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      <Text><![CDATA[<P><I>What does it mean to be alive now?</I></P><P><I>How should we best spend our days?</I></P><P><I>Book of Hours </I>is a stunning timepiece crafted by some of Australia's foremost writers and artists.</P><P>It is a meditation on the light and dark of a single day and a provocation on the urgencies of <I>our</I> times. How much time do we have left? And how is our current moment connected to the past and future?</P><P>Co-edited by Emily Floyd, Chloe Hooper and Nam Le, this book-as-object features contributions from writers Anna Krien, Sarah Holland-Batt, S Shakthidharan and Maria Tumarkin, alongside artists Vincent Namatjira OAM, Clare Britton, Hiromi Tango, Tjungkara Ken, Brook Andrew and Ramesh Mario Nithiyendran.</P><P>By turns sacred, secular, contemplative, profane, subversive and personal, <I>Book of Hours</I> marks this Australian era for those now and in the future.</P>]]></Text>
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      <Text><![CDATA[<b>Allyson M. Poska </b>is a professor emerita of history at the University of Mary Washington in Fredericksburg, Virginia. Her most recent book is <i>Gendered Crossings: Women and Migration in the Spanish Empire</i>, which was awarded the<i> </i>Best Book Prize from the Society for the Study of Early Modern Women.]]></Text>
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      <BiographicalNote><![CDATA[<b>Baker H. Morrow</b> is the author or editor of many books, including <i>Best Plants for New Mexico Gardens and Landscapes</i> and the coedited <i>Canyon Gardens: The Ancient Pueblo Landscapes of the American Southwest </i>(both published by UNM Press). A practicing landscape architect in Albuquerque for more than fifty years, he is the founder of and a professor of practice in the landscape architecture program at the School of Architecture and Planning at the University of New Mexico.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[<b>V. B. Price</b> is a poet, human rights and environmental columnist, editor, reporter, and teacher. Price&rsquo;s poetry and prose have been published in more than seventy national and international publications since 1962. He is the author of numerous books,&nbsp;including <I>The Orphaned Land: New Mexico&rsquo;s Environment Since the Manhattan Project</I>.]]></BiographicalNote>
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      <Text><![CDATA[<B>The first-ever reference guide to New Mexico&rsquo;s diverse literary history that includes significant New Mexican authors, periods, genres, publishers, themes, and books (as well as some of their characters).</B><BR><BR><i>A Reader's Guide to New Mexico Literature </i>is an essential introduction to one of the most distinctive literary traditions in the United States, tracing New Mexico&rsquo;s rich literary tradition from Pueblo and Athabascan origin stories, through early Spanish exploration narratives and nineteenth-century Anglo American accounts, noting the vital contributions of contemporary Black, Indigenous, and multicultural writers who have helped to shape New Mexico&rsquo;s literary landscape.<BR><BR>From Don Diego de Vargas&rsquo;s remarkable epistolary memoirs and Lew Wallace&rsquo;s <i>Ben-Hur</i>, written in Santa Fe, to the genre-defining works of Tony Hillerman, Jack Williamson, Lois Duncan, and Leslie Marmon Silko, this guide surveys a tradition rich in fiction, poetry, history, drama, mystery, science fiction, and nature writing. It highlights Nobel and Pulitzer Prize winners alongside influential regional voices, demonstrating how New Mexico&rsquo;s singular landscape and cultures have inspired writers across centuries.<BR><BR>Organized alphabetically and designed for accessibility, <i>A Reader's Guide to New Mexico Literature</i> is an indispensable reference for readers seeking a clear, informed overview of New Mexico&rsquo;s enduring literary legacy.]]></Text>
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      <Text><![CDATA[<B>&#8216;A truly powerful paean to the night sky&#8217;</B> CAROLINE EDEN, author of<I> Black Sea</I><BR><BR>________________________________________________________________<BR> <BR>At a time of personal crisis, travel writer and &#8216;dark sky&#8217; advocate Megan Eaves-Egenes turned to the stars for solace. But those same stars, which have guided humankind since the very earliest cultures, are vanishing. As nocturnal cities bleach our skies &#8211; which are becoming 10% brighter every year &#8211; are we also losing our connection with everything that can come from darkness too? <BR><BR>To explore her deep curiosity about the night sky, Eaves-Egenes embarks on a journey that takes her from New Zealand to Uzbekistan, Ireland to Argentina, the Himalaya to Japan, discovering the many ways that different cultures have mapped, mythologised and feared the darkness. She meets the extraordinary communities that have made it their mission to understand, preserve and celebrate the beauty of their night skies, learning to see darkness in a whole new way.<BR><BR>Blending travel with myth, history and self-discovery, <I>Nightfaring </I>is a profound and often startling journey through the endangered night, revealing its capacity to enchant and connect us.<BR>_________________________________________________________________<BR><BR><B>&#8216;A raw, multisensory journey into the less-trodden nocturnal world&#8217;</B> STEPHANIE VERMILLION, author of <I>100 Nights of a Lifetime</I><BR><BR><B>&#8216;Insightful &#8230; reminds us of all that being in the dark brings alive&#8217; </B>PAUL BOGARD, author of <I>The End of Night</I><BR><BR><B>&#8216;There's a deep love of the night sky woven into every sentence, and a powerful lesson for humanity as it fakes a nocturnal existence: only in the stillness of night can we see the light&#8217;</B> JAMIE CARTER,<I> Forbes</I><BR><BR><B>&#8216;These stories make the night sky feel not remote, but companionably close &#8211; part of the human story rather than above or beyond it&#8217; </B>SALLY COULTHARD, <I>Times Literary Supplement</I>]]></Text>
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      <BiographicalNote><![CDATA[JP Jordan is a comic book colorist and writer from Ireland, known for working on such titles as VR Troopers, Star Trek, Gargoyles, and Power Rangers. He fell in love with storytelling and art at a young age, through the pages of Goosebumps, Matilda, Bone, Amazing Spider-Man and the lessons of beloved Irish cartoonist Don Conroy and the T.V. show Art Attack. He currently lives on a deer-filled mountain, and is sustained by books, a steady supply of chai and a healthy distrust of the existence of shoebills.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Buddy Beaudoin is a professional comic book letterer and writer living in upstate, NY. His clients include Mad Cave, DC, Dark Horse, Image, and others. His creator-owned comic <I>Corvus</I> is available now wherever you buy books.]]></BiographicalNote>
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      <Text><![CDATA[<B><I>Dog Tag</I> is a journey through World War II that uses one soldier&rsquo;s lived experience to confront the myth of glory in war and honor the quiet heroism of those who endured it as only writer Mark Russell and artist PJ Holden could tell it.</B><BR><BR><I>Dog Tag</I> is a fictional story about a very real war. It follows the life and thoughts of Corporal Tom Fuller through the final year of World War II as his service takes him from the invasion of Normandy to the surrender of Japan. Borrowed from real world stories and little known events of the war,<I> Dog Tag</I> asks big questions about the war while focusing on the heroism of the ordinary people who lived and died during the conflict.]]></Text>
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      <Text><![CDATA[Mark Russell is an author, comic book writer, and cartoonist living and toiling in Portland, Oregon. The works he is known for include <I>God Is Disappointed in You</I>, a modern re-telling of the Bible, <I>The Flintstones</I>, <I>Exit Stage Left: The Snagglepuss Chronicles</I> (Winner of the 2019 GLAAD Award for Outstanding Comic), <I>Not All Robots</I> (Winner of the 2022 Eisner Award for Best Humor Comic), and <I>Superman: Space Age</I>, which tells the story of Superman and his loved ones, living against the backdrop of Cold War America. As far as he knows, all his books are still in print.<BR><BR>PJ Holden is a Northern Ireland based comic artist who has been working professionally for over two decades. After a career in IT, PJ switched over to his first love, drawing comics, and hasn't looked back since.<BR><BR>JP Jordan is a comic book colorist and writer from Ireland, known for working on such titles as VR Troopers, Star Trek, Gargoyles, and Power Rangers. He fell in love with storytelling and art at a young age, through the pages of Goosebumps, Matilda, Bone, Amazing Spider-Man and the lessons of beloved Irish cartoonist Don Conroy and the T.V. show Art Attack. He currently lives on a deer-filled mountain, and is sustained by books, a steady supply of chai and a healthy distrust of the existence of shoebills.<BR><BR>Buddy Beaudoin is a professional comic book letterer and writer living in upstate, NY. His clients include Mad Cave, DC, Dark Horse, Image, and others. His creator-owned comic <I>Corvus</I> is available now wherever you buy books.]]></Text>
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      <BiographicalNote><![CDATA[James Krieg is an American screenwriter from Wisconsin who is known for writing various superhero animated films and shows, particularly those based on DC Comics and Marvel Comics, including <I>Green Lantern: The Animated Series</I>. He had also written animated Scooby-Doo works and the 2000 animated web series <I>Supermodels</I> for Icebox alongside Dwayne McDuffie and Matt Wayne.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Lizbeth Myles is a Scottish writer and podcaster. She writes audio drama for Big Finish, and has contributed to their <I>Doctor Who</I>, <I>Blake&rsquo;s 7</I>, and <I>Survivor</I> ranges. Her story &quot;Peake Season&quot;&nbsp;was a Scribe Award nominee. She&rsquo;s a three-time Hugo Award finalist, and can be heard on Hugo Award-nominated <I>Verity!</I> podcast, <I>Telefantasy Time Jump</I>, <I>Hammer House of Podcast</I>, and the ENNIE Award-winning <I>How We Roll</I> podcast (playing a French otter). Her latest work is a book on the politics of <I>Doctor Who: Where We Stand, Where We Fall</I>, out now from Herne Books.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Steve Orlando is an American comic book writer, known for his work for DC Comics writing characters such as Batman, Martian Manhunter, and Wonder Woman, and two series starring Midnighter, which were nominated for a GLAAD Media Award.]]></BiographicalNote>
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      <PersonName>Bill Masuku</PersonName>
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      <BiographicalNote><![CDATA[Bill Masuku is an award-winning Zimbabwean comic book artist and writer, currently creating Runeless for Disney Hyperion through the Kugali Ink imprint while self-publishing Captain South Africa. His afromanga Tokoloshe Hunters was published by Etan Comics with a Kickstarter that attracted 485% of the funding. Masuku has worked as a storyboard artist for Triggerfish on a Netflix project and Disney x Kugali&#39;s 3-time Emmy Award-nominated animated series Iw&aacute;j&uacute;. In 2022, Masuku was featured in Forbes Africa Under 30. Masuku was selected for the Creation Africa FOCUS in France, supported by the Institut Fran&ccedil;ais, among 15 other comic book artists across Africa. He was selected as the British Council&rsquo;s Design Futures Africa Storyteller for Zimbabwe, a project centred around sustainable development, the green future, and the informal economy. In 2020, Masuku was spotlighted as an up-and-coming artist during DC Comics&rsquo; global event DC Fandome.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Eliot Rahal (Hot Lunch Special, Bleed Them Dry, Madam Satan) is a New York Times-acclaimed writer best known for his work in comics and his collaborations with Last Podcast on the Left, Machine Gun Kelly, and Emily Hampshire.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Residing in Frederick, Maryland, Sam Romesburg is a relatively new writer excited to make his Mad Cave debut with Hound, co-written with writing partner Sam Freeman. Previously, Sam was the co-creator of the Scout Comics series Children of the Grave, the Sumerian Comics series One of Us is the Killer, and one shot Rock & Roll Hell with co-creator Ben Roberts. Outside of comics, Sam enjoys aggressive music, football, and spending time with his wife Louisa and 3-year-old son Jesse.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Based in Baltimore, Maryland, Sam Freeman is a co-writer of Hound with writing partner Sam Romesburg. Along with Hound, Sam&rsquo;s work can be seen in Basic Instinct with Sumerian Comics. Beyond comics, Sam is a massive fan of the Coen Brothers, his fianc&eacute;e Emma, and Al Green&rsquo;s The Belle Album.]]></BiographicalNote>
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      <PersonName>Matt Horak</PersonName>
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      <BiographicalNote><![CDATA[Matt Horak]]></BiographicalNote>
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      <PersonName>Georges Jeanty</PersonName>
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      <NamesBeforeKey>Giorgio</NamesBeforeKey>
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      <BiographicalNote><![CDATA[Artist on <I>Miskatonik</I> (Aftershock), <I>Dylan Dog</I> (Bonelli) , and <I>Last of the Gladiators</I> (Dynamite).]]></BiographicalNote>
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      <PersonName>Bill Masuku</PersonName>
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      <NamesBeforeKey>Bill</NamesBeforeKey>
      <KeyNames>Masuku</KeyNames>
      <BiographicalNote><![CDATA[Bill Masuku is an award-winning Zimbabwean comic book artist and writer, currently creating Runeless for Disney Hyperion through the Kugali Ink imprint while self-publishing Captain South Africa. His afromanga Tokoloshe Hunters was published by Etan Comics with a Kickstarter that attracted 485% of the funding. Masuku has worked as a storyboard artist for Triggerfish on a Netflix project and Disney x Kugali&#39;s 3-time Emmy Award-nominated animated series Iw&aacute;j&uacute;. In 2022, Masuku was featured in Forbes Africa Under 30. Masuku was selected for the Creation Africa FOCUS in France, supported by the Institut Fran&ccedil;ais, among 15 other comic book artists across Africa. He was selected as the British Council&rsquo;s Design Futures Africa Storyteller for Zimbabwe, a project centred around sustainable development, the green future, and the informal economy. In 2020, Masuku was spotlighted as an up-and-coming artist during DC Comics&rsquo; global event DC Fandome.]]></BiographicalNote>
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      <PersonName>Andrea Mutti</PersonName>
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      <BiographicalNote><![CDATA[Andrea Mutti began his career illustrating the superheroes comic 'DNAction' for Xenia Edizioni. He then illustrated horror comics for Fenix. He moved over to Star Comics, where he drew stories with 'Lazarus Ledd' and some episodes of 'Hammer'. Since then he's worked with DC/Vertigo, Marvel, Mad Cave Studios, and IDW.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Rodrigo is a self-taught cartoonist. He has been drawing since he can remember. At university, he studied audiovisual communication where he learned about narrative. During that time, he participated in several contests, winning several prizes. Once he finished at university he took a pre-production course in animation and his teacher signed him up for a studio where he dedicated himself to making storyboards, while he worked as a freelance illustrator and graphic designer. Recently, however, he has turned his attention to comics and managed to publish his first work, &ldquo;Swip Tip Kapety Kaluse&rdquo;, this was followed by &ldquo;El misterio de la Calle Viento&rdquo;, a local project to promote the city of Marbella, and &ldquo;FONDO&rdquo; a strange pirates story. This year, he published &ldquo;Montemar&rdquo;, an adaptation of a classic Spanish story, filled with adventure, romance, monsters, and ghosts.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Lee Loughridge is an Eisner and GLAAD-award winning comic book colorist who has worked for the biggest and best publishers in the business. He is notably the colorist for the 2024 Eisner award-winning comic book series SOMNA: A BEDTIME STORY, and is the creator of Image Comics&rsquo; hit new comic STANDSTILL.]]></BiographicalNote>
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      <PersonName>Juancho!</PersonName>
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      <PersonName>Emilio Lecce</PersonName>
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      <PersonName>Victor Medina</PersonName>
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      <PersonName>Valerio Alloro</PersonName>
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      <BiographicalNote><![CDATA[Valerio Alloro is an Italian colorist and illustrator. He has worked with Dark Horse Comics on titles such as <I>Ham-Let</I>, <I>Hotel Rem</I>, <I>Top Secret Service</I>, and <I>Small Town Spirits</I>. For the same publisher, in collaboration with Fantasy Flight Games, he provided the colors for <I>Arkham Horror: The Terror at the End of Time</I> (issues 1&ndash;4). He later joined the team at Storm King Comics, contributing to works including <I>Civilians</I>, <I>Tales of Science Fiction Vol. 9</I>, <I>Long Haul</I>, and <I>Dead Flowers</I>. He also worked on the final graphic novel of the animated series <I>Final Space</I>, created by Olan Rogers, and contributed as colorist to <I>Star Wars: Hyperspace Stories</I> (#7 and <I>Vol. 2: Scum and Villainy</I>).]]></BiographicalNote>
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      <PersonName>Dominique Arce</PersonName>
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      <PersonName>Steve Wands</PersonName>
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    <ContributorStatement>Jim Krieg</ContributorStatement>
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      <Text><![CDATA[James Krieg is an American screenwriter from Wisconsin who is known for writing various superhero animated films and shows, particularly those based on DC Comics and Marvel Comics, including <I>Green Lantern: The Animated Series</I>. He had also written animated Scooby-Doo works and the 2000 animated web series <I>Supermodels</I> for Icebox alongside Dwayne McDuffie and Matt Wayne.<BR><BR>Molly Jones is a writer from the North of England with a passion for telling stories big and small. She has a big love of history, mystery, and collecting weird and wonderful copies of <I>The Hobbit</I>.<BR><BR>Paul Douglas Cornell (born 18 July 1967) is a British writer. He has worked in television drama and <I>Doctor Who</I> fiction, being the creator of one of the Doctor's spin-off companions, Bernice Summerfield. Other British television dramas for which he has written include<I> Robin Hood</I>, <I>Primeval</I>, <I>Casualty</I>, <I>Holby City</I>, and <I>Coronation Street</I>. For American television, he has contributed an episode to the modern-day set Sherlock Holmes series <I>Elementary</I>. Cornell has also written for a number of British comics, as well as Marvel Comics and DC Comics in the United States, and has had six original novels published. He is one of only two people to be nominated for Hugo Awards in prose, comics, and TV.<BR><BR>Lizbeth Myles is a Scottish writer and podcaster. She writes audio drama for Big Finish, and has contributed to their <I>Doctor Who</I>, <I>Blake&#8217;s 7</I>, and <I>Survivor</I> ranges. Her story "Peake Season" was a Scribe Award nominee. She&#8217;s a three-time Hugo Award finalist, and can be heard on Hugo Award-nominated <I>Verity!</I> podcast, <I>Telefantasy Time Jump</I>, <I>Hammer House of Podcast</I>, and the ENNIE Award-winning <I>How We Roll</I> podcast (playing a French otter). Her latest work is a book on the politics of <I>Doctor Who: Where We Stand, Where We Fall</I>, out now from Herne Books.<BR><BR>Steve Orlando is an American comic book writer, known for his work for DC Comics writing characters such as Batman, Martian Manhunter, and Wonder Woman, and two series starring Midnighter, which were nominated for a GLAAD Media Award.<BR><BR>Bill Masuku is an award-winning Zimbabwean comic book artist and writer, currently creating Runeless for Disney Hyperion through the Kugali Ink imprint while self-publishing Captain South Africa. His afromanga Tokoloshe Hunters was published by Etan Comics with a Kickstarter that attracted 485% of the funding. 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Once he finished at university he took a pre-production course in animation and his teacher signed him up for a studio where he dedicated himself to making storyboards, while he worked as a freelance illustrator and graphic designer. Recently, however, he has turned his attention to comics and managed to publish his first work, &#8220;Swip Tip Kapety Kaluse&#8221;, this was followed by &#8220;El misterio de la Calle Viento&#8221;, a local project to promote the city of Marbella, and &#8220;FONDO&#8221; a strange pirates story. This year, he published &#8220;Montemar&#8221;, an adaptation of a classic Spanish story, filled with adventure, romance, monsters, and ghosts.<BR><BR>Lee Loughridge is an Eisner and GLAAD-award winning comic book colorist who has worked for the biggest and best publishers in the business. 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      <Text><![CDATA[<B>When you accept that you&rsquo;re inevitably going to suck sometimes, it gets </B><B><I>easier </I></B><B>to feel better most of the time.</B><BR><BR>Feeling tired, moody, stuck, irritable, or all of the above? That&rsquo;s normal. Struggling to get out of bed before noon or constantly (even if quietly) complaining about your coworkers? Normal! Frustrated by your nonstop negative mindset? Yeah, that&rsquo;s normal too. When you&rsquo;re bombarded with emotions, it&rsquo;s impossible to be your best self 100% of the time. <BR> <BR><I>Everybody Sucks Sometimes</I> is a modern mental health guide that shares fresh, realistic strategies for revamping negative mindsets in favor of clarity and contentment. Whether you&rsquo;re dealing with burnout, anxiety, or the messy emotions caused by anything from family drama to money stress, this down-to-earth guide is here to remind you that none of these have to be setbacks in your well-being. <BR> <BR>For anyone feeling worn down by emotional micromanagement, Ellie Mental Health founder and therapist Erin Pash offers a scaffold for emotional regulation and intelligence&#8212;so you can feel your emotions without letting them control you. Learn to:<BR> <ul> <li>Debunk popular mental health myths and oversimplifications</li> <li>Identify the emotional ruts making your day-to-day problems worse</li> <li>Recognize maladaptive habits and replace them with healthy coping mechanisms</li> <li>Let go of perfectionism and practice &ldquo;care without caring&rdquo; by focusing on what matters most and accepting &ldquo;good enough&rdquo; for all the rest</li> <li>Build healthy relationships through clear communication, and validate and empower others</li> </ul> <BR>With helpful exercises, practical solutions, and a good sense of humor, <I>Everybody Sucks Sometimes</I> is a pocket therapist designed to help you cope with bad days and life&rsquo;s drama without losing your peace of mind.]]></Text>
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      <TitleText>It&#39;s Not a Rumour</TitleText>
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      <BiographicalNote><![CDATA[<b>Frederick Moore</b> is a prolific lead singer/songwriter/guitarist known for founding rock bands such as Minneapolis-based Skogie and the Flaming Pachucos in the 1960s and in the late 1970s with his rock/power pop band The Kats / Nu Kats, where they set attendance records at legendary Los Angeles clubs such as Whisky a Go Go, Starwood, and The Troubadour. Freddy has written 1,000+ songs from anywhere he happens to be, including basement bedrooms, lying on top of pool tables or mid-moped crashes.<BR> <BR>His published records include Skogie&rsquo;s <i>Call Me Crazy</i> produced by North Country Music, 1972 and <I>The Butler Did It</I>, produced by Mill City Records in 1973. Albums and EP&rsquo;s include Skogie&rsquo;s <I>There&rsquo;s a String Attached to Almost Everything We Do</I>, produced by General Records in 1974, The Nu Kats&rsquo; <I>Plastic Facts</I> EP, produced by Rhino Records in 1980, Boy&rsquo;s Next Door EP, produced by Radioactive Records in 1983, The Kat Club&rsquo;s House Combinations, produced by General Records in 1997, Source Mississippi, produced by General Records in 2001, and los angelenos, produced by General Records in 2007.<BR> <BR>The Kats and Nu Kats&rsquo; music have been spotlighted on Rhino Records&rsquo; compilation album called <I>L.A.</I> In, in 1979 and Yes Nukes in 1981. Freddy&rsquo;s music is also available on iTunes by Metal Blade Records and available to stream on Spotify. The Kats&rsquo; hits &quot;It&rsquo;s Not a Rumour,&quot; as well as &quot;Lost My TV Guide,&quot; were featured on the television show Hollywood Heartbeat hosted by Fleetwood Mac&rsquo;s Bob Welch, MTV and had local radio play. His songs have appeared on movie soundtracks such as the 1982 cult horror film <I>Parasite</I> (in which he also co-starred as nerdy teenager Arn, with then wife Demi Moore), the 1985 movie <I>Loose Screws II</I> and <I>Spring Fever</I>, and the 2013 CW series <I>The Carrie Diaries</I>.<BR> <BR>Freddy&rsquo;s additional filmography includes being featured in United Artists Pictures&rsquo; experimental 70mm 3D film called <I>I&rsquo;m a Kat</I> in 1979, and the music video &quot;It&rsquo;s Not a Rumour&quot; featuring Demi Moore and renowned cinematographer Jan de Bont, and directed by Philip Brewin Cheney.<BR> <BR>Freddy spent his life living like Wile E. Coyote, getting knocked down by anvils and popping back up. Freddy is in late-stage Alzheimer&rsquo;s and living in a caregiving facility in Los Angeles, California, where his wife and love of his life for over thirty years, Renee, holds his hand. He can still tell her, &ldquo;I love you.&rdquo;]]></BiographicalNote>
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      <BiographicalNote><![CDATA[<B>Shannon Guyton</B>&nbsp;is a Los Angeles&ndash;based freelance writer and content strategist with prior roles as Managing Editor at mental health site 7cups.com and Editorial Director at leading pregnancy website TheBump.com. She has written hundreds of articles on various topics, from parenting to human resources. She&#39;s an editor, ghostwriter, coauthor, and mom of two amazing teens who thrives on helping the coolest people bring their stories to life on the page.]]></BiographicalNote>
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      <Text><![CDATA[Frederick Moore rocked and rolled his way through life as &#8220;Rick,&#8221; &#8220;Skogie,&#8221; and &#8220;Freddy,&#8221; almost becoming famous. He spent his 1950s Minneapolis childhood obsessively teaching himself guitar and writing songs while dodging his mother&#8217;s metal spatula and a brother out to get him. In the 1960s his bands Skogie and the Flaming Pachucos reached local stardom. After, they put everything they had into their cars and caravanned to Los Angeles. From a garage in suburban Arleta, they evolved Skogie into a new band called The Kats. In the 1980s, The Kats sold out every major club in Los Angeles&#8212;from Madame Wong&#8217;s to the Whisky a Go Go, the Starwood to the Troubadour. The Kats were offered dozens of record contracts while headlining alongside The Police, The Knack, Flash Cadillac and the Continental Kids, and The Motels. They turned down every single one. The 1990s and early 2000s led Moore to the computer-programming world. Coding and music seemed to go hand in hand for him, and he found himself rising through the programming ranks quickly until developing early-onset Alzheimer&#8217;s. It&#8217;s Not a Rumour is an unorthodox, hysterical story of survival, and of making it big in music and life without ever making a dime. It&#8217;s also about getting diagnosed with one of the most frightening diseases known to man, treating memory loss through writing, music, diet, exercise, natural supplements, and Moore&#8217;s wife, Renee, with her tireless love and research needed to hold on to these memories as long as he could to share them with the world.]]></Text>
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      <Text><![CDATA[<b>Frederick Moore</b> is a prolific lead singer/songwriter/guitarist known for founding rock bands such as Minneapolis-based Skogie and the Flaming Pachucos in the 1960s and in the late 1970s with his rock/power pop band The Kats / Nu Kats, where they set attendance records at legendary Los Angeles clubs such as Whisky a Go Go, Starwood, and The Troubadour. Freddy has written 1,000+ songs from anywhere he happens to be, including basement bedrooms, lying on top of pool tables or mid-moped crashes.<BR> <BR>His published records include Skogie&#8217;s <i>Call Me Crazy</i> produced by North Country Music, 1972 and <I>The Butler Did It</I>, produced by Mill City Records in 1973. Albums and EP&#8217;s include Skogie&#8217;s <I>There&#8217;s a String Attached to Almost Everything We Do</I>, produced by General Records in 1974, The Nu Kats&#8217; <I>Plastic Facts</I> EP, produced by Rhino Records in 1980, Boy&#8217;s Next Door EP, produced by Radioactive Records in 1983, The Kat Club&#8217;s House Combinations, produced by General Records in 1997, Source Mississippi, produced by General Records in 2001, and los angelenos, produced by General Records in 2007.<BR> <BR>The Kats and Nu Kats&#8217; music have been spotlighted on Rhino Records&#8217; compilation album called <I>L.A.</I> In, in 1979 and Yes Nukes in 1981. Freddy&#8217;s music is also available on iTunes by Metal Blade Records and available to stream on Spotify. The Kats&#8217; hits "It&#8217;s Not a Rumour," as well as "Lost My TV Guide," were featured on the television show Hollywood Heartbeat hosted by Fleetwood Mac&#8217;s Bob Welch, MTV and had local radio play. His songs have appeared on movie soundtracks such as the 1982 cult horror film <I>Parasite</I> (in which he also co-starred as nerdy teenager Arn, with then wife Demi Moore), the 1985 movie <I>Loose Screws II</I> and <I>Spring Fever</I>, and the 2013 CW series <I>The Carrie Diaries</I>.<BR> <BR>Freddy&#8217;s additional filmography includes being featured in United Artists Pictures&#8217; experimental 70mm 3D film called <I>I&#8217;m a Kat</I> in 1979, and the music video "It&#8217;s Not a Rumour" featuring Demi Moore and renowned cinematographer Jan de Bont, and directed by Philip Brewin Cheney.<BR> <BR>Freddy spent his life living like Wile E. Coyote, getting knocked down by anvils and popping back up. Freddy is in late-stage Alzheimer&#8217;s and living in a caregiving facility in Los Angeles, California, where his wife and love of his life for over thirty years, Renee, holds his hand. He can still tell her, &#8220;I love you.&#8221;<BR><BR><B>Shannon Guyton</B> is a Los Angeles&#8211;based freelance writer and content strategist with prior roles as Managing Editor at mental health site 7cups.com and Editorial Director at leading pregnancy website TheBump.com. She has written hundreds of articles on various topics, from parenting to human resources. She's an editor, ghostwriter, coauthor, and mom of two amazing teens who thrives on helping the coolest people bring their stories to life on the page.]]></Text>
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      <Text><![CDATA[<B>Fans of sweeping epic fantasy series such as <i>Malazan Book of the Fallen</i> and <i>The Stormlight Archive</i> will enjoy Annandale&#8217;s second installment in The Book of the Null series, featuring expansive worldbuilding, escalating stakes, and high-impact magical warfare!</B><BR><BR>Political upheavals rock the world of Eloran as magic comes into ascendancy. Vorykas, the god of the void, has reclaimed his identity and returned to the throne of Voran, though with his essence scattered, he is still weak.<BR> <BR>The human powers concentrate their power in a fortress city that moves across the land, crushing all before it. The elves, reeling after a coup changes the balance of power, join with the humans to attack the despised and persecuted kaul in order to draw Vorykas&#8217; forces of dragons and monsters out from the impregnable Voran&#8212;and prevent him from gathering his fragmented self.<BR> <BR>As battles in Eloran escalate, the gods themselves descend from the celestial city of Dengennis to join the war against one of their own, outcast eons ago. One piece of Vorykas remains out of his reach, the first part of him that was sundered when, an age ago, the gods betrayed him.<BR> <BR>Vorkyas, with the help of his strongest ally, Latanna, must hold off the forces of gods, elves, and mortals to defend his land and the kaul. But will even the secrets of the void be enough to save them if he can&#8217;t find the last fragment of himself?]]></Text>
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      <Text><![CDATA[David Annandale&nbsp;is the author of forty books of fantasy, science fiction, and horror. He has written&nbsp;Horus Heresy,&nbsp;Warhammer 40,000, and&nbsp;Age of Sigmar&nbsp;fiction for Black Library. For Aconyte Books, he has written novels set in the&nbsp;Arkham Horror&nbsp;and&nbsp;Legend of the Five Rings&nbsp;universes, along with a trilogy of Doctor Doom novels. He is also the author of the horror novel&nbsp;Gethsemane Hall&nbsp;and the Jen Blaylock thriller series. When he is not creating and/or destroying worlds, he teaches university courses on English literature, film, comics, and video games.]]></Text>
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      <BiographicalNote><![CDATA[<b>LAK ANANTH</b> is the Global Managing Partner of N47, a $2 billion+ venture firm. A former dot-com-era engineer, he has backed category-defining companies including Verkada, Tractian, and VAST Data, and works daily with founders building AI-native companies. His first book, <i >Anticipate Failure</i>, was named one of Soundview&rsquo;s best business books of 2022. He lives in Silicon Valley.]]></BiographicalNote>
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      <Text><![CDATA[<B>Artificial intelligence is not just another technological wave &#8212; it is a fundamental shift in how companies are built, operated, and led.</B><BR><BR>In <I>The Human-Machine Company</I>, venture capitalist Lak Ananth and bestselling author Kevin Maney argue that the organizations that thrive in the coming decades will not simply use AI tools more efficiently. They will be redesigned from the ground up as hybrid systems where human intelligence and machine intelligence work together in entirely new ways.<BR> <BR> Throughout history, foundational technologies such as electricity and the internet reshaped the structure of business. Today, AI is poised to do the same. Yet many leaders are still treating AI as an incremental change to the status quo rather than a catalyst for reinvention. This book provides a clear framework for thinking beyond incremental productivity gains and toward a deeper transformation of how companies create value.<BR> <BR> Drawing on historical parallels, contemporary case studies, and insights from the front lines of venture investment, Ananth and Maney explore how AI changes everything from talent strategy and organizational culture to product development and decision-making. They explain why machine intelligence scales knowledge work, why human creativity and judgment become more critical &#8212; not less &#8212; and why the most successful companies will be those that design blended cultures where people and intelligent systems collaborate seamlessly.<BR> <BR> The authors introduce a set of enduring principles for navigating uncertainty in the AI era. These include understanding the distinct strengths of human and machine cognition, building organizations that continuously learn and adapt, and rethinking long-standing assumptions about hierarchy, specialization, and competitive advantage. The book also addresses the ethical and societal implications of increasingly autonomous systems, emphasizing the responsibility of leaders to shape AI-driven companies, but distinct because of their people and culture, that benefit both customers and communities.<BR> <BR> Ultimately, <I>The Human-Machine Company</I> is a strategic guide for founders, executives, and investors who recognize that the future of business will not be defined by technology alone, but by how organizations harness it to amplify human capability. Those who redesign their companies around this reality will define the next era of innovation &#8212; while those who cling to outdated models risk being left behind.]]></Text>
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      <Text><![CDATA[<b>LAK ANANTH</b> is the Global Managing Partner of N47, a $2 billion+ venture firm. A former dot-com-era engineer, he has backed category-defining companies including Verkada, Tractian, and VAST Data, and works daily with founders building AI-native companies. His first book, <i>Anticipate Failure</i>, was named one of Soundview&#8217;s best business books of 2022. He lives in Silicon Valley.]]></Text>
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      <Text><![CDATA[&ldquo;As AI commoditises organisational productivity, the true differentiator will be human ingenuity. This book offers a clear framework for leaders looking beyond mere adoption toward the intentional design of the next generation of enterprises. Lak Ananth argues that as AI becomes commonplace, technology itself ceases to be the differentiator. Instead, lasting advantage comes from embedding uniquely human qualities&mdash;judgement, imagination, and experience&mdash;into the fabric of the organisation. Those organisations that build processes and data-fortresses by deeply interweaving human and machine intelligence will shape enduring institutions that outpace those that do not.&rdquo; <b>&ndash;&ndash;GOPAL SRINIVASAN, Chairman &amp; Managing Director, TVS Capital&nbsp;</b><BR> <BR> &ldquo;A compelling guide for boards, business leaders, and organisational teams. <i>The Human-Machine Company</i> explores how enterprises can craft their unique strategies in the Age of AI by bringing together their data, methods, culture and people, with intelligent machines. With better outcomes for society at large!&rdquo; <b>&ndash;&ndash;K. ANANTH KRISHNAN, Former Executive VP &amp; CTO, Tata Consultancy Services&nbsp;</b><BR> <BR> &ldquo;Transforming a company with AI is multidimensional work. It takes technology, data, and above all culture. We are living this transformation at Siemens every day, and <i>The Human-Machine Company</i> is the clearest guide I have seen to getting it right.&rdquo; <b>&ndash;&ndash;ROLAND BUSCH, CEO, Siemens&nbsp;</b><BR> <BR> &ldquo;<i>The Human-Machine Company</i> is the antidote to today&rsquo;s fears about AI. Lak Ananth and Kevin Maney show how machine intelligence and human intelligence can complement - rather than compete with &ndash; one another, unleashing breathtaking new opportunities and reimagining business in the age of AI.&rdquo; <b>&ndash;&ndash;JOANNE LIPMAN, Journalist and Author&nbsp;&nbsp;&nbsp;</b><BR> <BR> &ldquo;Ananth and Maney make their case for human indispensability by asking what an AI trained on 1925 jazz would have done with Louis Armstrong &mdash; and the answer is nothing. Machines master the past, humans make the future. That insight sits at the heart of this book, and it reaches far past music. Essential reading for any leader who wants to build with AI without hollowing out the thing that made their organization worth building.&rdquo; <b>&ndash;&ndash;PANOS A. PANAY, President, The Recording Academy and Author of <i>Two Beats Ahead</i></b><BR> <BR> &ldquo;In moments of peak turbulence, asking the right questions is more important than locking in on temporary answers. <i>The Human-Machine Company</i> offers leaders navigating the AI revolution vital guidance for both immediate action as well as long-term strategy. Timely and thought-provoking.&rdquo; <b>&ndash;&ndash;RON ADNER, Professor, Tuck School of Business at Dartmouth College, Author of <i>The Wide Lens</i> and <i>Winning the Right Game</i></b><BR> <BR> &ldquo;There are two ways to build a business in the age of AI: the wrong way, and the right way. Klarna cut hundreds of customer service agents, only to rehire them months later. Wrong. Amazon stopped sending its people to its inventory and started sending the inventory to its people. Right. This tour de force traces both paths through Meta, Siemens, Fannie Mae and elsewhere, ending with a must-read framework for thinking about business in the 21st century.&rdquo; <b>&mdash;OREN ETZIONI, Professor, University of Washington; Founding CEO of the Allen Institute for AI</b>]]></Text>
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      <BiographicalNote><![CDATA[<B>Terry Young</B> is a founder, author, and field-builder who created Possibility Sciences, a new discipline for understanding why bold ideas reshape the world while others stall&mdash;and the conditions in which breakthrough ideas take root and compound. Drawing on systems thinking, social science, artificial intelligence, design thinking, network theory, exponential technologies, and public-interest technology, the discipline examines how societies expand our collective capacity to realize what once seemed impossible.<BR> <BR>Young is the founder and former CEO of sparks &amp; honey, the cultural intelligence consultancy that pioneered the cultural strategy industry and helped organizations anticipate emerging cultural shifts long before they became mainstream. Over twelve years of daily culture briefings, he developed new approaches for sensing weak signals, connecting ideas across disciplines, and translating cultural change into strategy, innovation, and long-term growth.<BR> <BR>His career spans entrepreneurship, McKinsey &amp; Company, and advising Fortune 500 companies, governments, nonprofits, and public institutions navigating disruption, reinvention, and long-horizon transformation. Across those settings, his work has remained focused on a single question: <B>How do people and institutions become better at turning bold possibilities into reality?</B><BR> <BR>A former Peace Corps volunteer in Uralsk, Kazakhstan, Young&rsquo;s perspective has been shaped as much by lived experience as executive leadership. Those experiences working alongside local entrepreneurs, families, and community leaders continue to shape his thinking about how societies turn possibility into progress.<BR> <BR>He is also the founder of the nonprofit Possibility Institute, established to advance Possibility Sciences through research, education, technology, and collaborative practice. Young lives in New York with his partner and two children.]]></BiographicalNote>
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      <Text><![CDATA[<B>The greatest challenge of this century isn&#8217;t imagining a better future. It&#8217;s building the systems capable of bringing it to life.</B><BR><BR>In <i>Possibility Sciences</i>, Terry Young introduces a new discipline that explains why some bold ideas reshape the world while others stall&#8212;and how to create the conditions in which breakthroughs endure and compound.<BR> <BR> Humanity has never possessed greater imaginative or technological capacity. Yet the institutions responsible for turning possibility into progress remain optimized for another era&#8212;rewarding short-term performance, incremental improvement, and operational efficiency over long-horizon transformation.<BR> <BR> We are entering an era defined by the <b>Possibility Gap</b>: the widening distance between what humanity can imagine and what our systems are capable of realizing. Rather than asking what the future will be, Possibility Sciences asks a different question: <b>How do breakthroughs actually emerge, spread, and redefine what&#8217;s possible?</b><BR> <BR> Drawing on concepts such as <b>Return on Future, Stickability, Stackability, Zero-Waste Innovation, Possibility Commons, Community-as-Laboratory, and Horizontal Combinatorial Innovation,</b> Young presents an integrated architecture for enabling breakthrough ideas to move from possibility to lasting societal impact.<BR> <BR> Written for leaders, innovators, entrepreneurs, policymakers, strategists, institution builders, and anyone committed to shaping a better future, Possibility Sciences is more than a book about innovation. It is the foundational introduction to a new discipline designed to move beyond prediction and incrementalism toward intentionally building the futures we want to create.]]></Text>
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      <Text><![CDATA[<B>Terry Young</B> is a founder, author, and field-builder who created Possibility Sciences, a new discipline for understanding why bold ideas reshape the world while others stall&#8212;and the conditions in which breakthrough ideas take root and compound. Drawing on systems thinking, social science, artificial intelligence, design thinking, network theory, exponential technologies, and public-interest technology, the discipline examines how societies expand our collective capacity to realize what once seemed impossible.<BR> <BR>Young is the founder and former CEO of sparks & honey, the cultural intelligence consultancy that pioneered the cultural strategy industry and helped organizations anticipate emerging cultural shifts long before they became mainstream. Over twelve years of daily culture briefings, he developed new approaches for sensing weak signals, connecting ideas across disciplines, and translating cultural change into strategy, innovation, and long-term growth.<BR> <BR>His career spans entrepreneurship, McKinsey & Company, and advising Fortune 500 companies, governments, nonprofits, and public institutions navigating disruption, reinvention, and long-horizon transformation. Across those settings, his work has remained focused on a single question: <B>How do people and institutions become better at turning bold possibilities into reality?</B><BR> <BR>A former Peace Corps volunteer in Uralsk, Kazakhstan, Young&#8217;s perspective has been shaped as much by lived experience as executive leadership. Those experiences working alongside local entrepreneurs, families, and community leaders continue to shape his thinking about how societies turn possibility into progress.<BR> <BR>He is also the founder of the nonprofit Possibility Institute, established to advance Possibility Sciences through research, education, technology, and collaborative practice. Young lives in New York with his partner and two children.]]></Text>
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      <Text><![CDATA[&quot;<i>Possibility Sciences</i> is an optimistic, energetic, innovative book. Buy it for anyone who wants to change the world and everyone who wants to understand why the world is so hard to change.&rdquo; <b>&ndash;&ndash;ANNE-MARIE SLAUGHTER, Bert G. Kerstetter &rsquo;66 University Professor Emerita of Politics and International Affairs, Princeton University&nbsp;</b><BR> <BR> &quot;The world faces large problems, and solving them requires breakthrough ideas &mdash; ideas that are made to happen. The tools available to us are remarkable and evolving fast. Yet the barriers to making bold ideas real have never been higher. In <i>Possibility Sciences</i>, Terry Young shows why our most ambitious visions keep shrinking to fit the systems around them &mdash; and gives us the discipline to change that. Not a book about ideation, but an architecture for endurance: how ideas stick, stack, and compound into reality. Read it if you&rsquo;re serious about building the future, not just imagining it.&rdquo; <b>&ndash;&ndash;LAXMAN NARASIMHAN, Former CEO of Starbucks &amp; Reckitt and Former Senior Partner of McKinsey &amp; Co</b><BR> <BR> &quot;<i>Possibility Sciences</i> may read as romantic &mdash; even detached from the hard realities of business. inDrive&#39;s story tells me the opposite. Born in the coldest city on earth, cut off for years from capital and outside resources, built on nothing but a mission to fight unfairness, we grew into a global leader in affordable mobility. We never followed this framework &mdash; it didn&#39;t exist, and we moved by instinct and necessity. Yet reading Terry Young, I recognized our own path on many pages: mission held longer than any quarter, possibility built from scarcity rather than abundance, capability compounding until it outlived its founders. Terry named it &mdash; and made it teachable for the founders who come next. That is rare, and it is proof these ideas hold precisely where reality is hardest.<b>&quot; &ndash;&ndash;ARSEN TOMSKY, Founder and CEO of inDrive</b><BR> <BR> &quot;A must-read for any business leader who wants to leave an admirable legacy that stretches beyond a few glorious quarters. By creating and subsequently housing diverse innovation initiatives inside his Possibility Commons, Terry Young builds a structure for invention that cross- pollinates and expands exponentially for all those who choose to become Possibilians.&quot; <b>&ndash;&ndash;LYNNE GREENE, Former Global President of Estee Lauder Companies</b><BR> <BR> &quot;I&#39;ve seen firsthand Terry Young&#39;s remarkable ability to help people see opportunities where others see obstacles. <i>Possibility Sciences</i> captures the wisdom, optimism, and curiosity that define his work, challenging readers to rethink what is possible and giving them the courage to act. It&#39;s a must-read for anyone who is brave enough to unleash their full creative potential.&quot; <b>&ndash;&ndash;CARRIE MORGRIDGE, CEO and Co-Founder of Morgridge Family Foundation and Author of <i>Every Gift Matters</i>, <i>The Spirit of the Trail</i>, and <i>Courage Money</i></b><BR> <BR> &ldquo;<i>Possibility Sciences</i> isn&rsquo;t simply a new way to innovate; it&rsquo;s a blueprint for expanding who gets to shape the future. Terry Young argues that the future shouldn&rsquo;t be built by a privileged few. In <i>Possibility Sciences</i>, he offers the architecture for creating the institutions, capabilities, and culture that enable every community to shape and lead the future.&rdquo; <b>&ndash;&ndash;PAUL E. BUTLER, Interim CEO and President &amp; Chief Transformation Officer of New America</b><BR> <BR> &quot;I have long admired Terry Young&rsquo;s rare ability to see both the innovations our future requires and the hidden systems that keep them out of reach. At the heart of his work is a deeply human conviction: possibility should expand who gets to imagine, build, and benefit from the future. In <i>Possibility Sciences</i>, Terry gives us language and architecture for turning bold ideas into durable, shared progress&mdash;grounded in culture, lived reality, and the communities they are intended to serve. He is building a vital new discipline for shaping a future in which human ingenuity can benefit us all.&rdquo; <b>&ndash;&ndash;JENNIFER BROWN, <i>Wall Street Journal</i> Bestselling Author, Keynote Speaker, and Author of <i>The Shape of Change</i></b><BR> <BR> &quot;I have spent much of my life asking under what conditions imagination can take hold, travel, and compound. Terry Young has taken up that question with unusual seriousness, and <I>Possibility Sciences</I> is a real contribution. He treats imagination not as a spark to wait for, but as something we can cultivate and structure. What he offers is not a set of answers, but a way of asking sharper questions&mdash;and turning them into a practice.&rdquo;<b> &ndash;&ndash;JOHN SEELY BROWN, Chief of Confusion, Former Co-Chairman of Deloitte&rsquo;s Center for the Edge, and Former Chief Scientist of Xerox Corporation&nbsp;</b><BR> <BR> &quot;We are attempting to navigate a century of compounding complexity using institutional systems designed for a simpler, slower era. The resulting &#39;Possibility Gap&#39; is not a failure of human imagination but of antiquated infrastructure. In this book, Terry Young outlines a disciplined framework that treats imagination not purely as an unpredictable spark, but as a structured, reusable, and measurable asset. By integrating system dynamics, collective intelligence, and open governance, <i>Possibility Sciences</i> provides a blueprint for building collaborative platforms like the Possibility Commons and implementing long-horizon, positive-sum &ldquo;Return on Future&rdquo; metrics. This grounded, systematic approach ensures our most ambitious ideas survive contact with reality and accumulate across generations.&quot; <b>&ndash;&ndash;DR. VIVIENNE MING, Author of <i>Robot-Proof</i>, CEO of SOCOS, and Chief Scientist of Possibility Sciences</b><BR> <BR> &quot;Terry Young brilliantly reframes the central challenge of our age: not generating new ideas, but building the conditions for those ideas to flourish. <i>Possibility Sciences</i> is a compelling blueprint for entrepreneurs, investors, and leaders determined to turn bold possibilities into reality.&quot; <b>&ndash;&ndash;DAVID BEATTY, Angel Investor and Co-Founder of Gaingels</b><BR> <BR> &quot;I have been fortunate along my journey in human performance to work across numerous advanced innovation labs, elite sports programs, organizational and military performance systems &mdash; and both participate in and study moonshot moments along the way. As such, I&#39;ve come to recognise the organizational and systemic patterns that explain why a moonshot may succeed, but more likely, why they usually fail.<i> Possibility Sciences</i> names exactly what we see play out again and again: the gap between what a team or system is truly capable of and what its incentives will actually let it pursue. Terry Young has achieved something quite exquisite: he explains why bold ambitions so often get ground down by the systems around them, and then provides an actual architecture to overcome these obstacles &mdash; Return on Future, Zero-Waste Innovation, &amp; the Possibility Commons are pragmatic doctrines to help understand and solve for some of society&#39;s greatest challenges. Quite simply, he has delivered an operating model for keeping a moonshot alive long enough to become real. At a moment when short-termism is arguably the single biggest constraint on progress, this is the framework the field has been missing.&quot; <b>&ndash;&ndash;ANDY WALSHE, Human Performance Leader, Founding Partner &amp; Co-Founder&nbsp; of Liminal Collective, and Former Red Bull High Performance Director</b><BR> <BR> &quot;In <i>Possibility Sciences</i>, Terry Young offers a powerful new discipline for navigating an era of unprecedented change. His insights on innovation, human-AI partnership, and institutional design provide a roadmap for leaders seeking to create lasting value in an increasingly complex world. A thought-provoking and timely contribution to the future of leadership and innovation.&quot; <b>&ndash;&ndash;SANJAY PUROHIT, CEO and Chief Curator of the Centre For Exponential Change</b><BR> <BR> &quot;<i>Possibility Sciences</i> argues that true value lies in expanding our capacity to create over time with deeply integrated systems, rather than simply maximizing today&#39;s returns. Through the lens of zero-waste innovation, Terry Young explains how shelved initiatives, setbacks, and abandoned ideas can still become building blocks for long-term progress. From corporate leaders to policymakers to teachers, this is an essential read for anyone seeking practical tools to transform possibility into lasting impact.&quot; <b>&ndash;&ndash;GERALDINE MORIBA, Founder &amp; Former Executive at CNN, NBC News, &amp; theGrio</b><BR> <BR> &quot;Terry Young has a name for what I see every day at Family Equality &mdash; and what I&#39;ve lived myself: the &#39;Possibility Gap,&#39; the space between what&#39;s possible for a family and what our systems are willing to recognize. His chapter on IVF resonates deeply because I&#39;ve lived it, not just watched it unfold for the families we serve. I&#39;ve seen families built through science, the courts, and sheer persistence, often years before society was ready to fully recognize them. <i>Possibility Sciences</i> doesn&#39;t just diagnose that gap with rare precision &mdash; it offers a practical framework for closing it. Anyone trying to build something the world isn&#39;t ready for yet should read this book.&quot; <b>&ndash;&ndash;DARRA GORDON, CEO of Family Equality</b>]]></Text>
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      <BiographicalNote><![CDATA[<B>Paige McPheely</B> is the founder and CEO of Base, a category-defining platform that supports hundreds of high-performing executives and executive assistants. A venture-backed entrepreneur, Paige has spent more than a decade building remote-first teams, navigating leadership transitions, and advising founders and operators through periods of growth and reset. Drawing from her experience as a CEO, mother of three, and longtime student of sustainable leadership, she writes about ambition, support, and what it actually takes to build success that lasts.]]></BiographicalNote>
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      <Text><![CDATA[<B>In a world that rewards speed, output, and constant motion, most leaders know how to push. The harder question is whether success is sustainable once you&rsquo;ve built it.</B><BR><BR>In <I>Built to Breathe</I>, founder, CEO, and leadership advisor Paige McPheely challenges the idea that efficiency, endurance, and doing it all alone are the price of ambition for modern leaders. Drawing on more than a decade building remote-first companies, raising venture capital, and advising high-performing executives, she explores a quieter truth: lasting success depends not on how much you can carry, but on what you&rsquo;re willing to release.<BR> <BR> Structured around the rhythm of a breath&#8212;<B>inhale, hold, exhale</B>&#8212;this book examines what modern leaders take on, what they wrestle with, and what ultimately wears them down. Through personal narrative, field-tested insight, and stories from founders, operators, and people reflecting on lives well lived, McPheely reframes leadership as something human, supported, and spacious&#8212;rather than relentless.<BR> <BR> This is not a call to want less. It&rsquo;s an invitation to build ambition that doesn&rsquo;t require recovery. To create space to think clearly, lead calmly, and fully inhabit the life you&rsquo;ve already worked so hard to build. If you&rsquo;ve been the strong one for too long, carrying responsibility others rely on but rarely see, this book offers a different kind of momentum&#8212;one you don&rsquo;t have to outrun.]]></Text>
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      <Text><![CDATA[<B>Paige McPheely</B> is the founder and CEO of Base, a category-defining platform that supports hundreds of high-performing executives and executive assistants. A venture-backed entrepreneur, Paige has spent more than a decade building remote-first teams, navigating leadership transitions, and advising founders and operators through periods of growth and reset. Drawing from her experience as a CEO, mother of three, and longtime student of sustainable leadership, she writes about ambition, support, and what it actually takes to build success that lasts.]]></Text>
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      <Text><![CDATA[&quot;You can&#39;t work your way through burnout, but you can learn to make new choices in how you come to work. Paige McPheely&#39;s book is insightful, generous and practical, precisely what&#39;s needed to help you make an impact without losing everything.&rdquo; <b>&ndash;&ndash;SETH GODIN, Author of <i>The Knot</i></b><BR> <BR> &quot;<i>Built to Breathe</i> identifies the silent crisis of modern leadership: a professional exhaustion that better tools will never solve. Paige McPheely challenges the illusion that success must hurt to count, offering permission to lead with clarity instead of frenetic motion.<i> Built to Breathe</i> is an invaluable guide for those who want to live more fully without wanting less out of life.&quot;&nbsp;<b>&ndash;&ndash;TODD HENRY, Author of <i>Die Empty</i></b><BR> <BR> &ldquo;Paige McPheely has written a wise and deeply important book for driven people who have learned to endure more than they should. <i>Built to Breathe</i> challenges the false choice between ambition and wellbeing, showing that we do not need to want less in order to live more fully. Through personal insight and practical wisdom, Paige reminds us that sustainable leadership is not about holding everything together; it is about creating the conditions that allow us, and those around us, to breathe, grow, and flourish.&rdquo;<b> &ndash;&ndash;TAL BEN-SHAHAR, Founder, Happiness Studies Academy</b><BR> <BR> &quot;Do more&quot; is the standard leadership book advice. And the hustle more, be more, know more, do more advice is exhausting leaders. <i>Built to Breathe</i> reminds us how to become more. Paige McPheely invites leaders to trade exhaustion for intentional living. With clarity and simplicity, she shows that the strongest leaders aren&#39;t the ones carrying the most&mdash;they&#39;re the ones creating space for themselves and everyone around them to thrive. Our workplaces need this breath of fresh air. <b>&ndash;&ndash;JENN WHITMER, Keynote Speaker and Author of Award-Winning <i>Joyosity</i></b><BR> <BR> &ldquo;<i>Built to Breathe</i> is a much-needed antidote to the grind culture that has become so deeply embedded in the way we live and work. Paige courageously shares her own journey while offering practical tools that help readers break free from the belief that more doing is the path to a meaningful life. She powerfully challenges the always-on culture and, through her work, teaches us how to lead lives full of vitality.&rdquo;<b> &ndash;&ndash;JAMIE SHAPIRO, CEO, Connected Executive Coaching and Author of <i>Connected Culture</i></b><BR> <BR> &ldquo;Conventional wisdom says you can&#39;t build a breakout career without breaking yourself. In <i>Built to Breathe</i>, Paige shows you how to build better. I&#39;ve sat across the board table from her and marveled at how she runs hard without running herself into the ground. The tenets in this book aren&#39;t self-care platitudes. They&#39;re the working methods of leaders who want to build a life that allows them to go the distance.&rdquo; <b>&ndash;&ndash;KRISTIAN ANDERSEN, Co-founder &amp; General Partner, High Alpha</b><BR> <BR> &ldquo;We are exhausted. The better we get at our calendars, the more our calendars win. Paige knows the gauntlet and shares a calmer way through. I wish <i>Built to Breathe </i>existed when I was running my company.&rdquo;<b> &ndash;&ndash;MAX YODER, Author of <i>Do Better Work</i> and Co-founder of Lessonly</b><BR> <BR> &ldquo;Take a deep breath and relish <i>Built to Breathe</i>. This book should be required reading for entrepreneurs who find themselves lost, exhausted, and alone. I know the feeling. Paige shares an open-armed book that shows ambitious people how to redefine success without letting go of their dreams.&quot;<b> &ndash;&ndash;MONICA NASSIF, Author of <i>I Bottled My Mother</i></b><BR> <BR> &ldquo;Many leadership books focus on what and why to delegate. <i>Built to Breathe</i> tackles something much harder: why successful leaders struggle to let go in the first place. If you&#39;re serious about untangling your identity and self-worth from your work, this book is for you. Paige unpacks the inherited systems, behavioral patterns, pressures, and expectations that leaders feel they must own and hold. I&#39;ve never felt more seen! Paige writes with the clarity, intention, and insight that only comes from building a business herself. <i>Built to Breathe</i> gives leaders permission to exhale without sacrificing their ambition or long-term success. Letting go isn&#39;t the opposite of great leadership; it&#39;s what makes it possible!&rdquo; <b>&mdash;HALLIE WARNER, Book Strategist &amp; Author of <i>The Founder &amp; The Force Multiplier</i></b><BR> <BR> &quot;High performers in the workplace can be among the last to truly care for themselves, and can fail to see how when they do, it is good for everyone and everything around them. Paige has written a wonderful book on the why, what, and how of all of this, backed up by over a decade of supporting leaders through her own enterprise.&quot; <B>&ndash;&ndash;DAVE BLANCHARD, Co-Founder &amp; CEO, Praxis</B>]]></Text>
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      <Text><![CDATA[<B>Now with a new look!</B><BR><BR><B>&ldquo;Guaranteed to bring out the inner hero in all of us.&rdquo; &#8212;Janet Evanovich, #1</B> <I><B>New York Times</B></I> <B>bestselling author</B><BR> <BR><B>For graduates of Percy Jackson and fans of Alex Rider comes the &ldquo;super sly, super fun&rdquo; (</B><I><B>Kirkus Reviews</B></I><B>, </B><B>starred review) second book in the adventure-filled Evil Villains International League series, in which Keeper Chance and his friends must beat the paradoxes of time to conquer a dangerously deceptive enemy.</B><BR><BR>Keeper Chance hasn&rsquo;t been an E.V.I.L. villain for long, but there are two things he knows: <BR> <BR>One: Nothing is ever as it seems. That goes double when you&rsquo;re up against a doppelg&#228;nger. It&rsquo;s going to take patience and perseverance for Keeper and villainous teammates Toby and Y to figure out who is who and why someone who can be anyone would want to kidnap a senior member of E.V.I.L.<BR> <BR>Two: It helps to have time on your side. But the doppelg&#228;nger seems to have recruited flunkies who can bend time to their will. Even worse, there&rsquo;s Toby&rsquo;s brother, who&rsquo;s no slouch when it comes to being a parental snitch. <BR> <BR>Before the clock runs out (or back), it&rsquo;ll take a showdown with the time benders&#8212;not to mention some seriously vicious cats&#8212;to unmask the imposter and end the mayhem. Someone is going to have to step up and save the day. But will it be an E.V.I.L. hero&hellip;or a H.E.R.O.?]]></Text>
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      <Text><![CDATA[For graduates of Percy Jackson comes an adventure-filled series about an average boy offered a life of villainy that&rsquo;s about good vs. evil, mischief vs. mayhem, and making your mark on the world, by acclaimed author Alex Evanovich.]]></Text>
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      <Text><![CDATA[A secret agent who can look like anyone leads a young villain in training and his questionably evil associates on a merry chase.<BR> <BR> It seems that Showboater&mdash;a sequin-shedding Elvis impersonator with the superpower of going unnoticed (&ldquo;the more flamboyant he was, the more he disappeared&rdquo;)&mdash;has vanished along with a certain very important file. Now, the rival Evil Villains International League and the Heroic Elite Reconnaissance Organization are anxious to get him, or at least the file, back. As it turns out, they aren&rsquo;t the only ones. Tongue resolutely in cheek, Evanovich pits 16-year-old E.V.I.L. trainee Keeper Chance, his technologically adept best friend, Toby, and other parties (loyal allies or otherwise) against agent-for-hire Ditto. But Ditto is frustratingly able to stay a step ahead, thanks to both his own &ldquo;doppelg&auml;nging&rdquo; ability and a supportive trio of teenagers who can manipulate time in various ways. The ensuing hilarious misadventures add to the pleasure of watching the antics of superheroes with evocative monikers like Chaos and Joy Sucker (though the most fearsomely powerful of all is Toby&rsquo;s mom) while contemplating the curiously narrow ethical gap between the tale&rsquo;s villains and heroes. Better yet, having strung readers along through nearly two episodes about the exact nature of Keeper&rsquo;s own mysterious superpower, the author finally sneaks in a credible suggestion toward the end. The cast largely presents white.<BR> <BR> Super sly, super fun.&nbsp;<i>(Superhero adventure. 10-14)</i><BR> <BR> &nbsp;]]></Text>
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      <Text><![CDATA[This entry in a cozy mystery comes with a side of glitter and sequins. Two opposing alliances, E.V.I.L and H.E.R.O., vie for the allegiance of new members who seem normal but boast unique &shy;superpowers. Some control time. Others can create clone-like identities: doppelgangers. Readers will relate to the &shy;dynamics of this trio of friends. Keeper, Toby, and Y are just like any other kids, only they find themselves in some wild and crazy situations while trying to sleuth out the story of the mysterious key discovered at the Cat&rsquo;s &shy;Curiosity shop. &shy;Never &shy;before have feline characters stolen the show from the superheroes while creating such havoc. With just the slightest hint of a budding romance, full of twists and turns, Keeper&rsquo;s mission will keep readers alert and scrambling for answers. A satisfying reveal of a surprise mastermind &shy;tidies up the action and leaves readers ready to dive into the next installment in the series. VERDICT For readers who are clamoring for more &shy;adventure in the vein of Alex Rider, Artemis Fowl, and Percy Jackson.&nbsp;]]></Text>
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      <BiographicalNote><![CDATA[Eric Liu is the cofounder and CEO of Citizen University and author of numerous acclaimed books on democracy and American identity. His TED Talks on power and democracy have been viewed over ten&nbsp;million times. Liu served as a White House speechwriter for President Bill Clinton and as the President&rsquo;s deputy domestic policy adviser. He was later appointed by President Barack Obama to the board of the Corporation for National and Community Service. Liu is a member of the American Academy of Arts and Sciences.&nbsp;]]></BiographicalNote>
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      <Text><![CDATA[<b>A spiritual guide to creating hope and healing in American civic life.</b><BR><BR>We live in a time of fracture and lost faith. But most Americans don&rsquo;t want this feeling. Most of us, the exhausted majority, want to be invited into something better. That&rsquo;s the call of <I>Live Like a Citizen</I>: to give everyone the tools to turn away from the resentment and cynicism eroding democratic life. To turn <I>toward</I> a healthier way of living together. Eric Liu, CEO of Citizen University, gives readers eight deep practices for rekindling our belief in democracy&#8212;and our own humanity.<BR> <BR>Each chapter centers on a single verb&#8212;an elemental civic way to <I>be</I> and to <I>be with</I>. Through powerful stories of Americans from many backgrounds, we learn anew how to:<BR> <BR> <B>1. See: </B>Seeing too quickly makes us manipulable by algorithms and exploitable by politicians. We&rsquo;ve got to retrain our eyes to stop making three-dimensional humans as flat as our screens.<BR> <BR><B>2. Listen: </B>Listening can&rsquo;t solve everything&#8212;but nothing can be solved without listening. We&rsquo;ve forgotten the transformative civic power of making someone feel truly heard.<BR> <BR><B>3. Feel: </B>We will learn how to practice civic joy, civic love, and civic grief. To face ourselves so we can face each other. To make pain into a bridge rather than a moat.<BR> <BR><B>4. Join: </B>Joining is more than lurking on the sidelines or being &ldquo;alone together&rdquo; online. It is finding purpose by committing to others, in person and in place, over and over.<BR> <BR><B>5. Fight: </B>We don&rsquo;t need fewer arguments. We need fewer stupid ones. When we argue to understand rather than to win, we make relationship possible. Fighting like a citizen <I>means fighting like we must live together perpetually.</I><BR> <BR><B>6. Change: </B>You cannot truly change another person&rsquo;s mind unless you are willing to change your own. And you cannot change it unless you know your own mind and learn the minds of others&#8212;and resist being too sure you&rsquo;re right.<BR> <BR><B>7. Imagine: </B>Civic imagination is a powerful force&#8212;but it can be used to harm as well as heal. Imagining a shared future in our diverse society is therefore a practice&#8212;and an imperative.<BR> <BR><B>8. Commit: </B>When we live out these habits of heart and mind, we are creating a new culture of commitment&#8212;to one another, and to the purposes of our continuing revolution.<BR> <BR>Democracy works only if enough of us believe democracy works. <I>Live Like a Citizen</I> will give you reason to believe&#8212;and the tools to transform belief into everyday action.]]></Text>
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      <Text><![CDATA[Eric Liu is the cofounder and CEO of Citizen University and author of numerous acclaimed books on democracy and American identity. His TED Talks on power and democracy have been viewed over ten&nbsp;million times. Liu served as a White House speechwriter for President Bill Clinton and as the President&rsquo;s deputy domestic policy adviser. He was later appointed by President Barack Obama to the board of the Corporation for National and Community Service. Liu is a member of the American Academy of Arts and Sciences.&nbsp;]]></Text>
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      <Text><![CDATA[Eric Liu is one of the great practitioners and teachers of the art of joining. His work is inspired and reading his lucid, insightful book will make you smarter &mdash; and your community stronger.&rdquo; <b>&mdash; Robert D. Putnam, author of <i>Bowling Alone</i></b><BR> <BR> &ldquo;No one today expresses love of country more beautifully than Eric Liu. His faith in America, and Americans, moves and inspires. He offers a set of concrete civic practices to help us hear our better angels again and follow their lead. His stories are like the balm in Gilead that makes the wounded whole.&rdquo; <B>&mdash;Danielle Allen, author of <I>Our Declaration</I> and Harvard professor</B><BR> <BR> &ldquo;Are you upset about the state of the nation? Eric Liu, America&rsquo;s most creative civic entrepreneur, offers a step-by-step guide to being part of the solution&mdash;while turning your life into a work of art. You will be changed!&rdquo;<B>&mdash;David Brooks, author of <I>How to Know a Person&nbsp;</I>and staff writer at The Atlantic</B><BR> <BR> &ldquo;Eric Liu shows us how to make sense of our times&mdash;and each other. This book is an essential road map for anyone who seeks to awaken civic imagination and embolden community. It&rsquo;s a potent remedy for apathy and perceived disempowerment.&rdquo;<B>&mdash;Anna Deavere Smith, playwright and actor</B><BR> <BR> &ldquo;In our complex world, where we sometimes feel there&rsquo;s nothing we can do individually that can make a difference, Eric Liu has written a<BR> wisdom-filled how-to book for reconnecting with each other. Drawing on decades of experience of interacting with communities all over our country, Eric reignites our belief that living like a citizen first requires confidence in ourselves and a commitment to act, and then the culture<BR> follows.&rdquo;<B>&mdash;Yo-Yo Ma</B>]]></Text>
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      <Text><![CDATA[<b>An &#8220;emotionally resonant family saga&#8221; (<i>The Washington Post</i>) about three sisters who unearth lifetimes of family tensions as they are forced to rescue one of their own from peril, testing the limits of sacrifice, sisterhood, and forgiveness from the author of the &#8220;profound work of great wisdom&#8221; (Alice Elliott Dark) <i>The Great Transition</i>.</b><BR><BR>Josie may be the youngest sister, but she takes care of everyone. She is the left-brained scientist to her twin sisters&#8217; right-brained artistic chaos. She makes sure their rent gets paid on time, they make their therapy appointments, and has also been their de-facto band manager since she was a teenager. When Ara, her middle sister (by a few minutes), calls from jail, it isn&#8217;t exactly a surprise, and Josie knows exactly how to snap into action.<BR> <BR>Emma is the quintessential frontwoman, complete with looks and attitude. But the success of The Twins&#8217; first (and only) album is two decades behind her. Hiding under the surface of her swagger is a long-held guilt that has turned her into her sister&#8217;s enabler. Emma knows she needs Ara&#8217;s creative genius and thinks a jailhouse record could be just the thing to get Ara her freedom and their band back on the main stage.<BR> <BR>Ara is detoxing, not only from her opioid habit but also from her family. The truth is, as crazy as it sounds, she&#8217;s not in a hurry to get out of lock-up. In the most unlikely and dangerous of places, this could be her chance to face the demons of her past and disentangle herself from her family.<BR> <BR>&#8220;At once harrowing and gorgeous&#8221; (<i>Booklist</i>, starred review), <i>The Frequency of Living Things</i><b> </b>explores the timeless question of how our individual destinies are intertwined with our family, our siblings, and our history no matter how we try to untangle ourselves from them.]]></Text>
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      <Text><![CDATA[&ldquo;The beauty and the tragedy of Fuller Googins&#39; second book is how all of the characters try to reach the same frequencies and how they fail and then try again&hellip; At once harrowing and gorgeous, <I>The Frequency of Living Things</I> will leave the reader stunned and touched.&rdquo;&mdash;<I>Booklist </I>(starred review)]]></Text>
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      <Text><![CDATA[<b><I>The Bucket List</I> meets <I>How Stella Got Her Groove Brack</I> in this joyful, bighearted novel about permission, pleasure, and choosing yourself without apology.</b><BR><BR>Renie has always done what&#8217;s expected of her. At thirty-nine, she&#8217;s a devoted wife, a mother of seven, and the kind of woman who puts everyone else first. But just weeks after giving birth to her youngest child, Renie is diagnosed with Stage 4 breast cancer and given three months to live.<BR> <BR>She begins a journal for her children, a way to leave behind the pieces of herself she won&#8217;t be there to give. As Renie fills these pages she starts to see her life clearly&#8212;for the first time. The years of sacrifice. The dreams deferred. The woman she never fully allowed herself to be. And with that clarity comes the bold urgent decision to live on her own terms.<BR> <BR>Warm, wise, and full of heart, <I>Every Goodbye Ain&#8217;t Gone</I> is a moving celebration of life at its most fragile and most fierce; a reminder that it&#8217;s never too late to choose yourself.]]></Text>
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      <Text><![CDATA[<B>From the acclaimed author of <i>Billion Dollar Molecule</i> and <i>The Antidote</i>, a revisionist, passionate history of the pharmaceutical industry, detailing how the nascent industry ushered in an age of cures.</B><BR><BR>For the past thirty-five years, the acclaimed author Barry Werth has been covering one of the most consequential and underappreciated stories of our time&#8212;the rise of pharmaceutical companies, along with the science of drug research and the people who make it all happen. Now he delivers <I>The Age of Cures</I>, a fascinating, in-depth history of the birth of the pharmaceutical industry in the United States, and reveals how that industry created the &#8220;miracle drugs&#8221; that have saved billions of lives.<BR> <BR> In the early part of the 20th century, patients routinely died from the flu, if they didn&#8217;t contract a deadlier disease such as rubella, mumps, or polio first. But with advances in technology, the young talent at universities across the country, and the significant investment from a federal government eager to prepare for a second world war, medicine exploded in the 1930s to the 1960s to finally meet the needs of a sick populace. Vitamins, penicillin, wide-spectrum antibiotics, cortisone, a polio vaccine, and cancer chemotherapy revolutionized health care.<BR> <BR> Werth brings medicine&#8217;s unsung heroes&#8212;including Max Tishler, James Conant, George Merck, Alfred Newton Richards, Vannevar Bush, and Selman Waksman&#8212;to life in this impassioned and compelling chronicle of the golden age of scientific progress. He also shows us how this crucial investment in science modernized the United States, establishing a scientific powerhouse for decades to come.<BR> <BR> A lively work of science history, <I>The Age of Cures</I> is a case study of the values that made American research a model for the world, and a reminder of how society relies on investments in its scientists.]]></Text>
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      <Text><![CDATA[Barry Werth is an award-winning journalist and the author of eight books. His landmark first book, <i>The Billion-Dollar Molecule</i>, recounts the founding and early struggles of a startup pharmaceutical company, Vertex, in its quest for the perfect drug. His sequel, <i>The Antidote</i>, continues the story of Vertex as it emerges as a leader in delivering breakthrough medicines. <i>The Age of Cures</i>, the final book in his trilogy, introduces readers to the founding visionaries of the pharmaceutical revolution. Werth&#8217;s articles have appeared in<i> The New Yorker</i>, <i>The New York Times Magazine</i>, and <i>GQ</i>, among other publications. He has taught journalism and nonfiction writing at Smith College, Mount Holyoke College, and Boston University. He lives in Northampton, Massachusetts.]]></Text>
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      <Text><![CDATA[Chapter 1: Burning Questions 1 BURNING QUESTIONS <BR>Mankind shall have fire in spite of the tyrant who sits on the mountaintop.<BR> <BR>&#8212;Prometheus, of Greek mythology<BR> <BR>AUGUST 28, 1918<BR> <BR>Ten weeks before the armistice that ended World War I, influenza broke out on the receiving ship at Commonwealth Pier in South Boston, an overcrowded processing depot for troops returning from Europe. Within a week, more than two dozen cases were reported at the facility. By mid-September, the misnamed Spanish flu (the first cases had appeared the previous spring at an army base in rural Kansas) had infected nearly 2,000 of the 21,000 sailors stationed in the Boston area. At Camp Devens, a hastily built, wildly unsanitary, tragically understaffed 45,000-man cantonment thirty-five miles northwest of the city, waves of battle-hardened young men began to show up at sick call with &#8220;the most vicious type of Pneumonia that has ever been seen,&#8221; a camp doctor recorded. &#8220;Two hours after admission they have the Mahogany spots over the cheekbones, and a few hours later you can see the Cyanosis extending from their ears and spreading all over the face, until it is hard to distinguish the coloured men from the white.&#8221;<BR> <BR>Starved for oxygen, their blood turned blue, their skin cobalt. They coughed so violently it ruptured abdominal muscles and rib cartilage. Rumors spread that the illness wasn&#8217;t pneumonia at all but the Black Death, the pestilence that had killed up to half of all Europeans in the mid-fourteenth century and resurfaced periodically. &#8220;Blood was everywhere, on linens, clothes, pouring out of some men&#8217;s nostrils and even ears while others coughed it up,&#8221; wrote the author John M. Barry, the foremost chronicler of the contagion that over the next eighteen months would become the deadliest pandemic in human history and, more pointedly, &#8220;the first great collision between nature and modern science.&#8221;<BR> <BR>Nearly fifty years into the technological transformation that had made America a beacon of progress&#8212;ever since the Civil War&#8212;US science was ascendant. People believed that the country was God&#8217;s instrument for revolutionizing and leading the world. Darwinian evolution&#8212;&#8220;survival of the fittest&#8221;&#8212;became a national creed. Cheap electricity and abundant carbon-based fuels propelled a great industrial power toward a dominant future. Telephones and radio brought the world into living rooms and kitchens. Inventions upon inventions&#8212;automobiles, airplanes, luxury ships, submarines, forensic X-rays&#8212;transported people farther and faster than ever before toward new realms of possibility, discovery, fantasy, and exploitation. Synthetic chemicals and gases were decisive in winning World War I, &#8220;the war to end all wars.&#8221;<BR> <BR>Medical science was a different case. In the understanding and treatment of disease, the German Empire&#8217;s universities, institutes, medical schools, pharmaceutical laboratories, and chemical companies reigned supreme, far outpacing limited competition from Switzerland, England, France, Russia, and Japan. America&#8217;s unaffiliated elite facilities were nowhere in the picture. Scientists were isolated, dependent upon private funds and support to do their experiments.<BR> <BR>As a frontier nation, not a fully settled one, the United States had neither the time nor the patience to build and manage a medical ecosystem. Its leading temples of science, Johns Hopkins University and Rockefeller University, drew top medical investigators and provided them with state-of-the-art resources, and affluent patients flocked to Baltimore and New York to find out what was making them sick. Regional private clinics and medical schools advanced the understanding of numerous diseases but had no rational, informed basis for how to treat or prevent them. Government activities in matters of public health were ad hoc, minuscule, misinformed; inevitably, they were too little, too late and often dead wrong.<BR> <BR>City officials in Boston were caught off guard when three civilians died of influenza in early September. Drained of doctors and nurses doing wartime duty, the city at first kept schools open, reasoning that children would be safer in school, where trained nurses could examine them. By the end of the month, a thousand Bostonians were dead of influenza. Pharmacies remained open around the clock so that overwhelmed doctors could telephone in prescriptions, not that there were any effective remedies. Physicians prescribed aspirin for moderate symptoms, heroin for more severe ones. They stood helplessly as legions of their patients died before their eyes and could do nothing but don a surgical mask and pray. At Devens, bodies were stacked like cordwood until they could be removed. Quarantined civilians were rounded up into camps.<BR> <BR>In Dorchester, the pharmacist Max Goldberg needed someone to help him package and deliver some of the medicines in highest demand: Epsom salts, castor oil, aspirin, and camphor, which people living in tenements sharing beds with sick and dying loved ones hoped might protect them. A physician recommended an elfin, studious twelve-year-old who also hawked newspapers at trolley stops before school and babysat the doctor&#8217;s child and answered his telephone. Even as a schoolboy, Max Tishler &#8220;worked all the time,&#8221; he would later say. Evenings and weekends now, while it felt as if all the city was dying, he stood at Goldberg&#8217;s side while the elderly chemist compounded the powders and solutions that Max then raced to deliver in time to be of help.<BR> <BR>He dodged funeral processions and spent late nights doing his schoolwork on ill-lit trolleys clamoring up deserted streets. Posters spread the warning &#8220;SPIT SPREADS DEATH.&#8221; Bottle after bottle, Max ferried a proposition that a pill could fight illness and bring relief, even when nothing could. Often he arrived too late. He would remember the stricken faces of the people in the doorways decades into adulthood.<BR> <BR>Tishler&#8217;s parents had migrated from Eastern Europe around 1870; his mother, Anna, was from Austria; his father, Samuel, was a cobbler from Romania. They had six children before Max&#8217;s father left home for reasons he &#8220;could never really understand.&#8221; The fifth child, Max, was four or five years old when Sam Tishler vanished, and all but Max and a younger sister soon left school to help support the family. &#8220;So we had a very bad background from the point of view of being able to eke out a living,&#8221; Tishler would later recall. &#8220;All of us had to work, including my mother. We managed. One of the things that came out of [it] was the desire on my part to get a higher education in college.&#8221;<BR> <BR>A dedicated student, Tishler excelled in all his classes at Boston English High School. He continued to work for druggists, moved to a bigger store on Commonwealth Avenue, and earned enough to save for his studies. He read everything he could find on synthetic chemistry and thrilled to his teacher&#8217;s reenactments of classical experiments. As the pandemic receded quickly and forcefully into a realm of repressed trauma that no one seemed to want to remember or reflect on, Tishler considered pursuing something in the field of health. But when he entered Tufts University as a freshman in 1925, he declared a major in English. He loved verse and hoped to become a poet. When a professor advised him he had no writing talent, he turned to science and switched to premed.<BR> <BR>Tufts was a semirural campus in suburban Medford, ten miles from Tishler&#8217;s job as a pharmacist in the Beachmont section of Revere, on Boston&#8217;s North Shore. Once he left his shoulder bag on a streetcar and rode and walked all night to track down the cache of assignments he was being paid extra to grade. Long before the advent of vending machines, he purchased boxes of candy bars wholesale at a pharmacy and supplied the lab workers at a neat profit. Crackling with energy and in constant motion, Max made time during his senior year to colaunch a German club and serve as its president.<BR> <BR>Though he was a standout student, a professor warned him against a career in chemistry. &#8220;He said Jews had a hard time getting placed and I wouldn&#8217;t get anywhere,&#8221; Max recalled. It hadn&#8217;t occurred to him that that might be a problem, his family having lost any religious impulse or identification after his father had left. He briefly considered medical school, but within months of graduation, anticipating that he would soon qualify for his pharmacist&#8217;s license, meaning he could afford to pay his way through graduate school, he committed himself to a future in the lab. Another professor reassured him, &#8220;You&#8217;ll break ground and you&#8217;ll make things easier for people.&#8221;<BR> <BR>By the time Tishler arrived in Professor Elmer Peter Kohler&#8217;s third-floor chemistry laboratory at Harvard University in late 1929 to begin his graduate studies at age twenty-three, he was all but licensed as a pharmacist. He entered Harvard just a few years after the most antisemitic episode in its history: revising its admission criteria expressly to reduce the proportion of Jews on campus. As a commuter, he would cling to the low rungs of the social order. But he expected to be welcomed as if he belonged, having earned his place by sheer will and murderous effort. He put in long hours in Widener Library, where as a teaching assistant he graded papers and prepared Professor Kohler&#8217;s lecture notes, then late nights at his workbench while he ran reactions for Kohler&#8217;s experiments and washed his glassware before leaving to cadge a few hours&#8217; sleep, rent free, at the home of a pharmacist for whom he compounded prescriptions on weekends.<BR> <BR>He would have preferred to train with James Bryant Conant, two floors below in Converse Laboratories, Harvard&#8217;s new ivyless chemistry facility. But when he approached Conant, the brilliant, kinetic Boston-bred wunderkind who by age thirty-seven had already done career-making work with chlorophyll synthesis&#8212;a challenge that had defied six or seven generations of chemists&#8212;he seemed indifferent. &#8220;He didn&#8217;t know me and he wasn&#8217;t very warm about saying, &#8216;Come and be in my group. I&#8217;ll be delighted to have you,&#8217; &#8221; Max would later recall. And so Tishler joined the cold, austere Kohler. &#8220;I&#8217;ll get a problem,&#8221; he told Tishler, &#8220;and if it works out all right maybe you can continue it.&#8221;<BR> <BR>The sixty-four-year-old Kohler was renowned more for his tactics than for his strategies. He fetishized experimental rigor, the sacrificial determination to know by inference, at whatever cost, an elusive, unseen world. He terrified Max at first. Especially in the sciences, where nearly all the senior men had trained in Europe and strict hierarchical German mores dictated the social order, professors stood high atop pedestals, a caste apart. Kohler, born to stern Mennonite farmers during the last months of the Civil War, was an exacting investigator and inspiring classroom lecturer who refused to speak at scientific meetings. He had few friends even among fellow scientists and seldom socialized, a bachelor who took all his meals, frequently alone, at the faculty club. Once in a while he joined a game of billiards. Conant considered Kohler &#8220;almost pathologically shy,&#8221; earning him &#8220;the entirely undeserved reputation of being an academic snob&#8221; and thereby suffering &#8220;the fate of more than one shy person whose aloofness is attributed to pride.&#8221; But in the realm of his lab, and even among the college freshmen who took his famous introductory course, Chemistry A, he was a demigod.<BR> <BR>Conant also had trained under Kohler and, as his lab assistant, witnessed him demonstrate the hazards of experimentation during a class on explosives. &#8220;A long lecture table was covered with samples of gunpowder,&#8221; Conant recalled, &#8220;mammoth pieces used in naval ordnance, open vessels of smaller grains used in army guns, samples of sporting powder.&#8221; A small man with a delicate frame, Kohler introduced his subject gently. &#8220;There is a common apprehension that when gunpowder is ignited it explodes,&#8221; he said. &#8220;But actually if lighted in the open it burns with a quiet flame.&#8221; He poured some black powder onto an asbestos sheet, struck a match, and lit it.<BR> <BR>&#8220;The result was a flash along the entire table, a roar and heavy clouds of smoke; an old-fashioned chain reaction had taken place,&#8221; Conant recalled. &#8220;The students rushed for the fire escapes. Kohler, who had ducked down behind the table, emerged and held up his hand to quiet the incipient panic.&#8221; Barely visible from the back of the hall through the thick smoke, he announced, &#8220;I have sent for more gunpowder!&#8221; After the cheers and laughter subsided, Kohler performed the experiment &#8220;without mishap.&#8221; &#8220;You see it does burn with a quiet flame,&#8221; he said. &#8220;Class is dismissed.&#8221;<BR> <BR>It was the earthshaking <i>possibilities</i> of organic chemistry&#8212;and the darkened faces of those dying Bostonians during the plague&#8212;that impelled Tishler to make a strong showing as a graduate student. Then as now, Harvard had the best academic program in the country. Headiness and superheated expectations ratcheted up the pressure to do something important. Outside that world within a world, Max discovered a larger, more complex life of ideas and human activity, a world besieged intellectually and challenged to the core by the Depression. During his second year, while still helping to support his mother and sister, he earned enough to share an apartment near campus with a roommate, an ordained minister and philosophy student named Ray Cope, which saved him from having to grade papers during midnight bus and trolley rides. Intellectual, opinionated, politically active, Cope exposed him to the humanities, social sciences, and religion, giving him European philosophy texts to read. Tishler devoured them during long hours sitting at his workbench.<BR> <BR>Another student of Kohler, Joe Walker, was trying to make a &#8220;substituted&#8221; allene, a generic organic compound in which one carbon atom shares two pairs of electrons with two adjacent carbon nuclei. Such allenes exist in two identical forms that are mirror images of each other. Chemically speaking, the miracle of life derives from a single one of the 118 known elements, carbon, being able to bind to itself to create ever more complex, active, and useful molecules, and the structure of substituted allenes had long intrigued scientists. All but a few, however, regarded them as curiosities: synthetically useless, difficult to prepare and work with; interesting but not worth the time and effort. In 1910, a British chemist had claimed to have made one, but his proof was inconclusive. When Walker, fed up after years of trying and failing to repeat his work, threw in the towel, Kohler told him to write up his thesis, take his PhD, and move on. Later Kohler assigned Max, as his lab assistant, to clean out the basement cold room and dispose of materials no longer of any use.<BR> <BR>&#8220;I went down and I discovered the Erlenmeyer flask filled with crystals left by Joe Walker,&#8221; Tishler would later recall. Under certain conditions organic molecules arrange themselves in a rigidified lattice, crystallizing into a repetitive matrix, like patterned wallpaper, from which they can be isolated and their composition determined. Max ran various reactions using different chemical reagents and managed to pull a minute amount of allenic acid from the flask&#8217;s residue; not an allene itself but an intermediate material.<BR> <BR>The chase was on to isolate and characterize the first substituted allene. All but moving into the lab, Tishler tried various combinations of solvents: bicarbonates, alkalies, whatever was on the shelf. Nothing worked. Attempting to visualize and manipulate the molecular realm with no technology more sophisticated than an espresso machine, he choreographed a series of geometric transformations, rearranging the atoms stepwise like square dancers in a reel, until what was left was pure allene. Once he believed he had even a minuscule quantity, the only way to confirm his discovery was to break the molecule into known fragments, then reassemble them; that is, not only did you have to isolate a compound from its neighbors and purify it, you then had to take it apart and put it back together to prove that it was the same substance.<BR> <BR>It was science by deduction, not great imaginative leaps, and most often it led to futility and despair. Chemists, even masters of the art, knew all too well that such a hunt could take a generation; the structure of morphine, for example, proposed in the 1920s, wasn&#8217;t verified until 1952. Here was the true Rubicon, the outer limit of what chemists could prove to themselves and thus contribute to science and society. Unless a molecule could be made in sufficient volume, Max discovered, it was useless, however intriguing it might be.<BR> <BR>With the first resolution of allene, Tishler accomplished several goals at once. It was a landmark confirmation of organic chemical theory; he quickly wrote it up for his dissertation. He was on Kohler&#8217;s radar at last; their relationship warmed as they prepared to publish their findings. But racing at hyperspeed, Max crashed head-on with his &#8220;father in science&#8221; in a predictable, even necessary, coming-of-age. Decades later, he recalled his disappointment: &#8220;We should have been first to publish on an optically active allene but Kohler was a perfectionist. It would take him two or three months to write a paper. He would just go over it and rewrite it&#8212;in contrast to Conant.<BR> <BR>&#8220;Conant would take a thesis, underline with a red crayon, cross out sections, add a sentence here and there, and have it typed up and practically all done. Kohler just sweated with every publication, but they were masterpieces when they were done. Every word was weighed.&#8221;<BR> <BR>Conant, too, recognized Tishler&#8217;s promise and enjoyed his insightful conversation. After being named president of Harvard in early 1933 at age thirty-nine, only the second scientist in its three-hundred-year history, he invited Max to help him revise his popular organic chemistry textbook. Conant recognized that his career in chemistry was finished once he began running the university and that social demands and world events would soon subsume the joyous frustration of doing science&#8212;of being a scientist. Ascending to a leading role in American higher education just as Adolf Hitler came to power in Berlin and Franklin Delano Roosevelt was inaugurated in Washington, fracturing the faculty along political lines, he steered Harvard cautiously at first. He kept his lab going but was seldom able to slip away from his desk. Max mourned his absence. The prodigious steroid chemist Louis Fieser, a midwesterner who&#8217;d attended as an undergraduate and gotten his PhD under Conant, had been called to Harvard from Bryn Mawr, and he and his wife and collaborator, Mary, were ensconced on the second floor. For Tishler, a baffling bunker mentality seemed to prevail among&#8212;even within&#8212;the three labs.<BR> <BR>&#8220;We rarely knew what was going on in the other groups unless we made it a point to find out,&#8221; he recalled. &#8220;I happened to have known pretty much what was going on in Fieser&#8217;s group because I got to know Fieser. I did some checking on organic synthesis for him. But one rarely knew what people in Kohler&#8217;s group were working on. This always bothered me.&#8221;<BR> <BR>Converse Hall&#8212;notwithstanding the plight of Mary Fieser, who had to officially enroll in Radcliffe to take classes at Harvard, and was banned from several laboratories, forcing her to conduct her experiments unsupervised in the basement of a nearby building&#8212;was and would continue to be for many more decades a closed community of white men, resembling one of the undergraduate social clubs that were the school&#8217;s hallmark.<BR> <BR>One afternoon Max was working for Kohler in a &#8220;tiny lab&#8221; off the group&#8217;s office. The door was closed, and he was heating sulfuric acid to use as a solvent. He grabbed a liter bottle of benzene, but his hands were wet and it slipped and fell to the floor. &#8220;I was just about ready to sop up the benzene with rags when the fire broke out,&#8221; he said later. &#8220;I was heating my sulfuric acid in the hood there and I guess that&#8217;s how it started. The room filled with smoke very quickly and blocked my exit. I couldn&#8217;t get out that way at all. The only way was through the casement window.&#8221;<BR> <BR>Tishler was sprightly and agile&#8212;five feet, six inches tall, 135 pounds; his almost triangular face was sharply framed by a square chin, owlish ears, piercing brown eyes lidded by horn-rimmed glasses, a wide forehead, and a helmet of coarse, kinky, deep russet hair springing from a widow&#8217;s peak. His hands were sinewy, bearing the stigmata that the Italian writer Primo Levi called &#8220;The Mark of the Chemists&#8221;: &#8220;a small, professional highly specific scar&#8230; in the middle of what palm readers call the lifeline,&#8221; the result of pressing bent glass tubes into recalcitrant rubber stoppers in the days before standardized apparatus.<BR> <BR>Max dangled from the window ledge above a courtyard, soot and smoke billowing above his head. Students in Fieser&#8217;s Chemistry II lab course spotted him, and Fieser &#8220;got up there quickly and tried to put out the fire. He said, &#8216;Where&#8217;s Max? Where&#8217;s Max?&#8217; &#8221; Tishler would later recall.<BR> <BR>&#8220;I could hear him and I kept yelling but he couldn&#8217;t hear me.&#8221; Had there been mature ivy entangling the building, he might have found a way to climb down. Later, after air-conditioning was introduced and windows sealed shut, he might never have gotten out, a point he often reflected on in the years that followed. &#8220;I knew I was out there for at least five minutes. Finally, some students got some ladders and rescued me.<BR> <BR>&#8220;What I think bothered me about the whole thing was the fact that I caused a fire, and we used up all the carbon dioxide extinguishers. I knew someone who filled these extinguishers and I insisted he come and get them and I would pay for them. The department wouldn&#8217;t hear of it, of course. But I was really afraid that I would be chastised. I did appreciate what an accident meant.&#8221;<BR> <BR>So did Conant. Like Prometheus, the ancient Titan who stole fire from the gods and was sentenced to eternal torment for his transgressions, he, too, had been scorched by a blaze as a young researcher, tattooing a &#8220;permanent mark&#8221; on his character. Unlike Kohler and his father-in-law, T. R. Richards, who had founded Harvard&#8217;s physical chemistry department and become the first American chemist to win the Nobel Prize for his work in elucidating the weights of atoms, Conant cared far more, ultimately, about what a molecule did than what it was made of and how it was built. He considered teaching to be a noble profession, but not everyone could land a faculty post, even though all ambitious chemists, including Tishler, dreamed of nothing else&#8212;despite the onerous collegial duties and meager financial rewards. Conant hadn&#8217;t been raised in poverty like Tishler, but he hadn&#8217;t come from money as Richards had and was far more open than his predecessors to &#8220;the significance of scientific research for the prosperity of an industry,&#8221; as he politely put it.<BR> <BR>In 1914, in his last year as a graduate student in Kohler&#8217;s lab, he and two friends hoped to make a quick bundle by launching a company to manufacture certain chemicals and drugs abruptly made unavailable by the outbreak of World War I. &#8220;On paper,&#8221; he wrote, &#8220;it was easy to calculate that vast profits were in store for those engaged in such an operation. Without building a large plant one could, in theory, prepare relatively simple organic chemicals in small batches and sell them without difficulty.&#8221; When he was hired by Harvard as an instructor, he left his partners and fraternity brothers Stanley Pennock and Chauncey Loomis to handle the manufacturing based on patentable chemistry he developed in his lab. He remained the company&#8217;s director of research.<BR> <BR>L.P.C. (for Loomis, Pennock, and Conant) Laboratories leased and outfitted a single-story building in Queens, New York, to produce benzoic acid, a food preservative and antiseptic made chiefly in Germany. In August 1916, while Conant and Loomis scrambled to scale up production, a fire erupted, destroying the plant and forcing them to rebuild in an abandoned slaughterhouse outside Newark, New Jersey. With Conant departing for Harvard to teach, Pennock, a popular football star in college, took over the management of the operation. As they were preparing a trial run, a large vat of a combustible derivative turned volatile. &#8220;Loomis, who had been in the mixing room, shut down the machinery and raced to the top of the tank to close the main supply valve when, suddenly, the first blast occurred, hurling him from the building, his eyes and skin scorched by acid, his clothing in flames,&#8221; Conant&#8217;s biographer Jennet Conant, his granddaughter, wrote. Loomis survived, but Pennock, a plumber, and a pipe fitter died in the blaze.<BR> <BR>Jim blamed himself. &#8220;I could not help feel I had deserted a post of danger,&#8221; he wrote. &#8220;The account Loomis gave me of what had actually happened showed that the procedure had been formulated erroneously, which was no one&#8217;s fault but my own.&#8221; Conant and Loomis divvied up their interests, paid off their shareholders with royalties from Conant&#8217;s patents, and went their separate ways, but in the back of his mind Conant&#8217;s &#8220;reckless foray into free enterprise,&#8221; Jennet Conant wrote, remained an indelible reminder of the combustibility of mixing science and capitalism. Though he and the company were cleared of any liability and his name was kept out of the papers, the stain of shame, guilt, and culpability was not easily washed off.<BR> <BR>Conant didn&#8217;t withdraw for long. With the war in Europe raging and the question of whether America would enter the fray still undecided, he resolved that &#8220;teaching was no place for a young man in wartime&#8221; and prepared to enlist. In April 1917, after President Woodrow Wilson asked Congress for authority to declare war on Germany, half of Harvard&#8217;s student body signed up in a matter of days. Conant informed his alarmed parents that he was considering becoming a combat officer. An old friend and mentor, N. Henry Black, told him, &#8220;That&#8217;s all right for some, but not for you.&#8221;<BR> <BR>Organic chemistry, the chemistry of carbon-based molecules, had abruptly and unexpectedly leapt from the periphery to the center of human affairs. Gas warfare&#8212;unleashed by the Germans two years earlier to try to break the bloody stalemate between entrenched land armies&#8212;had led to ever more lethal escalation, and increasingly &#8220;poison bombs&#8221; were considered decisive in combat. As a late entry, the United States was frantic to catch up. Conant, along with Kohler and Fieser, was quickly recruited to Washington to help develop chemical weapons so frightful that by merely threatening to use them, the United States and its allies might end the conflict before it destroyed all of Europe and its empires. Almost at once, Harvard Chemistry became, effectively, a subsidiary of the War Department.<BR> <BR>&#8220;I am attempting (at times, it seems vainly) to help in this hideous business of beating the devil at his own game,&#8221; he wrote to his future wife, Grace &#8220;Patty&#8221; Richards, his light tone deceptive, &#8220;or more specifically, of &#8216;gassing&#8217; the originators of &#8216;gas.&#8217; My work is connected with an organic research laboratory which in outward appearance is not so different from the usual organic laboratory, but the substances we brew are a merry collection of devilishness.&#8221; (Decades later, he would comment, &#8220;To me the development of new and more effective gases seemed no more immoral than the manufacture of explosives and guns&#8230;. I did not see in 1917, and do not see in 1968, why tearing a man&#8217;s guts out by a high-explosive shell is to be preferred to maiming him by attacking his lungs or skin. All war is immoral.&#8221;)<BR> <BR>Yet the &#8220;Chemists&#8217; War,&#8221; as it was coming to be known, forever upended Conant and his profession, dragging them into the heaving maelstrom of society, conflict, sickness, death, patenting, money, politics, and ethics. The department in fact did discover numerous agents more toxic than mustard gas, the German blistering agent, none so secret or feared as lewisite, the so-called dew of death and &#8220;the deadliest poison ever known,&#8221; a single day&#8217;s production of which could &#8220;destroy the entire people of the United States.&#8221; Tests showed that lewisite passed through most rubber, neutralizing the enemy&#8217;s protective gear, and, when it came into contact with German gas masks, rendered the eyepieces opaque and impossible to see through. Conant, promoted to major at age twenty-five, headed scale-up and production, a fraught assignment that, given his previous disaster with applied chemistry, consumed and haunted him. &#8220;He would lie awake at night going over and over his design of the plant, especially the ventilation of the fumes,&#8221; Jennet Conant wrote. His unit was in pilot production when the armistice was announced in late 1918.<BR> <BR>After mustering out, Conant returned to Cambridge and pure science, but the hopes and demands society placed on synthesizing powerful new carbon-based molecules had just begun, and the &#8220;successes&#8221; of chemical warfare were already being subsumed in the overall frustrating ignorance about how such compounds function among and within us. This unseen world was still all theories, rumors, glimpses, suppositions, and darkness. The 1918 influenza epidemic only went to show that in the realm of medicine, organic chemistry had scarcely more to offer than physics, mathematics, and basic biology, which could quantify and classify natural occurrences but were useless against disease.<BR> <BR>&#8220;Science,&#8221; <i>The New York Times</i> scolded, &#8220;has failed us.&#8221; As was true of all infectious diseases and nearly every other illness, modern medicine remained &#8220;a profoundly ignorant occupation,&#8221; as Dr. Lewis Thomas later wrote. From the early 1920s, when Thomas watched his father, a general practitioner, make round-the-clock house calls, issuing diagnoses and writing his prescriptions in Latin, until he enrolled at Harvard Medical School in 1933, the job of the physician had barely changed. Scientific medicine, even at the most prestigious medical colleges, teaching hospitals, research institutes, and elite clinics, enabled doctors to explain to patients what ailed them, to categorize their symptoms, and to offer assurance, where possible, based on accumulated experience. They could name the problem but not fix it.<BR> <BR>&#8220;The treatment of disease was the most minor part of the curriculum, almost left out altogether,&#8221; Thomas recalled. &#8220;There was, to be sure, a course in pharmacology in the second year, mostly concerned with the mode of action of a handful of everyday drugs: aspirin, morphine, various cathartics, bromides, barbiturates, digitalis, a few others. Vitamin B was coming into fashion as a treatment for delirium tremens&#8230;. But I can remember only three or four patients for whom the diagnosis resulted in the possibility of doing something to change the course of the illness, and each of these involved calling in the surgeons to do something&#8212;removal of a thyroid nodule, a gallbladder, an adrenal tumor. For the majority the disease had to be left to run its own course, for better or worse.&#8221;<BR> <BR>Still, the pandemic had planted in Tishler &#8220;the feeling that I might want to do something in the line of disease,&#8221; a feeling that intensified after he lost a sister to tuberculosis. First, though, he needed a position. Under Conant&#8217;s leadership, Harvard managed to avoid furloughing any professors, but the Great Depression&#8212;five years on and still with no end in sight&#8212;had sundered higher education, especially in fields without obvious and urgent applications. &#8220;There just weren&#8217;t any jobs at all,&#8221; Max remembered. &#8220;In those days I wanted to go into academia very, very badly; there just weren&#8217;t any jobs. One didn&#8217;t have a chance to do a single interview or a single opportunity to apply for a job on the basis of an opening. So academia was out.&#8221;<BR> <BR>Kohler, looking after him, arranged for Max to stay on at Harvard after he got his PhD, first as a research associate, then as an instructor in the chemistry department&#8212;then as now a pat on the back as the university seldom promoted from within, preferring to &#8220;call&#8221; the best men to campus after they&#8217;d proved themselves elsewhere, rather than try to nurture them through the ranks. Tishler was deeply grateful. In truth, he had no real idea what a career in chemistry would be like or even whether there was any point in having one, other than it being what he loved to do and was determined to keep at as long as he could. &#8220;I wondered why they would pay me to do chemistry,&#8221; he admitted later. &#8220;There was no sense to it. It was like mathematics. All you had to do was teach.&#8221;<BR> <BR>Tishler had never had time for dating, but he looked up an old acquaintance, Elizabeth &#8220;Betty&#8221; Verveer, who&#8217;d been a freshman at Jackson, Tufts&#8217; on-campus women&#8217;s affiliate, during his senior year. He&#8217;d been her lab instructor. They&#8217;d seen each other from time to time after Betty&#8217;s mother died during their second semester; then, a couple of years later, her father became ill and Betty, who had a degree in psychology, quit teaching at a private school to take care of him until he died some months later. She was an only child, and her father had left her a few rental units, enough to get by on. &#8220;I moved into a room with a family and I took a volunteer position for a half-day at Boston Psychopathic&#8230; and the rest of the day I took care of my father&#8217;s property,&#8221; she&#8217;d later recall. Their courtship was brisk, intense, unstoppable. A month later, Max and Betty were engaged.<BR> <BR>In the fall of 1934, they moved to an apartment on a leafy street near Converse Labs. With their experiments requiring endless close attention, the domestic lives of chemists, especially those just starting out, invariably took a distant rear seat. Kohler, who never married, practically lived in his laboratory, bivouacking in various rooming houses and taking breakfast, lunch, and dinner on campus. After Conant and Patty married, they moved to the nearest house to his lab he could find; then he disappeared seven days a week, leaving her feeling frustrated and bitter. Having grown up with no home life to speak of or time for anyone else, Tishler resolved to do better. Betty, without parents or siblings, understood what to expect. &#8220;The first year or so after we married were critical to our future,&#8221; she said. &#8220;Max spent all of his time in the laboratory, with my blessing.&#8221;<BR> <BR>It helped that he adored her and valued her independence. &#8220;That&#8217;s one thing about Max,&#8221; she would say, &#8220;he&#8217;s always gone along with me on anything I&#8217;ve been interested in.&#8221; Shorter than him, with sweet round features, gogglish eyeglasses, and a bushy black bob, she was the more outgoing of the two, introducing him to other young faculty couples. Their banter evoked the mismatch-made-in-heaven of the radio and film vaudevillians George Burns and Gracie Allen, the droll, taciturn Jewish straight man shrugging his shoulders and raising his eyebrows at the &#8220;illogical logic&#8221; of his Gentile wife and foil.<BR> <BR>Not that Max didn&#8217;t have friends; he just had no time to spare for them. Ray Cope, his former roommate, was a notable exception. The minister of a freethinking Unitarian parish in Roslindale, Cope opened Max&#8217;s eyes to the nexus of philosophy, religion, morality, and politics. Before he met Ray, Max&#8217;s views had been &#8220;very provincial&#8221;; that quickly changed after Cope introduced him to the books of the British logician and social critic Bertrand Russell, a mathematician whose demand that knowledge rely on facts and data informed Tishler&#8217;s thinking as he began to develop an intellectual life beyond the lab. Occasionally on Sundays, Max attended Cope&#8217;s services, enthralled by his sermons, wherein almost everything&#8212;the setting, the people, the issues, the vocabulary&#8212;was foreign and new to him. &#8220;He believed in Christianity, but he had a feeling it was not practiced as Christ had preached it,&#8221; Tishler would later recall. &#8220;He had a deep philosophical approach to religion and the subject of God and the feeling that all of us are part of God, rather than that God was someone in Heaven to judge and do things with man as he saw fit&#8230;. He believed in fairness, the abolition of poverty, the abolition of racial discrimination.&#8221;<BR> <BR>Tishler also kept in touch with Meyer Levin, whom he&#8217;d known since high school. They&#8217;d roomed together as Tufts seniors. Levin&#8217;s father, Coleman, a prominent Jewish philanthropist, owned a carpet-manufacturing company in Roxbury. After Coleman became ill and died, Meyer quit Harvard Law School to follow in his path. As the Tishlers settled into married life in Cambridge, he phoned Max with a referral. &#8220;There&#8217;s a man in my office and he rents books. Would you be interested?&#8221; Levin asked. Tishler had little time to read outside work, but Betty was an insatiable reader with a rich curiosity about people. Max often went home for lunch, occasionally bringing others from the lab. &#8220;Well,&#8221; he said, &#8220;send him out.&#8221;<BR> <BR>The proprietor of the lending library, Sam Sandberg, arrived the next week in an old Buick loaded down with books. Needless to say, he made a very poor living. He looked hungry, and when Betty offered him lunch, Sandberg, a learned, talkative, part-time labor agitator, readily accepted. &#8220;He came in an old rattle-trap and he just seemed to have nothing,&#8221; Betty recalled. &#8220;I felt sorry for him.&#8221; Wanting to help, she began referring him to others, including Ray Cope and his wife, who were avid readers and could afford the six or seven cents per day that Sandberg charged for the most popular titles. The effervescent but threadbare Sandberg and his overburdened Buick reminded Cope of <i>Parnassus on Wheels</i>, Christopher Morley&#8217;s popular first novel about the owner of a traveling bookstore. In Greek myth, Mount Parnassus was the home of the muses.<BR> <BR>Every couple of weeks when Sandberg came by to pick up old books and offer new ones, Betty asked him to stay for lunch. Scouring the Sunday book sections and prowling the bookstores in Harvard Square, she selected new titles, asking if he could get them, and often he returned a week later with the volume. She was impressed. Once he got to know her tastes, he suggested new authors, including, she later recalled, Mary Heaton Vorse, a journalist and novelist who wrote about labor protests among the women and girls who operated the looms in textile factories. New national legislation guaranteeing workers&#8217; rights to organize unions and go on strike was just taking effect, arousing Betty&#8217;s curiosity. As time went on and she and Sandberg became friendly, she asked him about himself. He spoke of how difficult it was just to get by, much less ahead, and how he dreamt of opening a permanent book stall near a trolley stop.<BR> <BR>&#8220;Finally it unfolded that he had definite communist affiliations,&#8221; she would later recall. Never having met a Communist before, Betty, &#8220;completely unconscious&#8221; about labor struggles but naturally sympathetic to victims of inequality and injustice, wanted to know more. Sandberg explained that he was a follower of the renegade Communist Party USA official Jay Lovestone. Within the worldwide Communist movement frequent clashes erupted over the relationship of national organizations to the Comintern, the international ruling body established soon after the Russian Revolution and dominated by the Kremlin. After opposing Joseph Stalin in 1929 at a conclave in Moscow, then escaping Russia before he could be arrested, Lovestone, a former head of the Communist Party USA, formed a splinter group, the Communist Party (Opposition), or CP(O). At its height, CP(O) membership&#8212;Lovestoneites&#8212;numbered fewer than five hundred. Sandberg&#8217;s own affection for Boston&#8217;s Democratic mayor James Michael Curley earned him the epithet &#8220;agent of the bourgeoisie&#8221; from mainstream Stalinists.<BR> <BR>&#8220;Of course I just listened,&#8221; Betty said. &#8220;I was na&#239;ve about it. He would tell the various gains that had been made by having strong trade unions. To me that seemed very logical, but of course he didn&#8217;t hesitate to point out that there was bloodshed in order to make these gains. Having seen that the worker could benefit I was receptive to these arguments.&#8221;<BR> <BR>Max, too, was intrigued by Sandberg, first by his ability to secure hard-to-get titles, then, over the course of months, by his unconventional political leanings. In the half dozen times they met, Tishler pressed him for more information about the Lovestoneites. &#8220;Here was a party of Communists who were in opposition to the controlling Communist Party in Russia,&#8221; Max explained. &#8220;In other words, they&#8230; had as a purpose the overthrow of Stalin&#8217;s Communist Party.&#8221; Connecting Cope&#8217;s views on social and racial justice with Lovestone&#8217;s rejection of a monolithic world order led by Moscow, Tishler, at Sandberg&#8217;s invitation, even took an afternoon off to attend a Boston rally in support of the Scottsboro Boys, the nine black teenagers falsely convicted in Alabama for raping two white women whose trial and appeals had created an international furor.<BR> <BR>Betty phoned numerous friends recommending Sandberg&#8217;s service. She&#8217;d become &#8220;very, very pro-Roosevelt&#8221; and failed to see much distinction between the New Deal and Sandberg&#8217;s passionate assertions about workers&#8217; rights. The more they talked, however, the more obscure and frustrating their discussions became. It was clear that left sectarianism wasn&#8217;t for her. &#8220;They were such fine points&#8212;almost hair-like&#8212;of difference,&#8221; she said. &#8220;One thing I observed is they worked themselves up to a wrath about tiny, tiny details.&#8221; Yet if Sandberg was on a mission, so was she. He&#8217;d opened up an &#8220;entire new world&#8221; for her, and she felt driven to understand it&#8212;and him. One day after lunch, she drove home with him to his barely furnished apartment in Chelsea, met his wife, and attended a trade union meeting. &#8220;It was very smoky: it was filled with men, and I don&#8217;t even know what the discussion was about,&#8221; she said. &#8220;It was so crowded and I was in the back. I couldn&#8217;t hear anything and I was just jammed. Everybody was excited.&#8221;<BR> <BR>In June 1936, with summer approaching, Max and Betty planned to use the proceeds from his and Conant&#8217;s book to travel to Europe, but he developed appendicitis. &#8220;So part of the money went to have the appendix out,&#8221; Betty recalled, &#8220;and instead of that we took a trip to Puerto Rico, and from that point on I was very, very anxious to become pregnant. I don&#8217;t think I had much else on my mind.&#8221; She asked Sandberg for <i>Gone with the Wind</i>, the first edition of which had just been published and had sold out instantly in stores, and he promptly found her a copy while other faculty wives awaited back orders. After Max recovered from surgery, she again saw little of him, often only late at night when he shuffled in. She forgave him everything but his insistence, after finishing his own work, on washing Kohler&#8217;s &#8220;dishes.&#8221; &#8220;It used to get me so mad,&#8221; she said twenty years later, &#8220;it still gets me mad. He would give them sulfuric acid baths&#8230; and then his clothes would be ruined.&#8221;<BR> <BR>By fall, Betty was pregnant. Two neighbors were also expecting, and the three of them spent their days learning about and discussing nutrition, childbirth, infant psychology, and almost nothing else. &#8220;I had no thought of politics,&#8221; she said. She stopped renting novels, and Sandberg, accordingly, had less and less occasion to stop by. After she returned her last book, he disappeared from her life. &#8220;I never heard from him,&#8221; she would later recall. &#8220;I never saw him or anything else. It was just a relationship that died dead, completely dead.&#8221;<BR> <BR>With a child on the way Max redoubled his job search. Kohler, though he himself had no ties to business, urged him to interview for industry. Since the 1920s, Conant had traveled monthly to the research laboratories of the Delaware-based E. I. du Pont de Nemours and Company to consult with its chemists, and both he and Kohler recommended Tishler for a position there. Once the country&#8217;s leading explosives manufacturer, the firm had expanded into consumer products, recently having synthesized an organic glass called Lucite and the first man-made fiber, Nylon, which it expected to replace silk in women&#8217;s stockings. After Kohler wrote a letter saying that Max was the best chemist he&#8217;d ever had, Tishler waited for the company to respond. But nobody contacted him. &#8220;That didn&#8217;t work out very well,&#8221; he recalled five decades later. &#8220;DuPont wasn&#8217;t ready to take a Jewish chemist.&#8221;<BR> <BR>He continued to collaborate not just with Kohler, Conant, and Fieser but with other &#8220;young Turks&#8221; who were expanding the boundaries of organic chemistry, including the recently naturalized Ukrainian American physical chemist George Kistiakowsky and twenty-year-old Robert Burns Woodward, whose singular ability to synthesize complex carbon-based molecules enabled him to fulfill all his undergraduate and PhD requirements at MIT in three and a half years. Conant had a project involving heats of hydrogenation, a chemical reaction involving adding pairs of hydrogen atoms to other elements. Max offered to make large-scale &#8220;ring compounds,&#8221; volatile precursors; he was conscious of certain dangers, blithely unaware of others. &#8220;I used a lot of diazomethane,&#8221; an extremely sensitive explosive yellow gas, he recalled much later; &#8220;made a lot of N-nitroso-N-methyl urethane,&#8221; a highly reliable cancer-causing and gene-mutating compound. &#8220;When people talk about the hazards of diazomethane and carcinogenesis I wonder why I&#8217;m still around!&#8221;<BR> <BR>In his classes, Tishler conveyed &#8220;the importance of chemistry&#8212;the usefulness of chemistry.&#8221; Despite his own disappointment&#8212;an enthusiastic and tireless worker who couldn&#8217;t be doing any better within the country&#8217;s best department but, due to economic circumstances and religious biases beyond his control, couldn&#8217;t find a job&#8212;he wanted students to see that they could pursue &#8220;honorable and productive&#8221; careers in chemical research. &#8220;Chemistry is not just an intellectual challenge,&#8221; he told them. &#8220;It&#8217;s part of our society. It&#8217;s our welfare.&#8221;<BR> <BR>In the winter of 1937, a former Princeton instructor and research associate, Randolph T. Major, visited Kohler on a swing through New England. A few years earlier, Major had left the classroom to join Merck and Company, Inc., a New Jersey&#8211;based manufacturer of fine chemicals and a leading supplier of narcotics and alkaloids, including morphine and cocaine. George W. Merck, the son of the founder, had majored in chemistry as a Harvard undergraduate, a housemate of Conant&#8217;s. He envisioned using the firm&#8217;s sales of commodity chemicals to finance a more innovative organization for discovering new products. In 1933, the company founded an industrial research laboratory, the Merck Institute, and put Major in charge of its Division for Pure Research. Though proprietorship and patenting were rapidly revolutionizing pharmaceuticals as companies invested more and more in research, Merck scientists were encouraged to publish their work, the lifeblood and essence of academic careers. Well over six feet tall, warm, personable, and confident, Major was scouting for new hires.<BR> <BR>Kohler gave Tishler a journal article on vitamin B written by some young Merck chemists. &#8220;This excited me tremendously,&#8221; Max recalled. Vitamin B, soon to be called B1 after other essential nutrients found in trace amounts of natural foodstuffs were discovered and classified, was the first vitamin to be produced on a large scale. Its commercial promise and its benefit to human and animal health were expected to be vast. The Merck paper, describing a novel synthesis clear of European patents, was a first-rate piece of chemistry, allaying any concerns Max may have had about aligning with a US drug company.<BR> <BR>No major industry in America was more divided in its history or more schizophrenic in its core precepts and goals&#8212;or, for that matter, totally eclipsed by its European counterparts, an inferiority George Merck in particular intended to show could be reversed through robust, targeted industrial research in conjunction with top-tier academic advisers such as Conant and innovative relations with institutions such as Harvard. Like the Nile, the nation&#8217;s pharmaceutical business emerged from the convergence of two disparate sources. For the past century, &#8220;patent medicines&#8221; had been secret formulas, mostly alcohol, brewed by amateurs and advertised directly to the gullible public anxious to try anything to feel better by unauthorized and unregulated hucksters: &#8220;toadstool millionaires.&#8221; &#8220;Ethical drugs,&#8221; conversely, were compounded in modern factories, purchased through a doctor&#8217;s prescription, and sold only in pharmacies. Until the early twentieth century, any notion of &#8220;ethical patenting&#8221; was an oxymoron.<BR> <BR>Scientific medicine, still in its infancy, was upending the old order, but haltingly, in tiny increments; most often in theory only. While ethical drug firms started to aggressively patent their scientists&#8217; discoveries, nearly twenty years after the Great War and the still unexplained pandemic, very few drugs of consequence had transformed the treatment of disease, and even George Merck&#8217;s beloved institute had &#8220;jogged in place&#8221; for several years until its first vitamin breakthrough, the social and economic value of which remained to be proved.<BR> <BR>Conant urged Merck to hire Max. Guaranteed that he would be on an equal footing with academic chemists, Tishler eagerly took the job, starting in pure research under Major, who offered him $250 a month (equivalent to $5,100 today)&#8212;&#8220;not a bad salary, even though I had two years&#8217; experience as a post-doc,&#8221; he recalled.<BR> <BR>It was the only offer he got. What erased any doubt was the company&#8217;s success with vitamin B, not just its synthetic prowess but George Merck&#8217;s and R. T. Major&#8217;s academic-style commitment to publication&#8212;an open posture no other ethical American company would have taken, because it would have undercut its patenting strategy, a strategy that not many years before would have been abhorrent to horrified doctors, patients, and the confused public at large. &#8220;Up to those days, the only other people in the world who knew how to do that kind of thing were the Germans and the Swiss,&#8221; he said. &#8220;And then to see this paper written by young squirts, just kids.&#8221;<BR> <BR>No sooner did Max and Betty find a rental near Merck&#8217;s Rahway lab than Conant asked George Merck to &#8220;loan&#8221; him back to Harvard for two months so that Tishler could edit the latest edition of their textbook. Meanwhile, as the world hurtled toward another cataclysmic war, industrial science yielded the most spectacular chemical conflagration yet. In May, as Max and Betty prepared to leave Cambridge with Peter, their six-week-old, the German passenger airship LZ 129 <i>Hindenburg</i> caught fire and exploded during an attempt to dock at a mooring mast in Lakehurst, New Jersey, sixty miles from Merck&#8217;s labs, marking the abrupt end of the airship era. Thirty-five people died in the crash. Newsreel footage of the world&#8217;s largest zeppelin&#8212;its football-shaped steel frame containing eighteen giant gas bags filled with volatile hydrogen, its tail and fuselage emblazoned with Nazi swastikas&#8212;exploding in a hellish fireball swept around the globe, vivifying like nothing before it the spiraling combustibility of the Molecular Age.]]></Text>
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      <Text><![CDATA[<B>A New Entry in the Best-Selling Monster Hunter International Series!</B><BR><BR>Peter Peterson thought his most dangerous job was reverse-engineering foreign missiles for the U.S. government&#8212;until the lady of Grayson Lake tried to turn him into a late-night snack. After surviving his first brush with the supernatural, he is recruited by Monster Hunter International and gets pulled into an organization so deep in the US government that it will never be disclosed. It&rsquo;s mission: protect humanity from alien invaders.<BR> <BR>For centuries, hostile visitors from across the stars have been sneaking to Earth in waves, building secret colonies, running abduction schemes, and occasionally trying to remake the planet for their own species. While Congress holds hearings with whistleblowers and expert witnesses, very real counter-alien operations are being run out of the Pentagon and through undisclosed locations in New England.<BR> <BR>Armed with his engineering brain, a stack of dog-eared case files from retiring alien-hunter Martin Dreyfus, and a squad of eclectic and very dangerous hunters, Pete Peterson is about to discover just how deep the rabbit hole of flying saucers, cover stories, and government turf wars really goes. From the &ldquo;real&rdquo; truth behind Roswell to Biblical-era monster hunters facing aliens in Babylon, every page of Dreyfus&rsquo;s diary points to one conclusion: the aliens aren&rsquo;t done with Earth.]]></Text>
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      <Text><![CDATA[<b>Larry Correia</b> is the creator of the <i>Wall Street Journal</i> and <i>New York Times </i>best-selling Monster Hunter International series, with first entry <i>Monster Hunter International, </i>as well as urban fantasy hard-boiled adventure saga The Grimnoir Chronicles, with first entry <i>Hard Magic,</i> and epic fantasy series The Saga of the Forgotten Warrior, with first entry <i>Son of the Black Sword. </i>He is an avid gun user and advocate who shot on a competitive level for many years. Before becoming a full-time writer, he was a military contract accountant, and a small business accountant and manager. Correia lives in Utah with his wife and family.<BR><BR><b>Les Johnson</b> is a futurist, author, and retired NASA Chief Technologist at Marshall Space Flight Center. <i>Publishers Weekly</i> noted that &#8220;The spirit of Arthur C. Clarke and his contemporaries is alive and well . . .&#8221; when describing his novel, <i>Mission to </i><i>Methon</i>e. His most recent novel, <i>Crisis at Proxima</i> (with coauthor Travis S. Taylor), was published in 2024. He and Travis S. Taylor were also the authors of <i>Back to the Moon</i> and <i>On to the Asteroid</i>. In his day job at NASA, Les has worked on the development of next-generation space technologies&#8212;including solar sails, which he believes will eventually take us to the stars. He has recently appeared on Fox News and the Ingraham Report as a commentator on the latest expedition to the moon, Artemis II.]]></Text>
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      <BiographicalNote><![CDATA[<b>Larry Correia</b> is the creator of the <i>Wall Street Journal</i> and <i>New York Times </i>best-selling Monster Hunter International series, with first entry <i>Monster Hunter International, </i>as well as urban fantasy hard-boiled adventure saga The Grimnoir Chronicles, with first entry <i>Hard Magic,</i> and epic fantasy series The Saga of the Forgotten Warrior, with first entry <i>Son of the Black Sword. </i>He is an avid gun user and advocate who shot on a competitive level for many years. Before becoming a full-time writer, he was a military contract accountant, and a small business accountant and manager. Correia lives in Utah with his wife and family.]]></BiographicalNote>
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      <Text><![CDATA[<b>FIRST TIME IN TRADE PAPERBACK!</b><BR> <BR> <b>#1 IN THE EPIC FANTASY SERIES from Monster Hunter series creator and <i>New York Times</i> best-selling author, Larry Correia!</b><BR><BR>After the War of the Gods, the demons were cast out and fell to the world. Mankind was nearly eradicated by the seemingly unstoppable beasts, until the gods sent the great hero, Ramrowan, to save them. He united the tribes, gave them magic, and drove the demons into the sea. Ever since the land has belonged to man and the oceans have remained an uncrossable hell, leaving the continent of Lok isolated. It was prophesized that someday the demons would return, and only the descendants of Ramrowan would be able to defeat them. They became the first kings, and all men served those who were their only hope for survival. <BR> <BR> As centuries passed, the descendants of the great hero grew in number and power. They became tyrannical and cruel, and their religion nothing but an excuse for greed. Gods and demons became myth and legend, and the people no longer believed. The castes created to serve the Sons of Ramrowan rose up and destroyed their rulers. All religion was banned and replaced by a code of unflinching law. The surviving royalty and their priests were made casteless, condemned to live as untouchables, and the Age of Law began. <BR> <BR> Ashok Vadal has been chosen by a powerful ancient weapon to be its bearer. He is a Protector, member of an elite militant order of roving law enforcers. No one is more merciless in rooting out those who secretly practice the old ways. Everything is black or white, good or evil, until he discovers his entire life is a fraud. Ashok isn&rsquo;t who he thinks he is, and when he finds himself on the wrong side of the law, the consequences lead to rebellion, war&#8212;and destruction.]]></Text>
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      <Text><![CDATA[<b>Larry Correia</b> is the creator of the <i>Wall Street Journal</i> and <i>New York Times </i>best-selling Monster Hunter International series, with first entry <i>Monster Hunter International, </i>as well as urban fantasy hard-boiled adventure saga The Grimnoir Chronicles, with first entry <i>Hard Magic,</i> and epic fantasy series The Saga of the Forgotten Warrior, with first entry <i>Son of the Black Sword. </i>He is an avid gun user and advocate who shot on a competitive level for many years. Before becoming a full-time writer, he was a military contract accountant, and a small business accountant and manager. Correia lives in Utah with his wife and family.]]></Text>
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      <Text><![CDATA[<b>Praise for&nbsp;<i>Son of the Black Sword:</i></b><BR> &ldquo;This book has everything I like in fantasy: intense action scenes, evil in horrifying array, good struggling against the darkness, and most of all people&mdash;gorgeously flawed human beings faced with horrible moral choices that force them to question and change and grow.&rdquo; &mdash;Jim Butcher, creator of the&nbsp;<i>New York Times&nbsp;</i>best-selling Dresden Files<BR> <BR> &ldquo;Best-selling fantasy author Correia casts a compelling spell with this India-influenced series opener. . . . Correia skillfully sets in motion this story of plots within plots, revealing complex, sympathetic characters and black-hearted villains with equal detail and insight. Full of action, intrigue, and wry humor, this exciting series launch promises many more thrills to come.&rdquo; &mdash;<i>Publishers Weekly</i>, starred review<BR> <BR> &ldquo;Fans who like Correia&rsquo;s fast-moving style will be pleased with the plethora of action scenes, and epic fantasy readers interested in delving into a new universe should be equally satisfied. A solid choice for admirers of Brent Weeks and Brandon Sanderson&rsquo;s Mistborn series.&rdquo; &mdash;<i>Library Journal</i><BR> <BR> &ldquo;Correia is, above all, a storyteller, and he weaves a unique and entertaining tale. Without question, his action sequences pop on the page, his magic system has a nice wrinkle, and he has the foundations laid out for some excellent character growth as the series continues. . . . [A] definite hit.&rdquo; &mdash;<i>Bookreporter</i><BR> <BR> &ldquo;The lore here is fascinating and well told. I enjoyed learning the history of the world and the legend of Ramrowan. The politics are just complicated enough to feel real without being too difficult to follow. Where the book truly shines, however, is in the characters. All are well drawn and distinctively voiced.&rdquo; &mdash;<i>SFCrowsnest</i><BR> <BR> &ldquo;I loved the book, it was great, fast paced, with wonderful characters, and also a lot of wonderful scenes that screamed to be painted.&rdquo; &mdash;Larry Elmore, legendary, award-winning artist, and cover artist for&nbsp;<i>Son of the Black Sword.</i><BR> <BR> &ldquo;A powerful epic fantasy evolves into a solid, compelling read.&rdquo; &mdash;<i>Midwest Book Review</i>]]></Text>
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      <Text><![CDATA[<b>Praise for&nbsp;<i>House of Assassins:</i></b><BR> &ldquo;Correia piles on the intrigue, action, and cliffhangers in the invigorating second Saga of the Forgotten Warrior epic fantasy. . . . Correia also weaves in elements that question the value of belief and the cost of giving authority to those who find more profit in preying on the weak. . . . Brisk fight scenes, lively characters, and plenty of black humor continue to make this series a real pleasure.&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR><b>Praise for&nbsp;<i>Destroyer of Worlds:</i></b><BR> &ldquo;The inevitable fight scenes are just as epic as fans expect. Packed with action, grit, and Ashok&rsquo;s own grim sarcasm, Correia&rsquo;s latest is sure to satisfy.&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR><B>Praise for <I>Heart of the Mountain:</I></B><BR> &ldquo;<I>Heart of the Mountain</I> does what it says on the tin, it concludes a fantastic series in an epic ending. This isn&rsquo;t a Disney ending, either, fighting requires sacrifice, some people champion what is good and right, others sink to their lowest level, and still others surprisingly rise to the occasion.&nbsp; It takes an incredible storyteller to write a story of this scope, a detailed mind to bring all the plots to conclusion, and a deep understanding of human nature to do it all in a way that feels natural. Bravo, Larry . . . bravo!&rdquo; &mdash;Kal Spriggs]]></Text>
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      <Text><![CDATA[<b>The Caine Riordan Universe returns to finish the battle for Earth!</b><BR><BR>September 9, 2121 AD. After the failed invasion of Earth, word arrives that the Arat Kur have been defeated in their home system. For two years, humanity watched the skies, fearing that the exosapients might return.<BR> <BR> Even before they attacked, Earth was reeling from unprecedented shocks. Caine Riordan revealed the discovery of alien ruins, the exosapient Accord contacted Earth, and the resulting multi-speciate Convocation became the pretext for invasion. All in six months.<BR> <BR> But rather than bringing relief, the news of victory releases a hot surge of suppressed conflicts, grudges, and greed which, together, might accomplish what an alien invasion could not: the destruction of the fledgling Consolidated Terran Republic.<BR> <BR> Two old war heroes&#8212;Ira Silverstein and David Weber&#8212;grudgingly answer the call to prevent that outcome. The first item on their agenda: investigate and defang the militant factions using post-war resentments and bigotry to advance their own agendas. And the pair certainly have their work cut out for them as they navigate the CTR&#8217;s seething tsunamis of change. Smoldering beneath Earth&#8217;s facade of unified purpose, old embers of hatred, distrust, and injustice flare.]]></Text>
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      <Text><![CDATA[<b>Dr. </b><b>Charles E. Gannon</b> is best known for his multiple best-selling and award-winning Caine Riordan hard SF universe and Dragon-nominated Vortex of Worlds epic fantasy series. Baen Books has also made him the showrunner and lead author for the <i>New York Times</i> best-selling 1632 series, in which he wrote five novels with its creator, the late Eric Flint.<BR> <BR>He has collaborated with many other authors in their universes: Black Tide Rising (John Ringo), Starfire (White & Weber), Honorverse (David Weber), Known Space (Larry Niven), and War World (Jerry Pournelle).<BR> <BR>His awards include the Dragon, ALA Choice, and Compton Crook and he has been a finalist for the Nebula four times and the Dragon three times. Earlier in his career, he was a TV writer/producer and writer/designer for GDW games.<BR> <BR>As a Distinguished Professor of English, Gannon received five Fulbrights, and his book <i>Rumors of War & Infernal Machine<b>s</b></i> won the 2006 ALA Choice Award for Outstanding Book. He is a frequent subject matter expert for national media venues (NPR, Discovery, etc.) and for various intelligence and defense agencies.<BR> <BR>Gannon has five children (four living) and lives in Annapolis, Maryland.]]></Text>
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      <Text><![CDATA[<b >Praise for Charles E. Gannon:</b><BR> <BR> &ldquo;Chuck Gannon writes the kind of science fiction we all grew up on: rousing, mind-expanding, pulse-pounding sagas of spaceships and aliens. He&rsquo;s a terrific writer, and we&rsquo;re lucky to have him.&rdquo; &mdash;Robert J. Sawyer<BR> <BR> &ldquo;[A] strong [writer of]&hellip;military SF&hellip;[much] action going on in his work, with a lot of physics behind it. There is a real sense of the urgency of war and the sacrifices it demands.&rdquo; &mdash;<i >Locus</i>]]></Text>
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      <Text><![CDATA[<b >Praise for Compton Crook Award-winner for best first novel&nbsp;<i >Fire with Fire:</i></b><BR> <BR> &ldquo;Chuck Gannon is one of those marvelous finds&mdash;someone as comfortable with characters as he is with technology, and equally adept at providing those characters with problems to solve. Imaginative, fun, and not afraid to step on the occasional toe or gore the occasional sacred cow, his stories do not disappoint.&rdquo; &mdash;David Weber<BR> <BR> &ldquo;If we meet strong aliens out there, will we suffer the fate of the Aztecs and Incas, or find the agility to survive? Gannon fizzes with ideas about the dangerous politics of first contact.&rdquo; &mdash;David Brin<BR> <BR> &ldquo;The plot is intriguing and then some. Well-developed and self-consistent; intelligent readers are going to like it.&rdquo; &mdash;Jerry Pournelle<BR> <BR> &ldquo;[T]he intersecting plot threads, action and well-conceived science kept those pages turning.&rdquo; &mdash;<i >SFcrowsnest</i>]]></Text>
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      <Text><![CDATA[<b >Praise for Nebula-nominated second entry&nbsp;<i >Trial by Fire:</i></b><BR> <BR> &ldquo;I seriously enjoyed&nbsp;<i >Trial by Fire</i>.&nbsp;This one&rsquo;s a tidal wave&mdash;can&rsquo;t put it down. An excellent book.&rdquo; &mdash;Jack McDevitt<BR> <BR> &ldquo;Gannon&rsquo;s whiz-bang second Tales of the Terran Republic interstellar adventure delivers on the promise of the first (<i >Fire with Fire</i>)&hellip;The charm of Caine&rsquo;s harrowing adventure lies in Gannon&rsquo;s attention to detail, which keeps the layers of political intrigue and military action from getting too dense. The dozens of key characters, multiple theaters of operations, and various alien cultures all receive the appropriate amount of attention. The satisfying resolution is enhanced by the promise of more excitement to come in this fascinating far-future universe.&rdquo; &mdash;<i >Publishers Weekly</i>, starred review<BR> <BR> &ldquo;[D]efinitely one to appeal to the adventure fans. Riordan is a smart hero, up against enormous obstacles and surrounded by enemies. Author Gannon does a good job of managing action and tension to keep the story moving, and the details of the worlds Riordan visits are interesting in their own right.&rdquo; &mdash;<i >Analog</i><BR> <BR> &ldquo;[O]ffers the type of hard science-fiction those familiar with the John Campbell era of&nbsp;<i >Analog&nbsp;Science Fiction</i>&nbsp;will remember. Gannon throws his readers into an action-packed adventure. A sequel to&nbsp;<i >Fire With Fire</i>, it is a nonstop tale filled with military science-fiction action.&rdquo; &mdash;<i >The Galveston County Daily News</i>]]></Text>
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      <Text><![CDATA[<b >Praise for&nbsp;<i >Caine&rsquo;s Mutiny:</i></b><BR> <BR> &ldquo;This is military Science Fiction the way it&rsquo;s supposed to be written. . . . All in all, a highly satisfying tale of the Terran Republic that moves the story forward and setting us up for the next chapter, which promises to be interesting at worst and explosive at best.&rdquo; &mdash;<i >SFcrowsnest</i><BR> <BR> <b >Praise for&nbsp;<i >Raising Caine</i><i >:</i></b><BR> <BR> <i >&ldquo;Raising Caine</i>&nbsp;unveils a lot of thought-provoking ideas, but ultimately this is a space opera adventure. There are space battles, daring emergency landings, desperate quests, hand-to-hand combat, and double-and-triple crosses. It&rsquo;s an engrossing read. You owe it to yourself to read the two previous books in order. Then enjoy&nbsp;<i >Raising Caine</i>. It&rsquo;s an intergalactic thrill-ride.&rdquo; &mdash;<i >Fantasy and Science Fiction Book and Audiobook Reviews</i><BR> <BR> &ldquo;This is science-fiction adventure on a grand scale.&rdquo; &mdash;<i >Kirkus</i><BR> <BR> &ldquo;Gannon&rsquo;s harrowing . . . military space opera (following&nbsp;<i >Trial by Fire</i>) builds well on his established setting . . . Gannon&rsquo;s signature attention to developing realistic alien worlds makes this installment satisfying.&rdquo; &mdash;<i >Publishers Weekly</i><BR> <BR> &ldquo;[A]n incredibly active book . . . as our protagonists are confronted by the beautiful, terrible, and sometimes lethal variety of the universe and its inhabitants. . . . A whole mess of fun&hellip;that manages to be scientifically accurate while refraining from excessive wonkiness. Those who value meticulous worldbuilding . . . will certainly have their needs met.&rdquo; &mdash;<i >BN Sci-Fi and Fantasy Blog</i>]]></Text>
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      <Text><![CDATA[<b>From the author of <I>The Cult of Smart</I> comes a searing account of the ways in which mental health culture and online discourse distort our understanding of mental illness, abandons the severely ill, and threatens the lives of millions who desperately need care.</b><BR><BR>Mental health culture in the 21st century is broken. After decades of influence from the anti-psychiatry movement, our conception of mental illness has become hopelessly romanticized, distorted by fictional depictions of madness that minimize the harms of debilitating conditions. It&#8217;s become fashionable to insist that mental illness is socially constructed, politically imposed, or secretly empowering. But these claims are dishonest and destructive. Psychosis is not creativity; delusion is not just another way of knowing; schizophrenia is not a sane response to an insane world. Mental illnesses are real, biological conditions that cause profound torment and destroy lives. Treating them as metaphors or identities does not liberate the afflicted. It condemns them.<BR> <BR> With <i>All in Your Head</i>, Fredrik deBoer offers a powerful and long-overdue critique of modern mental health culture. He shows how deinstitutionalization, a well-intended but ultimately doomed corrective to psychiatry&#8217;s early abuses, collapsed into a humanitarian disaster, leaving the severely mentally ill to cycle through homelessness, incarceration, and neglect. More recently, the &#8220;gentrification of disability&#8221; has turned mental illness into social currency, even as those with the most disabling conditions deteriorate on the streets. The digital age has only intensified this crisis, spreading implausible self-diagnoses through social media and turning rare disorders into identity theater, while the truly ill are left out of the conversation.<BR> <BR> Bracing and rigorously argued, <i>All in Your Head</i> is a call for an honest reckoning. Caring for people with mental illness requires material support, institutional capacity, and medical intervention. Psychiatry, despite its flaws, remains the only lifeline for millions. To abandon it is to abandon the most vulnerable among us.]]></Text>
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      <Text><![CDATA[&quot;As someone whose own misdiagnosis nearly killed her, I know how much labels matter. In&nbsp;<I>All in Your Head</I>, Fredrik deBoer&nbsp;follows the aftershocks of the 1970s antipsychiatry movement to the current rise of TikTok self-diagnosis, exposing the dangers of turning illness into identity and offering a necessary corrective to the mental illness meme culture running rampant on and off our screens.&nbsp;Bold, bracing, and badly needed, <I>All in Your Head</I>&nbsp;is a must-read.&quot;<BR> <B>&mdash;Susannah Cahalan,&nbsp;<I>New York Times&nbsp;</I>bestselling author of&nbsp;<I>Brain on Fire</I></B><BR> <BR> &quot;<I>All in Your Head</I> is one of those books that asks uncomfortable questions yet provides practical answers. Patients, families, clinicians, and policy makers will find this book provocative because it is both a defense of and a critique of psychiatry. But it is ultimately hopeful and personal and a must read for anyone who cares about serious mental illness.&quot;<BR> <B>&mdash;Thomas R. Insel, MD, former Director, National Institute of Mental Health</B><BR> <BR> &quot;Fredrik deBoer is the smartest and most relentless cultural commentator I&#39;m aware of, particularly regarding modern mental health and the nauseating &quot;culture&quot; that engulfs it.&nbsp;In this book, he delivers a pitiless survey of the current mental health landscape, the shocking and insightful history of how we arrived here, and a blunt prescription for improving the treatment of the least considered (yet most important) people in this whole debacle: The Truly Mentally Ill. My friends openly make fun of me for how often I send them DeBoer&#39;s writing.&nbsp; Now you can make fun of me too.&nbsp; Have you read his new book, <i>All in Your Head</i>?&nbsp;He&#39;s so sharp. You gotta read it.&quot;<BR> <b>&mdash;Neal Brennan</b>]]></Text>
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      <Text><![CDATA[Linden A. Lewis is the <i>Publishers Weekly</i> bestselling author of The First Sister<i> </i>trilogy and author of the upcoming stand-alone fantasy novel <i>Halfheart</i>. They became a writer after learning that tattooed lady at the circus was not a sustainable career path. They currently live in Madrid, where they enjoy LARPing, cosplaying, and being a servant to their cats. Find them on social media @LindenALewis and otherwise at LindenALewis.com.]]></Text>
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      <Text><![CDATA[<b>&#8220;Beautifully grotesque, fantastically creative.&#8221; &#8212;Hiron Ennes, author of <i>The Works of Vermin </i><BR> <BR> <b>In an alternate early 1900s, a scientist hunts down her former research partner after he steals her life&#8217;s work </b><b>before his greed reshapes the world in this darkly wondrous cosmic horror&#8212;perfect for fans of <i>The Starving Saints</i> and <i>Ring Shout</i>.</b></b><BR><BR>One morning in 1904, scientist Ada Franklin wakes up in her own grave. After clawing her way out, she discovers her lab abandoned and her research partner gone&#8212;along with her life&#8217;s work: a prototype designed to enable human-angel communication. <BR> <BR>Angelic infestations have kept the original thirteen colonies from expanding for generations, but Manifest Destiny is a growing force in the new century. Whoever controls Ada&#8217;s invention may gain the power not only to communicate with angels, but to command them.<BR> <BR>With no one else to trust, Ada resurrects her former lover, now monstrously altered by the entities they once studied. Together they pursue the man who betrayed her across a country warped by celestial horror, where angelic contact remakes both flesh and mind. But the closer Ada comes to reclaiming her work, the more she suspects humanity&#8217;s greed could prove more terrifying than the divine.<BR> <BR>A fever dream mash-up of alternate history, dark fantasy, and eldritch horror, <I>Angel Country </I>delivers a morally complex tale that asks a chilling question: when faced with unimaginable power, who is truly the monster?]]></Text>
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      <Text><![CDATA[Alex T. Singer lives in coastal Connecticut with her wife, daughter, and more sci-fi fantasy novels than she can count. She is the author of the graphic novel&nbsp;<i>Mirrorverse: Belle</i>. Her short stories have appeared in&nbsp;<i>Luna Station Quarterly</i>,&nbsp;<i>Apparition Literary Magazine</i>,&nbsp;<i>Clarkesworld</i>, and&nbsp;<i>PseudoPod</i>. Her short story, &ldquo;Nothing but the Gods On Their Backs&rdquo; was a finalist in the 2024 WSFA Small Press Award category for short fiction. For more of her work, visit LittleFoolery.com.]]></Text>
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      <Text><![CDATA[Chapter 1: Lady Lazarus CHAPTER 1 Lady Lazarus <BR><i>TRANSCRIPT, [REDACTED] and [REDACTED], following the Grace Event known as &#8220;The Morrison Church Incident.&#8221;</i><BR> <ul> <li>SPEAKER 1: Angelic emergence occurred via ocular, vocal, and nasal orifices. Evidence of divine tissue in cranial cavity, with evidence of movement down the cervical spine.</li> <li>SPEAKER 2: Cause?</li> <li>SPEAKER 1: Organist shifted from 120 to 130 and back again, I would consider this the source of the subject&#8217;s agitation.</li> <li>SPEAKER 2: Cognitive effects of Grace?</li> <li>SPEAKER 1: Late stage. Delusions. Patient was convinced they had made contact with the entities.</li> <li>SPEAKER 2: Just delusions? And you&#8217;re sure there wasn&#8217;t actual contact involved?</li> <li>SPEAKER 1: Absolutely. There&#8217;s no evidence of any real communication.</li> <li>SPEAKER 2: I&#8217;m not sure what more you could want.</li> <li>SPEAKER 1: A response.</li> <li>SPEAKER 2: You&#8217;ve had one.</li> <li>SPEAKER 1: A better one.</li> </ul> <BR>IF YOU WISH to know how I came to be here, know that it began in a grave.<BR> <BR>My own, as it happens.<BR> <BR>The way it happened was frustratingly simple. I&#8217;d been suffering from a chronic condition as the result of the trials we&#8217;d been doing. As treatment, I&#8217;d chosen to undergo surgery and, while under sedation, Tennyson and the other associates took me off the table, out of the clinic, out into the marshes behind the lighthouse, and dumped my body into a square-shaped ditch they&#8217;d dug out the night before. One of the men from the docks prepared the hole. I know this, because they shot him and dumped him in there with me. He made for poor company when I woke up, but at least I knew from the way he lay which way was up.<BR> <BR>As I clawed my way out, I imagined it a sight: scrawny woman that I had been, married to her research notes, weak from my operation, throwing hunks of stone aside as I burst snarling from my grave like some cherub from the heavens. The earth heaved. The marsh pooled and grasped at me, desperate to have me back, but I tore and twisted until it gave way, and I was free. Gasping among the grasses, I coughed up mud and snails and who knows what else. Before the project, before the trials, before the booster shots, I&#8217;d have been as dead as Tennyson had hoped.<BR> <BR>I was a marvel of modern science, standing there in my muddied hospital gown, and I was too furious to revel in it. During my four-and-a-half-foot trip to the surface, I realized what they had done.<BR> <BR>I hadn&#8217;t been wholly unaware, when I had undergone my operation.<BR> <BR>&#8220;I wish you&#8217;d told us, Ada,&#8221; said Tennyson, as though he hadn&#8217;t known. As though we hadn&#8217;t been conspirators a lifetime ago. Maybe even friends, two lifetimes ago. &#8220;We&#8217;ve been worried. How are you?&#8221;<BR> <BR>I couldn&#8217;t answer. He knew that. He lost interest in my health almost instantly.<BR> <BR>&#8220;Secure the prototype,&#8221; said Tennyson.<BR> <BR>&#8220;Are you sure&#8212;?&#8221; I heard Morton stumble. He did that a lot, towards the end. &#8220;I thought we were going to&#8212;it&#8217;s&#8212;&#8221;<BR> <BR>Tennyson seemed to feed off the weakness in him. His voice hit a stern, authoritative timbre, the sort he&#8217;d never dared to use on me. &#8220;Do you want to tell the client why we were late?&#8221;<BR> <BR>&#8220;That&#8212;&#8221;<BR> <BR>&#8220;Or shall we have it out when we get to the Association?&#8221;<BR> <BR>&#8220;No, no need for that&#8230;&#8221;<BR> <BR>I remembered they took it. They took it, wrapped it, and put it in a box. They shoved me in a body bag, and they stole it. Oh, my love. You knew they&#8217;d do this. I&#8217;d been convinced they&#8217;d never dare. But you <i>knew</i>.<BR> <BR>My life&#8217;s work&#8230;<BR> <BR>But I digress.<BR> <BR>I could still feel it, beating, distantly. Farther and growing farther. I&#8217;d done such dreadful things to create it, I&#8217;d made such terrible compromises, and now I was separated from it. The prototype. My prototype. Its absence burned like the crawling flesh in my abdomen, knitting back together, but sharp and prickling. I had created it to speak with the angels, and with any luck, hear their reply, now it was gone, gone, gone, and I could do nothing to stop them.<BR> <BR>I made a poor attempt to resonate with it, right there on the beach. The seagrass stuck to my scraped ankles. The ocean&#8217;s froth bunched around the jagged stones, and I was no less sharp and miserable. The great flat backs of cherubim breached the whitecaps. A sailor might have thought it some wailing woman, screaming and screaming into the wind, which I suppose in that moment I was. I couldn&#8217;t find a tune, my throat was too full of grit. If I closed my eyes, all I saw was darkness. All I felt was cold, creaking movement.<BR> <BR>Something. Not enough.<BR> <BR>When I opened my eyes, I saw the marsh. I felt the prick of the sea spray on my filthy flesh.<BR> <BR>But what did I expect from the Association? I expected I&#8217;d have more time. I&#8217;d expected Tennyson would have been thorough and meticulous in discrediting me. I didn&#8217;t think they&#8217;d surprise me while I was at my weakest, and I didn&#8217;t think the Association had gotten so desperate for results.<BR> <BR>But I didn&#8217;t wholly count it out.<BR> <BR>I took the clothes off that dead gravedigger. They were heavy with mud, but more substantial than my ruined hospital gown, and marginally less bloodied. The young man was as much a victim as me, but he <i>had</i> taken a job from a mysterious organization operating out of a long-abandoned lighthouse. He&#8217;d dug a ditch that just so happened to be the right size to fit an adult woman. He can&#8217;t have been completely blind to the circumstance. I certainly hadn&#8217;t been to my own. The clothes fit poorly, but it was at least something.<BR> <BR>The tidal winds lashed at my back as I stumbled up the narrow path. The lighthouse. I needed to return to the lighthouse. It swam in my vision, that dark grey through the grey, stabbing through the low clouds like a pin made of bone, its pallid light pulsing as it did its turns against the mists.<BR> <BR>There was no question that it would be my first stop. I had no desire to stumble into town in my condition. The townspeople would ask questions I wasn&#8217;t ready to answer. Besides, I had to know the extent of Tennyson&#8217;s betrayal.<BR> <BR>I didn&#8217;t meet anyone along the way. I knew I wouldn&#8217;t. Residents ignored the marshes if they could, especially when the skies were grey, while the Pequot who lived on the point kept to their sentry. They watched for what came out of the marshes, not what wandered about inside it.<BR> <BR>This land belonged to the angels. Though, most in the marsh itself were fairly low ranked in the celestial host. A few minor &#8220;putti,&#8221; as they would say in the south, but, to the uneducated or the pious, even the smallest member of the host is an intimidating encounter&#8212;and encounter them I did. They pushed their way out from under the marsh, their radiant eyes rolling in their sockets, their slippery wings buzzing in the mud. They sensed the blood on my clothes. They might have smelled the remnants of my modifications, too. It&#8217;s hard to know the ways of angels, and anyway I smashed a few of them with a rock and they fled quickly back into the oozing marshes from which they&#8217;d come. How luminous their blood was as it sank among the sea spray and the marsh, but I gave no pause as I marched on.<BR> <BR>I was weak from my surgery, but not <i>that</i> weak.<BR> <BR>The lighthouse was a wreck&#8212;more of one than usual. The lights wouldn&#8217;t switch on. The first floor, where we&#8217;d done most of our trial work, lay bare. The second floor, where we&#8217;d done our messier exams, equally so. They&#8217;d taken most of the portable equipment. They&#8217;d cleared the bookshelves. They&#8217;d carried off most of the supply chests, and even a few of the comfier chairs. I swore. Of course they&#8217;d taken the <i>cushions</i>. Wretched men. Lazy men.<BR> <BR>Anything of immediate use or, in Dolokov&#8217;s case, comfort, was gone. All they&#8217;d left were a couple of the larger tables&#8212;drawers emptied, of course&#8212;and some of the heavier wall installations. The cables and battery equipment that had operated those installations were gone. Tennyson&#8217;s second floor office was the cleanest I&#8217;d seen in a year. The safe door hung open. Unlocked. Wiped even of dust. Keys he kept in his desk, the ones that opened the doors to the basement and the observation deck, gone. I checked the living quarters on the third floor. Morton&#8217;s liquor cabinet was emptied of its contents, no surprises there. No books on any of the shelves. Sheets stripped from the beds. Everything left barren as though no one had ever lived there.<BR> <BR>Except for my bed.<BR> <BR>That they&#8217;d overturned.<BR> <BR>Thieves. Bastards. Con men. Oh what I would have done if they&#8217;d been in front of me in that moment. They deserved nothing as beautiful as an angel&#8217;s maw but I might have made an exception if I could have gutted them with my newfound strength oh I would have I digress.<BR> <BR>The nerve of it. The sheer nerve. They&#8217;d taken my clothes, and all my textbooks&#8212;even my illustrated primer on human biology, written for children. I&#8217;d only kept it out of sentimental value, but Tennyson must have believed I&#8217;d hidden something in it. He wasn&#8217;t wrong. I did hide things, which is why I checked the third-floor washroom, which only I&#8217;d been allowed to use. Well, Agenos and I, but Agenos had been too insulted to take the men up on their &#8220;gentlemanly&#8221; gesture. I was fine with the privacy. I&#8217;d used it to my benefit. I checked behind the mirrors and inside the tank of the toilet.<BR> <BR>The bottle of wine and medical kit I&#8217;d kept behind the mirrors were still there.<BR> <BR>The copied notes I&#8217;d put in the tank, though, those were gone.<BR> <BR>Tennyson had kept a closer eye on me than I&#8217;d realized.<BR> <BR>I did what anyone would have done in that circumstance. I walked back down to Tennyson&#8217;s office, took a hold of his desk, used my newfound strength to shove it out the door, and pushed it over the rails of the stairwell. It smashed down into the center of the first floor, splintering into a thousand pieces. I imagined I&#8217;d dropped it on his head and laughed. After a while, though, my throat started to hurt, and a light came on up in the observation deck.<BR> <BR>Lantern light. Shaky and white.<BR> <BR>&#8220;Dr. Tennyson?&#8221; called a reedy voice, from above.<BR> <BR>I&#8217;d forgotten, in the lighthouse, not everyone would have left. The shadows went sideways, and the light went cold. The scent of burning wires overwhelmed me. I went dizzy with it.<BR> <BR>&#8220;No, Keeper,&#8221; I answered, my voice shaky and hoarse from shouting&#8212;and from the dirt in my throat. I didn&#8217;t realize I&#8217;d swallowed so much. I coughed as I tried to speak. &#8220;Dr. Franklin. It&#8217;s Dr. Franklin.&#8221;<BR> <BR>The shadows returned to their proper shape.<BR> <BR>&#8220;<i>Ada?</i>&#8221; burbled the Lighthouse Keeper. She poured down the steps, her sickly white eyes wide in confusion, her hands clasped to her chest in surprise at the sight of me. &#8220;Oh, my dear, what <i>happened</i>?&#8221;<BR> <BR>I fell into her arms. All four of them.<BR> <BR>Linton Laremy brought his spouse<BR> <BR>To keep Port Warren&#8217;s Old Lighthouse<BR> <BR>But which was which no one could say&#8230;<BR> <BR>SO WENT THE dockworker&#8217;s song, and so the Keeper sang it, too. She sang it while she worked. She sang it while she puttered about. She liked it, though she could no longer wholly confirm what was true and what wasn&#8217;t. But if you listened, you could hear it through the very stones, as ever present as the Keeper herself. As ever present as the lighthouse and all it stood for.<BR> <BR>For as long as anyone in the town of Anton&#8217;s Bell could remember, there&#8217;d been a lighthouse, and as long as there had been a lighthouse, there&#8217;d been a keeper. There had to be, to keep the lamp burning.<BR> <BR>Marvelous. Luminous. Everything I could have ever hoped for from a being of this nature. How smug Tennyson had been when he&#8217;d returned from the survey, still carrying his medicine bag and bells, the equipment I&#8217;d packed for him, while I lay in a starched hospital bed waiting for lab results.<BR> <BR>&#8220;Yes, we&#8217;ve spoken,&#8221; he said. His eyes dancing with the quiet stab of <i>And you haven&#8217;t</i>.<BR> <BR>The project had initially progressed under my direction. The survey should have been mine to conduct, the initial interviews, the fantastic first contact I could only read in transcript. My diagnosis had rendered me unable to be there myself. But he had gone ahead to the lighthouse. He had spoken to her first. The reversal of roles had been his first taste of true power, and I should have known he&#8217;d get drunk on it. Why didn&#8217;t I know? Why had I assumed it would stay the way it had always been. The difference between a mouse and a rat is canniness and he had always been clever. Idiot, idiot, idiot&#8212;<BR> <BR>I digress.<BR> <BR>The Keeper is a saint&#8212;a human so full of Grace they canonized, reformed by their intense devotion to the angels. As such, her form was altered to reflect such Grace. It is a shape that can admittedly cause alarm in those who do not understand the concept. After collecting rent, the Lighthouse Keeper prefers to leave her tenants in peace. In the normal way, I&#8217;d have never bothered her to the extent I had, but as was the nature of my illness, I&#8217;d started noticing her lurking in the corner of my eye. Agenos had stopped speaking with me by then, but the Keeper didn&#8217;t seem to mind the company.<BR> <BR>She didn&#8217;t mind it now, either. She helped me bathe, found me fresh clothes, and located the bottle of brandy that escaped Morton&#8217;s notice and let me drink it as she tended my wounds. My new nature meant I healed quickly, but my rough treatment after surgery had left injuries severe enough it took time for the flesh to knit back together. I&#8217;d been so angry I hadn&#8217;t noticed how much it hurt. I noticed now. I drank directly from that dusty bottle, while my friend stitched me up the rest of the way.<BR> <BR>I told her what happened to me.<BR> <BR>&#8220;I thought it was sudden,&#8221; croaked the Keeper. &#8220;It&#8217;s been days, did you know?&#8221;<BR> <BR>&#8220;<i>Days?</i>&#8221; How long had it taken me to wake up?<BR> <BR>&#8220;Yes, yes,&#8221; said the Keeper, her dead white eyes blinking rapidly as she poured alcohol over one of my wounds. I hissed, but she was firm and efficient with her needle. I couldn&#8217;t help but be grateful for her speed. The associates had taken all the anesthetics. &#8220;Days since they packed up. Days since you left to see the doctor. I thought you left with them, or I thought they left with you. Didn&#8217;t say what it was. They were very rude about it. Left such a mess in the cellars. I see now why. Oh, Ada, how I wish I&#8217;d known!&#8221;<BR> <BR>How I wish <i>I&#8217;d</i> known. The doctor, the Keeper said. She had meant the surgeon. The man had been nowhere in sight when Tennyson and the other associates had arrived at my bedside. Neither him nor the nurse had been around to stop them. They could have wanted to give me my privacy.<BR> <BR>Or Tennyson had paid them off.<BR> <BR>&#8220;How far ahead of me was he,&#8221; I muttered. &#8220;How far ahead&#8212;I didn&#8217;t&#8212;I thought&#8212;how could I have&#8212;&#8221;<BR> <BR>The Keeper rested one of her appendages on my shoulder to still me.<BR> <BR>&#8220;Men are snakes,&#8221; she said emphatically.<BR> <BR>&#8220;Didn&#8217;t you used to be one?&#8221; I managed to ask, with a ragged smile.<BR> <BR>&#8220;Perhaps,&#8221; garbled the Keeper, the wrinkles of her face lifting into what I&#8217;d come to recognize as a smile. &#8220;All the more reason I would know!&#8221;<BR> <BR>Despite everything, I laughed. Then I downed more of the brandy.<BR> <BR>Through the Keeper I learned a little bit more about the associates&#8217; departure. It <i>had</i> been sudden. Inspired, it seemed, by a telegram that had reached at the lighthouse sometime after dawn. Tennyson had been meeting with Dolokov when Morton, red-faced as usual, arrived with it. Tennyson had read it absently then dismissed Dolokov soon after. Never mind Dolokov was the senior associate&#8212;he wasn&#8217;t the head of the project, and it was easy for Tennyson to pull rank. He&#8217;d done it more and more, in the last stages of our work. That warning sign I&#8217;d at least heeded. We&#8217;d all been sick of Tennyson&#8217;s newborn pretensions.<BR> <BR>At least, I thought we&#8217;d all been sick of it.<BR> <BR>Regardless, Tennyson put on his travel coat, procured a pistol, and set out to Anton&#8217;s Bell. He&#8217;d returned by noon with moving materials. I suspect him and Morton paid me their visit as soon as the breakdown was done. But the weapon. Where had he gotten it? Agenos had managed all our security material. Why had she not asked him what he intended with it? Why had she allowed him to load it? Not her. Not her, too. Had I truly fallen so far in her esteem that she would give me up as well&#8212;damnit damnit damnit.<BR> <BR>I digress.<BR> <BR>&#8220;The telegram&#8230;&#8221; I managed.<BR> <BR>&#8220;Took it with him,&#8221; said the Keeper, &#8220;along with other things. Foolish little Tenny. Poor little mouse. Forgetting to pay his respects to his landlord. Didn&#8217;t notice I&#8217;d read it, though. Don&#8217;t mind telling you. There&#8217;d been a call for him down in Anton&#8217;s Bell. He went to answer it. Does that help at all?&#8221;<BR> <BR>&#8220;It&#8217;s something,&#8221; I said, hazily. &#8220;Thank you.&#8221;<BR> <BR>&#8220;It is the least I can do, my dear,&#8221; said the Keeper, stroking my hair comfortingly as she finished bandaging my stomach. &#8220;You can hold a conversation. I have missed conversation. Eeh, conversation without all the screaming and the writhing, that is&#8230;&#8221;<BR> <BR>A call. A call. Who would have placed a call? The Association, perhaps, but then why would he have asked Dolokov to leave the room? And why would he have been so eager to leave? Why would it have inspired him to kill me before leaving? There would have been easier ways to discredit me. They just would have taken longer.<BR> <BR>So many other questions unanswered, but at that time, I only asked the Keeper one:<BR> <BR>&#8220;May I borrow the keys to the cellar?&#8221; I asked. &#8220;I left something there.&#8221;<BR> <BR>The Keeper paused in her irritated undulations to peer at me.<BR> <BR>&#8220;You can,&#8221; she hummed, in a voice that sounded all at once wetter and flutier, &#8220;but you should know that Tennyson did not return <i>his</i> keys, and he did not pay the last month&#8217;s rent&#8212;&#8221;<BR> <BR>I held out my wrist.<BR> <BR>&#8220;I&#8217;ll pay it,&#8221; I said.<BR> <BR>But the Keeper wrapped her wet hand around mine and pushed it down.<BR> <BR>&#8220;Ada,&#8221; she garbled, reprovingly. Her bulging eyes rolled in her sockets. &#8220;Don&#8217;t be dramatic. You&#8217;ve little enough blood to spare. I was only going to ask for a small memory. Something sweet. Something tasty, maybe? It has been a long time since I have had a tongue that could taste sweet!&#8221;<BR> <BR>I CANNOT RECALL which birthday I gave the Keeper, drawn from a patch of skin above my wrist, but there were many years my aunt made me lemon cakes to celebrate. She sprinkled sugar on them, so I know the Keeper&#8217;s conditions were met. I took the keys, an old oil lantern, and a broken-off leg of one of the tables.<BR> <BR>The key felt cold in my hand. It always did. No matter the temperature, the keys never warmed up. Tennyson had been careful not to let the other associates touch his set, but there were occasions where he made exceptions. I recognized the coldness. I was ready for the way the metal sang and whispered when it met with the lock.<BR> <BR>The associates came to avoid the lighthouse cellar. In the early days we went there often. We had to. Since it was cold and dark, it was a convenient place to store the materials for our early trials. The Association had granted us a generous supply of relics, all housing angelic material they&#8217;d hoped would aid us in our work: Putti preserved in bottles. Jars full of bobbing eyes of indeterminate but winged origin&#8212;potentially seraphic. One case held the middle talon of what Dolokov believed was a cherub. All of these were arranged carefully along the wall closest to the stairs. Each was labeled, with a date, a specimen number, a name, and a little book to log any changes in their condition.<BR> <BR>These items were still there when I descended those aching wooden steps. In the light from my lantern, and from the open door, the floating eyes seemed to rotate in my direction.<BR> <BR>I moved quickly. I didn&#8217;t have far to go. The lighthouse cellar was more like a jam cellar than a catacomb. The ceiling was low enough a man like Morton would have had to crouch when he entered, lest he hit his head on the heavy crossbeams. I never had any such issues. It gave me a maneuverability the others did not have. I could move past the floating eyes before I could become overly fascinated by them. I could step over the twitching shadows without stumbling into them. The associates relied on that, in the early days: Send Ada to retrieve the materials we need. Send Ada to update the logs.<BR> <BR>Send Ada to store the latest failure.<BR> <BR>Over time, the row of materials we kept along the wall closest to the door grew larger. In addition to the preserved specimens, we began storing objects of our own creation. Crates that smelled like acid. Jars full of indeterminate but twitching pieces of skin. Over time, our specimens became more solid, more whole. The jars got bigger, the crates more heavily secured. We stacked them first along the next nearest walls, then in the center of the room, then, much to everyone&#8217;s anxiety, in the back of the cellar&#8212;about thirty feet from the entrance. Morton flat out refused to walk in this far, and even Agenos loaded her pistol before making <i>that</i> trip. Not that they often had to. Just send Ada.<BR> <BR>I never minded.<BR> <BR>Tennyson and the associates left such material behind because they didn&#8217;t have the time or the courage to make the trip. The door was locked. The preservatives would keep most of the specimens pure for at least five to ten more years. Any remaining keys were with the Lighthouse Keeper. Who would have known to look down here? Who would&#8217;ve had any business here, with the prototype complete and the project finished?<BR> <BR>The cellar would keep its own secrets. It would keep Tennyson&#8217;s secrets.<BR> <BR>It would keep <i>my</i> secrets.<BR> <BR>After all, who would&#8217;ve known I&#8217;d kept something extra along that back wall? Something I&#8217;d hidden from the other associates, even Tennyson. I was the only one who&#8217;d walk that far into the cellar.<BR> <BR>Even a few days with no gramophone had left it fetid and overgrown. The shadows grasped at my ankles, but I stepped over them. Once or twice, something dropped from the ceiling. I&#8217;d step back. It would splatter on the floor in front of me. Reformed, it reached for me, before I beat it back with the table leg. By the time I&#8217;d reached that wall, most of the specimens were awake and murmuring. The eyes blinked at me. A cherub&#8217;s talon flexed. Even the putti showed signs of life, their heads bobbing up and down in their solution.<BR> <BR>I paid them no notice. My interest lay only with the chest I kept in the far corner, on the left. It looked just like the others. It smelled as much like angels and marshes as anything else in the room, but it was guarded only by a simple padlock.<BR> <BR><i>This</i> key I&#8217;d kept in a pack of bandages in my first aid kit. Tennyson had taken anything that looked like it might be important. A wad of cloth wasn&#8217;t one of those things.<BR> <BR>I dragged the chest out from its corner. The lock didn&#8217;t take much time. The lid might&#8217;ve been heavy once, but in my present condition I lifted it without any effort at all. The straps securing the contents took some time, especially when one of the nearby specimens broke out of its tube and tried to strangle me, but I punched my hand through its chest cavity. It was easy. I pretended it was Tennyson. There were some advantages to my ordeal, I suppose.<BR> <BR>I dislodged my hand from its still-pulsing body. It slithered to the side, its song choked off into a hiss. After that, there was a great skittering of feet and shivering of tubes. The others left me to my work.<BR> <BR>I punctured the preservatives bag with a nail. The solution oozed and sizzled as it was released. I cut, carefully, along the center, pulling the pieces of slippery fabric aside. Shoving my hand inside, the solution was warm and singing. The subject inside was heavy and alive.<BR> <BR>Correct amount of appendages. Correct amount of sensory orifices. Closed chest cavity. Heartbeat. Relief. Oh, good. Thank you thank you thank you. Of all the things that had gone wrong at least it was still there.<BR> <BR>I gripped the edges of the chest. I slipped to my knees. The specimens groaned. The shadows shivered. My lantern guttered once or twice. The solution pooled around me, a mix of old blood and preservatives. It soaked into the clean clothes the Keeper had given me, but, for a moment, I didn&#8217;t care. For a moment, I couldn&#8217;t do anything but look&#8212;<i>really</i> look&#8212;at what I&#8217;d found inside that chest.<BR> <BR>&#8220;Blake,&#8221; I whispered. &#8220;Oh, my love.&#8221;<BR> <BR>I was so glad to see him again.<BR> <BR>And in the last shivering cell of my body, that shall remain true.<BR> <BR>Even after you kill me for what I&#8217;ve done.<BR> INTERLUDE: THE ANATOMY OF ANGELS <BR>[FROM THE ARCHIVIST: Beginnings. Beginnings. Where did it begin? I have pondered for some time, how I might begin to dissect my own broken mind. Perhaps:]<BR> <BR>Date: 12.6.1872<BR> <BR>The SUBJECT is a mid-class ELOHITE of the CLEMENTINE variant, secured by M. Dolokov from the Ojibwe&#8217;s Great Sea in the Chippewa treaty territories. Silver thread has been used to secure its ventral limbs. 0.50 mg of laudanum administered orally to each of its five mouths. Pulse of its three detected hearts have remained resting at 60 bpm. Priest has read rites and offered dispensation. First cut is made at 0815.1<BR> <BR>Regenerative response remains stalled at 0.06 mm per second. We will proceed.<BR> <BR>While most angelic specimens are abstract in form, the ELOHITE class is the most symmetrical observed type, often resembling vertebrates of this world. CLEMENTINE2 variants appear similar to humans in structure, with occasional extra flight or grasping limbs. The current specimen possesses four main trunk limbs, two variant wings located ventrally for flight, and two more located in the lower dorsal area, half-formed.<BR> <BR>We will proceed, however, with the main core exploratory surgery, as the wing responses to incisions and injection have been well-documented, see also KLEIN, 1861.<BR> <BR>Here, M. Dolokov and the Nations representative advise speed.3<BR> <BR>SUBJECT&#8217;s flesh resembles CETACEAN specimens, but more delicate once removed from main body. Skin is known to turn transparent when removed.<BR> <BR>No bones or skeletal structure have been observed. Some cartilaginous frameworks can be found around area approximated to be the thoracic cavity. Chambers resembling swim bladders have been found near ventral flight appendages.<BR> <BR>Upon removal these chambers collapsed and showed signs of movement. 0.24 mg laudanum administered subcutaneously.4<BR> <BR>Three aortic arches have been located in the lower cavity. First resembles invertebrate species such as the common earthworm.<BR> <BR>Second contains a two-chambered heart resembling that found in aquatic species like North Atlantic salmon.<BR> <BR>The third has four chambers, and evidence of connective tissue, resembling&#8212;5<BR> <BR>An eye has been located in the thoracic cavity. It appears to be fully mobile and connected to what is understood to be the angel&#8217;s spinal column.<BR> <BR>Here we ask the priest to stop singing hymns.<BR> <BR>Priest has denied singing hymns.<BR> <BR>Operating theater is asked to remain quiet during the extraction.<BR> <BR>A second eye has been discovered in the thoracic cavity.<BR> <BR>A third eye has been discovered in the thoracic cavity.<BR> <BR>Regeneration rate has increased to 0.08 per second.<BR> <BR>Elevated pulse of first two hearts detected at 75 bpm, 82 bpm, 92 bpm.<BR> <BR>Second dose of 0.50 mg laudanum administered subcutaneously.<BR> <BR>A fourth eye has been discovered in the thoracic cavity.<BR> <BR>A child has been discovered drumming on the observation glass of the operating theater.6 The priest has resumed singing. Signs of affliction have appeared among medical staff.<BR> <BR>M. Dolokov has asked all women and children to leave the theater. One M. Rosalind and two children were removed at 0845, at which point SUBJECT has shown increased agitation and responsiveness to exploratory incisions.<BR> <BR>Elevated activity noted in SUBJECT extant eyes.<BR> <BR>ELOHIM are not known to have eyes.<BR> <BR>ELOHIM are not known to have mouths. ELOHIM are not known to sing. Extant vocal cords have been discovered in new, fourth aortic arch. Regeneration rate detected at 0.1 mm per second, and rising, rising, rising.<BR> <BR>But onwards, my extant brothers. Onwards, my soldiers.<BR> <BR>Here, the Nations representative has been observed reaching for their spear.<BR> <BR>DOLOKOV, please contain the savage.<BR> <BR>onWards we shall7<BR> <BR>END TRANSCRIPT<BR> <ol> <li>1. Of course what is not in the good doctor&#8217;s notes is the cognitive effect that angels hold on those in their presence. See: SYMPTOMS of CANONIZATION. As soon as that first cut was made, exposure occurred. Often the subject is not immediately aware of it. The mind seems in perfect order, but for a rise in feeling that can range from unease to a sense of warm accomplishment. As you might imagine, my love, this gentleman must have been of the second set.</li> <li>2. Ecclesiastical taxonomy. I&#8217;ve never been fond of it. Allegedly, the first man-shaped angels were encountered by Pope Clement I.</li> <li>3. Sound advice. Regeneration is only one sign of an angel&#8217;s awakening. Our good doctor wore a mask, but he played no music and administered no ivory constructs in restraint. His cognitive abilities had not yet been affected, but perhaps that warmth spurred him forward.</li> <li>4. Ineffective. You may also notice, my love, that perception of time grows strange. As the mind divides, like a paper and its footnotes, so, too, does the chronology of the thoughts and how we experience them. Am I in my grave? Am I beside you? Am I in the operating theater, watching a man cut into an angel with nothing to save him but his own crumbling ego?</li> <li>5. Oh, I know this one. It would have looked human, Doctor. It would have looked just like yours.</li> <li>6. Twinkle, Twinkle, Little Star, How I Wonder What You Are. Oh, Blake, my love, you cannot say I did not try for him.</li> <li>7. And here, the good Doctor found his end. But here, my love, is where I began.</li> </ol>]]></Text>
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      <Text><![CDATA[<B>For the first time ever, Bob Chapek breaks his silence on his tenure as the Walt Disney Company&#8217;s CEO, offering a behind-the-scenes account of the challenges he faced&#8212;from getting the job just weeks before a worldwide pandemic, to the shifting political landscape, to his ousting given Bob Iger&#8217;s apparent desire to return.</B><BR><BR>In 1993, Bob Chapek began his career at the Walt Disney Company as the marketing director for home video. After twenty-seven years of hard work, climbing the corporate ladder, and garnering respect across the wide variety of businesses that Disney has, he earned the most coveted (and scrutinized) position of all: In 2020, he was named CEO of the Walt Disney Company.<BR> <BR>Born and raised in small-town Indiana by a World War II&#8211;veteran father, Chapek learned early in life that grit, resilience, and curiosity can take you far. These values are what got him to Disney. However, within weeks of starting at the top, the COVID-19 pandemic shut down parks, resorts, cruise ships, live sporting events, and film and television production, forcing Chapek to steer the billion-dollar empire through unprecedented times. The stakes were high, the decisions unforgiving, and the backlash often inordinate, leaving him wondering whether he had become the corporate scapegoat of it all. In 2022, he got his answer&#8212;Chapek was out, Iger was back in.<BR> <BR>Was he really given a fair shot or was he set up to fail? What drove his ousting and Bob Iger&#8217;s return? What happened behind the scenes at Disney during COVID, and how did those decisions impact what we see today? Four years later, after reflection and healing, Chapek is ready to tell his story, sharing what he hopes will be his true legacy.<BR> <BR>Even now, after everything, he&#8217;s still a lifelong fan, and wants the magic of Disney to endure for generations.<BR> <BR><I>Behind the Castle Walls </I>is a revealing and thrilling memoir of ambition, power, and corporate intrigue in the happiest company on earth.]]></Text>
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      <Text><![CDATA[<B>Beloved <I>Real Housewives of New York City </I>star Dorinda Medley delivers her no-nonsense, laugh-out-loud, and deeply inspiring guide to turning life&rsquo;s challenges into confidence, resilience, and joy&#8212;reminding us that you don&rsquo;t need it all and you don&rsquo;t need to be perfect to Make It Nice.</B><BR><BR>Dorinda Medley knows that life isn&rsquo;t one straight line. It&rsquo;s a series of adjustments. After sixty years, she has seen it all: love and heartbreak, success and setback, reinvention and resilience. She has worn many hats as a businesswoman, mother, wife, widow, television personality, author, radio host, DJ, and advice giver. But of all the things she&rsquo;s accomplished, her greatest feat is becoming confident in learning how to do things completely on her own.<BR> <BR>These days, fear is practically baked into our culture&#8212;especially for women. We&rsquo;re told to be small and palatable, to stay in our place, to smile through disappointment, to accept a seat at the table but to not expect the whole menu, and this messaging keeps us in survival mode all while trying to look presentable. But we can choose another way to live, using confidence to move forward and fear as a tool of encouragement to pivot when life&rsquo;s challenges knock us down.<BR> <BR>In <I>I Know a Thing or Two About a Thing or Two</I>, Dorinda rolls up her sleeves and gets to work, giving you advice on everything from how to entertain without stress (even if your life is turned upside down) to the basics of managing money, sharing her favorite rituals for feeling grounded, and tricks to get it done no matter the budget and time. It&rsquo;s real talk, real tools, and a whole lot of heart. It&rsquo;s time to get confident and take care of yourself. You don&rsquo;t have to have it all figured out. You just have to get started.]]></Text>
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      <Text><![CDATA[<b>Instant <i>USA TODAY </i>Bestseller</b><BR> <BR> <b>&#8220;A stunning debut. An intergenerational story full of the complexities of family life that will surprise and inspire you at every turn.&#8221; &#8212;Adriana Trigiani, <i>New York Times</i> bestselling author</b><BR> <BR> <b>In this wise and warm debut novel, an Italian American grandmother, daughter, and granddaughter all named after the Roman myth of the Three Graces find their lives&#8212;and their secrets&#8212;colliding when, after years apart, they come to live under the same roof.</b><BR><BR>Graziella, a ninety-six-year-old former nun, spends her days running the parish&#8217;s food kitchen, convinced it is her responsibility to keep everyone fed in their working-class New York neighborhood. Her daughter, Grace, a respected psychology professor, appears accomplished and composed, yet finds herself unmoored as her personal life falters. Ella&#8212;Graziella&#8217;s granddaughter and Grace&#8217;s daughter&#8212;is weary of defending her vegan diet and anti-capitalistic lifestyle; blind to her own brilliance, she longs, above all, for a place to belong. Living together again, the three Graces reckon with the distances that have shaped them, and with what it means, at last, to be fully known.<BR><BR>&#8220;Truly captivating&#8221; (Annabel Monaghan, <i>New York Times</i> bestselling author) and populated by unforgettable characters, <i>The Three Graces of Pearl Street</i> explores the delicate balance between tradition and modernity, and the quiet courage it takes to move through the world with true grace.]]></Text>
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      <Text><![CDATA[Chapter One: Christmas Eve CHAPTER ONE Christmas Eve <BR>Arriving at 125 Pearl Street, Ella paused and then knocked on the door, which felt odd, given that she had spent every day of her childhood here. Her ninety-six-year-old <i>nonna</i>, who stood at four feet two inches tall, took one look at Ella and slammed the door shut.<BR> <BR>Graziella Valentini had never been more disappointed in a person, a feeling she almost always reserved for men. Not when she found out Pope Pius XI had cooperated with Mussolini; not when her neighbor across the street installed sixty-seven garden gnomes in his front yard; not when her late husband dropped dead of a heart attack while making wine in the basement. The heart attack was not his fault, after all, but their granddaughter was. She had to be, because Grace was his fault too.<BR> <BR>The connection between the three Graziellas, once as vital as an umbilical cord, had lost its pulse. For the past five years, Ella had only acquiesced to seeing them on Easter and Christmas Eve, which for an Italian-American family was equivalent to a declaration of war. Ella had first grown distant during her last year of college. She knew that visiting her grandmother&#8217;s home today was likely to turn into a diplomatic incident.<BR> <BR>&#8220;Nonna. Are you going to let me in?&#8221; Ella yelled, banging on the door.<BR> <BR>&#8220;No,&#8221; Graziella yelled back.<BR> <BR>&#8220;No wonder she doesn&#8217;t invite us to Brooklyn,&#8221; Grace whispered to Graziella before opening the back door with a glass of red wine in one hand. Ella walked into the kitchen, and Grace hugged her. &#8220;How was the train, honey?&#8221;<BR> <BR>Ignoring them both now, Graziella picked up two hot platters from the stove with hand towels.<BR> <BR>&#8220;Fine,&#8221; Ella said, her body rigid in Grace&#8217;s grip. Grace let go, as though letting her daughter go was the most natural thing in the world.<BR> <BR>&#8220;I&#8217;m sorry your dad couldn&#8217;t be here,&#8221; she added reflexively. Ella&#8217;s father lived in Bermuda and commuted &#8220;home&#8221; once a month. Ella never saw him, and he didn&#8217;t seem to mind, which racked Grace with a double dose of guilt despite her having no responsibility for either of them.<BR> <BR>&#8220;I&#8217;m not sorry,&#8221; Ella replied, taking off her puffer coat.<BR> <BR>Grace&#8217;s eyes took in her daughter&#8217;s brittle frame&#8212;as delicate as the bony fish on the stovetop&#8212;and despair washed over her. Ella&#8217;s loose, cropped shirt hung off the sharp edges of her collarbones and revealed the top of her insulin pump above her right hip. Grace softened her face, focusing on the light in Ella&#8217;s chestnut eyes, knowing that her gaze would be felt by her daughter.<BR> <BR>Graziella had no such sensitivities for her granddaughter&#8217;s feelings. Unable to contain herself at the sight of such dire neglect, she put down the platters with a clang and grabbed Ella&#8217;s hands, not out of warmth but to monitor their chill.<BR> <BR><i>&#8220;Mostriciattola!&#8221;</i> Graziella yelled in frustration. Ella&#8217;s childhood nickname meant &#8220;little monster.&#8221; It was supposed to be endearing, although it rarely felt that way.<BR> <BR>Graziella ran so hot, she burned Ella to touch. She shook herself free. It was as if they thought her body was <i>theirs</i> rather than hers. It wasn&#8217;t a new phenomenon. When Ella was diagnosed with type 1 diabetes at age five, the endocrinologist taught Grace and Graziella to recognize the clinical signs of dangerously high and low blood sugar.<BR> <BR>In practice, avoiding both was a near to impossible challenge for Grace and Graziella, who were charged with balancing Ella&#8217;s volatile blood sugar. Early mistakes in either direction meant an ambulance was called at home or at school. Much to Ella&#8217;s benefit and regret, their knowledge of her condition soon surpassed the limitations of science and the boundaries she now wanted to have as an adult. The two older women developed a sensitivity to Ella&#8217;s blood sugar the way a cat feels the weather change in its inner ear. Before Ella exhibited any symptoms of a blood sugar rise, Grace and Graziella were chasing her with a finger prick and an insulin pen&#8212;backstage before a choir performance, through a haunted house on Halloween, at a middle school dance.<BR> <BR>Grace had tried to turn off this extra sense once Ella turned eighteen. It hadn&#8217;t worked. Sometimes, she woke up in the middle of the night certain Ella&#8217;s blood sugar was too low, despite her firm belief against superstition. Her profession as a psychologist forbade such magical thinking. Still, how else to explain the time she had tripped on the Upper West Side, sensing a blood sugar drop, and later discovered that Ella had fainted in a library nearby when her levels had bottomed out?<BR> <BR>Graziella muttered something unintelligible and turned back to preparing the seven dishes she summoned from memory every year for the Feast of the Seven Fishes, an act of commemoration for her mother who had passed them on. Regardless of what anyone said about Christmas, Graziella believed it was a holiday for women&#8212;particularly women giving birth in dire circumstances, of which there were infinite variations. Ella did not understand, or she would take better care of herself. It had not been easy for the Valentini women to bring children into the world, let alone keep them alive. The problem was that Graziella&#8217;s daughter, a renowned psychologist and Columbia professor, had overlooked the innate in favor of the intellectual. Grace spoke of <i>parenting</i> as if it were a philosophy. <i>Parenting</i> had failed Ella, and the girl had folded in on herself like thin paper bending into origami. This was how she&#8217;d become the empty shape that had arrived at Graziella&#8217;s back door.<BR> <BR>She spotted a large hole the size of a baseball in the back of Ella&#8217;s trousers, right under her tush. She wanted to pinch the skin there as a reminder that any old pervert on the subway could do just that.<BR> <BR>&#8220;You need new pants,&#8221; Graziella said, heading into the dining room.<BR> <BR>&#8220;I can get some at work,&#8221; Ella replied.<BR> <BR>&#8220;You mean you&#8217;ll pull them out of the trash,&#8221; Graziella shouted back. Ella worked at Big Apple Bargains, the tristate area&#8217;s largest charity thrift shop, sorting through donations at their flagship location near Times Square.<BR> <BR>&#8220;Let&#8217;s not talk about appearances,&#8221; Grace said diplomatically. She followed Graziella into the dining room with more platters.<BR> <BR>&#8220;Did the priest say the Latin wrong or something?&#8221; Ella muttered, following her.<BR> <BR>&#8220;I&#8217;ll never understand why you pretend to be stupid. You know St. Joseph&#8217;s hasn&#8217;t had a Latin Mass since the Second Vatican Council,&#8221; Graziella shot back while shoving a serving spoon under the calamari.<BR> <BR>&#8220;Let&#8217;s stay away from religious stuff tonight too,&#8221; Grace said.<BR> <BR>&#8220;It&#8217;s Christmas Eve, Grace. Do you think it&#8217;s about shoring up the economy like the rest of your generation?&#8221; Graziella asked.<BR> <BR>&#8220;She has a point about capitalism,&#8221; Ella replied.<BR> <BR>&#8220;I wasn&#8217;t talking to you!&#8221; Graziella said, pointing a finger at Ella.<BR> <BR>&#8220;At least she hasn&#8217;t called you trash.&#8221; Ella looked at Grace, who pulled out a chair and sat down. A strange, life-size china baby Jesus with a crown of thorns stared her down from the mahogany sideboard. She had always hated that doll. There was no music playing. Despite Graziella&#8217;s religiosity, or maybe because of it, she did not indulge in Christmas cheer.<BR> <BR>&#8220;I&#8217;ve never called you trash. You work <i>in</i> trash. You are surrounded <i>by</i> trash. You <i>wear</i> trash. The hole in your pants is so big someone could put a fist up there,&#8221; Graziella clarified.<BR> <BR>&#8220;Now go fetch the <i>baccal&#224;</i>.&#8221;<BR> <BR>Ella shook her head as she walked back into the kitchen. The smell of <i>baccal&#224; alla romana</i>, salt cod and potatoes stewed in San Marzano tomatoes, made her ravenous. She had always craved fish, so much so that in school she had brought sardine salad&#8212;a Graziella-made alternative to tuna salad&#8212;for lunch every day for six years until she realized that &#8220;fish fingers&#8221; wasn&#8217;t a compliment.<BR> <BR>She placed the platter on the table. Even one of these dishes would be too much for three people. Six more oversize platters adorned the table, yet there was nothing that Ella could eat.<BR> <BR>&#8220;Nonna, is there anything else I can grab?&#8221; she asked, trying for casual.<BR> <BR>&#8220;No. It&#8217;s the Feast of the Seven Fishes,&#8221; Graziella said. She rushed through grace, speeding up her voice as if she were a pharmaceutical advertiser rattling off side effects. Her hands flew toward the serving-ware, diving into this most sacred Italian-American tradition. She heaped portions of each platter onto the old china plate in front of Ella: fried smelts, marinated eel, anchovies with endive, calamari salad, seared scallops, spaghetti with clams, and her beloved <i>baccal&#224;</i>. Ella&#8217;s mouth watered, rebelling against her.<BR> <BR>&#8220;Is something wrong with the fish, Ella?&#8221; Grace said, sensing some silent conversation occurring.<BR> <BR>&#8220;I&#8217;m vegan now, actually,&#8221; Ella said, looking at her grandmother, who already knew. Graziella only sped up the movement of her hands.<BR> <BR>&#8220;Oh.&#8221; Grace shut down the instinct to grip her daughter&#8217;s wrist to check her pulse.<BR> <BR>&#8220;Do you have anything I can eat? Canned chickpeas?&#8221; Ella asked.<BR> <BR>&#8220;Only dried beans. Canned are too expensive,&#8221; Graziella said.<BR> <BR>&#8220;They&#8217;re cheaper than seafood.&#8221;<BR> <BR>&#8220;Chickpeas are peasant food,&#8221; Graziella spat.<BR> <BR>&#8220;Your dad was a peasant,&#8221; Ella replied.<BR> <BR>&#8220;Exactly,&#8221; Graziella said.<BR> <BR>&#8220;If we had known, Ella, I&#8217;m sure Nonna would have&#8230;&#8221; Grace began to say.<BR> <BR>&#8220;I called Nonna about it months ago. She told me not to bring anything,&#8221; Ella snapped, balling her hands into fists.<BR> <BR>&#8220;The only reason you&#8217;re starving yourself is because you were so well-fed as a child,&#8221; Graziella said, eating a bite of calamari.<BR> <BR>&#8220;There&#8217;s a serious body of research about the seafood industry harming ocean ecosystems. There&#8217;s one study of shrimp in Thailand alone that&#8217;s very compelling&#8212;&#8221;<BR> <BR>&#8220;Are you insulting my fish?&#8221; Graziella interrupted Ella, her hands whirling through the air like helicopters. Insulting Graziella&#8217;s fish meant insulting the third-generation fishmonger down the road, which was tantamount to treason.<BR> <BR>&#8220;Studies say veganism is good for diabetics,&#8221; Ella replied.<BR> <BR>&#8220;Then why do you look like you&#8217;re dying?&#8221; Graziella shot back. &#8220;If I showed up to your house looking like Dracula&#8217;s last victim, would you feed me peanuts and potato peels?&#8221;<BR> <BR>&#8220;I&#8217;d be relieved,&#8221; Ella said. Graziella bit back the impulse to tell her granddaughter that she <i>was</i> dying. Though it was subtle, it was no less true. She could feel her own body slowing down like a train pulling into the station. Everybody died. It was not something to make a fuss about unless she needed it for leverage, and that moment was not now.<BR> <BR>&#8220;If your doctors think it&#8217;s okay&#8212;&#8221; Grace began to say.<BR> <BR>&#8220;It doesn&#8217;t matter what her doctors think. It&#8217;s common sense. Protein stabilizes her numbers. Her numbers are all outta whack.&#8221; Graziella waved her fork around in the air like a battle flag.<BR> <BR>&#8220;Nonna, our global food system is killing people,&#8221; Ella replied.<BR> <BR>&#8220;You always miss your own point in the service of making it,&#8221; Graziella said before taking a bite of the <i>baccal&#224;</i>. No one responded, and Graziella thought her namesakes must be too slow in the head. &#8220;Hurting no one? Do you need to go back and read the Greeks? There is a <i>self</i> and you are that <i>self</i>. Or would basic biology be more suitable for a college dropout? You are hurting a mammal named Ella Myers: a trash collector who squats in a warehouse and worries her mother sick.&#8221;<BR> <BR>&#8220;Are you insulting trash collectors now?&#8221;<BR> <BR>&#8220;I&#8217;m insulting <i>you.</i>&#8221; Graziella pointed her fork at her granddaughter. &#8220;No trash collector would have such poor judgment at twenty-two, let alone twenty-seven. Cristoforo Colombo, your grandfather, was storming Omaha Beach when he was twenty-two.&#8221; Always it came back to this, back to the moment five years ago when Ella had most disappointed her family.<BR> <BR>&#8220;Ella&#8217;s doing important work for Big Apple Bargains, Ma,&#8221; Grace said.<BR> <BR>&#8220;You should be giving the stuff away to the people who need it, for goodness&#8217;s sake. Not selling it for profit,&#8221; Graziella said back.<BR> <BR>&#8220;Ma, it&#8217;s an established nonprofit,&#8221; Grace replied.<BR> <BR>&#8220;It&#8217;s putting her in an early grave,&#8221; Graziella added.<BR> <BR>&#8220;Can you stop insulting me?&#8221; Ella said. Grace, unable to override her instincts, stood up to find something for Ella to eat.<BR> <BR>&#8220;No, Grace. I&#8217;ll find something,&#8221; Graziella said. She had spent her life feeding an entire neighborhood of people, stray cats, and even the occasional dog. Ella was the only one who wouldn&#8217;t eat her food. There would be no more <i>parenting.</i><BR> <BR>Graziella returned with a can of ocean fish cat food. She pulled back the top of the aluminum container with the bravado of a maestro. Ella felt her stomach curl, deeper than the hunger and the nausea that accompanied plummeting blood sugar.<BR> <BR>&#8220;Ma,&#8221; Grace yelled, standing up.<BR> <BR>&#8220;The old cat is having your <i>baccal&#224;</i> tonight. You won&#8217;t eat your fish, you eat her fish.&#8221;<BR> <BR>Ella snatched the can of cat food from her grandmother&#8217;s hands and threw it at the figurine of baby Jesus like a Yankees pitcher gunning for the playoffs. It hit the doll and splattered all over the stark white wall behind it. Baby Jesus tottered and then fell onto the floor.<BR> <BR>Grace gasped. Ella ran out of the house, passing her grandmother&#8217;s old cat with no name. Ella refused to be disrespected like this. She vowed she wouldn&#8217;t come back to Pearl Street until there was a funeral.]]></Text>
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      <Text><![CDATA[<b>The fourth book in the Atria Books/Beyond Words Library of Hidden Knowledge, a modernized version of one of the first works to make the Law of Attraction accessible to the general public: timeless guidance on the power of prosperity, intuition, relationships, and other perennial topics.</b><BR><BR><I>The game of life is a game of boomerangs. Our thoughts, deeds, and words return to us sooner or later with astounding accuracy.</I> <BR><BR>Florence Scovel Shinn, a prominent and provocative twentieth-century leader of the New Thought movement, was known for her sage guidance on prosperity, intuition, relationships, and fulfillment. Shinn&#8217;s distinct philosophy and practical approach included enlightening affirmations, timeless anecdotes, and action-based advice that are still relevant for the fast-paced world of today. <BR><BR>In addition to Shinn&#8217;s original writings, <I>The New Game of Life </I>features Dr. Ruth L. Miller&#8217;s contemporary translations as well as additional exercises and summaries to fully engage a new generation of thinkers. <BR><BR>*** <BR><BR>Includes Original Text <BR><BR><I>Most people consider life a battle, but it is not a battle, it is a game. </I><BR><BR><B>Florence Scovel Shinn </B><BR><BR>New Thought leader Florence Scovel Shinn&#8217;s <I>The Game of Life and How to Play It</I>, was originally published in 1925 and still stands today as one of the earliest and most accessible introductions to the Law of Attraction, the backbone of the bestselling book and movie <I>The Secret. </I><BR><BR>Now, Dr. Ruth L. Miller, New Thought minister and series editor of the Library of Hidden Knowledge, takes you to the very heart of Shinn&#8217;s original wisdom through insightful modern interpretations. With incredible vision, moving stories, and accessible &#8220;game&#8221; plans for success, <I>The New Game of Life and How to Play It </I>deftly guides you toward a life of prosperity and fulfillment.]]></Text>
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      <Text><![CDATA[Ruth L. Miller was ordained in the New Thought tradition and became the pastor of the Lifeways Center in Portland, Oregon, then interim assistant at Unity of Beaverton. She is currently serving New Thought and Unitarian-Universalist churches in Oregon, Washington, and California. She earned a doctorate in systems science from Portland State University integrating intuition and analysis in impact assessment and decision-making. Her MS in cybernetic systems from San Jose State University was earned with a thesis integrating intuitive methods in systems planning. Her certificate in environmental studies is from Long Beach State University and a BA in anthropology with a minor in American Literature was earned at the University of New Mexico. For more information, please visit RuthLMillerPhD.com.<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[<i>This reading group guide for</i>&nbsp;<b>The NEW Game of Life and How to Play It</b>&nbsp;<i>includes an introduction, discussion questions and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.<BR><BR></i><BR><b>Introduction</b><BR><BR> <i>The Game of Life</i> is the work of Florence Scovel Shinn, an artist who found a way to transform her own life and the lives of the people around her. Dr. Ruth Miller has brought this 1925 transformational classic into the modern world by providing modern examples and language, and showing how the world&#8217;s spiritual traditions and 21st century science support Shinn&#8217;s ideas. &nbsp; <BR><BR><b>Topics &amp; Questions for Discussion&nbsp;</b><BR><BR> 1. The opening lines of this book say that life is not a battle but a game. How do you see life? Do your ideas about life include winners and losers? Do they include fighting for survival? Do you think about life as a classroom? If so, are the lessons challenging and difficult, or fun and enjoyable? What do you think of when you think of a game? Football? Chess? How is your life like the games you think about? <BR>&nbsp;<BR> 2. &#8220;Speak the word&#8221; is the fundamental method in this book. What does it mean to you? This is in the Bible; who said it and why? What were the results? Why would it work for us? <BR>&nbsp;<BR> 3. Several of the stories in this book are about people who needed a certain amount of money at a certain time and, by practicing the principles and methods, had it arrive just in time. Has anything like that ever happened to you? Is there something in your life you&#8217;d like to have work that way now? If so, how would you apply Shinn&#8217;s method to your situation? <BR>&nbsp;<BR> 4. A couple of the stories are about women who were unhappy in their relationship. But Shinn doesn&#8217;t tell them how to change their partner&#8212;she says they must change themselves, and shows them how. Do you have a relationship that isn&#8217;t as wonderful as you&#8217;d like it to be? How could you apply Shinn&#8217;s method to make that work better for you? <BR>&nbsp;<BR> 5. Two of the stories in the book talk about what happens when we forget to focus on the best good for everyone involved. In one of them, a child who pretends to be a widow is widowed very early in her marriage. In another, a woman who insists on a particular house gets it at a very high cost to all involved. How can we be sure to claim and &#8220;speak the word&#8221; in a way that works for everyone? <BR>&nbsp;<BR> 6. Both the Buddha and Christ tell us that our life is shaped by our thoughts, words, and beliefs. What are some examples that you&#8217;ve seen in scripture and in your life? <BR>&nbsp;<BR> 7. Much of the first chapter deals with how we have many old ideas and subconscious &#8220;programs&#8221; that no longer serve us and need to be deleted. What might some of those &#8220;programs&#8221; and beliefs be? If it&#8217;s hard to think of any, think of the things in your life that aren&#8217;t working well. What beliefs, ideas, assumptions, or internal &#8220;programs&#8221; might be contributing to those experiences? <BR>&nbsp;<BR> 8. Fear is the theme of a couple of the stories. In one, the woman who went back and faced her fear found that it had disappeared. Have you ever had that experience? How did it feel? Therapists say that if we&#8217;re being chased in a dream and turn around to face it, the thing or person chasing us will disappear or be transformed. Has that happened to you or someone you know? What was it like? What fear could you face and dissolve now? <BR>&nbsp;<BR> 9. If you play videogames, you know about levels and clues and persistence. How is Shinn&#8217;s model of life like a videogame? How does thinking about life that way make it easier to go ahead and try things? <BR>&nbsp;<BR> 10. In the last part of the &#8220;interpretations&#8221; section, Dr. Miller explains some of the scientific theories and experiments that support Shinn&#8217;s ideas. Take a look at each one. Do they make sense to you? If not, where could you go to find out more about them? If so, do you have a story or image that you can use to help someone else understand them? <BR><BR><b>Enhance Your Book Club</b><BR><BR>&nbsp; 1. Watch the DVD <i>What The Bleep Do We Know?</i> and see how Amanda&#8217;s thoughts and words have contributed to her experience. Then, see how her life changes when her thoughts and words change. Talk about the segment on &#8220;addictions&#8221;, when Amanda is at the wedding reception, as an example of how the &#8220;programming&#8221; and &#8220;reprogramming&#8221; that Shinn is describing works. <BR>&nbsp;<BR> 2. Danny DeVito&#8217;s character in the film <i>Renaissance Man</i> also changes his thinking and focus, and transforms not only his life but the lives of many others. See if you can track the point at which his selfish thoughts and words are turned around. What makes the difference? How could we have a similar shift? <BR>&nbsp;<BR> 3. Set up a 28-day challenge for the group. Have each member report each time you meet on their progress in changing their &#8220;programming&#8221; by repeating the words in the exercise at the end of Chapter 1 or 3. <BR>&nbsp;<BR> 4. Have someone who knows how to play <i>Kingdom Hearts</i> (a Disney product in which the player moves through different Disney &#8220;kingdoms&#8221;) demonstrate it to the group. Imagine the dark force is our own shadow self and the little black things that have to be eliminated are our own dark thoughts. How does that affect how you play the game? <BR>&nbsp;<BR> 5. While the group is gathering and during breaks, play CDs with some of the songs and chants by various Positive Music Award winners, like Karen Drucker&#8217;s &#8220;I Am So Blessed,&#8221; Daniel Nahmod&#8217;s &#8220;More Than Enough,&#8221; Devotion&#8217;s &#8220;Intention,&#8221; or Karen Taylor-Good&#8217;s &#8220;I Always Know What I Need to Know When I Need to Know It.&#8221; You can find them on the artists&#8217; websites or at www.empowerma.com. <BR>&nbsp;]]></Text>
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      <Text><![CDATA["Ruth Miller&#8217;s unique writing approach helped me see how far I had come in putting my beliefs into reality. The book&#8217;s play of before and after, from original ways of thinking to today&#8217;s awareness, gave me proof that learning to manifest life choices isn&#8217;t a new game. <I>The New Game of Life and How to Play It</I> was an insightful way to measure my journey as growth."<BR> <B>&#8212;Kat Cunningham</B>, designer &amp; intuitive; author of <I>Kat&#8217;s 9 Lives of Self-Discovery</I>]]></Text>
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      <Text><![CDATA[<I>"The New Game of Life and How To Play It </I>is the quintessential text explaining in contemporary language&nbsp;the spiritual laws of abundance, attraction, and manifestation.&nbsp;For me, this book personifies the Living Word, a wonderful melding of teachings from the Bible, the Koran, the Gita and current day New Thought spirituality, all addressing the same subject: abundance and how it is available to all for the asking."<BR> <B>&#8212;J C Pedigo</B>, author of <I>Views From the Pew</I>]]></Text>
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      <Text><![CDATA[&#8220;I&#8217;ve been inspired by <I>The Game Of Life and How to Play It</I> for over twenty years, but I appreciate this expanded, updated version by Dr. Ruth L. Miller. Her insightful touches add brilliance to this powerful, classic gem.&#8221;<BR> <B>&#8212;Sharron Cannon</B>, proprietor of Lucky Cats Antiques]]></Text>
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      <Text><![CDATA[<b>The &#8220;fifth season&#8221; saga of the <i>Star Trek: Enterprise </i>TV series continues with this action-packed original novel!</b><BR><BR>Admiral Jonathan Archer has barely settled in as Starfleet Chief of Staff when new crises demand his attention. The Starfleet task force commanded by Captain Malcolm Reed continues its fight against the deadly Ware technology, but one of the task force ships is captured, its Andorian crew imprisoned by an interstellar Partnership that depends on the Ware for its prosperity. Worse, the Partnership has allied with a renegade Klingon faction, providing it with Ware drone fleets to mount an insurrection against the Klingon Empire. Archer sends Captain T&#8217;Pol and <i>Endeavour </i>to assist Reed in his efforts to free the captured officers. But he must also keep his eye on the Klingon border, for factions within the Empire blame Starfleet for provoking the Ware threat and seek to take revenge. Even the skill and dedication of the captains under Archer&#8217;s command may not be enough to prevent the outbreak of the Federation&#8217;s first war!<BR> <BR> &#8482;, &#174;, & &#169; 2016 CBS Studios, Inc. STAR TREK and related marks are trademarks of CBS Studios, Inc. All Rights Reserved.]]></Text>
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      <Text><![CDATA[Christopher L. Bennett is a lifelong resident of Cincinnati, Ohio, with bachelor&#8217;s degrees in physics and history from the University of Cincinnati. He has written such critically acclaimed <i>Star Trek</i> novels as <i>Ex Machina, The Buried Age,</i> the Titan novels <i>Orion&#8217;s Hounds</i> and <i>Over a Torrent Sea</i>, the two Department of Temporal Investigations novels <i>Watching the Clock</i> and<i> Forgotten History</i>, and the Enterprise novels <i>Rise of the Federation: A Choice of Futures</i>,<i> Tower of Babel</i>, <i>Uncertain Logic</i>, and <i>Live By the Code</i>, as well as shorter works including stories in the anniversary anthologies <i>Constellations, The Sky&#8217;s the Limit, Prophecy</i> and <i>Change</i>, and<i> Distant Shores</i>. Beyond Star Trek, he has penned the novels <i>X-Men: Watchers on the Walls </i>and <i>Spider-Man: Drowned in Thunder</i>. His original work includes the hard science fiction superhero novel <i>Only Superhuman</i>, as well as several novelettes in <i>Analog</i> and other science fiction magazines.]]></Text>
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      <Text><![CDATA[<B>The saga of the <i>Star Trek: Enterprise </i>TV series continues with this thrilling original novel!</B><BR><BR>The time has come to act. Following the destructive consequences of the Ware crisis, Admiral Jonathan Archer and Section 31 agent Trip Tucker both attempt to change their institutions to prevent further such tragedies. Archer pushes for a Starfleet directive of non-interference, but he faces opposition from allies within the fleet and unwelcome support from adversaries who wish to drive the Federation into complete isolationism. Meanwhile, Tucker plays a dangerous game against the corrupt leaders of Section 31, hoping to bring down their conspiracy once and for all. But is he willing to jeopardize Archer&#8217;s efforts&#8212;and perhaps the fate of an entire world&#8212;in order to win?<BR> <BR> &#8482;, &#174;, & &#169; 2016 CBS Studios, Inc. Star Trek and related marks are trademarks of CBS Studios, Inc. All Rights Reserved.]]></Text>
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      <Text><![CDATA[Rise of the Federation: Patterns of Interference 1 <BR>January 4, 2166<BR> <BR>U.S.S. Pioneer<BR> <BR>CAROLINE PARIS craned her neck upward to gaze through the pair of portholes on the curving hull above. &#8220;Amazing,&#8221; she said. &#8220;I&#8217;ve never seen a Bussard collector this close when I wasn&#8217;t in an inspection pod.&#8221; The reddish-brown cabochon dome at the fore of Pioneer&#8217;s starboard warp nacelle loomed darkly outside the port, powered down but still impressive to see looming just a few meters above her head.<BR> <BR>&#8220;It is striking,&#8221; Malcolm Reed said. &#8220;And with the improved cooling and vibration damping Commander Tizahr has promised, it should remain relatively comfortable in here even during warp operations.&#8221; The room in question was a small common area and observation bay on C deck, overlooking the starboard cargo bay.<BR> <BR>&#8220;I&#8217;m not sure why they even put viewports here,&#8221; Paris remarked. &#8220;There&#8217;s nothing to see but the nacelle cap.&#8221;<BR> <BR>&#8220;I admit, the Intrepid class is a bit of a kludge,&#8221; Reed confessed. &#8220;It was an offshoot of the NX class, putting its pieces together more compactly for more efficient warp dynamics, in case the warp-five engine didn&#8217;t perform as hoped.&#8221;<BR> <BR>&#8220;Never apologize for your ship, Captain,&#8221; Paris said. &#8220;Compared to the antique I&#8217;ve been serving on for the past five years, this is a regular hot rod.&#8221;<BR> <BR>Reed chuckled. &#8220;It occurs to me that much of our conversation would be incomprehensible to people who aren&#8217;t fans of old movies.&#8221;<BR> <BR>She patted his cheek, leaning in for a conspiratorial whisper. &#8220;So much the better. Helps us keep our secrets.&#8221;<BR> <BR>Paris had never expected her dalliance with Malcolm Reed to last more than a few nights. He wasn&#8217;t her usual type; if anything, his formal, stiff-upper-lip English manner, facial hair, and military bearing reminded her of Captain Shumar, which should have been the opposite of a turn-on. But then, &#8220;usual&#8221; had gone out the window since her close call on Delta IV last April. It was only recently that she had felt ready to explore that side of herself again, and perhaps she had turned to Malcolm Reed because he seemed safe. Though he was clearly attracted to her, he had his own natural reserve&#8212;and some sort of inner hesitancy toward intimacy that reminded Paris of her own. They had not spoken of it, but perhaps their mutual recognition of each other&#8217;s restraint had let them both feel that they could pursue a casual involvement without feeling pressured to go further.<BR> <BR>Yet, as they had spent their time watching movies and playing tennis and talking about their careers, Paris had discovered that there were other things she and Reed had in common. They both loved classic cinema, though Paris had been unable to get Reed to understand her fondness for ancient, youth-oriented adventure serials like Flash Gordon and Captain Proton. They had a similar love of antiques, though Paris&#8217;s fancy was vintage toys and games while Reed&#8217;s was military hardware and weaponry. They both came from service families with a strong sense of legacy and tradition&#8212;though Malcolm had defied his family custom to serve in Starfleet rather than the Royal Navy, while Paris had readily followed the starfaring example of her mother, Argonne, a United Earth Space Probe Agency veteran who had become one of the UE Starfleet&#8217;s first flag officers upon its founding in the 2130s, and her older brother, James, who had commanded one of the old Marshall-class ships in the Earth-Romulan War.<BR> <BR>Not that there weren&#8217;t plenty of differences between them as well. Paris had always been the class clown, the little sister who&#8217;d acted out in defiance of her family&#8217;s pressure to perform&#8212;and who had maintained her irreverent manner even after embracing her aptitude for the family business, as a way of announcing that it was something she did to please herself instead of anyone else. Reed&#8217;s reserved, disciplined style couldn&#8217;t have been more different, at least on the surface. But as she got to know him better&#8212;particularly today, as she saw him interact with the members of Pioneer&#8217;s crew who were on duty during the refits&#8212;she realized that he wasn&#8217;t as much like Bryce Shumar as she&#8217;d initially believed. Shumar could be arrogant, prideful, and judgmental. He was a perfectionist who demanded no less than perfection from those around him. Paris had only earned the license to be informal on the bridge by proving to him that it did nothing to diminish her exemplary performance. But Reed&#8217;s perfectionism was more self-directed. She got the sense that it came from a deep insecurity, a need to prove his worth to himself and to others. And so he was slow to judge others, as though he did not feel entitled to do so. He ran a looser ship than she expected and gave his crew plenty of rein&#8212;as Paris saw when Reed&#8217;s tour led her to main engineering, their next stop after the nacelle cap.<BR> <BR>&#8220;No, no, no!&#8221; a woman was shouting as they came into the engine room through the heavy forward hatch. &#8220;You have to polarize the magnetic field in parallel with the crystal impurities to reduce the unspent reactants! Calibrate each chamber individually, like this.&#8221; The speaker, standing on the raised control platform before the warp reactor, elbowed a fellow engineer aside to enter the settings herself. She was a Jelna Rigelian, craggy-faced and parchment-skinned&#8212;an exofemale, if Paris remembered their four-gendered system correctly&#8212;but her streaked gray-white hair was cut short and lacked the elaborate beads commonly worn by her people. She wore a red-brown tunic with lieutenant commander&#8217;s stripes and a Pioneer mission patch on the shoulder. Paris was still getting used to seeing those two-piece uniforms on Pioneer&#8217;s crew. They had been in use fleetwide for several years now, the Class A uniforms meant to stand for the entire Federation fleet&#8212;but the member fleets&#8217; individual uniforms had not been entirely phased out, and Shumar was one of a number of human captains who preferred his crew to wear the one-piece gray uniforms of the Earth division, as Paris did now. No doubt Reed favored the fleetwide uniform due to the greater species diversity of his crew.<BR> <BR>Completing the recalibration, the Rigelian engineer ordered the ensign next to her to run a simulation of core performance. She frowned at the result. &#8220;No, didn&#8217;t I say you need to adjust the injector pressure to compensate? Here, like this!&#8221; She clambered down off the platform and headed for the port injector frame, where the crewman tending to the injectors hastily stood aside to make room for her. &#8220;There. See?&#8221; she asked a few moments later. &#8220;Now try it.&#8221;<BR> <BR>&#8220;Commander Tizahr,&#8221; Reed spoke up, drawing the exofemale&#8217;s attention. &#8220;A word, if you please.&#8221;<BR> <BR>&#8220;Captain, I&#8217;m sure you think you have something important to contribute, but just let me get through with this&#8212;&#8221;<BR> <BR>&#8220;Now, Commander.&#8221; Tensing at the steel in his voice, Tizahr relented and came over to them, though her lean body practically trembled with impatience. Paris realized that, despite the impression created by her pale coloring and craggy features, she was unusually young for an officer of her rank.<BR> <BR>&#8220;Lieutenant Commander Kivei Tizahr,&#8221; Reed continued, &#8220;this is my guest, Commander Caroline Paris, first officer of Essex. Caroline, Commander Tizahr is Pioneer&#8217;s new chief engineer.&#8221;<BR> <BR>Paris extended a hand. &#8220;Pleased to meet you.&#8221;<BR> <BR>Tizahr took her hand with a wry smirk. &#8220;Which means that either you already know my work, or you know nothing about me personally. Stick around, you&#8217;ll probably get less pleased by the moment. Now, Captain, is there anything of actual relevance you have to say? I&#8217;m trying to squeeze what efficiency I can out of these cobbled-together engines of yours, and explaining my techniques to your crew is only slowing me down. They&#8217;ve gotten slack, working under civilian temporary chiefs for so long.&#8221;<BR> <BR>&#8220;My engineers know how to do their jobs, Commander.&#8221;<BR> <BR>&#8220;They know how it used to be done, and if that were adequate, you wouldn&#8217;t have called on me. Your Doctor Dax did come up with some effective workarounds for reconciling different species&#8217; technologies, but you&#8217;re novices at that compared to the Rigelians.&#8221;<BR> <BR>&#8220;No doubt you do have the edge on technique, Kivei. But these people all have their own abilities and strengths, which you&#8217;ll never discern if you keep doing all their work for them. Perhaps if you let them show you what they can do, it will help you better understand how to utilize them in achieving what you want them to do.&#8221;<BR> <BR>To her credit, Tizahr took only a couple of seconds to say, &#8220;You&#8217;re right, Captain. If I&#8217;m to turn this crew into a smoothly functioning machine, I need to know the full specs and tolerances of its components. If I may, sir?&#8221;<BR> <BR>&#8220;Go right ahead.&#8221;<BR> <BR>&#8220;All right, people, stop everything you&#8217;re doing!&#8221; Tizahr shouted, clapping her hands over her head. &#8220;Time for some emergency drills! Show me what you&#8217;ve got!&#8221;<BR> <BR>Reed and Paris wisely retreated before the chaos began. &#8220;She seems . . . intense,&#8221; Caroline said once they were back in the corridor.<BR> <BR>&#8220;She&#8217;s very driven. She was one of Grennex Aerospace&#8217;s top warp engineers by the equivalent age of twenty-two. The Rigelian Trade Commission made her a better offer at twenty-eight, so she became a chief engineer for their defense fleet, which means she got folded into Starfleet when Rigel joined. She&#8217;s the best&#8212;but the best aren&#8217;t always easy to like.&#8221;<BR> <BR>&#8220;Still, I&#8217;m impressed with how you handled her, Malcolm. Captain Shumar would&#8217;ve probably butted heads with her and loudly reminded her who was in charge, and I would&#8217;ve had to come in later as the good cop and finesse her into cooperating. But you had all the finesse you needed&#8212;even though you and Bryce come from similar backgrounds.&#8221;<BR> <BR>&#8220;All I know about finesse, I learned under Jonathan Archer. He understood that most Starfleet personnel are more scientists than soldiers. I had trouble understanding that for years, but I like to think I&#8217;ve gotten the hang of it.&#8221;<BR> <BR>&#8220;I&#8217;d say you have. You mesh well with your crew. And you&#8217;ve probably helped Tizahr mesh with them too.&#8221;<BR> <BR>He lowered his head. &#8220;I&#8217;m gratified to hear you say that. When I took this command, I was distant from them at first. I relied on Travis&#8212;Mister Mayweather&#8212;to be my bridge to them. But we&#8217;ve grown close . . . largely through sharing adversity.&#8221;<BR> <BR>Paris hesitated a few moments. &#8220;Speaking of growing close, Malcolm . . . when are we going to get to the most important part of the tour?&#8221;<BR> <BR>&#8220;What would that be?&#8221;<BR> <BR>She moved in closer&#8212;much closer. &#8220;Your quarters.&#8221;<BR> <BR>Reed flushed, surprised but far from unhappy. &#8220;You mean . . . you want to . . .&#8221;<BR> <BR>&#8220;I want to.&#8221;<BR> <BR>&#8220;Are you sure?&#8221; he asked. &#8220;I mean&#8212;not that I don&#8217;t want to, of course. But you&#8217;ve kept a certain distance . . .&#8221;<BR> <BR>&#8220;Which has nothing to do with you. I just . . .&#8221; She sighed. &#8220;Can we discuss this in private? In your quarters?&#8221;<BR> <BR>At once thrilled and confused, Reed led her there. Once they were alone, Paris paced the small room and gathered her thoughts. &#8220;About nine months ago, I led an Essex landing party making the first official Federation contact with the planet Delta IV.&#8221;<BR> <BR>Reed&#8217;s eyes widened. &#8220;The Deltans. I&#8217;ve heard the stories about them from Travis&#8212;it was his family&#8217;s ship that made the original contact.&#8221;<BR> <BR>&#8220;I know. Small galaxy.&#8221;<BR> <BR>&#8220;And I heard that there were some . . . difficulties . . . with Essex&#8217;s visit. That their sexual proclivities were more potent&#8212;more dangerous&#8212;than even the spacers&#8217; tales. Like the pheromones of Orion females.&#8221; He gazed at her solicitously. &#8220;Did they . . . do something to you?&#8221;<BR> <BR>&#8220;No, nothing like that. The Deltans are a remarkable, open, compassionate people. That&#8217;s just the problem. The connections they form with their empathic powers are so deep, so profound . . . It&#8217;s easy for a human to get lost in them. The Deltan man I had sex with . . . what he offered was a casual, friendly gesture among his people, and I was&#8212;&#8221; She laughed. &#8220;Well, I was just being a good diplomat and accepting the natives&#8217; hospitality. But . . .&#8221; She sobered quickly. &#8220;I almost lost my sense of myself as an individual. The other member of my crew who slept with them&#8212;with several of them at once&#8212;he&#8217;s still in a catatonic state. He&#8217;s not expected to recover, ever. I got lucky.&#8221; She needed a moment before she could continue. &#8220;But it was a struggle. It&#8217;s taken me months to get past the yearning for more, the depression, the withdrawal. I&#8217;ve been afraid to attempt normal human sex . . . though I&#8217;m not sure if it&#8217;s because I&#8217;m afraid of losing myself again or if I&#8217;m afraid I&#8217;d just find it inadequate next to the memory of . . . that.&#8221;<BR> <BR>Reed cleared his throat. &#8220;No pressure, then.&#8221;<BR> <BR>She laughed. &#8220;No, it&#8217;s all right. Because it&#8217;s not just about the physical. What was so overpowering was the emotional connection. The way it made me feel like being part of another person. Maybe nothing human can match that intensity.<BR> <BR>&#8220;But it doesn&#8217;t need to. I feel really close to you, Malcolm. I let you in because you didn&#8217;t push, because you respected my boundaries and gave us a chance to get to know each other first. So I know that the connection I feel for you isn&#8217;t just some ghost of what I experienced on Delta. It&#8217;s grown organically within us. And I think that wherever that leads us is somewhere I&#8217;m ready to go.&#8221;<BR> <BR>She pulled his head toward hers&#8212;slightly up toward hers, for she had three centimeters on him in height&#8212;and kissed him deeply. When it finally ended, she took a deep breath of satisfaction. &#8220;That said . . . there are some things I picked up on Delta that I&#8217;d be happy to teach you.&#8221; Laughing, she pulled him toward the bed.<BR> <BR>January 5, 2166<BR> <BR>Oakland, California<BR> <BR>&#8220;Your move.&#8221;<BR> <BR>&#8220;I&#8217;m thinking, I&#8217;m thinking.&#8221;<BR> <BR>Val Williams tried not to fidget while Sam Kirk studied the chessboard in her father&#8217;s living room, stroking his chin as he contemplated his options. Normally she was more patient with his deliberations, but Captain Marcus Williams was watching over her shoulder, his burly arms crossed in a way indicating that Sam was not making as good an impression as Val had hoped.<BR> <BR>For her own part, Val was playing an aggressive, risky game in the style her father had taught her, deliberately exposing her king to danger in order to lure Kirk into a trap. But he wasn&#8217;t taking the bait; instead, he was playing it safe, passing up opportunities to capture her pieces and instead positioning his own with a longer strategy in mind. He was now a move away from checking her black king with his white king&#8217;s pawn&#8212;a move she&#8217;d almost missed because it was so unassuming. But if she let it happen, she could then move her king into a position that would lure out the white queen. She had moved her queen&#8217;s bishop to the second rank to position it for that strategy.<BR> <BR>That was the situation Sam was now contemplating, and the senior Williams was growing more impatient as the time dragged on. &#8220;Maybe you should be using the timer,&#8221; he suggested.<BR> <BR>&#8220;It&#8217;s just a friendly game, Dad,&#8221; Val reminded him.<BR> <BR>&#8220;Well, okay. I guess some people need a handicap.&#8221;<BR> <BR>Val glared up at her father, but fortunately, Sam was too immersed in contemplation to notice the dig. Finally, he went ahead with an unexpected maneuver, putting his king&#8217;s knight one move away from checking her king again, from either of two black squares. As soon as she realized this, she moved a pawn to force him to choose the one that would let her move her king to threaten the knight in return.<BR> <BR>&#8220;This is ridiculous,&#8221; her father said while Sam considered his response. &#8220;Eight moves in and not one piece has been captured yet.&#8221;<BR> <BR>&#8220;But he&#8217;s had me in check three times, Dad.&#8221;<BR> <BR>&#8220;Only because you&#8217;re giving him too much time to think.&#8221;<BR> <BR>&#8220;I&#8217;m not as good at thinking on my feet as your daughter, Captain,&#8221; Sam said to him. &#8220;And I don&#8217;t want to make any mistakes, so if you don&#8217;t mind . . .&#8221;<BR> <BR>At another glare from Val, her father subsided. Sam eventually moved a pawn, leaving a clear path for his queen&#8217;s bishop to protect his knight. &#8220;Okay,&#8221; Val muttered, seeing where things were headed and how bad it looked for her king. She tried to distract his attention using a feint with her queen&#8217;s knight, but he didn&#8217;t fall for it. With careful consideration, he began to spring his trap, a series of moves that checked her king and left her only one response leading immediately to another check, three times in a row. Yet each time, he pondered and bided his time before making the obvious move.<BR> <BR>Captain Williams could no longer keep his silence. &#8220;You&#8217;re closing in! Don&#8217;t you know what you want to do?&#8221;<BR> <BR>&#8220;Just making sure, sir. Ah, yes.&#8221; Moving his knight to e6 not only exposed her king to his other bishop, it put the knight one move away from capturing Val&#8217;s queen.<BR> <BR>But the only move she could make was to counter the check with the one available pawn, which would inevitably be captured to end the game. Instead, Val tipped over her king. &#8220;I resign. Well played, Sam!&#8221;<BR> <BR>&#8220;I don&#8217;t believe it,&#8221; the captain said. &#8220;A whole game without one piece captured!&#8221;<BR> <BR>&#8220;He would&#8217;ve taken my pawn for mate, Dad.&#8221;<BR> <BR>The elder Williams puffed air through his lips. &#8220;One measly pawn.&#8221;<BR> <BR>&#8220;Don&#8217;t underestimate them. Sam checked me with a pawn three different times.&#8221;<BR> <BR>Kirk shrugged. &#8220;The triumph of the little guy.&#8221;<BR> <BR>&#8220;I&#8217;ll say,&#8221; Val replied. &#8220;You really had my king on the run there. Half my moves were of the king, most of them to get him out of check. I never even got to move my queen.&#8221;<BR> <BR>&#8220;I only moved mine once.&#8221;<BR> <BR>&#8220;Yeah, but you made her the anchor for the formation you assembled around my king.&#8221; She shook her head as she examined the board. &#8220;Look at that. We only moved seven distinct pieces each. And you mated me in thirteen moves.&#8221; She smirked. &#8220;In case you&#8217;re wondering, Dad, his mating usually takes a lot longer than that.&#8221;<BR> <BR>Sam blushed, and her father winced. &#8220;More than I needed to know, hon.&#8221;<BR> <BR>&#8220;It&#8217;s just a matter of focusing on the long-term goal instead of instant opportunities,&#8221; Sam said&#8212;and then blushed harder. &#8220;In, in the game, I mean. The chess game.&#8221;<BR> <BR>Val was laughing now. &#8220;Among other things.&#8221;<BR> <BR>Her father cleared his throat. &#8220;I understand strategy,&#8221; he said, trying to get back to a more comfortable topic. Predictably, the former wide receiver followed up with a sports metaphor. &#8220;There&#8217;s no game without a game plan. But you can&#8217;t always win by playing it safe. I mean, not only did you shy away from sacrificing your own pieces, you didn&#8217;t even take any of hers!&#8221;<BR> <BR>&#8220;I didn&#8217;t see the need, sir. My real target was the king. And luckily, I was able to work around the other pieces this time. Taking hers would&#8217;ve cost me mine and reduced my options.&#8221;<BR> <BR>&#8220;And leaving her strength completely intact didn&#8217;t bother you?&#8221;<BR> <BR>Sam smiled, meeting Val&#8217;s eyes. &#8220;Her strength is what I love about her, sir. And playing the long game until she gave me an opening has worked for me before.&#8221;<BR> <BR>Her father seemed unimpressed. Later, when he went out to the rear patio to heat up the barbecue for dinner, Val managed to get him alone while Sam chopped vegetables in the kitchen. &#8220;You don&#8217;t approve of him, do you?&#8221; she asked bluntly.<BR> <BR>Captain Williams was just as blunt, as had always been their way with each other. &#8220;He&#8217;s sure not the kind of guy I ever thought I&#8217;d see you fall for. So timid and intellectual. No toughness in him.&#8221;<BR> <BR>&#8220;Why do I need someone tough? Don&#8217;t you think I&#8217;m tough enough for two?&#8221;<BR> <BR>Her father&#8217;s eyes widened. &#8220;Of course you are, hon! But if we&#8217;re talking . . . well, if you think this is serious . . . I&#8217;m your dad, Val. I can&#8217;t help thinking about what my grandkids are gonna be like.&#8221;<BR> <BR>She rolled her eyes. &#8220;Oh, for&#8212;I&#8217;m not trying to pick out a stud horse here. And if and when I&#8217;m ready to think about that, it&#8217;s my decision, not yours.&#8221;<BR> <BR>He held up his hands placatingly, though one still held a large pair of tongs. &#8220;That&#8217;s not what I meant. I just don&#8217;t think he&#8217;ll be able to keep up with you in the long run, and I think you&#8217;ll get tired of waiting for him.&#8221;<BR> <BR>&#8220;That&#8217;s what I thought at first. That&#8217;s why it took me so long to realize what he had to offer. But I was wrong. He&#8217;s taught me the value of patience and quiet.&#8221; She gently touched her father&#8217;s muscular arm. &#8220;Which is why I believe he&#8217;ll win you over too, if you just keep an open mind.&#8221;<BR> <BR>He lowered his head. &#8220;I&#8217;ll try, hon. For you.&#8221; But his tone was grudging.<BR> <BR>Val could tell she would need patience. This was going to be a long game.<BR> <BR>January 8, 2166<BR> <BR>Smithsonian Orbital Annex, Enterprise XCV-330 exhibit<BR> <BR>&#8220;This seems to be my week for giving tours,&#8221; Malcolm Reed said as he led T&#8217;Pol through the enviropod of the first UESPA ship named Enterprise. The cylindrical pod was the approximate size and shape of a midsized passenger shuttle, though with a cramped, submarine-like interior. Luckily, this was a private tour after the museum had closed for the evening, a perk of the captains&#8217; combined clout, so they did not have to contend with crowds of tourists squeezing their way through the cramped hatches. The pod sat at the front of a long, narrow boom, almost like the kind used in Klingon ship designs&#8212;but at the rear of the boom was a single vertical vane connecting it to a pair of wide, flat rings instead of the more familiar cylindrical nacelles. &#8220;You&#8217;ve really never been to see this exhibit before? I&#8217;d have thought it would be the sort of thing to interest you.&#8221;<BR> <BR>&#8220;Not particularly,&#8221; the Vulcan captain answered. &#8220;Humans were not the first prot&#233;g&#233;s of the Vulcans to attempt to emulate the annular warp drives of Vulcan starships. And the Experimental Coleopteric Vehicle program was discontinued twenty years before I came to Earth, in favor of Henry Archer&#8217;s Warp Five Project. As you are aware,&#8221; she went on as they entered the navigation and briefing area just aft of the bridge, &#8220;the latter was of much greater concern to then-Ambassador Soval when I was assigned to his staff.&#8221;<BR> <BR>&#8220;He sure made me plenty aware of it back then,&#8221; came a new voice from the bridge. One of its acceleration seats rotated to reveal Charles Tucker III smiling back at them. As usual, their secret-agent friend had managed to slip into the vessel without being observed until he wanted to be. Reed had done his share of intelligence work, but he&#8217;d never mastered that particular trick. &#8220;But we&#8217;ve all come a long way since then, haven&#8217;t we?&#8221;<BR> <BR>The other two descended the short flight of steps to the deck of the bridge, which occupied the top half of the foremost section of the enviropod, giving it somewhat more headroom than the three decks of quarters and crew facilities farther back. At the front of the bridge was the upper half of the transparent aluminum dome that formed the nose of the pod, affording a view of the Orbital Annex hangar beyond. A portion of NX-01, the subsequent Enterprise on which Reed, T&#8217;Pol, and Tucker had once served, was visible beyond, giving Reed a rush of nostalgia.<BR> <BR>The warmth with which T&#8217;Pol greeted the former engineer was subtle, recognizable to Reed only because of his fifteen years of friendship with them. &#8220;It is good to see you safely returned from your recent travels, Trip. We have been understandably concerned for your welfare.&#8221;<BR> <BR>&#8220;Oh, don&#8217;t worry,&#8221; Tucker assured her. &#8220;Phil Collier of Abramson Industries may be one of Starfleet&#8217;s most wanted right now, but the Section did its usual thorough job of severing any data trails that could tie that identity back to me.&#8221; He rubbed his clean-shaven chin. &#8220;And as you can see, their cosmetic surgeons put my lovable mug back to rights, or as close as it gets these days.&#8221;<BR> <BR>&#8220;I&#8217;m just surprised you went back to that nose,&#8221; Reed teased. But it was said with fondness and relief. He and Tucker had been given a rare chance to renew their friendship during the lengthy Ware mission. They had seen each other infrequently over the preceding years since the former engineer of Enterprise (the one visible outside, not this abandoned prototype) had faked his death to become an operative of the secretive, extralegal intelligence cabal informally known as Section 31, after the clause in the Starfleet charter whose ambiguous wording about extraordinary measures in times of great crisis was regarded by its leaders as the authorization for its existence. Reed had only himself to blame for that separation, for it had been he who had proposed the idea, seeing it as a way to infiltrate the Romulan Star Empire and undermine their impending war plans. Reed believed that Tucker had done important work during the war, even playing a key role in preventing a Romulan victory.<BR> <BR>Yet Tucker had remained dead in the eyes of the galaxy even after the need for that deception had passed, carrying on as an anonymous intelligence operative. Reed had come to fear that Tucker had gotten too deep into the spy game and begun to lose himself in the process.<BR> <BR>The discovery of the widespread threat posed by the Ware, a technology that the two men had encountered and bested once before aboard NX-01, had allowed Reed to offer Tucker a chance to become an engineer again, even if it was under an assumed identity as the civilian consultant Philip Collier. It had worked out well, with Tucker&#8217;s team discovering a means to deactivate the Ware and liberate its captives&#8212;and later, on behalf of the Partnership, attempting to develop a bioneural surrogate that would enable the Ware to be used safely without drawing on the brains of imprisoned sophonts. Things had gone wrong when their research had accidentally created a program that triggered the Ware to tear itself apart in an autoimmune reaction&#8212;an ideal weapon for its destruction, yet potentially devastating for the Partnership races that depended on it. Tucker and his colleagues had continued their search for a better option . . . but Section 31 had used another infiltrator to leak the destruct protocol to the Klingons as part of a secret deal to head off their invasion of the Federation. The Section had then arranged for &#8220;Collier&#8221; to be implicated as the source of the leak&#8212;both to tie off loose ends and to compel Tucker to abandon that identity and return to the shadows.<BR> <BR>But they had not counted on Tucker&#8217;s conscience. Saving the Federation from Klingon invasion had meant condemning the Partnership to the same fate and wiping a unique civilization from the galaxy. That had been the last straw for Tucker, and his former Enterprise crewmates had agreed to assist him in doing something about it. Something decisive&#8212;and hopefully survivable.<BR> <BR>&#8220;In any case,&#8221; T&#8217;Pol told Tucker, &#8220;your propensity for secret meetings aboard museum vessels named Enterprise is growing predictable. It might be best to choose a different type of venue in the future.&#8221;<BR> <BR>&#8220;She&#8217;s right,&#8221; Reed said. &#8220;If you&#8217;re serious about bringing Section Thirty-One down from the inside, we&#8217;ll need rendezvous protocols you haven&#8217;t used while on assignments from them.&#8221;<BR> <BR>Tucker held his gaze. &#8220;Believe me, Malcolm, I&#8217;ve never been more serious. I&#8217;ve already set certain things in motion. I have . . . a very resourceful ally now. I&#8217;ve just gotten back from making arrangements with him. He&#8217;s not willing to get his hands dirty directly, since he has good reason to protect his secrets. But he&#8217;s been around a long time and he&#8217;s learned a lot of tricks. He&#8217;s given me some leads that have helped fill in some of the bigger picture that Harris has kept me from seeing.&#8221; Harris, Reed knew, was the name of Tucker&#8217;s supervisor in the clandestine organization&#8212;the same senior officer who had recruited and handled Reed as an intelligence asset early in the latter&#8217;s Starfleet career. &#8220;And he&#8217;s given me the means, when the time comes, to disappear in a way the Section won&#8217;t be able to track.&#8221;<BR> <BR>T&#8217;Pol frowned. &#8220;But your hope is to expose and neutralize the organization.&#8221;<BR> <BR>&#8220;Yeah, but we humans can be the vengeful type. I can&#8217;t be sure they don&#8217;t have some failsafe set up to retaliate against whoever brings them down. Better safe than sorry.&#8221;<BR> <BR>&#8220;That will only become an issue if we succeed in bringing them down,&#8221; Reed said. &#8220;I presume that&#8217;s why you requested I bring my own dossier on Thirty-one.&#8221;<BR> <BR>&#8220;That&#8217;s right. Between what you&#8217;ve pieced together, what I&#8217;ve learned from eleven years on the inside, and what my new silent partner&#8217;s been able to add, I&#8217;m hoping we can finally build a complete enough picture of the Section&#8217;s structure that we can tie all its players together&#8212;and hopefully link them to tangible proof of a crime.&#8221; Tucker sighed. &#8220;There&#8217;s no shortage of things I could come out and confess to, but that wouldn&#8217;t implicate anyone else without hard evidence.&#8221;<BR> <BR>&#8220;Of course,&#8221; Reed said. &#8220;They&#8217;ve always been careful to compartmentalize that way. That&#8217;s why we need enough to bring it all down at once.&#8221;<BR> <BR>&#8220;Not to mention,&#8221; T&#8217;Pol added, &#8220;that if Trip were to reveal himself to the authorities, it would raise many questions about why he falsified his death and what actions he has taken in the interim. This would risk exposing certain facts that could be damaging to many&#8212;for instance, facts pertaining to the Romulans&#8217; true nature.&#8221;<BR> <BR>&#8220;Believe me, I&#8217;m well aware of that, T&#8217;Pol,&#8221; Trip said. &#8220;That&#8217;s why I&#8217;d prefer to leave that as a last resort. Better to just disappear again&#8212;make Harris and his cronies think I&#8217;m dead. That way, they won&#8217;t come after me or any of my friends.&#8221;<BR> <BR>&#8220;Then we&#8217;d better get started,&#8221; Reed replied.<BR> <BR>Tucker led them back into the navigation and briefing area, where he&#8217;d attached a more up-to-date interface to its small situation table. &#8220;This archaic tech should be harder to tap into or decrypt later,&#8221; he explained. &#8220;Most of the folks who&#8217;d know how are retired or dead.&#8221;<BR> <BR>Reed loaded his dossier of collected intelligence on Section 31 into the interface, and the two captains and the engineer began to look it over. &#8220;To summarize,&#8221; Reed said, &#8220;I&#8217;m fairly certain by now that the &#8216;Section&#8217; is essentially one man&#8217;s rogue operation.&#8221; He highlighted the name and image of a gray-haired man he and Tucker both knew well, bringing up a sparse informational inset. &#8220;Matthew Harris. When I first met him more than twenty years ago, he was a captain in Starfleet Security, assigned as its liaison with Starfleet Intelligence. SI was a fledgling organization then, and it needed to draw heavily on Security assets for its operations&#8212;which is how I became involved.&#8221; That was a story all three knew well by now. &#8220;I eventually became aware that some of the missions Harris assigned me to were not officially sanctioned by either Security or Intelligence. Since his division was operating in an administrative gray area, he&#8217;d taken advantage of that ambiguity to turn it into his own black-ops unit, in the belief that it was sometimes necessary to do the wrong things for the right reasons.&#8221;<BR> <BR>&#8220;The &#8216;extraordinary measures&#8217; supposedly authorized by Article Fourteen, Section Thirty-one of the charter,&#8221; T&#8217;Pol interpreted.<BR> <BR>&#8220;As a matter of fact, I don&#8217;t remember Harris ever mentioning that clause at the time. I suppose he saw his formal Starfleet authority as enough of a justification&#8212;at least until he ran up against its limits. Harris&#8217;s superiors began asking too many questions, so he made himself scarce and went freelance. He vanished from the official record in December 2149, and over the next year, several other current or former members of his division began to disappear, retire, or be listed as dead, along with various personnel in SI and the Earth Security Agency. I can&#8217;t prove their connections to Thirty-one, but these are my top suspects.&#8221;<BR> <BR>Tucker studied the list of personnel Reed had brought up. &#8220;I can confirm most of these from my own data.&#8221; The two men worked to correlate their data sets, with Tucker&#8217;s information firming up the web of connections between Harris and most of his other suspects&#8212;and eliminating a few suspects as red herrings or even victims of the cabal. Several more remained inconclusive, such as Harris&#8217;s former Starfleet Intelligence liaison, Admiral Parvati Rao. Some of her ex-subordinates were among the suspected founding members, suggesting her possible involvement or support, but proof was elusive. The data trails surrounding her activities had been expertly erased, and she had spent the two years since her retirement in deep, virtually unreachable seclusion on Mars.<BR> <BR>&#8220;Okay,&#8221; Tucker said as he looked over the revised timeline. &#8220;For most of 2150, Harris is quiet, and just a couple of his top Security people show signs of suspicious activity. He must&#8217;ve spent those months building his infrastructure and gathering resources, paving the way for the rest of his core team and trusted allies to follow once he was ready. The whole thing seems to reach critical mass in October or November. People from his and Rao&#8217;s inner circles, a couple from ESA, and a few others start dropping off the grid in various ways, and by the end of the year, we&#8217;re already starting to see signs of Section activity.&#8221;<BR> <BR>T&#8217;Pol&#8217;s eyes roved over the various data insets on the situation table&#8217;s screen. &#8220;Although neither of your data sets appears to contain any specific evidence of that formative process. It will be challenging to make a case against Harris without it&#8212;and Harris is the nexus of the case against the entire Section. Unless he can be implicated, none of this can be proven.&#8221;<BR> <BR>&#8220;That&#8217;s our main problem,&#8221; Trip conceded. &#8220;However he covered his tracks, he did it flawlessly.&#8221;<BR> <BR>&#8220;In any case, the timeline makes sense,&#8221; said Reed. &#8220;Early in 2151, Harris contacted me and invited me to participate in a &#8216;new project&#8217; of his&#8212;something that was continuing the &#8216;good work&#8217; we&#8217;d done together, but with fewer restrictions. He believed that having an asset embedded aboard Enterprise would be of use. I said no, of course&#8212;though we know how that turned out. And judging from how rapidly the Section came together, he didn&#8217;t waste time recruiting other assets.&#8221;<BR> <BR>Tucker shook his head and whistled. &#8220;So the Section was only, what, a little over four years old when I joined up? Everyone acted like it was older, like it had been around since before the ink dried on the Starfleet Charter.&#8221;<BR> <BR>&#8220;The pretense of age is often used to convey a sense of authority and tradition,&#8221; T&#8217;Pol observed.<BR> <BR>&#8220;My first handler, Phuong, said he&#8217;d gone off the grid three years before. He must&#8217;ve been one of the earliest recruits.&#8221; Tucker smiled slightly. &#8220;And he called it &#8216;the bureau.&#8217; Sure, officially it has no name, but its members hadn&#8217;t even settled on a nickname. Makes sense if the group was still young.&#8221;<BR> <BR>&#8220;I appreciate the effort to let me off the hook,&#8221; Reed said. &#8220;But as far as I&#8217;m concerned, Thirty-one is a direct continuation of the rogue security operation that I was part of for years.&#8221;<BR> <BR>&#8220;Nonetheless, this is encouraging,&#8221; T&#8217;Pol said. &#8220;If Section Thirty-one is only fifteen years old as an independent entity, its degree of entrenchment and influence must be limited. This makes it a more manageable opponent.&#8221;<BR> <BR>&#8220;You may be right,&#8221; Reed conceded. He worked the display controls to assemble an organizational chart from the combined data. &#8220;As I expected, it appears that the core membership of Section Thirty-one is still fairly small even today. There are still a few gaps here, but I&#8217;d say there are no more than ten central decision-makers and perhaps two dozen full-time field agents, not counting collaborators and informants. As it would have to be in order to avoid detection, contrary to the clich&#233;s of so many spy movies.&#8221;<BR> <BR>&#8220;Logical,&#8221; T&#8217;Pol said. &#8220;Any successful conspiracy relies on maintaining secrecy, and the probability that its secrecy will be compromised, either by accident, external discovery, or willful betrayal, increases linearly as more conspirators become involved. The larger the conspiracy, the sooner its exposure becomes inevitable. Extending the duration of secrecy would require the conspiracy becoming dormant and the number of individuals aware of the secret diminishing over time as they age and die off. This is, of course, a simplified best-case scenario for the conspirators; the likelihood may vary based on the loyalty and commitment of the conspirators, the efficacy of external investigators, and so forth.&#8221;<BR> <BR>Reed frowned. &#8220;It&#8217;s the &#8216;dying off&#8217; part that concerns me. The easiest way to keep conspirators from talking is to arrange for their deaths.&#8221;<BR> <BR>&#8220;Except that the act of murder requires another conspiracy that must be kept secret, and thus it can actually increase the likelihood of discovery.&#8221;<BR> <BR>&#8220;I wouldn&#8217;t put assassination past Harris if he thought it was necessary,&#8221; Tucker said. &#8220;After all, he didn&#8217;t have a problem condemning millions to death on Sauria or in the Partnership if he thought it helped the Federation.&#8221; They shared a solemn silence. &#8220;But I think he&#8217;d rather go for staying dormant. He likes to say that Section Thirty-one needs to keep its head down, to be a last resort when all else fails. &#8216;The first rule of not being seen is not to stand up.&#8217; &#8221;<BR> <BR>&#8220;And yet,&#8221; T&#8217;Pol replied, &#8220;Harris has had you intervene in three major situations that I know of in as many years. First the Vertian affair, then Sauria, then the Ware. As we discussed following the fall of the Partnership, the Section has begun to move beyond taking extralegal action in defense of the Federation to using the defense of the Federation as an excuse to take extralegal action.&#8221;<BR> <BR>&#8220;And Harris doesn&#8217;t see it happening,&#8221; Tucker added. &#8220;I tried to suggest that we were overreaching, and he just rationalized it away. He&#8217;s convinced he&#8217;s making the right decisions for the right reasons, and he&#8217;s too much of a true believer to see otherwise.&#8221; He lowered his gaze. &#8220;Maybe he couldn&#8217;t live with himself if he had to face the possibility that the mass deaths he&#8217;s caused weren&#8217;t absolutely necessary and justified.&#8221;<BR> <BR>&#8220;So Harris is the weak spot,&#8221; Reed said. &#8220;We can use his increased recklessness to our advantage. We may not be able to implicate him in the Section&#8217;s founding, but if we can catch him in a mistake, tie him to actionable proof of a criminal act in the here and now, then we can turn over the rest of our evidence and expose the entire conspiracy.&#8221;<BR> <BR>&#8220;The proof is the hard part, though,&#8221; the lanky agent replied. &#8220;The Section has an uncanny ability to manipulate digital information to cover its tracks. I&#8217;ve spent years trying to figure out how they do it, but it still eludes me.&#8221;<BR> <BR>&#8220;I am a former science officer,&#8221; T&#8217;Pol pointed out. &#8220;I have skills of my own at unearthing information. If you can tie Harris overtly to a criminal or treasonous act, I can help you to ensure that the proof reaches Starfleet and Federation authorities.&#8221;<BR> <BR>&#8220;So what we need is a smoking gun,&#8221; Tucker summarized. &#8220;All we have to do is figure out how to get Harris to fire it.&#8221;<BR> <BR>January 9, 2166<BR> <BR>San Francisco<BR> <BR>&#8220;There&#8217;s something I think you should see,&#8221; Harris said.<BR> <BR>Charles Tucker schooled himself to calm. This was his first face-to-face meeting with the spymaster since his decision to turn against the Section. He had years of training in concealing his true plans and emotions&#8212;but much of that training had come from the silver-haired, pale-complexioned man before him. What if Harris could tell that he was hiding something?<BR> <BR>But even thinking about that risked giving something away. So he cleared his mind and simply asked, &#8220;What&#8217;s that?&#8221;<BR> <BR>Harris turned to activate his desk display, and for a moment, Tucker feared he would see surveillance video of his meeting with T&#8217;Pol and Reed&#8212;or perhaps even of his earlier visit to Centauri VII, where he had solicited assistance and information from the immortal Akharin, whose acquaintance he had made during the Ware affair. The 5,999-year-old man (his six-millennial birthday was sometime this year, by coincidence, though changing calendars had obscured the exact date) had many lifetimes of experience at faking his death and disappearing&#8212;a skill that Trip expected to draw upon in the near future&#8212;and he had sources of intelligence rivaling the Section&#8217;s. But what if Tucker had overestimated Akharin&#8217;s talents, or underestimated the Section&#8217;s? Some of Harris&#8217;s abilities to gather information, communicate without a data trail, and alter digital records seemed to border on the supernatural.<BR> <BR>But instead, what came on the screen was an interview between Jonathan Archer and Gannet Brooks, the Sol System Information Network journalist. Brooks had been an outspoken critic of Starfleet during the Earth-Romulan War, a saber-rattler who had insisted that Starfleet&#8217;s defensive strategies were too timid. The journalist was taking a similar tack now as she grilled Archer on his noninterference campaign.<BR> <BR>&#8220;Just look at how many civilizations Captain Reed&#8217;s task force liberated from the Ware. Would you really advocate just standing by and doing nothing to help people in such dire need? We have the power to do so much good. We have done good, in defeating the Romulans, in ending the Vertian raids, in combatting organized crime beyond our borders. Should we renounce all that and declare that, from now on, the only beneficiaries of Federation strength will be ourselves?&#8221;<BR> <BR>The admiral gave a patient smile. &#8220;I&#8217;m not proposing isolationism, Gannet. Of course we should be a good neighbor, be there to help when we&#8217;re asked. But good neighbors don&#8217;t force their help on people who don&#8217;t want it, or assume they&#8217;re better qualified to make someone else&#8217;s decisions for them.&#8221;<BR> <BR>&#8220;The victims of the Ware didn&#8217;t want to be liberated from it because they didn&#8217;t know it was a threat. We made them aware of that.&#8221;<BR> <BR>&#8220;And once they were aware, it should&#8217;ve been up to them to decide what to do about it. That&#8217;s what the Partnership did. They&#8217;re being painted as victims of the Ware, but the fact is, they&#8217;d achieved a workable symbiosis with it. Maybe they could&#8217;ve helped others do the same, given time and the chance to decide their own fate.&#8221;<BR> <BR>&#8220;That chance was taken away from them by the Klingons, not us.&#8221;<BR> <BR>&#8220;But the Empire only got involved because the Partnership sold Ware to their enemies&#8212;and the Partnership only did that because they thought we were invading them. It all started with a misunderstanding we could&#8217;ve avoided. The risks of intervention without understanding are too great.&#8221;<BR> <BR>&#8220;Let&#8217;s not forget, Admiral, that it was a Starfleet consultant, Philip Collier, who sold the Ware destruct signal to the Empire. While some credit his action with preventing a war between us and the Klingons, that is still an act of treason. Isn&#8217;t this campaign for nonintervention just a distraction from where our focus should be? What is Starfleet doing to find Philip Collier and bring him to justice? Or give him a medal, as the case may be?&#8221;<BR> <BR>Harris paused the playback and smiled. &#8220;Justice or a medal. Which one would you prefer?&#8221;<BR> <BR>Tucker withheld his anger. Harris knew full well that Tucker, under the Collier alias, had not been the one to provide the destruct protocol to the Klingons. Instead, Harris had suborned Olivia Akomo, a civilian engineer whom Tucker had recruited to the task force, by playing on her concern for her family in the path of the imminent Klingon invasion. Akomo had traded the destruct protocol to the Empire in exchange for peace, and now she had to live with the destruction of the Partnership on her conscience. She had done it, she had explained, so that Tucker would remain sufficiently untainted to continue serving as Section 31&#8217;s conscience. Despite that, it was largely on her behalf that Tucker had decided that the only action his conscience would allow was the destruction of Section 31.<BR> <BR>Which meant that this meeting was edging close to dangerous terrain after all. &#8220;Is there a reason you wanted me to see this?&#8221; he asked.<BR> <BR>&#8220;Just curious to hear your thoughts on this nonintervention push of the admiral&#8217;s.&#8221;<BR> <BR>Tucker took his time answering. &#8220;I understand where he&#8217;s coming from. Back on Enterprise, T&#8217;Pol always advised against interfering in other cultures. We saw examples of the harm we could do if we weren&#8217;t careful. Not every world is ready for contact.&#8221;<BR> <BR>&#8220;The admiral&#8217;s position seems to be that we aren&#8217;t ready to decide whom we should contact or intervene with.&#8221;<BR> <BR>&#8220;That seems fair. He doesn&#8217;t want us to get arrogant&#8212;to assume our technology makes us smarter or better than other species.&#8221;<BR> <BR>The older, black-suited human peered at him. &#8220;I seem to recall you wanting us to get more involved on Sauria a while back.&#8221;<BR> <BR>&#8220;Only to mitigate the damage we did by getting involved in the first place.&#8221; He studied Harris. &#8220;Look, if you&#8217;re suggesting I should try to talk Archer out of it, or&#8212;&#8221;<BR> <BR>The spymaster held up his hands in a mollifying gesture. &#8220;Not to worry, Mister Tucker. As a matter of fact, I think an official Starfleet policy of nonintervention would be an excellent idea.&#8221;<BR> <BR>Tucker blinked. &#8220;You do? I mean . . . isn&#8217;t intervening basically our whole deal?&#8221;<BR> <BR>Harris chuckled. &#8220;But we keep our interventions unseen. Meddling openly creates enemies. It invites retaliation. The more foreign affairs the Federation gets itself involved in, the more security risks it creates. So if Archer can convince the public and his superiors that we should stay out of matters where we aren&#8217;t invited, I say more power to him.&#8221; He went on with a sly smile. &#8220;It just gives us cover for whatever clandestine interventions do become necessary.&#8221;<BR> <BR>&#8220;So . . . you actually want to help Archer succeed.&#8221;<BR> <BR>&#8220;Let&#8217;s not get ahead of ourselves. We don&#8217;t know yet if our involvement will be required. Archer can be a persuasive fellow.&#8221;<BR> <BR>&#8220;That he can,&#8221; Tucker agreed.<BR> <BR>Still, Harris&#8217;s words had gotten him wondering. In order to entrap the spymaster into exposing himself, Tucker needed to know what Harris wanted. Traps needed bait, after all. If Harris wanted the nonintervention policy to succeed, was there a way to use that?<BR> <BR>And if there was . . . could Tucker pull it off without jeopardizing Archer&#8217;s agenda&#8212;or Archer himself?]]></Text>
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      <BiographicalNote><![CDATA[David Mack is the <i>New York Times</i> bestselling author of forty&nbsp;novels of science fiction, fantasy, and adventure. His writing credits span many media, including television (for episodes of <i>Star Trek: Deep Space Nine</i>), audio drama (<i>Star Trek: Khan</i>), and comic books. He has worked as a consultant for <i>Star Trek: Prodigy</i>, and in 2022 the International Association of Media Tie-in Writers honored him as a Grandmaster with its Faust Award. He resides in New York City.]]></BiographicalNote>
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      <Text><![CDATA[<B>From the <i>New York Times</i> bestselling author David Mack comes an original, thrilling Section 31 novel set in the <i>Star Trek: The Next Generation</i> universe!</B><BR><BR>No law&#8230;no conscience&#8230;no mercy. Amoral, shrouded in secrecy, and answering to no one, Section 31 is the mysterious covert operations division of Starfleet, a rogue shadow group pledged to defend the Federation at any cost. The discovery of a two-hundred-year-old secret gives Doctor Julian Bashir his best chance yet to expose and destroy the illegal spy organization. But his foes won&#8217;t go down without a fight, and his mission to protect the Federation he loves just end up triggering its destruction. Only one thing is for certain: this time, the price of victory will be paid with Bashir&#8217;s dearest blood.<BR> <BR>&#8482;, &#174;, & &#169; 2016 CBS Studios, Inc. STAR TREK and related marks and logos are trademarks of CBS Studios, Inc. All Rights Reserved.]]></Text>
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      <Text><![CDATA[David Mack is the <i>New York Times</i> bestselling author of forty novels of science fiction, fantasy, and adventure. His writing credits span many media, including television (for episodes of <i>Star Trek: Deep Space Nine</i>), audio drama (<i>Star Trek: Khan</i>), and comic books. He has worked as a consultant for <i>Star Trek: Prodigy</i>, and in 2022 the International Association of Media Tie-in Writers honored him as a Grandmaster with its Faust Award. He resides in New York City.]]></Text>
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      <Text><![CDATA[Star Trek: Section 31: Control <BR> <BR>One<BR> <BR>Stunned, bleeding, and falling like a stone, Julian Bashir was half-conscious when he and Sarina Douglas struck the ring-shaped metal platform. She landed on her back with a brutal thud. He crashed down on his right side and heard his ulna break. The fractured bone tore through flesh and fabric, flooding his arm with pain.<BR> <BR>He struggled to breathe. His nose was broken, and his lips were swollen and split. He rolled onto his back to get the weight off his broken arm. Above him loomed the auxiliary control center of Memory Alpha&#8217;s main computer tower. Beyond the platform, the Federation archive&#8217;s underground city of core towers, each over two hundred meters tall and fifty meters in diameter, stretched away in concentric rings and vanished into the far unlit unknown.<BR> <BR>All Bashir wanted to do was succumb to fatigue. Defensive wounds on his forearms stung with fresh cuts, and the sickening pain blooming deep within his torso told him he was bleeding inside. He doubted he could stand, much less force himself to endure a one-handed climb up the ladder to the facility&#8217;s main console.<BR> <BR>Turning his head to look at his left hand was agony, but it had to be done. He opened his fist to see the data chip he had fought so hard to protect. It was intact, which was more than he could say for his palm. The chip&#8217;s corners had cut into his flesh because he had clutched it with such ferocity. He tucked the precious chip into one of his pressure suit&#8217;s chest pockets.<BR> <BR>I didn&#8217;t come this far to quit here, he told himself.<BR> <BR>Trying to sit up made his head swim. He rolled onto his left side and fought to push himself away from the metal grating. Get up. Get up!<BR> <BR>His pulse thundered in his temples and made his skull feel as if it were being broken open from within. Probably a concussion, he realized. His suspicion was confirmed by a nascent urge to vomit. No time for that now. Have to keep moving.<BR> <BR>Raised edges on the steel deck&#8217;s diamond-shaped grating bit into his knees and palm as he crawled to the ladder. He locked his one good hand on a rung and looked back at Sarina. She lay still, twisted and pallid. There was no time to assess her injuries; only minutes remained for Bashir to finish the mission that had brought him here&#8212;his first and perhaps last chance to strike the deathblow that would end the vile cabal he knew as Section 31.<BR> <BR>He knew he should climb, but his heart demanded he go back to help Sarina. In spite of the ticking clock, he couldn&#8217;t forget he loved her. How much he would always love her.<BR> <BR>Bashir let go of the ladder and looked back, but his conscience halted him. If I go to her now . . . how many more will die because I was selfish? This mission was bigger than her life, or his. Too much was at stake.<BR> <BR>With his one good hand, he climbed the ladder. His broken right arm dangled, useless and vulnerable. Stabbing sensations filled his gut as he pulled himself upward. It took all his will to keep his grip on the rungs and continue his ascent; his body was desperate to give in, surrender to gravity, and plunge into the shadowy abyss between the core towers.<BR> <BR>By the time he reached the apex of the ladder and clawed his way onto the control center&#8217;s upper level, he was delirious with exhaustion. He spent a moment on his knees, fighting to catch his breath. Ahead of him, at the end of a twenty-meter catwalk, was the auxiliary control panel of the main core. Bathed in icy blue light, it beckoned him. A glance at his wrist chrono confirmed he had barely two minutes to reach the console and finish this war.<BR> <BR>He reached up and seized the catwalk&#8217;s railing. Every muscle in his body burned in protest as he pulled himself to his feet. Holding the railing to steady himself, he plodded forward. Each step shook drops of blood from the broken bones of his right arm.<BR> <BR>The closer he got to the main console, the softer his vision became. He hoped to remain conscious long enough to complete his task, one staggering in its simplicity: all he had to do was insert the data chip into the secure input node on the console. The embedded software on the chip would do the rest.<BR> <BR>If only we could have uploaded this remotely, instead of having to carry it into the most heavily guarded data archive in the galaxy&#8212;<BR> <BR>The dull pressure of a punch was followed by a knifing pain between Bashir&#8217;s shoulder blades&#8212;ice-cold at first, then white-hot. He couldn&#8217;t see the dagger in his back, but he knew for a fact it was there.<BR> <BR>Bashir tried to soldier on, only to find he could no longer feel his legs. They buckled under him as if they were made of rubber. He used his left arm to break his fall, but his bearded chin slammed onto the catwalk&#8217;s steel plates.<BR> <BR>So close . . . The console was just a couple of meters away. Bashir fought to pull himself forward, his bruised and slashed left arm laboring to drag his entire body weight the length of two long strides that suddenly might as well be two light-years.<BR> <BR>Behind him, halting steps echoed on the catwalk.<BR> <BR>At the base of the console Bashir fished the data chip from his pocket. Clutching it, he extended his blood-caked hand toward the console&#8217;s secure input terminal only to find it stubbornly out of reach. To finish his mission, he needed to stand one last time.<BR> <BR>The side of his hand found the console&#8217;s edge, but he couldn&#8217;t pull himself to his feet. He lost his grip and fell to the deck with his back to the console, facing his slowly approaching enemy, the agent of his imminent destruction.<BR> <BR>In that moment Bashir realized two terrible truths.<BR> <BR>His mission had failed, and he was about to die.]]></Text>
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      <BiographicalNote><![CDATA[Jennifer Estep is a <i>New York Times </i>and <i>USA Today </i>bestselling author prowling the streets of her imagination in search of her next fantasy idea. <i>Spider&rsquo;s Bite, Web of Lies, Venom, Tangled Threads,</i> <i>Spider&rsquo;s Revenge, By a Thread, Widow&rsquo;s Web, Deadly Sting, Heart of Venom</i>, <i>The Spider, Poison Promise, Black Widow, Spider&rsquo;s Trap, Bitter Bite, Unraveled, </i>and <i>Snared, </i>along with the e-shorts <i>Thread of Death, Parlor Tricks, Kiss of Venom</i>, <i>Unwanted, </i>and<i> Nice Guys Bite</i> are the other works in her red-hot Elemental Assassin<b> </b>urban fantasy series. Jennifer is also the author of the Black Blade and Mythos Academy young adult urban fantasy series and the Bigtime<b> </b>paranormal romance series. For more on Jennifer and her books, visit her at JenniferEstep.com and @Jennifer_Estep.]]></BiographicalNote>
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      <Text><![CDATA[<b>The sixteenth book in the <i>New York Times</i> bestselling Elemental Assassin urban fantasy series that <i>RT Book Reviews </i>calls, &#8220;An extraordinary series&#8230;[containing] one of the most intriguing heroines in the genre.&#8221;</b><BR><BR>Irony 101&#8212;The Spider herself snared in someone else&#8217;s web&#8230;<BR> <BR> Another week, another few clues trickling in about the Circle, the mysterious group that supposedly runs the city&#8217;s underworld. Gathering intel on my hidden enemies is a painstaking process, but a more immediate mystery has popped up on my radar: a missing girl.<BR> <BR> My search for the girl begins on the mean streets of Ashland, but with all the killers and crooks in this city, I&#8217;m not holding out much hope that she&#8217;s still alive.<BR> <BR> A series of clues leads me down an increasingly dark, dangerous path, and I realize that the missing girl is really just the first thread in this web of evil. As an assassin, I&#8217;m used to facing down the worst of the worst, but nothing prepares me for this new, terrifying enemy&#8212;one who strikes from the shadows and is determined to make me the next victim.]]></Text>
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      <Text><![CDATA[Jennifer Estep is a <i>New York Times </i>and <i>USA Today </i>bestselling author prowling the streets of her imagination in search of her next fantasy idea. <i>Spider&#8217;s Bite, Web of Lies, Venom, Tangled Threads,</i> <i>Spider&#8217;s Revenge, By a Thread, Widow&#8217;s Web, Deadly Sting, Heart of Venom</i>, <i>The Spider, Poison Promise, Black Widow, Spider&#8217;s Trap, Bitter Bite, Unraveled, </i>and <i>Snared, </i>along with the e-shorts <i>Thread of Death, Parlor Tricks, Kiss of Venom</i>, <i>Unwanted, </i>and<i> Nice Guys Bite</i> are the other works in her red-hot Elemental Assassin<b> </b>urban fantasy series. Jennifer is also the author of the Black Blade and Mythos Academy young adult urban fantasy series and the Bigtime<b> </b>paranormal romance series. For more on Jennifer and her books, visit her at JenniferEstep.com and @Jennifer_Estep.]]></Text>
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      <Text><![CDATA[Snared <BR> <BR> 1 <BR> <BR>Being an assassin meant knowing when to kill&#8212;and when not to kill.<BR> <BR>Unfortunately.<BR> <BR>I stood in a pool of midnight shadows, my boots, jeans, turtleneck, and fleece jacket as black as the night around me. My dark brown hair was stuffed up underneath a black toboggan that matched the rest of my clothes, and I&#8217;d swiped some black greasepaint under my eyes to reduce the paleness of my face. The only bit of color on my body was the silverstone knife that glinted in my right hand. I even inhaled and exhaled through my nose, so that my breath wouldn&#8217;t frost too much in the chilly January air and give away my position.<BR> <BR>Not that anyone was actually looking for me.<BR> <BR>Oh, a dwarf on guard duty was patrolling the vast estate. Supposedly, he was here to keep an eye out and make sure that no one snuck out of the woods, sprinted across the lawn, and broke into the mansion off in the distance. But he was doing a piss-poor job of it. I&#8217;d been watching him amble around for more than three minutes now, making an exceptionally slow circuit of this part of the landscaped grounds.<BR> <BR>Every once in a while, the dwarf would raise his head and look around, scanning the twisted shadows cast by the trees and ornamental bushes that dotted the rolling lawn. But most of the time, he was far more interested in playing a game on his phone, judging from the beeps and chimes that continually emanated from it. He didn&#8217;t even have the sound muted&#8212;or his gun drawn.<BR> <BR>I shook my head. It was so hard to find good help these days.<BR> <BR>Still, I tensed as the guard wandered closer to my position. I was standing at the corner of a gray stone house, set in the very back corner of the yard, several hundred feet from the main building. Trees were clustered all around the house, their branches arching over the black slate roof and making the shadows here particularly dark, giving me the perfect hiding spot to watch and wait out the guard.<BR> <BR>No doubt the man who lived in the mansion charitably referred to this house as a caretaker&#8217;s cottage or something else equally dismissive, even if it was almost large enough to be its own separate manor. Even Finnegan Lane, my foster brother, would have been impressed by the spacious rooms and expensive antique furniture that I&#8217;d glimpsed through the windows when I was sneaking around the cottage and getting into position&#8212;<BR> <BR>&#8220;So are you actually going to break into the mansion, or are we just going to stand around out here all night in the dark?&#8221; a snide voice murmured in my ear.<BR> <BR>Speak of the devil, and he will annoy you.<BR> <BR>I looked to my right. Fifty feet away, a tall man-shaped shadow hovered at the edge of the tree line. Like me, Finn was dressed all in black, although I could just make out the glimmer of his eyes, like a cat&#8217;s in the darkness.<BR> <BR>&#8220;I&#8217;m waiting for the guard to turn around and go back in the other direction,&#8221; I hissed. &#8220;As you can bloody well see for yourself.&#8221;<BR> <BR>The transmitter in my ear crackled from the force of Finn&#8217;s snort. &#8220;Mr. Cell-Phone Video Game?&#8221; He snorted again. &#8220;Please. You could do naked cartwheels across the lawn right in front of him, and he still wouldn&#8217;t notice.&#8221;<BR> <BR>Finn was probably right, but with the guard only about thirty feet from me now, I couldn&#8217;t risk responding. Instead, I slid back a little deeper into the shadows, pressing myself up against the side of the cottage. My body touched the wall, and I reached out with my elemental Stone magic, listening to the gray rocks that made up the structure.<BR> <BR>Dark, malicious whispers echoed back to me, punctuated by high, shrill, screaming notes of fear and agony, as the stone muttered about all the blood and violence it had witnessed over the years and all the people who had died within its walls.<BR> <BR>The mutterings didn&#8217;t surprise me, considering where I was, but their deep, harsh intensity made me frown. I wouldn&#8217;t have thought that the caretaker&#8217;s cottage would have been this affected by the man in the mansion, given the distance between the two structures.<BR> <BR>Then again, anything was possible when dealing with the Circle.<BR> <BR>I shut the stone&#8217;s mutterings out of my mind and focused on the guard. Like most dwarves, he was short and stocky, with bulging biceps that threatened to pop through the sleeves of his suit jacket. Your typical enforcer, save for the thin, scraggly wisps of black hair that lined his upper lip. Someone was trying to grow a mustache with little success.<BR> <BR>Stopping about ten feet away from me, the guard raised his gaze from his phone and glanced at the front of the house. He tilted his head to the side, listening to the whistle of the winter wind as it made the tree branches above the cottage scrape together like dry, brittle bones.<BR> <BR>I tightened my grip on my knife, the symbol stamped into the hilt pressing into the larger, matching scar embedded in my palm, both of them a circle surrounded by eight thin rays, a spider rune, the symbol for patience.<BR> <BR>Something that the guard had little of. Five seconds later, he turned his attention back to his phone and resumed his slow, ambling walk, taking him right past my hiding spot. I could easily have reached out of the shadows, sunk my hand into the dwarf&#8217;s hair, yanked his head back, and cut his throat. He would have been dead before he&#8217;d even realized what was happening. But I couldn&#8217;t kill him&#8212;or anyone else here&#8212;tonight.<BR> <BR>Unfortunately.<BR> <BR>Once I started dropping bodies, the members of the Circle, a secret society responsible for much of the crime and corruption in Ashland, would realize that I was onto them. They would close ranks, increase their security, and come after me. Or worse: target my friends. Something that I wasn&#8217;t ready for.<BR> <BR>So as easy as it would have been for me to kill the guard, I let him wander away, never knowing how close he&#8217;d come to playing his last video game.<BR> <BR>Once the guard had moved far enough away, I relaxed and looked over at Finn, who flashed me a thumbs-up, then raised the gun in his other hand and saluted me with it. His voice crackled in my ear again. &#8220;I&#8217;ll be here waiting but with gun drawn instead of bells on. Just in case you need the cavalry to ride to your rescue.&#8221;<BR> <BR>I rolled my eyes. &#8220;Please. I&#8217;m Gin Blanco, fearsome assassin and underworld queen, remember? The only thing I need rescuing from is you and your bad puns.&#8221;<BR> <BR>Finn grinned, his white teeth flashing in the darkness. &#8220;You know you love me and my bad puns.&#8221;<BR> <BR>&#8220;Oh, yeah. Like a toothache that I can&#8217;t get rid of.&#8221;<BR> <BR>&#8220;That&#8217;s me, baby. Finnegan Lane, rotten as they come.&#8221;<BR> <BR>He saluted me with his gun a second time, proud that he&#8217;d gotten the last word in. I rolled my eyes again.<BR> <BR>But I was smiling as I turned away from him, left the shadows behind, and hurried toward the mansion.<BR> <BR>&#8226; &#8226; &#8226;<BR> <BR>Being early January, the holidays were officially over, but someone was a little slow about putting away the decorations. White twinkle lights were still wrapped around the thick columns that supported the sprawling, two-story, gray stone mansion, along with strands of illuminated snowflakes that glowed a pale blue. Still more lights and snowflakes curved over the stone archways and outlined all of the windows, which also had white velvet bows hanging in them.<BR> <BR>New year, new targets for the Spider.<BR> <BR>I crossed the wide lawn, stepped onto a stone patio, and hunkered down behind some lounge chairs that ringed the heated pool, staying as far away from the cheery glow of the holiday lights as I could get. Then I peered around the chairs and over at the mansion.<BR> <BR>It was after ten o&#8217;clock, and lights burned in every room on the first floor. I spotted several servants moving back and forth, tidying up and doing their final chores for the night. Through the windows closest to me, I saw two women plucking red and green glass balls off a massive Christmas tree that took up most of that room.<BR> <BR>I watched the women and some other servants work for a little while longer, but no one moved toward the windows and looked outside. No one had seen me approach, so I raised my gaze to a particular window on the second floor. Lights burned in that room too, but I didn&#8217;t spot anyone moving around inside. Excellent.<BR> <BR>I glanced over my shoulder, but the guard was at the very back of the lawn now, several hundred feet from me, still playing his game. I wouldn&#8217;t get a better chance than this. I slid my knife up my sleeve so as to have both hands free. Then I surged to my feet, got a running start, leaped up, and grabbed hold of a trellis that was attached to the side of the building.<BR> <BR>The wood creaked and groaned under my weight, more accustomed to holding up pretty roses than a deadly assassin, but the slats didn&#8217;t crack, and I felt safe enough to keep climbing. It took me only about ten seconds to scale the trellis, hook my leg onto the first-story roof, and pull myself up. I lay flat on my stomach for several seconds, listening, but no surprised shouts or alarms sounded. I also glanced at the guard again, but he was a murky, indistinct shape in the night. No one had seen my quick spider climb.<BR> <BR>Even though lying on the cold roof chilled my body from head to toe, I held my position, once again reaching out with my magic. Just like the ones at the caretaker&#8217;s cottage, the stones of the mansion whispered of dark, malicious intent, along with blood, violence, pain, and death. The mutterings were much fainter here, more sloppy slurs than clear, distinct notes, as though the stones themselves had been thoroughly soaked in all the alcohol that their owner so famously imbibed. Still, I could pick out the lingering emotional vibrations from all the evil deeds that had been committed here over the years. Exactly what I would expect to find in the home of a member of the Circle.<BR> <BR>Sadly, though, the stones&#8217; mutterings weren&#8217;t as disturbing as those of many of the other places I&#8217;d been, and the noise certainly wasn&#8217;t going to stop me from completing my mission. So I got to my feet and hurried over to the window that I wanted, the same one I&#8217;d looked at earlier. After a quick glance through the glass to make sure the room was still empty, I reached out and tried the window, which slid up easily.<BR> <BR>I waited a few seconds, but no alarms blared. I shook my head. You&#8217;d think that someone who was part of a &#173;decades-old criminal conspiracy would have enough common sense to lock the windows of his fancy mansion or at least order his staff to do it for him. But the mansion&#8217;s owner thought that he was well protected, anonymous, and untouchable, just like the rest of the Circle.<BR> <BR>Well, they weren&#8217;t. Not anymore. Not from me.<BR> <BR>I pushed aside the dangling white velvet bow, ducked down, and shimmied in through the open window, making sure to close it behind me. Then I turned and looked over the room.<BR> <BR>The office was the inner sanctum of Damian Rivera, the first member of the Circle on my hit list. Several generations ago, the ancestors of Maria Rivera, Damian&#8217;s mother, had made a fortune in coal before selling off their mines and branching out into other areas. Maria herself had been big into real estate, buying and selling property all over Ashland and renovating crumbling old homes that she decked out with antique furniture and family heirlooms that she got for a song at estate sales.<BR> <BR>Damian had definitely inherited his mother&#8217;s flair for both decorating and dramatic spaces. The office was enormous, taking up this entire side of the mansion. Dark brown leather chairs and couches filled the decidedly masculine area, along with tables covered with all sorts of expensive knickknacks. Porcelain vases, crystal figurines, wooden carvings, stone statues. All perfectly in place and all perfectly highlighted by the three gold-plated chandeliers hanging from the ceiling.<BR> <BR>But the centerpiece of the office was an elaborate bar that took up one entire wall, complete with several red padded barstools lined up in front of it. A wide assortment of liquor bottles perched prettily on the wooden shelves behind the brass-railed bar, along with rows of gleaming glassware. I eyed the bottles, recognizing them all as being well out of my price range but fitting right in with the rest of the luxe furnishings. The air reeked of expensive floral cologne and even more expensive cigar smoke, adding to the feel of a gentlemen&#8217;s club. I had to wrinkle my nose to hold back a sneeze.<BR> <BR>But I wasn&#8217;t here to gawk at the expensive furnishings, so I moved over to the desk in the back of the room near the window that I&#8217;d just slithered through. To my disappointment, the golden wood was spotless, as though it had never been touched, much less actually used, and not so much as a pen or a paper clip littered the smooth, shiny surface. Then again, I shouldn&#8217;t have been surprised. Damian Rivera didn&#8217;t have to do something as common as work. From what I knew of him, his favorite hobbies were drinking, smoking, shopping for antiques, and flitting from one woman to the next. Not necessarily in that order.<BR> <BR>Still, I&#8217;d come here to search for information about the Circle, so I opened all the drawers and tapped all around the desk, looking for hidden compartments. But the drawers were empty, except for some stacks of cocktail napkins and paper coasters, and no secret hidey-holes were carved into the wood.<BR> <BR>Strike one.<BR> <BR>Since nothing was in the desk, I moved over to the bar, perusing the shelves underneath it and the wooden ones behind it. But all I found were more napkins and coasters, along with several sterling-silver martini shakers and other old-fashioned drink-making accoutrements.<BR> <BR>Strike two.<BR> <BR>Frustration surged through me, but I forced myself to stay calm and search the rest of the office. I ran my hands over all of the furniture, looking for any secret compartments. Examined all of the vases, carvings, and statues for false bottoms. Tapped on the walls, searching for hidden panels. I even rolled back the thick rugs and used my magic to listen to the flagstones, just in case a safe was hidden in the floor.<BR> <BR>But there was nothing. No secret compartments, no hidden panels, no floor safes.<BR> <BR>Strike three, and I was out.<BR> <BR>My frustration mixed with disappointment, both burning through my veins like bitter acid. A couple of weeks ago, I&#8217;d found several safety-deposit boxes full of information on the Circle that Fletcher Lane, my mentor, had compiled. For some reason that I didn&#8217;t understand, Fletcher had only photos of the group&#8217;s members, but it had been simple enough for me to get their names, especially since many of them were such wealthy, prominent Ashland citizens.<BR> <BR>I&#8217;d scouted several of the Circle members, and Damian Rivera proved to be the easiest target with the least amount of security. So I&#8217;d broken in here tonight in hopes of learning more about the group, especially the identity of the mystery man who headed the organization, the bastard who&#8217;d ordered my mother&#8217;s murder. But maybe there was a reason Rivera&#8217;s security was so lax. Maybe he wasn&#8217;t as important or as involved as I&#8217;d thought.<BR> <BR>Still frustrated, I turned to the fireplace, which took up most of the wall across from the bar. Since any little bit of information could be important, I pulled out my phone and snapped shots of all the framed photos propped on the mantel, hoping that one of them might hold some small clue.<BR> <BR>Not only did Damian Rivera love the finer things in life, but he also loved himself, since most of the photos were softly lit glamour shots showing off his wavy black hair, dark brown eyes, bronze skin, and startlingly white teeth. Rivera was in his prime, in his early thirties, and he was an exceptionally handsome man&#8212;and a thoroughly disgusting individual, even by Ashland&#8217;s admittedly low, low standards. Not only was he a trust-fund baby, living off his family&#8217;s wealth, never having worked a day in his life, but he&#8217;d also never faced any consequences for any of the despicable things he&#8217;d done.<BR> <BR>And he had done plenty.<BR> <BR>Silvio Sanchez, my personal assistant, had been looking into Rivera for only a few days, but he&#8217;d already found several arrests, mostly for DUIs, stretching all the way back to when Damian was a teenager. Rivera also had a violent temper and some serious anger-management issues. He&#8217;d beaten more than one girlfriend over the years, servants too, and had even put a couple of them in the hospital with broken bones and other serious injuries.<BR> <BR>But all of that was nothing compared with the woman he&#8217;d killed.<BR> <BR>One night during his college years, Rivera had gotten into his SUV and decided to see how fast he could drunkenly navigate Ashland&#8217;s mountain roads. He&#8217;d come around one curve, crossed the center line, and plowed head-on into a sedan being driven by a single mother of two. She died instantly, but Rivera walked away from the crash with only minor injuries. He never was charged in the woman&#8217;s death, thanks to his own mother, who pulled all the right strings and paid off all the right people to cover the whole thing up.<BR> <BR>But Damian hadn&#8217;t learned his lesson. He hadn&#8217;t learned anything, since he&#8217;d been arrested for several more DUIs over the years, including his most recent offense on New Year&#8217;s Eve just a few days ago. Not that he would face any consequences for that one either. His mama was long dead, but Damian still had someone to clean up his messes: Bruce Porter, a dwarf who&#8217;d been the Rivera family&#8217;s head of security for years.<BR> <BR>I stopped in front of a picture of Maria Rivera, a beautiful woman with long golden hair, brown eyes, and red lips. In the photo, she was smiling and standing between Damian and his father, Richard Rivera, with a dour-&#173;looking Bruce Porter hovering behind them in the distance. I raised my phone and snapped a shot of them&#8212;<BR> <BR>&#8220;You&#8217;ve been in there a while now.&#8221; Finn&#8217;s voice sounded in my ear. &#8220;Does that mean you&#8217;ve finally found something good?&#8221;<BR> <BR>&#8220;No,&#8221; I muttered. &#8220;Just a lot of liquor, antiques, and photos.&#8221;<BR> <BR>&#8220;What kind of liquor?&#8221; Finn chirped with obvious interest. &#8220;Anything I would drink?&#8221;<BR> <BR>I slid my phone into my jacket pocket and took a closer look at the rows of gleaming bottles behind the bar. &#8220;Oh, I think that you would drink them all, especially since Rivera&#8217;s tastes are even more expensive than yours. Why, you would cackle with glee if you could see all the spirits he has in here.&#8221;<BR> <BR>&#8220;Well, why don&#8217;t you bring me a bottle or two so I can cackle in person?&#8221; Finn chirped again. &#8220;I might as well get something for standing out here in the cold.&#8221;<BR> <BR>Even though he was in the woods outside and couldn&#8217;t see me, I still rolled my eyes. &#8220;I came here for information on the Circle. Not to pilfer Daddy&#8217;s booze like some naughty teenager.&#8221;<BR> <BR>&#8220;You say potato, I say opportunity.&#8221;<BR> <BR>I had started to respond when a faint creak sounded in the hallway outside, as though someone had stepped on a floorboard. I froze. The creak came again, louder and closer this time, and it was followed by something far, far worse: the distinctive snick of a key sliding in a lock.<BR> <BR>&#8220;Let&#8217;s have a drink,&#8221; a faint, muffled voice said on the other side of the door.]]></Text>
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      <BiographicalNote><![CDATA[Sabrina Jeffries is the&nbsp;<i>New York Times</i>&nbsp;and&nbsp;<i>USA TODAY&nbsp;</i>bestselling author of several Regency-set historical romance series, including the Royal Brotherhood, the School for Heiresses, the Hellions of Halstead Hall, the Duke&rsquo;s Men, and the Sinful Suitors. When she&rsquo;s not writing in a coffee-fueled haze, she&rsquo;s traveling with her husband, caring for her adult autistic son, or indulging in one of her passions: jigsaw puzzles, chocolate, music, and costume parties. With more than nine million books in print in twenty languages, the North Carolina author never regrets tossing aside a budding career in academics for the sheer joy of writing fun fiction and hopes that one day a book of hers will end up saving the world. She always dreams big.]]></BiographicalNote>
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      <SubjectHeadingText>best historical romance; new york times bestseller; sexy; romantic; lords; ladies; sizzling; love; best regency romance; best romance novels to read after watching bridgerton; what to read after watching bridgerton; regency era; julia quinn; stephanie laurens; england; elizabeth hoyt; suzanne enoch; candace camp; sinful suitors; the duke&#39;s men; the hellions of halstead hall series; the royal brotherhood; school for heiresses; aristocratic; sensual; medieval; friends to lovers; couple; lover; british; great britain; affair; courtship; royalty; woman; nobleman; hot; wedding; bride; countess; engagement; genre; jane; infidelity; friendship; sexual; widowed; heroine; duke; bodice ripper historical romance; firm beliefs; 18th century aristocracy</SubjectHeadingText>
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      <Text><![CDATA[<b>The <i>New York Times </i>bestselling author of the Regency Era romance series School for Heiresses reignites a daring love affair in this intriguing tale of desire and deception&#8212;originally written as Deborah Martin.</b><BR><BR>The first wedding night that Lady Juliana St. Albans spent with the dark and daring Rhys Vaughan was intoxicating, the heady culmination of her new husband&#8217;s driving hunger and her own awakened sensuality. When he mysteriously disappeared the next morning, she waited for him in hope and desperation. And when he was finally proclaimed dead in a shipwreck, she bitterly mourned the loss of her love.<BR> <BR>The second wedding night that Juliana spent with Rhys Vaughan was six years later, after he returned to claim her just as she was about to wed another. This Rhys was different&#8212;bolder, harder, and convinced that she&#8217;d betrayed him. Only their blazing passion remains from their years apart. But is it enough to light their way through the maze of mystery, menace, and mistrust&#8212;to the love they once shared and would have to find again?]]></Text>
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      <Text><![CDATA[Sabrina Jeffries is the <i>New York Times</i> and <i>USA TODAY </i>bestselling author of several Regency-set historical romance series, including the Royal Brotherhood, the School for Heiresses, the Hellions of Halstead Hall, the Duke&#8217;s Men, and the Sinful Suitors. When she&#8217;s not writing in a coffee-fueled haze, she&#8217;s traveling with her husband, caring for her adult autistic son, or indulging in one of her passions: jigsaw puzzles, chocolate, music, and costume parties. With more than nine million books in print in twenty languages, the North Carolina author never regrets tossing aside a budding career in academics for the sheer joy of writing fun fiction and hopes that one day a book of hers will end up saving the world. She always dreams big.]]></Text>
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      <Text><![CDATA[Stormswept 1 <BR><BR> <BR>As sweet is your pose<BR> <BR>As a riverbank rose<BR> <BR>Or a posy where lily or lavender blows.<BR> <BR>&#8212;HUW MORUS, &#8220;PRAISE OF A GIRL&#8221;<BR> <BR>Juliana St. Albans gestured at the tall young man who stood stiff and sober before the crowded room. &#8220;Is that Rhys Vaughan?&#8221; He seemed different from the other Sons of Wales sitting in the basement of Gentlemen&#8217;s Bookshop in Carmarthen. &#8220;That can&#8217;t be him. He looks too quiet.&#8221;<BR> <BR>Her Welsh lady&#8217;s maid, Lettice Johnes, snorted. &#8220;For what? Did you expect a hard-drinking, hard-boasting gambler like his late father, the squire?&#8221;<BR> <BR>Juliana swept her gaze around the room. &#8220;I expected none of this.&#8221; In her naivet&#233;, she&#8217;d thought to find serious young men discussing politics in earnest voices . . . not this rabble of hotheads.<BR> <BR>&#8220;I don&#8217;t suppose you want to go home now?&#8221;<BR> <BR>Lettice sounded so hopeful that Juliana had to smile. &#8220;Not after I went to all the trouble of dressing like a poor Welsh servant to follow you here.&#8221;<BR> <BR>&#8220;I should never have told Morgan I would attend,&#8221; Lettice grumbled. &#8220;And I shouldn&#8217;t have let you stay once you showed up. He won&#8217;t be happy about that.&#8221;<BR> <BR>&#8220;It&#8217;s not your fault. If your sweetheart wasn&#8217;t always so heedless of his surroundings when he courts you, I wouldn&#8217;t have overheard him mention the meeting.&#8221; And Rhys Vaughan&#8217;s part in it.<BR> <BR>&#8220;Pray God none of the Sons of Wales recognize you. They&#8217;ll think you a spy, and Lord only knows how they&#8217;ll react.&#8221;<BR> <BR>&#8220;No one will guess who I really am.&#8221; Juliana wore her simplest gown, a mob cap to cover her telltale red hair, and a Welsh shawl. It was the perfect disguise.<BR> <BR>&#8220;If your father finds out you were here consorting with &#8216;those dirty Welsh,&#8217; he&#8217;ll give you a thrashing. You&#8217;d best leave before you get into trouble.&#8221;<BR> <BR>A pox on Lettice for always trying to tell her how to behave! At twenty-one, Juliana wasn&#8217;t a child anymore. Why, most women were already married, bearing children, and running households. Surely she was old enough to attend a late-night meeting of Welsh radicals.<BR> <BR>&#8220;Will you stop haranguing me if I promise not to get caught?&#8221; Juliana snapped.<BR> <BR>&#8220;This meeting won&#8217;t be the &#8216;romantic&#8217; Welsh poetry and history you fancy. It&#8217;ll be rough men waving their arms and shouting about politics.&#8221;<BR> <BR>&#8220;They&#8217;re not shouting now.&#8221;<BR> <BR>&#8220;They will be, once Rhys Vaughan starts to speak his piece.&#8221;<BR> <BR>Juliana glanced to where the squire&#8217;s son stood beside a burly shopkeeper, waiting for the meeting to begin. The men in the audience were scowling and making sarcastic comments as the squire&#8217;s son strove to ignore them.<BR> <BR>&#8220;Why are they so hostile to him?&#8221; Juliana asked.<BR> <BR>&#8220;The young Mr. Vaughan has been away a long time at university and on the Grand Tour. Since his father loved to talk of how the English would save Wales, this lot is suspicious of the son.&#8221;<BR> <BR>&#8220;But children don&#8217;t always take after their parents.&#8221;<BR> <BR>&#8220;Aye. Heaven knows you&#8217;re nothing like yours.&#8221; Lettice flashed her a speculative glance. &#8220;You came just to see Mr. Vaughan, didn&#8217;t you?&#8221;<BR> <BR>Her maid was far too perceptive. &#8220;Of course. I wanted to hear his lecture. He&#8217;s speaking about the Welsh language, isn&#8217;t he?&#8221;<BR> <BR>&#8220;Aye, but that&#8217;s not why you&#8217;re curious. After what your father did to the Vaughans, you want to see what the son is like. So what do you think of the man whose inheritance your father stole?&#8221;<BR> <BR>Juliana stiffened. &#8220;Papa didn&#8217;t steal Llynwydd. Squire Vaughan was a profligate man who lost his estate through his own recklessness. He shouldn&#8217;t have played cards at such high stakes if he hadn&#8217;t been prepared to lose.&#8221;<BR> <BR>&#8220;Perhaps. And perhaps your father shouldn&#8217;t have agreed to such high stakes. A man&#8217;s estate is his life.&#8221; Lettice leaned closer. &#8220;Some claim the squire was drunk when he made that bet. And some claim your father cheated, in his eagerness to get a fine estate to use as your dowry.&#8221;<BR> <BR>Juliana winced. &#8220;I don&#8217;t care what the gossips say. Papa won that estate fairly.&#8221;<BR> <BR>&#8220;Then why deed it to you? Fathers don&#8217;t generally give their daughters ownership of their dowry properties, especially when the family&#8217;s finances are strained. He wants to protect Llynwydd from whoever might challenge his claim.&#8221;<BR> <BR>&#8220;That&#8217;s not true.&#8221; Papa had only been trying to secure Llynwydd for her so Darcy couldn&#8217;t appropriate it for himself after Papa died. &#8220;But I&#8217;m sorry the squire&#8217;s son has no more inheritance now.&#8221;<BR> <BR>&#8220;Aye, and no father, either.&#8221;<BR> <BR>Guilt assailed Juliana. The squire had killed himself after losing his estate. And all because of what Papa had done to protect her.<BR> <BR>She&#8217;d come here hoping to find Mr. Vaughan to be as much a profligate as his father, someone she could despise. Instead, she found a sober fellow too serious for his age.<BR> <BR>And far too handsome. He had an unblemished brow, a determined mouth, and the strong jaw of a man of character. He didn&#8217;t look much older than she, yet unlike other young men, he didn&#8217;t fidget or shift from foot to foot like an impatient heron. His regal reserve and arrogant stance obviously came from good breeding. Like Darcy, he exuded confidence. His neat clothing wasn&#8217;t extravagant, but it was certainly finer than that of the others.<BR> <BR>Yet he shockingly wore no wig. Like a common Welsh laborer, he kept his lustrous black hair tied back in a queue. And his eyes were all passion and fire . . . blue and wild and fierce, like the crashing waters of the Welsh sea.<BR> <BR>He must have sensed her watching him, for he turned his gaze to her. She caught her breath, afraid he might see through her flimsy disguise. But when he gave her the barest half-smile and his gaze moved on, her breath whooshed out of her.<BR> <BR>He wasn&#8217;t at all like other men of rank she knew, who were cold and lackluster even when they smiled at her. Like King Arthur, Mr. Vaughan thrummed with power. Arthur had been Welsh, too, a scholar and not a warrior. She could almost envision Mr. Vaughan admonishing his knights to uphold the ideals of the realm.<BR> <BR>Oh bother! As usual, she was making everything romantic. Rhys Vaughan wasn&#8217;t an Arthur, and certainly not a king.<BR> <BR>&#8220;There he is, the devil,&#8221; Lettice muttered.<BR> <BR>Juliana looked over to see Morgan Pennant coming down the row toward them. The handsome printer in his thirties always smelled of ink and paper. Men generally trailed after Lettice like lapdogs, but only Mr. Pennant had captured the maid&#8217;s affections. Unfortunately, his involvement with the Sons of Wales had forced her to keep her courtship secret. But she hadn&#8217;t been able to keep it from Juliana&#8217;s curious eyes.<BR> <BR>As Mr. Pennant sat down beside Lettice, he laid a proprietary hand on hers, then leaned forward to see who her companion was. When he caught sight of Juliana his smile faded, and he shot Lettice a quizzical glance. &#8220;What&#8217;s she doing here? &#8217;Tisn&#8217;t a place for an English girl.&#8221;<BR> <BR>&#8220;She followed me after she heard you invite me. You did say Mr. Vaughan would be talking about reviving the Welsh language.&#8221; Lettice shrugged. &#8220;Once she was here, I couldn&#8217;t send her home alone, could I?&#8221;<BR> <BR>&#8220;I don&#8217;t like it,&#8221; Mr. Pennant grumbled.<BR> <BR>Lettice patted his hand. &#8220;You needn&#8217;t fear that she&#8217;ll speak of it to anyone.&#8221;<BR> <BR>&#8220;I know.&#8221; Mr. Pennant glanced over at Juliana, who was trying to look as innocent as possible. &#8220;I&#8217;m more concerned for her safety. You mustn&#8217;t let Vaughan know who she is.&#8221;<BR> <BR>&#8220;Certainly not,&#8221; Lettice said.<BR> <BR>The crowd&#8217;s gabbling increased as the shopkeeper stepped forward to the podium, and said in Welsh, &#8220;Today we are privileged to have with us Mr. Rhys Vaughan, son of our own Squire Vaughan.&#8221;<BR> <BR>&#8220;Aye,&#8221; called someone from the crowd, &#8220;the great Squire Vaughan.&#8221; The sarcastic tone drew laughter from the crowd.<BR> <BR>The shopkeeper went on, reciting Mr. Vaughan&#8217;s affiliation with the Gwyneddigion Society, a well-known London group supporting Welsh causes, but the crowd grew only more hostile.<BR> <BR>Juliana couldn&#8217;t keep her eyes off Mr. Vaughan&#8217;s hardening features. The poor man! When he scanned the crowd, a dark scowl beetling his forehead, she waited until his eyes met hers again, then flashed him an encouraging smile. His eyes widened, then became unnervingly direct.<BR> <BR>As she continued to smile at him, some of the sternness left his face. He kept his gaze trained on her even as he took his place behind the podium. There, he laid out his notes and drew a deep breath. &#8220;Good day. I&#8217;m very pleased to be here.&#8221;<BR> <BR>As low, angry mutters punctuated the tense silence, his expression grew grim. He surveyed the room, pausing at her, and once more, she gave him a reassuring smile.<BR> <BR>&#8220;I am a man without a country. As are all of you.&#8221; Rich and resonant as thunder in the mountains, his voice raised goose bumps on her skin. &#8220;And why is that?&#8221; He paused. &#8220;Not because England holds us captive to strange laws. And not even because the cloak of the English church sits poorly on our shoulders. Nay, we&#8217;re without a country because our language has been stolen.&#8221;<BR> <BR>A fervent energy lit his face as he warmed to his subject, and he shook a sheaf of legal papers. &#8220;When you go to sell your cattle, what language is your bill of sale written in?&#8221;<BR> <BR>While he waited for an answer, she held her breath. Then a man called out, &#8220;English.&#8221;<BR> <BR>Mr. Vaughan smiled coldly. &#8220;Aye. And when you choose a book of verse from the lending library, what language is it written in, more often than not?&#8221;<BR> <BR>&#8220;English! &#8221; cried a few men in unison. They&#8217;d begun to sense his sincerity. Looks of concentration replaced their scowls.<BR> <BR>His voice hardened. &#8220;And when you stand before the Court of Quarter Sessions to defend yourself for breaking their laws, what language do they use to condemn you?&#8221;<BR> <BR>&#8220;English! &#8221; several shouted.<BR> <BR>He nodded, waiting for the noise to subside. &#8220;English. Neither our mother tongue nor the tongue of our forefathers, but a bastard language thrust upon us against our will.&#8221; He scanned the room. &#8220;You may wonder why I talk of language at a political meeting. You may think it doesn&#8217;t matter what the squires and judges speak, as long as good, honest Welsh is still used in the streets.&#8221;<BR> <BR>He dropped his voice. &#8220;But how many Welsh in Carmarthen no longer speak their native tongue?&#8221; Leaning forward, he said in confidential tones, &#8220;I myself was sent to England, first to Eton and then to Oxford, because my father believed the English were our saviors and would give us a say in their government as long as we followed their rules and spoke their language.&#8221;<BR> <BR>He slammed his fist down on the podium. &#8220;By thunder, he was wrong! And he died because he believed in the English! &#8221;<BR> <BR>The ring of pain in his voice made Juliana wince. But she wouldn&#8217;t shrink from the words of this fierce-eyed Welshman. He spoke the truth, even if it was painful to hear.<BR> <BR>&#8220;My father died,&#8221; Mr. Vaughan went on in a voice soft as a whisper, &#8220;because he&#8217;d lost his country . . . and his language.&#8221; Every man in the room hung on his words, emotion glistening in their eyes. &#8220;And when he wrote his dying words, do you know what language he wrote them in?&#8221;<BR> <BR>&#8220;English,&#8221; came the murmur from the crowd, following the ebb and flow of his voice as if they were one with him.<BR> <BR>&#8220;Aye. English.&#8221; He gripped the edges of the podium. &#8220;How long before the Welsh tongue is a quaint memory, like the fading memory of Welsh conquests? How long before we are nothing more than an English county, with an English heart and an English soul?&#8221;<BR> <BR>Many in the crowd nodded.<BR> <BR>His voice rose to a clarion ring. &#8220;I say that a man without his own voice is a slave! I say that when the English take away the red dragon&#8217;s fiery tongue, they take away his power! &#8221; He paused, his expression dark and earnest. &#8220;Will you let that happen, my countrymen?&#8221;<BR> <BR>&#8220;Nay! &#8221; the crowd cried as one.<BR> <BR>&#8220;Will you let them trample our identity into the dust?&#8221;<BR> <BR>&#8220;Nay! &#8221; They shook their fists.<BR> <BR>He smiled, his audience in the palm of his hand. When his next words came, they were quiet and more powerful than any ranting. &#8220;Then we must follow the example of our companions in America.&#8221;<BR> <BR>Several gasps pierced the air. Many in Wales sympathized with the colonists, but plenty also opposed their rebellion. Juliana had heard her father argue many times that the American revolt would only end in a loss of men and wealth for everyone. Talking about it in glowing terms was seditious.<BR> <BR>Mr. Vaughan held up a pamphlet. &#8220;Some of you have heard of our countryman Richard Price, who writes on the American war. In his Observations on the Nature of Civil Liberty, he says the natural rights of men should prevail over English law.&#8221; He paused. &#8220;I agree with him. It&#8217;s time to found a Wales governed by all the people&#8212;not just a few squires.&#8221;<BR> <BR>That was met by stunned silence.<BR> <BR>&#8220;The American Declaration of Independence states, &#8216;We hold these truths to be self-evident, that all men are created equal.&#8217; Yet here in England, Welshmen are far less than equal to their English lords.&#8221;<BR> <BR>&#8220;Aye! &#8221; cried voices from the crowd.<BR> <BR>&#8220;We, too, want equality! &#8221; he shouted.<BR> <BR>&#8220;Equality! &#8221; they shouted in return.<BR> <BR>Lettice rose. &#8220;And at what price? My grandfather fought the English, and he died for it. Thanks to him, my family lost everything. Is that what you and your friends want? Do you wish your wives and sisters and children to starve for the cause of equality, while you and your brave friends fight a futile battle?&#8221;<BR> <BR>When everyone gaped at her, Juliana waited for Mr. Vaughan to mock Lettice&#8217;s womanly concerns as Papa and Darcy would have done. But Mr. Vaughan settled his disquieting gaze on Lettice and smiled. &#8220;I believe, Miss Johnes, that though it may cost some lives, this isn&#8217;t a futile battle. I believe we can succeed.&#8221;<BR> <BR>Lettice wasn&#8217;t appeased. &#8220;Every man thinks that, but many fail. Then we women are left holding the country together without our men! &#8221;<BR> <BR>Before Mr. Vaughan could answer, a voice piped up in back. &#8220;If ye need a man, Lettice, I&#8217;ll be glad to satisfy ye. Come by the shop anytime! &#8221;<BR> <BR>&#8220;You wouldn&#8217;t know what to do with me if you had me! &#8221; Lettice retorted.<BR> <BR>&#8220;Never know until you try! &#8221; called another raucous male voice. Mr. Pennant cast the man a vicious glance and half rose in his seat.<BR> <BR>Mr. Vaughan pounded the podium. &#8220;Enough! &#8221;<BR> <BR>The crowd quieted.<BR> <BR>&#8220;Miss Johnes asked a legitimate question. All I can say is, this cause will eventually bring better things for all of Wales, women and children included. And isn&#8217;t that worth the cost?&#8221; He held up the pamphlet. &#8220;Mr. Price thinks that it is. But don&#8217;t take my word for it. You must read his essay yourself.&#8221;<BR> <BR>How smoothly Mr. Vaughan had led the conversation out of dangerous waters. A pity he hadn&#8217;t further addressed Lettice&#8217;s statements. Why weren&#8217;t women&#8217;s wishes considered whenever men went to fight for their causes?<BR> <BR>Mr. Vaughan drew several pamphlets from a box and waved them before the crowd. &#8220;Hitherto, Price&#8217;s essay has only been available in English, but I&#8217;ve translated it into Welsh. Here are printed copies, along with a work by Price&#8217;s friend Thomas Paine. I&#8217;ve brought pamphlets for all.&#8221;<BR> <BR>The crowd nodded their approval. Political writings were rarely made available in Welsh, and certainly not writings on such controversial topics.<BR> <BR>Mr. Vaughan was already handing out pamphlets. &#8220;Take as many as you like,&#8221; he urged. &#8220;Read them. Think about them. Then think about your country. It&#8217;s time the Welsh understand why the colonists are fighting English oppression. And why we should do so as well.&#8221;<BR> <BR>People grabbed at them, pushing and shoving to get copies. &#8220;There&#8217;s more in the front,&#8221; Mr. Vaughan declared.<BR> <BR>The disorderly crowd completely disintegrated as some people rushed forward to stuff their pockets with the pamphlets, while others gathered to whisper, cautious of approaching the seditious materials. Mr. Pennant neared the front as well.<BR> <BR>&#8220;I wonder how Mr. Vaughan managed this,&#8221; Lettice whispered to Juliana. &#8220;No local printer with any sense would have risked printing it.&#8221;<BR> <BR>&#8220;Perhaps the owner of this bookshop has a connection to one in London? It couldn&#8217;t be Mr. Pennant. He&#8217;s going up to get one for himself.&#8221;<BR> <BR>&#8220;Hmm.&#8221; Lettice scowled. &#8220;That could also mean he&#8217;s trying to hide his involvement. And he&#8217;d certainly qualify. He&#8217;s local and he has no sense. He&#8217;s also well-acquainted with Mr. Vaughan, but I swear I&#8217;ll have his head if he did something so dangerous.&#8221; Lettice set her shoulders. &#8220;I&#8217;m going to ask him. You stay here, all right? I&#8217;ll be back in a moment, and then we&#8217;ll leave.&#8221;<BR> <BR>Juliana nodded as Lettice slid into the aisle without waiting for an answer. Shrinking into her corner, Juliana watched people surge from their seats.<BR> <BR>Unfortunately, Mr. Vaughan was moving through the crowd toward her, shaking a hand here and speaking a word there. His frequent glances at her warned her of his intention to waylay her. She searched for Lettice, but the maid was arguing with Mr. Pennant at the far end of the room.<BR> <BR>Dear heaven. Juliana had best avoid Mr. Vaughan. But as she reached the end of the aisle, he did, too, and blocked her exit.<BR> <BR>Clearing his throat, he thrust a pamphlet at her. &#8220;Would you like one?&#8221;<BR> <BR>She swallowed, waiting for him to notice the quality of her clothing and denounce her. But when he merely pressed the pamphlet upon her, she took it.<BR> <BR>As she did, his fingers brushed hers. The brief contact made her feel suddenly warm in the damp cold of the basement. Stuffing the pamphlet under her arm, she dropped her gaze. &#8220;Th-thank you,&#8221; she said in Welsh, praying that her accent would pass muster.<BR> <BR>He flashed her a smile. &#8220;Would you tell Miss Johnes I&#8217;m sorry for the other men&#8217;s insulting remarks?&#8221;<BR> <BR>&#8220;Yes.&#8221;<BR> <BR>She tried to slide past him, but he caught her arm. &#8220;I hope you didn&#8217;t take offense.&#8221;<BR> <BR>&#8220;Of course not. But I must go home.&#8221;<BR> <BR>He released her, only to follow her down the aisle. &#8220;Why so soon? Miss Johnes is staying. Can&#8217;t you?&#8221;<BR> <BR>By that time, she&#8217;d reached the door. She passed into a dimly lit hall and headed for the stairs, shaking her head.<BR> <BR>Once more he caught her arm. &#8220;Here now, I think you&#8217;ve been lying to me.&#8221;<BR> <BR>Her heart hammering in her chest, she lifted her face to his. He didn&#8217;t appear angry, but she couldn&#8217;t be sure in the faint light. &#8220;What do you mean?&#8221;<BR> <BR>&#8220;I think you did take offense at what the men said, else you wouldn&#8217;t run off so soon.&#8221;<BR> <BR>Relief flooded her and she forced a smile. &#8220;I promise their words gave me no offense. Now please excuse me&#8212;&#8221;<BR> <BR>She headed up the stairs, but he hurried to block her way once more, halting a step above her. &#8220;Then perhaps &#8217;tis my speeches driving you off.&#8221;<BR> <BR>&#8220;Oh, no! You were wonderful! &#8221; Then she groaned. That wasn&#8217;t the way to escape him.<BR> <BR>A blazing grin transformed his serious features. &#8220;Thank you.&#8221; Taking her hand, he rubbed his thumb over the knuckles, making her short of breath. He stared down at her hand, seemingly at a loss for words. But when she tried to pull free, he said, &#8220;You know, &#8217;twas you who helped me speak so well. Everyone else seemed determined to dislike me, but every time you smiled, I felt welcomed. You had such sympathy in your expression that it emboldened me.&#8221;<BR> <BR>She blushed. Papa always chastised her for being too familiar with people, but she couldn&#8217;t help it. Occasionally someone just captured her interest.<BR> <BR>&#8220;If you don&#8217;t mind my asking,&#8221; he went on, &#8220;what is your name?&#8221;<BR> <BR>&#8220;M-my name?&#8221;<BR> <BR>Her distress seemed to amuse him. &#8220;Yes, your name.&#8221;<BR> <BR>Dear heaven. She looked beyond him for Lettice, but the hallway in which they stood was empty. Everyone else was still inside.<BR> <BR>&#8220;Is it so difficult a question to answer?&#8221;<BR> <BR>She stared down at the tapered fingers that held fast to hers, like ropes mooring the ships at the docks of the Towy. How was she to set herself adrift of him? &#8220;I must go, sir.&#8221;<BR> <BR>A mock frown creased his forehead. &#8220; &#8216;Let her who was asked and refused him, beware! &#8217; &#8221;<BR> <BR>Her caution was momentarily forgotten. &#8220;Why, that&#8217;s Huw Morus&#8217;s &#8216;Praise of a Girl&#8217;! &#8221;<BR> <BR>&#8220;You know of Morus?&#8221;<BR> <BR>&#8220;Of course! &#8221; Enthusiasm spilled into her voice. &#8220;He&#8217;s one of my favorite poets, and that&#8217;s my favorite poem by him. I have every line memorized. Let me think . . . what is the rest?&#8221;<BR> <BR>When she bit her lip in concentration, his voice dropped into an enticing rhythm, &#8220; &#8216;Give a kiss and good grace / And pardon to trace, / And purity too, in your faultless face.&#8217; &#8221;<BR> <BR>&#8220;Oh . . . yes.&#8221; Too late, she remembered the words . . . and their inappropriateness. The color rose in her cheeks.<BR> <BR>His thumb traced circles on the back of her hand. &#8220;I think he wrote the words just for you.&#8221;<BR> <BR>She tried for a light tone. &#8220;Hardly. Morus died before I was born.&#8221;<BR> <BR>He laughed. &#8220;For a servant, you&#8217;re quite a scholar.&#8221;<BR> <BR>Bother, she&#8217;d forgotten her role! And if she stood here like a goose much longer, letting him say such adorable things, she&#8217;d give everything away. &#8220;That shows how little you know about servants.&#8221;<BR> <BR>&#8220;I know you have beautiful eyes, like rare emeralds winking in the sun. Poets write paeans to eyes like yours.&#8221;<BR> <BR>Why must he be as silvery-tongued as all those poets? &#8220;You shouldn&#8217;t say such things to me.&#8221;<BR> <BR>Now his fingers stroked her palm, sending strange shivers up her arms. &#8220;Why not? Have you a husband?&#8221;<BR> <BR>&#8220;Nay, but&#8212;&#8221;<BR> <BR>&#8220;A sweetheart?&#8221;<BR> <BR>She shook her head. Then seizing on the only thing she could think of, she said, &#8220;I&#8217;m not worthy of your attentions. Please, I must go.&#8221;<BR> <BR>But her words seemed only to hearten him. &#8220;Nonsense.&#8221; He descended to her step, putting him so close she could feel his warm breath on her forehead. &#8220;I don&#8217;t care if you&#8217;re a servant. Since I have no estate, it scarcely matters. So perhaps I&#8217;m unworthy of you. At least you do honest labor, while I am still finding my place in the world.&#8221;<BR> <BR>His self-doubt tugged at her heart. &#8220;But you have found your place in the world, don&#8217;t you see? You show people the truth. That&#8217;s important.&#8221;<BR> <BR>Satisfaction glimmered in his eyes. &#8220;Do you find it important, my nameless friend?&#8221;<BR> <BR>His nearness was crumbling her resolve. &#8220;Yes.&#8221;<BR> <BR>&#8220;You are my friend, aren&#8217;t you?&#8221;<BR> <BR>&#8220;Yes.&#8221;<BR> <BR>He drew her toward him. &#8220;Good, I can use a friend these days.&#8221; His eyes searched hers. &#8220; &#8216;Give a heart that&#8217;s alight / With kindly delight, / Gentleness, faithfulness, and we&#8217;ll do right.&#8217; &#8221;<BR> <BR>Before she could even register the next verse of Morus&#8217;s poem, Mr. Vaughan was lowering his head. Then he pressed his mouth to hers.<BR> <BR>At first she was too shocked by the intimacy to move. No one had ever touched her like this. No one had ever been permitted to touch her like this. It was the utmost affront to her dignity. And the utmost excitement of her life.<BR> <BR>Instinctively, she closed her eyes, wondering if Arthur had kissed Guinevere in this manner. But as Mr. Vaughan moved his lips over hers in a tantalizing rhythm, even those thoughts disintegrated.<BR> <BR>When she made a sound deep in her throat, he caught her about the waist, forcing her to clutch his shoulders to keep from falling. The movement brought her flush against him, her skirt crushed between them, and she felt sure he could hear her heart pound madly in her chest.<BR> <BR>He kept kissing her, scattering thrills through her body like a ploughman sowing seeds. His mouth was soft and coaxing at first, a mere breath against hers. But as he prolonged the kiss, he shaped her mouth to his with more insistence until she went utterly limp.<BR> <BR>&#8220;My lady! &#8221; came a sharp voice in English. &#8220;Juliana! Stop that at once! &#8221;<BR> <BR>Hearing Lettice&#8217;s voice was like hearing the voice of God descend from the heavens. With a gasp, Juliana jerked back from Mr. Vaughan and turned a guilty face to Lettice, who had pushed through the crowd into the hall, followed by Mr. Pennant.<BR> <BR>Mr. Vaughan ignored them to smile at her. &#8220;At last I know your name.&#8221;<BR> <BR>Then Lettice was beside her. &#8220;Come,&#8221; she said, pulling Juliana away from Mr. Vaughan. &#8220;We must go home.&#8221;<BR> <BR>&#8220;No, stay! &#8221; Mr. Vaughan called out.<BR> <BR>As Lettice dragged her up the steps, Juliana looked back at him regretfully. &#8220;I&#8217;m sorry, Mr. Vaughan. I told you I had to go.&#8221;<BR> <BR>Lettice paused at the top to shove Juliana behind her and glare down at him. &#8220;You&#8217;re a fine man, and I wish you luck, but Juliana is not for you! &#8221;<BR> <BR>Mr. Vaughan&#8217;s eyes blazed as he took a step up. &#8220;Why not?&#8221;<BR> <BR>&#8220;It&#8217;s better to let the women leave,&#8221; Mr. Pennant said as Lettice thrust Juliana out the door and into the street.<BR> <BR>&#8220;I knew something dreadful would happen if I let you stay.&#8221; Lettice broke into a quick stride, still clasping Juliana&#8217;s arm. &#8220;You must not have told him who you were, or he wouldn&#8217;t have been putting his hands on you like that.&#8221;<BR> <BR>&#8220;I tried to get away from him, truly I did. But he was so . . . so . . .&#8221; Wonderful. &#8220;He quoted Huw Morus to me. He quoted &#8216;Praise of a Girl.&#8217; &#8221;<BR> <BR>&#8220;Aye, I&#8217;ll bet he did. He&#8217;s smooth as a fine brandy, that one. But brandy also has a bite, and so does he. That squire&#8217;s son isn&#8217;t what you need.&#8221;<BR> <BR>Juliana tipped up her chin. &#8220;It was merely a kiss.&#8221; The only kiss she&#8217;d ever had, and it had stripped her youth from her in one clean swipe.<BR> <BR>&#8220;Juliana! &#8221; came a shout from behind them. Mr. Vaughan had broken free of Mr. Pennant.<BR> <BR>Instinctively Juliana turned, but Lettice yanked her forward. &#8220;Don&#8217;t look back. You&#8217;ll only encourage him.&#8221;<BR> <BR>Juliana choked off her protest. Lettice was right. Rhys Vaughan might speak like an angel and kiss like someone out of a Welsh myth, but the minute he found out who she was, he&#8217;d spurn her. Better to get the pain over with now, before she let herself hope too much.<BR> <BR>So when he called her name the second time, she kept walking and didn&#8217;t look back.]]></Text>
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      <BiographicalNote><![CDATA[Kirsten Beyer was a cocreator of the acclaimed hit Paramount+ series&nbsp;<i>Star Trek: Picard</i>, where she served as writer and supervising producer for season one and a coexecutive producer for season two. She has also written and produced&nbsp;<i>Star Trek: Discovery</i>&nbsp;and is currently a coexecutive producer on&nbsp;<i>Star Trek: Strange New Worlds.</i>&nbsp;She is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of the last ten&nbsp;<i>Star Trek: Voyager</i>&nbsp;novels, including 2020&rsquo;s&nbsp;<i>To Lose the Earth</i>, for which she was the narrator of the audiobook edition. She contributed the short story &ldquo;Isabo&rsquo;s Shirt&rdquo; to <i>Star Trek: Voyager:</i>&nbsp;<i>Distant Shores</i>&nbsp;<i>Anthology</i>. In 2006, Kirsten appeared at Hollywood&rsquo;s Unknown Theater in their productions of <i>Johnson Over Jordan</i>, <i>This Old Planet</i>, and Harold Pinter&rsquo;s <i>The Hothouse</i>, which the&nbsp;<i>Los Angeles Times</i>&nbsp;called &ldquo;unmissable.&rdquo; She lives in Los Angeles.]]></BiographicalNote>
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      <SubjectHeadingText>star trek; movie; new star trek; star trek discovery; discovery; 50th anniversary; department of temporal investigations; final frontier; federation; united federation of planets; starfleet; the original series; the next generation; deep space nine; voyager; enterprise; the motion picture; the wrath of khan; the search for spock; the voyage home; the undiscovered country; generations; first contact; insurrection; nemesis; into darkness; star trek beyond; james t. kirk; spock; mccoy; scotty; sulu; uhura; chekov; jean-luc picard; picard; william riker; data; worf; beverly crusher; wesley crusher; geordi laforge; deanna troi; guinan; uss enterprise; ten forward; holodeck; ready room; borg; alpha quadrant; delta quadrant; locutus; ferengi; klingon; romulan; breen; typhon pact; phaser; stun; photon torpedo; warp; warp speed; space; these are the voyages; boldy go; where no one has gone before; where no man has gone before; andorian; benjamin sisko; kira; odo; quark; nog; miles o&#39;brien; garak; jake sisko; the dominion; gamma quadrant; wormhole; cardassian; cardassia; defiant; dax; jadzia dax; ezri dax; jonathan archer; t&#39;pol; strange new worlds; kathyrn janeway; chakotay; seven; seven of nine; beam me up; beam me up scotty; j.j. abrams; christopher pike; the cage</SubjectHeadingText>
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      <Text><![CDATA[<B>An original novel set in the universe of <i>Star Trek: Voyager,</i> from the <i>New York Times</i> bestselling author!</B><BR><BR>As the Federation <i>Starship Voyager </i>continues to lead the Full Circle Fleet in its exploration of the Delta Quadrant, Admiral Kathryn Janeway remains concerned about the Krenim Imperium and its ability to rewrite time to suit its whims. At Captain Chakotay's suggestion, however, she orders the fleet to focus its attention on a unique planet in a binary system, where a new element has been discovered. Several biospheres exist on this otherwise uninhabitable world, each containing different atmospheres and features that argue other sentient beings once resided on the surface. Janeway hopes that digging into an old-fashioned scientific mystery will lift the crews' morale, but she soon realizes that the secrets buried on this world may be part of a much larger puzzle&#8212;one that points to the existence of a species whose power to reshape the galaxy might dwarf that of the Krenim.<BR> <BR> Meanwhile, Lieutenants Nancy Conlon and Harry Kim continue to struggle with the choices related to Conlon&#8217;s degenerative condition. Full Circle&#8217;s medical staff discovers a potential solution, but complications will force a fellow officer to confront her people&#8217;s troubled past and her own future in ways she never imagined&#8230;<BR> <BR> &#8482;, &#174;, & &#169; 2018 CBS Studios, Inc. STAR TREK and related marks and logos are trademarks of CBS Studios, Inc. All Rights Reserved.]]></Text>
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      <Text><![CDATA[Kirsten Beyer was a cocreator of the acclaimed hit Paramount+ series <i>Star Trek: Picard</i>, where she served as writer and supervising producer for season one and a coexecutive producer for season two. She has also written and produced <i>Star Trek: Discovery</i> and is currently a coexecutive producer on <i>Star Trek: Strange New Worlds.</i> She is the <i>New York Times</i> bestselling author of the last ten <i>Star Trek: Voyager</i> novels, including 2020&#8217;s <i>To Lose the Earth</i>, for which she was the narrator of the audiobook edition. She contributed the short story &#8220;Isabo&#8217;s Shirt&#8221; to <i>Star Trek: Voyager:</i> <i>Distant Shores</i> <i>Anthology</i>. In 2006, Kirsten appeared at Hollywood&#8217;s Unknown Theater in their productions of <i>Johnson Over Jordan</i>, <i>This Old Planet</i>, and Harold Pinter&#8217;s <i>The Hothouse</i>, which the <i>Los Angeles Times</i> called &#8220;unmissable.&#8221; She lives in Los Angeles.]]></Text>
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      <Text><![CDATA[Architects of Infinity 1 SHUTTLECRAFT VAN CISE <BR>You don&#8217;t believe in lying?&#8221;<BR> <BR>&#8220;Waste of time.&#8221;<BR> <BR>&#8220;Even to spare someone&#8217;s feelings?&#8221;<BR> <BR>Ensign Aytar Gwyn shrugged. &#8220;How is that helpful? If you don&#8217;t respect someone enough to be honest with them, why say anything?&#8221;<BR> <BR>Lieutenant Devi Patel paused momentarily over the samples she was analyzing at the shuttle&#8217;s small science station. &#8220;Last week you told Gaines Aubrey to his face that you were celibate. That was a lie.&#8221;<BR> <BR>&#8220;Not right then, it wasn&#8217;t.&#8221;<BR> <BR>&#8220;You&#8217;ve bunked it with half the fleet in the last year. What was so objectionable about poor Gaines?&#8221;<BR> <BR>&#8220;If you don&#8217;t know, then you should give it a go, Devi. Clearly he&#8217;s lonely.&#8221;<BR> <BR>&#8220;Awa&#8212;tea- to Va&#8212; -ise.&#8221;<BR> <BR>Gwyn, who had brought the shuttle into orbit around this uninhabited rock on Lieutenant Harry Kim&#8217;s orders was now maintaining orbit, while monitoring his and Seven&#8217;s life signs. She tweaked the automated gain control in the comm system&#8217;s signal quantizer to clear up Kim&#8217;s transmission. &#8220;What can we do for you, Lieutenant Kim?&#8221;<BR> <BR>&#8220;You can start by observing proper comm protocol, Ensign,&#8221; Kim replied abruptly.<BR> <BR>Gwyn turned to Patel, hoping to find a kindred spirit in her annoyance. The science officer&#8217;s tight lips and wide eyes implored Gwyn to take Kim&#8217;s admonishment seriously and adjust her attitude accordingly. Gwyn rolled her eyes before responding. &#8220;Of course, sir. I apologize. Lieutenant Patel has almost completed her analysis of samples . . .&#8221;<BR> <BR>&#8220;Sixteen through twenty,&#8221; Patel interjected quickly.<BR> <BR>&#8220;And?&#8221; Kim demanded.<BR> <BR>&#8220;All five samples confirm prior readings and Seven&#8217;s hypothesis, Lieutenant,&#8221; Patel continued. &#8220;There are two distinct isotopes present, but the atomic weight indicates a previously undetected, super-heavy&#8212;&#8221;<BR> <BR>&#8220;I&#8217;ll be damned,&#8221; Kim cut her off, clearly pleased.<BR> <BR>&#8220;We&#8217;ve also noted the unexpected molecular structure and the presence of several other more common elements and isotopes.&#8221;<BR> <BR>&#8220;Any idea if they are simply the product of decay?&#8221;<BR> <BR>&#8220;Not yet, sir. We&#8217;re going to have to analyze them further when we get back to Voyager.&#8221; After a moment Patel asked, &#8220;Do you know what you&#8217;re going to call it?&#8221;<BR> <BR>&#8220;We should give that some serious thought,&#8221; Kim replied. &#8220;It&#8217;s a brand-new element, after all.&#8221;<BR> <BR>Gwyn tapped the comm channel to momentarily silence the shuttle&#8217;s transmitter and said to Patel, &#8220;A week of holodeck privileges says it ends up being named Sevenofninonium.&#8221;<BR> <BR>Patel stifled a laugh. Gwyn was moving to restore the open comm channel when Seven&#8217;s voice echoed throughout the shuttle. &#8220;Unlikely, Ensign Gwyn, but we will pass your recommendation along to the Federation Division of Applied Chemistry.&#8221;<BR> <BR>Panic struck the pilot&#8217;s gut. Double-checking the controls, she realized that she hadn&#8217;t actually closed the channel from her end. She had unintentionally increased the signal strength. So Seven had heard the joke.<BR> <BR>Gwyn shook her head in frustration at her mistake. She&#8217;d felt a little off her game for days now; ever since the fleet had departed the system containing the planet Sormana. Apparently this afternoon was not going to be a significant improvement in that department.<BR> <BR>To Gwyn&#8217;s surprise, Kim refrained from chastising her further. &#8220;We&#8217;ll be ready to transport back shortly. Away team out.&#8221;<BR> <BR>Only then did Patel say, &#8220;Thanks, Gwyn. You almost got both of us on report. Push it much?&#8221;<BR> <BR>Gwyn sighed. &#8220;I don&#8217;t think Seven was offended. I&#8217;m not sure it&#8217;s even possible to offend her. And Kim has been in a crap mood for weeks. Nothing I do or say is going to change that. It&#8217;s not my fault, or yours. But just because his life is hard right now doesn&#8217;t mean the rest of us have to cover our faces with chiicsel, rub sorgh in our hair, and wear black mealtisa wraps.&#8221;<BR> <BR>&#8220;Yes, observing full Kriosian mourning might be taking things too far. But common courtesy, not going out of your way to tick him off would be a good idea.&#8221;<BR> <BR>&#8220;The Sevenofninonium thing was not out of the way. It was right there in front of both of us. Somebody had to say it.&#8221;<BR> <BR>Patel smirked in spite of herself. &#8220;Of course a former Borg, now Caeliar-catomic enhanced mission specialist who just happens to look like a cross between a Grecian, Thettin, and Hyliat goddess would be the one to discover a brand-new element.&#8221;<BR> <BR>&#8220;Naturally,&#8221; Gwyn agreed.<BR> <BR>&#8220;How many times has she single-handedly saved the universe?&#8221; Patel asked.<BR> <BR>&#8220;I stopped counting after the fifth . . . or was it sixth time?&#8221; Gwyn asked. &#8220;Just don&#8217;t be bitter because she&#8217;s beautiful, Devi. That&#8217;s beneath you.&#8221;<BR> <BR>&#8220;Oh, I&#8217;m not. I&#8217;m bitter because despite the fact that she never even attended Starfleet Academy, has never accepted a Starfleet commission, has no official rank or the attendant privileges, she is and will always be the first person on Voyager that Captain Chakotay looks to whenever the solution to any science issue isn&#8217;t already displayed on his terminal.&#8221;<BR> <BR>&#8220;As opposed to?&#8221; Gwyn asked.<BR> <BR>&#8220;His actual senior science officer,&#8221; Patel replied, punching Gwyn in the upper arm.<BR> <BR>&#8220;Ow. I know. I was just teasing,&#8221; Gwyn said, automatically applying pressure with her free hand. &#8220;That hurt.&#8221;<BR> <BR>&#8220;Sorry,&#8221; Patel said, but clearly wasn&#8217;t.<BR> <BR>&#8220;You know, if you get your ass out there and discover a brand-new element yourself, maybe that&#8217;ll change,&#8221; Gwynn suggested.<BR> <BR>Patel finished stowing the portable magnetic particle imager and flopped down in the navigator&#8217;s chair beside Gwyn. &#8220;No, it won&#8217;t,&#8221; she said seriously.<BR> <BR>Gwyn&#8217;s eyes met Devi&#8217;s in silent commiseration. Several of Voyager&#8217;s senior officers, including Captain Chakotay, Commanders Tom Paris and B&#8217;Elanna Torres, and Lieutenant Harry Kim, had spent years together traveling through the Delta Quadrant in a valiant attempt to return home after an alien technology had flung them to the far end of the galaxy on their maiden trek. Seven of Nine (Tertiary Adjunct to Unimatrix 01), n&#233;e Annika Hansen, now simply Seven, had joined them roughly halfway through during one of many terrifying encounters between Voyager and the Borg. Those years had forged a unique bond between the men and women who had shared them.<BR> <BR>Gwyn wasn&#8217;t sure she would have sacrificed seven years cut off from the Federation and Starfleet&#8217;s resources, braving unknown space and hostile species, in order to join that exclusive club. But she couldn&#8217;t deny the power of it, or the fact that it made life and duty harder for those who transferred to Voyager any time after they returned to the Alpha Quadrant.<BR> <BR>Patel had been on board since their first refit as Captain Chakotay&#8217;s science officer for almost three years before Seven rejoined the crew as a mission specialist, but as soon as the former Borg had returned, she had become Chakotay&#8217;s go-to resource the minute things got tricky. Gwyn didn&#8217;t believe the captain doubted Devi or her abilities. But Seven was, and always would be, Seven. She was one of the captain&#8217;s oldest and closest friends, and she was inarguably brilliant. Neither Devi nor anyone else would ever be able to compete with that, and they shouldn&#8217;t try. Like Gwyn, she should just keep her head down and her record clean and look forward to the day when she would find herself aboard a more traditional Starfleet vessel where rank and experience mattered more than personal relationships. No matter how much she, or Patel, or any of the other new faces among the Full Circle Fleet might wish otherwise, they were never going to join the ranks of Voyager&#8217;s inner circle and it was &#8220;effort after folly,&#8221; as Gwyn&#8217;s mother used to say, to wish otherwise.<BR> <BR>&#8220;You&#8217;ve got a little less than two years left on this mission, Devi,&#8221; Gwyn said. &#8220;That&#8217;s plenty of time to prove to the captain that you are every bit as brilliant, resourceful, and necessary as Seven.&#8221;<BR> <BR>Patel studied Gwyn&#8217;s face for a long moment. &#8220;That&#8217;s why you don&#8217;t lie,&#8221; she finally said. &#8220;You&#8217;re terrible at it.&#8221;<BR> <BR>&#8220;I really am,&#8221; Gwyn acknowledged. &#8220;My mother used to know the split second she saw my face. I never even had to say a word.&#8221;<BR> <BR>The young science officer shifted her gaze to the shuttle&#8217;s-eye view of the planet beneath them. From orbit, most of the surface was reddish brown and decidedly inhospitable at first glance.<BR> <BR>&#8220;What do you think is wrong with Kim?&#8221; Patel finally asked.<BR> <BR>&#8220;Hard to say. But if I had to place latinum on it, I&#8217;d bet it has something to do with Lieutenant Conlon&#8217;s transfer to Galen.&#8221;<BR> <BR>&#8220;I don&#8217;t know. I could never really tell if they were serious about each other.&#8221;<BR> <BR>Gwyn tossed a dubious glance in Patel&#8217;s direction. &#8220;No?&#8221;<BR> <BR>Patel shook her head in response.<BR> <BR>&#8220;Come to think of it, Devi, you and Aubrey should definitely have dinner. You&#8217;re perfect for each other.&#8221;<BR> <BR>&#8220;Why?&#8221;<BR> <BR>&#8220;You&#8217;re both absolutely clueless when the subject is anything we weren&#8217;t tested on at the Academy.&#8221;<BR> <BR>After a stunned moment, Patel said, &#8220;Should I take your honesty as evidence of how much you respect me?&#8221;<BR> <BR>&#8220;Yes.&#8221;<BR> <BR>&#8220;I&#8217;m done talking to you now.&#8221;<BR> <BR>&#8220;For how long?&#8221;<BR> <BR>&#8220;At least until we get back to Voyager.&#8221;<BR> <BR>&#8220;That&#8217;s going to be a whole day.&#8221;<BR> <BR>&#8220;Yes, it is.&#8221;<BR> <BR>&#8220;Starting when?&#8221;<BR> <BR>Patel busied herself making notations on her padd.<BR> <BR>&#8220;Now?&#8221;<BR> <BR>Silence.<BR> <BR>&#8220;Really?&#8221;<BR> <BR>Longer silence.<BR> <BR>Gwyn sighed. Definitely still off my game.<BR> SURFACE, UNNAMED CIRCUMBINARY PLANET <BR>Lieutenant Harry Kim stood waist-deep in fine, grasslike blades that covered the ground as far as the eye could see. The delicate stalks were a fluffy white, and sticky bits were deposited in generous amounts on his black uniform pants everywhere they had touched the alien flora.<BR> <BR>The unending field was an illusion. Kim was actually fifty-one kilometers from dead center of a biodome, a spherical energy field constructed by unknown hands and sustained by awfully impressive alien technology. This biodome and forty-six others like it were the only habitable regions on this unnamed planet located in one of many sectors of the Delta Quadrant that used to belong to the Borg.<BR> <BR>Despite the extraordinary characteristics of the biodome, Kim had spent the better part of this day studying the construct before him. Almost eight meters tall, and fourteen deep in certain sections, it resembled dozens of discrete interwoven tendrils bursting forth from the ground. Each one varied in length and thickness and there was no pattern to their plaiting. But, like many transcendent sculptural pieces, there was a sense of motion to it, an undulating quality even in its absolute stillness that was mesmerizing.<BR> <BR>It was also no longer intact. Some of the &#8220;vines&#8221; had been broken off haphazardly. There were large chunks missing from others. What might have once been an upper section lay on its side several dozen meters away, all but buried in the white grass.<BR> <BR>Neither the dome nor the magnificent sculptural properties of the construct interested Seven in the least. She had come with one goal; to remove samples of what Patel had just identified as a previously unknown element. Now that the heavy lifting was done and Lieutenant Patel had confirmed what Seven had believed to be true since her astrometric sensors had completed deep scans on the unusual planet located just outside the binary system&#8217;s habitable zone, Kim should have been more than ready to return to the shuttle.<BR> <BR>He wasn&#8217;t.<BR> <BR>Captain Chakotay was going to be thrilled with their report. Eliciting this reaction from the captain as often as possible was very near the top of Kim&#8217;s priorities these days. Chakotay said he had forgiven his security and tactical chief for the lapses in judgment that occurred during their last mission, especially now that the causes of those transgressions were clearly understood.<BR> <BR>Kim could not say the same for himself.<BR> <BR>Days like this one, filled with purpose and discovery, were the only things standing between Kim and the abyss. He was grateful for it and not at all looking forward to its conclusion or the shuttle journey to rendezvous with Voyager that lay ahead of his team. Gwyn would remain just this side of professional, but only just. She had been the greenest of ensigns when the fleet launched a little over a year ago, and while proving herself time and again to be a fantastic pilot&#8212;worthy of filling Tom Paris&#8217;s seat at Voyager&#8217;s helm&#8212;her sense of decorum still needed work.<BR> <BR>Patel could be professional to a fault. Sometimes Kim found it hard to believe she wasn&#8217;t Vulcan. Her sense of propriety and stoic demeanor, even her fine black hair and severe cut, reminded him of several Vulcan officers with whom Kim had served. Patel was human. She just didn&#8217;t seem to want anyone to notice it.<BR> <BR>And Seven would be . . . Seven. She would spend her time running calculations and planning experiments to run with her Sevenofninonium. Thanks to Ensign Gwyn, Kim was never going to be able to think of the new element as anything else now, no matter what the Federation officials tasked with naming such discoveries eventually decided to designate it.<BR> <BR>Which would leave Kim alone with his thoughts; literally the last place he wanted to be right now.<BR> <BR>His musings were interrupted by Seven. &#8220;I have completed my final scans, Lieutenant. Shall we signal the shuttle for transport?&#8221;<BR> <BR>&#8220;Are you sure you don&#8217;t want to check out any of the other biodomes?&#8221; Kim asked, even though he knew what her answer would likely be.<BR> <BR>&#8220;The odds are extremely low that you and I have seen the last of this world. Captain Chakotay will most certainly wish to investigate further.&#8221;<BR> <BR>&#8220;So that&#8217;s a no?&#8221; Kim asked, half teasing.<BR> <BR>In her early years as part of Voyager&#8217;s crew, Seven would have let the comment pass and simply signaled the shuttle. Now, she affixed her tricorder to her belt and said, &#8220;We have not, however, taken any visual readings of the edges of this biodome. The nearest one is less than a kilometer south-southeast of this position.&#8221;<BR> <BR>Kim was oddly touched by her simple gesture. There was no need to visually inspect the edge of the dome. There was little to be learned that their shuttle&#8217;s sensors couldn&#8217;t tell them. Seven knew that. She was reaching, for his sake. Sometime in the last few years Seven had become a great deal more sensitive to the emotions of her friends and infinitely more patient with them than she had been when she was first reintroduced to her humanity.<BR> <BR>&#8220;Sounds good,&#8221; Kim said.<BR> <BR>They walked in comfortable silence for a few minutes. Seven checked her tricorder occasionally to confirm their heading. The configuration of the invisible energy field that was responsible for sustaining this biodome was similar to the others found on the surface. This one was only a little over a hundred kilometers in diameter, comparatively speaking rather small. Contained in most of the domes was a version of a nitrogen-oxygen atmosphere, a vast array of plants, water sources, and other examples of structures like the one Seven had just identified as partially composed of her new element. The domes also regulated exposure to light and radiation, eradicating the dangers posed when the planet&#8217;s rotation was turned toward the binary stars. There were no other life-forms present and no immediate indication of who might have placed the domes here. This was the very definition of the &#8220;strange new worlds&#8221; Starfleet had been created to discover.<BR> <BR>&#8220;I would have thought you would be anxious to return to the fleet as soon as possible,&#8221; Seven finally said in an obvious attempt to draw him out.<BR> <BR>&#8220;I don&#8217;t expect anything will have changed in the last few days.&#8221;<BR> <BR>The tall grass had begun to thin out a bit and Seven paused her steps to brush some of the heavy white particles from her black uniform pants.<BR> <BR>&#8220;While I understand your desire to avoid confrontation, I do not believe it to be a viable long-term strategy,&#8221; Seven said.<BR> <BR>&#8220;I&#8217;m not expecting a confrontation when we return.&#8221;<BR> <BR>Seven lowered her eyes to meet Kim&#8217;s. Her newfound patience was clearly beginning to wear thin.<BR> <BR>The back of Kim&#8217;s neck began to burn intensely. For a few seconds he was incapable of rational thought. After a deep breath, the sensation passed, leaving the lieutenant shaken. &#8220;So much for doctor-patient confidentiality,&#8221; Kim said.<BR> <BR>&#8220;I was not advised of Lieutenant Conlon&#8217;s condition by Counselor Cambridge,&#8221; Seven said. &#8220;I was briefed by Doctor Sharak, who did not violate her privacy intentionally. He inquired about several hypothetical uses for my catoms, including their ability to aid in gene regulation and any complications that might occur when an individual is pregnant. I advised him that following my work with the small gestalt created by Doctor Frazier&#8217;s people, I intentionally severed my conscious ability to interact with my catoms. Even had Commander Briggs&#8217;s experiments not demonstrated the folly of rushing catomic research at this time, I am in no position to attempt to use my catoms as Doctor Sharak requested. Only once our discussion had concluded did I intuit the true nature of his hypothetical inquiries.&#8221;<BR> <BR>&#8220;Fair enough,&#8221; Kim said. Seven was one of the brightest people he&#8217;d ever known, and he couldn&#8217;t fault Sharak for exploiting every possible resource available to cure the degenerative genetic condition now plaguing Nancy Conlon. That Voyager&#8217;s CMO was already looking for wildly speculative options like catomic intervention didn&#8217;t bode well. &#8220;The last time Nancy and I discussed it, she indicated that she did not intend to carry the child to term. She also made it absolutely clear that it was her decision. I don&#8217;t get a vote.&#8221;<BR> <BR>Seven silently held his gaze.<BR> <BR>&#8220;What?&#8221;<BR> <BR>&#8220;Did you or did you not contribute fifty percent of the child&#8217;s genetic material?&#8221; Seven asked.<BR> <BR>&#8220;I did.&#8221;<BR> <BR>&#8220;And I assume you did not force this material on Lieutenant Conlon against her will.&#8221;<BR> <BR>&#8220;Of course not.&#8221;<BR> <BR>&#8220;The child in question is then yours as much as it is hers, is it not?&#8221;<BR> <BR>&#8220;Yes, but . . .&#8221;<BR> <BR>&#8220;But because you are not required to carry it within your body while it gestates you have no rights where it is concerned?&#8221;<BR> <BR>&#8220;Something like that.&#8221;<BR> <BR>&#8220;That is absurd.&#8221;<BR> <BR>Kim paused, wondering if it was possible that Seven could be more frustrated by Nancy&#8217;s choice than he was. He doubted it, but he had rarely seen her take a position this strong on a subject that did not impact her directly.<BR> <BR>&#8220;It&#8217;s complicated, Seven.&#8221;<BR> <BR>&#8220;Do you want the child?&#8221; she persisted.<BR> <BR>Kim sighed. Suddenly, being left alone to his thoughts in the shuttle seemed infinitely preferable to continuing this conversation.<BR> <BR>&#8220;I don&#8217;t know,&#8221; he finally admitted. &#8220;I just know what I want isn&#8217;t going to matter.&#8221;<BR> <BR>Seven considered him for a few moments before resuming their course toward the edge of the biodome. Upon reaching the top of a gentle incline, it came into view: a disorienting sight.<BR> <BR>The grass gave way to reddish-brown dirt, punctuated here and there by small clumps of indigo weeds. The soil came to an abrupt end at an invisible barrier whose curve was impossible to see this close. Beyond that barrier a hellish, uneven, rocky red plain extended as far as Kim could see. On this side of the energy field, he and Seven could stand until they grew old in a breathable atmosphere. Should the field fail now, they would be burnt to a crisp in seconds by the intense radiation kicked off by the twin stars this lonely planet orbited.<BR> <BR>For the first time since they had arrived, anxiety not directly related to the mess his personal life had become threatened to overwhelm Kim. He knew, based on the age of the construct and the scans of the planet, that this biodome had stood continuously for thousands of years. There was no reason to believe it was going to cease functioning simply because at this moment he was imagining the potential consequences of such a failure.<BR> <BR>But Kim couldn&#8217;t shake the thought. His breath grew shallow.<BR> <BR>Seven stepped closer to the field and extended her hand.<BR> <BR>&#8220;What are you doing?&#8221; he demanded, halting her in her tracks.<BR> <BR>&#8220;The field does not emit an electromagnetic charge. It is safe to make physical contact.&#8221;<BR> <BR>&#8220;You don&#8217;t know that,&#8221; Kim insisted, his voice rising. &#8220;Maybe it only remains stable as long as no one touches it.&#8221;<BR> <BR>&#8220;Unlikely.&#8221;<BR> <BR>&#8220;But you can&#8217;t know for sure.&#8221;<BR> <BR>&#8220;Lieutenant Kim . . .&#8221;<BR> <BR>&#8220;Stop it, Seven.&#8221;<BR> <BR>Seven lowered her hand.<BR> <BR>&#8220;Calm yourself, Lieutenant.&#8221;<BR> <BR>Kim involuntarily released an erratic breath.<BR> <BR>Seven returned to his side and studied him with concern. &#8220;What are you afraid of?&#8221;<BR> <BR>&#8220;I&#8217;m not afraid,&#8221; Kim replied. &#8220;I&#8217;m just not comfortable with the thought that in a fraction of a second our lives could end.&#8221;<BR> <BR>&#8220;One day they will. Given our choice of professions, the odds that our lives will end abruptly and under violent circumstances are increased exponentially. You know this and have never before expressed undue anxiety at the prospect.&#8221;<BR> <BR>Kim stared at her, unable to form a coherent response.<BR> <BR>&#8220;I know,&#8221; Seven said gently. &#8220;It&#8217;s complicated.&#8221;<BR> <BR>Kim stepped back and turned away from the edge of the biodome. Staring out at the calm sea of pale grass before him restored his sense of equilibrium.<BR> <BR>Seven reached his side and placed her hand on his shoulder. They stood like that for several moments before Seven activated her combadge and requested transport back to the shuttle.<BR> U.S.S. GALEN <BR>Lieutenant Nancy Conlon stood on a ridgeline, marveling at the forest below. It wasn&#8217;t the riotous golden shades of the leaves that held her enthralled, although they were spectacular. It was another mind-boggling feature of this particular holographic vista.<BR> <BR>As far as the eye could see, for acres in every direction, a canopy of autumnal glory topped tall, slender, white-barked trees that numbered in the thousands. She had spent most of the morning walking among them, struck by the regularity in the twenty-meter-high trunks, peering closely at the black scarring that looked like self-inflicted wounds, and pausing from time to time as a crisp breeze wafted through, setting the leaves aquiver.<BR> <BR>Gorgeous as they were up close, however, they were best appreciated en masse from above. It was from this perspective that the quaking aspen really knocked one&#8217;s socks off.<BR> <BR>Because all of them, every single trunk, belonged to one tree. Technically, they were clones of one another, but the vast interconnected and invisible root system created what was, essentially, a single living organism. The vast deciduous masterpiece of nature had grown from a single seed, and a few hundred years later had spread itself out, mile after mile, daring anyone who witnessed it to deny its power.<BR> <BR>Conlon had spent a great deal of time lately wondering at and cursing the mysteries of genetic biology, and when she&#8217;d come across this holodeck program&#8217;s description in Galen&#8217;s library&#8212;a file placed there by the ship&#8217;s captain, Commander Clarissa Glenn&#8212;she hadn&#8217;t been able to resist a peek.<BR> <BR>A brief walk meant to clear her head had given way to hours of exploration. But the exertion had cost her dearly. Her heart rate refused to slow, even after several minutes of stillness. A dull throb in her head was ratcheting itself up toward pounding. She fervently hoped that the headaches that had followed on the heels of Xolani&#8217;s attack several months prior weren&#8217;t about to return. Her empty stomach churned mercilessly. A few sips of water only made it worse and threatened to come right back up her esophagus.<BR> <BR>Keep it together, she chided herself, trying to take long, deep breaths. She had come a long way in the last few weeks. She had been taken off &#8220;suicide watch&#8221; within days of its imposition, and her use of Galen&#8217;s holodecks had become unrestricted. She had submitted dutifully to her daily sessions with Counselor Hugh Cambridge and their talks had done much to help put her current condition in perspective. Now that she was no longer considered a danger to herself, she had asked and been granted the right to return to light duty aboard Voyager. Tomorrow would be her first day back, and she was truly looking forward to it, as was Commander Torres, the fleet&#8217;s chief engineer who had been filling in for Conlon since she was first diagnosed with the DNA damage repair syndrome that was likely going to kill her.<BR> <BR>She had also made peace with the pending termination of her pregnancy. It was not a choice she took lightly, but she knew in her bones that it was the right decision. She and Harry loved each other, but they were not ready to be parents. Even if they had been married, she might have made the same call given her current life expectancy. Without a miracle she was going to be lucky to see the next three years, and it was likely she would be moderately to severely disabled for much of that time. She had agreed to continue the pregnancy thus far while wrestling with the decision Doctor Sal had pressed upon her. Sal wanted to extract embryonic stem cells to determine whether or not they could be used to help repair the damage to her DNA. Conlon had resisted until now. Finally, that choice, too, had been made.<BR> <BR>All that remained was to inform Harry and her doctors and to get back to the life she had worked so hard to create for herself as Voyager&#8217;s chief engineer. She had no idea how long she would have to enjoy it, but she was determined to make the most of it until that was no longer possible.<BR> <BR>These thoughts had cheered her as she walked among the quaking aspens. They should have calmed her as she stood above them, awash in their vast beauty.<BR> <BR>The distant sun suddenly began growing, its light blinding as it expanded, absorbing the golden foliage below. Conlon turned her head away and closed her eyes as a sharp pain shot through her skull. 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      <BiographicalNote><![CDATA[Monica McCarty is the bestselling author of the Highland Guard series, the MacLeods of Skye trilogy, and the Campbell trilogy. Her interest in the Scottish clan system began in the most unlikely of places: a comparative legal history course at Stanford Law School. After realizing that her career as a lawyer and her husband&rsquo;s transitory life as a professional baseball player were not exactly a match made in heaven, she traded in her legal briefs for Scottish historical romances with sexy alpha heroes. Monica McCarty lives in the San Francisco Bay Area with her husband and their two children.]]></BiographicalNote>
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      <Text><![CDATA[<b>An undercover warrior and her sworn enemy play a seductive game of cat-and-mouse in <i>New York Times </i>bestselling author Monica McCarty&#8217;s sexy Highland Guard novel.</b><BR><BR>Joan Comyn swore allegiance to Robert the Bruce the day she witnessed England&#8217;s barbarous king torturing her famous mother, Scot patriot Bella MacDuff. Now the mysterious beauty slips into men&#8217;s hearts like a specter and entices England&#8217;s most illustrious barons to unwittingly divulge their secrets, then shares them with her king. Known only as the Ghost even among her Highland Guard brethren, Joan has become the most wanted traitor in England.<BR> <BR>The man determined to uncover her identity poses her biggest threat yet. Alex Seton once stood with Bruce but now fights for the enemy. Though Joan knows she must avoid the handsome warrior or risk discovery, his knightly chivalry touches a place in her long since buried. When his suspicions grow apparent, Joan realizes she must do everything in her power to stop Alex from revealing her mission and convince the powerful fighter to join forces with the Highland Guard once more. But as the ultimate battle in the great war approaches, will Alex choose love or honor?]]></Text>
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      <Text><![CDATA[The Ghost 1 <BR><BR> <BR>Carlisle Castle, Cumbria, England, April 16, 1314<BR> <BR>YOU ARE DRIVING me wild,&#8221; the young knight said as he frantically pressed his hot mouth all over her neck. &#8220;God, you smell so good.&#8221;<BR> <BR>Joan wished she could say the same, but as Sir Richard Fitzgerald&#8212;the second-in-command of the Earl of Ulster&#8217;s Irish naval forces&#8212;had cornered her after the midday meal, he smelled distinctly of smoked herring, which needless to say was not her favorite.<BR> <BR>When he tried to press his mouth on hers again, not even the prospect of learning the movements of the entire English fleet could have stopped her from turning her head. &#8220;We can&#8217;t,&#8221; she said softly. The slight breathiness in her voice was not from passion, but from the effort of fending off a determined would-be lover tired of hearing no. &#8220;Someone might discover us.&#8221;<BR> <BR>Which was why she&#8217;d chosen this as a place to meet. It was private but not too private. She never left herself without a means of escape.<BR> <BR>Deftly twisting out of his tentacle-like embrace with the ease of someone who&#8217;d had practice escaping men with hands like a hydra many times before, she looked around anxiously as if to prove her point.<BR> <BR>They stood in a quiet section of the garden in the castle&#8217;s outer ward, where she&#8217;d announced that she was going to take a stroll after the long meal. As she&#8217;d intended, Sir Richard had followed her there and had pulled her behind one of the rose trellises.<BR> <BR>The young captain scowled, his face flushed with frustrated desire. With his light eyes, blondish-red hair, ruddy, wind-burned complexion, and sturdy build, he bore the marked stamp of his Irish forebears. He was not unattractive. Not that it mattered. She&#8217;d lost her weakness for handsome young knights a long time ago.<BR> <BR>&#8220;No one would discover us if you would agree to come to my room. My squire can sleep in the barracks for the night.&#8221;<BR> <BR>&#8220;I couldn&#8217;t,&#8221; she said, as if the suggestion shocked her, though it was hardly the first time she&#8217;d heard it.<BR> <BR>His smile might have been charming to someone with less experience in the ways of men. &#8220;Nothing untoward will happen,&#8221; he assured her with a gentle brush of his finger on her cheek.<BR> <BR>Right. Every time she heard false promises like that, it became more difficult to feign wide-eyed innocence. With some effort, she managed. &#8220;Are you sure?&#8221;<BR> <BR>He nodded, his voice turning husky. &#8220;We can just spend a little time alone together. I thought you wanted that.&#8221;<BR> <BR>She gnawed anxiously on her bottom lip, as if contemplating the illicit offer. His gaze heated as he obviously contemplated equally illicit things about her mouth.<BR> <BR>&#8220;Of course I do,&#8221; she said. &#8220;But it&#8217;s too risky, and there is plenty of time&#8212;&#8221;<BR> <BR>&#8220;No there isn&#8217;t,&#8221; he snapped, losing patience with the two-week-long seduction that he no doubt thought would have progressed much further than a very few stolen kisses by now. She was supposed to be easy prey. &#8220;I received orders yesterday. I&#8217;m to leave in three days.&#8221;<BR> <BR>Finally, the information for which she&#8217;d been waiting! Joan had begun to despair of ever hearing anything of import from him. Young knights were usually so eager to boast and brag&#8212;which is why she targeted them (that and they weren&#8217;t married)&#8212;but Sir Richard had been frustratingly closemouthed.<BR> <BR>Until now.<BR> <BR>She hid her excitement and relief behind a mask of concern. &#8220;Orders? You are leaving? But I thought you had until June to muster at Berwick.&#8221;<BR> <BR>&#8220;I&#8217;m not going to Berwick.&#8221; He sounded distracted. His eyes had dropped to her chest again&#8212;a frequent occurrence. &#8220;God, you are so beautiful. There isn&#8217;t another woman like you.&#8221;<BR> <BR>As he looked like he might try to kiss her again, she shuffled &#8220;nervously&#8221; and spoke quickly. &#8220;You&#8217;re not? Has the war been called off, then?&#8221;<BR> <BR>He glanced up from his lustful study of her breasts. She hoped he thought her as stupid as she sounded. If his amused but slightly patronizing smile was any indication, he did.<BR> <BR>&#8220;No, the war hasn&#8217;t been called off. But my duties are on the sea in advance of the army.&#8221;<BR> <BR>Which is why she was here with him. It was rumored that the Earl of Ulster&#8212;Sir Richard&#8217;s commander who was currently in York meeting with King Edward&#8212;would be in charge of supplying the castles in advance of the English invasion. King Robert the Bruce would love to know of their plans. Though Ulster was Bruce&#8217;s father-in-law, he was Edward of England&#8217;s man.<BR> <BR>She acted as if the news of his leaving was devastating. &#8220;But where are you going? When will you be back? Will it be dangerous?&#8221;<BR> <BR>Whether he would have answered her questions, she would not find out. The sound of approaching voices put a quick end to the conversation. Leaning over, he pressed a quick kiss on her lips that she could not avoid. Herring.<BR> <BR>&#8220;Meet me later,&#8221; he whispered before slipping away.<BR> <BR>Not a chance in Satan&#8217;s garden, she thought with a shudder. At least until she had a means of escape.<BR> <BR>Cursing, knowing she might not have another opportunity like this again, she walked out from behind the trellis to greet the ill-timed interruption as the group of ladies came around the corner of a large hedge that surrounded some of the raised flower beds.<BR> <BR>Joan had been so close. But her contingency plan had worked too well. She hadn&#8217;t wanted to risk being alone with him too long. She didn&#8217;t know how much longer she could keep putting him off. It was a dangerous game she played, and she knew only too well what a fine line she walked.<BR> <BR>This was not the first time she&#8217;d encouraged a man to get information. She&#8217;d been spying for Robert the Bruce for almost six years now.<BR> <BR>Shortly after her father&#8217;s death, the Bishop of St. Andrews, William Lamberton, a loyal supporter of Bruce&#8217;s who was being held in England at the time, had approached Joan to see if she would be willing to serve as an intermediary between Bruce and his imprisoned wife. Queen Elizabeth had been captured along with Joan&#8217;s mother, but she&#8217;d been spared a cage for confinement under the supervision of Sir Hugh Despenser the elder&#8212;Joan&#8217;s newly named guardian.<BR> <BR>The bishop&#8217;s offer was exactly the opportunity Joan had been waiting for to do something, and she&#8217;d agreed immediately. Although admittedly, at the time, she had no idea what she was getting into. Over the years her role had grown increasingly more important&#8212;and more dangerous&#8212;shifting from messenger to spy after she&#8217;d falsely been declared illegitimate, dispossessed of her inheritance, and sent to live with her cousin Alice Comyn, who had married Sir Henry de Beaumont, one of King Edward&#8217;s most important barons in the north. Joan&#8217;s position in de Beaumont&#8217;s household had given her unexpected access to important information&#8212;and important men.<BR> <BR>With her &#8220;tainted&#8221; blood, infamous mother, and no one to defend her, Joan had been easy prey. Men had targeted her for their unwelcome attention since she was fifteen. She&#8217;d been too young to protect herself then, but eventually, she&#8217;d turned it to her advantage.<BR> <BR>Although some men&#8212;like Sir Richard&#8212;had a hard time hearing no, over the years she had learned to handle even the most determined of pursuers. Thanks in large part to the man who&#8217;d served as her personal sentinel since he&#8217;d first learned of her work for Bruce.<BR> <BR>Lachlan MacRuairi, who&#8217;d freed and then later married her mother, had taught Joan how to move around without being seen, how to extract herself from unwanted situations, and, if necessary, how to defend herself. It was because of him that she&#8217;d been made a secret member of the elite Highland Guard, Bruce&#8217;s highly skilled team of warriors who had been recruited for the most dangerous missions. Only Lachlan knew her identity; the other members of the Guard simply called her the Ghost.<BR> <BR>The name fit, probably more than they realized. Most of the time she felt like a shadow. There, but not really there. Seen, but unseen. Unable to touch or be touched, and incapable of feeling.<BR> <BR>The ladies stopped to return her greeting but did not invite her to join them on their walk. As this was what Joan expected, she wasn&#8217;t disappointed. It was a lesson she&#8217;d learned a long time ago. If you don&#8217;t expect much of people, it won&#8217;t hurt when they don&#8217;t give it to you. Her father had been her first example, but many more had followed.<BR> <BR>Realizing that it was getting late, and that her cousin would be looking for her soon to help her pick out what to wear for the evening meal (a process that seemed to take most of the afternoon), Joan started to make her way over the portcullis of the interior moat to the inner ward.<BR> <BR>As the guardian of the castle for the king, de Beaumont had been given the largest suite of rooms on the top level of the new two-story tower that only had been completed a handful of years ago. As companion to her cousin, Joan had a small antechamber off the &#8220;lord&#8217;s chamber.&#8221; It wasn&#8217;t large, but it had a window directly overlooking the countryside beyond the east wall, and most important . . . it was private. Unfortunately, her cousin intercepted her, and it was hours before Joan was able to seek the solitude of her chamber.<BR> <BR>At first, she didn&#8217;t notice anything amiss. She tossed the plaid she wore around her shoulders on the bed, kicked off her slippers, pulled the pins from her hair, and threw them on the small dressing table before moving to the window.<BR> <BR>She froze. The tiny piece of silk thread that she&#8217;d tied to the latch on the shutter had been snapped.<BR> <BR>Excitement burst through her. Finally! She had him. It was a game between her and Lachlan. Known for his ability to get in and out of anywhere without being seen, he&#8217;d been surprising her for years&#8212;and she&#8217;d been trying to catch him.<BR> <BR>Trying. Unsuccessfully, at least, until now. A rare smile turned her mouth. The feeling that filled her chest was so foreign she almost didn&#8217;t recognize it: happiness.<BR> <BR>Moving swiftly to the ambry door, she pulled it open. &#8220;Hello, Father.&#8221;<BR> <BR>Calling him Father had started out as a jest to make him feel old&#8212;he&#8217;d just turned forty to her twenty&#8212;but she knew it wasn&#8217;t just that anymore. The man her father had called a bastard, brigand, and pirate was much more of a parent to her than her own had ever been.<BR> <BR>She heard a very un-fatherly curse before the big warrior materialized from behind her gowns. He scowled, although for a man with the war name of Viper there wasn&#8217;t much behind it. &#8220;How did you know?&#8221;<BR> <BR>She folded her arms across her chest and quirked a brow the way he did to her. &#8220;You don&#8217;t expect me to tell you all my secrets, do you?&#8221;<BR> <BR>Many people who knew him would be surprised to see how easily his mouth curved into a smile. The mean brigand with the black heart had changed, though he&#8217;d probably die before admitting it. He had a reputation to uphold after all.<BR> <BR>&#8220;Not bad, little one. If all my men were so easily trained, my job would be a hell of a lot easier.&#8221;<BR> <BR>She grinned. Then realizing that she might actually be beaming, she sobered. &#8220;As much as I look forward to our little family reunions, I&#8217;m assuming for you to have risked climbing through that window your reason for being here is important.&#8221;<BR> <BR>He nodded and motioned for her to sit. She sat on the edge of the bed and he took a seat opposite her on the stone windowsill. He shot a meaningful glance to the door. She shook her head. &#8220;My cousin and Sir Henry are still in the Hall.&#8221;<BR> <BR>He nodded and continued. &#8220;Carrick plans to make an attempt on the castle tonight here along the east wall.&#8221; He gave her a dry look. &#8220;I know it goes against your nature&#8212;God knows it&#8217;s against your mother&#8217;s&#8212;but try to stay out of danger and not go running toward it, will you?&#8221;<BR> <BR>She laughed. &#8220;I&#8217;ll do my best, and I appreciate the warning. But I hope the earl has a good plan. The English are tired of Bruce taking back all of his castles&#8212;they&#8217;ll not give up one of their most important without a fight. I don&#8217;t have to tell you how well defended it is.&#8221;<BR> <BR>&#8220;Nay, I had a devil of a time&#8212;&#8221; He stopped, his eyes narrowing. &#8220;If that&#8217;s a trick to try to get me to tell you how I got in, it isn&#8217;t going to work.&#8221;<BR> <BR>She blinked at him innocently, which he didn&#8217;t believe for a minute.<BR> <BR>&#8220;Christ, now I know where she got it from!&#8221;<BR> <BR>Her brows drew together questioningly.<BR> <BR>&#8220;Your sister. Christina gives me that look every time she&#8217;s done something naughty&#8212;which seems to be a daily occurrence.&#8221;<BR> <BR>Joan couldn&#8217;t prevent the tiny pinch in her chest. She&#8217;d never regretted the decision not to return to Scotland with her mother after Lachlan had rescued her&#8212;Joan had chosen her path and knew it was a solitary one&#8212;but she did regret not knowing her young half siblings. She had three now: Erik, who would be five in a few months; Christina, who was three and a half; and Robbie, who was almost eighteen months.<BR> <BR>&#8220;You know what the Bible says: &#8216;as ye sow, so shall ye reap.&#8217; &#8221;<BR> <BR>Lachlan shook his head with a sigh. &#8220;That&#8217;s what your mother says.&#8221;<BR> <BR>She smiled.<BR> <BR>He told her what he knew of Edward Bruce&#8217;s plan to take the castle, which in her opinion&#8212;and Lachlan&#8217;s from the sound of it&#8212;seemed to be more a &#8220;why not take a shot as long as we are here&#8221; than a well-thought-through operation.<BR> <BR>&#8220;So the bulk of the men will attack the main gate, while a small force in black cloaks to blend into the night will attempt to slip over the curtain wall behind the kitchens?&#8221; she summarized. &#8220;It seems like I&#8217;ve heard something like that before,&#8221; she added dryly, referring to James Douglas&#8217;s taking of Roxburgh Castle and Thomas Randolph&#8217;s taking of Edinburgh Castle, which had used similar tactics.<BR> <BR>Lachlan shook his head. &#8220;The king&#8217;s brother will never be accused of inventiveness. But I think he is tired of hearing about Douglas and Randolph and wants to have his own &#8216;miraculous feat of warfare.&#8217; Just see that you are nowhere near the kitchens after midnight.&#8221;<BR> <BR>&#8220;No late-night snacks for me, I swear it. Even if the cook makes apple tarts.&#8221;<BR> <BR>He shook his head and chuckled. &#8220;Now you sound like Erik. Don&#8217;t turn your back on your sweets with that one around.&#8221;<BR> <BR>She smiled, but when their eyes met, she suspected he&#8217;d guessed what she was thinking&#8212;there was little chance she&#8217;d get that opportunity. At least not while the war was going on and while she remained undiscovered. She was too valuable here. If she were discovered . . . well, they both knew what would happen then.<BR> <BR>&#8220;That reminds me. I have something for you,&#8221; Lachlan added.<BR> <BR>&#8220;A tart?&#8221; she jested, trying to cover the oddly emotional moment.<BR> <BR>It didn&#8217;t work. &#8220;Nay,&#8221; he said seriously. &#8220;This. You are one of us now, and since a tattoo isn&#8217;t appropriate, I thought this might suffice.&#8221;<BR> <BR>He handed her a gold bracelet. It was about two and a half inches wide and in the shape of a cuff. It opened with a hinge on one side and two tiny latches on the other. It was beautifully designed with a carved ornate pattern on the outside that reminded her of the old crosses in the churchyards back home in Buchan in the northeast of Scotland. But it&#8217;s what she saw on the inside that made her gasp.<BR> <BR>She looked up at her stepfather with her heart in her throat. The design lightly etched on the inside of the cuff was familiar to her, although she&#8217;d never seen it. The Lion Rampant and spiderweb was the mark tattooed on the arms of the members of the Highland Guard. Hers was personalized with something else that was important to her&#8212;two tiny roses. The pink rose had become a symbol among the people to protest her mother&#8217;s cruel and barbaric punishment.<BR> <BR>She didn&#8217;t know what to say. She feared if she said anything, he would know how much this meant to her, but hiding her emotions was part of the armor that enabled her to do her job. &#8220;It&#8217;s beautiful. Thank you,&#8221; she managed. &#8220;This means . . . a lot.&#8221;<BR> <BR>Maybe understanding more than she would have liked, he nodded. &#8220;Rock made it.&#8221; Joan had heard of the newest member of the Highland Guard&#8212;and the feat he&#8217;d performed in climbing Castle Rock to help take Edinburgh Castle. &#8220;I don&#8217;t need to tell you to be careful with it. Enough people know what that means.&#8221;<BR> <BR>She slipped it on. &#8220;I will.&#8221;<BR> <BR>&#8220;Leave it with the priest at St. Mary&#8217;s if you ever need me.&#8221; He looked at her for a few moments longer as if undecided about something. &#8220;I should probably go. The others are waiting for me.&#8221;<BR> <BR>She nodded. It was hard when he left. She always felt so . . . alone. Most of the time she liked it that way. But the short, infrequent meetings with Lachlan were the only time she could talk to someone without being on guard.<BR> <BR>Lachlan pulled something out of his pocket and handed it to her. &#8220;I probably shouldn&#8217;t be giving you this, but here is the powder you requested from Helen.&#8221;<BR> <BR>Helen MacKay&#8212;known as Angel&#8212;was the de facto physician of the Guard.<BR> <BR>Joan tried not to wriggle under his intense scrutiny, but those eerie green eyes had a way of penetrating. &#8220;I&#8217;ve been having trouble sleeping,&#8221; she explained.<BR> <BR>She thought he might call her lie right there, but he refrained. &#8220;Helen told me to remind you not to mix it with spirits&#8212;the effects are intensified.&#8221;<BR> <BR>&#8220;I&#8217;ll remember that,&#8221; she said blankly.<BR> <BR>He wasn&#8217;t fooled. &#8220;You better be careful, Joan. If your mother finds out what you are doing . . .&#8221;<BR> <BR>She lifted her chin. &#8220;I can take care of myself, Lachlan. I&#8217;ve been doing so for six years.&#8221; Eight if she counted back to when her mother left.<BR> <BR>&#8220;I don&#8217;t ask you how you discover all this information&#8212;&#8221;<BR> <BR>&#8220;Good,&#8221; she said, cutting him off. &#8220;It&#8217;s none of your concern.&#8221;<BR> <BR>He ignored her warning. &#8220;But I&#8217;m hearing rumors.&#8221;<BR> <BR>She stiffened and gave him a hard look. &#8220;You better than anyone know better than to listen to gossip.&#8221;<BR> <BR>The lies that were spread about him were far worse than anything they might say about her.<BR> <BR>&#8220;Maybe so, but I also know there is usually a little bit of truth to them.&#8221;<BR> <BR>She pursed her mouth closed, signaling that she wasn&#8217;t going to talk about it anymore.<BR> <BR>He sighed. &#8220;You keep your thoughts hidden better than any warrior I know&#8212;your mother used to do the same thing&#8212;but don&#8217;t think I haven&#8217;t noticed how sad you seem lately. I can&#8217;t remember the last time I saw you smile.&#8221;<BR> <BR>&#8220;I&#8217;m fine,&#8221; she assured him. But seeing that she hadn&#8217;t convinced him, she added, &#8220;I know you are worried, but you don&#8217;t need to be. I know what I&#8217;m doing.&#8221;<BR> <BR>Whatever it takes so that no one else ever has to see her mother in a cage.<BR> <BR><BR> <BR>The damned fools were going to get him killed.<BR> <BR>Alex was riding at the head of the long train of English soldiers when they first caught sight of the smoke.<BR> <BR>&#8220;Scot raiders,&#8221; their scout confirmed shortly thereafter, having raced back with the news. &#8220;A few furlongs ahead.&#8221;<BR> <BR>Two years later and the word still made every muscle in his body tense with . . . frustration? Anger? A sense of futility?<BR> <BR>Raider, the war name of his former partner in the Highland Guard, Robbie Boyd. The man who&#8217;d pushed Alex for seven years until he&#8217;d pushed him too far.<BR> <BR>You raze me, I&#8217;ll raze you more. The retaliatory raids that characterized the war in the Borders had driven Alex to London two years ago, yet here he was back in the north and the first thing that confronted him was fire&#8212;or the smoke from it.<BR> <BR>&#8220;How many?&#8221; Pembroke asked. Aymer de Valence, the Earl of Pembroke, was the leader of the two hundred knights and men-at-arms who were making their way north to answer King Edward&#8217;s call to muster.<BR> <BR>Since he&#8217;d left Scotland and the Guard, Alex had been in the south of England able to avoid the fighting and the prospect of meeting his former compatriots across a battlefield. But no longer. King Edward had ordered him to march north with Pembroke ahead of the army to prepare for battle against Bruce. Like many of his Scot countrymen in Edward&#8217;s allegiance, Alex served in an English earl&#8217;s retinue.<BR> <BR>&#8220;Not many, my lord,&#8221; the scout answered. &#8220;Two score&#8212;perhaps less. The man leading them wore a surcoat of white with a red chevron.&#8221;<BR> <BR>Alex swore silently. That coat of arms was only too well known.<BR> <BR>Pembroke could barely contain his glee. &#8220;By God, it&#8217;s Carrick! We&#8217;ve a chance to take Bruce&#8217;s only remaining brother. Ready your men,&#8221; he ordered the knights around him, including Alex. &#8220;We&#8217;ll circle around them from all sides. I don&#8217;t want any chance of him escaping.&#8221;<BR> <BR>Despite the English being on the losing end of such confrontations most of the time over the last six years, it apparently never occurred to Pembroke that they might be the ones who would need to escape. English arrogance was one of Alex&#8217;s many frustrations.<BR> <BR>Though experience taught him that it would likely be futile, he tried to urge caution anyway. &#8220;Carrick wouldn&#8217;t be raiding this far into England so close to Carlisle Castle with only forty men. Perhaps we should wait until the other scouts report back?&#8221;<BR> <BR>Something about this didn&#8217;t feel right, and Alex had learned a long time ago to trust his senses. He&#8217;d also learned that things like odds and superior numbers didn&#8217;t matter to Bruce&#8217;s warriors. And perhaps most important, he&#8217;d learned to never rush into battle without knowing exactly what you were up against.<BR> <BR>They didn&#8217;t even know the terrain they were working with&#8212;and it was getting dark.<BR> <BR>Pembroke gave him a scathing glare. &#8220;And risk losing him?&#8221; His eyes narrowed. &#8220;You would think the brother of one of the most famed knights in Christendom would be eager to fight and prove himself. Perhaps you aren&#8217;t eager to cross swords with your old compatriots?&#8221;<BR> <BR>Alex ignored the insult and thinly veiled questioning of his loyalty&#8212;it had been his constant companion the past nine years no matter what side he was fighting on. Born in England and raised in Scotland, Alex was suspect to both. Sometimes he wondered if he would ever belong anywhere.<BR> <BR>But it was much harder to ignore the reference to his brother. Sir Christopher Seton had indeed been one of the greatest knights in Christendom, Robert Bruce&#8217;s closest friend and companion, and the person Alex most looked up to in the world. Chris had been executed along with Alex&#8217;s other brother, John, eight years ago because of Pembroke&#8217;s treachery. At the Battle of Methven, Sir Aymer had given his word as a knight that he wouldn&#8217;t attack until the next morning, but he&#8217;d broken that word and sent his men into Bruce&#8217;s camp in the middle of the night.<BR> <BR>One of the reasons Alex felt he could no longer fight with the Highland Guard was that he was tired of furtive tactics and wanted to take the fight to the battlefield like a knight. Yet here he was taking orders from the man whose dishonorable treachery had cost him the lives of his brothers.<BR> <BR>Irony was a capricious bitch.<BR> <BR>It took everything Alex had not to respond and let the pompous bastard get away with the smug reference to his brother. But Pembroke was wrong if he thought Alex needed to prove anything. He might have at one time, but he&#8217;d proved himself many times over fighting alongside the best warriors in Christendom. The best of the best; that was why Bruce had chosen them. Each warrior of the Highland Guard had brought an important skill of warfare to the group. Except for Alex, that is. He was good with a dagger, but he&#8217;d been recruited because of his brother. Chris couldn&#8217;t join&#8212;he was too well known&#8212;but he wanted his younger brother to be a part of it.<BR> <BR>Alex had started out on unequal footing, and it had taken years for him to climb his way up from the bottom rung. But he&#8217;d done it. When he&#8217;d left, it hadn&#8217;t been his warrior skills that were the problem. Hell, he&#8217;d even defeated Boyd, the strongest man in Scotland, in hand-to-hand combat, and no one had done that in years.<BR> <BR>Though Alex would like nothing more than to prove himself to Pembroke&#8212;a fist through that smug smile would be a good start&#8212;he resisted the urge. Alex was here to help put an end to this, damn it. If it meant he had to work with arses like Pembroke to do so, he would. The people in the Borders&#8212;his people&#8212;had been bearing the brunt of this war for too damned long. No more faces in the flames. So he gritted his teeth and tried again. &#8220;I will be the first one to lift my sword if we determine Carrick is alone. Just give me a few minutes to find out.&#8221;<BR> <BR>&#8220;He could be gone in a few minutes,&#8221; Sir Robert Felton, the captain of Pembroke&#8217;s household knights (and even more of an arse than his lord), interjected. &#8220;It doesn&#8217;t take long to steal a few dozen head of cattle.&#8221; He gave Alex a hard look. &#8220;And I&#8217;ll take the lead with Kingston, la Zouche, and Vescy. With your sword arm still weak, you won&#8217;t be much use to us. You can stay in the back and protect the baggage cart with your men.&#8221;<BR> <BR>After a couple of weeks being around Felton, Alex had new respect for Kenneth Sutherland&#8217;s ability to contain his well-known temper. Felton had been Sutherland&#8217;s nemesis when he&#8217;d returned to the English fold as a spy a few years ago, and Alex didn&#8217;t know how Sutherland hadn&#8217;t ended up killing him. Alex would like nothing more than to do so right now. But then he would have to use his right hand. His arm was fine, but he wasn&#8217;t ready to admit that yet.<BR> <BR>This time not only were his teeth gritted, but his fists were clenched around his reins as well. &#8220;I take orders from the earl. I wasn&#8217;t aware he&#8217;d put you in charge.&#8221;<BR> <BR>&#8220;He hasn&#8217;t,&#8221; Pembroke said with an admonishing glance at Felton. &#8220;I shall lead.&#8221; In addition to Felton and the knights he&#8217;d mentioned, Pembroke added a few others, and then turned to Alex. &#8220;Felton was right. We need someone to protect the carts, and until your arm is strong enough you are the obvious choice. Stay here, and I&#8217;ll send for you if you and your men are needed.&#8221;<BR> <BR>Had Felton not been the one to suggest it, Alex might have been glad not to have to face his former friends just yet. Hell, he was glad&#8212;Felton or not. He&#8217;d hoped to never be in this position.<BR> <BR>A few moments later, the bulk of the army rode off, leaving Alex, the dozen men he&#8217;d brought with him from his estates in East Lothian, and the fifty or so servants and skilled laborers who accompanied the army, from the stable lads who tended the horses, to the smiths and their apprentices who repaired the armor and shoed the horses. The &#8220;small army&#8221; as it was called was a vital part of any conventional force, but it also complicated the process and prevented them from moving quickly. By contrast, the small strike forces that Bruce employed weren&#8217;t hampered by all the added weight and logistics. That was part of what had made them so successful.<BR> <BR>The first clash of battle sounded like a thunderclap; it filtered through the cold evening air as if it were a hundred feet away rather than a half-mile or so. The roar of the attack, the shouts of surprise, the clatter of steel . . . the cries of death. It was fast and furious. Or at least it should have been with nearly two hundred men to forty. But after about five minutes something changed. There was a shift in the sounds of the battle that told him something had happened. A short while later, he found out what.<BR> <BR>One of Pembroke&#8217;s men-at-arms came racing back. &#8220;Take what you can and make for the castle. The Scots are on their way.&#8221;<BR> <BR>Alex swore. &#8220;What happened?&#8221;<BR> <BR>&#8220;Carrick&#8217;s men weren&#8217;t alone. The Earl of Moray and at least another fifty men were nearby and came as soon as they heard the attack. We were forced to retreat. Sir Aymer and the others are racing to the castle.&#8221;<BR> <BR>Being right didn&#8217;t make Alex any less furious&#8212;or frustrated. Sometimes it seemed as if the wall he&#8217;d been banging his head against in Scotland had followed him to England. For two years, he&#8217;d been trying to get the English to stop underestimating their opponent so they would see a reason to negotiate and bring an end to this bloody war. But all that men like Pembroke seemed to see were their superior numbers, armor, and weaponry. Things that hadn&#8217;t stopped Bruce&#8217;s men for eight years. Pembroke might have double Carrick&#8217;s men, but the arrival of the king&#8217;s nephew would have changed the odds. Alex ought to know, as he&#8217;d been responsible for some of the Earl of Moray, Sir Thomas Randolph&#8217;s, training himself.<BR> <BR>Alex shouted orders for his men to take what they could of the valuable plate and the silver Sir Aymer was bringing north to pay the garrison at Carlisle, rounded up the livestock, and ordered the small army to follow the old Roman road to the castle, which should only be a few miles away. The small army wouldn&#8217;t be hurt. No matter what horrible stories they told of the &#8220;barbarous Scots,&#8221; Alex knew that Bruce had given orders only to kill those who fought against them. It was the cattle and coin to provision the army that he was after.<BR> <BR>There was nothing barbarous about Bruce&#8217;s men, but it wasn&#8217;t until Alex had tried to cure the English of all their ignorant misconceptions and beliefs that he&#8217;d really understood it himself. The Scots might be terrifying and appear out of the darkness like brigands, but they weren&#8217;t.<BR> <BR>But unfortunately, unlike the small army, Alex and his men wouldn&#8217;t escape death so easily if Bruce&#8217;s men caught up with them.<BR> <BR>Alex didn&#8217;t delay, heading straight for Pembroke&#8217;s cart to retrieve the silver.<BR> <BR>He&#8217;d just shoveled the last of the fifty pounds&#8217; worth of coins from the wooden box into a linen sack to make it easier to fit in a saddlebag, when he heard the not-so-distant sound of approaching riders.<BR> <BR>With a curse, he handed the bag to the last of his men and told him to go. They were leaving a lot of valuable goods behind, but there was no help for it.<BR> <BR>Knowing Bruce&#8217;s men would be on him at any moment, Alex mounted his horse and took one last look around. A movement out of the corner of his eye stopped him cold.<BR> <BR>Bloody hell, where had she come from? A wee lass, not much older than five or six, had just emerged from the trees. Alex watched in disbelief as she started to cross the road that was directly in the path of the oncoming horsemen. He shouted a warning, but she didn&#8217;t give any indication that she&#8217;d heard him. Couldn&#8217;t she hear the horses?<BR> <BR>She must have felt them. She stopped suddenly&#8212;right in the middle of the road&#8212;stared down at the ground, and froze. She had her back to him, but Alex didn&#8217;t need to see her face to know that it was struck in terror.<BR> <BR>Go, he told himself, looking in the direction of the road leading to the castle. You can still escape. They&#8217;ll see her in time.<BR> <BR>But it was almost dark, and she was wearing a black cloak . . .<BR> <BR>She turned and saw him. Her eyes widened, and for one hideous moment, Alex&#8217;s mind flashed back to another. He saw another little girl with wide eyes and full of terror staring at him, but this time from the open door of a loft in a barn with flames jumping all around her.<BR> <BR>Flames that he had set.<BR> <BR>Oh God, I have to reach her in time. Please let me reach her in time . . .<BR> <BR>The memory cleared, but not the sense of urgency. He knew he couldn&#8217;t take the chance that they wouldn&#8217;t see her. He wouldn&#8217;t see another innocent life put at risk&#8212;not when he could stop it.<BR> <BR>He swore again and swung his horse toward the girl. He didn&#8217;t have much time. The first rider had just appeared perhaps a hundred feet behind her. They weren&#8217;t much farther away than Alex.<BR> <BR>He sure as hell hoped his sword skills hadn&#8217;t diminished as much as he feared in the past two years, because even if this worked, he was going to be fighting for his life in a few seconds.<BR> <BR>With a snap of the reins and a click of his heels, his stallion shot forward. Staying low over its neck, Alex held the reins in one hand and slowed just enough to lean over and wrap one arm around the girl&#8217;s shoulders and drag her out of harm&#8217;s way. Turning his horse in to the trees, he set her down. The pounding of horses stopped. Aware of the riders circling around him in the darkness, he told her to go.<BR> <BR>Big, dark eyes in a tiny pale urchin&#8217;s face stared at him mutely.<BR> <BR>Nay, not mute, he realized, deaf. That&#8217;s why she hadn&#8217;t heard him or the horses. 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      <Text><![CDATA[<B><I>Simple Acts of Care</I> is a practical, compassionate guide to showing up with empathy and intention when someone you care about is hurting.</B><BR><BR><b><i>"Simple Acts of Care</i> is the book you need when you feel useless in the face of a loved one&#8217;s suffering." &#8212;Annabel Monaghan, Bestselling Author of <i>Nora Goes Off Script</i></b><BR> <BR> <B>"By sharing her own family&#8217;s experience, Natalie connects with the reader emotionally while giving original, useful advice." &#8212; Zibby Owens, bestselling author and podcast host, Totally Booked</B><BR> <BR> When a friend or family member is dealing with illness, grief, crisis, overwhelm, or the demands of caregiving, the instinct to help is immediate&#8212;but knowing what to say or do can be hard. Natalie Silverstein offers clear, caring guidance for supporting others in ways that are useful, meaningful, and truly comforting.<BR> <BR> Through short reflective essays, practical suggestions, and beautifully designed reminders, <i>Simple Acts of Care</i> helps readers understand how small gestures can offer real comfort in difficult times.<BR> <BR> Here&#8217;s what makes <i>Simple Acts of Care</i> an essential guide for supporting others:<BR> <BR> <b>&#8226; Practical Guidance for Hard Moments: </b>Clear advice for what to say, what to do, and how to support someone who is hurting.<BR> <BR> <b>&#8226; For Grief, Illness, Caregiving, and Crisis:</b> A helpful resource for showing up during loss, medical challenges, difficult transitions, and life upheaval.<BR> <BR> <b>&#8226; Compassionate and Easy to Use: </b>Short essays, reflective prompts, and full-color illustrations make the book approachable and reassuring.<BR> <BR> <b>&#8226; A Meaningful Gift for Difficult Times:</b> A supportive book for friends, families, support groups, workplaces, and caregiving communities.<BR> <BR> <i>Simple Acts of Care</i> is a compassionate guide for anyone who wants to help a grieving friend, support a caregiver, comfort a loved one during illness or loss, and show up with empathy when words feel hard to find.]]></Text>
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      <Text><![CDATA[&quot;Beautiful. By sharing her own family&rsquo;s experience, Natalie connects with the reader emotionally while giving original, useful advice. An original, helpful, poignant resource for caregivers, mourners, the diagnosed. and everyone who loves them.&quot;]]></Text>
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      <TextAuthor>&lt;B&gt;Jessica Fein, Bestselling Author of &lt;I&gt;Breath Taking&lt;/I&gt; and podcast host, &lt;I&gt;I Don’t Know How You Do It&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[<B>A playful Chelm folktale filled with humor and old-world charm, <I>Hamantaschen for Hanukkah?!</I> follows two wise siblings through a Jewish holiday mix-up that becomes a celebration of tradition, laughter, and knowing when to trust your own understanding.</B><BR><BR><b>"Spun with affection and a broad, genial cartoon style, the result is a classic kids-know-best tale with wisdom to spare." &#8212;<i>Publishers Weekly</i></b><BR> <BR> <b><i>"Hamantaschen for Hanukkah?!</i> is a joy! Readers of all ages will enjoy the beautiful illustrations of this new folktale, told in the spirit of the Chelm classics." &#8212;Dr. Jeffrey Kress, Provost and Bernard Heller Professor of Jewish Education, Jewish Theological Seminary</b><BR> <BR> <b>Oy vey. Is it Hanukkah or Purim?</b><BR> <BR> In the famously foolish town of Chelm, the adults believe themselves to be very wise. So when a letter arrives from the Chief Rabbi wishing everyone a happy Purim&#8212;even though it is clearly Hanukkah&#8212;the town begins preparing for the wrong holiday. Soon everyone is baking hamantaschen, sewing costumes, and celebrating with great confidence.<BR> <BR> Only siblings Shmendrick and Mushka notice the mistake. As the adults carry on with the town&#8217;s delightful confusion, the children quietly trust what they know to be true, honoring Hanukkah while still finding joy in the mix-up.<BR> <BR> Here&#8217;s what makes <i>Hamantaschen for Hanukkah?!</i> a joyful Jewish picture book:<BR> <BR> <b>&#8226; A Fresh Chelm Folktale:</b> Inspired by the legendary Wise People of Chelm, this funny story celebrates the warmth, silliness, and old-world charm of classic Jewish folklore.<BR> <BR> <b>&#8226; Two Holidays in One Story: </b>A playful mix-up between Hanukkah and Purim makes this a natural read for both holiday seasons.<BR> <BR> <b>&#8226; Child-Centered Wisdom:</b> Shmendrick and Mushka model curiosity, confidence, and gentle discernment as they notice what the adults miss.<BR> <BR> <b>&#8226; Perfect for Jewish Families and Classrooms:</b> Hebrew and Yiddish terms, a helpful glossary, and full-color illustrations make this a funny read-aloud for homes, schools, synagogues, libraries, and holiday storytimes.<BR> <BR> Rooted in Jewish humor, holiday tradition, and the wisdom of children, <i>Hamantaschen for Hanukkah?!</i> is a funny picture book about Chelm, Hanukkah, Purim, and learning when to trust your own understanding.]]></Text>
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      <Text><![CDATA[<B>Maurice J. Elias</B> is a Professor of Psychology at Rutgers University and contributing faculty in Jewish Studies. His work centers on promoting joy, resilience, and emotional intelligence in children and families. He is co-author of <I>Emotionally Intelligent Parenting</I>, <I>Talking Treasure</I>, and <I>The Joys & Oys of Parenting</I>, and has written more than a dozen books for parents and educators. He and his wife live in Highland Park, New Jersey, close to their two daughters and three grandchildren.<BR><BR><b>Hector Borlasca</b> is the illustrator of more than fifty children&#8217;s books, including <i>Yiddish Saves the Day</i> by Debbie Levy, <i>The Porridge Pot Goblin</i> by Jaqueline Jules, and <i>Silly Time Stories</i> by Robert Keith. He lives in Buenos Aires, Argentina, with his wife and daughter.]]></Text>
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      <Text><![CDATA[&quot;Using the backdrop of a Chelm story in which the townspeople attempt to celebrate Purim in&nbsp;winter, Maurice Elias weaves a joyful tale filled with costumes and groggers in which it is the children who are the heroes for making sure Hanukkah takes place at the proper time, with an amusing twist.&quot;]]></Text>
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      <Text><![CDATA[<I>&quot;Hamantaschen for Hanukkah?!</I> is a playful journey through Chelm, where one ten-month-old letter sends an entire town tumbling from one wonderfully foolish conclusion to the next. Two wise children bring the story to a warm and satisfying close, filled with Jewish tradition, sibling wisdom, and a plate of both latkes and hamantaschen.&quot;]]></Text>
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      <Text><![CDATA[<I>&quot;Hamantaschen for Hanukkah</I> is a charming, delightfully illustrated children&rsquo;s picture book filled with humor, heart, and just the perfect amount of foolishness. The adorable illustrations beautifully capture the characters&#39; personalities, emotions, excitement, and confusion.&nbsp;This is a fun, thoughtful story that children and adults can enjoy together . . . no matter what occasion!&quot;]]></Text>
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      <Text><![CDATA[&quot;<I>Hamentashen for Hanukkah?!</I> is a joy! Children will be amused as Shmendrick and Mushka prove to be wiser than the adults in their lives. Parents, grandparents, educators, and others will welcome the opportunity to discuss family traditions (oh, the foods!). Readers of all ages will enjoy the beautiful illustrations of this new folktale, told in the spirit of the Chelm classics.&quot;]]></Text>
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      <TextAuthor>&lt;B&gt;Jennifer Miller, Founder/Author, Confident Parents, Confident Kids and &lt;I&gt;Humanaissance: Igniting Courage in Our Teens and Ourselves&lt;/I&gt;&lt;/B&gt;</TextAuthor>
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Alphabet Company, Australian Imperial Force, AIF, World War I, First World War, Australian military history, Australian Army, Western Front, trench warfare, underground war, military engineering, combat engineers, tunnelling companies, mining warfare, battlefield engineering, Somme, Flanders, Ypres, Passchendaele, ANZAC history, Australian war heroes, Great War history, military nonfiction, forgotten Australian soldiers, WWI history books, Australian war books, Les Carlyon, Peter FitzSimons, Peter Stanley, Peter Hart, Lyn Macdonald, Charles Bean, Gallipoli, Pozieres, Fromelles, The Great War, The Last Anzacs, Gallipoli by Peter FitzSimons, Australian ANZAC books, bestselling Australian military history, ANZAC Day, Remembrance Day Australia, Australian War Memorial, World War I anniversary, Australian military heritage, military engineering history, Australian history bestsellers.
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      <Text><![CDATA[<P>Beneath the Western Front, a tiny Australian unit kept the underground war alive.</P><P>Fewer than 300 men served in the Australian Electrical and Mechanical Mining and Boring Company. Few outside the battlefield knew their name. Yet across the British sector, from Flanders to the Somme, the work of this remarkable AIF unit was indispensable.</P><P>Known as ‘Alphabet Company’, they operated in some of the most dangerous and unforgiving conditions of the Great War. Led by Major Victor Morse, DSO, the Alphabeticals installed and maintained the pumps, generators, ventilation fans, drilling equipment and electrical systems that kept tunnels, dugouts, mine shafts and underground headquarters functioning beneath the battlefield.</P><P>Their work was often carried out in darkness, mud, gas, shellfire and suffocating heat. They powered lights in the tunnels, drove air into underground workings, pumped water from flooded positions and kept vital machinery running where failure could mean death. Small in number but vast in reach, Alphabet Company supported tunnelling and mining operations across the Western Front and helped make possible some of the most complex underground engineering of the war.</P><P>Yet their story was almost lost. The company’s official war diary was destroyed near the end of the conflict, leaving its history scattered through letters, surviving records and the memories of those who served.</P><P>Damien Finlayson restores these Australians to their place in military history. This is the story of the men, their machines and the extraordinary grit required to work beneath one of the most brutal battlefields of the twentieth century.</P><P>They were few in number.<br>Their impact was immense.</P><P>In the mud and darkness of the Great War, these Australians kept the front moving.<br>&#160;</P>]]></Text>
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      <Text><![CDATA[<b>This deluxe collector&#8217;s edition features green gilded edges, new cover art with foil stamping, illustrated endpapers, and new bonus content.</b><BR><BR><B>Discover the dark and seductive realm of faerie in the first book of</B> <I><B>New York Times</B></I> <B>bestseller Holly Black&#8217;s critically acclaimed Modern Faerie Tales series, where one girl must save herself from the sinister magic of the fey courts&#8212;and protect her heart in the process.</B><BR><BR>Sixteen-year-old Kaye is a modern nomad. Fierce and independent, she drifts from place to place with her mother&#8217;s rock band until an ominous attack forces them back to Kaye&#8217;s childhood home. But Kaye&#8217;s life takes another turn when she stumbles upon an injured faerie knight in the woods. Kaye has always been able to see faeries where others could not, and she chooses to save the strange young man instead of leaving him to die. <BR> <BR>But this fateful choice will have more dire consequences than she could ever predict, as Kaye soon finds herself the unwilling pawn in an ancient and violent power struggle between two rival faerie kingdoms&#8212;a struggle that could very well mean her death.]]></Text>
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      <Text><![CDATA[A Reading Guide for <I>TITHE, VALIANT</i>, and <I>IRONSIDE</i> <BR> By Holly Black <BR> <b>ABOUT THE BOOKS</b> <BR> Holly Black's first Young Adult novel, the urban fantasy/faerie tale <I>Tithe</i>, focuses on a sixteen-year-old girl named Kaye who is actually a pixie, only at first she doesn't know it. Kaye starts to piece together the strange story of her real identity when she and her mother return to the New Jersey town where she grew up, and Kaye comes in contact with the faeries she used to play with as a child and a wounded knight, Roiben, who will change her life forever. Black's second book, <I>Valiant</i>, picks up where <I>Tithe</i> leaves off, but follows a different girl -- a human named Val -- who catches her boyfriend and her mother in a compromising position and runs away from home. In New York City, Val hooks up with a strange group of homeless teens and joins them in living in an abandoned subway station. It's not long before Val learns that these teens are not like anyone she's ever met -- they work as couriers for a troll and come in contact with faeries on a regular basis. <I>Ironside</i>, Black's third book, returns readers to Kaye's story, beginning two months after the ending of <I>Tithe</i>. Roiben is about to take the throne of the Unseelie Court and there will undoubtedly be a war, but then Kaye makes a foolish declaration and is sent on an impossible quest. Luis and Dave from <I>Valiant</i> become an integral part of the story as Kaye is forced to visit Silarial, the Seelie queen, to try to save Roiben and herself. <BR> <b>DISCUSSION TOPICS</b> <BR> How does <I>Tithe</i> compare with other fairy tale books you've read in the past? Did you like the modern setting? <BR> If you were Kaye, what gift would you have given to the kelpie if the broken carousel horse had not been available? <BR> What other orders would you have asked Rath Roiben Rye to carry out if you suddenly knew his full name? (Don't forget his skill of turning leaves into money!) <BR> For New Jersey and New York readers: Name all of the real locations that were mentioned in the three books -- for example: Allaire State Park, Caf&#233; des Artistes, etc. <BR> If you were able to choose, would you want to be a part of the Seelie court, the Unseelie court, the solitary fey, or the human world? Why? <BR> At the end of <I>Tithe</i>, what do you imagine happened to Roiben and Kaye? Before you read the sequel, how did you feel about the ending of <I>Tithe</i>? Would you have ended the book differently? <BR> Were you excited to see cameos by some of the characters from <I>Tithe</i> in <I>Valiant</i>? <BR> Who is your favorite character from <I>Valiant</i>? Why? What qualities does this character possess that make him/her most interesting to you? <BR> If <I>Valiant</i> was made into a movie, what current film or TV stars would you cast as Val, Lolli, Dave, Luis, Ravus and the others? <BR> Put yourself in Lolli's shoes -- tell the story of <I>Valiant</i> from her point of view. What do you think happened to Lolli at the end of the book? <BR> What did you think of the use of the faerie drug "Never" in the story? Did you think that the book showed enough of the downside of using drugs? If Dave had never taken the drug, how do you think his story would change? What about Lolli? Val? <BR> We know that Kaye got her GED during the two months between the end of <I>Tithe</i> and the beginning of <I>Ironside</i>. What else do you think happened during this interim? How did Kaye cope with the loss of Janet, her mom moving away, her relationship with Roiben, etc.? <BR> <I>Ironside</i> obviously takes place in December -- what are the clues that tell you what time of year it is? <BR> If you were cursed like Corny, would you immediately get to the ocean to cure yourself or would you attempt to touch someone or something? Whom or what? <BR> Do you think it was a mistake for Kaye to have the young human brought back to Ellen? Do you think the girl will grow up to be a normal person? <BR> If you were in Kaye's position with no need for college and the ability to create a new life for yourself, what would you do? What do you think of Kaye's coffee shop plans and her idea of dividing her time between it and Roiben? <BR> Which adventurous duo do you think had a more challenging or exciting task: Val and Luis going after Mabry for Ravus's heart or Kaye and Corny traveling to the Seelie Court to strike a deal with Silarial? <BR> Should there be additional books in this series? How would the story continue? Which character besides Kaye or Val would you like to see explored in another book? <BR> Were any of the quotes at the beginning of each chapter familiar to you? Choose a few of your favorites and discuss how they relate to what happened in the story at that point. <BR> <b>RESEARCH AND ACTIVITIES</b> <BR> Create a <I>Tithe</i> board game that follows Kaye's travels between the Seelie and Unseelie courts and the human world. Playing pieces can represent something about each character -- Kaye's purple cat suit, Roiben's long white hair, Corny's beat-up car, etc. Use obstacles like iron, thorns, ogres, and the Unseelie queen. Make minor characters part of the game (Janet, Kenny, Ellen) by detouring major players to save them from the kelpie. Be creative! <BR> Make a clay sculpture, a painting, a drawing, or other piece of art of your favorite character from any of the books. What do you think they would actually look like? <BR> Make an Unseelie feast! Re-create dishes that Kaye sees when she sneaks into the Unseelie court, then invent your own interesting recipes. <BR> Write a spell for creating a glamour, then read it aloud to the group. Describe the new look you have created. <BR> Choose your favorite scene and act it out in front of the group. If several people wish to be involved, choose a scene that features many characters. Make your performance as simple or as elaborate as you choose by adding costumes and props or just reading dialogue aloud from the book. <BR> Assuming that Kaye's grandmother lives in Long Branch, New Jersey, get an atlas and map out the route that Kaye and Corny (and later, Luis) took during the course of their travels in <I>Ironside</i>. <BR> Design your own sword -- either patterned after the glass one Ravus used to teach Val how to fight or one of your own creation. Draw a detailed picture of your design.]]></Text>
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      <Text><![CDATA[<B>Using dreams as a compass for meaning in later life</B><BR><BR>&#8226; Explains how dreams are a source of guidance during key stages of aging, including midlife transition, retirement, illness, grief, and life review<BR><BR> &#8226; Shows how to work with dreams using accessible tools and practices, such as journaling, active imagination, and symbolic reflection<BR><BR> &#8226; Offers an approach to growth in the second half of life, drawing on research in gerontology, depth psychology, and spiritual traditions<BR><BR> Drawing on more than fifty years of research, teaching, and personal dreamwork, Harry R. Moody reveals how dreams can support psychological development and spiritual insight after midlife. Unlike the early phases of life, the second half often unfolds without clear direction. Moody shows how dreams can offer an inner roadmap for navigating aging, identity, and mortality.<BR><BR> With case studies, Moody details how dreams reflect the key stages of aging. He explores midlife transitions, late-life depression, illness and caregiving, and the inner work of grief, forgiveness, and life review. Presenting a range of dream types, including recurring dreams, nightmares, and symbolic dreams, Moody explains their relevance to healing and self-understanding.<BR><BR> The author introduces tools for recalling and reflecting on dreams and gives guidance on how to approach them with attention rather than analysis. He draws from depth psychology, literature, and spiritual traditions to show how dreams can reveal unacknowledged emotions, inspire creative work, and help reconnect us with forgotten or repressed parts of the self. Over time, you will learn how to access the unconscious dimensions of your aging process and identify where change may be needed.<BR><BR> This book offers a practical framework for engaging with the unconscious during the transitions of growing older. By treating dreams as a form of guidance, you can uncover unfinished emotional work, strengthen your sense of purpose, and reclaim the imagination as a vital force for personal transformation.]]></Text>
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      <Text><![CDATA[<B>Writings from the Italian occult tradition exploring life, death, and rebirth</B><BR><BR>&#8226; Explores fundamental principles and symbolism of Italian Hermeticism<BR><BR>&#8226; Features secret Italian texts, translated for the first time, including an unpublished Renaissance alchemical manuscript<BR><BR>&#8226; Offers rituals and parables for spiritual transformation<BR><BR>Egypt and Tibet have long offered maps of the territory the soul must navigate after death. Now, for the first time in English, historian, translator, and esoteric scholar David Pantano illuminates the Italian Hermetic tradition that describes the afterlife journey.<BR><BR>Pantano has curated a range of texts spanning from the Renaissance to the present day, sharing rituals and essays by figures such as Giuliano Kremmerz and Marco Daffi alongside contemporary practitioners Valerio Tomassini and Gaetano Lo Monaco. The collection also includes documents from secret societies and writings from the Corpo dei Pari, a group of underground alchemists and Hermeticists who have been active since the late 1960s.<BR><BR>Pantano also features notables in the Italian mystical tradition such as Dante Alighieri, Giordano Bruno, and Marsilio Ficino, tracing the influence of this unique branch of Hermeticism. By exploring the spiritual lives of his predecessors, he shares Hermetic parables for navigating the astral plane after death and how to live in this lifetime.<BR><BR>Also included is a translation of the <I>Flos Coeli</I>, a Renaissance manuscript that gives a recipe for the Elixir of Life. Pantano pairs this with esoteric interpretations of ayahuasca effects and with secret papers from the Fraternity of Miriam to show how principles of transference can be used with plant medicines to alleviate suffering.<BR><BR>Focusing on death and spiritual rebirth, this is a valuable collection of rituals and discourses on magic, Hermeticism, and consciousness&#8212;a guide for the living and a map for the journey in the afterlife.]]></Text>
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      <Text><![CDATA[<B>The Hermetic Madness of Marco Daffi<BR><BR>MAGICAL JOURNEYS</B><BR><BR>Magical journeys, quests, and odysseys into the abyssal depths of the soul open astral pathways for the spiritual seeker pursuing transcendence. Spiritual seekers are navigators of consciousness in pursuit of transcending the finite dimensions of their Hyliac self to explore the astral realm and integrate with their transpersonal metaphysical root or monad, referred to in the ancient Italic spiritual tradition as the <i>numen </i>(pl. <i>numina</i>). The astral passage unfolds into a vast kaleidoscope of illumination, where archetypal* images and figures manifest in visions, dreams, intuitions, flashbacks, and other spectral representations that are &#8220;fixed&#8221;* into mnemonic <i>loci </i>and archived in the subconscious for future memory. These spectral images become &#8220;fixed&#8221; within the mind&#8217;s architecture&#8212;mapped into subconscious storehouses for future recall. To be fixed in this sense requires absolute inner stillness, a state where consciousness is entirely isolated from the noise of the external world.<BR><BR>Numina manifest through ideographic galleries in &#8220;images and figures&#8221; drawn from the dark recesses of consciousness. They represent the macrocosmic or transcendent Ideas reflected in the microcosm, from above to below, from the divine to the human, and from an inward to outward perspective. These fundamental &#8220;images and figures&#8221; yield profound symbolic meanings, intricately woven with layers of attributes that envelop the interpretative scrutiny, awaiting validation.<BR><BR>Investigating the essential nature of numinal beings through the prism of archetypal images and figures provides the seeker with insights into their transcendent nature and associated <i>habitus </i>of values, tendencies, and qualities. This is akin to how basic archetypes serve as building blocks for the multifaceted and nuanced evolution of an individual&#8217;s inner life.<BR><BR>Hence, the path toward transcendence beyond the ordinary human condition expands the liminal boundaries of consciousness by unveiling the occult phenomena or numina hidden within the corridors of the subconscious. Numina appear in visions cultivated by the intricate interplay of sympathies and antipathies and are coaxed out from oblivion through incantations and rituals to inform the logos (metadata) underlying the Karmic nature of the discerning investigator.<BR><BR>Astral entities emerge into the light of inner perception adorned in distinctly symbolic attire, taking the shape of eons, shades, archons, avatars, and ancestral memories, among other apparitional possibilities.*<BR><BR>At its core, these activities involve an inner archaeology&#8224; that reaches into the profound recesses of the psyche to excavate <i>atavistic reliquiae</i>, the innate characteristics residing within the ancestral layer of the soul, embodied with <i>sub facie humana </i>forms&#8225; and projected onto visions, dreams, intuitions, premonitions, augurs, and other inner manifestations.<BR><BR>Astral pathways constitute numinal corridors intricately woven within the depths of the subconscious. They are accessed via psychodynamic transits, such as those occurring with a &#8220;flash of intuition,&#8221; a &#8220;visionary escapade,&#8221; a &#8220;memory recall,&#8221; or through more complex interventions involving meditation and rituality, which can induce a specific vibrational &#8220;resonance&#8221; imbued with magnetic fluids that attract or radiate outward energies.**<BR><BR>Such practices, incorporating theurgy and anamnesis, were utilized by Initiates of ancient Pythagorean and Neoplatonic schools, and pursued further in the nineteenth century by certain advanced adepts affiliated with the Fraternity of Myriam.<BR><BR><i>Anamnesis </i>refers to the mnemonic operation undertaken by the seeker to recall details of their innate persona by navigating awareness down through the deep recesses of the psyche to mine its ancestral reservoir. From here, the atavistic contents emerge by projection through the subconscious to materialize in internally perceivable images and symbolic visions. By virtue of exerting a <i>similia similiis </i>(&#8220;like attracts like&#8221;) action, the mnemonic activity arouses psychodynamic projections of spiritual fragments, or <i>atavistic reliquiae</i>, in the form of images and figures that are perceived through the inner senses by the seeker for the exegetic investigation of their occult nature. Gnosis is entrusted with the operative remembering of the powers of the psyche arising in us (remembrance), advanced initiates of the true Great Arcanum, which is incommunicable, and which is revealed-acquired in subdued illumination (as in Zen). The initiate must regard himself as a <i>diasoratta </i>(&#8220;one who remembers, recalls&#8221;). More narrowly, the memory of seeking the powers of the psyche&#8212;when applied to evolution rather than as an end in itself&#8212;is sufficient to drive the quest forward. It is as though there is a mysterious antenna that resonates with corresponding frequencies, detecting and connecting with others on the same path&#8212;much like finding a genuine companion or discovering a fellow seeker who has joined this current, whether long ago or recently.<BR><BR>With the requisite preparation and aptitude, the seeker can further intensify the resonance to the point of ecstasy by the infusion of amorous humors (fluids, feelings, sensations) that sublimate consciousness into a rarefied state of &#8220;Mag&#8221;&#8212;a trancelike state of magnetism* that harnesses the latent potential of human nature to manifest magical will. Giuliano Kremmerz, the Italian magus, describes this &#8220;state of Mag&#8221; as a profound level of purity attained by advanced adepts of the Fraternity of Myriam.<BR><BR>The Mag establishes a <i>vinculum </i>(internal connection) linking the &#8220;lunar and mercurial bodies&#8221;&#8224; of the initiate with the &#8220;cosmic or ethereal matter&#8221; constituting the astral current. The intensity of the vibration induced by the contact of the human astral with cosmic astrality gives rise to occult phenomena illuminated on the astral plane.<BR><BR>The magnetic vibrations encompass energies imbued with transcendent qualities (virtues), converged from the seven universal forces, and manifested as the synthesis of the fluidic composition. These fluids emanate sympathetic or antipathetic energies, charged positively or negatively, reflecting the osiridean or isiac operations inherent in the magical procedure. The astral&#8212;specifically, the astral complex of the individual&#8212;constitutes the common denominator of these polarized forces, serving as the humus to corresponding infirmities and diseases of the body and as the libidinal agent of attraction in the soul.&#8225;<BR><BR>The practice was meticulously documented by a highly idiosyncratic psychonaut,* Baron Ricciardo Ricciardelli (1900&#8211;1969). This Hermetic phoenix pioneered a method of atavistic excavation by undertaking magical journeys through astral realms to explore archetypal vistas appearing in his visions, dreams, and other numinous environments.<BR><BR>Upon summoning these archetypal personas, Ricciardelli would undergo a profound shift in consciousness, entering an altered dimension and transforming into his latent personality that emerged from his occulted self.<BR><BR>The transformation culminated in the embodiment of his archetype, a figure he referred to as <i>M&#246;rk&#246;hekdaph </i>and Italianized into Marco Daffi. Ricciardelli claimed that this figure was his reincarnated self, or a <i>lars </i>remanifesting from a previous existence, as a priest of Phoenician ancestry serving at the Pharoah&#8217;s court in ancient Egypt 4,000 years ago.<BR><BR>In life, as in writing, Ricciardelli would reference reincarnation not as a hypothetical possibility conceptualized within a particular belief system, but rather as a tangible <i>factum </i>to be experienced and lived. His many astral journeys through past lives are to be understood as essential expeditions to fulfill his life&#8217;s mission: to seek atonement for transgressions committed in a prior existence as a priest at the Pharaoh&#8217;s court. As a result, he believed that his ethereal lunar body was marred by karmic retribution, stemming from transgressions committed in a previous incarnation involving a sexual <i>trahaison </i>with a pious priestess of the pharaoh&#8217;s court, resulting in the identification of a deep-seated imbalance to his personal character.<BR><BR>He would affirm, in a past-life regression, that in preparation for the passage into his current incarnation, he endeavored to rectify the karmic retribution. As an adept, he employed initiatory techniques to construct a provisional or imaginary lunar body. This enabled him to navigate the astral pathway during the conception moment as a dematerialized larval entity, only to remanifest (incarnate) as Baron Ricciardo Ricciardelli. However, devoid of his authentic lunar essence, he, therefore, incarnated as an incomplete avatar.<BR><BR>Furthermore, he was convinced that this inherent imbalance impeded his personal development across the continuum of time and space, impacting his past, present, and future fate. It obscured the memory of his ancient identity and, in his present incarnation, resulted in bearing psycho-physical disturbances such as delayed puberty, sexual dysfunction, impotence, as well as inhibiting the maturation of his feminine nature, embodied by the lunar aspects of his being. This led to a sense of estrangement and frigidity, particularly in his relationships with women. Consequently, he found himself trapped in an unending cycle of instability.<BR><BR>However, the Baron was steadfast in his conviction that unless this karmic obstacle was addressed, it would impede his personal progress toward elevated ontological states. Ricciardelli was consumed by this psycho-ontological predicament, making his life&#8217;s mission to resolve it. He feared that if left unaddressed, it would degrade the spiritual patrimony underlying his inherent nobility.]]></Text>
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      <Text><![CDATA[<B>INTRODUCTION <BR>Occult Rome: <I>Civitas Hermetis</I></B><BR><BR><B>PART 1 <BR>THE HERMETIC PARABLES</B> <BR><BR><B>On the Hermetic Book of the Dead<BR></B>Giammaria Gonella <BR><BR><B>Hermetic Tetractys<BR></B>Valerio Tomassini <BR><BR><B>The Hermetic Madness of Marco Daffi <BR></B><BR><B>Divine Furors and Ecstatic Frenzies <BR></B><BR><B>Magical Heroism <BR><I>In the Works of D&#8217;Annunzio, Pound, <BR>George, Kremmerz, and Daffi <BR></I></B><BR><B>PART 2<BR>JOURNEY OF THE SOUL<BR></B><BR><B>The Avatars</B><BR>Giammaria Gonella <BR><BR><B>Tarot of Death and Rebirth</B><BR>Marco Daffi <BR><BR><B>Psychography of a Nonexistent Person</B> <BR>Giammaria Gonella<BR><BR><B>On Avataric Magic</B><BR>Gaetano Lo Monaco <BR><BR><B>The Avatars <BR></B>Marco Daffi <BR><BR><B>Psychurgy of the Postmortem</B> <BR>Valerio Tomassini <BR><BR><B>The Ritual of Hamzur Hakgul Bremard<BR><I>Also Called the Ritual of Andromeda</I> <BR></B>Marco Daffi <BR><BR><B>Commentary on the Journey of the Soul in the<BR>Sacred Representation of Hamzur</B> <BR>Luciano Raffaele SantaDomenica <BR><BR><B>Commentary on the Ritual of Hamzur</B><BR>Corpo dei Pari <BR><BR><B>PART 3 <BR><I>MEDICINAE DEI</I> <BR></B><BR><B>Corrosive Waters of Plant Mercury</B><BR>Valerio Tomassini <BR><BR><B>Introduction to the Ritual of </B><I><B>Medicinae Dei<BR></B></I>Marco Daffi<BR><BR><B>The Ritual of </B><I><B>Medicinae Dei</B><BR></I>Marco Daffi <BR><BR><B>PART 4 <BR>ELIXIR OF LIFE AND RENEWAL</B> <BR><BR><B>Introduction to the <I>Flos Caeli</I></B><I> <BR></I><BR><B><I>Flos Caeli <BR>Also Called the Nostoch or </I>Sputum Lunae</B><BR>Anonymous, 1676 <BR><BR><B>PART 5 <BR>SYMBOLS & MYTHS OF ITALIC HERMETICISM<BR><BR></B><B>Roman Obelisks</B><BR>Valerio Tomassini <BR><BR><B>The Magic Door</B> <BR>Valerio Tomassini <BR><BR><B>The Ibis <BR></B>Valerio Tomassini<BR><BR><B>The Phoenix</B> <BR>Belfegor<BR><BR><B><I>Vita Mercuri Trismegisti</I></B><BR>Alfonso Ceccarelli, 1577<BR><BR><B>PART 6 <BR>THE HERMETIC PRINCIPLES</B> <BR><BR><B>Landscape of the Hermetic Consciousness <BR></B><BR><B>The Human Constitution</B> <BR>AB-BA <BR><BR><B>The Hermetic Caduceus</B><BR>Giorgio (Shri Hanz)<BR><BR><B>Astral Plane and Astral Light</B><BR>K<BR><BR><B>PART 7 <BR>PERSPECTIVES ON REINCARNATION AND <BR>INITIATIC DEATH <BR><BR>Avataric Practices in Pata&#241;jali&#8217;s Yoga Sutras<BR></B><BR><B>Eros and Thanatos in the Spiritual Alchemy of <BR>Giuliano Kremmerz</B> <BR>Gaetano Lo Monaco <BR><BR><B>Considerations on the Human Condition<BR>in the Postmortem <BR></B>Gaetano Lo Monaco<BR><BR><B>The Four Possibilities of the Life-Death Sequence<BR></B>Valerio Tomassini <BR><BR><B>Paschal Resurrection <BR><I>The Significance of Solar Configurations on Religious Holidays</I></B> <BR>Giuliano Kremmerz <BR><BR><B>A Critique of Reincarnation</B> <BR>Ricciardo Ricciardelli <BR><BR><B>Death as a Prelude to a New Life <BR></B>Marco Daffi <BR><BR><B>Reincarnation <BR></B>Pietro Pica<BR><BR><B>Death and Reincarnation</B> <BR>Ugo Danilo Cisaria <BR><BR><B>PART 8 <BR>EXPLORATIONS IN CONSCIOUSNESS <BR></B><BR><B>Memory of an &#8220;Orphic&#8221; Experience<BR></B>Gaetano Lo Monaco<BR><B><BR>The Ayahuasca Trip </B><BR><B><I><BR>Ultra Vitam:<BR></I>Through the Interdimensional Portal</B> <BR>Valerio Tomassini <BR><BR><B>Notes on the Bardo</B><BR>Valerio Tomassini <BR><BR><B>Magical Prayer</B><BR>Giuliano Kremmerz<BR><BR><B>Bibliography<BR><BR>About the Contributors <BR><BR>Index</B>]]></Text>
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      <Text><![CDATA[<I>&ldquo;The Hermetic Book of the Dead</I> is a capstone in Pantano&rsquo;s series on the Italic Tradition. Here, Pantano reveals to the student of Hermeticism some of the most important concepts and modern practices regarding the very nature of being itself as experienced in a living tradition of Western esotericism. This is a book that one will study, internalize, and come to rely upon.&rdquo;]]></Text>
      <TextSourceTitle>Mark Stavish, author of Egregores and The Path of Freemasonry</TextSourceTitle>
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      <Text><![CDATA[&ldquo;A fascinating collection of rare Italian esoteric writings, hard to find in the original language, beautifully translated and presented by David Pantano&#8212;a modern magical hero.&rdquo;]]></Text>
      <TextSourceTitle>Stanislas Klossowski De Rola, author of The Golden Game</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Illuminating the way of magical heroism, this book prepares us not only to combat the negative pull of the numbingly unpoetic soul of modernity but to become magical heroes ourselves.&rdquo;]]></Text>
      <TextSourceTitle>Angel Millar, author of The Three Stages of Initiatic Spirituality</TextSourceTitle>
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      <Text><![CDATA[&ldquo;An extraordinary glimpse into the world of Italian esotericism&#8212;a tradition still far too poorly known in the English-speaking world&#8212;and a source of fascinating insights into the journey through death that we will all take sooner or later.&rdquo;]]></Text>
      <TextSourceTitle>John Michael Greer, author of The King in Orange</TextSourceTitle>
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      <Text><![CDATA[&ldquo;This remarkable book finally let the cat out of the bag on the initiatic teachings of the Italian Hermetist movement through a selection of writings from various leading avatars. It contains profound and eye-opening insights.&rdquo;]]></Text>
      <TextSourceTitle>Christopher McIntosh, author of Occult Russia and Occult Germany</TextSourceTitle>
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      <Text><![CDATA[&ldquo;In some sacred sodalities and secret societies, solemn, salacious rites persisted well into the Modern Era and beyond. Bringing a whole new meaning to the term &lsquo;the Italian underground,&rsquo; Pantano has unearthed for his readers the uniquely Italic remains of a living and breathing tradition of working with the dead that stretches all the way back to the twilight of philosophy.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;David Pantano crafts an eloquent synthesis of ancient and modern approaches to the transformative nature of katabasis and the esoteric process of initiatory death, making <I>The Hermetic Book of the Dead</I> essential reading for the living.&rdquo;]]></Text>
      <TextSourceTitle>Gwendolyn Taunton, author of The Path of Shadows</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;The Hermetic Book of the Dead</I> opened for me a gateway into the rich, little-known world of Italian occultism, past and present. Its lucid exploration of Kremmerz and Daffi, and the connections drawn to the thought of the great D&rsquo;Annunzio, who is particularly dear to my heart, make it a deeply rewarding read. This is a book long overdue&#8212;we owe David Pantano a special debt for bringing it to light.&rdquo;]]></Text>
      <TextSourceTitle>Christian Bouchet, PhD, founder of &#201;ditions Ars Magna</TextSourceTitle>
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      <Text><![CDATA[&ldquo;David Pantano&rsquo;s book is essential for introducing readers to the little-known Italian esoteric tradition developed by Giuliano Kremmerz and Marco Daffi and which traces its roots back to Giordano Bruno and Marsilio Ficino. <I>The Hermetic Book of the Dead</I> represents almost a modern Orphic gold tablet for new initiates seeking to understand the soul&rsquo;s journey after death and how to undertake it: a true discovery for the English-speaking world.&rdquo;]]></Text>
      <TextSourceTitle>Marcello De Martino, PhD, author of Mircea Eliade Esoterico</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Acting as both a preserver of forgotten wisdom and a modern guide, Pantano leads readers on a journey that is as much an internal transformation as it is an external exploration of the afterlife, ensuring the perpetuation of this living tradition to the present day.&rdquo;]]></Text>
      <TextSourceTitle>Travis Trinca, author of The Rosicrucian Compendium</TextSourceTitle>
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      <Text><![CDATA[&ldquo;David Pantano is to be congratulated for making several key texts of Italian occultism available in English for the first time. The writings on Avatars, the Medicinae Dei, and the Hamzur ritual offer a rare insight into the nature of the ultra-secret Italian hermeticists. I look forward to further translations from Pantano with eager anticipation!&rdquo;]]></Text>
      <TextSourceTitle>Alex Sumner, author of Conjuring Demons for Pleasure and Profit</TextSourceTitle>
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      <BiographicalNote><![CDATA[Susanne Steidl is a transformation coach and seminar leader. Since 2003, she has supported women in reconnecting with their feminine energy through rituals, chakra work, and personal coaching. She offers online and in-person trainings on energy healing. Susanne is based in South Tyrol, Italy.]]></BiographicalNote>
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      <Text><![CDATA[<B>Activating the womb chakra, the foundation for personal, sexual, and spiritual transformation</B><BR><BR>&#8226; Shows how to awaken the womb chakra&#8217;s kundalini energy to reclaim personal agency, heal inherited patterns, and restore balance<BR><BR>&#8226; Provides practical exercises for each chakra, including body acceptance, ancestral healing, yoni steaming, and Ho&#8216;oponopono<BR><BR>&#8226; Guides women on a complete journey from root to crown to cultivate joyful sexuality, strengthen boundaries, expand awareness, and achieve spiritual growth<BR><BR>The womb chakra&#8212;traditionally known as the sacral chakra&#8212;is the foundation of sacred primal power and physical vitality. In this book, Susanne Steidl shows how dormant kundalini energy in women can be awakened to reclaim personal agency, feminine energy, and power.<BR><BR>Through practical exercises, Steidl guides you to accept and love your body and release fears tied to your ancestral lineage. She shows you how to harmonize male and female energies and how to liberate desire to cultivate joyful female sexuality. She also gives specific activation methods for each chakra and provides tools to heal repression, establish boundaries, and restore inner strength.<BR><BR>Offering a comprehensive journey from root to crown, the chakras can become gateways to inner flowering&#8212;to empowerment, balance, and spiritual growth&#8212;allowing you to deepen self-knowledge, renew vitality, and embody your creative essence.]]></Text>
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      <Text><![CDATA[Susanne Steidl is a transformation coach and seminar leader. Since 2003, she has supported women in reconnecting with their feminine energy through rituals, chakra work, and personal coaching. She offers online and in-person trainings on energy healing. Susanne is based in South Tyrol, Italy.]]></Text>
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      <Text><![CDATA[<B>Root Chakra<BR><BR><I>Embracing Your Feminine Origin</I></B><BR><BR>In this chapter we will explore feminine history and culture, the female body, and our connection to the primal energy of Mother Earth. You will look back at your female ancestors, embrace your feminine heritage, and deepen your sense of belonging here on Earth.<BR><BR>The root chakra is the vessel of our femininity. It represents our arrival in this world&#8212;our conception, birth, and early childhood. Located at the base of the spine, this energy center is directed downward, grounding us in the element of Earth and connecting us to Mother Earth herself.<BR><BR>The root chakra holds the energy of primal trust, safety, and security. No matter how turbulent and challenging life may be, this energy can restore our sense that life is fundamentally benevolent. Our ability to trust in life is shaped by our earliest experiences&#8212;whether we felt safe and accepted in the womb, during birth, and in our first years of life.<BR><BR>Through an energetic umbilical cord, the root chakra connects us to the heartbeat of Mother Earth&#8212;our primal mother&#8212;who loves and nurtures us unconditionally, weaving us into the great web of existence, into the fabric of all beings. Mother Earth embodies the archetypal feminine force.<BR><BR>In ancient cultures, particularly in matriarchal societies, the Earth was revered as the Great Goddess. For example, the Greek goddess Gaia was worshipped as the Earth Mother. She was depicted as a woman rising from the ground, inseparably bound to her essence&#8212;her original element. The Earth was seen as the creator and sustainer of all life. Birth, both human and animal, was regarded as a sacred act of creation, and the cycles of life and death were honored with deep reverence.<BR><BR>Conception was understood as more than just a physical process, it was seen as a sacred act. Women were believed to possess divine power, for they carried the ability to bring forth new life. We can return to this profound perspective.<BR><BR><B>BEING AT HOME IN YOURSELF<BR></B><BR>Today, many women feel disconnected, ungrounded, and are unaware of their roots. Fatigue, restlessness, sleep disturbances, constant busyness, avoidance, instability, emotional numbness, and anxiety are just some of the symptoms that can arise when our primal connection to the Earth is lost.<BR><BR>As long as we are in survival mode&#8212;because our existence feels uncertain or we don&#8217;t feel safe in our environment&#8212;we cannot fully step into our true potential. Only when we are rooted, when we establish a solid and reliable connection, can we open ourselves to life&#8217;s energies.<BR><BR>To walk the feminine path of blossoming, we must first fully inhabit our womb space. We must arrive in our own inner power, connect with Mother Earth, and from this deep sense of security, bring our creative impulses into the world. For women, this connection to the Earth and our bodies is essential. Only through this bond can our root chakra hold and channel life energy.<BR><BR>To be connected to the Earth means to be in harmony with nature&#8217;s rhythms and elements, to recognize ourselves as part of Earth, and to trust that the Earth nourishes and sustains us.<BR><BR><B>EXERCISE<BR><BR>Connect with the Womb of the Earth<BR><BR></B>Lie down comfortably. Place your hands on your chest and feel your heartbeat. Visualize an energetic umbilical cord extending from your heart, flowing through your womb, down to your root chakra. From there, it reaches deep into the Earth, through to the heart of the planet. Tune in to the Earth&#8217;s heartbeat. Feel your heartbeat synchronize with the Earth&#8217;s. Become one with the Earth.<BR><BR>Through this energetic umbilical cord, pure primal trust flows from Mother Earth into your root chakra. Visualize this energy as a red light. It flows into your yoni, filling your entire pelvic area. Warmth spreads through you. Breathe in and out deeply and relax. Absorb as much primal trust as you need until you feel completely full and nourished by it. Then, speak the following affirmations: <i>I am connected, I am safe, I am here.</i><BR><BR>Many women struggle with their relationship with their bodies, feeling uncomfortable and disconnected. They measure themselves against idealized standards and are very self-critical. However, feeling at home in our own skin and accepting ourselves as we are is essential. Our existence begins in the body. It is the home of our soul and our love. To be present in our bodies with kindness means to be fully present in life.<BR><BR>Therefore, we say YES&#8212;yes to our appearance, yes to our weight, yes to our hair, our nose, our belly, our breasts. Yes to ourselves. When we do this, we can finally breathe deeply again and relax into our being.<BR><BR>Feeling safe and comfortable in our own body is the foundation for everything else: It allows us to surrender, to let go, and to feel deeply and fully.<BR><BR><B>EXERCISE<BR><BR>Give Love to Your Body<BR></B><BR>Stand naked in front of a mirror, first with your eyes closed. Place your hands on your heart, take a few conscious breaths, and connect with the love within you. Then, open your eyes and look at yourself in your entirety with a soft, loving gaze. Make sure to keep your mouth slightly open, relax your tongue, and even hint at a smile.<BR><BR>What do you see when you look at yourself with heartfelt warmth? Let your gaze travel from your feet upward, taking in your entire body. If you notice yourself starting to judge, take a deep breath and soften your gaze again, making it gentle, open, and loving. You may gently touch the areas of your body you are looking at. Touch yourself lovingly, breathe lovingly, and observe yourself lovingly. When you have fully seen yourself, say these words: <i>I thank you, my body, I bless you, I love you.</i><BR><BR>Participating in dance, yoga, sports, sauna sessions, or massage, really anything that helps you connect with your body and be present in it, is beneficial.<BR><BR>A wonderful way to strengthen body awareness is sleeping naked. I&#8217;ve been doing it for a few years now. At first, it felt unfamiliar, but it quickly became normal. This changes your relationship with your body and makes it easier to accept it. Your body is no longer confined by clothing; you set it free. Your skin can breathe better, and your yoni gets air too. Sleeping naked gives you the opportunity to touch yourself naturally and directly. For example, touching your breasts, which are associated with the heart chakra, the energy center of love, activates this chakra. Additionally, sleeping naked releases the feel-good hormone oxytocin, which improves sleep. Oxytocin also stimulates blood circulation, metabolism, and the immune system, and your body learns to regulate its own temperature. If your partner also sleeps without clothes, it can bring new energy into your love life.<BR><BR><B>FEARS, THE SHADOWS OF THE ROOT CHAKRA</B><BR><BR>Belonging, connection, and security are fundamental human needs&#8212;deeply tied to the root chakra. When we set out to grow and evolve, fears can arise, revealing the shadows of the root chakra.<BR><BR>The fear that our partner will turn away, that we&#8217;ll lose touch with our children, that we&#8217;ll be cast out from our community. The fear of being alone, of having to rely only on ourselves, of not being able to make it in this world. The fear that the life we&#8217;ve built will fall apart once we fully embrace our own power. Whether consciously or unconsciously, these fears live within us as women in many different ways.<BR><BR>The fear of losing someone on the journey back to ourselves can feel like an enormous obstacle. And whether or not it is actually justified, it has an undeniable impact. Generations of women before us lived through realities shaped by fear, and these ancient wounds are still present in our collective consciousness. This is how even a woman who is financially independent and socially well-connected might still, on a deep subconscious level, avoid confronting certain issues in her life&#8212;choosing instead to leave things as they are out of an unspoken insecurity.<BR><BR>Though letting go is an inherent part of our feminine nature, the fear of being left behind is something nearly all of us carry. In my work with women, this fear comes up again and again.<BR><BR>Fear suppresses our life force. Without a strong connection to the root chakra and, in turn, to the Earth itself, we become disconnected from our own bodies. We move through life from the mind, relying on masculine energy as we try to adapt to a society built on masculine structures. We search for energy outside of ourselves and become dependent on it&#8212;because we have lost touch with our own inner power.]]></Text>
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      <Text><![CDATA[INTRODUCTION<BR><B>WE BLOSSOM FROM OUR WOMB</B><BR><BR><B>ROOT CHAKRA</B><BR><I>Embracing Your Feminine Origin</I><BR><BR><B>SACRAL CHAKRA</B><BR><I>Awakening Your Feminine Desire</I> <BR><BR><B>SOLAR PLEXUS CHAKRA</B><BR><I>Activating Your Feminine Power</I> <BR><BR><B>HEART CHAKRA<BR></B><I>Feeling Your Feminine Love</I> <BR><BR><B>THROAT CHAKRA</B><BR><I>Releasing Your Feminine Expression</I><BR><BR><B>THIRD EYE CHAKRA</B><BR><I>Welcoming Your Feminine Intuition<BR><BR></I><B>CROWN CHAKRA<BR></B><I>Attaining Your Feminine Enlightenment<BR><BR></I><B>SOUL CHAKRA<BR></B><I>Radiating Your Feminine Light</I> <BR><BR><B>THE RENEWING CYCLE OF<BR>FEMININE CREATIVE POWER<BR><BR>WOMB CHAKRA WISDOM <BR><BR>ACKNOWLEDGMENTS<BR><BR>INSPIRATIONS AND FURTHER READING<BR><BR>INDEX<BR><BR>ABOUT THE AUTHOR</B>]]></Text>
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      <Text><![CDATA[&ldquo;Susanne Steidl has written a soulful book on reclaiming feminine power from within. <I>Womb Chakra</I> is a guide into the sacred, primal essence of the feminine origin, where rituals, inspired prose, and journal prompts invite a direct experience of the awakened, wildly empowered self. Ancient wisdom meets contemporary accessibility. This book is a gift for those who say yes to their empowered feminine soul.&rdquo;]]></Text>
      <TextSourceTitle>Mara Branscombe, author of Ritual as Remedy and Sage, Huntress, Lover, Queen</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;Womb Chakra</I> is a beautifully written book that explores ways to liberate the flow of feminine creative power through the chakras. The author offers a wide range of wonderful affirmations and practical exercises that anyone can use to embrace the power and mystery of their femininity.&rdquo;]]></Text>
      <TextSourceTitle>Christine R. Page, MD, author of The Healing Power of the Sacred Woman</TextSourceTitle>
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      <Text><![CDATA[&ldquo;In her new book, <I>Womb Chakra,</I> Susanne Steidl offers a chakra-led guide for women to enhance and support every aspect of their health and well-being. Punctuated by practical, accessible exercises and drawing on many traditions and the author&rsquo;s personal experience, this feminine journey is recommended for any woman seeking to deepen her connection to herself, her body, her sexuality, her spirituality, and her purpose.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Robert Dale Rogers, RH(AHG), is an herbalist with more than 50 years of experience in clinical practice and the classroom. He is the author of more than 60 books and is a member of the editorial board of the <I>International Journal of Medicinal Mushrooms</I>. A former clinical professor in family medicine at the University of Alberta, he lives in Alberta, Canada.]]></BiographicalNote>
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      <SubjectHeadingText>CACTUS MEDICINE;INDIGENOUS WISDOM;MODERN PHARMACOLOGY;CACTI GUIDE;NORTH AMERICAN CACTI;SOUTH AMERICAN CACTI;SAGUARO;PRICKLY PEAR;SAN PEDRO;PEYOTE;ENTHEOGENS;PLANT MEDICINE;ETHNOBOTANY;CACTUS MYTHOLOGY;CACTUS HEALING;NATURAL THERAPIES;CACTUS ALKALOIDS;ANTIDIABETIC;ANTICANCER;ANTIMICROBIAL;ANTIVIRAL;ANTIDEPRESSANT;ANALGESIC;FLOWER ESSENCES;HERBAL REMEDIES;HOMEOPATHIC;INDIGENOUS HEALING;SHAMANIC PLANTS;MESCALINE;PLANT FOLKLORE;BOTANICAL ENCYCLOPEDIA;PHOTOGRAPHY;ROBERT DALE ROGERS;STEFAN CAMPBELL</SubjectHeadingText>
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      <Text><![CDATA[<B>A comprehensive illustrated guide to cacti of North and South America</B><BR><BR>&#8226; Explores the characteristics, medicinal uses, and mythology of more than 570 species of cacti, including well-known species like Saguaro and Prickly Pear and entheogens such as San Pedro and Peyote<BR><BR>&#8226; Describes the ways that Indigenous peoples around the world have traditionally used cacti for healing, food, and ceremonial purposes<BR><BR>&#8226; Details scientific research on cactus compounds and alkaloids, including antidiabetic, anticancer, antimicrobial, antiviral, antidepressant, and analgesic properties<BR><BR>Cacti, with their iconic spines and thick stems, can be found around the world, though mainly in North and South America. They appear in a wide range of environments, from subarctic to extremely hot desert regions, speaking to their profound ability to adapt, survive, and thrive.<BR><BR>In this full-color illustrated book, Robert Dale Rogers explores more than 570 cacti species through the lenses of ethnobotany, folklore, chemistry, pharmacology, and their effective use in natural therapies. He details scientific research on the medicinal effects of cactus compounds and alkaloids, including their antioxidant, antidiabetic, anti-cancer, antibacterial, antiviral, antidepressant, and analgesic properties. He also looks at the use of cacti in flower essences, herbal preparations, and homeopathic remedies.<BR><BR>Rogers explains how Indigenous people, such as the Cree, have used cacti for healing, food, ceremony, and shamanic purposes for millennia, and he shares sacred stories centered on cacti, such as the Cactus Cat story from the American Southwest. He also provides a psychopharmacological examination of the entheogenic alkaloid mescaline, which can be found in San Pedro and peyote cacti. Showcasing their benefits and unusual beauty, this book reveals how cacti have supported humanity from prehistory to the present day.]]></Text>
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      <Text><![CDATA[Robert Dale Rogers, RH(AHG), an herbalist with more than 50 years of experience, is the author of more than 60 books, a professional member of the American Herbalists Guild, and on the editorial board of the <I>International Journal of Medicinal Mushrooms</I>. Rogers is presently an adjunct professor at the Augustana Campus of the University of Alberta in Camrose, Canada.]]></Text>
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      <Text><![CDATA[<b>Introduction</b><BR><BR><b>An Astral Body with a Tough Skin</b><BR><BR><i>Life is tough</i><BR><BR><i>But so are cacti.</i><BR><BR>Unknown<BR><BR>I have long been fascinated with cacti. Some people may say this is due to my prickly nature, while others will probably say it&#8217;s my dry sense of humor.<BR><BR>In northern Alberta, Canada, where I live, small prickly pear cacti (<i>Opuntia </i>spp.) grow on the south-facing sloped banks of the Peace River at latitude 56&#176; north. And in southeastern Alberta are found much larger plants, with pads and fruit large enough to enjoy as a meal. In the wild, several winter-hardy cacti convert their internal moisture into an antifreeze, protein-type gel. Temperatures in winter in this region of Canada can reach &#8722;58 &#176;F (&#8722;50 &#176;C). In one trial, <i>Opuntia fragilis </i>was subjected to &#8722;94 &#176;F (&#8722;70 &#176;C) and then placed in liquid nitrogen at &#8722;320.8 &#176;F &#8722;196 &#176;C) following a slow freezing down to &#8722;40 &#176;F (&#8722;40 &#176;C). After all of this, half of the stems survived! Cree elders of Alberta know local cacti as <i>m&#244;st&#226;skamkahk kohpikihk</i>.<BR><BR>My wife and I spend at least one month each winter in Palm Springs, California, and one of my favorite things to do is to visit the Living Desert Zoo and Gardens located in Palm Desert, which exhibits cacti from both hemispheres. The private Moorten Botanical Garden and Cactarium in Palm Springs is also a cactus lover&#8217;s delight.<BR><BR>Earlier in my herbal career I spent time with a <i>curandero</i>, a traditional healer, in northern Peru, who conducted biweekly healing ceremonies involving the San Pedro cactus (<i>Trichocereus macrogonus </i>var. <i>pachanoi </i>syn. <i>Trichocereus</i> <i>pachanoi</i>). And I have had personal experiences with peyote ceremonies conducted in northern Mexico.<BR><BR>While in university I was introduced to tequila and mezcal, which are produced from the agave plant. Many people mistakenly believe agave is a cactus, but in fact it is a succulent member of the Asparagaceae family and the Agavoideae subfamily. Likewise for Joshua tree, which is neither a tree nor a cactus, but a member of the same family as agave.<BR><BR>In Mexico, fruit from various cacti species is fermented to produce the alcoholic brew <i>colonche</i>, and some processes involve the addition of pulque, the fermented sap of agave species, as an inoculum. By law, tequila can contain up to 50% ethanol, making it a less desirable choice than mezcal for margarita aficionados.<BR><BR>Various <i>Euphorbia </i>species appear at first glance to be cacti, but they are not. Many of them develop a toxic, yet sometimes medicinal, milky white latex.<BR><BR>The semisucculent, thorny ocotillo (<i>Fouquieria splendens</i>), found in the desert Southwest, is a valuable medicine for pelvic lymphatic issues, but again, it is not a cactus.<BR><BR>During my clinical practice of over twenty years, I became familiar with and recommended <i>Selenicereus grandiflorus </i>syn. <i>Cactus grandiflorus </i>as a homeopathic remedy. And I recommended various cactus flower essences for emotional and spiritual issues, including an essence made from the flower of the saguaro cactus (<i>Carnegiea gigantea</i>), which was offered as a vibrational remedy by the Flower Essence Society.<BR><BR>But this story should start at the beginning, with the evolution of these remarkably hardy and adaptable, drought-resistant plants and their use for food and medicine around the world by Indigenous peoples. The term <i>cacti</i> is derived from the ancient Greek <i>k&#225;ktos</i>, a name given by the ancient Greek philosopher and naturalist Theophrastus, a student of Aristotle, for a spiny or thorny unknown plant, possibly the cardoon (<i>Cynara cardunculus</i>), an artichoke that may be distantly related to the rose, due in part to its rose-shaped flowers (Earle 1980). Doubtful. The <i>Pereskia </i>genera are known as rose cacti, but with no older scientific taxonomic link to other cacti. Linnaeus, in 1737, categorized cacti in two genera, <i>Cactus </i>and <i>Pereskia</i>, but in 1753 moved them all to the <i>Cactus </i>genus (since renamed <i>Mammillaria</i>), based on 22 species sent from the New World.<BR><BR>By the twentieth century, taxonomists had rejected previous classifications. We now have the subfamilies Pereskioideae (1 genus with 10 species), Opuntioideae (15 genera and 220&#8211;250 species), and the Cactus family, Cactaceae, which contains 125&#8211;130 genera and 1,400&#8211;1,500 species native to the Americas. The sub-family of Cactceae, Cactoideae, contains 11 genera, and about 1,500 species. Mexico alone has nearly 900 species.<BR><BR>Cacti are known for repelling potential invaders by being repellent oneself. Harsh, prickling, sharp, sarcastic, piercing, nasty, abusive and grotesque behaviour will keep everyone away, forbidding anyone from coming close (Vermeulen and Johnston 2011). They are acclimatized to a wide swath of dry environments, from the Atacama Desert of Chile and ranging up to northern Canada. They are classified as perennial succulents that store water in their thick, fleshy parts, and show a diminution of leaves into spines. Or to be more precise, cacti have areoles, or buds, which can form reduced leaves (spines), flowers, new stems, glands, bristles, hairs, and even adventitious roots. Spines are modified leaves, and thorns are modified branches. They provide shade and protection from herbivorous animals as well as condense moisture in foggy environments, sending it to the roots. Glochids (or glochidia) are hairy, barbed spines found around the areoles that must be removed, along with the spines.<BR><BR>The stems have ribs that follow the Fibonacci sequence of numbers (2, 3, 5, 8, 13, 21, and so forth). To conserve water, respiration occurs at night, with carbon dioxide turned into malic acid for daytime photosynthesis. This method, known as <i>crassulacean acid metabolism</i>, helps preserve moisture by opening stomata at night when temperatures and moisture loss are lowest. The ribs expand when water is available and contract when scarce, like an accordion. As mentioned earlier, cacti can tolerate extremes of temperature ranging from 147&#8211;160 &#176;F (64&#8211;71 &#176;C) to &#8722;40 &#176;F (&#8722;40 &#176;C), and even lower. The flat pads, or cladodes, are called nopal or nopales, and in <i>Opuntia </i>species they are considered a choice edible.<BR><BR>Cacti have two layers of skin. The outer epidermis, or cuticle, is waxy and leathery, preventing water loss and reflecting sunlight. The inner hypodermis provides structure and produces crystals such as calcium oxalate to prevent animals from ingesting them. The spines do a good job of dissuasion as well. They all contain betalains, which give them a green appearance, and they contain higher levels of calcium, magnesium, zinc, copper, and boron than most other plants. Calcium oxalates are also present. Other constituents include pectins; mucilage; tetrahydroisoquinoline alkaloids, including pellotine, anhalonine, anhalonidine, lophophorine, carnegine, gigantine, arizonine, and salsolidine (norcarnegine); and phenethylamines (phenolic alkaloids), including mescaline, hordenine (N, N-dimethyltyramine), and tyramine derivatives in some species. Gigantine, found in <i>Carnegiea </i>species, is not known to be hallucinogenic to humans but has shown such effects in cats and squirrel monkeys. Hordenine, also found in barley, will be discussed later in this book. Mescaline is discussed throughout this book, as well as in Appendix 1.<BR><BR>Cacti range in size from the giant cardon, or elephant cactus (<i>Pachycereus pringlei</i>), which can grow to a height of 63 ft (19.2 m), to the smallest<i> Blossfeldia liliputana</i>, which measures barely 1 cm. Nearly all cacti are found<i> </i>in the Americas, with the exception of <i>Rhipsalis baccifera</i>, perhaps native to the<i> </i>Americas but now found in Africa and Sri Lanka. More recently, some cacti<i> </i>have been introduced to Hawaii, Australia, and the Mediterranean region, with<i> </i>both beneficial and disastrous results, becoming invasive in some cases.<i></i><BR><BR>Scientists speculate that the cactus family evolved after the ancient supercontinent of Gondwana split into Africa and South America around 145 million years ago. Perhaps. Other sources suggest their appearance during the Late Cretaceous period, about 90 million years ago, long before the disappearance of dinosaurs. No fossils remain, so there is much speculation and little evidence.<BR><BR>Many cacti are pollinated by bees, bats, moths, and hummingbirds, producing fruits of variable edibility. Some birds eat the fruit and will nest among the protective spines. My wife, Laurie, and I saw the smallest owl burrowed in a saguaro cactus near Tucson many years ago.<BR><BR>Cave paintings in Brazil and seed deposits in Mexico and Peru dating from 12,000 years ago suggest hunter-gatherers collected the fruit of cacti.<BR><BR>The flat-jointed prickly pear fruit from the <i>Opuntia </i>species and other cacti species are commonly known as tunas, cactus pears, or Indian figs. Cacti fruit are also referred to as <i>cactidium</i>, but I will use the term <i>fruit </i>throughout this book. Due to their method of respiration, [the fruits] also contain a considerable amount of plant acid which arises because exhalation is held back. In the process of life, sugar is normally broken down in the process of respiration into carbon dioxide and water. In the succulents, this process of degradation comes to a halt half-way through and plant acids such as malic, tartaric, oxalic and citric acid are formed. (Vermeulen and Johnston 2011, 7)<BR><BR>Of the approximately 850 species of cacti that are native to Mexico, twenty-two have been used in traditional medicine for treating stomachache, gastric ulcers, rheumatism, diabetes, dysentery, obesity, heart disease, pain, inflammation, and diuresis. All parts of the plant have been used, including the cladodes, fruit, and flowers. The inner mucilage of many species has been used as an emollient for skin conditions, providing cool and hydrating benefits. At one time, the thick mucilage was mixed with fat to make candles or was heated down to a concentrate to make a glue or adhesive. In fact, the practical uses of cacti are almost unlimited as you will see in this book.]]></Text>
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      <Text><![CDATA[Foreword by Roger Holden <BR><BR>Acknowledgments <BR><BR>Introduction<BR><B><I>An Astral Body with a Tough Skin</I></B> <BR><BR>CACTI <BR><B><I>From Acanthocereus to Xiquexique<BR><BR></I></B>Appendix 1. Mescaline <BR><B><I>One of the Oldest Known Medicinal Psychedelics<BR><BR></I></B>Appendix 2. Cochineal <BR><B><I>Prickly Pear&#8217;s Valuable Parasite <BR><BR></I></B>Cacti by Their Common Names <BR><BR>Resources <BR><BR>References <BR><BR>Index of Cacti and Medicinal Applications]]></Text>
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      <Text><![CDATA[<I>&ldquo;Cactus Medicine</I> is a well-documented synthesis of traditional practice and pharmacological evidence. By placing traditional uses within the scientific frameworks of pharmacology and ethnobotany, this book provides clinicians with a clear roadmap for exploring cactus-derived therapies by illuminating the great potential of therapeutic indications in modern clinical practice. Rogers has written a major contribution to herbal medicine and the wider field of ethnobotany.&rdquo;]]></Text>
      <TextSourceTitle>David Hoffmann, FNIMH, AHG, author of Medical Herbalism, Herbal Intelligence, and The Herbal Handboo</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;Comprehensive.</I> That&rsquo;s the word for Robert Dale Rogers&rsquo;s treatment of medicinal substances&#8212;from lichens to mushrooms to cacti and more. Rogers&rsquo;s canon is well-researched, scientifically up-to-date, and a very important collection of references for herbalists and researchers in the field.&rdquo;]]></Text>
      <TextSourceTitle>Matthew Wood, author of Holistic Medicine and the Extracellular Matrix and A Shamanic Herbal</TextSourceTitle>
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      <Text><![CDATA[&ldquo;This book by Robert Dale Rogers on cacti&#8212;a family of plants too long neglected by herbalists&#8212;is a treasure trove for all ethnobotanists. It is a must for anyone who is interested in the use of healing plants by Indigenous peoples, herb cunners, and modern phytotherapists.&rdquo;]]></Text>
      <TextSourceTitle>Wolf D. Storl, PhD, cultural anthropologist and ethnobotanist, coauthor of Witchcraft Medicine, and</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Fascinating insights into the medicinal properties of the cactus family, ranging from First Nations accounts to recent scientific studies. After my long collaboration with Robert Dale Rogers, I am thrilled to see yet another plant family covered in this unique way, combining traditional uses with modern science. If you are interested in the unique pharmacology of cacti and its Indigenous use across North and South America for food, medicine, and spiritual purposes, you should consult this book. Numerous references are included, which can be used as a starting point for further scientific exploration. A must-read for all ethnobotanists and a great reference book for horticulturalists and anyone who is interested in the cactus family.&rdquo;]]></Text>
      <TextSourceTitle>Roland Treu, PhD, mycologist and associate professor of biology at Athabasca University</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Robert Dale Rogers has done it again and created another botanical medicine masterpiece that belongs on every herbalist&rsquo;s bookshelf! His talent at presenting deep research and experience in the world of medicinal cacti is so beautifully balanced in this book by his engaging, humorous storytelling style.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Modern books on herbalism and natural medicine frequently overlook the Cactaceae family; fortunately, <I>Cactus Medicine</I> more than fills the void. This book covers more than 570 species of cacti and provides detailed information regarding the origins of the scientific and local names for each species as well as covers traditional therapeutic uses and the pharmacological bases for these applications. The book is accessible to the novice but also provides plenty of citations for advanced audiences that may want to dig deeper. Rogers&rsquo;s full-color book will be a welcome addition to the cacti enthusiasts&rsquo; library.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;In my entire career, I have never met anyone with the breadth and depth of plant knowledge that Robert Dale Rogers possesses. This deep focus on cacti is yet another remarkable addition to an already extraordinary body of work.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Wow! I have been working with cacti as medicine for many years and this book is the ultimate, supreme source right now. If you want to learn more about healing, psychotropic, and medicinal cacti, this is an extraordinary resource. Highly recommended.&rdquo;]]></Text>
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      <Text><![CDATA[<B>Reveals how myths connect us to the imaginal realm</B><BR><BR>&#8226; Explains how certain mythic structures and esoteric teachings appear across traditions, reflecting humanity&#8217;s shared imaginal perception of spiritual reality<BR><BR>&#8226; Shows how myths can serve as initiatory tools for interfacing with the transformative power of imagination<BR><BR>&#8226; Draws on Babylonian, Norse, Egyptian, Biblical, Indian, and Chinese myths as well as the works of Plato and the Neoplatonists<BR><BR>Ike Baker reveals how myths express universal spiritual truths and arise from an imaginal reality shared by all humanity.<BR><BR>Distilling two decades of research in comparative mythology, linguistics, and the esoteric philosophies of Taoism, Platonism, and Hermeticism, the author shows how myths provide a living map to the imaginal realm&#8212;a spiritual cartography that resonates across time and culture. He discusses <I>mythopoesis</I>, the magic of myth-making, and the importance of dreams in connecting us to the imaginal realm and the perennial wisdom it contains.<BR><BR>Drawing on Babylonian, Norse, Egyptian, Biblical, Indian, and Chinese myths as well as the works of Plato and Neoplatonists, Baker explores how certain mythic structures and esoteric teachings appear across traditions, reflecting a timeless worldview and humanity&#8217;s shared imaginal perception of spiritual reality. He also looks at core concepts expressed through myth&#8212;the idea of an Adversary, the fall and exile, trials and quests, saviors and redeemers, and the triumph of the light.<BR><BR>Revealing the enduring relevance of myths, Baker demonstrates how these archetypal stories bridge the subconscious and conscious, and can serve as initiatory tools for interfacing with your imagination.]]></Text>
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      <Text><![CDATA[<B>A deck based on the astrological vision of the Hermetic Order of the Golden Dawn</B><BR><BR>&#8226; Gives astrological correspondences for each card in the tarot, including planets, signs, and elements, as established by the Hermetic Order of the Golden Dawn<BR><BR>&#8226; Explains the symbolic meaning, interpretive range, and shadow aspect of each card for more nuanced readings<BR><BR>&#8226; Introduces reading practices and examples that support your exploration of contemplative and comparative tarot methods<BR><BR>The Rider&#8211;Waite&#8211;Smith deck was influenced by the Golden Dawn&#8217;s system of symbolic connections between the arcana, astrology, and Kabbalah. Using the structure and symbolism of the Rider&#8211;Waite&#8211;Smith system, astrologer and tarot reader Karen D&#237;az offers a deck highlighting the Golden Dawn&#8217;s original astrological correspondences.<BR><BR>The deck is a tribute to the often-overlooked contributions of Pamela Colman Smith. The illustrations, created by Coni Curi, are based on Smith&#8217;s vision. While rooted in the Golden Dawn system, the author invites you to explore these associations for yourself, encouraging a personal and evolving approach to tarot interpretation. Practices are included to support the development of contemplative and comparative skills through single-card and three-card spread practices.<BR><BR>With striking art by Coni Curi, each card includes astrological associations, symbolic analysis, and practical interpretations. Attention is given to the light and shadow aspects of each card. The guide explains the elemental relationships between the four suits, and the planetary and sign-based correspondences for the Major and Minor Arcana.<BR><BR><I>AstroTarot</I> offers a structured foundation for understanding the interrelation of astrology and tarot and empowers readers to expand and deepen these correspondences.]]></Text>
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      <Text><![CDATA[<B>Karen D&#237;az</B> is an astrologer and tarot reader who teaches tarot classes with a focus on symbolic correspondences and intuitive development. She is based in Argentina.<BR><BR><B>Coni Curi</B> is an illustrator, graphic artist, and influencer with a deep interest in esotericism. She lives in Valencia, Spain.]]></Text>
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      <Text><![CDATA[<B>Introduction<BR><BR>The History of Tarot<BR></B><BR>One of the most popular theories suggests that the tarot originated from Eastern playing cards. Historical decrees prohibiting their use confirm that playing cards were already circulating in Europe by the late fourteenth century. Around 1450, the invention of the printing press enabled the widespread production of cards for gaming purposes, but it wasn&#8217;t until the eighteenth century that tarot became established as a tool for divination. In nineteenth-century France, occultism emerged as a movement devoted to reclaiming the study of various esoteric disciplines, including card decks.<BR><BR>In 1888, a magical group called the Hermetic Order of the Golden Dawn was founded in Great Britain. Its members dedicated themselves to the study and practice of Hermeticism, occultism, and metaphysics. They delved deeply into the connections between Kabbalah, astrology, and tarot. It was within this tradition that a system of symbolic correspondences was established&#8212;one that is still in use today to interlink these three mystical disciplines. Arthur Edward Waite and Pamela Colman Smith were both members of this order. Together, they created the deck we now know as the Rider&#8211;Waite&#8211;Smith (RWS) Tarot. Pamela was the artist who brought its archetypes to life through illustration.<BR><BR><B>About <i>AstroTarot</i><BR></B><BR><i>AstroTarot </i>is a tribute to the illustrations of Pamela Colman Smith and seeks to recover the association between the arcana of the tarot and astrology that was established in the RWS deck. For this reason, we honor the numbering, the names, and the arrangement of the suits as proposed by the Hermetic tradition and preserved in that deck.<BR><BR>There is ongoing debate about whether the associations between tarot and astrology follow a coherent logic or are merely arbitrary. Some pairings seem evident&#8212;such as the Magician with Mercury&#8212;while others may appear more questionable, like Aries with the Emperor. We do not aim to endorse any orthodox theoretical stance. On the contrary, we seek to propose a starting point from which each reader may expand, deepen, or challenge these correspondences.<BR><BR><B>Astrological Affinities and Working with the Symbol<BR><BR></B>In the astrological affinities established by the Golden Dawn, the Major Arcana&#8212;which speak to transcendent and collective dynamics&#8212;are associated with planets, signs, and elements. The Minor Arcana, more grounded in earthly experience, are linked to the placement of planets within the zodiac signs. The Tower, for instance, is associated with Mars, while the Two of Wands corresponds to Mars in Aries.<BR><BR>The court cards serve as standard-bearers of the element represented by their suit: fire in Wands, water in Cups, air in Swords, and earth in Pentacles.<BR><BR>One of the core principles of <i>AstroTarot </i>is to resist a reductionist approach that confines the interpretation of each tarot card to a single astrological concept. As stated earlier, we treat the associations promoted by the Golden Dawn as a historical point of reference. We encourage each individual to explore these correspondences and uncover their own mystery within them. The most valuable outcome we can hope for from these connections between astrology and tarot is that they stir our questions, awaken our suspicions, and in doing so, ignite our intuition.<BR><BR><B>0. THE FOOL<BR><BR>Air &#8226; Exploratory Impulse<BR></B><BR>The Fool, like the element of air, is linked to experiences of multiplicity, movement, and chaos. This energy invites us to explore every possible relationship between the present and what is yet to come. At its highest expression, it embodies the ability to communicate and interweave diverse perspectives within group dynamics.<BR><BR>It is associated with Uranus, the planet that governs Aquarian energy and represents the pursuit of singular expression, creation, and new ideas. This is a state of pure innocence, attuned to the sudden, the unpredictable, and the eccentric. Much like Aquarius, the Fool can be part of a network&#8212;an agent for collective transformation.<BR><BR>In its shadow aspect, we may become ensnared in erratic behavior, an inability to commit, or a sense of disorientation. There is a risk of lingering on the margins or setting destructive actions into motion.<BR><BR><B>I. THE MAGICIAN<BR><BR>Mercury &#8226; The Magical Act of Creation<BR></B><BR>The god Mercury (Hermes to the Greeks) was the son of Zeus, ruler of Olympus, and Maia, a woodland nymph. For this reason, he bears the gift of being a messenger between heaven and earth. The Magician, too, is a mediator&#8212;but between the inner and outer worlds.<BR><BR>In astrology, Mercury rules Gemini and Virgo. Gemini learns through immediate interaction and brings forth new connections, though it can be fickle. The Magician is creative, expanding perception, yet he may make promises he does not fulfill. Virgo is known for its practicality and problem-solving skills&#8212;qualities that are also embodied in this card.<BR><BR>At the same time, the Magician, like Aries, carries an initiating energy&#8212;a channel for the power of life itself. But his work is with the word. He points to the sky with one hand and to the earth with the other. Through this gesture, he brings forth what is new.<BR><BR><B>II. THE HIGH PRIESTESS<BR><BR>Moon &#8226; Contemplate the Mystery of Life</B><BR><BR>The Moon, which rules Cancer, is linked to the maternal archetype. Like the High Priestess, Cancer speaks to the entrance into material life&#8212;the gestation process. It signals the first circle of belonging: the family clan. This allusion to origin can lead to a retreat into the familiar, to resistance, and withdrawal, much like the woman in the card when she appears in her stagnant form.<BR><BR>The High Priestess is also associated with Virgo, who knows how to nourish and works in harmony with nature&#8217;s cycles. She patiently accompanies the movements of life. Both archetypes invite a complete surrender to the act of caring. They embrace life&#8217;s paradoxes: light and darkness, life and death, good and evil.<BR><BR>Another possible connection is Neptune, which represents the divine and the mysterious within the human experience. In order to access the reflection of the spiritual within the material, one must withdraw. This retreat allows the deep voice within us to rise and be heard.<BR><BR><B>III. THE EMPRESS<BR><BR>Venus &#8226; Fertile Nature<BR></B><BR>The Empress and Venus surrender to life with passion. They speak to us of fertile nature, springtime, pleasure, and connection. Venus rules over Taurus and Libra. In Taurus, the Empress intuitively understands the organic rhythms of life. She embraces a sensual and conscious sexuality. In its shadow aspect, we may become trapped in comfort and greed.<BR><BR>In Libra, Venus reveals her most charming and diplomatic side. Sociability may be one of her gifts; she is a gracious hostess. Her challenge lies in resisting relationship or beauty standards that do not truly reflect who she is.<BR><BR>When her giving nature becomes excessive, the Empress reflects Venus in Pisces. She may also be associated with Venus in Leo, due to her authenticity and flamboyance. In this case, the risk is that she may seek to impose her own vision upon others.<BR><BR><B>IV. THE EMPEROR<BR><BR>Aries &#8226; Sustaining Beginnings<BR></B><BR>One is born an emperor&#8212;it is a divine design. Like Aries, the first sign of the zodiac, he is a leader. He is also a channel through which energy is brought into tangible form. The number four establishes a structure that brings order, balance, and support. It is also associated with Saturn, which represents the constructive dimension of life.<BR><BR>The Emperor could be envisioned as Saturn in Aries, a configuration that entails great responsibility from a young age, along with the confidence and assertiveness needed to build a structure that ensures well-being. The key is not to repress instinct, lest he become a rigid sovereign.<BR><BR>Mars is the ruler of Aries&#8212;the warrior who acts from desire. Both Mars and the Emperor reach their fullest expression through the energy of Capricorn, with the discipline and willpower to manifest their goals.<BR><BR><B>V. THE HIEROPHANT<BR><BR>Taurus &#8226; Interpreter of the Unknown</B><BR><BR>Taurus is the first connection to the material experience. It transmits the values and judgments necessary for the existence of form and life itself. The Hierophant represents the figure of one who imparts doctrine, like a teacher. Just like Taurus, this figure may also manifest rigidity, stubbornness, and a clinging to conservative narratives.<BR><BR>The fifth card of the Major Arcana is a communicator&#8212;a bridge between heaven and earth, an interpreter of the unknown. As with Sagittarius, he knows there is something beyond what the eyes can see, and he seeks that truth. Jupiter, ruler of Sagittarius, is the planet that connects us to faith. Like the Hierophant, it proclaims utopias worth surrendering ourselves to.<BR><BR>The challenge of this card is to avoid fanaticism, the abuse of power, and the presumption of an absolute truth.]]></Text>
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      <SubjectHeadingText>QUIROMANCIA V&#201;DICA;HAST JYOTISH;LECTURA DE MANOS;L&#205;NEAS DE LA PALMA;DESTINO;ATENCI&#211;N PLENA POSITIVA;CAMBIO DE CONDUCTA;VIBRACIONES ENERG&#201;TICAS;HUELLAS DE MANOS;L&#205;NEA DE LA VIDA;FELICIDAD;CHAKRAS;CINCO ELEMENTOS;SIGNOS EN LA PALMA;INTERPRETACI&#211;N DE LA PALMA;AUTOTRANSFORMACI&#211;N;AN&#193;LISIS DE LAS MANOS;KARMA;SANACI&#211;N ESPIRITUAL;T&#201;CNICAS DE QUIROMANCIA;DESARROLLO PERSONAL;SANACI&#211;N ENERG&#201;TICA;PERSPECTIVAS PS&#205;QUICAS;DESPERTAR ESPIRITUAL;BIENESTAR HOL&#205;STICO;PR&#193;CTICAS DE ATENCI&#211;N PLENA;BIENESTAR EMOCIONAL;CLARIDAD MENTAL;CRECIMIENTO ESPIRITUAL;TRANSFORMACI&#211;N</SubjectHeadingText>
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      <Text><![CDATA[<B>Comprende tu pasado y forma tu futuro con quiromancia v&#233;dica</B><BR><BR>&#8226; Descubre c&#243;mo las l&#237;neas y caracter&#237;sticas de tus manos son un reflejo directo de tus pensamientos, actitudes y conductas, y c&#243;mo puedes transformarlas para crear tu destino<BR><BR>&#8226; Explora el significado de las diferentes l&#237;neas y signos en las palmas<BR><BR>&#8226; Examina huellas de manos de &#8220;antes&#8221; y &#8220;despu&#233;s&#8221; que muestran vidas transformadas a trav&#233;s de la quiromancia y las pr&#225;cticas de consciencia plena, mantras y respiraci&#243;n consciente<BR><BR>En esta detallada gu&#237;a sobre el arte y la ciencia de la quiromancia v&#233;dica, (<I>hast jyotish</I>), los renombrados quirom&#225;nticos-astr&#243;logos Ghanshyam Singh Birla y Guylaine Vall&#233;e revelan c&#243;mo las l&#237;neas de nuestras reflejan pensamientos, conductas y energ&#237;as, y c&#243;mo es posible cambiarlas para moldear nuestro destino. Al compartir contundentes casos de estudio que ilustran la conexi&#243;n entre los cambios conductuales y las huellas modificadas en las manos, los autores nos ense&#241;an c&#243;mo interpretar lo que nuestras palmas nos dicen acerca de d&#243;nde hemos estado, d&#243;nde estamos ahora y ad&#243;nde somos capaces de ir.<BR><BR>Exploran el significado de las distintas l&#237;neas y signos de las palmas, incluso la correspondencia entre la L&#237;nea de la Vida y la felicidad, as&#237; como entre las l&#237;neas menores y la consciencia plena. Nos muestran que los cambios en la vibraci&#243;n energ&#233;tica, el karma y las relaciones se reflejan en nuestras manos, y nos explican como identificar los cinco elementos y los chakras en las palmas.<BR><BR>Al mostrar huellas de manos de antes y despu&#233;s, los autores se&#241;alan indicadores visibles de cambio positivo, incluidos los efectos de los mantras y de las t&#233;cnicas de respiraci&#243;n en los signos de felicidad que aparecen con el tiempo. Con esta gu&#237;a, no solo ser&#225;s capaz de descubrir los bloqueos personales a la felicidad que se reflejan en tus manos, sino tambi&#233;n los ver&#225;s transformarse a medida que cambias tu mentalidad y das la bienvenida a una vida m&#225;s positiva.]]></Text>
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      <Text><![CDATA[<B>Ghanshyam Singh Birla (1941&#8211;2024)</B> fue un reconocido quirom&#225;ntico-astr&#243;logo v&#233;dico. Fundador del Birla Vedic Center for Palmistry and Astrology y autor de varios libros, incluido <I>Magnet Therapy</I>. <BR><BR><B>Guylaine Vall&#233;e</B> es una quirom&#225;ntica-astr&#243;loga v&#233;dica, presentadora de televisi&#243;n y profesora en el Birla Center. Es autora de <I>The Happy Palmist</I> y vive en Ch&#233;n&#233;ville, Quebec, Canad&#225;.]]></Text>
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      <Text><![CDATA[Pr&#243;logo por Joni Patry <BR><BR>Reconocimientos <BR><BR><B>1</B> Manos felices para una vida feliz: <BR>Conoce a Ghanshyam Singh Birla <BR><BR><B>2</B> La quirom&#225;ntica feliz: Te presentamos a Guylaine Vall&#233;e <BR><BR><B>3</B> Conceptos b&#225;sicos de la quiromancia v&#233;dica <BR><BR><B>4</B> Tripliquemos nuestras probabilidades de ser felices:<BR>La tr&#237;ada Luna-Venus-Marte <BR><BR><B>5</B> La armon&#237;a de la coherencia coraz&#243;n-cabeza<BR><BR><B>6</B> No olvidemos la funci&#243;n de la L&#237;nea de la Vida<BR>en la felicidad<BR><BR><B>7</B> Dominemos nuestras energ&#237;as internas: <BR>Los elementos y los chakras<BR><BR><B>8</B> La consciencia plena y las l&#237;neas menores<BR><BR><B>9</B> Se&#241;ales de felicidad y c&#243;mo hacerlas crecer <BR><BR>Bibliograf&#237;a <BR><BR>&#205;ndice anal&#237;tico <BR><BR>Sobre los autores]]></Text>
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      <Text><![CDATA[<I>&ldquo;La felicidad en la palma de tus manos</I> se destaca como una gu&#237;a de autoridad en quiromancia v&#233;dica que combina sabidur&#237;a ancestral con conocimientos pr&#225;cticos para descubrir tu camino hacia la felicidad verdadera. Con d&#233;cadas de experiencia, los autores brindan claridad, calidez y profundidad a este arte sagrado, logrando que conceptos complejos sean accesibles y significativos. Este libro es un viaje al autodescubrimiento y al gozo duradero. No pierdas la oportunidad de transformar tu vida a trav&#233;s de la poderosa gu&#237;a que encontrar&#225;s en estas p&#225;ginas&rdquo;.]]></Text>
      <TextSourceTitle>Shreekala Ram, astr&#243;loga v&#233;dica y autora de Jaimini Astrology</TextSourceTitle>
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      <Text><![CDATA[&ldquo;&#191;Las palmas de tus manos pueden predecir tu futuro? &#191;Tu conducta puede cambiar el mapa de tus palmas? Ghanshyam Singh Birla y Guylaine Vall&#233;e responden estas preguntas y m&#225;s en esta provocativa perspectiva sobre el arte predictivo y la historia antigua de la quiromancia v&#233;dica. &#161;Es una lectura fascinante, divertida y esclarecedora!&rdquo;.]]></Text>
      <TextSourceTitle>Thom Hartmann, autor de TDAH y ADHD and the Edison Gene</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Como astr&#243;loga v&#233;dica, sanadora y graduada del curso de quiromancia v&#233;dica del Birla Center, lo m&#225;s importante que he aprendido es que, sin importar nuestras tendencias, no necesitamos dejarnos influir por ellas a lo largo de nuestra vida, porque tenemos el libre albedr&#237;o para cambiar. En este libro profundamente brillante e inspirador, Ghanshyam Singh Birla y Guylaine Vall&#233;e nos ense&#241;an esto: las palmas de nuestras manos nos muestran lo que necesitamos modificar en nuestra vida para encontrar la felicidad. Cuando realizamos esos cambios, las l&#237;neas de nuestras manos cambiar&#225;n. Este libro nos ense&#241;a no solo los conceptos b&#225;sicos de la quiromancia v&#233;dica, sino tambi&#233;n t&#233;cnicas espec&#237;ficas para realizar esos cambios&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Ghanshyam Singh Birla y Guylaine Vall&#233;e nos muestran que, al igual que las estrellas al momento de nuestro nacimiento, nuestras manos pueden brindarnos revelaciones profundas de nuestra propia naturaleza, de la manera en que manifestamos nuestro alto potencial del alma y, lo m&#225;s importante, de c&#243;mo expandirnos en ese potencial para encontrar la felicidad m&#225;s elevada. Por ser claro y accesible, recomiendo <I>La felicidad en la palma de tus manos</I> a cualquier persona&rdquo;.]]></Text>
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      <Text><![CDATA[<B>Activa c&#243;digos de consciencia de alta vibraci&#243;n para facilitar la sanaci&#243;n de tu cuerpo y mente</B><BR><BR>&#8226; Incluye 78 cartas con im&#225;genes vibrantes que simbolizan las facetas del amor incluyendo la intimidad, la conexi&#243;n, la confianza y el compromiso<BR><BR>&#8226; Fortalece a tu guerrero espiritual interior y te da un entendimiento de las din&#225;micas subyacentes en tus relaciones<BR><BR>&#8226; Ofrece significados para las cartas en posici&#243;n vertical e invertida, interpretaciones para preguntas de s&#237; o no, y los signos regentes de cada carta<BR><BR>El amor puede levantar nuestro &#225;nimo, llenarnos de alegr&#237;a y hacernos sentir invencibles. Sin embargo, tambi&#233;n puede destrozar nuestro coraz&#243;n y desequilibrarnos, dej&#225;ndonos a la deriva. Es en estos momentos oscuros que necesitamos la ayuda de nuestro guerrero espiritual interior para reconstruir nuestra vida.<BR><BR>Este mazo de tarot ayuda a los lectores a navegar por las complejidades del amor y las relaciones con perspicacia, d&#225;ndote el poder para afrontar nuevas experiencias con confianza y optimismo. Las veintid&#243;s etapas del viaje de El Loco, a trav&#233;s de los Arcanos Mayores, presentan el amor con im&#225;genes vibrantes que simbolizan sus muchas facetas, incluyendo la intimidad, la conexi&#243;n, la confianza y el compromiso. Emplear estas cartas en la adivinaci&#243;n aporta conocimientos para mejorar las relaciones y ayudan a lograr una comprensi&#243;n m&#225;s profunda de las dimensiones del amor. Adem&#225;s, las cartas revelan las din&#225;micas subyacentes de tus relaciones para poder fomentar conexiones m&#225;s significativas. La gu&#237;a ofrece significados para las lecturas con cartas en posici&#243;n vertical e invertida, interpretaciones para preguntas de s&#237; o no, y el signo regente para cada una de las 78 cartas. Este mazo te ayudar&#225; a desbloquear tu potencial para una comprensi&#243;n y un crecimiento m&#225;s profundos.<BR><BR>Ya sea que busques orientaci&#243;n para transformar tus relaciones, aumentar tu autoconsciencia o desarrollar m&#225;s gracia y fortaleza, el <I>Tarot del guerrero del amor</I> es una poderosa herramienta para facilitar una transformaci&#243;n significativa.]]></Text>
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      <Text><![CDATA[Luna Marie es una ps&#237;quica, canalizadora, lectora de Tarot intuitiva y coach espiritual dedicada a empoderar a las mujeres. Vive en Bath, Reino Unido.<BR><BR>Lilia Danchenko es una ilustradora rusa cuyo portafolio creativo incluye im&#225;genes digitales para cartas, libros, revistas y carteles.]]></Text>
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      <Text><![CDATA[Queridos guerreros<BR>Entendiendo el tarot<BR>C&#243;mo leer las cartas <BR>Cartas de la corte <BR>Numerolog&#237;a <BR>Lunas <BR>Planetas <BR>Tiradas<BR><BR>Los arcanos mayores <BR><BR>Los arcanos menores<BR>El palo de bastos<BR>El palo de copas<BR>El palo de espadas <BR>El palo de oros<BR><BR>La creadora<BR>La artista]]></Text>
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      <Text><![CDATA[<B>Gu&#237;a para conectar con las nueve dimensiones de la consciencia</B><BR><BR>&#8226; Examina la manera como cada dimensi&#243;n influye en la Tierra, en sus niveles de expresi&#243;n creativa y en las ciencias que las describen<BR><BR>&#8226; Ofrece meditaciones para abrirnos a la experiencia de cada dimensi&#243;n y a las nueve dimensiones como un todo integrado<BR><BR>&#8226; Incluye nueva evidencia de las nueve dimensiones de la supercomputadora Blue Brain Project (Cerebro Azul), as&#237; como tecnolog&#237;a antigua recientemente descubierta<BR><BR>Como lo revelaran los pleyadianos a trav&#233;s de Barbara Hand Clow, la Tierra tiene nueve dimensiones de consciencia a las que podemos acceder actualmente. Hace mucho tiempo, nuestra capacidad de accederlas era natural. A medida que nos curamos colectivamente del trauma ancestral y entramos en la Era de la Luz, el acceso a estas nueve dimensiones se reapertura y restaura nuestra capacidad de aprender y utilizar estas inteligencias superiores en nuestras vidas.<BR><BR>Barbara Hand Clow demuestra c&#243;mo las nueve dimensiones de la consciencia estan siendo avaladas por la ciencia contempor&#225;nea y detalla que la primera dimensi&#243;n es el centro de la Tierra y la fuente de conexi&#243;n con ella; la segunda est&#225; entre el centro de la Tierra y la superficie; la tercera es el espacio y el tiempo lineales en la corteza terrestre; la cuarta es el reino de nuestra mente colectiva; y en las cinco dimensiones celestiales superiores nos contactamos con lo trascendente. Clow examina el impacto de cada dimensi&#243;n en nuestro planeta, en las ciencias y en los niveles de expresi&#243;n creative mientras que Gerry Clow aporta meditaciones escritas y en audio (en texto y audio) para abrirnos a cada dimensi&#243;n por separado y a las nueve dimensiones como un todo integrado.<BR><BR>En esta edici&#243;n del vig&#233;simo aniversario, Clow incluye actualizaciones de su investigaci&#243;n en curso y las evidencias de la supercomputadora Blue Brain Project (Cerebro Azul) que mape&#243; las nueve dimensiones en el cerebro humano. Tambi&#233;n detalla c&#243;mo los descubrimientos recientes de tecnolog&#237;a antigua reflejan el sistema dimensional pleyadiano. Esta gu&#237;a nos permite despertar al espectro completo de la consciencia multidimensional y conectarnos profundamente con el centro de nuestro planeta y el cosmos divino, mientras viajamos a trav&#233;s de ideas complejas, tanto de la ciencia moderna como de la sabidur&#237;a esot&#233;rica.]]></Text>
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      <Text><![CDATA[<B>Barbara Hand Clow</B> es una renombrada astr&#243;loga, maestra ceremonial, autora e investigadora del calendario maya. Sus numerosas obras incluyen <I>La agenda pleyadiana, El despertar de la mente planetaria, El c&#243;digo maya</I> y su reciente trilog&#237;a ficticia: <I>Revelations of the Ruby Crystal, Revelations of the Aquarian Age</I> y <I>Revelations from the Source</I>.<BR><BR><B>Gerry Clow</B>, su esposo, es terapeuta craneosacral registrado y practicante de polaridad certificado. Durante m&#225;s de tres d&#233;cadas, Gerry y Barbara han ense&#241;ado a miles de estudiantes a navegar por las nueve dimensiones para llevar vidas plenas y conscientes. Los autores viven en Santa Fe, Nuevo M&#233;xico.]]></Text>
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      <Text><![CDATA[<B>Pr&#243;logo por Judith Corvin-Blackburn, licenciada en Trabajo Social Cl&#237;nico y doctora en Ministerio<BR><BR>Introducci&#243;n de Barbara: Historia de las transmisiones <BR>pleyadianas</B> <BR><BR><I>Activaciones de la cosmolog&#237;a pleyadiana: 1995 a 2012 &#8226; C&#243;mo perdimos nuestra multidimensionalidad &#8226; La aparici&#243;n de los c&#237;rculos en las cosechas &#8226; El eje vertical de la consciencia &#8226; El proyecto Cerebro Azul &#8226; M&#237;stica transilvana<BR><BR></I><B>Introducci&#243;n de Gerry: La misi&#243;n del sanador</B><BR><BR><B>PRIMERA PARTE</B><BR>Las nueve dimensiones <BR><BR><I>UNO</I><BR><B>La primera dimensi&#243;n: El cristal del n&#250;cleo de hierro<BR>en el centro de la Tierra<BR></B><I>El centro de la Tierra seg&#250;n la ciencia &#8226; La ciencia de la primera dimensi&#243;n &#8226; Entrando en el cristal del n&#250;cleo de hierro <BR><BR>DOS</I> <BR><B>La segunda dimensi&#243;n: El mundo tel&#250;rico</B> <BR><I>La historia de la humanidad al ser entrenada para temer a la Tierra &#8226; Reconectando con la segunda dimensi&#243;n &#8226; La ciencia de la segunda</I> <I>dimensi&#243;n<BR><BR>TRES<BR></I><B>La tercera dimensi&#243;n: Espacio y tiempo lineales<BR></B><I>Las siete direcciones sagradas y la construcci&#243;n de un altar &#8226; C&#243;mo mantener la integridad f&#237;sica en la 3D: La ciencia de la tercera dimensi&#243;n &#8226; Vivir en el tiempo lunar &#8226; Las seis polaridades en la Rueda de los Doce<BR><BR>CUATRO<BR></I><B>La cuarta dimensi&#243;n: El mundo de los mitos y arquetipos</B> <BR><I>El mundo astral y los niveles divinos de la cuarta dimensi&#243;n &#8226; El dosel de luz de la cuarta dimensi&#243;n &#8226; La ciencia de la cuarta dimensi&#243;n &#8226; La vida en una galleta Oreo &#8226; Dualidades y polaridades &#8226; Los nefilim y la zarza ardiente &#8226; La lente de poder de la cuarta dimensi&#243;n<BR></I><BR><I>CINCO <BR></I><B>La quinta dimensi&#243;n: <I>Samadhi </I>y los pleyadianos<BR></B><I>Tradici&#243;n estelar y orgasmos &#8226; La ciencia de la quinta dimensi&#243;n &#8226; Los laberintos como la forma de caminar por las dimensiones superiores &#8226; El fin de los tiempos y Platonia<BR><BR>SEIS<BR></I><B>La sexta dimensi&#243;n: Geometr&#237;a sagrada y Platonia<BR></B><I>C&#243;mo existe nuestro cuerpo en la sexta dimensi&#243;n &#8226; Yoga &#8226; Altares personales y tu ka &#8226; La ciencia de la sexta dimensi&#243;n &#8226; Chamanes, ADN y biofotones &#8226; Geograf&#237;a sagrada y la Rueda de los Doce &#8226; La astrolog&#237;a y la sexta dimensi&#243;n<BR><BR>SIETE<BR></I><B>La s&#233;ptima dimensi&#243;n: Autopistas gal&#225;cticas de la luz<BR></B><I>La ciencia de la s&#233;ptima dimensi&#243;n &#8226; Cim&#225;tica &#8226; La teor&#237;a de supercuerdas y una velocidad variable de la luz &#8226; Bandas sonoras de la Edad de Piedra y los creadores de m&#250;sica megal&#237;tica &#8226; Carnac como un gran sism&#243;grafo<BR><BR>OCHO<BR></I><B> La octava dimensi&#243;n: La Mente Divina</B><I> <BR>El negocio de Estados Unidos son los negocios &#8226; La ciencia de la octava dimensi&#243;n &#8226; El colapso de las pir&#225;mides en el Nuevo Orden Mundial &#8226; La manifestaci&#243;n &#8226; La Luna refleja nuestros sentimientos &#8226; El Sol dirige nuestras intenciones<BR><BR>NUEVE<BR></I><B>La novena dimensi&#243;n: El hoyo negro en el centro<BR>de la V&#237;a L&#225;ctea</B> <BR><I>El calendario maya y la fusi&#243;n interdimensional &#8226; La ciencia de la novena dimensi&#243;n &#8226; El hoyo negro de la V&#237;a L&#225;ctea &#8226; La onda de tiempo del calendario maya: desde 16 400 millones de a&#241;os atr&#225;s hasta el 2011 d. C. &#8226; Ense&#241;anza de la aceleraci&#243;n del tiempo y las nueve dimensiones &#8226; Uso de la aceleraci&#243;n del tiempo durante la finalizaci&#243;n del calendario maya &#8226; La cuarentena de la Tierra en el universo termin&#243; en el a&#241;o 2011 d. C. &#8226; Ondas de tiempo y bombardeo de rayos gamma <BR><BR></I><B>SEGUNDA PARTE</B><I> <BR></I><B>Experimentando las nueve dimensiones<BR><BR></B><I>DIEZ<BR></I><B>Los c&#237;rculos en las cosechas y las nueve dimensiones<BR></B><I>Convergencia arm&#243;nica: 16 y 17 de agosto de 1987 &#8226; C&#243;mo se forman los c&#237;rculos en las cosechas &#8226; La c&#250;pula de luz y el druida &#8226; M&#225;s sobre la convergencia arm&#243;nica<BR><BR>ONCE <BR></I><B>Comunic&#225;ndonos con los Hacedores de C&#237;rculos</B><I> <BR>Castillo de Barbury (1991) &#8226; Los pleyadianos y los Hacedores de C&#237;rculos &#8226; El modelo de nueve dimensiones y los Hacedores de C&#237;rculos &#8226; Los fractales de Koch y el poder de la Mente Divina<BR><BR>DOCE<BR></I><B>Viviendo las nueve dimensiones, por Gerry Clow</B> <BR><I>Estabilizarte &#8226; Meditaci&#243;n de nueve dimensiones &#8226; C&#243;mo experimentar las dimensiones a trav&#233;s de tus cuatro cuerpos &#8226; M&#225;s meditaciones de nueve dimensiones &#8226; Exploraci&#243;n de la dimensi&#243;n de origen &#8226; Reconocimiento de las dimensiones vecinas y las dimensiones pares e impares &#8226; Correlaci&#243;n de las dimensiones con los chakras &#8226; Reconocimiento de las dimensiones que se abren en tus relaciones &#8226; Reconocimiento de las dimensiones que se abren en tu lugar de trabajo &#8226; Aplicaciones pr&#225;cticas de la consciencia de las nueve dimensiones<BR><BR></I><B>Descargas digitales y estudios adicionales<BR><BR>Agradecimientos<BR><BR>Glosario <BR><BR>Notas<BR><BR>Bibliograf&#237;a <BR><BR>Listado de ilustraciones <BR><BR>&#205;ndice anal&#237;tico <BR><BR>Acerca de los autores</B>]]></Text>
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      <Text><![CDATA[&ldquo;Barbara Hand Clow es la m&#225;s eminente embajadora y decodificadora del floreciente despertar espiritual de nuestra era. Mucho antes de la popularizaci&#243;n de la realidad dimensional, la convergencia de los calendarios maya y tolteca y el surgimiento de nuestra mente y nuestro cuerpo vivificantes en la Tierra, sus escritos, investigaciones y transmisiones ps&#237;quicas iluminaron nuestro camino. <I>Alquimia de las nueve dimensiones</I> sigue siendo la piedra de toque para describir nuestro despliegue c&#243;smico como especie bajo la nueva luz y frecuencias que activan nuestro reino y experiencia. Ser&#237;a dif&#237;cil acceder a un trabajo m&#225;s completo sobre los temas m&#225;s importantes de nuestros tiempos. &#161;Hay que leer y releer este impresionante trabajo de una verdadera e inigualable maestra visionaria! Alguien a quien cuento como mentora y amiga&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Si eres un viajero de la antig&#252;edad o una semilla estelar que busca orientaci&#243;n para navegar por la experiencia humana mientras despiertas tu consciencia c&#243;smica, <I>Alquimia de las nueve dimensiones</I> es la gu&#237;a definitiva sobre c&#243;mo orientarte en la Tierra mientras vives simult&#225;neamente en nueve dimensiones y creas una vida plena. Barbara Hand Clow ha hecho un trabajo fant&#225;stico al explicar la descarga espiritual de los pleyadianos, la cual est&#225; cient&#237;ficamente respaldada por la investigaci&#243;n y valida el conocimiento de los canalizadores de todo el mundo. Las meditaciones de Gerry Clow convierten el conocimiento en una experiencia pr&#225;ctica, anim&#225;ndonos a embarcarnos en un viaje de consciencia multidimensional. Este libro es atemporal&rdquo;.]]></Text>
      <TextSourceTitle>Eva M&#225;rquez, autora de Activate Your Cosmic DNA</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Barbara Hand Clow nos lleva a un viaje incre&#237;ble, con la ayuda de su abuelo cheroqui, para recuperar las antiguas costumbres de nuestros antepasados y ser uno solo con nuestros nueve niveles de consciencia. Cuando permitimos que el dosel de luz fluya a trav&#233;s de nosotros, las polaridades se resuelven y las dualidades se disuelven. Estos profundos niveles de consciencia nos han sido arrebatados por los traficantes de poder de las &#233;lites, que han usado y abusado de la Tierra en su beneficio. Al avanzar hacia la Era de Acuario, el hermoso y salvador viaje de Barbara nos trae la curaci&#243;n para experimentar de nuevo esta consciencia y un viaje maravilloso&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Barbara Hand Clow es una de las autoras m&#225;s importantes que marcan tendencia en el actual renacimiento espiritual&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Barbara tiene un mensaje que es sumamente importante para todas las personas en este planeta. Se trata nada menos que de lograr una relaci&#243;n con una presencia brillante y espiritualmente potente que se nos ha estado ofreciendo durante muchos a&#241;os. Este libro exquisito y poderoso hace que ese proceso sea comprensible, alegre y, sobre todo, posible&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Una vez m&#225;s, Barbara nos aporta sus conocimientos de otros niveles de la realidad, lo que nos permite construir una imagen m&#225;s amplia de los mundos que se encuentran a un suspiro de distancia de nuestra propia realidad f&#237;sica. Tales conceptos solo pueden mejorar nuestro sentido de la visi&#243;n, nuestra relaci&#243;n dentro del esquema mayor de las cosas y, en &#250;ltima instancia, la comprensi&#243;n m&#225;s fina de nuestro ser&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Al plasmar la ciencia, el misticismo y la gu&#237;a dimensional superior en un h&#225;bil tapiz que examina el pasado y el presente de la humanidad (y su posible futuro), Barbara nos gu&#237;a hacia un punto de vista multidimensional muy necesario en el cambiante mundo en el que nos encontramos&rdquo;.]]></Text>
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      <BiographicalNote><![CDATA[Christiane Krieg is an animal communicator, holistic coach, and author trained in quantum healing, Usui Reiki, energy healing, and shamanic practices. She lives near Hamburg, Germany.]]></BiographicalNote>
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      <Text><![CDATA[<B>A practical guide to energetic animal healing using quantum dynamics</B><BR><BR>&#8226; Offers 35 step-by-step applications for hands-on and remote healing, including chakra balancing and breathwork<BR><BR>&#8226; Explains the two-point technique to harmonize your animal&#8217;s energy field<BR><BR>&#8226; Integrates reflective practices to deepen the human-animal bond<BR><BR><B>ANIMALS ARE HIGHLY SENSITIVE,</B> and their systems respond quickly to shifts in their physical energy and environment. Whether they feel anxious, unwell, or act out of character, subtle energetic support can make a positive difference for them.<BR><BR>In this guide, Christiane Krieg introduces a simple yet powerful approach to animal wellness that blends quantum field principles, shamanic insight, and practical energy medicine. Through focused intention, energy patterns can realign across time and space, activating an animal&#8217;s natural capacity for self-healing. At the heart of this method is the two-point technique, which intentionally connects the animal&#8217;s current state with a desired state of health and balance within the quantum field.<BR><BR>Discover 35 practical healing applications, including energetic protection, nutritional balancing, and harmonizing multi-animal households. Using tools such as conscious intention, affirmations, and meditation, this guide addresses life challenges in animals&#8212;from anxiety and chronic conditions to trauma recovery and end-of-life transitions. Step into a more conscious, compassionate partnership with your animal companions as you develop intuitive awareness&#8212;and become an active participant in their healing journey.]]></Text>
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      <Text><![CDATA[Christiane Krieg is an animal communicator, holistic coach, and author trained in quantum healing, Usui Reiki, energy healing, and shamanic practices. She lives near Hamburg, Germany.]]></Text>
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      <Text><![CDATA[<B>PART ONE<BR><BR>QUANTUM FIELD HARMONIZATION<BR><BR>WHAT IS QUANTUM FIELD HARMONIZATION?<BR></B><BR>Quantum field harmonization works on the informational level, within an energy field that surrounds us all. While the theory behind it might seem daunting at first glance, putting it into practice is surprisingly straightforward, quick, and perfectly suited for everyday life. My advice: take the plunge and experience it for yourself&#8212;it&#8217;s absolutely worth it!<BR><BR>I&#8217;m not a physicist, and I don&#8217;t intend to take you on a deep dive into quantum mechanics here. Instead, I want to give you a basic sense of where this alternative method comes from, and the thought processes that underpin it.<BR><BR>The word &#8220;quantum&#8221; comes from Latin and essentially means &#8220;how much&#8221; or &#8220;how great.&#8221; In physics, it&#8217;s used to describe the smallest measurable units in the realm of matter&#8217;s tiniest particles. These particles are in constant interaction, exchanging energy in ways that can be measured&#8212;even at absolute zero, the point at which, according to classical models, everything should come to a standstill.<BR><BR>The quest to understand the fundamental building blocks of the universe is hardly a new one. The ancient Greeks were already pondering what matter is truly made of at its core, and how these basic particles, along with light and energy, behave and spread. These questions are always intertwined with the search for the intersection between matter, energy, consciousness, and the soul.<BR><BR>The bridge from experimental findings to the concept of quantum healing is built on a surprising result from the famous double-slit experiment: When we observe the measurement of photons, their behavior changes. This is known as the &#8220;observer effect.&#8221; If light passes through two slits and is then detected, it creates an interference pattern&#8212;behaving like a wave. But if we measure which slit each photon passes through, we see only two bands of light. In this case, light behaves as particles. The act of observation causes the probabilities to collapse, and the quantum world &#8220;freezes&#8221; into a definite state. It&#8217;s as if the elements are communicating with each other and somehow know they&#8217;re being watched.<BR><BR>The world at the tiniest scale is utterly different from our everyday reality. Ultimately, matter and energy are just different expressions of something we might call pure information. The universe is a single organism made up of interconnected energy fields. Nothing exists in isolation&#8212;everything is in communication.<BR><BR>The essential idea behind quantum field harmonization is that, by directing our attention in a focused way, we can bring about positive transformation in our world. Put another way: consciousness creates reality. This idea is rooted in the notion that our thoughts, emotions, and actions are constantly shaping our environment and molding reality itself. We send these influences out into space, into the ether, where they interact as information. In the same way, we can use our focus&#8212;our intention&#8212;to direct our consciousness toward a solution or to reconnect with the Source.<BR><BR>This method works deliberately with the informational level&#8212;the quantum layer of the body&#8211;mind&#8211;soul system. By focusing attention on specific energy or information patterns and setting a clear intention, self-healing processes are stimulated. In this way, both body and soul can return to a state of harmony and balance through the influx of new information.<BR><BR>A key technique here is the act of remembering the original state&#8212;a kind of primordial blueprint. This is awakened by synchronizing, or energetically &#8220;entangling,&#8221; two fields with each other.<BR><BR>What sets this approach apart from other energetic methods is its emphasis on the informational level. The premise is that everything that exists&#8212;including our bodies&#8212;can ultimately be reduced to energy and information at its most fundamental level. If everything is energy and information, then it can be influenced and restored to wholeness through the targeted direction of consciousness.<BR><BR>Even though the direct causal link between quantum physics and this energetic healing method may not yet be fully established in scientific circles, a wealth of anecdotal evidence points to striking results. Since Frank Kinslow popularized quantum healing in the late 1980s, an ever-growing number of people have been inspired by the possibilities this method offers.<BR><BR>Everything is interconnected; there are no isolated systems. Everything we perceive is the result of a quantum field, and all interactions&#8212;whether between people, animals, or objects&#8212;occur via these quantum fields.<BR><BR>Our thoughts, feelings, and beliefs have energetic effects and can influence our physical and emotional states across any distance. You might imagine a quantum field as a vibrating, pulsating web of energy, where our intention&#8212;our conscious focus&#8212;can bring two points into resonance, creating a connection between them.<BR><BR>This idea is hardly new. It&#8217;s woven through the spiritual traditions of shamanism, the beliefs of Indigenous peoples, and the teachings of the Vedas and Buddhism. For those who walk these paths, it&#8217;s a given&#8212;all of Creation is alive, infused with a divine spark, and humans can communicate with everything that exists.<BR><BR>Perhaps it&#8217;s this divine spark&#8212;a primordial force&#8212;that has permeated and connected all things since the dawn of time. Call it God, the Creator, the primordial matrix, or whatever name feels right to you.<BR><BR>My years of experience, along with the thousands of affirming responses I&#8217;ve received from animal and soul communication sessions, have shown me that extrasensory communication between living beings works&#8212;across any distance.<BR><BR>This connection can be directed by my intention and focus. I can transmit the memory of highest well-being, of the original state of wholeness, as information into any quantum field. This state is beyond space and time. It is the primal information from which we came, to which we will return, and with which we can connect at any moment.<BR><BR>Back in the 1980s, British biologist Rupert Sheldrake introduced the concept of the &#8220;morphic field.&#8221; According to his hypothesis, there exists an energetic, nonphysical field that shapes the growth, structure, and behavior of organisms. These fields, in a sense, store collective memories or patterns that guide the unfolding of nature. In other words&#8212;living beings are shaped not only by genetic information, but also by an invisible, form-giving field.<BR><BR>Take, for example, the idea that similar species are linked through their shared past experiences. This field holds a kind of &#8220;memory&#8221; that influences how an organism develops. Sheldrake&#8217;s theory has sparked heated debate and criticism in scientific circles, as there is still no definitive proof for the existence of morphic fields. Yet his approach has captured the imagination of people in esoteric circles, as well as in biology and psychology. It remains a speculative hypothesis, but one that offers an alternative lens through which to view nature and evolution&#8212;and one that&#8217;s well worth considering.]]></Text>
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      <Text><![CDATA[<B>Preface<BR><BR>Introduction</B><BR><BR><B>PART ONE <BR>QUANTUM FIELD HARMONIZATION</B><BR><BR><B>What Is Quantum Field Harmonization?<BR><BR></B><B>The Two-Point Method: The Technique of<BR>Quantum Field Harmonization<BR></B><BR>Your Issue Hand and Your Solution Hand <BR><BR>The Current State, or Issue Point <BR><BR>The Desired State, or Solution Point <BR><BR>The Goal of Quantum Field Harmonization<BR><BR><B>The Three Pillars of Quantum Field Harmonization</B> <BR><BR>FIRST PILLAR: Intention, Affirmation,<BR>Acceptance &#8211; It Is Resolved<BR><BR>SECOND PILLAR: Synchronization<BR><BR>THIRD PILLAR: Pure Consciousness, Emptiness of Thought, <BR>and Letting Go<BR><BR><B>Practical Guidance <BR></B><BR>How Long Does a Session Take? <BR><BR>How Often Should Quantum Field<BR>Harmonization Be Practiced?<BR><BR>Can You Receive Psychic Information<BR>During a Harmonization Session?<BR><BR>What Can Interfere with Quantum Field Harmonization?<BR><BR>Ethical Awareness, Consent, and Proper Timing<BR><BR>Your Animal as a Mirror of Yourself<BR><BR>Combining Quantum Field <BR>Harmonization with Other Methods<BR><BR>Quantum Field Harmonization Journal<BR><BR>Relaxed Breathing<BR><BR>Keep It Light! <BR><BR><B>PART TWO <BR>35 PRACTICAL APPLICATIONS OF<BR>QUANTUM FIELD HARMONIZATION</B> <BR><BR>The Two-Point Method Using the Palms of Your Hands<BR><BR>Quantum Field Harmonization Using Pure Intention <BR><BR>Harmony and Relaxation <BR><BR>The Calm Breath <BR><BR>The Pure State of Consciousness<BR><BR>Yes/No Exercise <BR><BR>Heart Space Exercise<BR><BR>Chakra Balancing <BR><BR>Harmonizing a Stressful Situation<BR><BR>Hands-On Quantum Field Harmonization <BR><BR>Fostering the Human&#8211;Animal Bond<BR><BR>Allergies and Chronic Illnesses<BR><BR>Transmitting the Information of Minerals and Vitamins <BR><BR>Soul Retrieval for Your Animal<BR><BR>Harmonizing and Cleansing Spaces <BR><BR>Transforming Limiting Beliefs into Positive Ones <BR><BR>Harmonization Through Different Incarnations <BR><BR>Energetic Protection for Your Animal<BR><BR>Supporting Your Animal Through Grief<BR><BR>Welcoming a New Animal to the Family<BR><BR>Support for Separation Anxiety<BR><BR>Setting the Stage for Harmony Ahead of an Event<BR><BR>Clearing Anesthesia Energetically <BR><BR>Preventing Scars<BR><BR>Energetic Realignment of the Spine<BR><BR>Peace and Security During Fireworks and Thunderstorms<BR><BR>Tuning the Quantum Field for Abundance <BR><BR>Harmony in a Multi-Pet Household <BR><BR>Healing Primal Fears<BR><BR>Separation from and Cleansing of Foreign Energies <BR><BR>When a Pet Goes Missing<BR><BR>Companionship at the Threshold: <BR>Easing the Final Transition <BR><BR>Journey to the Creative Source<BR><BR>Constellation Work with Quantum Field Harmonization <BR><BR>The Treasury of God<BR><BR><B>Afterword</B><BR><BR><B>Acknowledgments</B><BR><BR><B>Bibliography<BR><BR>Image Credits </B><B>About the Author </B><BR><BR><B>Afterword</B>]]></Text>
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      <Text><![CDATA[&ldquo;Christiane Krieg is truly a gifted healer and teacher. Because she believes in the simplicity and depth of quantum healing for animals, she is able to remind people that healing is an inherent gift we all have. I love that she calls out that no matter what the technique is &lsquo;Every journey, every animal, every situation calls for a unique sensitivity and balancing act.&rsquo; She also connects the reader with the concept that one can have an intended solution, but that once in this field of energy, the solution will reveal itself. While she guides us through several exercises and stories of harmonization, she also reminds us of the animal&rsquo;s free will. Every page of this book is a beautiful offering for any animal lover!&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;An inspiring and helpful book! Quantum field harmonization is designed to provide animals with a sense of security and calm, to support them with minor and major injuries, to promote harmony within a pack, and to assist older animals with health issues. Even difficult, fearful, aggressive, or missing animals can be treated. The book contains 35 very different, practical applications for a wide variety of topics, including instructions for a spiritual spinal alignment in combination with quantum field harmonization. As the owner of two sheep, I am very happy to now have this collection of tools readily available in the barn.&rdquo;]]></Text>
      <TextSourceTitle>KIRA KLENKE, PhD, life coach, certified NLP trainer, and author of The Miracle Problem Solver</TextSourceTitle>
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      <Text><![CDATA[&ldquo;A wonderful book that touches both the heart and the mind. Christiane Krieg combines deep spiritual knowledge with down-to-earth practice&#8212;in a way that is clear, loving, and authentic. The methods are easy to apply and not only bring healing to animals but also provide us humans with greater connection, peace, and awareness. A gift for everyone who sees animals with their heart and wishes to explore new paths of healing. Thank you, dear Christiane&#8212;your work leaves a lasting impact.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;I devoured this new, beautifully designed book by animal communicator Christiane Krieg and warmly recommend it to any pet owner interested in providing energetic support to their beloved animal. With this method, explained in detail through simple exercises, physical and emotional imbalances can be brought into balance, and behavioral issues can be regulated. These harmonizations always occur in a form and intensity that serve the greatest good of all; all we need are our hands and our imagination. <I>Quantum Healing for Animals</I> is easy to use&#8212;even for people with no prior knowledge. You have healing abilities&#8212;let yourself be inspired!&rdquo;]]></Text>
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      <Text><![CDATA[<I>&ldquo;Quantum Healing for Animals</I> is an invaluable tool for all who love animals, for those of us who have joined our lives with an animal&rsquo;s, and especially anyone working with animals. Step by step, it offers specific formulas for any of the problems our pets encounter on their lives&rsquo; journeys, then shows just how to employ the energy of Spirit (read: love) to help and heal these beautiful four-legged and winged creatures we love. It is a must-read for all beginner and advanced animal communicators.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;I&rsquo;ve known Christiane Krieg and her work for many years. She has supported me through many personal challenges and also with my animals. That&rsquo;s why I&rsquo;m so excited to now gain a deeper insight into her work and to be able to apply it with my animals. <I>Quantum Healing for Animals</I> is clearly structured and offers many exercises for immediate application. The combination of theory and practice makes this book truly unique. Thank you so much for this treasure!&rdquo;]]></Text>
      <TextSourceTitle>PHILIPP FEICHTINGER, BEd, naturopath, hypotherapist, Reiki practitioner, and author of health books</TextSourceTitle>
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      <Text><![CDATA[<B>The real business lessons don&#8217;t come with a manual&#8212;until now.</B><BR><BR>If you&#8217;ve ever scaled too fast, felt overwhelmed by growth, or faced chaos with no road map, <I>Need It, Don&#8217;t Want It</I> is your new playbook.<BR><BR>Entrepreneur and fintech founder Jay Avigdor takes you on a reverse journey through the gritty realities of building a multimillion-dollar business. From funding nightmares to sleepless innovation, Jay reveals the overlooked truths behind what it really takes to grow&#8212;and keep growing.<BR><BR>Written with humor, honesty, and hard-earned experience, this book skips the fluff and dives into the essential questions every founder must ask.<BR><BR>Inside you&#8217;ll learn how to:<BR><ul> <li>Navigate high-stakes decision-making with clarity and grit</li> <li>Prepare your infrastructure before growth happens</li> <li>Lead with character in a cutthroat industry</li> <li>Recover stronger from business setbacks</li> <li>Find meaning beyond the money</li> </ul><BR>Whether you&#8217;re an early-stage entrepreneur or managing massive momentum, this book will change how you think about risk, reward, and what success really demands.<BR><BR><B>If you&#8217;re not struggling, you&#8217;re not succeeding.</B>]]></Text>
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      <Text><![CDATA[<B>From the Deepest Loss, a Legacy of Love</B><BR><BR>When Larry and Sherry Swank lost their son Jaxson at twenty-two months old, the grief was all-consuming. But in the darkness of that first night, they made a promise: they would find a way to give their son&#8217;s brief, radiant life lasting meaning.<BR><BR>The <I>Promise We Made: Transforming Grief into a Force for Good</I> tells the story of how that promise became the JWAS Foundation, an organization providing full scholarships, leadership development, and whole-family support to children from preschool through college.<BR><BR>Inside, readers will discover:<BR><ul> <li>How the Swanks turned devastating loss into a thriving foundation</li> <li>The Trilogy of Care model that supports scholars, parents, and families together</li> <li>Practical lessons in building a purpose-driven nonprofit from the ground up</li> <li>How faith, community, and intention can carry you through the unimaginable</li> <li>Stories from the Jaxson Scholars and families whose lives have been transformed</li> </ul><BR>Written with vulnerability and warmth, this book is for anyone who has faced profound loss and wondered whether joy and purpose could ever return. The answer, the Swanks discovered, is yes.]]></Text>
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      <Text><![CDATA[<B>It&#8217;s never too late to be world-class.</B><BR><BR><I>Faster Than You at 60</I> shares the inspiring true stories of twenty elite Masters sprinters who became national and world champions decades after their supposed athletic prime.<BR><BR>These athletes did not make the Olympics when they were young. Many faced lack of opportunity, injury, life choices, or financial hardship. Yet in their 60s, 70s, and beyond, they returned to competition&#8212;and found speed, purpose, and joy.<BR><BR>Grounded in research on high-intensity training and aging, this narrative nonfiction book reveals the powerful mental and physical rewards of competing later in life.<BR><BR>Inside, you will discover:<BR><ul> <li>Stories of redemption and second chances</li> <li>The mental benefits of disciplined training</li> <li>How competition builds purpose and camaraderie</li> <li>Why peak performance does not have an expiration date</li> </ul><BR>This book is for former athletes, active adults, and anyone entering a new chapter who wants renewed energy and meaning.<BR><BR>Your best race may still be ahead of you.]]></Text>
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      <Text><![CDATA[<B>In his follow-up to<I> Uruk: A Novel of the First City</I>, James Zwerneman continues his stunning, action-packed historical adventure series set in ancient Mesopotamia. </B><BR><BR>Jakka has taken his army and Ki , the genius who helped establish Uruk, north to a rich copper mining village to reestablish Magog&rsquo;s empire. He starts building a fort, mining copper, recruiting warriors, growing fields of Ki&rsquo;s wheat, and extracting tribute from vassal villages. <BR> <BR>Meanwhile, in Uruk, Sargon is elected lugal, and he helps Uruk prosper. But when he finds out where Jakka is keeping Ki, the hostile council refuses to send military to save her. Sargon realizes he must go himself. He goes with Rogg, his best friend, to rally the north to overthrow Jakka. Nisaba, his advisor, remains behind as his deputy lugal, but she warns him that without his influence, wicked chiefs may tear Uruk apart. <BR> <BR>On the journey Sargon is captured and sold to work the mines. There, concealing that he is the famous &ldquo;Gog Slayer,&rdquo; he takes on his old name &ldquo;Ta&rdquo; and rediscovers his purpose. A natural leader, he inspires his fellow slaves to dig an escape. Rogg, who has escaped capture, rallies a tribe to fight Magog. <BR> <BR>What follows is not merely a clash of armies, but a collision between cruelty and order, tyranny and freedom. Magog is a relentless historical epic&#8212;where the fate of the ancient world will be decided.]]></Text>
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      <Text><![CDATA[<B>James Zwerneman</B> is the author of <I>Uruk</I>. He studied creative writing at Johns Hopkins University and earned his MFA in Fiction from UC Irvine. Upon graduation, he won the Henfield Award, a cash prize given to just five of the top MFA students in the nation. He also published his first story in One Story. Zwerneman is a high school teacher of literature, civics, and film and lives in Naples, Florida.]]></Text>
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      <Text><![CDATA[<B>As seen on the Black Rifle Coffee Podcast, t</B><B>he Jocko Podcast, the Art of Manliness Podcast, </B><B>Fox Nation, and Fox and Friends</B><BR> <BR> <b><i>The Things That Remain</i>, Henry Sledge&#8217;s second book, continues the study of his father&#8217;s legacy, serving as a visual and narrative companion to <i>With the Old Breed</i> by featuring photographs of the artifacts and uniform items of Eugene Sledge.</b><BR><BR>In this visually stunning and deeply personal volume, Henry Sledge provides an unprecedented look at the physical history of his father, Eugene &#8220;Sledgehammer&#8221; Sledge, the legendary author of <I>With the Old Breed</I>.<BR> <BR><I>The Things That Remain </I>serves as a tactile companion to that classic memoir, showcasing a curated collection of WWII artifacts and uniform items that survived the brutal campaigns of Peleliu and Okinawa.<BR> <BR>Through high-definition photography and intimate narratives, readers can examine the equipment that carried a Marine through the abyss of the Pacific War&#8212;from his combat-worn dungarees and field gear to the personal pocket Bible where he recorded his first notes. Henry Sledge pairs these items with personal reflections and memories, bridging the gap between the written word and the physical reality of combat.<BR> <BR>More than just a catalog of military history, this book is a son&#8217;s tribute to a father&#8217;s endurance, offering a rare, &#8220;hands-on&#8221; perspective for historians and fans of <I>The Pacific</I> alike. This is the definitive visual record of a life that defined the Marine Corps&#8217; experience for generations.]]></Text>
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      <Text><![CDATA[Henry Sledge is the son of acclaimed author Eugene B. Sledge, who is known for <I>With the Old Breed </I>and <I>China Marine</I>. Growing up, he witnessed firsthand the creation and lasting impact of his father&#8217;s memoir, and through their conversations about the Pacific War, developed a lifelong passion for World War II history.<BR> <BR>Henry is the author of <I>The Old Breed&#8230; The Complete Story Revealed</I>, a companion to his father&#8217;s work. His writing has appeared in <I>World War II Magazine</I>,<I> Naval History Magazine</I>, and <I>Valor</I>. He has cohosted and appeared on numerous podcasts, including the <I>Jocko Podcast</I>, and has been featured in documentaries and historical programming with HBO, Fox Nation, History Channel, and American Heroes Channel. His speaking engagements include American Veterans Center, the Society for Military History, The Citadel, the International WWII Conference in New Orleans, and the Library of Congress. He holds a BA from Auburn University (1988) and lives with his family in Birmingham, Alabama.]]></Text>
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      <Text><![CDATA[&ldquo;Henry Sledge thoughtfully curates an exhibit within this book, using his father&rsquo;s Pacific War artifacts and archival collections to stitch together memories that capture the legacy of Eugene B. Sledge. It is a testament to how personal stories endure through the things that remain.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;For much of my Marine Corps career I turned to Eugene Sledge&rsquo;s book for insight and inspiration. And I&rsquo;m certainly not the only individual who has garnered and gleaned combat revelations from the observations in <I>With the Old Breed</I>. In fact, that book was the Bible for us when we were making the HBO mini-series <I>The Pacific</I>. It lives on in an inspirational role with today&rsquo;s Marines which is one of the reasons that Henry Sledge&rsquo;s study of his Dad&#39;s artifacts and uniforms is an important adjunct. This is an insider&rsquo;s look at the man, Marine, and author who brought the brutality and shattering experiences of South Pacific combat in World War II alive for generations of Americans.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;The raw, unflinching recollections of Eugene Sledge in <I>With the Old Breed</I> connected us to the experiences of our fathers and grandfathers in WWII. In <I>The Old Breed</I>, his son offered us a deeper connection to the Marine that we&rsquo;d come to love by sharing the unpublished memories from his father&rsquo;s memoir. <I>The Things That Remain</I> is the final piece that completes that connection to the past by showing us the physical objects that Eugene Sledge carried. Henry Sledge has come as close as you can to placing these items in our very hands and immersing us in the stories that they tell.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Through their compelling writings over the decades, the Sledge family has gifted readers with intimate understandings of the psychological weight of war. For those who endured the likes of Peleliu and Okinawa, the emotional baggage of those infamous battles in the Pacific was a burden that could never fully be released. Marine Eugene Sledge imparted that lesson in his stark but soulful reminiscences. His son, Henry&mdash;who has dedicated years to preserving his father&rsquo;s legacy&mdash;now presents us glimpses of the physical weight of war. This rich volume of artifacts, photos, and mementos vividly illustrates the day-to-day life of Sledge&rsquo;s war. The items Sledge carried and treasured throughout his military odyssey and beyond are stirring reminders of memory, coping, responsibility, and&mdash;ultimately&mdash;family legacy.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;The Marines of the Pacific Island campaign were not just Marines, they were legends. Eugene B. Sledge was one of those Marines, and his son&rsquo;s book, <I>The Things That Remain</I>, brings us closer to Eugene Sledge and the reality of his wartime experience. Through pictures of personal gear, notes, uniforms, and documents that connect directly to his horrific and heroic experience, this book allows us a closer glimpse at the men of <I>The Old Breed</I>.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;The world was captivated by what Eugene Sledge told us in <I>With the Old Breed</I>. It conjured images, conveyed emotions, and painted a picture of the Marines Corps War in the Pacific better than anyone else ever could. And now, thanks to his son, we get to <I>see</I> what he lived. Henry Sledge shares in <I>The Things That Remain </I>images and photos that bring to life what we all had to imagine before. This goes beyond a &lsquo;must read&rsquo; for any combat memoir enthusiast. It is essential to fully grasp the magnitude of the deadliest and most important conflict in human history. It is visually stunning and evokes emotion in a way words alone could never do.&rdquo;]]></Text>
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      <Text><![CDATA[<B>An unflinching memoir of losing a leg to childhood cancer&#8212;and the lifelong work of reclaiming body, identity, and belonging beyond &ldquo;normal.&rdquo;</B><BR><BR>At fourteen, Caren Rabbino loses her leg to childhood cancer. The surgery saves her life&mdash;but it also fractures her relationship to her body, her family, and the world that suddenly reads as &ldquo;other.&rdquo;<BR> <BR> In the years that follow, she navigates phantom limb pain and relentless pressure to &ldquo;fix&rdquo; herself, even as she tries to pass as normal to protect status, safety, and social mobility. She searches for belonging through work, art, and travel, while grappling with sexuality, objectification, and the particular loneliness of being visibly different.<BR> <BR> Only after years of avoidance does she step into community&mdash;teaching yoga to an amputee group and discovering a grounded, hard-won form of embodied knowledge that cuts through shame and self-protection. <i>Asymmetries</i> is a candid story of survival and self-definition, asking what it means to inhabit a changed body&mdash;and to be seen, on purpose. &nbsp;]]></Text>
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      <Text><![CDATA[<B>Caren Rabbino</B> founded Fast Forward Consulting in 1998 and is a certified mediator through the New York State Unified Court System. She co-founded Miami Light Project, a non-profit cultural organization now in its 36th year, and served on the boards of Hester Street Collaborative, the Iyengar Yoga Association of Greater New York, and Hidden Water. She earned degrees from the University of Pennsylvania and New York University. She lives in New York City, New York.]]></Text>
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      <Text><![CDATA[&ldquo;Caren Rabbino&rsquo;s <I>Asymmetries</I> does everything memoir should do: it disrupts and delights. Rabbino artfully explores&nbsp;the unique conundrum of life in a non-normative body, using her experiences to&nbsp;challenge limited ideas about how this looks and feels. She also articulates the struggle we all face as embodied humans, disabled and temporarily able-bodied, to truly belong&mdash;to ourselves and to the world.&rdquo;<B>&mdash;Emily Black, author of <I>My Left Leg</I></B>]]></Text>
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      <BiographicalNote><![CDATA[<B>Jen Murphy Parker</B>&nbsp;earned her master&rsquo;s degree from Northwestern University&rsquo;s Medill School of Journalism and is the author of a monthly Substack newsletter praised by Bloomsbury editor Callie Garnett for its &ldquo;shrewd, palliative voice and thoughtful approach to the big questions found in life&rsquo;s smallest moments.&rdquo; Her essays have appeared in&nbsp;<I>Hobart</I>,&nbsp;<I>Heimat Review</I>,&nbsp;<I>Cleaver Magazine</I>, and other literary outlets.<BR> <BR>In partnership with Dr. Joseph Sullivan, Lew&rsquo;s neurologist, Jen raised more than $2 million to establish a pediatric center for comprehensive epilepsy care at UCSF Benioff Children&rsquo;s Hospital.<BR> <BR>The mother of four children, she lives in Hillsborough, California, with her husband and youngest son.]]></BiographicalNote>
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      <Text><![CDATA[<B>For readers of Joan Didion and Emily Rapp Black, <I>Fault Line Boy</I> follows one mother through the whiplash of raising a child with severe epilepsy. A clear-eyed memoir of medical motherhood, marriage under strain, and the hard-won joy that still finds its way in.</B><BR><BR>How do you stay upright in a world that won&rsquo;t stop shaking?<BR> <BR>When her youngest son, Lew, begins experiencing relentless seizures, the life Jen Murphy Parker thought she knew&mdash;and the ordinary chaos of raising four children&mdash;disappears overnight. What follows is a crash course in pediatric neurology: ambulance rides, ICU nights, medication trials, and the slow, brutal math of risk.<BR> <BR>With lyrical precision and humor, Parker captures the story of endurance and recalibration, of marriage and motherhood under pressure, and of the strange intimacy that grows inside long-term caregiving.<BR> <BR>Yet as Jen learns to live alongside uncertainty, she also finds a quiet thread of resilience: moments of joy, wonder, and real happiness. For parents, caregivers, and readers of narrative nonfiction,&nbsp;<I>Fault Line Boy</I> is an unflinching, luminous memoir about loving a child with rare pediatric epilepsy&mdash;and learning how to keep choosing a life, even when nothing feels steady.]]></Text>
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      <Text><![CDATA[<B>Jen Murphy Parker</B>&nbsp;earned her master&rsquo;s degree from Northwestern University&rsquo;s Medill School of Journalism and is the author of a monthly Substack newsletter praised by Bloomsbury editor Callie Garnett for its &ldquo;shrewd, palliative voice and thoughtful approach to the big questions found in life&rsquo;s smallest moments.&rdquo; Her essays have appeared in&nbsp;<I>Hobart</I>,&nbsp;<I>Heimat Review</I>,&nbsp;<I>Cleaver Magazine</I>, and other literary outlets.<BR> <BR>In partnership with Dr. Joseph Sullivan, Lew&rsquo;s neurologist, Jen raised more than $2 million to establish a pediatric center for comprehensive epilepsy care at UCSF Benioff Children&rsquo;s Hospital.<BR> <BR>The mother of four children, she lives in Hillsborough, California, with her husband and youngest son.]]></Text>
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      <Text><![CDATA[&ldquo;Jen Murphy Parker&rsquo;s&nbsp;<I>Fault Line Boy</I>&nbsp;is an unforgettable story of what it&rsquo;s like for motherhood to not turn out exactly as expected. Whether Jen is trying to understand her son&rsquo;s seizures or trying to make sense of the lessons of her life, she writes with honesty, humor, and grace.&rdquo;<B>&mdash;Chelsea Hodson, author of <I>Tonight I&rsquo;m Someone Else</I></B><BR> <BR>&ldquo;<I>Fault Line Boy </I>is a magnificent book. Parker&rsquo;s gorgeous writing&mdash;infused with wisdom, warmth, and grace&mdash;bursts off the page. It&rsquo;s moving, fast-moving, and profoundly powerful. Laughter and hope where you least expect it. A flat-out superb memoir. And fair warning: you&rsquo;re about to fall in love with a boy named Lew.&rdquo;<B>&mdash;Dave Isay, Peabody award winner, Macarthur Fellow and Founder of StoryCorps, and author of <I>Callings</I></B>]]></Text>
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      <BiographicalNote><![CDATA[<B>Karen Paul&nbsp;</B>has&nbsp;written about caregiving, parenting, marriage, death, loss, and grief for outlets including&nbsp;<I>The New York Times</I>,&nbsp;<I>The Washington Post</I>,&nbsp;<I>The Boston Globe</I>,&nbsp;<I>Lilith</I>,&nbsp;<I>Modern Loss</I>,&nbsp;<I>Open Secrets</I>, and&nbsp;<I>Motherwell</I>, as well as literary magazines and anthologies. Her short story &ldquo;Vertigo&rdquo; won the&nbsp;<I>Lilith</I>&nbsp;Short Fiction Contest.&nbsp;Karen holds an MFA in creative nonfiction from Vermont College of Fine Arts and facilitates grief-writing workshops locally and online. She lives in Takoma Park, Maryland, with Bo, a black-and-white dog who rescued her family.&nbsp;]]></BiographicalNote>
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      <Text><![CDATA[<B>For fans of Jenny Lisk&rsquo;s&nbsp;<I>Future Widow,&nbsp;</I>a tender memoir-in-essays about rebuilding after losing a spouse to brain cancer,&nbsp;<I>Cartography of Loss&nbsp;</I>explores caregiving and reveals how life after loss reshapes everything, even new love.&nbsp;</B><BR><BR>When her husband is diagnosed with glioblastoma, Karen Paul becomes a full-time caregiver overnight. Their marriage, the landscape of which had always shown fractures, is instantly and radically transformed. Years after the long vigil of illness and his death, Karen faces the uneasy recalibration that follows and a new identity she never asked for: widow.&nbsp;<BR> <BR>Told in three parts,&nbsp;<I>Cartography of Loss</I>&nbsp;chronicles the very particular and personal&mdash;from hospital corridors and hospice visits to tattoos and the strange circumstance of falling in love again. Along the journey, readers bear witness through stages of early widowhood, life&rsquo;s continuance in spite of unbearable grief, and the echoes of losses compounded over a lifetime.&nbsp;<BR> <BR>Exploring how a widow&nbsp;must learn to map out her life in new ways after devastating loss, Paul&rsquo;s is more than a grief memoir, it&rsquo;s a clear-eyed, often funny exploration of how loss rearranges a life&mdash;and proof that even after the unimaginable, there is a way forward, one essay at a time.]]></Text>
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      <Text><![CDATA[<B>Karen Paul&nbsp;</B>has&nbsp;written about caregiving, parenting, marriage, death, loss, and grief for outlets including&nbsp;<I>The New York Times</I>,&nbsp;<I>The Washington Post</I>,&nbsp;<I>The Boston Globe</I>,&nbsp;<I>Lilith</I>,&nbsp;<I>Modern Loss</I>,&nbsp;<I>Open Secrets</I>, and&nbsp;<I>Motherwell</I>, as well as literary magazines and anthologies. Her short story &ldquo;Vertigo&rdquo; won the&nbsp;<I>Lilith</I>&nbsp;Short Fiction Contest.&nbsp;Karen holds an MFA in creative nonfiction from Vermont College of Fine Arts and facilitates grief-writing workshops locally and online. She lives in Takoma Park, Maryland, with Bo, a black-and-white dog who rescued her family.&nbsp;]]></Text>
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      <BiographicalNote><![CDATA[<B>Michael Dirda</B> is a Pulitzer Prize-winning critic and longtime book columnist for <I>The Washington Post</I>. He was once chosen by <I>Washingtonian</I> Magazine as one of the twenty-five smartest people in our nation&rsquo;s capital (but, as Michael says, you have to consider the competition). He also writes regularly for the <I>Times Literary Supplement;</I> the <I>New York Review of Books </I>and other literary journals. His previous publications include the memoir <I>An Open Book,</I> five collections of essays&mdash;<I>Readings, Bound to Please, Book by Book,</I>&nbsp;<I>Classics for Pleasure,&nbsp;</I><I>Browsings&nbsp;</I>(also availble from Pegasus Books)&mdash;and <I>On Conan Doyle</I>, for which he won an Edgar Award. A lifelong Sherlock Holmes and Conan Doyle fan, he was inducted into The Baker Street Irregulars in 2002. He lives in Silver Spring, Maryland.]]></BiographicalNote>
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      <SubjectHeadingText>Kidnapped;The Prisoner of Zenda;The Island of Dr. Moreau;Kim;Ghost Stories of an Antiquary;The Scarlet Pimpernel;Trent’s Last Case;Captain Blood;The Enchanted Castle;the Man Who Was Thursday;The Great Age of Storytelling;michael dirda;comfort literature;the washington post;washington post;dirda;browsings;sherlock holmes;moriarty;adventure viction;black lizard;pulps;romance;historical romance;Stanley J. Weyman;Richard Marsh;the Beetle;dracula;Walter Besant;The Revolt of Man;comic novels;F. Anstey;Barry Pain;J. Storer Clouston;P.G. Wodehouse;Arthur Conan Doyle;Professor Moriarty;Guy Boothby;Dr. Nikola;Sax Rohmer;Dr. Fu Manchu;Elizabeth Thomasina Meade;Robert Eustace;Madame Koluchy;Anthony Skene;Monsieur Zenith;E.R. Eddison;The Worm Ouroboros;E.A. Wyke-Smith;the Marvellous Land of Snergs;Tolkien;The Hobbit;Margaret Irwin;Still She Wished for Company;Owen Gregory;Mecannia;the Super-State;Katharine Burdekin;Swastika Night;Browsings;Classics for Pleasure;Bound to Please;books about books;Larry McMurtry;Lonely Doves</SubjectHeadingText>
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      <Text><![CDATA[<B>With infectious enthusiasm, "the best read person in America"&#8212;as Pulitzer Prize-winner Michael Dirda has been called&#8212;aims to rekindle our passion for classic works of adventure, mystery, fantasy and romance.</B><BR><BR><I>Kidnapped, The Prisoner of Zenda, The Island of Dr. Moreau, Kim, Ghost Stories of an Antiquary, The Scarlet Pimpernel, Trent&rsquo;s Last Case, Captain Blood, The Enchanted Castle, The Man Who Was Thursday</I>&#8212;these are just a few of the many wonderful works reclaimed for 21st-century readers in Michael Dirda&rsquo;s <I>The Great Age of Storytelling</I>. Focusing on the period between 1880 and 1930 in England, <I>The Great Age of Storytelling </I>is both a celebration of some of the world&rsquo;s best &ldquo;comfort reading&rdquo; and an introduction to many of the foundational masterpieces of modern genre literature. <BR> <BR>Known for his engagingly conversational style, Dirda, a longtime book columnist for <I>The Washington Post, </I>also champions lesser-known works deserving renewed attention today. Readers will be introduced to the thrilling historical romances of Stanley J. Weyman, Richard Marsh's daringly transgressive and macabre chiller, <I>The Beetle</I> (which appeared the same year as <I>Dracula</I> and outsold it), Walter Besant's <I>The Revolt of Man,</I> which reverses the traditional roles of the sexes, and the comic novels of F. Anstey, Barry Pain, J. Storer Clouston and other precursors of P.G. Wodehouse (whose early work is also included).<BR> <BR>And that's just a beginning. Who can forget those sinister yet beguiling rivals of Arthur Conan Doyle's Professor Moriarty such as Guy Boothby's suave Dr. Nikola, Sax Rohmer's insidious Dr. Fu Manchu, Elizabeth Thomasina Meade and Robert Eustace's beautiful and ruthless Madame Koluchy, or Anthony Skene's world-weary Monsieur Zenith? There are appreciations, too, of E.R. Eddison's epic <I>The Worm Ouroboros</I>, E.A. Wyke-Smith's <I>The Marvellous Land of Snergs </I>(which influenced Tolkien's <I>The Hobbit</I>), Margaret Irwin's poignant time-slip romance, <I>Still She Wished for Company,</I> and, not least, such cautionary fables as Owen Gregory's <I>Mecannia, the Super-State </I>and Katharine Burdekin's prescient <I>Swastika Night</I>.<BR> <BR>Capacious and absorbing, <I>The Great Age of Storytelling </I>can be enjoyed both for the pleasure of Dirda's bookish company and as a guide to a lost world of compulsively entertaining fiction<B>.</B> As admirers of Michael Dirda's earlier books know&#8212;these include <I>Browsings, Classics for Pleasure </I>and<I> Bound to Please</I>, among others&#8212;he has devoted his life to promoting reading, especially the reading of the great works of the past. T<I>he Great Age of</I> <I>Storytelling</I> may be his magnum opus.]]></Text>
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      <Text><![CDATA[<B>Michael Dirda</B> is a Pulitzer Prize-winning critic and longtime book columnist for <I>The Washington Post</I>. He was once chosen by <I>Washingtonian</I> Magazine as one of the twenty-five smartest people in our nation&#8217;s capital (but, as Michael says, you have to consider the competition). He also writes regularly for the <I>Times Literary Supplement;</I> the <I>New York Review of Books </I>and other literary journals. His previous publications include the memoir <I>An Open Book,</I> five collections of essays&#8212;<I>Readings, Bound to Please, Book by Book,</I> <I>Classics for Pleasure, </I><I>Browsings </I>(also availble from Pegasus Books)&#8212;and <I>On Conan Doyle</I>, for which he won an Edgar Award. A lifelong Sherlock Holmes and Conan Doyle fan, he was inducted into The Baker Street Irregulars in 2002. He lives in Silver Spring, Maryland.]]></Text>
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      <Text><![CDATA[<B>Praise for<I> The Great Age of Storytelling:</I> </B><BR> <BR> &quot;A capacious appreciation of British fiction. Pulitzer Prize&ndash;winning critic Dirda ranges through British literature from 1880 to 1930, the fertile literary period that he considers produced the most memorable popular fiction.&nbsp;Every page of this generous compendium reflects Dirda&rsquo;s unabashed reading pleasure. A genial, enthusiastic guide.&rdquo;]]></Text>
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      <Text><![CDATA[<B>Praise for Michael Dirda:</B><BR> <BR> &quot;A rambunctious personality wanders the aisles of rare-book stores; musing about language, aging and traffic; and catching up with fellow aficionados of the weird and the obscure. The innumerable forgotten books he catalogs are captivating.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;Pleasure, provocation, passion ? just some of the words that came to my mind and through my heart as I perused this book. A reunion with the old forgotten favorite books and an introduction to some dazzling new ones, this is a book to go to bed with, to wake up to, and to browse through in between.&rdquo;]]></Text>
      <TextSourceTitle>&lt;B&gt;Azar Nafisi, #1 &lt;I&gt;New York Times&lt;/I&gt; bestselling author of &lt;I&gt;Reading Lolita in Tehran &lt;/I&gt;and &lt;I&gt;The Republic of Imagination&lt;/I&gt;&lt;/B&gt;</TextSourceTitle>
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      <Text><![CDATA[&ldquo;In remembering and reflecting upon his own first excitements as a reader, Dirda is infectious.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;It&rsquo;s awfully refreshing, in this Age of Noise, to know that there are still critics like Michael Dirda reading the pages of books old and new. His essays have a sort of plain-spoken elegance about them, one that relies more on a generosity of feeling than on an excess of intellect. Dirda shows that he&rsquo;s one of the most accessible critics still doing the good work.&rdquo;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[&quot;Michael Dirda, bookman extraordinaire, has elevated the indulgent pleasures of browsing to the quality of high art. A marvelous collection for serious book lovers, common readers and all of us who take a guilty delight in the gossip of literature.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;Elegantly written musings about calligraphy, writer&rsquo;s block, genre conferences, the books on a given critic&rsquo;s nightstand, with the odd personal reminiscence thrown in.&rdquo;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>Discover the innovations transforming medicine&#8212;and the fight to make care more equitable, accessible, and effective.</B><BR><BR>In <I>The Great Healthcare Disruption</I>, Dr. Marschall Runge&#8212;cardiologist, researcher, and CEO of Michigan Medicine&#8212;offers a gripping, insider&#8217;s look at the forces rapidly reshaping American healthcare. From artificial intelligence and retail medicine to revolutionary gene therapies and next-generation obesity drugs, this is your essential guide to the most significant transformation in medical care since the discovery of antibiotics.<BR><BR><B>Inside you&#8217;ll explore:</B><BR><ul> <li> <B>The rise of Big Tech in medicine</B>&#8212;how Amazon, Google, and other disruptors are redefining the patient experience</li> <li> <B>Breakthrough treatments and AI-driven diagnostics</B> reshaping chronic disease management, behavioral health, and drug development</li> <li> <B>The hidden trade-offs of innovation</B>&#8212;how cutting-edge care delivery models are improving outcomes while straining the systems meant to support them</li> <li> <B>Why traditional institutions must evolve</B>&#8212;and how academic medical centers can remain vital in a tech-driven world</li> <li> <B>Hard truths about access, equity, and affordability</B>&#8212;and what must change to make healthcare work for everyone</li> </ul><BR>With rich storytelling, sharp insights, and practical solutions, Dr. Runge cuts through the complexity of modern medicine to offer a bold, balanced path forward.<BR><BR>Whether you're a healthcare professional, policy leader, or curious reader, <I>The Great Healthcare Disruption</I> is your guide to understanding&#8212;and shaping&#8212;the revolution already underway.<BR><BR><B><I>USA Today</I> Bestseller</B><BR><B>2025 Global Book Awards Gold Medalist in Organizational Change</B>]]></Text>
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      <Text><![CDATA[<b>MARSCHALL S. RUNGE</b>, M.D., Ph.D., is the former executive vice president for Medical Affairs at the University of Michigan, dean of the Medical School, and CEO of Michigan Medicine. During his tenure in these leadership roles, Dr. Runge implemented transformative change and positioned Michigan Medicine and the Medical School internationally for continued success.]]></Text>
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      <Text><![CDATA[&ldquo;In the United States, we have some of the world's most advanced medical technology, highly specialized care, and world-class emergency services. At the same time, the system is inefficient, inequitable, and unsatisfying to nearly everyone who interacts with it. My friend Marschall Runge offers a compelling prescription for disruption. With four decades of experience&#8212;much of it at the very top of academic medicine&#8212;his insights are not only well-informed but well worth our attention.&rdquo; <BR> &#8212; <B>Sanjay Gupta, MD</B><BR> <I>Associate Chief of Neurosurgery, Grady Memorial Hospital; Associate Professor of Neurosurgery, Emory University School of Medicine; Chief Medical Correspondent, CNN; bestselling author and host of Chasing Life podcast</I><BR><BR>&ldquo;Dr. Marschall Runge delivers a bold and visionary roadmap for transforming American healthcare. With clarity and conviction, he explores how emerging technologies can revolutionize care&#8212;making it more affordable, equitable, and effective for all. But this is more than a call for innovation&#8212;it is a call for accountability. Dr. Runge challenges us to ask who truly benefits from progress, who is being left behind, and what courageous leadership must look like in this era of unprecedented disruption. This is a vital and timely contribution to the urgent conversation about the future of medicine&#8212;and what it must become to serve society in the 21st century.&rdquo;<BR> &#8212; <B>Victor J. Dzau, MD</B><BR> <I>President, National Academy of Medicine; Chancellor Emeritus, Duke University Health System</I><BR><BR>&ldquo;In a pivotal era marked by entrepreneurship, innovation, and significant change in healthcare, Dr. Marschall Runge, a physician and healthcare leader, stands out as a seasoned voice in American medicine, speaking with both candor and courage. <I>The Great Healthcare Disruption</I> serves as a masterclass in leadership, exposing the systemic failures of our healthcare system, while presenting pragmatic solutions for reinvention. This book is not merely an academic text; it's a comprehensive blueprint for the bold transformation our nation urgently needs.&rdquo;<BR> &#8212; <B>Michael M.E. Johns, MD</B><BR> <I>Executive Vice President for Health Affairs Emeritus, Emory University; Founding CEO Emory Healthcare; Former Dean, Johns Hopkins School of Medicine</I><BR><BR>&ldquo;The American healthcare landscape is undergoing drastic changes, some of which are necessary, while others are problematic. Dr. Marschall Runge, who has led one of the leading US health systems and medical schools, is in a perfect position&#8212;and comes through&#8212;with an exceptionally thoughtful and thorough analysis, along with proposing solutions and policy changes.&rdquo;<BR> &#8212; <B>Eric Topol, MD</B><BR> <I>Professor and EVP, Scripps Research; Founder and Director, SRTI</I><BR><BR>&ldquo;In <I>The Great Healthcare Disruption</I>, Dr. Marschall Runge provides both a compelling case and detailed plan for the reimagination of healthcare. He is as practical as he is inspirational, calling upon leaders to follow a roadmap designed to make care more customer focused&#8212;easy to access, affordable, and rooted in prevention. As a fellow healthcare leader who also believes in the urgent need for industry transformation, I deeply appreciate Dr. Runge&rsquo;s bold vision and dedication to fixing what is broken.&rdquo;<BR> &#8212; <B>Pete McCanna</B> <BR> <I>CEO, Baylor Scott &amp; White Health</I><BR><BR>&ldquo;Health care is arguably moving faster than at any time since the era of vaccines and antibiotics a century ago. Runge hits the most important disruptors&#8212;AI, retail medicine, GLP-1 agonists, personalized therapies&#8212;with the rigor and relatability uniquely brought by a physician and scientific leader. In addition to insightful reviews of each, he lays out how these innovations relate to and accelerate one another. While acknowledging the potential risks, Runge presents a compelling vision by which we move past the stagnant, expensive, and often underperforming health care system of today.&rdquo;<BR> &#8212; <B>John Birkmeyer, MD</B><BR> <I>President, Sound Physicians; Professor (adjunct), Dartmouth Institute for Health Policy and Clinical Practice</I><BR><BR>&ldquo;<I>The Great Healthcare Disruption</I> is a must-read for all who are passionate about improving healthcare and health outcomes in a financially sustainable way. Dr. Runge provides practical perspectives as an experienced clinician and prominent executive on one of the most important challenges facing the United States. Against a backdrop of challenging consumer expectations for unlimited care and access, Dr. Runge discusses the significant challenges across key sectors of the U.S. healthcare system from a global perspective. He highlights the ethical and financial dilemmas for access to care and breakthrough therapies and drugs. Dr. Runge offers a future-forward roadmap and thought-provoking prescriptions for improving health outcomes while reducing healthcare costs.&rdquo;<BR> &#8212; <B>Mark Hussey</B><BR> <I>CEO and President, Huron Consulting</I><BR><BR>"I loved the fact that the book summarizes Dr. Runge&rsquo;s assertions with &lsquo;The Takeaway&rsquo;, which provided a time to reflect... [I] hope and pray we can realize the need to collectively focus our resources on the many topics that Dr. Runge raised&hellip; merging mental health with primary care; using AI to address scarcity and access issues; and a focus on genetic medicine. Seemingly obvious, but not yet tackled in our healthcare delivery system." <BR> &#8212; <B>Stephanie L. Reel</B><BR> <I>Former CIO, Johns Hopkins Medicine, Johns Hopkins Health System, and Johns Hopkins University</I>]]></Text>
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      <Text><![CDATA[<B>A stand-up comic&rsquo;s collection of stories offer a humorous and sincere exploration of culture and family, as one of twelve children raised in a multiracial family.</B><BR><BR>Growing up as a white kid with six Black brothers, two white brothers, two from Vietnam, and one from China, comedian Ryan Conner&rsquo;s family gave him a unique perspective on what it means to be American, one that he brings to the stage and now, for the first time, to the page.<BR> <BR> In <I>12 Guys Walk Into a Kitchen</I>, Conner tells hilarious stories that also tackle assumptions too often made about race, culture, and identity&#8212;and offers powerful and funny insights on the unifying power of family, empathy, and redemption.<BR> <BR> Read his stories of refugee flights, adoption hardship, love overcoming hate, factory closures, leisure suits, bullying, comedy icons, what happens when a kid who's never broken a rule goes to college and works for a drug front, the life of a comic, poverty, the worst wedding toast in history, ambition vs family, and maybe an orgy. Wild and heart-filled anecdotes are told against the backdrop of a home life that made their lives ordinary in every meaningful sense.<BR> <BR> Through sharp, comedic storytelling, discover a message of hope in these divisive times: that diversity isn&rsquo;t a burden, it&rsquo;s our greatest strength. And at the end of the day, nearly everything but family is meaningless.<BR> <BR> For fans of David Sedaris, standup lovers, and those seeking an optimistic story that bridges cultural divides, <I>12 Guys Walk Into a Kitchen</I> is the humorous but heartfelt antidote to the wedges that threaten to lie between us. Timely yet timeless, this autobiographical collection of complementary stories invites readers to laugh, to listen, and to see beauty in the differences that make us who we are.]]></Text>
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      <Text><![CDATA[<B>Join Gogol Bordello&rsquo;s Eugene Hutz on his explosive journey from Ukrainian refugee to famed global punk icon, acclaimed thespian, cultural rebel, and vital political force. </B><BR><BR>Eugene Hutz&rsquo;s journey from his Romani &ldquo;gypsy&rdquo; roots, family interrogations for being &ldquo;anti-Soviet,&rdquo; and European refugee camps to a crash landing in his beloved New York hardcore scene may sound like a Tarantino movie, but it&rsquo;s only the beginning of Eugene&rsquo;s trajectory. <BR> <BR>Born and raised in Boyarka, Ukraine, where a century earlier Sholem Aleichem wrote his world-famous tales, and &ldquo;pickled in its mystical vitamins,&rdquo; Eugene discovers rock 'n' roll music through his Western-spirited, freedom-loving father. <BR> <BR>Uprooted by the Chernobyl disaster and inspired by a Sonic Youth concert in Kiev in 1989, Eugene embarks &ldquo;to find his own sonic heart&rdquo; in NYC. Follow along as he goes from being brutally discouraged by his Soviet music teachers to making records with Rick Rubin and headlining major world festivals. <BR> <BR>The real punk saga kicks off when Eugene and his kin score asylum in the USA. Safe in Vermont, but itching for rebellion, he grinds for years before birthing Gogol Bordello, a badass musical fusion labeled "gypsy punk"&#8212;a raw blend of traditional Eastern European music and punk that enraptures global music maniacs.<BR> <BR>Gogol Bordello is a wild, visionary cadre of immigrant musicians, artists, and outsiders, whose border-blasting message of inclusion and personal liberation&#8212;coupled with their musical supercollider style&#8212;have made them one of the world&rsquo;s most vital and explosive live acts. <BR> <BR>The band became the darlings of artists, tastemakers, and fashion icons, landing a breakthrough gig at the Whitney Biennial in 2002 that would raise their profile and launch their international career. Their embrace of multiculturalism created a unique style that seamlessly blends the disparate. <BR> <BR><I>Lost Innocent World</I> is Eugene&rsquo;s deeply personal account of surviving conflict and displacement and a reminder of how powerful music can be in raising the resilience of the dispossessed.]]></Text>
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      <Text><![CDATA[<b>Eugene Hutz </b>is unquestionably the most famous Ukrainian musician in the world. He leads Gogol Bordello, the preeminent and internationally famed &ldquo;gypsy punk&rdquo; band with fans and followers in the millions. With his inimitable songwriting and charismatic stage presence, he has guided his group through eight successful studio albums (so far) and two decades of sold out shows from New York to London to Istanbul. As an actor, he has starred in acclaimed films such as<i> Everything Is Illuminated</i> (2005). He is also a highly in-demand DJ, event host, guest musician, and political activist.<BR><BR><b>Katherine Yeske Taylor&nbsp;</b>began her career as a rock critic in Atlanta in the 1990s, interviewing Georgia musical royalty such as the Indigo Girls, R.E.M., and the Black Crowes while still a teenager. Since then, she has conducted thousands of interviews and contributes regularly to&nbsp;<I>Billboard</I>,&nbsp;<I>Spin</I>, and&nbsp;<I>American Songwriter</I>, among others. She authored&nbsp;<I>She&#39;s a Badass: Women in Rock Shaping Feminism</I> (Backbeat Books, 2024). She is a longtime New York City resident.]]></Text>
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      <Text><![CDATA[<B>Unchecked ambition. Breakneck innovation. But at what human cost?</B><BR><BR>For years, Tesla has promoted a bold vision of automated driving&#8212;one that captured global attention, reshaped public expectations, and helped propel Elon Musk to extraordinary prominence. In <I>Elon Take the Wheel</I>, journalist Edward Niedermeyer explores the public debate surrounding Tesla&rsquo;s driver-assistance systems and the sweeping claims that have shaped the company&rsquo;s place in technology, culture, and the marketplace.<BR> <BR>Drawing on nearly a decade of research and firsthand interviews with Tesla insiders and automation experts, Niedermeyer unpacks the real-world science behind self-driving technology. As the debate over automated driving has intensified&#8212;and as courts, regulators, and federal investigators grapple with the human cost of high-visibility automation incidents&#8212;he exposes the widening gaps between public perception, corporate messaging, and the still-developing reality of automated driving.<BR> <BR><B>Connecting the dots between mounting fatal crashes, gaps in oversight, and the competing narratives surrounding Musk&rsquo;s public claims, this book takes a deep dive into:</B><BR> <ul> <li>How nearly a decade of &ldquo;Full Self-Driving&rdquo; promises has collided with real-world technical limits&#8212;even as rival companies expand driverless operations across major cities</li> <li>The failure of American institutions (government regulators, financial markets, and the media) to fully confront the human and financial risks posed by one of the decade&rsquo;s most disruptive technologies</li> <li>How high-profile crashes, federal reviews, and uneven global deployment have revealed the tension between public expectations and the current limits of driver-assistance systems</li> </ul> <BR>Timely, thought-provoking, and rigorously sourced, <I>Elon Take the Wheel</I> invites readers to reconsider what automated driving promises, what it obscures, and what it means for the future of mobility.]]></Text>
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      <Text><![CDATA[<b>Edward Niedermeyer</b> began covering the auto industry in 2008, quickly establishing himself as a leading chronicler and critic of the struggles and bailouts of GM and Chrysler. More recently he has focused on the collision between the auto industry and high tech sector, and the reinvention of the automobile. His work on automotive topics has been featured in the <i>New York Times</i>, <i>Wall Street Journal</i>, <i>BloombergView</i>, <i>The Daily Beast</i>, <i>The Verge</i>, and elsewhere. He is the cohost of <i>The</i> <i>Autonocast</i>, a podcast about the future of mobility; a consulting producer of the major documentary film <i>Musk</i>; and the program director for the Ride AI Summit, the premier gathering of leaders in the driving automation space. He lives in Portland, Oregon, with his partner and cats.]]></Text>
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      <Text><![CDATA[&ldquo;With inexorable journalistic rigor, Niedermeyer&rsquo;s exploration of Elon Musk&rsquo;s fraudulent and immoral promotion of Tesla&rsquo;s &ldquo;full-self-driving&rdquo; con illuminates a system of corporate gaslighting even as he tells a truth that we need to hear.&quot;<BR> <B>&mdash;Alex Gibney, Academy Award&ndash;winning director of <I>Musk</I></B><BR> <BR> &ldquo;Ed Niedermeyer was trying to wake people up to the true story of Tesla long before many wanted to hear it. In<i> Elon Take the Wheel</i>, he pulls back the curtain on Elon Musk&rsquo;s efforts to hype up the company&rsquo;s self-driving technology and the many lives it took in the process. It&rsquo;s a shocking tale of what happens when corporate profit is prioritized over public safety&mdash;and how such an irresponsible choice helped make Musk the world&rsquo;s richest man.&rdquo;<BR> <b>&mdash;Paris Marx, host of the <i>Tech Won&rsquo;t Save Us</i> podcast</b><BR> <BR> &ldquo;For years, Ed Niedermeyer has been one of the most dogged critics of Musk. In this riveting, well-reported expos&eacute; of the mess that is Tesla, Niedermeyer brings the receipts for why Musk is not only an incompetent fraud but also highly dangerous. I hope that this great book breaks through to a media and political establishment that tends to give Musk a pass at every reckless turn.&rdquo;<BR> <b>&mdash;Alex Winter, actor, director, and activist</b>]]></Text>
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      <Text><![CDATA[<B>Prosperity should not be the preserve of a privileged few, but the birthright of everyone.</B><BR> <BR><B><I>New York Times</I></B><B> bestselling author Napoleon G&#243;mez Urrutia reveals the steps we need to take now to build a secure economy&#8212;and ensure a brighter future for all.</B><BR><BR><I>The Mystery of Prosperity</I> is a timely and transformative work that reveals how nations build long-term prosperity across different political, economic, and cultural contexts and why so many fall short. Drawing on international case studies, historical insights, and his own experience in Mexico and beyond, global labor leader, politician, and Oxford-trained economist Napoleon G&#243;mez Urrutia presents a bold and hopeful blueprint for fostering economic growth, expanding opportunity and dignity, and strengthening democratic resilience in the twenty-first century.<BR> <BR>While the societies profiled in these pages are not perfect, they are proof that progress is possible when we have the courage to imagine&#8212;and fight for&#8212;a different kind of economy. At the heart of this book is a powerful expression of hope and possibility, grounded in the conviction that a better future is not only necessary but attainable. <BR> <BR>In these pages, Urrutia shares eye-opening findings, including: <BR> <ul> <li>Evidence-based analysis of how rising inequality and concentrated wealth in the current economic model threaten long-term prosperity and democratic stability.</li> <li>The proven policies and practices behind some of the world's most prosperous, equitable, and happy societies.</li> <li>A practical roadmap for creating stronger economies, healthier democracies, and broader opportunity for all. </li> </ul> <BR>As inequality widens, political divisions deepen, and technological and environmental disruptions reshape our world, <I>The Mystery of Prosperity</I> offers a timely and hopeful answer. Rejecting the failed assumptions of both austerity and winner-take-all economics, Urrutia makes the case for a new model of prosperity rooted in trust, democratic institutions, and shared opportunity. <BR> <BR>Both a bold call for reform and a practical roadmap for renewal, this book shows how societies can become more equitable, resilient, and prosperous in the decades ahead.]]></Text>
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      <Text><![CDATA[&ldquo;This book is a powerful argument for human dignity. Napole&oacute;n G&oacute;mez Urrutia reminds us that workers are not simply participants in the economy; they are its foundation. <i>The Mystery of Prosperity</i> is essential reading for anyone who cares about the future of work, democracy, and shared prosperity.&rdquo;<BR> <b>&mdash;Roxanne D. Brown, international president of the United Steelworkers (USW)</b><BR> <BR> &ldquo;His work has improved the lives of workers and stands as an example across Latin America. If we are to resist neoliberalism, militarism, and global impoverishment, we must listen to voices like his. I am proud to call him a friend and to endorse this important work.&rdquo;<BR> <b>&mdash;Jeremy Corbyn, member of Parliament, former leader of the UK Labour Party, and parliamentary leader of Your Party (UK)</b>&nbsp;<BR> <BR> &ldquo;A powerful and intellectually stimulating work, <i>The Mystery of Prosperity</i> demonstrates that no nation achieves truly sustainable development without combining economic growth with social justice, democracy, and respect for the value of work. Napole&oacute;n G&oacute;mez Urrutia challenges conventional views of wealth and offers an essential reflection on how shared prosperity is the result of political choices, strong institutions, and a lasting commitment to human dignity.&rdquo;<BR> <b>&mdash;Marcio Pochmann, professor, economist, and president of the Brazilian Institute of Geography and Statistics</b><BR> <BR> &ldquo;A book written from lived experience: from the mine, the assembly hall, the public platform, and exile. Napole&oacute;n G&oacute;mez Urrutia, a leader forged in the struggle of the labor movement who refused to be broken by either persecution or exile, shows that prosperity is not a gift bestowed by the market: it is built by people through strong unions, democracy, and social justice. Essential reading, endorsed by the solidarity that unites working people in Mexico and Spain.&rdquo;<BR> <b>&mdash;Pepe &Aacute;lvarez, secretary general of the General Union of Workers (UGT) in Spain</b><BR> <BR> &ldquo;I look for voices on the left who recognize that capitalism can change, that incentives matter, and that we need well-run, ethical, profitable businesses if we are to solve the defining problems of the future: inequality and climate change. Napole&oacute;n G&oacute;mez Urrutia is one such voice, and I value his pragmatic approach and vision for bringing workers into the decision-making process to create a more just future. I hope business and civic leaders alike will read this book.&rdquo;<BR> <b>&mdash;Elizabeth MacBride, journalist, consultant, and national bestselling coauthor of <i>Capital Evolution: The New American Economy</i></b><BR> <BR> &ldquo;In<i> The Mystery of Prosperity</i>, a senior Mexican trade union leader makes the case for institutions built on solidarity and standards, in the workplace and in society. He provides those of us not privileged to live in Mexico insight into the spirit now animating politics and civil society there, a sharp departure from the harsh neoliberalism of the recent past . . .&rdquo;<BR> <b>&mdash;James K. Galbraith, author of <i>The Power to Destroy: How Bad Economics Drove America&rsquo;s Decline</i></b><BR> <BR> &ldquo;Can the Scandinavian model of greater economic equality provide the foundation for a peaceful Mexican revolution? Urrutia argues that it can. His recognition of gender equality as essential to building shared prosperity makes this a must-read for anyone concerned about Mexico&rsquo;s future&mdash;and about other societies where immense wealth is squandered through inequality. His leadership in advocating for parental leave and equal-pay legislation in Mexico demonstrates that he has walked his talk.&rdquo;<BR> <b>&mdash;David B. Oppenheimer, professor at UC Berkeley School of Law and author of <i>The Diversity Principle</i></b>]]></Text>
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      <BiographicalNote><![CDATA[<B>Tommy Mottola</B> is the former Chairman and CEO of Sony Music Entertainment, creator of &ldquo;The Latin Explosion&rdquo;, and current Chairman of Mottola Media Group. He is one of the most influential music executives in the industry credited with discovering and guiding the careers of the world&rsquo;s most iconic artists such as Bruce&nbsp; Springsteen, Billy Joel, Mariah Carey, Celine Dion, Beyonce, Hall and Oates, Gloria Estefan, Shakira, Ricky Martin , Jennifer Lopez and Marc Anthony.]]></BiographicalNote>
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      <Text><![CDATA[<B><B>A masterclass in embracing where you came from to reach the heights of where you can go from legendary music executive Tommy Mottola</B></B><BR><BR>For a neighborhood you can cross in a cab ride, the Bronx has had a staggering influence on American life. This single borough produced the likes of Ralph Lauren, Calvin Klein, Sonia Sotomayor, Jennifer Lopez, Fat Joe, Grandmaster Flash, Billy Joel, Luther Vandross, Big Pun, Chazz Palminteri, Neil deGrasse Tyson, and Stanley Kubrick. Hip-hop was born there, and American culture has kept drawing from it ever since.<BR> <BR>Wanting to understand how one place could produce so many extraordinary alumni, Tommy Mottola&#8212;the legendary music executive behind some of the biggest artists of the modern era&#8212;began looking back at the education he received before anyone called it one. <I>The Bronx School of Business</I> resulted, and it is nothing less than a sweeping blueprint for achieving extraordinary success, regardless of where you come from.<BR> <BR>Each idea begins in the neighborhood and then unfolds in a vast array of high-stakes environments where entertainment careers were made and business icons were born. Structured like a curriculum Mottola never knew he was taking, this classroom is unlike any other, teaching readers:<BR> <ul> <li>How to sharpen judgment when the stakes are high</li> <li>How to turn pressure into an advantage instead of a liability</li> <li>Why trust is one of the most valuable assets in business</li> <li>How to distinguish a smart risk from a reckless one</li> </ul> <BR>For fans of <I>The Diary of a CEO</I>, <I>The 48 Laws of Power</I>, and <I>Think Again</I>, <I>The Bronx School of Business</I> is a transformative guide from a leader who rose to the pinnacle of the entertainment industry by realizing his greatest advantage came from the blocks that first shaped him.]]></Text>
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      <Text><![CDATA[<B>Tommy Mottola</B> is the former Chairman and CEO of Sony Music Entertainment, creator of &#8220;The Latin Explosion&#8221;, and current Chairman of Mottola Media Group. He is one of the most influential music executives in the industry credited with discovering and guiding the careers of the world&#8217;s most iconic artists such as Bruce Springsteen, Billy Joel, Mariah Carey, Celine Dion, Beyonce, Hall and Oates, Gloria Estefan, Shakira, Ricky Martin , Jennifer Lopez and Marc Anthony.]]></Text>
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