independence and personal empowerment.<b></b><BR> <BR><b></b>]]></Text>
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      <Text><![CDATA[<B>The <B>Ultimate OZ Universe</B> continues with its most thrilling chapter yet.<BR> <BR>Following the breakout success of <I>Ultimate OZ Universe:</I> <I>The Lost Lands</I>, this new volume pushes deeper into <B>L. Frank Baum&rsquo;s</B> world &#8212; not just beyond the familiar road of yellow bricks, but into corners of OZ filled with <B>forgotten legends, strange new realms, and dangerous magical territories</B>. <I>Into the Outerlands</I> builds on what came before and delivers higher stakes, bolder worldbuilding, deeper mythology, and a sweeping story that reshapes the future of OZ.</B><BR><BR><I>Into the Outerlands</I> follows <B>Dorothy and Ozma</B> &#8212; heroines fans think they know &#8212; as they step into unfamiliar territory where old stories take on new meaning. Their journeys unfold on parallel paths, echoing and colliding in ways that reveal how vast OZ truly is, and how much is still waiting to be discovered.<BR> <BR><B>Dorothy Gale</B> is washed ashore on the wild coast of Outer OZ &#8212; she&rsquo;s swept into a high-stakes conflict inside the walls of <B>Castle Ev</B>, ruled by <B>Princess Langwidere</B>. Far from familiar lands, Dorothy must rely on new allies and quick wits to navigate a realm where power is prized, cruelty is common, and every choice can change the fate of a kingdom.<BR> <BR>Meanwhile, in the <B>Emerald City</B>, <B>Princess Ozma</B> struggles to master newly awakened magic that threatens to overwhelm her. Sent on a daring mission across the Deadly Desert toward Fire Island, Ozma is joined by <B>Scarecrow, Lion, </B>and <B>Tin Woodman</B>, and forced to discover what kind of leader OZ requires when a rising threat from the <B>Nome King</B> starts to stir.<BR> <BR>Developed in close collaboration with leading OZ historians,<I> Ultimate OZ Universe: Into the Outerlands</I> is a meticulously researched continuation of Baum&rsquo;s original novels. Spanning <B>more than 120 pages</B> of richly layered storytelling and striking artwork, this volume expands the Ultimate OZ Universe while remaining accessible to new readers and deeply rewarding for longtime fans.<BR> <BR>The first volume reintroduced OZ as a living fantasy universe, earning praise for its canon-faithful storytelling, rich worldbuilding, and bold creative vision. Elton John called the debut &ldquo;dazzling,&rdquo; while People.com declared, &ldquo;Citizens of Oz, get ready &#8212; there&rsquo;s another star in your midst.&rdquo; With <I>Into the Outerlands</I>, the saga moves from rediscovery into a grander, and often more perilous horizon &#8212; where wonder and danger travel side by side.<BR> <BR>Bound by destiny, Dorothy and Ozma walk two parallel paths toward one shared fate &#8212; but OZ may not survive what&rsquo;s coming. If you&rsquo;re ready to follow them into lands where legends are tested and magic runs deep, now is the time. Bring home <I>Into the Outerlands</I> today!]]></Text>
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      <Text><![CDATA[<b>What separates extraordinary teams from ordinary ones? It&rsquo;s not talent, resources, or luck&#8212;it&rsquo;s collective confidence.</b><BR><BR>From the USS Honolulu submarine crew to the underdog Croatian soccer team, from IDEO&rsquo;s design studio to the Quecreek Mine rescue, organizational psychologist Dr. Andr&#233; Martin (author of <i>Wrong Fit, Right Fit</i>) reveals how ordinary teams achieve extraordinary results when they truly believe in each other&#8212;and why most never get there. The evidence is clear: the collective, not the individual, is now the primary unit of performance in virtually every domain&#8212;from businesses navigating disruption to teams chasing championships to communities rising to meet their biggest challenges.<BR> <BR> Drawing on decades of research and frontline case studies, Martin introduces six foundational principles that build and sustain collective confidence&#8212;the shared belief that a group, team, or collective holds in their capability to achieve greatness. More than theory, this book delivers a proprietary assessment tool, inspiring stories, and real-world strategies to transform your team from a collection of talented individuals into a cohesive force capable of unparalleled achievements.<BR> <BR> In a world full of uncertainty, your team should be your greatest competitive advantage. <i>Collective Confidence</i> will show you how to make that a reality&#8212;and why it changes everything.]]></Text>
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      <Text><![CDATA[Andre Martin is an organizational psychologist and talent management executive with 20+ years of experience in talent development, executive team development, employee engagement, culture change, C-suite assessment &amp; succession planning, innovation/design thinking, strategy development, and employee experience design. He is also a father, a husband, and a wildly curious learner who is dedicated to ensuring iconic brands become iconic companies.]]></Text>
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      <Text><![CDATA[&ldquo;A timely and compelling case for what teams need most right now. Dr. Andr&eacute; Martin blends rigorous research with powerful real-world examples to show how shared belief&mdash;not just individual talent&mdash;drives extraordinary performance. Practical, insightful, and deeply relevant, this book offers leaders a clear roadmap for building resilience and momentum in uncertain times.&rdquo;<BR> <BR> &nbsp;]]></Text>
      <TextAuthor>Dr. Marshall Goldsmith,&#160;&lt;i&gt;Thinkers50&lt;/i&gt;&#160;#1 Executive Coach and NYT bestselling author of&#160;&lt;i&gt;Earned Life, Triggers,&#160;&lt;/i&gt;and&#160;&lt;i&gt;What Got You Here Won&#39;t Get You There&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;Collective Confidence gets to the heart of what separates ordinary teams from extraordinary ones: a shared sense of purpose and a genuine belief in one another. Andr&eacute; Martin shows how the human magic that fuels great teams is built deliberately and together. His six principles are clear, actionable, and grounded in real teams doing the work. This is essential reading for any leader who knows their people are capable of more.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;I will never &lsquo;feel alone at the top&rsquo; anymore. Leadership is better, stronger, and more human and sustainable when it is shared. None of us has everything it takes, but together we have everything we need. This book really helps.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;The most distinctive human achievements have been reached by exceptional teams. Whether within sports, special military forces, elite consultancies, pioneering research departments, or the most innovative corporations, the most impactful teams share an ethos. They possess a will that elevates the team&rsquo;s confidence to achieve the extraordinary. Collective Confidence is your guide to higher levels of performance for your team, and you will think differently about your possibilities and potential. This science-based approach is for those who are pragmatic, practical, and action-oriented, and I&rsquo;m a better leader because of its teachings.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Andr&eacute; Martin beautifully captures the intangible magic of teamwork. Collective Confidence shows us exactly how deep trust, shared belief, and healthy friction allow teams to learn and thrive together in real time. Compelling and deeply insightful.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;An unbelievable guide to leading in uncertain and turbulent times from one of the best leadership thinkers of our time. Collective Confidence is practical, profound, and timeless, shining a light on a better way to lead, inspire, and drive world-class outcomes.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Andr&eacute; Martin has written a rare kind of leadership book, one that is both deeply researched and deeply human. Collective Confidence reminds us that extraordinary performance doesn&rsquo;t begin with talent alone but with the shared belief that together we can become more than the sum of our parts&mdash;a message every leader, team, and organization needs right now.&rdquo;&nbsp;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Most books on teams hide behind the easy stuff: goals, roles, and process. Andr&eacute; Martin doesn&#39;t. In Collective Confidence, he tackles what actually makes the world&rsquo;s best teams tick&mdash;trust, shared understanding, and belief in what everyone can accomplish together. With actionable tactics and real-world wisdom, Andr&eacute; has written the new playbook for building winning teams.&quot;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[<B>Discover the filmmaking secrets behind <I>Pan&rsquo;s Labyrinth</I>, the groundbreaking classic by Academy Award&ndash;winning</B> <B>director</B> <B>Guillermo del Toro. This must-have anniversary edition features new content, as well as an in-depth look at the film&rsquo;s creation and its lasting cultural impact.</B><BR><BR>Upon its release in 2006, <I>Pan&rsquo;s Labyrinth </I>was hailed as a thrilling masterpiece that cemented filmmaker Guillermo del Toro as a major creative force and garnered him a loyal fan base enthralled by his brilliantly macabre imagination. Stephen King has called it, &ldquo;The greatest fantasy film since <I>The Wizard of Oz</I>.&rdquo;<BR> <BR>To celebrate the twentieth anniversary of this acclaimed fantasy, this revised and expanded edition of <I>Guillermo del Toro&rsquo;s Pan&rsquo;s Labyrinth </I>offers the definitive account of its creation. Written in close collaboration with del Toro himself, this book covers all aspects of the filmmaking journey, from the director&rsquo;s early story ideas through the all-important casting process, the challenges of production, and the overwhelmingly positive critical response.<BR> <BR>Featuring rare concept art and candid on-set photography, <I>Guillermo del Toro&rsquo;s Pan&rsquo;s Labyrinth </I>gives readers exclusive insight into how this modern classic was crafted for the screen. The book also contains interviews with key contributors&mdash;including the director; stars Ivana Baquero, Sergi L&oacute;pez, Maribel Verd&uacute;, and Doug Jones; producers Alfonso Cuar&oacute;n and Bertha Navarro; and director of photography Guillermo Navarro.<BR> <BR><I>Guillermo del Toro&rsquo;s Pan&rsquo;s Labyrinth </I>is the ultimate exploration of an unforgettable cinematic classic. Produced with the director&rsquo;s full collaboration, it is part of a series of definitive volumes from Insight Editions exploring del Toro&rsquo;s key works.]]></Text>
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      <Text><![CDATA[<B>Filled with vivid imagery and behind-the-scenes insights, <I>Pan&rsquo;s Labyrinth: The Complete Screenplay</I> features the full script of the acclaimed fantasy film, written and directed by Academy Award&ndash;winning filmmaker Guillermo del Toro, along with fascinating anecdotes for film fans, screenwriting enthusiasts, and collectors.</B><BR><BR>In the years since its release, <I>Pan&rsquo;s Labyrinth</I> has remained one of the most celebrated fantasy films of the modern era. Stephen King has called it, &ldquo;The greatest fantasy film since <I>The Wizard of Oz</I>.&rdquo; Set in post&ndash;Civil War Spain, it tells the story of Ofelia, a young girl who discovers a mysterious labyrinth and a hidden world of strange creatures. <I>Pan&rsquo;s Labyrinth: The Complete Screenplay</I> allows readers to explore the story in depth, presenting the entire script by writer and director Guillermo del Toro.<BR> <BR>Accompanying the screenplay, the book features a wide range of materials from the film&rsquo;s production, including original concept art and storyboards. These materials offer a closer look at how the film&rsquo;s haunting world was developed from page to screen. From early visual designs to moments captured during filming, they trace the development of the story&rsquo;s characters, environments, and atmospheres, revealing how the film&rsquo;s distinctive blend of fantasy and historical drama was brought to life.<BR> <BR>Throughout the book, stories and reflections from Guillermo del Toro himself provide additional context to the creative process. These insights touch on the inspirations, challenges, and craftsmanship behind the film, from the design of its creatures to its thoughtful dialogue and memorable scenes.<BR> <BR><I>Pan&rsquo;s Labyrinth: The Complete Screenplay </I>is the ultimate exploration of Guillermo del Toro&rsquo;s vision, offering fans a new way to experience the story, the visuals, and the imagination behind this unforgettable film.]]></Text>
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      <Text><![CDATA[<B>Now with a bold new look!</B><BR><BR><b>Two cousins battle the elements during the 1886 blizzard in the Colorado Rocky Mountains </b><b>in this gripping entry in the historical fiction middle grade Disaster series.</b><BR><BR>Hadyn Sinclair hates absolutely everything about his aunt and uncle&rsquo;s primitive Rocky Mountain ranch. He&rsquo;d much rather be in a great city than stuck on the countryside. Hadyn&rsquo;s cousin Maggie hates the thought of having her rich and spoiled cousin visiting for four long months. She&rsquo;d be happier if he weren&rsquo;t around.<BR> <BR>When Maggie&rsquo;s father is injured and she and Hadyn are left alone, they argue, and Hadyn sets off on foot for the train station miles away through the snowstorm. The next day, Maggie learns Hadyn never made it to town, and she must search for him despite the blizzard that is raging outside.<BR> <BR>But even if she can find him, will they be able to survive freezing nights, vicious winds, and the constant threat of snow slides?]]></Text>
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      <Text><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.<BR><BR>Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></Text>
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      <Text><![CDATA[Chapter 1 CHAPTER 1 <BR>&#8220;I hate Hadyn Sinclair!&#8221;<BR> <BR>Maggie listened to the echo that came back across the meadow. There was patchy snow beneath her feet. Overhead, the dawn-gray sky was free of storm clouds&#8212;for the moment at least. Her father always said March weather in the Rockies was as unpredictable as a temperamental mule.<BR> <BR>Rusty nosed at Maggie&#8217;s shoulder, and she shook her head, wondering if the tall red mule could read her mind. &#8220;Papa never meant you,&#8221; she told Rusty without turning. Then she shouted again.<BR> <BR>&#8220;I <i>hate</i> Hadyn Sinclair,&#8221; the echo announced a second time in its hollow, reedy voice.<BR> <BR>Maggie faced Rusty. &#8220;Mother says Hadyn will be here four months, maybe five. His boarding school suspended him until next term. Uncle Thomas and Aunt Olivia must think it&#8217;s good for him to spend time with us.&#8221;<BR> <BR>Rusty nuzzled her old blue coat. &#8220;What? What do you want? This?&#8221; She fished in her pocket for the last piece of carrot. &#8220;How am I going to stand Hadyn that long?&#8221; she asked as Rusty&#8217;s soft muzzle brushed the palm of her hand. He crunched the carrot appreciatively, closing his eyes. Maggie checked the cinches on the pack saddle, then led him forward again.<BR> <BR>Maggie followed the trail around the enormous snow-covered boulder everyone called Indian Rock. It was shaped like a giant man sitting cross-legged, bent forward at the waist. The wind had dropped, but it was still cold. In the distance, Maggie saw the Simms ranch. They had built four new little visitors&#8217; cabins. There was smoke coming from the main house chimney. Maybe they would be coming to Cleave&#8217;s store too today. She hoped so. They were good neighbors and nice people.<BR> <BR>Maggie waded through a patch of deep snow, the new, clean fall from last night dusted over an old, sand-spattered drift. She heard a telltale scraping sound and paused. Down by the Fall River, a bull elk was rubbing his antlers against a rough-barked pine. The wispy breeze was moving toward her. The elk had not caught her scent. Suddenly, he looked up and saw her. In two bounding strides the elk disappeared into a stand of aspen trees.<BR> <BR>For a second, Maggie just stood still. There were so few elk left now, she almost never saw one. Her father said that it was the tourists as much as the hunters. With people roaming the mountains all summer long, the bighorn sheep, bears, and deer were thinning out too.<BR> <BR>The sun rose warm and bright. It was a fine day and Rusty moved along at a good pace. The road was rutted, but not too badly&#8212;it would get worse after spring thaw. It was almost warm, and Maggie enjoyed the long walk. She spotted two deer and thought she saw some bighorn sheep on an outcropping high above the road. Before she could be sure, they disappeared into the craggy rock. She squinted, shading her eyes against the glare, but couldn&#8217;t spot them again.<BR> <BR>Crossing Black Canon Creek, Maggie let Rusty drink. Ice still laced the slow water along the banks. In the distance, Ypsilon Peak and Mummy Mountain were covered in snow.<BR> <BR>Maggie patted Rusty&#8217;s shaggy neck as they started forward. &#8220;I sure wish I didn&#8217;t have to pick up the supplies today. Seeing Hadyn will be bad enough, but dealing with Mr. McAllister, too&#8230;&#8221;<BR> <BR>Mr. McAllister loved to complain. Maggie was going to have to hear about every little thing that had gone wrong on the trip to the grocery store down in Lyons. Then on the way home, Hadyn would probably describe every muddy turn on the road. Maggie topped the last rise, and she could see Mr. Cleave&#8217;s place. He lived in the little building that served as a store and post office. His wife and children lived in the house across the muddy road.<BR> <BR>&#8220;The Cleaves aren&#8217;t arguing today, Rusty. At least, I don&#8217;t hear them yet.&#8221; She let Rusty set the pace down the snowy path. As they angled toward the buildings, she talked to Rusty over her shoulder. &#8220;Papa said last night we&#8217;ll have a real town someday because so many Easterners are summering here.&#8221;<BR> <BR>McAllister&#8217;s team of dark bays was tethered at Cleave&#8217;s hitching rail. Up the Lyons road, Maggie saw a rig she didn&#8217;t recognize heading west. Maybe someone from the Elkhorn Lodge was driving a rented turnout.<BR> <BR>As she passed into the blue shadows beneath some tall pines, Maggie saw distinct mountain lion tracks in the new snow. She shivered beneath the thick wool of her coat. They had been hearing the big cats at night, and her father had found tracks by the pond.<BR> <BR>&#8220;&#8230; tell your mother she can&#8217;t have more butter,&#8221; Maggie heard Mr. Cleave shouting in his thick English accent as she got closer to the store. His children giggled as they ran out the door and back across the road to their house. A second later, Mr. McAllister came out.<BR> <BR>&#8220;About time. I&#8217;ve been here near two hours.&#8221;<BR> <BR>&#8220;My father thought this would be plenty early. I&#8217;m sorry you had to wait, Mr. McAllister.&#8221;<BR> <BR>Frowning, Mr. McAllister crossed to his wagon. He untied the canvas cover and rolled it back. Without speaking, he hefted a fifty-pound sack of flour onto Rusty&#8217;s pack saddle. Rusty grunted at the weight, his ears lowering, but he stood steady.<BR> <BR>&#8220;Road was as bad as I&#8217;ve seen this year.&#8221; Mr. McAllister turned back to the wagon. He moved several bags aside, then pulled one free. &#8220;Got you a hundred pounds of red beans. Storekeep in Lyons didn&#8217;t have black beans.&#8221;<BR> <BR>Maggie kept her face entirely blank so when he looked over at her, there would be nothing in her expression to set him off. He shook his head and started talking anyway.<BR> <BR>&#8220;I don&#8217;t mind being the one to go down to the valley, but folks are just going to have to realize I can&#8217;t always get what they want. I got blue calico for Mrs. Simms and I know she is going to pitch a fit when she gets here. Wanted red.&#8221;<BR> <BR>Maggie made a noncommittal sound and patted Rusty&#8217;s neck as Mr. McAllister settled the bag of beans onto the pack saddle. Rusty grunted again. Maggie wanted to tell him that there was no use trying to compete with Mr. McAllister in the complaint department.<BR> <BR>&#8220;Slid near sideways on that last downgrade going in. Mud&#8217;s frozen now, but if it had been a warmer day, we&#8217;d have sunk farther. Good thing the nights have been cold. Took some fancy driving, I&#8217;ll tell you that much.&#8221;<BR> <BR>&#8220;We sure appreciate it, Mr. McAllister,&#8221; Maggie said politely.<BR> <BR>&#8220;Thought we weren&#8217;t going to make that last curve, either. That right side wheel just missed going off the track. Would have been the death of me and the team.&#8221;<BR> <BR>Maggie fought to keep from smiling. &#8220;Papa said to be sure to tell you that he was grateful, Mr. McAllister.&#8221;<BR> <BR>&#8220;I was watching that rear wheel so close I dang near got my eye put out on an old stubbed-off branch hanging low over the road. Saw it a split second before&#8230;&#8221; Mr. McAllister trailed off, pointing at a red mark on his cheek. &#8220;You can just see how close it was, can&#8217;t you?&#8221;<BR> <BR>&#8220;I sure can.&#8221; Maggie nodded somberly. &#8220;I guess I better go inside and ask after the mail.&#8221; Maggie sidled past him, then hurried away.<BR> <BR>The door to the little store was ajar and Maggie pushed it open. Mr. Cleave was sitting beside his hearth. The fire was low and there was a folded copy of the <i>Rocky Mountain News</i> beside his chair. He was reading in the flickering firelight, his nose close to the page. He looked up. &#8220;There you are, Maggie Rose. Come warm yourself.&#8221;<BR> <BR>&#8220;Hello, Mr. Cleave,&#8221; Maggie said as she came through the doorway. &#8220;What are you reading?&#8221;<BR> <BR>He held it up for her to see. <i>Bloomingdale&#8217;s Illustrated 1886 Catalog</i>, the cover read.<BR> <BR>&#8220;They have everything from silk parasols to eleven-dollar fine tweed suits. I&#8217;ll send this along for your mother when my wife has finished with it. It&#8217;s more a ladies&#8217; book than anything else.&#8221;<BR> <BR>Maggie crossed the little room, pulling off her gloves. She stood close to the fire.<BR> <BR>&#8220;Has your father decided to give up on his cattle yet? He was sounding pretty discouraged last time I saw him.&#8221;<BR> <BR>Maggie turned to warm her backside. &#8220;He says we will keep them through summer, but I think he intends to build guest cabins like the Simms have&#8212;and sell off the cattle next fall. We&#8217;re making more from summer boarders than ranching.&#8221;<BR> <BR>&#8220;You and all the rest. Old Lord Dunraven had that much right when he built the English Hotel. People are going to keep coming.&#8221;<BR> <BR>&#8220;I saw an elk on the way in. A big bull.&#8221;<BR> <BR>&#8220;Did you now? I heard Thomas Wood saying he&#8217;d seen a few cow elk over around Bierstadt Lake. It&#8217;ll be a miracle if they ever come back. Dunraven&#8217;s friends and the meat market down in Denver did their best to kill them out.&#8221;<BR> <BR>&#8220;Papa says it was pure stupidity.&#8221;<BR> <BR>&#8220;That it was, ruining the game herds in a paradise like this. And Whyte is still leading hunting parties from the English Hotel.&#8221;<BR> <BR>Maggie shook her head. &#8220;All any of our guests ever want to do is follow my father and me up mountains, sigh over meadows full of wildflowers, ride our horses into the ground&#8212;or picnic. Some of those men eat more fried chicken at one sitting than you can fathom.&#8221;<BR> <BR>Mr. Cleave laughed, then got up, laying the catalog on the rough plank table. He winked. &#8220;This is the day your cousin arrives, isn&#8217;t it?&#8221;<BR> <BR>Maggie nodded.<BR> <BR>&#8220;It&#8217;ll be good for you to have another young person up there, won&#8217;t it?&#8221;<BR> <BR>Maggie shook her head. &#8220;Not Hadyn.&#8221;<BR> <BR>Mr. Cleave laughed again. &#8220;How old is he now? I remember him as somewhat difficult.&#8221;<BR> <BR>&#8220;He&#8217;s almost thirteen&#8212;a year older than I am&#8212;but he acts like he&#8217;s five.&#8221;<BR> <BR>Mr. McAllister leaned in the doorway.<BR> <BR>&#8220;It&#8217;s a bitter day, I&#8217;m going home. Tell your father that we can settle up later. If you see the Simmses, say I&#8217;ll bring them their goods in a few days. Give my regards to your mother.&#8221;<BR> <BR>&#8220;I will,&#8221; Maggie said, bidding him good-bye. 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      <SubjectHeadingText>survivors; survival stories; fire; inferno; natural disasters; historical fiction; 1870s; Great Chicago Fire of 1871; firefighters; dry summer; windy; adventure; chaos; kidnapped; rescue; smoke; danger; class difference; spoiled; wealthy; historical fiction; pandemic reading; American History; historical fiction; fast-paced; for reluctant readers; middle grade for 8 9 10 11 12 year olds grades 3 4 5 6 7; I Survived; for fans of Lauren Tarshis; books like I Survived; Wilder Boys by Brandon Wallace; When Giants Burn by Beth Vrabel; Disaster Days by Rebecca Behrens; Alone in the Woods by Rebecca Behrens; Lifeboat 5 12 by Susan Hood; What Was series; Escape This Book; Dear America series; Magic Treehouse for older readers;</SubjectHeadingText>
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      <Text><![CDATA[<b>Now with a bold new look!</b><BR><BR><b>Two strangers are in danger from the Great Chicago Fire of 1871 and opportunistic kidnappers in this gripping entry in the historical fiction middle grade Survivors series.</b><BR><BR>Nate Copper and his best friend Ryan love to sneak out at night to watch firefighters battle the blazes that have plagued Chicago all through the dry, windy summer of 1871.<BR> <BR>Wealthy Julie Flynn, suffocated by her overprotective parents, can&rsquo;t imagine adventures like Nate&rsquo;s&#8212;and he&rsquo;s definitely not a boy she would ever be friends with.<BR> <BR>But fate and the Great Chicago Fire throw Nate and Julie together on the dark and dangerous streets, and in the chaos of the crowds, Julie is kidnapped. Nate has to try to figure out a way to free her before the wind-driven flames spreading across the city cut off their only chance of escape. Will Nate and Julie be able to survive?]]></Text>
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      <Text><![CDATA[Kathleen Duey (1950&ndash;2020)&nbsp;wrote the middle grade American Diaries and Survivors series, as well as the well-reviewed chapter book series The Unicorn&rsquo;s Secret and its companion series, The Faeries&rsquo; Promise. She was also the National Book Award&ndash;nominated author of <i>Skin Hunger</i>. She lived&nbsp;in Fallbrook, California.<BR><BR>Karen A. Bale grew up in southern California and graduated from the University California Riverside. She has written seventeen historical romances, including the successful seven-book Sweet Medicine&rsquo;s Prophecy series<i>. </i>She has done freelance work for several years, including helping to write two nonfiction books. Karen still resides in southern California, ten miles from the Pacific Ocean.]]></Text>
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      <Text><![CDATA[Chapter 1 CHAPTER 1 <BR>Nate Cooper swung the empty milk pail as he walked down Canal Street. It was a warm, breezy morning, and he was glad to be out of his Sunday suit. Aunt Ruth always made him go to church. This morning, aptly enough, the preacher had done a whole sermon on hellfire and brimstone.<BR> <BR>The air was still filled with the acrid smell of smoke from the fire the night before. With the breeze coming from the southwest, that was a blessing. Usually when the wind came from this direction, it carried the heavy stench of the Union Stockyards.<BR> <BR>Pushed by the light wind, ashes drifted aimlessly along the ground. Last night&#8217;s fire had been a bad one&#8212;the worst one yet. A slat-ribbed horse pulling a salvage wagon clopped past. The horse and the driver looked exhausted.<BR> <BR>&#8220;Hey, Nate!&#8221;<BR> <BR>Nate turned. Ryan Wilson was standing on the corner of Washington Street, hands on his hips. He must have managed to slip away from his father&#8217;s livery stable. Usually, his whole Sunday was spent mucking stalls. Nate waited for Ryan to catch up with him, then they fell into step.<BR> <BR>&#8220;Did your aunt let you go watch the fire last night?&#8221; Ryan picked up a cinder and threw it across the street. Water from the pump engines, black and foul, stood stagnant in the gutter.<BR> <BR>&#8220;Not exactly.&#8221;<BR> <BR>Ryan laughed.<BR> <BR>&#8220;I didn&#8217;t go out for long,&#8221; Nate admitted. &#8220;If she checks on me and I&#8217;m not in my room, she gets worried.&#8221;<BR> <BR>Ryan glanced at him. &#8220;Was it as bad as they say? My father was concerned for a while. Thought we might have to get the horses out.&#8221;<BR> <BR>Nate let Ryan stare eagerly into his face for a few more seconds, then he nodded. &#8220;I climbed some lady&#8217;s roof on Madison Street. The lumberyards and the Lull & Holmes Planing Mill went up like a bonfire. The coal yards looked hot enough to melt iron.&#8221;<BR> <BR>Ryan kicked at a charred board. &#8220;I could hear the engines clanging almost all night. I guess the police had a hard time holding the crowds back.&#8221;<BR> <BR>Nate nodded, gesturing. A mounted policeman rode along the edge of last night&#8217;s burn. His horse was a tall bay with a wide blaze. It reminded Nate of one of Ryan&#8217;s father&#8217;s geldings&#8212;a spirited animal Nate rode every chance he got. Sometimes Ryan&#8217;s father needed help exercising the horses that were boarded at his livery stable. Once in a while, he even paid Nate to ride them.<BR> <BR>The policeman was turning people aside. Compared to the night before, the area was almost deserted&#8212;but it wouldn&#8217;t be for long. A few blocks down, Nate could see people crossing the Adams Street Bridge. Now that church was out, there would be more coming to gawk at the places where the plank streets had burned through, collapsing to the soil ten or twelve feet below.<BR> <BR>&#8220;Gee whiz, look at that!&#8221;<BR> <BR>Nate followed Ryan&#8217;s gesture. The viaduct was a wreck. All the wooden timbers supporting the roadway above the railroad tracks had burned and fallen. The metal structure below was twisted, bent every which way. On the far side of the viaduct, the fire had destroyed everything, even the boardwalks. The rank soil beneath them had been dried out by the fire.<BR> <BR>Now that the raised boardwalks and plank streets had been burned away, it was strange to see the exposed stone foundations of the buildings. Even the rocks were stained with smoke and split from the heat. Aunt Ruth had told him that ground level in this part of town had been raised eight feet back in the fifties and sixties, just to get it up above the sea of mud. All of Chicago had been built on a marsh, and the city workers had used dirt dredged up out of the river bottom, lifting the old buildings with jacks, a few inches at a time.<BR> <BR>As the boys picked their way across the railroad tracks east of the collapsed viaduct, Nate slid on the chunks of charred wood that graveled the ground. &#8220;The paper-box factory nearly exploded, it went up so fast,&#8221; he said over his shoulder.<BR> <BR>&#8220;I wish I could have seen it.&#8221; Ryan&#8217;s voice was wistful as he caught up.<BR> <BR>Nate led the way up the slope, crossed the railroad tracks, then went back down. Abruptly, without meaning to, he stopped, stunned. Ryan stood beside him, and for a few moments, neither one of them said a word. The fire had erased a whole neighborhood.<BR> <BR>&#8220;You can&#8217;t even see where some of the houses <i>were</i>,&#8221; Ryan whispered.<BR> <BR>Nate glanced at him, then looked back at the blackened jumble of wood and ash that had been homes, saloons, lumberyards, and factories the day before. Staring at the destruction made Nate feel strange. Last night, the fire had been beautiful. This was so ugly he felt almost sick. Behind them, he heard a woman weeping, saying something over and over in a voice so distorted her words were impossible to understand.<BR> <BR>&#8220;Let&#8217;s get out of here,&#8221; Ryan said quietly.<BR> <BR>Without answering, Nate began to walk, swinging the bucket again. He led the way, veering eastward, cutting through the destroyed neighborhood slantwise, avoiding the worst of the wreckage and the piles of still smoking timber. Once they were on the far side, where the houses still stood and the planked streets were only dusted with ash, he slowed down.<BR> <BR>&#8220;It came close to us,&#8221; Ryan whispered.<BR> <BR>Nate didn&#8217;t answer. He tried to shake off the eerie feeling that had taken hold of him. &#8220;I have to go all the way down to O&#8217;Learys&#8217;. My aunt wants milk for the boarders.&#8221;<BR> <BR>&#8220;That&#8217;s clear down on De Koven Street, isn&#8217;t it? The place behind McLaughlins&#8217; house? Doesn&#8217;t that lady drive a milk wagon?&#8221;<BR> <BR>Nate climbed the steps up onto the boardwalk. &#8220;My aunt says O&#8217;Learys&#8217; milk is cleaner than most&#8212;she almost never finds cow hair or flecks of hay in it. But Mrs. O&#8217;Leary won&#8217;t deliver on Sundays.&#8221;<BR> <BR>Ryan whistled through his teeth. &#8220;You still have that bald man, don&#8217;t you? The one who&#8212;&#8221;<BR> <BR>&#8220;Drinks half a gallon of milk a day.&#8221; Nate nodded. &#8220;Mr. Dwight. Aunt Ruth has tried to make him cut down, but he won&#8217;t.&#8221; Nate shrugged as he went down three steps where the boardwalk changed levels. &#8220;He pays his room and board on time, he&#8217;s quiet, and he gets along with all the other boarders just fine.&#8221;<BR> <BR>Ryan laughed. &#8220;That&#8217;s because they don&#8217;t have to pay his milk bill.&#8221;<BR> <BR>Nate grinned. &#8220;Aunt Ruth likes him. He&#8217;s been there longer than I have. And he brings her lace and notions from the dry goods where he works.&#8221;<BR> <BR>&#8220;Why don&#8217;t you tell him he can only have a pint of milk a day?&#8221; Ryan asked, narrowing his eyes.<BR> <BR>Nate saw Ryan&#8217;s mouth twitching. &#8220;You know why. He weighs as much as a draft horse and he has arms like piano legs.&#8221;<BR> <BR>Ryan nodded somberly, turning to walk backward, facing Nate. &#8220;It&#8217;s all the milk he drinks. This is the kind of dilemma that has no answer, Nate.&#8221;<BR> <BR>&#8220;That&#8217;s true,&#8221; Nate agreed, grinning again. He swung the bucket in a high arc over his head, then brought it back down.<BR> <BR>&#8220;Can you get out again tonight?&#8221; Ryan asked, turning around to walk beside Nate again.<BR> <BR>Nate shrugged. &#8220;I&#8217;m not the one who has trouble getting out.&#8221;<BR> <BR>Ryan stopped abruptly, just in front of the next set of steps. &#8220;I&#8217;ll meet you on the corner of Clinton and Randolph at nine o&#8217;clock. Will your aunt be in bed by then?&#8221;<BR> <BR>Nate nodded. &#8220;Sure. But if I take all morning getting the milk, she&#8217;ll be after me the rest of the day. I still have a lot of chores to finish.&#8221;<BR> <BR>Ryan ran down the steps and waited for Nate. &#8220;Even on Sunday? Doesn&#8217;t she keep Sabbath?&#8221;<BR> <BR>Nate swung the pail again. &#8220;She says a boardinghouse has to be run every day of the week. It won&#8217;t run itself and it never closes.&#8221;<BR> <BR>Ryan wasn&#8217;t listening. &#8220;Race you to the corner,&#8221; he said over his shoulder, already two steps ahead. Nate sprinted after him, forgiving Ryan for cheating. He never won anyway.]]></Text>
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      <Text><![CDATA[Joe McGee&nbsp;(1972&ndash;2025)&nbsp;always loved&nbsp;to write about monsters and magic and other strange, curious, and quirky things. He grew up with his nose in a book and his imagination exploring other worlds. He knew when he was ten years old that one day he would grow up to be an author! He&nbsp;earned&nbsp;an MFA in writing for children and young adults from the Vermont College of Fine Arts and a master of arts in writing from Rowan University.&nbsp;A&nbsp;former Army officer,&nbsp;Joe&nbsp;lived in many places, including New Jersey&nbsp;and&nbsp;West Virginia with his wife, Jessica Rinker (who is&nbsp;also a children&rsquo;s author), and their two dogs, Pepper&nbsp;and Odin. Visit JoeMcGeeAuthor.com to learn more about Joe and his books.<BR><BR>Jannie Ho writes and illustrates children&rsquo;s books and is a cartoonist for&nbsp;<I>Chickengirl</I>&nbsp;comics, in which she draws herself as a neurotic hen observing everyday life. She studied illustration at Parsons School of Design and has worked at Nickelodeon and Scholastic. Jannie is the author-illustrator of&nbsp;<I>Bear and Chicken</I>,&nbsp;<I>Happy Chinese New Year!</I>, and&nbsp;<I>The Lost Mitten</I>. She lives with her mathematician husband and daughter near Boston.]]></Text>
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      <Text><![CDATA[Alex Sanchez&nbsp;spent almost fifteen years working with youth. He is the author of the teen novels&nbsp;<I>Boyfriends with Girlfriends</I>,&nbsp;<I>Bait</I>,&nbsp;<I>The God Box</I>,&nbsp;<I>Getting It</I>,&nbsp;<I>Rainbow Boys</I>,&nbsp;<I>Rainbow High</I>, and&nbsp;<I>Rainbow Road</I>, as well as the Lambda Award&ndash;winning middle grade novel&nbsp;<I>So Hard to Say</I>. Lambda Literary honored Alex with a Jim Duggins, PhD Outstanding Mid-Career Novelists&rsquo; Prize. He lives in Thailand and Hollywood, Florida. Visit him at AlexSanchez.com.]]></Text>
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      <Text><![CDATA[James Howe author of <I>The Watcher</I> An important, groundbreaking book, <I>Rainbow Boys</I> takes an honest look at gay teen life today. The characters are enormously appealing and the situations as contemporary as the evening news. This is a book that could change thinking -- and could very well change lives.]]></Text>
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      <Text><![CDATA[<b>Now with a bold new look!</b><BR><BR><b>Two cousins battle the elements during the 1886 blizzard in the Colorado Rocky Mountains </b><b>in this gripping entry in the historical fiction middle grade Disaster series.</b><BR><BR>Hadyn Sinclair hates absolutely everything about his aunt and uncle&rsquo;s primitive Rocky Mountain ranch. He&rsquo;d much rather be in a great city than stuck on the countryside. Hadyn&rsquo;s cousin Maggie hates the thought of having her rich and spoiled cousin visiting for four long months. She&rsquo;d be happier if he weren&rsquo;t around.<BR> <BR>When Maggie&rsquo;s father is injured and she and Hadyn are left alone, they argue, and Hadyn sets off on foot for the train station miles away through the snowstorm. The next day, Maggie learns Hadyn never made it to town, and she must search for him despite the blizzard that is raging outside.<BR> <BR>But even if she can find him, will they be able to survive freezing nights, vicious winds, and the constant threat of snow slides?]]></Text>
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      <Text><![CDATA[Chapter 1 CHAPTER 1 <BR>&#8220;I hate Hadyn Sinclair!&#8221;<BR> <BR>Maggie listened to the echo that came back across the meadow. There was patchy snow beneath her feet. Overhead, the dawn-gray sky was free of storm clouds&#8212;for the moment at least. Her father always said March weather in the Rockies was as unpredictable as a temperamental mule.<BR> <BR>Rusty nosed at Maggie&#8217;s shoulder, and she shook her head, wondering if the tall red mule could read her mind. &#8220;Papa never meant you,&#8221; she told Rusty without turning. Then she shouted again.<BR> <BR>&#8220;I <i>hate</i> Hadyn Sinclair,&#8221; the echo announced a second time in its hollow, reedy voice.<BR> <BR>Maggie faced Rusty. &#8220;Mother says Hadyn will be here four months, maybe five. His boarding school suspended him until next term. Uncle Thomas and Aunt Olivia must think it&#8217;s good for him to spend time with us.&#8221;<BR> <BR>Rusty nuzzled her old blue coat. &#8220;What? What do you want? This?&#8221; She fished in her pocket for the last piece of carrot. &#8220;How am I going to stand Hadyn that long?&#8221; she asked as Rusty&#8217;s soft muzzle brushed the palm of her hand. He crunched the carrot appreciatively, closing his eyes. Maggie checked the cinches on the pack saddle, then led him forward again.<BR> <BR>Maggie followed the trail around the enormous snow-covered boulder everyone called Indian Rock. It was shaped like a giant man sitting cross-legged, bent forward at the waist. The wind had dropped, but it was still cold. In the distance, Maggie saw the Simms ranch. They had built four new little visitors&#8217; cabins. There was smoke coming from the main house chimney. Maybe they would be coming to Cleave&#8217;s store too today. She hoped so. They were good neighbors and nice people.<BR> <BR>Maggie waded through a patch of deep snow, the new, clean fall from last night dusted over an old, sand-spattered drift. She heard a telltale scraping sound and paused. Down by the Fall River, a bull elk was rubbing his antlers against a rough-barked pine. The wispy breeze was moving toward her. The elk had not caught her scent. Suddenly, he looked up and saw her. In two bounding strides the elk disappeared into a stand of aspen trees.<BR> <BR>For a second, Maggie just stood still. There were so few elk left now, she almost never saw one. Her father said that it was the tourists as much as the hunters. With people roaming the mountains all summer long, the bighorn sheep, bears, and deer were thinning out too.<BR> <BR>The sun rose warm and bright. It was a fine day and Rusty moved along at a good pace. The road was rutted, but not too badly&#8212;it would get worse after spring thaw. It was almost warm, and Maggie enjoyed the long walk. She spotted two deer and thought she saw some bighorn sheep on an outcropping high above the road. Before she could be sure, they disappeared into the craggy rock. She squinted, shading her eyes against the glare, but couldn&#8217;t spot them again.<BR> <BR>Crossing Black Canon Creek, Maggie let Rusty drink. Ice still laced the slow water along the banks. In the distance, Ypsilon Peak and Mummy Mountain were covered in snow.<BR> <BR>Maggie patted Rusty&#8217;s shaggy neck as they started forward. &#8220;I sure wish I didn&#8217;t have to pick up the supplies today. Seeing Hadyn will be bad enough, but dealing with Mr. McAllister, too&#8230;&#8221;<BR> <BR>Mr. McAllister loved to complain. Maggie was going to have to hear about every little thing that had gone wrong on the trip to the grocery store down in Lyons. Then on the way home, Hadyn would probably describe every muddy turn on the road. Maggie topped the last rise, and she could see Mr. Cleave&#8217;s place. He lived in the little building that served as a store and post office. His wife and children lived in the house across the muddy road.<BR> <BR>&#8220;The Cleaves aren&#8217;t arguing today, Rusty. At least, I don&#8217;t hear them yet.&#8221; She let Rusty set the pace down the snowy path. As they angled toward the buildings, she talked to Rusty over her shoulder. &#8220;Papa said last night we&#8217;ll have a real town someday because so many Easterners are summering here.&#8221;<BR> <BR>McAllister&#8217;s team of dark bays was tethered at Cleave&#8217;s hitching rail. Up the Lyons road, Maggie saw a rig she didn&#8217;t recognize heading west. Maybe someone from the Elkhorn Lodge was driving a rented turnout.<BR> <BR>As she passed into the blue shadows beneath some tall pines, Maggie saw distinct mountain lion tracks in the new snow. She shivered beneath the thick wool of her coat. They had been hearing the big cats at night, and her father had found tracks by the pond.<BR> <BR>&#8220;&#8230; tell your mother she can&#8217;t have more butter,&#8221; Maggie heard Mr. Cleave shouting in his thick English accent as she got closer to the store. His children giggled as they ran out the door and back across the road to their house. A second later, Mr. McAllister came out.<BR> <BR>&#8220;About time. I&#8217;ve been here near two hours.&#8221;<BR> <BR>&#8220;My father thought this would be plenty early. I&#8217;m sorry you had to wait, Mr. McAllister.&#8221;<BR> <BR>Frowning, Mr. McAllister crossed to his wagon. He untied the canvas cover and rolled it back. Without speaking, he hefted a fifty-pound sack of flour onto Rusty&#8217;s pack saddle. Rusty grunted at the weight, his ears lowering, but he stood steady.<BR> <BR>&#8220;Road was as bad as I&#8217;ve seen this year.&#8221; Mr. McAllister turned back to the wagon. He moved several bags aside, then pulled one free. &#8220;Got you a hundred pounds of red beans. Storekeep in Lyons didn&#8217;t have black beans.&#8221;<BR> <BR>Maggie kept her face entirely blank so when he looked over at her, there would be nothing in her expression to set him off. He shook his head and started talking anyway.<BR> <BR>&#8220;I don&#8217;t mind being the one to go down to the valley, but folks are just going to have to realize I can&#8217;t always get what they want. I got blue calico for Mrs. Simms and I know she is going to pitch a fit when she gets here. Wanted red.&#8221;<BR> <BR>Maggie made a noncommittal sound and patted Rusty&#8217;s neck as Mr. McAllister settled the bag of beans onto the pack saddle. Rusty grunted again. Maggie wanted to tell him that there was no use trying to compete with Mr. McAllister in the complaint department.<BR> <BR>&#8220;Slid near sideways on that last downgrade going in. Mud&#8217;s frozen now, but if it had been a warmer day, we&#8217;d have sunk farther. Good thing the nights have been cold. Took some fancy driving, I&#8217;ll tell you that much.&#8221;<BR> <BR>&#8220;We sure appreciate it, Mr. McAllister,&#8221; Maggie said politely.<BR> <BR>&#8220;Thought we weren&#8217;t going to make that last curve, either. That right side wheel just missed going off the track. Would have been the death of me and the team.&#8221;<BR> <BR>Maggie fought to keep from smiling. &#8220;Papa said to be sure to tell you that he was grateful, Mr. McAllister.&#8221;<BR> <BR>&#8220;I was watching that rear wheel so close I dang near got my eye put out on an old stubbed-off branch hanging low over the road. Saw it a split second before&#8230;&#8221; Mr. McAllister trailed off, pointing at a red mark on his cheek. &#8220;You can just see how close it was, can&#8217;t you?&#8221;<BR> <BR>&#8220;I sure can.&#8221; Maggie nodded somberly. &#8220;I guess I better go inside and ask after the mail.&#8221; Maggie sidled past him, then hurried away.<BR> <BR>The door to the little store was ajar and Maggie pushed it open. Mr. Cleave was sitting beside his hearth. The fire was low and there was a folded copy of the <i>Rocky Mountain News</i> beside his chair. He was reading in the flickering firelight, his nose close to the page. He looked up. &#8220;There you are, Maggie Rose. Come warm yourself.&#8221;<BR> <BR>&#8220;Hello, Mr. Cleave,&#8221; Maggie said as she came through the doorway. &#8220;What are you reading?&#8221;<BR> <BR>He held it up for her to see. <i>Bloomingdale&#8217;s Illustrated 1886 Catalog</i>, the cover read.<BR> <BR>&#8220;They have everything from silk parasols to eleven-dollar fine tweed suits. I&#8217;ll send this along for your mother when my wife has finished with it. It&#8217;s more a ladies&#8217; book than anything else.&#8221;<BR> <BR>Maggie crossed the little room, pulling off her gloves. She stood close to the fire.<BR> <BR>&#8220;Has your father decided to give up on his cattle yet? He was sounding pretty discouraged last time I saw him.&#8221;<BR> <BR>Maggie turned to warm her backside. &#8220;He says we will keep them through summer, but I think he intends to build guest cabins like the Simms have&#8212;and sell off the cattle next fall. We&#8217;re making more from summer boarders than ranching.&#8221;<BR> <BR>&#8220;You and all the rest. Old Lord Dunraven had that much right when he built the English Hotel. People are going to keep coming.&#8221;<BR> <BR>&#8220;I saw an elk on the way in. A big bull.&#8221;<BR> <BR>&#8220;Did you now? I heard Thomas Wood saying he&#8217;d seen a few cow elk over around Bierstadt Lake. It&#8217;ll be a miracle if they ever come back. Dunraven&#8217;s friends and the meat market down in Denver did their best to kill them out.&#8221;<BR> <BR>&#8220;Papa says it was pure stupidity.&#8221;<BR> <BR>&#8220;That it was, ruining the game herds in a paradise like this. And Whyte is still leading hunting parties from the English Hotel.&#8221;<BR> <BR>Maggie shook her head. &#8220;All any of our guests ever want to do is follow my father and me up mountains, sigh over meadows full of wildflowers, ride our horses into the ground&#8212;or picnic. Some of those men eat more fried chicken at one sitting than you can fathom.&#8221;<BR> <BR>Mr. Cleave laughed, then got up, laying the catalog on the rough plank table. He winked. &#8220;This is the day your cousin arrives, isn&#8217;t it?&#8221;<BR> <BR>Maggie nodded.<BR> <BR>&#8220;It&#8217;ll be good for you to have another young person up there, won&#8217;t it?&#8221;<BR> <BR>Maggie shook her head. &#8220;Not Hadyn.&#8221;<BR> <BR>Mr. Cleave laughed again. &#8220;How old is he now? I remember him as somewhat difficult.&#8221;<BR> <BR>&#8220;He&#8217;s almost thirteen&#8212;a year older than I am&#8212;but he acts like he&#8217;s five.&#8221;<BR> <BR>Mr. McAllister leaned in the doorway.<BR> <BR>&#8220;It&#8217;s a bitter day, I&#8217;m going home. Tell your father that we can settle up later. If you see the Simmses, say I&#8217;ll bring them their goods in a few days. Give my regards to your mother.&#8221;<BR> <BR>&#8220;I will,&#8221; Maggie said, bidding him good-bye. 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      <Text><![CDATA[<B>Now with a bold new look!</B><BR><BR><b>Two strangers are in danger from the Great Chicago Fire of 1871 and opportunistic kidnappers in this gripping entry in the historical fiction middle grade Survivors series.</b><BR><BR>Nate Copper and his best friend Ryan love to sneak out at night to watch firefighters battle the blazes that have plagued Chicago all through the dry, windy summer of 1871.<BR> <BR>Wealthy Julie Flynn, suffocated by her overprotective parents, can&rsquo;t imagine adventures like Nate&rsquo;s&#8212;and he&rsquo;s definitely not a boy she would ever be friends with.<BR> <BR>But fate and the Great Chicago Fire throw Nate and Julie together on the dark and dangerous streets, and in the chaos of the crowds, Julie is kidnapped. Nate has to try to figure out a way to free her before the wind-driven flames spreading across the city cut off their only chance of escape. Will Nate and Julie be able to survive?]]></Text>
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      <Text><![CDATA[Chapter 1 CHAPTER 1 <BR>Nate Cooper swung the empty milk pail as he walked down Canal Street. It was a warm, breezy morning, and he was glad to be out of his Sunday suit. Aunt Ruth always made him go to church. This morning, aptly enough, the preacher had done a whole sermon on hellfire and brimstone.<BR> <BR>The air was still filled with the acrid smell of smoke from the fire the night before. With the breeze coming from the southwest, that was a blessing. Usually when the wind came from this direction, it carried the heavy stench of the Union Stockyards.<BR> <BR>Pushed by the light wind, ashes drifted aimlessly along the ground. Last night&#8217;s fire had been a bad one&#8212;the worst one yet. A slat-ribbed horse pulling a salvage wagon clopped past. The horse and the driver looked exhausted.<BR> <BR>&#8220;Hey, Nate!&#8221;<BR> <BR>Nate turned. Ryan Wilson was standing on the corner of Washington Street, hands on his hips. He must have managed to slip away from his father&#8217;s livery stable. Usually, his whole Sunday was spent mucking stalls. Nate waited for Ryan to catch up with him, then they fell into step.<BR> <BR>&#8220;Did your aunt let you go watch the fire last night?&#8221; Ryan picked up a cinder and threw it across the street. Water from the pump engines, black and foul, stood stagnant in the gutter.<BR> <BR>&#8220;Not exactly.&#8221;<BR> <BR>Ryan laughed.<BR> <BR>&#8220;I didn&#8217;t go out for long,&#8221; Nate admitted. &#8220;If she checks on me and I&#8217;m not in my room, she gets worried.&#8221;<BR> <BR>Ryan glanced at him. &#8220;Was it as bad as they say? My father was concerned for a while. Thought we might have to get the horses out.&#8221;<BR> <BR>Nate let Ryan stare eagerly into his face for a few more seconds, then he nodded. &#8220;I climbed some lady&#8217;s roof on Madison Street. The lumberyards and the Lull & Holmes Planing Mill went up like a bonfire. The coal yards looked hot enough to melt iron.&#8221;<BR> <BR>Ryan kicked at a charred board. &#8220;I could hear the engines clanging almost all night. I guess the police had a hard time holding the crowds back.&#8221;<BR> <BR>Nate nodded, gesturing. A mounted policeman rode along the edge of last night&#8217;s burn. His horse was a tall bay with a wide blaze. It reminded Nate of one of Ryan&#8217;s father&#8217;s geldings&#8212;a spirited animal Nate rode every chance he got. Sometimes Ryan&#8217;s father needed help exercising the horses that were boarded at his livery stable. Once in a while, he even paid Nate to ride them.<BR> <BR>The policeman was turning people aside. Compared to the night before, the area was almost deserted&#8212;but it wouldn&#8217;t be for long. A few blocks down, Nate could see people crossing the Adams Street Bridge. Now that church was out, there would be more coming to gawk at the places where the plank streets had burned through, collapsing to the soil ten or twelve feet below.<BR> <BR>&#8220;Gee whiz, look at that!&#8221;<BR> <BR>Nate followed Ryan&#8217;s gesture. The viaduct was a wreck. All the wooden timbers supporting the roadway above the railroad tracks had burned and fallen. The metal structure below was twisted, bent every which way. On the far side of the viaduct, the fire had destroyed everything, even the boardwalks. The rank soil beneath them had been dried out by the fire.<BR> <BR>Now that the raised boardwalks and plank streets had been burned away, it was strange to see the exposed stone foundations of the buildings. Even the rocks were stained with smoke and split from the heat. Aunt Ruth had told him that ground level in this part of town had been raised eight feet back in the fifties and sixties, just to get it up above the sea of mud. All of Chicago had been built on a marsh, and the city workers had used dirt dredged up out of the river bottom, lifting the old buildings with jacks, a few inches at a time.<BR> <BR>As the boys picked their way across the railroad tracks east of the collapsed viaduct, Nate slid on the chunks of charred wood that graveled the ground. &#8220;The paper-box factory nearly exploded, it went up so fast,&#8221; he said over his shoulder.<BR> <BR>&#8220;I wish I could have seen it.&#8221; Ryan&#8217;s voice was wistful as he caught up.<BR> <BR>Nate led the way up the slope, crossed the railroad tracks, then went back down. Abruptly, without meaning to, he stopped, stunned. Ryan stood beside him, and for a few moments, neither one of them said a word. The fire had erased a whole neighborhood.<BR> <BR>&#8220;You can&#8217;t even see where some of the houses <i>were</i>,&#8221; Ryan whispered.<BR> <BR>Nate glanced at him, then looked back at the blackened jumble of wood and ash that had been homes, saloons, lumberyards, and factories the day before. Staring at the destruction made Nate feel strange. Last night, the fire had been beautiful. This was so ugly he felt almost sick. Behind them, he heard a woman weeping, saying something over and over in a voice so distorted her words were impossible to understand.<BR> <BR>&#8220;Let&#8217;s get out of here,&#8221; Ryan said quietly.<BR> <BR>Without answering, Nate began to walk, swinging the bucket again. He led the way, veering eastward, cutting through the destroyed neighborhood slantwise, avoiding the worst of the wreckage and the piles of still smoking timber. Once they were on the far side, where the houses still stood and the planked streets were only dusted with ash, he slowed down.<BR> <BR>&#8220;It came close to us,&#8221; Ryan whispered.<BR> <BR>Nate didn&#8217;t answer. He tried to shake off the eerie feeling that had taken hold of him. &#8220;I have to go all the way down to O&#8217;Learys&#8217;. My aunt wants milk for the boarders.&#8221;<BR> <BR>&#8220;That&#8217;s clear down on De Koven Street, isn&#8217;t it? The place behind McLaughlins&#8217; house? Doesn&#8217;t that lady drive a milk wagon?&#8221;<BR> <BR>Nate climbed the steps up onto the boardwalk. &#8220;My aunt says O&#8217;Learys&#8217; milk is cleaner than most&#8212;she almost never finds cow hair or flecks of hay in it. But Mrs. O&#8217;Leary won&#8217;t deliver on Sundays.&#8221;<BR> <BR>Ryan whistled through his teeth. &#8220;You still have that bald man, don&#8217;t you? The one who&#8212;&#8221;<BR> <BR>&#8220;Drinks half a gallon of milk a day.&#8221; Nate nodded. &#8220;Mr. Dwight. Aunt Ruth has tried to make him cut down, but he won&#8217;t.&#8221; Nate shrugged as he went down three steps where the boardwalk changed levels. &#8220;He pays his room and board on time, he&#8217;s quiet, and he gets along with all the other boarders just fine.&#8221;<BR> <BR>Ryan laughed. &#8220;That&#8217;s because they don&#8217;t have to pay his milk bill.&#8221;<BR> <BR>Nate grinned. &#8220;Aunt Ruth likes him. He&#8217;s been there longer than I have. And he brings her lace and notions from the dry goods where he works.&#8221;<BR> <BR>&#8220;Why don&#8217;t you tell him he can only have a pint of milk a day?&#8221; Ryan asked, narrowing his eyes.<BR> <BR>Nate saw Ryan&#8217;s mouth twitching. &#8220;You know why. He weighs as much as a draft horse and he has arms like piano legs.&#8221;<BR> <BR>Ryan nodded somberly, turning to walk backward, facing Nate. &#8220;It&#8217;s all the milk he drinks. This is the kind of dilemma that has no answer, Nate.&#8221;<BR> <BR>&#8220;That&#8217;s true,&#8221; Nate agreed, grinning again. He swung the bucket in a high arc over his head, then brought it back down.<BR> <BR>&#8220;Can you get out again tonight?&#8221; Ryan asked, turning around to walk beside Nate again.<BR> <BR>Nate shrugged. &#8220;I&#8217;m not the one who has trouble getting out.&#8221;<BR> <BR>Ryan stopped abruptly, just in front of the next set of steps. &#8220;I&#8217;ll meet you on the corner of Clinton and Randolph at nine o&#8217;clock. Will your aunt be in bed by then?&#8221;<BR> <BR>Nate nodded. &#8220;Sure. But if I take all morning getting the milk, she&#8217;ll be after me the rest of the day. I still have a lot of chores to finish.&#8221;<BR> <BR>Ryan ran down the steps and waited for Nate. &#8220;Even on Sunday? Doesn&#8217;t she keep Sabbath?&#8221;<BR> <BR>Nate swung the pail again. &#8220;She says a boardinghouse has to be run every day of the week. It won&#8217;t run itself and it never closes.&#8221;<BR> <BR>Ryan wasn&#8217;t listening. &#8220;Race you to the corner,&#8221; he said over his shoulder, already two steps ahead. Nate sprinted after him, forgiving Ryan for cheating. He never won anyway.]]></Text>
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      <Text><![CDATA[Marion&nbsp;Dane Bauer<b>&nbsp;</b>is the author of many books for young readers, including the Newbery Honor book&nbsp;<i>On My Honor&nbsp;</i>and the Coretta Scott King Book Illustrator Award winner&nbsp;<i>The Stuff of Stars</i>. She lives in St. Paul, Minnesota, and can be reached at MarionDaneBauer.com.<BR><BR>John Wallace&rsquo;s formal training was not in illustration, but rather theology, which he received at University of Cambridge. However, he always loved drawing, and one of his early jobs was as a newspaper cartoonist. In his children&rsquo;s book illustrations, he is particularly inspired by what he calls &ldquo;the gooniness&rdquo; of young schoolchildren. John lives in Broadstairs, England.]]></Text>
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      <TitleText>The Higher Frequency Oracle</TitleText>
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      <BiographicalNote><![CDATA[Franziska Siragusa is an international ascension leader and principal teacher of the Diana Cooper School of White Light. She teaches online and travels worldwide to conduct workshops and certified teacher trainings. Franziska lives in Italy.]]></BiographicalNote>
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      <SubjectHeadingText>HIGHER FREQUENCY ORACLE DECK;SPIRITUAL HELPERS AND GUIDANCE;ANGELS ASCENDED MASTERS UNICORNS;DRAGONS AND GODDESSES CONNECTION;RAISING VIBRATION WITH ORACLE CARDS;ALIGNMENT WITH DIVINE SOURCE;AFFIRMATIONS FOR SPIRITUAL GROWTH;VISUALIZATIONS TO EXPAND CONSCIOUSNESS;LIGHTWORKING RITUALS AND PRAYERS;CELESTIAL SUPPORT FOR INTUITION;GOLDEN AGE SPIRITUAL ASCENSION;REPROGRAMMING MIND WITH ORACLE CARDS;SOURCE ENERGY CONNECTION TOOLS;INTUITIVE CARD READING PRACTICES</SubjectHeadingText>
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      <Text><![CDATA[<B>Discover your power with the assistance of your spiritual helpers</B><BR><BR>&#8226; Includes 44 full-color illustrated cards that will help you step into your power and align with a higher path<BR><BR>&#8226; Connects you more deeply with your spiritual helpers such as angels, unicorns, dragons, ascended masters, gods, and goddesses<BR><BR>&#8226; Offers affirmations, visualizations, and prayers to help you maintain a higher frequency and expanded consciousness<BR><BR>The Divine Source sends messages through spiritual helpers to raise our consciousness so that we can become more loving beings. Working with this deck will allow you to connect with your celestial support and open up to receive their guidance.<BR><BR>Our spiritual helpers include higher beings such as angels, ascended masters, gods, goddesses, unicorns, and dragons. Their main objective is to help you step into your power, move onto a higher path, and raise your vibration as we enter a new Golden Age. This beautifully designed deck carries a high-frequency vibration, in tune with the new energies coming to our planet. Each card helps you reprogram your mind, expand your consciousness, and bring your thoughts and emotions into perfect alignment with the Divine. By means of a light working ritual, Franziska asked the higher beings to bless and imbue these cards with their divine light and love. Each card will deepen your intuition and connect you with the spiritual energy of Source so that you&#8217;ll be able to approach life&#8217;s challenges with adaptability, confidence, and a light heart. The guidebook provides affirmations, visualizations, and prayers for every card in order to integrate their wisdom and teachings into your daily life.<BR><BR>Our spiritual helpers reveal the heart as the source from which we create positive change. Raising your frequency will uplift not only yourself but everyone around you.]]></Text>
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      <Text><![CDATA[Franziska Siragusa is an international ascension leader and principal teacher of the Diana Cooper School of White Light. She teaches online and travels worldwide to conduct workshops and certified teacher trainings. The author of <I>Feng Shui with Archangels, Unicorns, and Dragons</I>, Franziska lives in Italy.<BR><BR>Tanielle Pink studied graphic design and has worked in fashion design and publishing for many years. Her freelance work has contributed to <I>Cosmopolitan</I>, <I>Marie Claire</I>, <I>Oprah Magazine</I> South Africa, among others. Tanielle loves to design from the heart and uses spirit energy to guide her hand when illustrating. She lives in Cape Town, South Africa.]]></Text>
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      <Text><![CDATA[<B>ABUNDANCE</B><BR><BR><i>I am powerful and abundant.</i><BR><BR><i>I realize all my dreams. Today, I give and</i><BR><BR><i>receive money with immense love.</i><BR><BR><B>Guidance</B><BR><BR>You can realize all your dreams. If you can think of it, then you can achieve it. The Universe is abundant and has infinite riches to share with you. Its abundance includes all that you might wish for, and more. It includes divine qualities such as love, joy, courage, power, wisdom, and money.<BR><BR>Money is energy. Money is love. Align yourself with the frequency of love, and love money. Enjoy giving money as much as you like receiving it. Be grateful when you give and grateful when you receive.<BR><BR>Visualize yourself meeting Archangel Raphael, the angel of healing, abundance, and vision. He raises two of his fingers and touches your third eye, lighting it up like a crystal-clear ball with an emerald glow. Above your head appears a big cosmic emerald crystal, from which emerald-green light streams into your chakra column and aura like a waterfall. The emerald crystal connects you with the stars and the abundance of the Universe. Look into the cosmos, and see your personal stream of abundance clearly, flowing towards you and delivering all you desire for your highest good.<BR><BR><i>Beloved Archangel Raphael,</i><BR><BR><i>Thank you for blessing me</i><BR><BR><i>with the abundance of the Universe.</i><BR><BR><i></i><BR><BR><B>ANTAKARANA</B><BR><BR><i>I am powerful and attuned to my Antakarana.</i><BR><BR><i>Today, my spiritual energies are flowing easily,</i><BR><BR><i>and I am connected with my soul and Monad.</i><BR><BR><B>Guidance</B><BR><BR>Become aware of your Antakarana and help to consciously build it with spiritual focus, intention, and willpower. The Antakarana, also called the rainbow bridge, connects your personality, your soul, and your Monad to Source, but you should also build it down to Earth.<BR><BR>The Antakarana is important for your spiritual evolution, and you can use the power of visualization to construct, expand, and clear it so that your spiritual energy can flow easily. The 11D Energy of Regeneration from Helios is perfect for strengthening the Antakarana.<BR><BR>Visualize your Antakarana like a column of light that starts from the centre of Earth and moves up through your chakra column, your soul, and your Monad all the way to Source. Invoke the golden-orange Energy of Regeneration to descend from Helios and pour through your Antakarana to clear and expand it. See your Antakarana shimmer with beautiful light. This grounds you deeply into the planet and connects you with the higher realms.<BR><BR><i>Beloved soul, Monad, and Source,</i><BR><BR><i>Thank you for helping me strengthen my</i><BR><BR><i>Antakarana bridge and accelerating</i><BR> <BR><i>my ascension.</i><BR><BR><i></i><BR><BR><B>ASCENSION TEAM</B><BR><BR><i>I am powerful, and my personal ascension</i><BR><BR><i>team is close. Today, I receive incredible</i><BR><BR><i>support and assistance.</i><BR><BR><B>Guidance</B><BR><BR>This card invites you to think about your spiritual team of helpers and the incredible support they give you. You are on your ascension path and have a group of higher beings that assist you with dedication and wisdom. You are never alone. They are with you to help you fulfil your Earth mission.<BR><BR>This team comprises your guardian angel, your personal dragon and unicorn, angels, ascended masters, and goddesses. The deeper you connect with them, the more they can help you. Make it a habit to call in your ascension team every morning and ask them to run their energies through you to motivate and energize you throughout the day.<BR><BR>Think about an aspect of your life that you need help with, and make it your goal to resolve it. Ask your ascension team for help and guidance, and look out for signs. To consciously work with your team, find the Guardian Angel, Unicorn, and Dragon cards in this deck, tune in, and get their names. Think about which archangels and masters you feel close to, and realize that they are also part of your team.<BR><BR><i>Beloved ascension team,</i><BR><BR><i>Thank you for running your energies</i><BR><BR><i>through me and assisting me today.</i><BR><BR><i></i><BR><BR><B>ASSERTIVENESS</B><BR><BR><i>I am powerful and assertive.</i><BR><BR><i>I act with integrity at all times.</i><BR><BR><i>Today, I stand up for my beliefs.</i><BR><BR><B>Guidance</B><BR><BR>Be your own authority, and stand in your power. Trust in your inner wisdom to know the highest good, and act upon it. Know that you will be heard if you speak your truth from the heart. Have the courage to speak up for yourself, and dare to realize your dreams.<BR><BR>Visualize mighty Archangel Michael in front of you, surrounding you with his deep-blue protective energy, transmitting courage and strength. He hands you his sword of light, and as you touch it, you feel its power flowing into your hand, along your arm, and into your heart. From here, it moves up to your throat chakra, lighting it up with a majestic deep-blue colour, activating higher communication. Plunge the sword into the ground before you with all your might, and assert your power.<BR><BR><i>Beloved Archangel Michael,</i><BR><BR><i>Thank you for awakening my power within</i><BR><BR><i>to assert myself.</i><BR><BR><i></i><BR><BR><B>ATLANTEAN CATS</B><BR><BR><i>I am powerful, and I AM a galactic master.</i><BR><BR><i>I take regular trips through our galaxy and</i><BR><BR><i>universe to get important insights</i><BR><BR><i>for myself and the world.</i><BR><BR><B>Guidance</B><BR><BR>You are guided to take a galactic trip. Invoke your Atlantean black cat to accompany you, either in sleep or meditation, to get the insights you need right now for your mission. Atlantean cats are sacred and powerful companions because they keep your aura clear and guide you safely to your destination.<BR><BR>Embark on a journey. You may wish to visit a planet or star, such as Venus, Sirius, Arcturus, or any other place that intuitively comes into your mind. You could visit Golden Atlantis, a temple on the inner planes, or meet with the Intergalactic Council to discuss your mission or petition them to intervene in world affairs.<BR><BR>Visualize a black Atlantean cat joining you in your space, and connect with the cat. Ask it to clear your aura with its energy, and sense it happening. Tune in as to where you need to go, or let your cat guide you. See where it takes you, and open up to receive the perfect information that moves you forward on your path.<BR><BR><i>Beloved Atlantean cat,</i><BR><BR><i>I honour your sacredness. Thank you for</i><BR><BR><i>connecting and journeying with me.<BR></i><BR><BR><B>BALANCE</B><BR><BR><i>I am powerful, and I have enormous potential.</i><BR><BR><i>Today, my divine masculine and feminine</i><BR><BR><i>energies are balanced.</i><BR><BR><B>Guidance</B><BR><BR>Regardless of gender, you have divine masculine and feminine energies within you, and when these are balanced, your potential and power increase. The sun and moon support you. In the natural order of things, the sun shines on you throughout the day, filling you with divine masculine light and the moon shines throughout the night, bringing in the feminine.<BR><BR>The divine masculine energies are power, courage, strength, determination, mental and emotional mastery, and decisiveness. The divine feminine energies are love, wisdom, patience, cooperation, open-heartedness, compassion, empathy, and caring. Think about how developed these qualities are within you, and work to increase them.<BR><BR>Which energies do you need right now? If you need to boost your divine masculine energies, invoke the male ascended masters or archangels to fill your aura with their qualities. If you need to increase your feminine energies, ask the female ascended masters, goddesses, or divine feminine counterparts of the archangels to replenish your energy fields with theirs. If you need both, see the sun and the moon simultaneously shining onto you. Invoke the divine masculine and feminine energies, and ask for them to be perfectly balanced in your base chakra.<BR><BR><i>Beloved Master El Morya</i><BR><BR><i>and Archangel Michael,</i><BR><BR><i>Thank you for flooding my aura with power,</i><BR><BR><i>strength, courage, and determination.</i><BR><BR><i></i><BR><BR><i>Beloved Goddess Kuan Yin,</i><BR><BR><i>Thank you for flooding my aura with love,</i><BR><BR><i>compassion, and wisdom.</i><BR><BR><i></i><BR><BR><B>COSMIC WHALES<BR></B><BR><i>I am powerful, and I AM a cosmic being.</i><BR><BR><i>Today, I expand my consciousness</i><BR><BR><i>to cosmic levels.</i><BR><BR><B>Guidance</B><BR><BR>Cosmic whales are immense whales of light. They are the guardians of all the universes and cosmic currents. They are truly multi-universal and can move across from one universe to another by literally riding the universal waves. They are vast in size yet gentle and loving. You are guided to expand your consciousness to cosmic levels and get a sense of your true cosmic size.<BR><BR>Call the cosmic whales, and set the intention to connect with them. Feel how they are sending part of their consciousness to touch you. This feels like a gentle breeze enfolding you lovingly. It makes you sway and raises your frequency, allowing your consciousness to span the universe.<BR><BR><i>Beloved cosmic whales,</i><BR><BR><i>Thank you for blessing me with your presence</i><BR><BR><i>and helping me understand</i><BR><BR><i>how vast I truly am.</i><BR><BR><i></i>]]></Text>
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      <Text><![CDATA[Introduction<BR><BR>What the Cards Can Do for You <BR><BR>How to Use the Cards <BR><BR>Your Daily Card Ritual <BR><BR>How to Read the Cards for Someone Else<BR><BR><B>THE CARDS</B> <BR><BR>Abundance <BR><BR>Antakarana <BR><BR>Ascension Team <BR><BR>Assertiveness <BR><BR>Atlantean Cats <BR><BR>Balance<BR><BR>Cosmic Whales<BR><BR>Creator <BR><BR>Crystal<BR><BR>Diamond Unicorn<BR><BR>Divine Channel <BR><BR>Divine Service<BR><BR>Divinity <BR><BR>Dragon <BR><BR>Embracing Jesus <BR><BR>Emotions of Source <BR><BR>Faith of Source <BR><BR>Focus<BR><BR>Freedom<BR><BR>Gift<BR><BR>Guardian Angel <BR><BR>Guardian Tree<BR><BR>Higher Visions <BR><BR>Horus<BR><BR>I AM the Monad <BR><BR>I AM the Soul<BR><BR>Initiation<BR><BR>Intuition <BR><BR>Joy <BR><BR>Light Bodies<BR><BR>Love <BR><BR>Mind of Source<BR><BR>Ocean Goddess<BR><BR>Peace<BR><BR>Power <BR><BR>Radiant Health <BR><BR>Sacred Communicator <BR><BR>Scissors of Horus <BR><BR>Self-Love <BR><BR>Spiritual Warrior<BR><BR>Ten Wishes <BR><BR>The Wind <BR><BR>Unicorn <BR><BR>Writing <BR><BR>Glossary of Higher Beings<BR><BR>Acknowledgements<BR><BR>About the Author <BR><BR>About the Artist]]></Text>
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      <Text><![CDATA[&ldquo;I really enjoyed working with these beautifully illustrated <I>Higher Frequency Oracle</I> cards. They are wise and powerful, offering universal guidance and grace.&rdquo;]]></Text>
      <TextSourceTitle>Diana Cooper, author of The Golden Future</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;The Higher Frequency Oracle</I> is a radiant and uplifting companion for anyone on the ascension path. Each card feels like a beautiful gift from the higher realms, offering guidance, encouragement, and a download of light. As you work with the cards, you are instantly connected to the loving energies of angels and other celestial beings, raising your frequency and aligning yourself with the New Golden Age. A truly powerful deck&#8212;I highly recommend it.&rdquo;]]></Text>
      <TextSourceTitle>Susan Browne, author of Ask Your Angel Guides and Angel EFT</TextSourceTitle>
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      <Text><![CDATA[<B>Writings from the Italian occult tradition exploring life, death, and rebirth</B><BR><BR>&#8226; Explores fundamental principles and symbolism of Italian Hermeticism<BR><BR>&#8226; Features secret Italian texts, translated for the first time, including an unpublished Renaissance alchemical manuscript<BR><BR>&#8226; Offers rituals and parables for spiritual transformation<BR><BR>Egypt and Tibet have long offered maps of the territory the soul must navigate after death. Now historian, translator, and esoteric scholar David Pantano illuminates the Italian Hermetic tradition that describes the afterlife journey for the first time in English.<BR><BR>He has curated a range of texts spanning from the Renaissance to the present day, sharing rituals and essays by figures such as Giuliano Kremmerz and Marco Daffi, alongside contemporary practitioners Valerio Tomassini and Gaetano Lo Monaco. The collection also includes documents from secret societies and writings from the <I>Corpo dei Pari</I>, a group of underground alchemists and Hermeticists who have been active since the late 1960s.<BR><BR>Featuring figures in the Italian mystical tradition such as Dante Alighieri, Giordano Bruno, and Marsilio Ficino, Pantano traces the influence of this unique branch of Hermeticism. By exploring the spiritual lives of his predecessors, he shares Hermetic parables for navigating the astral plane after death and how to live in this lifetime.<BR><BR>Also included is a translation of the <I>Flos Coeli</I>, a Renaissance manuscript that gives a recipe for the Elixir of Life. Pantano pairs this with esoteric interpretations of ayahuasca effects and with secret papers from the Fraternity of Miriam to show how principles of transference can be used with plant medicines to alleviate suffering.<BR><BR>Focusing on death and spiritual rebirth, this is a valuable collection of rituals and discourses on magic, Hermeticism, and consciousness&#8212;a guide for the living and a map for the journey in the afterlife.]]></Text>
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      <Text><![CDATA[<B>A holistic guide to managing Polycystic Ovary Syndrome (PCOS)</B><BR><BR>&#8226; Explores what PCOS is and how our modern lifestyle contributes to hormonal imbalance<BR><BR>&#8226; Shows how to rebalance your diet to lose stubborn weight and restore fertility, support your microbiome to rebuild healthy digestion, and avoid exposure to toxins and endocrine disruptors<BR><BR>&#8226; Provides practical guidance on managing PCOS symptoms with micronutrients, probiotics, herbal therapies, essential oils, and exercise<BR><BR>Affecting one out of every ten women, polycystic ovary syndrome, or PCOS, is poorly understood by modern allopathic medicine and often misdiagnosed. Many women are simply told to lose weight, take birth control pills, or, in the case of PCOS-related infertility, pursue expensive medical procedures in order to conceive.<BR><BR>In this easy-to-understand guide, C&#233;line Hovette explores what PCOS is, how hormones work, and how our modern lifestyles contribute to hormonal imbalance. She examines the detrimental effects of toxins and endocrine disruptors as well as the impact of high stress and poor diets. The author considers the full spectrum of PCOS symptoms&#8212;including adult acne, thinning hair, anger, depression, infertility, excess weight, and chronic mood swings. She also demonstrates how these symptoms develop throughout a woman&#8217;s lifetime.<BR><BR>Hovette&#8217;s comprehensive and holistic approach to PCOS offers practical guidance on how you can manage symptoms, stress, and menstrual cycle disorders as well as address fertility issues with micronutrients, probiotics, herbs, essential oils, and exercise.]]></Text>
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      <Text><![CDATA[C&#233;line Hovette is a Hormone Health Coach (IIN) and Women&#8217;s Integrative & Functional Medicine Certified Educator (WIMI-CE), guiding women with a holistic, science-based approach to hormonal balance and overall well-being. She trained with Dr. Aviva Romm. C&#233;line Hovette lives in Northern France.]]></Text>
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      <Text><![CDATA[<B>Introduction<BR></B><BR><I>&#8220;I was diagnosed with PCOS five years ago. My gynecologist told me that there was nothing that could be done about it aside from taking the pill.&#8221;<BR><BR>&#8220;I have PCOS, but I don&#8217;t really know what it is. Nobody can clearly explain to me what this syndrome is or what its consequences are.&#8221;<BR><BR>&#8220;My physician told me I had to lose weight to relieve my symptoms. But despite all my efforts, I was not able to do so.&#8221;<BR><BR>&#8220;I have read that there is a revolutionary food supplement for treating PCOS. What do you think of it?&#8221;<BR></I><BR>These remarks are what I hear most often during my office visits from the women I see because of my work dedicated to PCOS. PCOS, what&#8217;s that? PCOS is an acronym for polycystic ovary syndrome. This somewhat inelegant name tells us very little and yet, just like endometriosis, another frequently overlooked women&#8217;s health disorder, this syndrome affects 10 percent of women. According to Professor Michel Pugeat, endocrinologist and expert on PCOS, this figure is most likely highly underestimated. He estimates that the actual figure is closer to 15 to 20 percent of the female population (see Favier, &#8220;Le syndrome des ovaires polykystiques&#8221;). Despite this significant proportion, this syndrome is still poorly understood, poorly diagnosed, and poorly explained to the women living with it.<BR><BR>&#8226;<BR><BR><I>PCOS affects 1 out of every 10 women</I>.<BR><BR>As a hormone health coach specializing in hormonal balance and female well-being, I have noticed that the requests for appointments on this subject have been increasing. The reason why I ended up working with so many women living with PCOS is that they have often confessed to me their distress coping with living with this condition, that they barely understand it and they haven&#8217;t been told a whole lot. All they know is that there is nothing that can be done to cure it and the only &#8220;treatment&#8221; is the contraceptive pill.<BR><BR>These women often feel lost because of the variety of symptoms they have to deal with. There are many symptoms; close to fifty. The symptoms vary from woman to woman, which explains why diagnosing it can sometimes take several years. Some of them experience physical problems such as overweight, acne, excessive hairiness, or hair loss, and they can also suffer from an irregular menstrual cycle and an absence of libido. This not only affects the image they have of their bodies but also their confidence in themselves and in their relationships. Many express frustration at the lack of guidance from their physician or gynecologist, many of whom may not even view PCOS as a true disease. In fact, as indicated by its name, PCOS is classified as a syndrome, which differs from a disease or condition: A <i>disease </i>refers to a disorder with a specific, identifiable cause, a <i>syndrome </i>describes a collection of symptoms that tend to occur together without a single known origin, and a <i>condition</i> is a broader term encompassing any state of health that affects the body but may not meet the criteria of a disease. Because these women&#8217;s lives aren&#8217;t at risk, they are most often advised to lose weight (if only it was that easy&#8212;we&#8217;ll revisit this) or to make an appointment when they want to find out whether the time is right to conceive.<BR><BR>Many of these women find themselves with a diagnosis confirming that they are indeed suffering from PCOS. Faced with this void, they may spend hours online looking for information and a &#8220;miracle&#8221; cure. It is tempting to think that a diet supplement or herbal tea could help overcome this syndrome, but beware of false promises.<BR><BR>I do not have PCOS myself but hearing these women&#8217;s stories has touched me deeply. Over the course of my many consultations, I have seen that many refuse to accept the condition as inevitable&#8212;and they are absolutely right.<BR><BR>Naturopathy and many other natural approaches can provide valuable support to the women living with this syndrome.<BR><BR>In their &#8220;Benchmarks for Training,&#8221; the World Health Organization (WHO) defines naturopathy as &#8220;an amalgamation of the philosophy, techniques, science and principles that typified the alternative healing systems of the eighteenth and nineteenth centuries, particularly those related to vitalism. These alternative approaches tended to focus both on health promotion and on health-care regimes that supported the patient&#8217;s innate healing processes.&#8221;<BR><BR>Put simply, naturopathy is the art of maintaining good health and achieving one&#8217;s full potential of vitality and well-being. To do this, naturopathy relies on a variety of tools:<BR><BR>&#8226; diet and micronutrition<BR><BR>&#8226; use of plants, whether in the form of teas, dietary supplements, essential oils (aromatherapy), or buds (gemmotherapy)<BR><BR>&#8226; stress management and complementary techniques like cardiac coherence, sophrology, and meditation<BR><BR>&#8226; emotional management using floral essences<BR><BR>&#8226; movement and physical exercise<BR><BR>The goal of the naturopathic practitioner is to educate patients about overall health and well- being, and to develop methods that allow each individual to live well. This is where naturopathy can be especially helpful to those with PCOS&#8212;as a complement to a conventional medicine approach. While medical treatments may relieve certain symptoms, working on the &#8220;terrain,&#8221; establishing long-term healthy habits, and optimizing all factors that support hormonal balance, should be the first step.<BR><BR>&#8226;<BR><BR><i>Naturopathy and many other natural techniques can give valuable support to women living with this condition.</i><BR><BR>The purpose of this book is not to replace any form of medical treatment. I intend to speak to all women living with this syndrome who are looking for answers and want to take control of their own health. This book is also designed to support health practitioners who care about their patients&#8217; well-being and wish to learn more about PCOS and want to help guide their patients toward a holistic approach.<BR><BR>To be effective in treating PCOS, it is first necessary to understand this hormonal imbalance and how it works. In the first part of the book, I will review fundamentals of female hormonal balance and the menstrual cycle&#8212;an essential prerequisite for understanding PCOS. We will then examine the syndrome itself: its causes, effects, diagnostic process, and clinical examinations, as well as its consequences at different stages of a woman&#8217;s life.<BR><BR>The second part of the book will present natural solutions, including diet and micronutrition, support for menstrual cycle disorders, stress and emotion management, physical activity, and overall healthy lifestyle habits.<BR><BR>I hope that this guide will allow you to get a better understanding of PCOS and bring you new perspectives for managing it.]]></Text>
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      <Text><![CDATA[Foreword by Vincent Renaud, MD<BR><BR>Introduction<BR><BR><B>PART 1 <BR><BR><I>PCOS: What You Need to Know</I><BR><BR>1</B> Understanding Hormones and the <BR>Menstrual Cycle<BR><BR><B>2</B> What Is PCOS? <BR><BR><B>3</B> PCOS During the Different Stages of<BR>a Woman&#8217;s Life <BR><BR><B>4 </B>PCOS and Body Image<BR><BR><B>PART 2<BR><BR><I>Living Better with PCOS<BR><BR></I></B><B>5</B> Rebalancing Your Diet <BR><BR><B>6</B> Understanding the Gut and Its Microbiome <BR><BR><B>7</B> Taking Supplements<BR><BR><B>8 </B>Taking Action Against the Disorders that<BR>Affect the Menstrual Cycle<BR><BR><B>9</B> Dealing with Stress and Emotions<BR><BR><B>10</B> Avoiding Exposure to Endocrine Disruptors<BR><BR><B>11</B> Engaging in Physical Activity<BR><BR>Conclusion<BR><BR>Acknowledgments<BR><BR>Appendix: Responses to My Patients&#8217; <BR>Primary Objections<BR><BR>Glossary <BR><BR>Bibliography<BR><BR>Index]]></Text>
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      <BiographicalNote><![CDATA[Philippe Rosset is a writer and lecturer who explores how ancient myths illuminate the evolution of human consciousness. His work follows the traces of timeless wisdom that survive beneath the surface of modern life. He lives in France.]]></BiographicalNote>
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      <SubjectHeadingText>ICELANDIC WISDOM;NINE KEYS;ANCIENT SAGAS;HAVAMAL;EDDAS;ICELANDIC RESILIENCE;SPIRITUAL GROWTH;VIKING PHILOSOPHY;OPTIMISM;INNER STRENGTH;NORDIC TRADITION;DIVINATION;BIBLIOMANCY;PERSONAL TRANSFORMATION;MANTRAS;MEDITATION PRACTICES;HONOR ANCESTORS;NATURE RESPECT;SHADOW WORK;SELF-REALIZATION;COMMON SENSE;FIRE AND ICE;NORSE MYTHOLOGY;NORDIC SPIRITUALITY;PRACTICAL MYSTICISM;ANCIENT WISDOM;INTUITION;LIFE PHILOSOPHY;LIVING CONSCIOUSLY;MINDFULNESS;ANCESTRAL GUIDANCE;HARMONY;BALANCED LIVING;CREATIVITY</SubjectHeadingText>
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      <Text><![CDATA[<B>A guide to uncovering your inner strength, ancestral clarity, and soulful presence</B><BR><BR>&#8226; Presents 9 essential principles drawn from ancient Icelandic texts for cultivating a balanced, resilient, and meaningful life<BR><BR>&#8226; Offers practical meditations, creative exercises, and 81 poetic mantras to help you integrate each principle into your daily life to inspire creativity, honor your ancestors, and face your shadow with courage<BR><BR>&#8226; Explores how these keys can serve as intuitive tools for guidance and reflection through the divinatory art of bibliomancy<BR><BR>Rooted in the elemental landscapes and mythic heritage of Iceland, this book invites you onto a path of deep clarity, practical wisdom, and soulful self-reliance. Drawing from the <I>H&#225;vam&#225;l</I>, the <I>Eddas</I>, and Norse sagas, Philippe Rosset distills nine living principles shaped by centuries of survival in one of the world&#8217;s most extreme environments.<BR><BR>Some of the principles he covers include &#8220;Love Your Roots,&#8221; &#8220;Face Your Shadows,&#8221; and &#8220;Never Stop Learning and Expanding Your Horizons.&#8221; Each key is accompanied by nine mantras and exercises, rituals, and embodied reflections to help you integrate Icelandic wisdom into your life. Rosset blends ancient insights with a modern search for meaning, bridging myth and psychology, nature and spirit. These teachings go far beyond folklore: they offer a grounded yet elevated framework for becoming fully human.<BR><BR>This guide encourages you to engage your intuition, confront your challenges, and find your own form of pragmatic wisdom. Rooted in a northern poetic and archetypal tradition, <I>The Nine Keys of Icelandic Wisdom</I> offers a unique spiritual resource for those seeking depth, beauty, and direction in turbulent times.]]></Text>
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      <Text><![CDATA[Philippe Rosset is a writer and lecturer who explores how ancient myths illuminate the evolution of human consciousness. His work follows the traces of timeless wisdom that survive beneath the surface of modern life. He lives in France.]]></Text>
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      <Text><![CDATA[<B>The Nine Keys of Icelandic Wisdom<BR></B><BR><I>Discovering the Eighty-One Mantras</I><BR><BR>Imagine yourself walking through a lava field beneath a summer sun that almost never sets, a sun that fills you with energy and invigorates you. It is impossible to sleep when the excitement caused by full summer is at its peak. You want to explore everything, visit everything, and climb every mountain. This sun reveals an infinite landscape that is lit by powerful, glowing golden lights. Everything is bright and colorful: the lava fields with their gray-green mosses, the black sand beaches, the islands in the lakes, the glaciers . . . all lit by a light, a full and blinding light that is also cast over your own life. It is impossible to escape the sun when it is at the height of its power in the Far North. Then, six months later, this same sun, that has turned rare and cold, will caress the faintly red horizon only between the hours of noon and three o&#8217;clock. It then illuminates these same landscapes, now snow-covered, with a mystical halo of unreal light in which waterfalls become gray ice, and the purplish, pink, and orange clouds give the land a supernatural appearance. In Iceland, this fey play of light cannot help but invite us to think that our world is crisscrossed by forces that are beyond our control and comprehension. In this country, the impression of living in another dimension is really, truly present. And then night falls, a night that is never, ever fully dark, with the snow glowing on the black lava, and the rivers of ice that invite you to take a good look at your own shadows. It is no good trying to hide them; they will return in the form of anxieties and fears. When you find yourself at the heart of this nature, you find yourself in one of Tolkien&#8217;s landscapes, walking between Middle Earth and Mordor. You are gripped by a sense of depth between the relaxed attitude of summer, the melancholy majesty of autumn, and the poignant grandeur of winter with its promise of renewal in the heart of darkness. You find yourself living in places that conform to your imagination. But at the same time, you are awestruck by the sublime and endless nature of their changes and the glimmer of the imperceptible that sparkles there (see color plate 2).<BR><BR>Since the days of antiquity, when this Nordic land was known by the Greeks as Hyperborea, it was regarded as a place where all manner of wonders resided. It was toward these remote and mysterious regions that the legendary hero of Greek mythology, Jason, set off in search of the Golden Fleece&#8212;the ultimate symbol of conquest and knowledge. The ancients used to say: &#8220;<i>Ex septentrione lux</i>,&#8221; &#8220;from the north springs the light.&#8221; It is in the icy expanses and the nights illuminated by the midnight sun, in those inaccessible spots where the known world melts into the beyond, that the essence of Icelandic wisdom takes shape. The ancestors of the Icelanders sailed on tumultuous seas through storms of ice. They were guided by wise precepts, simple but demanding values, feats of strength and courage, and a fully lucid presence in the world. It is here in this intersection between myth and reality, between earth and sky, that a wisdom emerges that makes a saga possible.<BR><BR>In the wake of these myths, many cultures have forged an imaginary vision of Iceland, so that when we mention this land of fire and ice, the first images that come to mind are those of a harsh, wild landscape, marked by majestic volcanoes, towering glaciers, boiling geysers, and lonely fjords. However, behind this exceptional natural backdrop there lies hidden an ancestral wisdom that has been handed down from one generation to the next. This wisdom consists of keys that open a life philosophy, one that is simultaneously pragmatic, fatalistic, and yet optimistic&#8212;precisely the kind of wisdom we now need.<BR><BR>So here you are. Nine keys of wisdom, nine key words that open the lock to a conscious, resilient, and lucid life. Of course, the choice of the number nine for these keys and mantras was not left to chance, for this number is considered sacred in Iceland, with deep roots in Nordic mythology. The number nine appears frequently in the poems and myths, and in the very essence of the island. Here are some of the most significant and important references to the number nine in Norse mythology: the nine worlds and nine days of Odin&#8217;s initiation when he acquired his knowledge and wisdom. Not to even mention the exceptional symbolic values associated with this number (humanitarianism, compassion, altruism, philanthropy, enclosure, achievement, wisdom, integrity, idealism). Nine is regarded as the number of completion because it is the last of the single digits and symbolizes the acme of spiritual and material realization. It is often associated with a comprehensive overview, expanded awareness, and the desire to contribute to the general well-being. It is the number of journeys and new horizons. It is the number that best symbolizes the new keys to wisdom that I am about to reveal to you.<BR><BR><B>The Origin of the Nine Keys<BR></B><BR>Where do these nine keys come from? They are inspired by the ancient Icelandic texts, sagas, and poetry that go back to oral traditions In the depths of time. But they also contain principles from modern Icelandic society, which has had to deal with a variety of challenges, crises, and catastrophes. The old texts, which are still widely read by Icelanders, offer valuable sources. The nine keys were born from the ineffable inspiration and perception from my travels through this land of fire and ice.<BR><BR>In ancient Iceland, poetry was perceived as a gift of the gods, particularly Odin, the god of wisdom. This deep-rooted belief reflected the worldview of this land&#8217;s inhabitants, for whom poetry was a means of grasping the very essence of reality. This idea is perfectly embodied in the collection of ancient Icelandic poems known as the <i>Poetic Edda</i>. These texts, which have a wealth of complex metaphors and symbols, can be regarded as sacred narratives containing profound cosmological, mythological, and philosophical knowledge. Through these poems, ancient Icelanders explored themes like the creation of the world, the feats of gods and heroes, the mysteries of the universe, and the laws that govern nature and society. The poems of the <i>Poetic Edda </i>are far more than simple tales; they were also the means for teaching and transmitting wisdom. Every verse, every story was permeated by multiple meanings and offered insights into the human condition and its moral dilemmas, survival strategies, and spiritual quests. These poems served as a guide to better grasp the outside world and the inner world of emotions, thoughts, and aspirations. In Icelandic tradition, poetry was a path to knowledge and wisdom, a form of expression that transcended time and space. It was a bond between the world of men and the world of the gods; it provided a bridge between the earthly and the divine. The ability to write, interpret, and appreciate poetry was seen as a form of wisdom and spiritual connection. The <i>Poetic Edda </i>continues to inspire and influence Icelandic literature, art, and thought today. It testifies to the power and persistence of poetry as a form of artistic and spiritual expression. These ancient poems are a reminder that poetry can be a means of exploring our own inner depths and forming a connection to a much wider universe of knowledge and meaning. They are treasures that hold the keys to wisdom.<BR><BR>Icelandic poetry was an essential means of sharing wisdom and knowledge. The poets&#8212;or skalds&#8212;were storytellers, historians, and sages whose works educated and inspired, as well as preserved the knowledge and traditions of their people. The epic poems and sagas frequently depicted the feats of legendary heroes and gods. These tales were steeped in moral lessons and principles for living. The exploits of figures like Odin, Thor, and Freya offered examples of courage, cunning, sacrifice, and wisdom, shaping thereby the ideals and values of Icelandic society. In a culture where oral tradition was elemental, poetry was used to memorize and pass along history and knowledge. Poems were designed to be memorized easily, often thanks to complex rhythmic structures and rhyme schemes. This technique guaranteed that the teachings and the tales could be passed down from generation to generation with no loss of accuracy. Many Norse poems explore the complexities of human nature: its conflicts, its moral dilemmas, its passions. Listening to or reciting these poems taught individuals how to navigate the complicated aspects of social and individual life, hereby forging a deeper understanding of themselves and others.]]></Text>
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      <Text><![CDATA[Introduction<BR><BR>The Nine Keys of Icelandic Wisdom: <BR>Discovering the Eighty-One Mantras<BR><BR>Wisdom Key No. 1: <I>Styrkur <BR></I><BR>Wisdom Key No. 2: <I>Nattura <BR></I><BR>Wisdom Key No. 3: <I>Samskipti<BR></I><BR>Wisdom Key No. 4: <I>Raetur <BR></I><BR>Wisdom Key No. 5: <I>Skopun </I><BR><BR>Wisdom Key No. 6: <I>Fridur</I> <BR><BR>Wisdom Key No. 7: <I>Samfelag<BR></I><BR>Wisdom Key No. 8: <I>Skuggi <BR></I><BR>Wisdom Key No. 9: <I>Vit <BR></I><BR>The Icelandic Keys for the Twenty-First Century:<BR>A Path with No Destination <BR><BR>Bibliography <BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;The nine keys and mantras in this book&#8212;grounded in the extraordinary mix of Iceland&rsquo;s wild landscape, Old Norse lyrical poetry, and the resilient Icelanders themselves&#8212;offer you fresh guidance to support the embodiment of your soul&rsquo;s fullness.&rdquo;]]></Text>
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      <Text><![CDATA[<I>&ldquo;Wonder</I> is the word I most associate with Iceland: its stark nature and rich culture have long inspired me. <I>The Nine Keys of Icelandic Wisdom</I> deftly captures that feeling of wonder and makes it both practical and portable. From Iceland&rsquo;s landscape, its sagas and ancient poems, and its modern outlook, Rosset has distilled an inspiring guide to living a life of discovery.&rdquo;]]></Text>
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      <Text><![CDATA[<I>&ldquo;The Nine Keys of Icelandic Wisdom</I> presents skills for living in harmony with a magical landscape hidden within the natural world. While the author&rsquo;s stories and meditations center around Icelandic traditions, they are universal and valuable for any reader. He presents a &lsquo;path with no destination&rsquo; for seekers of inner knowledge. And even more, the photographs alone are worth the price of the book. These stunning images, showing the boundary between the natural and supernatural, permeate every key the author presents.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;The themes and values from the Icelandic sagas offer life lessons that are relevant to our contemporary lives. They encourage honor and integrity in our social and spiritual lives, with characters of the sagas serving as mirrors through which we can explore and understand ourselves. Though this exploration does not need to take place in Iceland, I would love to return for a second visit to bring these nine keys to life within me.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Susan Browne is a spiritual and wellbeing coach with over a decade of experience helping others connect with angels and raise their vibration. A teacher of the Diana Cooper School of White Light and qualified Guild of Energists trainer, she has developed her own intuitive style of tapping into the guidance of angels. The author of <I>Angel EFT</I>, Susan has a passion for nature and lives in County Kerry, Ireland.]]></BiographicalNote>
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      <Text><![CDATA[<B>Tap into mastery and joy with the angelic realms</B><BR><BR>&#8226; Explains the 12 fifth-dimensional chakras, their spiritual lessons, and how to evolve and master each one<BR><BR>&#8226; Provides a guide to Angel EFT, which combines Emotional Freedom Techniques (EFT) with the invocation of angels, archangels, ascended masters, goddesses, unicorns, and dragons to raise your vibration and release energetic blocks<BR><BR>&#8226; Includes calming and enlightening tapping exercises, protocols, and visualizations to deeply support your daily life<BR><BR><B>RAISE YOUR LIGHT LEVELS</B> and find support through life&#8217;s challenges with Angel EFT, a powerful fusion of Emotional Freedom Techniques and angelic guidance.<BR><BR>Drawing on the fifth-dimensional 12-chakra system, Susan Browne shows how to connect with archangels, ascended masters, and other celestial allies to release energetic blocks, ease anxiety, and expand your energy. Through simple tapping exercises, techniques, and visualizations, you can access greater clarity and abundance. You can also deepen your connection to nature and your soul&#8217;s purpose. As you transform within, you contribute to raising the collective consciousness of the planet.<BR><BR>Aligning you with the expansive support of the higher realms, this practical guide to ascension offers an accessible, life-affirming path to joy, empowerment, and spiritual mastery.]]></Text>
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      <Text><![CDATA[Susan Browne is a spiritual and well-being coach with a wealth of experience helping others connect with angels and raise their vibration. A teacher of the Diana Cooper School of White Light and a qualified Guild of Energists trainer, she has developed her own intuitive style of tapping with the guidance of angels. The author of <I>Angel EFT</I> and <I>Ask Your Angel Guides</I>, Susan lives in County Kerry, Ireland.]]></Text>
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      <Text><![CDATA[<B>Introduction<BR><BR>Angel EFT and the Chakras</B><BR><BR>I have arranged this book into 12 chapters representing the 12 fifth-dimensional chakras, each with lessons and exercises. We begin at the earth star chakra and move upwards from there. Naturally, each stage can take different amounts of time, depending on how long you need. I encourage readers to practise the exercises regularly to get the most from this book. Take time to receive and absorb.<BR><BR>Use a specially dedicated notebook or journal, and make notes of your experiences. Join with like-minded friends and arrange meetings to try some of the exercises together and discuss. Angels and angelic beings flock to groups where angels are spoken about, and so the blessings magnify.<BR><BR>For your personal journey, some sections may take longer to understand or master, and there&#8217;s no need to rush. Keep coming back to what you need. We are bombarded with information and options and there is a tendency to want to finish, and get on to the next thing. You will get the most benefit if you slow down and take your time. Be open to the angels&#8217; guidance in your life.<BR><BR>Slow down so that you can hear the angels&#8217; messages.<BR><BR>Begin at the earth star chakra only when you are already familiar and have had some practice using the techniques described in these next few pages. I add the infinity symbol &#8734; throughout the book as a gentle reminder to pause, reflect, and make notes if you choose to.<BR><BR><B>Setting Your Intention</B><BR><BR>If you have attended my workshops you will know how important I consider setting your intention. It is like placing an order for a meal. The order needs to be clear so it can come to you. If I walked into a restaurant and told the waiting staff, &#8220;I just want something that I like to eat,&#8221; they would be puzzled and wonder what to bring me.<BR><BR>To set your intention, ask yourself the question, what would I like to receive from this book? Note down the ideas that flow into your mind. Take some time to refine your &#8220;request&#8221; so it is clear and coherent. When you say it out loud, check&#8212;is it easy to say and remember? In my experience, intentions that are long and meandering are harder to manifest. Coming back to the restaurant analogy, it is okay to want a number of things, so long as we are clear and concise about them.<BR><BR>Revisit your intention regularly, ideally each time you pick up this book. Review it and check in with how it&#8217;s coming along.<BR><BR><B>My intention for this book<BR><BR><I>Under the Law of Grace, readers of this book will receive a massive<BR><BR>light boost and countless blessings. More and more people will<BR><BR>learn to connect with their angels and experience the miracles of<BR><BR>Angel EFT. This will add greatly to the ascension of humankind<BR><BR>for the highest good of all.<BR><BR>And So It Is.<BR></I></B><BR><B>How Chakras Reveal Life Lessons<BR></B><BR>Learning about the chakras was one of the things that helped me most after having a spiritual awakening in my twenties. The chakras illuminate so much. They are like a map to our lives and they highlight certain lessons.<BR><BR>When I then learned through the Diana Cooper School teachings that there were 12 fifth-dimensional ones rather than the initial seven I had familiarized myself with, my ascension experience magnified. So I was guided to write this book as an Angel EFT journey through these 12 chakras. I talk about different angels, masters, and high-frequency guides that associate with each chakra, and lessons that occur in relation to that chakra. Some of our life lessons cross several chakras.<BR><BR><B>Kindness Helps Us with Our Lessons</B><BR><BR>If we complete a wonderful meditation in the morning sending healing and light but spend the rest of the day bossing people about and making cruel remarks, something within us is off kilter and we have self-healing to do. It is our behaviour out in the world and in our relationships at home where we do the most learning associated with love and using our power with wisdom. When we meditate and connect with spirit, we receive the wisdom and guidance to help us in those spaces.<BR><BR>Sometimes we have to be presented with the same lesson over and over again until we master it. It is the generosity of the Earth experience that allows us so many chances. Be kind and encouraging to yourself when you see you are repeating something many times. Kindness is the fuel of lasting positive changes.<BR><BR><B>The Lightworker Concept</B><BR><BR>When I first heard the word lightworker years ago, it resonated with me right away. I thought, &#8220;Yes, I am one of those. I am here to bring more light.&#8221; Being a lightworker is not simple and bringing more light is not always going to be the first thought in people&#8217;s minds. There are many lightworkers who have come on assignment to bring more light, but might seem unrecognizable as they are struggling on their mission, feeling bogged down with the challenges.<BR><BR>Sometimes I question the term lightworker. Aren&#8217;t we all one of these? Or potentially so? Couldn&#8217;t those who do wicked things in the world be lightworkers who have lost their way? Does the term create a division of those who are and those who are not? I don&#8217;t know the answers to these questions, but still the term makes sense to me.<BR><BR>You shining your light inspires others, and reminds people of their own light. And that is true whether they are a lightworker or not.<BR><BR><B>EFT Tapping and the Development of Angel EFT<BR><BR></B>When we&#8217;re stressed, the prefrontal cortex in the brain, which controls our reasoning and logic, temporarily shuts down, and our body releases a surge of adrenaline and cortisol. EFT tapping can help soothe the amygdala, promote the release of calming chemicals, and restore us to a more balanced state.<BR><BR>EFT tapping was originally founded by Gary Craig, who was inspired by the work of Roger Callahan on Thought Field Therapy. Many other wise beings since have been using tapping for well-being and I have also worked a lot with Silvia Hartmann&#8217;s Modern Energy Tapping.<BR><BR>I learned EFT originally from my good friend and trainer, Helen Ryle. I had already begun working with angels at this point, having trained with the Diana Cooper Foundation, now the Diana Cooper School of White Light, a few years prior. Helen and I travelled together to see Sacramento Tapping wizard, Brad Yates, in Cork, and I came away from his demonstration buzzing with excitement. I knew tapping was going to change my life in a big way.<BR><BR>The thought came soon after: &#8220;Imagine combining this with angel work.&#8221;<BR><BR>I studied with Helen to become an Energy EFT tapping practitioner and trainer, and the journey continued. Brad Yates also remains a great inspiration to me; and he interviewed me about Angel EFT and abundance on his YouTube show, Get Ready!<BR><BR>I have huge gratitude for the founders of EFT and tapping, as well as to Silvia Hartmann, whose style of tapping was the method used in my first Angel EFT book, Angel EFT: Tap into the Angelic Realms with Modern Energy EFT. I still find these methods very effective.<BR><BR>Deeper into my Angel EFT journey, I was guided to the points that we will look at now for the purposes of this book. As you read, stop and try each one so you can practise right away. If tapping is new to you, this will help you to familiarize yourself. If you are a seasoned tapper, you might like to do this anyway, using beginner&#8217;s mind&#8212;as though it&#8217;s the first time&#8212;as this will help you to be open.]]></Text>
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      <Text><![CDATA[<B>Foreword<BR><BR>Introduction: Angel EFT and the Chakras<BR></B><BR>Setting Your Intention<BR><BR>How Chakras Reveal Life Lessons<BR><BR>EFT Tapping and the Development of Angel EFT<BR><BR>Angel EFT Tapping and Holding Points<BR><BR>Let&#8217;s Practise Manifesting Miracles <BR><BR>Golden Angel Aura<BR><BR>Angel Wishes <BR><BR>The New Golden Age<BR><BR>How to Work with the Chakras<BR><BR>Angelic Beings of Light<BR><BR><B>Chapter 1: Earth Star Chakra</B> <BR><BR>Archangel Sandalphon<BR><BR>Archangel Purlimiek and the Miracle of Trees <BR><BR>Archangel Joules and the Alchemy of Water <BR><BR>Archangel Roquiel and the Music of Mountains <BR><BR>Archangel Gersisa and the Miracle of Soil <BR><BR>Archangel Bhokpi and the Bird Kingdom<BR><BR>Lady Gaia and Hollow Earth <BR><BR>Reconnecting with Nature: Learning the Names<BR><BR>Archangel Preminilek and Cherishing Insects <BR><BR>Goddess Brigid: The Powerful Divine Feminine Energy<BR>of Nature <BR><BR>Green Dragons and the Secrets of Nature<BR><BR>Nature Management in a Town: A Story <BR><BR><B>Chapter 2: Base Chakra<BR><BR></B>Archangel Gabriel<BR><BR>Base Chakra and Grounding<BR><BR>Anchoring Prosperity Consciousness <BR><BR>Archangel Zariel and Healing for Family<BR><BR>Achieving Long-Term Goals with Lord Kuthumi <BR><BR>Green Man and the Ancient Sacred Forest <BR><BR>Earth Dragons and the Leylines Under Where You Live<BR><BR>High-Frequency Foods <BR><BR>Archangel Mary: Forgiving Parents and Childhood Wounds <BR><BR>Remember Your Magic with Master Merlin <BR><BR>The Labyrinth as a Tool for Renewal and Delight<BR><BR><B>Chapter 3: Sacral Chakra<BR><BR></B>Archangel Zadkiel and Healing Sexuality to Fully Thrive<BR><BR>Goddess Isis and Balancing Masculine and Feminine<BR>Energies<BR><BR>Release the Energy of Sexual Partners<BR><BR>Raising the Frequency of Sex Hormones<BR><BR>Let Go of Stress with Archangel Hope<BR><BR>Healing for Parents <BR><BR>Divine Creativity: Unlock Your Gifts and Overcome Inertia<BR><BR>Sacral Chakra Rainbow Fire of Source Attunement<BR><BR><B>Chapter 4: Navel Chakra</B> <BR><BR>Unicorns Help Raise Consciousness<BR><BR>Living in Unity<BR><BR>The Grace of Gratitude <BR><BR>Lord Voosloo and the Fifth-Dimensional Blueprint<BR>of Oneness<BR><BR>Relationship Alchemy<BR><BR>Archangel Muriel and Energy Authenticity<BR><BR>Archangel Hope and Healing Loneliness and Isolation<BR><BR>Sunshine in the Belly: A Glowing Navel Chakra Story <BR><BR><B>Chapter 5: Solar Plexus Chakra<BR><BR></B>Archangel Uriel<BR><BR>Lady Nada and Transcending Ego<BR><BR>Clean, High-Frequency Clairsentience<BR><BR>Clear Fear and Anxiety and Walk Confidently with <BR>Archangel Aurora <BR><BR>Unicorns Helping with Victim Consciousness<BR><BR>Archangel Fhelyai and the Animal Kingdom<BR><BR>The Golden Solar Dragons from Helios become a <BR>Shining Sun<BR><BR>Archangel Jeremiel: Freedom from Past Life Limitations<BR><BR><B>Chapter 6: Heart Chakra</B> <BR><BR>Open Your Fifth-Dimensional Heart Chakra with<BR>Archangel Chamuel<BR><BR>Connect to the Cosmic Heart with Archangel Haniel<BR><BR>Goddess Quan Yin, Master Merlin, and a Visit to the<BR>Planetary Heart Chakra <BR><BR>Forgiveness of Your Earth Incarnation with the Pegasus <BR><BR>Abundance Through the Back of the Heart Chakra with <BR>the Lilac Fire of Source<BR><BR>Archangel Charity: Giving Is Receiving<BR><BR>Heal Jealousy with Archangel Metatron&#8217;s Cube <BR><BR>Healing Circle of Angels and Masters for Inner Child <BR><BR>Blessings and Higher Heart Activation<BR><BR>Pure Happiness and Inner Peace with Seraphim Seraphiel <BR><BR>Lie Heart to Heart with Earth<BR><BR>Relax in a Bubble of Golden Christ Light <BR><BR>Remember Your Wings<BR><BR><B>Chapter 7: Throat Chakra</B> <BR><BR>Archangel Michael and the Sword of Truth <BR><BR>Affirmations, Decrees, Mantras, Humming, and Singing<BR><BR>Deep Blue Dragons and Forgiveness of Past Life<BR>Experiences Connected with the Throat<BR><BR>The Alta Major and a Unicorn Energy Boost<BR><BR>Manifesting Your Words as Arrows of Light<BR><BR>Archangel Dorenka and Healing Secrets<BR><BR>Archangel Faith and Being Heard<BR><BR>Owning Your True Magnificence<BR><BR>Lightworkers and Light Leaders<BR><BR>Metatron&#8217;s Cube and Creative Mastery<BR><BR><B>Chapter 8: Third Eye Chakra</B><BR><BR>Archangel Raphael and Your Crystal Third Eye Chakra<BR><BR>Discernment with Archangel Raziel<BR><BR>The Pure White Flame of Atlantis and Fifth-Dimensional Manifesting<BR><BR>Abundance with the Crystal Green and Orange Dragons from Jupiter<BR><BR>Mastering the Pictures We Make in Our Minds with Lord Melchizedek<BR><BR>Cleaning Your Third Eye<BR><BR>Clairaudience Sound Bath with Diamond Light <BR><BR>Body Kindness and Healing for Ill Health<BR><BR><B>Chapter 9: Crown Chakra<BR><BR></B>Activate Your Golden Halo and Seventh-Dimensional<BR>Angelic Essence with Archangel Jophiel <BR><BR>Serapis Bey and the Alchemy of Thought<BR><BR>Invisibility Cloaks and Harmlessness<BR><BR>Air Dragons for Inspiration and Taking Your Next Step<BR><BR>Deepening Claircognizance with Archangel Jophiel&#8217;s<BR>Crystal Yellow Dragons<BR><BR><B>Chapter 10: Causal Chakra</B> <BR><BR>Unicorns and the Stargate of Lyra<BR><BR>Archangel Christiel&#8217;s Protective Cloak of Peace<BR><BR>Silver Lunar Dragons and the Gifts of the Moon<BR><BR>Make a Unicorn Portal in Your Home or Garden<BR><BR>Receive Three Divine Codes of the Shekinah<BR><BR>Universal Angel Mary&#8217;s Loving Embrace for the World<BR><BR><B>Chapter 11: Soul Star Chakra</B><BR><BR>Archangels Zadkiel and Amethyst<BR><BR>Archangel Mariel and Accepting Your Soul Mission<BR><BR>Master Marko and the Quartz Crystal Skull<BR><BR>Forgiveness with Archangel Lavender<BR><BR>Step Into Your Soul Radiance with the Rainbow Dragons<BR><BR>Preparing to Merge with Your Monad<BR><BR><B>Chapter 12: Stellar Gateway Chakra<BR></B><BR>Archangel Metatron<BR><BR>Building on Your Spiritual Practice<BR><BR>Tune In to the Frequency of Pure Love and Joy with the<BR>Cosmic Whales<BR><BR>Archangel Bhokpi: As Free as a Bird<BR><BR>The 12 Fifth-Dimensional Chakras at a Glance <BR><BR>Rainbow Bridge and Monadic Merge with Seraphim <BR>Serephina<BR><BR><B>Bibliography<BR><BR>Acknowledgements<BR><BR>Tapping Script Overview<BR><BR>About the Author</B>]]></Text>
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      <Text><![CDATA[&ldquo;Angel communicator and coach Susan Browne has taken her unique skill of combining two seemingly different methods and beautifully developed a new path to healing. By weaving the tapestry of EFT with the mystical powers of the angels, she presents a brilliant and highly effective new method of healing. She clearly explains through numerous examples and diagrams how we can all connect with our angels and accelerate our ascension process. Enjoy this powerful, light-filled journey through multidimensional chakras while visiting with many angels and archangels who are happy to assist us in miraculous ways! Deep gratitude to Susan for being our illuminated guide and providing a dynamic path to transformative healing!&rdquo;]]></Text>
      <TextSourceTitle>GINA M. SALVATI, producer of Coast to Coast AM/ iHeart Media and executive producer of The Aware Sho</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Susan Browne&rsquo;s latest book <I>Tapping with the Angels</I> takes you on a clear, accelerated journey to ascension. I love the exercises and visualizations and most of all the easy-to-follow directions for tapping. This enables the learnings to be easily absorbed consciously and unconsciously. This book is perfect for anyone who wishes to fly up their ascension path.&rdquo;]]></Text>
      <TextSourceTitle>DIANA COOPER, bestselling author of Angels of Light Cards and founder of the Diana Cooper School of</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Susan Browne is a gifted practitioner, both in person and in print. Tapping has improved my life in so many ways.&rdquo;]]></Text>
      <TextSourceTitle>BILLY KEANE, journalist, author, and broadcaster</TextSourceTitle>
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      <Text><![CDATA[&ldquo;In a time when so many of us are hungry for deeper guidance, Susan offers something rare&#8212;a practical, heart-centered pathway to the wisdom that&rsquo;s always been available to us. <I>Tapping with the Angels</I> doesn&rsquo;t ask you to ignore your discernment, it looks to sharpen it. A worthy companion for any conscious seeker ready to open new channels of insight and connection to the higher realms.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Susan Browne&rsquo;s <I>Tapping with the Angels</I> is a life-changer. It is structured around the twelve fifth-dimensional chakras, which contain your life lessons and the keys to stepping into spiritual mastery, combined with EFT, a system for releasing energetic blocks. Working your way through the beautiful exercises and visualizations and connecting with the most appropriate angels for each chakra is guaranteed to lift you up and raise your frequency. This is a must-have book for your shelf.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;In this book you will discover so much more than how to connect to and tap with the angels. I&rsquo;ve had the privilege of knowing Susan as a dear friend and colleague for many years and the light that shines from her in person also shines through this book. The use of EFT tapping calms our nervous system and opens our connection to the spiritual realms more easily. Through doing the exercises my communication channel to the angels has been strengthened and my spirit is always uplifted by that connection.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Dietmar Kramer, a licensed naturopath in his native Germany, has been active as a practitioner and teacher of holistic health care since 1983. He is also the author of <i>New Bach Flower Therapies</i>.]]></BiographicalNote>
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      <SubjectHeadingText>ACUPUNCTURE MERIDIANS;BACH FLOWER THERAPY;ENERGY MEDICINE;FIVE ELEMENTS;FLOWER ESSENCES;HOLISTIC HEALING;CHINESE MEDICINE;MOON LINES;EMOTIONAL HEALING;YIN YANG;INTEGRATIVE MEDICINE;NATURAL REMEDIES;CONSCIOUSNESS;CASE STUDIES;CHILDREN’S HEALING;DREAMWORK;EMOTIONAL CAUSES OF ILLNESS;POLARITY THERAPY;BODY TRACKS;ANCIENT EGYPTIAN ENERGY;DIAGNOSIS ENERGY;BODY-MIND CONNECTION;NATUROPATHY;ENERGY POINTS;FLOWER REMEDIES;WELLNESS;SELF-TRANSFORMATION;SUBTLE ENERGIES;MEDICAL QIGONG;VIBRATIONAL MEDICINE</SubjectHeadingText>
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      <Text><![CDATA[<B>Combining Chinese medicine concepts with Flower Essences for more effective healing</B><BR><BR>&#8226; Shows how Bach Flower tracks on the body correlate precisely with acupuncture energy meridians, the Five Elements, and the polarities of Yin and Yang<BR><BR>&#8226; Reveals how to use Moon Lines, secret ancient Egyptian knowledge of energy points that directly affect consciousness<BR><BR>&#8226; Explores how to treat a variety of conditions by integrating Bach Flower Therapy with the meridians and Moon Lines<BR><BR>Building upon his innovative discoveries in Bach Flower Therapy, Dietmar Kr&#228;mer reveals how applying the energetic theories of Chinese medicine can enhance the effectiveness of healing work with flower essences, especially for deeply ingrained emotional conditions that often underlie chronic physical ailments.<BR><BR>The author shares his discovery of Bach Flower tracks, &#8220;inner flowers&#8221; that correlate precisely with the energy meridians of acupuncture, and &#8220;outer flowers&#8221; that correspond to the five elements of traditional Chinese medicine. He details the secret ancient Egyptian concept of Moon lines and how to use them. These are lines of energy points on the body that directly affect consciousness and can act as relays between emotional patterns and energy imbalances.<BR><BR>With diagrams and case studies, Kr&#228;mer explores how to diagnose and treat a variety of conditions using flower essences in tandem with acupuncture meridians and Moon lines. He explains how to locate the Moon line points and how treating these points can resolve long-standing treatment-resistant issues. He also looks at dreams in diagnosis and shares how to utilize his innovative practices for treating children.]]></Text>
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      <Text><![CDATA[Dietmar Kr&#228;mer is a renowned Bach Flower Therapy researcher and retired naturopath. The founder of the International Center for New Therapies, he has presented more than 500 workshops and seminars. The author of <I>New Bach Flower Therapies</I> and <I>New Bach Flower Body Maps</I>, he lives in Germany.]]></Text>
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      <Text><![CDATA[<B>2<BR><BR>Bach Flower Therapy Tracks and Acupuncture Meridians</B><BR><BR>The acupuncture meridians were assigned to the Bach flower tracks, in part because of their almost obvious agreement. That&#8217;s how, for example, it was completely clear that only the Mimulus track could belong to the Kidney, which is traditionally associated with fear. The assignment of the Gentian track to the Stomach, which itself is considered a &#8220;worry organ&#8221; in our culture, also followed this logic.<BR><BR>In many cases, however, the agreement was not as clear as in the examples given above. Since the internal causes of illness in Chinese medicine are assigned to an entire element, and thus to two (or four, in the case of the Fire element) meridians, it was not always clear from acupuncture theory which part of the emotion (and which Bach flower track associated with it) was associated with the Yin meridian and which was attributed to the Yang meridian. The organ language used (bladder: letting go&#8212;Centaury; lungs: taking someone&#8217;s breath away&#8212;Chicory; and so on) was not taken from the acupuncture system and could, therefore, contain errors. Above all, however, the connections I found intuitively required objective verification.<BR><BR>Through experiments with color irradiation on acupuncture points, as described in detail in my book <i>Neue therapien mit farben, kl&#228;ngen und metallen, </i>&#8220;New Therapies with Colors, Sounds and Metals,&#8221;<i> I</i> <i>finally managed to develop a procedure that made testing possible.</i> The method is based on the fact that colored light has a healing effect, which has been known for thousands of years.<BR><BR>Modern biophoton research has succeeded in confirming the effect of this ancient healing method. Using physical measurement, methods can demonstrate that cells exchange light pulses with one another. The intensity of these &#8220;biophotons&#8221; depends on the functionality of the cell: the more disturbed its function, the stronger its light emission. Therapeutic manipulations such as the administration of homeopathic medication or the stimulation of acupuncture points cause an immediate change in biophoton activity. Irradiating the skin&#8217;s surface&#8212;especially the acupuncture points&#8212;with colored light also shows clear results. Photoreceptors are now suspected to exist in the skin. Based on these observations, illness can also be defined as a color deficiency. Attempts are now being made to photograph the color spectrum of a single diseased cell using Kirlian photography in order to diagnose its missing color.<BR><BR>My own experiments took a very different, though less technical, approach. Together with my colleague Martina Graf, I simply checked the behavior of the aura when the points on the body&#8217;s surface were irradiated with different colors. We were able to determine that each acupuncture point causes characteristic changes in the aura when exposed to a single color. This color is the same for all acupuncture points on the same meridian, so that each meridian can be assigned a specific color. This method can also be used to check meridian curves. If you irradiate a point with its &#8220;natural color,&#8221; the entire body radiates an energy that can be felt by the sensitive person. The radiation lasts until the color deficit in the diseased cell is eliminated, after which the body apparently no longer absorbs any energy. Since this reaction is obviously based on resonance behavior, I called my test method the Color Resonance Method.1<BR><BR>By comparing the results of these tests on acupuncture points with the colors that react on the Bach flower skin zones,2 I discovered complete agreement everywhere. If you irradiate a disturbed zone with the natural color of the acupuncture meridian to which the corresponding flower belongs, reactions immediately occur in the aura3 that can also be felt by the test subject, such as in the form of immediate pain relief. At the same time, changes in the aura (holes) occur in other skin zones of the same flower, which are sometimes experienced as tingling, itching, or even pain.4<BR><BR>This procedure has served my colleague Helmut Wild and me well in checking the topography of the skin zones. We were able to artificially create holes in the aura and then close them again by applying Bach flower essences, thereby testing the allocation of Bach flower therapies to these zones.<BR><BR>The experience gained in our natural healing practices by combining Bach flower therapy and acupuncture shows amazing similarities between energetic disorders and the flowers in question, thereby confirming the correctness of the assignment of both meridians to Bach flower tracks as well as the outer flowers to the elements. The comparative study of a wide variety of acupuncture literature, which is the basis for the following chapters, ultimately revealed clear similarities with traditional acupuncture theory in many areas and, in many cases, also provided explanations for the connections found intuitively or from practice.<BR><BR>We shall deal with these assignments below, as they enable a deeper understanding of the Bach flower tracks by including functional circles embodying physical aspects. The tracks are discussed briefly later on in this book to remind the reader of the most important defining symptoms when comparing tracks and acupuncture meridians&#8212;including details from more recent findings. In these presentations, particular attention was paid to the consideration of each track as a whole, which made many of the described expansions possible from this new perspective.<BR><BR><B>ELEMENT: WATER</B><BR><BR>The Water element is of central importance in Chinese medicine. The Kidney, as the seat of hereditary energy, is the &#8220;repository of all systems that are passed on to the offspring through procreation and inheritance.&#8221;5<BR><BR>Water embodies the &#8220;totality of physicality as a prerequisite for any life achievements and for any development of life force. The most striking expression of this life force and potency is the power of the will . . . as an expression of the power of those reserves that are stored in the materialized genetic material of the body.&#8221;6<BR><BR>An energy deficit in this functional circle causes a weakening of the will.<BR><BR>Above all, subconscious, quasi-instinctive mechanisms play a primary role in this strongly emotional element. &#8220;These push the physicality with its drives and feelings toward realization. In the impulsive and urgent, a force of will, an intentional determination, bursts forth.&#8221;7 One expression of this is the reproductive instinct. In acupuncture, procreation and inheritance are assigned to the Water element. Disturbances in this function, like impotence, are due to an energy deficit in this element. Another aspect of the Water element affects all areas of life that have to do with qualities of stability, security, and support in the physical, mental, and even social areas. The corresponding physical form of expression is our bones. They form our backbone and skeleton, provide support, stability, and (as with the skull and ribs) protection to our organs and tissues and give us the ability to move in the first place.<BR><BR>Mental equivalents to this are qualities such as firmness, stability, and trust. If these qualities are missing due to an energy deficit in this functional circle, this leads to fear, insecurity, fickleness, despondency, and inhibition.<BR><BR>Fear in particular is considered to be the most noticeable characteristic of a disturbance in the Water element. This is often associated with a weak voice. Groans or sounds without articulate word formation are considered vocal manifestations of the Water element.<BR><BR>The sensory organ associated with the Water element is the ear, not only in its function of external hearing but also in that of &#8220;inner hearing, understanding the inner voice and its implementation in one&#8217;s own life.&#8221;8<BR><BR>The listening process is a rather passive process; unlike the eyes, the ears cannot simply be closed. What is heard must be processed or filtered by the brain. This &#8220;selective hearing&#8221; plays a major role, especially during sleep. Only noises that require a reaction&#8212;such as in case of danger&#8212;should exceed the threshold of the conscious, otherwise sleep disorders will occur (it should be noted that disruptions in other functional areas can also affect sleep).<BR><BR>Our entire nervous system is related to the Water element, especially the kidneys. This corresponds to all functions that represent the structuring power of Yin in its highest actuality, that is, in its direct experience. An intact <i>orbis renalis </i>(Kidney functional circuit) is therefore viewed as the basis and source of physical, mental, and nervous resistance and endurance. Whether a person can withstand physical exertion or even torment, nervous strain, or stressful situations, and whether they are sensitive to extreme cold or heat depends largely on the condition of the orbis renalis. If a person is easily exhausted or quickly upset, this suggests a weakness of the orbis renalis.9]]></Text>
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      <Text><![CDATA[<B>Foreword<BR><I>by Helga Wang</I></B> <BR><BR><B>Acknowledgments</B> <BR><BR><B>Note to the Reader on the Presentation of the<BR>Terms and How to Use This Book<BR><BR>Introduction <BR><BR>1 The Foundations of <BR>Chinese Acupuncture Theory<BR></B>Historical Origins: The Development of<BR>Systematization in Acupuncture<BR><BR>The Meridians: Reaching Organs and Tissues via<BR>Connected Points<BR><BR>The Five Elements: Organizing the Universe<BR><BR>Internal and External Causes of Illness: <BR>Emotions and Environment <BR><BR><B>2 Bach Flower Therapy Tracks and <BR>Acupuncture Meridians <BR></B><BR><B>Element: Water<BR></B><I>Mimulus Track and Kidney Meridian &#9670;<BR>Centaury Track and Bladder Meridian &#9670;<BR>Outer Flower: Elm<BR></I><BR><B>Element: Earth</B><BR><I>Cerato Track and Spleen-Pancreas Meridian &#9670;<BR>Gentian Track and Stomach Meridian &#9670;<BR>Outer Flower: Gorse<BR></I><BR><B>Element: Wood</B> <BR><I>Impatiens Track and Liver Meridian &#9670;<BR>Scleranthus Track and Gallbladder Meridian &#9670;<BR>Outer Flower: Aspen<BR></I><BR><B>Element: Metal</B> <BR><I>Chicory Track and Lung Meridian &#9670;<BR>Clematis Track and Large Intestine Meridian &#9670;<BR>Outer Flower: Walnut <BR></I><BR><B>Element: Fire</B> <BR><I>Vervain Track and Heart Meridian &#9670;<BR>Agrimony Track and Small Intestine Meridian &#9670;<BR>Rock Rose Track and Triple Energizer Meridian &#9670;<BR>Water Violet Track and Pericardium Meridian &#9670;<BR>Outer Flower: Star of Bethlehem &#9670;<BR>Foundation Flower: Larch<BR></I><BR><B>3 The Moon Lines and Bach Flower Therapy</B> <BR><BR>The Discovery of Moon Lines in Hieroglyphic Text<BR><BR>Relay Station between Emotional and<BR>Energetic Levels<BR><BR>Using Moon Line Testing as a Diagnostic Tool<BR>for Bach Flower Application<BR><BR>Case Studies: Treating Physical Ailments<BR>with Moon Lines<BR><BR><B>4 Track Combinations: <BR>The Most Effective Therapy for<BR>Acute Physical Ailments<BR><BR></B>Relations of the Tracks to One Another<BR><BR>Treatment of Acute Problems with<BR>Track Combinations <BR><BR>Case Studies: Acute Conditions Resolve Easily<BR><BR>Treatment of Chronic Problems with <BR>Track Combinations<BR><BR>Case Study: Track Combinations Bring Up<BR>Deeper Issues<BR><BR>Diagnostic Clues from the Relations of the<BR>Tracks to One Another <BR><BR><B>5 Additions to New Bach Flower Therapies<BR><BR></B>Case Studies: Silent Zone as the Trigger for a<BR>Meridian Disorder<BR><BR>Notes on the Topography of Skin Zones<BR><BR>Notes on the Topography of the Ear<BR><BR>Relations between Teeth and Bach Flower Tracks<BR><BR><B>6 Intense Dreams Resulting from<BR>Bach Flower Therapies<BR><BR></B>Case Studies: Dream Interpretations <BR>for Adults <BR><BR>Case Studies: Dream Interpretations<BR>for Children <BR><BR><B>7 Treatment of Children</B> <BR><BR>Drawing Conclusions from Children&#8217;s Behavior <BR><BR>Influences During Pregnancy<BR><BR>Effects of Birth<BR><BR>Influences from the Environment <BR><BR>Practical Approach <BR><BR>Case Studies: Treating Children with Bach Flowers <BR><BR><B>Epilogue<BR><BR></B>APPENDIX A <B>Children&#8217;s Health Questionnaire<BR><I>by Dietmar Kr&#228;mer</I> and <I>Helmut Wild</I></B> <BR><BR>APPENDIX B <B>Evaluation Sheet</B><BR><BR>APPENDIX C <B>Tables of Moon Line Point<BR>Measurements<BR></B><BR><B>Notes<BR><BR>Bibliography<BR><BR>Index <BR><BR>About the Author</B>]]></Text>
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      <Text><![CDATA[&ldquo;Innumerable, invaluable insights into each and every Bach flower essence, organized into a comprehensive system.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;In this book, Dietmar Kr&#228;mer impressively demonstrates that the 38 negative emotional states according to Dr. Edward Bach correspond to the underlying causes of illness in traditional Chinese medicine. His precise mapping of these states to the acupuncture meridians, as well as the discovery of the Moon lines, opens up a new perspective. A masterpiece for all those who wish to deepen their understanding of the connections between emotions, acupuncture meridians, and illness.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;This book includes important ideas about methods that could eliminate the psychological causes of physical complaints and help with lasting emotional healing.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;A remarkable aspect of this book is its exploration of Moon lines, a system inspired by ancient Egyptian hieroglyphic texts. This material is presented with clarity and depth, making complex ideas accessible and engaging.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;A book full of astounding treasures! I was particularly fascinated by Dietmar&rsquo;s discovery (in hieroglyphic text) of sensitive points that can be stimulated to bring the unconscious to consciousness. This groundbreaking book gives practitioners clear ways of working with these points, including through the use of both flower essences and acupuncture meridians.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;The connection, discovered by Dietmar Kr&#228;mer, between Bach flowers and traditional Chinese medicine opens up an enlarged vision for both Bach flower therapy and TCM. Knowledge of Dietmar Kr&#228;mer&rsquo;s research is essential for any Bach flower therapist.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;It is thanks to the decades-long work of Dietmar Kr&#228;mer&#8212;his tireless dedication and profound commitment to Dr. Edward Bach&rsquo;s discoveries&#8212;that people worldwide can gain access to the new therapies with Bach flower remedies. His contribution will leave a lasting mark on the history of holistic healing.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;By linking Bach Flowers to the meridians, Dietmar Kr&#228;mer builds a bridge to traditional Chinese medicine. This opens up entirely new therapeutic options and greatly expands upon what Edward Bach has given us.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;This is a wonderful book that explores the scope of flower essence therapy from the astral body (emotions), through the etheric body (meridians), to the physical body (physiology). It offers great inspiration for traditional Chinese medicine practitioners, and the wealth of case studies is gratifying.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;By correlating three-flower tracks with TCM meridians, the author establishes a possibility for emotional regulation via acupoints. This profound integration of flower essences with Yin-Yang and Five Elements theories offers a transformative new perspective for traditional Chinese medicine.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Ven. Khenpo Tsewang Dongyal Rinpoche is an accomplished scholar and renowned Vajrayana master. He travels extensively worldwide to teach. Together the two brothers founded the Padmasambhava Buddhist Center in upstate New York, which now has centers around the world.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Paul Levy is a pioneer in the field of spiritual emergence and a Tibetan Buddhist practitioner for more than 35 years. He is the founder of the Awakening in the Dream Community in Portland, Oregon, and the author of several books, including <I>Dispelling Wetiko</I>. He lives in Portland, Oregon.]]></BiographicalNote>
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      <SubjectHeadingText>DREAM YOGA;DREAMTIME AWARENESS;DZOGCHEN;LUCID DREAMING;TIBETAN BUDDHISM;NYINGMA TRADITION;BARDO TEACHINGS;AWAKE IN DREAMS;LUCID AWARENESS;DREAM PRACTICES;DREAM STATE;MEDITATION;DEATH AND REBIRTH;SPIRITUAL PRACTICE;DREAM INTERPRETATION;DREAM NARRATIVES;NONDUAL AWARENESS;DREAM PURIFICATION;POWA PRACTICE;TIBETAN RITUALS;POSTURES;VISUALIZATION;SPIRITUAL REALIZATION;CONSCIOUSNESS;PREPARATION FOR DEATH;ADVANCED MEDITATION;DREAM CONTROL;MINDFULNESS;BUDDHIST LINEAGE</SubjectHeadingText>
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      <Text><![CDATA[<B>Develop lucid awareness in dreams as a foundation for spiritual practice</B><BR><BR>&#8226; Draws on the Nyingma tradition of Tibetan Buddhism to offer a progression of dream yoga practices, including pre-sleep purification, correct postures, and visualizations<BR><BR>&#8226; Offers practical instructions for identifying the dream state and modifying your dream narratives<BR><BR>&#8226; Reveals how dream yoga supports the bardo teachings and prepares the practitioner for death and rebirth<BR><BR>Maintaining awareness while dreaming is one of the most direct and practical methods for understanding the nature of reality. Drawing on the teachings of the Nyingma tradition of Tibetan Buddhism, this guide offers detailed instructions for cultivating lucid dream awareness and utilizing it as a foundation for spiritual realization.<BR><BR>The authors present a progression of dream yoga practices, including pre-sleep purification, correct postures, and visualizations. Their exercises will enable you to influence, multiply, and expand your dream experiences. They demonstrate how to recognize dream phenomena as illusory and apply this recognition to everyday perception, which is crucial for cultivating nondual awareness.<BR><BR>Practical instructions are given for identifying the dream state and maintaining lucidity to effectively modify your dream narratives. By consistently advancing on this path, you will realize the true nature of the mind. The authors also reveal how dream yoga supports the bardo teachings and prepares the practitioner for death and rebirth.<BR><BR>A comprehensive roadmap rooted in an authentic lineage, <I>Dzogchen Dream Yoga</I> demonstrates how to deepen your meditation practice to cultivate awareness while dreaming to enhance focus and illuminate the waking experience.]]></Text>
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      <Text><![CDATA[<B>Ven. Khenchen Palden Sherab Rinpoche (1938-2010)</B> was an extraordinary lama, teacher, and Dzogchen master in the Nyingma school of Tibetan Buddhism.<BR><BR><B>Ven. Khenpo Tsewang Dongyal Rinpoche,</B> an accomplished scholar and Vajrayana master, travels extensively worldwide to teach. Together the two brothers founded the Padmasambhava Buddhist Center in upstate New York, which now has centers around the world.]]></Text>
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      <Text><![CDATA[<B>Introduction to Dream Yoga</B><BR><BR>From the earliest Hinayana teachings all the way to Dzogchen, our great teacher Buddha Shakyamuni pointed out that everything is illusory, like magic, dreams, clouds, echoes, or lightning. The Buddha used many such metaphors to show us our nature, to soften our grasping, and to melt our regimented, icelike dualistic mind that sees ourselves and all phenomena as separate, discrete, and unconnected. He gave us a great many tools to help us wake up. Dream yoga practice is one such tool.<BR><BR>Everything is like a dream. There&#8217;s no difference between our waking experiences during the daytime and our sleeping dreams at night. When we&#8217;re not hindered by duality, we see that everything is a dream. We could also say that everything is real. It&#8217;s not that dreams are unreal and this waking life is real. Whichever word we want to use, whether it&#8217;s <i>dream </i>or <i>reality</i>, if everything is real, everything is real. And if everything is a dream, everything is a dream. Their nature is the same. There&#8217;s no difference. That&#8217;s what the Buddha and Guru Padmasambhava* taught, and to some degree we can experience this.<BR><BR>Everything is a dream because everything is constantly changing. Since we were born and until this very moment, for as long as we can remember, how many things have changed? How many things have shifted and been dislocated? Even ourselves, <i>myself</i>, how many changes have we been through? When we look at all those changes in the past, they&#8217;re really just dreams. What&#8217;s the difference between my dream last night and everything that happened in the past? Really, what&#8217;s the difference? This book is also a dream. We&#8217;re in another stage of the dream, exploring and analyzing the beautiful qualities of dreams, but it is still a dream. Bring up this realization vividly and touch the nature itself without being dislocated by the power of duality and the force of our misunderstanding. This is dream yoga practice, in which we bring up our realization of the true nature exactly as it is.<BR><BR>Buddha Shakyamuni taught dream yoga extensively on many occasions. Much later, in the eighth century, the dream yoga teachings were concealed by Padmasambhava as <i>terma</i>, or hidden treasure, to later be located and revealed in the fourteenth century by the great <i>terton</i>, or treasure revealer, Sangye Lingpa. The entire terma is called <i>The Heart Collection of Lama Practices</i>, and the particular chapter of the text we&#8217;re discussing is called &#8220;Instructions on Using Dreams as the Path,&#8221;&#8224; which includes lengthy teachings on dream yoga.<BR><BR>Dream yoga is very important since it contains all the instructions and techniques necessary to reach enlightenment. In particular, the pith instructions* found in the original text encompass all the heart practices of the guru, without missing anything. Our teaching is a line-by-line commentary on the meaning of the main sections of this text.<BR><BR>Before we begin these teachings, we should generate the beautiful motivation of bodhichitta, the &#8220;mind of enlightenment,&#8221; comprised of impartial love, compassion, and wisdom. Receiving and practicing these teachings should therefore be dedicated to all sentient beings. Maybe you&#8217;ve heard about bodhichitta a hundred times or more, but it&#8217;s really so important. Without bodhichitta, we can&#8217;t develop any kind of spiritual qualities or strength, and we won&#8217;t have any realization or inner development. Whenever we practice and whatever we do, it should be based on the beneficial thought of bodhichitta. Bodhichitta is like a hand that gathers all good qualities. Without this hand of love and compassion, we can&#8217;t do anything good in samsara. So we must practice with the bodhichitta intention to benefit all sentient beings. Our motivation and practice must be joined together. We can&#8217;t separate them by accepting one and rejecting the other, or by thinking that one is valuable and the other is not&#8212;they&#8217;re both invaluable. In a way, they are skillful means and wisdom, which always have to be united and practiced together. This union will bring realization.<BR><BR>We should always remember that bodhichitta is our ground. We have to extend our bodhichitta to all sentient beings, including ourselves, sangha members, and everyone. We should bring everyone together equally within our love and compassion, without discrimination. If we have emotional patterns due to past habits, we have to remove them and bring up more harmony and joy. It is with this foundation that we practice dream yoga.<BR><BR>Dreaming and sleeping are important to all beings, particularly those who, like ourselves, live in what the Buddha called the &#8220;desire realm.&#8221; In the desire realm, consciousness is connected with the five elements of earth, water, fire, wind, and space, but particularly with the earth element. For us, sleep is like food&#8212;it sustains both the body and the mind. It calms and soothes the body and makes the mind fresher and stronger. The Buddha&#8217;s teachings say that as soon as sentient beings obtain the form aggregate, they need sleep.<BR><BR>More than merely resting, we can use the time we spend sleeping to truly benefit ourselves and others. Human life in this world can last about a hundred years if we&#8217;re lucky, and almost half that time, say fifty years, is spent sleeping. Unfortunately, the remaining fifty years cannot be totally dedicated to enlightenment. We spend most of this remaining time working for a living and doing ordinary activities like preparing meals and cleaning the house. If we could dedicate even fifteen full years to practicing with diligence and concentration, there would be a real growth of understanding of the primordial nature and enlightenment. However, very few people can do this. Most of us spend only one or two percent of our time on focused practice. Since almost half our time is spent sleeping, if we can do dream yoga, then sleep can be used as practice time, making it a meaningful and important part of the spiritual path.<BR><BR>Dream yoga redirects and transforms our neutral dream states into positive or virtuous states so that we can use our dreams for Dharma practice. Unless we do dream yoga, sleep is just sleep. As we know, time is very precious, and time is always running. Whenever we have the opportunity, we should use our time to good purpose. When we strengthen our courage, commitment, and devotion, we can make dreamtime more meaningful for everyone, including and especially ourselves.<BR><BR>Human birth is such a special opportunity. As Dharma practitioners, we should try to use our time here more enthusiastically so that we can develop in a natural, beautiful, and meaningful way. To do this, we can use dream yoga as one of our essential Dharma practices. It&#8217;s very important to remember the preciousness of time. Whenever we have the opportunity, we should grab hold of it and perform beneficial activities for others and ourselves. Of course, we all know this, but sometimes we neglect to do so. We kind of casually let those beautiful moments pass by, one after another, so that sometimes we don&#8217;t even have enough time to say goodbye. Many times we overlook very special opportunities. For this reason, we should continually remind ourselves of the preciousness of our situation and restrengthen our courage, commitment, and devotion to the Dharma. We can then use our time to good purpose, which will reflect in our lives and the lives of others, now and long into the future. Practicing dream yoga is a very beneficial way to use our time.<BR><BR>What <i>is </i>a dream exactly? Dreams are illusory, changeable, flexible, open, and empty. That&#8217;s what a dream really is. Whatever we see or think of, we must think of it as an illusion that is flexible and changeable. Even this world that we see now&#8212;this land, these trees, people, ourselves, and the entire universe&#8212;we&#8217;re all dream beings in a dream world filled with dream experiences. Seeing everything as a dream is one example the Buddha used to usher us into a deeper level of understanding the nature of openness. The Buddha gave many teachings to open up the tight, tense, solitary world that we mentally cling to as we forget the open, empty, flexible state of the true nature. The Buddha said that <i>all </i>our experiences are like a dream, a bubble, a mirage, and a reflection of the moon on water. They&#8217;re a magical display, an echo, the double images we see when we press on our eyeballs, or like a variety of hallucinations induced by drugs.<BR><BR>All beings in samsara know that dreams aren&#8217;t real. The Buddha was skillfully trying to help us bridge the gap between samsara and nirvana by connecting and opening us to the true nature of phenomena. Of course, dreams aren&#8217;t real&#8212;we all know that. Reflections of the moon are not the actual moon; echoes and movie images aren&#8217;t the real sounds and images of what&#8217;s really happening. All of these examples are meant to lead us out of our closed mental attitudes of grasping and clinging by understanding and revealing our inherent wisdom. If we release these fabricated knots of hope and fear, we can discover the infinite freedom and openness of great emptiness.]]></Text>
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      <Text><![CDATA[Foreword: Awaken in the Dream<BR>by Paul Levy<BR><BR>Preface <BR><BR>Acknowledgments<BR><BR>Introduction to Dream Yoga<BR><BR>Prerequisites for Dream Yoga <BR><BR>The Purification of Body, Speech,<BR>and Mind Before Sleep<BR><BR>Maintaining Awareness While Dreaming <BR><BR>Exercises to Maintain Awareness While Dreaming <BR><BR>Removing Obstacles to Dream Yoga<BR><BR>Recognizing the Illusory Nature of Dreams<BR><BR>Increasing Your Level of Realization <BR><BR>Conclusion<BR><BR><B><I>APPENDICES</I></B><BR><BR>Outline of Essential Dream Yoga Practice<BR><BR>Interview with Khenchen Palden Sherab Rinpoche<BR>on Dream Yoga <BR><BR>Questions and Answers on Dream Yoga <BR><BR>Dedication of Merit<BR><BR>Glossary<BR><BR>Index <BR><BR>About the Authors <BR><BR>Books and Publications by the Authors <BR><BR>Padmasambhava Buddhist Center]]></Text>
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      <Text><![CDATA[&ldquo;A clear and fascinating book that contains drawings, visualizations, and explanations in the true and deep Dzogchen tradition. It will help readers to see the dream state and reality as one, providing illuminating nondual evidence and encouraging them to stay in a relaxed, natural state of oneness."]]></Text>
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      <Text><![CDATA[&ldquo;The poet Novalis wrote, &lsquo;We are close to waking when we dream that we are dreaming.&rsquo; As both a shamanic dreamwork instructor and dream yoga initiate, I believe this book demonstrates the potential of Indo-Tibetan dream yoga to bring freedom, joy, and enlightenment. One third of our lives is spent sleeping&#8212;we can use this time for spiritual awakening! Since the dawn of humankind, shamans have explored dreams; now, the practice of dream yoga, as elucidated by these two masters of the art, can guide us to the realization of the dreamlike nature of reality. This volume is a powerful achievement in our collective dream, both traditional and modernized into a concise form. My heartfelt gratitude to the authors.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Christopher Brown dares founders and entrepreneurs to dream of a better way to lead and live. This book reveals why clarity comes from distance&#8212;and how strategic disconnection can help you reset priorities and return as a stronger leader in business and in life.&rdquo;<BR>&#8212; <B>Andrew Morrison</B><BR><I>Founder &amp; CEO, Earthly Pet Company</I> <BR><BR>&ldquo;<I>Permission to Unplug</I> isn&rsquo;t a feel-good manifesto&#8212;it&rsquo;s an operating manual for founders who want a real life and a resilient business. Christopher shows you how to invest in systems, people, and planning so you can take time with loved ones and yourself without the anxiety spiral.&rdquo;<BR>&#8212; <B>Derek D. Dicker</B><BR><I>CVP, Enterprise Business Group, AMD</I> <BR><BR>&ldquo;<I>Permission to Unplug</I> delivers a message every driven leader needs to hear: the strongest, most unstoppable leaders aren&rsquo;t the ones who try to control everything&#8212;but the ones who build teams and systems that can thrive without them. Christopher Brown takes on the hustle culture that keeps so many entrepreneurs stuck and offers a refreshing, practical path forward. Through honest stories and applicable lessons learned, he shows that stepping away doesn&rsquo;t weaken your business&#8212;it strengthens it, sharpens your leadership, and gives you back the life you started the business for in the first place. If you want to build a company, and a life, that&rsquo;s truly unstoppable, start here.&rdquo;<BR>&#8212; <B>Alden Mills</B><BR><I>Former Navy SEAL Platoon Commander; Founder/CEO, Perfect Fitness; Author,</I> Unstoppable Mindset, Unstoppable Teams, <I>and</I> Be Unstoppable]]></Text>
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      <Text><![CDATA[<B>See the Whole Picture of the Energy Transition</B><BR><BR>The clean energy transition is already underway. Wind and solar now provide 30 percent of global electricity. Yet ambitious policy goals consistently miss their targets, projects face years of delays, and stakeholders remain frustrated by a system that seems designed to slow progress.<BR><BR><I>Power Shift: The Hidden Forces That Determine Whether the Clean Energy Transition Succeeds</I> explains why.<BR><BR>Drawing on fifty years of experience consulting for developers, banks, utilities, and government agencies, Dr. Bruce Bailey reveals the complex ecosystem of decision-makers who must all say &#8220;yes&#8221; for any project to succeed. He shows readers how to:<BR><ul> <li>Understand why grid infrastructure creates fundamental bottlenecks</li> <li>Recognize how weather dependency changes everything about energy planning</li> <li>Navigate the competing priorities of developers, financiers, and regulators</li> <li>Anticipate where policy ambitions collide with physical and economic realities</li> <li>Build the cross-sector collaboration required for meaningful progress</li> </ul><BR><I>Power Shift</I> cuts through the green-tinted idealism and partisan gridlock to deliver what decision-makers actually need: a realistic, interdisciplinary perspective on what the energy transition will require and how long it will take. The future is coming. This book shows you how to navigate it.]]></Text>
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      <Text><![CDATA[<B>South Korea&#8217;s rise from postwar devastation to global economic power stands as one of the most consequential developments of the twentieth century.</B><BR><BR><I>The Rise of Seoul</I> examines South Korea&#8217;s ascent from poverty to power through the lived experience of engineer and entrepreneur Je Woo Kim. Drawing on South Korean history, economics, education policy, and government strategy, Kim argues that the country&#8217;s growth was driven by disciplined economic development, effective governance, and coordinated action among the state, industry, and an extraordinarily dedicated population. He highlights how investments in mass education, meritocratic advancement, and technology-intensive industries created a foundation for both rapid growth and broad-based opportunity.<BR><BR>From the devastation left by colonial rule and the Korean War to export-led industrialization, democratization, and digital innovation, Kim presents a structured study of how a nation can transform itself through robust institutions, technological upgrading, and the collective will of its people. South Korea&#8217;s dual achievements&#8212;building a dynamic market economy while consolidating a competitive democracy under conditions of scarce natural resources, geopolitical tension, and internal political turmoil&#8212;stand out as one of the twentieth century&#8217;s most remarkable national success stories. In recent decades, the global spread of Korean culture, from K-pop and film to cuisine and design, has further extended the country&#8217;s influence, enabling South Korea to project both hard and soft power on the world stage.]]></Text>
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      <Text><![CDATA[Dr. <b>JE WOO KIM</b> earned his BS in Electronics from Seoul National University and his MS and PhD degrees in Electrical Engineering from KAIST. He worked at Samsung Electronics and Samsung Thales for fifteen years before founding TeleCIS Wireless in Silicon Valley, serving as CEO and CTO until 2007. He then joined Qualcomm as Vice President until 2016 and later became an Invited Professor at KAIST&#8217;s Institute of Startup KAIST, fostering KAIST&#8217;s startup ecosystem. He cofounded WiPowerOne, a wireless EV charging firm, and was its CEO from 2018 to 2020. Since 2012, he has been Director of the KAIST U.S. Foundation. With over forty-five years of experience, he has published more than forty papers and holds over 150 patents, including eighty US patents.]]></Text>
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      <Text><![CDATA["When I began studying the sociology of the political and economic development of nations forty years ago, my most thoughtful professor told me that every country follows a unique path into the future, and if you really want to understand that path, then find a thinker who lived with one foot in that nation and one in country that is markedly different. Je Woo Kim has lived such a life, and he has a story to tell about the remarkable growth of South Korea. His insights are worth reading, and I strongly recommend this book to anyone who wants a fascinating and timely understanding of why and how the miracle on the Han River happened."<BR> &#8212; <B>Sam Richards, PhD, HPS</B><BR> <I>Teaching Professor of Sociology, College of the Liberal Arts, Pennsylvania State University</I><BR><BR>"This book vividly chronicles South Korea&rsquo;s dramatic journey&#8212;rising from the ruins of war through the Miracle on the Han River to become one of the world&rsquo;s top 10 economies and a pivotal middle power today. As a longtime friend of the author since our high school days and an eyewitness of the Korean miracle, I am sure that this fascinating book will deeply resonate with global readers."<BR> &#8212; <B>Duckjoon Chang, PhD</B><BR> <I>Professor Emeritus, Department of Russian-Eurasian Studies, Kookmin University, South Korea</I><BR><BR>"<I>The Rise of Seoul</I> is uniquely realistic and a common sensical approach to embracing and understanding South Korea's dynamic transformation, not only national development (or nation-building) but everyday life."<BR> &#8212; <B>Henry Chung</B><BR> <I>CEO, KAIST Venture Investment Holdings</I><BR><BR>"Dr. Je Woo Kim&rsquo;s <I>The Rise of Seoul: South Korea&rsquo;s Journey from Rags to Riches</I> is an illuminating and deeply engaging account of how South Korea transformed from post-war hardship into a global economic and cultural powerhouse; a must-read for anyone seeking inspiration and insight into one of the most remarkable development stories of the modern era."<BR> &#8212; <B>Madihally Sim Narasimha, PhD</B><BR> <I>Former Adjunct Professor, Stanford University; Life Fellow, IEEE</I><BR><BR>"This book is a vivid historical record, capturing Korea&rsquo;s journey from a developing nation to an advanced global power through the author&rsquo;s own experience. As a lifelong friend who shared the journey from undergraduate and graduate studies to the front lines of the IT industry, I find this narrative especially vibrant. It is a must-read that offers a clear, comprehensive look at the facets of Korea&rsquo;s development."<BR> &#8212; <B>Hoi-Jun Yoo, PhD</B><BR> <I>Member, National Academy of Sciences in Korea; Dean, AI Semiconductor Graduate School; ICT Chair Professor, School of Electrical Engineering of KAIST; IEEE Fellow</I><BR><BR>"In <I>The Rise of Seoul</I>, Dr Kim offers deeply insightful social, political and economic development successes of post-war Korea. The book explores how a war-torn country can transform by rebuilding its foundation based on the culture and centuries-old tradition of its people, while simultaneously shedding old societal structures and incorporating new democratic ideas. It is a brilliant, historic perspective as well as a prescription for a nation or a startup&#8212;a how-to guide to build economic success. I was particularly struck by an honest first-hand account of the challenges Korea faced in its early days post-independence, the relevance of different leadership at different times, and the country&rsquo;s focus on education and hard work in its incredible economic success in a relatively short time. I highly recommend Rise of Seoul, as it offers invaluable guidance for developing nation leaders, business leaders and entrepreneurs building a startup."<BR> &#8212; <B>Shri Dodani</B><BR> <I>Founder, GHOVC Venture Capital; seasoned executive and serial entrepreneur in the computer and communications industries</I>]]></Text>
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      <Text><![CDATA[<b>Charles Lachman</b> is the author of one novel and five narrative nonfiction books, including the national bestseller <i>Codename Nemo, Footsteps in the Snow, </i>and<i> The Last Lincolns</i>. His books have been praised by <i>Publishers Weekly, Kirkus Reviews, </i>the<i> New York Post, and The Christian Science Monito</i>r, and have been adapted into CNN and Lifetime docuseries. <BR> <BR> He is also the executive producer of <i>Inside Editio</i>n, the most widely watched syndicated news magazine in the United States. He has been featured on <i>CBS Mornings</i>, CNN, MSNBC, History, Lifetime, C-Span, Sirius/XM, and other local and national programs. He lives in New York City.]]></Text>
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      <Text><![CDATA[&ldquo;I thought my post-World War II research was exhaustive. But Charles Lachman has topped me. <i>They Shall Not See the Dawn</i>&mdash;very relevant to today&mdash;moves quickly, and the reader will learn something on every page.&rdquo;<BR> &mdash;<b>Bill O&rsquo;Reilly</b>, #1 <i>New York Times</i> bestselling author of <I>Killing the SS</I><BR> &nbsp;<BR> &ldquo;A timely, thrilling history of how some of the greatest villains ever were hunted down and brought to justice. I loved the pace and style. A must read for World War II buffs and all those who love a damn good true story.&rdquo;&nbsp;<BR> &mdash;<b>Alex Kershaw</b>, <i>New York Times </i>bestselling author of <i>The First Wave </i>and<i> The Liberator&nbsp;</i><BR> <BR> &ldquo;When the guns fell silent in Europe in 1945, the final chapter of the war was only beginning: the frantic efforts to track down the major surviving Nazi criminals. Highlighting the role of the American and British soldiers who captured them, Charles Lachman vividly recounts their impressive but too-often overlooked exploits.&rdquo;<BR> &mdash;<b>Andrew Nagorski</b>, author of <i>Hitlerland </i>and<i> The Nazi Hunters</i><BR> &nbsp;<BR> &ldquo;With immersive writing that drops you into the smoldering ruins of World War II Europe, this harrowing narrative tracks the US Army&rsquo;s Counter Intelligence Corps in their desperate hunt to capture Hitler&rsquo;s surviving top leadership. Built on exhaustively detailed research, it&rsquo;s history rendered with thriller-grade tension.&rdquo;&nbsp;<BR> &mdash;<b>Neal Bascomb</b>, <i>New York Times</i> bestselling author of <i>The Winter Fortress </i>and<i> Hunting Eichmann&nbsp;</i><BR> &nbsp;<BR> &ldquo;How the most notorious Nazi war criminals were caught and made to pay for their crimes. . . . Showcases the smarts that Allied sleuths employed to capture . . . the Nazi fugitives. . . . Glimpses of reprehensible Nazis like Heinrich Himmler, Hermann G&ouml;ring, Auschwitz commandant Rudolf H&ouml;ss . . . as they switch identities and sneak underground. . . . We also follow the extraordinary men, including many American-, British-, and German-born Jews, who were tasked with chasing down the regime&rsquo;s most wanted, and . . . their often frightening but ultimately satisfying face-to-face encounters with real-life monsters. . . . History with the panache of a Howard Hawks war movie.&rdquo;<BR> &mdash;<i><b>Kirkus Reviews</b></i><BR> &nbsp;<BR> &ldquo;A visceral, heart-pounding account, <i>They Shall Not See the Dawn</i> is a cinematic thriller that proves no war criminal is out of reach. . . . Lachman masterfully recreates the greatest manhunt, told through the eyes of an unlikely band of scholars, linguists, and refugees in a high-stakes game of cat-and-mouse. This is narrative nonfiction as it&rsquo;s supposed to be written.&rdquo;&nbsp;<BR> &mdash;<b>Kevin Maurer</b>, #1 <i>New York Times </i>bestselling coauthor of <i>No Easy Day </i>and author of <i>Damn Lucky&nbsp;</i><BR> <BR> &ldquo;Allied sleuths track down, interrogate, prosecute, and hang Nazis in this two-fisted WWII history. . . . with colorful backstories of the perps and the investigators hunting them. . . . In energetic, hard-boiled prose, the author renders an atmospheric story of desperate men facing a bleak but well-earned comeuppance. . . . A riveting portrait of Nazism as a species of squalid criminality.&rdquo;<BR> <B>&mdash;</B><I><B>Publishers Weekly</B></I><BR> &nbsp;<BR> &ldquo;Charles Lachman illuminates a lesser-known epilogue to World War II, when the pursuit of justice for atrocities committed by the Nazis was anything but certain: Could the war criminals be found? Would they even be alive to arrest? Would the Allied High Command bring them to justice? You can feel the urgency that overwhelms Lachman&rsquo;s characters as they answer these questions and uncover the insidious networks of the Third Reich. They are the quiet heroes and relentless investigators who refused to let the Nazi architects of human rights violations disappear. This is a gripping account of unfinished business and of the effort to restore the soul of humanity on an international stage.&rdquo;<BR> &mdash;<b>Matthew Black</b>, author of <i>Operation Underworld</i><BR> <BR> <b>Praise for Charles Lachman&#39;s #1 National Bestseller,&nbsp;<i>Codename Nemo&nbsp;</i></b><BR> <BR> &ldquo;Charles Lachman weaves the incredible story of the capture by American forces of a German U-boat and its secrets during World War II, an operation which allowed Allied forces to shock the German Navy. Richly detailed with undeniable suspense and action,&nbsp;<i>Codename Nemo</i>&nbsp;is destined for the non-fiction best seller lists.&rdquo;<BR> <b>&mdash;Bill O&rsquo;Reilly</b>,&nbsp;#1&nbsp;<i>New York Times&nbsp;</i>bestselling author of the Killing Series<BR> <BR> &ldquo;It&rsquo;s an exciting account of a daring military maneuver.&rdquo;<BR> <b>&mdash;<i>Publishers Weekly</i></b><BR> <BR> &ldquo;A satisfying World War II history.&rdquo;<BR> <b>&mdash;<i>Kirkus Reviews</i></b><BR> <BR> &ldquo;Crisp as a torpedo striking the water,&nbsp;Codename Nemo&nbsp;pulls you along with a deeply personal account of the hunters on both sides of an amazing drama.&rdquo;<BR> <b>&mdash;Walter R. Borneman</b>, author of&nbsp;<i>The Admirals</i>&nbsp;and&nbsp;<i>Brothers Down</i><BR> <BR> &ldquo;A relentless, pressure-packed plunge into the depths of war. <i>. . .</i> A&nbsp;story-telling tour-de-force indeed, the quintessential story of the Battle of the Atlantic, rendered in taut prose, and with an immediacy and intimacy that all but makes a participant of the reader.&rdquo;<BR> <b>&mdash;James Sullivan</b>, author of&nbsp;<i>Unsinkable</i><BR> <BR> &ldquo;Lachman masterfully builds a cast of characters, German and American, whose destinies intersect in the perilous waters of the Atlantic. The vivid description of life aboard a U-boat immerse you in the claustrophobic, terrifying world of underwater warfare. As the tension builds, with each &lsquo;ping&rsquo; of the Sonar, the thrilling plot keeps you turning the pages.&rdquo;<BR> <b>&mdash;Andrew Dubbins</b>, author of&nbsp;<i>Into Enemy Waters</i><BR> <BR> &ldquo;The best missions involving submarines often start with an outlandish idea, and the very best make a hell of a story.&nbsp;<i>Codename Nemo</i>&nbsp;does both.&rdquo;<BR> <b>&mdash;Sherry Sontag</b>, co-author of the&nbsp;<i>New York Times&nbsp;</i>bestseller&nbsp;<i>Blind Man&rsquo;s Bluff</i><BR> <BR> &ldquo;What a terrific read from Charles Lachman! A suspenseful, fast-paced but little-known saga of hide-and-seek between a US &lsquo;baby flattop&rsquo; and a German U-boat during World War II. . . . A wild, engrossing ride from start to finish with extraordinary details and insights into daily life&mdash;clashes, arguments, even suicide&mdash;aboard both German boats and American ships during the Battle of the Atlantic. This one is a winner!&rdquo;<BR> <b>&mdash;Carole Engle Avriett</b>, author of&nbsp;<i>Coffin Corner Boys</i>&nbsp;and&nbsp;<i>Marine Raiders</i>]]></Text>
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      <Text><![CDATA[<B>Why profits&#8212;and what you do with them&#8212;define real investing.</B><BR><BR>Dividend growth investing is not merely a strategy for equity investors&#8212;it is a philosophy of ownership and a mentality. At its core, it brings to minority ownership of public equities the same business attitude that majority ownership of a private business involves: Profit is paramount, and those profits belong to the risk-takers who own the business.<BR><BR>Following up on his bestseller, <I>The Case for Dividend Growth: Investing in a Post-Crisis World</I>, David Bahnsen makes the case for dividend growth investing not merely as a superior method for generating income, growth, and growth of income, but as a superior philosophy of investing. He argues that many alternative forms of equity investing are better understood as speculation. He defends the past, present, and future of dividend growth investing as the best system he has encountered for accumulating capital, generating current income, preparing for future income, and seeing income grow regardless of underlying price volatility.<BR><BR>In short, Bahnsen makes the case that successful dividend growth investing is as basic as profiting from the profit. This book shows you why this works, how it works, and what is needed to make it all happen.]]></Text>
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      <Text><![CDATA[Karen Lutfey Spencer is a medical sociologist and professor of health and behavioral sciences at the University of Colorado Denver. Her research on doctor-patient relationships, medical decision making, and healthcare inequality has been funded by National Institutes of Health (NIH) and published in scholarly peer-reviewed journals for over twenty-five years. She has been featured in <i>The New York Times</i>, NBC News, <i>New York Magazine</i>&rsquo;s <i>The Cut</i>, and public radio outlets, among others. Dr. Spencer received her undergraduate degree from Gustavus Adolphus College and graduate degrees from Indiana University Bloomington. She lives near the foothills in Littleton, Colorado with her husband, blue heeler, and far too many bicycles. <i>Your Good Death</i> is her first book.<BR> <BR> To learn more about Karen you can visit her website at www.karenlutfeyspencer.com.]]></Text>
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      <Text><![CDATA[&ldquo;Healthcare generally means well, but it doesn&rsquo;t always do well. This is especially true and consequential towards the end of life. Too often what is a sacred experience gets reduced to a medical flowchart, so insidiously and counterintuitively so that we patients are left questioning ourselves and our own sense of reality, adding a sense of tragedy to an already fraught mix. Enter Karen&rsquo;s book, a perfect blend of her decades of scholarship and the power of story. <I>Your Good Death </I>will help you make sense of your experience as well as help you advocate for anyone you love, someday including yourself. It&rsquo;s just what this doctor would order.&rdquo;]]></Text>
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      <Text><![CDATA[<B>A true crime memoir of international abduction, miraculous rescue, and the long road from trauma to forgiveness and redemption.</B><BR><BR>At seven years old, Lauren Burns was abducted by her father and taken from her home in Texas. She was flown to the Middle East and thrust into a life she did not recognize with a future she could not understand. What followed was an extraordinary international rescue by a small team of former military operatives and a mother who, refusing to give up, was guided by faith when all legal options had failed.<BR> <BR>But <i>Stolen</i> is not only the story of a daring rescue; it&rsquo;s the story of what came after.<BR> <BR>Returning to the US did not end the fear. Lauren and her mother lived in hiding, changed names, and rebuilt their lives under the shadow of betrayal. Told from the rare perspective of the child at the center of the crime, this memoir explores the lasting impact of trauma, the struggle to reclaim identity, and the painful journey toward forgiveness.<BR> <BR>As Lauren grows from a frightened child into a woman searching for peace, she reveals what true healing requires&#8212;and how redemption can emerge from even the deepest wounds.<BR> <BR>Gripping, intimate, and ultimately hopeful, <i>Stolen</i> will resonate with readers drawn to true crime, memoir, and stories of faith and resilience.<BR> <BR>Includes a foreword by Miranda Lambert.]]></Text>
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      <Text><![CDATA[Lauren Burns is a powerful voice of redemption and restoration whose true story of childhood abduction, survival, and healing has inspired thousands.<BR> <BR>She is the host of <i>The Redeemed Podcast</i>, a finalist for Best Faith Podcast of 2025 with Content Christian Media, where she shares testimonies of faith, resilience, and hope.<BR> <BR>Her story has been featured on <i>Life Today</i> television and <i>The Miracle Files</i> podcast, reaching audiences drawn to both real-life stories and redemptive journeys. A sought-after speaker, Lauren shares her message at various churches and women&rsquo;s ministries, encouraging others to find freedom, healing, and purpose through their own stories.<BR> <BR>Lauren holds a master&rsquo;s degree in physical therapy and brings a professional background in healthcare leadership and trauma recovery. She lives in Texas with her husband and children.]]></Text>
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      <Text><![CDATA[&ldquo;I&rsquo;ve always believed that the best way to create a healthy future is to face your past and allow God to heal the places in you that have been broken. Lauren has done a masterful job of that in writing <I>Stolen. </I>It is a beautifully written testimony of God&rsquo;s faithfulness in the wake of unfathomable circumstances. You will find yourself fully absorbed in every moment of this incredible story of redemption, resilience, and restoration.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;<I>Stolen</I> is a powerful story that follows Lauren as she unpacks her box of memories, hurt, and healing. With the tension of a thriller and the heart of a deeply personal memoir, Lauren shares not only how she was kidnapped&mdash;but how she found her way back to hope, faith, and forgiveness. Her story is both haunting and beautiful. It brought me to tears in the best way.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Wow. <I>Stolen</I> is thrilling but also incredibly poignant. And the women in this story! Their faith and courage are so inspiring! From a childhood abduction in Jordan to a daring rescue and the emotional aftermath that followed, this story grips you with suspense and leaves you changed by its honesty and grace. A remarkable true story of courage, loss, and redemption.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;This captivating tale of Cathy and Lauren&rsquo;s journey, narrated in the manner of an internationally intriguing novel, is no work of fiction. And we know, because we were there. Lauren meticulously documented the trials and turns of being stolen and rescued through the love of a mother, heroism of strangers, tenacity, and Christian faith. Truly a spellbinding effort from a freshman author.&rdquo;]]></Text>
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      <Text><![CDATA[<B>Perfect for fans of <I>Eat, Pray, Love</I>, this soulful travel memoir blends poetry, global adventure, cultural connection and personal transformation with reflections on race, identity, and belonging.</B><BR><BR>In 2010, twenty-nine-year-old poet Ebony Walden quits her job to go to on an eight-month solo journey across fifteen countries and five continents. Propelled by a sense of purpose and adventure, she moves from teaching English and volunteering in places like Guatemala and India to conducting poetry workshops in Kenya, walking the ruins of Machu Picchu, and paragliding over the Swiss Alps.<BR> <BR>Along the way, Ebony writes &ldquo;Where I&rsquo;m From&rdquo; poems with the people she meets&#8212;intimate reflections that capture family, identity and culture, weaving their voices into her own unfolding journey. But each destination also challenges her in unexpected ways, forcing her to reckon with the hardships of growing up in New York in the &rsquo;80s and &rsquo;90s. Through breathtaking landscapes, unexpected setbacks, and profound encounters with strangers, Ebony begins to understand that travel is not just about seeing the world&#8212;it is about allowing the world to change you.<BR> <BR>Part travel memoir, part coming-of-age story, <I>Where I&rsquo;m From</I> invites readers to take their own journey beyond borders and come home to themselves.]]></Text>
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      <Text><![CDATA[<B>Linda Kass </B>began her career as a magazine journalist and correspondent for regional and national publications<B>. </B>Along with her forthcoming novel, <I>World News from Waverley High </I>(September 2026), she is the author of three previous works of historical fiction: <I>Tasa&rsquo;s Song</I> (2016), <I>A Ritchie Boy</I> (2020), and <I>Bessie</I> (2023). A longtime civic leader, she is the founder and owner of Gramercy Books, an independent bookstore in Central Ohio. Linda lives in Columbus with her husband, Frank; they have four children, six grandchildren, and a labradoodle named Wally.]]></Text>
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      <Text><![CDATA[&ldquo;This is a soulful coming-of-age novel with an unusually appealing, intelligent, and open-hearted narrator. Linda Kass tracks her protagonist&#39;s political awakening with sensitivity and a sharp eye for detail, creating a compelling portrait of a young woman navigating her way through a turbulent era in American history.&rdquo;<B>&mdash;Tom Perrotta, author of <I>New York Times</I> bestsellers <I>Ghost Town</I>, <I>Tracy Flick Can&rsquo;t Win</I>, <I>The Leftovers</I>, <I>Little Children</I>, and <I>Election</I></B><BR> <BR> &ldquo;Readers of a certain age will relate to this re-creation of a truly unforgettable and double-edged era. . . . a barrage of nostalgia that hits its mark. Many of these Waverley High kids would be grandparents now, and it&rsquo;s tempting to imagine how their grandchildren might be coping in this new millennium with its own heavy challenges. An earnest, meticulous reimagining of the late 1960s and the era&rsquo;s tense atmosphere of social change.&rdquo;<I><B>&mdash;Kirkus Reviews</B></I><BR> <BR> &ldquo;Linda Kass&rsquo;s powerful new novel,&nbsp;<i>World News from Waverley High</i>, not only captures the intensity of what it was like to be a teenager during the dawn of the 1970s living through earthquakes in the culture&mdash;while grooving to some of history&rsquo;s best rock and roll&mdash;but also compels the reader to reflect on how the anxieties of then compare to the turbocharged anxieties of now. A stirring, thought-provoking read!&rdquo;<b>&mdash;Helen Schulman, author of<i>&nbsp;Lucky Dogs</i>&nbsp;and&nbsp;<i>New York Times</i>&nbsp;bestseller&nbsp;<i>This Beautiful Life</i></b><BR> <BR> &ldquo;The characters in this bighearted novel set in a high school are trying to make sense of that astounding, magnetic, musical, and tumultuous decade known as The Sixties. Linda Kass orchestrates the telling of it all with eloquence and true tenderness.&rdquo;<b>&mdash;Wil Haygood, author of <i>The War Within a War: The Black Struggle in Vietnam and at Home </i>and<i> Tigerland: 1968&ndash;1969: A City Divided, a Nation Torn Apart, and a Magical Season of Healing</i></b><BR> <BR> &ldquo;Linda Kass masterfully transports us back in time while keeping us tethered to the fears, hopes, and quiet conquests known to young lives of every generation. This is a beautifully nuanced tale of what connects us throughout the ages.&rdquo;<b>&mdash;Connie Schultz, Pulitzer Prize&ndash;winning journalist and <i>New York Times&nbsp;</i>best-selling author of <i>The Daughters of Erietown</i></b><BR> <BR> &ldquo;Remember what it was like when you were a teenager and your whole life, thrilling and frightening, was opening ahead of you?&nbsp;<i>World News from Waverley High</i>, with its fast-paced storyline and its nuanced treatment of time and place, will remind you. With a clear eye and sensitivity to all that presses down on her characters, Linda Kass has written a novel that resonates with the here and now.&rdquo;<b>&mdash;Lee Martin, author of&nbsp;<i>The Evening Shades</i>&nbsp;and Pulitzer Prize finalist&nbsp;<i>The Bright Forever</i></b><BR> <BR> &ldquo;The times they are a-changin&rsquo;. Linda Kass&rsquo;s fourth novel is set during the 1969&ndash;70 school year&mdash;when tensions are running high over race relations, the war in Vietnam, drugs, and even rock &lsquo;n roll. This glimpse inside Waverley High provides a wonderful time-capsule of these turbulent times and Kass&rsquo;s focus on the music of the day provides a pitch-perfect soundtrack for this look back at a pivotal time in our nation&rsquo;s history.&rdquo;<b>&mdash;Laney Katz Becker, author of&nbsp;<i>In the Family Way</i></b><BR> <BR> &ldquo;. . . while readers familiar with the period will likely find value in the nostalgic look back, teenagers and young adults will also find much to savor in the book&rsquo;s discussion of family dynamics, sibling relationships, first love, and morality.&rdquo;<B>&mdash;<I>The Turned Page</I></B><BR> <BR> &ldquo;A heartwarming and thought-provoking glimpse of the life, music, and friendships of a promising teen reporter. Following Lena as she navigates and chronicles a world torn by racism, war, and unexpected tragedy offers a stark reminder that there is a common thread running through our society&rsquo;s challenges&mdash;a thread that stretches far into our past.&rdquo;<b>&mdash;Ben Heckman,&nbsp;Library Director, Bexley Public Library</b><BR> <BR> &ldquo;Linda Kass takes readers on a journey through a turbulent year at Waverley High. Told through the perspective of a high school student, this novel is filled with the sights, sounds, and cataclysmic historical events of 1969&ndash;1970. Turning the pages takes you back to a time you may remember&mdash;or a time that needs to be remembered in vivid detail. Meet these characters and enter a period that changed American history forever.&rdquo;<b>&mdash;</b><b>Pamela Klinger-Horn, event coordinator at Valley Bookseller and creator and host of Literature Lovers&rsquo; Night Out</b>]]></Text>
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      <Text><![CDATA[<B>For fans of Ariana Harwicz&rsquo;s <I>Die, My Love </I>and Ashley Audrain&rsquo;s <I>The Push</I>,&nbsp;a psychological horror novel that&nbsp;follows a woman obsessed with death who must decide if she&rsquo;s fit to bring new life into this world&mdash;especially after someone she&rsquo;s fantasized about killing turns up dead.&nbsp;</B><BR><BR>Southern suburban housewife Lia and her husband Evan have long dreamed of becoming parents&mdash;but when a pregnancy test shows positive, Lia questions whether she wants the&nbsp;child&nbsp;and keeps her pregnancy a secret.<BR> <BR>As she&rsquo;s holding new life inside, she intentionally surrounds herself with death by blackmailing her way into a job at a forensic anthropology center endearingly called The Body Farm.&nbsp;At The Farm, monsters emerge from within Lia&mdash;the desire to kill&mdash;and she begins daydreaming about murder. Because fantasizing never hurt anyone. Or so she thinks.<BR> <BR>Then a body donation to The Farm turns out to be someone she&rsquo;s imagined killing, and reality and fantasy begin to blur. As people around her begin to die, Lia loses trust in her loved ones and herself . . . and ultimately must put her monsters to bed.]]></Text>
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      <Text><![CDATA[&ldquo;<i>Goodnight Monsters</i> is a heady, fever-dream concoction of nightmare, fantasy, and half-imagined killings, all emanating from the disturbed brain of a woman who fears she&#39;s losing her grip on reality. Pitting primal feminine desire and rage against the cultural expectations of women and motherhood, Junered has crafted an unforgettably spiky and deeply human heroine as well as a story that will have you wondering what the hell you just read.&rdquo;<b>&mdash;Emily Carpenter, author of <i>Gothictown</i></b><BR> <BR> &ldquo;<i>Goodnight&nbsp;Monsters</i>&nbsp;is&nbsp;a&nbsp;twisty exploration of motherhood, marriage, and murder that brazenly probes the extremes of birth and death. Part thriller, part horror, this novel breathtakingly captures the miracle and mayhem that is pregnancy as it builds to its shocking conclusion. Perfect for fans of Anne Heltzel&rsquo;s&nbsp;<i>Just Like Mother</i>.&rdquo;<b>&mdash;Erin Flanagan, Edgar Award&ndash;winning author of&nbsp;<i>Deer Season</i>, <i>Blackout</i>,&nbsp;and <i>Come With Me</i></b><BR> <BR> &ldquo;Suzanne Junered&rsquo;s <i>Goodnight Monsters</i> is a delicious twist on the choices women face with impending motherhood. Incredibly timely in a post-Roe world, with a plot that will keep you guessing all the way to the end.&rdquo;<b>&mdash;Michelle Cruz, author of <i>Even When You Lie</i></b><BR> <BR> &ldquo;<i>Goodnight Monsters</i> is delightfully dark and obsessive, so sharp-eyed and full of tension that I haven&rsquo;t stopped thinking about this book since I started reading. It&rsquo;s gripping and full of surprises&mdash;I have never read a book that tackles the fear of motherhood in such an absorbing way. A must-read for fans of propulsive psychological horror and masterful prose. And that ending. I never saw it coming.&rdquo;&mdash;<b>Penny Zang, author of <i>Doll Parts</i></b><BR> <BR> &ldquo;A unique work of psychological horror, <I>Goodnight Monsters</I> is a dark, twisted exploration of marriage, motherhood, and death. Junered blurs the lines between nightmare and reality and kept me guessing until the final page. Bravo!&rdquo;<B>&mdash;K. T. Nguyen, Anthony and Agatha Award&ndash;winning author of <I>You Know What You Did</I></B><BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>A tale of identity, activism, and finding your voice in a world on fire, this coming-of-age novel set at an urban high school captures a singular moment in American history&mdash;through the eyes of one unforgettable girl.</B><BR><BR>1969. Lena Rosen is an intelligent, observant teenager torn between spontaneity and self-consciousness. During her junior year, she becomes attuned to the pulse of her times in her first-period Current History class, where rebellion, social change, and musical innovation of the 1960s dominate discussion. When Lena becomes the associate editor of the school newspaper <i>The Beacon</i>, she is drawn into the swirling discourse surrounding the Vietnam War, civil rights, environmental disasters, and campus protests&#8212;while also grappling with her growing attraction to Jack Stone, the paper&rsquo;s editor.<BR> <BR> As the year progresses and the antiwar movement gains momentum, the unrest builds at Waverley High. Lena wrestles with her own cultural and religious identity as a Jewish teen while she and her fellow students struggle to cope with racial discord, a bomb threat, and the emotional toll of a world that seems to be unraveling. When tragedy collapses the distance between headlines and Lena&rsquo;s own life, she must decide what it means to stand for peace&#8212;and to hope for a better world.<BR> <BR> Set during one school year against the backdrop of an America on the brink of change, <i>World News from Waverley High </i>reveals the crossroads of personal growth and national unrest<b>.</b>]]></Text>
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      <Text><![CDATA[<B>Linda Kass </B>began her career as a magazine journalist and correspondent for regional and national publications<B>. </B>Along with her forthcoming novel, <I>World News from Waverley High </I>(September 2026), she is the author of three previous works of historical fiction: <I>Tasa&rsquo;s Song</I> (2016), <I>A Ritchie Boy</I> (2020), and <I>Bessie</I> (2023). A longtime civic leader, she is the founder and owner of Gramercy Books, an independent bookstore in Central Ohio. Linda lives in Columbus with her husband, Frank; they have four children, six grandchildren, and a labradoodle named Wally.]]></Text>
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      <Text><![CDATA[&ldquo;This is a soulful coming-of-age novel with an unusually appealing, intelligent, and open-hearted narrator. Linda Kass tracks her protagonist&#39;s political awakening with sensitivity and a sharp eye for detail, creating a compelling portrait of a young woman navigating her way through a turbulent era in American history.&rdquo;<B>&mdash;Tom Perrotta, author of <I>New York Times</I> bestsellers <I>Ghost Town</I>, <I>Tracy Flick Can&rsquo;t Win</I>, <I>The Leftovers</I>, <I>Little Children</I>, and <I>Election</I></B><BR> <BR> &ldquo;Readers of a certain age will relate to this re-creation of a truly unforgettable and double-edged era. . . . a barrage of nostalgia that hits its mark. Many of these Waverley High kids would be grandparents now, and it&rsquo;s tempting to imagine how their grandchildren might be coping in this new millennium with its own heavy challenges. An earnest, meticulous reimagining of the late 1960s and the era&rsquo;s tense atmosphere of social change.&rdquo;<I><B>&mdash;Kirkus Reviews</B></I><BR> <BR> &ldquo;Linda Kass&rsquo;s powerful new novel,&nbsp;<i>World News from Waverley High</i>, not only captures the intensity of what it was like to be a teenager during the dawn of the 1970s living through earthquakes in the culture&mdash;while grooving to some of history&rsquo;s best rock and roll&mdash;but also compels the reader to reflect on how the anxieties of then compare to the turbocharged anxieties of now. A stirring, thought-provoking read!&rdquo;<b>&mdash;Helen Schulman, author of&nbsp;<i>Lucky Dogs</i>&nbsp;and&nbsp;<i>New York Time</i>s&nbsp;bestseller&nbsp;<i>This Beautiful Life</i></b><BR> <BR> &ldquo;The characters in this bighearted novel set in a high school are trying to make sense of that astounding, magnetic, musical, and tumultuous decade known as The Sixties. Linda Kass orchestrates the telling of it all with eloquence and true tenderness.&rdquo;<b>&mdash;Wil Haygood, author of&nbsp;<i>The War Within a War: The Black Struggle in Vietnam and at Home </i>and<i> Tigerland: 1968&ndash;1969: A City Divided, a Nation Torn Apart, and a Magical Season of Healing</i></b><BR> <BR> &ldquo;Linda Kass masterfully transports us back in time while keeping us tethered to the fears, hopes, and quiet conquests known to young lives of every generation. This is a beautifully nuanced tale of what connects us throughout the ages.&rdquo;<b>&mdash;Connie Schultz, Pulitzer Prize&ndash;winning journalist and&nbsp;<i>New York Times</i>&nbsp;best-selling author of&nbsp;<i>The Daughters of Erietown</i></b><BR> <BR> &ldquo;Remember what it was like when you were a teenager and your whole life, thrilling and frightening, was opening ahead of you?&nbsp;<i>World News from Waverley High</i>, with its fast-paced storyline and its nuanced treatment of time and place, will remind you. With a clear eye and sensitivity to all that presses down on her characters, Linda Kass has written a novel that resonates with the here and now.&rdquo;<b>&mdash;Lee Martin, author of&nbsp;<i>The Evening Shades</i>&nbsp;and Pulitzer Prize finalist&nbsp;<i>The Bright Forever</i></b><BR> <BR> &ldquo;The times they are a-changin&rsquo;. Linda Kass&rsquo;s fourth novel is set during the 1969&ndash;70 school year&mdash;when tensions are running high over race relations, the war in Vietnam, drugs, and even rock &lsquo;n roll. This glimpse inside Waverley High provides a wonderful time-capsule of these turbulent times and Kass&rsquo;s focus on the music of the day provides a pitch-perfect soundtrack for this look back at a pivotal time in our nation&rsquo;s history.&rdquo;<b>&mdash;Laney Katz Becker, author of&nbsp;<i>In the Family Way</i></b><BR> <BR> &ldquo;. . . while readers familiar with the period will likely find value in the nostalgic look back, teenagers and young adults will also find much to savor in the book&rsquo;s discussion of family dynamics, sibling relationships, first love, and morality.&rdquo;<I><B>&mdash;The Turned Page</B></I><BR> <BR> &ldquo;A heartwarming and thought-provoking glimpse of the life, music, and friendships of a promising teen reporter. Following Lena as she navigates and chronicles a world torn by racism, war, and unexpected tragedy offers a stark reminder that there is a common thread running through our society&rsquo;s challenges&mdash;a thread that stretches far into our past.&rdquo;<b>&mdash;Ben Heckman,&nbsp;Library Director, Bexley Public Library</b><BR> <BR> &ldquo;Linda Kass takes readers on a journey through a turbulent year at Waverley High. Told through the perspective of a high school student, this novel is filled with the sights, sounds, and cataclysmic historical events of 1969&ndash;1970. Turning the pages takes you back to a time you may remember&mdash;or a time that needs to be remembered in vivid detail. Meet these characters and enter a period that changed American history forever.&rdquo;<b>&mdash;Pamela Klinger-Horn, event coordinator at Valley Bookseller and creator and host of Literature Lovers&rsquo; Night Out</b>]]></Text>
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      <Text><![CDATA[<b>A triumphant and striking portrait of a cultural icon who changed the course of music history, and an invitation to reconsider artistic legacies.</b><BR><BR>A child prodigy equal to Mozart, Paganini called her a &#8220;genuine artist;&#8221; Goethe said &#8220;she plays with the strength of six boys.&#8221; She premiered the &#8220;unplayable&#8221; works of Chopin at age twelve and brought Bach fugues and Beethoven sonatas into the concert hall at sixteen. During her sixty-year career, she made Robert Schumann a household name and premiered Brahms&#8217;s famous &#8220;Lullaby.&#8221; Many critics&#8212;who dubbed her &#8220;Saint Cecilia,&#8221; &#8220;queen of the piano,&#8221; and a &#8220;priestess of art&#8221;&#8212;preferred her piano playing to her rival Franz Liszt.<BR> <BR>Why is her name not uttered in the breath as Liszt, Brahms, or Mozart today? In <I>Madame</I> <I>Composer, </I>Sarah Fritz reveals how and why Clara Weick Schumann, a giant of Romantic music, has been diminished and sometimes deliberately obscured. By exposing the Nazi propaganda which buried Clara Schumann&#8217;s achievements, the power Clara once wielded in the industry comes to the fore. Fritz exposes the truth behind why Clara devoted her career to promoting men&#8217;s works instead of her own creations, even though her melodies were quoted in famous works by Brahms, Liszt, and others, which is revealed in print for the first time.<BR> <BR>Clara&#8217;s life was more fascinating than fiction. A neurodivergent child, she shared a forbidden love with the poor composer Robert Schumann, whose tragic death in an asylum left her a single parent of seven children. And her forty-year relationship with Brahms is one of the most important artist-mentor partnerships in cultural history yet has long been relegated to tabloid scandal.<BR> <BR>Filled with new discoveries and insight, Sarah Fritz&#8217;s fierce and dynamic <I>Madame Composer </I>is the definitive biography on a singular musical force and reveals Clara as a woman in full.]]></Text>
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