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      <BiographicalNote><![CDATA[<P>Paul Kelly is editor-at-large and a former editor-in-chief of The Australian. He writes on Australian politics, policy, history and international relations, and has covered every prime minister from Gough Whitlam to Anthony Albanese. He has written or co-authored twelve books on our politics and history.<br><br>Kelly is a regular television commentator. He has been a fellow at the Kennedy School of Government at Harvard University, a visiting fellow at Kings' College London and a fellow at the Lowy Institute in Sydney. He has a doctorate from the University of Melbourne and is a fellow of the Academy of Social Sciences in Australia.</P>]]></BiographicalNote>
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      <Text><![CDATA[<P><I>The Twilight of Exceptionalism</I> is the third in Paul Kelly's masterful trilogy on modern Australian politics, following The March of Patriots (2009) and Triumph and Demise (2014).<br><br>It charts the most turbulent era of Liberal and conservative politics since Sir Robert Menzies formed the Liberal Party, tracing the crisis besetting the Coalition and how Tony Abbott, Malcolm Turnbull and Scott Morrison struggled to govern.<br><br>From 2013 to 2022 Australia fought to remain a leading democracy against the challenges of the 21st century - economic performance, climate change, cultural polarisation, technological transformation and geo-strategic threats.<br><br>Paul Kelly examines how the Liberal Party lost its long-standing grip on the Australian psyche as it cycled through three temperamentally and ideologically divergent prime ministers. Despite its many achievements, the Coalition in office was marked by a period of under-performance and doubts over the political system's capacity to serve the national interest.<br><br>Australian exceptionalism, as initiated by Bob Hawke and Paul Keating in 1983 and carried on by John Howard and Peter Costello, has been eclipsed and slipped into a disappointing twilight. Kelly contends that Australia must rally and recover - or face a troubling phase of decline and betrayal of its finest aspirations.</P>]]></Text>
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      <Text><![CDATA[<P>James Walter is an emeritus professor at Monash University where he was formerly Head of the School of Political and Social Inquiry. A fellow of the Academy of Social Sciences in Australia, and a former president of the Australian Political Studies Association, Walter has published widely on political biography, political advisers, political ideas, policy decision making and leadership. He was lead author of his last book &#160;The Pivot of Power: Australian Prime Ministers and Political Leadership, 1949-2016.</P><P>Carolyn Holbrook is an historian at Deakin University. Her most recent books are Challenging Anzacs: Stories that don't fit the Legend with Mia Martin Hobbs and Joan Beaumont and Golden Age? Remembering the Hawke Government with Frank Bongiorno and Joshua Black. Holbrook is the director of Australian Policy and History, which connects historical evidence to contemporary political and social issues, and the Australian Health &amp; History archive.</P>]]></Text>
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      <Text><![CDATA[<B>A fallen angel. </B><B>A forbidden love. A town full of secrets. The final book in the <I>New York Times</I> bestselling Hush, Hush saga. </B><BR><BR> Nora is more certain than ever that she is in love with Patch. Fallen angel or no, he is the one for her. Her heritage and destiny may mean that they will always be enemies, but there is no turning her back on him. But now they face their biggest challenge. Can their love survive a seemingly insurmountable divide. And in the end, will there be enough trust left to rebuild what has been broken? The lines are drawn - but which sides are they on?<BR><BR><B>Discover the Hush, Hush saga:</B><BR><I>Hush, Hush</I><BR><I>Crescendo</I><BR><I>Silence </I><BR><I>Finale</I><BR> &#160;]]></Text>
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      <Text><![CDATA[A Reading Group Guide for:</br> </br> <b><i>Finale</b></i></br> By Becca Fitzpatrick</br> </br> <b><u>About This Book</b></u></br> </br> Now that Nora is a full-blooded Nephil, the oaths that she has sworn are binding. This means that she is sworn to lead Hank&#8217;s army against the fallen angels AND squelch the Nephilim rebellion. Failing to do either will exact a terrible price, but she can&#8217;t do both. Nor is she sure that she even wants to end the rebellion. So now she has to do the impossible&#8212;ensure justice for her fellow Nephilim without losing everything that she loves. Can she find a solution that doesn&#8217;t involve a full-blown war? Can she protect those that she loves? And can she keep Patch&#8217;s love if every plan involves pushing him away? </br> </br> <b><u>Discussion Questions</b></u></br> </br> 1. Is Scott justified in hurting others to protect Nora, such as when he brands a fallen angel to prevent her from being branded? What other characters harm or endanger others to save a single person? Is one person&#8217;s life worth this sacrifice? Does Scott fulfill his vow in the end? </br> </br> 2. Nora fabricates a relationship with Dante to draw attention away from her real relationship with Patch. Do the people in her life believe in this relationship? Do you know of any real-life examples of this tactic? Is this type of subterfuge usually successful? </br> </br> 3. What is Nora&#8217;s original plan for dealing with the Nephilim army and her promise to the Archangels? How does her plan change throughout the course of the story? Why does she feel compelled to change her course of action? </br> </br> 4. Why is Nora at a disadvantage even though she&#8217;s now full-blooded Nephilim? How does this affect the way she approaches the upcoming war? Could she have delegated the fighting to someone stronger and run Hank&#8217;s army from a distance? </br> </br> 5. How would you describe Patch&#8217;s method of dealing with threats to Nora&#8217;s safety? How do his actions make Nora feel? Do you think his reaction is the best way of solving the problems they face? </br> </br> 6. Why are the fallen angels so quiet as Cheshvan begins? What is their plan? Why does their invasion of the Devil&#8217;s Handbag disturb Nora so much? </br> </br> 7. Dante tells Nora that loyalty is about taking a side. Whose side is Nora on? </br> </br> 8. What does Dante want with devilcraft? Is this different than why Hank wanted it? What makes Nora especially susceptible to the addictive properties of devilcraft? </br> </br> 9. Why do Nora and her friends trust Dante? What is his ultimate goal? Does he end up doing anything that is helpful to Nora and/or her cause? </br> </br> 10. Discuss Detective Basso&#8217;s actions toward and relationship with Nora throughout the course of these four books. Do his actions make more sense now that we know who he really is? </br> </br> 11. What motivates Marcie to act the way she does? Are her actions justified? Is she all bad? </br> </br> 12. Why is Nora so jealous of Dabria? Has Patch given her a reason to feel this way? Has Dabria ever given her a reason to not feel jealous? Is Nora&#8217;s jealousy helpful or harmful during the course of the story? </br> </br> 13. How does Vee change over the course of the story? Should Nora have explained what was happening to her earlier? Should Vee have told Nora about the changes in her life right away? </br> </br> <b><u>Activities</b></u></br> </br> 1. The Hebrew month of Cheshvan&#8212;which in this case involves fallen angels, Nephilim, and possession&#8212;falls during the same time as the similarly &#8220;spooky&#8221; holidays Halloween and Dia de los Muertos. Research the histories and the traditions associated with these two holidays and compare them to what happens during Cheshvan in these books. </br> </br> 2. Nora becomes addicted to devilcraft, despite the fact that she thinks she can control her usage of it. Is there a way that you can help addicts or former addicts in your community? Volunteer at a hotline, or get involved with a peer counseling program at your school. </br> </br> 3. Unlike Vee, Patch and Nora pledge their lives to each other in a very nontraditional ceremony. Study the wedding traditions of various countries throughout history and compare them to both our modern rituals and the ritual that Patch and Nora employed. Can you find any precedents for Patch and Nora&#8217;s bond? </br> </br> 4. Nora is forced to make some tough decisions about leading Hank&#8217;s army into battle. Choose a famous military leader from history and study his or her battle plans and fighting tactics. </br> </br> 5. Fallen angels suffer excruciating pain when damage is done to their wing scars, and Nora feels that this is an unusually cruel way to control them. Look into the current debate about wartime torture, and write a short opinion paper about your attitude toward torture. How do your views compare to Nora&#8217;s? </br> </br> <i>Guide written by Cory Grimminck, Director of the Portland District Library in Michigan. </br> </br> This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.</i>]]></Text>
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serial killer; death row; small towns; murder; serial killer thriller; murder mystery; mystery; thriller; suspense; crime fiction; crime writer; final girls; bright young women; riley sager; jessica knoll; girl a; abigail dean; grady hendrix; final girl support group; the night we lost him; laura dave; lucy foley; ruth ware; jennifer hillier; debut novel; bestselling debut; spooky; creepy
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      <Text><![CDATA['A gorgeous cat's cradle of a book . . . The swirling vapors of Holden Caulfield are present in <I>Playworld,</I>&#160;for sure, but also Lolita, Willy Loman, Garp.<B>' Alexandra Jacobs, </B><I><B>The New York Times Book Review</B></I><BR><BR>'Extraordinary . . . A beguiling ode to a lost era . . . Line for line the book is a revelation.' <B>Leigh Haber, </B><I><B>Los Angeles Times</B></I><BR><BR>Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show&#160;<I>The Nuclear Family</I>&#160;and the pressure of high school at New York's elite Boyd Prep&#8212;along with the increasingly compromising demands of his wrestling coach&#8212;he's teetering on the edge of collapse.<BR><BR>Then comes Naomi Shah, twenty-two years Griffin&rsquo;s senior. Unwilling to lay his burdens on his shrink&#8212;whom he shares with his father, mother, and younger brother, Oren&#8212;Griffin soon finds himself in the back of Naomi&rsquo;s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.<BR><BR>Less a bildungsroman than a story of miseducation,&#160;<I>Playworld</I>&#160;is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era&#8212;with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age&rsquo;s excesses&#8212;and who seem to care little about what their children are up to&#8212;Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.]]></Text>
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      <Text><![CDATA[&lsquo;<I>Playworld</I>&nbsp;presents us with a story dipped in molten nostalgia and flecked with love and sorrow . . . A bildungsroman from which anger has been vented, and what&rsquo;s left behind is redolent with insight, tenderness and forgiveness . . . The narrator&rsquo;s voice is an extraordinary hybrid of a boy&rsquo;s plaintive innocence and a man&rsquo;s wry reflection . . . Somehow, Ross can recall high school with enough fidelity to re-create on the page that visceral feeling of utter bafflement at the behavior of adults. But nothing baffles Ross as a narrator. His powers of observation and sensation seem to invade every nook of these lives like the tentacles of some giant octopus with consciousness in every sucker . . . There&rsquo;s not a dull line, and yet his prose doesn&rsquo;t feel like a Christmas tree so freighted with baubles that the branches risk shearing off . . . Whatever past rough experiences Ross may be mining here, they&rsquo;ve been compressed under the pressure of time and genius into a cluster of literary gems . . . Such is the stuff great novels are made on.&rsquo; <B><I>Washington Post</I></B><BR> <BR> &lsquo;A gorgeous cat&#39;s cradle of a book . . . [Ross&#39;s] powers of observation and ironclad resistance to clich&eacute; yield perfect descriptions again and again . . . The swirling vapors of Holden Caulfield are present in&nbsp;<I>Playworld,</I>&nbsp;for sure, but also Lolita, Willy Loman, Garp. The novel is detailed, digressive, densely populated, dull at times (as life is) and capable of tracking the most minute shifts in emotional weather. It is the young and the restless, edging into the bold and the beautiful.&rsquo;<B><I> New York Times Book Review</I>&nbsp;</B><BR> <BR> &lsquo;Extraordinary . . . A beguiling ode to a lost era . . . Ross is so adept at world-building that we are seduced by his vision of the Big Apple as wholly enchanting and mystical . . . I didn&rsquo;t want it to end. The story is so rich and filled with intriguing&mdash;if morally questionable&mdash;characters that it&rsquo;s immersive. Line for line the book is a revelation.&rsquo; <B><I>Los Angeles Times</I></B><BR> <BR> &lsquo;Charming&hellip;Affecting&hellip;[Ross] is a spry, funny, inventive writer&hellip;Another mark of the book&rsquo;s freshness is that, even though it contains all the ingredients for a mopey story of formative traumas,&nbsp;<I>Playworld</I>&nbsp;never sheds its winsome optimism.&rsquo;<B><I> Wall Street Journal</I></B><BR> <BR> &lsquo;Engrossing . . . Things come to a head one fateful summer as, amid personal and family tumult, the maturing Griffin begins to inhabit his most important role: himself.&rsquo; <B><I>New Yorker</I></B><BR> <BR> &lsquo;Dazzling and endearing . . . Gorgeously textured and frequently very funny, [<I>Playworld</I>] revels in all the heady, scuzzy, confusing bits of coming of age.&rsquo; <B><I>Vogue</I></B><BR> <BR>&lsquo;[Playworld] is entirely original, elegantly raw, beautiful, and brave.&rsquo; <B><I>The Berlin Journal</I></B><BR> <BR> &lsquo;A marvel of language and characterization . . .&nbsp;<I>Playworld&nbsp;</I>conjures, in beautiful sentences, a bygone New York, when money and culture linked arms, recalling Donna Tartt&#39;s&nbsp;<I>The Goldfinch</I>&nbsp;and David Gilbert&#39;s&nbsp;<I>&amp; Sons</I>&nbsp;. . . [Ross&#39;s] sharp prose fleshes out even minor figures, [and] erotic tensions keep the narrative taut, disquieting, off-balance.&rsquo; <B><I>Boston Globe</I></B><BR> <BR> &lsquo;Best book I&rsquo;ve read in the past year and maybe the past decade. It&rsquo;s Salinger-meets-Donna-Tartt-meets-your-long-ago-crush-on-Shaun-Cassidy. . . . Eleven out of ten recommend.&rsquo;&nbsp;<B>Elin Hilderbrand, bestselling author of&nbsp;<I>Swan Song</I></B><BR> <BR> &lsquo;Ross artfully brings [1980s Manhattan] to life, capturing its seductive pull and the darker currents underneath . . .&nbsp;<I>Playworld</I>&nbsp;delivers a gripping coming-of-age tale, whilst offering a chance to reflect on the era&#39;s lasting cultural mystique and the complexities of growing up in its shadow.&rsquo; <B>Clementine Doyle, <I>Women.com</I></B><BR> <BR> &lsquo;<I>Playworld</I>&nbsp;is a novel that is a time machine of a kind, if they were ever used to seek revelations. I was reintroduced to an American history I lived through, and so much of what I had never known I&#39;d forgotten, so much of what I was never taught to fear&mdash;but perhaps should have been. This was not my story but I saw mine in it&mdash;a boy lost in the house of adulthood, trying to learn how to be one of the people he sees around him. Haunting, mesmerizing, provoking&mdash;this novel is a triumph.&rsquo; <B>Alexander Chee, author of&nbsp;<I>How to Write an Autobiographical Novel</I></B><BR> <BR> <I>&lsquo;Playworld</I>&nbsp;is an astonishing, immersive novel that deserves a place in the pantheon of Great New York Novels. I loved this book for its textures, its music, and its moral accounting of ordinary life and ordinary time. And the characters! What characters! This is a late-breaking classic and might very well be Ross&rsquo;s masterpiece.&rsquo; <B>Brandon Taylor, author of&nbsp;<I>The Late Americans</I></B><BR> <BR> &lsquo;A wonderful, full-bodied, modern-yet-old-school novel that brings the New York City of the 1980s to vibrant life. Ross will make you laugh and break your heart. I haven&rsquo;t felt this immersed in a work of fiction in a long time.&rsquo; <B>Harlan Coben, author of&nbsp;<I>Think Twice</I></B><BR> <BR> &lsquo;A modern masterpiece, sharp and breathtaking and wise. Griffin, the young man at the center of this vivid bildungsroman, is someone you&rsquo;d follow forward and backward and anywhere&mdash;across the sweaty mats of the high schoolwrestling team into a steamed-up car for a wildly sexy and heartbreakingly human relationship with an older, married woman, and then into the glittering world of child acting. Remarkable.&rsquo; <B>Lisa Taddeo, author of&nbsp;<I>Three Women</I></B><BR> <BR> &lsquo;Compulsively readable&rsquo;<B>&nbsp;<I>Publishers Weekly</I></B><BR> <BR> &lsquo;It&#39;s difficult to overpraise&nbsp;<I>Playworld</I>&rsquo;s tragicomic scope, dazzling ambition, categorical brilliance. Ross writes so close to the bone that I winced while reading. And while young Griffin is brutalized and betrayed by the adults putting him through his sentimental education,&nbsp;<I>Playworld&nbsp;</I>is never hopeless. It instead reinforces our faith in art, that it can make and save a life. I have not read a book this weighty and soulful since I put it down, and I doubt I will again.&rsquo; <B>Stephanie Danler, author of&nbsp;<I>Sweetbitter</I></B><BR> <BR> &lsquo;What do you say about a book this good? In its unsentimental scrutinizing of a boy put to use by the adults around him&mdash;the coach, the family friend, the family shrink&mdash;<I>Playworld</I>&nbsp;is a revelation. Griffin Hurt&rsquo;s life is so real it glows.&rsquo;&nbsp;<B>Matthew Klam, author of&nbsp;<I>Who Is Rich?</I></B><BR> <BR> &lsquo;Few writers are blessed enough to write an untouchable book. Adam Ross is one of them. Set during a trickle-down 80s we are now ready to make sense of,&nbsp;<I>Playworld</I>&nbsp;will have you so convincingly wrapped up in young Griffin&rsquo;s world of romance and anxiety that you will pine for lost days. Patient, propulsive, spooled with Nabokovian detail, this novel broke open my heart&rsquo;s floodgates in the way that the best literature does.&rsquo; <B>Sidik Fofana, author of&nbsp;<I>Stories from the Tenants Downstairs</I></B><BR> <BR> <I>&lsquo;Playworld&nbsp;</I>just about tore my heart out. In this novel about a child actor, it&rsquo;s tough to know who&rsquo;s doing most of the acting, young Griffin, the protagonist, or the adults who surround him and seem determined to break him to pieces. This is a big book, one about growing up. By the time I finished, I felt like I&rsquo;d also done some growing up alongside Griffin. Adam Ross is a hell of a talent.&rsquo; <B>Elliot Ackerman, author of&nbsp;<I>Dark at the Crossing</I></B><BR> <BR> <I>&lsquo;Playworld&nbsp;</I>is the story not so much of a sentimental education as a plunge into the deep end of adulthood. Adam Ross has given us a masterful novel, one that deftly sets Griffin Hurt&#39;s coming of age amid the rise of Reagan and the get-mine-first ethos that would come to characterize so much of American life in the coming decades. This novel is, in short, the world in full, and flat-out brilliant on every page.&rsquo; <B>Ben Fountain, author of&nbsp;<I>Devil Makes Three</I></B><BR> <BR> &lsquo;Griffin Hurt is a teenage narrator as fully realized and fumbling for meaning as William Styron&rsquo;s ever-searching Stingo, and is destined to become one of the twenty-first century&rsquo;s most beloved protagonists. You don&rsquo;t just fall in love with him, you&rsquo;re transformed into a kind of devoted surrogate parent.&nbsp;<I>Playworld</I>&nbsp;is a marvel.&rsquo; <B>Hannah Pittard, author of&nbsp;<I>Listen to Me</I></B><BR> <BR> &lsquo;In this magnificent novel, Adam Ross pulls off a literary hat trick:&nbsp;<I>Playworld&nbsp;</I>is at once an elegy for a very particular time and place, an intimate portrait of one family that then sweeps the reader into a multitude of fascinating worlds, and a tour-de-force of a coming of age story with an unforgettable boy at its center. I loved it.&rsquo; <B>Dani Shapiro, author of&nbsp;<I>Signal Fires</I></B><BR> <BR> &lsquo;Mr. Ross recreates the intensity of the era, dirty and magical, as it was back then through Griffin&rsquo;s experience: kids at Dorrian&rsquo;s and Studio 54, subway tokens, and graffiti everywhere. Izod shirts and Uber-free Hamptons. It&rsquo;s just before AIDS, crack, and yuppies. On top of everything else,&nbsp;<I>Playworld&nbsp;</I>is a gift to anyone who remembers that time and place and a history lesson for those who missed out completely.&rsquo; <B>Heidi Neurauter,&nbsp;<I>The East Hampton Star</I></B><BR> <BR> &lsquo;Outstanding. . . &nbsp;The gulf between what children perceive and what they can articulate forms the tragic core of&nbsp;<I>Playworld</I>. . &nbsp;. Ross adeptly captures the texture of adolescence, the haphazard grasping toward a self that everyone undergoes on that circuitous journey to adulthood.&rsquo;&nbsp;<B>Jonah Allon,&nbsp;<I>The Metropolitan Review</I></B><BR> <BR> &lsquo;[Ross] knows how to use words, but he also knows how they fail us&mdash;and how devastating those failures can be.&rsquo; <B>Alec Dent,&nbsp;<I>The Bulwark</I></B><BR> <BR> &lsquo;An epic bildungsroman . . . While Griffin comes to understand the abuses inflicted on him, Ross&#39; novel is free of lessons, as unjudging as poor Griffin, who can do nothing but weather the loss of innocence we can all see overtaking him like a cloud. Ross offers surprising narrative flights, stunning passages, and a nostalgia-soaked setting in so-real-you&#39;re there, bygone New York City.&rsquo; <B>Annie Bostrom,&nbsp;<I>Booklist</I></B><BR> <BR> &lsquo;The best American novel I&#39;ve read in several years . . . A fascinating, thick, rich portrait of this country . . . Imagine if&nbsp;<I>Catcher in the Rye</I>&nbsp;were written by Holden Caulfield when he was sixty . . . A book I can&#39;t recommend highly enough.&rsquo; <B>John Podhoretz, <I>The Commentary Magazine Podcast</I></B>]]></Text>
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      <Text><![CDATA[Liuba Gabriele graduated from the Accademia delle Belle Arti of Brera in Milan and is a writer, painter, illustrator, and comic book artist. She wrote the collection of poetry <I>Paesaggi </I>(Nulla die, 2021) and illustrated the book <I>Amy - The Life of Amy Winehouse</I> (Hop! Edizioni, 2019).]]></Text>
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      <Text><![CDATA[<B><I>Cyberarchy</I> is wide-screen, cinematic sci-fi, pulling no punches in its criticism of AI and the blind adherence to tech in modern society.</B><BR><BR>What happens when a society becomes entirely dependent on Artificial Intelligence? And what happens when you take that away? In a distant galaxy, a cluster of planets use AI to run their cloning, military, heath and most facets of their lives. And one day that just&hellip;stops. All AI and mechanical lifeforms simply refuse to work. Is this an attack or just the inevitable evolution of the natural balance of organic/mechanical life? And does it really matter, when the result is societal collapse, planet-wide chaos, death and destruction? And what do the two mysterious robots ASH and RUST have to do with events? How does the Starship sitting in the centre of the Galaxy fit it? And who really came first? Humans&hellip; or Robots? Events culminate into a cosmic conflict that spans the galaxy and examines our unquestioning reliance on technology. It&rsquo;s BLACK MIRROR meets TERMINATOR as we witness the creation of an AI structured, non-organic hierarchy. A truly mechanical society. The dawn of a CYBERARCHY.]]></Text>
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      <Text><![CDATA[<B>The adventure continues! The Three Thieves are in a world of danger and treachery and the stakes are even higher as teh mystery of Dessa's missing brother begins to unravel.</B><BR><BR>The Island of Astaroth&#8212;&ldquo;The Dark Island&rdquo;&#8212;is a legend among sailors. It&rsquo;s rumored a demon lives there, and that it holds more riches than anyone could fathom. But no one has ever laid eyes on it.<BR> <BR> Certain that her long-lost brother is being held on the Dark Island against his will, Dessa hired a ragtag group of smugglers to take her there aboard their ship. But it&rsquo;s a journey fraught with danger and treachery, and the outcome seems less and less certain with each passing moment&hellip;]]></Text>
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      <SubjectHeadingText>Saturday morning cartoon; Saturday morning cartoons; Saturday cartoons; ape; gorilla; giant gorilla; giant ape; gorilla god; gods and goddesses; god of chaos; goddess; elemental magic; elemental powers; French bulldog; French bull dog; adventure; quest; action; cave people; cavepeople; cavemen; Jonny Quest; The Herculoids; Herculoids; Space Ghost; The Mighty Mightor; Mighty Mightor; Hanna Barbera; Hanna-Barbera; Hanna-Barbera cartoons</SubjectHeadingText>
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      <Text><![CDATA[<b>A great parent/child read for fans of classic Saturday morning cartoons in the vein of <I>Jonny Quest</I>. A boy must team up with a group of elemental apes in order to save his mother from possession.</b><BR><BR>A raucous tale in the tradition of the classic saturday morning cartoons&#8212; <i>Jonny Quest, The Herculoids, Space Ghost, and The Mighty Mightor</i>&#8212; <i>Nothing Can Stop...The Ape!</i> This mini-series tells the story of Maxwell Morgan, a twelve-year-old boy who will go to any lengths to save his mom (who has been possessed by the spirit of Thuuna, an angry primordial goddess), even going as far as freeing the goddess's immortal enemy from his magical prison. With his faithful french bulldog and four primitive cave people gifted with the powers of the elements, Maxwell must convince the newly-released gorilla god of chaos, Ghraagg'endah, to help them save the world from Thuuna's genocidal intentions and free his mother from the goddess's clutches.<BR> <BR> Paying homage to the Hanna-Barbera animated shows of the late sixties, <i>Nothing Can Stop. . . The Ape!</i> is a story for all ages. So pour yourself a bowl of cereal, and strap yourself in for a non-stop, pulse-pounding thrill ride of epic proportions because nothing can stop . . . The Ape!]]></Text>
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      <Text><![CDATA[<b>A great parent/child read for fans of classic Saturday morning cartoons in the vein of <I>Jonny Quest</I>. A boy must team up with a group of elemental apes in order to save his mother from possession.</b><BR><BR>A raucous tale in the tradition of the classic saturday morning cartoons&#8212; <I>Jonny Quest, The Herculoids, Space Ghost, and The Mighty Mightor</I>&#8212; <I>Nothing Can Stop...The Ape!</I> This mini-series tells the story of Maxwell Morgan, a twelve-year-old boy who will go to any lengths to save his mom (who has been possessed by the spirit of thuuna, an angry primordial goddess), even going as far as freeing the goddess's immortal enemy from his magical prison. With his faithful french bulldog and four primitive cave people gifted with the powers of the elements, maxwell must convince the newly-released gorilla god of chaos, ghraagg'endah, to help them save the world from thuuna's genocidal intentions and free his mother from the goddess's clutches.<BR> <BR>Paying homage to the Hanna-Barbera animated shows of the late sixties, <I>Nothing Can Stop. . . The Ape!</I> is a story for all ages. So pour yourself a bowl of cereal, and strap yourself in for a non-stop, pulse-pounding thrill ride of epic proportions because nothing can stop . . . The Ape!]]></Text>
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      <Text><![CDATA[Tom Sniegoski is a <i>New York Times-</i>bestselling author who has written for children, young adults, and adults, and has also worked extensively in the comic book industry, for nearly every major comic publisher. He has scripted such characters as Batman, The Punisher, Buffy the Vampire Slayer, Teen Titans Go!, Vampirella, Pantha, Hellboy, Young Hellboy, as well as Bone, with Jeff Smith. Tom is currently working on The Hercuoilds with Craig Rousseau for Dynamite Entertainment. His latest novella with his writing partner, Jeannine Acheson, Nira: A Constance Evermore Story, was released in September of 2025 from Bad Hand Books.<BR><BR>Jeannine Acheson is new to the world of publishing and comics, having written several titles with Tom Sniegoski, including Vampiverse, Vampirella: Dark Reflections, and Pantha for Dynamite Entertainment, as well as the creator-owned comic series Soul Taker for Mad Cave Studios. Jeannine&rsquo;s first novella, Nira: A Constance Evermore Story, was released in September of 2025 from Bad Hand Books. She is currently working with Mike Mignola and Tom Sniegoski on a new Grim Death novella for release in 2026, also from Bad Hand Books.<BR><BR>Craig's been drawing comics for over 2 decades (!?), working for DC (IMPULSE, BATMAN BEYOND, HARLEY QUINN, BATMAN &rsquo;66, FUTURE QUEST), DISNEY, MARVEL and more&hellip; Besides drawing the adventures of YOUNG HELLBOY with Mike Mignola and Tom Sniegoski, he&rsquo;s currently working with Tom on THE HERCULOIDS as well as the latest adventures of his creator-owned book, THE PERHAPANAUTS, with Todd Dezago&hellip; and probably watching THIS OLD HOUSE or AMERICA&rsquo;S TEST KITCHEN.<BR><BR>Tom Gaadt comes from a family full of illustrators. After graduating from the Columbus College of Art & Design in 1990, he held various artistic positions, including staff illustrator for KidSports and Advertising for Gannett. In 2000, while attending his first San Diego Comic-Con, he helped behind the booth at Cartoon Books. It was thru Jeff Smith (plus meeting so many other greats in the industry, like the writer of this book!) that his profession in coloring award winning graphic novels began! Tom currently lives in Columbus, Ohio.<BR><BR>Taylor Esposito is multi-award winning comic book lettering professional, owner of Ghost Glyph Studios, and teacher at the legendary Kubert School. A former staff letterer at DC and production artist at Marvel, he has lettered titles such as Red Hood and The Outlaws, Robin Lives!, and Harley Quinn The Eat KILL Bang Tour; Flash Gordon, The Phantom (Mad Cave Studios), Free Planet, Drawing Blood (Image); Babyteeth, Maniac of New York, Bunny Mask (Aftershock); Minecraft and Survival Street (Dark Horse). Other publishers he has worked with include BOOM! Studios (Amory Wars, VR Troopers) Dynamite (Elvira, Space Ghost, Jonny Quest, Green Hornet), and Oni Press (NacelleVerse, Invasive).]]></Text>
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      <Text><![CDATA[<b>Book two of this four-part epic plunges One Path into a breakneck prehistoric chase across unending forests, valleys, and mountains, carrying a scorned child toward a life-giving treacle rumored to flow in the Towers. Closing in are Una&rsquo;s tribe and the White King</b>&#8212;<b>an ancient albino T-rex drawn to the child&rsquo;s power. Lushly illustrated, brutal, and breathtaking, <i>One Path: The White King</i> delivers 200 pages of high-stakes survival from Greg Broadmore & Andy Lanning, published by Mad Cave Studios.</b><BR><BR>In a brutal, breathtaking prehistory where cavegirls fight desperately to survive and dinosaurs rule the valleys, One Path flees her tribe with a &ldquo;cursed&rdquo; infant which she refuses to abandon. With a fierce young Runtling at her side, she drives toward the mythic Towers&#8212;vast, earthen spires said to hold life-saving sap, a treacle rich enough to keep the starving child alive.<BR> <BR>Behind them, love twists into pursuit. Una, One Path&rsquo;s sister, leads a relentless war-band. Driving three subjugated T-rexes, they are determined to uphold their brutal laws and destroy the child they scorned. Worse still, Una&rsquo;s desperate gambit has roused an older terror: the White King, an ancient albino T-rex that rises from hibernation to claim its tribute. Drawn by the infant&rsquo;s vital scent and the promise of renewed power, the White King cuts a path of ruin across forest and plain, devouring anything that stands between it and the child.<BR> <BR>Part chase, part odyssey, <I>One Path: The White King</I> hurtles through a landscape where hope is hunted and trust runs thin. As the Towers loom and the hunters close, One Path must choose what to risk, and who to become if she&rsquo;s to save the condemned child.]]></Text>
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      <Text><![CDATA[&quot;Everything Broadmore draws is under a stroboscope, in ragged nano-second snatches suspended in time. There is no time to catch your breath, reading <I>One Path</I> is an endurance race, at a pace beyond hectic. Read on, if you can keep up.&quot;]]></Text>
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      <Text><![CDATA[<b>Book two of this four-part epic plunges One Path into a breakneck prehistoric chase across unending forests, valleys, and mountains, carrying a scorned child toward a life-giving treacle rumored to flow in the Towers. Closing in are Una&rsquo;s tribe and the White King</b>&#8212;<b>an ancient albino T-rex drawn to the child&rsquo;s power. Lushly illustrated, brutal, and breathtaking, <I>One Path: The White King</I> delivers 200 pages of high-stakes survival from Greg Broadmore & Andy Lanning, published by Mad Cave Studios.</b><BR><BR>In a brutal, breathtaking prehistory where cavegirls fight desperately to survive and dinosaurs rule the valleys, One Path flees her tribe with a &ldquo;cursed&rdquo; infant which she refuses to abandon. With a fierce young Runtling at her side, she drives toward the mythic Towers&#8212;vast, earthen spires said to hold life-saving sap, a treacle rich enough to keep the starving child alive.<BR> <BR>Behind them, love twists into pursuit. Una, One Path&rsquo;s sister, leads a relentless war-band. Driving three subjugated T-rexes, they are determined to uphold their brutal laws and destroy the child they scorned. Worse still, Una&rsquo;s desperate gambit has roused an older terror: the White King, an ancient albino T-rex that rises from hibernation to claim its tribute. Drawn by the infant&rsquo;s vital scent and the promise of renewed power, the White King cuts a path of ruin across forest and plain, devouring anything that stands between it and the child.<BR> <BR>Part chase, part odyssey, <I>One Path: The White King</I> hurtles through a landscape where hope is hunted and trust runs thin. As the Towers loom and the hunters close, One Path must choose what to risk, and who to become if she&rsquo;s to save the condemned child.]]></Text>
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      <BiographicalNote><![CDATA[Michael Clinton is the former president and publishing director of Hearst Magazines and is currently special media advisor to the Hearst Corporation&rsquo;s CEO. He is also an author and photographer who believes that everyone should strive to live their fullest life possible&mdash;especially in the second half of life. A regular columnist for <i>Men&rsquo;s Health</i>, his work has also been featured in<i> Forbes</i>, <i>Oprah Daily</i>, <i>Esquire</i>,<i> Elle</i>,<i> </i>and on<i> </i>CBS<i> Mornings</i>, among others.<i>&nbsp;</i>Michael has traveled through over a hundred countries, has run marathons on seven continents, is a private pilot,&nbsp;part owner of a vineyard in Argentina, has started a nonprofit foundation, holds two master&rsquo;s degrees, and still has a long list of life experiences that he plans to tackle. He resides in New York and Santa Fe, New Mexico.]]></BiographicalNote>
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      <SubjectHeadingText>New Longevity Movement; ROAR; ROAR Forward; Longevity; Aging; Mid-Life; Re-Imagineer; Retirement; Life Layering; Centenarian; Personal Growth; Career Growth; Career Shift; Second Career; Third Act; Second Half of Life; Encore Careers; Multigenerational Workforce; Age-Inclusive Innovation; Life Reinvention; Holistic Aging; AARP; HEARST; Life Purpose; Seniorpreneurs; Midlife Mastery; Purpose Economy; Self-Actualization; Legacy Planning; Silver Economy; Active Longevity; Emotional Wellness; Aging Equity; Neurogenesis; Financial Resilience; Late Bloomers; Conscious Career; Career Longevity; Aging Optimism; Bioindividuality; Personalized Health; Smart Retirement; Reinvention Economy; Age Disruption; Midlife Transitions; Longevity Economy; Purpose-Driven Life; Age Positivity; Success; Personal Success; Relationships; Sexual Wellness; Health; Well-being; Health and Well-being; Self-Help; Life Planning; Oprah Winfrey; Men&#39;s Health; Second Chapter; Life Purpose; Robin Roberts; Life after 50; Conscious Aging; Conscious Living; Empowered Aging; Longevity Revolution; New Map of Life; Aging Well; Resilient Aging; 100-year Life; Life Beyond 50; Redefining Retirement; Purposeful Aging; Thriving in Mid-Life; Healthy Aging; Career Pivot; Future of Aging; Self-Discovery; Life Transformation; Longevity Lifestyle; Post-Retirement; Active Aging; Health and Wellness; Super-Aging; Stanford University; Blue Zones; Primetime Partners; Lifelong Learning; Purposeful Living; Unretirement; Pro-Aging; Baby Boomers; Millennials; Anti-Aging; Preventative Health; Personal Wellness; Biohacking; Life Extension; Healthspan; Vitality; Longevity Medicine; Geriatric Medicine; 50-plus; Mental Well-Being; Nutrition; Sleep Health; Fitness; Skin Health; Money Management; Financial Planning; Hobby; Travel; Communities over 50; Philanthropy and Service; Stanford Center on Longevity; Wealth Management</SubjectHeadingText>
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      <Text><![CDATA[<b>Discover how individuals and institutions are redefining the second half of life through science, reinvention, and purpose, proving that living a centenarian life is no longer a distant dream&#8212;it&rsquo;s today&rsquo;s reality with the new longevity movement.</b><BR><BR>As more people live into their eighties, nineties, and even hundreds, traditional models of aging no longer apply&#8212;and a bold new road map is emerging. <i>Longevity Nation </i>takes us to the front lines of the new longevity movement, giving us the tools and insights we need to radically reshape the second half of life in happier, healthier ways.<BR> <BR> With insights from the Stanford Center on Longevity and its groundbreaking New Map of Life, L&rsquo;Or&#233;al&rsquo;s &ldquo;All Generations&rdquo; workforce strategy, and Singapore&rsquo;s incentives for hiring over-fifty-five workers, this book integrates global cutting-edge research across functional health, financial security, and lifelong learning&#8212;revealing what&rsquo;s happening now and what&rsquo;s coming next.<BR> <BR> From business and wealth to fitness and relationships, this practical guide spotlights innovators, experts, and everyday individuals who are redefining what it means to thrive later in life. Aimed at readers forty and up, <i>Longevity Nation</i> is an inspiring manifesto for a generation ready to reimagine aging&#8212;and live with more purpose, vitality, wellness, and vision than ever before.]]></Text>
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      <Text><![CDATA[Michael Clinton is the former president and publishing director of Hearst Magazines and is currently special media advisor to the Hearst Corporation&rsquo;s CEO. He is also an author and photographer who believes that everyone should strive to live their fullest life possible&mdash;especially in the second half of life. A regular columnist for <i>Men&rsquo;s Health</i>, his work has also been featured in<i> Forbes</i>, <i>Oprah Daily</i>, <i>Esquire</i>,<i> Elle</i>,<i> </i>and on<i> </i>CBS<i> Mornings</i>, among others.<i>&nbsp;</i>Michael has traveled through over a hundred countries, has run marathons on seven continents, is a private pilot,&nbsp;part owner of a vineyard in Argentina, has started a nonprofit foundation, holds two master&rsquo;s degrees, and still has a long list of life experiences that he plans to tackle. He resides in New York and Santa Fe, New Mexico.]]></Text>
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      <Text><![CDATA[&ldquo;<I>Longevity Nation</I> bridges two worlds that rarely connect but need to: the lived reality of longer lives and the boardrooms shaping billion-dollar consumer strategies. Clinton delivers a practical and clear-eyed road map to the aging megatrend that&rsquo;s here and can no longer be ignored.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Peter Kaldes&lt;/B&gt;, president and CEO, Next50</TextAuthor>
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      <Text><![CDATA[&ldquo;<I>Longevity Nation</I> redefines what the second half of life can be. This book is hopeful, deeply relevant, and brings together the re-Imagineers and ideas reshaping our future. Michael Clinton&rsquo;s book doesn&rsquo;t just talk about living longer, he shows what it will take to live better, with purpose and possibility.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Tamsen Fadal&lt;/B&gt;, award-winning journalist and &lt;I&gt;New York Times&lt;/I&gt; bestselling author of &lt;I&gt;How to Menopause&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&quot;<I>Longevity Nation</I> recasts aging as a growth strategy, showing how talent, innovation, and age-tech translate longer lives into shared prosperity. Clinton offers a clear, optimistic roadmap with real examples we can deploy now to unlock productivity, resilience, and opportunity.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;Michael Clinton is at the forefront of the global longevity movement, reimagining what&rsquo;s possible as we live longer lives. He brings together holistic thought leadership across key intersections from beauty and wellness to health and wealth, forming a powerful new narrative for the second half of life, one defined not by age, but by vitality, purpose, and possibility.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Author, thought leader, and advocate Michael Clinton has built an impressive second career reshaping how the world thinks about growing older. His work places older adult perspectives at the forefront of public conversation, treating longevity as a central, forward-looking issue that belongs squarely in the mainstream. Clinton advances a clear message: longer lives are redefining how we live, work, lead, and contribute to society.<BR> <BR> In<I> Longevity Nation</I>, he brings focus and momentum to this critical global shift, showing how longevity is transforming business, policy, and culture. Clinton introduces the Re-Imagineers, everyday people and leaders across multiple disciplines who are already shaping what comes next. With a deep belief in thriving across the second half of life, <I>Longevity Nation</I> provides a framework to think beyond aging and define longevity with purpose, power, and success.&rdquo;]]></Text>
      <TextAuthor>&lt;b&gt;Lorraine&#160;Cort&#233;s-V&#225;zquez&lt;/b&gt;, former New York secretary of state and advocate on aging</TextAuthor>
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      <Text><![CDATA[&quot;For anyone curious about how longer lives are reshaping who we are and how we live,&nbsp;<I>Longevity Nation</I>&nbsp;is the essential guide. Written by Michael Clinton, a gifted storyteller and an aspirational role model for embracing longevity with intention and&nbsp;purpose, the book is both intellectually engrossing and personally transformative.&quot;]]></Text>
      <TextAuthor>&lt;B&gt;Seth Green&lt;/B&gt;, Dean of Graham School, University of Chicago</TextAuthor>
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      <Text><![CDATA[&quot;Michael Clinton stands at the vanguard of a new social movement: longevity. He is both a leader of, and evangelist for, those roaring into the second half of their lives. Through his work, he&rsquo;s discovered the men and women who are foundational to the movement. And in <I>Longevity Nation</I>, he introduces us to them, revealing in fascinating detail how these people are reshaping our future lives. Long after you&rsquo;ve finished the book, you&rsquo;ll still be thinking about their bold ideas. They will leave you reassured and inspired.&rdquo;]]></Text>
      <TextAuthor>&lt;b&gt;Michael Sebastian&lt;/b&gt;, editor in chief&lt;i&gt;,&#160;&lt;BR&gt; Esquire&lt;/i&gt;</TextAuthor>
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      <TextAuthor>&lt;b&gt;Richard&#160;Dorment&lt;/b&gt;, editorial director,&#160;&lt;i&gt;Men’s Health&lt;/i&gt;&#160;and&#160;&lt;i&gt;Women’s Health&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Michael Clinton masterfully weaves together stories from visionary entrepreneurs, researchers, and communities who are turning demographic challenges into breakthrough opportunities, revealing how forward-thinking leaders are building infrastructure for a world where living to 100 becomes the norm. For anyone seeking to understand and capitalize on the most significant societal shift of our time,<i>&nbsp;Longevity Nation</i>&nbsp;is essential reading.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Laura&#160;L. Carstensen, PhD&lt;/B&gt;,&#160;professor of psychology, Fairleigh S. Dickinson Jr. professor in public policy, and founding director, Stanford Center on Longevity&#160;</TextAuthor>
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      <Text><![CDATA[&ldquo;Get a wide-angle lens on the implications of our longer lives, and why this should be on the top of everyone&rsquo;s minds. This book will tell you resources&nbsp;you already want to know about and expand ones view to issues you are glad you learned about. This big picture is a valuable overview of the state of transition to a positive longevity society and an&nbsp;immensely enjoyable journey on the full range of issues and opportunities associated with longevity. An important view for individuals, business, education, and government to share towards how we plan and transformational opportunities awaiting.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Linda P. Fried&lt;/B&gt;, &lt;B&gt;MD, MPH&lt;/B&gt;, director, Butler Columbia Aging Center, professor, Epidemiology and Medicine, and Dean Emerita, Mailman School of Public Health Columbia University&lt;BR&gt; &lt;BR&gt; &#160;</TextAuthor>
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      <BiographicalNote><![CDATA[P. M. H. Atwater, L.H.D., is a distinguished researcher of near-death experiences, prayer chaplain, spiritual counselor, and visionary. She is the author of 15 books including <i>Coming Back to Life, Future Memory, We Live Forever,</i> <i>The New Children and Near-Death Experiences, </i><i>Beyond the Indigo Children, </i>and <i>Children of the Fifth World.</i> She lives in Charlottesville, Virginia.]]></BiographicalNote>
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      <Text><![CDATA[<B>Presents the link between near-death experiences and extraterrestrial encounters</B><BR><BR>&bull; Looks at research from early pioneers in the field of alien contact, including Greta Woodrew, Leo Sprinkle, Whitley Streiber, and John Mack<BR><BR>&bull; Shares case studies of individuals who have undergone near-death experiences that coincided with extraterrestrial contact<BR><BR>&bull; Tells the story of the author&rsquo;s own near-death experiences, the unexpected knowledge they offered, and their revelations of the author&rsquo;s past lives<BR><BR>Near-death experience (NDE) researcher and spiritual counselor P. M. H. Atwater draws upon decades of scholarship, personal experiences, and testimonials from the Mutual UFO Network (MUFON) to explore the connections between NDEs and alien contact.<BR><BR>The author presents the research of pioneers in the field of alien interaction, including Greta Woodrew, Leo Sprinkle, Kenneth Ring, Whitley Streiber, and John Mack. She also shares 38 case study interviews with people who have had alien encounters and NDEs. Her findings reveal that people experiencing these phenomena report similar experiences of interactions with &ldquo;beings of light,&rdquo; telepathic communication, and journeys to otherworldly realms.<BR><BR>Atwater also reports on her own NDEs from the 1970s, revealing how they may demonstrate her past life as a space-traveling extraterrestrial named Arrakkus. The author provides transcripts of recorded conversations that Arrakkus had by speaking through her while she was in a trance state. She explains how her personal experiences and research have yielded conclusions that bear upon the fields of psychology, neuroscience, philosophy, and theology, and she discusses the implications of these findings for a deeper understanding of our potentials.]]></Text>
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      <Text><![CDATA[P. M. H. Atwater, LHD, is a distinguished researcher of near-death experiences, prayer chaplain, spiritual counselor, and visionary. She is the author of 27 books, including <I>Coming Back to Life, Future Memory, We Live Forever, The New Children and Near-Death Experiences, Beyond the Indigo Children, The Forever Angels</I>, and <I>Children of the Fifth World</I>. She lives in Charlottesville, Virginia.]]></Text>
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      <Text><![CDATA[<B>2<BR><BR>Turning Life Around, Again and Again</B><BR><BR>Could there be anything more important to a woman of eighteen than great lipstick, gorgeous hair, and clothes that revealed all you had to reveal?<BR><BR>Forget extraterrestrials and their ships. I wanted guys to whistle at me and think &ldquo;beautiful chick.&rdquo; My beauty parade ended flatly when I had an opportunity to take up skiing at the South Hills&#8212;I mean way south. I rented equipment and joined friends, determined to have a Saturday like no other. There was a rope tow up Magic Mountain. Nothing fancy for beginners like me. Just grab that rope and up you&rsquo;d go. The fancy stuff was for those who knew what they were doing and skied like pros. I just barely managed to hold on to both slats of wood. When I jumped off the tow, challenge number one was to pretend that I knew what I was doing. Not hard to do, actually. Down. That&rsquo;s where I wanted to go, down that really big, wide bank of snow spread out before me. How? Just do it. That&rsquo;s what others did. They just cut loose, and off they went. Well, if they could do it, I could, too. So, I did. Just like that. Down I went.<BR><BR>You might know some crazy idiot would stop in my path to adjust his boots. I screamed. Too late. I can honestly say when my soon-to-be husband and I first met . . . we fell for each other. He spent the rest of the day teaching me how to curve around the slope without killing anyone.<BR><BR>If you love adventure, just get married. Ours was a big church wedding followed by police cars chasing us as we broke all laws, scooting out of town and zooming right onto the tarmac to a Cessna waiting for us to board. The pilot helped us as we managed to close doors, aim for the runway as a flank of police cars chased us right up to take off. We thought for sure there would be a crash. Nope. The police held back as we flew away, headed to a car waiting for us in Nevada. A good friend piloted the plane. We made it free and clear. Had we hesitated, even for a minute, my dad admitted he was going to jail us overnight&#8212;just as a joke. He never got the chance. We made it out of Idaho and into Nevada, where our car waited for &ldquo;the honeymoon couple&rdquo; to catch up. Our drive to Las Vegas was great, including time off to visit Nellis Air Force Base and collect rocks.<BR><BR>Beginnings are like that. Magic. Wedding gifts handily filled our new kitchen and bedroom, all kinds of dishes, even two toasters. They were identical. We gave one away. A promise from landowners in Illinois guaranteed us a farm in Sucker Flats, just outside Filer. They were called &ldquo;Sucker Flats&rdquo; because no one thought this scrub brush would ever be worth anything. Only those silly folk from Illinois. Bankers. As things turned out, scrub brush could be tilled, worked with. The uninformed made millions. If you could rent a farm there, show the owners what you could do, this was a chance of a lifetime. Prayer answered. We got one of those rentals, and we were ecstatic!<BR><BR>We moved into a wonderful house with a large basement, garage, lawns, place for a garden and flowers. In two years, two kids&#8212;&ldquo;Pete and Repete&rdquo; my husband called them. Funny. Then one winter it rained nonstop. The cattle we bought as feeders to fatten for the winter wound up mired in mud, every day, every week, every month. We lost our shirts in payoffs&#8212;selling cattle for less than we paid for them. Our landlords felt sorry for us, so they built a state-of-the-art barn, one made-to-order for milkers. We bought enough cows to guarantee calves with just a few bulls. Milkers indeed. With the milking system we now had, and if you tended the times right and were willing to work hard, you could have enough milk and cream to make a good living and establish yourself as someone to be trusted.<BR><BR>Our dream of good crops finally paid off. We hired help, had a house for a man and his family, tractors, everything we needed to enlarge our spread and impress owners for a land contract. My muscle drove tractors (which terrified me), mowed large lawns (which was beyond my ability to handle). Two babies, house cleaning, baking everything from scratch, dealing with a washing machine that only worked on occasion, a clothes dryer that defied description, pet dogs, pet cats, plus extra farm work. I folded. A really tough broad I wasn&rsquo;t. Folks claimed I was too citified.<BR><BR>One day a range fire broke out. Maybe around 10 or 11 a.m. Out our large living room window, I could see flames eating up range land in the far west. A growing dark. I ran out the back door and managed to unpin a large wash hanging on long lines, grabbing kids and pets, stuffing everything I could inside, shutting doors, windows. Then it happened. Twelve noon and everything turned black. No sky. Black. Nothing there. No cars. No people. No trucks. No hope. Only a solid black nothingness. I&rsquo;ve never seen the likes of this before or since. I&rsquo;ve seen range fires before, forest fires, barns ablaze, but nothing like this. The terror stays with you.<BR><BR>When we lost our farm, I felt bad at first. I knew how much we tried, people we hired, worked from dawn till dusk. Everyday. Neighbors were for real back then. Everyone helped each other. One guy smothered to death when a haystack collapsed. He couldn&rsquo;t get out. We lived close enough that we went to help. Too late. Such grief. Middle-aged. Had a wife, kids. Don&rsquo;t know if he had insurance. The next morning, I brought enough cooked food to feed everyone: muffins, fried eggs, fried potatoes, greens. All of us did this, helped each other. So we lost our lease. Gave everything our all, but as things turned out, it was not enough. Good friends won our prize farm. Landlords didn&rsquo;t understand the crux of our story, but our friends did. We had managed the soil, built it up year after year. Got it to the point when you could at last make a profit from the place. Not us, though. Friends got the place. Illinois bankers didn&rsquo;t understand soil and what it takes to build up a rich loam.<BR><BR>So we tried custom farming. Used our equipment to help other farmers bring in their crops, bale hay, whatever needed doing. Seemed to work well, yet it didn&rsquo;t take long before what we put out in energy and commitment never added back to even a living wage. In a huge farm sale, we sold off everything. Even with a top-notch auctioneer and a good crowd, hardly an extra cent bought a thing. The two of us, plus our kids, stood there, watching, as everything in our world disappeared.<BR><BR>We found acreage near the railroad tracks, halfway to the city of Twin Falls. We tilled it some, but finally my husband got a job driving a taxi, and I got a job with a bean-broker (yes, you read that right, beans replaced money in large purchases). Our main source in the company I worked for&#8212;brokers in Cuba before Fidel Castro&rsquo;s takeover of the country. Our kids went to a one-room school, all grades in the same room, same teacher. Yes, it worked. That teacher really did a great job, and the kids really learned. A third child came, so small we kept her in a doll cradle. Had a huge garden. Practiced no-till gardening with flowers fencing off the good stuff from bugs who had other ideas. I always left a tenth of everything for the bugs so they could eat, too. I canned and froze so much food from our garden, plus leftovers gleaned from orchards, that we had plenty of food. Plus we almost always got an elk tag in the annual statewide drawing for a ticket to kill one. This meant our food bill for a family of five was never over fifteen dollars in any given month including December. Plus, we either raised or shot our own meat. If we were lucky, the whole family could be there when a kill was needed. Barnyard. All of us sitting near the animal to be shot and always giving that animal our thanks and our love. And every time we did this, the animal stood still, died quickly, its meat tender and sweet. If you honor your food, it will honor you.<BR><BR>We lost everything again. Just couldn&rsquo;t make enough money from that acreage to pay our bills and have a life. So we sold the place and moved first to Nyssa, Oregon, then to Boise, the state capital. My husband worked for a gas distributor in Nyssa who charged more to those who had more, and less to those who had less. He manipulated all prices accordingly. That struck us as wrong. You can make deals, but the base price should be the same for everyone. Advertisements&#8212;same deal. We couldn&rsquo;t handle his way of handling money. He bragged about being a good Catholic. Said he took care of everyone. Oh?<BR><BR>Living there gave us an opportunity to experience winds of around a hundred miles per hour or more. Usually more. Took off roofs. Sometimes it collapsed buildings. We were saved because of the unique structure of the house we rented. When the front door blew open, so did the back door. Winds blew straight through. And those winds were unique. You could walk outside, up to the road, and stand there untouched as winds right in front of you tore up everything, while not a hair on your head even wiggled. More than once did we encounter such wind&#8212;a wind with a mind of its own.]]></Text>
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      <Text><![CDATA[<B>FOREWORD<BR><BR></B>A Confluence of the Extraordinary<BR>by Stanley Krippner, PhD<BR><BR>Exploring a Roadway near Mountain Home <BR><BR><B>PART I<BR><BR>PERSONAL QUESTIONS WITH NO ANSWERS</B><BR><BR>1 The Days of <I>Flash Gordon</I> and Newspaper Stories <BR><BR>2 Turning Life Around, Again and Again<BR><BR>3 Deaths and Close Encounters That Changed Everything <BR><BR>4 Woodrew and Puharich:<BR>Deeper Thoughts, Greater Dangers <BR><BR>5 Surprises in Colorado and Beyond <BR><BR>6 An Idiot&rsquo;s Guide Turned Big Book<BR><BR>7 Three Trips to Turkey and the Knowledge Book <BR><BR>8 Kenneth Ring and the Omega Project<BR><BR>9 John Mack and the Meeting That Wasn&rsquo;t <BR><BR><B>PART I I<BR><BR>NEAR-DEATH EXPERIENCERS<BR>WHO&rsquo;VE HAD ALIEN CONTACT</B> <BR><BR>10 Thirty-Eight Cases to Consider<BR><BR><B>PART I I I <BR><BR>WHAT I NEVER SHARED ABOUT <BR>MY THIRD NEAR-DEATH EXPERIENCE</B><BR><BR>11 Arrakkus<BR><BR>12 Transcript of Deep Trance Session Dated July 18, 1979<BR><BR>13 John Mack and the Second Meeting That Wasn&rsquo;t <BR><BR>14 Why I Wrote This Book <BR><BR><B>APPENDIX</B><BR>Brief Notes from the Book That Never Happened<BR><BR>Bibliography <BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;Blending memoir, rigorous investigation, and vivid witness testimonies, P. M. H. Atwater masterfully unveils profound patterns linking alien encounters and near-death experiences. A groundbreaking book that challenges us to expand our place in the stars&#8212;much like the enigmatic visitors it illuminates.&rdquo;]]></Text>
      <TextSourceTitle>Keith Thompson, author of The UFO Paradox</TextSourceTitle>
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      <Text><![CDATA[&ldquo;A powerful and deeply moving exploration of the farthest frontiers of human consciousness. With fearless honesty and poetic clarity, Atwater weaves together personal experience, scholarly depth, and spiritual insight to reveal a universe far more interconnected and mysterious than we imagine. More than a groundbreaking contribution to near-death studies and ufology, this book is a compelling invitation to expand our very understanding of reality. This book is profound, accessible, and an unforgettable essential read.&rdquo;]]></Text>
      <TextSourceTitle>Jeffrey Long, MD, author of Evidence of the Afterlife</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Atwater ventures into one of the most overlooked and yet vital frontiers of human experience. With her characteristic courage and clarity, she brings together two phenomena long treated as separate and reveals their deep structural relationship. This book expands the conversation far beyond survival after death or extraterrestrial contact. Atwater has given us a work of lasting importance&#8212;courageous, integrative, and profoundly illuminating.&rdquo;]]></Text>
      <TextSourceTitle>Jim Bruton, author of The In Between</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;Aliens and the Near-Death Experience</I> by P. M. H. Atwater is genius. While there are scores of books about NDEs and alien abductions, there has never been a book about people who have experienced both these phenomena until now.&rdquo;]]></Text>
      <TextSourceTitle>Mark Anthony, JD, author of The Afterlife Frequency</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Atwater takes an unblinking, bold look at how the nature of the NDE opens us up to communication with aliens and the aftereffects of that contact. Her never-before-released conversations with Arrakkus give us a rare insight into into her, as well as our own, alien history, biology, and technology.&rdquo;]]></Text>
      <TextSourceTitle>Scott Taylor, EdD, America’s foremost facilitator of near-death and shared death meditations a</TextSourceTitle>
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      <Text><![CDATA[&ldquo;This book provides profound insights into the relationship between NDE and ET/UFO experiences. At this juncture on Earth, humanity deserves to know deeper truths regarding who we are and how we fit in the cosmos. While information in this book may be jarring and shocking, its wisdom of authentic personal experience is essential now for humanity&rsquo;s global awakening. It&rsquo;s brilliant!&rdquo;]]></Text>
      <TextSourceTitle>Cynthia Sue Larson, author of Quantum Jumps</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Destined to become a classic&#8212;a groundbreaking work at the crossroads of the mystical and the mysterious. P. M. H. Atwater continues to blaze trails where few dare to look, shedding compassionate light on the most unconventional, yet profoundly transformative, intersections of human experience.&rdquo;]]></Text>
      <TextSourceTitle>A. J. Parr, spiritual journalist, podcast host, and coauthor of An Urgent Message for Humanity</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Atwater&rsquo;s book is a must-read for anyone interested in the topics of the relationship between NDEs and UFOs as well as the relationship between consciousness and the contact modalities. Highly recommended.&rdquo;]]></Text>
      <TextSourceTitle>Reinerio (Rey) Hernandez, director of Consciousness and Contact Research Institute (CCRI)</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Atwater masterfully weaves together anecdotal insight with scholarly research, validating the well-documented correlation between alien encounters and near-death experiences. This is a paradigm-shifting volume for the ages!&rdquo;]]></Text>
      <TextSourceTitle>Alexis Brooks, journalist and author of Conscious Musings</TextSourceTitle>
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      <BiographicalNote><![CDATA[Born in Normandy, France, Michel Desmarquet (1931&#8211;2018) joined the French army after finishing high school and spent eight years in French Equatorial Africa. The extraterrestrial contact shared in <I>Thiaoouba Prophecy</I> occurred after he moved to Cairns, Australia, in 1972.]]></BiographicalNote>
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      <SubjectHeadingText>EXTRATERRESTRIAL CONTACT;ALIEN ABDUCTION;ANCIENT MYSTERIES;ATLANTIS;MU;EASTER ISLAND;BERMUDA TRIANGLE;EARTH HISTORY;SPIRITUAL AWAKENING;HIGHER CONSCIOUSNESS;REINCARNATION;ASTRAL TRAVEL;TELEPATHY;PYRAMIDS;ESOTERIC KNOWLEDGE;UFO DISCLOSURE;PLANET THIAOUBA;SPIRITUAL EVOLUTION;GLOBAL CATASTROPHE;COSMIC WISDOM;UNIVERSAL TRUTH;LOST CIVILIZATIONS;SPIRITUAL MESSAGE;PSYCHIC PHENOMENA;SPACE TRAVEL;ANCIENT EGYPT;BIBLE SECRETS;GALACTIC CIVILIZATIONS;UNIVERSAL SPIRITUALITY;INTERSTELLAR TRAVEL;MYSTICAL EXPERIENCE;UNIVERSAL LAWS</SubjectHeadingText>
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      <Text><![CDATA[<B>An extraterrestrial revelation of Earth&rsquo;s history and mysteries</B><BR><BR>&bull; Recounts the author&rsquo;s abduction and journey to the planet Thiaoouba, and the revelations provided by his extraterrestrial guide<BR><BR> &bull; Considers Earth&rsquo;s deep history and mysteries, looking at stories of ancient Egypt, Mu, and Atlantis, the true origins of Moses&rsquo;s and Jesus&rsquo;s messages, and explores reincarnation, astral travel, and telepathy<BR><BR> &bull; Offers a spiritual message with guidance on how to advance into the higher consciousness that is necessary to avoid a global catastrophe<BR><BR> After emigrating to Australia in 1972, the French-born Michel Desmarquet was contacted one night by an extraterrestrial being named Thao, who took him via spaceship to the distant planet of Thiaoouba. Serving as his guide, the androgynous Thao revealed the esoteric truths that continue to challenge humankind and described our planet&rsquo;s prospects for the future.<BR><BR> Desmarquet reveals the true purpose of the Great Pyramid, the source of the Bible&rsquo;s revelations, and the history of life on Mars. He explains who created the statues on Easter Island, whether there are really lost continents such as Atlantis and Mu, and what accounts for the strange happenings in the Bermuda Triangle. He also elaborates on mysterious psychic and spiritual phenomena, including telepathy, the significance of auras, levitation, space travel, and the inner workings of the universe.<BR><BR> Ultimately, Thao&rsquo;s message to Desmarquet was spiritual in nature. Only by evolving to a higher level of consciousness can humanity avoid global catastrophe, a tragic fate that has befallen other galactic civilizations.]]></Text>
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      <Text><![CDATA[Born in Normandy, France, Michel Desmarquet (1931&#8211;2018) joined the French army after finishing high school and spent eight years in French Equatorial Africa. The extraterrestrial contact shared in <I>Thiaoouba Prophecy</I> occurred after he moved to Cairns, Australia, in 1972.]]></Text>
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      <SubjectHeadingText>brother-sister relationship; kidnapping; disappearance; Istanbul; Rome; Westminster; UK; royal wedding; under the radar; diverse stories; diverse characters; foster care; undercover kid spies secret agents; rescue mission Brooklyn; Sydney; Rio; Kathmandu; Cairo; action; adventure; found family; adoption stories; adoptive families; spies; MI6; middle grade spy adventure series; books for 10 11 12 year olds fourth sixth graders; New York Times bestseller; STEM; STEAM; Framed!; Vanished!; Trapped!; James Bond; Dead City; Blue Moon; Dark Days; Stu Gibbs; spy kids; Spy School; Sherlock Society; James Ponty; citi spies;</SubjectHeadingText>
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      <Text><![CDATA[<B>In this sixth installment in the <I>New York Times</I> bestselling series from Edgar Award winner James Ponti, the young group of spies stages a rescue in Rome in another international adventure perfect for fans of <I>Spy School</I> and Charlie Thorne.</B><BR><BR>Cairo, the newest member of the City Spies, takes the lead when his sister disappears in Istanbul. Determined to save the family of one of their own, the team risks discovery as their search leads them to Rome. Meanwhile, there&rsquo;s been intel that seems to threaten the royal wedding about to take place in Westminster, bringing the team back to the UK on an official case for MI6. With so much security all over the city, it&rsquo;s harder than ever for the City Spies to go unnoticed. Will their skills be up to the task?]]></Text>
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      <Text><![CDATA[James&nbsp;Ponti&nbsp;is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of four middle grade book series: The Sherlock Society following a group of young detectives;&nbsp;City Spies, about an unlikely squad of kids from around the world who form an elite MI6 Spy Team; the Edgar Award&ndash;winning&nbsp;Framed!&nbsp;series, about a pair of tweens who solve mysteries in Washington, DC; and the&nbsp;Dead City&nbsp;trilogy, about a secret society that polices the undead living beneath Manhattan. His books have appeared on more than fifteen different state award lists, and he is the founder of a writers group known as the Renegades of Middle Grade. James&nbsp;is also an Emmy&ndash;nominated television writer and producer who has worked for many networks including Nickelodeon, Disney Channel, PBS, History, and Spike TV, as well as NBC Sports. He lives with his family in Orlando, Florida. Find out more at&nbsp;JamesPonti.com.]]></Text>
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      <Text><![CDATA[Chapter 1: Annie <link rel="stylesheet" type="text/css" href="../styles/9781665932523.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> 1. Annie <BR>THE BEYOGLU AQUATIC CENTER SHARED a parking lot with an auto repair shop, so it wasn&rsquo;t uncommon for teenagers with dripping-wet hair to cross paths with mechanics whose hands were covered in grease. This was Istanbul, a city that straddled two continents and was home to more than fifteen million people. Life here was defined by unlikely encounters.<BR> <BR>Despite this, Annie couldn&rsquo;t help but think the man was out of place. She noticed him the moment she stepped outside after practice. He was muscular but bulky, built like a boxer, not a swimmer. And his fitted shirt and perfectly pressed pants were hardly garage-appropriate. She watched as he dropped a cigarette to the ground and stubbed it out with the toe of a thick black boot. Judging by the other discards lying nearby, he&rsquo;d been waiting awhile.<BR> <BR>Annie turned to her friend G&#246;k&#231;e and asked, &ldquo;Who&rsquo;s the musclehead?&rdquo;<BR> <BR>The girl gave her a confused look. &ldquo;What is &lsquo;musclehead&rsquo;?&rdquo;<BR> <BR>G&#246;k&#231;e&rsquo;s English was so good that Annie sometimes forgot she was still learning it. &ldquo;It just means a guy with lots of muscles.&rdquo; She bowed her arms in a flex. &ldquo;Like a bodybuilder.&rdquo;<BR> <BR>&ldquo;Ahh, <i>musclehead</i>, I get it.&rdquo; G&#246;k&#231;e smiled, pleased to add new slang to her vocabulary. &ldquo;I don&rsquo;t recognize him. He probably works at the garage.&rdquo;<BR> <BR>&ldquo;Dressed like that? I don&rsquo;t think so. Besides, look at his hands. They&rsquo;re manicured. Not a spot of grease on them.&rdquo;<BR> <BR>&ldquo;Okay, then he&rsquo;s a parent picking up one of our teammates.&rdquo;<BR> <BR>Annie gave her the side-eye. &ldquo;We&rsquo;re halfway through the season, and we&rsquo;ve never seen him before. How do you explain that?&rdquo;<BR> <BR>G&#246;k&#231;e laughed. &ldquo;I don&rsquo;t explain that. Because unlike you, I am not an incredibly annoyed person.&rdquo;<BR> <BR>&ldquo;I&rsquo;m not <i>incredibly annoyed</i>,&rdquo; Annie said defensively. &ldquo;I&rsquo;m just curious because&hellip; Wait a second&hellip;. Did you mean &lsquo;paranoid&rsquo;?&rdquo;<BR> <BR>&ldquo;That&rsquo;s the word. Annoyed. Paranoid. They sound the same to me. You are the most <i>paranoid</i> fifteen-year-old in the world.&rdquo;<BR> <BR>Now it was Annie&rsquo;s turn to laugh because there was more than a little truth to this. &ldquo;Okay. That&rsquo;s fair. But believe me. If you came from my family, you&rsquo;d be paranoid too.&rdquo;<BR> <BR>Annie&rsquo;s parents were both spies. Originally, they worked for MI6, British Secret Intelligence. But six years earlier a mission in Paris had gone terribly wrong. She still didn&rsquo;t know all the specifics of what happened, but she&rsquo;d been living on the run ever since. T&#252;rkiye was her ninth country, and like the other eight, it came with an entirely new identity and cover story. As far as G&#246;k&#231;e and everyone at school was concerned, Annie was Pam Ryan from Bakersfield, California, who&rsquo;d moved to the Middle East because her father worked in the oil industry.<BR> <BR>&ldquo;Walk with me to the metro and help me practice my English,&rdquo; G&#246;k&#231;e said.<BR> <BR>&ldquo;Okay, but you&rsquo;ve got to help me practice too. You&rsquo;re not the only one learning a new language. How do you say &lsquo;paranoid&rsquo; in Turkish?&rdquo;<BR> <BR>&ldquo;That&rsquo;s easy,&rdquo; G&#246;k&#231;e responded. &ldquo;You just say&hellip; &lsquo;Pam Ryan.&rsquo;?&rdquo;<BR> <BR>It took Annie a moment to get the joke, and when she did, she laughed despite herself. &ldquo;That&rsquo;s so not funny.&rdquo;<BR> <BR>It had been years since she&rsquo;d had a friend this close. Someone she could <i>almost</i> be herself with. This was intentional because she knew she&rsquo;d inevitably be forced to leave without warning or a chance to say goodbye. But with G&#246;k&#231;e, their friendship had clicked from the beginning. They were classmates at Galatasaray, one of the most prestigious high schools in the country, and played together on a highly regarded water polo team. G&#246;k&#231;e&rsquo;s dream was that they&rsquo;d end up playing at the same college in the United States.<BR> <BR>&ldquo;When we get to USC, my English will have to be perfect,&rdquo; she said as they walked along the brick road. &ldquo;It will help me in school and of course when I meet all the celebrities.&rdquo;<BR> <BR>Her plan was that they would go to the University of Southern California, which, in addition to having an elite women&rsquo;s water polo team with Olympians from around the world, was also located in Los Angeles, just a few miles from Hollywood.<BR> <BR>&ldquo;Did you see many celebrities growing up in California?&rdquo; she continued.<BR> <BR>&ldquo;I lived in Bakersfield,&rdquo; Annie responded, sticking to her cover story. &ldquo;All they&rsquo;ve got there is desert, farming, and oil wells. No celebrities.&rdquo;<BR> <BR>&ldquo;Too bad. We will fix that when we are at university. We will go to class. We will train in the pool. And then we will hang out at clubs with all the movie stars.&rdquo; She did a little shimmy with her shoulders.<BR> <BR>Annie loved G&#246;k&#231;e&rsquo;s mix of confidence and optimism. It was so heartfelt that she sometimes got swept up in it. Despite her unpredictable undercover life, she almost believed that they would go to college together and remain friends forever. But then she saw a reflection in a shop window and was snapped back to reality.<BR> <BR>It was Musclehead. He&rsquo;d followed them from the aquatic center and was now watching from across the street. Annie was right. He <i>had</i> been waiting. He&rsquo;d been waiting for her.<BR> <BR>Her cover was blown, which meant she needed to execute an escape plan. She had to get away from him. Then she would have to get away from Istanbul. But first she had to get away from G&#246;k&#231;e. It was too dangerous for her to get caught up in this.<BR> <BR>&ldquo;What&rsquo;s the matter?&rdquo; her friend asked. &ldquo;You look worried all of a sudden.&rdquo;<BR> <BR>&ldquo;No.&rdquo; Annie faked a smile. &ldquo;I&rsquo;m just tired from practice.&rdquo;<BR> <BR>&ldquo;Yes.&rdquo; G&#246;k&#231;e nodded. &ldquo;Practice today was extremely <i>ghouling</i>.&rdquo;<BR> <BR>Even in this situation Annie couldn&rsquo;t help but chuckle. &ldquo;Grueling,&rdquo; she corrected. &ldquo;?&lsquo;Ghouling&rsquo; would mean that there were ghosts and evil spirits. &lsquo;Grueling&rsquo; means exhausting.&rdquo;<BR> <BR>&ldquo;Sometimes I think the coach is like an evil spirit, but yes, <i>grueling</i> is better.&rdquo; G&#246;k&#231;e flashed a smile, and Annie took a mental picture. She knew she&rsquo;d never see her friend again.<BR> <BR>As they neared the station, Annie was careful to keep track of the man without giving any indication that she&rsquo;d spotted him. He likely wouldn&rsquo;t make a move until she was alone. That meant she had two blocks to work out a strategy.<BR> <BR>&ldquo;You should come home with me for the weekend,&rdquo; G&#246;k&#231;e suggested. &ldquo;We could work on our Renaissance project together. And the food is much better than at the dorm.&rdquo;<BR> <BR>They were both boarding students at Galatasaray, but since it was Friday, G&#246;k&#231;e was heading home for the weekend. Her family lived just outside the city. Sometimes Annie tagged along, but she couldn&rsquo;t predict how her pursuer would respond, and she didn&rsquo;t want to risk her friend&rsquo;s safety.<BR> <BR>&ldquo;I wish I could,&rdquo; Annie replied. &ldquo;But I promised Seda I would help her study.&rdquo;<BR> <BR>&ldquo;Too bad. My mother is making baklava for dessert.&rdquo;<BR> <BR>&ldquo;Don&rsquo;t rub it in.&rdquo;<BR> <BR>When they reached the Sishane metro station, Annie took a quick peek over her shoulder and saw that the man was now closer to them. He was ready to act in case she headed toward the subway.<BR> <BR>&ldquo;Teach me one new English word before I go,&rdquo; G&#246;k&#231;e said. &ldquo;Something good.&rdquo;<BR> <BR>Annie blocked out the looming threat for a moment and focused on her friend. &ldquo;Okay, here&rsquo;s a good one,&rdquo; she said. &ldquo;<i>Bestie</i>.&rdquo;<BR> <BR>&ldquo;What is &lsquo;bestie&rsquo;?&rdquo; asked G&#246;k&#231;e.<BR> <BR>Annie pointed at her friend. &ldquo;You. You are my bestie.&rdquo;<BR> <BR>G&#246;k&#231;e smiled warmly. &ldquo;That means you are my bestie also. See you Monday.&rdquo; She got on the escalator and started to descend into the station. Before disappearing from view, she turned to face Annie and held up two fingers in a <i>V</i> for victory. &ldquo;Fight on!&rdquo;<BR> <BR>It was the symbol and the slogan of the teams at the University of Southern California. The two of them had co-opted it as their own secret communication and used it for everything from a greeting to a farewell to a cheer during water polo matches. But now Annie took it as a reminder of what she needed to do. A call to action.<BR> <BR>&ldquo;Fight on!&rdquo; she said, flashing the sign with her fingers. Then she added to herself, &ldquo;Because that&rsquo;s exactly what I intend to do.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[Perfect for fans of Spy School, Alex Rider, and Mrs. Smith&rsquo;s Spy School for Girls, City Spies is a bestselling, multicultural, middle grade series filled with action and intrigue, humor and heart, all set against a backdrop of exotic locations and iconic landmarks.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b>City Spies Book 6:<i> London Calling</i></b><BR> <BR>By James Ponti&#8203;<BR> <BR><b>About the Book</b><BR> <BR>Cairo, the newest member of the City Spies, takes the lead when his sister disappears in Istanbul. Determined to save the family of one of their own, the team risks discovery as their search leads them to Rome. Meanwhile, there&rsquo;s been intel that seems to threaten the royal wedding about to take place in Westminster, bringing the team back to the UK on an official case for MI6. With so much security all over the city, it&rsquo;s harder than ever for the City Spies to go unnoticed. Will their skills be up to the task?<BR> <BR><b>Discussion Questions</b><BR> <BR>1. As <i>London Calling </i>opens, readers witness an exchange between Annie and G&#246;k&#231;e, her closest friend in Istanbul. G&#246;k&#231;e tells Annie, &ldquo;&lsquo;You are the most <i>paranoid</i> fifteen-year-old in the world,&rsquo;&rdquo; to which Annie laughs and shares, &ldquo;&lsquo;Okay. That&rsquo;s fair. But believe me. If you came from my family, you&rsquo;d be paranoid, too.&rsquo;&rdquo; (Chapter one) Given what you know from previous City Spies installments about Annie, her brother, mother, and father, in what ways is this statement true? Beyond the obvious challenge of being the daughter of spies, from your perspective, what have been the biggest challenges for Annie and her brother, Robert, also known as Cairo?<BR> <BR>2. After swim practice with G&#246;k&#231;e, Annie notices a man out of place, with a physique that indicates he is likely not a swimmer. After her friend suggests that he could be a mechanic from the shop situated close to the pool, Annie tells G&#246;k&#231;e, &ldquo;&lsquo;Dressed like that? I don&rsquo;t think so. Besides, look at his hands. They&rsquo;re manicured. Not a spot of grease on them.&rsquo;&rdquo; (Chapter one) What do Annie&rsquo;s observations indicate about her situational awareness? How has being on the run with her mother and brother prepared her for such situations? How does this skill help her?<BR> <BR>3. As she considers her relationship with G&#246;k&#231;e, Annie shares that it&rsquo;s &ldquo;been years since she&rsquo;d had a friend this close. Someone she could <i>almost</i> be herself with. This was intentional because she knew she&rsquo;d inevitably be forced to leave without warning or a chance to say goodbye.&rdquo; (Chapter one) Why is Annie&rsquo;s situation so difficult? Considering what G&#246;k&#231;e believes about Annie&rsquo;s cover story, why is this also problematic? Do you believe Annie&rsquo;s experiences with peers are easier or more difficult than what the City Spies experience? Explain your answer.<BR> <BR>4. Early in the novel, readers learn that half of the City Spies team have been sent to Istanbul and then on to Rome in search of Annie, while the others stay at FARM to offer mission support, as well as focusing on their UK mission. What are some of the challenges of splitting their focus across multiple missions at once? What are some potential additional dangers presented based on this setup?<BR> <BR>5. Cairo (Robert) is given the distinction of running the mission. Why does this seem important given that they are searching for his sister? Based on what you&rsquo;ve learned about Cairo from earlier books, what are the greatest skills Cairo brings to this role? What might be some challenges he could face?<BR> <BR>6. While debating the trustworthiness of Clementine and her actions, Kat shares that she believes her and finds her &ldquo;very convincing,&rdquo; to which Paris retorts, &ldquo;&lsquo;The best spies always are.&rsquo;&rdquo; (Chapter six) Given his past experiences and what he&rsquo;s witnessed firsthand, why is Paris so unwilling to trust Clementine? How do you feel about Paris&rsquo;s concerns about her? Explain why you think he is or is not justified in feeling this way.<BR> <BR>7. While considering why Umbra is targeting Annie, Mother tells them, &ldquo;&lsquo;I think [Clementine] was a double agent working for MI6 while appearing to work with Umbra. I think the <i>bad</i> things she did were to make them believe that she was one of them. But it looks like she&rsquo;s blown her cover.&rsquo;&rdquo; (Chapter six) In what ways do Clementine&rsquo;s actions compromise her position with Umbra? Do you think she&rsquo;s right to risk her level of trust with them? Why or why not?<BR> <BR>8. As Paris, Mother, and Cairo visit the pool where Annie trained, Paris finds a displayed team picture and looks for Annie, to which Cairo tells him, &ldquo;&lsquo;You won&rsquo;t find her in there. First rule of living on the run. You&rsquo;re always sick on picture day.&rsquo;&rdquo; (Chapter seven) Though this strategic action makes sense, it also leaves Mother feeling guilty. Why is that? Do you think he&rsquo;s right to feel that way?<BR> <BR>9. While in T&#252;rkiye searching for Annie as part of Operation Breadcrumbs, Mother and Cairo visit Annie&rsquo;s school, and Cairo makes it his mission to retrieve her diary. What does this intentional choice indicate about their relationship?<BR> <BR>10. How does Mother react to learning that Annie was given the choice to stay with her mother, even after given the option to live with her father and brother?<BR> <BR>11. Throughout the novel, the City Spies team playfully teases Rio because he considers himself to be an &ldquo;epicure&rdquo;&#8212;someone with a refined palate and appreciation of high-quality food. In what ways does he regularly contradict this?<BR> <BR>12. Based on what you learn through reading <i>London Calling</i> and your impressions of the City Spies throughout the series so far, how would you describe each member of the team? How have they each grown and changed in their time together?<BR> <BR>13. After Cairo tells her that he loves his new siblings, Annie tells him, &ldquo;&lsquo;That makes me very happy.&rsquo;&rdquo; (Chapter twenty-eight) Does this surprise you? Why does knowing that her brother believes the other City Spies are his family matter so much to Annie?<BR> <BR>14. Consider the events of <i>London Calling</i>: What are some of the ways in which Clementine&rsquo;s actions prove that all is not as it has appeared to the team? Do you think they should trust her? Why or why not?<BR> <BR>15. As Annie volunteers to help her brother on the next stage of the mission, Mother tells her, &ldquo;&lsquo;You have made it clear that you want no part of this.&rsquo;&rdquo; (Chapter twenty-eight) What does Annie have to gain by assisting on this mission? <BR> <BR>16. Given the infiltration of FARM, why do Brooklyn and Monty believe they need to destroy Beny, a Cray XC40 supercomputer used by MI6 for code-breaking and analysis? While destroying it means a loss for everyone, especially as the supercomputer is such a vital tool for the team, how is this a huge sacrifice for Brooklyn?<BR> <BR>17. After Brooklyn is forced to destroy the supercomputer to protect the City Spies team, she believes that the texts she receives from Beny are either delayed sent messages or spoofing messages from Umbra, or even that Beny somehow survived and is rebuilding himself. Do you believe that last option to be a possible explanation? Why or why not? What do you think these texts mean for the future?<BR> <BR>18. When Quill kicks the City Spies out of their safe house, Mother tells him, &ldquo;&lsquo;I get that you&rsquo;re embarrassed . . . because grown men who you personally trained were unable to keep up with a group of kids. . . . So if you&rsquo;re angry, take it out on me. Not them.&rsquo;&rdquo; (Chapter thirty) How do you feel about Quill&rsquo;s reaction? In what ways is it surprising?<BR> <BR>19. When Mother, Robert, and Annie finally get to see Clementine, she tells them &ldquo;&lsquo;the key to survival is situational awareness.&rsquo;&rdquo; (Chapter thirty-two) In what ways does Clementine&rsquo;s advice ultimately pay off for them?<BR> <BR>20. Considering the conclusion of <i>London Calling</i>, what do you predict will happen in the next installment of City Spies? In what significant ways have things changed for the team?<BR> <BR><b>Extension Activities</b><BR> <BR><b>Istanbul.</b> For part of the mission the City Spies undertake in this novel<i>, </i>they go undercover in Istanbul, Turkiye to try to locate Annie, who is Mother&rsquo;s daughter and Cairo&rsquo;s sister. First, using library and trusted internet resources, have students begin to discover what makes Istanbul so special. According to interest, have readers pair up to select one of the following aspects of Istanbul to research:<BR> <BR>o Uniqueness of geographic location<BR> <BR>o Hagia Sophia<BR> <BR>o Blue Mosque<BR> <BR>o Population statistics<BR> <BR>o City on the Seven Hills<BR> <BR>o Grand Bazaar<BR> <BR>After their research is complete, allow them to share their findings in a manner of their choice.<BR><BR><b>Supercomputers. </b>In <i>London Calling</i>, readers learn that MI6 is part of the Five Eyes, an intelligence alliance which pools resources and shares classified information; part of that work is done by supercomputers like Beny as part of a system called Stonehenge Computer Cluster. Have readers begin learning more by watching this introductory video on supercomputers: <a href="https://www.youtube.com/watch?v=4xHoWwxdlms">https://www.youtube.com/watch?v=4xHoWwxdlms</a><BR> <BR>Next watch this CNBC piece on the race to build the fastest supercomputer: <a href="https://www.youtube.com/watch?v=utsi6h7IFPs">https://www.youtube.com/watch?v=utsi6h7IFPs</a><BR> <BR>After watching these videos, have students research more about different aspects of supercomputers and their usage and potential, using library and trusted internet resources. After reading and investigating, ask students to present their most interesting discoveries.<BR><BR><b>Foreign Intelligence Agencies. </b>As the City Spies work on their case, they learn that their agency has joined a team called the Five Eyes, an intelligence alliance of the United States, United Kingdom, Canada, Australia, and New Zealand. This alliance is dedicated to sharing classified information with one another.<BR> <BR>Have readers begin by doing a search, using trusted internet sources, for foreign intelligence agencies. Have them select one from the five mentioned in the novel or from a country of choice, and have them research to learn what information is available for that agency. After completing their research, have students share their new knowledge with their peers via a PowerPoint or slideshow presentation.<BR><BR><b>Rome. </b> When their work on Operation Breadcrumbs takes them to Rome, the City Spies split up and explore the ancient city as they attempt to locate Annie. They ultimately get assistance from Barbara, a top-notch Roman tour guide. Working in small groups, begin by having readers do some sleuthing of their own to identify the best sites to see and best things to experience in Rome in a single day. Taking what they&rsquo;ve individually discovered, have each group create an &ldquo;Ultimate Day in Rome&rdquo; guide to be shared with other groups, being sure they include food and snacks, best shopping experiences, and any other not-to-be-missed site or activity. Consider bonus credit for students creating a temporary travel website for this one-day trip, or a printed trifold pamphlet.<BR><BR><b>Famous Double Agents.</b> In the novel, readers discover that Clementine was working as a double agent as a means to secure information about Umbra. Begin by learning more about notable US spies here: <a href="https://www.cnn.com/2014/06/09/us/imprisoned-u-s-spies---fast-facts/index.html">https://www.cnn.com/2014/06/09/us/imprisoned-u-s-spies---fast-facts/index.html</a><BR> <BR>Next, using a variety of research resources, have students dig deeply to learn more about famous double agents, selecting an agent of interest and doing further research to learn the following:<BR> <BR>o Why did this individual become a double agent?<BR> <BR>o What countries/organizations did this spy work for?<BR> <BR>o What were the outcomes of their work?<BR> <BR>o What do you believe their greatest challenges were?<BR> <BR>After finishing, have students share what they learned about this individual.<BR><BR><b>Royal Weddings. </b>For the Operation Abbey Road mission, the City Spies are assigned to assist MI6 more directly to help find weak areas of security for the country-wide celebration of a royal wedding. Have readers learn more by learning about the following:<BR> <BR>o Why are royal weddings such a grand occasion?<BR> <BR>o Why are they often during the week and during the day?<BR> <BR>o Where is the wedding traditionally held?<BR> <BR>o How do the bride and groom travel between venues and why is it important?<BR> <BR>o What must the bride and groom wear?<BR> <BR>o What other interesting facts did you uncover?<BR> <BR>After they finish, allow time for discussion of their findings.<BR><BR><i>This guide was created by Dr. Rose Brock. Rose is an associate professor in the Library Science Department in the College of Education at Sam Houston State University and holds a Ph.D. in Library Science, specializing in children&rsquo;s and young adult literature.</i><BR> <BR><i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.</i>]]></Text>
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      <Text><![CDATA[<b>Two starred reviews!</b><BR> <BR><b>Joy hums from this </b><b>&ldquo;glorious&hellip;beautifully styled&rdquo; (<i>Booklist</i>, starred review)</b><b> </b><b>picture book celebration of the richness of the African heritage behind braids, locs, cornrows, and all manner of crowning glory, from ancient times to present day&#8212;perfect for fans of <i>Sulwe</i> and <i>We Are the Ship</i>.</b><BR><BR>With the lushest of language, a young girl getting her hair styled tells an overall history of African hair. Beads. Feathers. Cowries. Threads of gold. Ivory. Charcoal. Pearls. Bantu knots. Cornrows. Goddess Braids. Maps. Seeds. Afros. Clay. Dreadlocks. Woven with the greatest care. Across different African cultures. Everything rich with meaning.<BR> <BR>- Centuries of meaning! Hair! It&rsquo;s woven with history.<BR> - It is living art&#8212;can be adorned with intricate rings, mother of pearl, feathers.<BR> - It is identity.<BR> - It shapes community.<BR> - It can speak to age, wealth, or power.<BR> - It provided escape maps for the enslaved to follow when written word was forbidden. Woven with seeds, pearls, gold, it provided a way to survive <i>after</i> escape.<BR> - And to many, it contains the soul.<BR> <BR>For centuries, people of African descent have faced prejudice and judgment over their hair. Backlash for their styles. Dictated to as to what styles are &ldquo;acceptable&rdquo;. But author Sope Martins boldly, exquisitely, subverts this all in her celebration of African hair and its complicated, powerful heritage.]]></Text>
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      <Text><![CDATA[Sope Martins is a Nigerian author of numerous children&rsquo;s books including&nbsp;<I>The African Princess</I>, <I>Teju&rsquo;s Shadow</I>, and <I>The Greatest Animal in the Jungle</I>. She is also a radio broadcaster. <I>Hairstory</I> is her picture book debut in the United States.<BR><BR>Briana Mukodiri Uchendu, recent recipient of the John&nbsp;Steptoe New Talent Award, is an illustrator, visual development artist, and first-generation Nigerian American. She is the illustrator of multiple picture books including&nbsp;<I>The Talk</I>&nbsp;by Alicia D. Williams, which received a Coretta Scott King Author Honor. Her work is inspired by her interests in folklore, film, and animation and her passion to highlight voices that usually go unheard.&nbsp;]]></Text>
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      <Text><![CDATA[The rich African history of Black hair is spotlighted in Martins&rsquo; latest picture book. An acrostic poem spelling &ldquo;hairstory&rdquo; spotlights the beauty of Black hair and is interspersed with lengthier text highlighting the historical roots of Black hairstyles in Africa. Various African tribes and cultures are represented in stunning, softly textured illustrations that show the process of people styling their hair, just as the girl is continuing that tradition now. The illustrations create an otherworldly feel as readers are transported through history, lore, and the power of Black cultural experiences. After a glorious journey through Black hair history, the young girl is shown proudly looking through the mirror at her own unique hairstory. [...] African culture and history, vibrant illustrations, and the magic of Black hair combine for a beautifully styled tale readers will read again and again.]]></Text>
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      <Text><![CDATA[A celebration of Black hair. A modern child getting her hair done explains that her braids are rooted in &ldquo;centuries of meaning.&rdquo; [...]They are stories &ldquo;told from mother / to daughter,&rdquo; &ldquo;an ancient Road Map,&rdquo; &ldquo;Tangled Strands / coaxed free with an Afro comb.&rdquo; Hair is art, beauty, identity, and more. [...] Uchendu&rsquo;s distinctive art makes dramatic use of light and dark, pattern, and distinctive palettes, creating a visual feast for readers to pore over, with several breathtaking spreads. Flipping through the pages to gaze at the beautiful styles is itself an awe-inspiring, confidence-boosting, and emotional experience. [...] A book to return to often, to build knowledge and foster pride.&nbsp;]]></Text>
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      <Text><![CDATA[&quot;This picture book opens with a wordless double-page spread set in a salon where a girl flips through a book of hairstyles while getting her hair done. The girl narrates: &ldquo;MY HAIR IS HISTORY. Woven into patterns from thousands of years ago. Centuries of meaning are braided on my head.&rdquo; Martins&rsquo;s main text goes on to enumerate other positive attributes: &ldquo;My hair is art,&rdquo; &ldquo;&hellip;identity,&rdquo; &ldquo;&hellip;roots,&rdquo; etc. Close readers may notice a subtle acrostic spread out amidst the poetic text. Accompanying the verse-like narrative, paragraphs in smaller print provide information, poignantly showing longstanding connections between contemporary popular Black hairstyles and styles that began in Africa, as well as related African customs. [...] Uchendu&rsquo;s gauzy digital art primarily features soft lines and pastel colors, which give the book a throwback feel fitting for a text designed to explain how the past shapes the present.&quot;&nbsp;]]></Text>
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      <Text><![CDATA[<B>Blast off into outer space with this interactive trivia book from</B> <B><I>Jeopardy!</I></B> <B>host and </B><B>champion and</B> <B><I>New York Times</I></B> <B>bestselling author Ken Jennings&#8212;featuring updated facts!</B><BR><BR>Take one giant leap into space with Ken Jennings to become a Junior Genius! In this book about outer space, you&rsquo;ll discover Mars&rsquo;s massive volcanoes, witness the birth of stars like our sun, explore black holes, and more! With stellar illustrations, cosmic facts, and out-of-this-world activities, this Junior Genius Guide will have you reaching for the stars!]]></Text>
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      <Text><![CDATA[Ken Jennings is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>Brainiac</i>,&nbsp;<i>Maphead</i>,&nbsp;<i>Because I Said So!</i>, <i>Planet Funny</i>, and <i>100 Places to See After You Die</i>. In 2020, he won the &ldquo;Greatest of All Time&rdquo; title on the quiz show&nbsp;<i>Jeopardy!</i>&nbsp;and later succeeded Alex Trebek as the show&rsquo;s&nbsp;host.&nbsp;He lives in Seattle with his family.<BR><BR>Mike&nbsp;Lowery&nbsp;is an author and bestselling illustrator&nbsp;who has worked on more than eighty books for children, including&nbsp;the Mac B., Kid Spy series with Mac Barnett,&nbsp;<i>They Call Me</i>&nbsp;<i>No Sam!</i>&nbsp;with Drew Daywalt, and more. He is also the creator of the Everything Awesome and Bug Scouts books. He lives in Decatur, Georgia, with his wife and kids, and his daily sketchbook can be seen at&nbsp;MikeLowery.com.]]></Text>
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      <Text><![CDATA[Outer Space <link rel="stylesheet" type="text/css" href="../styles/9781481401722.css"> <BR><a id="ch01"></a><a id="page_6"></a><img src="../images/f0006-01.jpg" alt="Images"><BR> <h3 >Our Mr. Sun</h3> <BR>Have you ever complained about the Sun, Junior Geniuses?<BR> <BR>&ldquo;It&rsquo;s too hot today!&rdquo;<BR> <BR>&ldquo;Ugh, that&rsquo;s bright.&rdquo;<BR> <BR>&ldquo;No more sunscreen, Mom!&rdquo;<BR> <BR><img src="../images/f0006-02.jpg" alt="Images"><BR> <BR>Well, after today&rsquo;s lesson, I never want to hear you bad-mouth the Sun again! The only reason that life can exist on Earth at all, everything from figs to walruses to TV repairmen, is because of the light and warmth we get from our nearest star.<BR> <BR><a id="page_7"></a>This is the Sun.<BR> <BR><img src="../images/f0007-01.jpg" alt="Images"><BR> <BR>Wait, that&rsquo;s not right. Why would the Sun need to wear sunglasses? Think about it; how would that help? Let&rsquo;s try that again.<BR> <BR><img src="../images/f0007-02.jpg" alt="Images"><BR><BR>No Crayons Allowed<BR> <BR>Please don&rsquo;t color this drawing with a yellow crayon, Junior Geniuses. Not only would that deface this fine book, it would also be scientifically inaccurate! Sunlight only looks yellow to us because we&rsquo;re seeing it through our atmosphere. From space the Sun is perfectly white!<BR> <BR><img src="../images/f0007-03.jpg" alt="Images"><BR><BR><a id="page_8"></a>When you look at the Sun&#8212;wait, hold on. Public service announcement:<BR> <BR><img src="../images/f0008-01.jpg" alt="Images"><BR> <BR>The light is so intense it can literally cook the retinas in your eyes. To observe the Sun, glance and then look away. Don&rsquo;t stare. There are health faddists called &ldquo;sungazers&rdquo; who claim they get all their nutrition from staring at the Sun a few minutes a day. But that really doesn&rsquo;t work, so please don&rsquo;t try this.<BR> <BR><img src="../images/f0008-02.jpg" alt="Images"><BR> <BR>Okay. When you briefly glance at the Sun, you&rsquo;re actually looking back in time! Sunlight travels at the speed of light, which means it takes an average of eight minutes and twenty seconds for it to reach the Earth. So the Sun outside your window isn&rsquo;t actually where <a id="page_9"></a>you think it is. By the time you see it, the real Sun has moved forward two Sun-diameters in the sky.<BR> <BR><img src="../images/f0009-01.jpg" alt="Images"><BR> <BR>But we&rsquo;re going to travel back in time even further: not eight and a half minutes but 4.5 billion years! That&rsquo;s when the story of our solar system begins.<BR> <h4 >A Star Is Born</h4> <BR><img src="../images/f0009-02.jpg" alt="Images"><BR> <BR>Over 4 billion years ago a nebula&#8212;a gigantic space-cloud of gas&#8212;collapsed on itself, possibly due to the shock wave from a nearby exploding star. As it shrank, the whirling cloud began to spin faster and faster and grow hotter and hotter. It flattened into a big pizza-shaped thing called a protoplanetary disk, and soon thereafter (just 50 <a id="page_10"></a>million years&#8212;that&rsquo;s &ldquo;soon&rdquo; in cosmic terms!) the middle of the disk got hot enough to light its nuclear furnace. The Sun was born!<BR> <BR><img src="../images/f0010-01.jpg" alt="Images"><BR> <BR>A lot of the leftover dust and gas spinning around the new baby Sun began to clump together, which is how planets form. But these weren&rsquo;t the planets we know today! There were probably hundreds of little planets zooming around and smashing into each other, until they merged into bigger ones. Others collided at such high speeds (due to the immense gravity of big planets like Jupiter and Saturn) that they shattered into tiny chunks called asteroids.<BR> <BR>Today, just eight main planets survive, most of which we&rsquo;ve named for different gods of Roman mythology.<BR> <BR><img src="../images/f0010-02.jpg" alt="Images"><BR><BR>Pop Quiz!<BR> <BR><a id="page_11"></a>Since classical times, we&rsquo;ve used special symbols to refer to the planets and most refer to mythology. The Venus symbol, <img src="../images/sym1.jpg" alt="Images">, looks like a mirror, because she was the goddess of beauty. Mars looks like a spear and shield, <img src="../images/sym2.jpg" alt="Images">, because he was the god of war. What is the Neptune symbol, <img src="../images/entity.jpg" alt="Images">, supposed to be?<BR> <BR><img src="../images/f0011-01a.jpg" alt="Images"><BR> <BR> <h4 >Spaceballs</h4> <BR>But that diagram isn&rsquo;t quite accurate, because the solar system is much, much bigger than we can draw in a book. The Sun is massively bigger than everything else, for one thing. It accounts for 99.8 percent of the mass of the solar system! (Jupiter is most of the rest.)<BR> <BR><img src="../images/f0011-01.jpg" alt="Images"><BR> <BR>The distances between planets are even harder to imagine. Let&rsquo;s pretend that a superpowerful alien has somehow shrunk the eight planets of our solar system to fit inside a baseball stadium. (This alien is apparently a big baseball fan.) The solar system is so big that our massive Sun would be the size <a id="page_12"></a>of a golf ball, sitting at home plate! At this scale, Mercury is a dust speck in the batter&rsquo;s box, while Venus and Earth are grains of sand near the edge of the home plate circle. Mars is another dust speck one-third of the way to the pitcher&rsquo;s mound. Jupiter and Saturn are the sizes of apple seeds, with Jupiter sitting just past the pitcher&rsquo;s mound and Saturn at second base. Uranus is a pinhead near one of the foul poles, and Neptune is a pinhead at the fence in deep center field. (Pluto got kicked out of the ballpark in 2006 for arguing with the umpires. Hit the showers, Pluto.)<BR> <BR><img src="../images/f0012-01.jpg" alt="Images"><BR> <BR>Here&rsquo;s the bottom line, Junior Geniuses: Space is incredibly big. Our little solar system by itself&#8212;our own tiny neighborhood in a vast galaxy&#8212;is so big that it fries even my amazing brain when I try to think about it.<BR><BR>Junior Genius Joviality!<BR> <BR><a id="page_13"></a>Ask a grown-up how far it&rsquo;s possible to see on a clear day. I guarantee they will guess low! The correct answer, as long as you can see the Sun, is &ldquo;93 million miles.&rdquo; That&rsquo;s also known as one &ldquo;astronomical unit&rdquo;&#8212;the distance from the Earth to the Sun.<BR> <BR> <h4 >Whirled News</h4> <BR>Today we take it for granted that the planets of the solar system spin around the Sun, but for most of history people have assumed that the Earth was the center of the universe! Five hundred years ago heliocentrism (&ldquo;hee-lee-oh-SENT-rizz-um&rdquo;), or the idea that the Sun was the center of things, was so controversial that people who believed it could be put on trial. The great astronomer Galileo spent the last ten years of his life under house arrest for insisting it was the Earth that moved around the Sun, not the other way around.<BR> <BR><img src="../images/f0013-01.jpg" alt="Images"><BR> <BR><a id="page_14"></a>But&#8212;sorry, Galileo!&#8212;that doesn&rsquo;t mean the Sun is the exact center of the solar system! Gravity works both ways, Junior Geniuses. The Sun tugs on each planet&#8212;take Jupiter for instance&#8212;in a big way, because the sun is so massive. But, at the same time, Jupiter is tugging on the Sun in a small way. Instead of saying that Jupiter orbits the Sun, it&rsquo;s more accurate to say that they both orbit a third point, called a barycenter, which is about thirty thousand miles above the surface of the Sun.<BR> <BR><img src="../images/f0014-01.jpg" alt="Images"><BR><BR>Are You Sitting Still?<BR> <BR><img src="../images/f0014-02.jpg" alt="Images"><BR> <BR>The Earth is moving at a pretty good clip right now: spinning on its axis at 1,000 miles per hour and whirling around the Sun at 66,000 miles per hour. But don&rsquo;t forget that the Sun is moving too, spinning around the Milky Way like a giant pinwheel at about 483,000 miles per hour. And today scientists can use leftover radiation from the Big Bang to measure how fast our whole galaxy is moving through the universe: 1.3 million miles per hour!<BR> <BR><a id="page_15"></a>We don&rsquo;t feel any of this motion, of course, because everything around us is moving at the exact same speed we are. But the next time a grown-up says, &ldquo;Have you been sitting in that chair all day? Get up and get some exercise!&rdquo; tell them you&rsquo;ve already covered a few million miles today, and you&rsquo;re pooped!<BR> <BR> <h4 >All Systems Glow</h4> <BR>But let&rsquo;s take a close-up look at the Sun. (NOTE: AGAIN, DO NOT TAKE A REAL CLOSE-UP LOOK AT THE SUN. IT IS VERY BRIGHT.) Luckily, Mr. Sun produces a lot of energy, or we would be very cold right now and bumping into things all the time. But where does that energy come from?<BR> <BR><img src="../images/f0015-01.jpg" alt="Images"><BR> <BR>At the middle of the Sun is a very dense core, where the pressure gets pretty intense&#8212;over one hundred times what it is at the bottom of Earth&rsquo;s oceans, in fact. All that gravity pushes atoms together with a pressure of one hundred tons per square inch, enough <a id="page_16"></a>to crush atoms into each other. Hydrogen atoms fuse together to form helium atoms, and that process produces the energy that powers the Sun.<BR><BR>Lighter than Air<BR> <BR>Helium is the second most common element in the universe (after hydrogen), but it went undiscovered until 1868, when astronomers spotted the wavelength of a new element in the sunlight emitting from an eclipse. Earth has large underground deposits of helium gas, but the element was discovered millions of miles away on the Sun almost thirty years before it was discovered right here under our feet!<BR><BR><img src="../images/f0016-01.jpg" alt="Images"><BR> <BR>The fusion in the Sun&rsquo;s core produces little energy particles called photons&#8212;but they don&rsquo;t radiate out into space right away. In fact, they bounce around inside the Sun for thousands of years before making their way to the surface.<BR> <BR>So the sunlight you see in the sky today might have been born in the Sun&rsquo;s core as much as 170,000 years ago!<BR> <BR><img src="../images/f0017-01.jpg" alt="Images"><BR> <BR><a id="page_17"></a>All that fusion produces a lot of energy. In fact, the Sun produces the equivalent of 77 trillion atomic bombs&#8212;every second. If we could somehow collect just one second&rsquo;s worth of that energy, it could power human civilization for the next half a million years!<BR> <BR><img src="../images/f0017-02.jpg" alt="Images"><BR> <BR>Despite all that, the weird thing about the surface of the Sun is that it&rsquo;s not very hot. Well, okay, it&rsquo;s almost ten thousand degrees Fahrenheit, which is pretty hot for, say, a bowl of ramen. But it&rsquo;s not that hot on a cosmic scale. Right here on Earth, a bolt of lightning is five times hotter than the surface of the Sun, which doesn&rsquo;t seem right. The temperature at the core of the sun is 27 million degrees Fahrenheit, while its outermost layer, the corona, is 3.5 million degrees Fahrenheit. So why is the bright photosphere so much chillier than the dark corona?<BR> <BR><a id="page_18"></a><img src="../images/f0018-01.jpg" alt="Images"><BR> <BR>For many years scientists were baffled, but a new discovery may partly explain the problem. We now know that, believe it or not, there are thousands of giant magnetic tornadoes swirling around the upper levels of the Sun at speeds greater than six thousand miles an hour. Some are the size of the United States! These twisters pull heat from the inner layers of the Sun and inject it out into the corona.<BR> <h4 >Fun on the Sun</h4> <BR>Giant megatornadoes aren&rsquo;t the only thing the surface of the Sun has going for it. In fact, there&rsquo;s a lot to see on the Sun. (NOTE: AGAIN, DO NOT TRY TO SEE THINGS ON THE SUN. IT IS DANGEROUSLY BIG AND SHINY.)<BR> <BR>DO NOT LOOK AT THE SUN!<BR><BR><img src="../images/f0018-02.jpg" alt="Images"><BR> <h3 >SOLAR PROMINENCES</h3> <BR>What are they? Huge loops of gas that surge out into space and can hang around for weeks or even months.<BR> <BR><a id="page_19"></a>Cool, but why should I care? Because they&rsquo;re huge! The biggest ones on record extended half a million miles into space.<BR><BR><img src="../images/f0019-01.jpg" alt="Images"><BR> <h3 >SUNSPOTS</h3> <BR>What are they? Dark, cool dots on the Sun&rsquo;s surface caused by magnetism. They come and go in an eleven-year cycle.<BR> <BR>Cool, but why should I care? They may have helped cause an ice age! In the late seventeenth century, a period of low sunspot activity called the Maunder Minimum corresponded with a period of bitterly cold weather.<BR><BR><img src="../images/f0019-02.jpg" alt="Images"><BR> <h3 >SOLAR WIND</h3> <BR>What is it? A constant stream of invisible but electrically charged particles the Sun releases in all directions.<BR> <BR>Cool, but why should I care? It could interrupt your cartoons. Strong solar wind can mess up radio and TV signals. It also causes the auroras that shine in the sky over the North and South Poles.<BR><BR><a id="page_20"></a><img src="../images/f0020-01.jpg" alt="Images"><BR> <h3 >SOLAR FLARES</h3> <BR>What are they? Sudden bright flashes on the Sun that eject a massive amount of energy from the corona.<BR> <BR>Cool, but why should I care? They could literally light you on fire! The Carrington Event was a massive solar storm caused by a flare on September 1, 1859. The northern lights extended all the way south to the Caribbean that day, and were so bright you could read by them all night. Birds started chirping at midnight, and people accidentally got up and went to work. Telegraph poles all over the world sparked, and some telegraph machines built up so much charge they could send messages without being plugged in! In Washington, DC, an arc of fire jumped from the telegraph to the head of its operator, badly burning him.<BR><BR><img src="../images/f0020-02.jpg" alt="Images"><BR> <h3 ><a id="page_21"></a>It Came from the Oort Cloud!</h3> <BR>The solar wind is also what puts the tails on comets! Comets are chunks of ice and dust a few miles wide that come from two areas with funny names way out at the edge of the solar system: the Kuiper Belt and the Oort cloud. Their very long orbits occasionally bring them near the Earth, and we can see their 60-million-mile-long tails of gas and dust being &ldquo;blown&rdquo; away from the coma (the &ldquo;head&rdquo; of the comet) by the solar wind.<BR><BR> <img src="../images/f0021-01.jpg" alt="Image"> <BR>THE TAIL DOESN&rsquo;T TRAVEL &ldquo;BEHIND&rdquo; THE COMET AS IT MOVES . . . IT ALWAYS POINTS AWAY FROM THE SUN.<BR><BR> <h4 >Five Cool Comets to Know</h4> <BR>SHOEMAKER-LEVY 9. Crashed into Jupiter in 1994, leaving scars that were visible from Earth for months.<BR> <BR>SWIFT-TUTTLE. Causes an amazing meteor shower called the Perseids in the night sky every August as Earth passes through its debris trail.<BR> <BR><a id="page_22"></a>THE COMET THAT KILLED THE DINOSAURS. Sixty-six million years ago something crashed into a shallow sea off the coast of Mexico, kicking up dust that killed 70 percent of all the species on Earth. Today many scientists believe the extinction bomb was a comet.<BR> <BR><img src="../images/f0022-01.jpg" alt="Images"><BR> <BR>WILD 2. Visited in 2004 by a NASA probe called Stardust, which collected dust samples from its coma and shot them back to Earth in a little capsule for analysis.<BR> <BR>HALLEY&rsquo;S COMET. Swings by Earth every seventy-five years, so we&rsquo;ll see it next in 2061. The writer Mark Twain was born in 1835, when Halley&rsquo;s Comet was in the sky, and said he expected to go out with it as well. Sure enough, he died in 1910, one day after the comet&rsquo;s return.<BR><BR>Panic in the Streets<BR> <BR><a id="page_23"></a>When Halley&rsquo;s Comet passed by Earth in 1910, one astronomer predicted that the gases in the comet&rsquo;s tail might be poisonous. The public freaked out, and crooked businessmen made a killing selling gas masks, &ldquo;comet-proof umbrellas,&rdquo; and &ldquo;anti-comet pills&rdquo; that cost a dollar a pop!<BR> <BR><img src="../images/f0023-01.jpg" alt="Images"><BR> <BR> <h4 >Fade to Black</h4> <BR>The Sun won&rsquo;t burn forever, of course. At some point it&rsquo;ll run out of hydrogen to fuse, and the lights will go out. That collapse will happen in about 8 billion years&#8212;but look at the bright side, Junior Geniuses. It will finally be safe to look at the Sun without a grown-up nagging you!<BR> <BR>But before it gets colder, the Sun will do something worse: It will get hotter! In about 3.5 billion years, the seas will boil, and Earth will become unable to support life. Hopefully the human race will have found someplace better to live by then.]]></Text>
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      <Text><![CDATA[<B>Ren worries her parents are keeping secrets in this seventh book in the Cupcake Diaries: The New Batch chapter book series, the little sister series to the bestselling Cupcake Diaries. Includes black and white illustrations throughout and eye-catching glitter on the cover!</B><BR><BR>Ren couldn&rsquo;t be happier that her move to a new school and town has been going so well! But when she gets home from a big day at school, her parents are acting strange and distracted. Ren starts to worry they&rsquo;re hiding something <I>big</I> from her. Could it be another move?! To get to the bottom of it, Ren and her cupcake friends throw them a special surprise party with cupcakes she knows her mom and dad will love, but will it work?]]></Text>
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      <Text><![CDATA[From cupcakes to ice cream and donuts! When she&rsquo;s not daydreaming about yummy snacks, Coco Simon edits children&rsquo;s books and has written close to one hundred books for children, tweens, and young adults, which is a lot less than the number of cupcakes, ice cream cones, and donuts she&rsquo;s eaten. She is the author of the Cupcake Diaries, Cupcake Diaries: The New Batch, the Sprinkle Sundays, and the Donut Dreams series. Her newest series is Mia in the Middle.<BR><BR>Manuela L&oacute;pez is an artist, introvert, and tea drinker. She works as an illustrator of children&rsquo;s books and freelance projects.]]></Text>
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      <Text><![CDATA[Chapter 1&#160; Test Taking<BR><BR>&#160; &ldquo;Time&rsquo;s up, class!&rdquo;<BR><BR>&#160; Whew! I had just finished answering the last question on my history test with a few seconds to spare. <I>Two down, three to go,</I> I thought as I handed in my test and walked down the hallway for lunch.<BR><BR>&#160; Test-taking week at Fenton Street School was no joke. My whole grade was getting grilled on math, science, English, history, and gym. Yesterday, I had my gym exam&#8212;so easy! After history this morning, all I had left today was my science test.<BR><BR>&#160; When I reached the cafeteria, I saw my friends Emily, Ethan, Natalie, and Alana sitting at our usual table. We&rsquo;re all part of the Mini Cupcake Club, and we normally baked treats for different events.<BR><BR>&#160; &#160; But this week, we&rsquo;d all been studying hard for our tests. So that meant no baking.<BR><BR>&#160; &ldquo;How was history?&rdquo; asked Natalie as I sat down and took out my lunch.<BR><BR>&#160; &ldquo;Not too hard,&rdquo; I replied. &ldquo;You&rsquo;re taking the math test after lunch, right?&rdquo;<BR><BR>&#160; Natalie nodded. &ldquo;Stephanie helped me study.&rdquo;<BR><BR>&#160; &#160; That made me happy to hear. Natalie and her twin sister, Stephanie, had recently gone through a rough patch, but they were a lot better now. It was awesome that Stephanie was helping Natalie with her schoolwork. For a moment, I wished I had a sibling to help me study.<BR><BR>&#160; &ldquo;I really miss baking,&rdquo; said Emily, biting into her sandwich.<BR><BR>&#160; &ldquo;No orders for two weeks while we study. Grades matter,&rdquo; Alana reminded us.<BR><BR>&#160; &ldquo;I know,&rdquo; Emily said with a sigh. &ldquo;But I still miss it.&rdquo;<BR><BR>&#160;&#160; &#160; &#160; Before lunch ended, my friends and I promised to hop on a quick video call when we got home to see how our latest tests went. I headed over to my next class, and before I knew it, the day was almost over, and it was time for my science exam.<BR><BR>&#160; I read through the questions.<BR><BR>&#160; &#160; I couldn&rsquo;t help but feel so proud of myself&#8212;I knew every single answer and was one of the first to finish!<BR><BR>&#160; &#160; As I waited for the last bell, I thought about the past few months. Ever since starting at Fenton, everything had been great. I was doing well in school, and I had amazing friends.<BR><BR>&#160; When the final bell rang, I jumped up. I couldn&rsquo;t wait to tell my parents that I&rsquo;d aced my exams! Plus, it was my parents&rsquo; fifteen-year wedding anniversary this weekend. <I>Maybe we&rsquo;ll do something fun at the end of test week to celebrate,</I> I thought.<BR><BR>&#160;&#160; &#160;]]></Text>
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      <Text><![CDATA[<B>A girl&rsquo;s spring break gets complicated by an unexpected love triangle in this latest installment in the tween middle grade rom-com series, Spotlight Sprinkles!</B><BR><BR>At first, Anna thought spending spring break with Grandma Gina would be a total snooze fest, but her grandma&rsquo;s friend Lillian has the cutest grandson&#8212;Mason! Anna and Mason get along great, until Grandma Gina&rsquo;s neighbor brings over her chatty grandkids, Daniella and Daniel.<BR> <BR>How can Anna figure out if Mason feels the same way she does if every time they&rsquo;re together, Daniel keeps trying to get her attention? Is it possible that Daniel <i>and </i>Mason like Anna? How does she tell Daniel that she likes someone else? <i>Oh no</i>, what if Mason is trying to tell Anna <i>he </i>likes someone else?!]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665984843.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/f0001-01.jpg" alt="A hand holding a ticket labeled &ldquo;Spring Break&rdquo; with swirling decorative elements in the background."></figure> CHAPTER 1 <BR>My name is Ana Miller and at this very moment, I&rsquo;m trying to block out my friends by staring and poking at my salad with a fork. Normally I love talking with my friends at lunchtime, but today it&rsquo;s just making me depressed.<BR> <BR>&ldquo;And our resort has its own private beach,&rdquo; Jessica brags, practically jumping up and down in her seat. &ldquo;So we can just walk out of the hotel and right onto the sand. And the temperature there right now is eighty degrees! Isn&rsquo;t that awesome? I am so tired of the cold,&rdquo; she says.<BR> <BR>&ldquo;And the snow,&rdquo; Emily adds, glancing toward the nearby window. Mounds of winter snow are piled up in the middle school parking lot and along the walkway. Icicles drip from the bare tree branches and snowflake flurries swirl around in the freezing wind.<BR> <BR>&ldquo;It&rsquo;s Chicago. It&rsquo;s supposed to be cold in winter,&rdquo; I point out, repeating something my dad says often. It never actually makes me feel better about the weather, though. I <i>love</i> the summer, when it isn&rsquo;t necessary to bundle up every day. The summer sun just makes everything feel happier.<BR> <BR>&ldquo;Well, I <i>love</i> the snow,&rdquo; Ava says. With her jet-black hair and blue eyes, Ava always looks like a snow princess from a fairy tale. &ldquo;I can&rsquo;t believe we&rsquo;re finally going skiing in Colorado! It&rsquo;s going to be awesome.&rdquo;<BR> <BR>Emily frowns. &ldquo;We&rsquo;re not going far at all. Mom&rsquo;s taking us to Mammoth Lodge. It&rsquo;s kind of lame, but at least they have an indoor pool.&rdquo;<BR> <BR>Jessica turns to her attention to me. &ldquo;So, are you guys doing anything?&rdquo;<BR> <BR><i>Ugh.</i> I sigh. &ldquo;You know we never do. My dad says this year I can help out in his office and make some extra money.&rdquo;<BR> <BR>&ldquo;That&rsquo;s pretty lame too,&rdquo; Ava remarks, and Jessica shoots her a look as if to say, <i>Don&rsquo;t be so rude</i>. &ldquo;I don&rsquo;t mean that Ana&rsquo;s lame. I mean her dad is lame, you know, for making her work,&rdquo; Ava adds, correcting herself.<BR> <BR>&ldquo;It&rsquo;s okay,&rdquo; I reply glumly. &ldquo;You&rsquo;re right. It is lame.&rdquo;<BR> <BR>&ldquo;It&rsquo;s not all that bad,&rdquo; Jessica says, trying to cheer me up. &ldquo;With some money, you can finally buy those great earrings we saw at Sparks.&rdquo;<BR> <BR>&ldquo;Yeah,&rdquo; I say, dropping my eyes and poking at my salad again. Jessica is super sweet and a great best friend. But there&rsquo;s nothing she can do to get me out of this mood.<BR> <BR>It&rsquo;s just not fair! I&rsquo;m pretty sure that my family is the only one in the whole school who never goes anywhere during spring break. Things get awfully complicated for my family in March and April.<BR> <BR>For one thing, even though it&rsquo;s &ldquo;spring break,&rdquo; it still feels like winter in Chicago. My mom is a pediatrician, and this time of year she&rsquo;s bombarded with kids coming down with the flu.<BR> <BR>And it&rsquo;s not like my dad can take us anywhere alone. My dad is an accountant, which means he has to help dozens of people do their taxes before April fifteenth. So he can&rsquo;t take off work either.<BR> <BR>My mom&rsquo;s go-to response is, &ldquo;We&rsquo;ll make it up to you in the summer,&rdquo; and it is true&#8212;we always go on a nice vacation in the summer. But our last vacation is a distant memory, and in two weeks all I have to look forward to is filing folders in my dad&rsquo;s office, watching the snow fall outside.<BR> <BR>&ldquo;Well, the week goes by fast anyway,&rdquo; Jessica says.<BR> <BR>Emily takes a break from scrolling on her phone to show us her screen. &ldquo;Hey, I forgot that Mammoth Lodge has horseback riding! Maybe it won&rsquo;t be so bad after all.&rdquo;<BR> <BR>Ava looks at all of us and leans in. In a hushed voice, she says, &ldquo;Okay. If you could go on spring break with any boy in our class, who would it be?&rdquo;<BR> <BR>&ldquo;That&rsquo;s easy. Aiden Jones,&rdquo; Emily replies. &ldquo;He&rsquo;s so cute.&rdquo;<BR> <BR>&ldquo;No way!&rdquo; Ava squeals. &ldquo;I was going to pick him!&rdquo;<BR> <BR>&ldquo;Well, I think I would want to go with Evan Davis,&rdquo; Jessica says a little shyly.<BR> <BR>&ldquo;Him? He&rsquo;s so nerdy!&rdquo; Emily laughs.<BR> <BR>Jessica blushes. &ldquo;That&rsquo;s why I like him,&rdquo; she says.<BR> <BR>Ava turns to me. &ldquo;What about you, Ana?&rdquo;<BR> <BR>I shrug. &ldquo;I don&rsquo;t really know.&rdquo; Which is true. I have never had a real crush on a boy yet. Sure, there are some nice, cute boys in my class, but I would never think of, like, <i>dating</i> any of them. &ldquo;Besides, it doesn&rsquo;t matter, because I&rsquo;m not going on spring break anyway,&rdquo; I respond.<BR> <BR>Finally the lunch bell rings. I&rsquo;m so glad the conversation is over, but I already know that spring break will be the only thing on my mind all day.<BR> <BR><i>I&rsquo;ll keep working on Mom and Dad</i>, I think as I grab the rest of my books for my afternoon classes. There has to be some way to save spring break! I&rsquo;ll wait and bring it up at dinner tonight.<BR> <BR>It&rsquo;s Thursday night, which means that Mom gets home late, and Dad decides to make something easy for dinner. Tonight it&rsquo;s spaghetti with cooked meatballs from the freezer. I&rsquo;ve been told to make the salad. My twin brother, Adam, is in charge of garlic bread, and we both have to set the table.<BR> <BR>When I walk into the kitchen to make the salad, I find a pot of boiling water. My dad is infamous for starting things in the kitchen and then wandering off to make a phone call or check something on his computer. My mom gets so mad&#8212;because of the whole you-can-burn-down-the-house thing. Usually we all yell at him when this happens, but tonight I just take the big yellow salad bowl out of the cabinet, get the vegetables out of the refrigerator, and then put them on the counter. Next I take out the box grater so I can shred the carrots into the salad, just the way my dad likes it. Normally I just chop them up because I&rsquo;ve always been a little afraid of using the grater, but tonight I have to keep my dad&rsquo;s spirits high.<BR> <BR>Adam comes into the kitchen while I&rsquo;m grating the carrots and stops when he sees me.<BR> <BR>&ldquo;So what are you asking Dad for?&rdquo; he asks.<BR> <BR>I&rsquo;m not surprised that Adam can tell that I have ulterior motives for grating the carrots. It&rsquo;s one of those twin things. It&rsquo;s not like we can read each other&rsquo;s minds or anything, but sometimes I just know what Adam is going to say before he says it, and vice versa&#8212;stuff like that. Or I can usually tell just by looking at Adam if he&rsquo;s worried about something, or keeping a secret, or coming down with a cold.<BR> <BR>I peek over my shoulders and around the room before explaining. Parents have a way of popping up behind you when you least expect them.<BR> <BR>&ldquo;I really want us to go on spring break,&rdquo; I reply.<BR> <BR>Adam nods. &ldquo;Me too. But you know we can&rsquo;t go.&rdquo;<BR> <BR>&ldquo;But there&rsquo;s got to be some way,&rdquo; I point out. &ldquo;Mom can&rsquo;t be the only doctor in Chicago who treats the flu. She could find someone to fill in for her.&rdquo;<BR> <BR>&ldquo;Yeah, well, what about Dad?&rdquo; Adam asks.<BR> <BR>&ldquo;He could have a working vacation,&rdquo; I reason. &ldquo;He does half of his work here on his computer anyway.&rdquo;<BR> <BR>Adam walks up to the counter, picks up a carrot, and bites into it. &ldquo;Might work. Go for it.&rdquo;<BR> <BR><i>That&rsquo;s Adam,</i> I think, <i>just happy to go with the flow</i>. If I didn&rsquo;t bring up spring break, Adam wouldn&rsquo;t have bothered to mention it. That&rsquo;s just the way he is.<BR> <BR>Sometimes it&rsquo;s hard for me to believe that we&rsquo;re twins. Sure, we both have fair skin, hair that can&rsquo;t decide if it&rsquo;s brown or black, and brown eyes. And we both have what our parents call the &ldquo;Miller nose,&rdquo; which turns up a little bit at the end and which every Miller is supposedly born with.<BR> <BR>But I&rsquo;m about a half an inch taller than Adam (although Dad always points out that boys grow more slowly than girls). And Adam&rsquo;s brown eyes have a hint of green in them while mine are a light brown.<BR> <BR>Anyway, lots of brothers and sisters look alike, not just twins. But our personalities&#8212;that&rsquo;s where we&rsquo;re really different. Adam is always really&hellip; mellow. Things never bug him. He just takes everything in stride. If his pillow is lumpy, he&rsquo;ll sleep on it without complaining.<BR> <BR>I&rsquo;m the opposite. If something is bugging me, I want to&#8212;no, have to&#8212;fix it. If I have a lumpy pillow, I won&rsquo;t sleep a wink until I find a pillow without lumps.<BR> <BR>My mom uses the same sentence to describe our personalities to everyone: &ldquo;If life were an ocean, Adam would be riding the currents and Ana would be on a Jet Ski speeding past him.&rdquo; And the funny thing is, I&rsquo;m sure that Mom is complimenting me, but Adam is always confident that he&rsquo;s the one being complimented. Mom says that means we&rsquo;re each happy with who we are, and that that is good.<BR> <BR>Just then, I notice steam pouring from under the lid of the pot my dad put on the stove, so I grab a rag to pick up the lid and peek inside.<BR> <BR>&ldquo;Dad, you&rsquo;re boiling!&rdquo; I call out.<BR> <BR>My dad comes rushing in, tucking his phone into his front shirt pocket. He picks up a box of spaghetti from the counter and dumps it into the boiling water.<BR> <BR>&ldquo;Thanks, Ana,&rdquo; he says. &ldquo;Oh gosh! I forgot to do the meatballs. Guess I&rsquo;ll microwave them. Mom will be home soon.&rdquo;<BR> <BR>I finish up the salad at the same time that Adam gets done slathering butter on the bread and sprinkling it with garlic powder.<BR> <BR>&ldquo;Dad, can you turn on the broiler?&rdquo; Adam asks.<BR> <BR>&ldquo;Sure thing,&rdquo; Dad says.<BR> <BR>While Adam reaches into the cabinets to grab the plates, I take the utensils out of the drawer.<BR> <BR>&ldquo;That&rsquo;s five,&rdquo; I correct him. &ldquo;We only need four, remember?&rdquo;<BR> <BR>&ldquo;Oh yeah,&rdquo; Adam says casually, putting a plate back, but I see a brief cloud pass over his face. The fifth plate would have been for our older brother, Kai, who is away at college for his spring semester. I miss him a lot, but I know Adam misses him even more.<BR> <BR>Fifteen minutes later, the table is set with the salad, garlic bread, and spaghetti and meatballs. Dad gives Adam and me a high five right as Mom walks into the kitchen.<BR> <BR>&ldquo;We are a well-oiled machine,&rdquo; Dad says.<BR> <BR>&ldquo;Smells great in here!&rdquo; says my mother. She peels off her hat, coat, scarf, and gloves. Underneath it all is an average-sized woman with jet-black straight hair like Adam&rsquo;s and mine, and a perfectly fine nose (even though it isn&rsquo;t a &ldquo;Miller nose&rdquo;).<BR> <BR>My mom washes her hands at the sink (&ldquo;Hand washing is the enemy of germs!&rdquo; is her motto), and then we all sit down at the table. We chat for a few minutes about the usual stuff&#8212;what happened in school, the client who brought Dad chocolate-chip cookies, Mom&rsquo;s patient who stuck a marble up his nose. Then there&rsquo;s a break, and a moment of silence. This is my chance.<BR> <BR>&ldquo;So, I&rsquo;ve been thinking. It&rsquo;s not too late for us to plan a trip for spring break,&rdquo; I say. &ldquo;In fact, I saw some great last-minute deals online.&rdquo;<BR> <BR>My mom lets out a huge sigh. &ldquo;Oh, honey, I know how much you want a break, but you know that your dad and I have to work.&rdquo;<BR> <BR>&ldquo;I was thinking about that,&rdquo; I counter, then I launch into the plan that I shared with Adam. &ldquo;So it&rsquo;s definitely possible, right?&rdquo; I say when I finish.<BR> <BR>&ldquo;You know that you two have to be careful in the sun because of your fair skin,&rdquo; Mom says.<BR> <BR>&ldquo;You know we&rsquo;re always careful when we go out in the sun,&rdquo; I reason. &ldquo;And anyway, I&rsquo;d be happy just to get away. We don&rsquo;t have to go to a beach. There&rsquo;s lots we could do.&rdquo;<BR> <BR>Here Mom and Dad look at each other. I wish I could read their faces the same way I can read Adam&rsquo;s, but my parents are a different story.<BR> <BR>&ldquo;We&rsquo;ll think about it,&rdquo; Mom says, and I decide not to push it any further, that&rsquo;ll have to be good enough. But that doesn&rsquo;t mean I&rsquo;m not going to think about it for the rest of dinner.<BR> <BR>Once we finish eating Adam and I clear the table and I head up to my room, taking two steps at a time. I open my laptop and immediately start searching the web.<BR> <BR><i>Best spring break destinations,</i> I type, and pictures of palm trees and white beaches pop up on the screen. Everything looks amazing. I jot down notes about the ones that seem the best, like a hiking trip out West and a scuba-diving vacation in the Caribbean. I even take down the info on Mammoth Lodge just in case my parents don&rsquo;t want to go too far.<BR> <BR>But I know my parents, and a great destination alone isn&rsquo;t enough to sway them.<BR> <BR>I delete my previous search and type <i>benefits of vacation</i> and tons of articles appear&#8212;some of them are even written by doctors. Mom is going to love that.<BR> <BR>I read a few of them, taking a lot of notes. One article mentions that people who take vacations get sick less often and are less stressed out. Another one says that people who go on vacation are more productive at work. My dad is going to love that one.<BR> <BR>I start putting together a presentation on my computer using all the research I just did. I&rsquo;m pulled away from my computer by Dad&rsquo;s knock on the door.<BR> <BR>&ldquo;You&rsquo;re awfully quiet in here. Homework?&rdquo; he asks.<BR> <BR>&ldquo;No, a special project,&rdquo; I answer.<BR> <BR>&ldquo;Well, good for you,&rdquo; he says. &ldquo;But you need to wrap it up and get ready for bed, okay, hon?&rdquo;<BR> <BR>&ldquo;Sure, Dad,&rdquo; I say. I don&rsquo;t need the presentation anyway. I&rsquo;m going to slay them with my amazing facts!<BR> <BR>As I fall into a deep sleep, I start dreaming about sitting under an umbrella on a white sandy beach, listening to the sound of gentle waves lapping against the shore.<BR> </section>]]></Text>
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      <SubjectHeadingText>book club; books about books; reading; fall; mother daughter relationships; new friends; friendship; drama; family farm; financial trouble; fundraising; teamwork; skating; camping; fashion show; tweens; adolescence; middle school; hockey; female athlete; bookworm; massachusetts; education; different types of families caregivers guardians parents; cozy; sweet; escapism; coming of age; frederick ii; much ado; alexander the great; heather l. montgomery; friendship; half moon farm; little women; anne of green gables; daddy-long-legs; pride and prejudice; betsy-tacy; jane eyre; series; middle grade for 10 11 12 13 14 year olds grades 5 6 7 8; upper middle grade; younger young adult teen; book club read; Courtesy of Cupid Nashae Jones; All My Bests Britnee Meiser; Not If You Break Up with Me First G.F. Miller; The Baby-Sitters Club; Alice McKinley; Ann M. Martin; Allie, First at Last Angela Cervantes; Lisa Greenwald; Suzanne Nelson; A Pumpkin Falls Mystery;</SubjectHeadingText>
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      <Text><![CDATA[<B>The club members tackle friendship, mean girls, and L.M. Montgomery in this second book in the acclaimed Mother-Daughter Book Club middle grade series&#8212;now with a fresh, cozy new look!</B><BR><BR>Anne Shirley (of <I>Anne of Green Gables</I>) says that kindred spirits are not scarce. But when the mothers invite snooty Becca Chadwick and her overbearing mother to join their book club, Emma, Jess, Cassidy, and Megan find that claim <I>sorely</I> tested.<BR> <BR>But they have a bigger problem when Jess finds out her family may have to give up their farm. In a year filled with skating parties, disastrous camping trips, and high-stakes fashion shows, the girls realize it&rsquo;s only through working together&#8212;Becca included&#8212;that they can save Half Moon Farm.]]></Text>
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      <Text><![CDATA[Heather Vogel Frederick is the award-winning author of the Mother-Daughter Book Club series,&nbsp;the Pumpkin Falls Mystery series, the Patience Goodspeed books, the Spy Mice series, and&nbsp;<i>Once Upon a Toad</i>. An avid fan of small towns like Pumpkin Falls, Heather and her husband live in New England, close to where Heather grew up. You can learn more about the author and her books at HeatherVogelFrederick.com.]]></Text>
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      <Text><![CDATA[1. Megan <link rel="stylesheet" type="text/css" href="../styles/9781416996835.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <h2 id="ch01_hd" >Megan</h2> <BR>&ldquo;Well, this is a pretty kettle of fish.&rdquo;<BR> <BR>&#8212;Anne of Green Gables<BR> <BR>&ldquo;What are you girls up to out there?&rdquo;<BR> <BR>I swear all mothers have radar that doesn&rsquo;t quit.<BR> <BR>&ldquo;Nothing, Mom!&rdquo; Jess calls back, motioning frantically to Emma and me.<BR> <BR>Giggling, the two of us scoop up the evidence&#8212;garlic powder, cinnamon, peppermint extract, and blue food coloring&#8212;and hastily stuff it back into the spice cupboard.<BR> <BR>&ldquo;Doesn&rsquo;t sound like nothing to me.&rdquo; We hear Mrs. Delaney&rsquo;s chair scrape on the dining room floor as she pushes back from the table and comes to the kitchen to investigate.<BR> <BR>Emma and I quickly wipe the grins off our faces. Jess leans back casually against the counter, blocking our concoction from view.<BR> <BR>&ldquo;Hmmm,&rdquo; says Mrs. Delaney, scanning the kitchen suspiciously. She spots the open spice cupboard and lifts an eyebrow.<BR> <BR>&ldquo;Uh, we were thinking of baking cookies,&rdquo; Jess explains, which isn&rsquo;t technically a lie even though we decided not to because the kitchen is sweltering.<BR> <BR>Normally, any of our mothers would have seen through this in a flash, but Mrs. Delaney seems kind of distracted today. She shakes her head and sighs. &ldquo;Please don&rsquo;t bake anything, girls, it&rsquo;s hot enough in here already without turning the oven on. We&rsquo;ve got peppermint ice cream&#8212;you can have some of that if you want a snack.&rdquo; She opens the freezer and sticks her head inside. &ldquo;A day like today kind of makes you wish it was winter, doesn&rsquo;t it?&rdquo;<BR> <BR>&ldquo;Or that we had air conditioning,&rdquo; says Jess mournfully.<BR> <BR>Mrs. Delaney pulls her head out again and gives her a sympathetic smile. &ldquo;Maybe someday, honey. Right now we have other priorities.&rdquo; She looks over at Emma. The smile disappears. &ldquo;Emma Hawthorne, you must be roasting in that turtleneck! Didn&rsquo;t you offer her a T-shirt, Jess?&rdquo;<BR> <BR>Jess looks uncomfortable. &ldquo;Uh&#8212;&rdquo;<BR> <BR>&ldquo;I forgot to bring something to change into after school, and nothing of Jess&rsquo;s fits me, Mrs. Delaney,&rdquo; Emma replies matter-of-factly, patting her tummy. Emma is a little on the plump side, and Jess is really petite.<BR> <BR>&ldquo;Well, for Pete&rsquo;s sake, you should have said something,&rdquo; Mrs. Delaney tells her. &ldquo;We have plenty of things around here that will work for you. Hang on a sec.&rdquo;<BR> <BR>She trots upstairs. As soon as her mother is out of sight, Jess grabs the jar of blue liquid from the counter behind her and sticks it in her T-shirt pocket. I glance over at Emma. Emma is one of my best friends, but she&rsquo;s not exactly the fashion queen of Concord, Massachusetts. I mean, I like to dress up for the first day of school too, but a turtleneck on a day like this? You&rsquo;d think she&rsquo;d know by now that the beginning of September is pretty much still summer everywhere, except maybe Alaska. At least she picked a good color. Purple goes well with her brown eyes and curly brown hair. And it matches her new lavender glasses, too.<BR> <BR>Mrs. Delaney reappears and tosses Emma a white T-shirt with a <i>HeartBeats</i> logo on it. &ldquo;Try this,&rdquo; she says.<BR> <BR><i>HeartBeats</i> is the soap opera that Mrs. Delaney was on last year. You&rsquo;d never guess by looking at her now that she&rsquo;s an actress. When we visited her in New York this past summer, she was all glamorous. Now&#8212;well, now she looks the way she always did. Today, for instance, she&rsquo;s wearing jeans and a faded Red Sox T-shirt. She&rsquo;s still pretty and everything&#8212;really pretty, just like Jess, with the same sparkly blue eyes, though Mrs. Delaney&rsquo;s hair is dark, not blond like Jess&rsquo;s&#8212;but she looks ordinary, too. Like a mom. I wonder if she misses all the makeup and clothes and stuff from her acting job. I sure would. But Mrs. Delaney seems really happy to be back home at Half Moon Farm.<BR> <BR>&ldquo;How&rsquo;s your mom doing, Megan?&rdquo; she asks me. &ldquo;We missed her yesterday at yoga class.&rdquo;<BR> <BR>&ldquo;She just got elected to the board of the Concord Riverkeepers,&rdquo; I tell her. &ldquo;Yesterday was their first meeting.&rdquo; My mother&rsquo;s kind of a nature freak. If something on the planet needs saving or protecting, you can bet Lily Wong is there on the front lines to make sure it gets done.<BR> <BR>&ldquo;Oh, that&rsquo;s right, she told us about that,&rdquo; Mrs. Delaney replies. &ldquo;I guess I forgot.&rdquo; She spots the pile of mail on the counter where Jess left it. &ldquo;Bills, bills, nothing but bills,&rdquo; she grumbles, flipping through the envelopes. Shaking her head, she disappears back into the dining room.<BR> <BR>Jess gets three bowls from the cupboard and dishes up some ice cream for us. Crossing the kitchen, she beckons Emma and me to follow. One of her chickens&#8212;Johnny Cash or Elvis or something, I can&rsquo;t keep their names straight&#8212;darts in the minute she opens the screen door. Jess nabs it and it lets out a big squawk.<BR> <BR>&ldquo;You know the rules, Loretta,&rdquo; Jess tells it firmly. &ldquo;No chickens in the house!&rdquo;<BR> <BR>Sometimes I still can&rsquo;t believe I&rsquo;m friends with somebody who talks to chickens. Or somebody who even <i>has</i> chickens.<BR> <BR>Emma and I follow Jess to the barn. Mr. Delaney let us fix up an old storage room in the hayloft for a secret hangout. Not that it&rsquo;s much of a secret, what with Jess&rsquo;s little brothers always sneaking around.<BR> <BR>Right now, there&rsquo;s no sign of them. We scared them off after we caught them spying on us in Jess&rsquo;s room when we were changing out of our school clothes. They&rsquo;ll turn up eventually, though&#8212;they always turn up&#8212;and when they do we&rsquo;ll be ready for them, thanks to the concoction that&rsquo;s safely in Jess&rsquo;s pocket.<BR> <BR>&ldquo;I wish it could stay summer forever,&rdquo; sighs Emma, climbing up the hayloft ladder behind me.<BR> <BR>&ldquo;Me too,&rdquo; echoes Jess.<BR> <BR><i>Not me,</i> I think, but I don&rsquo;t say anything. I&rsquo;ve always liked the first day of school. Mostly because I get to wear one of the new outfits that I spend all summer picking out. I can&rsquo;t help it&#8212;I like clothes. I want to be a fashion designer when I grow up.<BR> <BR>&ldquo;Hey, did you guys see Zach Norton at assembly this morning?&rdquo; I ask them. &ldquo;He&rsquo;s so tall! He must have grown about a foot over the summer.&rdquo; I take a bite of ice cream and give Emma a sidelong glance. &ldquo;He&rsquo;s cuter than ever too.&rdquo;<BR> <BR>Emma shrugs, but her cheeks turn as pink as her ice cream. Lately she&rsquo;s been telling us that she doesn&rsquo;t have a crush on Zach anymore. Jess and Cassidy and I are pretty sure she still does, though. Not that I&rsquo;d mind if she didn&rsquo;t&#8212;the way I see it, the fewer girls lined up hoping Zach Norton will notice them, the better my chances are.<BR> <BR>The fact that we both like Zach is one of the only things Emma and I have in common, when you come right down to it. Well, that and the mother-daughter book club our moms cooked up last year. We look different, for starters. I&rsquo;m Asian American&#8212;Emma&rsquo;s not. She&rsquo;s a bookworm&#8212;I&rsquo;m not. I love fashion and clothes&#8212;she couldn&rsquo;t care less. And although she&rsquo;s not off-the-charts smart like Jess, she&rsquo;s a good student. Me, I just scrape by, which drives my parents nuts. Somehow, despite our differences we&rsquo;re still good friends.<BR> <BR>Emma sticks out her lower lip and puffs at her bangs, which are sticking to her forehead. It&rsquo;s even hotter out here in the barn than it was in the Delaneys&rsquo; kitchen. Jess turns on the table fan and aims it straight at the old sofa where the three of us are sitting.<BR> <BR>&ldquo;Can you believe we&rsquo;re in seventh grade now?&rdquo; she says. &ldquo;Just think&#8212;two more years and we&rsquo;ll be in high school.&rdquo;<BR> <BR>We eat our ice cream for a while as we think this over.<BR> <BR>&ldquo;We&rsquo;re going to be <i>teenagers</i> this year,&rdquo; Emma adds. &ldquo;We&rsquo;re practically grown-ups!&rdquo;<BR> <BR>Sometimes I feel like I&rsquo;ve been looking forward to being a teenager forever. I can&rsquo;t wait until I&rsquo;m old enough to drive. And have a summer job. And I especially can&rsquo;t wait until I&rsquo;m old enough to date.<BR> <BR>&ldquo;So do either of you have any classes with Zach this year?&rdquo; I ask, trying to sound casual.<BR> <BR>&ldquo;Zach! Zach! Ooooo, Zach Norton!&rdquo; squeal a pair of voices behind us.<BR> <BR>We whirl around to see Dylan and Ryan, Jess&rsquo;s twin brothers, emerge from under a pile of old horse blankets in the corner.<BR> <BR>&ldquo;I TOLD YOU TO QUIT SPYING ON US!&rdquo; hollers Jess.<BR> <BR>She launches off the sofa toward them, but they&rsquo;re too fast for her. Shrieking in alarm, they duck past her out the door. The three of us are close on their heels. The boys fling themselves over the edge of the loft and tumble into the pile of hay below. Jess dives after them. So does Emma. I hesitate. My friends all love doing this, but it always seems like a long way down to me.<BR> <BR>I close my eyes and force myself to jump.<BR> <BR>&ldquo;Ouch!&rdquo; I cry when I land, wishing I were wearing jeans and not shorts. The hay is stiff and prickly, and it jabs into my bare legs. I scramble off of it as quickly as I can and run after Emma and Jess.<BR> <BR>We corner her brothers by the chicken coop.<BR> <BR>&ldquo;Pest Control 101,&rdquo; Jess whispers to Emma and me, taking the small jar from her T-shirt pocket. &ldquo;Watch and learn.&rdquo; She holds it up. The blue liquid inside shimmers in the September sunlight. &ldquo;Gee,&rdquo; she says, &ldquo;too bad you guys are such little weasels&#8212;I was going to share some of this with you.&rdquo;<BR> <BR>&ldquo;What is it?&rdquo; one of them asks cautiously. Like the chickens, I can&rsquo;t tell Dylan and Ryan apart.<BR> <BR>Jess glances around, like maybe somebody is listening, and her voice drops to a whisper. &ldquo;It&rsquo;s an <i>invisibility potion</i>.&rdquo;<BR> <BR>Her brothers&rsquo; eyes widen.<BR> <BR>&ldquo;Really?&rdquo; says one of them.<BR> <BR>Jess nods. &ldquo;If you drink it, you&rsquo;ll disappear just like that.&rdquo; She snaps her fingers and looks over at Emma and me. &ldquo;Isn&rsquo;t that right?&rdquo;<BR> <BR>Emma nods. &ldquo;Yup. You&rsquo;ll vanish right into thin air.&rdquo;<BR> <BR>&ldquo;Vaporize,&rdquo; I tell them.<BR> <BR>&ldquo;Dematerialize,&rdquo; adds Jess for good measure.<BR> <BR>The three of us are smothering grins. Emma&rsquo;s family invented this thing called the synonym game. I used to think it was dumb&#8212;actually, I still do&#8212;but it&rsquo;s kind of addictive.<BR> <BR>&ldquo;Please, can&rsquo;t we try it?&rdquo; one of the twins begs.<BR> <BR>&ldquo;C&rsquo;mon, Jess!&rdquo; says the other.<BR> <BR>Jess shakes her head. &ldquo;No way. You broke your promise. You said you wouldn&rsquo;t spy on us anymore.&rdquo;<BR> <BR>The boys exchange a glance. With their blond curls and brown puppy-dog eyes, they look like angels, but there&rsquo;s hardly anything angelic about them. &ldquo;Double trouble,&rdquo; Jess calls them. &ldquo;Pests with a capital <i>P</i>,&rdquo; and she&rsquo;s right. I still think they&rsquo;re kind of cute, though. I wish I had a brother or sister, but my parents decided on just one child. Me. My mother tried to explain it to me once&#8212;something about zero population growth. Another one of her schemes to save the world, as usual.<BR> <BR>&ldquo;We&rsquo;re sorry, Jess. Right, Dylan?&rdquo;<BR> <BR>&ldquo;Yeah, really sorry,&rdquo; says Dylan. &ldquo;We promise never to do it again.&rdquo;<BR> <BR>&ldquo;Cross your hearts and hope to die?&rdquo; Jess demands.<BR> <BR>They both nod.<BR> <BR>&ldquo;Well, I guess in that case&hellip;&rdquo; Slowly, tantalizingly, she unscrews the lid and passes the jar to Dylan.<BR> <BR>He sniffs it cautiously. &ldquo;P-U!&rdquo; he cries, and hands it to his brother. &ldquo;You first.&rdquo;<BR> <BR>Ryan takes a sip and makes a face.<BR> <BR>&ldquo;You have to drink more than that or it won&rsquo;t work,&rdquo; Jess tells him.<BR> <BR>Grimacing, her brother gulps down half the liquid, then passes the jar to his brother, coughing.<BR> <BR>&ldquo;Yuck! That is <i>gross</i>!&rdquo; Dylan sputters after he finishes off the rest.<BR> <BR>I have to bite my lip to keep from laughing. Beside me, Emma is doing the same. The twins crowd around us. &ldquo;Is it working?&rdquo; they demand.<BR> <BR>We pretend to examine them.<BR> <BR>&ldquo;You&rsquo;re fading at the edges,&rdquo; Emma says.<BR> <BR>&ldquo;It probably takes a minute or two,&rdquo; I explain.<BR> <BR>Suddenly, Jess jumps back, her eyes wide in mock disbelief. &ldquo;Wow, guys, look! It worked! They&rsquo;re gone!&rdquo;<BR> <BR>Emma shades her eyes with her hand and scans the backyard. &ldquo;Where are they? Where did Dylan and Ryan go? Do you see them anywhere, Megan?&rdquo;<BR> <BR>I shake my head, still trying not to burst out laughing. Was I this gullible when I was seven?<BR> <BR>Dancing around us, Dylan and Ryan chant, &ldquo;Nyah, nyah! We&rsquo;re invisible!&rdquo;<BR> <BR>They stop and stare at each other.<BR> <BR>&ldquo;Hey, how come I can see Ryan?&rdquo; says Dylan.<BR> <BR>&ldquo;Yeah, and how come I can see Dylan?&rdquo; says Ryan.<BR> <BR>&ldquo;It&rsquo;s because you&rsquo;re <i>both</i> invisible,&rdquo; Jess explains, making it sound perfectly logical. &ldquo;Invisible people can always see each other. It&rsquo;s the people who <i>aren&rsquo;t</i> invisible who can&rsquo;t see you.&rdquo;<BR> <BR>Just then there&rsquo;s a crunch of gravel behind us. We turn around to see Cassidy Sloane flying up the driveway on her bike. She skids to a stop right in front of us.<BR> <BR>&ldquo;Hi guys,&rdquo; she says.<BR> <BR>Dylan and Ryan poke their heads out from behind Jess. Dylan sticks out his tongue.<BR> <BR>&ldquo;Hey dude,&rdquo; says Cassidy. &ldquo;What&rsquo;s up?&rdquo;<BR> <BR>His eyes narrow. &ldquo;How come Cassidy can see me? She&rsquo;s not invisible.&rdquo;<BR> <BR>&ldquo;Uh, it&rsquo;s because she has special powers,&rdquo; Jess replies. &ldquo;Right, Cassidy?&rdquo;<BR> <BR>&ldquo;I guess so,&rdquo; mutters Cassidy, not really paying attention. She must have ridden over straight from baseball, because she&rsquo;s still wearing her practice jersey. It&rsquo;s the same one she had on at school today. No back-to-school outfits for Cassidy Sloane. She cares even less about fashion than Emma does. Cassidy is a jock and proud of the fact that she&rsquo;s the only girl at Walden Middle School good enough to make the boys&rsquo; fall baseball team. I notice that her face is streaked with dirt and sweat.<BR> <BR>&ldquo;You tricked us!&rdquo; shrieks Ryan. &ldquo;I&rsquo;m going to tell Mom!&rdquo;<BR> <BR>The boys head for the house, howling for Mrs. Delaney. A minute later Jess&rsquo;s mother sticks her head out the dining room window. &ldquo;Jessica Delaney! You are too old to be teasing your brothers!&rdquo;<BR> <BR>&ldquo;But they&rsquo;ve been spying on us again!&rdquo; Jess protests.<BR> <BR>&ldquo;I don&rsquo;t care what they&rsquo;ve been doing! You quit it this instant, do you hear?&rdquo;<BR> <BR>&ldquo;Yes, Mom,&rdquo; Jess calls back meekly.<BR> <BR>Beside me, Emma is staring at Cassidy. &ldquo;Are you okay?&rdquo;<BR> <BR>Cassidy wipes her nose on the sleeve of her jersey. I look at her face more closely. What I thought were streaks of sweat in the dirt are actually tears. I stare at her, dumbfounded. Cassidy Sloane is <i>crying.</i><BR> <BR>&ldquo;Emergency session of the Mother-Daughter Book Club,&rdquo; Emma announces crisply. &ldquo;Well, the daughter half.&rdquo; She tugs Cassidy toward the barn.<BR> <BR>&ldquo;Hurry, before my brothers spot us,&rdquo; Jess urges.<BR> <BR>We pick up our pace to a trot. Once safely inside and out of sight, Jess leads the way back to the hayloft, then pulls the ladder up behind us so the boys can&rsquo;t follow this time.<BR> <BR>&ldquo;What&rsquo;s going on?&rdquo; Emma asks, as Cassidy flings herself face-first into the pile of blankets.<BR> <BR>&ldquo;Nothing.&rdquo; Cassidy&rsquo;s voice is muffled.<BR> <BR>&ldquo;Doesn&rsquo;t sound like nothing,&rdquo; says Emma.<BR> <BR>She and Jess sit down beside her. Jess reaches out and pats Cassidy on the back, the way I&rsquo;ve seen her do with Sugar and Spice, the Delaneys&rsquo; Shetland sheepdogs. &ldquo;C&rsquo;mon, Cassidy,&rdquo; she coaxes. &ldquo;You can tell us.&rdquo;<BR> <BR>I sit down too. The blankets smell good. In fact, the whole barn smells good&#8212;like hay and horses and leather and old wood and other stuff all mixed together. <i>Eau de Barn</i>. I make a mental note to jot it down in my sketchbook later. It might make an interesting men&rsquo;s cologne.<BR> <BR>&ldquo;It&rsquo;s my mom,&rdquo; Cassidy says finally in a low voice.<BR> <BR>Emma and Jess and I exchange a worried glance. Cassidy&rsquo;s dad died a couple of years ago. What if something&rsquo;s wrong with her mother?<BR> <BR>&ldquo;Is she okay?&rdquo; asks Emma gently. &ldquo;She&rsquo;s not sick or anything, is she?&rdquo;<BR> <BR>Cassidy sits up. &ldquo;No, it&rsquo;s not that,&rdquo; she says. She draws her legs in close to her chest and rests her chin on her knees. &ldquo;She&rsquo;s not sick,&rdquo; she repeats, plucking at the blankets. &ldquo;It&rsquo;s just that she . . she&hellip;&rdquo; Her sentence trails off.<BR> <BR>&ldquo;She what?&rdquo; I prod.<BR> <BR>Cassidy looks up, and tears start to spill from her eyes again. She swipes at them angrily. &ldquo;My mother&rsquo;s started dating again.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[Follow five girls as they navigate the trials and triumphs of life, immersed in the classics with their mother-daughter book club in this cozy upper middle grade series.]]></Text>
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      <Text><![CDATA[A Reading Group Guide to </br> </br> <b><i>Much Ado About Anne </b></i></br> Book 2 in the The Mother-Daughter Book Club series</br> by Heather Vogel Frederick</br> </br> </br> <b><u>Discussion Questions</b></u></br> </br> 1. Which of the girls changed the most from the first book, <i>The Mother-Daughter Book Club</i>, and how? </br> </br> 2. Have you ever read <i>Anne of Green Gables</i> by L. M. Montgomery? If so, did you enjoy it? What did you like about it? If you haven&#8217;t read it, does <i>Much Ado About Anne</i> make you want to read it? </br> </br> 3. Do you have a place that you love like Half Moon Farm or Green Gables? Have you ever thought about naming a special place like Anne, and then Emma and Jess, did? </br> </br> 4. Think of any extracurricular activities that you may be involved in at school, such as the school newspaper or sports. Are your fellow students competitive with one another? If so, why do you think that is? </br> </br> 5. Do you prefer to work as part of a team, like Cassidy and her hockey team? Or would you rather be by yourself, like Emma when she takes skating lessons? Explain. </br> </br> 6. Do you think Becca Chadwick has changed from the first book? In what ways is she different? How is she the same? </br> </br> 7. Did the mothers do the right thing by inviting Becca and her mother to join the book club, even though Becca has been intentionally mean to some of the members in the past? </br> </br> 8. How do you think Megan felt when being torn between two groups of friends? Have you ever been in a situation like that? How did you handle it? </br> </br> 9. What do you think about the prank that Cassidy, Emma, and Jess tried to play on Becca? Was it right or wrong? What about the prank that Jess tried to play on her younger brothers? Have you ever played a prank on someone? What happened? </br> </br> 10. Should Jess&#8217;s parents have told her earlier about losing Half Moon Farm? What do you think their reasons were for not doing so sooner? Have you ever been upset with people around you for keeping something from you? </br> </br> 11. Think back to the scene when Stanley takes Cassidy to the Bruins game. Did you understand Cassidy&#8217;s bitter feelings toward Stanley, or do you think she should have been nicer? </br> </br> 12. Have you ever been lost, like the girls on their camping trip? What did you do? </br> </br> 13. Would you ever want to model in a fashion show? Why or why not? </br> </br> 14. If you had to design an outfit for your best friend, what would it be like? Explain. </br> </br> 15. Which of the girls do you most relate to? Is this different from who you related to in <i>The Mother-Daughter Book Club</i>?</br> </br> 16. If you could get to know one of the characters better, who would it be? Why? </br> </br> 17. Explain which was your favorite part of this book. Why is it your favorite? </br> </br> 18. Would you change the ending of the book? Why or why not? </br> </br> </br> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. </i>]]></Text>
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      <Text><![CDATA[Chapter One: Big News <link rel="stylesheet" type="text/css" href="../styles/9781665988063.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER ONE <img src="../images/common01.jpg" role="presentation" alt=""> Big News <BR>&ldquo;SO WHAT DO YOU THINK George wants to talk to us about?&rdquo; my friend Bess asked with a big grin, plopping down in the passenger seat of my car. It was a sunny afternoon a few days before a school break, the kind of day that feels ripe with possibilities. &ldquo;New crush or new video game?&rdquo;<BR> <BR>I gave her a wry smile. George is a techie and loves gaming, but I wasn&rsquo;t sure that was the source of her GET OVER HERE RIGHT NOW I HAVE BIG NEWS!!! text to Bess and me just a half hour before. I was just hoping it was <i>good</i> big news.<BR> <BR>&ldquo;I&rsquo;m not sure,&rdquo; I said honestly.<BR> <BR>&ldquo;Maybe she dyed her hair?&rdquo; Bess wondered as I pulled back out of her driveway. &ldquo;She&rsquo;s always talking about going blue, but I never thought she&rsquo;d do it&hellip;&rdquo;<BR> <BR>Luckily, George lives pretty close to Bess, who just happens to be her cousin. (Yep, my two BFFs are related.) So it was only about five minutes later that we pulled into George&rsquo;s driveway and piled out. The side door was open, as always, so Bess and I plowed in, entering the kitchen and calling, &ldquo;George? What&rsquo;s the big news?&rdquo; as we grabbed a few graham crackers out of the box on the counter.<BR> <BR>&ldquo;In the study!&rdquo; George&rsquo;s voice called.<BR> <BR>Munching crackers, we wandered through the living room and into the small, book-lined room, where George sat in front of her laptop, a huge smile on her face.<BR> <BR>&ldquo;Okay, cuz, what is it?&rdquo; Bess demanded. &ldquo;I was writing an outline for my paper. This better be big!&rdquo;<BR> <BR>George waved a hand. &ldquo;Sorry, cuz, I know you&rsquo;re busy with that poetry class. But I promise you, this <i>is</i> big! It&rsquo;s <i>huge</i>, honestly!&rdquo;<BR> <BR>Bess examined her cousin. &ldquo;Well, it&rsquo;s not your hair.&rdquo;<BR> <BR>George rolled her eyes. Her hair was the same dark bob she always wore. &ldquo;Only <i>you</i> would hear &lsquo;life-changing news&rsquo; and think, &lsquo;She must have changed her hair.&rsquo;?&rdquo;<BR> <BR>The truth was, it had seemed plausible to me, too. George <i>had</i> been admiring the blue streaks in her cousin Veronica&rsquo;s hair for months. But now I was at a total loss.<BR> <BR>&ldquo;Tell us, George!&rdquo; I urged. &ldquo;It&rsquo;s not like you to freak out like this. It must be something important!&rdquo;<BR> <BR>George turned to me, beaming. Then she grabbed her laptop and turned it around, hitting the mouse button.<BR> <BR>She was on Vidz, the video-sharing social media site. Onscreen, a pretty blond woman in a slightly dented straw hat and a boho dress was resting her hand on the shoulder of a guy with long brown hair and a bushy beard. They were sitting at a table in a small space, and behind them, a window showed a gorgeous desert vista.<BR> <BR>&ldquo;Soooo,&rdquo; the woman said, &ldquo;as you guys know, Matt and I have been watching all of your entry videos to decide who is the perfect person to drive our van from Chicago to LA.&rdquo;<BR> <BR>Bess turned to George, a crinkle forming between her eyebrows. &ldquo;Van?&rdquo; she asked. &ldquo;What van?&rdquo;<BR> <BR>&ldquo;Just watch,&rdquo; George commanded, pointing at the screen.<BR> <BR>&ldquo;Aaaaand,&rdquo; the man, Matt, added with a mischievous grin, &ldquo;I think Sammy and I have found a winner!&rdquo;<BR> <BR>&ldquo;There were lots of great entries,&rdquo; Sammy went on. &ldquo;You guys are so creative! And honestly, so many of you are so excited to try van life, we really encourage you all to find a way&#8212;even if it&rsquo;s just renting an RV for a week!&rdquo;<BR> <BR>&ldquo;Van life?&rdquo; Bess asked. &ldquo;What&rsquo;s that?&rdquo;<BR> <BR>But actually, gears were starting to turn in my mind. I was remembering a conversation I&rsquo;d had with George over smoothies a few weeks back. She&rsquo;d shown me her phone, scrolling through a bunch of Vidz posts featuring beautiful landscapes, dreamy sunsets, and photos of couples snuggling close beside roaring fires.<BR> <BR>&ldquo;Doesn&rsquo;t that look amazing?&rdquo; she&rsquo;d asked me. &ldquo;Imagine being able to live wherever you want. No commute, few possessions. Cooking your meals outside. Imagine how <i>free</i> you&rsquo;d feel. They call it #vanlife&hellip;&rdquo;<BR> <BR>At the time, I think I asked, &ldquo;But where do they go to the bathroom?&rdquo; George had scowled and changed the subject. I wrote it off as George fantasizing about getting away from her family&rsquo;s basement-cleaning project, which had been in full swing that weekend. But&hellip; did this have something to do with those posts?<BR> <BR>&ldquo;Keep watching,&rdquo; George said now, nodding at the screen.<BR> <BR>&ldquo;Anyway,&rdquo; Matt said, &ldquo;the winner my lovely wife and I chose <i>is&hellip;</i>&rdquo;<BR> <BR>He started drumming on a table in front of him. Sammy joined in.<BR> <BR>&ldquo;Oh, just tell us!&rdquo; Bess cried.<BR> <BR><i>&ldquo;George Fayne!&rdquo;</i> the couple in the video shouted in unison.<BR> <BR><i>&ldquo;What?&rdquo;</i> Bess and I both cried in surprise, looking at George.<BR> <BR>George nodded to the screen, beaming. &ldquo;I know! Check it out.&rdquo;<BR> <BR>Matt and Sammy had stood up and were now aiming the camera around what looked like an incredibly small&#8212;like, closet-sized&#8212;studio apartment. Not a studio apartment, I realized quickly. This must be their van! &ldquo;All of this will be yours, George!&rdquo; Sammy announced with a huge grin.<BR> <BR>There was a double bed wedged against a wide window with curtains. A tiny bathroom with a doll-sized, low toilet within. And a small kitchen, with a teeny fridge, stove, oven, microwave, and what looked like a high-end espresso machine. The camera swerved to the left, and we saw a small sitting area, two chairs facing a fold-out table.<BR> <BR>The van had everything you would need to live in it for a long time. Because that was what George had won: the opportunity to live in this van while she drove it from Chicago to LA.<BR> <BR>Because getting to live in a van was a <i>good</i> thing?<BR> <BR>&ldquo;All we ask,&rdquo; Sammy went on, &ldquo;is that you bring a friend or two and document your whole trip. All the Matt and Sammy subscribers will love seeing a newbie fall in love with van life! While we spend some quality time with our families in Chicago, you&rsquo;ll be living your best van life: stopping at some super-fun roadside attractions and traveling through some of the most gorgeous scenery this country has to offer! When you reach LA, you&rsquo;ll drop the van off for service with our favorite van technician, who first outfitted her for us, and we&rsquo;ll cover all your travel back to Chicago. Look out for an email with all the deets, George! And have an <i>amazing</i> time!&rdquo;<BR> <BR>George hit the Pause button and looked up at us. Her face was hopeful now. It was clear that she thought getting to live in a van was a very, very good thing. &ldquo;You guys will come with me, won&rsquo;t you?&rdquo; she asked.<BR> <BR><i>&ldquo;What?&rdquo;</i> Bess asked.<BR> <BR>&ldquo;Are you serious?&rdquo; I added. &ldquo;To live in the van with you? All three of us in that space?&rdquo;<BR> <BR>George nodded eagerly. &ldquo;It&rsquo;s bigger than it looks!&rdquo;<BR> <BR>Bess groaned. &ldquo;I don&rsquo;t think it is, cuz.&rdquo;<BR> <BR>As George frowned at her, I shook my head. &ldquo;When is this even supposed to be?&rdquo;<BR> <BR>&ldquo;Oh, you have time to prepare&#8212;don&rsquo;t worry,&rdquo; George said with a shrug. &ldquo;We would leave on Sunday.&rdquo;<BR> <BR><i>&ldquo;Sunday?&rdquo;</i> Bess cried. It was Thursday.<BR> <BR>&ldquo;How long would we be gone?&rdquo; I asked. As it happened, I didn&rsquo;t have any plans next week aside from a tentative date with my boyfriend, Ned, and a couch-shopping trip with my dad. Both could be rescheduled without a problem. But that didn&rsquo;t mean I was sure about this. &ldquo;And&hellip; where would we be going, exactly?&rdquo;<BR> <BR>George&rsquo;s eyes lit up. &ldquo;We&rsquo;d be gone for a week,&rdquo; she said. &ldquo;And it&rsquo;s just like Matt and Sammy told us&#8212;we&rsquo;d have this incredible itinerary driving through Iowa, Nebraska, Colorado, Utah, on into Nevada, and then California. We&rsquo;d travel through Denver and Las Vegas, but mostly it&rsquo;s just a wild landscape. You know: the sunset, a fire, and our van! Can you imagine how much fun we&rsquo;ll have?&rdquo;<BR> <BR>&ldquo;What about&hellip; plumbing?&rdquo; Bess asked, looking very unthrilled. &ldquo;Are we not going to shower for a week? What if we have to go to the bathroom?&rdquo;<BR> <BR>George shook her head. &ldquo;Cuz, you <i>saw</i> there&rsquo;s a toilet in the van, and there&rsquo;s an outdoor solar shower you can use. But we&rsquo;ll mostly be staying in campgrounds where they will have bathhouses, too.&rdquo;<BR> <BR>Bess turned to me, looking horrified. &ldquo;What is that toilet even hooked up to?&rdquo; she asked.<BR> <BR>&ldquo;I&rsquo;m guessing it&rsquo;s a compost toilet,&rdquo; I replied. &ldquo;You know, a toilet that turns waste into compost.&rdquo;<BR> <BR>&ldquo;Exactly,&rdquo; George said. &ldquo;And we have to empty it every so often, but let&rsquo;s not worry about that now. Bess, van life is no harder than camping, and you go camping all the time.&rdquo;<BR> <BR>&ldquo;?&lsquo;All the time&rsquo; is an exaggeration,&rdquo; Bess retorted. &ldquo;And I don&rsquo;t go camping for <i>seven days</i>. I&rsquo;m not some kind of survivalist! Besides, what about my poetry class, George? The university isn&rsquo;t on break next week, so I have my last class on Monday. And I have my big paper on Wordsworth due next week.&rdquo;<BR> <BR>Bess was taking a poetry class at River Heights University, the same school my boyfriend, Ned, goes to. She&rsquo;d recently become interested in songwriting and thought that learning more about poetry might help her write lyrics. She was also earning college credit she could use later, and she&rsquo;d ended up really loving the class too. I looked at George curiously. Would that mean Bess couldn&rsquo;t go&#8212;and I&rsquo;d end up accompanying George alone?<BR> <BR>Did <i>I</i> even want to go? I&rsquo;m usually up for an adventure, but I would never go camping for more than two days either. I like the outdoors, but I also like my memory foam mattress and soaker tub.<BR> <BR>George nodded patiently. &ldquo;I know, Bess, and I know how important that class is to you. I looked it up online, and you&rsquo;re allowed to attend lectures via video conference, aren&rsquo;t you?&rdquo;<BR> <BR>Bess wrinkled her nose. &ldquo;I guess? I&rsquo;ve always gone in person.&rdquo;<BR> <BR>&ldquo;And you could be working on your paper on the road,&rdquo; George went on. &ldquo;The van has electricity, and I checked: All the campgrounds on the itinerary offer Wi-Fi. So you can sign in to your class on Monday, before we leave the campground. And then you can be working on your paper whenever you need&#8212;there&rsquo;ll be a lot of downtime while we&rsquo;re driving&#8212;and you can turn it in electronically while we&rsquo;re at a campground.&rdquo;<BR> <BR>Bess sighed, then looked at me. &ldquo;What do you think, Nance?&rdquo; she asked. &ldquo;Does this sound ridiculous to you?&rdquo;<BR> <BR>&ldquo;Kind of,&rdquo; I admitted. &ldquo;But&hellip; I&rsquo;m not saying no yet.&rdquo; I turned to the prizewinner. &ldquo;How important is this to you, George?&rdquo;<BR> <BR>George&rsquo;s eyes widened as she leaned toward us. &ldquo;<i>Soooooooo</i> important, you guys,&rdquo; she said earnestly. &ldquo;I know this might seem like a new interest to you, but it&rsquo;s something I&rsquo;m <i>really</i> excited about. If I like these seven days, maybe I would start thinking about saving up for a van or RV. Matt and Sammy have this amazing life!&rdquo;<BR> <BR>&ldquo;Actually, I remember you mentioning it a few weeks ago,&rdquo; I admitted. &ldquo;I just&#8212;didn&rsquo;t realize how serious you were, I guess?&rdquo;<BR> <BR>&ldquo;How expensive are these vans?&rdquo; Bess asked. &ldquo;Like, how valuable is this prize?&rdquo;<BR> <BR>&ldquo;They&rsquo;re really expensive,&rdquo; George replied. &ldquo;Like, hundreds of thousands of dollars. It costs a lot to outfit a van to make it livable year-round. You can save a little money doing it yourself, but&hellip; it&rsquo;s a little house, basically.&rdquo;<BR> <BR>&ldquo;So this might be your only shot,&rdquo; Bess said. &ldquo;At trying van life, I mean.&rdquo;<BR> <BR>George nodded. &ldquo;I&rsquo;m too young to rent an RV. So yeah. This is kind of a huge opportunity.&rdquo;<BR> <BR>Bess looked at me. I stared back at her. An understanding seemed to pass between us. I could feel clearly that neither one of us was terribly excited about this. I love traveling, but given a week to explore a new place, I would be flying and staying in a nice hotel with a pool, thank you very much. And Bess likes the occasional camping trip, but she likes her creature comforts, too. But: We both love George to bits. And George is always there for us and never asks for much. If it was her dream come true to drive a camper van from Chicago to Los Angeles, and she needed Bess and me to do it&hellip;<BR> <BR>&ldquo;Okay,&rdquo; I said, at the same time Bess turned to George and announced, &ldquo;We&rsquo;re in.&rdquo;<BR> <BR>George pushed her laptop away and leaped up to hug us.<BR> <BR>&ldquo;You guys!&rdquo; she cried, reaching out to pull us both close. &ldquo;I knew I could count on you! And I promise we&rsquo;ll have the <i>best</i> time. I&rsquo;ve been doing a lot of research! I&rsquo;m going to make this a super-smooth trip for all of us!&rdquo;<BR> <BR>Bess raised an eyebrow at me over George&rsquo;s back, but I pretended not to see. I was feeling pretty trepidatious about this &ldquo;van life&rdquo; too. No matter how much three people liked or loved one another, was it possible to live in a tiny van for seven days and have it all go &ldquo;super smooth&rdquo;?<BR> <BR>But I was going to give this my best shot&#8212;for George. &ldquo;Road trip!&rdquo; I yelled excitedly.<BR> <BR>&ldquo;Road trip!&rdquo; George shouted back, hugging us harder.<BR> <BR>&ldquo;Road trip!&rdquo; Bess called, shaking her head. &ldquo;I&rsquo;ll start making a playlist, guys.&rdquo;<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Heather Vogel Frederick is the award-winning author of the Mother-Daughter Book Club series,&nbsp;the Pumpkin Falls Mystery series, the Patience Goodspeed books, the Spy Mice series, and&nbsp;<i>Once Upon a Toad</i>. An avid fan of small towns like Pumpkin Falls, Heather and her husband live in New England, close to where Heather grew up. You can learn more about the author and her books at HeatherVogelFrederick.com.]]></BiographicalNote>
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      <SubjectHeadingText>book club; books about books; reading; fall; mother daughter relationships; new friends; friendship; drama; family farm; financial trouble; fundraising; teamwork; skating; camping; fashion show; tweens; adolescence; middle school; hockey; female athlete; bookworm; massachusetts; education; different types of families caregivers guardians parents; cozy; sweet; escapism; coming of age; frederick ii; much ado; alexander the great; heather l. montgomery; friendship; half moon farm; little women; anne of green gables; daddy-long-legs; pride and prejudice; betsy-tacy; jane eyre; series; middle grade for 10 11 12 13 14 year olds grades 5 6 7 8; upper middle grade; younger young adult teen; book club read; Courtesy of Cupid Nashae Jones; All My Bests Britnee Meiser; Not If You Break Up with Me First G.F. Miller; The Baby-Sitters Club; Alice McKinley; Ann M. Martin; Allie, First at Last Angela Cervantes; Lisa Greenwald; Suzanne Nelson; A Pumpkin Falls Mystery;</SubjectHeadingText>
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      <Text><![CDATA[<B>The club members tackle friendship, mean girls, and L.M. Montgomery in this second book in the acclaimed Mother-Daughter Book Club middle grade series&#8212;now with a fresh, cozy new look!</B><BR><BR>Anne Shirley (of <I>Anne of Green Gables</I>) says that kindred spirits are not scarce. But when the mothers invite snooty Becca Chadwick and her overbearing mother to join their book club, Emma, Jess, Cassidy, and Megan find that claim <I>sorely</I> tested.<BR> <BR>But they have a bigger problem when Jess finds out her family may have to give up their farm. In a year filled with skating parties, disastrous camping trips, and high-stakes fashion shows, the girls realize it&rsquo;s only through working together&#8212;Becca included&#8212;that they can save Half Moon Farm.]]></Text>
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      <Text><![CDATA[Heather Vogel Frederick is the award-winning author of the Mother-Daughter Book Club series,&nbsp;the Pumpkin Falls Mystery series, the Patience Goodspeed books, the Spy Mice series, and&nbsp;<i>Once Upon a Toad</i>. An avid fan of small towns like Pumpkin Falls, Heather and her husband live in New England, close to where Heather grew up. You can learn more about the author and her books at HeatherVogelFrederick.com.]]></Text>
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      <Text><![CDATA[1. Megan <link rel="stylesheet" type="text/css" href="../styles/9781416996835.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <h2 id="ch01_hd" >Megan</h2> <BR>&ldquo;Well, this is a pretty kettle of fish.&rdquo;<BR> <BR>&#8212;Anne of Green Gables<BR> <BR>&ldquo;What are you girls up to out there?&rdquo;<BR> <BR>I swear all mothers have radar that doesn&rsquo;t quit.<BR> <BR>&ldquo;Nothing, Mom!&rdquo; Jess calls back, motioning frantically to Emma and me.<BR> <BR>Giggling, the two of us scoop up the evidence&#8212;garlic powder, cinnamon, peppermint extract, and blue food coloring&#8212;and hastily stuff it back into the spice cupboard.<BR> <BR>&ldquo;Doesn&rsquo;t sound like nothing to me.&rdquo; We hear Mrs. Delaney&rsquo;s chair scrape on the dining room floor as she pushes back from the table and comes to the kitchen to investigate.<BR> <BR>Emma and I quickly wipe the grins off our faces. Jess leans back casually against the counter, blocking our concoction from view.<BR> <BR>&ldquo;Hmmm,&rdquo; says Mrs. Delaney, scanning the kitchen suspiciously. She spots the open spice cupboard and lifts an eyebrow.<BR> <BR>&ldquo;Uh, we were thinking of baking cookies,&rdquo; Jess explains, which isn&rsquo;t technically a lie even though we decided not to because the kitchen is sweltering.<BR> <BR>Normally, any of our mothers would have seen through this in a flash, but Mrs. Delaney seems kind of distracted today. She shakes her head and sighs. &ldquo;Please don&rsquo;t bake anything, girls, it&rsquo;s hot enough in here already without turning the oven on. We&rsquo;ve got peppermint ice cream&#8212;you can have some of that if you want a snack.&rdquo; She opens the freezer and sticks her head inside. &ldquo;A day like today kind of makes you wish it was winter, doesn&rsquo;t it?&rdquo;<BR> <BR>&ldquo;Or that we had air conditioning,&rdquo; says Jess mournfully.<BR> <BR>Mrs. Delaney pulls her head out again and gives her a sympathetic smile. &ldquo;Maybe someday, honey. Right now we have other priorities.&rdquo; She looks over at Emma. The smile disappears. &ldquo;Emma Hawthorne, you must be roasting in that turtleneck! Didn&rsquo;t you offer her a T-shirt, Jess?&rdquo;<BR> <BR>Jess looks uncomfortable. &ldquo;Uh&#8212;&rdquo;<BR> <BR>&ldquo;I forgot to bring something to change into after school, and nothing of Jess&rsquo;s fits me, Mrs. Delaney,&rdquo; Emma replies matter-of-factly, patting her tummy. Emma is a little on the plump side, and Jess is really petite.<BR> <BR>&ldquo;Well, for Pete&rsquo;s sake, you should have said something,&rdquo; Mrs. Delaney tells her. &ldquo;We have plenty of things around here that will work for you. Hang on a sec.&rdquo;<BR> <BR>She trots upstairs. As soon as her mother is out of sight, Jess grabs the jar of blue liquid from the counter behind her and sticks it in her T-shirt pocket. I glance over at Emma. Emma is one of my best friends, but she&rsquo;s not exactly the fashion queen of Concord, Massachusetts. I mean, I like to dress up for the first day of school too, but a turtleneck on a day like this? You&rsquo;d think she&rsquo;d know by now that the beginning of September is pretty much still summer everywhere, except maybe Alaska. At least she picked a good color. Purple goes well with her brown eyes and curly brown hair. And it matches her new lavender glasses, too.<BR> <BR>Mrs. Delaney reappears and tosses Emma a white T-shirt with a <i>HeartBeats</i> logo on it. &ldquo;Try this,&rdquo; she says.<BR> <BR><i>HeartBeats</i> is the soap opera that Mrs. Delaney was on last year. You&rsquo;d never guess by looking at her now that she&rsquo;s an actress. When we visited her in New York this past summer, she was all glamorous. Now&#8212;well, now she looks the way she always did. Today, for instance, she&rsquo;s wearing jeans and a faded Red Sox T-shirt. She&rsquo;s still pretty and everything&#8212;really pretty, just like Jess, with the same sparkly blue eyes, though Mrs. Delaney&rsquo;s hair is dark, not blond like Jess&rsquo;s&#8212;but she looks ordinary, too. Like a mom. I wonder if she misses all the makeup and clothes and stuff from her acting job. I sure would. But Mrs. Delaney seems really happy to be back home at Half Moon Farm.<BR> <BR>&ldquo;How&rsquo;s your mom doing, Megan?&rdquo; she asks me. &ldquo;We missed her yesterday at yoga class.&rdquo;<BR> <BR>&ldquo;She just got elected to the board of the Concord Riverkeepers,&rdquo; I tell her. &ldquo;Yesterday was their first meeting.&rdquo; My mother&rsquo;s kind of a nature freak. If something on the planet needs saving or protecting, you can bet Lily Wong is there on the front lines to make sure it gets done.<BR> <BR>&ldquo;Oh, that&rsquo;s right, she told us about that,&rdquo; Mrs. Delaney replies. &ldquo;I guess I forgot.&rdquo; She spots the pile of mail on the counter where Jess left it. &ldquo;Bills, bills, nothing but bills,&rdquo; she grumbles, flipping through the envelopes. Shaking her head, she disappears back into the dining room.<BR> <BR>Jess gets three bowls from the cupboard and dishes up some ice cream for us. Crossing the kitchen, she beckons Emma and me to follow. One of her chickens&#8212;Johnny Cash or Elvis or something, I can&rsquo;t keep their names straight&#8212;darts in the minute she opens the screen door. Jess nabs it and it lets out a big squawk.<BR> <BR>&ldquo;You know the rules, Loretta,&rdquo; Jess tells it firmly. &ldquo;No chickens in the house!&rdquo;<BR> <BR>Sometimes I still can&rsquo;t believe I&rsquo;m friends with somebody who talks to chickens. Or somebody who even <i>has</i> chickens.<BR> <BR>Emma and I follow Jess to the barn. Mr. Delaney let us fix up an old storage room in the hayloft for a secret hangout. Not that it&rsquo;s much of a secret, what with Jess&rsquo;s little brothers always sneaking around.<BR> <BR>Right now, there&rsquo;s no sign of them. We scared them off after we caught them spying on us in Jess&rsquo;s room when we were changing out of our school clothes. They&rsquo;ll turn up eventually, though&#8212;they always turn up&#8212;and when they do we&rsquo;ll be ready for them, thanks to the concoction that&rsquo;s safely in Jess&rsquo;s pocket.<BR> <BR>&ldquo;I wish it could stay summer forever,&rdquo; sighs Emma, climbing up the hayloft ladder behind me.<BR> <BR>&ldquo;Me too,&rdquo; echoes Jess.<BR> <BR><i>Not me,</i> I think, but I don&rsquo;t say anything. I&rsquo;ve always liked the first day of school. Mostly because I get to wear one of the new outfits that I spend all summer picking out. I can&rsquo;t help it&#8212;I like clothes. I want to be a fashion designer when I grow up.<BR> <BR>&ldquo;Hey, did you guys see Zach Norton at assembly this morning?&rdquo; I ask them. &ldquo;He&rsquo;s so tall! He must have grown about a foot over the summer.&rdquo; I take a bite of ice cream and give Emma a sidelong glance. &ldquo;He&rsquo;s cuter than ever too.&rdquo;<BR> <BR>Emma shrugs, but her cheeks turn as pink as her ice cream. Lately she&rsquo;s been telling us that she doesn&rsquo;t have a crush on Zach anymore. Jess and Cassidy and I are pretty sure she still does, though. Not that I&rsquo;d mind if she didn&rsquo;t&#8212;the way I see it, the fewer girls lined up hoping Zach Norton will notice them, the better my chances are.<BR> <BR>The fact that we both like Zach is one of the only things Emma and I have in common, when you come right down to it. Well, that and the mother-daughter book club our moms cooked up last year. We look different, for starters. I&rsquo;m Asian American&#8212;Emma&rsquo;s not. She&rsquo;s a bookworm&#8212;I&rsquo;m not. I love fashion and clothes&#8212;she couldn&rsquo;t care less. And although she&rsquo;s not off-the-charts smart like Jess, she&rsquo;s a good student. Me, I just scrape by, which drives my parents nuts. Somehow, despite our differences we&rsquo;re still good friends.<BR> <BR>Emma sticks out her lower lip and puffs at her bangs, which are sticking to her forehead. It&rsquo;s even hotter out here in the barn than it was in the Delaneys&rsquo; kitchen. Jess turns on the table fan and aims it straight at the old sofa where the three of us are sitting.<BR> <BR>&ldquo;Can you believe we&rsquo;re in seventh grade now?&rdquo; she says. &ldquo;Just think&#8212;two more years and we&rsquo;ll be in high school.&rdquo;<BR> <BR>We eat our ice cream for a while as we think this over.<BR> <BR>&ldquo;We&rsquo;re going to be <i>teenagers</i> this year,&rdquo; Emma adds. &ldquo;We&rsquo;re practically grown-ups!&rdquo;<BR> <BR>Sometimes I feel like I&rsquo;ve been looking forward to being a teenager forever. I can&rsquo;t wait until I&rsquo;m old enough to drive. And have a summer job. And I especially can&rsquo;t wait until I&rsquo;m old enough to date.<BR> <BR>&ldquo;So do either of you have any classes with Zach this year?&rdquo; I ask, trying to sound casual.<BR> <BR>&ldquo;Zach! Zach! Ooooo, Zach Norton!&rdquo; squeal a pair of voices behind us.<BR> <BR>We whirl around to see Dylan and Ryan, Jess&rsquo;s twin brothers, emerge from under a pile of old horse blankets in the corner.<BR> <BR>&ldquo;I TOLD YOU TO QUIT SPYING ON US!&rdquo; hollers Jess.<BR> <BR>She launches off the sofa toward them, but they&rsquo;re too fast for her. Shrieking in alarm, they duck past her out the door. The three of us are close on their heels. The boys fling themselves over the edge of the loft and tumble into the pile of hay below. Jess dives after them. So does Emma. I hesitate. My friends all love doing this, but it always seems like a long way down to me.<BR> <BR>I close my eyes and force myself to jump.<BR> <BR>&ldquo;Ouch!&rdquo; I cry when I land, wishing I were wearing jeans and not shorts. The hay is stiff and prickly, and it jabs into my bare legs. I scramble off of it as quickly as I can and run after Emma and Jess.<BR> <BR>We corner her brothers by the chicken coop.<BR> <BR>&ldquo;Pest Control 101,&rdquo; Jess whispers to Emma and me, taking the small jar from her T-shirt pocket. &ldquo;Watch and learn.&rdquo; She holds it up. The blue liquid inside shimmers in the September sunlight. &ldquo;Gee,&rdquo; she says, &ldquo;too bad you guys are such little weasels&#8212;I was going to share some of this with you.&rdquo;<BR> <BR>&ldquo;What is it?&rdquo; one of them asks cautiously. Like the chickens, I can&rsquo;t tell Dylan and Ryan apart.<BR> <BR>Jess glances around, like maybe somebody is listening, and her voice drops to a whisper. &ldquo;It&rsquo;s an <i>invisibility potion</i>.&rdquo;<BR> <BR>Her brothers&rsquo; eyes widen.<BR> <BR>&ldquo;Really?&rdquo; says one of them.<BR> <BR>Jess nods. &ldquo;If you drink it, you&rsquo;ll disappear just like that.&rdquo; She snaps her fingers and looks over at Emma and me. &ldquo;Isn&rsquo;t that right?&rdquo;<BR> <BR>Emma nods. &ldquo;Yup. You&rsquo;ll vanish right into thin air.&rdquo;<BR> <BR>&ldquo;Vaporize,&rdquo; I tell them.<BR> <BR>&ldquo;Dematerialize,&rdquo; adds Jess for good measure.<BR> <BR>The three of us are smothering grins. Emma&rsquo;s family invented this thing called the synonym game. I used to think it was dumb&#8212;actually, I still do&#8212;but it&rsquo;s kind of addictive.<BR> <BR>&ldquo;Please, can&rsquo;t we try it?&rdquo; one of the twins begs.<BR> <BR>&ldquo;C&rsquo;mon, Jess!&rdquo; says the other.<BR> <BR>Jess shakes her head. &ldquo;No way. You broke your promise. You said you wouldn&rsquo;t spy on us anymore.&rdquo;<BR> <BR>The boys exchange a glance. With their blond curls and brown puppy-dog eyes, they look like angels, but there&rsquo;s hardly anything angelic about them. &ldquo;Double trouble,&rdquo; Jess calls them. &ldquo;Pests with a capital <i>P</i>,&rdquo; and she&rsquo;s right. I still think they&rsquo;re kind of cute, though. I wish I had a brother or sister, but my parents decided on just one child. Me. My mother tried to explain it to me once&#8212;something about zero population growth. Another one of her schemes to save the world, as usual.<BR> <BR>&ldquo;We&rsquo;re sorry, Jess. Right, Dylan?&rdquo;<BR> <BR>&ldquo;Yeah, really sorry,&rdquo; says Dylan. &ldquo;We promise never to do it again.&rdquo;<BR> <BR>&ldquo;Cross your hearts and hope to die?&rdquo; Jess demands.<BR> <BR>They both nod.<BR> <BR>&ldquo;Well, I guess in that case&hellip;&rdquo; Slowly, tantalizingly, she unscrews the lid and passes the jar to Dylan.<BR> <BR>He sniffs it cautiously. &ldquo;P-U!&rdquo; he cries, and hands it to his brother. &ldquo;You first.&rdquo;<BR> <BR>Ryan takes a sip and makes a face.<BR> <BR>&ldquo;You have to drink more than that or it won&rsquo;t work,&rdquo; Jess tells him.<BR> <BR>Grimacing, her brother gulps down half the liquid, then passes the jar to his brother, coughing.<BR> <BR>&ldquo;Yuck! That is <i>gross</i>!&rdquo; Dylan sputters after he finishes off the rest.<BR> <BR>I have to bite my lip to keep from laughing. Beside me, Emma is doing the same. The twins crowd around us. &ldquo;Is it working?&rdquo; they demand.<BR> <BR>We pretend to examine them.<BR> <BR>&ldquo;You&rsquo;re fading at the edges,&rdquo; Emma says.<BR> <BR>&ldquo;It probably takes a minute or two,&rdquo; I explain.<BR> <BR>Suddenly, Jess jumps back, her eyes wide in mock disbelief. &ldquo;Wow, guys, look! It worked! They&rsquo;re gone!&rdquo;<BR> <BR>Emma shades her eyes with her hand and scans the backyard. &ldquo;Where are they? Where did Dylan and Ryan go? Do you see them anywhere, Megan?&rdquo;<BR> <BR>I shake my head, still trying not to burst out laughing. Was I this gullible when I was seven?<BR> <BR>Dancing around us, Dylan and Ryan chant, &ldquo;Nyah, nyah! We&rsquo;re invisible!&rdquo;<BR> <BR>They stop and stare at each other.<BR> <BR>&ldquo;Hey, how come I can see Ryan?&rdquo; says Dylan.<BR> <BR>&ldquo;Yeah, and how come I can see Dylan?&rdquo; says Ryan.<BR> <BR>&ldquo;It&rsquo;s because you&rsquo;re <i>both</i> invisible,&rdquo; Jess explains, making it sound perfectly logical. &ldquo;Invisible people can always see each other. It&rsquo;s the people who <i>aren&rsquo;t</i> invisible who can&rsquo;t see you.&rdquo;<BR> <BR>Just then there&rsquo;s a crunch of gravel behind us. We turn around to see Cassidy Sloane flying up the driveway on her bike. She skids to a stop right in front of us.<BR> <BR>&ldquo;Hi guys,&rdquo; she says.<BR> <BR>Dylan and Ryan poke their heads out from behind Jess. Dylan sticks out his tongue.<BR> <BR>&ldquo;Hey dude,&rdquo; says Cassidy. &ldquo;What&rsquo;s up?&rdquo;<BR> <BR>His eyes narrow. &ldquo;How come Cassidy can see me? She&rsquo;s not invisible.&rdquo;<BR> <BR>&ldquo;Uh, it&rsquo;s because she has special powers,&rdquo; Jess replies. &ldquo;Right, Cassidy?&rdquo;<BR> <BR>&ldquo;I guess so,&rdquo; mutters Cassidy, not really paying attention. She must have ridden over straight from baseball, because she&rsquo;s still wearing her practice jersey. It&rsquo;s the same one she had on at school today. No back-to-school outfits for Cassidy Sloane. She cares even less about fashion than Emma does. Cassidy is a jock and proud of the fact that she&rsquo;s the only girl at Walden Middle School good enough to make the boys&rsquo; fall baseball team. I notice that her face is streaked with dirt and sweat.<BR> <BR>&ldquo;You tricked us!&rdquo; shrieks Ryan. &ldquo;I&rsquo;m going to tell Mom!&rdquo;<BR> <BR>The boys head for the house, howling for Mrs. Delaney. A minute later Jess&rsquo;s mother sticks her head out the dining room window. &ldquo;Jessica Delaney! You are too old to be teasing your brothers!&rdquo;<BR> <BR>&ldquo;But they&rsquo;ve been spying on us again!&rdquo; Jess protests.<BR> <BR>&ldquo;I don&rsquo;t care what they&rsquo;ve been doing! You quit it this instant, do you hear?&rdquo;<BR> <BR>&ldquo;Yes, Mom,&rdquo; Jess calls back meekly.<BR> <BR>Beside me, Emma is staring at Cassidy. &ldquo;Are you okay?&rdquo;<BR> <BR>Cassidy wipes her nose on the sleeve of her jersey. I look at her face more closely. What I thought were streaks of sweat in the dirt are actually tears. I stare at her, dumbfounded. Cassidy Sloane is <i>crying.</i><BR> <BR>&ldquo;Emergency session of the Mother-Daughter Book Club,&rdquo; Emma announces crisply. &ldquo;Well, the daughter half.&rdquo; She tugs Cassidy toward the barn.<BR> <BR>&ldquo;Hurry, before my brothers spot us,&rdquo; Jess urges.<BR> <BR>We pick up our pace to a trot. Once safely inside and out of sight, Jess leads the way back to the hayloft, then pulls the ladder up behind us so the boys can&rsquo;t follow this time.<BR> <BR>&ldquo;What&rsquo;s going on?&rdquo; Emma asks, as Cassidy flings herself face-first into the pile of blankets.<BR> <BR>&ldquo;Nothing.&rdquo; Cassidy&rsquo;s voice is muffled.<BR> <BR>&ldquo;Doesn&rsquo;t sound like nothing,&rdquo; says Emma.<BR> <BR>She and Jess sit down beside her. Jess reaches out and pats Cassidy on the back, the way I&rsquo;ve seen her do with Sugar and Spice, the Delaneys&rsquo; Shetland sheepdogs. &ldquo;C&rsquo;mon, Cassidy,&rdquo; she coaxes. &ldquo;You can tell us.&rdquo;<BR> <BR>I sit down too. The blankets smell good. In fact, the whole barn smells good&#8212;like hay and horses and leather and old wood and other stuff all mixed together. <i>Eau de Barn</i>. I make a mental note to jot it down in my sketchbook later. It might make an interesting men&rsquo;s cologne.<BR> <BR>&ldquo;It&rsquo;s my mom,&rdquo; Cassidy says finally in a low voice.<BR> <BR>Emma and Jess and I exchange a worried glance. Cassidy&rsquo;s dad died a couple of years ago. What if something&rsquo;s wrong with her mother?<BR> <BR>&ldquo;Is she okay?&rdquo; asks Emma gently. &ldquo;She&rsquo;s not sick or anything, is she?&rdquo;<BR> <BR>Cassidy sits up. &ldquo;No, it&rsquo;s not that,&rdquo; she says. She draws her legs in close to her chest and rests her chin on her knees. &ldquo;She&rsquo;s not sick,&rdquo; she repeats, plucking at the blankets. &ldquo;It&rsquo;s just that she . . she&hellip;&rdquo; Her sentence trails off.<BR> <BR>&ldquo;She what?&rdquo; I prod.<BR> <BR>Cassidy looks up, and tears start to spill from her eyes again. She swipes at them angrily. &ldquo;My mother&rsquo;s started dating again.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[Follow five girls as they navigate the trials and triumphs of life, immersed in the classics with their mother-daughter book club in this cozy upper middle grade series.]]></Text>
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      <Text><![CDATA[A Reading Group Guide to </br> </br> <b><i>Much Ado About Anne </b></i></br> Book 2 in the The Mother-Daughter Book Club series</br> by Heather Vogel Frederick</br> </br> </br> <b><u>Discussion Questions</b></u></br> </br> 1. Which of the girls changed the most from the first book, <i>The Mother-Daughter Book Club</i>, and how? </br> </br> 2. Have you ever read <i>Anne of Green Gables</i> by L. M. Montgomery? If so, did you enjoy it? What did you like about it? If you haven&#8217;t read it, does <i>Much Ado About Anne</i> make you want to read it? </br> </br> 3. Do you have a place that you love like Half Moon Farm or Green Gables? Have you ever thought about naming a special place like Anne, and then Emma and Jess, did? </br> </br> 4. Think of any extracurricular activities that you may be involved in at school, such as the school newspaper or sports. Are your fellow students competitive with one another? If so, why do you think that is? </br> </br> 5. Do you prefer to work as part of a team, like Cassidy and her hockey team? Or would you rather be by yourself, like Emma when she takes skating lessons? Explain. </br> </br> 6. Do you think Becca Chadwick has changed from the first book? In what ways is she different? How is she the same? </br> </br> 7. Did the mothers do the right thing by inviting Becca and her mother to join the book club, even though Becca has been intentionally mean to some of the members in the past? </br> </br> 8. How do you think Megan felt when being torn between two groups of friends? Have you ever been in a situation like that? How did you handle it? </br> </br> 9. What do you think about the prank that Cassidy, Emma, and Jess tried to play on Becca? Was it right or wrong? What about the prank that Jess tried to play on her younger brothers? Have you ever played a prank on someone? What happened? </br> </br> 10. Should Jess&#8217;s parents have told her earlier about losing Half Moon Farm? What do you think their reasons were for not doing so sooner? Have you ever been upset with people around you for keeping something from you? </br> </br> 11. Think back to the scene when Stanley takes Cassidy to the Bruins game. Did you understand Cassidy&#8217;s bitter feelings toward Stanley, or do you think she should have been nicer? </br> </br> 12. Have you ever been lost, like the girls on their camping trip? What did you do? </br> </br> 13. Would you ever want to model in a fashion show? Why or why not? </br> </br> 14. If you had to design an outfit for your best friend, what would it be like? Explain. </br> </br> 15. Which of the girls do you most relate to? Is this different from who you related to in <i>The Mother-Daughter Book Club</i>?</br> </br> 16. If you could get to know one of the characters better, who would it be? Why? </br> </br> 17. Explain which was your favorite part of this book. Why is it your favorite? </br> </br> 18. Would you change the ending of the book? Why or why not? </br> </br> </br> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. </i>]]></Text>
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      <Text><![CDATA[CHAPTER 1 Rise and Flutter<BR><BR>&#160; Flutterfly woke up with a smile, and a sunbeam tickling her nose. She always woke up with a smile, but today it was extra bright!<BR><BR>&#160; She bounced out of bed and flew around her new room. The walls were already covered with posters.<BR><BR>&#160; Flutterfly stopped in front of the poster hanging above her bed.<BR><BR>&#160; &#160; &ldquo;Fairy-tastic!&rdquo; Flutterfly cried.<BR><BR>&#160; It wasn&rsquo;t a dream. She really was a Fairy Scout! Living in a real Fairy Scout clubhouse!<BR><BR>&#160; Flutterfly zoomed outside. The waterfall was flowing and the rainbow was glowing.<BR><BR>&#160; &#160; &ldquo;Morning, sleepyhead,&rdquo; said Rain. Her full name was Rainbow Sunshine, but Flutterfly thought her nickname matched her way better.<BR><BR>&#160; &ldquo;Want a mud pie for breakfast?&rdquo; Rain asked, holding up a gloppy handful of mud. Flutterfly giggled and shook her head.<BR><BR>&#160;&#160; &#160; &#160; Bloom Feathers was playing tag with some grasshoppers.<BR><BR>&#160; &ldquo;Come join our game!&rdquo; he called out to Flutterfly.<BR><BR>&#160; But Jewel Rose put down her watering can and shook her head.<BR><BR>&#160; &ldquo;I don&rsquo;t want to be late to Fairy Scouts,&rdquo; she said. &ldquo;Today is going to be the most magical day!&rdquo;<BR><BR>&#160; &ldquo;MORE magical than it&rsquo;s already been?&rdquo; asked Flutterfly.<BR><BR>&#160; Since joining the Fairy Scouts, she had gotten her very own fairy dust pouch and earned her first scout charm. She even rode a rainbow through the sky! How could it get any more magical than that?<BR><BR>&#160; &#160; Maybe Jewel knew something Flutterfly didn&rsquo;t. After all, Jewel&rsquo;s sister, Starlight Rose, was the most famous Fairy Scout in history.<BR><BR>&#160; &ldquo;Yes! Today will be even more magical,&rdquo; Jewel replied. &ldquo;DUST you wait and see.&rdquo;<BR><BR>&#160; Flutterfly, Rain, and Bloom looked at one another.<BR><BR>&#160; &ldquo;Dust?!&rdquo; they repeated.<BR><BR>&#160; &#160; Earning a charm had put the first sprinkle of magic into their fairy dust pouches. Would they learn how to use it today?<BR><BR>&#160; Flutterfly&rsquo;s antennae danced in the fresh air. The day smelled like lollipops, peaches, and possibility!<BR><BR>&#160; &ldquo;I can&rsquo;t wait!&rdquo; she said. &ldquo;Off to the tree house we go!&rdquo;]]></Text>
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      <Text><![CDATA[<B>A new history of two centuries of Jewish revolts against the Roman Empire, drawing on recent archeological discoveries and new scholarship by leading historian Barry Strauss.</B><BR><BR><i>Jews vs. Rome </i>is a gripping account of one of the most momentous eras in human history: the two hundred years of ancient Israel&rsquo;s battles against Rome that reshaped Judaism and gave rise to Christianity. Barry Strauss vividly captures the drama of this era, highlighting the courageous yet tragic uprisings, the geopolitical clash between the empires of Rome and Persia, and the internal conflicts among Jews.<BR> <BR>Between 63 BCE and 136 CE, the Jewish people launched several revolts driven by deep-seated religious beliefs and resentment towards Roman rule. Judea, a province on Rome&rsquo;s eastern fringe, became a focal point of tension and rebellion. <i>Jews vs. Rome</i> recounts the three major uprisings: the Great Revolt of 66&#8211;70 CE, which led to the destruction of Jerusalem and the Temple, culminating in the Siege of Masada, where defenders chose mass suicide over surrender; the Diaspora Revolt, ignited by heavy taxes across the Empire; and the Bar Kokhba Revolt. We meet pivotal figures such as Simon Bar Kokhba but also some of those lesser-known women of the era like Berenice, a Jewish princess who played a major role in the politics of the Great Revolt and was improbably the love of Titus&#8212;Rome&rsquo;s future emperor and the man who destroyed Jerusalem and the Temple.<BR> <BR>Today, echoes of those battles resonate as the Jewish nation faces new challenges and conflicts. <i>Jews vs. Rome </i>offers a captivating narrative that connects the past with the present, appealing to anyone interested in Rome, Jewish history, or the compelling true tales of resilience and resistance.]]></Text>
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      <Text><![CDATA[Barry Strauss is a senior fellow at the Hoover Institution, the Bryce and Edith M. Bowmar Professor in Humanistic Studies Emeritus at Cornell University, and a leading expert on ancient military history. He has written or edited several books, including&nbsp;<I>The Battle of Salamis</I>,&nbsp;<I>The Trojan War</I>,&nbsp;<I>The Spartacus War</I>,&nbsp;<I>Masters of Command</I>,&nbsp;<I>The Death of Caesar</I>, and&nbsp;<I>Ten Caesars</I>. Visit BarryStrauss.com.]]></Text>
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      <Text><![CDATA[Prologue <link rel="stylesheet" type="text/css" href="../styles/9781668009611.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-prologue" aria-labelledby="prologue_hd"> PROLOGUE <BR>It was an age of unscrupulous intrigue and messianic longing, of empire and insurrection, and of geopolitical warfare that still has modern echoes.<BR> <BR>The era from 63 BCE to 136 CE marked two centuries of violence and revolution. They witnessed the decline and fall of the Roman Republic, the rise of Rome of the Caesars and its continuing wars for dominance against the Iranian empire of Parthia, the only imperial rival to Rome left after the conquest of Carthage and the Hellenistic kingdoms. Caught in the middle, both geographically and politically, was the cauldron of tiny Judea&#8212;home of Rome&rsquo;s most determined insurgencies and the soil from which the seedlings of both rabbinic Judaism and Christianity would begin to grow.<BR> <BR>Judea was fighting for its survival as a religion, a people, and a nation. It was caught between countries and empires many times its size and strength, negotiating among ever-changing allies and enemies and facing mutual hostility with its neighbors. Because Judea was not a unified state it faced ethnic conflict within its own borders. Meanwhile, the dominant group in Judea, the Jewish people, fought among themselves for power, influence, and their own conceptions of a holy life.<BR> <BR>For today&rsquo;s reader, this story may seem painfully familiar. Certainly, the names of many battlefields are eerily the same in today&rsquo;s news as in the pages of this book. The names of our story&rsquo;s protagonists remain renowned, and the historical consequences of this era live on with us today. Nor were the challenges that confronted Judea two thousand years ago unique to that era. Small countries, and large countries, too, still face them in our time.<BR> <BR>It is my hope that the history of this period, these people and these struggles, will offer context for the clash of civilizations we are witnessing today and forge a deeper understanding of the forces that propel them.<BR> <BR>It would be hard to exaggerate the degree of excitement, anticipation, anxiety, and bloodlust that echoed in this era. What an explosion of creativity and destruction! These were two of the most dramatic and consequential centuries in history. And for the Jewish people in particular, these centuries were cataclysmic.<BR> <BR>For the Jews, it was an era of revolution&#8212;many small uprisings during more than a century, culminating in an era of three great wars: the Great Revolt, also known as the Jewish War, 66 to 74 CE; the Diaspora Revolt, 116 to 117; and the Bar Kokhba Revolt, 132 to 136. And against whom did the Jews revolt? Only against perhaps the greatest empire in history: Rome.<BR> <BR>From the Scottish Highlands to the Atlas Mountains, from the Atlantic Ocean to the Euphrates River, and for a moment, even to the Persian Gulf, Rome ruled a vast realm. It governed what a Roman writer called &ldquo;the immeasurable majesty of the Roman peace.&rdquo;<a role="doc-noteref" id="proen1" href="endnotes.xhtml#proen_1">1</a> Fifty million people lived under Roman rule in what was then, along with Han China, the largest empire on earth. Among its other achievements, Rome conquered all the people around the Mediterranean Sea and united them under one government for the first and only time in history.<BR> <BR>And yet during the space of seventy years, the Jews, one of the many peoples under Roman rule, revolted not once but three times. No other people in the empire&#8212;and there were many other rebel nations&#8212;had such a record. Two of the rebellions took place in the Jewish homeland, Judea, the third in the Diaspora, the emigrant communities of Jews.<BR> <BR>Today people argue over the names Israel and Palestine, but that is nothing new. They argued over the country&rsquo;s name in antiquity as well, with both Israel and Palestine attested long before Rome came on the scene. In the Roman era the country was commonly called Judea. The more ancient Jewish name for the country, which some patriots preferred, was Israel. It is attested as early as the thirteenth century BCE.<a role="doc-noteref" id="proen2" href="endnotes.xhtml#proen_2">2</a><BR> <BR>Most rebellions occurred in recently conquered provinces. Judea was different. It was not newly conquered. In fact, Rome subdued Judea in 63 BCE, more than 120 years before the Jewish revolt of 66 CE. And Judea had first became a Roman ally even earlier, in 160 BCE. Close observers should have seen the storm coming, what with so much unrest in Judea in earlier years. But in Rome, far away and preoccupied with other, bigger provinces, it came as a surprise.<BR> <BR>The rebels of 66 CE humiliated the Roman legions. They first threatened, and then succeeded in contributing to a Roman defeat at the hands of the only rival empire that Rome still feared. They cost the legions a huge expenditure of blood and treasure before finally the rebellions were put down. A vengeful Rome responded with a savagery not seen since the destruction of Carthage two centuries earlier.<BR> <BR>The rebels were freedom fighters, daring and heroic, and to that extent they deserve our admiration. But they were also murderous and deluded. The revolts were magnificent, but misguided. How could the rebels hope to defeat the mighty Romans? They represented a great tide of anger and violence that sometimes turned on itself, at least in the Great Revolt, because that Jewish war against Rome was also a war of Jew against Jew: it was a Jewish civil war.<BR> <BR>For Jewish history, the rebellions against Rome mark a major turning point. They cost hundreds of thousands of Jewish lives and sent many of the survivors into slavery and exile. They reduced the Jewish people to secondary status in their own homeland. Indeed, the revolts put the future of Jewish survival there in question, although they did not end it. It&rsquo;s a common misconception to think that the Romans finished the Jewish presence in the Land of Israel. They did not, but they did do an enormous amount of damage. Rome destroyed the Jewish capital, Jerusalem, and its crowning glory, the Temple. Rome ended the daily sacrifices that marked the heart of Judaism and ruined the priesthood who carried them out. Rome decimated the largest and most prestigious Jewish Diaspora community in the Roman Empire, the Jews of Egypt. As if to add insult to injury, the Romans changed the name of the country from Judea (&ldquo;land of the Jews&rdquo;) to Syria Palaestina, or simply Palestine (&ldquo;land of the Philistines&rdquo;). In no other case did the Romans punish a rebellious province by changing its name. Then again, no people had rebelled as often as the Jews.<BR> <BR>There is a holy fire, burning in the hearts of warriors, that leads to glory or oblivion. For two centuries it burned in the hearts of the nation that is the subject of this book, the Jewish people. Messiahs added to the conflagration. Even priests, resistant at first, grew dazzled by the white-hot light. Sober men saw the fire&rsquo;s destructiveness and tried to douse the flames. None succeeded. It was left to the Romans to drown the blaze in rivers of blood. Only then did a new generation of rabbis emerge from the ruins and turn the fire into light. At the same time, another offshoot from the Jewish experience of this turbulent era also began to grow: Christianity.<BR> <BR>The Jewish people survived, learning how to become a religion without a state. Then, twenty centuries later, they created a sovereign state in their ancestral homeland, Israel. The survival of the Jews is one of history&rsquo;s great cases of resilience. Paradoxically, the same spiritual fire that drove some men unwisely if bravely into an unequal contest against an unyielding empire was the same spirituality that inspired Jewish endurance over the millennia.<BR> <BR>Rome was not the only empire in play: there was also Parthia. The shrewd descendants of horse-riding nomads created a mighty realm, originating in what is now Iran, that stretched from today&rsquo;s Turkmenistan to Syria. The Parthian Empire stood astride the world&rsquo;s wealthiest trade routes, between China, India, and Arabia on the one hand, and the Mediterranean world on the other. Parthia was the sole empire remaining in Rome&rsquo;s orbit that could challenge its power. And challenge it, Parthia did: by the start of the Great Revolt, Parthia had inflicted a series of catastrophic defeats on Rome again and again. From time to time, Rome got revenge, but the defeats stung.<BR> <BR>Judea, located near the eastern edge of Rome&rsquo;s empire, looked both ways. To the west, the Jewish Diaspora stretched to Egypt, Libya, and all the way to Rome and beyond. To the north, it extended to Cyprus, Syria, and Asia Minor. The Diaspora also stretched eastward to Mesopotamia, where the Jewish population centered in the region of Babylonia. This was Parthian territory, and its inhabitants had close connections with Judea. The border between the empires was usually open, and Jews traveled back and forth as diplomats, soldiers, merchants, scholars, sages, and pilgrims. Rome fretted about Judea&rsquo;s loyalty, and not without reason. It was a time-honored tradition for a small state to play one large party off the other. When Rome looked at Judea, it saw the shadow of Parthia.<BR> <BR>Many books have been written on the Jewish revolts against Rome. The scholarship is superb, and I gratefully and humbly acknowledge my debt. This book&rsquo;s contribution is to focus on the Jewish state&rsquo;s unique position between East and West, between Parthia and Rome. The narrative weaves its way through a world whose inhabitants were equally at home with apocalypse and geostrategy. And it raises the ghosts of the often-forgotten men and women of the past, whose great and marvelous deeds should not be without glory&#8212;as Herodotus, the father of history, put it long ago.<BR> <BR>Our story begins in 63 BCE, when Rome conquered Judea. At the time, Judea was an independent country and proud of its hard-won independence from its Greco-Syrian overlords, making it the first independent Jewish state in more than four centuries. Now Rome took that away. Most Jews greatly resented that loss. The result was a constant roiling discontent that occasionally broke out into outright rebellion&#8212;and this was before the Great Revolt began in 66 CE. There was a seemingly endless cycle of dissidents, rebels, and prophets of change. Messianism grew popular. To maintain control of Judea required constant vigilance by Rome, through the measured application of carrots and sticks, and via the help of local collaborators. It all worked until it didn&rsquo;t.<BR> <BR>In 63 BCE, the Great Revolt was over a century away, but all the elements were present in embryo: Roman aggression, Jewish division between acceptance and rebellion, Parthian intervention, power politics and messianic hopes, ethnic conflict between Jew and Gentile in Judea. The same themes would be sounded over and over again for the next two centuries. To understand them, we need to begin at the beginning.<BR> </section>]]></Text>
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      <Text><![CDATA[<b><b>NATIONAL BESTSELLER &bull; A <i>NEW YORK TIMES</i> NOTABLE BOOK OF 2025 &bull; <i>THE</i> <i>WASHINGTON POST</i>&rsquo;S 5 BEST NONFICTION BOOKS OF 2025 &bull; <i>THE ATLANTIC</i>&rsquo;S 10 BEST BOOKS OF 2025 &bull; THE NEW YORK PUBLIC LIBRARY'S BEST BOOKS OF 2025 &bull; <i>TIME </i>MAGAZINE&rsquo;S BEST BOOKS OF 2025 &bull; NPR&rsquo;S BEST BOOKS OF 2025</b></b><BR> <BR> <b><b>&ldquo;[An] astonishing story&hellip;Powerful&hellip;Harrowing&hellip;Absorbing and lucid&hellip;You would have to harden your heart to be unmoved by the Abuelas&rsquo; quest.&rdquo; <b>&#8212;Jennifer Szalai, <i>The New York Times Book Review </i>(front-cover review)</b></b></b><BR> <BR> <b><b>&ldquo;Inspiring&hellip;A triumphant saga of ordinary people doing extraordinary things in the face of pure malevolence.&rdquo; &#8212;Hampton Sides &bull; &ldquo;Enthralling&hellip;Written with the nail-biting verve of a thriller.&rdquo; &#8212;<i>Publishers Weekly </i>(starred review) &bull; &ldquo;Extraordinary...A harrowing and timely reminder of what happens when democracy succumbs to despotism.&rdquo; &#8212;Adam Higginbotham &bull; &ldquo;[A] cinematically detailed, deeply researched narrative.&rdquo; &#8212;<i>The</i> <i>Washington Post</i></b> <b> &bull; &ldquo;Piercing, emotional...Will resonate for generations.&rdquo; &#8212;<i>Kirkus Reviews </i>(starred review)</b><BR> <BR> <b>A remarkable new talent in narrative nonfiction delivers the epic true story of a group of courageous grandmothers who fought to find their grandchildren who were stolen.</b></b><BR><BR>In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina&rsquo;s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina&rsquo;s people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or <I>El Proceso</I>&#8212;a bland name masking their ruthless campaign to crush the political left and instill the country with &ldquo;Western, Christian&rdquo; values. The junta holds power until 1983 and decimates a generation.<BR> <BR>One of the military&rsquo;s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are &ldquo;disappeared,&rdquo; and their babies secretly given to other families&#8212;many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold&#8212;the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests.<BR> <BR><I>A Flower Traveled in My Blood </I>is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers&rsquo; stunning stories reveal new truths about memory, identity, and family.]]></Text>
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      <Text><![CDATA[Haley Cohen Gilliland is a journalist and the director of the Yale Journalism Initiative. She previously worked at&nbsp;<i>The</i>&nbsp;<i>Economist&nbsp;</i>for seven years<i>,&nbsp;</i>four of which were spent in Buenos Aires as the paper&rsquo;s Argentina correspondent. Following her time at&nbsp;<i>The Economist</i>, she has focused on narrative nonfiction&mdash;bringing history and current events to life through fact-based storytelling. She has published long-form feature articles in&nbsp;<i>The New York Times</i>, <i>National Geographic</i>, <i>Bloomberg Businessweek</i>, and&nbsp;<i>Vanity Fair</i>, among other publications. She lives in New York state with her husband, two children, and dogs.&nbsp;<i>A Flower Traveled in My Blood</i> is her first book.&nbsp;]]></Text>
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      <Text><![CDATA[<b>Reading Group Guide</b><BR><BR><i>A Flower Traveled in My Blood</i><BR> <BR>Haley Cohen Gilliland<BR><BR><i>This reading group guide for </i><b>A Flower Traveled in My Blood</b><i> includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with author <b>Haley Cohen Gilliland</b>. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.</i><BR><BR><b>Introduction</b><BR> <BR>In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina&rsquo;s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. The junta swiftly launches a ruthless campaign to crush the political left and instill the country with &ldquo;Western, Christian&rdquo; values. One of the military&rsquo;s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are &ldquo;disappeared&rdquo; and their babies secretly given to other families&#8212;many of them headed by police or military officers.<BR> <BR>For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold&#8212;the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. The grandmothers&rsquo; stunning stories reveal new truths about memory, identity, and family.<BR><BR><b>Topics & Questions for Discussion</b><BR> <BR>1. <i>A Flower Traveled in My Blood</i> is a line from Juan Gelman&rsquo;s poem titled &ldquo;Epitaph.&rdquo; Author Haley Cohen Gilliland chose to title the book after this poem even though it was written long before 1976. Why do you think &ldquo;Epitaph&rdquo; was chosen? How does this poem serve as a frame for the story that follows?<BR> <BR>2. How does the history provided in Part One help contextualize what led to Jorge Rafael Videla&rsquo;s rise to power? What does this timeline suggest about the conditions that lead to dictatorship and state-sanctioned violence?<BR> <BR>3. How does the combination of historical accounts and personal narratives make this book unique&#8212;not only journalism nor history, but both? How would your reading be different if the book didn&rsquo;t include the stories of women like Rosa?<BR> <BR>4. This book portrays the Abuelas as simultaneously strong and emotionally affected. Alongside one another, women could feel their grief and get support from others who understood their pain. In what ways were their emotions the driving force for the organization&rsquo;s efforts? How did these emotions both inspire action and affect connection/community?<BR> <BR>5. What role did the news and media play in the Abuelas&rsquo; fight for justice? How did these women use it to their advantage? How did their ideological opponents use the media against the Abuelas, and how did they respond?<BR> <BR>6. What role did the Argentine Church and other religious organizations play in the search for the missing grandchildren?<BR> <BR>7. When the stolen grandchildren reconnected with their biological families, their reunions weren&rsquo;t always smooth. What are the different factors that made reunion so complicated?<BR> <BR>8. Following the end of the dictatorship, the country grappled with how to recover from the brutalities of the past. They asked: is it best to push forward and forget or to directly confront past harm? Discuss how efforts on each side of this debate affected the Abuelas and the public at large.<BR> <BR>9. How much of this history were you aware of prior to reading this book? How does this new knowledge inform your perspective as a civilian and political subject? Do you find yourself personally inspired or empowered by the strength of the Abuelas?<BR> <BR>10. Various locations from this period, such as the ESMA, have been preserved or turned into historical sites. Are these places you would be interested in visiting and why or why not? What emotions does this idea stir up inside of you?<BR> <BR>11. If you had to pick someone from this book to interview, who would it be and why? What questions would you ask them?<BR> <BR>12. The Abuelas de la Plaza de Mayo are still fighting to this day to find all of the missing grandchildren and give them the chance to know their real identities. What about their organization has helped them achieve such longevity? What are their strengths and what makes them so powerful in public consciousness?<BR> <BR><b>Enhance Your Book Club </b><BR> <BR>1. In response to losing her parents and brother, Rosa&rsquo;s granddaughter Mariana wrote poems about her grief and hope. Write your own poems in response to how this story made you feel, or to your own experience of loss.<BR> <BR>2. Write a letter to one of the Abuelas featured in the book. What in particular did you connect with most about her story? What was inspiring or meaningful to you?<BR> <BR>3. Make a list of other works of nonfiction you might read that are a testament to the power of love and grief in the fight against tyranny and violence.<BR> <BR><b>A Conversation with Haley Cohen Gilliland </b><BR> <BR><b>Who was the first Abuela that you interviewed for this book? What was it like meeting an Abuela for the first time? </b><BR> <BR>The first Abuela I interviewed for <i>A Flower Traveled in My Blood</i> was Rosa Roisinblit, one of the book&rsquo;s central subjects. We met in her cozy apartment near Argentina&rsquo;s Congressional Palace, where she had lived for decades&#8212;having moved there shortly before her daughter, Patricia, disappeared in 1978. Though more than forty years had passed since Patricia&rsquo;s abduction, she was still very present in the apartment; everywhere I looked, photos of Patricia smiled back. <BR> <BR>Rosa was one hundred and two at the time of our conversation, but age had not diminished her unvarnished wit. At one point, she slipped a photo of several Abuelas across her dining room table, pointed at one, and said: &ldquo;She wears glasses because glasses make her look pretty, and that&rsquo;s it,&rdquo; implying that the grandmother did not need the bifocals to see. She added: &ldquo;If there&rsquo;s anything you want to know, anything you want to ask me, just ask. And I&rsquo;ll tell you the truth&#8212;I like telling the truth. If I&rsquo;m going to say something, I&rsquo;d rather tell the truth.&rdquo;<BR> <BR>That conversation with Rosa set the tone for the project. I felt not only liberated to tell the stories in the book in their full, truthful complexity, but encouraged to do so.<BR> <BR><b>How was writing this book different from writing a typical feature story, other than the obvious difference in length? Did you find weaving together so many narratives and historical facts challenging? </b><BR> <BR>I knew from the beginning the Abuelas&rsquo; story needed to be a book. There were so many rich intertwining narratives that begged to be told&#8212;narratives that would not have made the cut in even a lengthy magazine feature. In particular, I felt the Abuelas&rsquo; extraordinary scientific work had not received the depth of treatment it deserved, and I was eager to rectify that.<BR> <BR>I interviewed scores of Abuelas, grandchildren, diplomats, historians, and scientists; read hundreds of books and thousands of court documents; and reviewed tens of thousands of archival documents to write this book. Condensing all that information into a taut story was the greatest challenge.<BR> <BR>The first part of writing this book was more like painting. I wrote without editing myself too much, layering on detail after detail until I felt I had a full, textured canvas. The second part of the process was more akin to sculpting. I had a writing professor in college named Anne Fadiman, who happens to be one of the most stunning narrative nonfiction writers on the planet. Great writing, she teaches her classes, requires excision. &ldquo;How did Michelangelo carve The David?&rdquo; she would ask us. &ldquo;He took a piece of marble and chipped away all the pieces that didn&rsquo;t look like David.&rdquo; Or as Michelangelo himself put it, &ldquo;The more the marble wastes, the more the statue grows.&rdquo; <BR> <BR>Seeing carefully crafted sentences succumb to the delete button was painful. But, in the end, I believe whittling the book down to its core essence made it more compelling. <BR> <BR><b>What was it like to investigate the scientific methods used by Abuelas and their supporters to try and prove heredity between grandparents and grandchildren? What kind of familiarity did you have with genetics before you started writing this book? </b><BR> <BR>Science was not my strongest academic area in school; My high school biology teacher would probably cackle to learn I wrote a book so heavily focused on genetics. But as a journalist, I have long been drawn toward scientists and scientific advances. I enjoy writing about people who are obsessed with something&#8212;an idea, a sport, a desire to change, or a drive to make change. Obsessive people tend to make the most interesting subjects, and scientists almost always fit this description. While scientific breakthroughs are thrilling, the day-to-day work required to reach those breakthroughs is often rote. It requires extreme persistence, and yes, obsession.<BR> <BR>In my magazine work, I have written about dipterists (scientists who study flies) for <i>National Geographic</i> and a cell biologist attempting to make lab-grown breastmilk for <i>MIT Technology Review.</i> Genetics played a major role in a piece I wrote about one Argentine polo player&rsquo;s quest to clone his top horses for <i>Vanity Fair.</i><BR> <BR>These experiences ignited my love of science writing and helped me shed my fear of seeming like a fool. When I didn&rsquo;t understand something&#8212;which happened a lot!&#8212;I wasn&rsquo;t afraid to ask silly questions, even of brilliant scientists like Mary-Claire King. My hope is that, as a result, the science in the book will be accessible and exciting to readers, even those of us who didn&rsquo;t exactly ace our pop quizzes on Gregor Mendel.<BR> <BR><b>Did you personally visit the ESMA or any other historical sites that you wrote about? If so, how did that inform your writing? If not, would you consider going?</b><BR> <BR>I tried to visit as many of the sites described in my book as possible. When attempting to immerse a reader in a place, to make them feel as though they are there with the subjects, there is no replacement for experiencing it yourself&#8212;noticing how your footsteps echo on the cold floor, feeling the rough texture of the walls, smelling the dank air.<BR> <BR>I spent hours at the ESMA museum, where the clandestine detention center once functioned. On one of my visits, I stood silently in the room where Patricia Roisinblit was held during her pregnancy, letting the nausea and claustrophobia wash over me. It was dark, and hot, and the air was stale from lack of ventilation. The slant of the ceiling made it hard to walk far without smacking my forehead. I happened to be four months pregnant at the time, and I was overcome by how truly horrific it must have been to experience the final days of pregnancy imprisoned in that stifling, grimy room, gripped by fear of the future.<BR> <BR><b>You have said that this subject came back to you after being dormant for many years in 2020 while you were pregnant. Do you think it was the personal experience of pregnancy and motherhood that brought the topic back to you? What were challenges you faced in confronting this brutal history while being a mother yourself?</b><BR> <BR>The Abuelas&rsquo; story has lived in my head and heart since I first learned it. But the four years I worked in Argentina lulled me into the erroneous belief that their story was already universally known. Years later, a conversation with several fellow history enthusiasts punctured that assumption. They never heard of the Abuelas, and had no clue what they&rsquo;d accomplished.<BR> <BR>At that time, I happened to be pregnant with my first child and my head often echoed with fears about my daughter&rsquo;s safety&#8212;did unpasteurized cheese sneak into my salad? Did my dog&rsquo;s sudden decision to perform a tap dance on my belly hurt her? Even before she was born, I was terrified of something happening to her.<BR> <BR>The Abuelas&rsquo; story has always moved me deeply, and I don&rsquo;t think you need to be a parent to understand the horror of what they endured or to admire their courageous response. But being pregnant&#8212;and then becoming a mother&#8212;made my reaction to their story even more visceral.<BR> <BR><b>The history of the Abuelas is incredibly layered, with its fair share of triumphs and setbacks. Which of their successes left you most awestruck? Were there any events in this story that seem particularly miraculous?</b><BR> <BR>Most of the Abuelas did not have scientific backgrounds or much professional experience. If they worked outside the home, they did so largely as schoolteachers, and many had given up their careers to raise their children. They didn&rsquo;t have consistent sources of funding. During the dictatorship, their work could have easily gotten them killed by the military government; since the return of democracy, government support has been erratic at best. But together, powered by sheer love of family, the women have found 139 of their stolen grandchildren, pioneered new forms of genetic testing, and shaped international law.<BR> <BR><b>You have mentioned that your research for this book included scouring archives and reading lengthy legal documents. How difficult was it to get through all of the archives and documents in order to find the information that you needed? Are there any other research methods you employed? </b><BR> <BR>To write a propulsive narrative history requires immersing readers in a time and place&#8212;helping them see, smell, and hear the events being described. Doing that requires collecting vast amounts of detail. The Abuelas I interviewed ranged from eighty-seven to one hundred and two. Asking anyone to remember small details from forty years ago&#8212;let alone asking someone in their second century to do so&#8212;is unrealistic and unfair. I quickly understood that archival research would be crucial in helping to tell the Abuelas&rsquo; story.<BR> <BR>When I first began my reporting, I worried there wouldn&rsquo;t be enough archival material to work with. The dictatorship destroyed most documents related to its disappearances before leaving power, and I didn&rsquo;t know what other documentary sources had survived. Thankfully, my fears were misplaced. I learned the Argentine government has an incredible trove of documents available for consultation at the Archivo Nacional de La Memoria and that other groups like Memoria Abierta had collected extensive oral histories and photographic archives. A few years before I began writing this book, the U.S. declassified huge tranches of government cables related to Argentina&rsquo;s dictatorship and while I was reporting, Rosa Roisinblit&rsquo;s personal archive was donated and made available for consultation. <BR> <BR>I was also thrilled to learn that the Abuelas themselves had kept careful records. Those making history are not always aware they&rsquo;re doing so&#8212;they may not save their correspondence, take photographs, or record their activities in writing. Despite the clear dangers, the Abuelas had the prescience and courage to document their work, pasting snapshots into black three-ring binders, and filling boxes up with correspondence and scientific reports. Gathering such information was a subversive act in and of itself&#8212;one that easily could have gotten the Abuelas disappeared. But they understood the importance of doing so, and their institutional archive now fills thousands of boxes that were incredibly helpful to me in retelling their story.<BR> <BR><b>In &ldquo;About This Book&rdquo; you described how difficult it was for you to narrow your scope to only a few individuals, as there were so many affected. However, you found that &ldquo;trying to tell the stories of all of the Abuelas&rsquo; stolen grandchildren would mean not doing justice to any of them&rdquo; (page 337). Can you tell us about one of the stories that you were unable to fit into this book? </b><BR> <BR>I would have loved more space to explore Victoria Donda&rsquo;s experience. In many ways, it mirrors the awful stories of many of the Abuelas&rsquo; stolen grandchildren: Victoria&rsquo;s mother was abducted by the dictatorship while five months pregnant and eventually brought to the ESMA to give birth. Her father was later taken as well. But Victoria&rsquo;s story had one unbelievable twist: her uncle&#8212;her father&rsquo;s brother, Adolfo&#8212;was a naval officer at the ESMA. In 2023, Adolfo was put on trial, where witnesses insisted that he knew about the disappearances of his brother and sister-in-law. His fierce commitment to the dictatorship&rsquo;s ideology seemed to outweigh his loyalty to his own kin. The following year, in 2024, Adolfo was convicted for Victoria&rsquo;s kidnapping. &ldquo;I still don&rsquo;t know where my parents are,&rdquo; she wrote after the ruling. &ldquo;But I know that today, they are resting in peace.&rdquo;<BR> <BR><b>What do you hope readers take away from <i>A Flower Traveled in My Blood</i>?</b><BR> <BR>I majored in history in college. Many of my friends studied history. And yet when I told them the Abuelas&rsquo; story, they gaped at me in disbelief. Journalists write so people know what happened. Historians write so people remember it. I wrote this book for both reasons.<BR> <BR>There is no avoiding the darkness in these pages, but I hope that when readers close the back cover, they feel inspired. The Abuelas&rsquo; story proves that, with persistence, ordinary people can make extraordinary change, and that fear is no match for love.]]></Text>
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      <Text><![CDATA[&ldquo;[An] astonishing story . . . Powerful . . . Harrowing . . . Absorbing and lucid . . . You would have to harden your heart to be unmoved by the Abuelas&rsquo; quest.&rdquo;&nbsp;<b>&mdash;Jennifer Szalai,&nbsp;<i>The New York Times</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;An enthralling history of a human rights movement whose mission remains as urgent as ever . . . &nbsp;<I>A Flower Traveled in My Blood</I>&nbsp;reads like a Cold War thriller. . . . Gilliland interrogates what it means to pursue&mdash;and ultimately find&mdash;justice for the victims of these crimes against humanity.&rdquo; <B>&mdash;<I>The Nation</I></B><BR> <BR> &ldquo;Immaculately researched and endlessly readable, this unforgettable debut is a testament to ruthless and unchecked far-right military control and the power of collective strength, courage, and protest to overcome it.&rdquo; <b>&mdash;<i>Ms.</i> Magazine</b>]]></Text>
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      <Text><![CDATA[&ldquo;<I>A Flower Traveled in My Blood</I> is an unflinching playbook of what happens when a government&rsquo;s tyrannical impulses are fed as well as a heartbreaking, immersive account of what it means to stand up against injustice and demand that those who allow it move out of the way.&rdquo; <B>&mdash;</B><B><I>Booklist </I></B><B>(starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Gilliland&rsquo;s first book (of many, we should hope) tells the remarkable story of the Abuelas de Plaza de Mayo. . . . Grandmothers came together across social divides to fight for their families, sometimes discovering reserves of strength they didn&#39;t know they had. The Abuelas remain united in their struggle to this day and Gillibrand does a masterful job conveying their extraordinary story.&rdquo; <b>&mdash;NPR</b>]]></Text>
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      <Text><![CDATA[&ldquo;[Gilliland] conveys the complicated, heart-wrenching fullness of her characters&rsquo; individual stories and shades their backdrop with compulsively readable history of geopolitical tension and the emerging DNA science that fueled the Abuelas&rsquo; fight. Gilliland&rsquo;s work, exhaustively and compassionately researched, offers a crucial counterbalance to the dark legacy of Argentina&rsquo;s <I>desaparecidos</I>, injecting the light of a model resistance movement that lay the groundwork for future international human rights investigations. Her humility and respect for the fraught journeys her subjects made toward each other and for the vital questions their journeys raised&mdash;about power, identity, family, and collective memory and healing&mdash;ensure the text will resonate for generations the world over. A piercing, emotional tribute to the value of persistent resistance.&rdquo; <B>&mdash;<I>Kirkus Reviews </I>(starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Enthralling . . . Written with the nail-biting verve of a thriller, this spotlights relentless perseverance in the face of unthinkable brutality.&rdquo; <B>&mdash;<I>Publishers Weekly </I>(starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Deeply reported . . . Gilliland focuses on the ordeal of a single shattered family, widens her lens to include other cases, and embeds her tale in a crisp account of recent Argentinian history. . . . Argentina&rsquo;s lessons for the current moment are multiple: When tyrants threaten, more people and institutions may cower than resist; the loss of checks on state violence can be catastrophic; and no one knows who the next victim will be.&rdquo; <B>&mdash;<I>The Atlantic</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;Journalist Haley Cohen Gilliland immortalizes the heroic resistance of the women who called themselves the Abuelas de Plaza de Mayo. . . . <I>A Flower Traveled in My Blood&nbsp;</I>meticulously chronicles a chapter of humankind at its worst, giving these times their gruesome due, lest they be forgotten and repeated.&rdquo;<B> &mdash;<I>BookPage</I> (starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Haley Cohen Gilliland has written an extraordinary book. A compelling family saga and a forensic detective story set against a sweeping narrative of a hundred years of Argentine history,&nbsp;<i>A Flower Traveled in My Blood</i>&nbsp;is also a harrowing and timely reminder of what happens when democracy succumbs to despotism.&rdquo; <b>&mdash;Adam Higginbotham, <i>New York Times </i>bestselling author of <i>Challenger </i>and <i>Midnight in Chernobyl</i></b><BR> <BR> &ldquo;<I>A Flower Traveled in My Blood&nbsp;</I>is a triumphant saga of ordinary people doing extraordinary things in the face of pure malevolence. Haley Cohen Gilliland&rsquo;s inspiring, engrossing tale reminds us that successful resistance to authoritarian oppression often comes from society&rsquo;s seemingly least powerful&mdash;in this case, from a network of heartsick grandmothers armed with the superpowers of patience, persistence, and bottomless reservoirs of love.&rdquo;<b>&nbsp;&mdash;Hampton Sides,&nbsp;<i>New York Times&nbsp;</i>bestselling author of<i>&nbsp;The Wide Wide Sea</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;There is so much to read but don&rsquo;t miss this supremely well-researched and powerful new book. Very grateful to have finally read it.&rdquo;<b> &mdash;David Grann, <i>New York Times</i> bestselling author of <i>The Wager</i></b><BR> <BR> &ldquo;In this beautifully crafted narrative history, Haley Cohen Gilliland brings to light the stories of Argentinian grandmothers who used every method available, including nascent DNA testing, to locate the children and grandchildren &lsquo;disappeared&rsquo; or even murdered during the dictatorship of the country&rsquo;s military junta. The range of emotions is breathtaking; we learn of the horrors of disappearing, the grunt work of activism, the joys of reunion, and the pain and confusion felt by the disappeared as they try to reconcile their old and new identities.&nbsp;<i>A Flower Traveled in My Blood</i>&nbsp;is the riveting story of a dark history that we must not forget.&rdquo;&nbsp;<b>&mdash;Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University</b><BR> <BR> &ldquo;Haley Cohen Gilliland&rsquo;s monumental account of the stolen children of Argentina is a heartbreaking and humane story of devotion and moral courage, personal and cultural trauma, unfathomable political corruption and accountability, and the complexities of personal identity in the genetic age. The Abuelas de Plaza de Mayo now have a history fitting of their astonishing rigor and inspiring grace.&rdquo; <b>&mdash;Robert Kolker, #1&nbsp;<i>New York Times&nbsp;</i>bestselling author of&nbsp;<i>Hidden Valley Road</i></b><BR> <BR> &ldquo;History is filled with tragedy and heartbreak, redemption and hope, but nothing compares to the story of the Abuelas de Plaza de Mayo. These women lost their children to a brutal dictatorship, and in the same cruel act, their grandchildren were taken. Their relentless search for them led the Abuelas to defy murderous squads, a complicit society, and political and judicial barriers. Yet, they kept going, creating profound changes in international law and science along the way, while providing new answers to essential moral questions about memory and identity. Haley Cohen Gilliland found the perfect thread to tell this complex, extraordinary story, and she&rsquo;s done so masterfully and with great heart. And every bit of it is true.&rdquo;&nbsp;<b>&mdash;Graciela Mochkofsky, author of&nbsp;<i>The Prophet of the Andes</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;[An] astonishing story . . . Powerful . . . Harrowing . . . Absorbing and lucid . . . You would have to harden your heart to be unmoved by the Abuelas&rsquo; quest.&rdquo;&nbsp;<b>&mdash;Jennifer Szalai,&nbsp;<i>The New York Times</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;An enthralling history of a human rights movement whose mission remains as urgent as ever . . . &nbsp;<I>A Flower Traveled in My Blood</I>&nbsp;reads like a Cold War thriller. . . . Gilliland interrogates what it means to pursue&mdash;and ultimately find&mdash;justice for the victims of these crimes against humanity.&rdquo; <B>&mdash;<I>The Nation</I></B><BR> <BR> &ldquo;Immaculately researched and endlessly readable, this unforgettable debut is a testament to ruthless and unchecked far-right military control and the power of collective strength, courage, and protest to overcome it.&rdquo; <b>&mdash;<i>Ms.</i> Magazine</b>]]></Text>
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      <Text><![CDATA[&ldquo;<I>A Flower Traveled in My Blood</I> is an unflinching playbook of what happens when a government&rsquo;s tyrannical impulses are fed as well as a heartbreaking, immersive account of what it means to stand up against injustice and demand that those who allow it move out of the way.&rdquo; <B>&mdash;</B><B><I>Booklist </I></B><B>(starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Gilliland&rsquo;s first book (of many, we should hope) tells the remarkable story of the Abuelas de Plaza de Mayo. . . . Grandmothers came together across social divides to fight for their families, sometimes discovering reserves of strength they didn&#39;t know they had. The Abuelas remain united in their struggle to this day and Gillibrand does a masterful job conveying their extraordinary story.&rdquo; <b>&mdash;NPR</b>]]></Text>
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      <Text><![CDATA[&ldquo;[Gilliland] conveys the complicated, heart-wrenching fullness of her characters&rsquo; individual stories and shades their backdrop with compulsively readable history of geopolitical tension and the emerging DNA science that fueled the Abuelas&rsquo; fight. Gilliland&rsquo;s work, exhaustively and compassionately researched, offers a crucial counterbalance to the dark legacy of Argentina&rsquo;s <I>desaparecidos</I>, injecting the light of a model resistance movement that lay the groundwork for future international human rights investigations. Her humility and respect for the fraught journeys her subjects made toward each other and for the vital questions their journeys raised&mdash;about power, identity, family, and collective memory and healing&mdash;ensure the text will resonate for generations the world over. A piercing, emotional tribute to the value of persistent resistance.&rdquo; <B>&mdash;<I>Kirkus Reviews </I>(starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Enthralling . . . Written with the nail-biting verve of a thriller, this spotlights relentless perseverance in the face of unthinkable brutality.&rdquo; <B>&mdash;<I>Publishers Weekly </I>(starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Deeply reported . . . Gilliland focuses on the ordeal of a single shattered family, widens her lens to include other cases, and embeds her tale in a crisp account of recent Argentinian history. . . . Argentina&rsquo;s lessons for the current moment are multiple: When tyrants threaten, more people and institutions may cower than resist; the loss of checks on state violence can be catastrophic; and no one knows who the next victim will be.&rdquo; <B>&mdash;<I>The Atlantic</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;Journalist Haley Cohen Gilliland immortalizes the heroic resistance of the women who called themselves the Abuelas de Plaza de Mayo. . . . <I>A Flower Traveled in My Blood&nbsp;</I>meticulously chronicles a chapter of humankind at its worst, giving these times their gruesome due, lest they be forgotten and repeated.&rdquo;<B> &mdash;<I>BookPage</I> (starred review)</B>]]></Text>
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      <Text><![CDATA[&ldquo;Haley Cohen Gilliland has written an extraordinary book. A compelling family saga and a forensic detective story set against a sweeping narrative of a hundred years of Argentine history,&nbsp;<i>A Flower Traveled in My Blood</i>&nbsp;is also a harrowing and timely reminder of what happens when democracy succumbs to despotism.&rdquo; <b>&mdash;Adam Higginbotham, <i>New York Times </i>bestselling author of <i>Challenger </i>and <i>Midnight in Chernobyl</i></b><BR> <BR> &ldquo;<I>A Flower Traveled in My Blood&nbsp;</I>is a triumphant saga of ordinary people doing extraordinary things in the face of pure malevolence. Haley Cohen Gilliland&rsquo;s inspiring, engrossing tale reminds us that successful resistance to authoritarian oppression often comes from society&rsquo;s seemingly least powerful&mdash;in this case, from a network of heartsick grandmothers armed with the superpowers of patience, persistence, and bottomless reservoirs of love.&rdquo;<b>&nbsp;&mdash;Hampton Sides,&nbsp;<i>New York Times&nbsp;</i>bestselling author of<i>&nbsp;The Wide Wide Sea</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;There is so much to read but don&rsquo;t miss this supremely well-researched and powerful new book. Very grateful to have finally read it.&rdquo;<b> &mdash;David Grann, <i>New York Times</i> bestselling author of <i>The Wager</i></b><BR> <BR> &ldquo;In this beautifully crafted narrative history, Haley Cohen Gilliland brings to light the stories of Argentinian grandmothers who used every method available, including nascent DNA testing, to locate the children and grandchildren &lsquo;disappeared&rsquo; or even murdered during the dictatorship of the country&rsquo;s military junta. The range of emotions is breathtaking; we learn of the horrors of disappearing, the grunt work of activism, the joys of reunion, and the pain and confusion felt by the disappeared as they try to reconcile their old and new identities.&nbsp;<i>A Flower Traveled in My Blood</i>&nbsp;is the riveting story of a dark history that we must not forget.&rdquo;&nbsp;<b>&mdash;Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University</b><BR> <BR> &ldquo;Haley Cohen Gilliland&rsquo;s monumental account of the stolen children of Argentina is a heartbreaking and humane story of devotion and moral courage, personal and cultural trauma, unfathomable political corruption and accountability, and the complexities of personal identity in the genetic age. The Abuelas de Plaza de Mayo now have a history fitting of their astonishing rigor and inspiring grace.&rdquo; <b>&mdash;Robert Kolker, #1&nbsp;<i>New York Times&nbsp;</i>bestselling author of&nbsp;<i>Hidden Valley Road</i></b><BR> <BR> &ldquo;History is filled with tragedy and heartbreak, redemption and hope, but nothing compares to the story of the Abuelas de Plaza de Mayo. These women lost their children to a brutal dictatorship, and in the same cruel act, their grandchildren were taken. Their relentless search for them led the Abuelas to defy murderous squads, a complicit society, and political and judicial barriers. Yet, they kept going, creating profound changes in international law and science along the way, while providing new answers to essential moral questions about memory and identity. Haley Cohen Gilliland found the perfect thread to tell this complex, extraordinary story, and she&rsquo;s done so masterfully and with great heart. And every bit of it is true.&rdquo;&nbsp;<b>&mdash;Graciela Mochkofsky, author of&nbsp;<i>The Prophet of the Andes</i></b>]]></Text>
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      <BiographicalNote><![CDATA[After twenty years as a consumer strategist, Stephen Starring Grant became a rural letter carrier during the pandemic. A graduate of the Iowa Writers&rsquo; Workshop, he lives in Blacksburg, Virginia.]]></BiographicalNote>
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      <SubjectHeadingText>post office; USPS; postal service memoir; appalachia; rural america; workplace memoir; American institutions; blue collar; public service; rural community; finding purpose; blue-collar dignity; midlife crisis; Appalachian life; overcoming adversity; rediscovering faith; blacksburg; virginia; public service memoir; hillbilly elegy; loneliness epidemic; pandemic stories; late capitalism; economic anxiety</SubjectHeadingText>
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      <Text><![CDATA[<b>An uproarious and &ldquo;utterly charming&rdquo; (<i>The Washington Post</i>) memoir by a mailman in the Blue Ridge Mountains of Virginia, who found that working for the post office saved his life, taught him who he was, gave him purpose, and educated him deeply about a country he loves but had lost touch with.</b><BR><BR>Steve Grant was laid off in March of 2020. He was fifty and had cancer, so he needed health insurance, fast. Which is how he found himself a rural letter carrier in Appalachia, back in his old hometown.<BR> <BR>Suddenly, he was the guy with the goods, delivering dog food and respirators and lube and heirloom tomato seeds and <I>Lord of the Rings</I> replica swords. He transported chicken feed to grandmothers living alone in the mountains and forded a creek with a refrigerator on his back. But while he carried the mail, he also carried a whole lot more than just the mail, including a family legacy of rage and the anxiety of having lost his identity along with his corporate job.<BR> <BR>And yet, slowly, surrounded by a quirky but devoted band of letter carriers, working this different kind of job, Grant found himself becoming a different kind of person. He became a lifeline for lonely people, providing fleeting moments of human contact and the assurance that our government still cares. He embraced the thrill of tackling new challenges, the pride of contributing to something greater than himself, the joy of camaraderie, and the purpose found in working hard for his family and doing a small, good thing for his community. He even kindled a newfound faith.<BR> <BR>A brash and loving portrait of an all-American institution, <I>Mailman</I> offers a &ldquo;warm and oddly patriotic&rdquo; (<I>The New York Times</I>) look at both rural America and the dedicated (and eccentric) letter carriers who keep our lives running smoothly day to day. &ldquo;A compelling and empathetic guide&rdquo; (<I>The Atlantic</I>), Grant has written an irreverent, heartfelt, and often hilarious tribute to the simple heroism of daily service, the dignity and struggle of blue-collar work, the challenge and pleasure of coming home again after twenty-five years away, and the delight of going the extra mile for your neighbors, every day.]]></Text>
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      <Text><![CDATA[After twenty years as a consumer strategist, Stephen Starring Grant became a rural letter carrier during the pandemic. A graduate of the Iowa Writers&rsquo; Workshop, he lives in Blacksburg, Virginia.]]></Text>
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      <Text><![CDATA[Chapter One: Fuck City <link rel="stylesheet" type="text/css" href="../styles/9781668018064.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> Chapter One FUCK CITY <BR>I WAS LAID OFF FROM MY consulting gig. That&rsquo;s how my pandemic began.<BR> <BR>It was early March in 2020. I was in the Charlotte, North Carolina, airport, rushing to make my flight up to New York City, where the agency I worked for was headquartered out of SoHo. Plan Z was a boutique marketing consultancy&#8212;one part startup, one part ad agency, and the rest a sort of experimental decentralized phantom equity holding company. If you think that&rsquo;s tough to get your head wrapped around, the market agreed.<BR> <BR>I was head of strategy and I was flying up because we were kicking off a big project with a new client, a somewhat secretive law firm that specialized in getting rich people their money back when the counterparty (corporations, foreign governments, other rich people) was hiding overseas. The client wanted a marketing plan to become the go-to firm for helping the ultrarich, only the ultrarich.<BR> <BR>It was possible to make it from Blacksburg, a tiny college town in the Blue Ridge Mountains of western Virginia, to New York for a same-day meeting, but doing so was an obscure Olympic sport similar to the pentathlon. The consultant&rsquo;s version involved a pickup truck, sprinting, flying, and a cab ride. If you caught the earliest plane out of Roanoke to Charlotte and made the connection to New York&rsquo;s LaGuardia Airport, you could wake up in the cold, foggy, blue-black of predawn Appalachia and find yourself sitting in a glass conference room with a view of anonymous office buildings in midtown Manhattan by late morning.<BR> <BR>This morning, my pentathlon was canceled midrace. In Charlotte, I got a call that the meeting was off, postponed indefinitely. The work was on hold because the law firm was &ldquo;buttoning up.&rdquo; The client had a number of ex-military folks working for them, and &ldquo;buttoning up&rdquo; is army slang for dropping down into an armored vehicle, like a tank, and closing the hatches behind you. They were going into a defensive posture because of what the gate agent called &ldquo;this virus thing.&rdquo; &ldquo;Everybody is turning around and flying home, hon.&rdquo;<BR> <BR>Waiting for my flight back in a couple of hours&rsquo; time, I noticed the business lounge nearly empty. The whole place was library quiet. It was a weird, haunted-house feeling, like I was in the establishing shot of a science fiction film.<BR> <BR>That was when I got the whim whams. A deep, animal sensation&#8212;full body, with my frontal lobes racing to catch up. It was a feeling I would come to recognize intimately over the year to come. The ground moving under my feet, the train switching tracks from one timeline to another, the world moving from normal to flat-out fucking weird. You didn&rsquo;t need to be an epidemiologist or government contingency planner to know that we were all going someplace new, probably bad.<BR> <BR>It is easy to forget sometimes how afraid everyone was in that moment. Nobody had any faith that our government or the world&rsquo;s governments would be able to coordinate a response. So Big Business did the only sensible thing&#8212;it turtled. Across the business world, leadership teams cut spending and stockpiled cash while their firms developed a response. This had all the predictable second-order effects. Any business on thin margins, not just my experimental ad agency but neighborhood restaurants, art house movie theaters, bookstores&#8212;they all choked to death.<BR> <BR>I was still waiting for my flight home when the call from my boss came. &ldquo;Steve,&rdquo; he said, &ldquo;we&rsquo;re both adults, so I don&rsquo;t need to belabor this.&rdquo; He was a gentleman and a pro about it, like he always was. I&rsquo;d had the pleasure of working with him for years, and now that was over.<BR> <BR>At four that morning, I had been employed. Now I was not.<BR> <BR>The central concourse of the Charlotte airport is acoustically hot, typically 90 decibels of ADHD torture chamber. When I sat down in one of the airport&rsquo;s signature white rocking chairs that line the big glass wall overlooking the tarmac, it was so quiet I could have been on the front porch of a remote mountain cabin.<BR> <BR>I knew I needed to tell my wife, Alicia, that I&rsquo;d been laid off but I didn&rsquo;t see the point of sharing this over the phone. I wanted to savor this in-between time, when I was the only one in my family who knew I&rsquo;d been let go again. I walked over to the Burger King counter, bought a Whopper and onion rings, and ate the food slowly while I rocked in a wooden chair next to the people-mover belt. For years I would eat a Big Mac after a successful job interview to seal in the good luck. Or as a ritual sacrifice to ward off evil after a layoff. Stuck with a Whopper, it felt like some cosmic signal that my luck had truly run out.<BR> <BR>My work in the two decades before the pandemic had a bunch of names&#8212;Brand Strategist, Marketing Consultant, Consumer Psychologist, the sort of psychologist that, instead of helping you feel better about yourself, helps corporations feel better about how to sell you things. In late capitalism, we call this &ldquo;creating demand.&rdquo; It was not a skill set that was widely recognized and not particularly practical outside of a very narrow context.<BR> <BR>I wasn&rsquo;t a cardiologist or a plumber with a concrete, certified set of skills. I did not hold an honorific like doctor or professor. No rank like captain or major. I was the grease in the global capitalist machine. Because the worst-kept secret in corporate America is that the black arts of marketing work. I had been a strategist for some of the biggest corporations in the world, helping the glass-tower crowd understand how &ldquo;regular people&rdquo; make the wheels on the bus go round and round, which is good-paying work as long as corporate America is buying. But marketing is notorious for being the canary in the coal mine of corporate spending. Just a few years earlier, my behavioral economics lab at Prudential was shut down during a corporate reorg. It had taken months to get a new job, and that was with a party-time economy. Sitting in that rocking chair in the neutron-bomb-empty airport, I could see how much worse this situation was. Getting a new marketing job was going to be a near impossibility for the foreseeable future. It was certainly never going to happen before my health insurance ran out in a couple of weeks.<BR> <BR>Which was a problem. Because I had cancer.<BR> <BR>I had only known about the cancer for a couple of months. My father had survived prostate cancer, and his brother, my uncle Rich, had survived it as well. So I hadn&rsquo;t been too worried, honestly. At least that was the story I was telling myself. My urologist told me the malignancy was contained inside the prostate. The tissues uncovered in the biopsy were submillimetric, too small for the MRI to detect. My Gleason value, a scoring system for classifying the aggression and danger of the cancer, was low. My cancer was as benign as cancer gets. But what had seemed manageable&#8212;treatable&#8212;now loomed as an existential issue. I was about to become one of the undoctored in America while I knowingly carried a disease that could kill me. The world was going someplace weird. And I was sitting in a white rocking chair in an abandoned airport, eating a Whopper with a biological time bomb strapped to my nuts.<BR> <BR>I was a husband and a father of two teenage girls, and everybody in our big modernist house up on Brush Mountain in Blacksburg was counting on me to keep them in the upper middle class because I lived in a house full of artists, deep feelers, and dreamers who I couldn&rsquo;t bear realizing how precarious our situation had become. Up there on Brush Mountain, our glass-walled house with the art on the walls and the piano in the library was a bubble where people painted, played music, studied, and wrote. Where people felt their feelings. A gentle place where people kept journals, knit sweaters, and ate home-cooked meals.<BR> <BR>But I knew where I was right now, and it was not that gentle place.<BR> <BR>My old man had a name for it. Fuck City.<BR> <BR>Fuck City is that in-between place, between where I was supposed to go and where I actually was. In between jobs. In between knowing what was going on and having no idea at all. Having wandered into a career and gotten used to a version of myself&#8212;not my &ldquo;authentic self,&rdquo; whoever the fuck that is, but a version of myself I could live with&#8212;and now wondering, if I didn&rsquo;t have this job, who was I? (My intrusive thoughts were very quick to supply an answer: &ldquo;You&rsquo;re an unemployed loser, that&rsquo;s who.&rdquo;) Of suddenly knowing with cast-iron certainty that the world was about to go batshit crazy, that the order of the things that came before was just a set of norms, a consensual illusion, a bunch of made-up shit. That the &ldquo;real world&rdquo; is as arbitrary as a playground game because that&rsquo;s all late capitalism ever was, just a game, a game that I&rsquo;d played pretty well until I was told to take my toys and go home. Yeah, yeah, the VUCA world&#8212;volatile, uncertain, complex, and ambiguous. It&rsquo;s one thing to use that term in a PowerPoint presentation about consumer attitudes, but something else to be feeling it down in your guts.<BR> <BR>The whole world was now Fuck City.<BR> <BR>What the fuck was I going to do?<BR> </section>]]></Text>
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      <Text><![CDATA[&ldquo;A&nbsp;love letter to the Blue Ridge Mountains, a participant observer&rsquo;s ethnography of a rural post office, an indictment of government austerity, and a witness statement attesting to the remarkable and at times ruthless efficiency of one of our oldest federal bureaucracies. Not least, <I>Mailman </I>is a lament for the decline of service as an American ideal....[Grant] proves to be a compelling and empathetic guide, observing his country and its citizens, not just himself, with open and unjaded eyes.&rdquo;<BR> <B>&mdash;<I>The Atlantic</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;A love song to America&rsquo;s least understood treasure. I will never take my mail carrier for granted again.&rdquo;&nbsp;<BR> <b>&mdash;David Von Drehle,&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>The Book of Charlie</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;People like to make fun of the Postal Service for being late with deliveries. Well, this book could not be more timely. I needed this reminder that Americans can commit to the greater good, that public servants can be heroes, and that our crazy-quilt culture is a strength, not a weakness. Thank you, Mr. Mailman.&rdquo;<BR> <B>&mdash;AJ Jacobs,&nbsp;<I>New York Times</I>&nbsp;bestselling author of <I>The Year of Living Constitutionally</I></B>]]></Text>
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      <SubjectHeadingText>golf; Sullivan County Golf Club; Catskills; Tom Coyne; sports writing; memoir; restoration; small town; community; golf writing; local history; golf course; landscape; renovation; golf travel; hidden gem golf courses; rural golf; golf course architecture; golf storytelling; American golf history; golf culture; golf memoirs; gifts for dad: A Course Called Ireland; A Course Called Scotland; A Course Called America; New York Golf; Upstate New York History; scenic golf destinations; Catskills tourism; vintage golf; community revitalization; golf heritage; regional golf guides; father-son golf trips; nostalgic sports writing; local golf legends; historical restoration; golf course design; small-town revival; nature and sport; golf nostalgia; Upstate New York travel, Bill Murray, Jason Kelce</SubjectHeadingText>
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      <Text><![CDATA[<B>Globe-trotting golf writer Tom Coyne is ready to put down roots.</B><BR> <BR><B>For a fanatic like Coyne, that means living out every golfer&rsquo;s dream&#8212;or nightmare?&#8212;and buying his very own golf course.</B><BR> <BR><B>It also involves Bill Murray and Jason Kelce, for some reason.</B><BR><BR>Tom Coyne, the <I>New York Times </I>bestselling author of <I>A Course Called America </I>and numerous other contemporary classics of golf literature, has spent his career traveling the world and playing legendary courses from St. Andrews to Shinnecock. One day, at the urging of a course superintendent who is hoping to save his local nine-hole gem from shuttering just shy of its one hundredth anniversary, Coyne pays a visit to Sullivan County Golf & Country Club in upstate New York. When he arrives, the course is buried under ice and snow; what he can see of the clubhouse is falling apart. By the time he leaves, all he can see is his next adventure: discovering how owning a course is vastly different from playing one.<BR> <BR><I>A Course Called Home </I>is Coyne&rsquo;s most personal and profound book yet: a heartfelt and often humorous chronicle of restoration, resilience, and finding purpose in unexpected places. It&rsquo;s a story about digging in&#8212;literally and figuratively&#8212;as Coyne trades tee times for mower hours, learning how to contour a fairway, water a green, and revive a course rich in history but fading from memory.<BR> <BR>The Sullivan golf community that Coyne joins is unlike the pristine, manicured version of the game you see on TV, played by millionaires in matching polos. The course is run by a tight-knit crew of groundskeepers who work long hours&#8212;not for prestige but for pride. It&rsquo;s frequented by lifelong regulars who pay in cash and play in jeans, and it&rsquo;s welcoming to visitors and first-timers who quickly become part of the fold. Sullivan&rsquo;s crew becomes more like a family, united in their affection for this scrappy, enduring place. Yet decades of declining tourism and economic downturn have left the club struggling to survive, and fighting for its future will require an unprecedented team effort.<BR> <BR>Coyne rallies the golfing faithful to uplift this course that represents how the game can bring generations together. Players from around the world answer the call, purchasing memberships for a tiny Catskills course they may never visit. Companies offer steeply discounted mowers and carts. Friends swoop in to help dig bunkers, plant flowers, and cut holes. And, yes, some of those helpful friends have names like Bill Murray, Jason Kelce, and Mike Madden.<BR> <BR>In the tradition of his beloved golf travel trilogy, Coyne again taps into what makes the game timeless and transformative. But this round, he doesn&rsquo;t have to travel far: just down the road from Woodstock, to a century-old nine-holer that embraces all comers. <I>A Course Called Home </I>is a love letter to golf, to community, and to the places that still matter.]]></Text>
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      <Text><![CDATA[Tom Coyne is the <I>New York Times </I>bestselling author of <I>A Course Called Ireland</I>, <I>A Course Called Scotland</I>, <I>A Course Called America</I>, <I>Paper Tiger</I>, and the novel <I>A Gentleman&rsquo;s Game</I>, named one of the best twenty-five sports books of all time by <I>The Philadelphia Daily News </I>and adapted into a motion picture starring Gary Sinise. He is a partner in Smyers, Craig &amp; Coyne Course Design, owner of CoyneGolf Travel, and the editor and podcast host of <I>The Golfer&rsquo;s Journal. </I>He earned an MFA in fiction writing from the University of Notre Dame, where he won the William Mitchell Award for distinguished achievement. He and his family now split their time between Philadelphia and the Catskills. &nbsp;]]></Text>
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      <Text><![CDATA[<b>NATIONAL BESTSELLER | WINNER OF THE KIRKUS PRIZE | NBCC JOHN LEONARD PRIZE FINALIST</b><BR> <BR> <b>One of <i>The New York Times Book Review</i>'s 100 Notable Books of 2025</b><BR> <BR> <b>One of <i>The Washington Post'</i>s 10 Best Books of 2025</b><BR> <BR> <b><b>For readers of Jonathan Franzen and Nathan Hill comes a haymaker of an American novel about a missing teenage boy, cases of fluid and mistaken identity, and the transformative power of boxing.</b></b><BR><BR>Austin, Texas: It&rsquo;s the summer of 1998, and there&rsquo;s a new face on the scene at Terry Tucker&rsquo;s Boxing Gym. Sixteen-year-old Nathaniel Rothstein has never felt comfortable in his own skin, but under the tutelage of a swaggering, Haitian-born ex-fighter named David Dalice, he begins to come into his own. Even the boy&rsquo;s slightly stoned uncle, Bob Alexander, who is supposed to be watching him for the summer, notices the change. Nathaniel is happier, more confident&#8212;tanner, even. Then one night he vanishes, leaving little trace behind.<BR> <BR>Across the city, Charles Rex, now going simply by &ldquo;X,&rdquo; has been undergoing a teenage transformation of his own, trolling the phone sex hotline that his mother works, seeking an outlet for everything that feels wrong about his body, looking for intimacy and acceptance in a culture that denies him both. As a surprising and unlikely romance blooms, X feels, for a moment, like he might have found the safety he&rsquo;s been searching for. But it's never that simple.<BR> <BR>More than a decade later, Nathaniel&rsquo;s uncle Bob receives a shocking tip, propelling him to open his own investigation into his nephew&rsquo;s disappearance. The resulting search involves gymgoers past and present, including a down-on-his-luck twin and his opportunistic brother; a rookie cop determined to prove herself; and Alexis Cepeda, a promising lightweight, who crossed the US-Mexico border when he was only fourteen, carrying with him a license bearing the wrong name and face.<BR> <BR>Bobbing and weaving across the ever-shifting canvas of a changing country, <i>The Slip</i> is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.]]></Text>
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      <Text><![CDATA[Unlike many places in America, Terry Tucker&rsquo;s Boxing Gym isn&rsquo;t segregated along lines of race and class, geography and gender. At the gym, immigrants from Mexico and the Caribbean work out alongside born-and-bred Austinites, &ldquo;a jumble of humanity sweating it out as one.&rdquo; How does the gym&rsquo;s varied clientele contribute to its success? What tensions arise from the gym&rsquo;s diversity?<BR> <BR>Throughout <i>The Slip</i>, David Dalice makes choices that could, at best, be called ethically questionable, from boasting to his teenage underlings about his alleged sexual experiences to more consequential actions later. Why do you think David behaves as he does? Were you sympathetic to David, and how did your sympathies evolve over the course of the story?<BR> <BR>How does Nathaniel&rsquo;s understanding of race&#8212;and particularly the meaning of Blackness&#8212;contribute to his actions? Where do you sense this understanding comes from?<BR> <BR>Belinda St. James has what at the end of the book is characterized as a &ldquo;complicated love&rdquo; for her child, who decides as a teenager to, in Belinda&rsquo;s sassy estimation, ditch the name she gave him, Charles Rex, and be known simply as X. How would you describe Belinda&rsquo;s parenting style? Did you understand her approach? Did you agree with it?<BR> <BR>In the first half of the &ldquo;XXX&rdquo; section of the book, we get to know X through his sort-of-romance with a troubled boy in his class named Jesse Filkins. In the second half, X begins a new sort-of-romance, with life-changing results. What is the link between these two relationships? How is X&rsquo;s conception of himself tied up in his connection to his suitors?<BR> <BR>Who gets to be considered an American, and why, is an issue at the heart of the intersecting immigration plotlines in <i>The Slip</i>. Compare the journeys of Haitian-born David Dalice and Mexican-born Alexis Cepeda. How do their immigration stories have an impact on their lives in the US? Do you think they conceive of themselves as American? Do others?<BR> <BR>Much of <i>The Slip</i> takes place in 1998&#8212;a time when search engines were still novel, and smartphones nonexistent. How does the time period affect the plot? Do you think the conversations and conflicts concerning race, gender, and sexuality would&rsquo;ve transpired differently if they were set today?<BR> <BR>In &ldquo;Leonard District,&rdquo; we spend a year following Miriam Lopez, the police officer investigating Nathaniel&rsquo;s case a decade after his disappearance. In what ways did Miriam&rsquo;s experience as a rookie cop conform to or diverge from your expectations?<BR> <BR>The Jewish women who attend Citizen Police Academy with Nathaniel&rsquo;s uncle, Bob Alexander, seem, at first, tangential to the mystery of the boy&rsquo;s disappearance over a decade earlier. However, it is through these women that the reader learns key details about the cold case. Why do you think the author chose to tell this part of the story from their perspective? What did you make of their evolution over the course of the class?<BR> <BR>A slip is a defensive strategy in boxing, but the title could also refer to the many characters who give each other&#8212;and sometimes themselves&#8212;&ldquo;the slip.&rdquo; Which &ldquo;slip&rdquo; most surprised you? Most resonated with you? Which characters do you think benefited from their transformations, and which didn&rsquo;t?]]></Text>
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      <Text><![CDATA[<B>The swashbuckling sequel to <I>The Price of Redemption </I>filled to the brim with hauntings, naval battles, and sorcery&#8212;perfect for fans of Patrick O&rsquo;Brian and Naomi Novik&rsquo;s Temeraire series.</B><BR><BR>Captain Rue Nath is sailing towards what he hopes isn&rsquo;t his certain doom. As he guides the <I>Redemption </I>into port, the people cheer him and his crew as a hero. But a court martial awaits that could leave him ashore for years, or worse, strip him of his naval rank for good.<BR> <BR>But Magister Enid d&rsquo;Tancreville will do anything in her power to keep that from happening. After escaping the Theocratic Revolution and discarding her dream of fighting against the &lsquo;Rats in the army, she&rsquo;s not too keen to give up her new position as Captain Nath&rsquo;s right hand and sorcerer. As Enid tries to drum up support for her beloved captain, Rue must decide whether to take the hand his enemies have dealt him or prove them wrong once again. Even if that means commanding a ship whose captains have only ever met perilous ends.]]></Text>
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      <Text><![CDATA[Shawn Carpenter is a new author in an old skin. His colorful work history includes cowboy, airman, chicken guard, game designer, and corporate cog. Ships and the sea have enamored Shawn since his childhood in tragically landlocked Oklahoma, where, after peregrinations to all corners of the US, he now lives with his amazing wife, two sons, three dogs, and a cat. His three adult daughters keep tabs on his antics from a safe distance.]]></Text>
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      <Text><![CDATA[<u><b>Praise for <i>The Price of Redemption</i>, The Tides of Magic, Book 1</b></u><BR> <BR> &ldquo;[Carpenter]&nbsp;managed to capture a bit of that original magic that drives sailors to the sea, and it&rsquo;s a magic that leaps off the page at every turn.&rdquo;&mdash;Lightspeed&nbsp;<BR> <BR> * &ldquo;There&rsquo;s plenty to savor in this first book in the &ldquo;Tides of Magic&rdquo; trilogy for fans of Patrick O&rsquo;Brian&rsquo;s &ldquo;Aubrey/Maturin&rdquo; novels, readers seeking a new fantasy to fill the void left by the end of Naomi Novik&rsquo;s &ldquo;Temeraire&rdquo; series, lovers of?Our Flag Means Death, those looking for a less-cozy take on Rebecca Thorne&rsquo;s?Can&rsquo;t Spell Treason Without Tea, and anyone who&rsquo;d like to rehash the Napoleonic Wars with a compelling narrative, great characters, swashbuckling derring-do, and epic, heartbreaking betrayals.&rdquo;&mdash;Library Journal<BR> <BR> &ldquo;Taking a page from the classic naval novels of C.S. Forrester and Alexander Kent, debut novelist Carpenter opens his Tides of Magic series by tossing a mage and a commander into a series of entertaining nautical escapades in a fantasy setting reminiscent of the French Revolution.&nbsp;Carpenter&rsquo;s off to a promising start.&rdquo;&mdash;Publishers Weekly&nbsp;<BR> <BR> &ldquo;A&nbsp;fun, light, and entertaining sea story with magic.&rdquo;&mdash;Locus<BR> <BR> &ldquo;One of the things that the&nbsp;Aubrey and Maturin&nbsp;series did extremely well, that is absolutely a part of?The Price of Redemption,&nbsp;is the way that the story takes the reader through the perspective of a previously (land)lubberly point of view character &ndash; Enid here and Maturin in the original series &ndash; and uses their instruction by beautifully descriptive but still fascinating details to draw the reader into the arcane mysteries of the sea.&nbsp;It&rsquo;s&nbsp;marvelous and riveting and a compulsive page-turner every single league of its way.&rdquo;&mdash;Reading Reality]]></Text>
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      <SubjectHeadingText>Martha&#39;s Vineyard; Cape Cod; Nantucket; Hamptons; New England; Long Island; New York; beach read; summer read; best book club books; women’s fiction; historical novels; 1960s historical fiction; 1970s historical fiction; 1960s; 1970s; female friendship; women’s rights; sisterhood; grief; family; friendship; redemption; second wave feminism; strong female characters; coming of age; Somers New York; boardwalk; family secrets; estate sale novel; dual timeline novel; summer house fiction; found family; estrangement; Fiona Davis; Beatriz Williams; The Summer Wives; Swans of Fifth Avenue; Florence Adler Swims Forever; The Lions of Fifth Avenue; Elin Hilderbrand; Janet Skeslien Charles; Kristy Woodson Harvey; Downton Abbey A New Era; historical women’s fiction; New England vacation setting; dual generation novel; fiction set in the 1960s and 1970s; summer estate novel; women coming-of-age novel; family legacy fiction</SubjectHeadingText>
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      <Text><![CDATA[<b><b>From the &ldquo;great storyteller&rdquo; (Natalie Jenner, author of <i>The Jane Austen Society</i>) Brooke Lea Foster, comes a captivating historical fiction novel set in 1965 and 1978 about a graduate student who returns with her sisters to their family&rsquo;s summer estate on Martha&rsquo;s Vineyard and begins to unravel old family secrets.</b></b><BR><BR>After suffering through her first year of graduate school at Columbia following her senator father&rsquo;s death, Betsy Whiting is hoping to spend the summer with her boyfriend&hellip;and hopefully end the summer as his fianc&#233;e. Instead, her mother&#8212;a longtime feminist and leader in the women&rsquo;s rights movement&#8212;calls Betsy and her sisters back home to Martha&rsquo;s Vineyard, announcing that they need to sell their beloved summer house to pay off their father&rsquo;s debts.<BR> <BR> When Betsy arrives on the island a week later, she must reckon with her strained familial relationships, a long-ago forbidden romance, and the complicated legacy of her parents, who divided the family even as they did good for the world.<BR> <BR> Following a dual timeline between 1965 and 1978, and filled with the vibrant, sunlit nostalgia of the cherished New England vacation setting, <i>Our Last Vineyard Summer </i>poignantly captures two generations of women navigating grief, sisterhood, and female friendship while trying to find the courage to stand up for what they believe in&#8212;and the strength to decide if the home they once loved is worth saving.]]></Text>
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      <Text><![CDATA[Brooke&nbsp;Lea&nbsp;Foster&nbsp;is an award-winning journalist whose articles have appeared in&nbsp;<i>The New York Times</i>,&nbsp;<i>The Washington Post Magazine</i>,&nbsp;<i>The Atlantic</i>,&nbsp;<i>The Boston Globe&nbsp;Magazine</i>, and&nbsp;<i>People</i>,&nbsp;among others. An&nbsp;alumna of The Writing Institute at Sarah Lawrence College, she is the author of three nonfiction books and the novels&nbsp;<i>Summer Darlings</i>,&nbsp;<i>On Gin Lane</i>,&nbsp;<i>All the Summers In Between</i>, and <I>Our Last Vineyard Summer</I>.]]></Text>
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      <Text><![CDATA[<u><b>Introduction</b></u><BR> <BR><b>&ldquo;A radiant, sun-flushed summer novel packed with beaches, sisters, and secrets.&rdquo; </b>&#8212;<b>Nancy Thayer, <i>New York Times </i>bestselling author</b><BR> <BR> Martha&rsquo;s Vineyard, 1978: After suffering through her first year of graduate school at Columbia following her senator father&rsquo;s death, Betsy Whiting is hoping to spend the summer with her boyfriend&hellip;and hopefully end the summer as his fianc&#233;e. Instead, her mother&#8212;a longtime feminist and leader in the women&rsquo;s movement&#8212;calls Betsy and her sisters back home to Martha&rsquo;s Vineyard, announcing that they need to sell their beloved summer house to pay off their father&rsquo;s debts.<BR> <BR> When Betsy arrives on the island a week later, she must reckon with her strained familial relationships, a long-ago forbidden romance, and the complicated legacy of her parents, who divided the family even as they did good for the world. Following a dual timeline between 1965 and 1978, and filled with the vibrant, sunlit nostalgia of the cherished New England vacation setting, <i>Our Last Vineyard Summer </i>poignantly captures two generations of women navigating love, loss, and womanhood while trying to find the courage to stand up for what they believe in&#8212;and the strength to decide if the home they once loved is worth saving.<BR> <BR><b>Perfect for book clubs interested in discussing mothers and daughters, the complex relationships of sisters, long-ago summer romance, the impact of birth order in a family, and the pull of our childhood homes.</b><BR> <BR><u><b>Discussion Questions</b></u><BR> <BR>1) Many of us have places in our lives that we return to because they help us connect to our authentic selves. Why do you think Betsy connects so closely to Martha&rsquo;s Vineyard? Share your own special place with fellow book club members and discuss why this place figured so prominently in your life. Do you still return to it?<BR> <BR>2) In a disagreement with her mother, Betsy brings up moments when she felt that her mother wasn&rsquo;t there for her. Did Betsy hold her parents to the same standard? Are daughters harder on their mothers than they are on their fathers? How was your relationship with your mother different or similar to the one Betsy has with Virgie?<BR> <BR>3) Betsy feels frustrated that her mother sometimes put her career before her family. Is it a fair criticism? How have you struggled with any of your choices as a mother&#8212;or with your mother&rsquo;s choices that impacted you growing up? If you&rsquo;re a parent, how did becoming one change your view of your own mother?<BR> <BR>4) If you were to consider the three Whiting sisters&#8212;Louisa, Aggie, and Betsy&#8212;which one of them do you relate to the most and why?<BR> <BR>5) Psychologists have long believed that birth order can play a role in a child&rsquo;s development as they age into adulthood. How did their place in the family impact each sister&rsquo;s identity? Do you think Betsy would have been a different person if she were born first? Think about your own siblings. How might you have been different if you swapped birth years with one of your siblings?<BR> <BR>6) Sisters often have complex relationships&#8212;they love each other fiercely, but they may compete for their parents&rsquo; attention or categorize each other as the &ldquo;smart&rdquo; one or the &ldquo;pretty&rdquo; one. How has the baggage of their parents influenced the three Whiting sisters? How did it impact your own identity in your family?<BR> <BR>7) Virgie is always trying to empower her girls with her feminist principles. Do you think she ever manages to balance her desire to be a great mother with her dreams of creating lasting political change for women? How do her viewpoints impact her grown daughters in ways that are both positive and negative?<BR> <BR>8) Selling a house can bring forth a complex wave of emotions. In this story, the sisters uncover family secrets as they begin to pack up the beach house. Why do our childhood homes carry so much significance in our lives? Would you have tried to find a way to save the house like the sisters do or do you believe it was time to let go?<BR> <BR>9) The author has said that her own family had secrets and that uncovering them was unsettling, but also freeing. Have you discovered any secrets about your family you&rsquo;d be willing to share? How did it influence how you saw yourself and the people you love?<BR> <BR>10) When Betsy runs into her old boyfriend, James, she&rsquo;s brought back to her childhood palling around with him on the island. How did her relationship with James shape her, both good and bad? Would you have listened to your father if he forbade you to see a boy at that age&#8212;why or why not?<BR> <BR>11) Why do you think Virgie and Charlie&rsquo;s marriage is under strain? Why didn&rsquo;t he turn out to the be the man she thought he was?<BR> <BR>12) Charlie Whiting passes away before the book begins, but he looms large in the story. How did each of the Whiting women&rsquo;s relationship with him color their view of their themselves and their family? How does that perspective change and evolve as the book progresses?<BR> <BR>13) Forgiveness is an important theme in this novel. Have you ever been briefly estranged from one of your siblings or family members? Discuss what happened and the conversation that ultimately led to healing.<BR> <BR>14) What do you envision happens next for Betsy and her longtime best friend, James? What about Virgie and Wiley? Do either pair have a chance at serious long-term love?]]></Text>
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      <Text><![CDATA[&quot;A quiet powerhouse of a novel&mdash;deeply atmospheric, emotionally resonant and steeped in the history and heartbreak of generational womanhood.&quot; <I><B>--Woman&#39;s World</B></I>]]></Text>
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      <Text><![CDATA[&quot;A heartfelt tribute to sisterhood and womankind,&nbsp;<I>Our Last Vineyard Summer</I>&nbsp;invites readers into a family home brimming with memories of summers by the sea.&nbsp;With a perfect blend of secrets, misdeeds, and unexpected love, Brooke Lea Foster has crafted a gripping, timely story that will captivate readers from start to finish.&quot; <B>--Amy Poeppel, author of <I>The Sweet Spot</I></B>]]></Text>
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      <Text><![CDATA[&quot;Brooke Lea Foster&rsquo;s <i>Our Last Vineyard Summer</i> has all my favorite book ingredients&mdash;intriguing mother-daughter dynamics, a vivid Martha&rsquo;s Vineyard setting, a gripping dual timeline and, best of all, a family secret bombshell that I never saw coming.&quot; <b>--Martha Hall Kelly, <I>New York Times</I> bestselling author of <i>Lilac Girls</i></b>]]></Text>
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      <Text><![CDATA[&quot;Evocative and rich,&nbsp;<I>Our Last Vineyard Summer</I>&nbsp;captures the enduring and complicated love between mothers and daughters in this fascinating tale of one family&#39;s memorable summers at the beach. Foster depicts two generations of women who are stubborn and smart, vulnerable and competitive, but she does so with compassion and wit that makes you cheer them on until the end.&quot; <B>--Jo Piazza, internationally bestselling author of <I>The Sicilian Inheritance</I></B>]]></Text>
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      <Text><![CDATA[&quot;Both a generational mystery and a feminist coming of age, <I>Our Last Vineyard Summer</I> is an engrossing and poignant look at family<I> </I>in all its complicated depth. It had me gripped from the first page.&quot; <B>--Annabel Monaghan, USA Today bestselling author of <I>Nora Goes Off Script</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;A radiant, sun-flushed summer novel packed with beaches, secrets, and sisters. Foster has imbued this brilliant, feminist beach read with skill and heart and optimism. This is historical fiction at its very best, as relevant as this morning&rsquo;s news, as enjoyable as a summer day at the beach.&rdquo;&nbsp;<b>--Nancy Thayer, <i>New York Times</i> bestselling author</b>]]></Text>
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      <Text><![CDATA[&ldquo;Both&nbsp;timely and timeless&mdash;a compelling, thoughtful novel that&nbsp;explores complex family relationships and the changing roles of women over time. This is a book you will want to pass to your mother, daughter, sister, and best friend and say,&nbsp;<I>Read this!</I>&rdquo; <B>--Julie Gerstenblatt, author of <I>Daughters on Nantucket</I></B>]]></Text>
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      <Text><![CDATA[&quot;Appealing...the expert plotting is matched by pitch-perfect character work. Foster&#39;s fans will adore this.&quot; <i><b>--Publishers Weekly</b></i>]]></Text>
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      <Text><![CDATA[<b>A new take on Mexican American cooking rooted in the fresh produce of coastal Veracruz, this is a deeply personal book from the immigrant sisters who founded the Veracruz All Natural restaurants in Austin, which enjoys a nationwide cult following of people who want to make their recipes.</b><BR><BR>Reyna and Maritza Vazquez grew up in Veracruz, Mexico. A rural coastal region, it is famous for its colorful, healthful cuisine. In Veracruz, cooking with red meat is rare, and local dishes are vegetable-forward with proteins like fish, shellfish, chicken, and eggs. Such are the one hundred recipes in <i>Veracruz All Natural</i>, inspired mostly by the home cooking with which the women grew up, along with easy favorites from their restaurants.<BR> <BR> Throughout, Reyna and Maritza tell the story of their food, which, in turn, is <i>their</i> story: In 2008, they walked across the Mexican-US border. They made their way to Austin, Texas, where they sold roadside ices. With their first profit, they opened a humble food truck, and then a few more. Now, they have a fleet, plus a restaurant, La Fonda. It won a Michelin Gourmand Award last year. They are local heroes with a national story, beloved for their unparalleled food, of course, but also for their generosity, grit, and openness about their immigrant story.<BR> <BR> Beautifully photographed in Austin, the recipes include:<BR> <BR> - El Breakfast Taco<BR> - Chicken and Vegetable Stew (Puchero de Pollo y Verduras)<BR> - Shrimp and Scallop Aguachile (Aguachile de Camar&#243;n y Callo)<BR> - Veracruz-Style Snapper (Huachinango a la Veracruzana)<BR> - Achiote and Citrus-Braised Pork (Cochinita Pibil)<BR> - Whole-Wheat Conchas (Conchas Integrales)<BR> - Cantaloupe-Seed Horchata (Horchata de Semilla de Mel&#243;n)<BR> <BR> <i>Veracruz All Natural </i>is a love letter to the authors&rsquo; Mexican roots and their American home. It is a testament to sisterhood and the power of food to make people feel more alike than different.]]></Text>
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      <Text><![CDATA[Reyna and Maritza Vazquez, sisters, founded Veracruz All Natural in 2010 with a ramshackle taco truck in East Austin. Today, they have seven outposts throughout the city and a restaurant, La Fonda, which won a Michelin Bib Gourmand last year. They are beloved in Austin for their food and their community leadership. They are nationally renowned for serving some of the best Mexican American food in the country. Born in Veracruz, Mexico, they cooked alongside their mother and grandmother, who exalted fresh fish and produce and bold flavors. In 2008, shortly after crossing the Mexico-Texas border, they put everything they had into a tiny trailer out of which they sold snow cones and smoothies. Two years later, their upgraded truck was turning heads&mdash;and taste buds&mdash;across the city. The Vaquez sisters have been featured in&nbsp;<I>The New York Times</I>, the&nbsp;<I>Los Angeles Times</I>, Food Network, and more.&nbsp;&nbsp;<BR><BR>Maritza and Reyna Vazquez, sisters, founded Veracruz All Natural in 2010 with a ramshackle taco truck in East Austin. Today, they have seven outposts throughout the city and a restaurant, La Fonda, which won a Michelin Bib Gourmand last year. They are beloved in Austin for their food and their community leadership. They are nationally renowned for serving some of the best Mexican American food in the country. Born in Veracruz, Mexico, they cooked alongside their mother and grandmother, who exalted fresh fish and produce and bold flavors. In 2008, shortly after crossing the Mexico-Texas border, they put everything they had into a tiny trailer out of which they sold snow cones and smoothies. Two years later, their upgraded truck was turning heads&mdash;and taste buds&mdash;across the city. The Vaquez sisters have been featured in&nbsp;<I>The New York Times</I>, the&nbsp;<I>Los Angeles Times</I>, Food Network, and more.&nbsp;&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Bright, fresh, and full of heart, <I>Veracruz All Natural</I> is a delicious tribute to the flavors of home and the power of food to tell our stories.&rdquo;<B> &ndash;</B><B>Jenny Martinez, author of <I>My Mexican Mesa, Y Listo!</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;Reyna and Maritza Vazquez have been serving up fresh, flavorful, and nourishing food to Austinites for over 15 years. They blend the cooking traditions and produce centered flavors of their childhood in Veracruz with some Austin inspired tastes, including the locally beloved &ldquo;tortillas-in-a-tortilla&rdquo; migas taco. They expanded Austin&rsquo;s palette to include more regional cuisine from Mexico and paved the way for more immigrant chefs to start their own businesses.<BR> <BR><I>Veracruz All Natural: Fresh Mexican Recipes From Our American Home</I> is not just a recipe book&mdash; it&rsquo;s a celebration of the determination, optimism, and contributions these sisters have made in Austin and beyond.&rdquo;<B> &ndash;Kirk Watson, Mayor of Austin, Texas</B>]]></Text>
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      <Text><![CDATA[&ldquo;Reading this book brought me back to Veracruz. The story of these two women reminded me of my own journey. Coming to Texas, facing challenges without papers, and still holding on to a dream. I feel connected to them because I&rsquo;ve lived those similar struggles. Through food, they found a way to survive and succeed, and their recipes beautifully represent the flavors and traditions of Veracruz, carrying our heritage with pride.&rdquo; <b>&ndash;Gonzalo Guzman, author of&nbsp;<i>Nopalito</i></b>]]></Text>
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      <Text><![CDATA[<B>&ldquo;A fun, dark, and twisty novel. I tore through it, eager to see who was playing who in a clever cat and mouse game.&rdquo; &#8212;Jessie Garcia, author of The Business Trip</B><BR> <BR><B>Ten years ago, a teenage summer camper disappeared while searching for a rumored treasure on a remote island. Now, the long-buried truth of what happened to her and the long-lost gold threatens the lives of her friends in this thriller from the critically acclaimed author of <i>The Chateau</i>.</B><b> </b><BR><BR>Ten years ago, a group of American teenage summer campers went to a lush and isolated Azores island for a hiking and heritage trip. But when a clue to a local legend of buried treasure emerged, the summer devolved into a frenzied hunt and culminated in the disappearance&#8212;and rumored murder&#8212;of &ldquo;it girl&rdquo; camper, Sydney. She was never seen again and the treasure never found.<BR> <BR>Now, a decade later, Sydney&rsquo;s closest circle returns to honor her memory: Sydney&rsquo;s sister and fellow camper, Olivia; a group of childhood camp friends; and their beloved counselors. They&rsquo;ve all agreed to participate in a documentary probing what really happened to Sydney.<br Times New Roman"; font-size: 14.6667px; font-variant-ligatures: normal;" /> <br Times New Roman"; font-size: 14.6667px; font-variant-ligatures: normal;" /> The group reunites in paradise and retraces their old haunts, hiking along crater lakes and submerging in thermal hot springs. But not everyone has innocent motives for returning to the island. And when the documentary filming reveals explosive truths and fresh hints resurrect the tantalizing treasure hunt, the group begins to implode. Old feuds reignite&#8212;and then one of them turns up dead.<BR> <BR>Which means that a murderer has surfaced...again.]]></Text>
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      <Text><![CDATA[&ldquo;The Last Time I Saw Her is a brilliant, sharply-written destination thriller that ingeniously combines two cherished tropes&mdash;an exotic setting and a documentary poised to unravel a cold case&mdash;into a book that delivers on every level, narrated by an incredible cast of characters, each with their own compelling voice. Juicy secrets, tension that simmers on every page, and a stunning conclusion make this a can&rsquo;t-miss book. Jaclyn Goldis just became an auto-buy author for me. What a star!&rdquo;]]></Text>
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      <Text><![CDATA[&quot;A&nbsp;compelling, high-octane exploration of privilege, complex family relationships, and class set at a luxurious, all-inclusive safari getaway surrounded by the deadliest&nbsp;of&nbsp;predators - human and animal. Atmospheric, addictive, and teeming with characters who all have something to hide, THE SAFARI will have you up all night hungrily hunting the pages for stealthily laid clues. A must read!&quot;]]></Text>
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      <Text><![CDATA[&quot;Like a luxury safari, Jaclyn Goldis&rsquo; enormously entertaining new novel takes readers on a thrilling ride through terrain as brutal as it is beautiful: an imperiled ecosystem of secrets, manipulation, and murder that will leave you breathless. With characters as richly realized as its sub-Saharan setting, THE SAFARI is a transporting page-turner with surprises around every corner. I couldn&rsquo;t put it down.&quot;]]></Text>
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      <Text><![CDATA[&quot;[T]he perfect literary treat for readers who like matching wits with an author while doing a bit of armchair traveling&hellip; Goldis once again deftly tips her literary cap to the Queen of Crime, Agatha Christie, in another cleverly constructed puzzler that brings all the delights of classic Golden Age mysteries into the 21st century.&quot;]]></Text>
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      <Text><![CDATA[<B>The remarkable, true story of an unusual childhood, complete with gangsters, guns, diamonds, drug smuggling, and fraud&#8212;just like any other little girl&rsquo;s life.</B><BR><BR>At twelve years old, Leslie Bradford-Scott watched police cars swarm her family&rsquo;s suburban home in Ontario. Hours later, she, her mom, and her grandmother were fleeing across the border into Florida with no explanation and no questions allowed. In an instant, her idyllic childhood turned into a maelstrom of grift, guns, and tragedy.<BR> <BR>Decades later, Leslie&rsquo;s mother handed her a blue binder&#8212;her father&rsquo;s secret prison manuscript dubbed the Liar&rsquo;s Playbook. Inside was a confession to trafficking goods, running arms, and playing both sides between international intelligence and the mafia. For most of her life, Leslie believed her father was a drug dealer with delusions of grandeur. Instead, she discovered a shadow world of espionage, organized crime, and explosive family secrets, including her father&rsquo;s claim that he smuggled jewels to fund CIA-backed operations for the Contras. Her investigation leads to Hamilton&rsquo;s violent &ldquo;Bomb City&rdquo; era, where mobsters like the Musitanos settled scores with dynamite, and some of the blood trails lead straight to her family.<BR> <BR>Part true-crime thriller, part intimate memoir, <I>The Liar&rsquo;s Playbook</I> tracks a daughter&rsquo;s search for truth through unreliable memories, corrupt intelligence agents, and the long echo of her father&rsquo;s double life. As she pieces together what really happened, Leslie must ask the one question that still haunts her: Can you forgive someone whose actions nearly destroyed you?]]></Text>
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      <Text><![CDATA[&ldquo;How well do we really know those closest to us, and is the truth better left unknown? <i>The Liar&rsquo;s Playbook</i> explores one woman&#39;s family dynamics when it comes to lies, memories and ethics. But what impressed me most was the author&rsquo;s resilience as she faced countless challenges, often feeling like and treated like a stranger within her own family. A memorable read!&rdquo;<BR> &mdash;<b> </b><b>CEA SUNRISE PERSON, </b>author of&nbsp;<i>North of Normal</i>&nbsp;and&nbsp;<i>Nearly Normal</i>]]></Text>
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      <Text><![CDATA[&ldquo;<I>The Liar&rsquo;s Playbook</I>&nbsp;is an unflinching, honest, and deeply brave memoir. Leslie Bradford-Scott opens the door to a family shaped by secrecy, where love and deception are tightly entwined. With extraordinary clarity and compassion, she explores the cost of inherited lies and the courage it takes to rewrite the stories we were raised to believe.&rdquo;<BR> &mdash;<B> MARISSA STAPLEY</B>, <I>New York Times</I>-bestselling author of <I>Lucky</I>]]></Text>
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      <Text><![CDATA[&ldquo;Leslie Bradford-Scott&rsquo;s gutsy, riveting memoir traces her lifelong search for the continuously shifting truth about her father&mdash;a charming, reckless, law-breaking man who frequently and casually put her young life at risk. Her investigation uncovers disturbing facts about her family, yet it also exposes an integral part of her inheritance: an astounding capacity for survival and creative re-invention.&rdquo;<BR> &mdash; <B>KATH JONATHAN</B>, author of <I>The Resistance Painter</I>]]></Text>
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      <Text><![CDATA[<B>A searing investigation into the child influencer industry and the perils of childhood internet fame, <I>Like, Follow, Subscribe</I> is essential reading for anyone seeking to understand the costs of internet fame, and the ethics of online content.</B><BR><BR>What is it like to grow up with a camera in your face 24/7? To have your childhood moments sold as &ldquo;content&rdquo; to millions online? What happens when someone who works in a largely unregulated multi-billion-dollar industry sells away their childhood and has no financial safety net as an adult? What does it feel like to have your private moments&#8212;your medical diagnoses, your first period, your first break up, your tantrums, potty-training, and breastfeeding-weaning&#8212;broadcast to an audience of millions? <I>Like, Follow, Subscribe</I> shines a spotlight on the deeply troubling world of the child influencer industry.<BR> <BR>Journalist Fortesa Latifi dives into the lives of children whose parents mine their everyday activities for monetizable content, exposing issues like privacy violations, financial abuse, and the absence of child labor protections. Through expert interviews with psychologists, labor scientists, and even former child influencers and family vloggers, she uncovers the pressures, trauma, and consequences for children thrust into the spotlight.<BR> <BR>This timely and eye-opening book doesn&rsquo;t just reveal the harm of toxic social media culture: it also provides a roadmap to better regulating influencer families, safeguarding children, and questioning the role of audiences in perpetuating these cycles of exploitation.]]></Text>
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      <Text><![CDATA[Fortesa Latifi is a journalist based in Los Angeles, California. Her work has been featured in <I>Rolling Stone</I>, <I>The New York Times</I>,&nbsp;<I>The Washington Post</I>, and <I>Teen Vogue</I> among other publications.]]></Text>
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      <Text><![CDATA[&ldquo;<I>Like, Follow, Subscribe</I> is the most comprehensive, empathetic, and readable investigation into the child influencers who now dominate our culture. Timely, worrying, and juicy&mdash;the book to read whether you&#39;re a parent, a creator, or merely a viewer.&rdquo;<B> </B>&mdash;<B>Scaachi Koul, author of <I>Sucker Punch</I></B>]]></Text>
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      <Text><![CDATA[&quot;With rigor and empathy, Latifi probes the many ways influencing has bent our understanding of labor, privacy, performance, consent, and exploitation. An urgent and timely reassessment of social media and technology today, <i>Like, Follow, Subscribe</i> is a powerful, compassionate look at what happens when childhoods go viral, and what we owe children in a world run by algorithms.&quot;&nbsp;&mdash;<B>Amanda Montei, author of <I>Touched Out</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;Essential reading for anyone navigating the intersection of childhood, parenthood, technology, and profit. Latifi doesn&rsquo;t just document a trend&mdash;she challenges a system.&rdquo;&nbsp;<B>&mdash;Jo Piazza, bestselling author of <I>The Sicilian Inheritance</I> and <I>We Are Not Like Them</I>&nbsp;</B>]]></Text>
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      <Text><![CDATA[<b>&ldquo;What space opera is meant to be. A brilliantly complex novel about love, loss, and war.&rdquo; &#8212;K.B. Wagers</b><BR> <BR> <b><b>A starship captain and her crew face conspiracies and betrayals as they clash with various factions of a galactic civil war in a thrilling space adventure by <i>New York Times</i> bestselling author Mike Chen.</b></b><BR><BR>The starship <i>Horizon</i>&rsquo;s crew spent ten years trapped across the expanse of space. Now they&rsquo;re finally home&#8212;only it&rsquo;s not the home they knew. The Cluster, once a peaceful coalition of planets, has fractured in the wake of civil war.<BR> <BR> Captain Demora Kim wants nothing more than to protect her surviving crew. It&rsquo;s what she owes them after years of instability and terror. But in times of war, no one is allowed neutrality.<BR> <BR> After an attack on a mining station leaves thousands dead, Demi&rsquo;s efforts become almost impossible. Every ship is needed on the frontline. Thrust deeper into a conflict she barely understands, Demi considers a bold choice&#8212;one that might keep her promises but tip the galaxy further into chaos.<BR> <BR> <B>&ldquo;Mike Chen has done it again. <i>The Photonic Effect</i> is bursting with unexpected twists and wild rides, but most of all, it's full of heart.&rdquo; &#8212;Annalee Newitz<BR> <BR> &ldquo;One of the strongest space operas I&rsquo;ve read in recent years. A thrilling, emotionally grounded story about survival, leadership, and the true cost of command.&rdquo; &#8212;Karen Osborne</B>]]></Text>
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      <Text><![CDATA[Mike Chen&nbsp;is the&nbsp;<I>New York Times</I>&nbsp;bestselling author of <I>The Photonic Effect</I>,&nbsp;<I>Star Wars: Brotherhood, Here and Now and Then, A Quantum Love Story</I>, and other novels, as well as&nbsp;<I>Star Trek: Deep Space Nine</I>&nbsp;comics. He has covered geek culture for sites such as Nerdist and The Mary Sue, and in a different life, he&#39;s covered the NHL. A member of SFWA, Mike lives in the Bay Area with his wife, daughter, and many rescue animals.]]></Text>
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      <Text><![CDATA[&ldquo;<b>Mike Chen has done it again</b>. He&#39;s turned theoretical physics inside-out to make you fall in love with a band of misfits from across the multiverse. <i>The Photonic Effect</i> is <B>a delightful adventure bursting with</B><b>&nbsp;unexpected twists and wild rides, but, most of all, it&#39;s full of heart.</b>&rdquo;]]></Text>
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      <Text><![CDATA[&quot;<b>What space opera is meant to be.</b> <i>The Photonic Effect</i> is a <b>brilliantly complex</b> novel about love, loss, and war that&#39;s populated by characters so alive you can feel their hearts in each beat of your own.&quot;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>The definitive portrait of Kate Middleton, the beloved and private Princess of Wales, tracing her stunning rise from working-class roots to queen-in-waiting, from #1 <I>New York Times</I> bestselling royal biographer Christopher Andersen.</B><BR><BR>Kate is one of the most photographed, most talked about, most written about women in the world&#8212;heiress to Princess Diana&rsquo;s glamour and mystique, both wife of one future monarch and mother of another. But as the daughter of an airline attendant who grew up in public housing, Kate was not destined for this fate. She had to fight for it&#8212;and for the love of the future king.<BR> <BR> In this illuminating portrait, master biographer Christopher Andersen chronicles Kate&rsquo;s life, beginning with her humble upbringing; her off-again, on-again love story with William that catapulted her to global fame; and the 2011 &ldquo;Wedding of the Century.&rdquo; Throughout their marriage, Kate has proven that she is more than just a prince&rsquo;s wife&#8212;she is a leader in humanitarian work, the devoted mother of three children in the media spotlight, an unparalleled fashion icon, and the universally adored face of Britain&rsquo;s monarchy.<BR> <BR> Yet her story is more complex than the public knows. With startling new details from his inside sources, Andersen reveals the full picture: including Kate&rsquo;s fight to repair William and Harry&rsquo;s rift, the disintegration of her relationship with Meghan, her work to refute charges of racism leveled at the monarchy, and her bravery in the face of cancer&#8212;her diagnosis and treatment, and the bizarre theories that swirled around her public disappearance.<BR> <BR> <I>Kate!</I> is an against-all-odds romance, a glittering fairy tale, and a heart-tugging family drama within the modern monarchy&#8212;but most of all, an inspiring saga of one woman&rsquo;s grace and grit in the face of adversity.]]></Text>
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      <Text><![CDATA[<B><b >In this &ldquo;creepy as hell&rdquo; (Christopher Golden, <i>New York Times</i> bestselling author) queer retelling of Nathaniel Hawthorne classic gothic horror story, <i>Rappaccini&rsquo;s Daughter</i>, a young woman is lured to a lush estate owned by a botanist who might be hiding dark secrets.</b></B><BR><BR>Cordelia Beecher is on the run. In search of her missing brother Edward, she has fled the oppressive charity school she was raised in, desperate to find the only family she knows. Using clues from his past letters, she sets off for the sleepy town of Farrow, but everyone there claims to have never heard of Edward&#8212;not even the man he was supposedly working for as an apprentice.<BR> <BR> With nowhere to go, Cordi turns to Lady Evangeline, a local female botanist who owns the magnificent Edenfield estate. The benevolent lady of the manor has made it her mission to take young, often traumatized, women into her employ and protect them from man&rsquo;s world of wicked desires and deceits. Hired as a maid and companion to her enigmatic daughters, Prim and Briar, Cordi quickly settles into Edenfield. Even as her relationship with Briar blossoms, Cordi can&rsquo;t help but suspect that there are secrets in the estate&hellip;and when she stumbles across evidence that Edward was once there, she&rsquo;s determined to find answers.<BR> <BR> Atmospheric, eerie, and thoroughly original, <i>Her Wicked Roots</i> will establish Tanya Pell as a &ldquo;wickedly creepy&rdquo; (Josh Winning, author of <i>Heads Will Roll</i>) and vital voice in gothic horror.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781668087312.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" role="presentation" alt=""></figure> Chapter 1 <BR>CORDELIA&rsquo;S HEAD BANGED AGAINST THE side of the carriage and she startled awake, fingers clawing reflexively at the small bag in her lap, pulling it closer. For one terrifying moment, she thought the jolt was the carriage being forced to a halt. That at any second the door would open and rough hands would reach in, drag her from her seat, and force her back to the Barrow and the horrors that would await her there.<BR> <BR>But it had only been a lurch as the carriage wheel bounced through a pothole. Cordi heard the driver cursing the roads with language that might have made a fainter heart blush but only made her exhale a shaky laugh.<BR> <BR>&ldquo;Are you all right, dear?&rdquo;<BR> <BR>The only other passenger was an elderly woman with a lapful of yarn and knitting needles poised like tiny spears in her hands that had been <i>click</i>ing and <i>clack</i>ing since the driver had helped her settle into her seat. Those needles were finally still as she watched Cordi with concern.<BR> <BR>Cordi gave a wan smile, trying to keep her features hidden behind the uneven waves of her hair. &ldquo;Yes, ma&rsquo;am,&rdquo; she said meekly, hating the attention she had drawn. &ldquo;Just startled.&rdquo;<BR> <BR>The old woman clucked and went back to her knitting. &ldquo;Bad dreams?&rdquo;<BR> <BR><i>Are there any other kind?</i><BR> <BR>But the woman didn&rsquo;t seem to need an answer. The door to conversation had been opened and she was apparently happy to fill the quiet while her thin fingers, the skin wrinkled and sagging with age, returned to her nimble knitting and purling. &ldquo;I sleep like the dead myself. Suppose I&rsquo;m getting practice in,&rdquo; she said with a little chuckle. &ldquo;Not too long till the grave for me. But I simply cannot sleep without a proper bed. Was never able to. And certainly not on a dusty road, jostling about like a package.&rdquo;<BR> <BR>&ldquo;Yes, ma&rsquo;am,&rdquo; Cordi said again, not wanting to be rude.<BR> <BR>When she had first boarded in the city, she had imagined the eyes of the other passengers on her, scrutinizing her face even as she tried to keep it turned casually away. Surely they were memorizing her so they might later tell the constables what they knew. She had been certain at each stop that she would be arrested, and so had waited with bated breath and a pounding heart as each passenger disembarked and their luggage was handed down, pressed into a corner of the carriage in an effort to make herself as small as possible. She did not breathe until the wheels had begun moving again.<BR> <BR>In these moments of uncertain limbo as she waited for the lurch of the carriage, Cordi&rsquo;s hand would sink into her pocket and clutch her beloved talisman. The treasured fox, a gift from her brother carved from linden wood, offered her some small measure of comfort. Her thumb would stroke its smooth belly as a penitent&rsquo;s fingers might slide over prayer beads.<BR> <BR>When she had been forced to clamber down herself at the stops in order to make water or burst, she had shuffled through the people milling around the station. Men stood about in dark hats and coats, reading papers, checking watches, and guffawing at bawdy jokes. Ladies attended small children or tried to revive wilting feathers in their hats, noses turned up at the scent of horses and tobacco. Cordi had done her business and kept her head down, her collar turned up, forcing her gait to be steady as she wove through the crowd, her face a mask of casual annoyance. Just another passenger eager to be on her way. Just another poor, wretched girl among thousands. She willed all eyes not to linger upon her, retreating to the safety of the coach and the quiet, dreary passengers within.<BR> <BR>No one had spoken to her, nor to each other for that matter. Everyone had kept to their own business. It made her wonder about their own secrets. If they were all running from something, just like her.<BR> <BR><i>No</i>, she scolded herself. No. She was not running from something. She was running <i>toward</i>.<BR> <BR>&ldquo;Dear?&rdquo;<BR> <BR>Cordi reflexively straightened against the carriage seat. Years of harsh school inspections gave her a straight spine and folded hands on cue. &ldquo;Ma&rsquo;am?&rdquo;<BR> <BR>The older woman&rsquo;s lips pinched together, eyes narrowed behind tiny golden spectacles, sweeping over Cordi&rsquo;s poor clothing, lingering on her hands, dotted with scars from a hard life lived. Upon her seeing these, her lips turned at the corners into a tender smile, something warm and comforting. &ldquo;I said you were much too young and too pretty to be having bad dreams. That&rsquo;s all.&rdquo;<BR> <BR>Kindness was a gift Cordi had not known for some time. Something she had almost forgotten how to acknowledge. &ldquo;Th-thank you,&rdquo; she stuttered. &ldquo;Ma&rsquo;am.&rdquo;<BR> <BR>The woman nodded and resumed her knitting, the sound of her needles tapping together filling the small space.<BR> <BR>Cordi allowed herself to look out the window and found her eyes dazzled. Green fields and hillocks stretching into the distance, marred only by the occasional fence or copse of trees. Sheep, their wool stained with fresh mud rather than the muck of the city.<BR> <BR>Cordi pressed her nose against the frosty glass, fogging it with her breath as she tried to crane her neck, looking for any glimpse of crowded buildings and the life she&rsquo;d left behind. A world of black and gray and death, the early morning sun choked behind low clouds and smoke from chimneys coughing out soot, ash, and brick dust to corrupt the recent snow.<BR> <BR>There was only the lush pastoral scene passing hastily beyond her window. Days and miles separated her from the cruel city and the crimes committed there, both her own and others&rsquo;. With each mile traveled, she felt a link in the chain tying her to her old life crack and fall away.<BR> <BR>The driver cursed again before pulling up the reins, the carriage rolling to a stop.<BR> <BR>&ldquo;Oh,&rdquo; Cordelia breathed at the sight of a meadow carpeted in an early spray of bluebells.<BR> <BR>The purple and blue flowers dipped their heads lazily, heavy with dew yet to burn away, sparkling and twinkling in the changing light. A field of stars.<BR> <BR>The coach swayed as the driver hauled himself out of his seat and down to the ground. He rapped quickly on the door before it swung open on her side. Instinctively, Cordi pressed farther back into the seat, one hand clutching her bag. &ldquo;Why have we stopped?&rdquo;<BR> <BR>The driver pushed his hat back on his head, revealing clean, pale skin beneath, a clear line separating his scalp from his face, dusty and tanned by years in the sun. &ldquo;That dip we took. One of the team is pulling to the side. May have picked up a stone or I may need to adjust his straps. But you might as well stretch your legs if you&rsquo;ve a mind.&rdquo; The driver was a genial man; though curt, he treated her and the other passengers with nothing but respect. His nose was red from a chill even early spring could not quite vanquish and paired splendidly with his red beard peppered with stiff, gray hairs. More of those same hairs sprouted like weeds from his ears.<BR> <BR>He backed away from the door and she heard his thick boots on the road as he went to attend to his horses.<BR> <BR>&ldquo;You go right ahead, dear,&rdquo; the woman offered. &ldquo;Will do you some good to see some sun. Too pale. I&rsquo;m staying right here with my work. If I disembark, I&rsquo;m likely never to make my way back up again.&rdquo;<BR> <BR>Cordi considered staying put, tucked into her corner. But she was tired of sitting and the air wafting into the carriage from the open door was so sweet. She slung her satchel on her shoulder and climbed out, blinking in the bright sunshine.<BR> <BR>As she stepped down, knees adjusting to the feel of solid ground beneath her, she had to choke back happy tears even as she drew a deep breath into her lungs. She shut her eyes, half convinced she would open them to the squat wall covered in black frost that marked the path between the stone steps of her former prison and its iron gate. But when she lifted her lids, the flowers and trees were still there, not muted and leached of all color by soot and sorrow, but dazzling and alive, as far a cry from the frozen wasteland as she might ever find.<BR> <BR>Had her brother, Edward, seen it like this? Had he marveled as well?<BR> <BR>Cordi walked through the tall grass, sweeping her hand across the stalks, letting them tickle her palm and dampen her skirt and ankles. She was drawn to the blue flowers, some the same color as the pure sky above her&#8212;the color of Edward&rsquo;s eyes. Others were rich indigo, as dark blue as her own. They put her in mind of the last time she had seen her brother, standing at the gates of the Barrow, wearing his school-issue coat, threadbare and black and not at all suitable for the winter days that loomed. Gray fingerless gloves he had found in the charity basket, fraying and riddled with holes she had tried to stitch together, covered his hands for all the warmth they would offer. He had held his hat, and a dingy, stained canvas bag was tossed over his shoulder.<BR> <BR>On those steps they had parted for the first time in their lives. Before he disappeared into the city streets, she had reached under her shawl and pulled out a length of knitted wool. The scarf was several different colors, the fibers salvaged from pieces beyond repair and lengths of wool she had scrounged or begged for. Some she had even stolen from Mrs. Clark&rsquo;s knitting basket when it was her turn to clean the head teacher&rsquo;s suite of rooms. Those pieces she had used for the tassels, for they were the brightest: pale blue and deepest indigo. A reminder that they were family. A plea not to forget her.<BR> <BR><i>Did you knit this with your eyes closed?</i> She had slapped at him as he had known she would, and he&rsquo;d ducked before hugging her to his heart, laughing into her hair, the sound bittersweet. <i>I treasure it and you. Now, promise me you&rsquo;ll learn to knit a straight line by the time I come for you. And I</i> will <i>come for you, Dee.</i><BR> <BR>It was the last she&rsquo;d seen him before he set off down the walk, scarf tucked beneath his collar, hat pulled down over his head, hiding his curls. Just another young English boy in black and gray on another black-and-gray English morning.<BR> <BR>Here, though, was all the color in the world. She gathered some of the flowers, breaking them off along their crisp stalks, the tips of her fingers numbing with the damp chill. She took only a few, enough to chase the darkness of the carriage away, to remind her she was free. Turning back to the road, she glimpsed another splash of color: a taller flute of a plant, dotted with small amethyst flowers, that rose over the bluebells, their heads bowed like supplicants before a god. The pink-purple flowers were thickly clustered together, their trumpets open mouths inviting bees to dine upon the sweet nectar within.<BR> <BR>Cordelia approached, intending to add it to her small bouquet, the color striking and alluring. She extended a hand&#8212;<BR> <BR>&ldquo;Stop!&rdquo; the driver shouted.<BR> <BR>She snatched her fingers back, nearly strangling the bluebells as her grip tightened.<BR> <BR>&ldquo;Don&rsquo;t touch that one, missy. That there&rsquo;s foxglove.&rdquo;<BR> <BR>&ldquo;Foxglove?&rdquo; she said dumbly.<BR> <BR>Whether he heard her faint reply or not, he carried on. &ldquo;Poison, it is. Pretty to look at, but best be leaving it alone. Could kill a horse if eaten. Would probably spare your life if we were quick enough, sure, but wouldn&rsquo;t likely spare you pain.&rdquo;<BR> <BR><i>Like so many things</i>, Cordi thought, giving the flower one last look before she trudged back to the carriage.<BR> <BR>The driver nodded at her good sense to listen, adjusting the strap on one of the horses. &ldquo;Funny how nature protects itself. How some of the loveliest things are also the deadliest.&rdquo; His eyebrows plummeted and he turned back to the meadow, shaking his head. &ldquo;Strange to see foxglove this early. Though I don&rsquo;t mind telling you I&rsquo;ve seen queerer things growing this close to Farrow.&rdquo;<BR> <BR>Cordi&rsquo;s heart pounded in her chest. &ldquo;Are we so near?&rdquo;<BR> <BR>&ldquo;That we are, missy. This is the edge of Rutland. Quick stop at the crossroads ahead and then we&rsquo;ll head on.&rdquo;<BR> <BR>She looked around again, the magic and wonder of the place making sense. This was where she was meant to be. This was where she would put down roots and find her home.<BR> <BR>With the horses secure, they could continue on, and Cordi found herself fidgeting, eager, almost giddy. Her companion noticed the change. &ldquo;The fresh air seems to agree with you,&rdquo; the woman said with a laugh.<BR> <BR>Cordi did smile then. A true smile. Plucking a bluebell from the bouquet, she offered it to the woman, who took it with thanks. &ldquo;How sweet. I loved gathering flowers when I was young.&rdquo; The woman clucked again. &ldquo;And I loved having them gathered for me when I was your age. How the boys brought me flowers! Oh!&rdquo; She giggled, face crinkling with delight, but the wrinkles were of a life well lived. Different scars than Cordi carried. Lines carved with love by time.<BR> <BR>A knock sounded from above&#8212;the driver signaling a stop. Obviously for Cordi&rsquo;s companion. The woman began to gather her knitting, shoving the bundles of yarn and needles into a thick carpetbag, tucking the bluebell into the buttonhole of her own coat. &ldquo;Where are you off to, love? Will you be departing with me? On the way to Babford, perhaps? I think I heard they&rsquo;d been advertising for a new schoolteacher. Would that be you, then? A small class you&rsquo;ll have, to be sure, but, oh, they will keep you on your toes. Especially those Pratt boys, my goodness. But a young thing like you will have the energy for their mischief. The walk isn&rsquo;t far, blessedly. You gather your things and I&rsquo;ll&#8212;&rdquo;<BR> <BR>&ldquo;No,&rdquo; Cordi interrupted, almost laughing at how eager strangers were to talk once the opportunity had arisen. So unlike the city. &ldquo;I&rsquo;m bound for Farrow. I&rsquo;m&#8212;&rdquo;<BR> <BR>&ldquo;Farrow.&rdquo;<BR> <BR>Cordi&rsquo;s mouth snapped shut. Stupid of her to say where she was going to anyone. Careless.<BR> <BR>But the older woman only stared, the eyes behind those tiny spectacles lost as the sun streaming in from one window reflected off the glass, turning her eyes into glowing white moons.<BR> <BR>&ldquo;You&rsquo;re going to Farrow.&rdquo; The woman&rsquo;s voice, previously warm and grandmotherly, had turned cool, chilling the very air.<BR> <BR>&ldquo;Yes, ma&rsquo;am.&rdquo;<BR> <BR>&ldquo;I see.&rdquo; The woman inhaled a slow breath as the wheels slowly rolled to a stop. The carriage swayed as the driver jumped to the ground to assist his passenger. As the door opened, the woman remained in her seat. Though her eyes remained obscured by the golden lenses, Cordi felt the stare behind them, hard and severe.<BR> <BR>&ldquo;I don&rsquo;t understand,&rdquo; Cordi said, confused at the sudden change in demeanor, gripping her bag as if the woman might launch herself across the seats toward her.<BR> <BR>&ldquo;Perhaps not.&rdquo; The woman&rsquo;s hands shook as she tugged her shawl around her shoulders. &ldquo;But ignorance won&rsquo;t keep you safe. Ignorance has never kept a woman safe. If you&rsquo;ve any brains in your head, child, you&rsquo;ll not stop at Farrow. There&rsquo;s nothing there for young girls, no matter what promises serpents make. Nothing.&rdquo;<BR> <BR>Then she was gone, so quick out of the carriage she didn&rsquo;t even take the hand the coachman offered. Cordi leaned forward before the door could shut to see her shuffling down the road, back bent, head bowed, at a pace that might send her sprawling if she was not careful on the uneven terrain. The bluebell Cordi had given her drifted to the ground and was crushed by the woman&rsquo;s heel into the dust of the road.<BR> <BR>The sun dipped behind a cloud and the world turned bleak. &ldquo;All right, miss?&rdquo; the driver said, but he seemed wary himself.<BR> <BR>Cordi nodded and he closed her in, the carriage suddenly feeling like a tomb.<BR> </section>]]></Text>
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      <Text><![CDATA[&ldquo;Her Wicked Roots is a stellar, genre-bending debut from Tanya Pell. It&rsquo;s a full-fledged <b>Gothic</b>, <B>creepy as hell and full of yearning, soaked in dread and mystery</B>. I can&rsquo;t want to see what Pell does next!&rdquo;]]></Text>
      <TextAuthor>Christopher Golden, &lt;I&gt;New York Times&lt;/I&gt; bestselling author of&#160;&lt;I&gt;The Night Birds&lt;/I&gt;&#160;and&#160;&lt;I&gt;The House of Last Resort&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Tanya Pell is a horror horticulturist who has cultivated a manic botanic gothic that grafts Silvia Moreno-Garcia to Daphne du Maurier, and what sprouts out is absolutely beautiful.&nbsp;<B><i>Her Wicked Roots&nbsp;</i>reaches in and rummages through the reader&#39;s subconscious until there&#39;s no weeding it out</B>.&quot;]]></Text>
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      <Text><![CDATA[&quot;Tanya Pell&rsquo;s <i>Her Wicked Roots</i> is a winding, creeping ivy, a nighttime garden bursting and blossoming with rich texture and dark, sinister bouquets. Beautiful flowers can, however, be deadly. <B>A richly Gothic and lush retelling</B>.&quot;]]></Text>
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      <Text><![CDATA[<i>&quot;Her Wicked Roots </i>is a true treat, <B>sure to delight and thrill in equal measure</B>; a must-read for fans of queer gothic novels.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;<B>Darkly enchanting</B>, <i>Her Wicked Roots</i> is haunting, propulsive and as hypnotic as the poisonous blooms at the novel&rsquo;s heart. Truly a bewitching sapphic delight.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;This gorgeous, haunting story coiled tight around my heart and refused to let go. <B>An intoxicating tale of secrets, desire, hurt and bravery,</B> rooted in the fear of losing the ones we love. Tanya Pell is such an exciting voice in horror, and this gothic mystery is truly unforgettable.&rdquo;<BR> <BR> &nbsp;]]></Text>
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      <Text><![CDATA[Eerie&hellip; <B>It&rsquo;s easy to sink into the spooky atmosphere, and an impressive final twist will catch even the most genre-savvy unaware</B>. For readers seeking fun queer gothic horror, this delivers]]></Text>
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      <BiographicalNote><![CDATA[Kayla Olson is the author of&nbsp;<I>The Reunion&nbsp;</I>and&nbsp;<I>The Lodge</I>&nbsp;in addition to two books for young adults (<I>The Sandcastle Empire</I>&nbsp;and&nbsp;<I>This Splintered Silence</I>). Whether writing at her desk or curled up with a good book, she can most often be found with a fresh cup of coffee and at least one cat. Visit her at KaylaOlson.com or at @AuthorKaylaOlson on Instagram/TikTok.]]></BiographicalNote>
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      <SubjectHeadingText>the reunion; the lodge; kayla olson author; opposites attract; camping trip; glamping; grumpy x sunshine; high-maintenance; legally blonde; elle; reboot; elle woods; lexi minetree; reese witherspoon; romcom; romance novel; closed door; clean romance; no spice; minimal spice; camping romance; healing journey; road trip romance; outdoorsy; outdoorsy romance; forced proximity; summer getaway; hallmark movie; eat pray love; wild; high sierras; hiking trip; forbidden romance; as seen on TikTok; USA today bestseller; USA today bestselling author; bestselling author; travel romance; camp romance; romance in the wild; slow burn romance; adventurous love; off-grid romance; booktok romance;</SubjectHeadingText>
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      <Text><![CDATA[<B>From <I>USA TODAY</I> bestseller Kayla Olson, a new rom-com about a high-maintenance woman who embarks on a wilderness trek to prove to her ex how low-maintenance she can be&#8212;only to find herself with no makeup and an extremely attractive trek leader.</B><BR><BR>Those who say &ldquo;be prepared&rdquo; never met Sadie Whitlock. <BR> <BR>Sadie has always been praised for being the most prepared person in the room, the one who&rsquo;s thought of everything&#8212;and every backup plan&#8212;for any given situation. She knows exactly what she wants, exactly what she loves, and goes to great lengths to make sure her life runs perfectly as planned.<BR> <BR> So, when her laidback boyfriend breaks up with her for being &ldquo;too high-maintenance,&rdquo; Sadie is eager to prove him wrong, and signs herself up for a weeks-long guided wilderness adventure in the High Sierras of California: camping, hiking, rappelling, and kayaking. It&rsquo;s the most miserable, uncomfortable situation she can think of.<BR> <BR> Sadie&rsquo;s a five-star resort girl at heart, but she has a compelling&#8212;and suspiciously attractive&#8212;tour guide: August Thorn. Thorn lives for adventure and always keeps a professional distance from the trekkers under his care&hellip;but there&rsquo;s just something about Sadie, and for the first time, he finds himself wanting to get closer. As they explore the wilderness together, Sadie realizes the great outdoors might truly be great with the right person.]]></Text>
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      <Text><![CDATA[Kayla Olson is the author of&nbsp;<I>The Reunion&nbsp;</I>and&nbsp;<I>The Lodge</I>&nbsp;in addition to two books for young adults (<I>The Sandcastle Empire</I>&nbsp;and&nbsp;<I>This Splintered Silence</I>). Whether writing at her desk or curled up with a good book, she can most often be found with a fresh cup of coffee and at least one cat. Visit her at KaylaOlson.com or at @AuthorKaylaOlson on Instagram/TikTok.]]></Text>
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      <Text><![CDATA[&ldquo;The sexual tension and chemistry between Sadie and Thorn are palpable, with a focus on the push and pull of the burgeoning relationship. Secondary characters and their relationships, friendships, and the experiences and struggles of the trail enhance the narrative. Olson (<i>The Lodge</i>) writes an engaging slow-burn romance.&rdquo;<BR> <b>&mdash;<i>Library Journal</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;Kayla Olson&rsquo;s <I>The Great Outdoors</I> is the most fun I&rsquo;ve had reading a book in a long time. This romp of a rom-com is like if Alexis Rose pulled an Elle Woods and spitefully signed up for her ex&rsquo;s hiking trek, only to fall for her hot wilderness guide instead. You don&rsquo;t want to miss out on this sweet, hilarious, and affirming journey to self-love and happily ever after.&rdquo;<BR> <B>&mdash;Erin Connor, author of <I>Unromance</I> and<I> Still Into You</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;<I>The Great Outdoors</I> is sweet, funny, and heartwarming. Whether you&rsquo;re a nature lover or a city-slicker, Kayla Olson takes you on a beautiful adventure that you will thoroughly enjoy.&rdquo;<BR> <B>&mdash; Joss Richard, International bestselling author of <I>It&#39;s Different This Time</I></B>]]></Text>
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      <Text><![CDATA[<B>Upending everything we thought we knew about sun exposure, this trenchant investigation into the &ldquo;zero-sun policy&rdquo; sounds the call on the many health benefits of the sun, and what we risk when we minimize our exposure.</B><BR><BR>A quiet revolution is transforming our understanding of sunlight&rsquo;s effects on human health. For decades, a &ldquo;zero-sun&rdquo; policy has characterized our approach to sun protection, advising us to stay out of the sun whenever possible and apply sunscreen daily to any skin that might be exposed, rain or shine, summer or winter, indoors or out. But recent studies have proved that this policy is thoroughly mistaken and that this prolific misunderstanding is causing us to miss out on many of the health benefits of sun exposure.<BR> <BR>In this incisive work, acclaimed journalist Rowan Jacobsen presents the growing case for the importance of modest sun exposure for our health and well-being. Aided by the most up-to-date studies on the effects of sunlight on human health, Jacobsen presents a much-needed, lucid assessment of not only what the sun can do for us, but how a lack of sun could actively be harming us.<BR> <BR><I>In Defense of Sunlight</I> sounds the call on what researchers have been sure of for years, and what health care providers and media outlets have been slow to take up: that sunlight is one of the simplest, and most equitable, treatments for a variety of health issues, from diabetes to dementia to multiple sclerosis. Laying out the new science of sunlight in a straightforward and responsible manner for mainstream readers, this book is an eye-opening story of scientific discovery, outlining not only best practices for sun exposure, but the story of how current recommendations became misguided, how a few inquisitive scientists glimpsed the truth and deciphered the mechanisms responsible, and how everyone can safely incorporate this new knowledge into their daily lives. It also exposes the implicit injustice underlying current approaches, which benefit the whitest people on earth (who are the most susceptible to skin cancer) at the expense of those with darker skin (who suffer extremely low rates of skin cancer and have the most to gain from sun exposure).<BR> <BR>A call for a return to common sense in our relationship with our local star, <I>In Defense of Sunlight</I> offers its own seven words of advice: Get sun. Not too much. Go outside.]]></Text>
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      <Text><![CDATA[&quot;The sun provides our civilizations with light, warmth, dinner (via photosynthesis) and of late more and more of the power we use. It also provides our bodies, as this entertaining and informative account makes clear, with what they need. It&#39;s the only object in our universe we can&#39;t look at directly, but this sideways glance reminds us why we can&#39;t live without it.&quot;&nbsp;<b>&mdash;Bill&nbsp;McKibben, author of&nbsp;<i>Here Comes the Sun</i></b><BR> <BR> &quot;Sunlight and its effects on health have become the subject of polarized messaging, but the science is more nuanced than most people realize. In&nbsp;<i>In Defense of&nbsp;Sunlight</i>, Rowan Jacobsen offers an engaging, accessible look at the scientific evidence and raises important questions about how we think about, talk about, and understand the effects of sun exposure on human health. A fascinating read for anyone interested in health, prevention, and the unintended consequences of oversimplified advice from well-intentioned but siloed medical experts.&quot;&nbsp;<b>&mdash;Adewole Adamson, MD, dermatologist and melanoma researcher, University of Texas</b><BR><BR> &quot;The rigorously researched&nbsp;<I>In Defense of Sunlight</I>&nbsp;convinced my brain of what my body and soul already suspected: that used judiciously and with respect for its force, the sun is my friend and ally, not an enemy to be shunned.&quot; &mdash;<B>Kristi Coulter, author of&nbsp;<I>Exit Interview: The Life </I>and <I>Death of My Ambitious Career</I></B><BR> <BR> &quot;A comprehensive overview of the scientific evidence for the ability of sunlight to promote good health, <i>In Defense of Sunlight</i> simplifies scientific jargon and explains why there is harmony between sun exposure and our existence. Jacobsen describes his own awakening to the multifaceted benefits of sunlight and helps the reader to safely obtain similar rewards.&quot; <b>&mdash;Prue Hart, Ph.D., MS researcher, Kids Research Institute Australia</b><BR> <BR> &quot;A much overdue wake up call for the significant public health risks imposed on humans by the modern built environment and the poorly considered medical advice on sunlight exposure.&rdquo; <b>&mdash;Geoffrey Guy, D.Sc., founder of the Guy Foundation and author of <i>Quantum Biology</i></b><BR> <BR> &quot;In this absorbing and fast-paced investigation, Rowan Jacobsen has responsibly reexamined the thinking about sunlight and human health and shown us a plausibly better way. Employing his typically dogged research style, he burns a shoe store&#39;s worth of shoe leather getting to the bottom of what is no less than a plot against nature. Avoid this book (and the sun) at your peril.&quot;&nbsp;<b>&mdash;Paul Greenberg, bestselling author of <i>Four Fish</i> and<i> The Climate Diet&nbsp;&nbsp;</i></b>]]></Text>
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      <Text><![CDATA[<b>The first survival guide for bridesmaids to protect their sanity and their wallets&#8212;and a call to reimagine the role.</b><BR><BR>If you&rsquo;re holding this book, chances are you&rsquo;ve been a bridesmaid, and you&rsquo;re gearing up for another battle but this time with more clarity and boundaries. Maybe it&rsquo;s your first rodeo. Or maybe you&rsquo;re tired of the emotional fine print that comes with saying yes, and you want to say no without losing the friendship. Wherever you are, you&rsquo;re not alone.<BR> <BR>You&rsquo;ve RSVP&rsquo;d, Venmo&rsquo;d blindly, and smiled through a dress fitting that cost more than a month&rsquo;s worth of therapy. You&rsquo;ve shown up with your lashes glued on, while finding yourself stretched thinner than the patience of a bride on her third dress fitting. The truth is, it&rsquo;s never just &ldquo;one day.&rdquo; It&rsquo;s a year of emotional endurance, financial acrobatics, and the subtle art of not losing your mind while holding someone else&rsquo;s bouquet. Women are losing their sanity, their wallets, their friendships, and themselves.<BR> <BR>The first of its kind, <I>I Hope You Elope</I> is a survival guide by someone who&rsquo;s been in the group chat, worn the dress, and swallowed the resentment. Funny, brutally honest, and heartbreakingly familiar, it&rsquo;s the bridesmaid manifesto we&rsquo;ve been waiting for&#8212;not to tear down the dream, but to protect the women holding it up. This step-by-step playbook will help you navigate tough conversations, set boundaries without guilt, and figure out if that destination bachelorette trip is really in your budget. Equal parts reality check and rallying cry, it gives bridesmaids the tools, language, and permission to show up for their friends without disappearing within themselves.]]></Text>
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      <Text><![CDATA[Ruhama Wolle is the style partnerships editor at&nbsp;<i>The Cut</i>. She currently resides in New York City. Follow her on Instagram @Ru_Wolle and follow @IHopeYouElope where we rewrite the rules.]]></Text>
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      <BiographicalNote><![CDATA[Haili Blassingame is a producer for the NPR program <I>1A</I>. She has written for publications like&nbsp;<I>The New Republic</I>&nbsp;and&nbsp;<I>The New York Times</I>, in which she published the viral &ldquo;My Choice Isn&rsquo;t Marriage or Loneliness&rdquo; for &ldquo;Modern Love&rdquo;.&nbsp;She was one of twelve essayists selected to write a follow-up piece for the column&rsquo;s 20th anniversary in October 2024. She&rsquo;s also been a guest on the <I>Modern Love</I> podcast, NPR&rsquo;s <I>Life Kit</I>, and NPR&rsquo;s <I>1A</I>. She previously worked on NPR&rsquo;s <I>Code Switch </I>and <I>Weekend Edition</I>. She is pursuing an MFA in creative writing from American University. She lives in Washington, DC.]]></BiographicalNote>
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      <SubjectHeadingText>literary debut novel; coming-of-age fiction; contemporary bildungsroman; Black literary fiction; Black female protagonist; Gen Z fiction; bisexual love story; LGBTQ literary fiction; campus novel with protest; books set in Washington DC; Howard University fiction; Georgetown University novel; love triangle drama; open relationships in fiction; polyamorous love story; nonmonogamous relationships; autofiction novel; metafictional narrative; novels about writers; novels about writing; books about authorship; messy female protagonist; messy love story; books about campus life; contemporary Black fiction;</SubjectHeadingText>
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      <Text><![CDATA[<b>Cat St. Clair is ready for her messy love triangle era now that she&rsquo;s in an open relationship. But she didn</b><b>&rsquo;</b><b>t foresee a <i>forbidden </i>love triangle with the only two people who are off-limits: her boyfriend&rsquo;s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.</b><BR><BR>It&rsquo;s the fall of 2024, and twenty-four-year-old Cat isn&rsquo;t asking for too much: all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She&rsquo;s in an open relationship with her college sweetheart Jay, but nonmonogamy isn&rsquo;t just a hot trend she&rsquo;s trying. It&rsquo;s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon.<BR> <BR>While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn to Jay&rsquo;s best friend, Tristan, who&rsquo;s smart, super hot, and&hellip;in a monogamous relationship. And then she meets Tristan&rsquo;s girlfriend, Nia, a captivating art student with her own gravitational pull.<BR> <BR>Friends and family urge her to just be happy with Jay, but Cat is determined to have it all&#8212;or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.]]></Text>
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      <Text><![CDATA[Haili Blassingame is a producer for the NPR program <I>1A</I>. She has written for publications like&nbsp;<I>The New Republic</I>&nbsp;and&nbsp;<I>The New York Times</I>, in which she published the viral &ldquo;My Choice Isn&rsquo;t Marriage or Loneliness&rdquo; for &ldquo;Modern Love&rdquo;.&nbsp;She was one of twelve essayists selected to write a follow-up piece for the column&rsquo;s 20th anniversary in October 2024. She&rsquo;s also been a guest on the <I>Modern Love</I> podcast, NPR&rsquo;s <I>Life Kit</I>, and NPR&rsquo;s <I>1A</I>. She previously worked on NPR&rsquo;s <I>Code Switch </I>and <I>Weekend Edition</I>. She is pursuing an MFA in creative writing from American University. She lives in Washington, DC.]]></Text>
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      <Text><![CDATA[<i>This reading group guide for</i><b> THEY ALL FALL IN LOVE AT THE END </b><i>includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.</i><BR><BR><b>Introduction</b><BR> <BR>Cat St. Clair is a twentysomething creative writing MFA student in DC who is just trying to navigate the messiness of her twenties amongst a looming presidential election, political tensions locally and overseas, and her parents&rsquo; crumbling marriage. When she asks her long-term boyfriend to open their relationship, she hopes this will provide her with the freedom she craves. She can now date whoever she wants, except for the one off-limits person she wants most of all&#8212;her boyfriend&rsquo;s best friend, Tristan . . . and his new girlfriend. Even though she knows it will end in disaster, she follows her heart and pursues them all anyway, as she grapples with what it means to be a young Black woman and a writer in today&rsquo;s political climate, who is constantly faced with choices that force her to confront what and whom she truly wants.<BR><BR><b>Discussion Questions</b><BR> <BR>When Tristan asks Cat and Jay how their open relationship is going, Cat responds immediately with &ldquo;Great!!!&rdquo; (page 8). Jay later brings up this incident again (page 130), saying she wouldn&rsquo;t let him respond. Why do you think Cat responded in this way? What does it say about their relationship?<BR> <BR>Several scenes throughout the novel are written in the format of a play (pages 95, 133, 155, and 218). Why do you think those particular scenes are written in this way? How does that format serve those scenes?<BR> <BR>Blassingame cleverly uses a meta &ldquo;story within a story&rdquo; structure, as Cat writes about her own situation the novel she&rsquo;s writing for class. What does this story within a story allow the author to do? Why is it useful, and how does it change our perception of the story?<BR> <BR>What do you think is the significance of Janine&rsquo;s character? How does she serve Cat&rsquo;s character development?<BR> <BR>On page 50, Tristan tells Cat that his philosophy PhD dissertation is about how agency isn&rsquo;t an individual issue, that your decisions are made within a system. On page 51, Cat tells Tristan about the book she&rsquo;s reading, <i>Art Monsters</i>, about people who put their art over everything else. Discuss these two themes within the context of the book.<BR> <BR>What do you think the tree that Cat buys to support Anwar&rsquo;s family symbolizes? Why do you think she names it after her father?<BR> <BR>When Milken tells Cat to pursue writing the story about her parents instead of the one about the &ldquo;small details of her life.&rdquo; Cat responds, &ldquo;But the personal is always political, right?&rdquo; (page 117). What do you think&#8212;can the personal and the political be separated, or does one always inform the other?<BR> <BR>After they argue, Tristan tells Cat, &ldquo;But you&rsquo;re so much more than a relationship paradigm&rdquo; (page 240). Do you agree with Tristan? Are we defined by our desires and labels? Or do you think he is missing the point&#8212;that being nonmonogamous is so much more than a relationship paradigm to Cat?<BR> <BR>Why is Dorinda&rsquo;s decision to move out so significant? In what ways does it reflect Cat&rsquo;s decisions?<BR> <BR>On page 271, Cat says, &ldquo;I wanted the choice of not having to choose.&rdquo; How does that reflect the themes of the book? Do we ever get to have that choice in life?<BR> <BR>After reading an essay in the Black craft anthology, Cat has a realization about her writing and writes down the word &ldquo;FORM&rdquo; (page 285). She later realizes that &ldquo;form&rdquo; is also a verb (page 357). Discuss the two realizations she is having about her writing. What do they mean? Why do you think form is an important theme in the novel?<BR> <BR>On page 298, Cat decides to be monogamous with Jay. What do you think led her to that decision in that moment?<BR> <BR>What do you make of the way Blassingame left the friendship between Cat and Milan?<BR> <BR>When Nia finally reveals her portrait of Cat to her, Cat thinks it looks &ldquo;dishonest&rdquo; (page 284). Later, Nia reveals the new version of the portrait as Cat as a silhouette against a landscape (page 363). What do you think this new version means? With the knowledge that the scene in Nia&rsquo;s gallery ten years later might just be happening in Cat&rsquo;s novel, what do you think the portrait says about how Cat perceives herself?<BR> <BR>What do you make of the final chapter? Do you agree with Janine, or did you agree with Cat&rsquo;s reasoning for the original ending of her book?<BR><BR><b>Enhance Your Book Club</b><BR> <BR>Read a book or watch a movie with a love triangle (or rectangle). In what ways is it similar to the love rectangle in this book? In what ways does this book subvert the classic love triangle narrative?<BR> <BR>The lock-in towards the end of the novel is in many ways similar to the encampment at Columbia University in 2024 and at other schools arounds the country. Has the account of Cat&rsquo;s experience affected your perspective of these real-life protests? Why or why not?<BR> <BR>The rise of polyamory and &ldquo;ethical nonmonogamy&rdquo; has become a hot-button topic recently. Read the Modern Love article &ldquo;<a href="https://www.nytimes.com/2024/06/21/style/modern-love-polyamory-i-was-content-with-monogamy.html">I Was Content with Monogamy. I Shouldn&rsquo;t Have Been</a>.&rdquo; Then read Haili&rsquo;s Modern Love essay &ldquo;<a href="https://www.nytimes.com/2021/04/02/style/modern-love-my-choice-isnt-marriage-or-loneliness.html">My Choice Isn&rsquo;t Marriage or Loneliness</a>.&rdquo; Why do you think there has been such a rise in the discussion of polyamory in recent years? How is Haili&rsquo;s perspective similar to or different from the other writer&rsquo;s?]]></Text>
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      <Text><![CDATA[&quot;You know how people sometimes say Sally Rooney is writing what will be the first millennial classics? I think Haili Blassingame wrote a Gen Z/millennial cusp classic. I haven&rsquo;t been this excited by a book in ages. Incisive, raw, and relentlessly funny, Blassingame&rsquo;s superb debut cements her as an electric voice to watch and a sharp portraitist of Gen Z desire. <I>They All Fall in Love in the End&nbsp;</I>thrums with tactile, evocative prose, sexual tension, and smart social commentary. I laughed out loud so many times&mdash;I absolutely loved it.&rdquo; -- Katie Naymon, author of <I>You Between the Lines&nbsp;</I>]]></Text>
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      <Text><![CDATA[<B>Create a meaningful legacy for future generations with this step-by-step guide to gathering and sharing your family history, packed with inspirational, creative, and practical advice from a leading oral historian and museum curator.<b> </b><b> </b></B><BR><BR>A parent celebrates a birthday. A best friend moves away. A grandchild is born. There are new events, new people, new locations&#8212;whole new chapters&#8212;in our lives, and every family has a story to tell. Perhaps you have a sense that preserving your family&rsquo;s history is important, but you&rsquo;re not sure where to start.<BR> <BR> That&rsquo;s where this book comes in.<i> Our Story</i> is an actionable and inspirational guide to help you capture and preserve your loved ones&rsquo; unique history. An oral historian with decades of experience in the field, Rachel Seidman takes you through the process of compiling and sharing your story one easy-to-understand step at a time. Her book offers support at every turn, as you gather your materials, prepare for interviews, and consider any number of ways to present your findings. Perhaps most importantly, it will help get you talking to your loved ones now, creating new and lasting connections across generations.<BR> <BR> Inside this book, you&rsquo;ll find:<BR> <BR> - Fun prompts and activities to discover the stories hidden all around us, from the objects we collect to the keepsakes we put in albums to the recipes we cook.<BR> - Expert tips on conducting meaningful interviews with family members and loved ones.<BR> - Inventive approaches to presenting your family history, whether through a book, quilt, time capsule, recipe collection, or as part of family gatherings.<BR> - Suggestions on how to connect your family&rsquo;s story to the broader context of local and national history, and explore how the events of our time shape us.<BR> - Moving essays drawn from Seidman&rsquo;s own personal and professional experiences to encourage you along the way.<BR> <BR> With <i>Our Story</i>, Seidman offers you the confidence to take on this meaningful project, the tools to carry it out, and the inspiration to make it a story only you can tell.]]></Text>
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      <Text><![CDATA[&quot;If you&#39;re curious about how to go about recording the personal history of your family, look no further. Based on her decades of training and experience as an oral historian, Rachel&nbsp;Seidman has compiled a treasure trove of great project ideas, interview questions, and practical suggestions for anyone trying to learn more about their loved ones&#39; lives, while they are still here to tell their own stories. Don&#39;t wait to get started-- you won&#39;t regret it.&quot;&nbsp;&mdash;Michelle T. King, professor of history at UNC Chapel Hill and author of <I>Chop Fry Watch Learn: Fu Pei-mei and the Making of Modern Chinese Food</I>]]></Text>
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      <Text><![CDATA[&quot;&#39;When an elder dies, a library burns to the ground.&#39; We&#39;ve all heard this adage, but what if we could guard against this kind of blaze? Rachel F. Seidman&#39;s memory-capturing wisdom, shared with generous helpings of both know-how and inspiration, is the guidance we&#39;ve all been waiting for. Please excuse me while I dash off to use what I&#39;ve learned to interview my 90-year-old cousin!&quot; &mdash;Megan&nbsp;Smolenyak, genealogist and author of <i>Who Do You Think You Are?: The Essential Guide to Tracing Your Family History</i>]]></Text>
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      <Text><![CDATA[<b>For fans of <i>Tell Me Everything</i> and <i>Heartwood</i>,</b> <b><i>Where the Water Meets the Sky</i> is the story of a brave young woman seeking wholeness and love in the untamed forests of Michigan&rsquo;s upper peninsula&#8212;and answers about a fire that took away everything.</b><BR><BR>On a night in January, on the Garden Peninsula of Michigan, a farmhouse burns to the ground. A young child makes it out and flees into the woods with a book of matches in her hand.<BR> <BR>Ten years later, Abby, a lover of birds and the natural world, returns to Garden, to the woods and lakes and farms and fisheries of her childhood, to assist her uncle on an environmental study of trees. Her best friend, Brew, invites her to a party where she meets a troubled girl named Seda, on the run from her abusive ex. Abby sets out to protect Seda and introduces her to an abandoned cabin that becomes a sanctuary for them both. Here, Abby begins to process her unrequited feelings for Brew while also discovering the person she is becoming. She wants more for her life, a hunger both spiritual and physical, and seeks to understand the trauma of her childhood that took her mother from her. Abby cares deeply for the people and flora and fauna around her and identifies with the wounds of the environment. She is desperate to remember what happened the night of the fire and as the summer of 1996 unfolds, Abby will be forced to reckon with the truth.<BR> <BR>Perfect for fans of the lush and tender nature writing of Helen Macdonald and Richard Powers, <I>Where the Water Meets the Sky</I> is a coming-of-age novel that expertly delves into the connection between our perception of ourselves and our natural environs. It is a paean to the vast and beautiful wildscape around us and to the power of community and the wisdom of love.]]></Text>
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      <Text><![CDATA[Diane Les Becquets&nbsp;is the author of&nbsp;<i>Breaking&nbsp;Wild</i>&nbsp;and&nbsp;<i>The Last Woman in the Forest</i>.&nbsp;<i>Breaking Wild</i>, an Indie Next Pick and a national bestseller, received starred reviews from&nbsp;<i>Publishers Weekly</i>,<i>&nbsp;Kirkus Reviews</i>, and&nbsp;<i>Booklist</i>,&nbsp;and was featured on NPR&rsquo;s <I>Morning Edition</I>. It was the recipient of the Colorado Book Award in Fiction, the New Hampshire Outstanding Work of Fiction, and was shortlisted for the Reading the West Book Award in Fiction.]]></Text>
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      <Text><![CDATA[&ldquo;The novel abounds in descriptions of the natural world and bravely asserts a slow, meditative narrative pace. The land, and the animals on it, become central characters in the story, effecting change in Abby as she confronts some uncomfortable realities&hellip; Devotion to the natural world intensifies this tale of memory and forgiveness.&rdquo;<BR> &mdash;<B><I>Kirkus Reviews</I></B>]]></Text>
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      <Text><![CDATA[&quot;Diane Les Becquets&#39; <I>Where the Water Meets the Sky&nbsp;</I>is a beautifully written, evocative novel of love, loss, and how we protect our hearts when the unthinkable happens. I loved moving through the wild landscape of Michigan&#39;s upper peninsula as Les Becquets&#39;&nbsp; elegantly constructed narrative brought me to the surprising and emotionally satisfying end.&quot;<BR> <B>&mdash;Tara Conklin, bestselling author of <I>The Last Romantics</I></B><BR> <BR> &quot;Rare is the novel that evokes the natural world with such precision, intimacy, and lushness. Michigan&rsquo;s UP is brought to magnificent, finely rendered life in Les Becquets&rsquo;s big-hearted novel. A deeply-affecting, beautiful book that reminds us, in these uncertain times, of what truly matters.&quot;<BR> <b>&mdash;Rae Meadows, award-winning author of <i>Winterland</i>&nbsp;and<i>&nbsp;I Will Send Rain</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;The Upper Peninsula of Michigan and all its natural beauty come alive in this spellbinding novel&hellip;.. I dare you not to fall absolutely in love with this book!&rdquo;<BR> <b>&mdash;Ann Hood, author of <i>The Stolen Child</i></b>]]></Text>
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      <BiographicalNote><![CDATA[Melissa Murray&nbsp;is the Frederick I. and Grace Stokes Professor of Law at New York University&rsquo;s School of Law. She is the coauthor of the #1&nbsp;<I>New York Times</I>&nbsp;bestseller&nbsp;<I>The Trump Indictments: The Historic Charging Documents with Commentary</I>, cohost of a top-ranked podcast,&nbsp;<I>Strict Scrutiny</I>&mdash;which is about the Supreme Court and the legal culture that surrounds it&mdash;and a regular commentator on MSNBC. Her writing appears regularly in major national publications, including&nbsp;<I>The</I>&nbsp;<I>New York Times</I>,&nbsp;<I>The</I>&nbsp;<I>Washington Post</I>,&nbsp;<I>Los Angeles Times</I>,&nbsp;<I>The</I>&nbsp;<I>Atlantic</I>,&nbsp;<I>Mother Jones</I>, and&nbsp;<I>The&nbsp;Nation</I>. She is frequently called upon by national media outlets such as NPR and PBS to offer expert&mdash;yet accessible&mdash;commentary on the Supreme Court&rsquo;s decisions and other pressing legal matters of national importance. Her academic publications have appeared (or are forthcoming) in the&nbsp;<I>California Law Review</I>,&nbsp;<I>Columbia Law Review</I>,&nbsp;<I>Harvard Law Review</I>,&nbsp;<I>Michigan Law Review</I>,&nbsp;<I>Pennsylvania Law Review</I>,&nbsp;<I>Virginia Law Review</I>, and&nbsp;<I>Yale Law Journal</I>, among others. Murray is a graduate of the University of Virginia, where she was a Jefferson Scholar and an Echols Scholar, and Yale Law School, where she was notes development editor of the Yale Law Journal. While in law school, she earned special recognition as an NAACP-LDF/Shearman &amp; Sterling Scholar and was a semifinalist of Morris Tyler Moot Court. Following law school, Murray clerked for Sonia Sotomayor, then of the US Court of Appeals for the Second Circuit, and Stefan Underhill of the US District Court for the District of Connecticut. Prior to joining the NYU faculty, Murray was on the faculty of the University of California, Berkeley, School of Law, where she was the recipient of the Rutter Award for Teaching Distinction. From March 2016 to June 2017, she served as interim dean of Berkeley Law. Murray is a member of the New York bar. She lives in New York City with her family.]]></BiographicalNote>
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      <Text><![CDATA[<b>From a #1 <i>New York Times </i>bestselling author, podcast host,<i> </i>and legal expert<i> </i>comes an accessible and modern guide on how to read and understand the U.S. Constitution.</b><BR><BR>Think of this as the U.S. Constitution explained by America&rsquo;s favorite law professor, Melissa Murray. On her podcast, <i>Strict Scrutiny</i>, Murray and her cohosts, Kate Shaw and Leah Litman, provide in-depth, accessible, and irreverent analysis of the Supreme Court and its cases, culture, and personalities.<BR> <BR> On that podcast, on <i>MSNOW</i>&#8212;where she is a frequent contributor&#8212;in opinion pieces, and when providing commentary as she did in a recent <i>New York Times</i> piece on Justice Brown Jackson, Murray spends an awful lot of time demystifying laws for everyone else. In this book, she tackles one of the founding American documents: the Constitution. Each amendment will be annotated with some historical context provided, as well as examples of how it is relevant to our present day.<BR> <BR> More necessary than ever, as we look to the Supreme Court and their interpretation of the Constitution as the last institution upholding our democracy, this book is an indispensable read for every thinking American.]]></Text>
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      <Text><![CDATA[Melissa Murray&nbsp;is the Frederick I. and Grace Stokes Professor of Law at New York University&rsquo;s School of Law. She is the coauthor of the #1&nbsp;<I>New York Times</I>&nbsp;bestseller&nbsp;<I>The Trump Indictments: The Historic Charging Documents with Commentary</I>, cohost of a top-ranked podcast,&nbsp;<I>Strict Scrutiny</I>&mdash;which is about the Supreme Court and the legal culture that surrounds it&mdash;and a regular commentator on MSNBC. Her writing appears regularly in major national publications, including&nbsp;<I>The</I>&nbsp;<I>New York Times</I>,&nbsp;<I>The</I>&nbsp;<I>Washington Post</I>,&nbsp;<I>Los Angeles Times</I>,&nbsp;<I>The</I>&nbsp;<I>Atlantic</I>,&nbsp;<I>Mother Jones</I>, and&nbsp;<I>The&nbsp;Nation</I>. She is frequently called upon by national media outlets such as NPR and PBS to offer expert&mdash;yet accessible&mdash;commentary on the Supreme Court&rsquo;s decisions and other pressing legal matters of national importance. Her academic publications have appeared (or are forthcoming) in the&nbsp;<I>California Law Review</I>,&nbsp;<I>Columbia Law Review</I>,&nbsp;<I>Harvard Law Review</I>,&nbsp;<I>Michigan Law Review</I>,&nbsp;<I>Pennsylvania Law Review</I>,&nbsp;<I>Virginia Law Review</I>, and&nbsp;<I>Yale Law Journal</I>, among others. Murray is a graduate of the University of Virginia, where she was a Jefferson Scholar and an Echols Scholar, and Yale Law School, where she was notes development editor of the Yale Law Journal. While in law school, she earned special recognition as an NAACP-LDF/Shearman &amp; Sterling Scholar and was a semifinalist of Morris Tyler Moot Court. Following law school, Murray clerked for Sonia Sotomayor, then of the US Court of Appeals for the Second Circuit, and Stefan Underhill of the US District Court for the District of Connecticut. Prior to joining the NYU faculty, Murray was on the faculty of the University of California, Berkeley, School of Law, where she was the recipient of the Rutter Award for Teaching Distinction. From March 2016 to June 2017, she served as interim dean of Berkeley Law. Murray is a member of the New York bar. She lives in New York City with her family.]]></Text>
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      <Text><![CDATA[&quot;At long last, we have an annotated and explanatory guide to our Constitution that ordinary people, lawyers, and democracy advocates can understand. Constitutional law scholar Melissa Murray does the hard work of distilling the meaning of our Constitution into a book that should be in every home library, on every desk, and in every school. This is a critical work for our time.&quot;<b>&mdash;</b><b>Sherrilyn Ifill,&nbsp;President and Director-Counsel Emeritus, The Legal Defense Fund</b><BR> <BR> &nbsp;&quot;With this timely and readable annotated Constitution, Prof. Melissa Murray has yet again done what she does best: Locating current disputes over constitutional powers, authority and limits within her expansive knowledge of history, caselaw, legal movements and daily headlines. Equal parts legal doctrine and owners manual, this deep dive into the founding documents serves as a vital reminder that it is emphatically the province of the people to know what the law is, so that they can defend it and also build it to serve its highest purposes.&quot;<b>&mdash;Dahlia Lithwick, author of the&nbsp;<i>New York Times&nbsp;</i>bestseller&nbsp;<i>Lady Justice</i>&nbsp;and host of&nbsp;<i>Amicus</i></b><BR> <BR> &quot;Murray is without peer in her ability to translate the law to a general audience.&nbsp; With this book, Murray convincingly and succinctly explains how under the Constitution, the people are supreme and&nbsp;empowers us all to claim the Constitution as our own, to hold the government to account, and to continue the Constitution&#39;s project of becoming a more perfect Union.&quot;<b>&mdash;</b><b>Leah Litman, author of the <i>New York Times</i>&nbsp;bestseller <i>Lawless</i></b><BR> <BR> &quot;Murray does so much more than annotate the Constitution, she illuminates&nbsp;it, and in the process exposes its dark secrets and hidden myths. She tells us not only what the Constitution says, but what it really means.&quot;<b>&mdash;</b><b>Elie Mystal, Justice Correspondent for <i>The Nation </i>Magazine</b>]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781668232477.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> Chapter 1 <BR>There are exactly seventy-two ceiling tiles in Dr. Martinez&rsquo;s downtown couples counseling office. I know this because I counted them three times while James explained why we should get divorced, his voice competing with the angry buzz of fluorescent lights that made everyone look like they were starring in their own personal horror film.<BR> <BR>I&rsquo;d seen it coming&#8212;had practically penciled it into my Google calendar between &ldquo;Buy more coffee filters&rdquo; and &ldquo;Cancel joint Costco membership&rdquo;&#8212;but that didn&rsquo;t make it any less surreal.<BR> <BR>I never really expected divorce to be pretty. You see the slow unraveling of marriages every day in Netflix dramas and in celebrity gossip columns. You think you know what&rsquo;s coming. But the reality of it still impales you like a lance.<BR> <BR>James wasn&rsquo;t wrong. We <i>should</i> be getting divorced. But that didn&rsquo;t change the fact that it made me feel like an utter failure. What kind of overachiever fails at a marriage at thirty?<BR> <BR>Now, three months and twenty-seven passive-aggressive exchanges later, I sat at my home coffee table, staring at final divorce papers while trying not to cry into my fourth cup of coffee. The mug said &ldquo;Best Wife Ever&rdquo;&#8212;a white elephant gift from James&rsquo;s office Christmas party last year. What a fun little joke.<BR> <BR>But that was just how life went, wasn&rsquo;t it? The realities rarely match our expectations. Honestly, I think our marriage had been unraveling since the ink dried on the license&#8212;the threads of connection fraying one by one like my favorite college sweater I refuse to throw away. Our nights grew quieter. The distance between us in bed stretched wider than the San Andreas Fault. My silk pajamas gathered dust in the drawer, replaced by shapeless T-shirts that matched the apathy settling over our home like Bay Area fog. The laughter stopped. The charming anecdotes became obnoxiously redundant.<BR> <BR>Finally, we faced the truth. No babies to bind us. No major assets complicating things. No love to renew us. The next thing we knew, we were arguing over who got to keep the good ladle.<BR> <BR>I sighed, looking around the room. I was going to miss this house more than my actual marriage. We&rsquo;d gotten lucky and managed to snag a little town house across from San Francisco&rsquo;s Golden Gate Park when the registered sex offender renting it had died in the back bedroom, and the owner couldn&rsquo;t give it away. (Hey, in this housing market, you take what you can get, even if it comes with a questionable history and the occasional unexplained creak.)<BR> <BR>We&rsquo;d turned the cozy hamlet of blue paint with a brick fireplace tucked away in the eucalyptus into a home. But now I resisted the urge to pull up the Zillow listing. The idea that it was on the market was too painful to stomach.<BR> <BR>But neither of us could afford to buy the other out at the current market value. So our lawyers thought it best we sell and take our wins. At least the market was up, and once it sold, I&rsquo;d have a little nest egg. I sighed. It would probably be too depressing living here anyway, surrounded by the ghosts of failure.<BR> <BR>&ldquo;Focus, Dahlia,&rdquo; I muttered, pushing aside the papers to stare at my laptop screen. The marketing campaign for artisanal dog treats wasn&rsquo;t going to write itself, and those divorce therapy sessions definitely weren&rsquo;t paying for themselves. But my brain kept circling back to the fact that I was about to be just another statistic, another ex&#8211;Mrs. Something, stepping into an unexpected future with nothing but a collection of self-help books and an iron mermaid bottle opener I fought way too hard to keep. I was beginning to think what I thought was happiness was really just an easy contentment. An arrangement that was simple enough to sink into and build a day-to-day life that made sense on paper.<BR> <BR><i>Grr.</i> There was no way I could focus.<BR> <BR>I abandoned my laptop&#8212;sorry, bougie dog treats&#8212;and wandered into the living room, where moving boxes formed a cardboard city of shattered dreams.<BR> <BR>Memories of happier times flickered briefly, only to be overshadowed by the present emptiness. James had the decency to check into an Airbnb until we sorted out the living arrangements. How magnanimous.<BR> <BR>Desperate for a distraction, I pulled a box from the closet I&rsquo;d been meaning to sort through. I&rsquo;d mostly packed everything for the real estate staging, but I had a few remaining boxes to go through. One upside to turning your life inside out is the chance to purge a bit. It&rsquo;s amazing how much detritus a life can collect&#8212;school papers, birthday cards, kitschy knickknacks from weekends in Vegas.<BR> <BR>Inside one box, I found an old photo album Mom gave me when I left for college, back when I thought I had life figured out. Like most things from that era&#8212;including my questionable dedication to Forever 21 bandage dresses&#8212;I was spectacularly wrong. I smiled, running my hand over the worn, genuine leather. I delicately opened and turned the pages, laughing at a chunky baby Dahlia with rubber band wrists and sporting probably the worst floral dress I&rsquo;d ever seen.<BR> <BR>I smiled as memories graced the pages&#8212;Disneyland and summer pool days. Awkward middle school dances&#8212;okay, seriously, who was monitoring my fashion choices?<BR> <BR>Then my fingers traced over a photo that made my heart squeeze: six-year-old me in my grandmother&rsquo;s garden in Valencia, Spain, both of us covered in dirt and smiling like we&rsquo;d discovered buried treasure instead of just planting tomatoes. Abuela&rsquo;s garden was a maze of herbs and vegetables, where she taught me that the best things in life take time to grow.<BR> <BR>&ldquo;<i>Como las plantas, mi amor</i>,&rdquo; she&rsquo;d say, &ldquo;relationships need tending.&rdquo;<BR> <BR>I had no idea what she was talking about then, but it made sense now. I guess James and I weren&rsquo;t much of gardeners.<BR> <BR>A wave of grief lapped over me. When I was little, Mom and I would take trips to Valencia, where her mother&rsquo;s family was from. But I hadn&rsquo;t been back since I was ten&#8212;the year my world crumbled. Abuela had come out to see me a couple of times, but nearly three years had gone by since I&rsquo;d last seen her before she suddenly passed away when I was eighteen. The guilt had been eating me ever since.<BR> <BR>The sound of a text notification jolted me from my nostalgia spiral. It was my colleague and recently acquired bestie, Cora: <i>Stop overthinking and sign the damn papers. Then get dressed. We&rsquo;re going out tonight.</i><BR> <BR>We&rsquo;d been friendly for a few years but had never hung out much&#8212;I had my circle with James; she had her own world. Then, one day six months ago, she pulled me aside after a pitch meeting for a company selling robot-powered smoothie machines.<BR> <BR>&ldquo;I know we&rsquo;re not exactly close, but you look&#8212;different. Sad. Are you&#8212;okay?&rdquo; she&rsquo;d said.<BR> <BR>I looked her in the eye and burst into tears. I then confessed all like a drunken taxicab confession.<BR> <BR>I looked down at my oversize Nirvana T-shirt&#8212;the one with the mysterious stain that might be pizza sauce or evidence of a crime&#8212;and sighed. Cora was right. It was time to close this chapter.<BR> <BR>My pen hovered over the signature line. One stroke, and I&rsquo;d no longer be Mrs. Hill. Just Dahlia Delaney again, stepping into an unexpected future with a secondhand heart.<BR> <BR>I suppose &ldquo;till death do us part&rdquo; should&rsquo;ve come with an asterisk: <i>Results may vary. Forever not guaranteed. Side effects may include questioning everything you thought you knew about love while shoveling Halo Top Mint Chip into your mouth at 3 a.m.</i><BR> <BR>But maybe that&rsquo;s okay. Maybe sometimes you have to let the story you thought you were writing turn into something else entirely. Like Abuela&rsquo;s garden, you have to clear out the dead things to make room for new growth.<BR> <BR>Hill was a boring name, anyway.<BR> <BR>Wow, those self-help books were really paying off.<BR> <BR>I signed the papers.<BR> <BR>Then I texted Cora back: <i>Fine, but I&rsquo;m not wearing heels. And you&rsquo;re buying the first round.</i><BR> <BR>If I had to start over, I might as well do it with good wine and better company.<BR> <BR>But first, I needed to figure out how to make artisanal dog treats sound life-changing. A girl&rsquo;s got to pay her therapy bills somehow.<BR> </section>]]></Text>
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      <Text><![CDATA[<B>Based on the popular recurring sketch, Stephen Colbert &ldquo;confesses&rdquo; to all the shameful things we all think or do in secret&hellip;and have no intention of stopping anytime soon. This paperback will be published in time for <i Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);">The Late Show</i>'s upcoming May 2026 cancellation.</B><BR><BR>Forgive him, Father, for Stephen Colbert has sinned. He knew it was wrong at the time. But he went ahead and did it anyway. Now he&rsquo;s begging for forgiveness. Based on his popular segment from <i Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);">The Late Show</i>, Stephen Colbert and his team of writers reveal his most shameful secrets to millions (although, actually, he&rsquo;d like you not to tell anyone). Now available in paperback, <i Open Sans", sans-serif; font-size: 14px; background-color: rgb(251, 252, 253);">Midnight Confessions </i>is an illustrated collection of Stephen Colbert at his most brilliant and irreverent.]]></Text>
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      <SubjectHeadingText>New Longevity Movement; ROAR; ROAR Forward; Longevity; Aging; Mid-Life; Re-Imagineer; Retirement; Life Layering; Centenarian; Personal Growth; Career Growth; Career Shift; Second Career; Third Act; Second Half of Life; Encore Careers; Multigenerational Workforce; Age-Inclusive Innovation; Life Reinvention; Holistic Aging; AARP; HEARST; Life Purpose; Seniorpreneurs; Midlife Mastery; Purpose Economy; Self-Actualization; Legacy Planning; Silver Economy; Active Longevity; Emotional Wellness; Aging Equity; Neurogenesis; Financial Resilience; Late Bloomers; Conscious Career; Career Longevity; Aging Optimism; Bioindividuality; Personalized Health; Smart Retirement; Reinvention Economy; Age Disruption; Midlife Transitions; Longevity Economy; Purpose-Driven Life; Age Positivity; Success; Personal Success; Relationships; Sexual Wellness; Health; Well-being; Health and Well-being; Self-Help; Life Planning; Oprah Winfrey; Men&#39;s Health; Second Chapter; Life Purpose; Robin Roberts; Life after 50; Conscious Aging; Conscious Living; Empowered Aging; Longevity Revolution; New Map of Life; Aging Well; Resilient Aging; 100-year Life; Life Beyond 50; Redefining Retirement; Purposeful Aging; Thriving in Mid-Life; Healthy Aging; Career Pivot; Future of Aging; Self-Discovery; Life Transformation; Longevity Lifestyle; Post-Retirement; Active Aging; Health and Wellness; Super-Aging; Stanford University; Blue Zones; Primetime Partners; Lifelong Learning; Purposeful Living; Unretirement; Pro-Aging; Baby Boomers; Millennials; Anti-Aging; Preventative Health; Personal Wellness; Biohacking; Life Extension; Healthspan; Vitality; Longevity Medicine; Geriatric Medicine; 50-plus; Mental Well-Being; Nutrition; Sleep Health; Fitness; Skin Health; Money Management; Financial Planning; Hobby; Travel; Communities over 50; Philanthropy and Service; Stanford Center on Longevity; Wealth Management</SubjectHeadingText>
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      <Text><![CDATA[<b>Discover how individuals and institutions are redefining the second half of life through science, reinvention, and purpose, proving that living a centenarian life is no longer a distant dream&#8212;it&rsquo;s today&rsquo;s reality with the new longevity movement.</b><BR><BR>As more people live into their eighties, nineties, and even hundreds, traditional models of aging no longer apply&#8212;and a bold new road map is emerging. <i>Longevity Nation </i>takes us to the front lines of the new longevity movement, giving us the tools and insights we need to radically reshape the second half of life in happier, healthier ways.<BR> <BR> With insights from the Stanford Center on Longevity and its groundbreaking New Map of Life, L&rsquo;Or&#233;al&rsquo;s &ldquo;All Generations&rdquo; workforce strategy, and Singapore&rsquo;s incentives for hiring over-fifty-five workers, this book integrates global cutting-edge research across functional health, financial security, and lifelong learning&#8212;revealing what&rsquo;s happening now and what&rsquo;s coming next.<BR> <BR> From business and wealth to fitness and relationships, this practical guide spotlights innovators, experts, and everyday individuals who are redefining what it means to thrive later in life. Aimed at readers forty and up, <i>Longevity Nation</i> is an inspiring manifesto for a generation ready to reimagine aging&#8212;and live with more purpose, vitality, wellness, and vision than ever before.]]></Text>
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      <Text><![CDATA[Michael Clinton is the former president and publishing director of Hearst Magazines and is currently special media advisor to the Hearst Corporation&rsquo;s CEO. He is also an author and photographer who believes that everyone should strive to live their fullest life possible&mdash;especially in the second half of life. A regular columnist for <i>Men&rsquo;s Health</i>, his work has also been featured in<i> Forbes</i>, <i>Oprah Daily</i>, <i>Esquire</i>,<i> Elle</i>,<i> </i>and on<i> </i>CBS<i> Mornings</i>, among others.<i>&nbsp;</i>Michael has traveled through over a hundred countries, has run marathons on seven continents, is a private pilot,&nbsp;part owner of a vineyard in Argentina, has started a nonprofit foundation, holds two master&rsquo;s degrees, and still has a long list of life experiences that he plans to tackle. He resides in New York and Santa Fe, New Mexico.]]></Text>
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      <Text><![CDATA[&quot;Michael Clinton stands at the vanguard of a new social movement: longevity. He is both a leader of, and evangelist for, those roaring into the second half of their lives. Through his work, he&rsquo;s discovered the men and women who are foundational to the movement. And in <I>Longevity Nation</I>, he introduces us to them, revealing in fascinating detail how these people are reshaping our future lives. Long after you&rsquo;ve finished the book, you&rsquo;ll still be thinking about their bold ideas. They will leave you reassured and inspired.&rdquo;]]></Text>
      <TextAuthor>&lt;b&gt;Michael Sebastian&lt;/b&gt;, Editor in Chief of &lt;i&gt;Esquire&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Michael Clinton masterfully weaves together stories from visionary entrepreneurs, researchers, and communities who are turning demographic challenges into breakthrough opportunities, revealing how forward-thinking leaders are building infrastructure for a world where living to 100 becomes the norm. For anyone seeking to understand and capitalize on the most significant societal shift of our time,<i>&nbsp;Longevity Nation</i>&nbsp;is essential reading.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Laura&#160;L. Carstensen, PhD&lt;/B&gt;,&#160;professor of psychology, Fairleigh S. Dickinson Jr. professor in public policy, and founding director, Stanford Center on Longevity&#160;</TextAuthor>
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      <Text><![CDATA[&ldquo;Following up on&nbsp;his bestselling book&nbsp;<I>Roar</I>, longevity thought-leader Michael Clinton is back with&nbsp;<I>Longevity Nation,&nbsp;</I>a ground-breaking&nbsp;analysis&nbsp;of the&nbsp;strides we have made around&nbsp;living stronger, longer, and the vast, untapped opportunities that remain in the areas of policy, medicine, advertising, and beyond.&nbsp;Leveraging the knowledge and experience of the&nbsp;top scientists, innovators,&nbsp;marketers, and thinkers, this deeply necessary book makes the strongest possible case for reframing the cultural conversation around aging, while offering actionable advice&nbsp;for anyone looking to supercharge the second half of their life.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Lucy&#160;Kaylin&lt;/B&gt;, Editorial Director, Hearst Magazines</TextAuthor>
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      <BiographicalNote><![CDATA[Haili Blassingame is a producer for the NPR program <I>1A</I>. She has written for publications like&nbsp;<I>The New Republic</I>&nbsp;and&nbsp;<I>The New York Times</I>, in which she published the viral &ldquo;My Choice Isn&rsquo;t Marriage or Loneliness&rdquo; for &ldquo;Modern Love&rdquo;.&nbsp;She was one of twelve essayists selected to write a follow-up piece for the column&rsquo;s 20th anniversary in October 2024. She&rsquo;s also been a guest on the <I>Modern Love</I> podcast, NPR&rsquo;s <I>Life Kit</I>, and NPR&rsquo;s <I>1A</I>. She previously worked on NPR&rsquo;s <I>Code Switch </I>and <I>Weekend Edition</I>. She is pursuing an MFA in creative writing from American University. She lives in Washington, DC.]]></BiographicalNote>
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      <Text><![CDATA[Haili Blassingame is a producer for the NPR program <I>1A</I>. She has written for publications like&nbsp;<I>The New Republic</I>&nbsp;and&nbsp;<I>The New York Times</I>, in which she published the viral &ldquo;My Choice Isn&rsquo;t Marriage or Loneliness&rdquo; for &ldquo;Modern Love&rdquo;.&nbsp;She was one of twelve essayists selected to write a follow-up piece for the column&rsquo;s 20th anniversary in October 2024. She&rsquo;s also been a guest on the <I>Modern Love</I> podcast, NPR&rsquo;s <I>Life Kit</I>, and NPR&rsquo;s <I>1A</I>. She previously worked on NPR&rsquo;s <I>Code Switch </I>and <I>Weekend Edition</I>. She is pursuing an MFA in creative writing from American University. She lives in Washington, DC.]]></Text>
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      <Text><![CDATA[<i>This reading group guide for</i><b> THEY ALL FALL IN LOVE AT THE END </b><i>includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.</i><BR><BR><b>Introduction</b><BR> <BR>Cat St. Clair is a twentysomething creative writing MFA student in DC who is just trying to navigate the messiness of her twenties amongst a looming presidential election, political tensions locally and overseas, and her parents&rsquo; crumbling marriage. When she asks her long-term boyfriend to open their relationship, she hopes this will provide her with the freedom she craves. She can now date whoever she wants, except for the one off-limits person she wants most of all&#8212;her boyfriend&rsquo;s best friend, Tristan . . . and his new girlfriend. Even though she knows it will end in disaster, she follows her heart and pursues them all anyway, as she grapples with what it means to be a young Black woman and a writer in today&rsquo;s political climate, who is constantly faced with choices that force her to confront what and whom she truly wants.<BR><BR><b>Discussion Questions</b><BR> <BR>When Tristan asks Cat and Jay how their open relationship is going, Cat responds immediately with &ldquo;Great!!!&rdquo; (page 8). Jay later brings up this incident again (page 130), saying she wouldn&rsquo;t let him respond. Why do you think Cat responded in this way? What does it say about their relationship?<BR> <BR>Several scenes throughout the novel are written in the format of a play (pages 95, 133, 155, and 218). Why do you think those particular scenes are written in this way? How does that format serve those scenes?<BR> <BR>Blassingame cleverly uses a meta &ldquo;story within a story&rdquo; structure, as Cat writes about her own situation the novel she&rsquo;s writing for class. What does this story within a story allow the author to do? Why is it useful, and how does it change our perception of the story?<BR> <BR>What do you think is the significance of Janine&rsquo;s character? How does she serve Cat&rsquo;s character development?<BR> <BR>On page 50, Tristan tells Cat that his philosophy PhD dissertation is about how agency isn&rsquo;t an individual issue, that your decisions are made within a system. On page 51, Cat tells Tristan about the book she&rsquo;s reading, <i>Art Monsters</i>, about people who put their art over everything else. Discuss these two themes within the context of the book.<BR> <BR>What do you think the tree that Cat buys to support Anwar&rsquo;s family symbolizes? Why do you think she names it after her father?<BR> <BR>When Milken tells Cat to pursue writing the story about her parents instead of the one about the &ldquo;small details of her life.&rdquo; Cat responds, &ldquo;But the personal is always political, right?&rdquo; (page 117). What do you think&#8212;can the personal and the political be separated, or does one always inform the other?<BR> <BR>After they argue, Tristan tells Cat, &ldquo;But you&rsquo;re so much more than a relationship paradigm&rdquo; (page 240). Do you agree with Tristan? Are we defined by our desires and labels? Or do you think he is missing the point&#8212;that being nonmonogamous is so much more than a relationship paradigm to Cat?<BR> <BR>Why is Dorinda&rsquo;s decision to move out so significant? In what ways does it reflect Cat&rsquo;s decisions?<BR> <BR>On page 271, Cat says, &ldquo;I wanted the choice of not having to choose.&rdquo; How does that reflect the themes of the book? Do we ever get to have that choice in life?<BR> <BR>After reading an essay in the Black craft anthology, Cat has a realization about her writing and writes down the word &ldquo;FORM&rdquo; (page 285). She later realizes that &ldquo;form&rdquo; is also a verb (page 357). Discuss the two realizations she is having about her writing. What do they mean? Why do you think form is an important theme in the novel?<BR> <BR>On page 298, Cat decides to be monogamous with Jay. What do you think led her to that decision in that moment?<BR> <BR>What do you make of the way Blassingame left the friendship between Cat and Milan?<BR> <BR>When Nia finally reveals her portrait of Cat to her, Cat thinks it looks &ldquo;dishonest&rdquo; (page 284). Later, Nia reveals the new version of the portrait as Cat as a silhouette against a landscape (page 363). What do you think this new version means? With the knowledge that the scene in Nia&rsquo;s gallery ten years later might just be happening in Cat&rsquo;s novel, what do you think the portrait says about how Cat perceives herself?<BR> <BR>What do you make of the final chapter? Do you agree with Janine, or did you agree with Cat&rsquo;s reasoning for the original ending of her book?<BR><BR><b>Enhance Your Book Club</b><BR> <BR>Read a book or watch a movie with a love triangle (or rectangle). In what ways is it similar to the love rectangle in this book? In what ways does this book subvert the classic love triangle narrative?<BR> <BR>The lock-in towards the end of the novel is in many ways similar to the encampment at Columbia University in 2024 and at other schools arounds the country. Has the account of Cat&rsquo;s experience affected your perspective of these real-life protests? Why or why not?<BR> <BR>The rise of polyamory and &ldquo;ethical nonmonogamy&rdquo; has become a hot-button topic recently. Read the Modern Love article &ldquo;<a href="https://www.nytimes.com/2024/06/21/style/modern-love-polyamory-i-was-content-with-monogamy.html">I Was Content with Monogamy. I Shouldn&rsquo;t Have Been</a>.&rdquo; Then read Haili&rsquo;s Modern Love essay &ldquo;<a href="https://www.nytimes.com/2021/04/02/style/modern-love-my-choice-isnt-marriage-or-loneliness.html">My Choice Isn&rsquo;t Marriage or Loneliness</a>.&rdquo; Why do you think there has been such a rise in the discussion of polyamory in recent years? How is Haili&rsquo;s perspective similar to or different from the other writer&rsquo;s?]]></Text>
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      <Text><![CDATA[&ldquo;This is a firecracker of a novel&mdash;funny, smart, sexy, and alive with a narrator you can&rsquo;t help but fall for. I loved it.&rdquo; &ndash; Antonia Angress, author of <i>Sirens &amp; Muses</i>]]></Text>
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      <Text><![CDATA[&quot;You know how people sometimes say Sally Rooney is writing what will be the first millennial classics? I think Haili Blassingame wrote a Gen Z/millennial cusp classic. I haven&rsquo;t been this excited by a book in ages. Incisive, raw, and relentlessly funny, Blassingame&rsquo;s superb debut cements her as an electric voice to watch and a sharp portraitist of Gen Z desire. <I>They All Fall in Love in the End&nbsp;</I>thrums with tactile, evocative prose, sexual tension, and smart social commentary. I laughed out loud so many times&mdash;I absolutely loved it.&rdquo; -- Katie Naymon, author of <I>You Between the Lines&nbsp;</I>]]></Text>
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      <Text><![CDATA[&ldquo;As a satirist and fresh American voice, Blassingame is a talent to watch.&rdquo;]]></Text>
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      <Text><![CDATA[<P>I am not the woman who destroyed a celebrated professor’s career – he did that himself.<br><br>For more than a decade, Dr Yoo Young Dominique Lee lived two lives. To the world, she was everything a cancer specialist was meant to be – competent, composed, admired. But beneath the polished surface was a traumatised woman barely surviving each day.<br><br>In 2013, a respected oncology professor drugged and sexually assaulted Dominique when she was a trainee doctor. He was later charged, pleaded guilty, and went to jail. His name was made public. Hers was not.<br><br>Until now.<br><br>What’s Been Broken Is All the More Sharp is the story of the woman behind the headlines – her trauma, her silence, and what it cost her to stay in a profession where everyone seemed to know what happened to her but didn’t actually know her. It is not just a retelling of the assault, but an unflinching exploration of who she was before and what follows: the disorientation, the shame, the crushing invisibility, and the long, unpredictable arc of recovery.<br><br>Told with clarity and courage, Dominique’s story is a testament to survival, an offering to those experiencing similar trauma, and a reminder that the secret for surviving is the people who offer grace and kindness in even the darkest of times.<br><br>This is not a story about a man who abused his power.<br><br>It is the story of a woman reclaiming hers.<br><br>https://drdominiquelee.com</P>]]></Text>
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      <Text><![CDATA[<b>Fire, smoke, and ash consume the continent in the darkest chapter yet in The Call of the Rift series </b><BR> <BR>The Battle of Tjarnnaast left its mark: Katja is adrift, haunted by her memories of the battle and dark visions of a desolate wasteland. Her only guidance is her parents&rsquo; cryptic messages from the spirit world. On their instructions, Katja goes south to track down her mercenary friend Tiernan. Maybe together, they can find the R&#250;onbattai&rsquo;s elusive cleric leader, defeat their ranks forever, and end the war. Then Katja could finally go home &#8212; if she can decide where home is.<BR> <BR>Yet Tiernan is missing, and Katja&rsquo;s best hope of rescuing him is by striking unlikely alliances &#8212; with untrustworthy acquaintances and new allies hiding dangerous secrets. Druids whisper of dry winters and warming oceans and the war-torn nation is a tinderbox ready to ignite. Katja must use everything in her power, from her water magic to her hand in marriage, to battle the growing flames. If they erupt into a wildfire, everyone and everything she loves will burn with them.<BR> <BR><b>About the Series</b><BR> <BR>Set in two parallel worlds, this series follows Kateiko Rin, a headstrong teenage girl with the power to shapeshift and control water, as she grows up in the war-torn coastal rainforest. As the worlds diverge, so do the versions of herself. Orphaned Kako takes up arms to protect her people, while refugee Katja finds purpose as a healer. Each girl&rsquo;s fiction is the other&rsquo;s truth &#8212; in love, war, and everything in between. The prospect of a rift opening between worlds poses a question to characters and readers: if you could cross into another version of your life, would you? The Call of the Rift series has been praised for its intricate plotting, meticulous worldbuilding, and expert writing, from author Jae Waller, a talented newcomer to YA fantasy fiction. The series appeals to the mature reader of YA fantasy looking for romantic content, women-led fiction, LGBTQ+ and BIPOC representation, and complex worlds and characters. It began in 2018 with <i>The Call of the Rift: Flight</i> and will conclude with the fifth book in the series, <i>The Call of the Rift: Fuse</i>, in 2025.]]></Text>
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      <Text><![CDATA[<B>Unveil the art of connection: discover personality and relationships through the lens of Persian miniatures in this 44-card deck.</B><BR><BR>In Qajar Oracle, each card is a captivating masterpiece, beautifully blending the elegance of Persian Qajar miniature paintings with profound insights into the complexities of human personality traits.<BR> Explore the depths of your intuition and enhance your connections with those around you through this unique deck, where art meets self-discovery. With every draw, unlock new perspectives and guidance that will unlock new perspectives, enrich your self-discovery journey. and deepen your understanding of yourself and others. <BR> Revel in the resplendent design as you practice the ancient art of cartomancy.]]></Text>
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      <Text><![CDATA[<P><B>“A gripping account of Hitler’s shadow war — and the spies who paid for it with their lives.”</B></P><P>During the Second World War, German Intelligence waged a covert campaign against Britain and its allies, recruiting agents whose loyalty to Adolf Hitler would ultimately cost them their lives. Among these were Karel Richter and Theodore John Schurch — two men drawn into espionage by very different paths, but bound by the same fatal outcome.</P><P>One was sent into England on a single, high-risk mission intended to test the integrity of Germany’s most important London-based agent at a moment when the entire Abwehr network in Britain was under suspicion by the Germans themselves. The other was radicalised at home, recruited by Axis intelligence, and embedded with deadly consequences within the British Army itself, operating in war-torn North Africa and Italy.<br><br>Their activities exposed the vulnerabilities of wartime security and the power of ideology to turn belief into betrayal. Both stories would end in arrest, secret trials and ultimately execution.<br><br>Based on archival research and previously top secret intelligence records, Hanged for Hitler brings to life the deadly aspects of Hitler's hidden war, revealing how espionage, ideology and human frailty led two men inexorably to the gallows.</P><P><B>‘Reveals deadly aspects of Germany's shadow war operating not only in Britain but also in North Africa and the Continent.’</B></P><P><B>‘A sober reminder that Hitler's secret war against Britian had deadly consequences for all its shadowy agents.'</B></P>]]></Text>
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      <Text><![CDATA[<P><B>‘From Fromelles to the final advance — war as it was lived, in the words of the men who faced it.’</B></P><P><B>One battalion. Three years of war. Ordinary men under relentless pressure.</B></P><P>‘I was eighteen when I was first sent into battle at Fromelles… War is both the silliest and cruellest activity that a man can get mixed up in. It breaks my heart even now to think of it.’<br>— Walter Herbert ‘Bert’ Bishop, 55th Battalion</P><P>In 1915, news from Gallipoli stirred tens of thousands of young Australians to enlist. They trained for a campaign that ended before they reached it. Their war would be fought elsewhere — in the shattered fields, sodden trenches, and ruined villages of France and Belgium.</P><P>Hold the Line tells the story of one of those units: the 55th Battalion of the Australian Imperial Force. Raised from volunteers and shaped in the camps of Egypt, the battalion was sent into the grinding, industrial warfare of the Western Front — a war of mud, machine guns, and relentless attrition.</P><P>Drawing on letters, diaries, and firsthand testimony, Tim Cook traces the battalion’s journey from the disaster at Fromelles through the hard fighting at Polygon Wood, Péronne, and Bellicourt. These are not distant battle reports, but the voices of the men themselves — young soldiers struggling to endure fear, exhaustion, loss, and the daily uncertainty of survival.</P><P>By the Armistice in 1918, more than 500 of the 3,000 men who served with the 55th Battalion were dead, and another 1,000 wounded. Those who lived through the war carried it with them for the rest of their lives.</P><P>Though centred on a single battalion, Hold the Line captures the shared experience of Australian soldiers on the Western Front. It is war as it was lived — close, exhausting, and unforgiving — and a lasting tribute to the men who endured it.</P><P><B>‘A vivid and unflinching account of Australians at war on the Western Front.’</B></P><P><B>‘War as it was lived — close, exhausting, and unforgiving.’</B></P><P><B>‘A powerful battalion history grounded in firsthand testimony.</B></P>]]></Text>
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      <Text><![CDATA[<B>"Introduces an appealing repertoire of fresh, colorful, zero-waste homemade dishes...combines organic garden produce with a sustainable perspective." &#8212;<I>Foreword Reviews</I></B><BR> <BR><b>75 recipes cover a range of seasonal dishes as well as pantry essentials for eating all year round and avoiding any kind of waste.</b><BR><BR>In Seasonal Pantry, French artisan baker Beno&#238;t Castel shares recipes that respect the seasons as well as your budget. This simple and seasonal approach to cooking reduces waste: every crumb of leftover bread is used, and apples are consumed to the core. <BR> <BR> Inside, you'll a collection of homemade recipes to make simple meals you can save and savor throughout the year. ?<BR> <ul> </ul> <ul> <li aria-level="1" dir="ltr">Vegetables from the garden (pickled carrots, aubergine caviar, tomato sauce)</li> <li aria-level="1" dir="ltr">Fruits from the orchard (apricot jam, pear caramel syrup, apple sauce).</li> <li aria-level="1" dir="ltr">Condiments made from cereals, dried fruit, and grains (mustard, pesto, salted dried fruit)</li> <li aria-level="1" dir="ltr">Milk and plant-based dairy products (almond milk, yogurt, raspberry butter)</li> <li aria-level="1" dir="ltr">Easy to dress doughs (pie crusts, quiches, profiteroles )</li> <li aria-level="1" dir="ltr">Leftover bread preparations (biscotti, croutons)</li> </ul>]]></Text>
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      <Text><![CDATA[<B>Benoit Castel</B>&rsquo;s pantry is filled with jars, tins, and preserves. Before becoming an artisan baker, he trained as a pastry chef. Today, he is the author of three cookbooks and the owner of two bakeries in Paris.]]></Text>
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      <Text><![CDATA[Pastry chef Beno&icirc;t Castel&rsquo;s inviting cookbook <I>The Seasonal Pantry</I> combines organic garden produce with a sustainable perspective.<BR> <BR>Castel&rsquo;s garden-to-table ethos involves seasonal eating and capturing the bounty of harvests by drying, pickling, or preserving produce to enjoy at a later date. &ldquo;That&rsquo;s the spirit of my pantry,&rdquo; he explains. &ldquo;Cooking high-quality ingredients for future use without wasting a crumb.&rdquo; Making vegetable broth is a good reason to save peelings. Baking croutons and Melba toast extends the life of stale bread. Old loaves can be ground to make the base of new ones; 30 percent of Castel&rsquo;s unsold bread is thus reused. This approach is &ldquo;not revolutionary,&rdquo; he remarks, but rather &ldquo;a return to common sense.&rdquo;<BR> <BR>The book&rsquo;s versatile pastry recipes are a foundation for a range of dishes. A similar base could produce a quiche or a roasted apricot &ldquo;pizza.&rdquo; Choux dough might be turned into profiteroles or ham-and-greens-stuffed buns topped with Parmesan. The steps are simple and reassuring, and the components and flavors are adaptable. Plant-based alternatives appear, as with a method for making pumpkin seed &ldquo;milk.&rdquo;<BR> <BR>Close-up shots of alluring plates alternate with photographs of the garden and a table spread for convivial meals. Summer and autumn ripeness is sustained in jam, poached pears, and a rainbow of jarred vegetables. Fascinating combinations include a green tomato, raspberry, and mint jam. Dried hibiscus enlivens drinks and cakes. Sauces balance savory and sweet: an eggplant and hazelnut dip; a prune and almond hummus that contains honey, olive oil, and chickpeas. A pistachio, pumpkin seed, and white chocolate spread is a homemade take on Nutella.<BR> <BR><I>The Seasonal Pantry</I> introduces an appealing repertoire of fresh, colorful, zero-waste homemade dishes.]]></Text>
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      <SubjectHeadingText>dragons;romantasy;arranged marriage;enemies to lovers;forced proximity;found family;political intrigue;court intrigue;dragonbound chronicles;epic fantasy romance;strong heroine;alpha hero;hidden legacy;ancient prophecy;kingdoms at war;magical creatures;high fantasy romance;slow burn romance;forbidden attraction;romance and danger;heroine in peril;dark fantasy romance;betrayal and secrets;heroine caught between duty and desire;dragon mythology;epic series launch;fantasy worldbuilding;romantic tension;BookTok fantasy;book collector edition;sprayed edges hardcover;collectible edition;Meghan Lefay;sweeping fantasy saga;romance with intrigue;dragons and magic;heartfelt romance;romance with adventure;court politics;romantasy debut;magical kingdoms;epic romance adventure;fantasy romance lovers;Enemies in love;Fantasy romance series;Dragonbound lore;heroine’s journey;hero vs. court intrigue</SubjectHeadingText>
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      <Text><![CDATA[<B>Fans of enemies-to-lovers romance and epic dragon-filled fantasy will be swept into Le Fay's <i>Wings of Life</i>, where duty, danger, and forbidden desire collide.</B><BR><BR>***DELUXE LIMITED EDITION HARDCOVER with stenciled edges, a beautiful foil-stamped hardcover, exclusive interior design with full-color endpapers*** Only while supplies last.<BR> <BR><i><b>They cast me off to Rihtlond as a bride.<BR> <BR> They don&rsquo;t care if I come back alive.</b></i><BR> <BR> Too sharp-tongued and too curious, I am my mother&rsquo;s greatest lament and my father&rsquo;s constant frustration. Unwilling to bow to their will, I&rsquo;ve become expendable, worth sending on a mission doomed to fail.<BR> <BR> Armed with nothing but a coded journal, a quill, and my wits, I&rsquo;m thrust into the kingdom of our oldest enemy&#8212;a land of storms and warriors&#8212;to wed their high dane&rsquo;s son. Trapped on their ruthless continent, I am no blushing bride. I&rsquo;m a spy sent to unlock Rihtlond&rsquo;s weaknesses&hellip; a cuckoo in the robin&rsquo;s nest.<BR> <BR> But my heart still bleeds red when the weaponmaster of these strange people steals it away. Through him, I learn to unlock their secrets. What I uncover is more dangerous than I ever imagined: magic thrumming in the roots of Rihtlond, a dragon hidden in plain sight, and a love I was never meant to feel. Holding this knowledge, I am meant to return home and bind myself to a future I was given long ago.<BR> <BR> Now, as war rises and alliances crumble, I must choose between duty and desire, between the family who cast me aside and the bond that awakens who I truly am. To protect what I&rsquo;ve found&#8212;and who I become&#8212;I must risk everything. Even if it brands me a traitor. Even if it costs me my life.]]></Text>
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      <Text><![CDATA[Meghan Le Fay hails from present-day Earth, despite her lifelong dream of being born as an elf in Middle-earth. A constant and consummate fan of fantasy, she lives, breathes, and dreams in the spidery language of the magic. Her works are inspired by her obsessions with mythology, medieval history, and all things magical and mystical&mdash;especially dragons.<BR> <BR> When not writing or daydreaming of other realms, Meghan can be found avoiding the Arizona desert heat through reading, crafting, music, or dance. Or having wild adventures (both real and imaginary) with her family.]]></Text>
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      <Text><![CDATA[&quot;Politics, magic, and romance infuse Le Fay&rsquo;s solid fantasy debut. The world is colorful, and intrigue, magic, and sex are all treated with equal gusto. Romantasy fans will be pleased.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;A lustrous tale for fantasy lovers that offers magic, intrigue, battles, and romance.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Fantasy fans will find much to enjoy in this rich, sprawling story, from the dragons and heart-pounding battle scenes to the spicy romance between Serae and Wep.&rdquo;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>A slow-burn second chance romance set in the publishing world, perfect for fans of Emily Henry and Colleen Hoover.</B><BR><BR>Five years apart. One unfinished love story.<BR> <BR>Scarlett Frye was once a literary genius. With two bestselling novels, a million-dollar book deal, and a love story of her own, she had it all&#8212;until the pressure broke her. Five years ago, she canceled her book tour, shredded her contract, and disappeared. She left everything behind, including Ryan Whitlock, the editor who believed in her&hellip; and the man she loved.<BR> <BR> Now, after years of healing, she&rsquo;s ready to write again.<BR> <BR> For Ryan, Scarlett&rsquo;s disappearance wasn&rsquo;t just a professional loss, it was personal. It shattered his heart and sent him into a slump. That is, until an anonymous manuscript lands on his desk. The writing is brilliant, raw, and achingly familiar&#8212;it can only be Scarlett&rsquo;s.<BR> <BR> As fate brings them back together, Scarlett reluctantly agrees to let Ryan edit her comeback novel, even though it means working with the man she never stopped loving. Old passions reignite, but when pressure builds and buried secrets resurface, Ryan fears history will repeat itself.<BR> <BR> Scarlett walked away once. But as they navigate love, loss, and the weight of the past, she and Ryan must be strong enough to rewrite their story before it&rsquo;s too late.]]></Text>
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      <Text><![CDATA[Allie Samberts is a romance writer, book lover, and high school English teacher. She was voted funniest teacher of the year for 2023 by her students, which is probably her highest honor to date. She is also a runner, and enjoys knitting and sewing. She lives in the Chicago suburbs with her husband and two kids. You can follow her on Instagram @alliesambertswrites, TikTok @alliesamberts, YouTube @alliesamberts, subscribe to her newsletter at alliesamberts.substack.com, and get other updates at www.alliesamberts.com.]]></Text>
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      <Text><![CDATA[&quot;A deeply emotional tale about healing, re-connection, and the strength it takes to face the past.&quot;]]></Text>
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      <Text><![CDATA[&quot;Readers who appreciate tender rekindled romances, strong female characters, and stories set in the publishing world will find this story deeply rewarding.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;There&rsquo;s something about Allie&rsquo;s writing that feels like a warm cup of coffee and <I>Not a Strong Enough Word</I> was not the exception. Except, this time, the cup of coffee came with a box of tissues as a side. Every word in this book was delivered with emotion and something that I can only describe as magic. Allie comes straight to break your heart, but don&rsquo;t worry, by the end, she mends it again.&rdquo;<BR> &nbsp;]]></Text>
      <TextAuthor>Ambar Cordova, author of &lt;I&gt;The Truth Never Spoken&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;Allie Samberts delivers a heart wrenching second-chance romance, drenched in the messy, beautiful weight of grief, burnout, and hope. Raw, poignant, and unflinchingly real&mdash;<I>Not a Strong Enough Word</I> will stay with you long after the last page.&rdquo;&nbsp;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Perhaps the perfect words for this breathtaking love story are &lsquo;must-read.&rsquo;&rdquo;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Allie has mastered the art of balancing the rawest emotions with hope, and joy, and pleasure. A truly special book. I have not stopped thinking about this book. Allie has captured grief, and overwhelm, and the weight of pressure so astutely I felt she could have ripped these words from my own soul. A must-read for fans of <I>Book Lovers</I>, <I>Writers and Lovers</I>, and <I>Beautiful World Where Are You.</I>&rdquo;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>Weaving the wisdom of ancient Hindu tales with contemporary analysis and guided meditations, <I>Stories of Our Lives</I> illustrates how these age-old stories teach universal lessons and insights for understanding ourselves today.</B><BR><BR>Passed down for generations, India&rsquo;s puranas consist of ancient tales and epics filled with rich symbolism, beloved characters and deities, and sage lessons for understanding the world. <I>Stories of Our Lives</I> presents a retelling of eight classic tales, along with a detailed analysis of their symbolism and contemporary significance, reflection questions for contemplation, guided meditations, mudras, and mantras.<BR><BR>Whether you are a devoted student of the puranas or this is your first introduction to them, you will find something to identify with in these engaging, wisdom-filled stories.<BR><BR><B>TIME-HONORED CLASSICS: </B><I>Stories of Our Lives </I>includes classic Hindu epics such as the stories of Lakshmi, Durga, Hanuman, and other gods and goddesses. Told with engrossing, eloquent prose, author Janet Stone breathes new life into these time-honored tales<BR><BR><B>EXPERIENCED AUTHOR:</B> A dedicated student of yoga since first traveling to India, the birthplace of her grandfather, Janet Stone has more than 30 years&rsquo; experience studying Hinduism and more than 20 years&rsquo; experience as a Vinyasa and Bhakti yoga teacher<BR><BR><B>ANALYSIS &amp; GUIDED MEDITATIONS: </B>Accompanying each tale is an in-depth analysis of the story&rsquo;s major themes and symbols and its contemporary significance. Additionally, to further apply the wisdom of the stories in your own life and spiritual practice, each story includes reflection questions and exercises, guided meditations and movement practices, mudras, and mantras<BR><BR><B>DEEPEN YOUR YOGA PRACTICE: </B>The wisdom and spiritual teachings found within the puranas are inextricably linked to the practice of yoga. <I>Stories of Our Lives</I> provides an opportunity for the beginner yogi to deepen their knowledge of yogic tradition and enhance their practice in the process]]></Text>
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      <Text><![CDATA[<B>Discover the enduring wisdom of the<I> I Ching </I>in <I>The Little Book of Changes</I>. This revised kit edition features updates to Peter Crisp&rsquo;s well-loved translation, making the classic divination text still more accessible to modern users, and includes coins for casting.</B><BR><BR><I>The Little Book of Changes </I>is a contemporary translation of the ancient Chinese divination text the <I>I Ching,</I> among the oldest books in the world and a foundational text in Taoism, Confucianism, and Buddhism. Comprised of sixty-four hexagrams, readers may ask the book a question, toss three coins to determine the hexagram associated with its answer, and consult the book to find its ever-relevant insights. For centuries, users have delighted in its uncanny ability to respond with just the wisdom for the occasion. Peter Crisp&rsquo;s interpretation is poetic, approachable, and infinitely usable.<BR><BR>Crisp brings his over fifty years of experience with the text to this updated translation, reimagining the ancient text as a friendly and accessible modern oracle. With his insights on how to use the book, he invites readers to discover this time-tested and revelatory tool for navigating change and times of uncertainty. This beautiful edition includes three brass coins for casting so that readers have all they need to access the wisdom of the <I>I Ching</I>.<BR><BR><B>TIMELESS TOOL:</B><I>The Little Book of Changes</I> brings the timeless wisdom of the<I> I Ching</I> to readers today, providing insightful guidance and a meditative practice for spiritual growth and personal transformation.<BR><BR><B>INCLUDES COINS:</B> With three brass divination coins for convenient use with the book, this kit provides everything you need to get started consulting the <I>I Ching.</I><BR><BR><B>ACCESSIBLE TRANSLATION:</B> While many translations of the <I>I Ching </I>can be cryptic and difficult for most readers to make sense of, Crisp&rsquo;s interpretation makes the text approachable for a modern seeker.]]></Text>
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      <Text><![CDATA[<B>A guide to informed and responsible psychedelic use</B><BR><BR>&bull; Draws on current research, interviews, and case studies to detail the risks and benefits of psychedelics like LSD, psilocybin, MDMA, ketamine, and mescaline<BR><BR> &bull; Explores the short- and long-term effects of psychedelics, looking at heart rate, blood pressure, and markers of mental health<BR><BR> &bull; Includes in-depth profiles of psychedelics, considering their chemical composition, effects, safety considerations, and legal status<BR><BR> The psychedelic renaissance has been opening new therapeutic modalities in Western medicine. With the potential to reduce our reliance on pharmaceuticals and improve overall well-being, the use of psychedelics has yielded promising results. However, the increased acceptance and use of these age-old medicines should also be approached with caution and full awareness.<BR><BR> Clinical psychologist, Richard Louis Miller, provides a balanced analysis of the risks and benefits of psychedelics to ensure their responsible use. He comprehensively details the rewards and potential complications of substances like LSD, psilocybin, ayahuasca, DMT, MDMA, and ketamine to provide thorough risk profiles and a working guide for psychedelic-informed therapy.<BR><BR> Drawing on the latest research, interviews with practitioners, and case studies, Miller considers physiological effects like nausea, altered heart rate, and blood pressure changes, along with mental effects including anxiety, reality distortion, and mood disorders often associated with a bad trip. The book includes in-depth profiles on psychedelic substances detailing their chemical composition, safety considerations, and legal status.<BR><BR> As psychedelics become more accepted as medicines, it is important that we become fully knowledgeable about their effects. By revealing the benefits and risks, this book is a key resource in the ethical and responsible use of psychedelics.]]></Text>
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      <Text><![CDATA[<B>Support your child&rsquo;s emotional and mental health with safe home remedies</B><BR><BR><B>&ldquo;A compassionate and individualized holistic approach to children&rsquo;s emotional well-being.&rdquo;&#8212;<I>Kirkus Reviews</I></B><BR><BR>&#8203;&bull; Learn to nurture resilience with herbs, essential oils, homeopathic remedies, and other nature-based therapies to ease anxiety, balance moodiness, alleviate depression, induce calm, and stabilize ADHD<BR><BR>&bull; Delves into the fascinating connection between blood types and behavior, while sharing simple techniques to boost oxytocin&#8212;the &ldquo;love hormone&rdquo; that strengthens bonds<BR><BR>&bull; Shares expert advice from leading voices in complementary health to support children&rsquo;s wellness naturally and safely<BR><BR>Today&rsquo;s parents are more attuned than ever to the emotional health and well-being of their children. In this practical guide, master herbalist and classical homeopath Sara Chana Silverstein explores the herbs, essential oils, homeopathic remedies, and other natural therapies that can be used&#8212;safely and inexpensively at home&#8212;to support the emotional needs of children.<BR><BR>Silverstein provides an in-depth look at dozens of medicinal plants that help alleviate tension, insomnia, anxiety, anger, ADHD, and depression. She offers practical guidance on selecting and preparing the most kid-friendly herbal remedies, including honeys, ice pops, teas, tinctures, and oils. She also shows how gentle homeopathic remedies provide an effective way to address emotional struggles as well as certain neurological conditions, including autism.<BR><BR>The author explores the role of aromatherapy, discusses the connection between blood types and behavior, and shares tried-and-true methods for boosting oxytocin, the love and bonding hormone. The book concludes with interviews with 11 experts in herbal medicine, homeopathy, and holistic care who offer advice and practical insights into treating children safely and holistically, empowering parents and caregivers to help the children they love move through life&rsquo;s stages with confidence, balance, and grace.]]></Text>
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      <Text><![CDATA[<I>Chapter 1</I><BR><BR><B>The Basics<BR><BR>Everything Is Connected<BR></B><BR><B>HELPING KIDS UNDERSTAND THEIR EMOTIONS<BR></B><BR>Every child feels emotions, just like every adult. But unlike adults, kids don&rsquo;t always know what to call those feelings&#8212;or what to do with them. Teaching children to recognize and name their emotions is just as essential as teaching them colors, numbers, or letters. Emotional literacy is a life skill, and the earlier it starts, the better.<BR><BR>Children do best when they understand that all emotions&#8212;pleasant or painful&#8212;are normal. Emotions can feel big, messy, and sometimes scary. But with the right tools, even very young children can learn to manage their feelings rather than be overwhelmed by them. Emotional intelligence, often called EQ, isn&rsquo;t something we&rsquo;re born with&#8212;it&rsquo;s a skill that can be developed at any age.<BR><BR>One of the best ways to help children navigate their inner world is to teach them how to be in control of their emotions, instead of letting their emotions control them. When kids learn to pause, reflect, and respond, they build a foundation of resilience that serves them throughout life.<BR><BR>That doesn&rsquo;t mean asking kids to suppress how they feel. It means helping them explore and express emotions in ways that are constructive and healthy. A child with strong emotional intelligence can better communicate, empathize, resolve conflict, and face challenges with more confidence.<BR><BR>Even small shifts can have lasting effects. Teaching a child to take a deep breath before speaking when they&rsquo;re upset isn&rsquo;t just calming in the moment&#8212;it lays the groundwork for lifelong emotional regulation.<BR><BR><B>Teaching Emotional Intelligence<BR></B><BR>Teaching EQ is one of the most valuable investments you can make in a child&rsquo;s future. Here are a few foundational steps:<BR><BR>&bull; <B>Create safety and consistency.</B> Kids learn best in predictable environments. A compassionate, steady atmosphere gives them the security to explore emotional growth.<BR><BR>&bull; <B>Build an emotional vocabulary.</B> Words matter. Giving children names for feelings&#8212;like &ldquo;nervous,&rdquo; &ldquo;excited,&rdquo; or &ldquo;frustrated&rdquo;&#8212; helps turn abstract emotions into something manageable.<BR><BR>&bull; <B>Explore the why.</B> Help kids connect their emotions to specific events or triggers. The more they understand the cause, the easier it becomes to address the effect.<BR><BR>&bull; <B>Encourage empathy.</B> Ask your child how someone else might feel in a situation. Perspective-taking builds connection, softens reactions, and deepens relationships.<BR><BR>&bull; <B>Tune in to the body.</B> Emotions aren&rsquo;t just mental; they&rsquo;re physical. Help children recognize how different emotions feel in their bodies. Noticing is the first step toward managing.<BR><BR>&bull;<B> Teach social and communication skills.</B> Children thrive when they learn to express themselves clearly, listen actively, and collaborate with others. These skills can be taught&#8212;and practiced&#8212;every day.<BR><BR><B><I>Emotional Awareness in Everyday Life<BR></I></B><BR>Supporting a child&rsquo;s emotional development doesn&rsquo;t require complex<BR>systems. Often, it&rsquo;s the small, repeated moments that matter most.<BR><BR>&bull; <B>Reflect on reactions.</B> Once everyone is calm, revisit an emotional moment together. What happened? How did they react? What might they try next time? Keep it curious, not critical.<BR><BR>&bull; <B>Practice emotional observation.</B> TV shows, books, and real-life encounters are all chances to ask, &ldquo;How do you think that person feels right now?&rdquo; Noticing others builds emotional insight.<BR><BR>&bull; <B>Talk about emotional regulation.</B> Let kids know it&rsquo;s okay to feel anything&#8212;but that they can also learn how to stay with or shift those emotions. This gives them a sense of agency rather than helplessness.<BR><BR><B><I>Skills That Last a Lifetime</I></B><BR><BR>Emotional intelligence isn&rsquo;t just about naming feelings. It&rsquo;s about using that awareness to connect, adapt, and grow. Here&rsquo;s how to deepen the learning:<BR><BR>&bull; <B>Support effective communication.</B> Teach children how to speak up for themselves&#8212;clearly, respectfully, and with empathy. Listening well, imagining another person&rsquo;s perspective, and staying calm under pressure are skills that benefit every future relationship.<BR><BR>&bull; <B>Proactive problem-solving.</B> Emotional challenges are inevitable. Help kids identify what triggers them, brainstorm healthy responses, and know when to ask for help.<BR><BR>&bull; <B>Model what you teach.</B> Children watch more than they listen. Demonstrate what emotional regulation looks like: pause, breathe, speak calmly. Then point it out when they do the same.<BR><BR>&bull; <B>Keep expectations clear.</B> Consistency builds trust. Children feel safest when they know what&rsquo;s expected and what will happen next. Responding with calm predictability&#8212;even during meltdowns&#8212;helps them learn self-regulation.<BR><BR>&bull; <B>Show empathy often.</B> Empathy is caught as much as it&rsquo;s taught. When children feel seen and understood, they become more likely to offer that understanding to others.<BR><BR><B><I>Bringing It All Together</I></B><BR><BR>Helping children build emotional intelligence isn&rsquo;t a one-time lesson. It&rsquo;s a series of moments&#8212;quiet talks, shared stories, small corrections, and daily encouragement. With each moment, you&rsquo;re helping your child grow into a person who can handle big feelings, build strong relationships, and meet life&rsquo;s ups and downs with confidence.<BR><BR><B>THE BRAIN&rsquo;S LOVE AFFAIR WITH WATER<BR><BR>Why Hydration Matters More Than We Think<BR></B><BR>The human brain is incredible&#8212;but it&rsquo;s also high-maintenance. It relies on a steady supply of oxygen and nutrients to function well, and most of that delivery system depends on one basic ingredient: water.<BR><BR>Think of water as the brain&rsquo;s personal courier service. It helps circulate blood, transports essential nutrients, supports electrical activity, and plays a role in regulating mood and focus. Even a small drop in hydration&#8212;just 1&#8211;3 percent of body weight&#8212;can affect mental performance. For kids, who are expected to learn, solve problems, and stay emotionally regulated throughout the day, hydration isn&rsquo;t optional. It&rsquo;s foundational.<BR><BR><B><I>The Real World Roadblock: Bathroom Anxiety<BR></I></B><BR>So why aren&rsquo;t kids drinking enough water? Surprisingly, it&rsquo;s not always because they forget. Many children avoid drinking during the school day for one simple reason: They don&rsquo;t want to deal with the bathrooms. From broken locks and missing toilet paper to strict rules about when they&rsquo;re allowed to go, school bathrooms can be a source of stress. And when a child is more focused on avoiding an awkward bathroom experience than staying hydrated, health takes a backseat. As a mother of seven, I took this seriously. I became a self-declared &ldquo;bathroom detective.&rdquo; Every school year, I inspected the bathrooms&#8212;clipboards, checklists, the works. I noted the broken fixtures, the empty paper dispensers, and anything else that might deter a child from using the facilities. Then I brought those findings to the school staff. (Were they thrilled to see me coming? Not exactly. Did I care? Not in the least.) Our children deserve clean, safe spaces to take care of basic needs. If the bathroom isn&rsquo;t functional, hydration&#8212;and focus&#8212;suffers.<BR><BR><B><I>What the Research Tells Us</I></B><BR><BR>Dehydration isn&rsquo;t just a physical problem. It&rsquo;s a brain and mood issue too. Here&rsquo;s what science&#8212;and common sense&#8212;shows us:<BR><BR>&bull; <B>Mood regulation declines:</B> Even mild dehydration has been linked to irritability, fatigue, and increased anxiety. That&rsquo;s because water plays a role in hormone balance and neurotransmitter function. When hydration drops, emotional regulation suffers.<BR><BR>&bull; <B>Focus falters:</B> Concentration is one of the first mental functions to decline. Proper hydration keeps the brain&rsquo;s electrical signals flowing smoothly, helping kids stay mentally sharp and alert.<BR><BR>&bull; <B>Executive function takes a hit:</B> Skills like planning, memory, and problem-solving depend on hydrated brain cells. Dehydration disrupts neurotransmitter production, affecting learning and decision-making.<BR><BR>&bull; <B>The brain is mostly water:</B> Roughly 75 percent, to be precise. That&rsquo;s why even small changes in hydration have outsized effects on mood, learning, and behavior.<BR><BR>&bull; <B>Get a great water bottle.</B> Let your child pick it out&#8212;make it flashy, fun, and personal. Stickers, sparkles, sports decals&#8212; anything that makes them want to show it off and use it.<BR><BR>&bull; <B>Make water more fun.</B> Add a splash of fruit concentrate (cranberry for pink, blueberry for purple, black cherry for deep red). It&rsquo;s visually fun and naturally flavorful&#8212;without artificial coloring.<BR><BR>&bull;<B> Try frozen herbal tea cubes.</B> In warmer months, freeze herbal teas into ice cubes and toss them into a water bottle for a subtle, tasty boost. Bonus: they look great.<BR><BR>&bull; <B>Add a snack twist.</B> Drop a few goji berries into a bottle&#8212;chewy at first, then soft and sweet. Hydration plus a built-in snack.<BR><BR><B><I>The Simplicity of a Sip<BR></I></B><BR>When children are hydrated, they&rsquo;re more focused, emotionally balanced, and better prepared to handle whatever the day brings. Helping your child drink more water may be one of the smallest changes you make&#8212;but it&rsquo;s also one of the most powerful.<BR><BR>So whether they&rsquo;re toddlers or teens, keep the water flowing. Their brains&#8212;and moods&#8212;will thank you.]]></Text>
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      <Text><![CDATA[<B>Foreword</B><BR>By Amanda McQuade Crawford<BR><BR>INTRODUCTION <B>Know Your Child Through<BR>Personality, Behavior, and<BR>Foods That Help<BR></B><BR>CHAPTER 1 <B>The Basics</B><BR>Everything Is Connected<BR><BR>CHAPTER 2 <B>Blood Type</B><BR>Cracking the Code to Your<BR>Child&rsquo;s Personality and Health<BR><BR>CHAPTER 3 <B>Herb Power</B><BR>Get to Know the Green Guardians<BR><BR>CHAPTER 4<B> Aromatherapy Adventures</B><BR>Essential Oils for Kids<BR><BR>CHAPTER 5 <B>Homeopathy <BR></B>Tiny Remedies, Big Healers<BR><BR>CHAPTER 6 <B>Love Potion #O<BR></B>Oxytocin&rsquo;s Magic for Kids<BR><BR>CHAPTER 7 <B>Advice from 11 Experts</B> <BR>J. Rivkah Asoulin, Chanchal Cabrera,<BR>David Crow, Margi Flint, Mimi Prunella<BR>Hernandez, Karta Purkh Singh Khalsa, Brigitte<BR>Mars, Tim Owens, Rivka Sari, David Winston,<BR>and Anke Zimmermann<BR><BR>CONCLUSION <B>Here&rsquo;s to Happier Children!<BR></B><BR><B>Acknowledgments<BR><BR>Recommended Resources<BR><BR>Index<BR><BR>About the Authors</B>]]></Text>
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      <Text><![CDATA[&ldquo;I love how <I>Moodtopia for Kids</I> bridges natural medicine and emotional health in such an accessible way. This book belongs in every holistic-minded home. As an MD who integrates conventional and holistic care, I appreciate how this approach provides parents with practical, natural tools to support emotional wellness. Sara Chana combines wisdom and science beautifully to help families nurture calm, confidence, and connection. She brings warmth, experience, and heart to every page, and I am inspired by her ability to make natural healing approachable and evidence-informed. A true gift for parents seeking balance in their children&rsquo;s emotional health.&rdquo;]]></Text>
      <TextSourceTitle>Joel Warsh, MD, MSC, integrative pediatrician and author of Between a Shot and a Hard Place</TextSourceTitle>
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      <Text><![CDATA[&ldquo;This delightfully written book is full of wisdom and practical information that even those without children will benefit from. Filled with stories of the author&rsquo;s personal experience working with children for more than three decades, as well as scientific studies and research that back her approach, <I>Moodtopia for Kids</I> addresses a child&rsquo;s physical, emotional, and spiritual needs in both a nondogmatic and fully informed manner.&rdquo;]]></Text>
      <TextSourceTitle>Rosemary Gladstar, renowned herbalist and author of Rosemary Gladstar’s Medicinal Herbs and He</TextSourceTitle>
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      <Text><![CDATA[&ldquo;I love that Sara Chana makes holistic wellness accessible for everyday families! This is a wonderful resource, packed with practical strategies and tools to support your child&rsquo;s emotional well-being.&rdquo;]]></Text>
      <TextSourceTitle>Karalynne Call, founder and CEO of Just Ingredients and host of the Just Ingredients podcast</TextSourceTitle>
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      <Text><![CDATA[&ldquo;I love Sara Chana Silverstein&rsquo;s approach in <I>Moodtopia for Kids</I>! As The Natural Nurse, I have consulted with parents and health professionals for decades and raised my own children with natural remedies. Sara Chana teaches all parents, whether experienced or novice, how to choose the right remedy. She includes information on how knowing your blood type can help you make the best food choices and on incorporating natural healing techniques, including foods, herbs, homeopathics, and relaxation techniques that support children&rsquo;s physical and emotional wellness. Sara Chana shares instructions for a wide variety of easy-to-incorporate actions, such as gargling and ear massage, that cost nothing and can make a real difference in sustaining a happy, healthy emotional response to life. This is a wonderful resource for all parents and caregivers who seek grounded knowledge on how to incorporate natural remedies to sustain children in a safe, time-honored, natural emotional rhythm, rather than instantly seeking pharmaceuticals, which often don&rsquo;t work and come with a long list of possible adverse effects.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Sara Chana provides a comprehensive, easy-to-use guide for developing a healthy child. Her writing is clear and concise. This will be the go-to resource for anyone wanting to learn how to support happy children.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Jon G. Hughes, author of <I>Celtic Sex Magic</I>, is part of a lineage of druids that has been practicing for five generations in a remote area of Wales. He is now teaching the tradition at his home in western Ireland and gives workshops and seminars throughout Europe under his Welsh name of Cynon. He is the director of the Irish Centre for Druidic Practices.]]></BiographicalNote>
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      <SubjectHeadingText>LOVE MAGIC;DRUIDIC TRADITIONS;CELTIC MAGIC;WITCHCRAFT SPELLS;LOVE PHILTRES;MEDIEVAL ALCHEMY;MAGICIS MATERIAE;BOTANICAL MAGIC;AMULETS AND TALISMANS;LOVE SPELLS;COUNTERSPELLS;SEXUAL RITUALS;ANCIENT MAGIC PRACTICES;DRUIDIC RITES;MAGICAL HERBS AND MINERALS;OCCULT LOVE RITUALS;PROTECTION SPELLS;LOVE POTIONS;HISTORICAL LOVE MAGIC;RITUAL UNCTION;APHRODISIACS AND SPELLS;BRITISH ISLES MAGIC TRADITIONS;DRUIDIC BOTANY;MAGICAL DIRT USES;SPELLCRAFTING TECHNIQUES;POTIONS;ALCHEMY;CLASSICAL GREECE</SubjectHeadingText>
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      <Text><![CDATA[<B>A guide to the history and practical use of love magic</B><BR><BR>&bull; Explores the use of love magic since prehistoric times, throughout the ancient cultures of Babylon, Greece, and Rome, as well as among medieval European alchemists<BR><BR>&bull; Presents methods for using <I>Magicis Materiae</I> of active botanicals, minerals, magic soil, and animal products, as well as incantations, periapts, amulets, and poppets<BR><BR>&bull; Describes the rites and rituals of love magic and practices to protect oneself from love spells and counter the effects of aphrodisiacs<BR><BR><I>Love Philtres</I> is a practical guide to one of the most ancient and widely used magical practices in the world&#8212;the use of devices and potions to find and keep love. From aphrodisiacs and amulets to philtres and potions, the use of love magic dates back to the ancient civilizations of Babylon, Greece, and Rome, throughout Hindu and Islamic cultures, and among the alchemists and occultists of medieval Europe.<BR><BR>In this book, practicing Druid Jon G. Hughes explores the history of love magic, focusing on the unique magical and druidic cultures of the British Isles and teaching readers how to carry on this tradition. Presenting how to use the <I>Magicis Materiae</I> of active botanicals, minerals, magical dirt, and animal products, the author explains how to identify these materials, details the methods to extract their potent effects, and shares the incantations and spells that accompany their use.<BR><BR>Hughes also explores how to harvest materials and prepare a wide range of potions in the form of electuaries, tinctures, elixirs, oils, and ointments. He describes the appropriate rites and rituals of love magic, including the arcane Sweaty Cake love charm. He also shares methods that you can use to protect yourself against love spells and how to counteract their magical effects.]]></Text>
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      <Text><![CDATA[Jon G. Hughes, author of <I>Sexual Practices of the Druids</I>, is from a lineage of Druids that has been practicing for five generations in a remote area of Wales. He is now teaching the tradition at his home in western Ireland and gives workshops and seminars throughout Europe under his Welsh name, Cynon. Also the author of <I>Living Wands of the Druids</I> and <I>Witches, Druids, and Sin Eaters</I>, he is the director of the Irish Centre for Druidic Practices.]]></Text>
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      <Text><![CDATA[<B>PART 1<BR><BR><I>LOVE MAGIC</I><BR><BR>PHILOSOPHY AND FUNDAMENTALS<BR><BR>1<BR><BR>ETHICS GOVERNING LOVE MAGIC</B><BR><BR><I>Cautionary Considerations on the<BR><BR>Dangers of Crafting and Using Love Philtres<BR><BR>and Other Love Magic Devices</I><BR><BR>One of the enduring dichotomies of the use of love potions is whether they may be cast with a genuine desire to enhance and direct an individual&rsquo;s loving emotions toward another, or whether their use is a planned and deliberate attempt to coerce, entrap, or subjugate an unwitting individual, by someone wishing to manipulate and control them. The simple answer to this prevailing question is that, like all other forms of magic, Love Magic&rsquo;s purpose and use is ultimately dependent upon the integrity of the adept employing it. Without exception, every aspect of magic is open to deliberate abuse, distortion, and exploitation. Similarly, every element of magic may be misused unintentionally, through the ignorance or lack of experience of the newly initiated adept. For millennia, the teacher&#8211;learner paradigm of the Druidic tradition has ensured that no neophyte can inadvertently misuse their burgeoning powers. However, there are no safeguards to prevent an experienced adept who is fully conversant with the ethics governing the use of all Love Magic from deliberately misusing the powers and knowledge they possess.<BR><BR>With this in mind, I make no apologies for choosing this section on the ethics and dangers of Love Magic as the first that readers encounter in this book, and I have little doubt that it may also be the most contentious. Since the earliest mention of the use of Love Magic recorded in the cuneiform tablets of the ancient Near East around 2300 BCE, we see repeated examples of the use of Love Magic as a means of coercion and entrapment, in a way that would most certainly be considered inappropriate, if not illegal, in the majority of today&rsquo;s societies. While it may be easy to demonize the use of animal organs, human corpses, and many of the other bizarre substances used in these early love philtres, it should also be remembered that the borders between magic, religion, and nascent science were nonexistent when these early accounts were recorded some 4,300 years ago, and that the social and cultural mores of the time were very different from today&rsquo;s.<BR><BR>While the use of the &ldquo;blood from a blind infant, the flesh of a dead brigand and the black dust from a decomposing tomb&rdquo; are recommended ingredients of a love potion devised by the Italian Girolamo Folengo (1491&#8211;1544 CE) in his &ldquo;<i>Le Maccheronee</i>&rdquo; (1519 CE),1 this does not mean that such materials would be considered acceptable ingredients for a modern-day love philtre. However, does this imply that using love philtres per se must be dismissed out of hand, even if other, more palatable (and legal) ingredients were to be employed? Furthermore, just because the infamous Bavarian physician and alchemist Albertus Magnus (c. 1200&#8211;1280), also known as St. Albert the Great or Albert of Cologne, recommended that a particular love charm should be &ldquo;given to her to drinke when she knoweth not, and she shal desire no other man,&rdquo;2 does this therefore suggest that all love philtres, or &ldquo;love charms&rdquo; as he refers to them, must be administered secretly without the knowledge of the subject for them to be effective?<BR><BR>Historical accounts drawn from ancient Greece, classical Rome, the Near East, and other arcane sources, tell us that such philtres and potions were used by scheming, manipulative individuals who would cast a spell upon an unsuspecting ingenue for their own malevolent purposes. Few if any of these spells appear to have turned out well. Medieval texts and later references from Shakespearean literature reinforce the sinister aspects of the use of such love philtres, once again with predominantly dire consequences. It must be noted, however, that these historical and literary references surely represent a very small proportion of the many, many occasions when love philtres were used, and moreover, we have no reliable information on the success or failure of the efforts that went unrecorded. One thing is consistent across all these accounts, however, which is that none of them suggest that the recipients/victims knowingly consented to the administration of the love philtre.<BR><BR>There is not a single account that may be interpreted as: Girl meets boy. Girl falls in love with boy. Boy is not so keen. Girl says to boy, &ldquo;I&rsquo;ve made this special drink that I believe will make you love me deeply, even though you may not want to. Will you drink it please?&rdquo; Boy replies, &ldquo;That seems like a good idea! Pass me the bottle!&rdquo;<BR><BR>No matter how hard you try, it seems impossible to interpret any of these ancient accounts as anything other than coercion when viewed within today&rsquo;s societal mores. Having said that, it seems unlikely that a person with little or no affection for another would willingly consent to taking a draft that would alter their feelings in such a profound way, sacrificing their own free will to the whims of someone who, by definition, they have no real affection for. Taking a love philtre by mutual consent seems an extremely unlikely (and infrequent) event. Does this then leave us with a definition of all love philtres as being solely malevolent potions that may only be used for unwitting coercion and entrapment? This takes us to the core of the love philtre dichotomy: are they malevolent, manipulative concoctions used for ill intent, or may they be innocuous, beneficial philtres, innocently used to amplify and direct existing, unrecognized emotions with harmless and loving intent?<BR><BR>It is imperative that these challenging ethical dilemmas be considered and resolved by anyone intending to craft and use any form of Love Magic in today&rsquo;s world.<BR><BR>Here, we will try to consider these and other ethical problems in a more holistic and structured way than our predecessors seem to have used, by asking the questions:<BR><BR>&bull; Why use Love Magic devices?<BR><BR>&bull; What knowledge does the adept need?<BR><BR>&bull; What could/should Love Magic devices be composed of?<BR><BR>&bull; What are the components governing such philtres and potions?<BR><BR>&bull; Who should use them?<BR><BR>&bull; What results should the adept expect?<BR><BR>In the following section, we will explore these questions and others in the ethical arena. Later, as we progress through the rest of our exploration, we will look at them in a more practical and experiential way.<BR><BR><B>WHY USE LOVE MAGIC DEVICES?<BR></B><BR>The pursuit of amatory attraction and the increase of sexual potency is, without doubt, one of the prevailing factors in the history of mankind, and the use of love philtres, aphrodisiac potions, periapts, amulets, and other devices has formed the basis of what has become known as Love Magic since prehistory. We find evidence of love philtres (Latin: <i>poculum amatorium</i>) in arcane cultures as diverse as the Hittites, the Babylonians, and the Canaanites, as well as in the writings on the classical papyri of the Greeks and Romans. There are references to amatory philtres in the Christian Bible and in Hindu, Islamic, and Asian texts, as well as within the manuscripts of many of the medieval occultists and alchemists of Europe and beyond. We see allusions to love potions (philtres) within the literary works penned by such luminaries as the classical Roman author Publius Ovidius Naso (43 BCE&#8211;18 CE), known in English as Ovid; and the ubiquitous Greek philosophers Socrates (c. 470&#8211;399 BCE) and Plato (423&#8211;348 BCE); right up to and including the prodigious playwright William Shakespeare (1564&#8211;1616 CE), who tells of the love potion used by the fairy Puck in <i>A Midsummer Night&rsquo;s Dream</i>, describing it as being made from a flower called &ldquo;love in idleness,&rdquo; more commonly known as the wild pansy (<i>Viola tricolor</i>). In the twelfth century CE, in the Celtic legend of Tristan and Iseult, we read that the Cornish knight Tristan travels to Ireland to marry the Irish princess Iseult (also referred to as &ldquo;Isolde&rdquo;), and on their return, they drink a magical love philtre that &ldquo;binds them to each other by an imperishable love.&rdquo;3 We also find references of the use of love potions and drafts among the records of the Phallic Societies of Europe during the Middle Ages. These occult societies maintained the ancient phallic beliefs of the Greeks and Romans and practiced Love Magic in secret rituals. Even Pliny the Elder (24&#8211;79 CE) refers to the use of hippopotamus snout and hyena eyelids in the crafting of love philtres.<BR><BR>Alongside all these memorable accounts we also have a parallel history of the use of love philtres and other forms of Love Magic in the folk traditions seen within most of the ancient cultures of the world. Love philtres, aphrodisiac potions, and other devices of Love Magic were and still are among the everyday tools of witches, cunning-folk, Druids, and conjurors, wherever and whenever they may practice their secret arts.]]></Text>
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      <Text><![CDATA[<B>INTRODUCTION</B><BR><BR>Everyday Magic,<BR>Performed by Ordinary People<BR><BR>PART 1<BR><BR><B><I>LOVE MAGIC<BR></I><BR>PHILOSOPHY AND FUNDAMENTALS<BR></B><BR><B>1</B> Ethics Governing Love Magic<BR><BR><B>2</B> Principles of Magic Practice<BR><BR><B>3</B> Words of Power: Composing and Casting<BR>Love Spells <BR><BR><B>4</B> Principles of Gathering the <I>Magicis Materiae</I><BR><BR>PART 2<BR><BR><B><I>MAGICIS MATERIAE</I></B><BR><BR><B>THE MATERIALS USED IN LOVE MAGIC</B><BR><BR><B>5</B> Flowers and Herbs <BR><BR><B>6</B> Wild Fungi <BR><BR><B>7</B> Minerals and Magic Earths<BR><BR><B>8</B> The Animal Kingdom <BR><BR><B>9</B> Host Solvents, Menstruum, and Carriers<BR><BR><B>10</B> Distillates and Distillation<BR><BR>PART 3<BR><BR><B><I>POCULUM AMATORIUM ARTIS<BR></I></B><BR><B>LOVE POTION CRAFTING</B> <BR><BR><B>11</B> The Apparatus of Crafting<BR><BR><B>12</B> The Doctrine of Cardinals <BR><BR><B>13</B> Methods of Preparing Extracts<BR><BR><B>14</B> Sample Love Philtre Recipes<BR><BR><B>15</B> Crafting Other Love Magic Devices<BR><BR><B>16</B> Steps after Crafting<BR><BR>Conclusion and Recommendations<BR><BR>Notes<BR><BR>Bibliography<BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;To describe this book as comprehensive would be an understatement with regard to its breadth and the lengths that the author went to in researching this fascinating subject. Love and money are probably the two primary areas in relation to divination and magical requests since the dawn of civilization, and that still holds true today. This book deals solely with the former of those obsessions and specifically with the use of potions in the realm of love. It covers methodology extensively and, more importantly, the ethical considerations as well as the history and techniques involved in the creation and application of love magic. Included in this are more than eighty pages of detailed information on botanical and fungal ingredients, with additional sections on minerals and animal ingredients, solvents, and distillations. If you have an interest in studying this area of magic, <I>Love Philtres</I> is definitely a must-have volume.&rdquo;]]></Text>
      <TextSourceTitle>Luke Eastwood, author of A Path Through the Forest, The Druid Garden, and Samhain</TextSourceTitle>
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      <BiographicalNote><![CDATA[Jeremy David Engels, PhD, is a cofounder and teacher at Yoga Lab, which offers science-based yoga and meditation classes that emphasize mindfulness and functional movement. He is a Liberal Arts Endowed Professor of Communication and Ethics at Penn State University and has written extensively on community-building, peace, and justice. He lives in State College, Pennsylvania.]]></BiographicalNote>
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      <SubjectHeadingText>MINDFULNESS;YOGA;NAMASTE;BUILDING COMMUNITY;SELF-AWARENESS;COMPASSION;SVADHYAYA;MEDITATION PRACTICES;GRATITUDE;PERSONAL GROWTH;CONNECTEDNESS;ETHICS;PRESENCE;AWARENESS;SELF-STUDY;SANSKRIT;PALI;SMRTI;SATI;RELATIONSHIPS;PEACE;JUSTICE;EASTERN SPIRITUALITY;TRANSFORMATION;BREATHWORK;MIND-BODY;INNER TRADITIONS;DESTINY BOOKS;JEREMY ENGELS;FUNCTIONAL MOVEMENT;PSYCHOLOGY;LIBERAL ARTS;YOGA FOR BEGINNERS;MINDFUL LIVING;YOGA CLASS;SPIRITUALITY;VINYASA;COMMUNITY WELLNESS;CONSCIOUSNESS;YOGA POSTURES</SubjectHeadingText>
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      <Text><![CDATA[<B>A practical guide to embodying the principles of &ldquo;namaste&rdquo; in everyday life</B><BR><BR>&bull; Defines the meaning of &ldquo;namaste&rdquo; and explains how to apply it in daily interactions to build stronger communities<BR><BR>&bull; Offers practical strategies to develop self-awareness and compassion, foster deeper connections with others, and support mutual growth<BR><BR>&bull; Includes exercises, mindfulness meditations, and <I>svadhyaya</I> (&ldquo;self-study&rdquo;) practices to deepen personal growth and understanding<BR><BR><I>Namaste</I> is a Sanskrit greeting that means &ldquo;I bow to the divine in you.&rdquo; It has become a common phrase to say at the end of yoga classes, but as Jeremy Engels shows, &ldquo;namaste&rdquo; is more than a polite expression; it is a powerful principle for building connection and community.<BR><BR>Engels organizes the practice of living namaste around three reminders&#8212;&ldquo;I am divine,&rdquo; &ldquo;you are divine,&rdquo; and &ldquo;live the word, together&rdquo;&#8212;noting that the significance of mindfulness and yoga practice is about remembering to return to a state of awareness, presence, and connection.<BR><BR>The practical approach Engels offers in <I>Living Namaste</I> encourages self-awareness and empathy, cultivating gratitude, and treating one another with compassion to foster deeper connections and support mutual growth. Each of the three reminders is accompanied by exercises, mindfulness meditations, and <I>svadhyaya</I> (&ldquo;self-study&rdquo;) practices designed to help you apply these teachings to your daily life. By responding thoughtfully and with care to each other, rather than reactively, readers can form stronger, more supportive relationships, support each other&rsquo;s well-being, and contribute to healthier communities.]]></Text>
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      <Text><![CDATA[Jeremy David Engels, PhD, is a cofounder and teacher at Yoga Lab, which offers science-based yoga and meditation classes that emphasize mindfulness and functional movement. He is a Liberal Arts Endowed Professor of Communication and Ethics at Penn State University and has written extensively on community-building, peace, and justice. He lives in State College, Pennsylvania.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>Connect to the Divine Within</B><BR><BR>&#2344;&#2350;&#2360;&#2381;&#2340;&#2375;<BR><BR><I>Na-ma-ste (n):<BR><BR>I bow to you<BR><BR>The divine in me bows to the divine in you<BR><BR></I>The time you set aside to practice yoga is a beautiful gift you give to yourself. During that time, you have full permission to unplug from the distractions and worries that dog your days. Think of how good it feels to step onto the mat, take a few deep breaths, let your neck and shoulders relax, and settle into the now, where you belong. Practicing yoga is coming home to the present moment. When you&rsquo;re on the mat, there is nowhere else you need to be, and nothing else you need to be doing other than connecting your mind, body, breath, and spirit.<BR><BR>And then&#8212;almost as quickly as it began&#8212;practice is over, and you return to real life, which is all too often busy, rushed, lonely, and disconnected.<BR><BR>But maybe, like me, you&rsquo;re someone who doesn&rsquo;t want the practice to end.<BR><BR>Maybe you&rsquo;re someone who wants to feel that sense of inner peace, of connection, of being fully present, all the time.<BR><BR>Maybe you want to bring yoga into your life, into your relationships, into your community, and into the world, creating a sense of real and lasting transformation for the better.<BR><BR>Maybe you want your entire life to feel like a beautiful gift.<BR><BR>If so, then this book is written for you.<BR><BR>In your yoga practice, namaste is the peak pose.<BR><BR>Namaste can transform your life.<BR><BR>Namaste can transform the world.<BR><BR>But for namaste to reach its full potential, it must be lived. First you have to understand it, then you have to really mean it when you say it, and finally you have to embody its wisdom in your daily life. This book shows you how to achieve one foundational goal of practicing yoga: to learn to live the wisdom of namaste. Our starting place is the same place that any yoga practice begins: with fundamentals. If namaste is a peak pose, you must build it from the ground up, ensuring that it rests on a strong foundation.<BR><BR>Namaste means &ldquo;the divine in me bows to the divine in you.&rdquo; So when you say namaste, it is an invitation to recognize the divine in yourself. At its most fundamental, namaste is a reminder of your own divinity. In today&rsquo;s world, acknowledging the divine within is a tremendous leap, one most people need support with. What does &ldquo;the divine within&rdquo; mean? What does it mean to call ourselves &ldquo;divine&rdquo;? These are the questions explored in this first chapter.<BR><BR>Here you&rsquo;ll learn how to connect to the divine within, and how to tap into your own inner peace, through mindful breathing. This mindfulness practice will become the foundation you return to in future chapters when exploring how connecting to the divine within can help you navigate moments of difficulty and challenge. Consider this chapter the first step on a new yoga journey, one where the practice doesn&rsquo;t end as you step off the mat and the best things about yoga&#8212;the feelings of inner peace, connection, and being fully present&#8212;become more readily available to you every day, in all parts of your life.<BR><BR><B>A BRIEF HISTORY OF NAMASTE</B><BR><BR>Originally a Sanskrit word, namaste is composed of two shorter words&#8212;<i>namas </i>means &ldquo;bow, bend, or honor,&rdquo; and <i>te </i>means &ldquo;to you.&rdquo; Literally <i>namaste </i>means &ldquo;I bow to you.&rdquo; In Hindi and a number of other languages derived from Sanskrit, namaste is basically a respectful way of saying hello and also goodbye (like <i>aloha</i>, it can mean both). Today, namaste has been adopted into the English language along with countless other words from non-English sources. From Sanskrit alone, we get the words <i>yoga, avatar, guru, jungle, karma, shampoo, veranda, thug,</i> <i>loot, </i>and <i>punch</i>. Many of these loan words are adopted wholesale from other languages, retaining their original spelling and meaning. Other words, when borrowed, keep their original spelling but acquire new meanings in English. This is the case with namaste&#8212;it has shifted from meaning simply &ldquo;I bow to you&rdquo; to &ldquo;the divine in me bows to the divine in you.&rdquo; Understanding this newer meaning is the key to <i>Living Namaste</i>.<BR><BR>While it is impossible to say for certain, it is most likely due to the influence of Ram Dass in the 1960s and 1970s that the meaning of namaste changed. A charismatic spiritual teacher and bestselling author (his most popular book is: <i>Be Here Now</i>) with a background in psychology, Dass toured college campuses and popularized yoga, meditation, and psychedelics as a countercultural lifestyle choice for a discontented generation. In his book <i>The Only Dance There Is</i>, based on talks he gave in 1970 and 1972, Dass wrote:<BR><BR>In India when people meet and part, instead of saying hello or<BR><BR>goodbye, they say something to each other . . . which reminds<BR><BR>us of who we are . . . The word they use is <i>Namasta</i>. Na-masta.<BR><BR>It means &ldquo;I honor the light within you.&rdquo; So may I close by<BR><BR>saying to all of you, Namasta.1<BR><BR>In <i>Polishing the Mirror</i>, he expands this definition as he recounts his experience studying meditation in India:<BR><BR>In India when people meet and they part they say &ldquo;Namaste,&rdquo; which means:<BR><BR><I>I honor the place in you<BR><BR>Where the entire universe resides.<BR><BR>I honor the place in you<BR><BR>Of love, of light, of truth, of peace.<BR><BR>I honor the place in you<BR><BR>Where if you are in that place in you and<BR><BR>I am in that place in me,<BR></I><BR><I>There is only one of us.2<BR></I><BR>Ram Dass captures a word in motion. Many common salutations have religious roots, including the Spanish and French words for goodbye: adios and adieu, or &ldquo;a Dios&rdquo; and &ldquo;a Dieu&rdquo;&#8212;literally meaning &ldquo;to God.&rdquo; These words are a way of saying &ldquo;go with God.&rdquo; This is even true of the English word goodbye&#8212;a contraction of &ldquo;God be with you.&rdquo; Most Indian religions and spiritual traditions agree that there is something divine in all people. Tracing the evolving meaning of namaste, it is understandable how the word shifted from meaning &ldquo;I bow to you&rdquo; to &ldquo;the divine in me bows to the divine in you.&rdquo; During the counter-cultural revolution of the 1960s and 1970s, namaste evolved from a simple greeting and parting to a word that is a mini meditation on the interconnectedness and shared divinity of all beings.<BR><BR>Fast-forward a couple of decades. As yoga&rsquo;s popularity exploded in the 1990s and early 2000s, namaste became more popular, too.3 One of the most prominent yoga teachers of this period is Shiva Rea. She introduced many Americans to the flowing sequence of postures called sun salutations, and became such a prominent celebrity that Vanity Fair dubbed her &ldquo;the Madonna of the yoga world.&rdquo; She also popularized saying namaste at the end of practice.4 In her words, <i>namaste </i>means &ldquo;I bow to the divinity within you from the divinity within me.&rdquo; &ldquo;This salutation is considered to be the essence of the yogic practice of seeing the divine within all creation,&rdquo; she writes.5 The New Age guru Deepak Chopra, who introduced many Americans to Indian philosophy as they followed what he called the &ldquo;seven laws of spiritual success,&rdquo; repeated a similar definition: &ldquo;&lsquo;namaste&rsquo; means &lsquo;the spirit in me honors the spirit in you&rsquo; and &lsquo;the divine in me honors the divine in you.&rsquo;&rdquo;6 One of my own meditation teachers, Tara Brach, describes <i>namaste </i>as a practice of &ldquo;soul recognition&rdquo; that involves &ldquo;realizing and honoring the sacredness that shines through all beings.&rdquo;7<BR><BR>Today we need words of connection, words of unity, words that remind us of how much we share. This is exactly what namaste does. Said with intention, <i>namaste </i>is not just another three-syllable word muttered automatically, like <i>bandana </i>or <i>pajama </i>(two other words borrowed from Sanskrit and Hindi). When you bow to another person, you are honoring something precious in them, you are acknowledging that they are sacred and worthy of respect, you are recognizing that they are a light in a world that can be dark and stormy&#8212;and if that light were to go out, our shared world would be dimmer.<BR><BR>But <i>namaste </i>does not simply mean &ldquo;I bow to the divine in you&rdquo;&#8212;it means &ldquo;the divine in me bows to the divine in you.&rdquo; The first of the three reminders of namaste is I Am Divine. There is something in you, too, dear reader, that is sacred and worthy of respect. You are a light in the dark. The world would be dimmer if your light were to go out. Each time you say namaste, it should come from a place of deep embodied understanding of your own divinity.]]></Text>
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      <Text><![CDATA[<I>INTRODUCTION</I> <BR><BR>Namaste Under the Bodhi Tree<BR><BR><B>PART 1<BR><BR></B><I><B>The First Reminder</B><BR><BR></I>I Am Divine <BR><BR><B>1</B> Connect to the Divine Within<BR><BR><B>2</B> Miracle Gazing<BR><BR><B>3</B> Let the Universe In <BR><BR><B>4</B> How to Be Free <BR><BR><B>PART 2<BR><BR><I>The Second Reminder</I></B> <BR><BR>You Too Are Divine <BR><BR><B>5</B> Roll the Movie Credits of Your Life<BR><BR><B>6 </B>Sing the Song of<I> Ands<BR></I><BR><B>PART 3<BR><BR></B><I><B>The Third Reminder</B><BR><BR></I>Live the Word, Together<BR><BR><B>7</B> How to Say the Most Important Word<BR>in the English Language<BR><BR><B>8</B> How to Practice Community<BR><BR><B><I>CONCLUSION</I></B><BR>The Path Toward Our Beloved Community<BR><BR>Acknowledgments <BR><BR>Notes<BR><BR>Bibliography]]></Text>
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      <Text><![CDATA[&ldquo;The beautiful greeting <I>Namaste</I> invites a sacred connection. This book shows us how to embody this spirit with care and compassion.&rdquo;]]></Text>
      <TextSourceTitle>Jack Kornfield, author of A Path with Heart</TextSourceTitle>
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      <Text><![CDATA[&ldquo;The heart-opening practices in this wise book help us recognize the sacredness that shines through this living world.&rdquo;]]></Text>
      <TextSourceTitle>Tara Brach, PhD, author of Radical Acceptance and Trusting the Gold</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Jeremy David Engels provides practices of embodied Namaste that will transform your life. Embrace the Divine Grace within you and around you&#8212;one greeting, one bow, and one breath at a time. Share the heartfelt compassion inherent in Namaste with everyone you greet. This Divine vibration can change the world.&rdquo;]]></Text>
      <TextSourceTitle>Keith Lowenstein, MD, LFAPA, MDiv, author of Kriya Yoga for Self-Discovery</TextSourceTitle>
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      <Text><![CDATA[<B>Using dreams as a compass for meaning in later life</B><BR><BR>&bull; Explains how dreams are a source of guidance during key stages of aging, including midlife transition, retirement, illness, grief, and life review<BR><BR> &bull; Shows how to work with dreams using accessible tools and practices, such as journaling, active imagination, and symbolic reflection<BR><BR> &bull; Offers an approach to growth in the second half of life, drawing on research in gerontology, depth psychology, and spiritual traditions<BR><BR> Drawing on more than fifty years of research, teaching, and personal dreamwork, Harry R. Moody reveals how dreams can support psychological development and spiritual insight after midlife. Unlike the early phases of life, the second half often unfolds without clear direction. Moody shows how dreams can offer an inner roadmap for navigating aging, identity, and mortality.<BR><BR> With case studies, Moody details how dreams reflect the key stages of aging. He explores midlife transitions, late-life depression, illness and caregiving, and the inner work of grief, forgiveness, and life review. Presenting a range of dream types, including recurring dreams, nightmares, and symbolic dreams, Moody explains their relevance to healing and self-understanding.<BR><BR> The author introduces tools for recalling and reflecting on dreams and gives guidance on how to approach them with attention rather than analysis. He draws from depth psychology, literature, and spiritual traditions to show how dreams can reveal unacknowledged emotions, inspire creative work, and help reconnect us with forgotten or repressed parts of the self. Over time, you will learn how to access the unconscious dimensions of your aging process and identify where change may be needed.<BR><BR> This book offers a practical framework for engaging with the unconscious during the transitions of growing older. By treating dreams as a form of guidance, you can uncover unfinished emotional work, strengthen your sense of purpose, and reclaim the imagination as a vital force for personal transformation.]]></Text>
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      <Text><![CDATA[<B>A medical doctor&rsquo;s synthesis of holistic healing with the morphogenetic field</B><BR><BR>&bull; Explains how the morphogenetic field records disruptive information from past lives including old oaths and guilt<BR><BR>&bull; Shows how ancestral karmic patterns and conflicts are inherited and affect one&rsquo;s energy field and physical body<BR><BR>&bull; Presents 30 case studies to show how aura surgery can be used to treat panic attacks, diabetes, bronchial carcinoma, and hair loss<BR><BR><B>OUR ENERGY FIELDS</B> often hold imprints of unresolved experiences&#8212;patterns and disruptions we&rsquo;ve unconsciously inherited from past lives and ancestral lineages. These energetic blockages can manifest as repeating life challenges, emotional distress, or chronic health issues, making us feel as though we are trapped in cycles of suffering. Aura surgery offers a powerful pathway to clear these energetic imprints, allowing us to heal on a deep level and reconnect with our true potential.<BR><BR>Energy disruptions often stem from soul-level experiences&#8212;old vows, karmic ties, guilt, or ancestral wounds&#8212;that linger in our subtle bodies. Aura surgery works gently on these energetic layers, addressing unconscious beliefs and inherited patterns that affect our well-being. Rather than touching the physical body directly, this non-invasive method operates on the etheric level to shift resonance patterns that may not show up on conventional scans. Through 30 illuminating case studies, Dr. K&#252;nlen shares how aura surgery has helped clients with conditions as diverse as panic attacks, diabetes, bronchial carcinoma, and even hair loss&#8212;offering insights into how healing can occur when we align our energy with our soul&rsquo;s truth.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>How Aura Surgery Contributes to Freedom<BR></B><BR>People are apparently born free. In the New Testament there is a call to action: &ldquo;For you were called to freedom, brothers and sisters; only do not use your freedom as an opportunity to indulge your flesh, but through love serve one another.&rdquo; (Galatians 5:13)<BR><BR>&ldquo;Through love serve one another?&rdquo; Unfortunately, a look back into the past proves the opposite.<BR><BR>For thousands of years, humanity has been subjected to wars, displacement, exploitation, enslavement, and oppression, the consequences of which we carry within us as individuals and as a society and nation. Encumbrances are still being imposed on us to this day, even by the &ldquo;noblest of all sciences,&rdquo; as the great Paracelsus called medicine.<BR><BR>The time has now come to uncover and rid ourselves of oppression and persecution and set out along new paths toward liberation.<BR><BR>But how can we shake off these encumbrances?<BR><BR>Outer freedom begins with inner liberation! The solution to personal freedom, to freedom for humanity, lies in the mind. To free the mind, we must explore its secrets and cast off the burdens of the soul.<BR><BR>How? By getting rid of burdensome information (karmic and miasmatic patterns, as will be explained later) and conflicts.<BR><BR>All of these have embedded themselves deeply in our soul and control us unconsciously. They determine our behavior, our life, and our entire life path. Not only do the experiences we have lived through personally play a role but also those we have inherited from others.<BR><BR>It does not matter whether our parents were displaced, our grandparents or great-grandparents had to suffer hunger, or we have experienced something terrible ourselves or &ldquo;only&rdquo; seen it in films&#8212;all of these actions and images shape us and leave traces and scratches in our subconscious.<BR><BR>Experiences that manipulate, frighten, and intimidate us are all stored in our subtle body and, if not counteracted, turn us into compliant, unfree individuals. To put it bluntly: We do not act but are acted upon. Such information binds us, restricts our quality of life, and makes us ill.<BR><BR>In the worst-case scenario, we pass this information on to our descendants, where it can manifest as behavioral patterns or even in diseases.<BR><BR>Even if, until now, we have believed ourselves able to shape our lives freely and independently, this is only true to a limited extent. Our character and our destiny are the spiritual result of both our personal and collective experiences. Our body reflects this information as mental disturbances, which it tries to counterbalance through physical illnesses. To use Plato&rsquo;s words, a human being is &ldquo;an embodied soul.&rdquo;<BR><BR>This is precisely where aura surgery comes in. It helps us achieve freedom by dissolving our internal and externally imposed shackles in a direct and astonishing way.<BR><BR><B>2<BR><BR>Timeless Wisdom and Religious<BR>Revelation: Spirit Shapes Matter<BR></B><BR>According to the teachings in ancient wisdom writings, first there is the spiritual idea and then the embodiment; that is, its implementation in life. <BR><BR>&ldquo;All things were made by him (the Word); and without him (the Word) was not anything made that was made . . .&rdquo; (John 1:3)<BR><BR>In the biblical sense, &ldquo;Word&rdquo; symbolizes &ldquo;Spirit;&rdquo; therefore, it is Spirit that shapes the material world. The word &ldquo;information,&rdquo; derived from Latin, actually describes the process; that is, Spirit informs the world and molds it into form.<BR><BR>So, from the energy of Spirit, matter is formed. Or, put another way, all matter originates from spiritual energy.<BR><BR>In his work <i>The Radical Middle Way (Der radikale Mittelweg)</i>, Swiss philosopher Armin Risi writes: &ldquo;Material forms arise through spiritual information; consciousness engenders creation; creation unfolds step by step from the subtle to the material. The material is always an expression of the subtle, reflecting the impulses of consciousness working behind it. Spirit shapes matter.&rdquo;<BR><BR>Spirit is, therefore, at the center of aura surgery. This is both its secret and its recipe for success and explains its mode of action. Spirit heals.<BR><BR>Our book is an appeal for recognition of the spiritual principle within us as human beings. This should&#8212;no, must&#8212;be reflected in medicine! Furthermore, we wish to show that ultimately everything we think, do, and experience is permeated by spiritual content, and only through that can it manifest materially. Our thoughts, ideas, and intentions create concrete realities.<BR><BR>The placebo effect proves that we can heal our body ourselves through the power of our spirit. Even Socrates, spiritual father of the Platonism and Neoplatonism systems that shaped not only the philosophy but also the medicine of antiquity, believed that there is no disease external to the soul.<BR><BR>This is the starting point for aura surgery. It views physical symptoms as the necessary counterbalance to emotional conflicts.<BR><BR>In today&rsquo;s world, where only measurable, supposedly rationally justifiable methods meet the criteria of scientific validity, there is little room for topics like spiritual healing. For spiritual healing neither fulfills the criteria of logical rationality nor does it follow the usual principles of clinical research.<BR><BR>And yet, despite the uniformity in medical-scientific thinking, many conventional medical practitioners and scientists still harbor residual doubts. Are living organisms like human beings and animals primarily organic-morphological systems that should be treated with logically justifiable materialistic methods, such as surgeries, radiation, or pharmaceuticals? Or, might they not instead be animated by primarily energetic-informational criteria, making them spiritual beings that do not necessarily follow logical-rational laws and in whom spirit is superior to matter?<BR><BR>The current prevalent physical-chemical methodology that relies on highly technical, specialized, and economically driven conventional medicine has reached its limits. Conventionally trained therapists focus heavily on organic changes as well as the measurement of technically obtained material findings. They combat physical symptoms without sufficiently recognizing their deeper meaning and energetic-informational aspects; that is, without understanding us to be embodied souls.<BR><BR>An aura surgeon, on the other hand, does not combat physical symptoms; instead, they interpret them as arising from mental-emotional disturbances and use particular methods to program them out of the organism.<BR><BR>A wise man once said that science in its current materialistic form is like someone walking around a house with a key, looking for the right lock. They wish to explore the interior to see if there are any secrets inside. But no matter how hard they try, they cannot find the right lock for their key. So they give up, discouraged, and settle for describing the exterior facade of the house.<BR><BR>This key is an expression of the method by which a scientist attempts to approach a problem in order to find the solution. If only visible and logical-rational methods are considered to be &ldquo;scientific,&rdquo; then that is only one side of the coin, or, to stay with the above analogy, just the exterior facade of the house. What is missing is the insight into the inner life of the house: the recognition of mental-spiritual connections and their impact at the morphological level.<BR><BR>Therapists might ask themselves the following questions:<BR><BR>&bull; What spiritual message does an illness convey?<BR><BR>&bull; How do these spiritual messages enter the body as information?<BR><BR>&bull; How and where are they processed and converted into biochemical processes?<BR><BR>&bull; Are there alternative ways of approaching the patient, beyond the established methods, that will enable healing to take place?<BR><BR>&bull; Which spiritual diagnostic and therapeutic concepts lead to healing, as opposed to going into more and more detail within the materialistic paradigm, hoping to find the path to recovery there?<BR><BR>&bull; Do we want to continue describing biochemical processes and treating patients on that level alone, even though we&rsquo;re then only addressing the &ldquo;how&rdquo; and not exploring the &ldquo;what&rdquo; and &ldquo;why&rdquo; of all diseases? One thing is clear: Biochemical processes are subordinate to spiritual impulses; they occur because that is what the spirit &ldquo;wants.&rdquo; Healing takes place only when we succeed in focusing not on the &ldquo;how&rdquo; of the biochemical processes but on the &ldquo;what&rdquo; and &ldquo;why&rdquo; of the spiritual processes and recognize and ultimately resolve the corresponding connections.<BR><BR>In aura surgery, the focus is not on the functional-organic consequences but on the energetic-informational causes of disease.<BR><BR>Before we specifically address the diagnostic and therapeutic tools used in aura surgery, consider this quote from Carl Gustav Jung, the Swiss psychoanalyst:<BR><BR>I believe that healing in a non-material way, using spiritual<BR><BR>methods, has a future of unimaginable possibilities. And<BR><BR>I believe that its scope will gradually grow beyond what<BR><BR>we today, rightly or wrongly, call functional, and will also<BR><BR>encompass everything organic. I see the dawn of a new<BR><BR>era before me, in which certain surgical procedures, for<BR><BR>example on internal growths, will be regarded&#8212;full of<BR><BR>horror that there was once such a limited knowledge of<BR><BR>healing methods&#8212;as mere patching up. There will then<BR><BR>be little room for traditional medicines. It is far from my<BR><BR>intention to belittle modern medicine and surgery in any<BR><BR>way; on the contrary, I have great admiration for both. But<BR><BR>I have had glimpses of the tremendous energies that are<BR><BR>inherent in the personality itself, as well as those external<BR><BR>sources that flow through it under certain conditions and<BR><BR>which I cannot describe as anything other than divine&#8212;<BR><BR>powers that can heal not only functional disorders but<BR><BR>also organically caused disorders, which turned out to be<BR><BR>mere side effects disturbances of the soul.1]]></Text>
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      <Text><![CDATA[<B>Preface</B><BR><BR><B>Introduction: How Aura Surgery Came to Us<BR><BR></B>1 <B>How Aura Surgery Contributes to Freedom</B> <BR><BR>2 <B>Timeless Wisdom and Religious Revelation: <BR>Spirit Shapes Matter</B><BR><BR>3 <B>What Is Aura Surgery?<BR></B><BR> What Does My Aura Surgery Setting Look Like?<BR>How Do I Arrive at a Diagnosis? <BR><BR>The Aura Surgery Operation<BR><BR>What Is the Goal of Aura Surgery?<BR><BR>Non-Linear Systems (NLS)<BR><BR>The Aura Surgery Triad of Conflicts, Karmic Patterns, and <BR>Miasmatic Burdens<BR><BR>4 <B>Conflicts</B><BR><BR>5 <B>Karmic Patterns<BR></B><BR>What Do We Mean by a Karmic Pattern?<BR><BR>Removal of Karmic Patterns Using Aura Surgery:<BR>Why and How It Works<BR><BR>Country-Specific, Historical, and Sociologically Conditioned <BR><BR>Karmic Burdens<BR><BR>Oaths<BR><BR>Vows<BR><BR>The Influence of Oaths and Vows on Our Freedom<BR><BR>The Question of Guilt<BR><BR>6 <B>Miasmatic Patterns</B> <BR><BR>7 <B>Interactions Due to Informational Disturbances</B> <BR><BR>Gratitude and Blessing: The Royal Road to Healing<BR><BR>8<B> A Look Through the Keyhole of My Practice<BR><BR></B>How a Young Skiing Prodigy Starts Winning Again<BR><BR>Angelika&rsquo;s Stress Fractures<BR><BR>Why Steffi Has Panic Attacks<BR><BR>Coronavirus Shot versus Bridge Club<BR><BR>The Freedom Fighter with a Migraine<BR><BR>Patriciu Feels a Stabbing between His Shoulder Blades <BR><BR>Sebastian with a Scar-Like Mark on His Stomach<BR><BR>Annika and Her Unexplained Diabetes<BR><BR>Philipp Does Not Allow Himself to Be Pressured<BR><BR>Alexander&rsquo;s Frightening Diagnosis <BR><BR>How Walter Became a &ldquo;Brand Ambassador&rdquo;<BR><BR>The Reason Why Robert Drives Around Instead of<BR>Going Home to His Wife<BR><BR>Dennis &#8211; Soldier Forever and Ever<BR><BR>What About Julian&rsquo;s Attached Tongue Frenulum?<BR><BR>How Jenny Finds Her Dream Job <BR><BR>So That Is Why Mona Loved Action Movies<BR><BR>Pamela Regains Her Joie de Vivre<BR><BR>Get Rid of Your Helper Syndrome, Get on with<BR>Your Own Life!<BR><BR>At Last, Hair Again Instead of a Wig!<BR><BR>Weak Legs Suddenly Strong Again<BR><BR>Cop by Vocation<BR><BR>Susanna&rsquo;s Wish for a Child Is Fulfilled <BR><BR>Why Is Werner Always Angry?<BR><BR>Carola&rsquo;s &ldquo;Intractable&rdquo; Vomiting<BR><BR>Tilo in Search of His Mother<BR><BR>Brigitte&rsquo;s Transplanted Kidney Does Not Have to<BR>Give in After All <BR><BR>The Angel Maker<BR><BR>Why the Butcher Becomes a Gardener <BR><BR>9 <B>Remote Analyses</B> <BR><BR>Mimi&rsquo;s Death <BR><BR>Tamara&rsquo;s Short Stature<BR><BR>10 <B>Digital Clinic</B> <BR><BR>11<B> Frequently Asked Questions</B> <BR><BR>12 <B>Looking Ahead<BR><BR>Acknowledgments<BR><BR>About the Authors</B>]]></Text>
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      <Text><![CDATA[<I>&ldquo;Aura Surgery</I> has given me a profound answer to an intuitive question I&rsquo;ve asked myself in more than 30 years of psychological and therapeutic work with my patients: Is there an aspect of the subtle, energetic body that determines a person&rsquo;s history, symptoms, and trauma? Speaking of resonance (the key to the diagnosis to reach into the person&rsquo;s aura), Mathias and Christine&rsquo;s work resonates with my professional and spiritual quest and has clearly and accurately guided me through their book to this great discovery. <I>Aura Surgery</I> is a powerful legacy for future generations, a generous gift of healing.&rdquo;]]></Text>
      <TextSourceTitle>GINA GOLDFEDER, Ph.D., psychologist and author of Releasing the Emotional Wound</TextSourceTitle>
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      <Text><![CDATA[&ldquo;As energy, shamanic, and many alternative healers are aware, the imprint for disease exists in the subtle energy body and has downstream effects in the physical realms. Indeed, thoughts and beliefs permeate your energy field, thereby informing your physicality. Healing in the energy domain, in turn, shifts the trajectory of cells, organs, and tissues. Dr. K&#252;nlen and his journalist wife, Christine, have developed a unique and effective process to &ldquo;unblock&rdquo; the energy field called Aura Surgery. Using anatomic models and &ldquo;surrogates,&rdquo; Dr. K&#252;nlen gives patients a framework to engage their literal mind, allowing the therapeutic effect to reach the subconscious and further into the energy field. Mainstream medicine is desperately in need of a paradigm shift. Dr. K&#252;nlen and Christine Waldhauser-K&#252;nlen have provided another important therapeutic modality to remind us that interventions in the energy realm are the true and powerful way to achieve deep and lasting health.&rdquo;]]></Text>
      <TextSourceTitle>SHARON MARTIN, M.D., Ph.D., medical doctor, shamanic practitioner, and author of Maximize Your Heali</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;Aura Surgery</I> offers a unique and creative take on how physical symptoms can arise from emotional and mental disturbances rooted in inner conflict&#8212;and possibly even karma. The client stories in this book are fascinating, sharing specific details of how these &lsquo;noncontact&rsquo; procedures work on the subtle body without touching the physical one. This kind of healing has the potential to move medicine beyond just identifying what the problem is or how disease happens, and instead encourages us all to explore the deeper what and why&#8212;offering a more holistic path to healing from the ground up.&rdquo;]]></Text>
      <TextSourceTitle>SUZANNE WORTHLEY, psychic empath, energy healing practitioner, and author of Confident Empath</TextSourceTitle>
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      <Text><![CDATA[&ldquo;How wonderful to read of an established medical doctor making unorthodox strides into addressing the root cause of illness, not just the symptoms. Dr. K&#252;nlen utilizes an intriguing mix of medical expertise and his unique method of psychic surgery, then uses technology to test that bodily frequencies have improved. His fascinating case studies confirm real life efficacy across a range of issues, physical and emotional. Who would have dreamed that symptoms experienced now could hail back centuries to an unknown ancestor&rsquo;s trauma? But the reported recoveries are compelling.&rdquo;]]></Text>
      <TextSourceTitle>SANDY EDWARDS, fellow of the Healing Trust UK and author of Spiritual Healing in Hospitals and Clini</TextSourceTitle>
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      <BiographicalNote><![CDATA[Lua Valentia is the author of <I>Advanced Chaos Magic</I>.]]></BiographicalNote>
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      <Text><![CDATA[<B>Spiritual transformation through sex with transcendent beings</B><BR><BR>&bull; Explores the supernatural woman as the active agent of the male initiate&rsquo;s spiritual transformation<BR><BR>&bull; Traces the supernatural woman&rsquo;s presence in ancient Greek and Zoroastrian traditions, the <I>Eddas</I>, the Icelandic sagas, and the works of the great medieval English poet and author Geoffrey Chaucer<BR><BR>&bull; Details the similarities between sexual ecstasy and the mystical state by exploring the role of ecstasy in magical and spiritual practice<BR><BR>The supernatural woman can enchant her male devotee and make him speak poetically and prophetically. She has appeared as a muse, sorceress, and Valkyrie, guiding the man&rsquo;s development and testing his resolve. She converses with her chosen mortal through dreams and initiates his spiritual transformation through sexual encounters.<BR><BR>Angel Millar explores this magical relationship, drawing upon ancient Greek and Zoroastrian traditions, the medieval Eddas, the Icelandic sagas, and the works of English author Geoffrey Chaucer. Millar traces the supernatural woman&rsquo;s presence in fine art, ancient sexual symbolism, and psychology, most notably Jung&rsquo;s theory of the anima and animus and Freud&rsquo;s life and death instincts. The author also details this motif in the initiation rituals of modern Wicca and Freemasonry.<BR><BR>Exploring the similarities between sexual ecstasy and the mystical state, Millar reveals the role of ecstasy in magical and spiritual practice. In drawing these connections, he looks at St. Teresa&rsquo;s experience of mystical ecstasy, the erotic vision of the 13th century English Christian mystic Margery Kempe, and the Lust card from Aleister Crowley&rsquo;s Thoth tarot deck.<BR><BR><I>Supernatural Woman and the Male Initiate</I> explores the ancient tradition of humans having sexual relationships with otherworldly mentors to realize personal development and spiritual transformation.]]></Text>
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      <Text><![CDATA[Angel Millar is a highly-esteemed author and lecturer on spirituality, symbolism, sorcery, and self-transformation. He began studying magic and trance in his early manhood, and was initiated into the Illuminates of Thanateros, in London, at the age of 19. Now residing in New York City, he is a certified consulting hypnotist and the author of <I>The Three Stages of Initiatic Spirituality</I>, <I>The Path of the Warrior-Mystic</I>, and <I>Transcend the Chaos</I>.]]></Text>
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      <TitleText>Mindfulness-Based Somatic Emotional Processing</TitleText>
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      <BiographicalNote><![CDATA[Robert Weisz, PhD, is the developer of MBSEP and a retired clinical psychologist with more than 50 years of experience as a psychotherapist. His deep interest in the healing process and states of consciousness led to three decades of learning and healing work with shamans in Peru, Ecuador, and Brazil. He lives near Santa Fe, New Mexico, in a beautiful mountain home with his partner Diane, two cats, and many tree and rock friends.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Daniel Blackwood, MA, is the founder and director of the Evolution Group, Inc., a behavioral health organization that began in 1998. A practitioner of MBSEP for more than 10 years, Daniel is as passionate about "the work" as when he began as an intern 40 years ago. He is the author of <I>Integrity Recovery</I>, and he and his wife, Shawn, live in Albuquerque, New Mexico. Together they share three children and four dogs.]]></BiographicalNote>
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      <SubjectHeadingText>MINDFULNESS;SOMATIC EMOTIONAL PROCESSING;TRAUMA HEALING;EMOTIONAL REGULATION;MINDFULNESS-BASED THERAPY;SOMATIC THERAPY;EMOTIONAL PROCESSING TECHNIQUES;NEUROPLASTICITY;SELF-COMPASSION;GRIEF MANAGEMENT;ANGER PROCESSING;BODY-CENTERED THERAPY;PSYCHOTHERAPY TOOLS;MBSEP PROTOCOLS;MINDFULNESS AND TRAUMA RECOVERY;EMOTIONAL STATES IN THERAPY;SOMATIC PERCEPTION;HEALING MODALITIES IN PSYCHOTHERAPY;TRAUMA-INFORMED CARE;EMOTIONAL WELLNESS STRATEGIES</SubjectHeadingText>
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      <Text><![CDATA[<B>A guide for working with emotions and unprocessed traumas</B><BR><BR>&bull; Explains the simple yet transformative protocols and techniques of Mindfulness-Based Somatic Emotional Processing (MBSEP)<BR><BR>&bull; Describes how to work with specific emotional states, such as anxiety, grief and anger, and how to integrate MBSEP with other healing modalities<BR><BR>&bull; Demonstrates concepts and practices in detail through dozens of case studies from the authors&rsquo; decades of therapy practice<BR><BR>Developed by Robert Weisz, PhD, the practice of Mindfulness-Based Somatic Emotional Processing (MBSEP) combines mindfulness and somatic perception to help regulate emotions and process traumas that are stored in the body. The authors demonstrate these concepts and methods through decades of case studies and practical, accessible, step-by-step exercises.<BR><BR>Humans are emotional beings who feel and experience emotions in their bodies. Weisz and Blackwood explore the contrast between somatic, body-based emotions and the mental, cognitively-based stories, explanations, and judgments of the thinking mind.<BR><BR>The authors describe the &ldquo;struggle factor&rdquo; and why it is futile to resist having negative emotions. They demonstrate how to be mindfully present with emotional states like anxiety, anger, and grief, and they detail the healing influence of compassionate attention. Their methods foster neuroplasticity to create and expand neuronal linkages in the brain and nervous system.<BR><BR>By encouraging acceptance, compassion, and the experiential truth of our embodied emotions, Weisz and Blackwood have created a practical and flexible protocol for processing and regulating emotions. They also show how MBSEP is easily integrated with other healing modalities, making it a valuable resource for home practitioners and therapists alike.]]></Text>
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      <Text><![CDATA[Robert Weisz, PhD, is the developer of MBSEP and a retired clinical psychologist with more than 50 years of experience as a psychotherapist. His deep interest in the healing process and states of consciousness led to three decades of learning and healing work with shamans in Peru, Ecuador, and Brazil. He lives near Santa Fe, New Mexico, in a beautiful mountain home with his partner Diane, two cats, and many tree and rock friends.<BR><BR>Daniel Blackwood, MA, is the founder and director of the Evolution Group, Inc., a behavioral health organization that began in 1998. A practitioner of MBSEP for more than 10 years, Daniel is as passionate about "the work" as when he began as an intern 40 years ago. He is the author of <I>Integrity Recovery</I>, and he and his wife, Shawn, live in Albuquerque, New Mexico. Together they share three children and four dogs.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>What Is Mindfulness-Based Somatic Emotional Processing?<BR><BR></B><I>Feelings or emotions are the universal language and<BR><BR>are to be honored. They are the authentic expression<BR><BR>of who you are at your deepest place.<BR></I><BR>JUDITH WRIGHT<BR><BR><I>Your feelings are your god.<BR></I><BR>CHANAKYA<BR><B><BR>THE CASE OF JULIA<BR></B><BR><I>Case Study from Robert Weisz<BR></I><BR>Julia was a forty-one-year-old client whose brother had committed suicide ten days before her psychotherapy session with me. She was overwhelmed with grief, and many other emotions. She felt guilty that she had not made a more concerted effort to save her brother and angry at herself for not calling him on the day he took his life. She was very angry and frustrated with her sisters and her brothers for their apparent indifference around her dead brother&rsquo;s gradual descent into his depression. Julia was also afraid about her ability to function at her job as a surgical nurse in the local hospital. She had only allowed herself to take one week off her work schedule and had forced herself to return to work, even though she was barely able to maintain her focus and concentration during the surgeries where she had to play a critical role.<BR><BR>Julia was also struggling intensely as she tried to understand why her brother had chosen to take his life. She anxiously reviewed and reexamined every memory of her recent history with him to extract any information that would help her to identify how she had not been a good enough, caring sister and how she might have failed to support him. Julia hated the way she felt. She wanted desperately to push away and eliminate the overwhelming emotions that consumed most of her energy and her time. She feared she was losing her mind and that she had lost her capacity to function in her life.<BR><BR>Our work focused on helping Julia to accept and process her profound grief. We identified how and where in her body she was experiencing the intense emotional activation generated by the range of her strong emotions. For the first three sessions, I supported her and coached her to simply feel and acknowledge the indescribable pain and loss she felt in her body about her brother&rsquo;s shocking demise. My role was to help her stay focused on how she was physically feeling her grief, which at this point encompassed many different, yet related, emotional issues. We had to steer clear of the whys and wherefores, the blaming and the speculation, and the search for answers that could divert Julia from being present with, and processing, her deep and painful loss.<BR><BR>In this way, Julia began the process of gradually being able to accept and process what felt to her to be the impossible and unacceptable&#8212;the loss of her brother. My priority in our work together was to support Julia&rsquo;s grieving process so it could begin to move through her life and her mind-body system with the least amount of interference or struggle.<BR><BR>After the first three sessions, Julia was able to accept and to recognize that she needed and wanted to make room in her daily life for her grieving. Julia was learning that she had access to the basic tools for acknowledging, accepting, and being present with her grief. She was learning to mindfully and compassionately witness the emotional manifestations of her grief in her body. Julia realized that she could choose to just notice her feelings as they were present in her body and allow the emotional energy of her grief and pain to move through her body, instead of struggling with, or against, her emotions.<BR><BR>We continued this work for another three months of biweekly telephone sessions, during which Julia received careful instruction and emotional support so she could honor and process her grief. She was steadily learning how to acknowledge and move through the deep pain and sadness she felt, and would continue to feel, for the foreseeable future. As our work together continued for another six months, Julia was able to more consistently engage in her own emotional self-care. An important element of that self-care consisted of taking time each day to bring compassionate attention to her emotions as they arose and manifested in her body. She was able to develop better boundaries with her family, and she found a more rewarding and less stressful work situation with a medical group practice.<BR><BR>During our last session about ten months after her brother&rsquo;s suicide, Julia reported that she was no longer feeling overwhelmed in her grief. She was able to allow, to honor, and to accept her feelings of deep loss, even as she admitted that she could not&#8212;and might never&#8212;understand why her brother took his own life. Julia no longer needed to know when her grief and sadness would end, and she understood that her feelings of grief and sadness were an authentic expression of her undying love for her brother.<BR><BR><B>THE GIFT OF HUMAN EMOTIONS</B><BR><BR>We humans are fundamentally emotional, and we function principally as emotional beings. Our emotions move us. Emotions enliven our experiences with energy, flavor, texture, depth, and engagement. Emotions warn us of danger and give us the feeling of safety. Emotions give us love and longing, hope and despair, beauty and ugliness, fear and wonder, anger and avoidance, guilt and shame, envy and betrayal, joy and grief, awe and revulsion, intimacy and abandonment. Emotions shape and energize our behaviors and our thoughts; they can also inhibit or paralyze them.<BR><BR>Emotions create art; they activate our imagination and direct our dreams. They color our perceptions, drive our choices, create our attractions, sculpt our relationships, and mobilize our suffering. Emotions energize, animate, color, and enliven our experiences, and give them their potency, their substance, and their significance.<BR><BR>In short, emotions play an integral part in every human experience, whether internal or external, even when we are not aware of their presence or their influence. Emotions even shape culture and become a means through which culture shapes human consciousness and commands behaviors. The neuroscientist, Jaak Panksepp, summed up the primacy of emotions in human life, saying: &ldquo;I Feel, therefore I am.&rdquo;<BR><BR>In their 2021 book, <i>The Archaeology of Mind: Neuroevolutionary Origins of Human Emotions</i>, Jaak Panksepp and Lucy Biven present<i> </i>a neuroscientific framework for the evolution and function of seven<i> </i>intrinsic emotional systems that humans share with many other mammalian<i> </i>species: seeking (expectancy), fear (anxiety), rage (anger), lust<i> </i>(sexual excitement), care (nurturance), grief (sadness), and play (social<i> </i>joy). These seven emotional systems, which are present in most mammalian<i> </i>brains and nervous systems, are the primary sources of our basic,<i> </i>raw emotions. The activation and the interaction of these seven fundamental<i> </i>systems creates the full range of our emotions and is engaged in<i> </i>shaping how those feelings are experienced.<i></i><BR><BR>In her 2021 book, <i>Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience</i>, best-selling author<i> </i>and emotions researcher Bren&#233; Brown elaborates on this emotional<i> </i>range by identifying eighty-seven distinct emotions that can be named and described within the human emotional repertoire. These range from<i> </i>excitement to resignation, anguish to love, heartbreak to empathy; from<i> </i>compassion to contempt, and awe to disgust. This full and varied palette<i> </i>of emotions creates and expresses the richness, intensity, complexity,<i> </i>potency, and subtlety of our human experience, which is energized and<i> </i>enlivened by our emotional capacity to feel and experience ourselves as<i> </i>unique, multifaceted, relational, interdependent, and complex beings.<i></i><BR><BR><B>EMOTIONS AS EMBODIED EXPERIENCES</B><BR><BR>The actual, real, and tangible experience of emotions is not a mental event; we feel our feelings in our bodies, even if we are not aware of them. Emotions, in humans (and in many other animals), are made of the emotional energies that are generated in, and move through, our bodies in response to internally or externally experienced events. These emotional energies are a felt, sensorially experienced, and somatic expression of the essential life energy that animates our bodies and enlivens our consciousness.<BR><BR>The challenge inherent to our emotional nature is to develop a way of relating to our very emotional experience with a respectful awareness of how that experience is happening, as it happens, and where it happens. An essential fact about our emotions: They are tangible, psychophysiological events and phenomena that take place within our bodies as physical, energetic experiences that we can identify with our body&rsquo;s sensory abilities. Since emotions happen and are experienced in the body, we are therefore compelled to acknowledge them and to relate with them, as body-based, physically discernible phenomena. If we want to have a realistic, respectful, and effective relationship with our emotions, we must meet them, witness them, acknowledge them, and work with them when and where they are actually manifesting.<BR><BR>However, we rarely, if ever, recognize that our emotional experiences are distinctly different from the thoughts, stories, or explanations created by the thinking mind. When we speak of our feelings, we are literally referring to the fact, and the reality, that we feel our emotions in our bodies.]]></Text>
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      <Text><![CDATA[PART ONE<BR><BR><B>DEVELOPING A PERSONAL PRACTICE</B> <BR><BR>Introduction to Part One: <BR>Our Stories and Inspiration<BR><BR><B>1 What Is Mindfulness-Based<BR>Somatic Emotional Processing?</B> <BR><BR><B>2 Minding the Body, Embodying the Mind<BR></B><BR>Practice #1: Witnessing Anger<BR><BR>Practice #2: Emotional Memory<BR><BR>Practice #3: Emotional Memory Part Two <BR><BR><B>3 The Struggle Factor<BR></B><BR>Practice #4: Fighting with Fear<BR><BR>Practice #5: Attention to Anger <BR><BR><B>4 How We Acknowledge and Digest our Feelings<BR></B><BR>Practice #6: Leave the Story at the Door<BR><BR>Practice #7: Experiencing Pleasure and Pain<BR><BR>Practice #8: Emotional Regulation<BR><BR><B>5 Resourcing<BR></B><BR>Practice #9: Identifying Your Resource(s)<BR><BR><B>6 Breathwork<BR><BR></B>Practice #10: Mindful Breathing<BR><BR>Practice #11: Slowing Your Breath<BR><BR>Practice #12: Heart Math Breathing <BR><BR>Practice #13: Breath Awareness <BR><BR><B>7 Mindfulness and Witnessing</B> <BR><BR>Practice #14: Cultivating Sensory Awareness<BR><BR>Practice #15: Mindful Affection<BR><BR>Practice #16: Witnessing Sadness<BR><BR><B>8 Compassion and Self-Compassion</B> <BR><BR>Practice #17: Musical Attunement<BR><BR><B>9 Creating and Holding Space for Healing<BR><BR></B>Practice #18: Cultivating Felt Sense Attention <BR><BR>Practice #19: The Compassionate Witness<BR><BR><B>10 The Art and Practice of <BR>Witnessing and Processing Emotions</B> <BR><BR><B>11 A Step by Step Guide to MBSEP Practice</B> <BR><BR><I>1. Initial Breathwork<BR><BR>2. Establish or Identify an Internal Resource <BR><BR>3. Acknowledge the Experience and Identify the Emotions<BR><BR>4. Notice the Body&rsquo;s Experience <BR><BR>5. Remain Compassionately Present<BR><BR>6. Repeat Steps 4 and 5 if Necessary to Support Additional<BR>Processing and Release<BR><BR>7. Reflect on the Process and Assess<BR>Additional Exercises for Processing Painful Experiences<BR></I><BR>Practice #20 Safe Place Resourcing<BR><BR>Practice #21: Breath Resourcing <BR><BR>Practice #22: Processing a Painful Experience<BR><BR>Practice #23: The Last Day of Your Life<BR><BR>PART TWO<BR><BR><B>THE THERAPEUTIC MANUAL</B> <BR><BR>Introduction to Part Two:<BR>MBSEP in Counseling and Psychotherapy <BR><BR>12 The Attuned Relationship in the <BR>Context of Polyvagal Theory<BR><BR>13 Overview and Considerations<BR><BR>14 Creating Safety<BR><BR>15 Emotional Processing <BR><BR>16 Working with Specific Emotional States<BR><BR>17 Functional Issues<BR><BR>18 Questions about MBSEP<BR><BR>19 Supporting and Honoring Ourselves<BR><BR>20 Case Studies<BR><BR>Resources<BR><BR>References<BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;This book elevates the understanding of well-being to a new level. Every mental health professional should read this book, as should primary care practitioners. MBSEP normalizes emotional openness, helps clients overcome cultural bias against expressing feelings, and provides more complete evidence of underlying emotional issues.&rdquo;]]></Text>
      <TextSourceTitle>Wayne F. Peate, MD, MPH, author of Listening with Your Heart</TextSourceTitle>
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    <OtherText>
      <TextTypeCode>08</TextTypeCode>
      <TextFormat>02</TextFormat>
      <Text><![CDATA[&ldquo;Whether you&rsquo;re supporting clients with emotional dysregulation or navigating your own, add this book to your somatic toolkit. Its framework and many practices guide readers in anchoring emotions in the body and offer a grounded, accessible way to move through challenging feeling states, reinforcing the core insight that relief arises through feeling.&rdquo;]]></Text>
      <TextSourceTitle>Cheryl Pallant, PhD, author of Ecosomatics</TextSourceTitle>
    </OtherText>
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      <TextFormat>02</TextFormat>
      <Text><![CDATA[&ldquo;Written from a deep personal place with deep professional insights, MBSEP offers many new tools and techniques for healing. Weisz and Blackwood have created an empathic and empowering book that draws from neuroscience, psychology, and spiritual wisdom to gently guide the reader to mindful awareness and acceptance of their emotional lives.&rdquo;]]></Text>
      <TextSourceTitle>Chris Willard, PhD, Harvard Medical School faculty and author of Growing Up Mindful</TextSourceTitle>
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    <OtherText>
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      <TextFormat>02</TextFormat>
      <Text><![CDATA[&ldquo;Weaving together insights from ancient wisdom traditions with contemporary neuroscience and years of clinical experience, this book offers a clear, accessible, step-by-step guide to effectively working with our challenging emotions. A great resource for clients and therapists alike, it shows us how to be more embodied, present, and compassionate toward ourselves, offering a blueprint anyone can follow to live a richer, more rewarding, and more connected life.&rdquo;]]></Text>
      <TextSourceTitle>Ronald D. Siegel, PsyD, assistant professor of psychology at Harvard Medical School and author of Th</TextSourceTitle>
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      <Text><![CDATA[&ldquo;We all have bodies, and we all have minds. But how do they relate to each other? And how can we heal ourselves by strengthening that relationship? In this beautiful jewel of a book, Weisz and Blackwood effortlessly synthesize breath and mindfulness practices with sound psychotherapeutic principles in order to resolve disturbances of emotion. It is an invaluable resource for both lay and professional audiences.&rdquo;]]></Text>
      <TextSourceTitle>Rick Strassman, MD, author of DMT: The Spirit Molecule and My Altered States</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Having a guide for working with emotions and unprocessed traumas is very important for our traumatized world today. Learning the skills of emotional expression based on body&#8211;mind integration is vital to every human being. I highly recommend this book.&rdquo;]]></Text>
      <TextSourceTitle>Efu Nyaki, author of Healing Trauma through Family Constellations and Somatic Experiencing</TextSourceTitle>
    </OtherText>
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      <Text><![CDATA[&ldquo;Mindfulness is critical to spiritual development from a contemplative point of view, and yet mindfulness practice frequently brings us face-to-face with trauma and suffering. The authors have created a highly skillful path through the geography of psychological suffering. This is essential reading for anyone interested in the evolution of mindfulness and its embodiment for the transformation of mind, body, and spirit.&rdquo;]]></Text>
      <TextSourceTitle>Michael J. Shea, PhD, author of The Biodynamics of the Immune System and The Biodynamic Heart</TextSourceTitle>
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      <TextFormat>02</TextFormat>
      <Text><![CDATA[&ldquo;This book is full of richness and humanity, with case examples that we can all easily relate to. As a therapist for nearly 40 years, I have seen and experienced many therapeutic trends, and I believe that mindfulness-based practice is the present and future of psychotherapy. The mind&#8211;body&#8211;emotional connection is useful in all of our work and is particularly relevant in trauma-based treatment. I enjoyed this book immensely.&rdquo;]]></Text>
      <TextSourceTitle>Maureen Polikoff, ACSW, LCSW, mental health professional</TextSourceTitle>
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      <Text><![CDATA[&ldquo;When you open this book you are invited into a world of carefully organized, step-by-step holding, understanding, and hands-on processing of the emotional somatic mysteries of human life. The thoroughness of this opus leaves the reader with no need to look further for potent assistance in befriending the soul in the emotional and somatic life of the body. I will gladly recommend it in my ongoing courses. A must-read for psychotherapeutic practitioners and psychological pilgrims alike.&rdquo;]]></Text>
      <TextSourceTitle>Monika Wikman, PhD, author of Pregnant Darkness</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Increasingly, psychotherapy is looking to the body to uncover and resolve emotional challenges that are difficult to discover and to address by focusing solely on the contents of the mind. This wonderful guide offers powerful, body-focused awareness practices for those of us committed to our personal healing to undertake on our own. It is highly recommended for anyone courageous enough to self-reflect and feel what&rsquo;s actually going on inside their body.&rdquo;]]></Text>
      <TextSourceTitle>Will Johnson, author of The Radical Path of Somatic Dharma</TextSourceTitle>
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      <Text><![CDATA["MBSEP is a gentle and intuitive way to process our emotional and physical experiences. As a clinician, MBSEP has given me a concrete strategy for how to support clients in learning how to &lsquo;feel their feelings.&rsquo; As a human, it has encouraged me to connect more fully to myself and do my own healing work. Whether you&rsquo;re a therapist seeking new tools or someone just looking for a way to stay more grounded through life&rsquo;s emotional ups and downs, this book is well worth the read.&rdquo;]]></Text>
      <TextSourceTitle>Kaitlyn Richter, master social worker</TextSourceTitle>
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      <BiographicalNote><![CDATA[S&#233;l&#233;n&#233; is an author, <I>vitki</I>, and librarian who has worked with the runes for over 25 years. She gives consultations as a runeworker and medium, offers training workshops on rune casting, and crafts handmade runes and talismans.]]></BiographicalNote>
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      <SubjectHeadingText>NORSE RUNES;DIVINATION CARDS;NORSE MYTHOLOGY;AESIR AND VANIR;RUNIC ALPHABET;ELDER FUTHARK;RUNE MEANINGS;RITUALS AND SPREADS;RELATIONSHIP READINGS;CAREER GUIDANCE;NORSE DEITIES;HAVAMAL AND EDDAS;SPIRITUAL PRACTICE;MODERN RUNES;ORACLE DECKS;SELENE AUTHOR;VITKI PRACTICES;RUNIC MAGIC;INTUITIVE WISDOM;ANCIENT NORSE CULTURE;MYTHOLOGICAL SYMBOLISM;SEIDR MAGIC;VIKING DIVINATION METHODS;SPIRIT JOURNEYS;GALDR CHANTING;NORDIC SHAMANISM;WITCHCRAFT;WELL OF REMEMBERANCE;FEHU THROUGH OTHILA;EDLDER FUNK</SubjectHeadingText>
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      <Text><![CDATA[<B>A divination deck inspired by Norse lore</B><BR><BR>&bull; A full-color 50-card deck that is oriented around the runic alphabet and the Aesir and Vanir deities of the Norse pantheon<BR><BR>&bull; Draws upon the H&#225;vam&#225;l and Eddas to give detailed descriptions of the runes, including their origin and meanings<BR><BR>&bull; Gives interpretations for each card, emphasizing their significance for relationships and career advice, and provides rituals and unique card spreads<BR><BR>The runic futharks contain the secret wisdom of the pre-Christian cultures of northern Europe. While the runes have been used as letters in Norse writing systems, they also hold deeper significance as symbols of the mysteries and tools of divinatory and magical practice.<BR><BR>S&#233;l&#233;n&#233; explores Norse mythology to trace the physical origins of the runes as well as their mystical and secret nature. Drawing upon the &ldquo;H&#225;vam&#225;l&rdquo; and Eddas, she invokes the Aesir and Vanir deities with the runes, allowing them to interact in revealing ways. Each card, illustrated by Thyonesca, represents either a rune or a god. The guidebook provides interpretations for each card while contextualizing the rune or god within its mythological and magical setting. The author gives divinatory meanings for each card with specific focus on the reader&rsquo;s relationships and career. The author also gives instructions for performing rituals that allow readers to connect with the power of each rune or deity and employ its magic. While the runecaster may develop their own way to consult the cards, S&#233;l&#233;n&#233; provides a number of possible spreads, including a single-card draw, the Spread of the Three Norns, and the Ingwaz Spread.]]></Text>
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      <Text><![CDATA[S&#233;l&#233;n&#233; is an author,<I> vitki</I>, and librarian who has worked with the runes for more than 25 years. She gives consultations as a runeworker and medium, offers training workshops on rune casting, and crafts handmade runes and talismans.<BR><BR>Thyonesca draws inspiration from fairy tales, legends, history, and mythology and is influenced by artists of the Belle &#201;poque and Art Nouveau style.]]></Text>
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      <Text><![CDATA[<B><I>Introduction</I></B><BR><BR>There are magical words, Norse words, being whispered at the foot of Yggdrasil, the world tree, whispers that are barely audible to the ear, but which roar in the soul.<BR><BR>These roots, which are protected by three witches who are the weavers of time and guardians of the runic secret, will be your guides through the corridor of the ages.<BR><BR>In this quest, you&rsquo;ll cross paths with merciful, implacable, and malicious deities. Listen to what they proclaim. Climb the branches of the great yew to visit silver palaces, banquet halls, battlefields, and winding passageways.<BR><BR>Look at the carved runes in your hands. They are seekers of light and keepers of secrets, whose whisper you&rsquo;ll hear echoing in the depths of your being.<BR><BR>Runes and the Gods Oracle will fan the flames of the illuminating fire&#8212;the forging fire that frightens detractors. At the turn of a card and a prediction, it will tell you the workings of your destiny.<BR><BR>The door to Odin&rsquo;s kingdom is ajar. Push it open, because here and now, you are in the right place.<BR><BR><B><I>The Runes&rsquo; Appearance<BR></I></B><BR>The runes form an alphabet called the Futhark, named after its first six letters. It is believed to have appeared around the first century CE, for the purpose of giving the population access to writing in order to minimize the loss of knowledge caused by the decline of oral transmission.<BR><BR>Their angular shape reveals the limitations of the rather difficult support materials on which they were carved, such as stone, wood, and various everyday objects. Some traces are still turning up today; in 2021, a stone decorated with runes was found during the construction of a railroad line. This work unearthed a grave mound in Norway that held this slab, which is still being studied, and could be the oldest evidence of runes ever discovered. Runic engravings are now estimated to date from between 1 and 250 CE&#8212;much earlier than scientists believed until quite recently.<BR><BR>Runes were used as an alphabet from the Viking era through to the Middle Ages, then gradually abandoned for contemporary writing systems.<BR><BR><B><I>The Runes in Norse Mythology<BR></I></B><BR>Runes have their origins in Norse mythology, which tells of their birth and their magical and divinatory powers. Etymologically, the word rune means &ldquo;secret&rdquo; or &ldquo;whisper.&rdquo; They are said to possess the knowledge of what was, what is, and what will be.<BR><BR>Written records of the epics of mythology are compiled in the form of poems, in what are today known as the <i>Poetic</i> <i>Edda </i>and Snorri&rsquo;s <i>Prose Edda</i>:<BR><BR>&#9670; The <i>Poetic Edda </i>is an anthology of ancient, anony-<BR><BR>mous poems dating from the eighth to the thir-<BR><BR>teenth centuries. The manuscript is believed to have<BR><BR>been compiled in the thirteenth century. This work<BR><BR>is attributed to the Icelandic historian S&#230;mundur<BR><BR>Sigf&#250;sson (1056&#8211;1133).<BR><BR>&#9670; The <i>Prose Edda </i>by Snorri Sturluson (1179&#8211;1241),<BR><BR>meanwhile, was written as early as 1220 and is primar-<BR><BR>ily a medieval literary work. This <i>Edda</i>, which could<BR><BR>be considered subjective, provides a clearer picture of<BR><BR>the context and organization of Norse cosmogony,<BR><BR>and remains a source of information.<BR><BR>In one of its poems, the <i>Poetic Edda </i>recounts the appearance of the runes.<BR><BR>Odin, principal god of the divine pantheon, knew of the existence of a hidden, powerful knowledge that he believed would be a true gift to the world. This knowledge seems to have already been used by three prophetesses known as the three Norns. Every day they carved the names and destinies of their unborn children on pieces of bark from the world tree. They represent, respectively, the past, the present, and the future. Despite his pleas, Odin was unable to persuade them to reveal this secret to him, but they did give him directions for a sacrificial quest to gain the ultimate wisdom&#8212;that of the runes.<BR><BR>First, he had to go to the well called Mimir.<BR><BR>The well had the reputation of giving knowledge to anyone who drank from it. It was guarded by the decapitated head of the god Mimir.* The latter allowed Odin to drink from it, with the condition that he cast his right eye into the well. Thus mutilated, Odin was able to perceive the future stages of his venture with new lucidity and foresight. For nine days and nights, Odin hung by his feet from a branch of the World Tree, pierced by his own spear. At the end of the ninth day, when he was quite exhausted, the runes appeared on the ground beneath his head. Once released, he was able to pick up the runes with a groan of pain and relief.<BR><BR><B><I>Using the Runes<BR></I></B><BR>Over the centuries, apart from their utilitarian aspect, runes have been used for magical and divinatory purposes. Some poems in the <i>Edda </i>mention spells, invocations, and runic engravings for magical practice. A poem entitled &ldquo;H&#225;vam&#225;l&rdquo;&dagger; recounts some of their possible uses. This prose refers to the god Odin, the power of runes and how they should be carved, colored, consecrated, and honored. Another poem in the <i>Eddas </i>tells us that there are runes for beer, for the bold, for healers and midwives, and so forth. A class of priestesses, called V&#246;lva, were reputed to have recourse to Norse magic and to use runes as a tool for divination.<BR><BR>In the Middle Ages, runes were used for magical purposes, giving them a reputation as dangerous. Today, however, they are accepted and recognized as divinatory tools.<BR><BR>Each of the 24 letters of the alphabet represents singular notions, vibrant energy, and unrivalled insight. They hold centuries of stories and egregores, giving them a powerful magic. They could be described as &ldquo;entities in their own right,&rdquo; for runes constitute a living and sometimes mischievous oracle. Their millennial roots imbue them with a rich energy, enhancing their ability to adapt to any current question.<BR><BR><B>Gods and Goddesses<BR><BR><I>Aesir and Vanir</I></B><BR><BR>The Norse gods and goddesses are divided into two families.<BR><BR>The Aesir live in the kingdom of Asgard and are considered to be the main deities of the pantheon. Among them are Odin and Thor.<BR><BR>The Vanir live in the kingdom of Vanaheim and are considered minor deities. They have powers of prescience, fertility, and so forth. In short, they are more oriented towards magic and everyday life. Among them are the gods Freyr and Nj&#246;rd.<BR><BR>This classification tends to denote the difference between &ldquo;major&rdquo; attributes, such as war and lightning, and those more focused on the sensory aspect of the world. This categorization did not prevent people from worshipping &ldquo;minor deities&rdquo; as they were much closer to their daily lives.<BR><BR><B>Cosmogony</B><BR><BR>In the beginning, nothing existed but a giant named Ymir, born from the meeting of fire and ice. His only companion was a cow named Audhumla, who fed him with the rivers of milk that gushed from her udders.<BR><BR>From his sweat, Ymir begat new creatures, thus conceiving the race of giants. A world began to take shape, populated by giants, followed by the birth of the first gods.<BR><BR>Audhumla, licking the ice around her, gave birth to the god Buri, the eldest of the divine line, and the ancestor of the god Odin.<BR><BR>As time went by, giants and gods rubbed shoulders, tensions arose, territories were claimed, and forces clashed. War broke out between the two dynasties. Odin came into conflict with Ymir, whose difficult character irritated the god and triggered his demise. Ymir was slain, and Odin used the remains of his body to shape the world.<BR><BR>The cosmogony of Norse mythology revolves around a tree known as Yggdrasil. At its heart are nine realms, created by Odin himself. From the heavens to its roots, the nine realms are guarded by deities and creatures with their own roles to play in the epics, the destiny of all living beings, and the final battle of Ragnar&#246;k.*<BR><BR><B>The Nine Realms<BR></B><BR><B>Asgard:</B> the kingdom of the Aesir<BR><BR><B>Vanaheim:</B> kingdom of the Vanir<BR><BR><B>Alfheim:</B> kingdom of the light elves<BR><BR><B>Midgard:</B> the kingdom of men<BR><BR><B>Jotunheim:</B> kingdom of the giants<BR><BR><B>Svartalfheim:</B> kingdom of the dark elves<BR><BR><B>Niflheim:</B> the realm of mist<BR><BR><B>Muspelheim:</B> the kingdom of fire<BR><BR><B>Helheim:</B> realm of the dead<BR><BR><B>How to Use the Runes and the Gods Oracle</B><BR><BR>The oracle of runic wisdom is a powerful ally that will help you find your way along wooded paths, while at the same time allowing you to gain perspective by seeing what&rsquo;s above the trees. Wise and prescient, it will accompany you in all your questions, your desires for growth, and your need to understand your own inner workings. Both gods and runes will assist you in this quest.]]></Text>
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      <Text><![CDATA[<B>Introduction<BR><BR>The Runes<BR><BR>Gods and Goddesses<BR><BR>Cosmogony<BR><BR>How to Use the Runes and the Gods Oracle<BR><BR>Methods for Different Spreads <BR><BR><I>Interpreting the Runes</I><BR><BR></B><I>1. Fehu</I><BR><BR><I>2. UruZ <BR><BR>3. ThurisaZ<BR><BR>4. AnsuZ<BR><BR>5. Raidho<BR><BR>6. KenaZ<BR><BR>7. Gebo<BR><BR>8. Wunjo<BR></I><BR><I>9. HagalaZ<BR><BR>10. NauthiZ<BR><BR>11. Isa<BR><BR>12. Jera<BR><BR>13. EihwaZ<BR><BR>14. Perthro<BR></I><BR><I>15. ElhaZ<BR><BR>16. Sowilo <BR><BR>17. TiwaZ<BR><BR>18. Berkano <BR><BR>19. EhwaZ<BR><BR>20. MannaZ<BR><BR>21. LaguZ</I><BR><BR><I>22. IngwaZ<BR><BR>23. DagaZ<BR><BR>24. Othala</I><BR><BR><B><I>Interpreting the Deities<BR></I></B><BR><I>25. Baldr<BR><BR>26. Eir<BR><BR>27. Freya<BR><BR>28. Freyr <BR><BR>29. Frigg <BR><BR>30. Gn&#225;<BR><BR>31. Heimdall<BR><BR>32. Hlin<BR></I><BR><I>33. Idunn<BR><BR>34. Loki <BR><BR>35. Mani <BR><BR>36. Mimir<BR><BR>37. Nanna <BR><BR>38. Nj&#246;rd<BR><BR>39. Odin <BR><BR>40. Saga<BR><BR>41. Skadi<BR></I><BR><I>42. Skuld<BR><BR>43. Snotra<BR><BR>44. Sol<BR><BR>45. Syn<BR><BR>46. Thor <BR><BR>47. Tyr<BR><BR>48. Urd <BR></I><BR><I>49. Verdandi<BR><BR>50. Vidar<BR></I><BR><B>Conclusion<BR><BR>Bibliography<BR><BR>About the Author<BR><BR>About the Artist</B>]]></Text>
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      <Text><![CDATA[<I>&ldquo;Runes and the Gods Oracle</I> presents the runes as tools for self-awareness in today&rsquo;s complex world by combining the traditional understanding of runic symbols with the wisdom of various Norse deities, thus expanding this oracle deck&rsquo;s divinatory reach.&rdquo;]]></Text>
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      <Text><![CDATA[<B>Techniques to awaken the pineal gland for health, mental clarity, and longevity</B><BR><BR>&bull; Introduces the scientifically validated method of pineal gland activation, which promotes cellular rebirth, decreases aging, and improves well-being<BR><BR>&bull; Explores the impact of light, sound, and nutraceuticals on pineal functioning, looking at concepts like photobiomodulation and the role of lutein in human eyes<BR><BR>&bull; Draws upon ancient Egyptian and Sumerian knowledge of light and the eye, including the ability to harness the healing powers of sunlight<BR><BR>The pineal gland, a part of the endocrine system, is less than a centimeter long. Yet this tiny organ in the brain plays an outsized role in spiritual traditions as it is widely connected with the esoteric concept of the third eye.<BR><BR>Ophthalmologist Roberto Pinelli explains his unique methods for using a combination of light, sound, and nutraceuticals to non-invasively activate the pineal gland to promote cellular rejuvenation, decrease aging, and improve overall well-being. Pinelli&rsquo;s method, supported by case studies and peer-reviewed research, centers on using photons to convey vibrational energy through the eyes to targeted areas of the body. He shows the potent effects this has on mental health as it can improve memory, mental clarity, and self-awareness. It also has positive effects on the body such as helping to heal degenerative diseases like osteoporosis, osteoarthritis, and Parkinson&rsquo;s.<BR><BR>Pinelli explores Egyptian, Sumerian, and Aztec understandings of the sun and its life-giving rays, looking at how ancient knowledge has been corroborated by contemporary scientific findings. The author details how the pineal gland functions, particularly its role in melatonin regulation. He also offers methods to reduce pineal calcification and regenerate overall mental and physical health.<BR><BR><I>Awakening the Pineal Gland</I> is a unique fusion of ancient and modern science that offers readers a practical guide on using light as a medicine to activate your higher nature.]]></Text>
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      <Text><![CDATA[<B>Aprende a crear como los maestros del arte de manifestar</B><BR><BR>&bull; Presenta un proceso de manifestaci&#243;n de seis pasos de f&#225;cil seguimiento, que te ayudar&#225; a integrarte con confianza al flujo creativo del universo<BR><BR>&bull; Contiene ejemplos inspiradores de tres personalidades de renombre como son Oprah, J.K. Rowling y Anita Moorjani<BR><BR>&bull; Incluye ejercicios, ejemplos e ideas para que puedas aplicar los principios de manifestaci&#243;n en tu propia vida.<BR><BR>&#191;TE HAS PREGUNTADO c&#243;mo hacer realidad tus sue&#241;os de forma m&#225;s eficaz? En <I>Perfecciona el arte de manifestar</I>, Baptist de Pape obtiene informaci&#243;n de las vidas de tres de las personalidades m&#225;s importantes en el campo de la manifestaci&#243;n: Oprah, J. K. Rowling y Anita Moorjani. Desde la salud hasta el estatus profesional, la fama y el &#233;xito financiero, Baptist de Pape examina las similitudes, diferencias y lecciones de vida de estas tres mujeres, a fin de proporcionarnos un conjunto de pautas para nuestro proceso de manifestaci&#243;n.<BR><BR>&#191;C&#243;mo han llegado a tener tanto &#233;xito estas maestras de la manifestaci&#243;n siguiendo, b&#225;sicamente, un camino de confianza espiritual? A partir de sus ejemplos inspiradores, Baptist nos gu&#237;a por el proceso de la manifestaci&#243;n exitosa, diferenci&#225;ndolo del &#225;mbito poco realista del pensamiento m&#225;gico, para asentarlo de lleno en la mec&#225;nica de la creaci&#243;n de la vida que cada uno est&#225; destinado a vivir. Descubrir&#225;s c&#243;mo alinearte con las intenciones de tu alma, c&#243;mo mantenerte alineado sin importar lo que digan los dem&#225;s y c&#243;mo desarrollar la confianza espiritual para saber que el universo te apoyar&#225;, y puedas proceder con seguridad. Al aplicar estos seis pasos intuitivos y de f&#225;cil seguimiento, t&#250; tambi&#233;n acceder&#225;s al flujo inagotable de la creatividad y te convertir&#225;s en el maestro creador de tu vida y tu felicidad.]]></Text>
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      <Text><![CDATA[Baptist de Pape es abogado, escritor y cineasta. Llamado a investigar el incre&#237;ble poder del coraz&#243;n, emprendi&#243; una b&#250;squeda por todo el mundo, entrevistando a varios de los m&#225;s destacados pensadores de nuestro tiempo, la cual culmin&#243; en la renombrada pel&#237;cula y libro; <I>El poder del coraz&#243;n</I>. Baptist actualmente vive en B&#233;lgica.]]></Text>
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      <Text><![CDATA[Prefacio<BR><BR>Introducci&#243;n<BR><BR><B>PRIMERA PARTE<BR>Reconocer que eres un alma<BR></B><BR>1 La evidencia: Relatos de personas que han vivido la experiencia<BR>del alma <BR><BR>2 Por qu&#233; nos debe interesar la voz del alma:<BR>Encuentra tu aut&#233;ntico yo<BR><BR><B>SEGUNDA PARTE<BR>Encontrar la alineaci&#243;n con tu alma<BR></B><BR>3 Tenemos acceso a una consciencia superior<BR><BR>4 Alineaci&#243;n con tu alma, alineaci&#243;n con la fuente<BR><BR>5 Por qu&#233; es importante escuchar a tu alma<BR><BR>6 &#191;C&#243;mo podemos conectar con el alma y definir<BR>nuestro destino?<BR><BR>7 &#191;Qu&#233; significa vivir en sinton&#237;a con tu alma?<BR>&#191;C&#243;mo lograrlo?<BR><BR>8 M&#233;todos pr&#225;cticos para lograr la alineaci&#243;n<BR>con tu verdadero yo<BR><BR><B>TERCERA PARTE<BR>Mantener la alineaci&#243;n con tu alma</B><BR><BR>9 El poder de las emociones<BR><BR>10 Intenci&#243;n e infraestructura: Ambas son necesarias<BR><BR>11 La intenci&#243;n es tanto causa como efecto: &#191;De d&#243;nde<BR>proviene tu intenci&#243;n?<BR><BR>12 Sincron&#237;as: Mensajes para tu alma, y mensajes<BR>de tu alma<BR><BR>13 Sincron&#237;as II: El universo te enviar&#225; ayudantes<BR><BR>14 &#191;C&#243;mo saber si est&#225;s alineado<BR>con tu alma?<BR><BR><B>CUARTA PARTE<BR>Identifica las intenciones de tu alma<BR></B><BR>15 Aprende a confiar en tu alma: El momento<BR>Oprah en <I>El color p&#250;rpura</I><BR><BR>16 C&#243;mo mantener la conexi&#243;n cuando nos<BR>sentimos desconectados<BR><BR>17 El alma y el mundo material: &#191;El placer es malo?<BR><BR>18 El alma y la salud<BR><BR>19 El alma y el humor<BR><BR><B>QUINTA PARTE<BR>Manifestar desde la intenci&#243;n del alma<BR></B><BR>20 El alma y el dinero: Manifestar riqueza<BR><BR>21 El &#233;xito es c&#237;clico<BR><BR>22 Manifestar negativamente y el ego herido<BR><BR>23 &#191;Cu&#225;l es la definici&#243;n de &#233;xito? Reflexiones<BR>de India Arie y Gary Zukav<BR><BR>24 El prop&#243;sito de las pruebas<BR><BR>25 El proceso de manifestar y el inconsciente<BR><BR>26 Breve resumen de conceptos b&#225;sicos para manifestar<BR><BR><B>SEXTA PARTE<BR>Nuestra tarea consiste en manifestar<BR><BR></B>27 &#191;Por qu&#233; estamos aqu&#237;?<BR><BR>28 &#191;C&#243;mo vivir una vida m&#225;gica?<BR><BR>29 La forma m&#225;s elevada de abundancia<BR><BR>Ep&#237;logo<BR><BR>Notas<BR><BR>&#205;ndice anal&#237;tico<BR><BR>Acerca del autor]]></Text>
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      <Text><![CDATA[<I>&ldquo;Perfecciona el arte de manifestar</I> es m&#225;s que una gu&#237;a, es una invitaci&#243;n a alinearnos con el prop&#243;sito del alma para desplegar nuestro m&#225;ximo potencial. A trav&#233;s de un proceso intuitivo de seis pasos basado en la espiritualidad pr&#225;ctica y en historias de &#233;xito de la vida real, Baptist desmitifica el arte de manifestar. Este libro es imprescindible para quienes est&#233;n dispuestos a fluir con el universo y crear una vida apasionante&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Estudia este libro y aprende a utilizar este poder m&#225;gico e invisible para crear tu propio futuro&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Para m&#237;, manifestar es sin&#243;nimo de ver. Con los ojos cerrados o abiertos. Ver. Y luego podr&#225;s, mediante ensayo y error, dar seguimiento a esa visi&#243;n. El &#233;xito de mi revista <I>Happinez</I> es prueba de ello. Si quieres aprender a manifestar, este libro te servir&#225; de gu&#237;a&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;En un mundo lleno de chismes y pol&#233;micas sobre famosos, Baptist va al meollo del asunto: cada uno de nosotros es un alma, esto podemos reconocerlo o seguir sumidos en la ilusi&#243;n del sufrimiento. A pesar de los rumores que circulan por Internet, Baptist sigue viendo un alma en cada ser humano. Es f&#225;cil admirar su compromiso con la verdad simple y eterna de que todos somos uno. Baptist es un visionario compasivo e intuitivo que tiene la capacidad de ver m&#225;s all&#225; del velo de la ilusi&#243;n, independientemente de cu&#225;l sea la historia&rdquo;.]]></Text>
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      <SubjectHeadingText>OCULTISMO;ESPIRITUALIDAD;MAGIA;MAGIA PARA EL DESARROLLO PERSONAL;EMPODERAMIENTO ESPIRITUAL;MINERALES;ANIMALES;PLANTAS;CICLOS TERRESTRES;MAGIA PR&#193;CTICA;PRACTICAR LA MAGIA;LEYES M&#193;GICAS DE LA NATURALEZA;ENERG&#205;AS C&#211;SMICAS;COSMOS;SINTONIZAR CON LA NATURALEZA;PODER DENTRO DEL PAISAJE;EL LIBRO PAGANO DE LOS D&#205;AS;SABIDUR&#205;A Y LEYENDAS R&#218;NICAS;BRUJER&#205;A;BRUJER&#205;A OPERATIVA;SISTEMAS DE CREENCIAS ANTIGUOS;GEOMANCIA;CEREMONIAS;PRACTICAR MEDITACIONES ELEMENTALES;CREAR TALISMANES;VARITAS;VARAS DE ADIVINACI&#211;N</SubjectHeadingText>
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      <Text><![CDATA[<B>Aprende c&#243;mo utilizar los principios y las pr&#225;cticas de la magia natural para el desarrollo personal y el empoderamiento espiritual</B><BR><BR>&bull; Aprende descripciones detalladas de las propiedades m&#225;gicas de los minerales, los animales, las plantas y los ciclos de la Tierra, y c&#243;mo usarlos en tu pr&#225;ctica personal.<BR><BR>&bull; Explora las leyes m&#225;gicas de la naturaleza y conoce c&#243;mo guiar tu energ&#237;a interior para trabajar en conjunto con las energ&#237;as c&#243;smicas.<BR><BR>&bull; Descubre c&#243;mo dise&#241;ar tus propias ceremonias, practicar meditaciones elementales y fabricar tus propios talismanes, varitas m&#225;gicas y varas de adivinaci&#243;n.<BR><BR>Como experto en las tradiciones m&#225;gicas del folklor rural europeo, Nigel Pennick presenta una introducci&#243;n integral a los principios, rituales, pr&#225;cticas e instrumentos m&#225;gicos necesarios para extraer la magia inherente al mundo natural. El autor explica c&#243;mo, a trav&#233;s de los siglos, la gente ha construido una relaci&#243;n con las energ&#237;as elementales a su alrededor con prop&#243;sitos m&#225;gicos, mediante la ejecuci&#243;n de pr&#225;cticas sencillas y cotidianas con el fin de sintonizarse con la naturaleza, las estaciones y el cosmos.<BR><BR>El autor explora la magia de la Tierra, mineral, animal y vegetal, as&#237; como las propiedades m&#225;gicas de los ciclos terrestres y los lugares de poder dentro de la naturaleza. Tambi&#233;n examina las acciones m&#225;gicas con animales y recurre a tradiciones aut&#233;nticas, como los hombres y las mujeres sapo, cuyo poder es otorgado por los sapos, adem&#225;s de las cualidades de los <I>Bersekers</I>, conferidas por v&#237;nculos m&#225;gicos con animales salvajes, como los osos y los lobos. Pennick explica c&#243;mo crear tus propios talismanes, varitas m&#225;gicas y varas de adivinaci&#243;n; c&#243;mo dise&#241;ar tus propias ceremonias; c&#243;mo practicar meditaciones elementales; c&#243;mo fortalecer tu salud con hierbas y cristales; y c&#243;mo crear un altar con bebidas y alimentos apropiados para tus prop&#243;sitos.<BR><BR>Pennick tambi&#233;n describe c&#243;mo las t&#233;cnicas pr&#225;cticas de la magia natural elemental trabajan a trav&#233;s de interacciones entre el mundo interior de la mente y el esp&#237;ritu, el mundo exterior y el Otro Mundo. &#201;l demuestra que tener una comprensi&#243;n m&#225;s profunda de la interconexi&#243;n entre todas las cosas y el poder interior de estos elementos m&#225;gicos fortalece la armon&#237;a del practicante con la naturaleza y con su poder. Al aprovechar las energ&#237;as elementales que nos rodean, podemos trabajar con la naturaleza para el desarrollo personal, el empoderamiento espiritual y el logro exitoso de nuestros deseos.]]></Text>
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      <Text><![CDATA[Nigel Pennick es una autoridad en sistemas antiguos de creencias y tradiciones, runas y geomancia, y ha impartido numerosas conferencias en Europa y Estados Unidos. Es autor e ilustrador de m&#225;s de cincuenta libros, como <I>The Pagan Book of Days</I>. Es fundador del Instituto de Investigaci&#243;n Geom&#225;ntica y de la Biblioteca de la Tradici&#243;n Europea. Vive cerca de Cambridge, Inglaterra.]]></Text>
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      <Text><![CDATA[<B>INTRODUCCI&#211;N</B> El poder natural en todas las cosas<BR><BR><B>1</B> La Madre Tierra<BR><BR><B>2</B> Magia mineral<BR><BR><B>3</B> Magia vegetal<BR><BR><B>4</B> Aves y animales m&#225;gicos<BR><BR><B>5</B> El poder interior<BR><BR><B>6</B> La magia de la tierra<BR><BR><B>7</B> La magia en acci&#243;n<BR><BR><B>8</B> Para hacer ceremonias e<BR>instrumentos m&#225;gicos<BR><BR><B>9</B> Bebidas y alimentos m&#225;gicos<BR><BR><B>10</B> Precauciones y remedios<BR><BR><B>CONCLUSI&#211;N</B> Un camino espiritual v&#225;lido y apropiado<BR><BR>&#205;ndice anal&#237;tico]]></Text>
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      <Text><![CDATA[&ldquo;&#161;Una de las mejores obras de Nigel Pennick! Completo, pr&#225;ctico e informado por un profundo conocimiento del folklor tradicional europeo, este libro cl&#225;sico sobre el arte y la pr&#225;ctica de la magia natural debe estar en los estantes de cualquier mago en activo&rdquo;.]]></Text>
      <TextSourceTitle>John Michael Greer, autor de The Druid Magic Handbook y The Druidry Handbook</TextSourceTitle>
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      <Text><![CDATA[&ldquo;&#191;Qui&#233;n no querr&#237;a contar con un sistema integral para realizar magia seria y todo compilado en un libro? <I>Magia elemental: pr&#225;cticas tradicionales para trabajar con las energ&#237;as del mundo natural</I>, de Nigel Pennick, es justo eso. M&#225;s a&#250;n, detalla c&#243;mo trabajar en armon&#237;a con el mundo que nos rodea, algo que todos sabemos instintivamente y que se hace cada vez m&#225;s importante con cada d&#233;cada que pasa&rdquo;.]]></Text>
      <TextSourceTitle>Ian Read, editor en ingl&#233;s de Chaos International y R&#251;na magazines</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;Magia elemental</I>, de Nigel Pennick, es una introducci&#243;n concisa a las maneras antiguas, aunque eternamente relevantes, de relacionarnos con los mecanismos ocultos del mundo espiritual que nos rodea. Este peque&#241;o y accesible manual de sabidur&#237;a, arduamente adquirida, ofrece ense&#241;anzas b&#225;sicas sobre una gran variedad de pr&#225;cticas europeas populares, junto con un sencillo panorama del encantador folklor y la cosmovisi&#243;n encantada que sustentan tan sagradas costumbres. Engalanado con im&#225;genes finamente elaboradas por el mismo autor, en su funci&#243;n paralela de artista espiritual y artesano, el resultado final es m&#225;s que un modesto manual: es la <B>quintaesencia </B> de los manuales, en el mejor sentido arcaico de la palabra&rdquo;.]]></Text>
      <TextSourceTitle>Dr. Michael Moynihan, coeditor de Tyr: Myth—Culture—Tradition</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;Magia elemental</I> sirve como una caja de herramientas de sabidur&#237;a y t&#233;cnicas para aumentar la comprensi&#243;n del lector sobre el mundo natural que le rodea. Escrito de una manera que permite que el trabajo se incorpore a una variedad de campos ocultos, Pennick ofrece medios pr&#225;cticos y filos&#243;ficos para incursionar en esta amplia arena. Sin duda es una adici&#243;n valiosa a cualquier biblioteca&rdquo;.]]></Text>
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      <Text><![CDATA[<B>Discover the spiritual essence and depth of your canine companion</B><BR><BR>&bull; Explores your dog&rsquo;s physiology and emotional superpower, including how the canine energy field links to our human energy field through the chakras<BR><BR> &bull; Presents a Metta (Loving Kindness) meditation, gifted by high-level light beings known as Melchizedek, that opens telepathic communication with your dog and others<BR><BR> &bull; Invites you to see the world from your dog&rsquo;s perspective, and helps you understand their thoughts, behaviors, and needs, including the twenty signals dogs use to communicate with each other<BR><BR> By communing with a collective energy field of high-level light beings known as Melchizedek, JJ Flowers learned the surprising and deep spiritual mission of our canine companions. Our dogs arrive from the Angelic realm as great conduits of unconditional love and healing. They combine their unique physiology and emotional superpowers to fulfill their spiritual mission to serve us.<BR><BR> Using Melchizedek&rsquo;s transformative Metta (Loving Kindness) meditation, readers learn to cultivate love and compassion for all living beings. This enables the ability to communicate telepathically with animals, particularly dogs. Flowers demonstrates how our love links our dog&rsquo;s energy systems with our own. This process helps us understand all aspects of our dogs, exploring each stage of a dog&rsquo;s life from puppyhood to old age, their common health challenges, and what they mean. As we begin to see the world from our dog&rsquo;s perspective, we gain a better understanding of their thoughts, behaviors, and needs, and along the way learn fun details such as the twenty signals dogs use to communicate with each other and how to enhance your dog&rsquo;s intelligence.<BR><BR> By fostering a telepathic and emotional bond with your dog, you will discover your canine friend&rsquo;s spiritual essence as an emissary of unconditional love and healing.]]></Text>
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      <Text><![CDATA[<B>A divinatory deck to engage the power and wisdom of poisonous plants</B><BR><BR>&bull; Includes 23 poisonous plants along with 13 venefica, the historical and mythological women who&rsquo;ve used these poisons<BR><BR>&bull; Explores the nature of the poison path, containing a specific reading for each poison and poisoner, and plant spirit glyphs for use in meditation and spellwork<BR><BR>&bull; Provides spreads that allow you to meditate on the nature of each poison and connect with its essence on a spiritual and energetic level<BR><BR>Though the word &ldquo;poison&rdquo; tends to cause fear, some of the most potent healing medicines are poisonous at high doses. Similarly, many substances thought of as poisons can, in small amounts, provide powerful therapeutic benefits.<BR><BR>In <I>The Poison Path Oracle Deck</I>, occult herbalist Coby Michael enables readers to access the power and wisdom of 23 poisonous plants, including nightshade, henbane, datura, foxglove, mistletoe, and hemlock. Each card contains plant lore, a description of the plant&rsquo;s poisonous and medicinal qualities, and a plant spirit glyph that can be employed in meditation and spellwork. The author also offers 13 cards representing famous women&#8212;the <I>venefica</I>&#8212;from history and mythology who have wielded poison in empowering ways. Included among the venefica are Circe, Hekate, and Lucrezia Borgia. Similar to the Major Arcana of the tarot deck, the venefica cards convey archetypal messages, and they encourage you to embrace your power in transformative and often unexpected ways.<BR><BR>Each card is beautifully illustrated in full color, with the 23 plant cards using 18th&#8211;early 20th century botanical illustrations and the 13 venefica cards drawing inspiration from folk art. They offer insights in a direct way, often revealing truths that may at times be difficult to receive. The author&rsquo;s unique spreads are designed to allow you to reflect and meditate on the nature of each poison and connect with its essence on a spiritual and energetic level.<BR><BR>&ldquo;Poisonous plants act as mirrors, reflecting aspects of our shadow,&rdquo; Michael writes. With <I>The Poison Path Oracle Deck</I>, you can engage the most complex aspects of your nature to find clarity, wisdom, and power.]]></Text>
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      <Text><![CDATA[<B>A new deluxe miniature edition of the iconic Marseille Tarot</B><BR><BR>&bull; Includes 78 full-color, gilt-edged cards of the classic Tarot de Marseille originating in the early Italian renaissance<BR><BR> &bull; The accompanying booklet allows for intuitive, spontaneous readings through a keyword approach for each card, along with different drawing methods and spreads<BR><BR> &bull; Features a travel case with magnetic closure that allows for easy handling and enhanced portability of this mini deck<BR><BR> One of the oldest Tarot designs in use, the Marseille Tarot traces back to the card-playing traditions of the early Italian renaissance. Introduced into Southern France at the turn of the 16th century, the deck developed its particular visual style and symbolism during the 1600s and is today seen as a precursor to many modern Tarots.<BR><BR> This beautifully designed mini deluxe edition of the Marseille Tarot merges the traditional visual approach with French illustrator Nicolas Galkowski&rsquo;s distinctive primary color style. Bold, symbolic-rich imagery in the Major Arcana is contrasted with the Minor Arcana&rsquo;s simpler, abstract displays of the suit symbols. Encased in a sturdy box with magnetic closure, the smaller-sized, gilt-edged cards are easy to handle and display in spreads. The 104-page guidebook provides unique interpretations and various drawing methods and layout spreads. Each card provides three individual key words and a question that help you develop a greater and more intuitive understanding of your reading. Spontaneous, original insights will arise more easily and bring discernment to your questioning.<BR><BR> Whether for daily guidance or spiritual exploration, the Mini Tarot de Marseille helps you quickly master its symbolism and apply it to your life with astuteness and clarity.]]></Text>
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      <Text><![CDATA[<B>Una gu&#237;a para conectar con la magia del agua</B><BR><BR>&bull; Detalla t&#233;cnicas, hechizos y rituales acompa&#241;ados de relatos personales extra&#237;dos de d&#233;cadas de pr&#225;ctica m&#225;gica de la autora<BR><BR>&bull; Presenta ense&#241;anzas para trabajar con el agua desde la adivinaci&#243;n, la comunicaci&#243;n, la curaci&#243;n, la protecci&#243;n, la manifestaci&#243;n y el encantamiento<BR><BR>&bull; Explora la adivinaci&#243;n con espejos, el contacto con ondinas, la protecci&#243;n contra fen&#243;menos meteorol&#243;gicos, el glamour de las hadas, la sanaci&#243;n con hechizos de cocina, los altares de agua y c&#243;mo personalizar las ceremonias y rituales seg&#250;n las necesidades de los lectores<BR><BR>El agua, la savia de nuestro planeta, es una fuerza viva y con memoria, siempre cambiante e infinitamente maleable. En la magia, es un ingrediente poderoso que transporta recuerdos e historias, y est&#225; profundamente conectado con nuestras emociones y nuestra intuici&#243;n. Su naturaleza mutable nos ofrece percepciones profundas, y nos gu&#237;a por caminos de menor resistencia.<BR><BR>Un libro de las sombras es un diario sagrado que guarda experiencias personales y los aspectos m&#225;s &#237;ntimos del trabajo con hechizos. En esta gu&#237;a pr&#225;ctica sobre la brujer&#237;a del agua, Salicrow te invita a su propio libro de las sombras y comparte sus t&#233;cnicas pr&#225;cticas, hechizos y rituales para trabajar con la magia del agua. Presenta ense&#241;anzas para trabajar con este elemento a trav&#233;s de la lente de diferentes escuelas de magia, como la adivinaci&#243;n, la curaci&#243;n, la protecci&#243;n, la manifestaci&#243;n y el encantamiento. Cada una de estas ense&#241;anzas elementales incluye una serie de lecciones progresivas, con una historia personal de la autora (extra&#237;da de sus a&#241;os practicando magia), junto con una t&#233;cnica para que t&#250; mismo indagues.<BR><BR>En <I>La Bruja del Agua</I>, Salicrow explora la adivinaci&#243;n con espejos, la interacci&#243;n con las ondinas, la protecci&#243;n contra fen&#243;menos meteorol&#243;gicos, el glamour de las hadas, la sanaci&#243;n con hechizos de cocina, c&#243;mo construir un altar de agua y c&#243;mo personalizar las ceremonias y rituales seg&#250;n las necesidades personales de los lectores. Compartiendo ejemplos &#237;ntimos y ejercicios pr&#225;cticos, Salicrow te gu&#237;a paso a paso para que desarrolles tus habilidades como Bruja del Agua, y te invita a crear tu propia pr&#225;ctica personal, mientras forjas una relaci&#243;n m&#225;gica con el elemento agua.]]></Text>
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      <Text><![CDATA[<B>Activa c&#243;digos de consciencia de alta vibraci&#243;n para facilitar la sanaci&#243;n de tu cuerpo y mente</B><BR><BR>&bull; Incluye 78 cartas con im&#225;genes vibrantes que simbolizan las facetas del amor incluyendo la intimidad, la conexi&#243;n, la confianza y el compromiso<BR><BR>&bull; Fortalece a tu guerrero espiritual interior y te da un entendimiento de las din&#225;micas subyacentes en tus relaciones<BR><BR>&bull; Ofrece significados para las cartas en posici&#243;n vertical e invertida, interpretaciones para preguntas de s&#237; o no, y los signos regentes de cada carta<BR><BR>El amor puede levantar nuestro &#225;nimo, llenarnos de alegr&#237;a y hacernos sentir invencibles. Sin embargo, tambi&#233;n puede destrozar nuestro coraz&#243;n y desequilibrarnos, dej&#225;ndonos a la deriva. Es en estos momentos oscuros que necesitamos la ayuda de nuestro guerrero espiritual interior para reconstruir nuestra vida.<BR><BR>Este mazo de tarot ayuda a los lectores a navegar por las complejidades del amor y las relaciones con perspicacia, d&#225;ndote el poder para afrontar nuevas experiencias con confianza y optimismo. Las veintid&#243;s etapas del viaje de El Loco, a trav&#233;s de los Arcanos Mayores, presentan el amor con im&#225;genes vibrantes que simbolizan sus muchas facetas, incluyendo la intimidad, la conexi&#243;n, la confianza y el compromiso. Emplear estas cartas en la adivinaci&#243;n aporta conocimientos para mejorar las relaciones y ayudan a lograr una comprensi&#243;n m&#225;s profunda de las dimensiones del amor. Adem&#225;s, las cartas revelan las din&#225;micas subyacentes de tus relaciones para poder fomentar conexiones m&#225;s significativas. La gu&#237;a ofrece significados para las lecturas con cartas en posici&#243;n vertical e invertida, interpretaciones para preguntas de s&#237; o no, y el signo regente para cada una de las 78 cartas. Este mazo te ayudar&#225; a desbloquear tu potencial para una comprensi&#243;n y un crecimiento m&#225;s profundos.<BR><BR>Ya sea que busques orientaci&#243;n para transformar tus relaciones, aumentar tu autoconsciencia o desarrollar m&#225;s gracia y fortaleza, el <I>Tarot del guerrero del amor</I> es una poderosa herramienta para facilitar una transformaci&#243;n significativa.]]></Text>
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      <Text><![CDATA[Luna Marie es una vidente, canalizadora, lectora de Tarot intuitiva y <I>coach</I> espiritual dedicada a empoderar a las mujeres. Con m&#225;s de dos d&#233;cadas de experiencia en trabajo energ&#233;tico, Luna combina sus habilidades ps&#237;quicas y su sabidur&#237;a canalizada para ayudarte a alcanzar la sanaci&#243;n f&#237;sica, mental y espiritual. Vive en Bath, Reino Unido. Lilia Danchenko es una ilustradora rusa cuyo portafolio creativo incluye ilustraciones digitales para cartas, libros, revistas y carteles.]]></Text>
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      <Text><![CDATA[<b><I>USA Today</I> Bestseller. <i>"I love this book&#8212;because it teaches you how to manifest freedom in your own life and how that work allows you to rise to your greatest glory."</i> &#8212;Oprah Winfrey, The Oprah Podcast</b><BR> <BR> <b>Learn to embrace joy, achieve success, and unlock your full potential with a proven framework from <i>New York Times</i> bestselling author and resilience expert Shaka Senghor, who went from solitary confinement to the C-suite, proving that if he can transform his life, so can you.</b><BR><BR>Do you ever feel held back by self-doubt, trapped by past narratives, or paralyzed by fear of failure? These feelings are what Shaka calls Hidden Prisons&#8212;and they affect everyone, from CEOs and professional athletes to students to parents. But here's the breakthrough: these prisons have doors.<BR> <BR> <i>How to Be Free</i> is a roadmap for breaking free from whatever&rsquo;s holding you back.<BR> <BR> Drawing from profound lessons he learned during his 19 years in prison&#8212;including 7 in solitary&#8212;Shaka reveals the mindset and practices that transformed his own life, and that can help anyone build their own foundation of freedom.<BR> <BR> Through simple daily practices like journaling, meditation, mindfulness, and creative expression, he shows you how to turn your vision into action and step into your full potential&#8212;from deepening your relationships to achieving the career success you've always wanted.<BR> <BR> <b>In this book, you'll learn how to:</b><BR> <ul> <li>Transform your biggest setbacks into your greatest comebacks</li> <li>Discover sustainable joy instead of fleeting happiness</li> <li>Cultivate your mindset to stay composed when everything falls apart</li> <li>Transform vulnerability into your greatest strength</li> <li>Break the cycles of grief, anger, and shame</li> <li>Protect your energy while still showing up for others</li> <li>Create your personal blueprint to true freedom</li> </ul> <BR><BR> <i>How to Be Free</i> gives you the inspiration and practical steps to make real change feel possible. Your freedom starts now.<BR> <BR>To continue your freedom journey, Shaka Senghor's digital mind coaching resource is available 24/7 at www.delphi.ai/shakasenghor.]]></Text>
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      <Text><![CDATA[Shaka Senghor is an inspirational speaker, entrepreneur, and author of the bestselling books&nbsp;<I>How to Be Free,</I><i> </i><i>Writing My Wrongs</i> and <i>Letters to the Sons of Society</i>. A sought-after resilience expert and recognized &quot;Soul Igniter&quot; in Oprah&#39;s inaugural SuperSoul 100, Senghor has captivated and transformed global audiences with his extraordinary journey from incarceration to influence. Through raw authenticity and profound insight, he doesn&#39;t just share his story&mdash;he equips others with the exact resilience practices that fueled his own remarkable transformation, proving that reinvention isn&#39;t just possible&mdash;it&#39;s within everyone&#39;s reach.]]></Text>
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      <Text><![CDATA[<u><B>Introduction</B></u><BR> <BR> <I>&ldquo;He who is not courageous enough to take risks will accomplish nothing in life.&rdquo;</I> &#8212;Muhammad Ali<BR> <BR> The words "Parole Denied" sat at the top of the paper I held in my hand, mocking me with this second denial. Sitting on the edge of my bunk, my perch for eighteen years, I was caught in what felt like an endless loop of confinement and disappointment. I had grown up here, transformed from rebel to writer, witnessed some friends die, some lose their mental grip, and others leave and come back. Would they ever let me out of this place?<BR> <BR> My body tensed as I held back tears. Emotions rolled through me in waves&#8212;sadness flowing into the familiarity of anger, the kind that threatened to overtake the little hope I had left. I had ticked every box, followed the Department of Corrections' criteria for release, and evolved in ways no one would have imagined possible. In my first five years there, I had been labeled the worst of the worst, but now I was a mentor, tutor, and writer. Back at square one, it was like being sentenced all over again.<BR> <BR> But as I sat there, enveloped in the familiar hurricane of disappointment, a realization slowly dawned on me: I had a choice. This moment, as heartbreaking as it was, presented me with two options. I could succumb to depression, let it drag me down into that dark place of hopelessness from which there seemed no escape, or I could stand firm on the hope that had already carried me over many troubled waters and use this setback as an opportunity to prepare myself for the next hearing and, ultimately, for my freedom.<BR> <BR> As Marcus Aurelius wrote in Meditations, "The impediment to action advances action. What stands in the way becomes the way." This perfectly captured the transformative work I'd been engaged in for years&#8212;the work of freeing the mind, body, and soul. It was work that challenged me to embrace the present moment as both a gift and an opportunity. It's work we all have the capacity to do.<BR> <BR> My parole denial was an obstacle to my freedom, but within that moment lay the path forward.<BR> <BR> I came out of that moment with renewed focus and determination. When the yard opened, I called my dad and broke the news to him. Then I walked the yard with a friend from the neighborhood and talked about what I was going to do when they released me.<BR> <BR> When the third parole hearing finally arrived, I stood before the board not just as a man seeking freedom but as one who had already freed himself internally. I was battered and bruised but still standing. The moment I received the paperwork stamped "Parole Granted," it was not just a release from physical confinement but a validation and manifestation of the journey I had undertaken. It was finally time for me to return to my city, community, and family. In that moment, I realized I'd been in prison before I'd ever been arrested and that I'd broken free long before the parole board saw fit to release me.<BR> <BR> I had defied the odds, narrowly escaping the expected outcome of a kid serving a seventeen- to forty-year sentence for murder. It had been two decades since I'd last walked on free soil, unburdened by handcuffs and shackles. Despite scars from an officer nearly breaking my arm, an unhealed anterior cruciate ligament (ACL) tear from another encounter, and a bad back, my sanity, spiritual well-being, and integrity remained largely intact. Still, I struggled with feelings of self-doubt and worthlessness&#8212;vulnerabilities that could have been imperiled by release.<BR> <BR> As I write, that was fifteen years ago, and the battle with those imprisoning voices has been a long war. Freedom isn't just a paper stamped by the parole board&#8212;it's a gift we unwrap every day through our choices and actions.<BR> <BR> Today, through my work as an author, speaker, and entrepreneur&#8212;things I dreamed about both during my incarceration and after my release&#8212;I have met countless individuals grappling with their own relentless inner and outer imprisoning voices: prisons of grief, anger, shame, and the inability to forgive. At book signings, after keynote speeches or fireside chats, people share how my story helped them get through a divorce, get over the suicide of a child, or take the next step in their career&#8212;people of every race, creed, and gender expressing deep gratitude for being released from something that was holding them back. Regardless of our individual journeys, survivor's remorse, trauma, and guilt are common struggles that stand in the way of becoming the individuals we aspire to be. Everyone has a hidden prison.<BR> <BR> That's precisely why I wanted to write this book&#8212;to offer skills that can help people break free from the emotional, psychological, and metaphorical prisons, both seen and unseen, that confine them. While some of us have experienced physical incarceration, many others find themselves trapped by circumstances, serving time handed down from a difficult childhood, horrible work experiences, heartbreak, and traumatic events or confined behind invisible bars that exist in their minds.<BR> <BR> Now, as I sit here in my office, I look at my life, the people I love, the experiences I am blessed to have, and the way I move through the world with presence and awareness, and I feel my heart aligning with something greater: love, joy, purpose, and healing, for myself and for others. I have finally become all the things I once imagined myself to be years ago: an artist, an entrepreneur, a father, and a husband.<BR> <BR> WHAT&rsquo;S IN FRONT OF US IS MORE IMPORTANT THAN WHAT&rsquo;S BEHIND US.<BR> <BR> On June 22, 2023, just a day after my fifty-first birthday and thirteen years since my release from prison, my brother Alan and I were invited to the Porsche Driving Experience in Carson, California. We arrived at a large modern facility fronted by a vibrant assortment of Porsches, both new and impeccably preserved vintage models reminiscent of the scaled-down race cars we had played with as kids. If there was a paradise for gearheads, grease monkeys, and car enthusiasts, this was unquestionably it.<BR> <BR> By a stroke of luck, my instructor happened to be a fellow Michigan native, and his welcoming charm reminded me of home. We quickly caught up on all things Detroit and Michigan before stepping outside to check out the two cars I would be driving. The first was a sleek yellow 911 GT3, a beautiful beast that blended track- focused capabilities with street- legal practicality. The second was a beautiful burgundy 911 Turbo that did zero to sixty in 2.7 seconds and had no problem pinning my body to the seat.<BR> <BR> I hopped into the passenger seat of the yellow 911, and we set off onto the track. We practiced oversteering exercises, going over techniques to recover from a spin. The key was keeping your eyes on where you wanted to go rather than what you were afraid of hitting. Then we switched seats, and it was my turn to navigate the short water-slicked track. After a few spinouts, I finally mastered the maneuver, and I was allowed to launch the Porsche as fast as I could. But the real point of the exercise was still ahead of us.<BR> <BR> We headed over to the main track. Covering the rearview mirror, the instructor told me, &ldquo;I own this mirror, and you have to trust me.&rdquo; Sensing my hesitation, he went on to explain his experience as a professional and stunt driver for over fifteen years. He had encountered every possible scenario on the track and witnessed the consequences of drivers fixating on what was behind them rather than focusing on their intended path. He emphasized that my sole objective on the track should be to concentrate on where I wanted to go. As I took off, a small voice said to me, &ldquo;Your past doesn&rsquo;t define your path!&rdquo;<BR> <BR> If I genuinely desired to push my heart to the edge by driving this car to its limit, I had to trust my instructor, knowing he had already done all the groundwork.<BR> <BR> That is what I&rsquo;m asking of you: to trust me, knowing that I, too, have already done the groundwork. I have overcome trauma, grief, guilt, and physical incarceration. I have succeeded beyond anyone&rsquo;s expectations of what was possible for me. I have beat the odds, overcome heartbreak, and developed a deep and profound understanding of the power of forgiveness, both of myself and of others. My hope as we embark together on this journey toward personal freedom is that you will allow me to take the mirror while you take the steering wheel.]]></Text>
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      <Text><![CDATA[<B><I>The 5 Levels of High Performance Teams: A Balanced Framework in High-Velocity Environments</I> redefines what it means to lead and sustain elite teams, providing a groundbreaking framework for building, managing, and optimizing high-performance teams across industries, from business and sports to military and crisis response.</B><BR><BR>What truly defines a high performance team? For years, leadership experts have used the term loosely, failing to distinguish between teams that perform at a high level and those that must perform at an elite level under intense pressure.<BR> <BR><I>The 5 Levels of High Performance Teams </I>challenges the current literature and outdated definitions of high-performance teams by revealing a new classification system that distinguishes high performing teams (HPiTs) from high performance teams (HPaTs). Through extensive research and real-world experience, Dr. Michael W. Woody surveys the entire workforce, demonstrating that not all teams are equal&#8212;and that recognizing these differences is the key to unlocking elite team performance without toxicity or burnout.<BR> <BR>As part of his research on high performance teams (HPaTs), Dr. Woody developed the Balanced Duality (B-D) Model, a groundbreaking framework that explains how leaders can balance team behavior and dynamics to sustain both high performance and individual well-being. Whether in corporate boardrooms, emergency response units, military operations, elite sports teams, or high-stakes project management, the ability to consistently deliver excellence depends on a team&rsquo;s structure, mission, and the environment in which they operate. This book provides actionable strategies for leaders at all levels to cultivate sustainable high performance while protecting the well-being of their teams.<BR> <BR>Backed by decades of leadership experience and cutting edge research, this book redefines what it means to be a high performance team, providing a groundbreaking blueprint for leaders, executives, coaches, and professionals who want to build teams that thrive under pressure and consistently deliver results.<BR> <BR>Includes expert insights and real-world examples of high performance teams in action!]]></Text>
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      <Text><![CDATA[<B>As Seen on <I>The Joe Rogan Experience</I></B><BR> <BR><b>Dr. Mary Talley Bowden, a Houston-based otolaryngologist, chronicles her contentious battle against medical institutions and her passionate advocacy for early COVID-19 treatments and healthcare transparency.</b><BR><BR>If there&rsquo;s one Covid book you need to read, this is it.<BR> <BR>Dr. Mary Talley Bowden, a Stanford-trained otolaryngologist and a mother of four, stood up against the medical establishment during the pandemic. From her private practice in Houston, she kept over six thousand Covid patients out of hospitals and became a fierce advocate of early treatment protocols, including controversial drugs like ivermectin. When she began posting her patient outcomes on social media, she faced intense opposition and professional consequences.<BR> <BR>This unflinching narrative chronicles Dr. Bowden&rsquo;s unwavering fight for healthcare transparency and patient autonomy. Through vivid personal anecdotes and the stories of courageous patients, Dr. Bowden exposes the challenges of defying institutional narratives, blending her scientific expertise with a deeply human story of resilience.<BR> <BR>Dr. Bowden has testified before the US and Arizona Senates and the Oklahoma Legislature. She has appeared on the <I>Tucker Carlson Show</I>, the <I>Joe Rogan</I> <I>Experience</I>, and major news networks. A Senior Fellow with the Independent Medical Alliance, she also serves on the Vaccine Safety Research Foundation board.]]></Text>
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      <Text><![CDATA[<B>When America&rsquo;s Founding Fathers return from heaven to celebrate the nation&rsquo;s 250th birthday, President Trump welcomes them to the White House&#8212;while protestors flood the streets demanding &ldquo;<I>We Want Our History Back</I><I>.</I>&rdquo;</B><BR><BR>As the United States approaches its 250th birthday on July 4th, 2026, National Archives Director Thomas Sowell makes an unusual plea: he asks heaven to send the Founding Fathers back to Earth for one more performance of America&rsquo;s birth story.<BR> <BR>To his astonishment, six Founding Fathers and one Founding Mother appear&#8212;disguised as actors for the Archives&rsquo; annual reenactment. Suddenly, George Washington, Benjamin Franklin, Alexander Hamilton, Thomas Jefferson, Mercy Otis Warren and their peers are thrust into 21st century Washington D.C., where culture wars rage and history itself hangs in the balance. <BR> <BR>Their encounters with 21st Century Americans are hilarious&#8212;Ben Franklin is arrested for misgendering someone. Billy Lee, once Washington&rsquo;s slave and military assistant, becomes a famous blogger. Jefferson meets one of his Hemings relatives, and Washington has his teeth fixed.<BR> <BR>But it is their ongoing debate about whether this is the America they envisioned that gives the book its historic poignancy and its contemporary relevance.<BR> <BR>As whispers spread online that these &ldquo;actors&rdquo; may in fact be heaven-sent, passion erupts on both sides of America&rsquo;s political divide. Protestors shout, &ldquo;We Want Our History Back.&rdquo; Conservative admirers clamor for autographs. And when Hamilton tells his counterpart, Treasury Secretary Scott Bessent, that he believes President Trump is leading a <I>second American Revolution</I>&#8212;this time against Marxists and globalists who threaten national sovereignty&#8212;it becomes clear that the 47th president stands on the shoulders of these Founders.<BR> <BR><I>Trump&rsquo;s Superpower: A Historical Novel</I> offers a provocative and often humorous collision of past and present, asking whether America is still the constitutional republic envisioned 250 years ago and concluding that it can be, if only we honor the debates and principles of our Founders.]]></Text>
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      <Text><![CDATA[<b>What if, on the night of August 5, 1962, Marilyn Monroe didn&rsquo;t die?</b><BR> <b>What if she got away? Because all she ever dreamed of was to disappear and have a child.</b><BR><BR>Marilyn Monroe would have turned 100 on June 1, 2026, and the world is preparing for a massive centennial celebration with official festivals and events focusing on her enduring impact on film, fashion, and culture. And then there&rsquo;s Lois Cahall&rsquo;s new novel...<i>Maybe Marilyn</i>...<BR><BR>Marilyn Monroe&rsquo;s housekeeper, Eunice Murray, and her psychiatrist, Dr. Ralph Greenson, were supposedly the only two people to ever see her dead. Five hours elapsed between the time they found Marilyn&rsquo;s body and the authorities were contacted. These facts beg the question: <i>Why was the house rearranged, phone records seized, and evidence destroyed? Was her suicide staged?</i><BR><BR>Set in 2019, this is a novel about Marilyn Monroe the survivor instead of Marilyn Monroe the victim. When two young reporters get the tip of a lifetime, they go on an elusive search to find her&#8212;and learn a thing or two about history in the process. Whether they find Marilyn or not remains to be seen, but what they <i>do</i> find is her granddaughter&#8212;alive and well&#8212;living up on Cape Cod. <BR><BR>Biographers have long claimed that there is a world of devoted fans who <i>hunger</i> to bring their idol back to life. Their hunger has never waned. Nor have the flawed reports.&hellip; #MarilynLives]]></Text>
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      <Text><![CDATA[Lois Cahall is the author of <i>The Many Lives and Loves of Hazel Lavery</i>, <i>The Court of the Myrtles</i>, and <i>Plan C: Just in Case</i> (Bloomsbury), a #1 bestseller in the UK remaining in the top three for fiction in 2012. Lois spent her early career writing women&#39;s, men&#39;s, food, and travel articles for Hearst and Cond&eacute; Nast publications. She is the former creative director of development for James Patterson Entertainment and the founder of both the Cape Cod Book Festival (2024), www.capecodbookfestival.com, and the Palm Beach Book Festival (2015), www.palmbeachbookfestival.com. Both bring in <i>New York Times</i> bestselling authors.]]></Text>
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      <Text><![CDATA[&ldquo;Lois Cahall brings her signature intelligence and wit to a timeless tale of a woman losing control of her own narrative amidst a media firestorm. What follows is a luminous novel about resilience, reinvention, and a whimsical &lsquo;what-if&rsquo; journey.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Elizabeth Beller, &lt;I&gt;New York Times&lt;/I&gt; bestseller of&#160;&lt;I&gt;Once Upon a Time: The Captivating Life of Carolyn Bessette Kennedy&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;There is a nostalgia...a Sinatra ring-a-ding-ding feel to Cahall&rsquo;s novel seaming a delicate balance of past to present. It&rsquo;s the love story we all would have&nbsp;<I>wished</I>&nbsp;for Marilyn Monroe.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Renee Rosen, Bestselling Author of &lt;I&gt;Let’s Call Her Barbie&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;A novel about a sweet and sad story: What if Marilyn Monroe ran away from Hollywood and lived a long life by the ocean among books and flowers?&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;Jacquelyn&#160;Mitchard, author of &lt;I&gt;The Bird Watcher &lt;/I&gt;&amp; &lt;I&gt;The Deep End of the Ocean&lt;/I&gt;&#160;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;<I>Maybe Marilyn</I> does for the &lsquo;what-if&rsquo; genre what Marilyn Monroe did for movie starlets: she defines it. Before the #Metoo movement had a name, Marilyn embodied strength and sensuality. She paid a terrible price, but what if her suicide was faked? With a host of supporting characters, Cahall illustrates the stark differences between Hollywood and a quiet New England town, and asks the question: <I>what must a woman do to rewrite the script she was given?</I>&rdquo;]]></Text>
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