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      <Text><![CDATA[<B>A story of recovery, love, and loss&#8212;a memoir of healing ourselves and the natural world. </B><BR><BR>Cara Benson did not come to love easy. As a low bottom addict, she crawled through subway tunnels and partnered with an abusive man. When she came face to face with her own death, she chose life. Her journey of survival led her into recovery, to climbing mountains, and ultimately to Jon, the man with whom she cultivated a relationship that began as &ldquo;second chance lovers&rdquo; and slowly developed into one as lifetime partners.<BR> <BR> Years later, Benson unexpectedly found herself in devastation as she came to terms with losing Jon to suicide. As she retreated into her grief, she also retreated into the woods of upstate New York, exploring the forests not as the avid hiker she&rsquo;d become in recovery, but as a meanderer who had lost her way. Here she found more grief in her observation of the effects of climate change.<BR> <BR> In confronting her loss, Benson came to realize that the lessons she learned from loving Jon in sickness, health, and death could be applied to her relationship with the non-human world. From squirreling away oak acorns for reforestation of a logged property to maintaining feeders for the birds Jon adored, Benson&rsquo;s daily life became a sort of field guide for how to live with a deep and abiding commitment to the future of the planet despite challenging odds.<BR> <BR> Moving through the intensely personal and kindred terrain of love, recovery, and loss, <i>An Armsfull of Birds</i> is a climate memoir that tells the story of developing deeply held commitments to ourselves, to those we love, and ultimately to the ailing natural world.]]></Text>
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      <Text><![CDATA[&ldquo;I opened it up to read the first few pages and then spent&nbsp;five&nbsp;hours reading the rest. Beautifully done. Poignant, human, authentic.&rdquo;&nbsp;<BR> <B>&mdash;Jenny Lawson,&nbsp;</B>The Bloggess and #1 <I>New York Times</I> bestselling author of&nbsp;<I>How&nbsp;To&nbsp;Be Okay When Nothing Is Okay</I>&nbsp;]]></Text>
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      <Text><![CDATA[&quot;This is a book about many profound things, but one of them is healing, and&nbsp;in particular the&nbsp;healing possibilities of the physical world around us. Of course, as Benson recognizes,&nbsp;healing needs to&mdash;and can&mdash;go both ways. A valuable book!&quot;&nbsp;<BR> <B>&mdash;Bill McKibben,</B> author&nbsp;of&nbsp;<I>Here Comes the Sun</I>]]></Text>
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      <Text><![CDATA[&ldquo;Cara Benson feels everything so&nbsp;deeply and&nbsp;tells her stories so honestly. Part recovery story, part eco-travelogue, part grief memoir,&nbsp;An&nbsp;Armsfull&nbsp;of Birds&nbsp;is a nuanced, thoughtful book about what it means to live fully, even when that means surviving your most beloved people. A memoir that will break your heart and put it back together again.&rdquo;&nbsp;<BR> <B>&mdash;Amy Shearn,</B>&nbsp;award-winning author of&nbsp;<I>Animal Instinct</I>&nbsp;and&nbsp;<I>Unseen City</I>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Like any true field guide, Cara Benson&rsquo;s&nbsp;<I>An&nbsp;Armsfull&nbsp;of Birds</I>&nbsp;is about wanting to know&mdash;how to care for the natural world and its myriad creatures, how to live an engaged and ethical life, and, at heart, how to survive (and learn from) indelible loss. &lsquo;Loss,&rsquo; Benson writes, &lsquo;has everything to do with loving.&rsquo; This keenly&nbsp;observed, honest, and emotionally resonant memoir opens a way for us all.&rdquo;&nbsp;&nbsp;<BR> <B>&mdash;Steve Edwards,</B>&nbsp;author of <I>Rare Good: Essays on Art, Autism, and Astonishment&nbsp;</I>]]></Text>
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      <Text><![CDATA[<B>Eugene Manlove Rhodes, who coined New Mexico&rsquo;s official state nickname &ldquo;the Land of Enchantment,&rdquo; was a superlative writer of fiction in the Southwest during the early twentieth century. This new annotated edition of two of his best novels provides the ideal introduction to this unjustly neglected writer.</B><BR><BR>A real-life cowboy, rancher, miner, and army scout for twenty-five years before launching his literary career, Eugene Manlove Rhodes depicted the times and terrain of southern New Mexico in popular fiction hailed for its realism. He elevated the Western novel to a literary art form.<BR> <BR> Rhodes is best remembered today for the brief novel that is generally considered his masterpiece, <i>Pas&#243; por Aqu&#237;</i>. Inspired by the 1905 robbery of the First National Bank of Bel&#233;n, Rhodes&rsquo;s story follows bank robber Ross McEwen as he is pursued across the deadly wasteland of the infamous Jornada del Muerto by a posse led by legendary New Mexican lawman Pat Garrett.<BR> <BR> Like<i> Pas&#243; por Aqu&#237;</i>,<i> The Desire of the Moth</i> offers a revisionist Western featuring a hero on the lam from the law&#8212;but in this story, largely set around Las Cruces, New Mexico, the alleged criminal is actually an innocent man targeted for lynching by his political opponents.<BR> <BR> This new annotated edition of two of Rhodes&rsquo;s best-loved stories includes an introductory essay and notes by critic Gary Scharnhorst.]]></Text>
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      <Text><![CDATA[<b>Eugene Manlove Rhodes</b> (1869&#8211;1934) was one of New Mexico&rsquo;s greatest and most underappreciated writers. Many of his books were adapted for Hollywood films, including <i>The Girl He Left Behind Him</i>, <i>The Desire of the</i> <i>Moth</i>, and <i>Pas&#243; por Aqu&#237;</i>.<BR><BR><b>Gary Scharnhorst</b> is a Distinguished Professor Emeritus of English at the University of New Mexico; the author or editor of over fifty books, including award-winning biographies of Mark Twain and Owen Wister; the past president of the Western Literature Association; and the editor of the scholarly journal <i>American Literary Realism</i>.]]></Text>
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      <Text><![CDATA[&ldquo;[Rhodes&rsquo;s] writing stimulates fanaticism, cultism. To the faithful, he could do no wrong. . . . Certainly he mastered his material as few others in the field, in any field, have done.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Based on his vast knowledge of the Mexican Archives of New Mexico, Robert J. Torrez&rsquo;s <I>Amados Compatriotas</I> offers a fresh look at the Mexican period in New Mexico history. Using seldom-used primary sources, topics from education and epidemics to warfare and crime are described in a book that is bound to be a favorite among academic and general readers in New Mexico and beyond.&rdquo;]]></Text>
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      <Text><![CDATA[<B>A history of the accomplishments of the University of New Mexico&rsquo;s Family Development Program that is sure to influence early childhood advocacy networks everywhere.</B><BR><BR>Since 1985, a grassroots initiative called the Family Development Program (FDP) at the University of New Mexico has championed early childhood education as a long-term way to address poverty, strengthen democracy, and protect the rights of young children. <i>Putting Our Youngest Children First</i> chronicles FDP&rsquo;s accomplishments, all from the ground up, community by community. With important lessons about collaborative problem-solving and citizen leadership to effect systemic change, Vermilya and Preskill offer proven strategies for mobilizing family and community advocacy to ensure that the education of young children remains one of the nation&rsquo;s top priorities.]]></Text>
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      <Text><![CDATA[<b>Lois Vermilya</b> was the director of the Family Development Program at the University of New Mexico for twenty years and is the author of many publications on equity and social justice.<BR><BR><b>Stephen Preskill</b> is a professor emeritus of education at Wagner College. He is the author of <i>Education in Black and White: Myles Horton and the</i> <i>Highlander Center&rsquo;s Vision for Social Justice</i>.]]></Text>
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      <Text><![CDATA[&ldquo;This book makes a transformative contribution to the fields of family and child studies and early childhood education. With its forward-thinking, strength-based, family-centered approach, it presents a framework for cultivating equitable partnerships among families, early educators, higher education faculty, and communities to shape the next generation of early childhood leaders.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;The Family Development Program has always put listening first. True success comes through the trust and buy-in of those most affected. This book teaches us all a process for how to harness the power of families and communities by centering them at the heart of change-work.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;New Mexico is now seen as outstanding because of its commitment to young children, but that didn&rsquo;t just happen. If you care about children, their families, and the professionals who serve them, Putting Our Youngest Children First is a must-read.&rdquo;]]></Text>
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      <Text><![CDATA[<B>A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s.</B><BR><BR>In the early 1970s there weren&rsquo;t many women photographers, and fewer still who used their camera to make ethnographic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savant&rsquo;s eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca.<BR><BR>At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyone&rsquo;s first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974.<BR><BR>Lynn&rsquo;s photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together.<BR><BR>It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. <i>And So We Moved to Petaca</i> is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared.]]></Text>
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      <Text><![CDATA[Documentary photographer and filmmaker <b>Lynn Adler </b>is a founder of Optic Nerve, a San Francisco&#8211;based film and photography collective, and Ideas in Motion. She has made community-based documentary films and videos around the world. She lives in Berkeley, California.<BR><BR><b>Bill Shapiro</b> is a former editor in chief of <i>LIFE</i> Magazine. He lives in Taos, New Mexico.]]></Text>
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      <Text><![CDATA[&ldquo;The photographs are a sensitive examination of two cultures trying to have a fidelity to contrasting world views and lifestyles. The images are a touching window into seldom-seen New Mexico histories.&rdquo;]]></Text>
      <TextAuthor>Miguel Gandert, author of &lt;I&gt;Nuevo M&#233;xico Profundo: Rituals of an Indo-Hispano Homeland&lt;/I&gt; and &lt;I&gt;The Plazas of New Mexico&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;No place better exemplifies the rich and often challenging cultural narrative of our country than Petaca, a tiny village in Northern New Mexico photographed by Lynn Adler fifty years ago. In an increasingly stratified society, Adler&rsquo;s pictures show us the best of what photography can reveal: the beauty of connecting with one another. The finest of Adler&rsquo;s Petaca photos evoke mystery or portray an exuberance for life that overshadows everything around it.&rdquo;]]></Text>
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      <Text><![CDATA[<B>The first book on the groundbreaking 1954 Western by director Nicholas Ray, controversial in its time, now celebrated as a groundbreaking example of high camp, LGBTQ themes, and the outer limits of the Hollywood system.</B><BR><BR>What to make of <i>Johnny Guitar</i>, Nicholas Ray&rsquo;s high-drama psychological Western from 1954? The film met with a mixed reception on its release but over the years has assumed cult status in some circles, with some critics now citing it among the greatest examples of the genre. In this first-ever book on this divisive Western, Brooks Hefner disentangles the tortured production history of the film and explores the question of what makes <i>Johnny Guitar</i> not only an important film but an important Western in an era rife with classic examples of the genre. Made at the peak of director Nicholas Ray&rsquo;s career, <i>Johnny Guitar</i>&rsquo;s layered themes of gender, sexuality, psychology, and politics make it one of the richest examples of the &ldquo;adult Western,&rdquo; those increasingly sophisticated films like George Stevens&rsquo;s <i>Shane</i> (1953), John Ford&rsquo;s <i>The Searchers</i> (1956), and the Westerns of Anthony Mann and Budd Boetticher. At the same time, <i>Johnny Guitar</i> represented an effort by B studio Republic Pictures to produce a prestige picture with major Hollywood stars like Joan Crawford and Sterling Hayden. Hefner shows how, with the studio system beginning to crumble, <i>Johnny Guitar</i> sits at a moment when stars and directors began to exert more control over their images and films.]]></Text>
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      <Text><![CDATA[<b>Brooks E. Hefner</b> is a professor of English at James Madison University, where he teaches American genre fiction, film history, and popular film genres. He is the author of <i>Black Pulp: Genre Fiction in the Shadow of Jim Crow</i> and <i>The Word on the Streets: The American Language of Vernacular Modernism</i>. He lives in Charlottesville, Virginia.]]></Text>
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      <Text><![CDATA[&ldquo;Brooks E. Hefner&rsquo;s <I>Johnny Guitar</I> is a groundbreaking study of Nicholas Ray&rsquo;s notoriously groundbreaking Western&mdash;highly recommended.&rdquo;]]></Text>
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      <SubjectHeadingText>DH Lawrence; Ansel Adams; Willa Cather; Mabel Dodge Luhan; Franklin D Roosevelt; John Phillips; Tony Luhan; Taos Pueblo; Blue Lake; US Indian policy; Bureau of Indian Affairs; John Collier; Santa Fe art colony; Gustave Baumann</SubjectHeadingText>
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      <Text><![CDATA[<B>The fascinating true story of how Taos Pueblo&rsquo;s Indigenous people recruited members of the famous Taos art colony to help spark a movement for Native justice that reshaped the nation.</B><BR><BR>When the first white artists arrived in Taos by horse-drawn wagons, centuries of military conquest and brutal government policies had pushed Indigenous people to the brink of collapse. New Mexico&rsquo;s pueblos had become some of America&rsquo;s last holdouts of traditional culture, resolutely preserving their sacred lands in the face of mounting pressure.<BR><BR>Many of the free-spirited newcomers in Taos came to admire the pueblos&rsquo; peaceful, communal societies and holy regard for the natural world. To these outsiders, pueblo civilization offered a marked contrast to America&rsquo;s record of endless war, hyperindividualism, and environmental destruction.<BR><BR>Among those attracted to Taos was the &ldquo;Queen of Bohemia,&rdquo; a wealthy New York heiress who dabbled in peyote and personified radical chic. Mabel Dodge Luhan fell in love with Taos Pueblo leader Tony Lujan and hoped to inspire an American spiritual renaissance based on pueblo values. She brought world-famous luminaries to Taos, including D. H. Lawrence, Georgia O&rsquo;Keeffe, and Carl Jung, along with the fiery social reformer John Collier.<BR>As the art colony gained international fame, the US government targeted the pueblos for extinction, moving to seize their lands and destroy their cultures. This same grim scenario had played out countless times before in US history. It seemed that nothing could stop the brutal crush of conquest.<BR><BR>But the puebloans, who had once unleashed a fierce revolt against Spain in 1680, found a new way to fight back in the modern era. As master diplomats, they began recruiting the prominent creatives converging on Taos, shrewdly enlisting them as political allies. And these artists and writers, at a crucial moment in history, rose to join the pueblos and challenged their own culture&rsquo;s prevailing genocidal policies.<BR><BR><i>Beating Heart of the World</i> is the fascinating, fast-paced chronicle of a long-shot resistance movement that grew into a powerful national campaign for Indigenous justice. While a work of history, <i>Beating Heart of the World</i> speaks urgently to our own era as new resistance movements percolate&#8212;and as new generations increasingly look to ancient Indigenous wisdom to help guide sustainable pathways forward.]]></Text>
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      <Text><![CDATA[<b>Steven L. Davis </b>is the winner of the PEN Center Award for Research Nonfiction and the author, coauthor, or editor of eight previous books, including <i>Dallas 1963</i>; <i>The Most Dangerous Man in America: Timothy Leary, Richard Nixon and the Hunt for the Fugitive King of LSD</i>; and <i>Viva Texas Rivers! Adventures, Misadventures, and Glimpses of Nirvana along Our Storied Waterways</i>. The retired literary curator of the Wittliff Collections at Texas State University, he now lives in Albuquerque, New Mexico.]]></Text>
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      <Text><![CDATA[&ldquo;A wonderfully researched history of the Indigenous people of Taos and their long struggle for autonomy. <I>Beating Heart of the World</I> is a story of tenacity, community organizing, and ultimately justice. Above all, it is the tale of the power of resistance. What an inspiration for our times! Much gratitude to Steve Davis for this effort.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;<I>Beating Heart of the World</I> tells the stirring tale of how the savvy stewards of Taos Pueblo forged an unlikely though slyly effective alliance with bohemian newcomers to protect Indigenous lands and tribal traditions that seemed on the brink of extinction. In Steven L. Davis&rsquo;s engrossing account, we are reminded why Taos has long been such a fervent crossroads of anti-establishment thought and aesthetics. Here, art meets politics in unexpected, eccentric, and often bewitching ways.&rdquo;]]></Text>
      <TextAuthor>Hampton Sides,&lt;I&gt; New York Times&lt;/I&gt; bestselling author of &lt;I&gt;Blood and Thunder&lt;/I&gt; and &lt;I&gt;The Wide Wide Sea&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&ldquo;These people worked together, over time, to reverse injustice and succeeded. That is such an important tale to tell . . . at any time but perhaps especially in our current climate of discord, division, and distrust.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;In <I>Beating Heart of the World</I>, author Steven L. Davis arranges all the pieces of a complex and mysterious puzzle. A federal government bent on dispossessing Native America. The canny but beleaguered leaders of Taos Pueblo fighting against impossible odds for their survival. And the artists, writers, dreamers and bohemians of the Taos art colony who leveraged their worldwide fame in their cause. A compelling and inspiring story, beautifully told.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;An exhaustive look at the people and policies that made the city of Albuquerque, where the Rio Grande is both the backbone and the bane of the city. Fleck and Berrens describe in detail how people used the river to build this modern city in the desert Southwest.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;In describing <I>Love and Other Fish</I>, I could use words like wonder, heartbreak, astonishment, clarity, rumination, and understanding. But what I really want to say is just <I>read this book</I>. With its beautiful narratives and contemplations, <I>Love and Other Fish</I> explores the strangeness of human experience and the strangeness of looking back. How wonderful and immersive to be guided by such a wise and generous writer.&rdquo;]]></Text>
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      <Text><![CDATA[<B>The powerful true story of a parent&rsquo;s unflagging battle on behalf of a beloved son struggling with PTSD, mental illness, and addiction and a family who bore the burdens of war for decades.</B><BR><BR>In January 1969, angry after a fight with his father, nineteen-year-old Doug Johnson&#8212;in what will be a fateful choice&#8212;decides to enlist in the Army. Once in Vietnam as a point man, Doug becomes addicted to speed and heroin, goes AWOL multiple times, and is court martialed and imprisoned. In order to avoid a second court martial, he agrees to accept an &ldquo;undesirable&rdquo; discharge that denies him veterans&rsquo; benefits and any recognition of his wartime service. In late August 1970, drugged, malnourished, and clutching the sandal of a dead Viet Cong, Doug staggers off a plane into the arms of his father.<BR> <BR> But Doug&rsquo;s return home is only the beginning of this story. The core of <i>Undesirable</i> recounts another war: Doug&rsquo;s father against the US Army. For three years, he fights to have his son&rsquo;s &ldquo;undesirable&rdquo; discharge changed to &ldquo;honorable.&rdquo; Half a century later Laura Kalpakian&#8212;devoted daughter and sister&#8212;exhumes the evidence her father collected. From this trove of documents she assembles a heartbreaking story of a father&rsquo;s love for his son and a son&rsquo;s experience at war. <i>Undesirable</i>:<I> The Vietnam War and a Father&rsquo;s Battle for Justice </I>demands that we ask what we&#8212;and our government&#8212;owe to our veterans for the physical, psychological, and emotional sacrifices they and their families make.]]></Text>
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      <Text><![CDATA[<B>&lsquo;Full of Hoffman&rsquo;s bewitching and lucid prose and vivid characters, <I>The Book of Magic</I> is ultimately about the very human magic of family and love and actions that echo through generations&hellip; it casts a spell&rsquo;&#160;</B>&#160;&mdash;Matt Haig<BR><BR><B>THE STUNNING, UNFORGETTABLE CONCLUSION TO THE BELOVED <I>PRACTICAL MAGIC</I>&#160;SERIES</B><BR><BR> For centuries, the Owens family has been cursed in matters of love. When beloved aunt Jet Owens hears the sound of the deathwatch beetle, she knows that it is a signal. She has finally discovered the secret to breaking the curse, but time is running out. She has only seven days to live.<BR><BR> Unaware of the family&rsquo;s witchcraft lineage and all it entails, one of the young sisters of the new Owens generation has fallen in love. As the curse strikes once again, her love&rsquo;s fate hangs in the balance, spurring three generations of Owens to venture back to where it all began and use their gifts to break the spell that has marked all their lives.<BR><BR> But doing so threatens to destroy everything the family has fought so hard to protect. How much will they give up for the greatest gift of all?<BR><BR><B>&#39;This page-turning Atlantic-crossing caper is, above all, a paean to family love... These fast fairytales for grown-ups are full of enchanting comfort </B>&ndash;<B> more escapist than curse&#39;&#160;</B>&mdash;<I>Sunday Times</I><BR><BR><B>&#39;A satisfying tale springs from a slow beginning, packing in escapist fable, real-world savvy and incidents galore&#39;&#160;</B>&mdash;<I>Mail on Sunday</I><BR><BR><B>&#39;Delightfully witchy... Alluring on its own, it&#39;s also a satisfying end to a timeless saga&#39;&#160;</B>&mdash;<I>New York Times Book Review</I><BR><BR><B>PRAISE for ALICE HOFFMAN</B><BR><BR> &lsquo;Beautiful, harrowing, a major contribution to twenty-first century literature&rsquo;<BR><B>Toni Morrison</B><BR><BR> &lsquo;I am still reeling from <I>The Dovekeepers </I>&ndash; from the history Alice Hoffman illuminates, from the language she uses to bring these women to life. This novel is a testament to the human spirit and to love rising from the ashes of war.&#160;But most of all, this novel is one that will never be forgotten by a reader.&rsquo;<BR><B>Jodi Picoult</B><BR><BR> &lsquo;In her remarkable new novel, Alice Hoffman holds a mirror to our ancient past as she explores the contemporary themes of sexual desire, women&rsquo;s solidarity in the face of strife, and the magic that&rsquo;s quietly present in our day-to-day living. Put&#160;<I>The Dovekeepers</I>&#160;at the pinnacle of Hoffman&rsquo;s extraordinary body of work. I was blown away.&rsquo;<BR><B>Wally Lamb</B><BR><BR> &lsquo;Alice Hoffman takes seemingly ordinary lives and lets us see and feel extraordinary things.&rsquo;<BR><B>Amy Tan</B><BR><BR> &lsquo;Miss Hoffman heals wounds with the gentle touch of an angel&rsquo;<BR><B>Joseph Heller</B><BR><BR> &#39;Oh, what a book this is!&#160;Hoffman&rsquo;s exploration of the world of good and evil, and the constant contest between them, is unflinching; and the&#160;<I>humanity&#160;</I>she brings to us &ndash; it is a glorious experience.&#39;<BR><B>Elizabeth Strout</B><BR> &#160;]]></Text>
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      <Text><![CDATA[<B>Everyone needs a little magic in their lives... <I>The Rules of Magic</I> is the&#160;long-awaited prequel to<I> Practical Magic, </I>and a <I>New York Times </I>bestseller and Reese Witherspoon&#39;s Book Club pick!</B><BR><BR> In this sparkling prequel we meet <B>the Aunts from <I>Practical Magic</I>,</B> sisters <B>Frances </B>and <B>Jet </B>and <B>Vincent</B>, their brother. From the beginning their mother Susanna knew they were unique: Franny with her skin as pale as milk and blood red hair, who could commune with birds; Jet as shy as she is beautiful, who knows what others are thinking, and Vincent so charismatic that he was built for trouble. Susanna needed to set <B>some rules of magic:</B> no walking in the moonlight, no red shoes, no wearing black, no cats, no crows, no candles and certainly, absolutely, <B>no books about magic&hellip;<BR> &#160;</B><BR> But the Owens siblings are desperate to uncover who they really are. Each heads down a life-altering course, filled with secrets and truths, devastation and joy, and magic and love. Despite the warning handed down through the family for centuries &ndash; <I>Know that for our family, love is a curse &ndash; </I>they will all strive to <B>break the rules and find true love.</B><BR><BR><B>***A perfect read for crisp autumn nights!***<BR><BR> Praise for <I>The Rules of Magic</I>: </B><BR><BR> &lsquo;The combination of magic with the universal themes of romantic love and the bond between siblings allows the reader to have one foot in a magical world and another in the realities of family life. Much like the bewitching heroines in this book.&rsquo; &ndash; <B><I>The Lady</I></B><BR><BR> &lsquo;Utterly spellbinding&rsquo;<B> - <I>Heat</I></B><BR><BR> &lsquo;Shows the author at their best&hellip; She neatly intertwines their lives with a backdrop that brims with periodic detail. Gnomic maxims add to a wise, seductive, fabular tone&hellip; Thrilling and transportive&rsquo; &ndash;&#160;<B><I>Sunday Times</I></B><BR> &#160;<BR> &lsquo;Enchanting&hellip; Spellbinding and entertaining&rsquo; &ndash; <B><I>Sunday Express</I></B><BR><BR> &lsquo;Hoffman explores Aunt Frances and Aunt Bridget&rsquo;s (known here as Jet) awakening to the craft in the 1960s. Franny and Jet, along with their brother Vincent, stay with their Aunt Isabelle. Each of their gifts grow, but can they use them to break the family curse? T<I>he Rules of Magic</I> is a gentle tale, perfect as the nights draw in&#39; &ndash; <B><I>Press Association</I></B><BR> &#160;<BR> &lsquo;As efficient a slice of escapism as you would expect from Hoffman&hellip; Hoffman&rsquo;s skill is to ground her light-as-a-feather tale in a very specific time and place: Manhattan in the Sixties. Wisely, she doesn&rsquo;t rely on the momentous times to do too much work, but the heady atmospherics are expertly interwoven&rsquo; &ndash; <B><I>Daily Mail</I></B><BR> &#160;<BR> &lsquo;A bewitching, hard to put down tale of the consequences of magic, love and family&rsquo;<B> -&#160;<I>Bookbag</I></B><BR><BR> &#160;]]></Text>
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      <Text><![CDATA[<B>The mind-expanding new thriller from the bestselling author of&#160;</B><I><B>The Sleepwalkers&#160;</B></I><B>and&#160;</B><I><B>The End of Mr. Y</B></I><BR><BR><I><B>&#160;</B></I><BR><BR><B>He&rsquo;s running for his life. And he&rsquo;s running out of time.</B><BR><BR>Jay has been hunted since he was twenty years old. A contract on his life has been traded like a commodity, rising and falling with Bitcoin. On the run once again, with no passport, and airmiles as his only currency, Jay will have to choose between love and survival,&#160;<I>and run for his life</I>!<BR><BR><I>The Runner</I>&#160;is a high concept literary thriller featuring high-finance, con-artists, the Book of Jonah, ultramarathons and how falling in love can change everything.<BR><BR>Darkly funny, sexy, exciting, philosophical and thrilling,&#160;<I>The Runner&#160;</I>is the most gripping and intelligent novel you will read in 2026.<BR><BR><B>Praise for Scarlett Thomas</B><BR><BR>&lsquo;Fiction roaring on all cylinders&rsquo;,&#160;<I><B>Guardian</B></I><BR><BR>Gloriously dark and tangled', <I><B>Observer</B></I><BR>'A dark, twisty, savagely &hellip; a smart, layered, stinging look at power and its abuse',&#160;<I><B>The Times</B></I><BR>&lsquo;A work of peculiar, gonzo genius',&#160;<I><B>The New York Times</B></I><BR>&lsquo;Like a darker, funnier The White Lotus&rsquo; <B>James Smythe</B>&#160;<BR>&lsquo;Brilliant, savage and hilarious', <B>Bidisha Mamata</B><BR>'A twisty Gothic tale of vertiginous depths and haunting power'&#160;<I><B>Sandra Newman, author of Julia</B></I><BR>'Ingenious and original',<B> Philip Pullman</B>]]></Text>
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      <Text><![CDATA[<B>&lsquo;A beautifully expansive novel about race and class... Franklin's emotional and intellectual range is vast... An exceptional debut&rsquo; &#8211; Katie Kitamura, author of </B><I><B>Intimacies</B></I><BR><BR><B>&lsquo;So smart, so moving, so earned; as soon as I finished, I started reading it again&rsquo; &#8211; Kaveh Akbar, author of </B><I><B>Martyr!</B></I><BR><BR><B>&lsquo;The precision and ecstasy of Rob Franklin's prose had me entranced. </B><I><B>Great Black Hope</B></I><B> marks the arrival of a breathtakingly talented writer&rsquo;&#160;&#8211; Megha Majumdar, author of </B><I><B>A Burning</B></I><BR><BR><B>&lsquo;Great Black Hope will allow you to vicariously experience a sweltering summer in the city &#8211; though this debut is much more than a simple tale of hedonism&rsquo; </B><I><B>- BBC Culture</B></I><BR><BR><B>&lsquo;Perfectly captures the heady atmosphere of a New York summer&rsquo; - </B><I><B>Dazed</B></I><BR><BR><B>&lsquo;A new voice in fiction to be reckoned with&rsquo; </B><I><B>Harper&rsquo;s Bazaar</B></I><B> &lsquo;Best Books of 2025&rsquo;</B><BR><BR><B>&lsquo;A book about New York that&rsquo;s part love letter, part reckoning&rsquo; &#8211; </B><I><B>Guardian</B></I><BR><BR><B>&lsquo;Gripping&rsquo; &#8211; </B><I><B>Daily Mail</B></I><BR><BR>An arrest for cocaine possession in the Hamptons on the last day of a sweltering summer leaves Smith, a young Black queer graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him but his race does not. It is just weeks after the death of his beloved roommate Elle, a glamorous member of the Black elite, and he is still reeling from the tabloid spectacle - as well as the lingering question of how well he really knew his closest friend and what happened to her the night she died.<BR><BR>When he flees to his hometown of Atlanta and generations of his family of doctors and college presidents and lawyers - the weight of expectations haunts him. Then&#160;Carolyn, the closest friend he has left, goes off the rails, Smith returns to New York only to lose himself in his old life, drawn back into the city's underworld. Will his search for the truth about Elle cost him his freedom and his future?<BR><BR>Smith goes on a dizzying journey through the New York City nightlife circuit, anonymous recovery rooms, Atlanta's Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiralling downward and how to find a way back to hope.]]></Text>
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      <Text><![CDATA[&lsquo;A beautifully expansive novel about race and class&hellip; Franklin&rsquo;s emotional and intellectual range is vast&hellip;. An exceptional debut.&rsquo; <B>Katie Kitamura, author of&nbsp;<I>Audition&nbsp;</I>and&nbsp;<I>Intimacies</I></B><BR> <BR>&lsquo;It&rsquo;s thrilling to see any author today aiming for the big stuff all at once: death, race, sex, class, addiction. It&rsquo;s beyond thrilling &ndash; incandescent, even &ndash; when a writer like Rob Franklin comes along with the formal virtuosity to carry those lofty conceptual ambitions. Franklin&rsquo;s prose is eminently readable, frequently laugh-out-loud funny, and full of sentences I want to cut out and glue to my forehead. This book is so smart, so moving, so earned; as soon as I finished, I started reading it again.&rsquo; <B>Kaveh Akbar, <I>New York Times</I> bestselling author of&nbsp;<I>Martyr!</I></B><BR> <BR> &lsquo;Rob Franklin&rsquo;s debut novel<I>, Great Black Hope</I>, is a masterpiece &ndash; at once fresh and original while delighting the reader with hints of Franzen, McInerney, Baldwin. The specificity of the language is like fine lacework, a beauty to behold. This novel &ndash; a whodunit, a coming-of-age, a New York novel &ndash; heralds the arrival of a rarefied talent. Wow wow wow.&rsquo; <B>Elin Hilderbrand, author of&nbsp;<I>Swan Song</I></B><BR> <BR> &lsquo;<I>Great Black Hope</I> is at once a novel of crime &ndash; with a gripping pace, propelled by a question that needs answering &ndash; and a timeless coming of age story.&rsquo; <B>Rumaan Alam, author of&nbsp;<I>Entitlement</I></B><BR> <BR> &lsquo;The music of Rob Franklin&rsquo;s writing is so seductive, you won&rsquo;t even notice the shiv until it&rsquo;s too late.&rsquo; <B>Saeed Jones, author of&nbsp;<I>Alive at the End of the World</I></B><BR> <BR>&lsquo;<I>Great Black Hope</I>&nbsp;indeed! Rob Franklin&rsquo;s brilliant storytelling explores and explodes every fact and fiction of those charged words; likewise, the intricacies and treacheries of privilege. Those categories we parse so confidently &ndash; class, race, gender sexuality &ndash; are shaped into nuanced individual stories. His prose is elegant and searching, his pace flawless from start to finish.&rsquo; <B>Margo Jefferson, author of&nbsp;<I>Negroland</I></B><BR> <BR> &lsquo;Rob Franklin&rsquo;s prose is rich, mesmerizing, and utterly gorgeous. Through each remarkable sentence, Franklin takes you through a meditation on one Black queer man&#39;s struggle with the confinement of his choices under the magnifying glass of wealthy America.&rsquo; <B>Leila Mottley, author of&nbsp;<I>Nightcrawling</I></B><BR> <BR> &lsquo;What a marvel to discover a voice so authentic, urgent, and undeniable. <I>Great Black Hope</I> is a rare thing: a coming-of-age novel that examines the individual as well as the complex systems that shape his life. An intensely intimate yet expansive work of art.&rsquo; <B>Tania James</B>,&nbsp;<B>author of&nbsp;<I>Loot</I></B><BR> <BR>&lsquo;The precision and ecstasy of Rob Franklin&#39;s prose had me entranced. <I>Great Black Hope</I> marks the arrival of a breathtakingly talented writer.&rsquo; <B>Megha Majumdar, author of<I> A Guardian and a Thief </I></B><BR> <BR>&lsquo;<I>Great Black Hope</I> will allow you to vicariously experience a sweltering summer in the city &ndash; though this debut is much more than a simple tale of hedonism.&rsquo; <B><I>BBC Culture</I></B><BR> <BR>&lsquo;A book about New York that&rsquo;s part love letter, part reckoning<I>; </I>a tale of&nbsp;glamorous club kids and their sometimes bleak inner lives; and an&nbsp;account of the way privilege and race intersect. Franklin grounds his lyrical writing with granular details, from sidestreets to brand names, in a book that really convinces. This fine debut probes grief, friendship, hedonism and the hard edges of the city as it walks a&nbsp;young man towards a second chance he knows others may not get.&rsquo; <B><I>Guardian</I></B><BR> <BR>&lsquo;If Tom Wolfe, Jay McInerney, and Margo Jefferson somehow collaborated, this might have been the delightful result.&rsquo;<B> <I>Atlantic</I>&nbsp;</B><BR> <BR>&lsquo;A new voice in fiction to be reckoned with&rsquo;&nbsp;<B><I>Harper&rsquo;s Bazaar</I>&nbsp;&lsquo;Best Books of 2025&rsquo;</B><BR> <BR>&lsquo;Revolving around a well-drawn protagonist, this is a sharply focused debut novel.&rsquo; <B><I>Economist</I></B><BR> <BR>&nbsp;&lsquo;Gripping&rsquo; <B><I>Daily Mail</I></B>]]></Text>
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      <Text><![CDATA[<B>If the witchfinders came to your town, who would you have believed &#8211; and what would you have done?</B><BR><BR>With the English civil wars raging in the background, <I>Witchland </I>reveals how economic uncertainty, religious extremism and deprivation created the ideal conditions for mass witch-hunting in Britain. Across the country, fear spread rapidly, and neighbours turned on one another in panic. Women and the poor were especially vulnerable, scapegoated by the powerful looking for someone to blame, and hundreds of witch trials across the country soon followed. The hysteria provided a handbook for similar trials to occur around the world, most famously just a few decades later in Salem.&#160;<BR><BR>Moving from village to village, Professor Marion Gibson reveals how accusations grew out of everyday tensions &#8211; poverty, grief, and resentment &#8211; and how entire communities became involved in the persecution of the innocent. Drawing on newly uncovered historical records, this gripping historical account restores the voices of those accused of witchcraft. These were ordinary people, largely forgotten by history, along with their families and neighbours caught up in suspicion and moral panic.<BR><BR><B>Both a powerful history and a warning from the past, </B><I><B>Witchland</B></I><B> is the captivating story of witchcraft, inequality and the violence that surfaces during times of political and economic upheaval.</B>]]></Text>
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      <Text><![CDATA[Reading Group Guide for<BR> <BR> <b><i>Alone</i></b><BR> <BR> By Megan E. Freeman<BR> <BR> <b><u>About the Book</u></b><BR> <BR> Twelve-year-old Maddie Harrison can&rsquo;t wait for the secret sleepover she has planned with her two best friends. No parents, no younger brothers, just lots of junk food and classic movies. But then Maddie's friends cancel on her at the last minute. Worse yet, her exciting night out has terrible, unintended consequences when her entire town is evacuated because of a mysterious threat. Maddie is left behind with only a rottweiler named George to keep her company. She must learn to survive in a world without any of the people or modern conveniences she&rsquo;s depended on her whole life. Over the course of more than three years, Maddie faces challenges she never could have imagined&#8212;from wild dogs to tornadoes&#8212;and must dig deep to find the strength and courage to survive. Will her parents come back for her, or will she be alone forever?<BR> <BR> <b><u>Discussion Questions</u></b><BR> <BR> 1. At the start of the book, Maddie plans a secret sleepover because she wants freedom and time away from her family. How does she end up feeling about being apart from her family after she&rsquo;s left behind? Do you think Maddie gets the kind of freedom she was seeking when she's living alone? Why or why not?<BR> <BR> 2. Maddie decides to stay put in her town after she's abandoned, instead of searching for help. Later in the book, she decides not to reveal herself to the looters. How does she come to these decisions? Do you agree with her choices? Why or why not? How would you have reacted in these situations if you were Maddie?<BR> <BR> 3. Before the evacuation, Maddie helps her brother write an essay about the challenges facing the main character of <i>Island of the Blue Dolphins</i>, who is left alone on an island for eighteen years. Maddie thinks the character&rsquo;s biggest challenge is finding food and shelter. Is this what Maddie finds most challenging when she is alone herself? What do you think would be most challenging for you?<BR> <BR> 4. What personality traits and skills does Maddie have that help her survive alone? What skills does she have to learn? What traits and skills do you have that would help you survive a similar situation? What information would you want to seek out?<BR> <BR> 5. At first, Maddie is sure that her parents will come back and rescue her at any moment. At what point does she realize this is not likely? How does she change after that realization? Explain your answers using examples from the book.<BR> <BR> 6. After the power goes out and Maddie's cell phone stops working, she says, "It&rsquo;s weird / not having a device / to turn to / with every urge / to text someone / go somewhere / know something." Do you have a cell phone or other device? If yes, how would you feel if you suddenly couldn't use them anymore? If no, what are some advantages or disadvantages of not having a device? Do you think there are any benefits to being disconnected? Why?<BR> <BR> 7. What does Maddie miss most about her family and friends after they&rsquo;re gone? Describe the emotions she&rsquo;s feeling. Do you think she&rsquo;s surprised by any of her reactions? What do you think you would miss most about your family and friends if you were suddenly separated from them?<BR> <BR> 8. Why do you think the author chose to tell this story in verse? What differences do you notice when reading poetry versus prose? What did you like most about reading a story in this format? Were there things that were challenging?<BR> <BR> 9. The author gives clues to Maddie&rsquo;s emotions and mental state through sentence structure. For example, in the section &ldquo;Nothing Makes Any Kind of Sense,&rdquo; she chooses to use very short sentences. Read these pages aloud. Do the short lines change how you read it? Can you find other places in the book where the author also uses this style? What impact might this have on readers, and what does it indicate about the narrative? Now think about a common feature often used in poetry: repetitive words and phrases. Read the section titled &ldquo;Panic&rdquo; aloud and answer the same questions as above.<BR> <BR> 10. Maddie&rsquo;s only companion during her time alone is a dog, George. Why do you think Maddie takes George in, even though it's extra work to find food for him? What do you think humans gain from sharing their lives with cats, dogs, and other animals? Do you have a pet that helps you when times get tough? If you don&rsquo;t have a pet, what pet would you choose if you did have one? Why?<BR> <BR> 11. After getting library books for the first time, Maddie says, &ldquo;We load up our treasure and head for home.&rdquo; Why are the books so valuable to her? Are there any books that have been treasures to you in your life? What are they, and why are they so important to you?<BR> <BR> 12. On Maddie&rsquo;s first birthday alone, she realizes that &ldquo;Childhood is over . . . It's time to get serious.&rdquo; Why do you think she realizes this now? How does her behavior change after this moment?<BR> <BR> 13. When Maddie first starts taking food and supplies from other people&rsquo;s houses, she leaves thank you notes with her name and address. Why do you think she does this even though the entire town has been abandoned? Why does she eventually stop leaving these notes?<BR> <BR> 14. After more than a year alone, Maddie says, &ldquo;I would give anything / to have a real, live grown-up / take over all the worry and fear and work / that I've been doing for the past year / and just let me fall apart.&rdquo; How do you think Maddie finds the strength to go on despite her exhaustion and anxieties? Have you ever felt overwhelmed by your responsibilities? Have you ever asked someone for help? How did that make you feel?<BR> <BR> 15. When Maddie comes across men who are looting, she says, &ldquo;All of my thoughts are / questions. None of them / are thoughts.&rdquo; What do you think she means by this? Have you ever felt like this before? Do you have any strategies for calming yourself enough to think clearly when you're feeling confused and overwhelmed? What advice might you give to Maddie?<BR> <BR> 16. Throughout the book, Maddie alternates between living at her mom's house and at her dad's. These are the places she called home when her family was with her, but she now says that &ldquo;Empty houses aren't home.&rdquo; Why don't these houses feel like home to Maddie anymore? What do you think makes a home?<BR> <BR> 17. When Maddie&rsquo;s mom&rsquo;s house burns down, she says, &ldquo;I don't know what to save. / family photos? / artwork on the walls?&rdquo; What do you think she should have tried to save? What do you think she means when she asks, &ldquo;What meaning does any of it have if / no one ever comes back again&rdquo;?<BR> <BR> 18. Maddie eventually comes to believe that her parents have not come back for her because they didn't survive whatever caused the evacuation. She says, &ldquo;my grief and loneliness / are no longer burdened by hope / that things will change.&rdquo; What does she mean by being &ldquo;no longer burdened by hope&rdquo;? How does Maddie change after this realization? Did those changes surprise you?<BR> <BR> 19. Maddie is left alone after her entire state is evacuated due to political unrest. Do you think something like this could ever happen in real life? If so, what do you think governments and citizens could do now to prevent it? Explain your answers.<BR> <BR> 20. Compare the Maddie at the start of the book to the Maddie at the end. How has she changed? How is she still the same? Give specific examples from the novel to support your answers.<BR> <BR> 21. Did the ending of the book surprise you? Why or why not?<BR> <BR> 22. Do you think Maddie and her friends Emma and Ashanti would still be close if they were reunited after Maddie's years alone? Have you ever had an experience that changed your relationship with one of your friends? If so, are you still friends with that person? What kind of conversations did you have to get through it?<BR> <BR> <b><u>Extension Activities</u></b><BR> <BR> 1. Once Maddie uses up the food and other supplies in her parents&rsquo; houses, she has to go out searching for what she needs to survive in other places. Imagine you've been left totally alone like Maddie. Make a list of everything you would need to stay alive and the things you would need to comfort and entertain you, like Maddie's library books. Then write where you would find each of these items. If you'd like, draw a map of your town detailing where you'd find the things you'd need, such as grocery stores, gas stations, lakes, sources of wood for heat, and the library.<BR> <BR> 2. In the sections &ldquo;Trapped&rdquo; and &ldquo;Rope,&rdquo; Maddie is almost washed away in a flood. Read these aloud and think about how the author uses the poems&rsquo; forms to express Maddie's emotions. Consider the length of lines, repeated words, line breaks, divisions of stanzas, etc. Then, write your own poem about a frightening or emotional experience you've had. Try to use the form of your poem to help the reader understand your experience.<BR> <BR> 3. Maddie is able to survive partly because of skills she learned from her dad, like recognizing venomous snakes. She also learns new skills, such as how to garden, from books she checks out of the library. Choose a survival skill you'd like to learn. Maybe it&rsquo;s how to build a fire, make a shelter in the woods, grow a garden, or navigate using a map and compass. Learn how to develop that skill. You can find books at the library like Maddie does, use the internet, or even find a class or mentor such as a parent or scout leader to teach you. Then make a poster to help others learn how to do the skill, too.<BR> <BR> 4. During her time alone, Maddie finds comfort in the poetry she reads. Some of the poets she mentions are Emily Dickinson, Mary Oliver, e.e. cummings, and Billy Collins. Read a poem or two by each of these authors. You can find them on the internet or at your local library. Which is your favorite? Write an essay explaining how that particular poem or one of these poets relates to your life.<BR> <BR> 5. Maddie calls the books she gets out of the library &ldquo;treasure&rdquo; because they help her learn new skills and pass the long hours, months, and years alone. Make a &ldquo;hard times&rdquo; booklist for Maddie that includes books you think could help comfort her and lift her mood. For each book, write a brief description of why you think it would be a good book to read during a difficult time.<BR> <BR> <i>Chris Clark is a writer and reading teacher who lives with her family in coastal Maine.</i><BR> <BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net or simonandschuster.net/thebookpantry.</i>]]></Text>
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      <BiographicalNote><![CDATA[Beth Turley is a graduate of the MFA in creative and professional writing program at Western Connecticut State University. She lives and writes in southeastern Connecticut, where the leaves changing color feels like magic and the water is never too far away. She is the author of&nbsp;<I>If This Were a Story</I>,&nbsp;<I>The Last Tree Town</I>,&nbsp;<I>The Flyers</I>, and&nbsp;<I>This Close to Home</I>.&nbsp;Visit her on Twitter @Beth_Turley.]]></BiographicalNote>
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      <Text><![CDATA[<b>Four seventh-grade girls meet in the big city and learn to embrace new experiences while keeping the best parts of home with them in this sweet middle grade novel&#8212;from the author of <i>The Last Tree Town</i> and <i>If This Were a Story</i>.</b><BR><BR>With the arrival of a glossy, cream-colored envelope in the mail, Elena Martinez&rsquo;s dreams come true: she&rsquo;s been chosen for the <i>Spread Your Wings Magazine</i>&rsquo;s Young Flyers program&#8212;a week-long summer internship where she&rsquo;ll get to learn the ins and outs of working for the most popular teen magazine. She heads to New York City, anxious to get away from her best friend, Summer, who is suddenly spending a lot time with another girl from school and being secretive about it. <BR> <BR>Once there Elena meets her fellow Young Flyers: Harlow, who can get to the bottom of any story, Whitney, who has spot-on fashion sense, and Cailin, a social media star with thousands of followers and an eye for photography. <BR> <BR>As the four new friends explore the city that never sleeps, each girl brings a piece of home, and a few secrets, with them and learns that no one&rsquo;s life is as glossy as it may appear. But with courage, teamwork, and lots of passion, there&rsquo;s no stopping a Flyer.]]></Text>
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      <Text><![CDATA[Chapter One: The Text <link rel="stylesheet" type="text/css" href="../styles/9781534476745.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <BR><img src="../images/common01.jpg" role="presentation" alt=""><BR> Chapter One <img src="../images/common02.jpg" role="presentation" alt=""> The Text <BR>Summer and I read <i>Spread</i> <i>Your Wings</i> magazine the way some people read mystery novels&#8212;in one big, exhilarating gulp. Summer&rsquo;s favorite part was the essays at the end, written by other <i>Spread Your Wings</i> readers like us. In the September issue, it was the four chosen Flyers who wrote them. My favorite was the Ask Amelia advice column. It was like always receiving the right diagnosis and treatment to life&rsquo;s problems. <i>Crush doesn&rsquo;t like you back? Diagnosis: broken heart. Treatment: remember how great you are anyway. (And if that doesn&rsquo;t work, throw eggs at said crush&rsquo;s house.)</i><BR> <BR>I imagined writing <i>egg house</i> into the yellow notepad I&rsquo;d have when I grew up and became a therapist, mending broken hearts.<BR> <BR>&ldquo;This Flyer was on the US national swimming team. How do we compete with that, Elena?&rdquo; Summer asked. Her words rushed out like a fast-moving train. Hyper-speed was her default setting.<BR> <BR>She twirled a red chunk of hair tight around her finger. We sat on my bed with a bag of Bugles and last year&rsquo;s September issue of <i>Spread Your Wings</i> in front of us. Even though we both had our own subscriptions, we still liked to flip through one copy together. Summer kept hers safe in a plastic bin underneath her bed.<BR> <BR>&ldquo;You done?&rdquo; Summer would ask when we read.<BR> <BR>&ldquo;Almost,&rdquo; I&rsquo;d say.<BR> <BR>Summer read fast. I liked to do things carefully, absorb each word and let it sit in my brain until I was certain I understood what it meant.<BR> <BR>&ldquo;We compete by being number one fans.&rdquo; I pointed across the room. I didn&rsquo;t keep my issues in a bin; Summer and I cut them up and taped them to my baby blue wall. Pages from the past two years of <i>Spread Your Wings</i> covered every inch of space, pictures and articles and Letters from the Editor, Akshita Balay. Bright pink (Summer&rsquo;s) and yellow (mine) Post-it notes glowed in between the pages with our thoughts written on them. Practice for if we were ever picked to be Flyers and got to write our own essays for the magazine.<BR> <BR>&ldquo;Yeah, but.&rdquo; Summer inhaled a Bugle. &ldquo;Only one of us should use it, we can&rsquo;t have our applications looking the same.&rdquo; Crumbs fell from her mouth and onto the comforter. She brushed them away with the back of her hand. Best friends aren&rsquo;t grossed out by things like that, especially best friends since birth. Especially best friends who live right next door to each other. Our parents liked to tell the story of the first time we met, in our strollers, at the spot where our yards connect. They say we looked at each other like we knew we were being introduced to someone important.<BR> <BR>We both stared down at the pages for a second. The paper was so glossy I could see the silhouettes of our heads almost touching.<BR> <BR>&ldquo;You can use the wall,&rdquo; I said to the recipe for banana cream pudding.<BR> <BR>She lifted her head and I could feel her looking at me.<BR> <BR>&ldquo;No, I couldn&rsquo;t, it&rsquo;s your wall, you should use it.&rdquo;<BR> <BR>&ldquo;I want you to,&rdquo; I said, eyes glued to the recipe.<BR> <BR>When I snuck a glance at her she was smiling, her left dimple peeking out. I called it her Truly Happy Dimple. It warmed me up like <i>actual</i> summer. Like sunshine and salty air. The light at the end of a dark winter. I would&rsquo;ve done anything to make Summer smile. Teachers told her to slow down when she talked. And when she took tests. And when she burst down the hallway like a red-haired hurricane. But I liked being the only one who could keep up with her. I was her personal storm watcher.<BR> <BR>Even if that storm had been hitting a little harder lately.<BR> <BR>&ldquo;Thanks, Elena, you don&rsquo;t need to use the wall to get chosen anyway, you&rsquo;re great enough without it.&rdquo; The sentence was a gushy blur.<BR> <BR>&ldquo;Yeah, right.&rdquo; I studied the recipe. <i>Three bananas, 1 cup of sugar, 1 tsp. of vanilla.</i> If there was a recipe for me, Elena Martinez, it would be three tablespoons of dreams of becoming a therapist, five ounces of family, and one million cups of socially awkward. Summer was the only person I could talk to without my face blushing cherry red. Her recipe would include one pair of running shoes, ten bags of red Skittles, and unlimited scoops of the stars above our houses when we talked from our windows at night.<BR> <BR>Summer looked over, and her long ponytail skimmed the pages.<BR> <BR>&ldquo;Don&rsquo;t say that,&rdquo; she said. &ldquo;You are the fabulous Elena. The best student in our whole class. The most perfect penmanship I&rsquo;ve ever seen. <i>And</i> my best friend.&rdquo;<BR> <BR>I leaned my shoulder into hers. I knew she&rsquo;d understand it meant <i>thank you.</i> The next page of the magazine was the &ldquo;Have Your Best First Day of School Ever&rdquo; article, which was funny because we were only a month away from the <i>last</i> day of seventh grade. Instead of rereading <i>Spread Your Wings&rsquo;s</i> tips on locker organization and cute lunchboxes, I thought about how in one month it would be vacation, full of long, school-less days with Summer. No different schedules keeping us apart, no classmates driving wedges between us.<BR> <BR>&ldquo;You done?&rdquo; she asked a few minutes later.<BR> <BR>&ldquo;Almost,&rdquo; I said.<BR> <BR>A buzzing sound came from Summer&rsquo;s bag on the floor. She rolled off the bed and landed on the carpet with a <i>thud.</i><BR> <BR>&ldquo;Are you okay?&rdquo; I asked. I leaned my head over. Summer was sprawled on the ground, reading a text.<BR> <BR>&ldquo;Yup,&rdquo; she said. The Truly Happy Dimple reappeared in her cheek.<BR> <BR>Summer stood up from the carpet, hair in her eyes. She picked up her backpack and started throwing her things inside. The half-finished bag of Bugles, her sunglasses, the <i>Spread Your Wings</i> we were reading.<BR> <BR>&ldquo;What are you doing?&rdquo; I asked.<BR> <BR>&ldquo;Didn&rsquo;t I tell you? I have plans with Riah.&rdquo;<BR> <BR>&ldquo;Santangelo?&rdquo;<BR> <BR>&ldquo;Yeah.&rdquo;<BR> <BR>Riah was in my language arts class, and was on the cross-country team with Summer, but she wasn&rsquo;t someone Summer had ever rushed out of my room to hang out with before.<BR> <BR>&ldquo;No, you didn&rsquo;t tell me,&rdquo; I said. &ldquo;I thought we were going to work on our applications.&rdquo;<BR> <BR>&ldquo;I&rsquo;ll do some of it at home and then we can finish another day.&rdquo; She swung her backpack over her shoulder.<BR> <BR>&ldquo;But you need a picture of the wall,&rdquo; I said, hoping I didn&rsquo;t sound whiny about her leaving.<BR> <BR>&ldquo;I&rsquo;ll take one later, Elena.&rdquo;<BR> <BR>She seemed annoyed and her smile was fading. It pricked me like a sharp pin. I could tell I was latching on to Summer too hard, like a tick, like something she couldn&rsquo;t get rid of. She pushed her feet into her running shoes. My name was scrawled in purple marker on the toes. Summer asked me to sign them before her all-county cross-country meet last fall, for good luck.<BR> <BR>&ldquo;Sure. We&rsquo;ll do it later,&rdquo; I said, trying to keep my voice light. As much as I wished she would flop back on the bed, turn to the next page of the old September issue, and spill Bugle crumbs everywhere, I was determined not to be the annoying friend.<BR> <BR>A pink Post-it fell off the wall and fluttered to the carpet like a leaf off a tree as she turned toward my door. There were leaves all over the ground at the all-county meet, and when Summer ran past me, she left a trail of their fire-colors behind. I&rsquo;d held my sign straight up in the air, purple with letters written in silver glitter: RUN, SUMMER, RUN.<BR> <BR>&ldquo;Yes. Later. Obviously.&rdquo; She kissed the air. &ldquo;Love ya.&rdquo;<BR> <BR>Each of her footsteps down the stairs punched a new hole in my chest.<BR> <BR>&ldquo;Love ya,&rdquo; I mumbled to the door.<BR> <BR>&ldquo;Not staying for dinner, Summer?&rdquo; I heard Mom ask from downstairs.<BR> <BR>&ldquo;I can&rsquo;t tonight, Mrs. Martinez, but thank you.&rdquo;<BR> <BR>&ldquo;Stay, stay, stay,&rdquo; my brother Edgar&rsquo;s shrill, two-year-old voice begged. One of his toys played music. Most likely the plush clownfish that sang about life underwater.<BR> <BR><i>Stay, Summer, Stay.</i><BR> <BR>&ldquo;I&rsquo;ll see you later, Eddie,&rdquo; she said sweetly.<BR> <BR>Our front door closed too hard, because Summer didn&rsquo;t know how to do anything softly.<BR> <BR>I went to the window and pulled back the curtain. It was blue with clouds printed on it. The clouds were gray instead of white, like my room always held the chance of rain. I watched Summer cross the stretch of grass between my house and hers and disappear through the side door. A minute later she was at her bedroom window, directly across from mine. She looked over at me, waved once, and then her blinds dropped down quick as a blink.<BR> <BR>I stepped away from the window and went to my closet. Past my row of dresses and the stacks of shoeboxes was a paper bag from Arthur&rsquo;s General Store. I used most of the brown bags to cover the textbooks teachers assigned us on the first day of school, but not this one. I pulled a small notebook and feather pen from inside. The cover was deep purple suede and the spiral binding was shiny. On the inside, in what Summer had called &ldquo;the most perfect penmanship&rdquo; she&rsquo;d ever seen, I&rsquo;d written <i>Lyric Libro.</i> My lyric book, named in half Spanish and half English, like me.<BR> <BR>If I was putting that Elena Recipe together, there would be a secret ingredient. A sprinkle of songwriting.<BR> <BR>Writing songs was different from writing papers. I wasn&rsquo;t trying to get an A. I was catching words that glittered like stars in my head. I thought about writing <i>music</i> on my future therapist notepad. A different kind of medicine for broken hearts.<BR> <BR><i>Is there even a cure</i><BR> <BR><i>For not feeling sure</i><BR> <BR><i>A way to treat</i><BR> <BR><i>A slamming door</i><BR> <BR>The rhyme wasn&rsquo;t quite right, but that was okay. I whisper-sang the words, trying to put a melody behind them. My voice was soft even though I wanted to belt out big, beautiful notes, wanted to know if I even could. I&rsquo;d never tried to sing my songs out loud. Or any song, really. In chorus class, I&rsquo;d move my mouth without making a sound. It was too scary not knowing what would come out, whether my voice would crack in front of everyone.<BR> <BR>I wondered for a second if I should send one of my songs as the writing sample for my Flyers application. But I knew I wouldn&rsquo;t. I&rsquo;d send the essay I wrote in English class on why I wanted to be a therapist, and keep my Lyric Libro hidden in the paper bag in my closet where no one would ever find it.<BR> </section>]]></Text>
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      <Text><![CDATA[My work focuses on the study of prokaryotes in the marine environment through biomolecular approaches and bioinformatic techniques. My main research foci are the ecology of coastal pathogens and the spreading of antimicrobial resistance in marine environments. I am also interested in the biogeochemical cycles of iron, sulfur, and nitrogen and in the geomicrobiology and microbial ecology of metal-rich and acidic environments. For years, my research career has revolved around metal-microbe interactions in complex matrices, from the bioremediation of polluted environments to finding sustainable solutions for recovering raw materials from waste (urban biomining).<BR><BR>I am a media and communication specialist with a broad range of experience in scientific and technological research, also acquired during the PhD carried out in Ireland.<BR><BR>Professor with a focus on physiological ecology, population ecology and evolution, and aquatic animals.<BR><BR>Selvaggia Santin is a Communication manager at Euro-Mediterranean Center on Climate Change (CMCC). Since 2005, she is a science editor for Italian scientific publishing company where she contributes to education outcome in science textbook (ebook &amp; related new technologies support) for different ages learners. She is a consultant editor for the Intergovernmental Oceanographic Commission (UNESCO), she is the founder and vice-president of the Ocean Literacy Italia association, and she is involved in school publishing, educational workshops, science festivals, and interactive exhibitions. She get a Ph.D in Biodiversity and Evolution as well as a MSc in Integrated Coastal Zone Management for a Sustainable Development.<BR><BR>Chiara Valentina Segr&eacute; was born in 1982 and lives in Milan. PhD in molecular oncology, she works in science communication. She published around 35 picture books and novels for children and received many awards, including the selection for IBBY Collection of Oustanding Books for Young People with Disabilites for Lola and I.<BR><BR>AnnMarie is a professor in the School of Engineering and the Opus College of Business at the University of St. Thomas. She is the founder and director of the Playful Learning Lab, which explores ways to encourage children, of all ages, to embrace playful learning. She and her students created Squishy Circuits. She is the author of &ldquo;Making Makers: Kids, Tools, and the Future of Innovation.&rdquo;<BR> <BR>AnnMarie earned Ph.D. and M.S. degrees in Mechanical Engineering from Caltech, and an S.B. in Ocean Engineering (with a minor in Music) from MIT. Additionally, she completed a professional certificate in Sustainable Design from the Minneapolis College of Art and Design.<BR> <BR>AnnMarie co-founded and co-directs the University of St. Thomas Center for Engineering Education (CEE), which offers engineering courses for P-12 educators and conducts research on engineering at the pre-collegiate level. AnnMarie&rsquo;s teaching covers classes on topics such as Engineering Graphics and Design, Machine Design, Dynamics (with Circus Lab), Toy Design, Product Design for an Aging Population, Technology Prototyping (for Business majors), Environmental Sustainability/Innovation, and Brain Machine Interfaces (seminar).<BR> <BR>She served as the Founding Executive Director of the Maker Education Initiative, where her team established the national Maker Corps program and laid the groundwork for this nonprofit.<BR> <BR>AnnMarie lives in St. Paul, Minnesota, with her husband and two daughters. She is an amateur aerialist, specializing in static and flying trapeze, as well as juggling and cyr wheel<BR><BR>Andrea is a journalist who&rsquo;s been dealing with environmental problems for thirty years. Based on scientific studies, he invents books, games, educational workshops and summer camps to teach children to respect the Earth.<BR><BR>Freelance writer and story editor.]]></Text>
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      <Text><![CDATA[<B>When trouble hits Bunnyburrow, Judy Hopps and Nick Wilde (Zootopia) are on the case! Their investigation into Stu&rsquo;s failing crops takes them from the farm fields to the bustling districts of Zootopia in a race to solve the mystery.</B><BR><BR>Who would ever believe that, of all places, something bad could happen in Bunnyburrow? When she realizes that something is wrong with her father Stu's crops, Agent Judy Hopps, along with her inseparable partner Nick Wilde, is determined to find out what's going on! The duo's investigation will unfold through the most modern and advanced buildings and the metropolitan districts of Zootopia. Will they be able to solve the case? Read on to find out!]]></Text>
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      <Text><![CDATA[Francesca De Filippi is architect and PhD, currently Associate Professor in Technological and Environmental Design of Architecture at Politecnico di Torino (Italy), where she also holds the role of Adjunct to the Vice Rector for International Affairs with a mandate for international scientific cooperation and experimental internationalization activities, and of director of the Research Centre on Habitat in the Global South. Her research interests are mainly focused on the design - at different scales - particularly in critical and vulnerable contexts with limited resources, of safer, healthier, more affordable and sustainable environments, settings and structures, including health and care systems; on the implementation of methods and technologies for frugal innovation; on the experimentation of methods and tools - also ICT based - to favour processes of social innovation, inclusion, co-design and co-production, involving and engaging communities, with particular attention to the most fragile users. These fields have been explored and experienced through international research and scientific cooperation projects, teaching activity, the participation to International Scientific Committees and along with professional work.<BR><BR>Dr. Chiara Anzolini is a Junior Assistant Professor (RTDa) at the Department of Biology, University of Padova, where she explores innovative approaches to science communication and public engagement, contributing to the National Biodiversity Future Center.<BR><BR>Professor Fabio Fracas is a physicist (MD, University of Padua, 1992) with competencies in Atomic Spectroscopy, Radiotherapy and Radiation Protection, Quantum Physics, and Quantum Computer Science (Ph.D. course, University of Pavia, 2019).<BR><BR>AnnMarie is a professor in the School of Engineering and the Opus College of Business at the University of St. Thomas. She is the founder and director of the Playful Learning Lab, which explores ways to encourage children, of all ages, to embrace playful learning. She and her students created Squishy Circuits. She is the author of &ldquo;Making Makers: Kids, Tools, and the Future of Innovation.&rdquo;<BR> <BR>AnnMarie earned Ph.D. and M.S. degrees in Mechanical Engineering from Caltech, and an S.B. in Ocean Engineering (with a minor in Music) from MIT. Additionally, she completed a professional certificate in Sustainable Design from the Minneapolis College of Art and Design.<BR> <BR>AnnMarie co-founded and co-directs the University of St. Thomas Center for Engineering Education (CEE), which offers engineering courses for P-12 educators and conducts research on engineering at the pre-collegiate level. AnnMarie&rsquo;s teaching covers classes on topics such as Engineering Graphics and Design, Machine Design, Dynamics (with Circus Lab), Toy Design, Product Design for an Aging Population, Technology Prototyping (for Business majors), Environmental Sustainability/Innovation, and Brain Machine Interfaces (seminar).<BR> <BR>She served as the Founding Executive Director of the Maker Education Initiative, where her team established the national Maker Corps program and laid the groundwork for this nonprofit.<BR> <BR>AnnMarie lives in St. Paul, Minnesota, with her husband and two daughters. She is an amateur aerialist, specializing in static and flying trapeze, as well as juggling and cyr wheel<BR><BR>Andrea is a journalist who&rsquo;s been dealing with environmental problems for thirty years. Based on scientific studies, he invents books, games, educational workshops and summer camps to teach children to respect the Earth.]]></Text>
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      <BiographicalNote><![CDATA[Disney illustrator, character designer, cartoonist, illustrator.<BR> <BR> After attending the Roman School of Comics (where she now teaches) she made her debut in the world of comics in 2005 as the designer of &quot;&quot;Monster Allergy&quot;&quot; (the series by Centomo, Artibani, Barbucci and Canepa, published by Disney).<BR> <BR> She soon became a cartoonist, illustrator and character designer for the youth sector of the Italian and international market (Rainbow, Piemme, Egmont, Gl&eacute;nat).<BR> <BR> Since 2013 she has worked as a cartoonist and illustrator for Disney editorial projects (including Frozen, Tangled, Oceania etc.). Also for Disney he created the character design and comic transposition of the TV series &quot;&quot;Violetta&quot;&quot; and &quot;&quot;Soy Luna&quot;&quot; and, as character designer, created the world of &quot;&quot;Star Darlings&quot;&quot; (Disney). In 2015 he participated in the creation of the graphic novel Inside Out (Disney/Pixar).]]></BiographicalNote>
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      <SubjectHeadingText>Frozen; Disney; Animation; Elsa; Anna; Olaf; Kristoff; Sven; Arendelle; Ice powers; Magic; Snow; Winter; Adventure; Musical; Let It Go; Do You Want to Build a Snowman?; Frozen soundtrack; Queen; Princess; Family; Sisterhood; Friendship; Love; Sisters; Empowerment; Hans; Trolls; Snow Queen; Frozen Heart; Ice castle; True love; Fantasy; Disney princess; Disney animation; Magical kingdom; Frozen story; Elsa&#39;s powers; Anna&#39;s bravery; Frozen adventure; Disney classic; Frozen characters; Frozen songs; Elsa&#39;s journey; Anna&#39;s quest; Frozen fever; Frozen Ever After; Frozen merchandise; Frozen franchise; Kingdom of Arendelle; Frozen theme; Frozen mythology; Elsa&#39;s transformation; Disney musical; Frozen magic; Frozen fan base; Elsa&#39;s ice magic; Winter wonderland; Frozen movie; Frozen scenes; Frozen sisters; Heartwarming; Inspirational; Strong female leads; Frozen snowman; Frozen legacy; Frozen reindeer; Frozen world; Elsa&#39;s ice palace; Frozen friendship; Snowy landscapes; Disney Frozen; Frozen sequel; Iconic songs; Frozen dresses; Frozen toys; Frozen costumes; Frozen adventures; Frozen magic moments; Disney Frozen universe; Frozen journey; Elsa&#39;s song; Anna&#39;s determination; Frozen fairytale; Frozen visuals; Animated musical</SubjectHeadingText>
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      <Text><![CDATA[<B>From the pages of the Disney Frozen magazine to your bookshelf! A collection of classic comics collected together for the very first time</B><BR><BR>Return to Arendelle with Anna, Elsa, Olaf, Kristoff, and Sven in this magical new collection! For over a decade, Frozen magazine has delighted readers around the world, and now its comic stories are gathered in book form for the first time ever. From royal celebrations to daring adventures, these timeless tales capture the heart, humor, and sisterhood that made Frozen a worldwide phenomenon. Perfect for fans of all ages, this collection is a must-have piece of Disney history.]]></Text>
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      <Text><![CDATA[Alessandro Ferrari (born 1978) is a comics and animation screenwriter as well as an author. His career as a writer began in 2005 during a course at the Disney Academy in Milan. From a very young age, he was already writing stories and comics, and by the time he finished high school, he knew this would become his profession. Alessandro Q. Ferrari has been a guest at the Mare di Libri festival in 2010 and 2018.<BR><BR>Elisabetta Melaranci is an artist for Disney Italia. She has drawn extensively for Principesse Disney (stories with 'Cinderella', 'Pocahontas' and 'Esmeralda') and Disney Fairies. She drew 'Kim Possible' stories for Disney Channel Magazine, 'Finding Nemo' for Mondo Disney and contributed to 'W.I.T.C.H.'. Together with Anna Merli and Claudio Sciarrone, she penciled the 'Monsters Inc.' comic adaptation. Since 2018, she is active for Sergio Bonelli Editore, Mattel, Disney Pixar, Walt Disney Company Italia and Penguin Random House, while working for IDEA Academy.,Disney illustrator, character designer, cartoonist, illustrator. After attending the Roman School of Comics (where she now teaches) she made her debut in the world of comics in 2005 as the designer of ""Monster Allergy"" (the series by Centomo, Artibani, Barbucci and Canepa, published by Disney). She soon became a cartoonist, illustrator and character designer for the youth sector of the Italian and international market (Rainbow, Piemme, Egmont, Gl&#233;nat). Since 2013 she has worked as a cartoonist and illustrator for Disney editorial projects (including Frozen, Tangled, Oceania etc.). Also for Disney he created the character design and comic transposition of the TV series ""Violetta"" and ""Soy Luna"" and, as character designer, created the world of ""Star Darlings"" (Disney). In 2015 he participated in the creation of the graphic novel Inside Out (Disney/Pixar).,Italian comic book artist Federica Salfo was born in 1977 in Rome, and began her career drawing comics for ONYX and Editing Communications. She has been has been an artist for Disney Italia's Cip & Ciop title, starring the classic characters Chip 'n' Dale, from 2005 to 2012. She has also worked on other Disney properties, such as 'W.I.T.C.H.' and 'Cars'. Besides Disney, her other credits include 'Tea's Sisters', 'Joe Carrot' and 'Geronimo Stilton' for PiEmme, artwork for Barbie Magazine for Studio Chiesa and MATTEL, 'Milly Merletti' for De Agostini and 'Holly-Hobbie' for Editing Communications. Since 2013, Salfo is the artist of 'Meilleures Ennemies', the French comic book adaptation of Alexa Young's young adult novel series 'Frenemies', for Miss Jungle. Salfo also makes illustrations for school books by Mondadori, and teaches Comic Art at the International School of Comics.,Born in Sicily in 1978, Rosa La Barbera quickly became passionate about comics and cartoons. Once she had finished her art studies in 2006, she was among the twelve people lucky enough to enter Milan&rsquo;s Disney Academy. She then came back to Sicily where she worked on the animated series Winx and Pop Pixie for Rainbow. She collaborated with publisher Piemme for Geronimo Stilton and Tea Sister before creating the characters for the animated series Spike Team 2. In 2013, she worked for Disney again, working on the illustrations of the comics based on Tinkerbell and the Disney princesses. She has also worked with Kid Toussaint and Quattrochi on the series Magic 7 (Dupuis; Europe Comics in English).<BR><BR>Disney illustrator, character designer, cartoonist, illustrator.<BR> <BR> After attending the Roman School of Comics (where she now teaches) she made her debut in the world of comics in 2005 as the designer of &quot;&quot;Monster Allergy&quot;&quot; (the series by Centomo, Artibani, Barbucci and Canepa, published by Disney).<BR> <BR> She soon became a cartoonist, illustrator and character designer for the youth sector of the Italian and international market (Rainbow, Piemme, Egmont, Gl&eacute;nat).<BR> <BR> Since 2013 she has worked as a cartoonist and illustrator for Disney editorial projects (including Frozen, Tangled, Oceania etc.). Also for Disney he created the character design and comic transposition of the TV series &quot;&quot;Violetta&quot;&quot; and &quot;&quot;Soy Luna&quot;&quot; and, as character designer, created the world of &quot;&quot;Star Darlings&quot;&quot; (Disney). In 2015 he participated in the creation of the graphic novel Inside Out (Disney/Pixar).<BR><BR>Italian comic book artist Federica Salfo was born in 1977 in Rome, and began her career drawing comics for ONYX and Editing Communications. She has been has been an artist for Disney Italia&#39;s Cip &amp; Ciop title, starring the classic characters Chip &#39;n&#39; Dale, from 2005 to 2012. She has also worked on other Disney properties, such as &#39;W.I.T.C.H.&#39; and &#39;Cars&#39;. Besides Disney, her other credits include &#39;Tea&#39;s Sisters&#39;, &#39;Joe Carrot&#39; and &#39;Geronimo Stilton&#39; for PiEmme, artwork for Barbie Magazine for Studio Chiesa and MATTEL, &#39;Milly Merletti&#39; for De Agostini and &#39;Holly-Hobbie&#39; for Editing Communications.<BR> <BR>Since 2013, Salfo is the artist of &#39;Meilleures Ennemies&#39;, the French comic book adaptation of Alexa Young&#39;s young adult novel series &#39;Frenemies&#39;, for Miss Jungle. Salfo also makes illustrations for school books by Mondadori, and teaches Comic Art at the International School of Comics.<BR><BR>Born in Sicily in 1978, Rosa La Barbera quickly became passionate about comics and cartoons. Once she had finished her art studies in 2006, she was among the twelve people lucky enough to enter Milan&rsquo;s Disney Academy. She then came back to Sicily where she worked on the animated series Winx and Pop Pixie for Rainbow. She collaborated with publisher Piemme for Geronimo Stilton and Tea Sister before creating the characters for the animated series Spike Team 2. In 2013, she worked for Disney again, working on the illustrations of the comics based on Tinkerbell and the Disney princesses. She has also worked with Kid Toussaint and Quattrochi on the series Magic 7 (Dupuis; Europe Comics in English).]]></Text>
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      <BiographicalNote><![CDATA[With an impressive body of work spanning the course of three decades, John Cusack has evolved into one of Hollywood&rsquo;s most accomplished and respected actors of his generation, garnering both critical acclaim as well as prestigious accolades for his dramatic and comedic roles. Most recently, Cusack appeared in the WWII spy film &ldquo;Fog of War,&rdquo; playing Robert, a conflicted intelligence officer navigating moral ambiguity during the war; &ldquo;Detective Chinatown 1900,&rdquo; a historical Chinese blockbuster directed by Chen Sicheng and Dai Mo; and Chinese espionage thriller &ldquo;Decoded,&rdquo; which focused on wartime code-breaking and intelligence. In 2020, Cusack was seen in Prime Video&rsquo;s SciFi series, &ldquo;Utopia,&rdquo; in which he stars as Dr. Kevin Christie, a charismatic, media-savvy, and brilliant biotech mind who wants to change the world through science. &ldquo;Utopia&rdquo; is based on Dennis Kelly&rsquo;s British series of the same name and highly acclaimed author Gillian Flynn served as executive producer and showrunner. Cusack first gained the attention of audiences by starring in a number of 1980&rsquo;s film classics such as &ldquo;The Sure Thing,&rdquo; &ldquo;Say Anything&rdquo; and &ldquo;Sixteen Candles.&rdquo; Following these roles, Cusack successfully shed his teen-heartthrob image by demonstrating his ability to expand his film repertoire by starring in a wide range of dramas, thrillers and comedies including &ldquo;The Grifters,&rdquo; &ldquo;Eight Men Out,&rdquo; &ldquo;Being John Malkovich,&rdquo; &ldquo;High Fidelity&rdquo; and &ldquo;Grosse Pointe Blank.&rdquo; In recent years, Cusack starred in Bill Pohland&rsquo;s &ldquo;Love and Mercy,&rdquo; in which he played iconic Beach Boys songwriter and musician Brian Wilson. Cusack starred opposite Paul Dano, Elizabeth Banks and Paul Giamatti as Wilson in the later years of his life. Cusack also starred in David Cronenberg&rsquo;s, &ldquo;Maps to the Stars&rdquo; alongside Julianne Moore, Robert Pattinson and Mia Wasikowska, which premiered at the Cannes Film Festival. The satirical drama is an analysis of the entertainment industry's relationship with Western civilization as a whole. Cusack also appeared in a supporting role in Spike Lee&rsquo;s &ldquo;Chi-Raq,&rdquo; alongside Teyonah Parris, Nick Cannon and Samuel L. Jackson, Lee Daniels&rsquo; drama, &ldquo;The Paperboy,&rdquo; opposite Nicole Kidman, Zac Efron and Matthew McConaughey and in James McTeigue&rsquo;s independent thriller &ldquo;The Raven,&rdquo; where he portrayed the infamous author, Edgar Allen Poe. Additionally, in 2009 he starred in Roland Emmerich&rsquo;s apocalyptic thriller, &ldquo;2012.&rdquo; Released by Sony Pictures, the international blockbuster went on to gross more than $766 million worldwide. In 2001, Cusack was nominated for a Golden Globe Award for Best Performance by an Actor in a Motion Picture &#8211; Comedy or Musical for his role in the feature version of Nick Hornby's English novel, ""High Fidelity,"" for Touchstone Pictures. In addition to starring in the film, Cusack also co-produced and co-wrote the script with Steve Pink and D.V. DeVincentis. The film also stars Jack Black, Lisa Bonet, Catherine Zeta-Jones and Joan Cusack. In 1999, Cusack starred in the dark comedy ""Being John Malkovich"" for USA Films. Cusack&rsquo;s performance earned him an Independent Spirit Award nomination in the category of Best Actor. Some of his other feature film credits include: &ldquo;The Frozen Ground&rdquo;, &ldquo;Hot Tub Time Machine&rdquo;, &ldquo;War Inc.&rdquo;, &ldquo;Grace Is Gone&rdquo;, &ldquo;The Ice Harvest&rdquo;, &ldquo;Runaway Jury&rdquo;, &ldquo;Identity&rdquo;, &ldquo;Max&rdquo;, &ldquo;Cradle Will Rock&rdquo;, &ldquo;The Thin Red Line&rdquo;, &ldquo;Con Air&rdquo;, &ldquo;City Hall&rdquo;, &ldquo;Bullets Over Broadway&rdquo;, &ldquo;The Road to Wellville&rdquo;, &ldquo;True Colors&rdquo;, &ldquo;Broadcast News&rdquo;, &ldquo;Serendipity&rdquo;, &ldquo;Better Off Dead&rdquo; and &ldquo;Stand By Me.&rdquo; In April 2012, the Hollywood Chamber of Commerce presented Cusack with a Hollywood Walk of Fame star, honoring his long, ground-breaking career in film. Cusack resides in Chicago.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Illustrator and comic artist, born in Argentina in 1965. He resides in Escobar, Buenos Aires, Argentina. His career began in 1986, when he collaborated with Fierro magazine, creating short comics and cover art. It was there that he met Ricardo Barreiro, with whom he published in Italian publishers such as Lancio Story and L&rsquo;Eternauta, producing cover art. At the same time, he worked for the Argentine magazine Noticias and the newspaper Clar&#237;n. In 1992, he made his debut in erotic comics with scripts by R. Barreiro, and later continued in the field with his own stories. These works appeared in Kiss Comic, a Spanish magazine, and were later published in book form in France, Italy, the Netherlands, Germany, Poland, and the United States. He later came into contact with French scriptwriter Jean-David Morvan, collaborating on &ldquo;Les Chroniques de Sillage&rdquo; Vol. I, published by Delcourt. In the 2000s, he began a long career with the Argentine children&rsquo;s magazine GENIOS, illustrating stories and books for the collections &ldquo;Grandes Cl&#225;sicos&rdquo; and &ldquo;Grandes Aventuras&rdquo;. Around this time, he also created the comic &ldquo;Juli&#225;n King&rdquo;, written by Carlos Trillo. In 2006, the acclaimed series &ldquo;Helldorado&rdquo; was launched, published by Casterman and written by J. D. Morvan and M. Dragan. That same year, he also began illustrating a variety of children&rsquo;s books for the American publisher Advance Publishing. In 2010, he collaborated with Damien Hirst&rsquo;s publishing house Other Criteria on the monograph of painter Ashley Bickerton, adapting into comic form an interview conducted by critic Hans Ulrich Obrist with the American artist. In 2013, Ignacio published &ldquo;Douce, ti&#232;de et parfum&#233;e&rdquo; with Gl&#233;nat, notably with a script of his own authorship. He continued working with Gl&#233;nat on &ldquo;Jeanne d&rsquo;Arc&rdquo;, written by J&#233;r&#244;me Le Gris, and &ldquo;Et on tuera tous les affreux&rdquo;, a comic adaptation by J. D. Morvan of Boris Vian&rsquo;s novel. In 2022, the first volume of the &ldquo;Salazar&rdquo; collection was published by the Spanish publisher Nuevo Nueve. That same year, he released his 2023 calendar &ldquo;Una mujer, cuatro elementos, todas las cosas&rdquo; (One Woman, Four Elements, All Things) with the Argentine publisher Dicese, later also publishing French, German, and American versions available in those countries. In 2023, he created cover art for American publishers Zenescope and Bad Bug. Since then, he has been working on the comic adaptation of the movie script Momo, written by John Cusack, published by Mad Cave and produced by the actor himself. Ignacio No&#233; also paints landscapes of the Pampas plains, imbued with a metaphysical undertone. In 2023, he held a virtual exhibition of these works at Entusiasta Gallery in Barcelona. Since 1991, he has directed his own art school, and from his teaching experience he wrote &ldquo;Ilustraci&#243;n e Imagen Art&#237;stica&rdquo;, published by Dicese in 2017.]]></BiographicalNote>
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      <SubjectHeadingText>road trip; sci fi road trip; sci-fi road trip; unlikely partnership; unlikely friends; unlikely allies; action; action adventure; adventure; American dream; the American dream; Jackie Gleason; extraterrestrial; extraterrestrials; extraterrestrial artifacts; alien; aliens; alien artifacts; cosmic; cosmic sci-fi; cosmic science fiction; cult; occult; crime; criminals; on the lam; magical artifact; mystical artifact; cosmic powers; betrayal; alliance; revenge; vengeance; pursuit; cosmic horror; comedy; funny; humor; humorous; theology; noir; theological noir; pulp; pulp sci-fi; pulpy; absurd; absurdism; absurdist; John Cusack; Ignacio Noe</SubjectHeadingText>
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      <Text><![CDATA[<b>Acclaimed actor John Cusack and celebrated international artist Ignacio No&#233; deliver a wild, genre-bending road trip with cosmic stakes.</b><BR><BR>Two fugitives form an uneasy alliance on a mission tied to none other than Jackie Gleason&#8212;yes, that Jackie Gleason&#8212;and quickly find themselves in way over their heads.<BR> <BR>What follows is a surreal collision of pulp sci-fi, occult mystery, and dark humor, packed with bizarre encounters, buried secrets, and forces far beyond their control. As reality starts to crack and loyalties fray, one thing becomes clear: this trip could save the world&hellip; or end it in spectacular fashion.]]></Text>
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      <Text><![CDATA[With an impressive body of work spanning the course of three decades, John Cusack has evolved into one of Hollywood&rsquo;s most accomplished and respected actors of his generation, garnering both critical acclaim as well as prestigious accolades for his dramatic and comedic roles. Most recently, Cusack appeared in the WWII spy film &ldquo;Fog of War,&rdquo; playing Robert, a conflicted intelligence officer navigating moral ambiguity during the war; &ldquo;Detective Chinatown 1900,&rdquo; a historical Chinese blockbuster directed by Chen Sicheng and Dai Mo; and Chinese espionage thriller &ldquo;Decoded,&rdquo; which focused on wartime code-breaking and intelligence. In 2020, Cusack was seen in Prime Video&rsquo;s SciFi series, &ldquo;Utopia,&rdquo; in which he stars as Dr. Kevin Christie, a charismatic, media-savvy, and brilliant biotech mind who wants to change the world through science. &ldquo;Utopia&rdquo; is based on Dennis Kelly&rsquo;s British series of the same name and highly acclaimed author Gillian Flynn served as executive producer and showrunner. Cusack first gained the attention of audiences by starring in a number of 1980&rsquo;s film classics such as &ldquo;The Sure Thing,&rdquo; &ldquo;Say Anything&rdquo; and &ldquo;Sixteen Candles.&rdquo; Following these roles, Cusack successfully shed his teen-heartthrob image by demonstrating his ability to expand his film repertoire by starring in a wide range of dramas, thrillers and comedies including &ldquo;The Grifters,&rdquo; &ldquo;Eight Men Out,&rdquo; &ldquo;Being John Malkovich,&rdquo; &ldquo;High Fidelity&rdquo; and &ldquo;Grosse Pointe Blank.&rdquo; In recent years, Cusack starred in Bill Pohland&rsquo;s &ldquo;Love and Mercy,&rdquo; in which he played iconic Beach Boys songwriter and musician Brian Wilson. Cusack starred opposite Paul Dano, Elizabeth Banks and Paul Giamatti as Wilson in the later years of his life. Cusack also starred in David Cronenberg&rsquo;s, &ldquo;Maps to the Stars&rdquo; alongside Julianne Moore, Robert Pattinson and Mia Wasikowska, which premiered at the Cannes Film Festival. The satirical drama is an analysis of the entertainment industry's relationship with Western civilization as a whole. Cusack also appeared in a supporting role in Spike Lee&rsquo;s &ldquo;Chi-Raq,&rdquo; alongside Teyonah Parris, Nick Cannon and Samuel L. Jackson, Lee Daniels&rsquo; drama, &ldquo;The Paperboy,&rdquo; opposite Nicole Kidman, Zac Efron and Matthew McConaughey and in James McTeigue&rsquo;s independent thriller &ldquo;The Raven,&rdquo; where he portrayed the infamous author, Edgar Allen Poe. Additionally, in 2009 he starred in Roland Emmerich&rsquo;s apocalyptic thriller, &ldquo;2012.&rdquo; Released by Sony Pictures, the international blockbuster went on to gross more than $766 million worldwide. In 2001, Cusack was nominated for a Golden Globe Award for Best Performance by an Actor in a Motion Picture &#8211; Comedy or Musical for his role in the feature version of Nick Hornby's English novel, ""High Fidelity,"" for Touchstone Pictures. In addition to starring in the film, Cusack also co-produced and co-wrote the script with Steve Pink and D.V. DeVincentis. The film also stars Jack Black, Lisa Bonet, Catherine Zeta-Jones and Joan Cusack. In 1999, Cusack starred in the dark comedy ""Being John Malkovich"" for USA Films. Cusack&rsquo;s performance earned him an Independent Spirit Award nomination in the category of Best Actor. Some of his other feature film credits include: &ldquo;The Frozen Ground&rdquo;, &ldquo;Hot Tub Time Machine&rdquo;, &ldquo;War Inc.&rdquo;, &ldquo;Grace Is Gone&rdquo;, &ldquo;The Ice Harvest&rdquo;, &ldquo;Runaway Jury&rdquo;, &ldquo;Identity&rdquo;, &ldquo;Max&rdquo;, &ldquo;Cradle Will Rock&rdquo;, &ldquo;The Thin Red Line&rdquo;, &ldquo;Con Air&rdquo;, &ldquo;City Hall&rdquo;, &ldquo;Bullets Over Broadway&rdquo;, &ldquo;The Road to Wellville&rdquo;, &ldquo;True Colors&rdquo;, &ldquo;Broadcast News&rdquo;, &ldquo;Serendipity&rdquo;, &ldquo;Better Off Dead&rdquo; and &ldquo;Stand By Me.&rdquo; In April 2012, the Hollywood Chamber of Commerce presented Cusack with a Hollywood Walk of Fame star, honoring his long, ground-breaking career in film. Cusack resides in Chicago.<BR><BR>Illustrator and comic artist, born in Argentina in 1965. He resides in Escobar, Buenos Aires, Argentina. His career began in 1986, when he collaborated with Fierro magazine, creating short comics and cover art. It was there that he met Ricardo Barreiro, with whom he published in Italian publishers such as Lancio Story and L&rsquo;Eternauta, producing cover art. At the same time, he worked for the Argentine magazine Noticias and the newspaper Clar&#237;n. In 1992, he made his debut in erotic comics with scripts by R. Barreiro, and later continued in the field with his own stories. These works appeared in Kiss Comic, a Spanish magazine, and were later published in book form in France, Italy, the Netherlands, Germany, Poland, and the United States. He later came into contact with French scriptwriter Jean-David Morvan, collaborating on &ldquo;Les Chroniques de Sillage&rdquo; Vol. I, published by Delcourt. In the 2000s, he began a long career with the Argentine children&rsquo;s magazine GENIOS, illustrating stories and books for the collections &ldquo;Grandes Cl&#225;sicos&rdquo; and &ldquo;Grandes Aventuras&rdquo;. Around this time, he also created the comic &ldquo;Juli&#225;n King&rdquo;, written by Carlos Trillo. In 2006, the acclaimed series &ldquo;Helldorado&rdquo; was launched, published by Casterman and written by J. D. Morvan and M. Dragan. That same year, he also began illustrating a variety of children&rsquo;s books for the American publisher Advance Publishing. In 2010, he collaborated with Damien Hirst&rsquo;s publishing house Other Criteria on the monograph of painter Ashley Bickerton, adapting into comic form an interview conducted by critic Hans Ulrich Obrist with the American artist. In 2013, Ignacio published &ldquo;Douce, ti&#232;de et parfum&#233;e&rdquo; with Gl&#233;nat, notably with a script of his own authorship. He continued working with Gl&#233;nat on &ldquo;Jeanne d&rsquo;Arc&rdquo;, written by J&#233;r&#244;me Le Gris, and &ldquo;Et on tuera tous les affreux&rdquo;, a comic adaptation by J. D. Morvan of Boris Vian&rsquo;s novel. In 2022, the first volume of the &ldquo;Salazar&rdquo; collection was published by the Spanish publisher Nuevo Nueve. That same year, he released his 2023 calendar &ldquo;Una mujer, cuatro elementos, todas las cosas&rdquo; (One Woman, Four Elements, All Things) with the Argentine publisher Dicese, later also publishing French, German, and American versions available in those countries. In 2023, he created cover art for American publishers Zenescope and Bad Bug. Since then, he has been working on the comic adaptation of the movie script Momo, written by John Cusack, published by Mad Cave and produced by the actor himself. Ignacio No&#233; also paints landscapes of the Pampas plains, imbued with a metaphysical undertone. In 2023, he held a virtual exhibition of these works at Entusiasta Gallery in Barcelona. Since 1991, he has directed his own art school, and from his teaching experience he wrote &ldquo;Ilustraci&#243;n e Imagen Art&#237;stica&rdquo;, published by Dicese in 2017.]]></Text>
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      <BiographicalNote><![CDATA[With an impressive body of work spanning the course of three decades, John Cusack has evolved into one of Hollywood&rsquo;s most accomplished and respected actors of his generation, garnering both critical acclaim as well as prestigious accolades for his dramatic and comedic roles. Most recently, Cusack appeared in the WWII spy film &ldquo;Fog of War,&rdquo; playing Robert, a conflicted intelligence officer navigating moral ambiguity during the war; &ldquo;Detective Chinatown 1900,&rdquo; a historical Chinese blockbuster directed by Chen Sicheng and Dai Mo; and Chinese espionage thriller &ldquo;Decoded,&rdquo; which focused on wartime code-breaking and intelligence. In 2020, Cusack was seen in Prime Video&rsquo;s SciFi series, &ldquo;Utopia,&rdquo; in which he stars as Dr. Kevin Christie, a charismatic, media-savvy, and brilliant biotech mind who wants to change the world through science. &ldquo;Utopia&rdquo; is based on Dennis Kelly&rsquo;s British series of the same name and highly acclaimed author Gillian Flynn served as executive producer and showrunner. Cusack first gained the attention of audiences by starring in a number of 1980&rsquo;s film classics such as &ldquo;The Sure Thing,&rdquo; &ldquo;Say Anything&rdquo; and &ldquo;Sixteen Candles.&rdquo; Following these roles, Cusack successfully shed his teen-heartthrob image by demonstrating his ability to expand his film repertoire by starring in a wide range of dramas, thrillers and comedies including &ldquo;The Grifters,&rdquo; &ldquo;Eight Men Out,&rdquo; &ldquo;Being John Malkovich,&rdquo; &ldquo;High Fidelity&rdquo; and &ldquo;Grosse Pointe Blank.&rdquo; In recent years, Cusack starred in Bill Pohland&rsquo;s &ldquo;Love and Mercy,&rdquo; in which he played iconic Beach Boys songwriter and musician Brian Wilson. Cusack starred opposite Paul Dano, Elizabeth Banks and Paul Giamatti as Wilson in the later years of his life. Cusack also starred in David Cronenberg&rsquo;s, &ldquo;Maps to the Stars&rdquo; alongside Julianne Moore, Robert Pattinson and Mia Wasikowska, which premiered at the Cannes Film Festival. The satirical drama is an analysis of the entertainment industry's relationship with Western civilization as a whole. Cusack also appeared in a supporting role in Spike Lee&rsquo;s &ldquo;Chi-Raq,&rdquo; alongside Teyonah Parris, Nick Cannon and Samuel L. Jackson, Lee Daniels&rsquo; drama, &ldquo;The Paperboy,&rdquo; opposite Nicole Kidman, Zac Efron and Matthew McConaughey and in James McTeigue&rsquo;s independent thriller &ldquo;The Raven,&rdquo; where he portrayed the infamous author, Edgar Allen Poe. Additionally, in 2009 he starred in Roland Emmerich&rsquo;s apocalyptic thriller, &ldquo;2012.&rdquo; Released by Sony Pictures, the international blockbuster went on to gross more than $766 million worldwide. In 2001, Cusack was nominated for a Golden Globe Award for Best Performance by an Actor in a Motion Picture &#8211; Comedy or Musical for his role in the feature version of Nick Hornby's English novel, ""High Fidelity,"" for Touchstone Pictures. In addition to starring in the film, Cusack also co-produced and co-wrote the script with Steve Pink and D.V. DeVincentis. The film also stars Jack Black, Lisa Bonet, Catherine Zeta-Jones and Joan Cusack. In 1999, Cusack starred in the dark comedy ""Being John Malkovich"" for USA Films. Cusack&rsquo;s performance earned him an Independent Spirit Award nomination in the category of Best Actor. Some of his other feature film credits include: &ldquo;The Frozen Ground&rdquo;, &ldquo;Hot Tub Time Machine&rdquo;, &ldquo;War Inc.&rdquo;, &ldquo;Grace Is Gone&rdquo;, &ldquo;The Ice Harvest&rdquo;, &ldquo;Runaway Jury&rdquo;, &ldquo;Identity&rdquo;, &ldquo;Max&rdquo;, &ldquo;Cradle Will Rock&rdquo;, &ldquo;The Thin Red Line&rdquo;, &ldquo;Con Air&rdquo;, &ldquo;City Hall&rdquo;, &ldquo;Bullets Over Broadway&rdquo;, &ldquo;The Road to Wellville&rdquo;, &ldquo;True Colors&rdquo;, &ldquo;Broadcast News&rdquo;, &ldquo;Serendipity&rdquo;, &ldquo;Better Off Dead&rdquo; and &ldquo;Stand By Me.&rdquo; In April 2012, the Hollywood Chamber of Commerce presented Cusack with a Hollywood Walk of Fame star, honoring his long, ground-breaking career in film. Cusack resides in Chicago.]]></BiographicalNote>
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      <Text><![CDATA[<B>Acclaimed actor John Cusack and celebrated international artist Ignacio No&#233; deliver a wild, genre-bending road trip with cosmic stakes.</B><BR><BR>Two fugitives form an uneasy alliance on a mission tied to none other than Jackie Gleason&#8212;yes, that Jackie Gleason&#8212;and quickly find themselves in way over their heads.<BR> <BR>What follows is a surreal collision of pulp sci-fi, occult mystery, and dark humor, packed with bizarre encounters, buried secrets, and forces far beyond their control. As reality starts to crack and loyalties fray, one thing becomes clear: this trip could save the world&hellip; or end it in spectacular fashion.]]></Text>
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      <Text><![CDATA[With an impressive body of work spanning the course of three decades, John Cusack has evolved into one of Hollywood&rsquo;s most accomplished and respected actors of his generation, garnering both critical acclaim as well as prestigious accolades for his dramatic and comedic roles. Most recently, Cusack appeared in the WWII spy film &ldquo;Fog of War,&rdquo; playing Robert, a conflicted intelligence officer navigating moral ambiguity during the war; &ldquo;Detective Chinatown 1900,&rdquo; a historical Chinese blockbuster directed by Chen Sicheng and Dai Mo; and Chinese espionage thriller &ldquo;Decoded,&rdquo; which focused on wartime code-breaking and intelligence. In 2020, Cusack was seen in Prime Video&rsquo;s SciFi series, &ldquo;Utopia,&rdquo; in which he stars as Dr. Kevin Christie, a charismatic, media-savvy, and brilliant biotech mind who wants to change the world through science. &ldquo;Utopia&rdquo; is based on Dennis Kelly&rsquo;s British series of the same name and highly acclaimed author Gillian Flynn served as executive producer and showrunner. Cusack first gained the attention of audiences by starring in a number of 1980&rsquo;s film classics such as &ldquo;The Sure Thing,&rdquo; &ldquo;Say Anything&rdquo; and &ldquo;Sixteen Candles.&rdquo; Following these roles, Cusack successfully shed his teen-heartthrob image by demonstrating his ability to expand his film repertoire by starring in a wide range of dramas, thrillers and comedies including &ldquo;The Grifters,&rdquo; &ldquo;Eight Men Out,&rdquo; &ldquo;Being John Malkovich,&rdquo; &ldquo;High Fidelity&rdquo; and &ldquo;Grosse Pointe Blank.&rdquo; In recent years, Cusack starred in Bill Pohland&rsquo;s &ldquo;Love and Mercy,&rdquo; in which he played iconic Beach Boys songwriter and musician Brian Wilson. Cusack starred opposite Paul Dano, Elizabeth Banks and Paul Giamatti as Wilson in the later years of his life. Cusack also starred in David Cronenberg&rsquo;s, &ldquo;Maps to the Stars&rdquo; alongside Julianne Moore, Robert Pattinson and Mia Wasikowska, which premiered at the Cannes Film Festival. The satirical drama is an analysis of the entertainment industry's relationship with Western civilization as a whole. Cusack also appeared in a supporting role in Spike Lee&rsquo;s &ldquo;Chi-Raq,&rdquo; alongside Teyonah Parris, Nick Cannon and Samuel L. Jackson, Lee Daniels&rsquo; drama, &ldquo;The Paperboy,&rdquo; opposite Nicole Kidman, Zac Efron and Matthew McConaughey and in James McTeigue&rsquo;s independent thriller &ldquo;The Raven,&rdquo; where he portrayed the infamous author, Edgar Allen Poe. Additionally, in 2009 he starred in Roland Emmerich&rsquo;s apocalyptic thriller, &ldquo;2012.&rdquo; Released by Sony Pictures, the international blockbuster went on to gross more than $766 million worldwide. In 2001, Cusack was nominated for a Golden Globe Award for Best Performance by an Actor in a Motion Picture &#8211; Comedy or Musical for his role in the feature version of Nick Hornby's English novel, ""High Fidelity,"" for Touchstone Pictures. In addition to starring in the film, Cusack also co-produced and co-wrote the script with Steve Pink and D.V. DeVincentis. The film also stars Jack Black, Lisa Bonet, Catherine Zeta-Jones and Joan Cusack. In 1999, Cusack starred in the dark comedy ""Being John Malkovich"" for USA Films. Cusack&rsquo;s performance earned him an Independent Spirit Award nomination in the category of Best Actor. Some of his other feature film credits include: &ldquo;The Frozen Ground&rdquo;, &ldquo;Hot Tub Time Machine&rdquo;, &ldquo;War Inc.&rdquo;, &ldquo;Grace Is Gone&rdquo;, &ldquo;The Ice Harvest&rdquo;, &ldquo;Runaway Jury&rdquo;, &ldquo;Identity&rdquo;, &ldquo;Max&rdquo;, &ldquo;Cradle Will Rock&rdquo;, &ldquo;The Thin Red Line&rdquo;, &ldquo;Con Air&rdquo;, &ldquo;City Hall&rdquo;, &ldquo;Bullets Over Broadway&rdquo;, &ldquo;The Road to Wellville&rdquo;, &ldquo;True Colors&rdquo;, &ldquo;Broadcast News&rdquo;, &ldquo;Serendipity&rdquo;, &ldquo;Better Off Dead&rdquo; and &ldquo;Stand By Me.&rdquo; In April 2012, the Hollywood Chamber of Commerce presented Cusack with a Hollywood Walk of Fame star, honoring his long, ground-breaking career in film. Cusack resides in Chicago.<BR><BR>Illustrator and comic artist, born in Argentina in 1965. He resides in Escobar, Buenos Aires, Argentina. His career began in 1986, when he collaborated with Fierro magazine, creating short comics and cover art. It was there that he met Ricardo Barreiro, with whom he published in Italian publishers such as Lancio Story and L&rsquo;Eternauta, producing cover art. At the same time, he worked for the Argentine magazine Noticias and the newspaper Clar&#237;n. In 1992, he made his debut in erotic comics with scripts by R. Barreiro, and later continued in the field with his own stories. These works appeared in Kiss Comic, a Spanish magazine, and were later published in book form in France, Italy, the Netherlands, Germany, Poland, and the United States. He later came into contact with French scriptwriter Jean-David Morvan, collaborating on &ldquo;Les Chroniques de Sillage&rdquo; Vol. I, published by Delcourt. In the 2000s, he began a long career with the Argentine children&rsquo;s magazine GENIOS, illustrating stories and books for the collections &ldquo;Grandes Cl&#225;sicos&rdquo; and &ldquo;Grandes Aventuras&rdquo;. Around this time, he also created the comic &ldquo;Juli&#225;n King&rdquo;, written by Carlos Trillo. In 2006, the acclaimed series &ldquo;Helldorado&rdquo; was launched, published by Casterman and written by J. D. Morvan and M. Dragan. That same year, he also began illustrating a variety of children&rsquo;s books for the American publisher Advance Publishing. In 2010, he collaborated with Damien Hirst&rsquo;s publishing house Other Criteria on the monograph of painter Ashley Bickerton, adapting into comic form an interview conducted by critic Hans Ulrich Obrist with the American artist. In 2013, Ignacio published &ldquo;Douce, ti&#232;de et parfum&#233;e&rdquo; with Gl&#233;nat, notably with a script of his own authorship. He continued working with Gl&#233;nat on &ldquo;Jeanne d&rsquo;Arc&rdquo;, written by J&#233;r&#244;me Le Gris, and &ldquo;Et on tuera tous les affreux&rdquo;, a comic adaptation by J. D. Morvan of Boris Vian&rsquo;s novel. In 2022, the first volume of the &ldquo;Salazar&rdquo; collection was published by the Spanish publisher Nuevo Nueve. That same year, he released his 2023 calendar &ldquo;Una mujer, cuatro elementos, todas las cosas&rdquo; (One Woman, Four Elements, All Things) with the Argentine publisher Dicese, later also publishing French, German, and American versions available in those countries. In 2023, he created cover art for American publishers Zenescope and Bad Bug. Since then, he has been working on the comic adaptation of the movie script Momo, written by John Cusack, published by Mad Cave and produced by the actor himself. Ignacio No&#233; also paints landscapes of the Pampas plains, imbued with a metaphysical undertone. In 2023, he held a virtual exhibition of these works at Entusiasta Gallery in Barcelona. Since 1991, he has directed his own art school, and from his teaching experience he wrote &ldquo;Ilustraci&#243;n e Imagen Art&#237;stica&rdquo;, published by Dicese in 2017.]]></Text>
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      <BiographicalNote><![CDATA[With an impressive body of work spanning the course of three decades, John Cusack has evolved into one of Hollywood&rsquo;s most accomplished and respected actors of his generation, garnering both critical acclaim as well as prestigious accolades for his dramatic and comedic roles. Most recently, Cusack appeared in the WWII spy film &ldquo;Fog of War,&rdquo; playing Robert, a conflicted intelligence officer navigating moral ambiguity during the war; &ldquo;Detective Chinatown 1900,&rdquo; a historical Chinese blockbuster directed by Chen Sicheng and Dai Mo; and Chinese espionage thriller &ldquo;Decoded,&rdquo; which focused on wartime code-breaking and intelligence. In 2020, Cusack was seen in Prime Video&rsquo;s SciFi series, &ldquo;Utopia,&rdquo; in which he stars as Dr. Kevin Christie, a charismatic, media-savvy, and brilliant biotech mind who wants to change the world through science. &ldquo;Utopia&rdquo; is based on Dennis Kelly&rsquo;s British series of the same name and highly acclaimed author Gillian Flynn served as executive producer and showrunner. Cusack first gained the attention of audiences by starring in a number of 1980&rsquo;s film classics such as &ldquo;The Sure Thing,&rdquo; &ldquo;Say Anything&rdquo; and &ldquo;Sixteen Candles.&rdquo; Following these roles, Cusack successfully shed his teen-heartthrob image by demonstrating his ability to expand his film repertoire by starring in a wide range of dramas, thrillers and comedies including &ldquo;The Grifters,&rdquo; &ldquo;Eight Men Out,&rdquo; &ldquo;Being John Malkovich,&rdquo; &ldquo;High Fidelity&rdquo; and &ldquo;Grosse Pointe Blank.&rdquo; In recent years, Cusack starred in Bill Pohland&rsquo;s &ldquo;Love and Mercy,&rdquo; in which he played iconic Beach Boys songwriter and musician Brian Wilson. Cusack starred opposite Paul Dano, Elizabeth Banks and Paul Giamatti as Wilson in the later years of his life. Cusack also starred in David Cronenberg&rsquo;s, &ldquo;Maps to the Stars&rdquo; alongside Julianne Moore, Robert Pattinson and Mia Wasikowska, which premiered at the Cannes Film Festival. The satirical drama is an analysis of the entertainment industry's relationship with Western civilization as a whole. Cusack also appeared in a supporting role in Spike Lee&rsquo;s &ldquo;Chi-Raq,&rdquo; alongside Teyonah Parris, Nick Cannon and Samuel L. Jackson, Lee Daniels&rsquo; drama, &ldquo;The Paperboy,&rdquo; opposite Nicole Kidman, Zac Efron and Matthew McConaughey and in James McTeigue&rsquo;s independent thriller &ldquo;The Raven,&rdquo; where he portrayed the infamous author, Edgar Allen Poe. Additionally, in 2009 he starred in Roland Emmerich&rsquo;s apocalyptic thriller, &ldquo;2012.&rdquo; Released by Sony Pictures, the international blockbuster went on to gross more than $766 million worldwide. In 2001, Cusack was nominated for a Golden Globe Award for Best Performance by an Actor in a Motion Picture &#8211; Comedy or Musical for his role in the feature version of Nick Hornby's English novel, ""High Fidelity,"" for Touchstone Pictures. In addition to starring in the film, Cusack also co-produced and co-wrote the script with Steve Pink and D.V. DeVincentis. The film also stars Jack Black, Lisa Bonet, Catherine Zeta-Jones and Joan Cusack. In 1999, Cusack starred in the dark comedy ""Being John Malkovich"" for USA Films. Cusack&rsquo;s performance earned him an Independent Spirit Award nomination in the category of Best Actor. Some of his other feature film credits include: &ldquo;The Frozen Ground&rdquo;, &ldquo;Hot Tub Time Machine&rdquo;, &ldquo;War Inc.&rdquo;, &ldquo;Grace Is Gone&rdquo;, &ldquo;The Ice Harvest&rdquo;, &ldquo;Runaway Jury&rdquo;, &ldquo;Identity&rdquo;, &ldquo;Max&rdquo;, &ldquo;Cradle Will Rock&rdquo;, &ldquo;The Thin Red Line&rdquo;, &ldquo;Con Air&rdquo;, &ldquo;City Hall&rdquo;, &ldquo;Bullets Over Broadway&rdquo;, &ldquo;The Road to Wellville&rdquo;, &ldquo;True Colors&rdquo;, &ldquo;Broadcast News&rdquo;, &ldquo;Serendipity&rdquo;, &ldquo;Better Off Dead&rdquo; and &ldquo;Stand By Me.&rdquo; In April 2012, the Hollywood Chamber of Commerce presented Cusack with a Hollywood Walk of Fame star, honoring his long, ground-breaking career in film. Cusack resides in Chicago.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Illustrator and comic artist, born in Argentina in 1965. He resides in Escobar, Buenos Aires, Argentina. His career began in 1986, when he collaborated with Fierro magazine, creating short comics and cover art. It was there that he met Ricardo Barreiro, with whom he published in Italian publishers such as Lancio Story and L&rsquo;Eternauta, producing cover art. At the same time, he worked for the Argentine magazine Noticias and the newspaper Clar&#237;n. In 1992, he made his debut in erotic comics with scripts by R. Barreiro, and later continued in the field with his own stories. These works appeared in Kiss Comic, a Spanish magazine, and were later published in book form in France, Italy, the Netherlands, Germany, Poland, and the United States. He later came into contact with French scriptwriter Jean-David Morvan, collaborating on &ldquo;Les Chroniques de Sillage&rdquo; Vol. I, published by Delcourt. In the 2000s, he began a long career with the Argentine children&rsquo;s magazine GENIOS, illustrating stories and books for the collections &ldquo;Grandes Cl&#225;sicos&rdquo; and &ldquo;Grandes Aventuras&rdquo;. Around this time, he also created the comic &ldquo;Juli&#225;n King&rdquo;, written by Carlos Trillo. In 2006, the acclaimed series &ldquo;Helldorado&rdquo; was launched, published by Casterman and written by J. D. Morvan and M. Dragan. That same year, he also began illustrating a variety of children&rsquo;s books for the American publisher Advance Publishing. In 2010, he collaborated with Damien Hirst&rsquo;s publishing house Other Criteria on the monograph of painter Ashley Bickerton, adapting into comic form an interview conducted by critic Hans Ulrich Obrist with the American artist. In 2013, Ignacio published &ldquo;Douce, ti&#232;de et parfum&#233;e&rdquo; with Gl&#233;nat, notably with a script of his own authorship. He continued working with Gl&#233;nat on &ldquo;Jeanne d&rsquo;Arc&rdquo;, written by J&#233;r&#244;me Le Gris, and &ldquo;Et on tuera tous les affreux&rdquo;, a comic adaptation by J. D. Morvan of Boris Vian&rsquo;s novel. In 2022, the first volume of the &ldquo;Salazar&rdquo; collection was published by the Spanish publisher Nuevo Nueve. That same year, he released his 2023 calendar &ldquo;Una mujer, cuatro elementos, todas las cosas&rdquo; (One Woman, Four Elements, All Things) with the Argentine publisher Dicese, later also publishing French, German, and American versions available in those countries. In 2023, he created cover art for American publishers Zenescope and Bad Bug. Since then, he has been working on the comic adaptation of the movie script Momo, written by John Cusack, published by Mad Cave and produced by the actor himself. Ignacio No&#233; also paints landscapes of the Pampas plains, imbued with a metaphysical undertone. In 2023, he held a virtual exhibition of these works at Entusiasta Gallery in Barcelona. Since 1991, he has directed his own art school, and from his teaching experience he wrote &ldquo;Ilustraci&#243;n e Imagen Art&#237;stica&rdquo;, published by Dicese in 2017.]]></BiographicalNote>
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      <Text><![CDATA[<B>Acclaimed actor John Cusack and celebrated international artist Ignacio No&#233; deliver a wild, genre-bending road trip with cosmic stakes.</B><BR><BR><b>This edition will contain bonus character sketches, design work, and script pages from writer John Cusack, plus more surprises.</b><BR> <BR>Two fugitives form an uneasy alliance on a mission tied to none other than Jackie Gleason&#8212;yes, that Jackie Gleason&#8212;and quickly find themselves in way over their heads.<BR> <BR>What follows is a surreal collision of pulp sci-fi, occult mystery, and dark humor, packed with bizarre encounters, buried secrets, and forces far beyond their control. As reality starts to crack and loyalties fray, one thing becomes clear: this trip could save the world&hellip; or end it in spectacular fashion.]]></Text>
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      <Text><![CDATA[With an impressive body of work spanning the course of three decades, John Cusack has evolved into one of Hollywood&rsquo;s most accomplished and respected actors of his generation, garnering both critical acclaim as well as prestigious accolades for his dramatic and comedic roles. Most recently, Cusack appeared in the WWII spy film &ldquo;Fog of War,&rdquo; playing Robert, a conflicted intelligence officer navigating moral ambiguity during the war; &ldquo;Detective Chinatown 1900,&rdquo; a historical Chinese blockbuster directed by Chen Sicheng and Dai Mo; and Chinese espionage thriller &ldquo;Decoded,&rdquo; which focused on wartime code-breaking and intelligence. In 2020, Cusack was seen in Prime Video&rsquo;s SciFi series, &ldquo;Utopia,&rdquo; in which he stars as Dr. Kevin Christie, a charismatic, media-savvy, and brilliant biotech mind who wants to change the world through science. &ldquo;Utopia&rdquo; is based on Dennis Kelly&rsquo;s British series of the same name and highly acclaimed author Gillian Flynn served as executive producer and showrunner. Cusack first gained the attention of audiences by starring in a number of 1980&rsquo;s film classics such as &ldquo;The Sure Thing,&rdquo; &ldquo;Say Anything&rdquo; and &ldquo;Sixteen Candles.&rdquo; Following these roles, Cusack successfully shed his teen-heartthrob image by demonstrating his ability to expand his film repertoire by starring in a wide range of dramas, thrillers and comedies including &ldquo;The Grifters,&rdquo; &ldquo;Eight Men Out,&rdquo; &ldquo;Being John Malkovich,&rdquo; &ldquo;High Fidelity&rdquo; and &ldquo;Grosse Pointe Blank.&rdquo; In recent years, Cusack starred in Bill Pohland&rsquo;s &ldquo;Love and Mercy,&rdquo; in which he played iconic Beach Boys songwriter and musician Brian Wilson. Cusack starred opposite Paul Dano, Elizabeth Banks and Paul Giamatti as Wilson in the later years of his life. Cusack also starred in David Cronenberg&rsquo;s, &ldquo;Maps to the Stars&rdquo; alongside Julianne Moore, Robert Pattinson and Mia Wasikowska, which premiered at the Cannes Film Festival. The satirical drama is an analysis of the entertainment industry's relationship with Western civilization as a whole. Cusack also appeared in a supporting role in Spike Lee&rsquo;s &ldquo;Chi-Raq,&rdquo; alongside Teyonah Parris, Nick Cannon and Samuel L. Jackson, Lee Daniels&rsquo; drama, &ldquo;The Paperboy,&rdquo; opposite Nicole Kidman, Zac Efron and Matthew McConaughey and in James McTeigue&rsquo;s independent thriller &ldquo;The Raven,&rdquo; where he portrayed the infamous author, Edgar Allen Poe. Additionally, in 2009 he starred in Roland Emmerich&rsquo;s apocalyptic thriller, &ldquo;2012.&rdquo; Released by Sony Pictures, the international blockbuster went on to gross more than $766 million worldwide. In 2001, Cusack was nominated for a Golden Globe Award for Best Performance by an Actor in a Motion Picture &#8211; Comedy or Musical for his role in the feature version of Nick Hornby's English novel, ""High Fidelity,"" for Touchstone Pictures. In addition to starring in the film, Cusack also co-produced and co-wrote the script with Steve Pink and D.V. DeVincentis. The film also stars Jack Black, Lisa Bonet, Catherine Zeta-Jones and Joan Cusack. In 1999, Cusack starred in the dark comedy ""Being John Malkovich"" for USA Films. Cusack&rsquo;s performance earned him an Independent Spirit Award nomination in the category of Best Actor. Some of his other feature film credits include: &ldquo;The Frozen Ground&rdquo;, &ldquo;Hot Tub Time Machine&rdquo;, &ldquo;War Inc.&rdquo;, &ldquo;Grace Is Gone&rdquo;, &ldquo;The Ice Harvest&rdquo;, &ldquo;Runaway Jury&rdquo;, &ldquo;Identity&rdquo;, &ldquo;Max&rdquo;, &ldquo;Cradle Will Rock&rdquo;, &ldquo;The Thin Red Line&rdquo;, &ldquo;Con Air&rdquo;, &ldquo;City Hall&rdquo;, &ldquo;Bullets Over Broadway&rdquo;, &ldquo;The Road to Wellville&rdquo;, &ldquo;True Colors&rdquo;, &ldquo;Broadcast News&rdquo;, &ldquo;Serendipity&rdquo;, &ldquo;Better Off Dead&rdquo; and &ldquo;Stand By Me.&rdquo; In April 2012, the Hollywood Chamber of Commerce presented Cusack with a Hollywood Walk of Fame star, honoring his long, ground-breaking career in film. Cusack resides in Chicago.<BR><BR>Illustrator and comic artist, born in Argentina in 1965. He resides in Escobar, Buenos Aires, Argentina. His career began in 1986, when he collaborated with Fierro magazine, creating short comics and cover art. It was there that he met Ricardo Barreiro, with whom he published in Italian publishers such as Lancio Story and L&rsquo;Eternauta, producing cover art. At the same time, he worked for the Argentine magazine Noticias and the newspaper Clar&#237;n. In 1992, he made his debut in erotic comics with scripts by R. Barreiro, and later continued in the field with his own stories. These works appeared in Kiss Comic, a Spanish magazine, and were later published in book form in France, Italy, the Netherlands, Germany, Poland, and the United States. He later came into contact with French scriptwriter Jean-David Morvan, collaborating on &ldquo;Les Chroniques de Sillage&rdquo; Vol. I, published by Delcourt. In the 2000s, he began a long career with the Argentine children&rsquo;s magazine GENIOS, illustrating stories and books for the collections &ldquo;Grandes Cl&#225;sicos&rdquo; and &ldquo;Grandes Aventuras&rdquo;. Around this time, he also created the comic &ldquo;Juli&#225;n King&rdquo;, written by Carlos Trillo. In 2006, the acclaimed series &ldquo;Helldorado&rdquo; was launched, published by Casterman and written by J. D. Morvan and M. Dragan. That same year, he also began illustrating a variety of children&rsquo;s books for the American publisher Advance Publishing. In 2010, he collaborated with Damien Hirst&rsquo;s publishing house Other Criteria on the monograph of painter Ashley Bickerton, adapting into comic form an interview conducted by critic Hans Ulrich Obrist with the American artist. In 2013, Ignacio published &ldquo;Douce, ti&#232;de et parfum&#233;e&rdquo; with Gl&#233;nat, notably with a script of his own authorship. He continued working with Gl&#233;nat on &ldquo;Jeanne d&rsquo;Arc&rdquo;, written by J&#233;r&#244;me Le Gris, and &ldquo;Et on tuera tous les affreux&rdquo;, a comic adaptation by J. D. Morvan of Boris Vian&rsquo;s novel. In 2022, the first volume of the &ldquo;Salazar&rdquo; collection was published by the Spanish publisher Nuevo Nueve. That same year, he released his 2023 calendar &ldquo;Una mujer, cuatro elementos, todas las cosas&rdquo; (One Woman, Four Elements, All Things) with the Argentine publisher Dicese, later also publishing French, German, and American versions available in those countries. In 2023, he created cover art for American publishers Zenescope and Bad Bug. Since then, he has been working on the comic adaptation of the movie script Momo, written by John Cusack, published by Mad Cave and produced by the actor himself. Ignacio No&#233; also paints landscapes of the Pampas plains, imbued with a metaphysical undertone. In 2023, he held a virtual exhibition of these works at Entusiasta Gallery in Barcelona. Since 1991, he has directed his own art school, and from his teaching experience he wrote &ldquo;Ilustraci&#243;n e Imagen Art&#237;stica&rdquo;, published by Dicese in 2017.]]></Text>
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      <Text><![CDATA[<B>Both volumes of Jasmine Walls' hit graphic novel series <I>The Last Session</I>, are combined into one special edition with an all-new cover by Dozerdraws! Perfect for fans of <I>Critical Role</I> and <I>Adventure Zone</I>!</B><BR><BR>It all kicks off with book one, where we meet Jay, Lana, Drew, Walter, and Shen. This tight-knit group of friends began playing Dice & Deathtraps in high school. Now dealing with college and all the twists and turns of their lives, their weekly game has been a wonderful constant. But, as college graduation looms and it feels like their lives are all moving down very different paths, Lana&rsquo;s thrilled to finally finally complete the party&rsquo;s unfinished original campaign. But when Jay&rsquo;s partner Cassandra joins the game, Lana refuses to let her inexperience ruin the best part of her week! But in the end, that may be Lana and the party&rsquo;s undoing&hellip;<BR> <BR> Then in book two, a new party is formed! Erika, Jacob, Marcelle, and Damien have become popular online personas, each with a huge following on their corner of the internet. The only thing they have in common is that they used to be close friends until they drifted apart in high school, leaving their Dice & Deathtraps game unfinished. Now, four years later, their old game master Amina has reached out with a chance to reunite, save the community center that fostered their creativity, and finally finish their abandoned campaign. They have one night to do it, streaming to a live audience with tensions and old grudges on the rise. Can they mend their fraying friendship or will this last session cut their ties for good?]]></Text>
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      <SubjectHeadingText>STARSEED TAROT;SIRIAN STARSEED;PATRICIA CORI;ALYSA REESE;CELESTIAL ORIGINS;DIVINATION CARDS;MULTIDIMENSIONAL AWARENESS;SPIRITUAL GUIDANCE;COSMIC ASCENSION;EMPOWERMENT;CHANNELING;SIRIUS HIGH COUNCIL;TAROT DECK;NEW PARADIGM;COSMIC EVOLUTION;STARCHILD;SEEKER ADEPT SAGE MASTER;FLAMES CHALICES CRYSTALS ORBS;INTERDIMENSIONAL WISDOM;ASCENSION TOOL;CHAKRA ACTIVATION;ESOTERIC SYMBOLISM;STELLAR HERITAGE;SOUL TRANSFORMATION;SPIRITUAL AWAKENING.</SubjectHeadingText>
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      <Text><![CDATA[<B>A Tarot deck to help seekers awaken to their celestial origin with empowerment, transformation, and spiritual guidance</B><BR><BR>&#8226; Contains 78 full-color cards, including the Major and Minor Arcana, vibrantly expressing a new symbology for an awakening world<BR><BR>&#8226; Shares in-depth meanings for each card along with Starseed wisdom and guidance channeled from the Sirian High Council<BR><BR>&#8226; Shows how to use the deck to achieve a multidimensional perspective on your life&#8217;s meaning and cosmic evolution<BR><BR>At the dawn of a new paradigm of consciousness, <I>The Sirian Starseed Tarot</I> is a guide and companion to the Starseed seeker. Channeling wisdom from beyond our star system and universe, this 78-card deck is a powerful tool for divination and self-discovery.<BR><BR>Patricia Cori, a leading voice in the spiritual and new age community, has assembled a tarot deck with the support of interdimensional entities from the Sirian High Council. Accompanied by the work of metaphysical artist Alysa Reese, Cori has reimagined the traditional tarot by presenting a new symbology of Flames, Chalices, Crystals, and Orbs and a new cast of court cards: the Seeker, Adept, Sage, and Master.<BR><BR>Each card offers spiritual tools of awakening, empowerment, and guidance. The guidebook shares interdimensional and ancestral wisdom, drawing upon the traditions of the past to help us understand the current societal and energetic changes here on Earth.<BR><BR>This vibrant deck teaches readers about our celestial origins, for those searcing to understand their life and cosmic evolution as an incarnated Starseed in an awakening world.]]></Text>
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      <Text><![CDATA[Patricia Cori is the author of more than a dozen books, including <I>The New Sirian Revelations</I>. A frequent guest on radio and TV programs, including Coast to Coast AM, Gaia TV, and CNN, she also hosts her own thought-provoking talk show <I>Beyond the Matrix</I>. Patricia lives in Portugal.<BR><BR>Alysa Reese is a self-taught metaphysical and intuitive artist who is the daughter of a Celtic Druid Bard and Ovate.]]></Text>
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      <Text><![CDATA[<B>Introduction to the Sirian Starseed Tarot</B><BR><BR>No one knows with any certainty when the tarot first appeared in history, as it had to be hidden in secret parlor rooms for its heretical underpinnings at a time when the rigid religious authority condemned anything even remotely resembling the occult. It is believed to have first appeared in Europe during the Dark Ages, but from that darkness no written record has ever emerged.<BR><BR>Centuries later, in the new light of the Renaissance, the tarot appeared in game rooms of the nobility and European royal courts. It was always disguised in acceptable iconography of those times (still today depicted throughout the deck). Most often it was utilized in card games or as superfluous entertainment, concealing its true wisdom from all those who were unwilling to even consider its archetypal &#8220;activation&#8221; codes and embedded meanings.<BR><BR>Even today, most tarot decks revolve around the kingdoms of feudal kings and queens, princes and princesses, and outdated authority figures who no longer hold power in our contemporary societies. The universal significance of those time-worn archetypes notwithstanding, I believe the hour has arrived for a new approach to this incredible tool of self-mastery and discovery&#8212;and yes, even divination.<BR><BR>Honoring the wisdom of what has for centuries been portrayed in the tarot pantheon, my intention in creating the Sirian Starseed Tarot was to abandon the constraints of past authority structures and the icons of their influence and instead bring to light new perspectives on its theater of characters&#8212;and the energies they represent. I wanted to illuminate the Starseed&#8217;s journey through physical reality&#8212;at a time when we have begun to recognize that we are born to the Earth as Starseed from beyond&#8212;and back to the light, where we will consciously return, in that immortal cycle of souls reincarnating and climbing the spiral of light. I wanted to address the questions that face us now, as we move through the Great Shift of Ages, and begin to remember who we truly are.<BR><BR>Drawing upon the timeless wisdom and multidimensional awareness of the Sirian High Council, who have shown us the way of our own ascension, I sought the artist who would help me weave the tapestry of this passage, honoring the essential elements of classic tarot alongside the power and beauty I access through my psychic eye. I found this artist in the talented visionary Alysa Reese, my partner for this project and a true Starseed sister. In joining me to co-create the Sirian Starseed Tarot&#8212;a tool for higher consciousness and soul awakening&#8212;she has poured her love and dedication into the vibrations of light that emanate through these cards, from the collective Oversoul of Sirian Light Beings, through both our souls and into yours.<BR><BR>Our process has been an extraordinary passage. Each key presented here has been carved from a mountain of experience we both bring to the adventure and the challenge of redesigning the tarot into its rightful place as a new Starseed tool of awakening. Honoring the wisdom that is held within those parameters of the past, we bring you our new vision to be explored and held sacred.<BR><BR>Many of the background images utilized are photographs I have taken in sacred sites around the world; others are spirit faces and beings that simply materialized in the scenes of our design as we created them&#8212;as if the elemental beings and the spirits simply rearranged the pixels of our artistic palette and directly inserted themselves into the unfolding world of possibilities that we present to you here. Look into the clouds and the backgrounds of the cards, and often you will find spirits that have nested there on their own&#8212;showing us, time and time again, how spirit manifests in form.<BR><BR>Unquestionably, our process has been filled with magic and wonder&#8212;an experience we hope will fill your hearts as well. We hope these cards will speak to you at that deep level we all know as wisdom unfolding.<BR><BR>Whether you are an experienced tarot practitioner or whether this is your first step into the mystical realm of the tarot&#8217;s archetypal revelations, we hope that your journey along the Starseed&#8217;s path is every bit as wondrous and exciting for you as it has been for us. We hope that you will feel the power of all the star beings who have nudged us along the way&#8212;opening the gates, showing us through.<BR><BR>In the light of Starseed across the universe, I surround you with love and the magic of being here&#8212;right now&#8212;and remembering who you really are and what you came into this world to do.<BR><BR><B>1<BR><BR>What Is a Starseed?</B><BR><BR>The idea that we are children of the stars is as old as time itself. It is as seed of other star systems, other galaxies&#8212;other universes entirely, perhaps&#8212;that we have chosen this tiny blue sphere, Earth (located in a distant quadrant from the center of our own Milky Way galaxy), to be birthed this time around. We have come not only to continue our journey of learning, as we work through the karmic nodes of our many lifetimes, but also to bring more light into the density of the realm, a world of dualities: love and fear, joy and suffering, wisdom and ignorance.<BR><BR>What an exciting time it is to be here, to have chosen this world in transition as our next step up the stairway of infinite return. We are co-creators of all reality, coming in as light, sparks of divinity, keepers of ancient wisdom, and explorers of an awakening knowing that the Akashic Record holds all the knowledge and every single experience ever conceived in the Cosmos of Soul. Carrying in our seed the codes of countless other worlds, we inseminate the goddess Earth, Gaia, with the eternal experience of all life in the universe. In our sharing, we contribute to the collective experience: our galactic heritage.<BR><BR>As Starseed, we set out on this journey from light to density by encountering ourselves in the archetypes of these arcane keys of self-discovery and revelation. Where does this journey take us and to what end? Who do we encounter along the way and why? How do we see our own reflections in the shadow, and what great lessons are there to be made to shine in the light of our illumination?<BR><BR>The tarot is as exquisite a tool of self-discovery as it is a vehicle of divination. Its powerful images stimulate the subconscious as they activate the pineal gland&#8212;the lighthouse of our conscious awareness. Through these images, we learn the tools that this world provides us as Starseed children manifest in form. Subtly, we are guided to work with them for the highest good&#8212;for ourselves and for those who ask to be shown the way. We peer into the darkness, as we gaze back at the stars, always remembering that we are Starseed awakening. Every step along the spiral of light brings us closer to home&#8212;to Source, the Godlight, from which we leap into the abyss and plunge into the density of the physical world&#8212;to rise again, at the end of the cycle of life, like the Phoenix.<BR><BR>Pioneers, we hold in our hands a visual depiction of our immortal journey; these images draw upon the traditions of the past to breathe a new perspective into the sacred wisdom of masters who have come before us.<BR><BR>Boldly, we are standing at the dawn of a great shift in consciousness on this beautiful sphere in the heavens. Let this unfolding touch you deep within your soul, where the memory of your star shines back to you, rippling gently over your ancestral waters, into the collective experience of all beings.]]></Text>
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      <Text><![CDATA[<B>Introduction to the Sirian Starseed Tarot</B><BR><BR><B>1</B> <BR><B>What Is a Starseed?</B><BR><BR><B>2<BR></B><B>The Structure of the Starseed Tarot</B><BR><BR><B>3</B><BR><B>The Major Arcana<BR></B><BR>0. Starseed <BR><BR>I. Indigo<BR><BR>II. Higher Self<BR><BR>III. Abundance <BR><BR>IV. Reason <BR><BR>V. Guidance<BR><BR>VI. The Lovers <BR><BR>VII. The Chariot <BR><BR>VIII. Strength<BR><BR>IX. Reflection<BR><BR>X. The Great Wheel <BR><BR>XI. Divine Justice<BR><BR>XII. Hanging Man <BR><BR>XIII. Transition<BR><BR>XIV. Alchemy<BR><BR>XV. The Shadow <BR><BR>XVI. The Tower <BR><BR>XVII. The Star <BR><BR>XVIII. Luna <BR><BR>XIX. Solar Deity<BR><BR>XX. Karma <BR><BR>XXI. Ascension<BR><BR><B>4</B><BR><B>The Minor Arcana and the Four Suits</B><BR><BR>The Suit of Crystals <BR><BR>The Suit of Chalices<BR><BR>The Suit of Orbs <BR><BR>The Suit of Flames<BR><BR><B>5</B> <BR><B>The People Keys</B> <BR><BR>The Seeker <BR><BR>The Adept<BR><BR>The Sage <BR><BR>The Master <BR><BR><B>6</B> <BR><B>Reversed Keys <BR><BR>7<BR>The Sirian Starseed Spread</B><BR><BR><B>About the Creators of the Deck</B>]]></Text>
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      <Text><![CDATA[&ldquo;Patricia Cori presents a new and liberating approach to the traditional tarot deck, appropriate to our changing times. Anyone, whether a beginner or more experienced tarot reader, can relate to our human archaic traits through her progressive knowledge. The beautiful artwork by Alysa Reese complements this by connecting the Earth with the universe, of which we all are a part.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;What struck me most about <I>The Sirian Starseed Tarot</I> is its vibrant imagery, rich with sacred sites and spirit beings. This new paradigm card deck conveys interdimensional wisdom and guidance from beyond our star system and universe with immense power.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Ross Hamilton is a writer and researcher specializing in ancient North American prehistory and the hidden heritage of the American continent. His previous books include <I>The Mystery of the Serpent Mound</I> and <I>Star Mounds: Legacy of a Native American Mystery</I>. He lives in Cincinnati, Ohio.]]></BiographicalNote>
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      <Text><![CDATA[<B>The story of giants in the Indigenous prehistory of the Americas</B><BR><BR>&#8226; Covers the secret history of an ancient race of giants that inhabited the Americas long before European contact<BR><BR>&#8226; Presents accounts of these beings from Native American sources, legends, and oral traditions, correlated with archeological reports<BR><BR>&#8226; Examines the Smithsonian&#8217;s role in covering up records of the skeletal remains of giants in the Americas, looking particularly at John Wesley Powell and Ale&#353; Hrdli&#269;ka<BR><BR>Writer and researcher Ross Hamilton uses Indigenous voices, beliefs, and oral traditions to reconstruct the origin and secret history of an ancient race of giants that inhabited the continent long before European contact with the Americas.<BR><BR>Hamilton reaches deep into North American antiquity to identify a people originally from the Arctic known as the Tall Ones. These beings lived alongside the tribes of the Americas and even bred with them. As he uncovers the story, Hamilton presents the ancient Turtle Island culture of the nation of Manitouba, a once-great civilization that stretched across much of the contemporary United States and Canada and maintained an advanced system of arts and sciences before being called back to the mysterious North.<BR><BR>Along with examining the ways in which archaeological history was suppressed by premier American institutions such as Harvard and the Smithsonian, Hamilton revisits critical primary sources, including the Lenape accounts made by early American missionary John Heckewelder. With this research and the contributions of tribal elder Vine Deloria Jr., Hamilton unpacks long-misunderstood Indigenous myths and history to reveal a time when Earth met sky and men walked with gods.]]></Text>
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      <Text><![CDATA[Ross Hamilton is a writer and researcher specializing in ancient North American prehistory and the hidden heritage of the American continent. His previous books include <I>The Mystery of the Serpent Mound</I> and <I>Star Mounds: Legacy of a Native American Mystery</I>. He lives in Cincinnati, Ohio.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>Problems for Anthropology</B><BR><BR>When the famous European natural philosopher Georges-Louis Leclerc, the Comte de Buffon (1707&#8211;1788),* began to publicize his new idea of &#8220;the tendency of nature to belittle her productions&#8221; on the American side of the Atlantic, one man quickly silenced him through the method of example. The Americans knew Buffon for his provocative messages, and so elected to defend the New World against further foreign intrusions, intellectual and otherwise; then&#8211;US president Thomas Jefferson invited certain prominent gentry among the native people of the great Ozark region to Washington.<BR><BR>On this subject of Jefferson versus Buffon, Joyce Appleby writes: &#8220;Among the many tribes that Lewis and Clark encountered, the Osages and the Mandans were the most impressive. Lewis had extended an invitation to the Osage nation to send a delegation to Washington, and Jefferson rejoiced to witness the men&#8217;s considerable height, no doubt thinking of his protracted challenge to Buffon&#8217;s theory of New World degeneracy . . .&#8221;1<BR><BR>Heralded by other invited tribes from July of 1804, the arrival of the Osage delegation in December of 1805 was described by Mrs. Margaret Bayard Smith in these words: &#8220;Tall, erect, finely proportioned and majestic in their appearance, dignified, graceful and lofty in their demeanor, they seem to be nature&#8217;s own nobility.&#8221;2<BR><BR>Had these Osage people not been seen by the early French, Jeffersonian society, and others, including the frontier painter George Catlin, we might today have no authentic record of their venerable lineage. A number were said to have been 7 feet tall and robust. Yet with the passage of time, the ghost of Buffon&#8217;s reductionist thought seems to have established its haunt within the halls of human study throughout the West and the globe.<BR><BR><B>SIX REASONS FOR LOSS</B><BR><BR>As it was in those days, antinative sentiment grew and grew until, by 1850, it became virtually illegal to be an American Indian east of the Mississippi without belonging to a reservation. By then, and spurred on by Andrew Jackson&#8217;s decision to go against the Supreme Court who found for the Cherokee, even the so-referenced Five Civilized Tribes of the Great South lost all their lands. As the newborn creed of science arose on the ruins of ever more vague prehistory, the fact of the brawny heroic man was naturally excluded from its scripture along with anything that would engender strength through pride in the hearts and minds of the people.<BR><BR>When I converse with interested parties about the Tall Ones, some ask: &#8220;Where can we see the skeletons?&#8221; &#8220;Well,&#8221; I say with a hint of sarcasm, &#8220;they were not a renewable resource like corn or switchgrass, and so now their once relatively commonplace existence has been so thoroughly exploited that they, along with most other Indian artifacts retrieved from the earth, have become exceptionally rare.&#8221; I use the analogue of nineteenth-century coins, like the Indian Head penny (no pun intended): They may have been commonplace once, but they are beyond scarcity in the field circulating today. Indian Heads, like the tall skeletons of the old and ancient Indian leaders, have been gathered up by the private collectors who have often stored them in the repositories of their collections, but in the main by government agencies, where they were melted to make Lincoln Heads.<BR><BR>Analogue aside though, as human beings, we over time just have a way of losing the most precious relics of the past. If we do not take exceptional care to preserve them, Murphy&#8217;s law dictates that by adding time to the equation, they will disappear. So, when people ask &#8220;you mean there&#8217;s nothing left of them?&#8221;&#8212;I reiterate, &#8220;It&#8217;s hard to believe they&#8217;ve all but completely vanished, but for any scientific intent, they have.&#8221; Then there is a brief hiatus in the conversation before I often add that there are numerous accounts of the greater stature, some of which are from reliable professional sources. Yet there are few bones and practically no complete skeletons.<BR><BR>For example, if an object is on a museum&#8217;s display somewhere for years, people will tire of it, and the object will be replaced with another. Large skulls and larger bones were often put on display this way in the nineteenth century, with one or two of their accounts collected for this book. People would pay to see them, but with time the interest was lost or, conversely, the dollar value would induce theft from someone&#8217;s personal museum to become part of another&#8217;s. Sale to private collectors was common in the pre-NAGPRA (Native American Graves Protection and Repatriation Act) era. Once a federal law like NAGPRA comes along, the collector, being unwilling to give up his lifelong hobby, will sometimes relocate the whole assemblage into a large, hand-dug repository well covered over to avoid prosecution.<BR><BR>This is, unfortunately, a true account in that an old college friend assisted the old collector in burying the bones, confiding to me that there was, indeed, at least one very large skull among all the osteological remains. Although offered rewards to retrieve them from the ground, my friend never broke his promise to the old collector, a lifetime MD, and in this, yet another reason for the old bones permanently disappearing is added to the list, that of honor.<BR><BR>Indian legend plentifully accounts for the existence of such a people in a long-ago period of prehistory, and as the odds would have it, even in these current times an archaeological team will occasionally find yet another single skeleton measuring 7 feet or more in length. Identified in every case as Adena, such a recent instance saw Wayne A. Mortine and Doug Randles performing excavations in the area of Coshocton, Ohio. It was the early 1980s, and Coshocton was already famous for extra-large skeletal finds in the previous century. Nonetheless, this find, being unexpected due to a disconnect between nineteenth-century antiquarianism and twentieth-century archaeology, was not discussed much, perhaps considered an anomaly.3<BR><BR>The loss of the giant skeletons is quite a remarkable story, actually&#8212;albeit a bit on the sad side for exposing the haphazard treatment of Indian people, whether living or long departed in spirit. In hindsight what has happened is this:<BR><BR>Post&#8211;War for Independence, men of Christian-European heritage unearthed and disinterred the remains of whole nations of people long put to rest. Uncounted thousands of tombs were hastily opened and abandoned to the erosions of weather, converted into farming fields, or concreted over in the creation of highways, towns, housing, and corporate developments. In just the first 130 years of American history, looting did irreversible wrong seeking its pearls, pipes, statuettes, copper works, tablets, carven flint, and implements of horn for private trade or sale to museum storehouses. Out of this holocaust of self-interest and morbid curiosity, a sort of science was incrementally conceived that wished to preserve what remained for the sake of learning. But by that late date, the histories, the grave goods, and the remains of the very tall people could not be properly preserved. Among all the grave contents considered, the larger bones were most highly valued and, disappearing faster than any other kind of artifact, left little trace of themselves or their point of origin. The reasons are mainly six:<BR><BR>1. The very tall native people recorded early in American history were said to be of a time-honored tradition of selective mating both fragile and in a stage of imminent collapse. In the Eastern Woodland cultures of North America going back millennia, there was an effort to preserve genetic lines sustaining, among other things, certain highly esteemed physical characteristics giving rise to a class of nobility over time. The tall and robust people in their system married with others of their kind as often as conceivable. Like European royalty, there existed prearranged marital conventions among certain established families. Instead of marrying for pelf and power, these people, by any indication, married to produce physically commanding individuals whenever such arrangements could be made. The gene pool seems to have been deep, healthy, and rich for such planning, with its origins rooted in the past going back to the mostremote memory on North American soil. As we have found in professional accounts of both Glacial Kame and Old Copper cultural interments, there was, by far, a greater percentage of very tall and hearty people in the ancient American population, especially evident in Terminal Archaic and Early Woodland times than in any of our modern populations.<BR><BR>Long in political power, family members received chieftainships and the duties affiliated with seats of power and influence. Intertribal wars in combination with the introduction of European soldiers bringing firearms and smallpox seem to have dramatically hastened the breaking up of the traditional selective-mating protocols. This seems to have been the case with Hernando de Soto and other Spanish explorers and their expeditions&#8217; disastrous interactions with certain tribes of the Great South. This also seems to have applied to the Andaste/Conestoga of the Susquehanna watershed, a theoretic early offshoot of the archaeological Adena.]]></Text>
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      <Text><![CDATA[<B>INTRODUCTION </B>The Tall Ones in Context<BR><BR><B>1</B> Problems for Anthropology<BR><BR><B>2</B> A Heritage of Surpassing Bearing <BR><BR><B>3</B> The Mound Builder Legacy<BR><BR><B>4</B> Early Science and Its Expediencies<BR><BR><B>5</B> The Smithsonian Influence and the<BR>Holocaust of the Antiquities<BR><BR><B>6</B> Recognition of the Adena People <BR><BR><B>7</B> The Possible Origins of the<BR>Archaeological Adena<BR><BR><B>8</B> Weaving Legend and Science <BR><BR><B>9</B> A Secondary War <BR><BR><B>10</B> The Eastern Movement of the Adena <BR><BR><B>11</B> Where Did They Come From? <BR><BR><B>AFTERWORD</B> The Future of Turtle Island Research<BR><BR><B>APPENDIX </B>The Map Work of Cee Hall <BR><BR>Notes <BR><BR>Bibliography <BR><BR>Index]]></Text>
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      <Text><![CDATA[&ldquo;Ross Hamilton&rsquo;s latest book is an extraordinary journey into the deep past of North America. He explores rare primary sources that describe a highly advanced race of giants, the mysterious Adena people of Turtle Island in the region of Manitouba. In spite of the destruction of many valuable remains of this culture in ancient mounds excavated by the Smithsonian, Hamilton, assisted by Native people, salvaged enough evidence to propose that this culture flourished 7,000 to 8,000 years ago, with their ancestors extending as far back as 40,000 years ago. This delightful book beamed sparkling light on legends my Cherokee grandfather shared with me when I was a child growing up in the Great Lakes region. This book is a must-read for every person seeking authentic Native American history.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Christine Dolan is a broadcast and print investigative journalist, photographer, author, and recognized as one of the most seasoned investigators of human trafficking in the world. Her career has focused on US and international politics and policy, wars/conflicts, humanitarian disasters, terrorist and criminal networks. Since 2000, she has focused on human trafficking and terrorism worldwide on the street, and over the internet, as well as international politics and policy.]]></BiographicalNote>
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      <Text><![CDATA[<B>Christine Dolan exposes how modern medicine, corporate greed, and systemic failures exploit the vulnerable. Using whistleblowers and decades of reporting, she reveals shocking truths about vaccine injuries, medical trafficking, and institutional complicity. Urban Legends is a fearless call to confront injustice and demand accountability.</B><BR><BR><B>Expose. Confront. Demand Justice. Christine Dolan's fearless investigation into </B><B>medical trafficking</B><B>, </B><B>vaccine injuries</B><B>, and the exploitation of children under the guise of care.</B><BR><BR>Christine Dolan's <I>Urban Legends</I> shatters the illusion of institutional integrity, revealing how modern medicine, public health policy, and corporate interests have converged to create new forms of human trafficking. From the suppression of Covid-19 vaccine injuries and the coercion of mandates to the aggressive medicalization of gender dysphoria in children, Dolan exposes systemic failures that prioritize profit and ideology over human dignity.&#160;<BR><BR>Drawing on decades of frontline reporting, whistleblower testimony, and scientific evidence, Dolan documents the devastating consequences of gain-of-function research, pharmaceutical corruption, and the erosion of informed consent. She exposes the complicity of NGOs, regulatory agencies, and media outlets in perpetuating exploitation while amplifying the voices of vaccine-injured individuals, detransitioners, and families silenced by institutional power. Her unflinching examination of bioweapons development, corporate malfeasance, and the commodification of vulnerable populations reveals a chilling pattern of moral bankruptcy across governments and healthcare systems.<BR><BR>Readers seeking truth, accountability, and ethical clarity in an era of misinformation will find <I>Urban Legends</I> an essential and urgent call to action. Dolan demands we confront uncomfortable realities and protect the most vulnerable from systems designed to exploit them.<BR><BR><B>Perfect for fans of Robert F. Kennedy Jr.'s </B><I><B>The Real Anthony Fauci</B></I><B> and readers who appreciated </B><B>Ronan Farrow</B><B>'s </B><I><B>Catch and Kill</B></I><B>, this groundbreaking work challenges prevailing narratives with meticulous investigative rigor and courageous storytelling.</B>]]></Text>
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      <Text><![CDATA[Christine Dolan is a broadcast and print investigative journalist, photographer, author, and recognized as one of the most seasoned investigators of human trafficking in the world. Her career has focused on US and international politics and policy, wars/conflicts, humanitarian disasters, terrorist and criminal networks.Since 2000, she has focused on human trafficking and terrorism worldwide on the street, and over the internet, as well as international politics and policy.<BR><BR>&#160;]]></Text>
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      <Text><![CDATA[Nearly 10 years ago, I met Investigative Journalist Christine Dolan participating in one of her American Conversations. She proved to me personally, and to others, her fortitude and loyalty to TRUTH regardless of personal costs. Within the many faces of human trafficking lies medical trafficking. <I>Urban Legends</I> tackles Covid-19 and Trans pseudo-science and reveals more than most knew in the last five years. <I>MEDICAL TRAFFICKING</I>, as Christine explains, is based upon lies, fraud, force, and coercion. She lays out the historical politics, political games, corporate and agency espionage, and bureaucratic coverups in plain sight from the 2020 White House on LIVE TV to the Gain of Function research coverup. Christine is a fearless advocate for the Protection of Humanity while understanding the geopolitical business models. She unwaveringly sheds light on darkness and shadows while holding our feet to the fire demanding accountability - <I>NOTHING LESS</I>. Christine makes the case for prosecutors - if they would now only step up to the plate.]]></Text>
      <TextAuthor>Honorable Michael T. Flynn, LTG, US Army (Retired), National Security Advisor to 45th President of the United States</TextAuthor>
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      <Text><![CDATA[&#160;Evil exists, and far too many people either do not see it or make excuses for it. The modern commodification of humans, especially children, is far more egregious than when addressed in earlier times. Matthew 18:6 called for accountability via a millstone tied around one&rsquo;s neck. Yet how are any of us held accountable for knowing about such atrocity and doing nothing about it? Christine Dolan and her dangerous investigative journalism is a courageous antidote to a cancer of corruption.]]></Text>
      <TextAuthor>Ron Scott, Ph.D., Colonel, USAF, Retired, President and CEO of STARRS.us.</TextAuthor>
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      <Text><![CDATA[Christine gets to &ldquo;riveting&rdquo; personal tragedy and direct human toll the experimental gene therapy shots had on each unique person&rsquo;s health, the impact to their families, friends, and their very own existence. Horrific Covid-19 vaccine policy destroyed the lives of so many who can now be heard and finally helped.&rdquo;&#160;]]></Text>
      <TextAuthor>Jim Zietlow, Colonel USAF (retired), Lead 2007 US Military Global Pandemic Planner</TextAuthor>
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      <Text><![CDATA[Investigative Journalist Christine Dolan is a dogged sleuth with a long list of contacts. Hal Bruno, the legendary ABC News Political Director who was a friend, trained Christine well. Both have upheld the Fourth Estate's ethics. Christine outsmarts most CIA officers I have known and knows how to deliver extraordinary evidence. For example, her body of work led to the discovery of Hillary Clinton's 30,000 private emails during the Benghazi Select Committee. It started with Jeffrey Epstein&rsquo;s black book &#8211; True Story. No one should underestimate her talents on any facet of any investigation - she will outmatch the critics because she is dogged for truth, facts, and evidence.&#160;]]></Text>
      <TextAuthor>Bill Lee, US Army Special Forces (RET). President, National Survey Research Group</TextAuthor>
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      <Text><![CDATA[For all the "bombshells" claimed constantly on multiple media channels in 2025, there is precious little investigative reporting happening anymore. Sadly, the public has come to understand that much of the media today is just as corrupt as the targets of real reporters in years gone by. Christine Dolan never sold out or backed down. Long ago she took on an evil most reporters would never consider confronting due to cowardice and other reasons that may well be detailed in her latest book, Urbans Legends. Let's find out!]]></Text>
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      <Text><![CDATA[Christine Dolan is a formidable journalist, one of the most dogged and brilliant I have ever known, and we have known each other a long time, going back to my days at CBS News. She has been ahead of all of us in the media having covered human trafficking now for over a quarter of century. The dark world of human trafficking engulfs fertile grounds, and Christine knows how to connect the dots. There are few journalists who can match her commitment, experience and knowledge on this subject, and her generosity to share with the rest of us. If you want the truth, &ldquo;Shattered Innocence - A Shared Global Shame&rdquo; is a great place to start that explains how she discovered a level of evil that many of us in Legacy media never investigated the way it should be covered.&#160;Now, in Christine&rsquo;s third book of her trilogy &#8211; &ldquo;Urban Legends.&rdquo;&#160;]]></Text>
      <TextAuthor>Lara Logan, Award-winning Journalist</TextAuthor>
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      <Text><![CDATA[The creation of &ldquo;Epidemic of Fraud&rdquo; was difficult and took many years of research and investigation&#160;fueled&#160;by my rage against the dying light of modern journalism. Forged almost in secret in a California garage, the movie became a shocking reminder of what we as a planet endured during the Covid-19 era. As horrible as the experience was, the silver lining caused many of us to awaken to the attack on human freedoms that had gone on far too long. This awakening allowed me to connect with so many others in the medical freedom and human rights movement, and journalists, like Christine Dolan. The story of Covid and the geopolitical consequences of the mass awakening of humanity Covid brought about is unfinished. Who knows what the ending of this great spiritual battle of our time will be? Win or lose, I&rsquo;m grateful for friends like Christine who fearlessly stand against the feckless cowards who manipulate the people for their own dark ends.&#160;Perhaps&#160;the willingness of a few good men and women to fight deeds of darkness is the true victory.]]></Text>
      <TextAuthor>John Davidson, BrokenTruth.TV, Epidemic of Fraud, Executive Producer, Free Press Foundation Board Member</TextAuthor>
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      <Text><![CDATA[Christine Dolan is a force of nature. We first met her through an introduction from Bobby Kennedy. I am so thankful for Christine&rsquo;s visit to our family face-to-face in 2021. As a journalist, Christine seized upon our issues and never looked back. She immersed herself in vaccine science and the players, actions and policies that created a nation overflowing with chronically ill children. Her deep dive and thorough investigative reporting on what happened to two generations of children, and during Covid-19, has produced a treasure trove of media and publishing that will benefit all for years to come. We are thankful for Christine&rsquo;s dogged determination to our vaccine-era corruption that has caused suffering to so many children. It mirrors her long years of working to bring perpetrators of child trafficking to justice. The world owes Christine a tremendous debt of gratitude.]]></Text>
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      <Text><![CDATA[Christine is a fierce warrior in pursuit of truth. When she sets her sights on a topic, digs in, and exposes it - know that it is truth that matters. What occurred during the Covid era is too dark for most to confront, but it needs to be known, so that it will never happen again.&#160;]]></Text>
      <TextAuthor>Abraxas Hudson, President, Delaware Medical Freedom Alliance; DelawareMFA.org</TextAuthor>
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      <Text><![CDATA[Christine Dolan&rsquo;s thorough and disturbing investigation starting in 2000 established her reputation as one of the first investigative journalists committed to opening the public&rsquo;s eyes to the horrors of human trafficking. Over the next 25 years, she has continued her research and reporting and remains one of the country&rsquo;s top sources of information on the subject. Read it and weep!]]></Text>
      <TextAuthor>Jonda McFarlane, Washington, D.C.</TextAuthor>
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      <Text><![CDATA[<B>A prince torn between two worlds faces a war that demands more than courage&#8212;it demands the impossible choice between duty and conscience.</B><BR><BR><B>A prince divided by duty. A world at war. A choice that could cost him everything.</B><BR><BR>Prince Katsu Shibayama has always lived between two worlds. Raised in Japan&rsquo;s imperial court yet drawn to the culture of Britain, he carries both traditions in his heart. As a young man, he serves honorably in the Royal Navy during World War I&#8212;but the next great war forces him into an impossible conflict of loyalty.<BR><BR>When Japan strikes Pearl Harbor, Katsu must decide: follow his duty to the Emperor, or remain true to the Western ideals that shaped him. Bound by an arranged marriage to Princess Ume and tested by the brutal realities of naval warfare and aerial combat, his struggle becomes more than a fight for survival&#8212;it is a battle for identity, honor, and love.<BR><BR>Rich in historical detail, Joseph Faulkner&rsquo;s novel sweeps from the opulence of Japanese royalty to the blood-stained seas of the Pacific, in a powerful tale of courage, betrayal, and the choices that define a generation.<BR><BR><B>Experience a story of war, love, and honor that will stay with you long after the final page.</B>]]></Text>
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      <Text><![CDATA[<B>A fearless investigation into Freud&rsquo;s greatest reversal&#8212;and the century of silence that followed&#8212;<I>The Assault on Truth</I> exposes how the father of psychoanalysis buried his own discovery about childhood trauma, reshaping the course of psychology forever.</B><BR><BR>In 1896, Sigmund Freud presented his revolutionary &ldquo;seduction theory,&rdquo; arguing that childhood sexual abuse directly caused adult mental illness. Just nine years later, he completely reversed this stance, insisting these traumatic memories were mere fantasies. Why did Freud retract his original theory? And why has the psychoanalytic community gone to such lengths to conceal this critical reversal?<BR><BR>In the landmark book, <B>The Assault on Truth</B>, Jeffrey Moussaieff Masson draws on unique access to formerly sealed and hidden papers to uncover the truth behind this pivotal moment in psychoanalytic history. Masson dares to explore the reality that neither Freud nor his followers could bear to face.<BR><BR>This investigation reveals the enduring impact of Freud's decision on the theory and practice of psychoanalysis. Bracing in its honesty and gripping in its revelations, <B>The Assault on Truth</B> is the book that prompted Masson&rsquo;s dramatic break with the psychoanalytic establishment and launched his brilliant career as an independent thinker and writer.]]></Text>
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      <Text><![CDATA[<B>Shortlisted for the International Prize for Arabic Fiction.</B><BR><BR><B><I>Suleima&rsquo;s Ring</I> isn&rsquo;t just a novel; it&rsquo;s an exploration of life&rsquo;s intricate dance between love and contradiction, roots and aspirations, rebellion and compliance.</B><BR><BR>Unfolding across Aleppo and Toledo, it tells the interwoven stories of half Spanish, half Jewish photographer Lucas and Syrian protagonist Salma.<BR><BR>Switching between multiple narrators, it explores the relationships between Salma and Shams al-Din&#8212;an Italian musician living in Aleppo with whom she is infatuated&#8212;along with Lucas, Lucas&rsquo; girlfriend Lola, and his son.<BR><BR>Bali skillfully navigates the complexities of relationships, traditions, and the ever-elusive concept of truth. The novel, born in the historic city of Toledo, Spain, carries the fragrance of Aleppo, inviting readers to wander through its ancient alleys and rest on the banks of the Tagus River.<BR><BR>The titular ring, at times held by various characters, alludes to the legendary ring of Solomon with its fabled magical powers. Although Salma, Lucas, and Shams al-Din are distinct personalities from contrasting backgrounds, they all share one thing: their love for Aleppo, the enthralling and afflicted city buried under the rubble of dreams and lost opportunities.<BR><BR><I>Suleima&rsquo;s Ring</I> navigates Salma&rsquo;s struggle between love and duty, past affluence, and a present marked by loss and conflict. The novel poses questions about Salma&rsquo;s heart&rsquo;s compass and her ultimate decision. Will she succumb to the sands of the past, or will she embrace the West&rsquo;s taut bowstring? Will Suleima&rsquo;s magic ring be enough to free the lost souls of Aleppo? Or will it take another Solomon to come to life and reassert his authority over the warring creatures who are left, if he can only find his lost ring?<BR><BR><I>Suleima&rsquo;s Ring</I> draws the reader into an atmosphere permeated by Sufism, perfume, dreams, and passionate love, against the backdrop of the Syrian war.]]></Text>
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      <Text><![CDATA[<B>A groundbreaking book that offers concrete ways for Jews and Palestinians to speak (and listen) differently to each other.</B><BR><BR><I>The Wall Between</I> is a book about the wall that exists between Jewish and Palestinian communities in the Diaspora, where distrust, enmity, and hate are common currencies.<BR><BR>At the time when the first edition was published on October 3, 2023, none of us imagined the tsunami of events that would be unleashed four days later. No one speculated that the highly-polarized and polarizing, Israel-Palestine discourse, was about to become even more poisoned and poisonous. And no one in our society appeared to be immune: college campuses, school boards, workplaces, places of worship, family dinner tables, among friends.<BR><BR>The wall that was up before October 7, 2023, is now deeper, bigger and wider. For many diaspora Jews and their supporters, the need for Israel and for defending it has become greater than ever after the atrocities of October 7. For many diaspora Palestinians and their supporters, the need to expose and end the decades-long oppression and dispossession of Palestinians has become greater than ever after the genocidal destruction of Gaza.<BR><BR>This new edition of <I>The Wall Between</I> explores the many shifts in narratives, allegiances, and political priorities that have taken place in Western societies. The authors explain the significance of heightened awareness of the Palestinian narrative they experienced while traveling across North America; the upsides and downsides of the adoption of the Palestinian cause by the left; how Jewish communities have struggled holding together their Judaism and Zionism, and how many young Jews have coalesced around the cause of justice for Palestinians in a way we had not seen before.<BR><BR><I>The Wall Between </I>encourages all of us who care about Israelis and Palestinians to resist retreating further into their tribal silos, but rather to come<BR> <BR>out from &ldquo;behind the wall&rdquo; and co-resist together in a new direction, guided by the shared values of justice, equal rights and dignity for all.]]></Text>
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      <Text><![CDATA[&ldquo;That this book even exists is remarkable. It&rsquo;s extraordinarily difficult for a Palestinian and a Jew to write a book that fairly conveys the dominant mood in both communities about Palestine-Israel. But this book not only exists&#8212;it&rsquo;s wise, engaging and deeply humane. It will prove an essential text in bringing diaspora Jews and Palestinians together in the justice movement that this moment demands.&rdquo;]]></Text>
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      <Text><![CDATA[<B>A groundbreaking anthology amplifying queer Palestinian voices through art and storytelling that reclaim identity, resist erasure, and challenge stereotypes.</B><BR><BR><I>Homosexual Intifada</I> is a powerful and groundbreaking anthology spotlighting the voices of queer Palestinian writers from both the diaspora and homeland. This first-of-its-kind collection features a dynamic range of LGBTQ+ Palestinian perspectives through deeply personal essays, short stories, poetry, comics, photo essays, and memoir.<BR><BR>Centering queer Palestinian identity and experience, this essential volume explores themes of displacement, assimilation, belonging, and love across geographies&#8212;from Jerusalem and Ramallah to New York, Beirut, and beyond. These stories, often silenced or misrepresented in Western media, challenge false narratives, boldly reclaim agency, and dismantle stereotypes.<BR><BR>Contributors include celebrated and emerging queer Palestinian authors such as Noor Hindi, Mejdulene Bernard Shomali, Elias Jahshan, Randa Jarrar, and more.<BR><BR>More than just a literary work, <I>Homosexual Intifada</I> is a radical act of visibility. It challenges the pinkwashing of queer identities in service of imperial agendas and affirms the existence, resilience, and diversity of LGBTQ+ Palestinians worldwide. This collection is a vital contribution to queer literature, Arab identity, and decolonial thought.]]></Text>
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      <Text><![CDATA[<B>Dream bigger. Rise higher. Take on the world. </B><BR><BR><i>Plan To Take On the World!</i> is more than a book&#8212;it&rsquo;s a spark that ignites possibility. Roman Tsunder, co-founder of the cultural movement PTTOW!, distills lessons from some of the world&rsquo;s most iconic leaders, creators, and changemakers into an inspiring guide for unleashing your passion and purpose in your everyday work and life.<BR> <BR> With <i>Plan To Take On the World! </i>as your map, you will embark on your own hero&rsquo;s journey. You&rsquo;ll uncover the source of your energy, align with what lights you up, and learn a framework you can return to anytime you feel stuck, off-track, or disconnected from your truth. It&rsquo;s not always easy. But it&rsquo;s always worth it. And this book is here to guide the way.<BR> <BR> Through stories of visionaries, creatives, and influencers like Quincy Jones, Kelly Slater, Paris Hilton, among countless others, Tsunder reveals how bold ideas and resilient mindsets can transform not just personal lives but entire companies and communities. You will learn how to:<BR><BR> <ul> <li>Reframe success so it&rsquo;s not just about titles or trophies, but about alignment, clarity, and energy that drives you</li> <li>Uncover your origin story and tap into the deeper motivation that fuels bold ideas</li> <li>Transform fear into fuel, turning challenges and setbacks into the spark for growth</li> <li>Expand your vision and impact by embracing collaboration, creativity, and the courage to think bigger</li> <li>Walk away changed, with a repeatable framework you can return to anytime you feel stuck&#8212;moving from insight to real-world transformation</li> </ul> <BR><BR> With its mix of practical exercises, unforgettable stories, and powerful invitations to think bigger, <i>Plan To Take On the World!</i> is a roadmap for leaders, teams, and organizations who want to bring more energy, creativity, and meaning to their current work and life.<BR> <BR> Whether you&rsquo;re a CEO recharging your company&rsquo;s mission, a leader seeking to inspire your team, or an individual ready to discover purpose and joy in your life, this book is a roadmap to help you and your organization thrive.<BR> <BR> It&rsquo;s a call to ignite passion, align with purpose, and step boldly into the impossible&#8212;together.]]></Text>
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      <Text><![CDATA[<B>What we eat is a leading factor in our health and quality of life. Research has proven that a plant-based diet can prevent and sometimes reverse chronic diseases like heart disease, type 2 diabetes, and cancer.</B><BR> <BR><B>Yet this message has been ignored, distorted, or suppressed by people and organizations with a vested interest in the status quo.</B><BR><BR>In a compelling new analysis, Dr. T. Colin Campbell, coauthor of <I>The China Study</I> and author of the <I>New York Times</I> bestselling follow-up, <I>Whole</I>, brings to light a series of first-hand experiences that starkly demonstrate how corporate influence in academia, government and the media determines&#8212;and sometimes actively suppresses&#8212;public access to nutrition research.<BR> <BR>Providing an eye-opening look behind the scenes of nutrition policy, Dr. Campbell recounts the story of his life and research, and then tells eight riveting stories in <I>The Whole Truth</I> about instances in which vital information was misrepresented or concealed, including:<BR> <ul> <li>A national nutrition &ldquo;supreme court&rdquo; quietly organized by industry-affiliated scientists to control public messaging&#8212;and the attempt to expel Dr. Campbell from his own professional society when he challenged it.</li> <li>Manipulation of the U.S. Dietary Guidelines to permit consumption of animal protein at levels posing a higher risk of deadly chronic diseases.</li> <li>A research paper on the impact of nutrition on immunity&#8212;vital information for the COVID-19 pandemic&#8212;that was rejected from academic journals without professional review.</li> <li>An infant-feeding scandal in which a heavily marketed commercial product displaced breastfeeding&#8212;leading to widespread infant malnutrition and deaths around the world.</li> </ul> <BR>Coauthor Nelson Campbell, a filmmaker, health advocate, and Dr. Campbell's son, broadens the lens in the book&rsquo;s third part, examining why the plant-based movement has stalled and how it can be renewed through more effective messaging and a grassroots strategy to empower people everywhere to participate in building a healthier world. His suggested approach is provocative, inspiring and hopeful. Together, he and his father have authored a book that will infuse new energy into the plant-based movement.]]></Text>
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      <BiographicalNote><![CDATA[<B>Julie LaPlaca</B><B> </B>is a seasoned television producer, with over two decades of experience working in the entertainment industry. Most notably, she spent years crafting some of reality TV&rsquo;s most iconic love stories as a supervising producer on The Bachelor franchise. Julie is an author, a certified life coach, hypnotherapist, and founder of The Love Producer, a personal development brand devoted to helping others produce the love they desire in their lives. Now, she&rsquo;s flipping the script, guiding others (and herself) on the greatest journey of all, that of finding the love within.]]></BiographicalNote>
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      <SubjectHeadingText>the bachelor; bachelor nation; bachelor memoirs; bachelor nation books; reality tv; peter weber; pilot pete; the bachelorette; bachelorette memoirs; bachelor behind the scenes; dating tv; tv producer memoirs; thriving in your 30s; modern dating books; nonfiction romance books; nonfiction love stories; bachelor in paradise; reality tv nonfiction books; hollywood memoirs; film and tv memoirs; reality tv memoirs; love island books; love and romance; love and romance books; how to find love; books for women turning 30; books for women in their 30s; how to be single; bachelor peter weber; bachelor tv show books; bachelor tv show memoirs;</SubjectHeadingText>
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      <Text><![CDATA[<B>A former </B><B><I>Bachelor</I></B><B> producer flips the script in this vulnerable memoir about her own journey to finding love after her job turned into a real-life rom-com. </B><BR><BR>Julie LaPlaca spent years crafting some of reality TV&rsquo;s most iconic and swoon worthy romances, from hot tub heartbreaks to heartfelt proposal speeches. But behind the scenes, her own love life was unraveling. The end of a five-year relationship, one too many bad dates, and months on the road left her wondering if she&rsquo;d ever get the happy ending she helped curate for others.<BR> <BR>Then came the headlines. The tabloids speculated Julie was the love interest of the very Bachelor she was producing. Suddenly, her life mirrored her own creation, as she was pulled into the spotlight, started to question her feelings, and lines became blurred between her and the show&rsquo;s leading man. She began to wonder: What is real, and what is fantasy? <BR> <BR>Once back behind the cameras, a mid-thirties meltdown forced her to reevaluate what is most important in life. In this candid and revealing memoir, she shares the messy fallout of her time as a producer, and her journey to reclaim the script of her love life and become her own leading lady. <BR> <BR><I>The Love Producer </I>explores pop culture&rsquo;s influence on romance, desire, and the idea of happily ever after. With wit and vulnerability, Julie shares stories of heartbreak, shame, aging, dating, and spiritual transformation. Readers will feel empowered to reimagine the stories we&rsquo;ve been led to believe, as Julie begins to uncover a love far deeper than what you see on the screen.]]></Text>
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      <Text><![CDATA[<B>Julie LaPlaca</B><B> </B>is a seasoned television producer, with over two decades of experience working in the entertainment industry. Most notably, she spent years crafting some of reality TV&rsquo;s most iconic love stories as a supervising producer on The Bachelor franchise. Julie is an author, a certified life coach, hypnotherapist, and founder of The Love Producer, a personal development brand devoted to helping others produce the love they desire in their lives. Now, she&rsquo;s flipping the script, guiding others (and herself) on the greatest journey of all, that of finding the love within.]]></Text>
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      <Text><![CDATA[&ldquo;<i>The Love Producer</i> provides the ultimate peek behind the cameras with this refreshingly raw, honest take on romance, ambition, self-love, and producing your own happily ever after. As a longtime Bachelor franchise fan, I gobbled up every juicy morsel of it!&rdquo;<BR> <b>&mdash;Amy Lea, international bestselling author of <i>Set on You</i></b><BR> &nbsp;<BR> &ldquo;From my time with Julie I am not surprised that her memoir brings us honesty and humor. Julie invites readers into stories of heartbreak, moments of turmoil, aging, dating, and spiritual renewal all leading to a place of feeling less alone and confident in our journey to love ourselves. A gifted and compassionate storyteller, Julie encourages us to question the narratives we&rsquo;ve inherited and discover a love far richer and more lasting.&rdquo;<BR> <b>&mdash;Ben Higgins, former star of <i>The Bachelor</i> and author of <i>Alone in Plain Sight</i></b><BR> &nbsp;<BR> &ldquo;I&rsquo;ve always thought that the drama that happens in Bachelor Nation off camera is just as juicy as what happens on camera and <i>The Love Producer </i>proves it. This book is brain candy for the pop culture&ndash;loving, romantic millennial. Julie wrote the ultimate page-turning chick lit . . . except it&rsquo;s her true story.&rdquo;<BR> <b>&mdash;Ashley Iaconetti, star of Bravo&rsquo;s <i>Real Housewives of Rhode Island </i>who found love through<i> The Bachelor</i> franchise</b><BR> &nbsp;<BR> &ldquo;<i>The Love Producer</i> is a sparkling, behind-the-curtain romp through the chaos of modern romance, where text messages matter more than limos and the real twist isn&rsquo;t the edit&mdash;it&rsquo;s vulnerability. Charming, self-aware, and deliciously fun, this is the love story the producer never saw coming.&rdquo;<BR> <b>&mdash;Hannah Pittard, author of <i>If You Love It, Let It Kill You</i></b><BR> &nbsp;<BR> &ldquo;Bachelor Nation, this book is for you. Julie gives readers a front-row seat to the drama, heartbreak, and hope that unfolds as she crafts happily ever afters for television while trying to navigate her own love story. It&rsquo;s raw, funny, and as relatable as it is entertaining.&rdquo;<BR> <B>&mdash;Kaitlyn Bristowe, former star of<I> The Bachelorette</I> and host of the <I>Off the Vine</I> podcast</B><BR> <BR> &ldquo;Using the familiar arc of everyone&rsquo;s favorite dating show, Julie LaPlaca writes the unscripted truth in this gem of a book. Brave, vulnerable, and messy, <i>The Love Producer</i> is a beautiful reminder to become our own permission slip, quiet our inner a**hole, lose shame, and to finally own our story, with all its perfect imperfections.&rdquo;<BR> <b>&mdash;Jennifer Pastiloff, national bestselling author of <i>Proof of Life</i> and <i>On Being Human</i></b><BR> &nbsp;<BR> &ldquo;<i>The Love Producer</i> gave me goosebumps from the go&mdash;think Ren&eacute;e Zellweger in Jerry Maguire: &lsquo;you had me at hello.&rsquo; It&rsquo;s both relatable and aspirational; hopeful and heartbreaking; easy to read yet emotionally deep. I don&rsquo;t know any pop culture lovers who won&rsquo;t instantly melt into these pages. And if you like reality TV, Julie&rsquo;s stories are pure heaven! But mostly, it&rsquo;s sweet, charming, and feel-good, all the way, and that&rsquo;s exactly what we want and need right now.&rdquo;<BR> <b>&mdash;Alyssa Shelasky, author of New York magazine&rsquo;s <i>Sex Diaries</i> book and column and star of HBO&rsquo;s <i>Sex Diaries</i> docuseries</b><BR> &nbsp;<BR> &ldquo;From behind the scenes of reality TV&rsquo;s most iconic love story machine comes a juicy, deeply honest memoir about heartbreak, awakening, and choosing herself.&rdquo;<BR> <b>&mdash;Amber Rae, <i>USA Today</i> bestselling author of <i>Loveable</i></b><BR> &nbsp;<BR> &ldquo;<i>The Love Producer</i> is a real-life rom-com come to life. As a former love producer on The Bachelor franchise who got to work with Julie first-hand, I can confidently say that the best and juiciest moments of love and heartbreak all actually take place off-camera, behind-the-scenes. No one has been brave enough to talk about it or share about it until now. Julie&rsquo;s book speaks to a very real thing I have felt myself: why are we so good at getting people to open up and be vulnerable on national television and yet can&rsquo;t find the courage to tell people in our own lives how we feel? The irony and paradox is fascinating. <i>The Love Producer</i> made me laugh and weep and is for anyone out there who is afraid to tell the one person they love, how they actually feel. Sometimes our own lives can feel like a movie, and this is a story that should be made into one. To all the people who love fearlessly, and to all those who are scared of opening their hearts, <i>The Love Producer</i> is for you.&rdquo;<BR> <b>&mdash;Naz Perez, cultural conversationalist, television host, and former Bachelor producer</b><BR> &nbsp;<BR> &ldquo;Julie LaPlaca went from helping singles on their journeys to find love in the glitzy, globe-trotting world of <i>The Bachelor </i>to embarking on her own journey of finding love within. In <i>The Love Producer</i>, we get to tag along on her heartwarming, wild ride, and it&rsquo;s nothing short of marvelous. I was totally captivated, staying up way too late to get to the book&rsquo;s refreshing, empowering happily ever after. As vulnerable as it is glamorous and unexpected, reading this felt like talking with a best friend I&rsquo;d known for years.&rdquo;<BR> <b>&mdash;Isabelle Engel, author of <i>Most Eligible</i></b><BR> &nbsp;<BR> &ldquo;Woah! I feel like we really needed this book as Bachelor Nation Fans. Julie being one of the OG and main producers on the ICONIC show for so long, she is really spilling so much tea from an angle that hasn&rsquo;t been done before. And she also had a love story saga with Pilot Pete? I mean who hasn&rsquo;t, but like a producer being on a Bachelor&rsquo;s roster? I am intrigued.&rdquo;<BR> <b>&mdash;Zachary Weinberg, @ZacharyReality and media personality</b><BR> &nbsp;<BR> &ldquo;This book is a quiet unraveling of the love stories we&rsquo;re taught to chase. When we can move beyond the fantasy and into the tender terrain beneath it, <i>The Love Producer</i> traces one woman&rsquo;s journey from scripted romance to self-listening. With humor, vulnerability, and spiritual depth, Julie reminds us that love isn&rsquo;t something to be produced or &lsquo;perfected,&rsquo; it&rsquo;s something to be remembered. It&rsquo;s an invitation to turn our attention inward and let a truer love story reveal itself.&rdquo;<BR> <b>&mdash;Rosie Acosta, author and associate producer of<i> Balance: A Perimenopause Journey</i></b><BR> &nbsp;<BR> &ldquo;What an accurate description of the vulnerability, honesty, and radical self-acceptance that leads to the most amazing journey there is . . . authenticity. The rawness of the spiritual awakening explored in Julie&rsquo;s story begs the reader&rsquo;s soul to join in the quest for oneself, as the universe provides alternate plans to our own productions.&rdquo;<BR> <b>&mdash;Mystic Michaela, author of <i>What&rsquo;s My Aura</i> and podcast host</b><BR> &nbsp;<BR> &ldquo;<i>The Love Producer</i> is a vulnerable, honest, and often comedic story of love, loss, and healing. Julie shares her history producing reality TV love stories while personally seeking her own happily ever after. I felt invested and on the edge of my seat to see how the stories would unfold. For any Bachelor franchise fans or inner romantics, this book details how we all can be the authors of our own love story.&rdquo;<BR> <b>&mdash;Michelle Maros, <i>USA Today</i> bestselling author of <i>Dear Friend</i></b>]]></Text>
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      <Text><![CDATA[<B>Sometimes the most powerful transformation starts with the smallest action&#8212;and you already have everything you need to begin. From a high-school dropout turned multimillion-dollar entrepreneur, a powerful memoir about creating lasting change without starting from scratch.</B><BR><BR>Paula Blankenship, founder of Heirloom Traditions paint company and Forbes-dubbed &ldquo;Queen of Paint,&rdquo; had an unconventional path to building a business empire, all while navigating many of life&rsquo;s unexpected turns. Her story is a blueprint for anyone feeling stuck, overwhelmed, or convinced they need to tear everything down to start over. As Paula&rsquo;s life proves, meaningful change doesn&rsquo;t require a complete life overhaul, unlimited resources, or perfect timing.<BR> <BR>Through deeply personal stories spanning decades of entrepreneurial ventures, relationship challenges, and single motherhood, Paula reveals how she built her empire, one small creative step at a time. From mixing paint in her kitchen to help her teenage son adjust to a new city, to creating a revolutionary product that eliminates the need for primers and prep work, her path demonstrates that transformation often begins with the courage to simply start where you are. Paula&rsquo;s honest and unflinching memoir sheds light on how to: <BR> <ul> <li>Recognize opportunities for change in your current circumstances without waiting for ideal conditions</li> <li>Transform creative impulses into sustainable business ventures and personal growth</li> <li>Navigate major life transitions while building something meaningful</li> <li>Develop confidence to trust your instincts and take calculated risks</li> <li>Create lasting impact through small, consistent actions rather than dramatic overhauls</li> </ul> <BR><I>Just Open the Jar</I> is more than a business success story&#8212;it&rsquo;s a nudge for anyone ready to stop waiting for permission and start painting their own masterpiece, one brushstroke at a time.]]></Text>
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      <Text><![CDATA[<B>Truth was never simple, but facts were facts. Now, even </B><B><I>that</I></B><B> is changing. You feel the drift&#8212;the blur</B>&#8212;<B>as stories bend, facts fracture, and reality starts to feel . . . negotiable.</B><BR> <BR><B>That&rsquo;s not failure&#8212;it&rsquo;s the fight for the future of Truth.</B><BR><BR>In <I>The Future of Truth</I>, we go on a truth treasure hunt. Author, filmmaker, and media explorer Steven Rosenbaum sets out to understand how this is happening&#8212;and what comes next. What begins as a personal investigation becomes something stranger and more urgent: a story about systems captured, consensus collapsing, and humans caught in the digital crossfire.<BR> <BR>In these pages, we&rsquo;ll explore:<BR> <ul> <li>How Truth is being bent, blurred, and synthesized, and how the ways we love, work, learn, and remember are changing&#8212;even history is no longer trusted</li> <li>Why institutions we recently trusted&#8212;medicine, education, justice, journalism&#8212;are collapsing under pressure of fast-moving, profit-driven AI</li> <li>What happens when war is waged with data, protests are hijacked by bots, and power hides behind precision algorithms</li> <li>How, in their hunger for clarity, robots erase Truth&rsquo;s messy, beautiful middle, replacing it with something cold, confident, and designed to serve soulless AI, not the humans who built it</li> </ul> <BR>At the heart of the book are exclusive, provocative conversations with some of the most original thinkers of our time: wild-haired philosopher David Chalmers calls it &ldquo;a simulated reality crisis.&rdquo; Cultural provocateur Douglas Rushkoff says, &ldquo;Truth has been coded for profit.&rdquo; Legal legend Larry Lessig warns of &ldquo;an attention economy built to distort.&rdquo; AI truth-teller Gary Marcus sees &ldquo;confidence without comprehension.&rdquo; Gen Z literary leader Hailey Colborn, raised inside the feed, says &ldquo;Truth isn&rsquo;t something you find&#8212;it&rsquo;s something you perform.&rdquo; And futurists and reformers Juan Enriquez, Esther Dyson, Steve Fuller, and Eli Pariser each offer raw, urgent, and provocative visions on where Truth is headed&#8212;and whether we can still catch it before it falls off a cliff.<BR> <BR>Part cultural investigation, part memoir, and part manifesto, <I>The Future of Truth</I> is a wild journey into the collapse&#8212;and the humans determined to rebuild Truth into something better, before AI rewrites reality without us.]]></Text>
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      <Text><![CDATA[<B>You don't need to do it all. You just need to do what others won&rsquo;t.</B><BR> <BR><B>Discover a no-nonsense strategy for builders, doers, entrepreneurs, and high-performers who are done settling for mediocre results.</B><BR><BR>Most businesses never create real separation from the competition. Why? Because most stop where everyone else stops. They stop at &ldquo;good enough.&rdquo; They stop at what&rsquo;s expected. They stop at what&rsquo;s easy.<BR> <BR> But the top 1%? They think differently. They act differently. They go further than everyone else is willing to go. They take the Two Extra Steps<i>.</i><BR> <BR> Created by serial entrepreneur Bill Faeth, this framework is built on the real-world lessons of scaling 37 companies and building a $22M short-term rental portfolio from the ground up.<BR><BR> <ul> <li><b>Step 1: The Mindset </b>This is where separation begins&#8212;in how you think, decide, and show up. It&rsquo;s the inner game that turns amateurs into professionals. It&rsquo;s where you build the clarity and focus that drive real results. It&rsquo;s where you master the boring foundations others skip. It&rsquo;s also where you set a standard so high, most won&rsquo;t reach it . . . and even fewer can sustain it.</li> </ul> <ul> <li><b>Step 2: The Execution </b>This is the outer game where standards become results. It&rsquo;s where you do the hard, repetitive, unglamorous work others avoid. This is where you show up when others check out and where consistency becomes your competitive edge. Here, discipline replaces motivation and follow-through becomes your default.</li> </ul> <BR>Execution isn&rsquo;t about doing more. It&rsquo;s about doing what others won&rsquo;t, longer than they can. <i>Two Extra Steps</i> gives you the clearest possible path to stand out, scale up, and own your space&#8212;without overcomplicating it.]]></Text>
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      <Text><![CDATA[<B>An award-winning military strategist and top West Point professor unlocks the secrets to success in the wars that mattered most, offering fresh insights from history about leadership, power, and the art of better decision making in our modern world.</B><BR><BR><I>What makes a general great? What should strategic leadership look like? What are successful supreme commanders made of?</I><BR> <BR>In answering these questions, retired Lieutenant Colonel ML Cavanaugh traces the campaigns of America&rsquo;s greatest commanders at war. By following Washington, Grant, and Eisenhower, we can see the key winning ingredient in their leadership wasn&rsquo;t technology, resources, or luck&#8212;but superior judgment, empathy, and grit.<BR> <BR>Supreme commanders make decisions; decisions make history. <BR> <BR>With the social scientist&rsquo;s eye and storyteller&rsquo;s sensibility, Cavanaugh pries open the minds of America&rsquo;s greatest military leaders and brings readers inside the art of the better decision to pinpoint the difference between success and failure. Its implications impact competitive fields like business, sport, and politics. <BR> <BR><I>Who Wins Wars </I>matters to cadets and colonels but equally to CEOs, coaches, and all citizens. Its key contribution is for those who recognize how crucial strategic leadership is in the fight for the fates of people, organizations, countries, and history itself. This book breaks open a key ingredient in what&#8212;and <I>who</I>&#8212;wins wars.]]></Text>
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      <BiographicalNote><![CDATA[Over the past 23 years <b>David McKnight</b> has helped put thousands of Americans on the road to the zero percent tax bracket. He has made frequent appearances in <i>Forbes</i>, <i>USA Today</i>, <i>The New&nbsp;</i><i>York&nbsp;</i><i>Times</i>, Fox Business, CBS Radio, Bloomberg Radio, <i>Huffington Post</i>, Reuters, CNBC, Yahoo! Finance, Nasdaq.com, Investor&rsquo;s Business Daily, Kiplinger&rsquo;s, MarketWatch, and numerous other national publications. His bestselling book, <i>The Power of Zero</i>, has sold more than 350,000 copies and was recently made into a full-length documentary film..For two consecutive years, <i>Forbes Magazine</i> has ranked <i>The Power of Zero</i> as a top 10 financial resource in the country. He and his wife Felice have seven children.]]></BiographicalNote>
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      <Text><![CDATA[<B>A compelling financial parable that proves the secret to reaching financial freedom lies not in risky crypto schemes or get-rich-quick internet trends, but in the time-tested wisdom of ordinary people who quietly build extraordinary wealth.</B><BR><BR>Meet Caleb Calloway, a cocky social media investment guru with millions of followers who believes his flashy strategies for trading meme coins and NFTs represent the future of wealth creation. When his honors thesis promoting these speculative approaches is brutally rejected by his professors, threatening his coveted equity stake at a prestigious investment firm, Caleb&rsquo;s entire world crumbles.<BR> <BR>Desperate to salvage his future, Caleb seeks help from Ron, an elderly janitor who challenges everything he believes about investing. Ron introduces him to the Secret Order of Millionaires, a mysterious group of ordinary people who have somehow accumulated vast fortunes. With only seven days to completely rewrite his thesis, Caleb must visit one member each day to uncover their wealth-building secrets.<BR> <BR><I>The Secret Order of Millionaires </I>may be a parable, but its financial principles are grounded in real-world data and decades of proven success&#8212;with the power to transform how young Americans build wealth, protect their financial security, and escape devastating tax burdens. Readers will learn the Order&rsquo;s seven core principles that transform financial futures, spanning topics such as:<BR> <ul> <li>How to leverage the stock market as the greatest wealth-building engine in history</li> <li>The critical difference between tax-deferred and tax-free investing</li> <li>A step-by-step, &ldquo;set-it-and-forget-it&rdquo; system that builds wealth without constant monitoring</li> <li>Why &ldquo;time <I>in</I>&rdquo; the market is far more effective than &ldquo;tim<I>ing&rdquo;</I> the market</li> <li>Why buying the entire market is far safer, and more profitable, than owning single stocks</li> <li>Proven strategies that help maximize sustainable withdrawal rates in retirement</li> </ul> <BR>For young investors willing to avoid get-rich-quick fantasies in favor of proven wealth-building fundamentals, this story is more than a charming tale&#8212;it&rsquo;s a roadmap to financial freedom.]]></Text>
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      <Text><![CDATA[Over the past 23 years <b>David McKnight</b> has helped put thousands of Americans on the road to the zero percent tax bracket. He has made frequent appearances in <i>Forbes</i>, <i>USA Today</i>, <i>The New&nbsp;</i><i>York&nbsp;</i><i>Times</i>, Fox Business, CBS Radio, Bloomberg Radio, <i>Huffington Post</i>, Reuters, CNBC, Yahoo! Finance, Nasdaq.com, Investor&rsquo;s Business Daily, Kiplinger&rsquo;s, MarketWatch, and numerous other national publications. His bestselling book, <i>The Power of Zero</i>, has sold more than 350,000 copies and was recently made into a full-length documentary film..For two consecutive years, <i>Forbes Magazine</i> has ranked <i>The Power of Zero</i> as a top 10 financial resource in the country. He and his wife Felice have seven children.]]></Text>
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      <Text><![CDATA[<B><b >Ava&rsquo;s got brains, bravery . . . and a party-hat-wearing magic chicken. Good thing, too, because she&#39;ll need all three.</b></B><BR><BR>When eleven-year-old inventor Ava takes a wrong turn after school, she stumbles into a mysterious building that just happens to be run by an evil (and deeply odd) scientist named Dr. Heynis. Before she can say &ldquo;bacon and cheese,&rdquo; Ava is locked in a cage, surrounded by strange traps, creepy clones, and a whole lot of questionable artifacts.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> To escape, she&rsquo;ll have to outwit Dr. Heynis and his trio of not-so-bright henchmen using nothing but her imagination, her emergency BLT sandwich, and the lessons her parents taught her. Luckily, she is not alone. With the help of two new friends and Rocco, a magic chicken with great dance moves, Ava tries to make her way out of the facility filled with riddles, laser traps, time machines, a vicious puppy, and the occasional shark pool.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Fast-paced, hilarious, and packed with imagination, <i Open Sans", sans-serif; font-size: 14px;">Trapped </i>is the debut novel from eleven-year-old Bella Olson. Along the way, readers will find valuable lessons that parents will love and kids will enjoy&#8212;like how bravery doesn&rsquo;t always mean being fearless, how doing things while scared still counts, and best of all that <i Open Sans", sans-serif; font-size: 14px;">weird </i>is the new cool.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Ava&rsquo;s not just fighting for her freedom. She is discovering that being herself, quirks and all, is the most powerful escape of all.]]></Text>
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      <Text><![CDATA[<b><i>THE LORD OF THE RINGS</i> meets <i>SAVING PRIVATE RYAN</i>! Weaving fantasy, horror, and action adventure, <i>END AFTER END Vol. 2: The Infinite End </i>tells the genre-blending, soul-bending story about how one man&rsquo;s life &#8211; and death &#8211; impacts all of existence, time after time &hellip; without end.</b><BR><BR><b>THE END IS NIGH!</b><BR> Revealed! The source of all darkness in the End After End rears his evil head and sets his gaze straight at the heroes. While Walt wins allies by his savvy and insight &#8211; and not by the force of the sword &#8211; all of his struggles, all of Grink&rsquo;s lessons, all of Stills&rsquo; machinations, and every battle pay off. All the players are in place, and it&rsquo;s good vs. evil, light vs. darkness, and our heroes make their final stand. And &hellip; it&rsquo;s the end of the End!<BR> <BR> Volume 2 collects issues #6-#10<BR> <BR> From acclaimed writers David DB Andry (<i>Resonant</i>) and Tim Daniel (<i>The Plot, Fissure, Walking Dead: The Survivor's Guide</i>) and in-demand artist Sunando C comes the story of one seemingly unremarkable man &#8211; whose afterlife explodes with the impact it sets in motion.<BR> <BR> For fans and readers of Tolkien&rsquo;s <i>Lord of the Rings</i>, Wayland Drew&rsquo;s <i>Willow: A Novel </i>(and the movie of the same name), Matt Haig&rsquo;s <i>The Midnight Library</i>, Philip K. Dick&rsquo;s <i>Ubik</i>, Richard Matheson&rsquo;s <i>What Dreams May Come</i>, Dante&rsquo;s <i>The Inferno</i>, Brandon Sanderson&rsquo; <i>Dark One</i>, Kieron Gillen & Stephanie Han&rsquo;s <i>DIE, </i>Kieron Gillen & Dan Mora's<i> Once and Future, </i>and fans of the films <b><i>The Dark Crystal, Saving Private Ryan,</i></b><i> <b>1917</b></i>, and <b><i>Edge of Tomorrow.</i></b><BR> <BR> <u><b>PRAISE FOR <i>END AFTER END:</i></b></u><BR> <BR> &ldquo;&hellip;a really original, unique take on the afterlife.&rdquo;<b> &#8211; <i>The Beat</i></b><BR> <BR> <i>&ldquo;{End After End] serves </i>delicious <i>Labyrinth</i>-for-adults vibes, w/ a touch of <i>The Talisman</i> to boot&rdquo; &#8211; <b>Sina Grace (</b>writer and artist - <i>Superman: The Harvests of Youth;</i> writer &#8211; <i>Batman: Detective Comics; Sensational Wonder Woman; Wonder Woman Black & Gold; Green Lantern 80th Anniversary</i> (DC Comics); writer &#8211; <i>Iceman</i> (Marvel Comics))<BR> <BR> &ldquo;An unexpected adventure within the afterlife gives this story a fresh take on fantasy and action.&rdquo; &#8211; <b>Lotusland Comics</b><BR> <BR> &ldquo;<i>End After End</i> &hellip; drops you right in the middle of the action so you can figure everything out as you go along. 10/10&rdquo; &#8211; <b><i>Graphic Policy</i></b><BR> <BR> &ldquo;Quickly paced with immersive world-building, <i>'End After End'</i> is a delightful ride worth taking.&rdquo; &#8211; <b>Lotusland Comics</b><BR> <BR> &ldquo;<i>&rsquo;End after End &lsquo;</i> &hellip; is a barebones fantasy survival story that thrusts its protagonist into a terrifying situation with little pretense and even less preparation, and does a great job of making the reader feel just as confused and as stressed as its protagonist.&rdquo; &#8211; <b>Multiversity Comics</b>]]></Text>
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      <Text><![CDATA[<B><I>New York Times </I>bestselling author Jack Campbell is back with the new, action-packed military science fiction adventure, <I>SQUAD KILL!</I></B><BR><BR><b>Getting home alive will take everything they have...</b><BR> <BR> Osiris &ldquo;Oz&rdquo; Aquino is an underprepared Navy officer put in command of seven castoff Marines on a research starship dispatched to an alien planet.<BR> <BR> His sergeant is hostile, his Marines have records full of infractions &#8211; not to mention that they&rsquo;re plagued by old weapons and missing supplies due to budget cuts &#8211; and the crew and scientists would rather have nothing to do with him.<BR> <BR> As the ship approaches the planet it&rsquo;s investigating, they find plenty of signs of intelligent life in the form of ruined cities and skeletal remains. The only things living in the ruins are adorable aliens which the researchers dub squonks.<BR> <BR> It all seems run-of-the-mill, until it isn't...<BR> <BR> Sudddenly, the squonks get loose in engineering and go ballistic, the crew sent to investigate aren&rsquo;t coming back, and Oz and his team have a fight on their hands.<BR> <BR> He must restore safe access to engineering before the crew on the ship run out of air all while figuring out what turned the squonks from cuddly to killer. And if he doesn't act fast, the squad who&rsquo;ve evacuated to the planet&rsquo;s surface may not survive.<BR> <BR> From Jack Campbell, <i>New York Times</i> bestselling author of <b>Lost Fleet</b>, comes his latest &#8211; <b><i>SQUAD KILL</i></b> &#8211; an action packed, science fiction thrill ride filled with military action, detailed alien worlds, and characters you can't help but root for.<BR> <BR> <u><b>PRAISE FOR <i>SQUAD KILL</i></b></u><BR> <BR>"This taut, entertaining military SF plot will appeal to fans of Jack McDevitt." --<I> Publishers Weekly</I><BR> <BR> &ldquo;A mind-bending space adventure with relatable characters, weird aliens, plenty of twists, and a rapid-fire pace. Highly recommended!" &#8212;Jonathan Maberry, <i>New York Times</i> bestselling author of <i font-size:="" new="" times="">Red Empire</i> and <i font-size:="" new="" times="">Ghosts of the Void.</i><BR> <BR> "Jack Campbell manages to weave military science fiction and survival horror together with the competency of a master of both genres. Throughout the action, <i>Squad Kill </i>reminds us that while organizations and systems may fail us, we can still perform our duty."<BR> <i>--- </i>Jason Anspach (<i>Associated Press </i>Bestselling Author of <i>Galaxy's Edge </i>&<i> Forgotten Ruin)</i><BR> <BR> &ldquo;The best bug hunt since ALIENS. What a read!&rdquo; --Scott Sigler (<i>New York Times</i> #1 bestselling author)<BR> <BR> "Jack Campbell powerfully reminds us of the crushing responsibility we place on young men and women we send into battle. <i>Squad Kill</i> is a must-read!" &#8212; Jeffery H. Haskell (<i>Against All Odds</i>)<BR> <BR> "Jack Campbell is one of the all-time-greats of military science fiction" -Michael Mammay (<i>Planetside</i>)<BR> <BR> <b><u>PRAISE FOR JACK CAMPBELL</u></b><BR> <BR> &ldquo;An excellent blend of real science and space action. I enjoyed myself thoroughly from first to last page.&rdquo; - Brandon Sanderson, #1 <i>New York Times</i> bestselling author of the <b>Mistborn</b> Series<BR> <BR> &ldquo;Campbell combines the best parts of military SF and grand space opera.&rdquo; - <i>Publishers Weekly</i><BR> <BR> &ldquo;Campbell&rsquo;s genius is action in space.&rdquo; - <i>Tor.com</i><BR> <BR> &ldquo;The visceral action comes fast and furious. Well up to the high standards established by this intriguing series.&rdquo; - <i>Kirkus Reviews</i><BR> <BR> &ldquo;Is it possible for such a well-established series to surprise readers and shuffle its well-established status quo? Campbell answers that question with a resounding yes in<i> Invincible</i>.&rdquo; - <i>SFFWorld.com</i><BR> <BR> &ldquo;A rousing adventure with a page-turning plot, lots of space action, and the kind of hero Hornblower fans will love!&rdquo; - William C. Dietz, national bestselling author of the <i>Legion of the Damned</i> novels<BR> <BR> "Jack Campbell is one of the absolute masters of military science fiction." - Michael Mammay, author of <i>The Misfit Soldier</i><BR> <BR> &ldquo;Jack Campbell&rsquo;s <b>Lost Fleet</b> series is a must-read for fans of military scifi. Packed with complex characters and even more complex deep-space naval battles, it&rsquo;s the ultimate saga of human perseverance and the will to survive.&rdquo; - Zac Topping, author of <i>Wake of War</i><BR> <BR> <b>For <i>In Our Stars</i>:</b><BR> <BR> &ldquo;Space Opera works best when it&rsquo;s operatic. Big and bold, dark and dramatic, characters and concepts that are cheerfully off the scale. <i>In Our Stars</i> is all of these things, with an extra helping of mayhem, just to keep things tasty.&rdquo; - Simon R. Green, <i>New York Times</i> bestselling author<BR> <BR> &ldquo;Campbell launches a new series with this energetic human-alien romance wrapped in an inter-planetary thriller...This series is off to a good start." - <i>Publishers Weekly</i><BR> <BR> &ldquo;Campbell asks powerful questions about the way social structures collapse and how the loudest voices take advantage, all in a pulse-pounding adventure about saving the world and staying one step ahead of the forces that would destroy it.&rdquo; - <i>Library Journal</i><BR> <BR> &ldquo;Jack Campbell's <i>In Our Stars</i> is old fashioned science fiction in the best possible way; taking a good hard look at the present through the lens of the future.&rdquo; - Tanya Huff, author of the <b>Valor</b> and <b>Peacekeeper</b> series<BR> <BR> &ldquo;Jack Campbell's <i>In Our Stars</i> is a wonderful, engaging, often uplifting adventure about caring and doing what's right, no matter the odds or the cost. And the soul of it all is honestly reminiscent of Heinlein at his best.&rdquo; - Taylor Anderson, <i>New York Times</i> bestselling author of the <b>Destroyermen</b> series<BR> <BR> &ldquo;With <i>In Our Stars</i>, Jack Campbell shows once again why he's one of the best SF writers working today.&rdquo; - Michael Mammay, author of the <b>Planetside</b> Series]]></Text>
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      <Text><![CDATA[<B><i data-stringify-type="italic">MAGE ERRANT </i>meets <i data-stringify-type="italic">THAT TIME I GOT REINCARNATED AS A SLIME </i>in the bestselling LitRPG Fantasy Action Adventure<i data-stringify-type="italic"> </i>series<i data-stringify-type="italic"> MY BEST FRIEND IS AN ELDRITCH HORROR - </i>in print and as a Light Novel for the very first time with <i data-stringify-type="italic">MY BEST FRIEND IS AN ELDRITCH HORROR (Light Novel) Vol. 5 </i>from Aethon & Vault!</B><BR><BR>Magic, madness, and mystery continue in <i Open Sans", sans-serif; font-size: 14px;">MY BEST FRIEND IS AN ELDRTICH HORROR (Light Novel) VOL. 5!</i><br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Damien nearly ended the world. Now, his mistake might be the only thing that can save it.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Good things come to those who wait. Damien Vale didn&rsquo;t, and he ended up bound to an Eldritch creature from beyond the reaches of space. It has lived since the dawn of time, seen the world born and destroyed countless times, and wants to be called Henry.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Unusual companion or not, Damien was still determined to go to a mage college and study magic. He wants nothing more than to live a normal life as a researcher, but if Henry&rsquo;s true nature is revealed, he&rsquo;ll be killed.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> To top it all off, Damien&rsquo;s teacher is a madman from the front lines of war, his alcoholic dean suspects something is awry with his companion, and Blackmist might possibly be the worst school in history. Damien has to prevent the end of the world, but he isn&rsquo;t even sure he&rsquo;s going to make it through Year One at Blackmist.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <i Open Sans", sans-serif; font-size: 14px;">My Best Friend is an Eldritch Horror (Light Novel) Volumes 3 & 4</i> narrative corresponds to <i Open Sans", sans-serif; font-size: 14px;">My Best Friend is an Eldritch Horror, Book 2: Greenblood</i> eBook from Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <i Open Sans", sans-serif; font-size: 14px;">My Best Friend is an Eldritch Horror </i>is a slice-of-life mixed with LitRPG in a magic school setting. A slow build power fantasy from Actus, the bestselling author of <i Open Sans", sans-serif; font-size: 14px;">Morcster Chef</i>.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> It's perfect for fans of <i Open Sans", sans-serif; font-size: 14px;">My Hero Academia,</i> Will Wight's <i Open Sans", sans-serif; font-size: 14px;">Cradle </i>series,<i Open Sans", sans-serif; font-size: 14px;"> Iron Prince, Mage Errant, Mark of the Fool, Steamforged Sorcery, Astra Academy series/ Academy Aracanist, Sufficiently Advanced Magic, Sword Art Online, Is It Wrong to Pick Up Girls in a Dungeon?, Destiny Cycle series/Forge of Destiny, Spice and Wolf; Paranoid Mage, Morcster Chef, Mark of Ascension, Warformed: Stormweaver series/Iron Prince, Schooled in Magic, He Who Fights With Monsters, My Necromancer Class, All the Skills, t</i>he<i Open Sans", sans-serif; font-size: 14px;"> Gunmetal Gods Saga, The Beginning After the End, </i>the<i Open Sans", sans-serif; font-size: 14px;"> Solo Leveling </i>series,<i Open Sans", sans-serif; font-size: 14px;"> Monstress </i>(Marjorie Liu and Sana Takeda)<i Open Sans", sans-serif; font-size: 14px;">, </i>as well as Brandon Sanderson&rsquo;s Cosmere universe, Dungeons and Dragons, and The <i Open Sans", sans-serif; font-size: 14px;">Scholomance </i>Series (Naomi Novik),<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> ACTUS is the author of multiple bestselling, record-breaking LitRPG adventure/fantasy progression series such as: <i Open Sans", sans-serif; font-size: 14px;">GLEAM, MORCSTER CHEF, MY BEST FRIEND IS AN ELDRITCH HORROR, SHATTERED SYSTEM, STEAMFORGED SORCERY</i>, and his latest hit fantasy progression epic: <i Open Sans", sans-serif; font-size: 14px;">THE RUNEBOUND PROFESSOR</i>. from Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <u >About Light Novels from Aethon & Vault:</u><br Open Sans", sans-serif; font-size: 14px;" /> All Aethon & Vault Light Novels are based on mega-bestselling LitRPG and Progression Fantasy eBooks published by trailblazing digital Science Fiction and Fantasy publisher, Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;ve read and enjoyed the Aethon eBooks, Aethon & Vault light novels have kept everything you love about those eBooks &#8211; and upped the game. By dividing each original Aethon eBook into two to four Light Novel volumes, Aethon & Vault endeavors to enhance the reading experience by providing an easily-digestible print edition with illustrations and design details. Every Aethon & Vault light novel volume is produced in conjunction with and approved by the author/creator of the bestselling eBook.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Each Aethon & Vault light novel volume contains seven original, exclusive illustrations &#8211; in both full color and black and white - from some of the most talented manga artists and illustrators from around the world, while every page of the book is meticulously designed and embellished with never-before-seen elements taken directly from the narrative heart of the story.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;re already an existing fan and you&rsquo;ve devoured the eBook, now is the time to grab the light novels in print format and widely distributed for the very first time! And if you&rsquo;ve never read any of the bestselling eBooks, this is your opportunity to dive into the intersecting world of Light Novels, LitRPG, Progression Fantasy, Isekai, and Manga!]]></Text>
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      <Text><![CDATA[Actus has been writing fantasy stories since the age of twelve, and he&#39;s been telling them since he could talk. He&#39;s currently working on three main series - Return of the Runebound Professor, Gleam, and Rise of the Living Forge. He has also written &amp; completed Morcster Chef, My Best Friend is an Eldritch Horror, and Steamforged Sorcery. You can find his works on RoyalRoad &amp; Patreon.<BR> <BR>In addition to his passion for writing, Actus is capable of clearing a two story building with a single jump. That isn&#39;t true, but writing about himself in third person gives Actus delusions of grandeur. <BR> <BR>&nbsp;]]></Text>
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      <BiographicalNote><![CDATA[Having escaped from the grueling corporate world of dress shirts and actual pants, Zogarth has now embraced the true path of hermithood, where he writes about a guy going around shooting progressively stronger stuff with a bow.]]></BiographicalNote>
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      <Text><![CDATA[<B><i>OVERLORD </i>meets <i>MONSTER HUNTER </i>in the massively bestselling LitRPG Apocalyptic Fantasy Action Adventure<i> The Primal Hunter </i>&#8211; in print and as a Light Novel for the very first time with <i>The Primal Hunter (Light Novel) Vol. 5 </i>from Aethon & Vault!</B><BR><BR>The final showdown against the King of the Forest! <BR> <BR> Jake has fought his way through all four Beast Lords to get to the final boss of this tutorial: the nearly immortal King of the Forest. Will Jake be able to hunt down the King of the Forest before the Tutorial ends? Does William wake up in time to create even more chaos and fulfill his goal of killing everyone? Who will survive till the end and return to Earth once more?<BR><BR><i Open Sans", sans-serif; font-size: 14px;">The Primal Hunter</i> is an apocalyptic adventure LitRPG Light Novel in a dark fantasy setting, complete with levels, professions, skills, dungeons, loot, and all of the great traits of progression fantasy and LitRPG that fans and readers love and expect. Follow Jake as he explores a vast new multiverse filled with challenges and opportunities. As he grows in power, he slowly transforms from a bored office worker into a true apex hunter.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> It's perfect for fans of <i Open Sans", sans-serif; font-size: 14px;">He Who Fights Monsters, Mark of the Fool, My Best Friend is an Eldritch Horror, </i>the <i Open Sans", sans-serif; font-size: 14px;">Cradle </i>Series<i Open Sans", sans-serif; font-size: 14px;">, Iron Prince, Gleam, Mage Errant, System Universe, Defiance of the Fall, Infrasound Berserker, Azarinth Healer, Path of Ascension, Legend of Randidly Ghosthound, Dissonance (Unbound #1), Amelia the Level Zero Hero, Industrial Strength Magic, Darkblade, Dungeon Crawler Carl, Otherside Picnic, Solo Leveling, </i>Branson Sanderson&rsquo;s<i Open Sans", sans-serif; font-size: 14px;"> Cosmere Universe; </i><i Open Sans", sans-serif; font-size: 14px;">The Space Between Worlds</i> (Micaiah Johnson), and <i Open Sans", sans-serif; font-size: 14px;">Neverwhere </i>(Neil Gaiman),<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Zogarth is the author of the bestselling, mega-hit, 9 volume LitRPG adventure series <i Open Sans", sans-serif; font-size: 14px;">The Primal Hunter </i>from Aethon Books, and the best selling <i Open Sans", sans-serif; font-size: 14px;">The</i> <i Open Sans", sans-serif; font-size: 14px;">Primal Hunter </i>audiobook series, read by Travis Baldree<i Open Sans", sans-serif; font-size: 14px;"> </i>from Aethon Audio!<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> <u >About Light Novels from Aethon & Vault:</u><br Open Sans", sans-serif; font-size: 14px;" /> All Aethon & Vault Light Novels are based on mega-bestselling LitRPG and Progression Fantasy eBooks published by trailblazing digital Science Fiction and Fantasy publisher, Aethon Books.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;ve read and enjoyed the Aethon eBooks, Aethon & Vault light novels have kept everything you love about those eBooks &#8211; and upped the game. By dividing each original Aethon eBook into two to four Light Novel volumes, Aethon & Vault endeavors to enhance the reading experience by providing an easily-digestible print edition with illustrations and design details. Every Aethon & Vault light novel volume is produced in conjunction with and approved by the author/creator of the bestselling eBook.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Each Aethon & Vault light novel volume contains seven original, exclusive illustrations &#8211; in both full color and black and white - from some of the most talented manga artists and illustrators from around the world, while every page of the book is meticulously designed and embellished with never-before-seen elements taken directly from the narrative heart of the story.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;re already an existing fan and you&rsquo;ve devoured the eBook, now is the time to grab the light novels in print format and widely distributed for the very first time! And if you&rsquo;ve never read any of the bestselling eBooks, this is your opportunity to dive into the intersecting world of Light Novels, LitRPG, Progression Fantasy, Isekai, and Manga!]]></Text>
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      <Text><![CDATA[<b>The LitRPG fantasy smash hit phenomenon and <i>New York Times</i> bestseller, <i>DUNGEON CRAWLER CARL</i>, is now a graphic novel for the very first time!</b><BR><BR><B>The Apocalypse <i>WILL </i>be televised!</B><BR> <BR> You know what&#8217;s worse than breaking up with your girlfriend? Getting stuck on a sadistic alien game show with her cat. Join Carl and Princess Donut as they try to survive the end of the world &#8212; or just get to the next level of a trap-filled fantasy dungeon.<BR> <BR> With vibrant art done by Laurel Pursuit to bring action-packed battles to life, join as Carl fights his way through the dungeon in heart-speckled underwear.<BR> <BR> And of course, the grizzly scenes are only balanced with the incredibly fluffy, wide-eyed stare of its main character, Princess Donut.<BR> <BR> A ton of heart and effort was poured in creating a series with a script and style that would both appeal to WEBTOON readers and also lovers of DCC, all while consulting author Matt Dinniman the entire way about character designs, story, - EVERYTHING!<BR> <BR> We couldn&#8217;t resist taking the apocalyptic awesomeness of the DUNGEON CRAWLER CARL WEBTOON and adapting it into the FIRST EVER graphic novel series!<BR> <BR> <b><i>Welcome, Crawler. Welcome to the Dungeon. Survival is optional. Keeping the viewers entertained is not.</i></b><BR> <BR> <b>This volume collects episodes 1-13 of the WEBTOON edition.</b><BR> <BR> <b>Praise for <i>DUNGEON CRAWLER CARL, Vol. 1 (WEBTOON Graphic Novel)</i>:</b><BR> <BR> <i>"...incredibly entertaining"</i> -- Screenrant<BR> <i>"...one of the most unique new stories on Webtoon" </i>-- Screenrant<BR> <BR> <i>Dungeon Crawler Carl </i>ranked #1 best new series on WEBTOON by Screenrant<BR> <BR> <b>Praise for <i>DUNGEON CRAWLER CARL</i> (eBook/Print):</b><BR> <BR> &#8220;Fresh. Creative. Hilarious. I'm obsessed&#8230;Princess Donut is my queen.&#8221; &#8211; Actor, producer and <i>New York Times</i> bestselling author Felicia Day<BR> <BR> "I don't always say nice things about a book just because the writer has compromising pictures of me engaging in some very complicated international crimes, but when I do, I say them about Matt Dinniman's Dungeon Crawler Carl! Also, this series has no goddamn business burying so much depth and emotion and complexity under its bawdy, gory surface, but it does so anyway. What a wild-ass and unexpected delight." &#8211; <i>New York Times</i> bestselling author Scott Lynch<BR> <BR> &#8220;[A] comically cosmic adventure series&#8230;often laugh-out-loud funny&#8230;Grind your way to dungeon mastery alongside Carl and Princess Donut.&#8221; &#8211; <i>The Wall Street Journal</i><BR> <BR> "This is the book for anyone who ever wondered what it would be like to be a role player in a game with the best game master ever. Also for anyone who wants to read a good book. Or maybe anyone who has been outside at night&#8212;in their underwear&#8212;looking for their cat and wondering 'What's the worst thing that could happen?' Once you start, you won't put it down." - Patricia Briggs, #1 <i>New York Times</i> bestselling author of the Mercy Thompson series<BR> <BR> &#8220;One of the most bananapants, funny, inventive books I have read in a while." - <i>Book Riot</i><BR> <BR> "If there's a better LitRPG than Dungeon Crawler Carl, I haven't read it." - Travis Deverell a.k.a. Shirtaloon, author of <i>He Who Fights With Monsters</i><BR> <BR> <i>&#8220;Dungeon Crawler Carl</i> is just one big smile all the way through. Put on your best pair of boxer shorts and sit back for a truly fun and enjoyable read.&#8221;&#8212;<i>New York Times</i> bestselling author Kevin J. Anderson<BR> <BR> &#8220;<i>Dungeon Crawler Carl</i> is the best start to a series I&#8217;ve read this year. I wish I&#8217;d tried it sooner.&#8221; &#8211; Will Wight, author of the Cradle series<BR> <BR> &#8220;To describe the <i>Dungeon Crawler Carl</i> series, and the first book in particular, one must blend the darkest, grittiest science fiction with the humour of <i>Hitchhiker's Guide to the Galaxy.</i> It mixes fun, whimsical absurdity, and serious, dark themes with dire consequences&#8230;it is so spectacularly good that I cannot recommend it high enough.&#8221; - <i>Grimdark Magazine</i><BR> <BR> &#8220;Dinniman&#8217;s Douglas-Adams-but-playing-D&D romp was so much fun that I immediately went out and got the next two books&#8230;genuinely joyful.&#8221; &#8211; <i>LitHub.com</i>]]></Text>
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      <Text><![CDATA[<B><i>Dungeon Crawler Carl</i> meets <i>Dragon Age</i> in the bestselling LitRPG humorous fantasy adventure series <i>AN UNEXPECTED HERO</i> - in print and as a Light Novel for the very first time with <i>AN UNEXPECTED HERO (Light Novel) Vol. 2 </i>from Aethon & Vault!</B><BR><BR>Come for the adventure. Stay for the laughs.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Some men are born heroes. Others have heroism thrust upon them&hellip;<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Sorry... Really? Thrust? Anyway, Danny Kendrick was a down-on-his luck performer who always struggled to find his place. He certainly never wanted to be a hero. He just hoped to earn a living doing what he loved.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> That all changes when he pisses off the wrong guy and gets sucked into a fantasy realm straight out of a Renaissance Fair.<br Open Sans", sans-serif; font-size: 14px;" /> <br Open Sans", sans-serif; font-size: 14px;" /> Getting used to a new world is tough. 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No. It's absolutely hilarious!"</i>&#8212;Matt Dinniman, author of <i >Dungeon Crawler Carl</i></li> <li ><i >"A fun and musical take on isekai LitRPG. I'm loving it!"</i>&#8212;J.M. Clarke, author of <i >Mark of the Fool</i></li> <li ><i >"Brimming with bardic wit, barbarian charm, and bloody good times!"</i> &#8212;Sebastien de Castell, award-winning author of <i >The Greatcoats.</i></li> <li ><i >"A rollicking good time, and now I know where my ulna is."</i>&#8212;Eric Ugland, author of <i >The Good Guys</i></li> <li ><i >"The story begins when the MC is isekai'd for playing a Diana Ross song. Respect. This is my jam!" </i>&#8212;Honour Rae, author of <i >All the Skills</i></li> <li ><i >"This has a ton of heart! It reads like best friends playing DnD all weekend long."&#8212; Shami Stovall, author of <i >Knightmare Arcanist</i></i></li> <li ><i >"I read it. I enjoyed it. Intricate and detailed, I can't wait to see where it goes next!"</i>&#8212;Selkie Myth, author of <i >Beneath the Dragoneye Moons</i></li> <li ><i >"A hilarious read fueled by a lovable crew of misfits. Reluctant heroes rule!"&#8212;Ryan Rimmel, author of <i >Noobtown</i></i></li> <li ><i ><i >"I have a cameo in this book. I did not ask for one. Nor was I asked about this quote."&#8212;Zogarth, author of <i >The Primal Hunter</i></i></i></li> <li ><i ><i ><i >"Fun, Adventurous, and heartwarming."&#8212;Valerios, author of <i >Road to Mastery</i></i></i></i></li> <li ><i ><i ><i ><i >"I read for fun and enjoyment, and this story hits the spot in a big way! There's a hefty dose of humor, mild mayhem, and enjoyable interplay between the two main characters."&#8212;The Walrus King, author of <i >Tunnel Rat</i></i></i></i></i></li> <li ><i ><i ><i ><i ><i >"Bruno and Castle deliver plenty of action, lots of laughs, and a bard and barbarian bromance for the ages." &#8212;James Osiris Baldwin, author of <i >Dragon Seed</i></i></i></i></i></i></li> </ul> <BR><br Open Sans", sans-serif; font-size: 14px;" /> <u >About Light Novels from Aethon & Vault:</u><br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> All Aethon & Vault Light Novels are based on mega-bestselling LitRPG and Progression Fantasy eBooks published by trailblazing digital Science Fiction and Fantasy publisher, Aethon Books.<br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> <br background-color:="" font-size:="" open="" Open Sans", sans-serif; font-size: 14px;" /> If you&rsquo;ve read and enjoyed the Aethon eBooks, Aethon & Vault light novels have kept everything you love about those eBooks &#8211; and upped the game. 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And if you&rsquo;ve never read any of the bestselling eBooks, this is your opportunity to dive into the intersecting world of Light Novels, LitRPG, Progression Fantasy, Isekai, and Manga!]]></Text>
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      <BiographicalNote><![CDATA[<b>Howard A. Rodman</b>&nbsp;is the author of the novels&nbsp;<i>Destiny Express</i>&nbsp;and&nbsp;<i>The Great Eastern.</i>&nbsp;His work has appeared in&nbsp;<i>The New York Times, The Los Angeles Review of Books, Black Clock,&nbsp;</i>and elsewhere. As a screenwriter his films include&nbsp;<i>Joe Gould&rsquo;s Secret</i>;&nbsp;<i>August</i>&nbsp;with Josh Hartnett, Rip Torn, and David Bowie; and&nbsp;<i>Savage Grace&nbsp;</i>with Julianne Moore and Eddie Redmayne. On television, he&rsquo;s written for&nbsp;<i>Fallen Angels</i>&nbsp;and staffed on HBOMax&rsquo;s&nbsp;<i>The Idol</i>.&nbsp;&nbsp;<BR> <BR> He&rsquo;s a vice president of the Academy for Motion Picture Arts and Sciences and a past president of the Writers Guild of America West.Rodman is one of seventeen members of the Screenwriters Hall of Fame, and was knighted by the Republic of France as an Officier de l&rsquo;Ordre des Arts et des Lettres.<BR> <BR> As an academic, Rodman is professor and former chair of the division of screenwriting at USC; as a journalist, he&rsquo;s published hundreds of articles beginning with his tenure as editor-in-chief of the&nbsp;<i>Cornell Daily Sun</i>. In 2011 Rodman organized the nationwide Fant&ocirc;mas centennial, and remains on the steering committee of NOIRCON. Those who lived through the post-punk era in lower Manhattan may have seen him play guitar with the bands Arsenal and MADE IN USA. A proud son of Bedford-Stuyvesant, Rodman currently lives in Los Angeles.]]></BiographicalNote>
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      <SubjectHeadingText>Isambard Kingdom Brunel; Captain Nemo; Captain Ahab; Great Eastern ship; submarine fiction; nautical adventure; historical fantasy; literary fiction; steampunk; Victorian era; 19th century; maritime fiction; maritime adventure; 20,000 Leagues Under the Sea; Moby-Dick; liteary mashups; cinematic storytelling</SubjectHeadingText>
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      <Text><![CDATA[<B>From the shipyards of London to the ports of New York, from the undersea abyss to the halls of empire, <i>The Great Eastern</i> is a sweeping tale of invention, rebellion, and the war between creation and destruction.</B><BR><BR>A vast iron ship. Two legendary captains. A battle for the soul of an age.<BR> <BR> In the mid-nineteenth century, the world stood on the brink of transformation. Isambard Kingdom Brunel, the audacious engineer, dares to build the largest vessel ever conceived&#8212;the Great Eastern, a ship so immense it might stitch continents together with telegraphic wire. But beneath the waves lurks Captain Nemo, haunted genius of the submarine <i>Nautilus</i>, sworn enemy of empire and progress alike. When Nemo discovers Brunel&rsquo;s plans, he vows to destroy both the ship and the world it represents.<BR> <BR> Into this collision of titans steps another ghost of literature and legend: Captain Ahab, dragged from his watery grave, driven by obsession and vengeance, and drawn inexorably into the struggle between Brunel&rsquo;s vision and Nemo&rsquo;s rage.<BR> <BR> At once a thrilling sea adventure and a subversive reimagining of classic myth, Howard A. Rodman&rsquo;s audacious novel resurrects larger-than-life characters to tell a story that is as strange and wondrous as the century that gave birth to them.]]></Text>
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      <Text><![CDATA[<b>Howard A. Rodman</b>&nbsp;is the author of the novels&nbsp;<i>Destiny Express</i>&nbsp;and&nbsp;<i>The Great Eastern.</i>&nbsp;His work has appeared in&nbsp;<i>The New York Times, The Los Angeles Review of Books, Black Clock,&nbsp;</i>and elsewhere. As a screenwriter his films include&nbsp;<i>Joe Gould&rsquo;s Secret</i>;&nbsp;<i>August</i>&nbsp;with Josh Hartnett, Rip Torn, and David Bowie; and&nbsp;<i>Savage Grace&nbsp;</i>with Julianne Moore and Eddie Redmayne. On television, he&rsquo;s written for&nbsp;<i>Fallen Angels</i>&nbsp;and staffed on HBOMax&rsquo;s&nbsp;<i>The Idol</i>.&nbsp;&nbsp;<BR> <BR> He&rsquo;s a vice president of the Academy for Motion Picture Arts and Sciences and a past president of the Writers Guild of America West.Rodman is one of seventeen members of the Screenwriters Hall of Fame, and was knighted by the Republic of France as an Officier de l&rsquo;Ordre des Arts et des Lettres.<BR> <BR> As an academic, Rodman is professor and former chair of the division of screenwriting at USC; as a journalist, he&rsquo;s published hundreds of articles beginning with his tenure as editor-in-chief of the&nbsp;<i>Cornell Daily Sun</i>. In 2011 Rodman organized the nationwide Fant&ocirc;mas centennial, and remains on the steering committee of NOIRCON. Those who lived through the post-punk era in lower Manhattan may have seen him play guitar with the bands Arsenal and MADE IN USA. A proud son of Bedford-Stuyvesant, Rodman currently lives in Los Angeles.]]></Text>
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      <Text><![CDATA[&ldquo;Here be port of embarkation for the SS Rodman as it sets sail above and below the waves of modern imagination. First mate Melville is in the crow&rsquo;s nest, eyes full of blue sky and white monsters, and navigator Verne is submerged in deep whirlpools of the teardrop hull no seafarer has plumbed. Not another scrivener alive or dead but Rodman &ndash; lyrical and witty, erudite and passionate, dare we say rapturous, dare we say obsessed &ndash; could have charted let alone helmed this singular, exhilarating flying-dutchman of an epic.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Seriously, this is the sort of thing that readers of China Mieville or Alan Moore or Eleanor Catton should gobble up (it also has hints of my beloved George MacDonald Fraser, but I realize that&rsquo;s not a name anyone throws around anymore). A historical phantasmagoria and ripping adventure done as a game of hide-and-seek. It&rsquo;s like twelve of your favorite movies at once, in full sensurround.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Howard Rodman&rsquo;s <I>The Great Eastern</I> is a book of confabulations, real and imagined. Surprises on every page. A splendid and notable achievement.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Wildly inventive and richly imagined historical fiction that mashes up fact with the fantastic to create a singular, original reading experience. I loved it.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;For anyone with a weakness for Herman Melville, Jules Verne, 19th century nautical hijinx, or just a helluva great story, <I>The Great Eastern</I> is for you.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Three cheers for Howard Rodman&rsquo;s ripping steampunk adventure, <I>The Great Eastern</I>! Outrageous linguistic brio gives pleasure line by line, while the story, an epic battle between two 19th century archvillians&ndash;Captain Nemo and Captain Ahab&ndash;keeps the pages flying. A tour de force fantasy where science meets human obsession.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;A weird and wondrous adventure, chock full of rich, commanding prose detailing the clash between arrogant geniuses of considerable ego, and the historical ripples such a clash imparts. Reminiscent in all the best ways of Robert McCammon&rsquo;s Matthew Corbett books.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;An absolutely ingenious premise propels this audacious adventure into surprising and thrilling territory, where history twists and braids itself like the transatlantic cable at the heart of this epic narrative. Howard Rodman&rsquo;s powers of invention, connective synthesis, and grim humor are matched only by his literary ventriloquism and psychological insight. Seems to me this kaleidoscopic tall tale is a ready-made binge-read!&rdquo;]]></Text>
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      <Text><![CDATA[<B>In the postwar suburbs of Baltimore, the brick apartments of Whispering Pines teem with stories&#8212;of longing, loss, desire, and resilience. </B><BR><BR>From a weary streetcar conductor grappling with ghosts of war, to a lonely dispatcher who dares to imagine romance, to children navigating the hazards and wonders of growing up under hurricane skies, David Bolton&rsquo;s <i>Whispering Pines</i> captures the fragile beauty of ordinary lives in extraordinary moments.<BR> <BR> Told through a mosaic of interconnected tales, this richly atmospheric collection is both a love letter to mid-century Baltimore and a timeless meditation on the human condition. Bolton&rsquo;s characters wrestle with grief, temptation, faith, and forgiveness, yet always return to the enduring pull of community. With unflinching honesty and lyrical detail, <i>Whispering Pines</i> reminds us that every apartment window conceals a world of secret dramas, each as compelling as the next.<BR> <BR> Perfect for readers of Richard Russo, Elizabeth Strout, and Andre Dubus, <i>Whispering Pines</i> is an unforgettable portrait of lives lived in shadows and light.]]></Text>
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      <Text><![CDATA[&ldquo;The format is great and the storytelling is terrific. A young executive in either a small or large enterprise could save themselves many years of agony if they read this book and take it to heart. But alas, that&rsquo;s not how the system works. We go to graduate school, then work in consulting or investment banking and then perhaps try to start something. With a little luck and good timing some find success and then they write books about how smart or clever they were and how they had it all figured out from the start! <I>Failure Is An Option</I> is a breath of fresh air.&rdquo;&nbsp;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Leadership is not about avoiding failure, it&rsquo;s about navigating it with humility, integrity, and resilience. <B>Failure Is An Option</B> strips away the mythology of Silicon Valley and replaces it with something far more valuable: truth. Mike Grossman writes with uncommon honesty about the emotional and ethical realities of leadership. I found this book both grounding and generous, a gift to anyone willing to lead when outcomes are uncertain.&rdquo;&nbsp;]]></Text>
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      <BiographicalNote><![CDATA[<B>GUSTAVO RAZZETTI</B>&nbsp;is a culture change instigator, speaker, and CEO of Fearless Culture, a culture design consultancy. He helps leaders build teams that talk about what matters&mdash;even when it&#39;s uncomfortable. His real-life insights come from leading more than 1,500 workshops with teams at Mars, Microsoft, Merck, Globant, and the Inter-American Development Bank. A regular contributor to Psychology Today, his work has been featured in The New York Times, BBC, and Forbes. He is the author of Remote, Not Distant and Stretch for Change. Gustavo helps teams say what everyone&#39;s thinking but no one&#39;s saying.]]></BiographicalNote>
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      <Text><![CDATA[<B>Teams don&rsquo;t get stuck because of poor communication skills. They get stuck because smart, capable people choose not to speak up&#8212;and leaders rarely notice until those patterns are hardwired.</B><BR><BR>People talk in circles, revisit old decisions, and mistake activity for progress. The result is conversational debt&#8212;the compound cost of the conversations people avoid. Not because they&rsquo;re afraid, but because they&rsquo;ve learned that speaking up doesn&rsquo;t change anything.<BR> <BR> <i>Forward Talk</i> exposes this hidden force that quietly drains performance, trust, and alignment. It reveals why the corporate obsession with &ldquo;psychological safety&rdquo; has become a bandage for deeper issues, how well-intended teams hide behind politeness, and what it takes to break through the false harmony that prevents real progress.<BR> <BR> Drawing on twenty-five years of facilitating high-stakes conversations with Fortune 500 leaders and frontline teams in more than thirty countries, Gustavo Razzetti introduces a research-backed, practice-proven framework for turning stuck conversations into forward movement.<BR> <BR> Readers will learn to recognize and reverse the three destructive conversational patterns that keep teams trapped:<BR> <ul> <li aria-level="1" dir="ltr"><b>Avoidance</b>: staying silent or skirting the real issue, hoping it resolves itself</li> <li aria-level="1" dir="ltr"><b>Blame</b>: focusing on who&rsquo;s at fault instead of what&rsquo;s next</li> <li aria-level="1" dir="ltr"><b>Groupthink</b>: chasing false harmony and mistaking agreement for alignment</li> </ul> <BR><BR> Through real stories, diagnostic tools, and actionable practices, <i>Forward Talk</i> helps teams rebuild voice, agency, and momentum. It&rsquo;s for leaders, facilitators, HR professionals, and change agents who know that success isn&rsquo;t determined by effort&#8212;it&rsquo;s determined by whether people believe their voices matter.]]></Text>
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      <Text><![CDATA[<B>GUSTAVO RAZZETTI</B>&nbsp;is a culture change instigator, speaker, and CEO of Fearless Culture, a culture design consultancy. He helps leaders build teams that talk about what matters&mdash;even when it&#39;s uncomfortable. His real-life insights come from leading more than 1,500 workshops with teams at Mars, Microsoft, Merck, Globant, and the Inter-American Development Bank. A regular contributor to Psychology Today, his work has been featured in The New York Times, BBC, and Forbes. He is the author of Remote, Not Distant and Stretch for Change. Gustavo helps teams say what everyone&#39;s thinking but no one&#39;s saying.]]></Text>
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      <Text><![CDATA[&quot;Gustavo Razzetti nails something most leaders miss: People don&rsquo;t stay silent because they&rsquo;re afraid; they stay silent because they think speaking up won&rsquo;t matter. FORWARD TALK shows how small, practical shifts can replace polite stagnation with trust, clarity, and momentum. You won&rsquo;t sit silently through a pointless meeting again.&rdquo;]]></Text>
      <TextAuthor>&lt;B&gt;DANIEL H. PINK&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Razzetti brilliantly captures a truth I&#39;ve witnessed countless times: teams often fail not because people lack talent, but because they avoid the conversations that matter most. Forward Talk offers leaders practical tools to build what every effective team needs - the courage and skill to address what&#39;s really going on and then move forward. If you want to lead a team that thrives on productive conflict rather than polite avoidance, this book is essential reading.&quot;]]></Text>
      <TextAuthor>&lt;B&gt;AMY GALLO&lt;/B&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Teams often assume that speaking up won&rsquo;t change the status quo, creating what Gustavo Razzetti calls conversational debt: unspoken concerns, avoided truths, and circular discussions that stall progress. Gustavo piloted this methodology with our leadership cohort. In a large, decentralized institution like ours, communication often gets diluted across colleges and administrative layers.<BR> <BR> His Forward Talk framework breaks that cycle. It gives leaders a practical way to move beyond blame, avoidance, and groupthink while strengthening trust. It&rsquo;s not just another tool&mdash;it&rsquo;s a courageous, transformative way of leading that helps teams surface real issues and create meaningful forward momentum.&quot;]]></Text>
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      <Text><![CDATA[<I>&quot;This book names a hidden problem most leaders face: conversational debt&mdash;and shows how to break free from it.&rdquo;</I>]]></Text>
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      <SubjectHeadingText>personal operating layer; invisible interface; artificial intelligence; AI strategy; future of work; trust in AI; proofseconds; agent commerce; defaults; automation; executive decision-making; human agency; governance; interoperability; decision friction; receipts; override; audit trail; four trust signals; cognitive rent; product beacon; five R&#39;s; collective operating layer; agentic commerce; agent experience optimization; default as destiny; memory sovereignty; AI strategy for executives;AI governance for boards;agentic AI for business;AI competitive advantage;AI for CEOs and boards;AI transformation strategy;future of work AI</SubjectHeadingText>
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      <Text><![CDATA[<B>I've had the opportunity to watch and experience decades of technology cycles eat industries that thought they were safe. Travel agencies didn't lose to better travel agencies. Bureau of Labor Statistics data shows travel agent employment dropped roughly 70 percent between 2000 and 2021 - not because travelers stopped traveling, but because a software layer got between the agent and the customer and never moved.</B><BR><BR>Banks didn't lose deposits to payment apps. The money stayed exactly where it was. What moved was the transaction moment - the behavioral data, the customer touchpoint, the ability to see and act on what customers do with their money in real time. The relationship didn't disappear. It became invisible to the bank that thought it owned it.<BR> <BR>AI is doing the same thing. Right now. Across every industry simultaneously.<BR> <BR>When Klarna reported in February 2024 that their AI assistant was handling the equivalent work of 700 customer service agents - two-thirds of all their customer service interactions - they weren't describing an efficiency gain. They were describing a customer relationship that had moved into a system that learns, compounds, and gets harder to displace every day. When Morgan Stanley announced that 98 percent of its financial advisor teams had adopted its AI assistant, they weren't describing a productivity tool. They were describing a new default - the layer every advisor now works through, every client interaction now flows across, every piece of institutional knowledge now passes through before it reaches a human hand.<BR> <BR>That's not a technology story. That's a competitive architecture story.<BR> <BR><i>The Invisible Interface</i> is about what's at stake in that shift - and what separates the organizations that capture AI's value from the ones that fund it for everyone else.<BR> <BR>The pattern holds across healthcare, financial services, and enterprise technology: most management teams are building AI strategies around capabilities that will commoditize. The model is not the moat. Data alone is not the moat - not when the models accessing it are available to everyone. The moat is whether your customers and your workforce delegate to your systems by habit - or someone else's. Once that habit forms, it compounds. Quietly. Structurally. In ways that don't show up in a quarterly review until it's too late.<BR> <BR>This book gives boards and management teams - and those deciding where to place the next bet - the framework to get ahead of three questions most organizations aren't asking yet. Where are your defaults already being set by a competitor you haven't identified? What does it cost when a decision gets routed around you - competitively, operationally, and legally? And what specifically does it take to become the system people trust enough to delegate to?<BR> <BR>Because delegation without accountability is its own risk. The organizations getting this right aren't just building capable AI systems. They're building systems their boards can govern, their regulators can audit, and their customers can trust when something goes wrong - and it will. That architecture is what creates durable advantage. Everything else is rented.<BR> <BR>If you're treating AI as a faster version of what you already do, you've already misread the shift.]]></Text>
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      <Text><![CDATA[<B>HARRY GLORIKIAN</B> is a General Partner at Scientia Ventures and a Research Affiliate at the MIT Media Lab, where his work focuses on how AI rewrites competitive strategy and governance for lasting advantage. For more than three decades he has built, invested in, and advised companies at the convergence of healthcare, life sciences, and data-driven technology. He previously co-founded Scientia Advisors, a life sciences strategy consultancy acquired by Precision for Medicine, and served as Entrepreneur-in-Residence at GE Ventures. The Invisible Interface is his fourth book; he is also the author of MoneyBall Medicine and The Future You, and hosts The Harry Glorikian Show.]]></Text>
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      <Text><![CDATA[&ldquo;Many years ago I wrote a book entitled <i>The Invisible Computer</i>, a prediction that has been realized. Now Harry Glorikian anticipates the future with his book <I>The Invisible Interface</I>, a dramatic change in how we will interact with our digital technologies. His insights of a Personal Operating Layer paints an exciting vision of effortless, comfortable interactions that will feel so natural, so essential, that we will wonder how we ever got along without it. Will it happen? It is already starting, so the real question is not &lsquo;will,&rsquo; it is &lsquo;When&rsquo;?&rdquo; <b>&ndash;&ndash;DON NORMAN, Author of <i>Design of Everyday Things </i>and <i>Design for a Better World</i></b><BR> <BR> &quot;Most AI books explain the technology.&nbsp;<I>The Invisible Interface</I>&nbsp;explains the economics - specifically, why the layer between users and AI services is the most valuable real estate in the digital economy right now. Harry Glorikian gets the commercial dynamics exactly right: the default is the moat, memory is the switching cost, and trust is the new acquisition channel. From where I sit, that&#39;s not theory. That&#39;s the game.&quot;<b><i>&nbsp;</i>&ndash;&ndash;GIANCARLO &ldquo;GC&rdquo; LIONETTI, Chief Commercial Officer, OpenAI</b><BR> <BR> &ldquo;Glorikian defines the shift from apps to agents and introduces the Personal Operating Layer as the foundation for AI-driven execution. His focus on reducing &quot;proof-seconds&quot; - the time to validate AI decisions - makes clear why some organizations scale while others stall. We&#39;re living this transition right now - moving from pilots to enterprise scale - and Glorikian&#39;s framework gave us language for exactly where the friction lives.&rdquo;&nbsp;&ndash;&ndash;<b>DINESH KULKARNI, Group CIO, Transforming Life Sciences with Data, Digital and AI, ThermoFisher Scientific</b><BR> <BR> &ldquo;<I>The Invisible Interface</I>&nbsp;reframes how businesses can and should think about AI. Glorikian does a remarkable job articulating how AI represents a paradigm shift in not only how human beings interact with technology, but how AI allows for personalization of those interactions to the point where technology can operate with intent. This combination of personalization and intentional operation has the potential to transform the way businesses operate, making&nbsp;<I>The Invisible Interface</I>&nbsp;essential reading for any business leader operating in the AI era.&rdquo;&nbsp;&ndash;&ndash;<b>EVAN SCHNIDMAN, Ph.D., Head of Fidelity Labs, Fidelity Investments</b><BR> <BR> &quot;In <i>The Invisible Interface</i>, Harry Glorikian explains how AI will move computing from clicks to intent and from interfaces to orchestration. His concept of the Personal Operating Layer offers a powerful way to think about how work, productivity, and decision-making will evolve in the coming decade.&quot; <b>&ndash;&ndash;CHRISTOPHE KOLB, Chief Executive Officer and Founder, Taller and Author of <i>Cognitive Kin</i></b><BR> <BR> &quot;Most people view AI as a better way to do old tasks. Harry Glorikian sees it for what it really is: a fundamental shift in how humans interact with the world. The Invisible Interface provides the perfect framework for delegating the mundane without losing our agency. It&rsquo;s an essential guide for any leader looking to move past the AI hype and build systems that actually strengthen customer connections.&quot; &ndash;&ndash;<b>DAVID BERKOWITZ, Founder of AI Marketers Guild and High Caliber AI and Author of <i>The Non-Obvious Guide to Using AI for Marketing&nbsp;</i></b>]]></Text>
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      <BiographicalNote><![CDATA[<b>MELISSA DAWN SIMKINS</b> is the CEO of Velvet Suite, an innovator in leadership and performance development. Known as a pioneer at the intersection of business, sport, and human potential, she is the founder of the Athleadership movement, a system that conditions leaders to perform under pressure and lead with purpose.<BR> <BR>With more than two decades of experience shaping executives across Fortune 500 companies and professional sports, Simkins bridges neuroscience, performance psychology, and purpose-driven strategy to help organizations and individuals lead at the speed of change. She is also the creator of The She-Suite, a leadership platform advancing working women worldwide.<BR> <BR>Her work has been featured by CNBC, Inc., CNN, and Fox Business, and she has advised CEOs, athletes, and cultural icons on how to turn purpose into performance when it matters most.<BR> <BR>Her mission is to build leaders and organizations that win from within. She is a wife, mom and passionate wellness advocate and athlete who lives in Virginia.]]></BiographicalNote>
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      <Text><![CDATA[<B>The world says a leader is born. <I>Athleadership</I> proves each one is built&#8212;conditioned from within&#8212;to become the leader the moment demands.</B><BR><BR>The speed of change today has outpaced our natural ability to lead through it. Our brains were not designed for this level of volatility. Yet athletes are wired for change. Their daily practice and conditioning literally rewire the brain to adapt faster, recover stronger, and decide better under pressure.<BR> <BR> In <i>Athleadership</i>, leadership pioneer and CEO Melissa Dawn Simkins translates this elite athletic mindset into a new system for modern leadership&#8212;one built on the science of performance and the soul of purpose.<BR> <BR> Grounded in neuroscience and performance psychology, <i>Athleadership </i>fuses the rigor of elite mindset training with the psychology of human behavior to create a measurable new model for performance under pressure. Simkins exposes The Performance Paradox, the silent crisis of burnout and disengagement eroding today&rsquo;s high performers, and offers a proven path to lead with conviction instead of exhaustion.<BR> <BR> <b>The New Playbook for Personal and Organizational Leadership</b><BR> <ul> <li aria-level="1" dir="ltr">Flip pressure into practice and transform stress into strength through agility, resilience, alignment, and wellbeing.</li> <li aria-level="1" dir="ltr">Anchor success in purpose by turning mission, vision, and values into a living compass that drives clarity, consistency, and results.</li> <li aria-level="1" dir="ltr">Break free from the Performance Paradox to stop winning on the outside while losing yourself inside.</li> <li aria-level="1" dir="ltr">Redefine winning from constant proving to purposeful alignment&#8212;where wellbeing and performance move as one.</li> </ul> <BR><BR> With more than two decades of experience shaping leaders across global brands and professional sports, Simkins reveals a new era of leadership&#8212;one that empowers individuals and organizations alike to build trust, purpose, and performance from within.<BR> <BR> Because the world doesn&rsquo;t need more leaders chasing applause.<BR> It needs more leaders built from within]]></Text>
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      <Text><![CDATA[<b>MELISSA DAWN SIMKINS</b> is the CEO of Velvet Suite, an innovator in leadership and performance development. Known as a pioneer at the intersection of business, sport, and human potential, she is the founder of the Athleadership movement, a system that conditions leaders to perform under pressure and lead with purpose.<BR> <BR>With more than two decades of experience shaping executives across Fortune 500 companies and professional sports, Simkins bridges neuroscience, performance psychology, and purpose-driven strategy to help organizations and individuals lead at the speed of change. She is also the creator of The She-Suite, a leadership platform advancing working women worldwide.<BR> <BR>Her work has been featured by CNBC, Inc., CNN, and Fox Business, and she has advised CEOs, athletes, and cultural icons on how to turn purpose into performance when it matters most.<BR> <BR>Her mission is to build leaders and organizations that win from within. She is a wife, mom and passionate wellness advocate and athlete who lives in Virginia.]]></Text>
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      <Text><![CDATA[&ldquo;Melissa has a long and successful record of being more than a leadership expert &mdash; she is a leadership innovator. She sees around corners, translates complexity into clarity, and gives leaders practical ways to perform under pressure. <I>Athleadership</I> is more than a book; it is a timely framework for how modern leaders must think and operate.&rdquo; <B>&ndash;&ndash;JAMAL MUASHSHSER, CEO, Valvoline Global Operations, Valvoline</B><BR> <BR> &nbsp;<BR> &ldquo;Melissa Dawn Simkins is the kind of advisor every executive needs in today&rsquo;s environment. Her strategic thinking and role as the pioneer of <I>Athleadership</I> bring rare systems-level clarity to the real complexity leaders face&mdash;connecting purpose, decision-making, culture, and performance through a proven operating model. I&rsquo;ve witnessed <I>Athleadership</I> deliver measurable results, not just in how leaders think, but in how they lead, decide, and navigate change for themselves and their teams.&rdquo; <B>&ndash;&ndash;MONICA HAMMOND, Senior Vice President, Customer Success, Verizon Consumer Group</B><BR> <BR> &nbsp;<BR> &ldquo;As a former student/professional athlete, and now an executive, life experience has shown me that lessons learned through playing sports go far beyond the game. Discipline, resilience, teamwork, and purpose shape leaders who can serve their families, businesses, and communities well. In her book, <I>Athleadership</I>, Melissa captures how the mindset developed in athletics prepares people to lead when it matters most.&rdquo; <B>&ndash;&ndash;TROY VINCENT, Executive Vice President, Football Operations, National Football League (NFL)</B><BR> <BR> &nbsp;<BR> &ldquo;As an Olympic champion, I learned early that success under pressure is never accidental&mdash;it is the result of preparation, discipline, and mindset. In <I>Athleadership</I>, Melissa Dawn Simkins brilliantly connects the mental preparation elite athletes rely on with the realities leaders face every day. Her work captures a truth I&rsquo;ve experienced both in sport and as a CEO: performance when it matters most can be conditioned. This book offers a powerful framework for leaders who want to lead with resilience, clarity, and purpose when the stakes are highest.&rdquo; <B>&ndash;&ndash;BENITA FITZGERALD MOSELY, OLY, CEO, US Center for SafeSport</B><BR><BR> &ldquo;In <I>Athleadership</I>, Melissa Dawn Simkins explores the connection between elite athletic mindset, neuroscience, and the demands of leadership. Her reflections on preparation, accountability, resilience, and teamwork offer a thoughtful perspective for leaders seeking to strengthen performance and support their teams&rsquo; growth.&rdquo;<B> &ndash;&ndash;JOHNNY C. TAYLOR JR., SHRM-SCP, President and CEO, SHRM</B><BR><BR> &ldquo;Building a category taught me that leadership today isn&rsquo;t about playing it safe - it&rsquo;s about making decisions in uncertainty and driving impact that shapes industries. <I>Athleadership</I> feels less like another leadership program - and more like a movement to build the kind of leaders this moment demands.&rdquo; <B>&ndash;&ndash;JULIE WAINWRIGHT, Author and Founder, The RealReal</B><BR> <BR> &nbsp;<BR> &ldquo;<I>Athleadership</I> isn&rsquo;t theory, it is proven to build the mindset, discipline, and resilience leaders need to perform at the highest level, no matter the arena.&rdquo; <B>&ndash;&ndash;OGUCHI ONYEWU, Vice President, Sporting, U.S. Soccer Federation</B><BR> <BR> &nbsp;<BR> &ldquo;Melissa has been a key partner in helping our employees connect purpose to their leadership.&nbsp; She brings a visionary yet practical approach that strengthens clarity, resilience, and alignment. This work helped us translate insight into business impact by giving individuals the confidence they need to make decisions and lead when it matters most.&rdquo; <B>&ndash;&ndash;MICHELLE MURPHY, SVP &amp; Chief Human Resources Officer, BAE Systems, Inc.&nbsp;</B><BR> <BR> &nbsp;<BR> &ldquo;As someone working at the center of system-level change in college athletics, I have seen how much leadership must evolve to meet the moment. Melissa&rsquo;s work influenced me personally as much as professionally. She challenged how I think, decide, and show up in moments of pressure and transition. That perspective has shaped my own leadership journey and growth. It is about building leaders and organizations that are ready for what&rsquo;s next.&rdquo; <B>&ndash;&ndash;DEE DEE MERRITT GUSTER, Managing Director, Leadership Development, NCAA</B><BR><BR> &ldquo;Melissa Dawn Simkins bridges the worlds of elite athletics and executive leadership to show that the mindset, discipline, and preparation required to win on the court are the same qualities leaders must cultivate to perform when the stakes are high. In a time when organizations are navigating constant change and complexity, this work provides a practical and powerful framework for building leaders who can adapt, align their teams, and sustain performance.&rdquo; <B>&ndash;&ndash;KAHLIA COLLIER, VP and Chief of Staff, Basketball Operations, Dallas Mavericks</B><BR> <BR> &nbsp;<BR> &quot;The Core 4 targets the leadership capacities that neuroscience proves are essential for sustained behavior change&mdash;agility, resilience, alignment, and wellbeing. It reflects the same mind-body connection we see in elite athletes: when leaders build both mental agility and physical resilience, they perform better under pressure.&quot; <B>&ndash;&ndash;DR. MANNINO, Chief Science Officer, Flow Research Collective and Co-Founder, Syneurgy | AI</B><BR> <BR> &nbsp;<BR> &ldquo;This isn&rsquo;t generic leadership training&mdash;it&rsquo;s highly personalized, helping each leader uncover their &lsquo;why,&rsquo; address what&rsquo;s holding them back, and build the mindset to accelerate performance at every level&mdash;individual, team, and organization.&rdquo; <B>&ndash;&ndash;TANYA MOORE, Chief People Office, West Munroe&nbsp;&nbsp;</B><BR><BR> &ldquo;Melissa&rsquo;s hallmark has been redefining what effective leadership looks like under pressure. Her leadership conditioning system is not about motivation &mdash; it&rsquo;s about performance. The work we did together strengthened how I lead and directly supported my path to the CEO role.&rdquo; <B>&ndash;&ndash;AUDRA UPCHURCH, Chief Executive Officer, Cybermedia Technologies</B><BR><BR> &ldquo;<I>Athleadership</I> connects the inner and outer game of leadership in a way most frameworks miss. Melissa delivers real substance with clear business relevance. This is not a metaphor. It is a leadership system leaders can actually operate from and bring lasting change.&rdquo; <B>&ndash;&ndash;SUDHA SOLAYAPPAN, Vice President Talent, Development &amp; Performance, PROCEPT BioRobotics</B><BR> <BR> &nbsp;<BR> &ldquo;<I>Athleadership</I> makes it crystal clear: training installs skills, but conditioning becomes the operating system. Its reminder that mindset is the new skillset&mdash;and that elite leaders don&rsquo;t think faster, they recognize faster&mdash;is transformative.&rdquo; <B>&ndash;&ndash;RASHANDA HARRIS, Vice President, Enterprise Business Services People Strategy &amp; Corporate Services, LFG</B><BR> <BR> &nbsp;<BR> &ldquo;<I>Athleadership</I> is a framework for performance conditioning for business leaders. This is not inspiration or theory. It is a system that helps leaders build the mental and emotional discipline required when the stakes are real. I&rsquo;ve seen firsthand how this mindset separates contenders from champions. <I>Athleadership</I> brings that edge to leadership.&rdquo; <B>&ndash;&ndash;RAPTI KHURANA, Former Vice President, Talent Engagement and Development, National Football League</B><BR><BR> &ldquo;As AI accelerates decision velocity and reshapes how organizations operate, the advantage no longer lies in access to information but in the quality of human judgment under pressure. <I>Athleadership</I> reframes leadership as a performance discipline. It integrates insights from sport, neuroscience, and decision science into a framework that is both intellectually rigorous and operationally relevant. In AI-enabled environments defined by uncertainty and rapid change, this kind of conditioning is not optional. It is foundational to sustained performance.&rdquo; <B>&ndash;&ndash;SERGUEI NETESSINE, Senior Vice Dean for Innovation and Global Initiatives, The Wharton School, University of Pennsylvania</B><BR><BR> &ldquo;Melissa Simkins brings clarity, authenticity, and real-world leadership insight in a way that truly resonates. Her recent <I>Athleadership</I> session with my leadership team at Truist was extremely well received&mdash;engaging, practical, and thought-provoking. The conversation left the team energized and wanting more. <I>Athleadership</I> reflects exactly what Melissa delivers: disciplined, human-centered leadership built for lasting impact.&rdquo; <B>&ndash;&ndash;FRED HILL, Digital Commerce and Marketing Capabilities, Truist</B><BR> <BR> &nbsp;<BR> &ldquo;As a runner and former soccer player, I understood conditioning in sport but never connected it to leadership. Melissa helped me realize that leadership is not just about knowledge or intention, it is about conditioning how you think, show up, and lead others over time. That shift helped me translate my athletic mindset into how I lead people. The idea is simple, but the impact is lasting.&rdquo; <B>&ndash;&ndash;CHRIS SPALL, Behavioral Health Executive Director, FL. UnitedHealth Group</B>]]></Text>
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      <Text><![CDATA[<B>What if mastering influence was as simple as following the Yellow Brick Road?</B><BR><BR>In <I>The Oz Method</I>, international sales trainer, keynote speaker, and &ldquo;edu-tainer&rdquo; Collin Henderson transforms one of the world&rsquo;s most familiar stories&#8212;<I>The Wizard of Oz</I>&#8212;into a powerful roadmap for leadership, sales, and personal influence.<BR> <BR> Kansas represents the old way: outdated, black-and-white selling rooted in features, facts, and fear. Oz represents a brighter, more human approach where empathy, storytelling, and courage lead the way. Through a vivid framework built on the journey of Dorothy and her companions, Henderson shows you how to step out of Kansas and into a modern, psychology-driven model of influence that works in today&rsquo;s competitive, noisy world.<BR> <BR> Inside, you&rsquo;ll learn how to:<BR> <ul> <li aria-level="1" dir="ltr">Build trust and connection by leading with empathy and curiosity</li> <li aria-level="1" dir="ltr">Use storytelling to make your ideas stick and inspire action</li> <li aria-level="1" dir="ltr">Apply the 6 Es of edutainment to capture and keep attention</li> <li aria-level="1" dir="ltr">Develop courage and vulnerability to deepen client and team relationships</li> <li aria-level="1" dir="ltr">Create simple, repeatable habits that consistently drive results</li> </ul> <BR>Blending behavioral science, mindset training, and real-world strategies, Henderson delivers a premium reading experience packed with frameworks, visuals, and interactive exercises. This is not another dry sales manual&#8212;it&rsquo;s a journey designed to be explored, marked up, and put into practice.<BR> <BR> Whether you&rsquo;re a new seller, a leader guiding a team, or an experienced professional ready to reimagine influence, <I>The Oz Method </I>equips you with the mindset and tools to succeed without manipulation, pressure, or gimmicks.<BR> <BR> Step out of Kansas. Follow your Yellow Brick Road. And discover the psychology of influence that will transform the way you sell, lead, and live.]]></Text>
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      <Text><![CDATA[<B>COLLIN HENDERSON</B>&nbsp;is a keynote speaker, performance coach, and sales psychology expert who has trained thousands of professionals worldwide at companies including Nike, Salesforce, Amazon, Microsoft, Zillow, and Johnson &amp; Johnson. As the founder of Master Your Mindset, LLC and host of the top-ranked Master Your Mindset podcast, Collin blends behavioral science, storytelling, and actionable strategies into his signature high-energy, &ldquo;edu-tainer&rdquo; style. The author of seven independently published books, Collin helps individuals and organizations master influence, improve leadership, and achieve high performance. A former Division I Pac-12 champion athlete, he now lives in Nashville, Tennessee, with his wife and five children.]]></Text>
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      <Text><![CDATA[&ldquo;A powerful blend of behavioral science and real-world application. Few people can make big ideas feel this simple and this memorable. Collin is one of them.&rdquo; <b>&ndash;&ndash;DR. JULIA WEST, PhD, Clinical Psychologist and Executive Coach</b><BR> <BR> &ldquo;Most books about influence make you nod. This one makes you do something. <i>The Oz Method</i> cracks the code on what actually moves people - in a way that&#39;s smart without being stuffy and practical without being boring. Read it before your competitors do.&rdquo; <b>&ndash;&ndash;HENNA PRYOR, Workplace Performance Expert, Keynote Speaker, Award Winning Author</b><BR> <BR> &ldquo;The concepts in this book are timeless. They&rsquo;ll be taught for generations, alongside classics like <I>Think and Grow Rich</I> and <B>How to Win Friends and Influence People</B>.&rdquo;&nbsp; <B>&ndash;&ndash;DAVID ZEH, Principal Manager, HubSpot</B><BR> <BR> &ldquo;I&rsquo;m in the business of storytelling, and I&rsquo;ve never seen it approached like this. Collin turns storytelling from something people admire into something they can actually execute. This book gives you that roadmap.&rdquo;<B> &ndash;&ndash;JASON JOHNSON, Multi-Emmy Award-Winning Filmmaker</B><BR> <BR> &ldquo;The sequencing of <I>The Oz Method</I> is brilliant. I love how the concepts and characters build on each other to create something truly memorable. This combination makes you unstoppable as a communicator.&rdquo; <B>&ndash;&ndash;CHRISTINA ALESSI, Founder and Managing Director, Sfera Agency</B><BR> <BR> &ldquo;Collin brings a credibility that is so important. He&rsquo;s lived and led everything he teaches in the Oz Method. That&#39;s why this book is packed with skills and drills to grow your sales and lead with confidence.&rdquo; <B>&ndash;&ndash;GANES McCULLOCH, Owner, The Shield Companies</B><BR> <BR> &ldquo;If you lead a sales team, this is a must read. It goes beyond tactics and gets to the root of what actually drives change. A rare mix of psychology and influence skills that is clear, practical, and built for teams that want results.&rdquo;<B> &ndash;&ndash;GRAHAM CARRON, Area Vice President, Salesforce</B><BR> <BR> &ldquo;Stories sell in business and in life. <I>The Oz Method </I>is a practical playbook for harnessing the power of story, grounded in real data, to elevate sales performance and accelerate careers.&rdquo;<B> &ndash;&ndash;GARY ABBAGNARO, Vice President, Dell Technologies Select</B><BR> <BR> &ldquo;Fair warning: this book will make you rethink every important conversation you&#39;ve had this year.<B> </B><I>The Oz Method</I> is the kind of sharp, science-backed work that doesn&#39;t just sit on your shelf - it changes how you show up to the conversation.&rdquo;&nbsp; <B>&ndash;&ndash;HOLLIE JO HEPLER, Speaker, Women&rsquo;s Leadership Coach</B><BR> <BR> &ldquo;Our entire accounting team read <I>The Oz Method</I>, and it&rsquo;s reshaped how we communicate internally and collaborate cross-functionally. 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Our staff will be using this to lead, engage, and recruit at a higher level.&rdquo; <B>&ndash;&ndash;KATIE HULTIN, Head Coach, Illinois Women&rsquo;s Soccer</B><BR> <BR> &ldquo;<I>The Oz Method</I> is a beautiful reminder that the way we communicate matters. When you lead with connection and authenticity, everything becomes easier. Collin has spoken to my team for years and coached my kids in sports. He&rsquo;s an incredible teacher who knows how to create visuals and lessons that truly stick.&rdquo; <B>&ndash;&ndash;JESSICA GARVIN, Entrepreneur, Influencer, Artist, and Mom of Three</B><BR> <BR> &ldquo;This is a powerful sales book that blends influence, mindset, and daily execution into one clear, actionable approach. It stands out in how it teaches influence through story, helping you connect, build trust, and make your message truly land. With practical tools to stay focused and confident, it creates consistency and real momentum. This is the kind of book that elevates your performance from the inside out.&rdquo; <B>&ndash;&ndash;CHRIS CULLEN, Author, Speaker, Performance Coach</B><BR> <BR> &ldquo;I&rsquo;ve seen Collin speak and coach live, and <I>The Oz Method </I>is exactly who he is, authentic, powerful, and rooted in story. More importantly, it works. I&rsquo;ve experienced it firsthand.&rdquo; <B>&ndash;&ndash;TERRANCE POWELL, Commercial Business Director, AstraZeneca</B><BR> <BR> &ldquo;Collin has done something truly unique with this book, making the concepts of sales and influence transferable to everyone. I want every teacher and leader on my team to read it. In a world where attention is the ultimate currency, Collin shows you how to break patterns and connect with any audience.&rdquo; <B>&ndash;&ndash;DR. JAMES HAMMOND, PhD, Superintendent, Ontario-Montclair School District (OMSD)</B><BR> <BR> &ldquo;After more than 30 years as a sales leader, I&rsquo;ve never read a book that blends mindset and sales strategy this effectively in one place. If you apply what&rsquo;s in this book, you won&rsquo;t just elevate your income, you&rsquo;ll elevate the value you bring to your customers.&rdquo; <B>&ndash;&ndash;SCOTT CLEARY, Award Winning Life Sciences Leader</B><BR> <BR> &ldquo;No fluff. Just real tools that work. Innovative and practical. I loved every page.&rdquo; <B>&ndash;&ndash;CHRIS JOHNSTON, President, First Continental Mortgage</B><BR> <BR> &ldquo;This is a must-read for any sales leader or sales professional. 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      <Text><![CDATA[&ldquo;Makes a lesser-known historical figure relatable by focusing on Irwin&rsquo;s childhood and professional journey, weaving together his drive and the stepping stones to his achievements, as well as the achievements themselves. Fortson&rsquo;s digitally rendered images in mostly pastel colors with fine lines are further textured with scanned embroidered elements, and the stitches bring a satisfying trompe l&rsquo;oeil physicality to a book about words&rsquo; ability to leave the printed page.&rdquo;]]></Text>
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      <Text><![CDATA[&quot;Fortson uses curved lines swirling across the pages to convey the sound waves so critical to Irwin&rsquo;s experience of the world. Both the clear writing and the friendly art succeed at providing helpful details for readers to understand Irwin&rsquo;s life and accomplishments.&quot;]]></Text>
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      <Text><![CDATA[*Nowadays, readers might take the existence of audiobooks for granted given the ever-increasing number of listening devices and availability of titles. Thanks to the ingenuity and persistence of Dr. Robert B. Irwin, the concept of &ldquo;talking books&rdquo; is an accessible and popular way of enjoying books. [...] Digitally rendered illustrations portray Dr. Irwin&rsquo;s forward-focused advocacy as he surveyed libraries and blind readers across the country and testified to Congress. Motifs of birds and birdsong accent the portrayal of his dedicated efforts to engineer special records and secure the availability of record players through the Library of Congress for blind and visually impaired Americans. A final two-page spread shows readers of all ages and abilities over the decades enjoying talking books on the devices du jour.&nbsp;]]></Text>
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      <SubjectHeadingText>betrayal; intrigue; danger; exile; banishment; bounty; on the run; outlaw; fantasy; sorcerers; sorcerer; magic; compassion; adventure; ableism; brother-sister relationship; mining; small town; big city; agendas; machinations; death; realm of the dead; back from the dead; mercenaries; trilogy; second in trilogy; middle grade book novel series for 10 11 12 13 14 year olds grades 5 6 7 8 9; Howl&#39;s Moving Castle; Children of Blood and Bone; Girl Who Drank the Moon; Neil Gaiman; Terry Pratchett; Christopher Paolini;</SubjectHeadingText>
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      <Text><![CDATA[<B>Tell and Wren flee Halfway only to face their village&rsquo;s wrath in this second book in the middle grade fantasy series that&rsquo;s <I>Howl&rsquo;s Moving Castle</I> meets Christopher Paolini!</B><BR><BR>Siblings Tell and Wren barely escaped the treacherous city of Halfway with their lives, two new friends, and an unconscious sorcerer. With a massive bounty on their heads if they ever return, Tell and Wren have no choice but to return to their village&hellip;despite the punishment surely awaiting them for venturing outside their icy mountain home.<BR> <BR>But treacherous power plays brew amongst the Villagers, and our heroes once again find themselves in the middle of a civil war, one that takes an almost deadly toll on the siblings. It also reveals an astonishing secret about Wren: she has magic, powerful magic. This startling revelation, combined with disturbing dreams that plague Rumi, drag the four back into Halfway, the very place they&rsquo;re forbidden from entering upon penalty of death.]]></Text>
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      <Text><![CDATA[Anthony (Tony) Peckham is a South African&ndash;born screenwriter, surfer, and farmer who now lives on an island in the Pacific. Decades ago, while exploring a remote, high-altitude landscape with his children, he came upon a mountain made of black glass which inspired his debut novel. His other work includes Clint Eastwood&rsquo;s&nbsp;<i>Invictus</i>&nbsp;and Guy Ritchie&rsquo;s&nbsp;<i>Sherlock Holmes.&nbsp;</i>He&nbsp;is a Writers Guild of America Award winner and an NAACP Image Award nominee. Tony is the author of the&nbsp;Children of the Black Glass&nbsp;middle grade series. You can find him online at AnthonyPeckham.com.<BR> &nbsp;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665913188.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> 1 <BR>Rumi&rsquo;s blistered feet hurt whether she was walking or resting. Her knees ached. Every heaving breath she took felt thin and insufficient, and the cold mountain air stung her lungs.<BR> <BR>She&rsquo;d spent the first twelve years of her life behind the walls of her family&rsquo;s luxurious trading compound, warm and safe, in the lowland city of Halfway. The mountain landscape she and her friends were climbing through, ever upward, was the exact opposite. It was terrifyingly vast, steep, empty, and alien to her. It was horrible. All of it. And yet not the worst.<BR> <BR>The worst was still to come&#8212;was about to happen. The fact that Wren and Tell, mountain-born both, were visibly anxious and had stopped talking altogether made Rumi&rsquo;s heart race.<BR> <BR>Cormorin had also noticed Wren&rsquo;s and Tell&rsquo;s changes in demeanor. When the footing allowed it, he turned to give Rumi a long look, his flame-red hair hidden under the scarf he&rsquo;d wrapped around his head. The sorcerer&rsquo;s apprentice was better at suffering than Rumi was and had spent the entire three-day climb up from the Night Before hot springs tending to Sicatrice, his sorcerer, as she lay comatose on their beloved mule Rumble&rsquo;s sturdy back.<BR> <BR>From the moment he had carried her limp body out of their burning home at the center of the city, there was an undercurrent of desperation to Cormorin&rsquo;s devotion. Sicatrice hadn&rsquo;t shown any sign of reviving from her battle with a rival sorcerer now days ago&#8212;the night Halfway burned. Cormorin had seemed oblivious to the world they were trudging through, but that look over his shoulder now told Rumi otherwise.<BR> <BR>At the front of fifteen mules laden with supplies for the winter, Tell and Wren began to slow. They&rsquo;d come to an innocent-looking bend in the path, and they knew that what lay around the bend was anything but. Brother and sister shared a dry-mouthed glance as Wren brought Rumble to a halt.<BR> <BR>They had reached the Narrows, by far the most dangerous section of the dangerous journey back to their home in the high mountains. Even Rumble, grizzled veteran of many such journeys, seemed tense.<BR> <BR>Wren touched her brother&rsquo;s hand. &ldquo;You talk to them,&rdquo; she said. Tell sighed and turned to look down the line at the other two. His heart sank. He knew the truth; neither Cormorin nor Rumi had any business trying to cross the Narrows. They were as out of place here as he and Wren had been in the city of Halfway. He was still trying to understand how he and Wren had survived down there. They&rsquo;d made so many mistakes! But here, in the Narrows, a mistake couldn&rsquo;t be survived. Not by anyone.<BR> <BR>&ldquo;Well&hellip; we&rsquo;re here,&rdquo; Tell called out. &ldquo;The Narrows.&rdquo;<BR> <BR>Keeping her hands on the mules as she edged past them, Rumi worked her way up the path toward the front. Not a good idea, but Tell already knew better than to try to change Rumi&rsquo;s mind about something once she&rsquo;d decided to do it. She was much like his sister in that regard.<BR> <BR>&ldquo;It&hellip; it looks worse than it is,&rdquo; Tell continued. &ldquo;Really, it&rsquo;s just part of the path to the village.&rdquo;<BR> <BR>&ldquo;The part where if you slip, you fall for a thousand feet?&rdquo; Cormorin asked quietly. Tell looked to Wren for help. He was doing a terrible job and knew it. His sister took over.<BR> <BR>&ldquo;Don&rsquo;t look anywhere but at your feet and the mule in front of you,&rdquo; Wren told them. &ldquo;And definitely don&rsquo;t look all the way down.&rdquo; She remembered the horrible feeling of being completely helpless in Halfway and was sure that Cormorin and Rumi felt something like that now.<BR> <BR>&ldquo;But don&rsquo;t look up, either,&rdquo; Tell added in a rush. &ldquo;Especially not at the hanging rock. It could fall at any moment.&rdquo;<BR> <BR>The hanging rock was massive, mushroom shaped, and leaned out from the cliff face at an impossible angle; it should have fallen many generations ago. Villagers knew, though Rumi and Cormorin did not, that the rock was held in place by an ancient spell, and spells eventually wear off. Hopefully not this day.<BR> <BR>Cormorin kept his gaze forward. &ldquo;What if she wakes while we&rsquo;re in there?&rdquo; he asked, meaning his sorcerer. Even though Sicatrice had trusted them with her true name in Halfway, none of the four were comfortable using it.<BR> <BR>&ldquo;Let&rsquo;s hope she doesn&rsquo;t,&rdquo; Wren replied.<BR> <BR>&ldquo;Don&rsquo;t try to help her; you&rsquo;ll fall too,&rdquo; Tell added, utterly serious.<BR> <BR>&ldquo;If someone slips in the Narrows, you just let &rsquo;em go. That&rsquo;s the rule. Better to lose one than two.&rdquo; Wren was more ruthless than her brother, and more cheerful.<BR> <BR>Rumi reached the head of the line and, holding on to Rumble, leaned her head to one side so she could peek past them into the Narrows. A spasm of fear gripped her.<BR> <BR>The path they were on was already precarious, but what lay ahead seemed impossible; a wisp of a ledge cut across a sheer cliff, curving slightly inward, worn smooth by feet and hooves and weather and crumbled away in places where you had to step across thin air to continue.<BR> <BR>A thousand feet of gleaming rock above with double that below. Snow and ice glinted menacingly in the places where the sun hadn&rsquo;t burned them off. The sides of the mules would be scraping the rock until the cliff was crossed and they could walk on relatively safe mountainside again.<BR> <BR>Rumi stared at Tell with a mixture of fear and disbelief.<BR> <BR>Tell shrugged with all the nonchalance he could muster. &ldquo;We&rsquo;ve been crossing it twice a year for longer than anyone can remember.&rdquo;<BR> <BR>Rumi&rsquo;s fear transformed into anger. Her face, generally pale, reddened. &ldquo;Why? How can your people just <i>agree</i> that this is the path to your village! Why wouldn&rsquo;t you find a better way!?&rdquo;<BR> <BR>&ldquo;Rumi, we need to be calm to do this,&rdquo; Tell told her&#8212;calmly, he hoped.<BR> <BR>&ldquo;Then tell me!&rdquo; she insisted. &ldquo;Why go this way?&rdquo;<BR> <BR>Tell paused. &ldquo;Because we always have.&rdquo;<BR> <BR>&ldquo;That&rsquo;s not an answer!&rdquo; Rumi fumed.<BR> <BR>&ldquo;Because it stops other people,&rdquo; Wren said reasonably. &ldquo;This is where they turn back.&rdquo;<BR> <BR>&ldquo;When was the last time <i>anyone</i> tried to come to your village, for <i>any</i> reason whatsoever?&rdquo; Rumi was working herself into a fine fury.<BR> <BR>Tell and Wren shared a shrug. Not in living memory. &ldquo;You see,&rdquo; Wren said with a grin. &ldquo;It works.&rdquo;<BR> <BR>Wren&rsquo;s logic did not satisfy Rumi. In fact, it had the opposite effect. But as Rumi drew breath for another volley of words, Cormorin stepped in. He wanted to get this over with, one way or another. Either get through the Narrows or fall to his death&#8212;anything but bicker endlessly on a freezing mountainside.<BR> <BR>&ldquo;Rumi,&rdquo; he said, his voice soft but sharp, his tone stopping Rumi&rsquo;s rising anger. &ldquo;Think about your parents and your brothers&#8212;not this. Hold their faces in your mind. They will take you across.&rdquo; There was more than just simple logic in the apprentice&rsquo;s words; persuasion was part of his growing skill as a sorcerer.<BR> <BR>And so, whether she wanted to or not, Rumi saw the faces of her father, mother, and older brothers, and all her emotion was replaced by a bleak emptiness that stilled her instantly. She wasn&rsquo;t calm; she just no longer cared. Little truly mattered since her family&rsquo;s murder. She looked Tell in the eyes, the bleakness in her gaze making him wince. &ldquo;I&rsquo;m ready now,&rdquo; she declared, calmly working her way back to her place between the mules. &ldquo;Let&rsquo;s cross.&rdquo;<BR> <BR>Tell looked to Wren. She nodded. She, too, was ready. Cormorin simply shrugged. He&rsquo;d already accepted whatever would happen.<BR> <BR>Without waiting another moment, Tell took the first step into the Narrow. He kept his breath even, tightening down on his thoughts and emotions until there was nothing left in the universe but the next step ahead on the sliver of ledge. And then the step after that.<BR> <BR>The old men and women of their village taught all the children how to do this; it was a survival skill, and the People of the Black Glass needed many of those. Tell resisted the impulse to lean in toward the sheer rock wall. He knew from stories heard for fourteen years around winter&rsquo;s fires that leaning in was a false comfort; it took away balance.<BR> <BR>The first few steps were always the worst; they demanded every ounce of his courage. After that, he just kept moving forward, shuffling his feet when he encountered snow, kicking it off the ledge ahead of the others.<BR> <BR>Tell didn&rsquo;t dare turn to make sure the others followed, but he heard the hooves, the footsteps, the steady breathing behind him, and so he continued on slowly. Directly behind him, Rumble burbled softly, as if to say &ldquo;Keep going; you&rsquo;re doing fine.&rdquo;<BR> <BR>Up ahead, a sharp shadow slashed across the ledge, cast by the hanging rock. It was close to noon, so Tell knew that when he reached the rock&rsquo;s shadow, he would be more than two-thirds of the way through. The entire mule train was in the Narrows now. There was nowhere to go but forward.<BR> <BR>Forcing himself not to look upward, he stole a glance ahead toward the notch in the rock at the end of the Narrows, which spelled safety.<BR> <BR>His heart stopped.<BR> <BR>His feet stopped. Rumble whinnied.<BR> <BR>The entire line behind him had no choice but to stop in a place where stopping was a very bad idea.<BR> <BR>&ldquo;What are you doing?&rdquo; Wren whispered tensely from behind.<BR> <BR>Tell pointed forward with an unsteady hand.<BR> <BR>At the other side of the Narrows, the figure of a man was silhouetted in the notch, watching them. A man Tell and Wren thought they&rsquo;d never see again. Someone they feared more deeply than anyone else, Tell especially.<BR> </section>]]></Text>
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      <Text><![CDATA[Two siblings band together against their brutal circumstances in this middle grade series rife with dangerous sorcerers, social unrest, and tested loyalties.]]></Text>
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      <SubjectHeadingText>action adventure; time travel; cousins; portal fantasy; aunts; danger; Cuban; Mexico; Battle of Puebla; confederacy; union; General Ignacio Zaragoza; Civil War; history; Cinco de Mayo; magical sword; slavery; indigenous people; heritage; brother-sister relationship; daredevil; influencer; bookworm; Latin history is US history; Latinx; Hispanic Heritage Month; We Need Diverse Books; illustrated; fast-paced; reluctant readers; middle grade novel for grades 3 4 5 6 7 eight nine ten eleven twelve year olds; ages 8-12; books like the Magic Tree House; Latinx Books; Latina Hispanic Latinx Author; Latinx Heritage Month; Books about Latinx Experience; Latin Heritage; People of Color; BIPOC; Hispanic Books; Books Like Us; Celebrating Latinx Voices; Diverse Voices; Own Voices; Doctor Who; Charlie Hernandez by Ryan Calejo; The Storm Runner; The Mostly True Adventures of Homer P. Figg; Rodman Philbrick; Treasure Island;</SubjectHeadingText>
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      <Text><![CDATA[<B>Three cousins get transported back to 1862 to play an important role in the Battle of Puebla, the reason we celebrate Cinco de Mayo today, in this &ldquo;</B><B>spellbinding&rdquo; (<I>School Library Journal</I>, starred review) middle grade fantasy adventure.</B><b> </b><BR><BR>History is alive with magic. That&rsquo;s what zany T&#237;a Xia is always telling cousins Jorge, Camila, and Siggy. Daredevil Jorge couldn&rsquo;t be more different than his cousins: Camila is a dreamer who adores animals and Siggy is an aspiring influencer who always has an exclusive party to attend. And their aunt has many secrets, including a mysterious diamond-encrusted sword that Jorge definitely wasn&rsquo;t supposed to see.<BR> <BR>But when the three stumble upon a time portal in their aunt&rsquo;s yard, they are transported back to 1862, a past filled with wonders&#8212;and dangers. To return to the present, they must race to deliver the sword to General Ignacio Zaragoza in time for the historic Battle of Puebla in Mexico: the foundation of the holiday Cinco de Mayo.<BR> <BR>As their journey to Mexico takes them through the Civil War&#8211;era United States, the cousins see just how much US history has been shaped by Latin communities. They must find the power within themselves to make sure things happen as they&rsquo;re supposed to, without altering the past.]]></Text>
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      <Text><![CDATA[Emma Otheguy is the author of several books for young readers, including the picture books&nbsp;<i>A Sled for Gabo</i>&nbsp;and&nbsp;<i>Martina Has Too Many T&iacute;as</i>,&nbsp;the bilingual picture book&nbsp;<i>Mart&iacute;&rsquo;s Song for Freedom,</i>&nbsp;and the middle grade novels&nbsp;<i>Sof&iacute;a Acosta Makes a Scene</i>,&nbsp;<i>Cousins in the Time of Magic</i>,&nbsp;<i>Silver Meadows Summer</i>, and, with Adam Gidwitz,&nbsp;<i>The Madre de Aguas of Cuba</i>, part of the Unicorn Rescue Society series.&nbsp;Visit her at&nbsp;EmmaOtheguy.com.<BR><BR>Poly Bernatene was born in 1972 in Buenos Aires, Argentina, and has been drawing ever since. He graduated from Buenos Aires&rsquo;s art school, where he developed a great interest in managing different techniques in his work. He has worked in advertisement, animation, and comics. During the last fifteen years, he has established an exciting career as a professional illustrator, having published more than sixty children&rsquo;s books in eleven countries.]]></Text>
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      <Text><![CDATA[Chapter 1: The Discovery <link rel="stylesheet" type="text/css" href="../styles/9781665915205.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <BR><img src="../images/common01.jpg" role="presentation" alt=""><BR> 1. THE DISCOVERY <BR>Jorge wasn&rsquo;t supposed to see the sword.<BR> <BR>The only reason he did see it was because he was climbing the garage roof. Cooper Tumbor, the new neighbors&rsquo; son and the most pompous boy ever, had dared him to scale the back and do a handstand on top. The side of the roof was steep and sloped like a mountain, but Jorge never refused a dare.<BR> <BR>His cousins Camila and Siggy were inside, so Jorge figured he would have some privacy to try out the stunt. Jorge was the youngest of the three cousins and they were all at their aunt X&#237;a&rsquo;s house, like every Monday after school. T&#237;a X&#237;a was loving but perpetually distracted.<BR> <BR>Camila liked to act all motherly toward Jorge, even though she was only a year older. This sometimes posed a problem for Jorge, who was interested in dares (the more dangerous the better), but right now Camila was reading one of her animal books, and Siggy, the oldest of the three, was recording a video. It usually took Siggy a bunch of takes before he would upload anything&#8212;not that he had many followers, Jorge thought with a smirk.<BR> <BR>As for his aunt X&#237;a, she was history&rsquo;s worst babysitter, which was what Jorge loved about her. She gave them plenty of snacks, hugs that were slightly too tight, and free rein of her house and yard. She was inside gabbing with a friend on the phone, and Jorge didn&rsquo;t think she would be out to check on him anytime soon.<BR> <BR>Jorge took a running leap, managed to hoist his body onto the gutter, and began the slow crawl to the top of the garage. It wasn&rsquo;t as hard as he thought it would be. The uneven shingles provided some footholds, and while it wasn&rsquo;t exactly a walk in the park, it wasn&rsquo;t impossible either. He reached the top sweaty and triumphant. He plucked some hot-pink flowers from the bougainvillea that grew along the side of the garage&#8212;proof that he&rsquo;d been up here&#8212;and shoved them in his pocket. He looked around, wondering where Cooper had gone. He had expected Cooper to stick around and heckle him.<BR> <BR>Jorge turned his attention back to the garage roof, where there was a flat area just big enough for a kid to do a handstand. The trick would be flipping upside down without falling. Just as Jorge was about to try it, he heard a car pull into the driveway and the front door of the house slam. He watched as T&#237;a X&#237;a came running toward the driveway, her frizzy hair flying behind her. He crouched down, and to his relief, T&#237;a X&#237;a didn&rsquo;t see him. Even T&#237;a X&#237;a&rsquo;s permissiveness didn&rsquo;t extend to balancing on rooftops.<BR> <BR>Jorge couldn&rsquo;t see much from his perch, but he heard Luisa, T&#237;a X&#237;a&rsquo;s work friend from the museum, step out of the car. &ldquo;I found this in the supply closet. You know how clean I keep that closet&#8212;someone must have planted it there!&rdquo;<BR> <BR>Jorge dropped onto his stomach and scooted toward the edge of the roof, where he could peer down at the driveway. He was expecting to see some history thing, like a broken butter churn or an old-fashioned typewriter&#8212;the kinds of things history nerds like Luisa and T&#237;a X&#237;a loved but no one else really cared about.<BR> <BR>He did not expect to see a diamond-encrusted sword.<BR> <BR>It was a dazzling sword with elaborate engravings and a solid gold hilt dotted with diamonds. In fact, the hot Miami sun was beating down hard on the driveway, and everything it touched seemed to sizzle and let off steam.<BR> <BR>T&#237;a X&#237;a took the sword in her own hands and said, &ldquo;How could this be? The sword was missing for more than a century and now someone just leaves it in a closet at the museum? It must be magic!&rdquo;<BR> <BR>Jorge shivered, despite the heat. T&#237;a X&#237;a liked to talk about how history is alive and how the past speaks. After all, she worked at a history museum. That was what she meant when she said it was magic, of course.&hellip;<BR> <BR><img src="../images/f0004-01.jpg" alt="Image"><BR> <BR>Except. There was something about the way she said it that gave Jorge a funny feeling. He thought he had better get off the garage roof before he caught sunstroke, but he didn&rsquo;t dare move while T&#237;a X&#237;a and Luisa were in the driveway.<BR> <BR>&ldquo;I have to bring this to Nacho,&rdquo; T&#237;a X&#237;a said. &ldquo;It would mean so much to him.&rdquo;<BR> <BR>&ldquo;Be careful,&rdquo; Luisa pleaded. Jorge wondered why she sounded so worried. T&#237;a X&#237;a was just going to bring the sword to some guy named Nacho.<BR> <BR>&ldquo;We don&rsquo;t know who planted it,&rdquo; Luisa said. &ldquo;Someone could be after you, X&#237;a.&rdquo;<BR> <BR>Either Jorge was hearing things or T&#237;a X&#237;a was keeping a big secret. Why would someone be after his zany, scatterbrained aunt? She was the last person you would expect anyone to be after, that was for sure.<BR> <BR>&ldquo;I&rsquo;ll leave right away,&rdquo; T&#237;a X&#237;a said decidedly.<BR> <BR>&ldquo;You can&rsquo;t! The ships&#8212;&rdquo;<BR> <BR>&ldquo;They&rsquo;re ready.&rdquo; Luisa must have known there was no point in arguing with T&#237;a X&#237;a once she had made up her mind. She climbed into her car and drove away.<BR> <BR>Jorge stayed where he was, silent. The roof shingles were starting to dig into his stomach and scratch his knees, but at least the day was finally cooling down.<BR> <BR>T&#237;a X&#237;a stood in the driveway, holding the sword, then rushed across the lawn. Jorge watched her carry the sword to the tinaj&#243;n, the large clay pot that lay on its side in the corner of the front yard. She held the sword firmly in her right hand, like she was used to such things, then knelt down in front of the pot.<BR> <BR>There were clay pots like these on lawns scattered all over Miami, but T&#237;a X&#237;a&rsquo;s was unusually large. Even so, when Jorge saw T&#237;a X&#237;a crawl right into the mouth of the clay pot and disappear inside, he rubbed his eyes in confusion. She must have disappeared around the side somewhere&#8212;maybe she was <i>burying</i> the sword? Or maybe he really was having sunstroke. Not a minute later, T&#237;a X&#237;a emerged from the clay pot, wiped her hands and knees, and walked to the front door of her house.<BR> <BR>Jorge didn&rsquo;t move for several minutes, waiting to see if anything else astonishing would happen. When nothing did, he turned around and faced the steep back of the garage roof once more. He had totally forgotten about the dare. All he wanted now were some answers from T&#237;a X&#237;a, like where she had put the sword, and what was going on with her tinaj&#243;n. More important, Jorge wanted to know who exactly was after T&#237;a X&#237;a. Now that he thought about it, there were some people annoyed at T&#237;a X&#237;a&#8212;her new neighbors were rich and grumpy. They complained about how T&#237;a X&#237;a maintained her lawn (she didn&rsquo;t), how much her dogs barked (all the time), and how loudly she blasted Bad Bunny (as high as her speakers would go). But Luisa wouldn&rsquo;t have issued a warning like that just for some grumpy neighbors.<BR> <BR>&ldquo;Well, well.&rdquo;<BR> <BR>Jorge groaned.<BR> <BR>Cooper Tumbor was standing behind the garage again. He lived in the house behind T&#237;a X&#237;a&rsquo;s, and he seemed to love nothing better than torturing Jorge. Considering Cooper was in the seventh grade and Jorge was only in fifth, it really was unfair.<BR> <BR>&ldquo;Couldn&rsquo;t manage the handstand, I see,&rdquo; Cooper mocked.<BR> <BR>&ldquo;Couldn&rsquo;t tell the weather, I see,&rdquo; Jorge mimicked, pointing at Cooper&rsquo;s long pointy umbrella.<BR> <BR>&ldquo;Try again.&rdquo; Cooper motioned upward.<BR> <BR>Jorge looked. The brilliant blue Miami sky was rapidly turning dark with clouds. He was going to get soaked.<BR> <BR>&ldquo;Of course,&rdquo; Cooper said airily, &ldquo;I went to get an umbrella, because I prepare for the rain. Why, when my ancestors, the Tumbors of Massachusetts, were building a new dormitory at Harvard University&#8212;the most important university in the country&#8212;did they let the rain stop them?&rdquo;<BR> <BR>&ldquo;Yeah, yeah, I know,&rdquo; Jorge said. Cooper was always talking about his important ancestors. It was drizzling now, and Jorge wanted to climb down before the roof got any wetter.<BR> <BR>&ldquo;Of course, it&rsquo;s all in my blood. I&rsquo;m very lucky to have such important ancestors. Who did you say your ancestors were, Jorge? From some little island, right?&rdquo;<BR> <BR>Jorge gritted his teeth. He was half Cuban, half Mexican, and one hundred percent sick of Cooper Tumbor. &ldquo;Get out of my way,&rdquo; he growled, preparing to climb off.<BR> <BR><i>BOOM!</i><BR> <BR>There was a flash of electric-blue light, and rain pounded down, instantly drenching Jorge. Rivulets formed on the back of the roof, sliding swiftly between the shingles. The entire roof was slick with rainwater. Anyone who tried to climb down now would surely slip and break their neck.<BR> <BR>&ldquo;Well, well,&rdquo; Cooper repeated in his pompous tone. &ldquo;This should be interesting.&rdquo; He opened his pointy umbrella and grinned.<BR> </section>]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>Cousins in the Time of Magic</i></b><BR> <BR>By Emma Otheguy<BR> <BR>Illustrated by Poly Bernatene<BR><BR><b>About the Book</b><BR> <BR>In modern day Miami, three cousins spend Mondays at their eccentric aunt&rsquo;s home after school. T&#237;a X&#237;a loves sharing Latin American history with Jorge, Camila, and Siggy, despite their protests. When the cousins accidentally slip through a time portal that sends them to 1862, they start to wish they&rsquo;d paid attention to their aunt&rsquo;s lectures! They arrive in the middle of the United States Civil War, escape a Confederate ironclad, and fly to Mexico in a hydrogen balloon just in time for the Battle of Puebla (Cinco de Mayo). T&#237;a Xia is armed with a sword she must deliver to General Ignacio Zaragoza in hopes of winning the Battle of Puebla. The cousins meet kids like themselves throughout their journey, building solidarity and learning how influential Latin American people were in securing freedom in America.<BR><BR><b>Discussion Questions</b><BR> <BR>1. When T&#237;a X&#237;a begins talking about history, the cousins yell &ldquo;&lsquo;NO LECTURES!&rsquo;&rdquo; (Chapter two) Discuss moments throughout the novel when paying attention to T&#237;a&rsquo;s history lectures would have been helpful for Jorge, Camila, and Siggy.<BR> <BR>2. Siggy is disappointed that he only receives collaboration opportunities from &ldquo;tiny Latin [brands]&rdquo;. (Chapter two) Why does Siggy feel this way? What would fairness look like for online influencers?<BR> <BR>3. Cooper Tumbor often references his ancestors and their important contributions. What does it mean for someone to be able to trace their family heritage back centuries? Whose ancestors get to be remembered and why? What if your ancestors made significant contributions, but were not remembered? Discuss in pairs, then come together as a class to share your thoughts.<BR> <BR>4. At the beginning of the story, Siggy is excited to attend the Tumbors&rsquo; Cinco de Mayo party despite T&#237;a X&#237;a&rsquo;s objections. How does Siggy&rsquo;s perspective about the festivities change? After reading the novel, how do you feel about the Tumbors throwing a Cinco de Mayo party? Explain.<BR> <BR>5. Camila mentions it&rsquo;s &ldquo;her job to look out for Jorge.&rdquo; (Chapter three) Who decided this and why? Put yourself in Camila&rsquo;s shoes and then in Jorge&rsquo;s shoes. Discuss how you would handle this responsibility as Camila, and how you would respond if you were Jorge.<BR> <BR>6. Oscar helps Union officer Federico escape in chapters 11 and 12. Using the library and trusted Internet resources, research other ways that enslaved people supported the Union during the Civil War. Check out the &ldquo;Further Reading&rdquo; suggestions at the back of the book for more ideas.<BR> <BR>7. The cousins encounter moments of racism and prejudice in the book. Siggy wonders if Cooper would also use racist words against Mexicans in the present. He also encounters a Mexican person who is racist against his own people. How do harmful beliefs like racism continue to exist across centuries? What can be done to change these beliefs?<BR> <BR>8. Federico uses magic as a metaphor for family and support, but he also believes it to be a real thing. What are examples of things in real life that you think feel like magic? Explain.<BR> <BR>9. What does Federico mean when he states, &ldquo;&lsquo;Everything is connected, Jorge . . . What happens to one place in the Americas happens to us all&rsquo;&rdquo;? (Chapter thirteen)<BR> <BR>10. Miguel Cardoso is a Mexican man who wants the French to rule Mexico as a monarchy. Why is he fighting against his own country? Use examples from the text and historical evidence to provide your answer.<BR> <BR>11. When Pascuala explains she was speaking Masehual Tlahtol, or Nahuatl, Camila remembers how her T&#237;a X&#237;a complained that Indigenous people in Latin America did not stop existing in modern times, yet schools did not teach students about them. (Chapter seventeen) Research an existing Indigenous group. What kinds of issues are they facing? What ways can non-Indigenous people offer support and solidarity?<BR> <BR>12. Pascuala shows Jorge and Camila the aqueduct that once moved water through the city. When Camila learns it has not been active for over a century, she thinks &ldquo;Pascuala lived in a specific moment in time, and here too there had been a &lsquo;before.&rsquo;&rdquo; (Chapter nineteen) What do you think about this observation? What is something happening in the present that you think kids in the future should learn?<BR> <BR>13. Discuss the challenges and experiences Camila and Pascuala face because they are girls. Pascuala is also indigenous while Camila is a Latina with light skin. How do their experiences differ because of how they look? Can you relate? How might your gender and race change the way you experience life compared to others?<BR> <BR>14. Camila notes there had been many men in the past, but she had hardly seen any women until meeting Pascuala and her mother. Research different wars and battles: What roles did women have? Why are women&rsquo;s contributions not recognized as often?<BR> <BR>15. The French began calling themselves and people from Latin America &ldquo;Latino&rdquo; to encourage the support of the French invading Mexico, using the Catholic religion as a commonality. The cousins feel torn about identifying this way and ask Alfonso and Pascuala how they identify. Through this discussion, they reclaim the identifier &ldquo;Latino&rdquo; and list more commonalities. Reflect on your own traits and family culture, and write about how those they relate back to your background and support your identity.<BR> <BR>16. Why do the kids still have to deliver the sword to General Zaragoza even after the battle has been won? Use examples from the text to support your answer.<BR> <BR>17. General Zaragoza says the cousins will inherit something before T&#237;a X&#237;a cuts him off. What do you think they will inherit if T&#237;a X&#237;a doesn&rsquo;t have any money?<BR> <BR>18. In the book, sand is literally used to travel across time, but is also figuratively described as having seen what has happened in history. What other metaphors are mentioned in the book? If you were to travel through time, what artifact would connect you to the present and why?<BR> <BR>19. Did you learn about the Battle of Puebla in school? If so, how was it related to the United States Civil War and the abolition of slavery? Discuss the following in small groups: Are there other moments in history you&rsquo;d like to learn about? Why do you think certain moments are not taught? What can you do to change this and educate yourself and others?<BR> <BR><b>Extension Activities</b><BR> <BR>1. Imagine the book is a role-playing game. Create character cards for Jorge, Camila, and Siggy, as well as for a secondary character of your choice. Include their strengths, weaknesses, and special abilities. Write a summary of the scenes from the book that support your character cards.<BR> <BR>2. T&#237;a X&#237;a explains she built ships to sail through time because &ldquo;&lsquo;when I time travel, I build bridges. I make connections. I remember I&rsquo;m never alone. Those who came before us are always with us.&rsquo;&rdquo; (Chapter twenty-five) Choose a moment in history you&rsquo;d like to visit, and prepare a presentation about the people you&rsquo;d meet and the actions you&rsquo;d take. Use at least three different sources to back up your claims.<BR> <BR>3. The cousins meet three young people in 1862 whose stories are not often represented in historical texts: Alfonso, Oscar, and Pascuala. It is also implied that Pascuala might be the cousins&rsquo; ancestor. Think about your own family, and write a reflection essay of who your ancestor might have been in 1862. You might be someone who can trace your family all the way back to the 1800s, but if not, use historical clues and your imagination.<BR> <BR>4. In the author&rsquo;s note, Emma Otheguy cites the Battle of Puebla as a moment of solidarity between marginalized people. When Puebla won against the French, &ldquo;they defended their own country, as well as the very concept of republicanism in America.&rdquo; Describe moments of solidarity between characters in the book. What examples of solidarity do you see in real life? Make a poster that you would bring to a protest or share around your community that represents why solidarity is important.<BR> <BR>5. Work in groups of four to create an escape room using <i>Cousins in the Time of Magic</i> as the storyline. Plot out the main elements of the story, and create a puzzle based around each turning point. Make sure one of the puzzles uses a route cypher like the one Alfonso deciphers from T&#237;a X&#237;a.<BR><BR><i>Guide written by Cynthia Medrano, Librarian at the Highland Park Public Library.</i><BR> <BR><i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.</i>]]></Text>
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      <Text><![CDATA[&quot;Otheguy&rsquo;s novel is deeply original, action-packed and brimming with historical richness and wit. It is particularly satisfying to see how her characters change and grow on their journey, ultimately gaining a better understanding of their culture and its influence on the United States at large.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;The New York Times&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[<B>&ldquo;A sweet love story of self-discovery and mutual support&rdquo; (<I>Kirkus Reviews</I>), this slice-of-life companion to <I>A Pho Love Story</I> follows two Vietnamese American students who find themselves at a crossroads&#8212;between family expectations, personal identity, and relationships.</B><BR><BR>To his friends back home, Viet Ho is calm and collected and a lovable oddball who nurses an obsession with forensic science. He&rsquo;s relieved to escape to UC Davis and escape from being caught between his feuding bickering immigrant parents. But with the whirlwind of campus life and the weight of his depression pressing in, Viet begins to wonder if he can truly outrun the version of himself he left behind.<BR> <BR>Evie Mai is the classic overachiever: a junior biology major, model eldest daughter, and girlfriend to a charming, well-connected future doctor. But while her r&#233;sum&#233; is flawless, her relationship is fraying&#8212;and she&rsquo;s starting to question whether the future she&rsquo;s worked so hard for is one she actually wants. Hoping to reconnect, she and her boyfriend both join a student-run clinic, but the experience reveals just how out of sync they&rsquo;ve become.<BR> <BR>When an awkward accident throws Viet and Evie together, a friendship sparks over shared memories, late-night conversations, and quiet support neither of them knew they needed. As their bond deepens, so does the pull between them&#8212;challenging everything they thought they knew about love, family, and what it means to belong.<BR> <BR>A slow-burn romance that is tender and quietly powerful, <I>Solving for the Unknown</I> is about stepping off the path you were told to follow&#8212;and finding something unexpectedly beautiful in the process.]]></Text>
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      <Text><![CDATA[Loan Le is the author of&nbsp;<I>Solving for the Unknown&nbsp;</I>and&nbsp;<I>A Pho&nbsp;Love Story</I>, a YA rom-com that earned praise from NPR,&nbsp;<I>PopSugar</I>,&nbsp;<I>Bustle</I>,&nbsp;<I>Bon Appetit</I>,&nbsp;<I>USA TODAY</I>, and&nbsp;<I>BuzzFeed</I>. She published her YA speculative short story in the anthology&nbsp;<I>Firsts &amp; Lasts</I>. Loan is also a senior editor at Atria Books, where she acquires genre-bending adult fiction. When she isn&rsquo;t writing young adult novels, she&rsquo;s making sourdough bread, trying to keep her plants alive, watching true crime documentaries, and working on her adult novel. Visit her website at WriterLoanLe.me and find her on X @LoanLoan and Instagram @LoanLoanLe.]]></Text>
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      <Text><![CDATA[Chapter 1: Vi?t <link rel="stylesheet" type="text/css" href="../styles/9781665917179.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER 1 VI?T <BR>All Vietnamese kids understood that the stork story could never apply to them. Sure, the idea was great. Vi?t even thought it was comforting that a majestic bird could have carried him in its secure beak before delivering him home. Unfortunately, Vi?t&rsquo;s real origin story, according to his parents, was that they found him in some trash can, with ants crawling over him&#8212;an embellishment they liked to add before uncontrollably laughing.<BR> <BR>Vi?t&rsquo;s parents learned their jokes from <i>their</i> parents, which basically meant they didn&rsquo;t learn how to tell jokes at all.<BR> <BR>As he grew older, Vi?t realized he was carefully planned, like everything else in his parents&rsquo; lives. They waited to have him until their wholesale distributor business in Westminster was stable. But since that took years and years, his parents had more gray hair than other parents of classmates his age.<BR> <BR>Especially the ones here. Vi?t&rsquo;s mom and dad never experienced college life or move-in day; they didn&rsquo;t know what to expect, so they looked unusually lost as they stood in the Tercero parking lot at UC Davis, surrounded by other incoming freshmen and their families rushing from their cars to the dorms.<BR> <BR>&ldquo;I&rsquo;ll get my welcome packet. I&rsquo;ll be back,&rdquo; Vi?t said just as his parents started whisper-arguing.<BR> <BR>The minute he turned, he exhaled. He should be used to this&#8212;all their arguments. During the car ride, beneath the crooning of Vietnamese ballads, his parents blew up at each other after Ba took a wrong turn. Suburban areas turned rural, then back to suburban and then eventually, the town and the campus was a mixture of the two. When they finally reached the parking lot, his mom came out of their van scowling. A familiar, uneasy feeling swelled inside Vi?t. With him gone, how were they going to survive each other?<BR> <BR>At the check-in table, upperclassmen Student Housing volunteers were way too peppy, but their energy was contagious, so Vi?t&rsquo;s wariness waned, and the excitement that started up last night returned. He was here, finally. A volunteer handed him a twenty-minute unloading pass and a thick folder containing plans for this week&rsquo;s Aggie Orientation.<BR> <BR>Soon enough, other leaders redirected his father to park closer to the curb outside Laben Hall and helped them unload the trunk. The students were surprised when M? also got to work immediately. His mom was barely five feet and might look like she knitted for fun, but in reality, she was weight-lifting crates of fresh produce all over Bolsa every day.<BR> <BR>Laben Hall was sandwiched between Campbell and Kearney. Inside the dorm, the air was ripe with Lysol, flowery perfumes, and pungent cologne. The hallways were narrow, walls covered by flyers in serial-killer block letters. Scratch that; maybe Vi?t shouldn&rsquo;t have stayed up late watching reruns of <i>CSI: Miami.</i><BR> <BR>As they passed different rooms, he heard roommates and parents in conversation. Laughter exploded from somewhere at the end of the hall, but all was quiet on their end.<BR> <BR>Vi?t and his parents stood before a door with a plaque reading ROOM 136. Hands full, Ba urged Vi?t forward with his hip, which was made of iron, apparently, because the next thing he knew, he was through the door, nearly landing face down.<BR> <BR>His new roommate and his parents turned; they weren&rsquo;t what Vi?t expected.<BR> <BR>Instagram stalking had easily led him to Wren&rsquo;s page. His posts showed off his chalk art and wall graffiti, but Vi?t couldn&rsquo;t find a clear photo of him.<BR> <BR>Over boba at 7 Leaves, Vi?t had passed Wren&rsquo;s profile to B?o and Linh. After checking out Wren&rsquo;s art, Linh, also a painter, said she&rsquo;d love to meet him. B?o asked if he should be worried about &ldquo;competition,&rdquo; prompting Linh to steal back the strawberry boba they were sharing. He didn&rsquo;t even protest. B?o was so whipped for her. They were sickening.<BR> <BR>What Vi?t didn&rsquo;t expect to see was a kid wearing khakis and a polo shirt&#8212;but why was it buttoned up all the way to the top?<BR> <BR>They exchanged poorly timed hellos. Wren&rsquo;s dad matched with his own pressed khakis, and his mother had on a white blouse, pink pants, and beige flats. She reminded Vi?t of a rich woman on <i>Law &amp; Order</i> or <i>Criminal Minds</i>, the character who was always sure her corporate loves-golf-but-is-too-busy-to-uphold-the-sanctity-of-marriage husband or her precious I-punch-holes-in-the-wall son were innocent of any crime.<BR> <BR>Meanwhile, Vi?t&rsquo;s parents had on jeans and loose shirts so they could easily move around.<BR> <BR>Well, this should be interesting.<BR> <BR>&ldquo;Now, tell me, how do you pronounce that name of yours?&rdquo; Dad Khaki finally asked.<BR> <BR>&ldquo;Yeah, it&rsquo;s Vi?t,&rdquo; he answered, lowering his pitch.<BR> <BR>&ldquo;Wow, that&rsquo;s an <i>interesting</i> name.&rdquo; Oh, perfect. &ldquo;Say that again, I want to try it.&rdquo;<BR> <BR>&ldquo;Well, in Vietnamese, the letter <i>e</i> in my name has an underdot, so the tone is lower. It feels like your throat is tightening when you say it,&rdquo; he explained. &ldquo;But it might be easier for you to imagine saying the first half of the word <i>Vietnam</i>.&rdquo;<BR> <BR>&ldquo;Ah, well, I didn&rsquo;t think it&rsquo;d be that easy! How&rsquo;s this?&rdquo; The man tried to pronounce Vi?t&rsquo;s name but couldn&rsquo;t get the tone right.<BR> <BR>&ldquo;Um, well&#8212;&rdquo;<BR> <BR>&ldquo;Dad, just pronounce it like he said and stop torturing all of us. It&rsquo;s <i>Vi?t</i>,&rdquo; Wren interjected. His pronunciation was close to the Vietnamese way. In the middle of folding cardboard boxes, his top button had come loose, and he was brushing back hair away from his eyes. &ldquo;I go by Wren because they had the bright idea of naming me Wrendell. Goes to show you that they shouldn&rsquo;t be naming <i>anyone</i>, like ever.&rdquo;<BR> <BR>Wren&rsquo;s father shot Vi?t a sheepish grin, then busied himself with moving his son&rsquo;s boxes from the hallway and into the room. As they all unpacked, Wren&rsquo;s chatty mother pestered Vi?t and his parents with questions, which Vi?t answered himself. Ba and M? weren&rsquo;t familiar with polite small talk with strangers; their work life and social life were deeply embedded in Little Saigon, where people looked like them, used the same language, and shared the same history.<BR> <BR>After a while, Wren&rsquo;s mother switched over to voicing trivial observations&#8212;&ldquo;This room is <i>so</i> small, isn&rsquo;t it?&rdquo;&#8212;where his parents could nod their agreement. Vi?t felt bad for judging the woman earlier based on her impractical, well-to-do outfit; she was friendly enough.<BR> <BR>Soon, Wren and his family left for dinner.<BR> <BR>Ba checked one of the two wardrobes, scowling when he discovered one of the doors wouldn&rsquo;t close.<BR> <BR>&ldquo;Make sure you switch it with the other one,&rdquo; he said, and Vi?t had to laugh. He could be funny sometimes. But Ba&rsquo;s humor tended to come out at family gatherings, when he had four or five Heineken beers with the other men. Then there was no shutting him up.<BR> <BR>Meanwhile, his mom parted the curtains of a window. Dust motes danced in the air. She peered outside as if she was expecting someone.<BR> <BR>Ba placed the last cardboard box onto his desk. It had most of Vi?t&rsquo;s books and DVDs&#8212;and some things he didn&rsquo;t want his dad to see.<BR> <BR>&ldquo;Uh, I can do it&#8212;&rdquo;<BR> <BR>But in Ba&rsquo;s hand was <i>The Forensic Casebook</i>, a rare title in English that was shoved into one of T? L?c Bookstore&rsquo;s crowded shelves, forgotten.<BR> <BR>Vi?t stilled.<BR> <BR>Truth was, he had never intended to tell his parents about his idea to go into forensic science. But then he watched his best friend, B?o&#8212;who never cared so much about anything&#8212;find his calling as a writer and an editor, and finally told his parents nearly a year ago. They proudly hung up one of his articles. Turned out they didn&rsquo;t care what B?o did; they only wished he could find a passion.<BR> <BR>Their reaction gave Vi?t hope. And he thought maybe <i>his</i> parents would want the same thing for him. He brought it up at dinner at around the same time&#8212;and found he was completely wrong.<BR> <BR>Their meal forgotten, his father had started ranting about how much he and his mother sacrificed to give Vi?t a stable life, to pave him a path to <i>somewhere</i>, versus the literal and figurative dirt road they had to navigate when they&rsquo;d landed in America. For their son to show interest in a &ldquo;fake&rdquo; science like forensics was akin to taking an ill-advised detour or a major wrong turn.<BR> <BR>&ldquo;Passion? What is passion, you Americanized kids all talk about?&rdquo; His dad had looked to his mother across the kitchen table, as if she&rsquo;d have the answer. She showed confusion rather than share his father&rsquo;s anger. &ldquo;We cannot afford to have passions.&rdquo;<BR> <BR>Like usual, Vi?t let his dad rant. He picked at the rice in his bowl as his dad&rsquo;s emphasis on <i>afford</i> echoed in his head. He knew what his father was getting it. Vi?t had gotten into a couple of schools&#8212;big names, like the ones his parents&rsquo; friends often name-dropped&#8212;but with little to no scholarships attached and knowing the number of loans he&rsquo;d need to take to attend, they all agreed to choose a good state school. Because that was what they could afford to do.<BR> <BR>It wasn&rsquo;t like he had his eyes set on Stanford or whatever big-shot school. Never did. He just wanted&#8212;<BR> <BR>What Vi?t <i>really</i> wanted to tell his parents&#8212;<BR> <BR>His mind returned to the present. Vi?t took the book from Ba and slid it underneath his other textbooks&#8212;for his &ldquo;real science&rdquo; classes.<BR> <BR>&ldquo;I think I can handle it from here,&rdquo; he said quietly.<BR> <BR>His dad opened his mouth, but his mom interrupted them from a few feet away.<BR> <BR>&ldquo;This isn&rsquo;t working. Not cold.&rdquo; She was bent over, placing her hand inside the mini fridge. Ba went over to check on it himself. As M? stood up, she shot Vi?t a tired, almost understanding smile.<BR> <BR>&ldquo;The school can&rsquo;t even give you a working fridge?&rdquo; Ba complained.<BR> <BR>Grateful for the distraction, Vi?t joked with Ba: &ldquo;Do you want me to switch it with a fridge from another room?&rdquo;<BR> <BR>&ldquo;Can you?&rdquo;<BR> <BR>M? lightly slapped Ba&rsquo;s shoulder, telling him in Vietnamese that this would only get Vi?t in trouble. It was a familiar but rare move&#8212;that slap. Fun. They didn&rsquo;t seem to have any fun these days. Maybe work was getting tough; by the time they came home, they looked like they lost days of sleep.<BR> <BR>Turned out the fridge worked; it was just the outlet that was bad.<BR> <BR>When it was time for his parents to leave, Ba pulled out his wallet and offered Vi?t some money. &ldquo;N&#232;. Take it.&rdquo;<BR> <BR>&ldquo;No, it&rsquo;s fine, I don&rsquo;t need any money.&rdquo; He&rsquo;d saved enough from working at B?o&rsquo;s family restaurant.<BR> <BR>&ldquo;Th&#244;i, don&rsquo;t argue.&rdquo; Ba physically pried open his fingers, placing five hundred dollars in his palm. He must have taken it out just this morning because the bills were still crisp. &ldquo;Use it on whenever con need it. Text Ba if con c?n more.&rdquo;<BR> <BR>Vi?t accepted it. &ldquo;C?m on, Ba.&rdquo;<BR> <BR>If they were another pair of son and father, they would have hugged. But his dad always kept his emotions bottled up. So, Ba settled with a pat on Vi?t&rsquo;s shoulder, and Vi?t knew what he was trying to say.<BR> <BR>His mother reached for his free hand. &ldquo;Study hard. Be careful. Don&rsquo;t forget to call M?. At least every weekend. &#208;?ng lo cho M?. And if con don&rsquo;t call, M? will drive back up.&rdquo; The threat was undercut by the tremble in her voice.<BR> <BR>Guilt washed over Vi?t. He thought about the emptiness of the house after his parents&rsquo; explosive arguments&#8212;nasty words and insults worming through the air vents. He thought of his hesitant steps toward the kitchen, where his mom would often distract herself by washing the dishes. By then, Dad was always gone, driving to clear his mind. He&rsquo;d come back later.<BR> <BR>They had been three for as long as Vi?t could remember. With him six hours away this year, how would they function as two?<BR> <BR>Who would be there for his mother when she needed someone to listen to her rant? His mother always told him not to feel bu?n, but who would be there to soothe her sadness?<BR> <BR>Yeah, a part of him was glad to be away. An escape from being his parents&rsquo; buffer.<BR> <BR>But the image of his mother in his head, in that kitchen, was heartbreakingly tiny.<BR> <BR>Vi?t squeezed her hand. &ldquo;I&rsquo;ll call. Promise.&rdquo;<BR> <BR>Now he was alone. Vi?t sat on the bed, even though his duffel bag with his running shoes challenged him from across the room, urging him to move instead of remaining still. Because nothing good ever happened when he was still. The setting sun entered through the window, slicing up Wren&rsquo;s side of the room. Music blared from down the hall&#8212;some sort of gathering. He tried to will the earlier excitement from today to come back to him. To fight away the familiar sadness.<BR> <BR>College was going to be good. Everything would be all right.<BR> </section>]]></Text>
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      <Text><![CDATA[In this companion to Le&rsquo;s A Pho Love Story, Viet is anxious about his first year of college at UC Davis, far away enough from home to feel helpless over his parent&rsquo;s constant fights. His college experience drastically shifts when he meets Evie, a junior with a strong friend group that folds Viet in without question&mdash;and a boyfriend. As Viet navigates his own mental health, the college grind, and his forensics club, he cannot help the feelings growing for Evie. A story of two children of immigrants (both teens are Vietnamese American) breaking free of their self-imposed strictures and exploring what truly makes them happy, this slow-burn romance is perfect for teens interested in a college campus story that is sweet and thoughtful and not just a nonstop party. Lo&rsquo;s prose is firm and precise, which invites readers to take their time with the romance and focus on the importance of friendship and found family. Evie and Viet narrate alternating chapters to allow readers to feel and share in their growing excitement as their thoughts about each other just won&rsquo;t dissipate. VERDICT For fans of A Pho Love Story, David Yoon&rsquo;s Frankly in Love, and other slow-burn romances]]></Text>
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      <Text><![CDATA[Le&rsquo;s sophomore novel, starring characters from her debut, A Pho Love Story (2021), is full of heart. Viet leaves high school, his core group of friends, and a tense household for the unknown world of university and known love of forensic science. Evie, a junior biology major at the same university, seems to have her life planned out perfectly. She has a solid group of friends, a career path she&rsquo;s passionate about, and a steady boyfriend. Even if that boyfriend doesn&rsquo;t seem interested in her accomplishments. Viet eventually becomes an integral part of Evie&rsquo;s circle of friends, and the two become close. They both find shelter and strength in each other, whether it&rsquo;s Viet acknowledging his depressive episodes or Evie coming to terms with the fact that her relationship may have run its course. As a coming-of-age novel, it hits all the marks. Both Viet and Evie are emotionally vulnerable, and their friends are always there to encourage and support them, which makes this an empathetic read. Le has successfully crafted another cast of downright lovable characters.&nbsp;]]></Text>
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      <TextSourceTitle>03/01/2025&lt;BR&gt; &lt;BR&gt; &#160;</TextSourceTitle>
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      <Text><![CDATA[Vietnamese American college students navigate pressures, expectations, and the future in this companion to <i>A Ph? Love Story </i>(2021).<BR> <BR> Entering the University of California, Davis, is a big adjustment for Vi?t. Between worrying about not being around to act as middleman in his parents&rsquo; rocky relationship and feeling unmoored in this new setting, he falls into depression again. After an initial not-so meet-cute, Vi?t keeps finding himself in the orbit of third-year student Evie, older sister to Linh, a friend from home. Their genuine connection leads to budding feelings that he tries to keep in check. Aspiring pediatrician Evie has a boyfriend, Jake, but she wonders whether he&rsquo;s truly meeting her emotional needs. Le tackles college coming-of-age beats&mdash;dating and breaking up, attending sloppy parties, meeting a new roommate, finding chosen family&mdash;portraying them with welcome cultural nuance and heartfelt characterization. Evie and Vi?t struggle with loneliness and guilt connected to their family obligations, as they grapple with putting some of their own desires first and figuring out who they want to become. It&rsquo;s easy to root for this pair as they come out of their shells and into their own, separately and together. Le explores topics such as mental health, wealth and privilege, and providing emotional support to others. The story&rsquo;s slice-of-life format and the carefully built foundation of the leads&rsquo; friendship make for a leisurely pace in this solid slow-burn friends-to-lovers romance.<BR> <BR> A sweet love story of self-discovery and mutual support. <i>(Romance. 14-18)</i>]]></Text>
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      <Text><![CDATA[<B>From the authors of the Goddess Girls and Heroes in Training series comes the fourth book in the School for Magical Monsters series about Medusa working to unlock her magic power&#8212;part of the Aladdin QUIX line!</B><BR><BR>Medusa is a Beast at the School for Magical Monsters who&rsquo;s waiting for her magical power. It&rsquo;s too bad her wiggles don&rsquo;t count because she is full of them! She calls them her wiggle-worries, although she wiggles if she&rsquo;s happy or excited, too.<BR> <BR>When her teacher Mr. Cyclops announces a big art project, Medusa knows it&rsquo;s her big chance to prove herself and finally earn her power! Medusa decides to create special messages of kindness, picking out cool rocks to write fun sayings on them like You Rock, Give Hugs, and Have a Great Day! With help from her goddess friend Athena, can Medusa turn her wiggles into magic?]]></Text>
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      <Text><![CDATA[1 Wiggles and Giggles<BR><BR>&#160; Hi, I&rsquo;m <B>Medusa</B>. (You say my name like this: <I>mih-DOO-suh</I>.) I have two sisters my exact same age who look a lot like me. We&rsquo;re triplets.<BR><BR>&#160; My sisters are excellent at doing magic spells. So they get to go to a school for super spellers. They&rsquo;re goddesses. But I&rsquo;m just a <B>Beast</B> girl, with no magic power.<BR><BR>&#160; Too bad that wiggling is not a magic power. Because I&rsquo;m <I>full</I> of wiggles. So full that I have a hard time keeping still. I wiggle when I&rsquo;m mad. And when I&rsquo;m happy. I wiggle when I have a question. Or when I&rsquo;m excited. Sometimes my wiggles get me into trouble. That does <I>not</I> make my sisters proud of me. <I>Sigh.</I><BR><BR>&#160; My fingers are crossed that someday I&rsquo;ll earn a magic power like they have. Could happen. <B>Because, guess what?</B> A month ago I got invited here to this outdoor school atop <B>Mount Olympus</B> in the country of <B>Greece</B>. It&rsquo;s called the School for Magical Monsters!<BR><BR>&#160; Twelve monsters go to my school. Six of us are Beasts, and six are <B>Creatures</B>. It&rsquo;s easy to tell us apart. Beasts like me wear a beanie with a big B on the front. Creatures wear caps with a C.<BR><BR>&#160; Even though I&rsquo;m a Beast, I look like a human girl. So I&rsquo;m not really sure why I got chosen to go to this awesome school. But I&rsquo;m glad I did. <B>It&rsquo;s the best ever!</B> We get to make and do tons of fun stuff in our classes.<BR><BR>&#160; Sometimes we Beasts and Creatures do <I>not</I> get along, though. Our teacher, <B>Mr. Chiron</B>, helps us work together, hoping we&rsquo;ll all become friends. He&rsquo;s a <B>centaur</B> (half human and half horse) and is supercool. We twelve monsters await him in the flower-covered Mighty Meadow right now.<BR><BR>&#160; &#160; Waiting is not my best subject. <I>When will our teacher get here?</I> I wonder. I wiggle and hop from one foot to the other. I weave my hair into ten fat braids. I sniff the flowers. I sniff a long, curly green weed. <I>Oops!</I> That&rsquo;s not a weed. It&rsquo;s my friend <B>Cerberus</B>&rsquo;s dragon-like tail!<BR><BR>&#160;&#160; &#160; &#160; His three dog heads growl at me. He&rsquo;s a Beast too. But unlike me, he&rsquo;s big and scary-looking. <I>Yikes!</I><BR><BR>&#160; &ldquo;Sorry,&rdquo; I say as I back away from him. <I>Thonk!</I> I bump into a very tall pole. More poles like this one stand in a wide circle around us. Each has a colorful flag at its top. Suddenly those flags start to wave in the wind. <I>Whoosh!</I><BR><BR>&#160; Finally! Here comes our teacher, galloping across the meadow toward us. <I>Clip-clop! Clip-clop!</I><BR><BR>&#160; We gather around Mr. Chiron. I wonder what he will ask us to make or do today.<BR><BR>&#160; &ldquo;Good morning, students. Time for a new project!&rdquo; he says, greeting us. &ldquo;Today I want each of you to choose an object from nature. Then turn it into some kind of useful art by the end of class.&rdquo;<BR><BR>&#160; <I>Yay!</I> When I hear this, I can&rsquo;t help doing a happy wiggle dance. <I>Uh-oh</I>. I step on Cerberus&rsquo;s tail.<BR><BR>&#160; <B>&ldquo;Grrr,&rdquo;</B> he says.<BR><BR>&#160; &ldquo;Sorry&hellip; again,&rdquo; I whisper.<BR><BR>&#160; &ldquo;S&rsquo;okay,&rdquo; he mutters.<BR><BR>&#160; I grin at him and back off, still wiggling with joy. Because art is my favorite subject! I already know what I&rsquo;m going to make. You see, I like to collect stones. I paint happy art on them along with encouraging words. So today&rsquo;s project sounds great to me!<BR><BR>&#160; &ldquo;When you finish your art, you&rsquo;ll gift it to a new friend,&rdquo; Mr. Chiron adds. &ldquo;<B>Get creative!</B> Make something this new friend will enjoy. Something fun, yet useful. I&rsquo;ll pop back here at the end of class. Then you&rsquo;ll each tell our class about your art project.&rdquo;<BR><BR>&#160; <I>Pop!</I> Mr. Chiron magically disappears! We students can&rsquo;t see him anymore. Still, we know he&rsquo;ll watch over us to keep us safe while we work today.<BR><BR>&#160; &ldquo;I know what I&rsquo;m gonna make!&rdquo; roars Cerberus. He flips his tail back and forth with excitement. He earned a magic power last week&#8212;the power to bark and roar. So now he gets to guard the gate to a place called the <B>Underworld</B> on weekends. <B>Lucky dog!</B><BR><BR>&#160; &ldquo;<B>Shades</B> down in the Underworld need benches to sit on,&rdquo; Cerberus tells the whole class. &ldquo;I&rsquo;m going to build some for them out of tree <I>bark! bark! bark!</I>&rdquo;<BR><BR>&#160; &#160; We all cover our ears. Because his barks are <I>loud</I>! But his idea sounds amazing.<BR><BR>&#160; Suddenly I&rsquo;m worried. Maybe my art idea isn&rsquo;t as good. What if whoever I give my project to doesn&rsquo;t like it? That will hurt my feelings. And a bad project won&rsquo;t help me earn a magic power.<BR><BR>&#160; Only two Beasts have earned magic powers so far. Cerberus and a girl named <B>Chimera</B>, who can breathe real fire! But <I>three</I> Creatures have already earned powers. So we Beasts are behind.<BR><BR>&#160; Mr. Chiron says that our special power will most likely find us when we&rsquo;re being our best selves. Well, today I will be my best self! Fingers crossed that I&rsquo;ll win a power and help our Beasts&rsquo; team catch up. And maybe make my sisters proud of me too!]]></Text>
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      <Text><![CDATA[Joan Holub has authored and/or illustrated over 140 children&rsquo;s books, including the Goddess Girls series, the Heroes in Training series, the&nbsp;<i>New York Times&nbsp;</i>bestselling picture book&nbsp;<i>Mighty Dads</i>&nbsp;(illustrated by James Dean), and&nbsp;<i>Little Red Writing</i>&nbsp;(illustrated by Melissa Sweet). She lives in North Carolina and is online at JoanHolub.com.<BR><BR>Suzanne Williams is a former elementary school librarian and the author of over seventy books for children, including the award-winning picture books&nbsp;<i>Library Lil</i>&nbsp;(illustrated by Steven Kellogg) and&nbsp;<i>My Dog Never Says Please</i>&nbsp;(illustrated by Tedd Arnold), and several chapter book and middle grade series. She also coauthors the Goddess Girls and Thunder Girls series with the fantastic Joan Holub. Visit her at Suzanne-Williams.com.<BR><BR>Toby Allen is a freelance illustrator from the UK, specializing in character design&mdash;for publishing as well as games&mdash;and children&rsquo;s book illustration. He has also worked as a 2D game artist for mobile and board and&nbsp;tabletop games and contributed to a variety of other projects that span from classical music to mental health.]]></Text>
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      <Text><![CDATA[1 Wiggles and Giggles<BR><BR>&#160; Hi, I&rsquo;m <B>Medusa</B>. (You say my name like this: <I>mih-DOO-suh</I>.) I have two sisters my exact same age who look a lot like me. We&rsquo;re triplets.<BR><BR>&#160; My sisters are excellent at doing magic spells. So they get to go to a school for super spellers. They&rsquo;re goddesses. But I&rsquo;m just a <B>Beast</B> girl, with no magic power.<BR><BR>&#160; Too bad that wiggling is not a magic power. Because I&rsquo;m <I>full</I> of wiggles. So full that I have a hard time keeping still. I wiggle when I&rsquo;m mad. And when I&rsquo;m happy. I wiggle when I have a question. Or when I&rsquo;m excited. Sometimes my wiggles get me into trouble. That does <I>not</I> make my sisters proud of me. <I>Sigh.</I><BR><BR>&#160; My fingers are crossed that someday I&rsquo;ll earn a magic power like they have. Could happen. <B>Because, guess what?</B> A month ago I got invited here to this outdoor school atop <B>Mount Olympus</B> in the country of <B>Greece</B>. It&rsquo;s called the School for Magical Monsters!<BR><BR>&#160; Twelve monsters go to my school. Six of us are Beasts, and six are <B>Creatures</B>. It&rsquo;s easy to tell us apart. Beasts like me wear a beanie with a big B on the front. Creatures wear caps with a C.<BR><BR>&#160; Even though I&rsquo;m a Beast, I look like a human girl. So I&rsquo;m not really sure why I got chosen to go to this awesome school. But I&rsquo;m glad I did. <B>It&rsquo;s the best ever!</B> We get to make and do tons of fun stuff in our classes.<BR><BR>&#160; Sometimes we Beasts and Creatures do <I>not</I> get along, though. Our teacher, <B>Mr. Chiron</B>, helps us work together, hoping we&rsquo;ll all become friends. He&rsquo;s a <B>centaur</B> (half human and half horse) and is supercool. We twelve monsters await him in the flower-covered Mighty Meadow right now.<BR><BR>&#160; &#160; Waiting is not my best subject. <I>When will our teacher get here?</I> I wonder. I wiggle and hop from one foot to the other. I weave my hair into ten fat braids. I sniff the flowers. I sniff a long, curly green weed. <I>Oops!</I> That&rsquo;s not a weed. It&rsquo;s my friend <B>Cerberus</B>&rsquo;s dragon-like tail!<BR><BR>&#160;&#160; &#160; &#160; His three dog heads growl at me. He&rsquo;s a Beast too. But unlike me, he&rsquo;s big and scary-looking. <I>Yikes!</I><BR><BR>&#160; &ldquo;Sorry,&rdquo; I say as I back away from him. <I>Thonk!</I> I bump into a very tall pole. More poles like this one stand in a wide circle around us. Each has a colorful flag at its top. Suddenly those flags start to wave in the wind. <I>Whoosh!</I><BR><BR>&#160; Finally! Here comes our teacher, galloping across the meadow toward us. <I>Clip-clop! Clip-clop!</I><BR><BR>&#160; We gather around Mr. Chiron. I wonder what he will ask us to make or do today.<BR><BR>&#160; &ldquo;Good morning, students. Time for a new project!&rdquo; he says, greeting us. &ldquo;Today I want each of you to choose an object from nature. Then turn it into some kind of useful art by the end of class.&rdquo;<BR><BR>&#160; <I>Yay!</I> When I hear this, I can&rsquo;t help doing a happy wiggle dance. <I>Uh-oh</I>. I step on Cerberus&rsquo;s tail.<BR><BR>&#160; <B>&ldquo;Grrr,&rdquo;</B> he says.<BR><BR>&#160; &ldquo;Sorry&hellip; again,&rdquo; I whisper.<BR><BR>&#160; &ldquo;S&rsquo;okay,&rdquo; he mutters.<BR><BR>&#160; I grin at him and back off, still wiggling with joy. Because art is my favorite subject! I already know what I&rsquo;m going to make. You see, I like to collect stones. I paint happy art on them along with encouraging words. So today&rsquo;s project sounds great to me!<BR><BR>&#160; &ldquo;When you finish your art, you&rsquo;ll gift it to a new friend,&rdquo; Mr. Chiron adds. &ldquo;<B>Get creative!</B> Make something this new friend will enjoy. Something fun, yet useful. I&rsquo;ll pop back here at the end of class. Then you&rsquo;ll each tell our class about your art project.&rdquo;<BR><BR>&#160; <I>Pop!</I> Mr. Chiron magically disappears! We students can&rsquo;t see him anymore. Still, we know he&rsquo;ll watch over us to keep us safe while we work today.<BR><BR>&#160; &ldquo;I know what I&rsquo;m gonna make!&rdquo; roars Cerberus. He flips his tail back and forth with excitement. He earned a magic power last week&#8212;the power to bark and roar. So now he gets to guard the gate to a place called the <B>Underworld</B> on weekends. <B>Lucky dog!</B><BR><BR>&#160; &ldquo;<B>Shades</B> down in the Underworld need benches to sit on,&rdquo; Cerberus tells the whole class. &ldquo;I&rsquo;m going to build some for them out of tree <I>bark! bark! bark!</I>&rdquo;<BR><BR>&#160; &#160; We all cover our ears. Because his barks are <I>loud</I>! But his idea sounds amazing.<BR><BR>&#160; Suddenly I&rsquo;m worried. Maybe my art idea isn&rsquo;t as good. What if whoever I give my project to doesn&rsquo;t like it? That will hurt my feelings. And a bad project won&rsquo;t help me earn a magic power.<BR><BR>&#160; Only two Beasts have earned magic powers so far. Cerberus and a girl named <B>Chimera</B>, who can breathe real fire! But <I>three</I> Creatures have already earned powers. So we Beasts are behind.<BR><BR>&#160; Mr. Chiron says that our special power will most likely find us when we&rsquo;re being our best selves. 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      <SubjectHeadingText>Joan Baez; singer; songwriter; musician; artist; performing arts; folk music; guitar; ukelele; activist; advocacy; social justice; activism; social causes; peaceful protest; change the world; Mexican American; Latina; Latinx; biracial; Martin Luther King, Jr.; Civil Rights; Bob Dylan; Odetta Holmes; President Johnson; Cesar Chavez; Dolores Huerta; anti-Vietnam War; farmers; farmworkers; ending apartheid; South Africa; Rock and Roll Hall of Fame; true story; nonfiction picture book biography for 3 4 5 6 7 8 year olds pre-k kindergarten grades 1 2 3; backmatter; Americas Award; Pura Belpre Award Honor; Christopher Award; Caldecott Medalist; I Am a Noise documentary; A Complete Unknown movie; RESPECT by Carole Boston Weatherford; Power of Her Pen by Lesa Cline-Ransome; What Do You Do with a Voice Like That by Chris Barton; Ada’s Violin by Susan Hood; Forever Young by Bob Dylan; Frida Kahlo and Her Animalitos by Monica Brown; Can You Imagine by Lisa Tolin; Joni by Selina Alko;</SubjectHeadingText>
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      <Text><![CDATA[<B>An illuminating picture book biography of renowned Mexican American folk musician Joan Baez, whose songs of justice, peace, and activism have inspired listeners to create positive change across the world, from Christopher Award&#8211;winning author Monica Brown and Caldecott Honoree Molly Mendoza.</B><BR><BR>From a young age, Joan Baez knew she wanted to make the world a better place. The daughter of immigrants from Mexico and Scotland, she learned values of compassion and advocacy from her parents. As Joan learned about people in need around the world, she sang to make herself feel better&#8212;and her beautiful voice made others feel better, too.<BR> <BR>Joan sang songs about workers&rsquo; rights, civil rights, and the struggle for justice. She started in coffee shops and clubs, worked her way to singing at folk festivals and on New York stages, and eventually she sang next to Martin Luther King Jr. at the March on Washington, alongside C&#233;sar Ch&#225;vez, and for the President of the United States.<BR> <BR>Joan realized music could move people&rsquo;s hearts, minds, and feet toward a path of justice and peace. And she used the gift of her beautiful voice to do just that.]]></Text>
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      <Text><![CDATA[Monica Brown is the award-winning author of more than thirty picture books for children, including&nbsp;<I>Frida and her Animalitos</I>,&nbsp;<I>Waiting for the Biblioburro</I>,&nbsp;<I>Marisol McDonald Doesn&#39;t Match</I>, and the Lola Levine chapter book series, inspired by her Peruvian and Jewish heritage. She is the recipient of two Am&eacute;ricas Awards, a Pura Belpr&eacute; Honor, and The Christopher Award, among others. Visit her at MonicaBrown.net.<BR><BR>Molly Mendoza is an illustrator and comic artist who graduated from Pacific Northwest College of Art. They have illustrated picture books including&nbsp;<I>Jovita Wore Pants&nbsp;</I>by Aida Salazar, which won a Caldecott Honor;&nbsp;<I>Freedom, We Sing</I>&nbsp;by Amyra Le&oacute;n;&nbsp;<I>Life Is Beautiful</I>&nbsp;by Winsome Bingham; and&nbsp;<I>Singing Justice, Singing Peace</I>&nbsp;by Monica Brown and have worked with clients such as&nbsp;<I>The New York Times</I>,&nbsp;<I>The Atlantic</I>, and&nbsp;<I>Wired</I>, among others. They currently live in Portland, Oregon. Visit them at MollyMendoza.com.]]></Text>
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      <Text><![CDATA[Joan Baez&rsquo;s commitment to peace and justice provides the driving force of this impassioned biography from Brown and Mendoza. . . . Moving quickly through Baez&rsquo;s early years, crisp narration pinpoints the gift of a ukulele as a turning point for the would-be singer. Determining that &ldquo;music could move people&rsquo;s hearts, minds, and feet toward a path of justice and peace,&rdquo; the subject is soon performing at coffee shops, clubs, and folk festivals, and pivotal figures including Odetta, Bob Dylan, and Martin Luther King, Jr. provide inspiration and chances for collaboration. Rendered with ink and colored digitally with warm tones, retro-style illustrations are composed like elaborate murals, across which sinuous and feathery adornments connect different vignettes. When Baez opens her mouth to sing, multicolored paisley spills forth&mdash;&ldquo;giving listeners the courage and light to fight for justice&rdquo;&mdash;in a portrait that stirringly foregrounds Baez&rsquo;s political preoccupations.]]></Text>
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      <Text><![CDATA[Examining the life of musician-activist Joan Baez, this biography follows Baez from childhood to adulthood and her induction into the Rock and Roll Hall of Fame. Mendoza&rsquo;s vibrant and dynamic illustrations bring to life the events described, including a childhood move to Iraq and an adult Baez&rsquo;s participation in the Civil Rights Movement and anti&ndash;Vietnam War protests. This book would pair well with units examining any of the causes Baez championed. Back matter includes a short list of sources and an author&rsquo;s note expanding on the trajectory of Baez&rsquo;s life. A solid offering for elementary readers, who might be inspired by Baez to use their own voices and find causes they care about.]]></Text>
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      <Text><![CDATA[This lovely tribute to singer, songwriter, and human rights activist Joan Baez teaches young audiences how this cultural icon used her singing voice to speak out. . . . Detailed, swirling ink and mixed-media illustrations portray the whirlwind of the times, adding contextual details to enrich the text. This marvelous biography . . . instill[s] in readers the power of collaboration and social responsibility.]]></Text>
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      <TextSourceTitle>January 2026 Issue</TextSourceTitle>
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      <Text><![CDATA[A picture-book celebration of folk singer and activist Joan Baez. Brown covers her subject&rsquo;s youthful empathy (modeled by her principled parents, immigrants from Mexico and Scotland); her struggles with identity (as a child, she was bullied for her Latine heritage but also told she wasn&rsquo;t &ldquo;Mexican enough&rdquo;); the gift of a ukulele that set Baez on a musical path; her life-changing exposure to the music of Pete Seeger and other folkies; her post&ndash;high school move to Boston, where she got her start playing at clubs; and the steady professional climb that led to performances at 1963&rsquo;s March on Washington and other large-scale social-justice gatherings. Often flanking images of Baez are flower motifs, abstract swirls, and other bold imagery. Young readers will applaud . . . .]]></Text>
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      <Text><![CDATA[Cao Wenxuan&nbsp;is the first ever Chinese recipient of the Hans Christian Andersen Award for his book&nbsp;<I>Bronze and Sunflower.&nbsp;</I>As the author of dozens of books for children, he is considered one of China&rsquo;s most revered writers. He is also a professor of Chinese literature and children&rsquo;s literature at Peking University. His work has been translated all over the world.<BR><BR>Suzy Lee is a recipient of the Hans Christian Andersen Award, the first Korean illustrator to win the honor. She&rsquo;s twice had books chosen for the <i>New York Times</i>&nbsp;Best Illustrated Award, has won a Gold Medal at the Society of Illustrators, and has won the Boston Globe&ndash;Horn Book&nbsp;Award for Excellence in Children&rsquo;s Literature. Her titles include <i>Wave</i>,<i> This Beautiful Day</i>, and <i>Shadow</i>. A graduate of Seoul National University, she lives and works in Seoul.<BR><BR>Helen Wang is a London-based translator who&nbsp;won the&nbsp;Marsh Award for Literature in Translation&nbsp;for her translation of&nbsp;<I>Bronze and Sunflower</I>&nbsp;by Cao Wenxuan. In 2017 she was awarded the Chen Bochui Special Contribution Award for her translations and increasing visibility of Chinese children&rsquo;s books. She is also a curator of East Asian Money at the British Museum.]]></Text>
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      <Text><![CDATA[<B>This whimsical picture book celebrates the loving, playful, and imaginative relationship between caregiver and child through a shared dreamy journey before bedtime.</B><BR><BR><i>The wind is calling. Hear it sweep</i><BR> <i>through our village, fast asleep.</i><BR> <i>Will you sail away with me?</i><BR> <i>You and I are salt and sea&hellip;</i><BR> <BR>And so, bathtime turns into a magical expedition. A grown-up and child embark on the voyage together, meeting mermaids in the sea, playing hide-and-seek in an enchanted forest, and soaring with the birds before sailing home to read and snuggle in for bedtime, which they know is just another adventure beginning.<BR> <BR>Through it all, they cherish the most important thing in both dreamland and the real world: being together.]]></Text>
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      <Text><![CDATA[Kate Hosford&nbsp;is the author of seven picture books and two poetry collections, garnering accolades such as being named an American Library Association Notable Book, a Bank Street Best Book of the Year, a Junior Library Guild Selection, and a&nbsp;<I>New York Times</I>&nbsp;Best Illustrated Book. Her books have been published in eight languages. She is a graduate of Vermont College of Fine Arts where she earned her MFA in writing for children and young adults. Kate lives in Brooklyn with her family.&nbsp;<BR><BR>Richard Jones has been living and working in Devon, England, for more than twenty years. He spent several years working in a busy children&rsquo;s library, issuing and shelving other artists&rsquo; picture books before one day wondering if it wasn&rsquo;t about time he had a proper go at creating one or two himself! Richard has written and illustrated many picture books, including&nbsp;<i>Wondering Around</i>&nbsp;by Meg Fleming,&nbsp;<i>The Snow Lion</i>&nbsp;by Jim Helmore,&nbsp;<i>Quiet</i>&nbsp;by Tom Percival, and&nbsp;<i>You and I Are Stars and Night</i>&nbsp;by Kate Hosford.]]></Text>
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      <SubjectHeadingText>stage fright; surprise; supportive; school play; performance; friendship; fairies; magic; school; imagination; fantasy; flying; flight; wings; woods; best friends; fitting in; learning new things; pixies; kindness; butterflies; fairy books; Black girl magic; representation; role models; black fae day; we need diverse books; Black joy; black African American BIPOC author protagonist fantasy; New York Times bestseller; NAACP Image Award; bridging chapter book for 4 5 6 7 8 year olds pre-k kindergarten grades 1 2 3; bestselling illustrator; Good Housekeeping Best Book Award Winner; Parker Looks Up; Parker Looks Up Shines on by Parker Curry; Fairy Fashion Show; Fairy Finds Her Song; Lily’s Dream; Angelina Ballerina by Katharine Holabird; Princess Promise by Debbie Dadey; Hamilton Collection figurine;</SubjectHeadingText>
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      <Text><![CDATA[<B>Lily the fairy tries to help her human friend, Willow, overcome her stage fright in this first chapter book in the Fairies Welcome series from <I>New York Times</I> bestselling illustrator Bea Jackson. </B><BR><BR>Even though Lily is a fairy and Willow is a little human girl, they&rsquo;ve become the closest of pals, singing sweet songs, counting twinkly stars, and enjoying yummy snacks. <BR> <BR>When Willow tells Lily she&rsquo;s super nervous about performing in a big school celebration, Lily isn&rsquo;t sure how to help her. Then, with fairies Sky and Jasmine by her side, Lily comes up with an idea: they&rsquo;ll surprise Willow at school! But will their secret plan be too dangerous, especially for teeny tiny fairies?]]></Text>
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      <Text><![CDATA[CHAPTER 1 <BR><BR>&#160; &ldquo;Race you to the big oak tree!&rdquo; Lily called to her friends, flapping her shiny wings and soaring into the air.<BR><BR>&#160; &ldquo;No fair! I wasn&rsquo;t ready!&rdquo; protested Sky.<BR><BR>&#160; &ldquo;Oh, Sky, you always say that,&rdquo; giggled Jasmine.<BR><BR>&#160; It was a beautiful spring day in Fairy Forest. The perfect spring day for Lily and her fairy friends to practice flying. First, they did wing spins, then they did rocket twirls, and now they were zipping as fast as they could toward the gnarled old oak tree at the edge of the clearing.<BR><BR>&#160; Lily loved the old oak tree. When she stood on certain branches, she could see the whole forest and beyond. She could see the pond with the croaking frogs. She could see the bluebirds in their nests. And she could even see her human friend Willow&rsquo;s house with its cheery red chimney.<BR><BR>&#160; &#160; &ldquo;I won!&rsquo; shrieked Sky when she reached the tree, grabbing onto a branch where Lily was already perched.<BR><BR>&#160; &ldquo;How do you figure that?&rdquo; Lily asked. &ldquo;I&rsquo;m already here.&rdquo;<BR><BR>&#160; &ldquo;Well, then it&rsquo;s a tie because you had a head start,&rdquo; Sky insisted.<BR><BR>&#160; &#160; Lily was about to protest when she spotted something strange off in the distance. It looked like a supersized butterfly with arms and legs. And it was coming their way!<BR><BR>&#160; The three fairies huddled together to watch the odd creature move closer and closer until it stopped directly under the oak tree.<BR><BR>&#160; In a soft voice the creature began to sing.<BR><BR>&#160; &ldquo;We are butterflies,<BR><BR>&#160; we bloom in spring,<BR><BR>&#160; we flap, we flutter<BR><BR>&#160; our colored wings!&rdquo;<BR><BR>&#160; Then it began to run in circles around the base of the tree.<BR><BR>&#160; Suddenly Lily began to laugh. She knew that voice. It wasn&rsquo;t a creature after all. It was her good friend Willow! Lily floated down to the ground, followed closely by the other two fairies.<BR><BR>&#160;&#160; &#160; &#160; &ldquo;Willow!&rdquo; she called. &ldquo;What are you doing? And why are you dressed up in that outfit?&rdquo;<BR><BR>&#160; Startled, Willow came to an abrupt stop. &ldquo;I didn&rsquo;t know anyone was watching me! I&rsquo;m so embarrassed. I&rsquo;m practicing for Spring Day at our school,&rdquo; she told the fairies. &ldquo;Tomorrow we&rsquo;re putting on a show in the courtyard. I&rsquo;m one of the butterflies. I&rsquo;ll be singing a song while I pretend to fly.&rdquo;<BR><BR>&#160; &ldquo;That sounds like fun,&rdquo; said Sky.<BR><BR>&#160; Willow bit her lip. &ldquo;But what if I forget the words? And what if I don&rsquo;t look like I&rsquo;m swooping or soaring?&rdquo; she said, worried.<BR><BR>&#160; Lily landed on Willow&rsquo;s shoulder and gave her a comforting pat with her wing. &ldquo;It&rsquo;s okay,&rdquo; she said. &ldquo;We can help!&rdquo;<BR><BR>&#160; For the rest of the afternoon the fairies helped Willow memorize her song. Lily even called one of her butterfly friends to show Willow how to flutter and flap her wings gracefully.<BR><BR>&#160;&#160; &#160; &#160; Finally, it was time for Willow to go home. &ldquo;I wish I could bring you all with me tomorrow,&rdquo; she said. &ldquo;You are my lucky charms!&rdquo;<BR><BR>&#160; That night Lily remembered the golden anklet her mother had given her for luck. That gave her an idea. What if the fairies went to school with Willow the next day?<BR><BR>&#160; &ldquo;She did say we are her lucky charms,&rdquo; Jasmine agreed.<BR><BR>&#160; &ldquo;And I&rsquo;m a super fast flyer, remember,&rdquo; Sky told her friends.<BR><BR>&#160; &ldquo;We can call it Operation Surprise Willow!&rdquo; Lily shouted.<BR><BR>&#160; The plan was set.<BR><BR>&#160;&#160; &#160;<BR><BR>&#160; &#160;]]></Text>
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      <TitleText>Build a Girlfriend</TitleText>
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      <PersonName>Elba Luz</PersonName>
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      <BiographicalNote><![CDATA[Elba Luz is a Puerto Rican author and a lover of stories, whether in the form of anime, manga, video games, or, of course, books. Speaking of books, she should be writing her own. Instead, you&rsquo;ll probably find her replaying Final Fantasy, listening to classical music, or cuddling up with her adorable pit bull, Stormy.]]></BiographicalNote>
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      <Text><![CDATA[<B>A teen deep-dives into her dating history to uncover her mistakes, become the perfect girlfriend, and get revenge on the wrong guy so she can ride into the sunset with the right one in this debut rom-com &ldquo;brimming with heart and comedy&rdquo; (<I>School Library Journal</I>).</B><BR><BR>To the surprise of no one, Amelia Hernandez is once again single. It&rsquo;s her family curse at work; whether it&rsquo;s by heartbreak, scandal, or even accidental death, every romantic relationship that a Hernandez woman has will meet its demise eventually. And that may be fine with Amelia&rsquo;s sisters, mom, and aunts, but definitely not with Amelia.<BR> <BR>In an effort to cheer her up, Amelia&rsquo;s aunts and sisters develop the Hernandez Romance Boot Camp. Amelia will embark on an Ex Retrospective: tracking down her exes, finding out where she went wrong, and using that information to finally become un-break-up-able for whenever her next relationship comes along. By the end, Amelia should be free of the curse. Secretly, she also hopes her quest for self-improvement will give her the confidence to tell her loved ones she wants to take a gap year instead of working in the family caf&#233;.<BR> <BR>However, when Amelia is unwillingly reunited with Leon, the ex to end all exes, she can&rsquo;t resist having a little revenge on the side, too. After all, what better way to test out her new persona of perfect girlfriend traits than on the boy who broke her heart?<BR> <BR>But old loves die hard, and as Amelia&rsquo;s feelings grow more complicated, she suspects that she may be in for more than she bargained for.]]></Text>
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      <Text><![CDATA[Elba Luz is a Puerto Rican author and a lover of stories, whether in the form of anime, manga, video games, or, of course, books. Speaking of books, she should be writing her own. Instead, you&rsquo;ll probably find her replaying Final Fantasy, listening to classical music, or cuddling up with her adorable pit bull, Stormy.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665942539.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER 1 <BR>To a stranger, the noise vibrating the foundation of the Hernandez household at five in the morning is chaos. For me, one of eight people in the five-bedroom and two-bath brick building, it&rsquo;s a typical day. All aside from my sister Sofia, we Hernandez women are hardwired to rise before the sun does.<BR> <BR>Titi Sandra, the unofficial leader of the house, always says, &ldquo;El camar&#243;n que se queda dormido siempre se lo lleva la corriente.&rdquo; Its exact translation is &ldquo;The shrimp that falls asleep is swept away by the current,&rdquo; but in simpler terms, it just means, &ldquo;You snooze, you lose.&rdquo;<BR> <BR>I haven&rsquo;t done a lot of snoozing these days.<BR> <BR>My girlfriend and I have been recreating our favorite moments from the rom-coms we watched last week. Yesterday we made cupcakes inspired by some random made-for-TV movie about a baker who falls in love with a divorce lawyer. Before that, we snuck into a park at midnight and painted our names along the slide. Today, we&rsquo;re going to watch the sunrise.<BR> <BR>Depending on what music builds the earthquake under me and my sister Sofia&rsquo;s carpeted bedroom, I always know which aunt is in the kitchen. Daddy Yankee thumps under my sandals as I leave Sofia in the bottom bunk to snore, which means Titi Neva woke first to smack pots and pans around.<BR> <BR>To get to our bedroom door, I hop over the 3D puzzle of colorful witches that&rsquo;s sitting at the center of our carpet. It&rsquo;s three hundred pieces, which would have taken me maybe an hour, but my little sister wanted us to do it together, and we&rsquo;re on day three now. Marisol&rsquo;s lucky that she&rsquo;s five years younger than me and her puppy dog eyes still work, otherwise, I would have never allowed my puzzle record to be ruined like this.<BR> <BR>Like she hears my thoughts, Marisol jumps out at me when I open the door.<BR> <BR>&ldquo;Jesus.&rdquo; I slam my back onto the floral wallpaper, pressing my palm over my pounding heart. &ldquo;What the hell, Mari, were you waiting at the door?&rdquo;<BR> <BR>&ldquo;Amelia,&rdquo; she says, brown eyes wide, two space buns pinning her dark hair back, &ldquo;do you want to read the next chapter of <i>Ghost versus Witch</i> with me? You promised we&rsquo;d read chapter ten today.&rdquo; I&rsquo;m pretty sure Mari&rsquo;s reading level is higher than Sofia&rsquo;s and mine combined. I caught Sofia making Mari proofread her essays multiple times this past year, and I&rsquo;m not going to lie, I was pretty tempted to do the same after I piled up a few too many Cs.<BR> <BR>&ldquo;The day has barely begun.&rdquo; I rub her head, and disappointment clouds her eyes. &ldquo;Later,&rdquo; I promise.<BR> <BR>&ldquo;You always say later.&rdquo;<BR> <BR>&ldquo;I always mean it.&rdquo; I ditch her to fly down the steps, Daddy Yankee&rsquo;s voice growing louder as I swiftly dodge Mom holding my one-year-old sister, Zoe, to her bare chest and enter the kitchen.<BR> <BR>&ldquo;Do not run in this house,&rdquo; she shouts after me, just as Zoe coughs up milk over Mom&rsquo;s knotted dark curls.<BR> <BR>Titi Sandra had workers remove the doorway to the living room three years ago to make the kitchen even bigger, with a single L-shaped couch at the corner by the front door across a coffee table so we could pretend we have a sala.<BR> <BR>You wouldn&rsquo;t know the long countertop is stainless steel with the amount of flour, bread, and pastries hogging the space like salchichas in a can. My family is opening a bakery beginning this fall in the very heart of West Springfield. Every day is nonstop practice perfecting the menu and paying the construction workers at the shop&#8212;and secretly testing their reactions to the dishes&#8212;with treats and flirting. The latter is led heavily by Titi Ivy.<BR> <BR>Another thing the Hernandez women know how to do is flirt. That&rsquo;s easy. It&rsquo;s keeping a relationship that&rsquo;s impossible.<BR> <BR>&ldquo;My firstborn,&rdquo; Titi Ivy, in a shirt she wears like a dress, greets as she presses a kiss onto my forehead. &ldquo;Settle the vote. I say scratch ticket, Neva says lottery.&rdquo;<BR> <BR>The aunts love to play the weekly lotto and bicker over which gamble feels the luckiest that week. Usually Titi Ivy goes lotto&#8212;higher reward, less chance to win. She must be choosing to scratch now because she lost too many weeks in a row.<BR> <BR>&ldquo;Scratch,&rdquo; I choose, mainly because I like to be the one to scrape off the skin of the ticket with the &ldquo;lucky&rdquo; dime in the kitchen drawer.<BR> <BR>&ldquo;Perfect.&rdquo; She pulls me with her. &ldquo;Come help me prepare the flan. You&rsquo;ll need to memorize the recipe for when you help out at the bakery.&rdquo;<BR> <BR>Titi Ivy moved in four months ago when her third husband died. The other two left. After eating a carrot cake, the third passed away, not knowing it was filled with his death sentence&#8212;macadamia nuts&#8212;because the bakery forgot to read Titi Ivy&rsquo;s special requests.<BR> <BR>You can imagine the rise and fall of that party. <i>Happy Birthday, Michael; we love&#8212;oh no, oh no.</i> That&rsquo;s pretty much how Titi Ivy described it, her brown eyes brimming with unspilled tears. Which we didn&rsquo;t think was suspicious until the tears finally did fall&#8212;happy ones&#8212;when she told us how much money she got after suing the shop that will now allow my family to build their own.<BR> <BR>Not that I&rsquo;m accusing my aunt of being a murderer. Or uncaring. But I&rsquo;m also not <i>not</i> doing that.<BR> <BR>I rub off her signature red lipstick I know stains my head. &ldquo;Sorry, Perri is almost here. She&rsquo;s taking me to the lake to watch the sunrise.&rdquo;<BR> <BR>&ldquo;Romantic,&rdquo; she croons while she leads me to the counter and shoves a powdered empanada straight into my mouth, &ldquo;but breakfast is more important. Tell her to come and eat, and then you can go.&rdquo;<BR> <BR>I only have the choice to chew or choke, so I chomp on the crispy edge of the pastry. Before the warmth of the sugar gets too dry, the filling of sticky, chunky pineapple meets my tongue. The edge of Titi Ivy&rsquo;s nail digs into my chin as she wipes crumbs from me, then finishes off the rest of the empanada herself.<BR> <BR>Titi Sandra, an apron around her waist with the Puerto Rican flag running across it, rubs a hand over her face, leaving flour residue on her brown skin. A circle of it dots the tip of her square jaw.<BR> <BR>&ldquo;Knead the dough,&rdquo; she says to me, her chin gesturing to the ingredient on the table. Nobody in this family points with their fingers. It&rsquo;s always the chin, even if their hands are free. &ldquo;I have to season the meat.&rdquo;<BR> <BR>&ldquo;Sorry, Titi Sandra, I have to go.&rdquo; I&rsquo;m going to get hell for passing on an order from Titi Sandra of all people, but that&rsquo;s a problem for future me.<BR> <BR>&ldquo;What is this?&rdquo; Titi Neva shuts the double fridge covered in sticky notes and awards from school. Mainly Marisol&rsquo;s, because I&rsquo;m too busy talking my way out of detention, and Sofia is often pried away from whatever cheerleader she&rsquo;s making out with, so we&rsquo;re clearly not the academic stars here. &ldquo;You think we&rsquo;re one of those white families in the movies slaving away in the kitchen for you to grab a piece of toast and run out the door? You sit, and I&rsquo;ll make you pancakes.&rdquo;<BR> <BR>Titi Neva steps in front of me, placing her hands on her wide hips, the tight ponytail at the top of her head unable to tame her ashy-brown curls, a trait she shares with Titi Sandra&#8212;they&rsquo;re the only ones with the same father. They like to lie and say they&rsquo;re twins, though no one would ever think so. Titi Neva has a lighter complexion and dresses in vibrant maxi dresses with bangles along her arms, and Titi Sandra always wears dark pantsuits, as if the whole world is her courthouse. But another thing to know about the Hernandez women: All the sisters are mentirosas. Their true age is a mystery lost in time and shredded birth certificates. They all claim to be the youngest, and with their clear, smooth-skin genetics, I honest to God wouldn&rsquo;t be able to guess who actually is.<BR> <BR>Titi Ivy waves a meticulously manicured freckled hand. We&rsquo;re the only ones with the random splatter of spots on our bodies, though I only have a dotting across my nose and cheeks, like someone sprayed them there and forgot the rest of me. On the other hand, Titi Ivy is covered in them, and no foundation can cover them up. &ldquo;Neva hasn&rsquo;t gone on a date in years. She&rsquo;s just jealous of the joys of young love.&rdquo;<BR> <BR>&ldquo;That&rsquo;s not it!&rdquo; Titi Neva presses a hand to her chest, the rainbow of bangles along her arms singing as she moves. I already know by the shift in her voice, when it gets all whimsical and narrator-like, she&rsquo;s going into one of her <i>moods</i>. The last time she was in one, she said we all had to bunker in the house because a storm was coming, and the sun ended up being out all day. &ldquo;I don&rsquo;t have a good feeling about this <i>Perri</i>.&rdquo;<BR> <BR>&ldquo;Here we go,&rdquo; Titi Ivy says, ending the sentence with a yawn.<BR> <BR>&ldquo;You&rsquo;re both ruled by Mercury, mi amor,&rdquo; Titi Neva explains as she goes in to grip my hand&#8212;I make it to a fist before she tries to scan the lines of my palm for my future. &ldquo;She is air; you are earth&#8212;she erodes you.&rdquo;<BR> <BR>&ldquo;If only being a Great Value fortune teller paid,&rdquo; Titi Ivy tucks her vivid red waves behind her heavily pierced ears, &ldquo;then we wouldn&rsquo;t have to use my dead husband&rsquo;s money to start up our bakery.&rdquo; Her voice in that careless tone that again makes me not <i>not</i> think she had anything to do with it.<BR> <BR>But if there&rsquo;s one thing living with a bunch of Puerto Rican women has taught me, it&rsquo;s to keep my nose out of adult business.<BR> <BR>&ldquo;The stars do not lie, <i>big</i> sister,&rdquo; Titi Neva says.<BR> <BR>&ldquo;I&rsquo;m two years younger than you.&rdquo;<BR> <BR>&ldquo;You&rsquo;re older than both of us,&rdquo; Titi Sandra joins, and side by side, they could get away with claiming they&rsquo;re twins if you look past Titi Neva being a foot shorter and a little sharper, where Titi Sandra&rsquo;s face is rounded at the cheeks.<BR> <BR>&ldquo;Can I go?&rdquo; My voice is a whisper among their shouting and Daddy Yankee.<BR> <BR>&ldquo;I&rsquo;ve read the sky many times for you, mi amor.&rdquo; Titi Neva tries to pry my palm open. &ldquo;The curse plagues you too. No love life. Girl or guy or pal. Just the scent of flour clinging to your fingers when you take over the bakery one day.&rdquo;<BR> <BR>My left eye twitches as Titi Ivy swats Titi Neva. &ldquo;Don&rsquo;t jinx my firstborn. She&rsquo;s not like us.&rdquo;<BR> <BR>&ldquo;Yes, she most certainly doesn&rsquo;t poison her lovers.&rdquo;<BR> <BR>On that note, after scrubbing that sentence out of my skull (plausible deniability), I duck under their arms, and Spanish curses swinging along with them, to grab some napkins. The aunts continue to bicker as I find Mom rocking a fussing Zoe on one end of the couch.<BR> <BR>After I sit beside her, I run the napkins through the drying milk in her black curls she hasn&rsquo;t so much as attempted to clean.<BR> <BR>She glances up and smiles, her hazel eyes nearly disappearing over the bags beneath them. We&rsquo;re the only ones who have them, that swirl of brown and green, and it makes me feel closer to her, since the rest of me&#8212;the heavy spread of freckles, the thick brows, and the curved cheeks&#8212;all comes from my dad. Mom made sure I had <i>something</i> of her when I look in the mirror.<BR> <BR>When was the last time Mom looked in the mirror? There&rsquo;s a box of unused dye in the bathroom that Titi Ivy got for the multiplying grays on Mom&rsquo;s head and a filled-to-the-brim pot of under-eye cream.<BR> <BR>The more I study her, the more my stomach sinks. I doubt she&rsquo;s showered this week at all.<BR> <BR>As if she reads my thoughts, and sometimes I think it&rsquo;s a supernatural-mom ability, she says, &ldquo;I&rsquo;m fine.&rdquo;<BR> <BR>I&rsquo;m not sure that&rsquo;s true.<BR> <BR>The other day Titi Sandra called her a helicopter mom. After I Googled what that meant, the term has been stuck in my head. I wouldn&rsquo;t say she&rsquo;s obsessively protective&#8212;at least, not always. I know she&rsquo;s nervous because Zoe is so young, and she has had this weird cough in the middle of the night since she was born that gives me a heart attack every other day. Still, I&rsquo;m pretty sure mothers are supposed to, I don&rsquo;t know, put their babies down every so often.<BR> <BR>I rub my lips together, unsure of what to say that doesn&rsquo;t sound like I&rsquo;m questioning her parenting skills. Which I&rsquo;m totally not doing. I love my sisters an embarrassing amount, which means she did a pretty awesome job with us.<BR> <BR>I&rsquo;m saved and cursed when Titi Neva&rsquo;s bangles clatter as she lifts me from the couch and drags me to the hallway. We pass the countless framed photos of girls with crooked teeth, braces, and all the embarrassing moments the aunts decided not only needed to be on film but displayed to every guest who walks the yellow halls.<BR> <BR>Instead of an entryway closet, meant for easily accessible jackets and shoes when you&rsquo;re running out the door, Titi Neva has transformed it into a shrine of salty crystals and oddly shaped trinkets she found at secondhand shops or the lawns of weird neighbors I&rsquo;m not entirely sure were up for grabs.<BR> <BR>Titi Neva&rsquo;s hand twists the blue crystal doorknob. The chimes hanging on top of the wood tinkle as the closet light flickers on, revealing an infinite number of crystals weighing down the shelves and the dozens of hangers holding the jewelry that Titi Neva runs a finger across, mumbling the name and purpose of each. She pulls a silver chain with a long black shape hanging off it, holding it above like she means for me to wear it.<BR> <BR>&ldquo;Black jasper will protect you from negativity,&rdquo; she undoes the clasp. &ldquo;This should do just fine.&rdquo;<BR> <BR>I shrug her away. &ldquo;There&rsquo;s no negativity I need to block, Titi&#8212;&rdquo; I collide with a soft chest.<BR> <BR>Titi Sandra drags her hands over my head and curls. &ldquo;Your hair is so frizzy. Did you forget to do your oil treatment?&rdquo;<BR> <BR>&ldquo;No,&rdquo; I lie as she continues to roughly smooth out any frizz with whatever oil is clinging to her fingers. I sniffle and catch the scent of adobo lingering on her hands from her seasoning the meat.<BR> <BR>Great. I&rsquo;m going to smell like cooked chicken for Perri.<BR> <BR>A quick clatter of heels comes from behind before Titi Ivy grabs my shoulder and spins me toward her. I barely make out a word before she&rsquo;s swiping a gloss over my lips. &ldquo;A little color wouldn&rsquo;t hurt,&rdquo; she says, piling on another layer. &ldquo;Or a lot. I think I&rsquo;ll add some liner.&rdquo;<BR> <BR>From the living room, Zoe starts to wail. Titi Sandra pulls me back and tries to tie my hair into a ponytail, muttering about how messy I look. If it wasn&rsquo;t strengthened from the daily yanking and spinning the aunts do to all my sisters before we leave the house, I&rsquo;m sure my head would have zero chance of remaining on my neck.<BR> <BR>&ldquo;Fluorite!&rdquo; Titi Neva chokes me with another necklace.<BR> <BR>&ldquo;When you get home, we&rsquo;re going to do a mask, my firstborn.&rdquo; Titi Ivy taps my cheeks twice. &ldquo;Your pores are forming sinkholes. This is the future face of the Hernandez bakery.&rdquo;<BR> <BR>Mom calls out, &ldquo;Can someone grab Zoe&rsquo;s bottle?&rdquo;<BR> <BR>There&rsquo;s a tug at the bottom of my ripped shorts where Mari has appeared from thin air. &ldquo;Can we read now?&rdquo;<BR> <BR>Three doorbell rings shudder through the halls. Perri&rsquo;s here, and I&rsquo;m <i>literally</i> being pulled in different directions while the aunts fling their suggestions in the air to blend along with the pulsing reggaeton.<BR> <BR>I&rsquo;ve been in this position plenty of times, and experience has taught me to do the same thing firefighters coached me during elementary school: stop, drop, and roll. I nearly knock over Mari and ruin whatever progress Titi Sandra made with my hair, then do some horror show of a half-crawl and run to the front door.<BR> <BR>I pull myself up, hand on the doorknob, then turn to my beautiful family of women all facing my way, still rambling about my hair, clothes, skin, everything possible. Not with judgment; never that.<BR> <BR>It&rsquo;s the love language of the Hernandez women: With every suggestion they&rsquo;re saying they love me&#8212;and that I could do with some more TLC, which is apparently not just a network Titi Ivy marathons in the middle of the night while eating hot Cheetos when she&rsquo;s stressed like I thought.<BR> <BR>And I love them all. So much.<BR> <BR>I don&rsquo;t hate the noise, the chaos, the hour-long waits to get in the shower, the company, the never-solicited opinions. It&rsquo;s just lately, there&rsquo;s this weird feeling that&rsquo;s trailing me. It&rsquo;s not exactly discomfort, but because I&rsquo;m so used to <i>being</i> comfortable with our routine, it feels close to it. Like I&rsquo;m a little off-balance.<BR> <BR>There&rsquo;s this fluttering of nerves too, especially as Perri&rsquo;s and my relationship grows closer. I want us to work out so bad, but sometimes I can&rsquo;t help but worry it&rsquo;s impossible. Our family <i>is</i> cursed.<BR> <BR>No woman in our family can keep a partner.<BR> <BR>Whether it be a breakup, a move, or a suspicious allergy death, every single Hernandez woman, for a hundred years, has died alone. Which sounds so dramatic, I know, but even Titi Sandra didn&rsquo;t correct Titi Neva when she told&#8212;and continues to tell every so often&#8212;the story of our family&rsquo;s curse. Which means it <i>has</i> to be true. Titi Sandra is as serious as they come. She laughs once a year, during her favorite <i>Golden Girls</i> episode. There&rsquo;s no way she would lie about it.<BR> <BR>Nobody really elaborates in detail about the Hernandez curse. Titi Neva told me it all started when my great-great-, and lots of greats after that, grandmother was left at the altar and swore that she&rsquo;d never have another partner again. She&rsquo;d practically tackle anyone who looked her way after the incident, and all her daughters (there are zero men in our family) and their daughters after that were taught the same. That&rsquo;s why the Hernandez house was built, so the women can all help one another.<BR> <BR>I&rsquo;m supposed to live here with my sisters until we have our own kids, then pass it down to them so they can do the same. I don&rsquo;t even want kids, and I find it strange that the aunts sometimes bring up Sofia and I having them when the curse exists. Like we&rsquo;re expected to be single parents. I don&rsquo;t want to be a parent. Or single. I want a life of my own.<BR> <BR>I&rsquo;m different&#8212;hopefully.<BR> <BR>It&rsquo;s been six months with Perri, my second longest relationship. And my longest relationship was a year, even though I hate to think about it, since it sends my stomach into a full-fledged first-place gymnastics routine.<BR> <BR>Still, that&rsquo;s longer than any of the aunts. Even Titi Ivy, who&rsquo;s been married three times now. I have a chance at a different life. One where I don&rsquo;t need steel muscles in my neck and live in a house that doesn&rsquo;t vibrate with music all hours of the day, to love and be loved. For the curse to be broken.<BR> <BR>And she&rsquo;s waiting outside the door.<BR> </section>]]></Text>
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      <Text><![CDATA[<b>Two starred reviews!</b><BR> <BR><b>In her </b><b>&ldquo;</b><b>brilliant</b><b>&rdquo;</b><b> (</b><b><i>Kirkus</i> <i>Reviews</i>, starred review)</b><b> </b><b>first book for young readers, </b><b><i>New York Times </i></b><b>bestselling author and </b><b><i>New York</i></b><b> magazine writer-at-large Rebecca Traister draws material from her award-winning books and articles to show girls their anger has the power to be a force of change, just like for many trailblazers before them.</b><BR><BR>From an early age, young girls are taught anger isn&rsquo;t an emotion they should express. They&rsquo;re told&#8212;either implicitly or explicitly&#8212;to spend their lives keeping their fury locked inside for the benefit of others. But partly, Traister argues, that&rsquo;s because the anger of women and girls has been a crucial catalyst for change, putting in motion some of the most defining social and political movements in our nation&rsquo;s history. And it&rsquo;s that anger that will blaze the path forward for the future.<BR> <BR>Traister chronicles a concise history from the colonial era to the Women&rsquo;s March of 2016 demonstrating how women&rsquo;s rage has forged coalitions and created political change through movements for women&rsquo;s and civil rights and more, and how the past decade has created an inflection point for women and girls who have yet to experience rights equal to men&rsquo;s in the United States.]]></Text>
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      <Text><![CDATA[Rebecca Traister is writer at large for&nbsp;<I>New York&nbsp;</I>magazine&nbsp;and a contributing editor at&nbsp;<I>Elle</I>.&nbsp;A National Magazine Award finalist, she has written about women in politics, media, and entertainment from a feminist perspective for&nbsp;<I>The New Republic</I>&nbsp;and&nbsp;<I>Salon&nbsp;</I>and has also contributed to&nbsp;<I>The Nation</I>,&nbsp;<I>The New York Observer</I>,&nbsp;<I>The New York Times</I>,&nbsp;<I>The Washington Post</I>,&nbsp;<I>Vogue</I>,&nbsp;<I>Glamour</I>,&nbsp;and&nbsp;<I>Marie Claire</I>. She is the author of&nbsp;<I>Good and Mad</I>,&nbsp;<I>All the Single Ladies</I>&nbsp;and the award-winning&nbsp;<I>Big Girls Don&rsquo;t Cry</I>. She lives in New York with her family.&nbsp;<BR><BR>Ruby Shamir is an award-winning author, a collaborator on bestsellers, an adaptor of adult nonfiction for children, and a literary researcher based in New York City. She has performed writing, editorial planning, editing, adaptations, and research for many high-profile nonfiction bestsellers. Her work has been reviewed as &ldquo;lyrical,&rdquo; &ldquo;eloquent,&rdquo; &ldquo;beautifully written,&rdquo; and &ldquo;brilliant.&rdquo; Her professional experience includes working for three and a half years in the Clinton White House and later leading Hillary Rodham Clinton&rsquo;s New York Senate office. She got her MBA from the Zicklin School of Business at Baruch College and her BA from Bates College.]]></Text>
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      <Text><![CDATA[Chapter 1: Containment of Women &#8226; 1 &#8226; CONTAINMENT OF WOMEN <BR>For centuries, women have been treated in law and custom as inferior to men, the very men who wrote those laws and enforced those social customs. This would logically make anyone mad. But the furious female is&#8212;we are told to this day in countless ways, both subtle and stark&#8212;unnatural. She is ugly, emotional, out of control, sick, unhappy, unpleasant to be around, unpersuasive, irrational, crazy, childish. Above all, she must not be heard.<BR> <BR>The brank&#8212;also known as a scold&#8217;s bridle or a witch&#8217;s bridle&#8212;was a sixteenth-century European torture device used to muzzle a defiant or cranky woman, her head and jaw clamped into a metal cage. Some of the bridles, which were made of iron, included tongue depressors that would be inserted into the woman&#8217;s mouth; some of those had spikes on the bottom to pierce the tongues of unruly women should they insist on speaking out of turn. The Tower of London features an internally spiked metal neck collar dating from 1588, labeled a &#8220;collar for torture,&#8221; but described in guidebooks as a device to be &#8220;put around the necks of scolding or wayward wives.&#8221;<BR> <BR>Despite attempts to physically or otherwise shut them up, angry women have been waging their battle for independence and equality, against politicians, preachers, and the popular press, since well before America&#8217;s founding. But some of the earliest, most formative battles were on a smaller, closer scale: at home, pushing back against the institution of marriage. Why? Because women&#8217;s oppression was not limited to the public sphere, where they were denied the rights of citizenship&#8212;like voting rights&#8212;and equal opportunity to work or own property or get an education. Women&#8217;s oppression started in, and all those other facets of it were enabled by, one of the smallest units of society: the family.<BR> <BR>There was no way to imagine women&#8217;s social and political independence if they were not fully free even in their own homes. Marriage laws in colonial America were highly restrictive contracts, which some crusading married women fought to change. There were also women who chose to live singly. These unmarried women were considered pitiable or abnormal, but they were partly responsible for the social and economic upheavals that have made the possibility of independent life for today&#8217;s women so much more plausible.<BR> <BR>In the early colonial United States, the family was the center of social control. In Plymouth, in the Massachusetts Bay Colony, and in New Haven, in Connecticut, during the seventeenth century, unmarried people were required to live with families that were &#8220;well governed&#8221; by a churchgoing, land-owning man. Unmarried women were expected to stay home and serve the families with whom they lived and never enter the world in a way that might convey independence.<BR> <BR>Keeping women dependent on men&#8212;their husbands and fathers and brothers, the kinds of people who at the time could hold jobs, earn money, and own land&#8212;was a way of keeping them powerless. Permitting them land gave them some degree of economic autonomy, and even opened up the possibility that they could demand a vote in the communities in which they owned land, so the practice was quickly discouraged.<BR> <BR>For example, the town fathers of Salem, Massachusetts, very briefly allowed unmarried women their own property, until the governor amended the oversight by noting that in the future it would be best to avoid &#8220;all presedents & evil events of graunting lotts unto single maidens not disposed of.&#8221; Because, as historian Alice Kessler-Harris has observed, the possibility of land ownership created a path to existence outside marriage, other colonies &#8220;began to recognize that giving land to women undermined their dependent role&#8221; and thus took measures to limit the option. In 1634, a bill was introduced to the House of Delegates in Maryland proposing that land owned by a spinster must be forfeited should she fail to marry within seven years. This was just part of how women who were not married, for one reason or another, were shamed socially and punished through policy. The term &#8220;spinster&#8221; was derived from the word &#8220;spinner,&#8221; which, since the thirteenth century in Europe, had been used to refer to women, often widows and orphans, who spun cotton, wool, and silk into thread for fabric. By the sixteenth century, spinster referred to unmarried women, many of whom made themselves valuable in households by taking on the ceaseless, thankless work of textile manufacture into old age. In the New World, &#8220;spinster&#8221; gained a more precise meaning: In colonial times, it indicated an unmarried woman over the age of twenty-three and under the age of twenty-six. At twenty-six, women without spouses became &#8220;thornbacks,&#8221; a reference to a sea-skate with sharp spines covering its back and tail. It was not a compliment.<BR> <BR>Boston bookseller John Dunton wrote in 1686 that &#8220;an old (or Superannuated) Maid, in Boston, is thought such a curse as nothing can exceed it, and look&#8217;d on as a dismal spectacle.&#8221; But in fact, the &#8220;dismal spectacle&#8221; of unmarried womanhood was quite rare in the colonies. Many more men than women were settlers, creating a high sex ratio, in which men outnumber women, a dynamic that usually results in high marriage rates and low marriage ages. As Benjamin Franklin noted in 1755: &#8220;Hence, marriages in America are more general, and more generally early, than in Europe.&#8221;<BR> <BR>Almost the only kind of woman who might assert individual power was the wealthy widow, afforded social standing since she had been married and was a legal inheritor of money or property, but left without a master. This was rare. Most widows were poor, with no means to support themselves or their children, and lived at the mercy of their communities for help in feeding and housing themselves and their families. Mostly, unmarried women were considered a drain on society and on the families with whom they were forced to find refuge.<BR> <BR>The early American attitude toward marriage, and men&#8217;s and women&#8217;s roles within it, was influenced by the English policy known as coverture, in which a woman&#8217;s legal, economic, and social identity was &#8220;covered&#8221; by the legal, economic, and social identity of the man she married; her identity as a separate person was wiped away the moment she said &#8220;I do.&#8221; William Blackstone&#8217;s <i>Commentaries on the Laws of England</i> interpreted coverture as meaning that &#8220;the very being or legal existence of the woman is suspended during the marriage, or at least is incorporated and consolidated into that of the husband: under whose wing, protection, and cover, she performs every thing.&#8230; A man cannot grant any thing to his wife, or enter into covenant with her: for the grant would suppose her separate existence; and to covenant with her, would be only to covenant with himself.&#8221;<BR> <BR>&#8220;In its strictly economic aspect the traditional marriage contract resembled&#8221; the relationship &#8220;between master and servant,&#8221; writes historian Nancy Cott. Coverture prevented wives from keeping their own wages, entering into contracts, or suing someone in court, what legal historian Ariela Dubler has called &#8220;a stunning array of status-defining legal restrictions.&#8221; And while scholars have shown that many women in Europe and the New World found ways to act independently, both within their homes and in the outside world, the foundational unfairness of marriage laws made it a tough battle. For women who escaped marriage and coverture, there were other roadblocks to thriving. There were only a few poorly paid professions at which they could earn a meager wage; they might be midwives, seamstresses, caretakers, governesses, or tutors, all jobs that mirrored broader ideas about women&#8217;s nature as nurturers.<BR> <BR>The colonies&#8217; violent break from England, the American Revolution, on which the nation was officially founded, complicated gender relations. For one thing, it drained households of their able-bodied men, who fought the British in the 1770s, the 1780s, and in the War of 1812. These conflicts, followed by an era of exploration, which would draw men west and leave tens of thousands of women back east, scrambled sex ratios across the country, with disproportionately high numbers of women on the East Coast and disproportionately high numbers of men in the West.<BR> <BR>But the rethinking of women&#8217;s relationship to marriage wasn&#8217;t just about numbers. The end of the eighteenth century was a time of political instability; the War of American Independence was followed by the French Revolution, which helped spawn the Saint-Domingue revolution that freed enslaved people and established the Republic of Haiti in 1804. Power structures were crumbling under the weight of ideas about liberty, personal freedom, and representation in this period known as the Enlightenment. In England, author Mary Wollstonecraft challenged the French philosopher Jean-Jacques Rousseau&#8217;s vision of women as submissive to their husbands and instead pushed for female education and independence. She angrily declared war in 1792&#8217;s <i>A Vindication of the Rights of Woman</i> on &#8220;the sensibility that led [Rousseau] to degrade woman by making her the slave of love.&#8221;<BR> <BR>Women were angry at the laws and customs that boxed them in. The language of freedom and equality that fired the Revolution &#8220;provided the women&#8217;s rights movement with its earliest vocabulary,&#8221; historian Mary Beth Norton argues. Lee Virginia Chambers-Schiller describes how &#8220;beginning in about 1780 women in the middle and upper classes&#8230; manifested a dramatic new form of female independence. In increasing numbers, the daughters of northeastern manufacturers, merchants, farmers, and &#8216;poor professionals&#8217; rejected the &#8216;tie that binds&#8217;?&#8221;: marriage.<BR> All Men Would Be Tyrants <BR>Married and single, women began to use revolutionary rhetoric to push for their own rights.<BR> <BR>In the spring of 1776, Abigail Adams wrote a letter to her husband John in which she warned, &#8220;Do not put such unlimited power into the hands of the husbands.&#8221; John would become America&#8217;s first vice president and its second president, and in that 1776 note, Abigail cautioned him that women denied equal rights and opportunities would ultimately rise up, just as had the male colonists who birthed this nation over their ire at being taxed and policed without government representation. &#8220;Remember all men would be tyrants if they could,&#8221; Abigail noted sharply. &#8220;If particular care and attention is not paid to the ladies, we are determined to foment a rebellion.&#8221; Abigail was purposely using language that mirrored that of her husband&#8217;s revolutionary rhetoric: In the period in which she was writing to him, the &#8220;tyrant&#8221; was King George of England, against whom the colonists were fomenting a &#8220;rebellion&#8221; that was a war that formed this nation. Her assertions extended beyond the domestic: They were pointed and political. And yet, in the founding documents of the new nation, the revolutionary white men had promptly codified into law precisely the kinds of inequalities that they had so furiously fought; they built their country out of a genocide of its native inhabitants, the enslavement of African Americans, the denial of the vote and full economic, legal, and social equality to women.<BR> <BR>The notion of individual liberty during the revolutionary era was sharply at odds with the limitations put on some of America&#8217;s inhabitants by marriage and by slavery. Marriage and slavery were not equivalent practices. Enslaved people were treated as chattel, counted in the Constitution as three-fifths human; they could be purchased and sold and had no freedom, no rights over their own bodies. Marriage, while a contract by which women lost rights and identities, was one that free people, acknowledged as human beings, officially entered into of their own choice (though any number of economic, family, or community pressures may have pushed them into choosing marriage). Through marriage, wives gained economic advantage, the rights of inheritance; they also enjoyed social and religious approval and an increase in status.<BR> <BR>But the similarities between slave and marital law show how political, social, and sexual power over a population can be enforced by both urging marriage and by forbidding it, as well as how systems of racism and sexism doubly oppressed Black women. In the United States in the years before the Civil War, marriages between enslaved people were not legal, which both prevented the formation of legally sanctioned unions and allowed slavers to have sexual relations with people they enslaved without violating a marital bond. 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Control over women&#8217;s marital and reproductive lives was one of the surest ways to suppress their power.<BR> <BR>And yet, despite tremendous risk, some enslaved women found ways to protest their treatment, and ultimately to free themselves and others using the very tools created by America&#8217;s founders. Elizabeth Freeman, known then as Mum Bett, was born into slavery in upstate New York around 1744. When she was just seven years old, she was torn away from her parents and sent to serve in the household of their owner&#8217;s daughter in Massachusetts, who was said to be particularly vicious and violent. The master of the house was less cruel, but Freeman understood that whether kind or abusive, no human should enslave another. &#8220;Any time while I was a slave, if one minute&#8217;s freedom had been offered to me, and I had been told I must die at the end of that minute I would have taken it&#8212;just to stand one minute on God&#8217;s earth a free woman&#8212;I would.&#8221;<BR> <BR>She grabbed her opportunity at freedom after she happened to hear a reading of the revolutionary rhetoric of the Declaration of Independence. In angry response to abuses she suffered at the hands of the people who enslaved her, including being hit with hot kitchen tools, she used the principles of the Declaration to petition for her freedom. The next day she went to the office of a local attorney, Theodore Sedgwick, and said, &#8220;I heard that paper read yesterday, that says, &#8216;all men are born equal,&#8217; and that every man has the right to freedom. I am not a dumb critter; won&#8217;t the law give me my freedom?&#8221; Sedgwick filed a lawsuit on Freeman&#8217;s behalf, which she won. Her case was among those that would become the basis for the abolition of slavery in Massachusetts several years later. It was a demonstration of how outrage at injustice could in time spark the reform of law and policy.]]></Text>
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      <Text><![CDATA[<b>Three starred reviews!</b><BR> <BR><b>Based on the true story of the author&rsquo;s great-grandmother, this </b><b>&ldquo;affectingly gentle&rdquo; (<i>Kirkus</i> <i>Reviews</i>, starred review) </b><b>picture book about surviving the Armenian Genocide sparkles with hope and heart even amid unspeakable tragedy&#8212;perfect for readers of <i>The Proudest Blue </i>and Yuyi Morales&rsquo;s <i>Dreamers</i>.</b><BR><BR><i>Rose is what my parents call me:</i><BR> <i>Dzovinar, their rose by the sea.</i><BR> <BR>Dzovinar (&ldquo;zill-ven-ar&rdquo;) lives with her family in Armenia, where the hillside is dotted with sheep and the apricot trees bloom every spring. She loves her home&#8212;but one day, soldiers storm her village, and she returns to an empty house.<BR> <BR>Their parents gone, Dzovinar and her sister are forced to flee. Afraid and alone, they journey across the desert, then over the ocean: first to France and then to America, where they hope a new future will bloom. Changed but not lost, Dzovinar takes root in a new land&hellip;forever a rose by the sea.]]></Text>
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      <Text><![CDATA[Sili Recio has been calling herself a writer since she won a trophy in a poetry contest in the sixth grade. She is an Afro-Dominican storyteller, disruptor, and Mami. Sili earned a bachelor&rsquo;s degree in psychology from Rollins College. She entered the world of social media via her blog in 2010 and has never looked back. Sili lives in Florida with her daughter, the Frog Princess, and tries not to pass on her love of caf&eacute; con leche to her child. She is failing. You can visit her at SiliRecio.com.<BR><BR>Elena Djome Lawrence is an artist and violinist who excels in both her schoolwork and creative projects. Her literary debut picture book&nbsp;<I>The Other Side of the Garden</I>&nbsp;was inspired by a story she shared with her mother when she was nine years old. Her imaginative telling of her own grief serves as the foundation of the book, offering inspiration to those navigating their own journeys of loss.<BR><BR>Brianna McCarthy is a mixed media visual communicator working and living in Trinidad and Tobago. She is a self-taught artist and aims to create a new discourse examining issues of beauty, stereotypes, and representation as well as documenting the process&mdash;particularly poignant in an ever smaller, digitally-connected world. Her form takes shape through masking and performance art, fabric collage, traditional media, and installation pieces.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665947282.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <BR> <BR>&#8212;The Nuremberg Zeitgeist&#8212;<BR> <BR>SPECIAL EDITION<BR> <BR>VIOLENCE ERUPTS IN HEROLDSBERG!<BR> <BR>Planned Speech By Heinrich Himmler Interrupted By Gunman.<BR><BR>By Zeitgeist Staff<BR> <BR>November 7, 1930<BR><BR>(Heroldsberg) The quiet, peaceful town of Heroldsberg was shattered yesterday evening when a shooting took place before a planned speech by Nazi Party member Heinrich Himmler. Himmler&rsquo;s motorcade had only just arrived in town when a still-unknown shooter began firing in the direction of his automobile.<BR> <BR>Several bystanders were injured in the shooting, including <i>Nuremberg Zeitgeist</i> reporter Heinrich Becker. At press time, he remains in a Nuremberg hospital clinging to life in critical condition.<BR> <BR>A Nazi Party spokesman stated that they suspected Communist agitators as responsible for the disturbance. &ldquo;It is well known that the German Communist Party has sought to cast our members in an unfavorable light. They are lucky Herr Himmler was not harmed.&rdquo; When contacted for comment, the Communist Party denied involvement in the incident.]]></Text>
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      <Text><![CDATA[<B><I>Only Murders in the Building</I> meets <I>Escape from Mr. Lemoncello&rsquo;s Library </I>in this &ldquo;intriguing, fast-paced&rdquo; (<I>School Library Journal</I>) novel about a girl pulled into a mysterious treasure hunt at her new boarding school.</B><BR><BR>Ever since her mom passed away, twelve-year-old Megumi &ldquo;Meg&rdquo; Mizuno has been spiraling. After too many low grades and cut classes, she&rsquo;s been expelled from school&#8212;apparently, everyone else has moved past her grief and expects the same from her. Her dad secures her a spot at the prestigious Leland Chase Academy, a boarding school in middle-of-nowhere New York, called the Last Chance Academy by its student body. If Meg can&rsquo;t make it work there, she&rsquo;ll be forced to live with her horrible aunt.<BR> <BR>At first, Leland Chase seems like an average, if very strict, boarding school, though Meg tentatively warms up to her roommate and some of their classmates. Then, one night, a mysterious envelope appears under her door, inviting Meg and her roommate to participate in a scavenger hunt. The only rules: don&rsquo;t get caught by faculty or staff and no cheating. The grand prize? A luxury stay at a fancy resort in California. And after learning her dad has plans to sell their family home&#8212;with all its memories of Mom&#8212;Meg knows she has to win the competition and use the trip&rsquo;s one-on-one time to convince Dad they shouldn&rsquo;t move.<BR> <BR>Thanks to her mom, who taught her how to solve ciphers, Meg has a knack for puzzles she uses to get ahead in the hunt. But she quickly learns that her classmates seem to have their own sets of skills keeping them in the competition. And as they get deeper in the game, Meg and her fellow competitors realize the anonymous creator has their own agenda&hellip;and LCA isn&rsquo;t quite what it seems.]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665950497.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-label="Chapter 1"> <BR><img src="../images/f0001-01.jpg" alt="Chapter 1"><BR> <BR>IT&rsquo;S A GRAY SUNDAY as Dad drives along a road shaded by curving leafy branches that form a tunnel. It feels oddly familiar even though I&rsquo;ve never been to upstate New York.<BR> <BR>&ldquo;It&rsquo;s so pretty,&rdquo; Dad exclaims. &ldquo;Isn&rsquo;t this nice?&rdquo;<BR> <BR>&ldquo;Hmm.&rdquo; Nice would be not being shipped off to Leland Chase Academy that&rsquo;s over four hours away from our home in Connecticut.<BR> <BR>The road curves, and still no school comes into view. We&rsquo;ve been driving for at least ten minutes past the big iron gates. But okay, yeah, it&rsquo;s pretty.<BR> <BR>&ldquo;You know what?&rdquo; Dad says, his voice a bit too perky. &ldquo;These woods look like the park by our house where you and Mom used to have treasure hunts. Remember?&rdquo;<BR> <BR>I remember. From the time I was five until just two years ago, Mom hid little gifts for me to find on special days: my birthday; Valentine&rsquo;s; New Year&rsquo;s; and our favorite day, the Japanese celebration of Girl&rsquo;s Day. In tree hollows, under bushes, behind rocks&#8212;a yellow plastic dinosaur, a small wooden box, an iridescent shell, a ten-sided die. I reach into my pocket and run my finger against the snout of an origami fox.<BR> <BR>Dad smiles at me, thinking I&rsquo;m reminiscing happily, but there&rsquo;s one thing I know for sure now. There are no treasures at the end of the rainbow. There&rsquo;s only dirt and disappointment.<BR> <BR>&ldquo;This is a really prestigious school. You&rsquo;re lucky they accepted you,&rdquo; Dad says as he pulls into a parking lot shaded by old-growth trees, the leaves just starting to change colors.<BR> <BR>Right. Dad already told me several times how selective this school is. Special.<BR> <BR>I turn to Dad and smile for his benefit. His face is lined with the same road map of grief I have etched onto my heart. He&rsquo;s hurting as much as I am, and now probably feeling some guilt, so I give him a break and try to make conversation.<BR> <BR>&ldquo;This is where we say goodbye.&rdquo; He turns off the engine.<BR> <BR>&ldquo;Wait, what?&rdquo; I blink and look around. &ldquo;You&rsquo;re dumping me off in a parking lot? Aren&rsquo;t you meeting the teacher? Or the principal? Or whatever?&rdquo;<BR> <BR>&ldquo;Dr. Ward, the head of school, will meet with you and give you an orientation since you missed the first three weeks of the semester.&rdquo;<BR> <BR>A sleek black limo with the Leland Chase Academy crest on it pulls into the lot.<BR> <BR>&ldquo;Listen carefully, Megumi,&rdquo; Dad says, using that corporate-executive voice that no one ever dares question. &ldquo;If you can&rsquo;t stay out of trouble, if you can&rsquo;t make this work, you&rsquo;re going back to Aunt Vivian&rsquo;s, and you&rsquo;ll have to be homeschooled.&rdquo;<BR> <BR>&ldquo;No!&rdquo; I shout, making my dad flinch. &ldquo;She&rsquo;s a monster.&rdquo;<BR> <BR>&ldquo;Megumi. She&rsquo;s my sister.&rdquo;<BR> <BR>That doesn&rsquo;t mean anything. Living with her the past year was the worst. She didn&rsquo;t make a secret of never having liked my mom. In fact, she even had the nerve to say to me that maybe Dad was better off now that Mom was dead. I will never go back there. Ever.<BR> <BR>The limo pulls up next to us, and the driver&rsquo;s door opens. A white woman with blond hair pulled back into a ponytail steps out of the car. She&rsquo;s wearing a gray wool coat and a blue-and-gray plaid scarf wrapped around her neck.<BR> <BR>&ldquo;You need to do everything to make this work,&rdquo; Dad continues as he pushes the button to open the trunk of his Audi. &ldquo;There are no other options. I know you want to move back home, but I&rsquo;m traveling too much. It&rsquo;s here or Vivian&rsquo;s. Your choice.&rdquo;<BR> <BR>It really isn&rsquo;t much of a choice. As the driver transfers my two suitcases and a duffel bag from Dad&rsquo;s trunk to the limo, Dad leans toward me and, in a rare show of emotion, wraps his arms around me, hugging me tight. &ldquo;I love you,&rdquo; he whispers.<BR> <BR>I know better than to let anger get the best of me. I know what it feels like not to be able to say a proper goodbye. So even though I&rsquo;m upset at being sent off to a boarding school, I return his hug and say, &ldquo;Love you too, Dad.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[<B>&ldquo;A love letter to the power of individuals to bring about change and uplift others.&rdquo; &#8212;<I>Kirkus Reviews</I></B><BR> <BR><B>Meet three remarkable women who followed their dreams and paved a path for women in science in this gorgeously written biographical novel in verse from acclaimed author Jeannine Atkins.</B><BR><BR>As a girl in the late 1800s, Mary Agnes Chase searched the river&rsquo;s edge for wild grasses, wondering how best to capture their likeness with pencil and paper. While her formal education ended in eighth grade, her skill at drawing plants helped land her a position at the Smithsonian Institution. Agnes became a world-renowned expert in grasses she discovered in meadows and mountains.<BR> <BR>Far away on the bank of another river, Marguerite Thomas Williams waded in to explore the rocks, wondering what secrets they might tell of long ago. Marguerite became a schoolteacher, then a teacher of teachers, but she wanted more. At last, a nearby university opened its doors to Black women, and after years of study, Marguerite became the first Black woman to earn a PhD in geology. <BR> <BR>Marguerite&rsquo;s student Sophie Mack Lutterlough&rsquo;s lifelong interest in insects led to her working her way from being an elevator operator at the Smithsonian Institution to becoming one of the first Black women researchers there in the late 1950s. <BR> <BR>With keen eyes and ambition, each woman followed her love of the natural world to blaze a trail for future female scientists.]]></Text>
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      <Text><![CDATA[Jeannine Atkins is the author of several books for young readers about courageous women, including&nbsp;<I>Finding Wonders: Three Girls Who Changed Science</I>,&nbsp;<I>Grasping Mysteries: Girls Who Loved Math</I>,&nbsp;<I>Stone Mirrors: The Sculpture and Silence of Edmonia Lewis</I>, and<I>&nbsp;Borrowed Names: Poems about Laura Ingalls Wilder, Madam C.J. Walker, Marie Curie, and Their Daughters</I>. She also wrote memoir-in-verse <I>Knocking on Windows</I>. Jeannine teaches writing for children and young adults at Simmons University. She lives in western Massachusetts. Visit her at JeannineAtkins.com.]]></Text>
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      <Text><![CDATA[&ldquo;This story, rich in historical details, is a love letter to the power of individuals to bring about change and uplift others. Atkins deftly brings Mary Agnes Chase&rsquo;s and Marguerite Thomas Williams&rsquo; environments and scientific pursuits to life through language that&rsquo;s alternately poetic and direct, making the decades of history she covers both thought-provoking and accessible to young readers. An inspiring account of women who pursued scientific excellence and opened doors for others.&rdquo;]]></Text>
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      <Text><![CDATA[<B>From the prolific Pulitzer Prize&#8211;nominated Muslim reporter Dr. Seema Yasmin comes an exciting nonfiction chapter book about one of America&rsquo;s first female Muslim comedians&#8212;Maysoon Zayid&#8212;the first in the riveting and inspirational Muslim Mavericks.</B><BR><BR>This is the story of the girl who could!<BR> <BR>Maysoon Zayid was just a girl from New Jersey. She might have sometimes felt like she was in the shadow of her three older sisters, but in her dreams, she was Mimi&#8212;an amazing actress, comedian, and dancer! The only problem? People kept telling Maysoon her dreams were impossible!<BR> <BR>Achieving her goals certainly wasn&rsquo;t easy; as a Palestinian Muslim girl born with cerebral palsy, Maysoon faced all sorts of challenges&#8212;both physical and societal. But Maysoon didn&rsquo;t dare give up. Instead, she followed her heart all the way to the screen and stage to become one of America&rsquo;s first ever women Muslim comedians and an actress on her favorite TV show.]]></Text>
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      <Text><![CDATA[Seema Yasmin is an Emmy Award&ndash;winning journalist who was a finalist for the Pulitzer Prize, medical doctor, professor, and poet. She attended medical school at Cambridge University and worked as a disease detective for the US&nbsp;federal government&rsquo;s Epidemic Intelligence Service. She currently teaches storytelling at Stanford University School of Medicine, and is a regular contributor to CNN,&nbsp;<I>Self</I>, and&nbsp;<I>Scientific American</I>, among others.<BR><BR>Noha Habaieb is a Tunisian French visual storyteller, working between Doha and Tunis. After studying comics in Belgium, she returned to Tunisia where she cofounded the Lab619, an award-winning comics collective. Noha took part in the evolution of Lab619&rsquo;s first comics magazine for adults by participating with her original comics and organizing artistic residencies themed around migration, identity, and borders. In 2017, she cofounded Koskh, an illustration studio based in Tunisia, which aims to promote Tunisian heritage through illustrations for children and adults. She&rsquo;s the illustrator of the Muslim Mavericks chapter book series written by Pulitzer Prize&ndash;nominated Dr. Seema Yasmin.]]></Text>
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      <Text><![CDATA[<P>1 <B>A GIRL WITH BIG DREAMS</B></P><P>&#160; <B>One sunny morning</B> in September, Maysoon woke up on the couch that she called her bed, stretched her arms, and smiled. She felt tiny bubbles of excitement fizz up from her toes, through her belly, and all the way up to her head. Today was the day! Finally she was old enough to join her three big sisters at Public School Number Six in her hometown of Cliffside Park, New Jersey.</P><P>&#160; Lamiah, Feda, and Hanan loved school and the many friends they had made there. Every day they came home from school and told Maysoon stories of the games they had played (that was mostly Feda), the fun they had had (that was mostly Hanan), and the boys who they liked (that was mostly Lamiah).</P><P>&#160; Maysoon was excited to strut her stuff through the playground, wearing her favorite pink pants with the bells at the bottom. She was ready to wave to her sisters in the food hall and to make new friends and tell them about her love of soap operas and her dreams of becoming the best entertainer in the world. “And the Academy Award goes to… Maysoon ‘Mimi’ Zayid!” She needed to tell her new friends that one day they would hear these exact words. Maysoon would be one of the world’s best-loved entertainers.</P><P>&#160; &#160; Maysoon’s mom worked long hours in a hospital laboratory. It was her dad’s job to drive Maysoon to school to get enrolled. Maysoon smiled and bounced in her seat for the whole drive.</P><P>&#160; But when they arrived at the school, a teacher said four words that shattered Maysoon’s dream. “She can’t come here,” the teacher said. Maysoon’s dad was in the middle of writing Maysoon’s name on the list. He lifted his head and frowned.</P><P>&#160; Maysoon’s mouth opened wide. She gasped. <I><B>What?! How can this teacher say I can’t come to this school? This teacher doesn’t even know me!</B></I></P><P>&#160; Before Maysoon could say a word, her father dropped his pen and spoke in a loud voice. “My daughter is brilliant! Let her in or I will sue!” he said, jabbing the air with his finger.</P><P>&#160; &#160; “Yeah! We’ll sue!” Maysoon said. “I’m good enough for this school! Why can’t I go with Lamiah, Feda, and Hanan? Why can’t I make friends with their friends? Why do I have to go to a different school?”</P><P>&#160; The teacher pushed his glasses up his nose and crossed his arms. He whispered to Maysoon’s dad as if Maysoon weren’t there. “This girl is different,” the teacher said. “You’ll have to speak to the superintendent about her.”</P><P>&#160; Maysoon’s dream began to melt. It became a puddle of stinky glop that turned into a nightmare. A nightmare in which Maysoon’s dream of becoming an entertainer would surely fail. How could she become the world’s best entertainer if she couldn’t even get into the school of her choosing?</P>]]></Text>
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      <SubjectHeadingText>Mary Morland; biography; women in STEM; dinosaurs; fossil; science; research; paleontology; trailblazer; enthusiasm; learning; clues; dinosaur discovery; educational; biologist; prehistoric; reptiles; fossils; bones; shells; explore; discover; collection; drawing; illustration; journal; professor; specimen; models; Georges Cuvier; scientist; Paris; William Buckland; Oxford; museum; experiment; Megalosaurus; nonfiction picture book for 4 5 6 7 8 year olds pre-k kindergarten grades 1 2 3; backmatter; Bone Wars by Jane Kurtz; A Dinosaur Named Ruth by Julia Lyon; Counting the Stars by Lesa Cline-Ransome; What Miss Mitchell Saw by Hayley Barrett; Ada Lovelace, Poet of Science by Diane Stanley; Solving the Puzzle Under the Sea Look Up! by Robert Barleigh;</SubjectHeadingText>
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      <Text><![CDATA[<b>Unearth the extraordinary contributions Mary Morland made to 19th-century paleontology by pursuing her passion in spite of society&rsquo;s expectations in this </b><b>&ldquo;delightful&rdquo; (<i>Kirkus Reviews</i>, starred review) </b><b>picture book biography with a question-and-answer structure perfect for reading aloud.</b><BR><BR>While other little girls were sipping tea perched on their chairs, Mary Morland was given the freedom to spend her time outside exploring. After her mother died, her father sent her to live with a professor who taught Mary how to examine plants, animals, rocks, and fossils. She soaked up all the knowledge she could and captured her discoveries in her journals. Mary continued studying and drawing fossils into adulthood, becoming a prominent fossil hunter whose finds impressed leading scientists of the day.<BR> <BR>Eventually, Mary bonded with William Buckland, England&rsquo;s best fossilist, over their love of paleontology, and the two got married. Together, they introduced the world to Megalosaurus, the first dinosaur that lived on land. At the time, William received credit for their accomplishments while Mary worked from the shadows. This book shines a spotlight on Mary, celebrating her irrepressible spirit, her unconventional life, and her endless enthusiastic pursuit of prehistoric knowledge.]]></Text>
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      <Text><![CDATA[Jane Kurtz&nbsp;was born in Portland, Oregon, but spent most of her childhood in Ethiopia. Jane speaks about being an author at schools and conferences and helped start Ethiopia Reads (EthiopiaReads.org), a nonprofit that has opened the first libraries for children in Ethiopia. She is the author of many books for children, including<i>&nbsp;The Bone Wars</i>, illustrated by Alexander Vidal;&nbsp;<i>What Do They Do with All that Poo</i>?, illustrated by Allison Black;&nbsp;<i>Do Kangaroos Wear Seat Belts?</i>,&nbsp;illustrated by Jane Manning;&nbsp;<i>Anna Was Here</i>;<i>&nbsp;Clara the Triumphant Rhinoceros</i>,&nbsp;illustrated by Claire Messer; and the American Girl book&nbsp;<i>Lanie</i>. &nbsp;<BR><BR>Giselle Potter&nbsp;has illustrated many books, including&nbsp;<i>Once Upon a Fairy Tale House</i>&nbsp;by Mary Lyn Ray,<i>&nbsp;Try It!&nbsp;</i>by Mara Rockliff,&nbsp;<i>All by Himself?&nbsp;</i>by Elana K. Arnold,&nbsp;and&nbsp;<i>Kate and the Beanstalk</i>&nbsp;by Mary Pope Osborne, as well as her own&nbsp;<i>Tell Me What to Dream About</i>,&nbsp;<i>This Is My Dollhouse</i>, and&nbsp;<i>The Year I Didn&rsquo;t Go to School</i>, about traveling through Italy with her parents&rsquo; puppet troupe when she was eight. She lives in Rosendale, New York, with her husband and two daughters. Visit her at GisellePotter.com.]]></Text>
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      <Text><![CDATA[While Mary Morland (1797&ndash;1857) was born during a time in which girls were to be seen and seemingly not heard, she broke through those norms and explored the world around her, becoming particularly fascinated with rocks and fossils, illustrating anything that spoke to her and corresponding with scientists in the field of geology. . . . This is an inspiring story of an early pioneer scientist the world should know. The artwork is fun and detailed. The first half of the book points to how unconventional Morland was in her upbringing and then gets more detailed in her adventurous life of fossils and science and raising her children to be as inquisitive as she was. While it touches on how she was not credited for her illustrations that helped scientists understand dinosaurs more, the tone is uplifting in sharing what was not as widely known as it is now. . . . An excellent picture book biography about the beginnings of the study of dinosaurs all thanks to a curious and little-known woman.]]></Text>
      <TextAuthor>School Library Journal</TextAuthor>
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      <Text><![CDATA[This lively picture-book biography introduces Mary Morland (1797&ndash;1857), whose contributions to natural history were highly unusual for a woman in early nineteenth-century England. Kurtz&rsquo;s amiable text poses frequent questions. . . engaging readers in the narrative as she highlights the era&rsquo;s strict gender constraints. As a young woman, Morland corresponded with the &ldquo;famous French scientist&rdquo; at the forefront of studying &ldquo;ancient reptiles&rdquo; (the term <I>dinosaur </I>hadn&rsquo;t been coined yet), impressing him with her scientific drawings and specimens. After marrying &ldquo;England&rsquo;s best fossilist,&rdquo; Morland continued to make drawings to accompany her husband&rsquo;s writing; it was Morland&rsquo;s illustrations of <I>Megalosaurus </I>fossils her husband presented to the Geological Society of London (as a woman, Morland wouldn&rsquo;t have been welcome at the gathering). Potter&rsquo;s soft-toned watercolor illustrations are a good match for the conversational text; one especially effective double-page spread shows Morland and family in their unconventional &ldquo;household of chaos&rdquo; teeming with books, animals, fossils, and nine children. And &ldquo;is that a pony running around the table with three of Mary&rsquo;s laughing children on its back? Yes. Yes, it is.&rdquo;]]></Text>
      <TextAuthor>Horn Book</TextAuthor>
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      <Text><![CDATA[[Mary Morland&rsquo;s] remarkable life makes for a sensational story, and the fascinating book makes a point to contrast Mary&rsquo;s behavior with the societal expectations of the time. It&rsquo;s as inspirational as it is informative, frequently posing provocative questions along the way. Unusual and arresting illustrations have a nineteenth-century folk art feel, wonderfully capturing her unusual life and scientific sketches. A splendid spotlight on a lesser-known but significant scientific life.]]></Text>
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      <TextSourceTitle>January 2026</TextSourceTitle>
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      <Text><![CDATA[*Wry interrogative narration energizes this engaging portrait of scientist and illustrator Mary Morland (1797&ndash;1857). A picture of the subject as curious about the natural world emerges through mentions of 19th-century social norms (&ldquo;Did she perch on her chair like a prim little miss? Well, what would you do if the whole world was waiting outside?&rdquo;). . . . Potter&rsquo;s signature watercolor scenes suitably evoke the era&rsquo;s aesthetics. While Kurtz is candid about the way Morland &ldquo;worked in the shadows,&rdquo; the overall telling emphasizes the figure&rsquo;s enthusiastic embrace of the world&rsquo;s wonders.]]></Text>
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      <Text><![CDATA[*Before the word <I>dinosaur </I>existed, a young female fossilist helped identify the creatures. In Kurtz&rsquo;s perky prose, Mary [Morland] springs to life as independent, curious, and relatable. Potter&rsquo;s delicate pastel illustrations evoke the na&iuml;ve art of the period, as well as its social setting. One image depicts Mary&rsquo;s many children romping in their &ldquo;household of chaos.&rdquo; These scenes perfectly suit the text&rsquo;s project of relevance and inspiration. A delightful STEAM biography that spotlights a female scientist who deserves to be better known.]]></Text>
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      <Text><![CDATA[<B>A <I>New York Times</I> bestseller!</B><BR> <BR><b>A group of children investigate the threat that prompted large-scale evacuations in this &ldquo;solid and engrossing&rdquo; (<i>Booklist</i>) companion novel to the <i>New York Times</i> bestselling <i>Alone</i> told in multiple POVs.</b><BR><BR>After an imminent yet unnamed danger forces people across Colorado to leave their homes, a group of kids including an aspiring filmmaker and a budding journalist find themselves in the same evacuation camp. As they cope with the aftermath of having their world upended, they grow curious about the mysterious threat. <BR> <BR>And as they begin to investigate, they start to discover that there&rsquo;s less truth and more cover-up to what they&rsquo;re being told. Can they get to the root of the conspiracy, expose the bad actors, and bring an end to the upheaval before it&rsquo;s too late?]]></Text>
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      <Text><![CDATA[Tuesday: 5:00 P.M. Mountain Standard Time: On the radio <link rel="stylesheet" type="text/css" href="../styles/9781665959742.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <h2 id="ch01_hd" >TUESDAY 5:00 P.M. MOUNTAIN STANDARD TIME <i>On the radio</i></h2> <BR>&ldquo;You&rsquo;re tuned to KRKY 97, and it&rsquo;s time for news at the top of the hour.<BR> <BR>New protective action curfews are in place across Colorado this evening, with mandatory checkpoints for anyone traveling beyond registered county limits. Be sure to leave in plenty of time to get home safely tonight.<BR> <BR>We&rsquo;ve got record-breaking temperatures in the forecast again, but Splash Gardens opens for the summer in less than three weeks. You won&rsquo;t want to miss the new and improved waterslide, so get your season passes before the price goes up.<BR> <BR>And it looks like we&rsquo;re heading into another hot, dry weekend with high fire danger in the mountains and foothills, so double-check all burn bans and fireworks restrictions.<BR> <BR>For all the latest in Colorado news and weather, we&rsquo;re here for you on KRKY 97, the Rocky Mountains&rsquo; most trusted news source.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[Young people wake to find themselves in the midst of a large-scale disaster in this harrowing,&nbsp;<i>New York Times</i>&nbsp;bestselling middle grade novel in verse series from a Pushcart Prize&ndash;nominated poet perfect for fans of&nbsp;<i>Hatchet</i>&nbsp;and the I Survived series.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>Away</i></b><BR> <BR>By Megan E. Freeman<BR> <BR><b>About the Book</b><BR> <BR>When a mysterious threat causes much of Colorado to be evacuated, families from all over the state are sent to live in temporary shelters. Teddy, Grandin, Harmony, and Ashanti come from different walks of life, but Camp Rogers brings them together and they become fast friends. Life at Camp Rogers takes some getting used to, but its residents soon settle into a rhythm. Teddy films interviews with other evacuees, while Harmony starts a newspaper to report on happenings at the camp with the help of her new friends. Ashanti helps her mom set up a medical clinic for the camp and Grandin cares for a stray dog even as he mourns his missing dad. However, as more and more time passes, the friends begin to wonder if everyone is maybe becoming a little too comfortable with the new normal. What exactly <i>is</i> the mysterious threat behind the evacuation? Will they ever get to go back home? And are the leaders really telling them the truth about what's going on? Working together, and with the help of some trusted adults and a stray puppy named Popcorn, the kids start an investigation that will change their lives forever.<BR><BR><b>Discussion Questions</b><BR> <BR>1. Who are the four main narrators, and what format does each use to tell their story? Why do you think the author chose to use multiple voices to tell the story? Why do you think the author chose to mix official communications like radio broadcasts, news conferences, and dictionary definitions with the protagonists&rsquo; voices in the book?<BR> <BR>2. Discuss why you believe each of the kids in the book tells their story in a different format (poetry, letters, scripts, etc.). How is this different from the experience of reading a novel written in prose?<BR> <BR>3. What are the narrators, Harmony, Teddy, Ashanti, and Grandin, like? How do they compare to one another?<BR> <BR>4. Why do you think Harmony, Teddy, Ashanti, and Grandin become friends? Do you think they would be friends in the outside world? Why or why not?<BR> <BR>5. How do the characters feel about having to leave their homes suddenly? Have you ever had to evacuate for an emergency, or have you ever been quarantined? What was it like, and how did it make you feel?<BR> <BR>6. When Harmony&rsquo;s family leaves home, they grab their &ldquo;go bag&rdquo; full of essential clothing and other items, which is already packed and ready for an emergency. Why do some people pack go bags? What would you put in your own go bag, and why?<BR> <BR>7. How do each of the kids cope with the evacuation and with life in Camp Rogers? What do you think would be the hardest part of living in the camp?<BR> <BR>8. Harmony writes to her Aunt Beckie, &ldquo;When we get back to school, I will have a responsibility to report what I saw.&rdquo; (p. 71) What does she mean? Why do you think she feels responsible for reporting on what she sees?<BR> <BR>9. Harmony takes the lead on creating a newspaper the kids call <i>The Camp Rogers Gazette</i>. The tagline is &ldquo;As Powerful As the People Who Read It.&rdquo; Why do you think she chooses this tagline? What power do newspapers have? What about their readers?<BR> <BR>10. Why do you think Teddy is obsessed with movies, and why does he immediately begin filming everything when he and his grandmother are evacuated?<BR> <BR>11. Which adult or adults is each narrator in the story evacuated with? How do the adults around them support them through this challenging time? Are there any ways the adults in their lives fail to give the narrators the support they need? How do the adults in your life support you when things are hard?<BR> <BR>12. Early in the evacuation, Teddy says, &ldquo;Other people are upset, but I see no reason to panic. We&rsquo;re clearly safe in camp, and whatever&rsquo;s going on out there will become obvious soon enough.&rdquo; (p. 121) Do you think Teddy&rsquo;s attitude is a good one to have in a situation like this? How do you think you would react in a situation like his?<BR> <BR>13. Ashanti frequently compares herself and her friends to mythological figures. Teddy does something similar with movies. Why do you think they do this? Did you recognize any of the mythological figures or movies the kids mentioned? If you were going to compare a part of your life to a movie or myth, what would it be, and why?<BR> <BR>14. Teddy says, &ldquo;People invent information in the absence of facts.&rdquo; (p. 121) What does he mean by this? Why do you think this happens? Have you ever seen this happen? How could this be dangerous?<BR> <BR>15. What environmental changes are happening in the world of this book? Discuss any similarities you notice about what might be happening around the globe.<BR> <BR>16. Ram&#243;n tells Grandin, &ldquo;When we have a choice / between / worry and hope / (and we do, he says / we always do) / choose hope.&rdquo; (p. 191) What do you think of this advice? How do you keep hope alive when things start to feel hopeless?<BR> <BR>17. In what ways do each of the narrators hope to change the world? Do you have any dreams about changing the world? Discuss.<BR> <BR>18. After everyone starts to settle in at Camp Rogers, Harmony wonders, &ldquo;Does it feel like everyone&rsquo;s getting a little too comfortable with the status quo?&rdquo; (p. 208) Why does it worry Harmony that people are getting comfortable with the way things are?<BR> <BR>19. At one point, protesters in Camp Rogers are arrested. What are they protesting? Have you ever been to a protest? What was it like to participate? In general, why do people stage protests? Do you think they are an effective method of communication?<BR> <BR>20. What does Teddy discover about the videos of the outside world that leadership shows to Camp Rogers residents? Why is this important? What does it mean to the protagonists?<BR> <BR>21. Teddy says that &ldquo;adults routinely underestimate children.&rdquo; (p. 301) In what ways do the adults in the book underestimate the kids? Has an adult ever underestimated you and your friends? What happened?<BR> <BR>22. The kids finally realize that, as Grandin says, &ldquo;Water [is] more valuable than oil or gas. This whole charade is over water.&rdquo; (p. 308) What is a <i>charade</i>, and in what way is Camp Rogers like one? Do you agree with Grandin that water is more valuable than oil or gas? Why or why not?<BR> <BR>23. The kids in the book struggle to know who they can trust as they try to understand exactly what is going on at Camp Rogers and in the broader world. What advice would you give them about choosing people to trust? How do you decide who you can trust in your own life?<BR> <BR>24. Were you surprised by the end of the story? Do you think something like this could happen in real life? If so, how do you think we can prevent it? If not, why not?<BR> <BR>25. At the end of the book, Teddy says, &ldquo;Anyone who says art can&rsquo;t change the world never studied history.&rdquo; (p. 457) What does he mean by this? In what ways does art change the world in this book? Can you think of a way that art has changed the real world?<BR><BR><b>Additional Questions for Readers of <i>Alone</i>, a companion novel to <i>Away</i></b><BR> <BR>26. <i>Alone </i>follows Ashanti&rsquo;s friend Maddie, who misses the evacuation and ends up spending years completely alone. How are the two books similar? How are they different? What&rsquo;s the effect of reading the story from two different perspectives?<BR> <BR>27. Why do you think the author told the story in <i>Alone</i> through just one perspective, but <i>Away</i> through many different voices?<BR> <BR>28. Would you rather be alone like Maddie in a crisis, but fully in control of your own survival, or would you rather be with other people, but controlled by figures like the leadership of Camp Rogers?<BR><BR><b>Extension Activities</b><BR> <BR>1. Create a poster, video, or slideshow about the muckrakers. Using the library and trusted internet sources, find out who they were and what they did. Why was their work important? Nellie Bly, Ida B. Wells, Ida M. Tarbell, Upton Sinclair, and Woodward and Bernstein are specifically mentioned in the book but be sure to include some other muckrakers in your presentation too! If you&rsquo;d like, you can include photographs you find online or illustrations you create yourself of what these famous journalists looked like.<BR> <BR>2. Teddy&rsquo;s parts of <i>Away </i>are written primarily as scripts. Write a script about an event or events in your life. Begin with brief character and setting descriptions. Then tell the story through dialogue, or people talking. If you&rsquo;d like, gather some friends and make a short movie from your script.<BR> <BR>3. Ashanti mentions many figures from Greek mythology throughout the story, and she herself shares a name with a Ghanaian goddess. Choose one of the mythological figures Ashanti mentions and create a poster explaining who they are. Include a retelling of their story and a drawing, painting, or collage of the figure. Here are some options, but you can choose any mythological figure Ashanti mentions: the Lotus Eaters, Ashanti, Penelope (from <i>The Odyssey</i>), Demeter and Persephone, Cassandra. Be sure to explain how the figure&rsquo;s myth connects to the events in <i>Away.</i><BR> <BR>4. Create your own newspaper to tell the stories of your school or neighborhood. What will you call your newspaper? What will its tagline be? (The tagline for Harmony&rsquo;s <i>Camp Rogers Gazette </i>is &ldquo;As Powerful As the People Who Read It.&rdquo;) What newsworthy things are happening in your neighborhood or school? Is there anything you might want to investigate more deeply? Write at least one issue of your paper and print it out to distribute to friends and neighbors. If you&rsquo;d like, work with friends to each write an article or two.<BR> <BR>5. Instead of being split into chapters, this book is written as a series of short vignettes [sounds like: vin-YETZ] in different forms, including poetry, scripts, press releases, letters, and dictionary definitions. Choose one vignette from the book and write a report analyzing its form. Why is it written in this style (poem, script, etc.)? How are the lines broken apart? How does the form help convey the message of this part of the book? How does this vignette relate to the rest of the story?<BR> <BR>6. Try your hand at writing your own story in vignette form. Perhaps you could tell the story of Grandin&rsquo;s father and others who stayed behind during the evacuation, or write a sequel to this story about what happens to Grandin, Harmony, Teddy, and Ashanti next. Or maybe you&rsquo;d like to come up with a brand-new story out of your imagination. What voices will you include? Will they speak in letters, poems, scripts, or something else?<BR> <BR>7. Throughout the novel, the friends reference <i>The Wizard of Oz</i>. Watch the <i>Wizard of Oz</i> movie or read the book. In what ways are the kids&rsquo; experiences during the evacuation like Dorothy&rsquo;s in <i>The Wizard of Oz</i>? Write a report or create a slideshow that explores the similarities. Be sure to include an analysis of what these references help you, and the kids in the story, understand about their experience.<BR><BR><i>Note: Page numbers are based on the hardcover edition of this title.</i><BR> <BR><i>Chris Clark is a writer and reading teacher who lives with her family in coastal Maine.</i><BR> <i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.</i>]]></Text>
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      <BiographicalNote><![CDATA[Margarita Engle is the Cuban American author of many books including the verse novels&nbsp;<i>Rima&rsquo;s Rebellion</i>;&nbsp;<i>Your Heart, My Sky</i>;&nbsp;<i>With a Star in My Hand</i>;&nbsp;<i>The Surrender Tree</i>, a Newbery Honor winner;&nbsp;<i>The Lightning Dreamer</i>; and&nbsp;<i>Wild Dreamers</i>, a Pura Belpr&eacute; Young Adult Author Honor book. Her verse memoirs include&nbsp;<i>Soaring Earth</i>&nbsp;and&nbsp;<i>Enchanted Air</i>, which received the Pura Belpr&eacute; Award, a Walter Dean Myers Award Honor, and was a finalist for the YALSA Award for Excellence in Nonfiction, among others. Her picture books include&nbsp;<i>Drum Dream Girl</i>,&nbsp;<i>Dancing Hands</i>,&nbsp;and&nbsp;<i>The Flying Girl</i>. Visit her at MargaritaEngle.com.]]></BiographicalNote>
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      <Text><![CDATA[<B>A Golden Kite Award Winner for Young Adult Fiction</B><BR> <BR><b>From award-winning author Margarita Engle comes a &ldquo;[f]anciful, hopeful, and heartfelt&rdquo; (<i>Kirkus Reviews</i>) love story told in verse about childhood friends, once lost and now reconnected, and their fight to protect endangered animals.</b><BR><BR>Every day, Vida reads to the creatures at the wildlife rescue center and dreams of her childhood in Cuba, where she and her best friend Ad&#225;n adventured through the island rescuing animals from harm. Unbeknownst to her, Ad&#225;n has also moved to Florida and is feeling trapped in his new home, buffeted by the stormy fights between his abuelo and papi. When a chance encounter with a captive fox leads to their reunion, Vida and Ad&#225;n are able to find refuge from the cruelty that surrounds them in their soaring, rekindled romance.<BR> <BR>Their love reaches new heights as they work together at the zoo that rescues rare species, but soon they realize that this peace is only temporary. Much like the wildlife they want to protect, Vida and Ad&#225;n are caught in a cycle of distrust and heartlessness. As old family grudges and painful memories come to light, can they and their families learn to heal and forgive each other for a brighter, kinder future?]]></Text>
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      <Text><![CDATA[Margarita Engle is the Cuban American author of many books including the verse novels&nbsp;<i>Rima&rsquo;s Rebellion</i>;&nbsp;<i>Your Heart, My Sky</i>;&nbsp;<i>With a Star in My Hand</i>;&nbsp;<i>The Surrender Tree</i>, a Newbery Honor winner;&nbsp;<i>The Lightning Dreamer</i>; and&nbsp;<i>Wild Dreamers</i>, a Pura Belpr&eacute; Young Adult Author Honor book. Her verse memoirs include&nbsp;<i>Soaring Earth</i>&nbsp;and&nbsp;<i>Enchanted Air</i>, which received the Pura Belpr&eacute; Award, a Walter Dean Myers Award Honor, and was a finalist for the YALSA Award for Excellence in Nonfiction, among others. Her picture books include&nbsp;<i>Drum Dream Girl</i>,&nbsp;<i>Dancing Hands</i>,&nbsp;and&nbsp;<i>The Flying Girl</i>. Visit her at MargaritaEngle.com.]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>Island Creatures</i></b><BR> <BR>By Margarita Engle<BR><BR><b>About the Book</b><BR> <BR>As children, Vida and Ad&#225;n rescued vulnerable animals in central Cuba until illness, political strife, and natural disasters split them up. Ten years later, they reconnect in Florida through a wildlife rescue center and a feminist book club with Ad&#225;n&rsquo;s sisters. Along with renewed trust and bravery, Vida and Ad&#225;n explore their romance until a family grudge threatens to separate them forever. Can their love survive the violence that surrounds them and their animal friends?<BR><BR><b>Discussion Questions</b><BR> <BR>1. What is the significance of the main characters&rsquo; names? Why does it matter that they both had different names as teenagers?<BR> <BR>2. Luci contracted polio because her parents chose not to vaccinate her. Ad&#225;n claims they made this decision because of anti-vaccination conspiracy theories learned &ldquo;in the mythically free US / where anyone can spread false rumors / and there&rsquo;s no way to identify the truth.&rdquo; (p. 47) As a group, discuss what Ad&#225;n thought on this topic and whether you agree. What are some examples of misinformation, and how can you identify it? What kinds of resources should you use to learn about an issue?<BR> <BR>3. Vida decides to share her experience of sexual assault with Ad&#225;n. Why does she trust him?<BR> <BR>4. After Vida kisses Ad&#225;n and gains back some of her confidence, she thinks, &ldquo;Courage is like one of those extinct species / suddenly rediscovered alive.&rdquo; (p. 69) Think of a moment when you felt you lacked courage or a time when you felt extra brave. Discuss this experience with a partner, and share how you think courage is built.<BR> <BR>5. Ad&#225;n is frustrated by his father&rsquo;s and grandfather&rsquo;s behavior especially when it harms women and children. What are some ways Ad&#225;n counteracts the machismo culture he was raised in? Women and girls experience more negative effects of sexism, but so do men, boys, and other genders. What are examples of how sexism affects each gender differently? What current events demonstrate that women and girls are being punished like Vida describes in the poem, &ldquo;STEMinism&rdquo; on page 77?<BR> <BR>6. In pairs, discuss your thoughts about the &ldquo;Masculinidades&rdquo; art created by Cuban photographer Monik Molinet. How does it make you feel when you read about it? (p. 83) If possible, present some of the images to the group or class, and debate the artist&rsquo;s meaning. Is art enough to change people&rsquo;s minds about a certain topic? What do you think is the most effective way to make social change? Explain your answers and include examples from the book that may support your thoughts.<BR> <BR>7. Before Ad&#225;n&rsquo;s surprise party, Vida is picking an outfit and wonders, &ldquo;Will his parents and abuelos hate me / if the first time I meet them / I look / sexy?&rdquo; (p. 91) Why does she think this? Use examples from the text or your personal experiences to explain your answer.<BR> <BR>8. Why do Cubans in Florida hate exiles that return to the island? Use examples from the text to answer and explain whether you think their feelings are justified.<BR> <BR>9. In pairs, share how you felt reading Ad&#225;n&rsquo;s abuelo&rsquo;s reaction toward Rita. How would you have reacted if you&rsquo;d witnessed this? Is there a correct way to react as a bystander? Explain.<BR> <BR>10. Rita shares with Vida that she &ldquo;doesn&rsquo;t expect anyone to forgive her / for that early work, the articles that resulted / in suffering instead of government reform.&rdquo; (p. 105) Why does Rita need to be forgiven for the government&rsquo;s actions? Explain your answer using examples from the book or even your own experiences. Have you ever felt at fault for something out of your control? Share with the class.<BR> <BR>11. In &ldquo;Melancholy Birthday,&rdquo; we learn that &ldquo;each creature in this refuge / has suffered because of humans.&rdquo; (p. 153) In small groups, discuss why you think humans hurt animals, using personal anecdotes, research, and examples from the book to support your claims. What are some ways people accidentally hurt animals, and how can someone help, even if they don&rsquo;t have access to an animal rescue or sanctuary?<BR> <BR>12. Vida suspects that Chet and the other boys got away with attempted rape because &ldquo;influence is respected / more than facts.&rdquo; (p. 171) As a class, discuss how privilege can derail justice. What are examples from current events where people with wealth or other privileges have not received consequences for the harm they have caused? What can be done to change this?<BR> <BR>13. Discuss how the memories in between chapters relate to the main story. What purpose do these italicized poems serve?<BR> <BR>14. Luci and Vida discuss careers and Dr. Lila Miller, the first Black woman to graduate from the Cornell University College of Veterinary Medicine. Dr. Miller&rsquo;s journey was full of strife because of her identity as a Black woman. Luci and Vida are both girls of color, and Luci also has a disability. Think about your own identities and how they may affect your life. In pairs, share your experiences. What barriers may you come up against in your future? What gives you the motivation to persevere? What resources are available to help you succeed?<BR> <BR>15. Instead of building resentment about her illness or toward her family, Luci remains generally positive and even has an idea for reconciling with her abuelo. Why do you think she is able to remain so optimistic? Explain your answer.<BR> <BR>16. What was the final straw that caused the females of Ad&#225;n&rsquo;s family to change the locks on the door? Why do you think they didn&rsquo;t do it sooner?<BR> <BR>17. Vida decides to include a self-portrait in her rebuilt exhibit to show she is a survivor. Find examples in the book that showcase the similarities between Vida and the endangered animal survivors.<BR> <BR>18. Discuss the symbolism of the animals mentioned in the story. How do the animals connect to the actions and emotions in the sections where they&rsquo;re referenced?<BR><BR><b>Extension Activities</b><BR> <BR>1. Write a poem about who you are, like Vida was assigned in her English class.<BR> <BR>2. Think about all the beautiful images created by Vida&rsquo;s well-timed photographs and vivid descriptions throughout <i>Island Creatures</i>. Choose a poem written by one of the poets listed in the book, and create an image that represents it. You can take a photograph, build a digital collage, make a painting, or create a collage using magazine clippings.<BR> <BR>3. Plan your own Feminist Book Club. Choose a feminist topic and find a book that fits the theme. Then read the book and craft at least ten discussion questions you would ask in the book discussion.<BR> <BR>4. Vida loves etymology and frequently thinks about the origin of different words. Considering that the grudge Ad&#225;n&rsquo;s abuelo has against Rita stemmed from the power of words and the censorship of the newspaper, look up the etymology of censorship. How does censorship appear in current events? Why does censorship exist? Write a reflection essay answering these questions.<BR> <BR>5. Ad&#225;n feels he has no choice but to break up with Vida, and this causes a major turning point in the book. Imagine Ad&#225;n had chosen to defy his abuelo sooner. How would the story change? Draft an outline of your revised story, and write at least three new chapters that set up your changes.<BR> <BR>6. Vida and Ad&#225;n teach campers about endangered species. Research organizations in your area that support wildlife conservation, and contact them to learn about ways to become involved. Alternatively, select an endangered species and research the different organizations that exist worldwide to protect them. How can you become involved from a distance?<BR> <BR>7. Help Vida restore her exhibit. Choose three endangered animals, find compelling photographs, and create brief statements to explain why conservation for them matters.<BR><BR><i>Note: Page numbers refer to the hardcover edition of this title.</i><BR> <BR><i>Guide written by Cynthia Medrano, Librarian at the Highland Park Public Library.</i><BR> <BR><i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net/m/prek12-teachers-librarians/teaching-resources.</i>]]></Text>
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      <Text><![CDATA[&ldquo;Lush yet careful language packs intentionality into few words without sacrificing nuance or character complexity. Many endangered animals, discussions of best zoological practices, and meticulously detailed science juxtapose playful layouts and creative poetic form.&rdquo;]]></Text>
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      <Text><![CDATA[<B>&ldquo;</B><b>An ode to the courage it takes to live with authenticity.</b><B>&rdquo;</B><b> &#8212;<i>Kirkus Reviews</i> (starred review) </b><BR> <BR><b>An intensely brave, beautifully honest, and wryly funny story about a gay Muslim teen who has to choose between being true to himself or his faith&#8212;and his realization that maybe they aren&rsquo;t as separate as he thought.</b><BR><BR>Ramin Abbas has spent his whole life obeying his parents, his Imam, and, of course, Allah<B>&#8212;</B>no questions asked. But when he starts crushing on the ridiculously handsome captain of the soccer team, so many things he&rsquo;d always been so sure about are becoming questions:<BR> <BR>1. Music is haram. But what if the <I>Wicked </I>soundtrack is the only thing keeping you sane because you&rsquo;re being forced to play on the soccer team? With <I>Captain Handsome</I>?! <BR> <BR>2. A boy crush is <I>double </I>haram, and Ramin&rsquo;s parents will never accept it. But can he really be the only Muslim on Earth who feels this way?<BR> <BR>3. Allah is merciful and makes no mistakes<I>. </I>Then isn&rsquo;t Ramin just the way Allah intended him to be?<BR> <BR>And so why should living your truth but losing everything<B>&#8212;</B>or living a lie and losing yourself<B>&#8212;</B>have to be a <I>choice</I>?!]]></Text>
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      <Text><![CDATA[Chapter One <link rel="stylesheet" type="text/css" href="../styles/9781665960717.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common.jpg" role="presentation" alt=""></figure> ONE <BR>I was making an origami heart when my parents broke the news.<BR> <BR>Literally two weeks before eighth grade finished, they announced I would NOT be going to Lone Pine High School&#8212;they&rsquo;d enrolled me at Hikma High, Toronto&rsquo;s top-ranked private Muslim high school, instead. According to them, the public school system is way too rooted in &ldquo;Western values.&rdquo; They were worried that I&rsquo;d end up engaging in unprotected premarital hand-holding with a girl. I&rsquo;m pretty sure puberty doesn&rsquo;t care if you go to a religious school. And my parents didn&rsquo;t have to worry because I&rsquo;d have worn gloves, but they don&rsquo;t trust me with anything.<BR> <BR>So, obviously, I didn&rsquo;t want to change schools, didn&rsquo;t wanna have to leave my friends, who were pretty much all going to Lone Pine High. But when my new principal said on orientation day that Hikma had the highest rate in the entire province of admissions into top colleges (and eventually to medical school!), I stopped whining. My parents left everything behind and crossed two continents and an ocean to move here, all the way from Pakistan. So the prospect of becoming a doctor someday, of making their sacrifices worth it, made my own move&#8212;just across the city&#8212;feel slightly less awful.<BR> <BR>As it turns out, an Islamic school isn&rsquo;t <i>that</i> different from a public school. Yes, we have lockers, and no, we don&rsquo;t store bombs in them. We don&rsquo;t have to wear uniforms, either, but we do have to follow the Islamic dress code: hijabs and loose, full-body clothes for the sisters, and either pants or below-the-knee shorts for the brothers. Another glaring difference is how guys and girls have to stay apart. We can be in the same classroom, but the brothers have to sit on one side and the sisters on the other. The code of conduct also stipulates &ldquo;no unnecessary socializing&rdquo; between the genders. Which means I can only be around the brothers. We&rsquo;re a small school, maybe two hundred total, so you end up seeing the same guys over and over. Some days that can be torture.<BR> <BR>Take today for example. Dude energy is crackling through the hallway like lightning. It&rsquo;s practically raining testosterone. Last night was fight night. UFC came to Toronto, and I am probably the only guy in the entire school (possibly the entire city) who didn&rsquo;t watch. But it sure fired up all these guys.<BR> <BR>Assim Qureshi proves my point as I&rsquo;m hurtling down to my locker. He&rsquo;s leaning against the wall, one sneaker pressed on the chipped paint, hands in the pockets of his black hoodie.<BR> <BR>&ldquo;Bruh!&rdquo; he shouts to Habib, one of the soccer jocks, who is typing on his phone with force that seems excessive. &ldquo;Told you Holloway was gonna get his ass handed to him. He looked like a little girl!&rdquo;<BR> <BR>Habib looks up. &ldquo;Try saying that to his face, bro! You wouldn&rsquo;t last a minute in the Octagon.&rdquo;<BR> <BR>I try not to roll my eyes, but they roll themselves anyway. I mean, if UFC stood for United Fans of <i>Cats</i> (the musical!), then I&rsquo;d maybe stick around. Or, if I could brave up enough to remind them that the UFC also has badass girl fighters who can beat the shit out of guys like Assim and Habib in, like, three seconds. But I sneak past them, hoping to God that Assim doesn&rsquo;t see me&#8212;it&rsquo;s <i>way</i> too early on a Monday morning to have to deal with Assim Qureshi.<BR> <BR>Rows of pastel-blue lockers line the hallway bustling with backpacked students. A soapy, faintly citrus smell floats in the air, and the freshly mopped vinyl floor reflects the fluorescent ceiling lights. Two hijabi sisters stand by the water fountain near my locker, giggling like they&rsquo;re at a Hasan Minhaj show. Based on prior eavesdropping experience, they&rsquo;re also into musicals. Pretty sure they&rsquo;re gushing over <i>Darling Poppy Jones</i> today&#8212;the show just opened in Toronto.<BR> <BR>One of them, Sister Nadia, stops giggling when she notices me.<BR> <BR>I smile and wave.<BR> <BR>But Nadia doesn&rsquo;t even wave, let alone smile back.<BR> <BR>I look down and pass her and her bestie without saying anything.<BR> <BR>What was I expecting? Guys are supposed to lower their gaze around girls. I guess the sisters have no clue that I&hellip; I&rsquo;m not at all like the other brothers. I just want to be friends. It&rsquo;d be sweet to have fiery discussions about the species-ist policies in <i>Wicked</i> or get some tips on foundation and concealers. The accident that fractured my arm also left a scar under my eye, and while I&rsquo;d rather get a head transplant than wear makeup to school, I&rsquo;m thinking about trying concealer when I go to college.<BR> <BR>But no big deal. I&rsquo;m pretty used to the cold shoulder. Plus, if Allah wants guys and girls to observe the Islamic code of modesty around one another, then I need to stop complaining.<BR> <BR>As I&rsquo;m twisting the dials on the neon-green padlock on my locker (which, I&rsquo;ll admit right now, <i>is</i> inspired by <i>Wicked</i>) rapid footsteps approach from behind, and then a sharp-nailed finger pokes me in the lower back. There&rsquo;s only one person in the entire school who&rsquo;d do that. Assim freakin&rsquo; Qureshi. In my head I call him <i>Ass</i>-im. Because he&rsquo;s an <i>ass</i>hole.<BR> <BR>&ldquo;Oh, hey, Ramen Noodles!&rdquo; he says so loudly, it could be grounds for an ear damage lawsuit.<BR> <BR>Of course I want to sublimate into thin air right now, but I yank open the locker, hang my parka, and turn to face him.<BR> <BR>&ldquo;Avoiding me, are we?&rdquo; He&rsquo;s spraying saliva all over.<BR> <BR>&ldquo;Uh&hellip; no?&rdquo; I take a step back to avoid the spit shower. &ldquo;Everything okay with the English essay? &rsquo;Cause I swear I didn&rsquo;t plagiarize it off my own.&rdquo;<BR> <BR>&ldquo;Nah, bro.&rdquo; He takes off his beanie, whorls of thick hair mushrooming over his head like an atomic cloud. &ldquo;The essay was good. It&rsquo;s about somethin&rsquo; else.&rdquo; He leans against my neighbor&rsquo;s locker, a sly smirk on his face.<BR> <BR>I drop two books into my backpack. &ldquo;Class is about to start. Can we talk later?&rdquo; The supersized bell just above my locker is spiking my blood with anxiety.<BR> <BR>&ldquo;He picked <i>you</i>.&rdquo; Assim runs his eyes up and down, assessing me from head to toe, making sure to sear judgment into my skin.<BR> <BR>I zip my backpack and fling it onto one shoulder. &ldquo;Who picked me for what?&rdquo;<BR> <BR>He clicks his tongue. &ldquo;Wait, Jamal hasn&rsquo;t told you yet?&rdquo;<BR> <BR>&ldquo;Dude, I have no clue what you&rsquo;re talking about.&rdquo;<BR> <BR>&ldquo;Hmm. Funny how you don&rsquo;t know the first thing about soccer,&rdquo; he says, making sure to narrow his eyes. &ldquo;And now you&rsquo;re on our team.&rdquo;<BR> <BR>Hold on. <i>Me?</i> I&rsquo;m tempted to look around. Is he talking to someone else? The only things I get picked for are doing the dishes and taking out the trash after dinner.<BR> <BR>&ldquo;Hey, don&rsquo;t worry,&rdquo; Assim says, offering fake sympathy. &ldquo;You can just say no and give back Ahmed&rsquo;s spot. The team needs him.&rdquo;<BR> <BR>I&rsquo;m pretty sure Assim used the word &ldquo;soccer.&rdquo; I&rsquo;d rather be forced to listen to death metal for the rest of my life than play soccer.<BR> <BR>&ldquo;Here he comes!&rdquo; Assim now nods at a man in a gray suit briskly approaching. &ldquo;Listen up, Ramen. I&rsquo;d stay away from soccer if I were you.&rdquo; Then he does the I&rsquo;m-watching-you thing with two fingers and takes off.<BR> <BR>Leaving me in the presence of Lucifer.<BR> <BR>I mean, Mr. Jamal, our principal. His overly pronounced widow&rsquo;s peak could pass for a pair of horns, but that&rsquo;s not why I call him Lucifer. It&rsquo;s his obsession with rules and micromanaging every single student&rsquo;s life. I&rsquo;m surprised he hasn&rsquo;t hung a banner in the atrium that reads, &ldquo;Welcome to Hikma High. Leave mediocrity at the doorstep.&rdquo;<BR> <BR>&ldquo;Ramin Noor Abbas. We have something urgent to discuss.&rdquo; Mr. Jamal pulls out his infamous green fountain pen and a small notepad from his front pocket. &ldquo;Meet me in my office, um&hellip; let&rsquo;s see&hellip; after the morning sermon. I&rsquo;ll have fifteen minutes.&rdquo;<BR> <BR>&ldquo;<i>After</i> the sermon?&rdquo; I protest. &ldquo;I&rsquo;ll miss astronomy!&rdquo;<BR> <BR>Mr. Jamal looks up from his notepad. &ldquo;Are you going to land humanity on Mars?&rdquo;<BR> <BR>&ldquo;Uh, no?&rdquo;<BR> <BR>&ldquo;So it doesn&rsquo;t matter if you miss astronomy class. This is more important.&rdquo;<BR> <BR>My toes curl inside my Chucks. &ldquo;Is this about&hellip; soccer?&rdquo;<BR> <BR>Mr. Jamal says, &ldquo;So you already know,&rdquo; just as the bell clangs. &ldquo;See you in my office.&rdquo;<BR> <BR>He flips the notepad shut and heads toward the gym, the proverbial watering hole where two hundred students gather each morning to fill up on faith.<BR> <BR>By the time I walk in, clutching the Holy Quran to my heart and praying that this soccer thing <i>isn&rsquo;t</i> a thing (because what the HELL?), most of the bleacher seats cascading down the walls in waterfalls of blue plastic have been claimed. The sisters sit on one side of the gym, the brothers on the other. Everyone&rsquo;s got their Holy Qurans open in front of them on the foldable lecterns attached to the bleacher chairs. Mr. Jamal stands at the front podium, his copy also open on a wooden lectern.<BR> <BR>I clamber to a vacant spot, unzip mine from its shimmering golden case, kiss it the way Mom taught me, and gently place it on my lectern.<BR> <BR>Before Mr. Jamal can begin, though, Sister Nadia, one of the giggly girls who ignored me earlier, cuts across the stage and basically snatches the microphone from him. She gets away with it because she&rsquo;s the valedictorian <i>and</i> the student council president.<BR> <BR>&ldquo;Assalamu alaikum, dear sisters and brothers,&rdquo; she says. &ldquo;This is a friendly reminder that our annual Eid party is tomorrow morning, inshallah, in collaboration with the Grand Mosque. School will be off starting tomorrow for Eid holidays and resumes next Monday. Stay blessed and may Allah accept all your prayers and worship on this last day of Ramadan!&rdquo;<BR> <BR>Mr. Jamal reclaims the mic as soon as she&rsquo;s done. &ldquo;And don&rsquo;t forget about the Eid prayer service, folks. It&rsquo;ll be held before the party.&rdquo;<BR> <BR>He then moves on to the daily Quran recitation.<BR> <BR>Today we&rsquo;re reading from Surah Al-An&rsquo;am. The longer the recitation goes on, the more my guilt meter fills up. Allah&rsquo;s words deserve my full attention, but my brain won&rsquo;t shut up about soccer. I mean, what the heck is going <i>on</i>? What did Assim even mean? The mere thought of playing pelts me with a hailstorm of bad memories. Like, I haven&rsquo;t kicked a ball since I was ten. And when I used to play with my dad and a bunch of kids from the mosque, I&rsquo;d excelled at making an ass out of myself. Why would I be put on the soccer team? And hello, how about asking if I wanted to?! Like, I can&rsquo;t be scrambling around a soccer field like a headless chicken. The team would laugh me off to my grave.<BR> <BR>The recitation!<BR> <BR><i>Focus, Ramin, focus.</i><BR> <BR>I run a finger over the word &ldquo;Allah&rdquo; etched in Arabic on my lectern. Not quite as effective as folding origami, but it still helps calm me down. Mr. Jamal finishes the recitation and moves on to the sermon.<BR> <BR>Today&rsquo;s topic is how to prepare for life after Muslim school. We&rsquo;re obviously sheltered in a cocoon here, and Mr. Jamal is warning about the vices of modern Western society that are just waiting to rain down on us like frogs on the people of Moses the minute we graduate. This is <i>exactly</i> why my parents wanted me to stay here in Toronto for college. It wasn&rsquo;t until I explained how my strategy to go to college in America would open so many more doors&#8212;drastically increasing my chances of getting into medical schools in both Canada and the US&#8212;that they got on board. The consent, however, came with two nonnegotiables: (1) I must join the Muslim Students Association at whichever college I end up at, and, (2) I have to receive a full ride, presumably so my parents won&rsquo;t have to sell their kidneys to send me to college in America.<BR> <BR>We settled on applying to NYU, Tufts, and Brown. Of course, the backup was University of Toronto, which I&rsquo;d already gotten an early offer from. I wasn&rsquo;t gonna get into Brown, and my heart wasn&rsquo;t really into moving to Boston, so I hyperfocused on NYU and made my application deliciously irresistible. Everyone applying would have straight A&rsquo;s and a 1550 on the SAT. I had to stand out in other ways.<BR> <BR>Killer letters of recommendation, including one from a city councillor for initiating a community street cleanup service?<BR> <BR>Check.<BR> <BR>Founding the first ever origami art club at his school, which won an award from the school district&rsquo;s office?<BR> <BR>Check.<BR> <BR>Solid volunteering experience with the Patient Pals program at the Hospital for Sick Children (a.k.a. SickKids) and getting featured on the local news?<BR> <BR>Check.<BR> <BR>Answering the optional supplemental essay question &ldquo;In the age of science and reason, does man still need God?&rdquo; in ONLY 250 words?<BR> <BR>Check.<BR> <BR>Rescuing abandoned puppies from the streets of India?<BR> <BR>I mean, I&rsquo;d do it if required. Short of homicide, I&rsquo;d do ANYTHING for New York. It&rsquo;s New freakin&rsquo; York! Times Square and the skyscrapers! Central Park in the snow! Broadway, home of <i>Wicked</i>! If I could marry a city, NYC would surely be it.<BR> <BR>And then there&rsquo;s the real reason I need to leave Toronto. Here, I have to watch <i>Heartstopper</i> and <i>Love, Victor</i> with my bedroom door locked. Here, I have to listen to haram Broadway songs in secret. Here, I can only dance when no one&rsquo;s home. Here, I shove down my true feelings until I don&rsquo;t feel them anymore.<BR> <BR>I&rsquo;m hoping life in New York will be&hellip; different. Even though I don&rsquo;t think I&rsquo;m ever coming out of the closet to members of the general public, at least I wouldn&rsquo;t have to pretend full-time that everything&rsquo;s okay. I&rsquo;d be on my own. Free to think for myself without interference from my parents. Free to come face-to-face with my questions. Questions like, How could someone be queer and Muslim at the same time? Why am I like this? Nothing happens without Allah&rsquo;s will, right? So then why would He <i>make</i> me like this?<BR> <BR>I don&rsquo;t know. When I&rsquo;m alone in New York, maybe&#8212;just <i>may</i>be&#8212;I&rsquo;ll figure out the answers.<BR> </section>]]></Text>
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      <Text><![CDATA[Reading Group Guide<BR> <BR><b><i>Ramin Abbas Has MAJOR Questions</i></b><BR> <BR>By Ahmad Saber<BR><BR><b>About the Book</b><BR> <BR>Ramin Abbas is a gay Muslim teenager who has worked to hide his identity from everyone around him his whole life&#8212;his parents, his friends, his community, and all his peers at the Islamic school he attends. Now in his senior year of high school, he dreams of attending NYU and leaving his life of secrets behind. But when he is forced to join the soccer team to avoid failing because of a lack of PE credits, his entire life turns upside down. Grappling with a crush on the soccer team captain and the threat of having his identity made public by a peer, Ramin must finally take a look inward and look for answers to the many questions arising in his life.<BR><BR><b>Discussion Questions</b><BR> <BR>1. How can religion be both a source of comfort and a source of struggle for LGBTQ+ youth? In what ways did Ramin&rsquo;s faith trouble him while navigating his identity? At the end of the novel, he says to his parents, &ldquo;&lsquo;I&rsquo;ve made peace with Allah. Maybe <i>you</i> need to do the same.&rsquo;&rdquo; (Chapter forty) Who are the people in Ramin&rsquo;s life that helped give him the courage to reach this peace, and how did they support him?<BR> <BR>2. How does media representation influence how teens see themselves?<BR> <BR>3. In the prologue, Ramin imagines his guilt and shame as a &ldquo;two-headed monster living rent-free&rdquo; in the back of his mind, constantly questioning all his decisions and pointing out potential sins. How does Ramin let the monster affect his behavior throughout the novel? How does he build up the courage to stand up against the monster?<BR> <BR>4. How might different cultural or religious communities vary in how they understand LGBTQ+ identities? How might religious and cultural expectations affect how families respond to LGBTQ+ identities?<BR> <BR>5. Describe Ramin&rsquo;s relationship with his parents. Compare Ramin&rsquo;s relationship with his parents to his relationship with his brother, Zayn. Do you think his parents are loving or harsh, or both? Explain your answers with in-text examples.<BR> <BR>6. What does it mean to respect someone&rsquo;s faith while also respecting their sexual orientation? How can people foster positive relationships if they do not share the same beliefs?<BR> <BR>7. How might someone navigate having multiple identities (religious, cultural, sexual, etc.) at the same time? How did Ramin succeed in separating his identities? How did he struggle?<BR> <BR>8. Ramin often found comfort in the music he listened to and the origami he created. Why do you think artistic expression might be an important outlet for people? As a group, talk about any artistic outlets you have, and why they feel important to you.<BR> <BR>9. Ramin isn&rsquo;t very athletic and doesn&rsquo;t do well in his first soccer practice, so the team captain, Fahad, offers him private coaching sessions, which Ramin initially declines. Ramin explains again that he&rsquo;s only on the team to earn his physical education hours, and Fahad replies, &ldquo;&lsquo;This isn&rsquo;t just about you.&rsquo;&rdquo; (Chapter fourteen) Consider how both Ramin and Fahad feel about this situation. Is one more &ldquo;right&rdquo; in their feelings? How so? How do you feel about performing certain obligations, especially if others do so willingly, such as a sport, community service, class, or project?<BR> <BR>10. Islam teaches respect and empathy toward all. What are some ways peers can support someone who is struggling with acceptance from their family, community, or themselves?<BR> <BR>11. When Ramin goes to Mufti Luqman to ask about the Halal-ness of being queer, he&rsquo;s disappointed with the Imam&rsquo;s answers. Luqman says resisting queer urges is like a test from Allah, and Ramin wonders why he must pass a test &ldquo;every day of [his] entire life when [he] never <i>chose </i>to take the test to begin with.&rdquo; (Chapter thirty) What parts of your religion or culture feel difficult to you? Is there someone you can reach out to for a similar debate or that you trust with your challenging questions? What parts of your religion or culture feel supportive to you?<BR> <BR>12. Ramin was called Ramen Noodles and was teased in other ways by his peers. How can name-calling affect someone&rsquo;s emotional and mental health?<BR> <BR>13. Assim was blackmailing Ramin. What pressures or fears stopped Ramin from asking for help? In a situation where someone is being blackmailed, how can talking to a trusted adult help? How may it have helped Ramin?<BR> <BR>14. Ramin blamed his parents&rsquo; lack of understanding of his identity on them being traditional and conservative. What role did community play in Ramin&rsquo;s exploration and acceptance of his queer identity? Do you think a lack of open-mindedness can affect a person&rsquo;s personal growth? Why or why not? How does one&rsquo;s community help foster or stunt a person&rsquo;s personal growth?<BR><BR><b>Extension Activities</b><BR> <BR>1. Arrange a hands-on origami workshop where youth are introduced to origami designs based on varying skill levels. Incorporate timed origami creation challenges to increase engagement and motivation.<BR> <BR>2. Ramin Abbas had a vision board for his life after high school. Make a vision board for how you imagine your life after high school will look like. Ramin was also very focused on what he needed to do to be admitted into the college of his dreams. Make a list of your dream colleges, and research what steps are necessary to take while in high school to achieve your goal.<BR> <BR>3. Ramin&rsquo;s brother, Zayn, runs a samosa stand in the cafeteria at lunch as a project for his business studies class, which teaches them about supply and demand, economics and finances, and business competition. As a class, discuss school-appropriate businesses to run, and create a business model on how they would start and maintain the business. Consider start-up and maintenance costs, product fees, profit margins, employee wages, equipment and skills required, and possible competitive outlets. Consider going a step further and starting this business (with school administration approval).<BR> <BR>4. Organize a multistation sports activity where teens try board games or sports they have never played before, rotating through the different challenges. Each station should focus on a different skill, allowing everyone to participate regardless of athletic ability.<BR> <BR>5. The novel ends on a bittersweet note with the letter from Ramin&rsquo;s father to his son on his way to New York. Based on what you learned about Ramin throughout the book, work in pairs or groups to imagine what the next year of Ramin&rsquo;s life will look like, both at NYU and back in Toronto. As a creative writing exercise, consider having the students write an epilogue about Ramin returning to Toronto&rsquo;s Union Station at the end of his first year of college.<BR><BR><i>Guide prepared by Noureen Qadir-Jafar, Youth Services Librarian at the Levittown Public Library in New York.</i><BR><BR><i>This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit simonandschuster.net/m/prek12-teachers-librarians/teaching-resources</i>]]></Text>
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      <Text><![CDATA[&quot;Funny, tender, and evocative, RAMIN ABBAS had me laughing out loud, kicking my feet, and clutching my heart in equal measure, with its unique yet all-too-relatable protagonist that keeps you rooting for him to figure out the answers to those Major Questions of faith that could cost him everything and to find the light amidst the darkness of doubt. A queer Muslim journey of the heart that boldly holds on to both a prayer mat and a pride flag.&rdquo;&nbsp;]]></Text>
      <TextAuthor>--Xiran Jay Zhao,&#160;bestselling author of the&lt;I&gt;&#160;&lt;/I&gt;&lt;i&gt;I&lt;/i&gt;&lt;i&gt;ron Widow&#160;&lt;/i&gt;series&lt;i&gt;&#160;&lt;/i&gt;and&lt;i&gt;&#160;Zachary Ying and the Dragon Emperor.&lt;/i&gt;</TextAuthor>
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      <Text><![CDATA[<I>&quot;Ramin Abbas Has MAJOR Questions</I>&nbsp;is the perfect blend of heart and&nbsp;humor, while earnestly exploring faith, love, and family. A powerful and unputdownable book.&quot;&nbsp;]]></Text>
      <TextAuthor>Adiba Jagirdar, award-winning author of&#160;&lt;I&gt;The Henna Wars&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&quot;Equal parts heart-wrenching and endlessly hopeful,&nbsp;<I>Ramin Abbas Has MAJOR Questions&nbsp;</I>does not pull any punches. With a tender love story amid&nbsp;a world of pressure, and a sibling dynamic to cheer us up in the darkest of moments, this book felt like the gift my younger self desperately needed.&quot; -- Sonora Reyes, National Book Award Finalist and bestselling author of&nbsp;<I>The&nbsp;</I><I>Lesbiana&#39;s Guide to Catholic School.&nbsp;</I>]]></Text>
      <TextAuthor>Sonora Reyes, National Book Award Finalist and bestselling author of&#160;&lt;I&gt;The&#160;&lt;/I&gt;&lt;I&gt;Lesbiana&#39;s Guide to Catholic School.&#160;&lt;/I&gt;</TextAuthor>
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      <Text><![CDATA[&quot;A sparking debut: ambitious, thoughtful, and funny.&quot;]]></Text>
      <TextAuthor>Teen Vogue</TextAuthor>
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      <Text><![CDATA[A gay Muslim teen forced to join his school&rsquo;s soccer team navigates parental pressure, internalized prejudice, and bullying in Saber&rsquo;s touching debut.&nbsp; [...] Punchy dialogue brightens sensitive portrayals of religious identity and its intersection with queerness, resulting in a fresh and compassionate read.&nbsp;]]></Text>
      <TextAuthor>Publishers Weekly</TextAuthor>
      <TextSourceTitle>12/8/2025</TextSourceTitle>
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      <Text><![CDATA[A closeted Muslim Pakistani Canadian teenager yearns for acceptance and belonging. Debut author Saber handles [the] conflicts sensitively, drawing readers into the complicated experience of being both Muslim and gay, offering visibility to teens who share these identities, and expanding conversations about how queer individuals often turn to religion for solace even when family and faith-based communities reject them. Through the supporting cast members, Saber highlights the healing power of love, friendship, sibling bonds, and trusted adults in a queer teenager&rsquo;s life. He emphasizes how inclusive interpretations of scripture can create room for queer-affirming religious life and compellingly explores the guilt associated with emigration and the stigma around seeking professional mental health support in many South Asian and Muslim families. These heavier elements are beautifully contrasted with Ramin&rsquo;s humorous voice and his ability to soothe himself through the joy he finds in origami and Broadway musicals. An ode to the courage it takes to live with authenticity.&nbsp;]]></Text>
      <TextAuthor>Kirkus</TextAuthor>
      <TextSourceTitle>January 15, 2026</TextSourceTitle>
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      <Text><![CDATA[A wonderful story about school, sports, religion, and acceptance. &shy;[...] The prose flows like a friend calling on FaceTime. Ramin is funny, relatable, and filled with pop culture knowledge. This is a story that will show people they aren&rsquo;t alone. [...] An excellent addition to any library. This would be a great recommendation for readers looking for LGBTQIA+ books, stories about friendship, books about sports, and realistic &shy;fiction.]]></Text>
      <TextAuthor>School Library Journal</TextAuthor>
      <TextSourceTitle>2/1/26</TextSourceTitle>
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      <Text><![CDATA[Ramin takes his Muslim faith seriously, trying to live up to the ideals that his parents and imam espouse and avoiding anything that is forbidden&mdash;which makes his secret love of music and, far more concerning, his attraction to boys all the more distressing. [...] Ramin is immediately sympathetic, a reliable narrator to his own misery as he navigates Muslim school, deeply religious parents, and his own complicated feelings about whether there is room for him within his religion, or if he will have to reject core things about himself in order to be saved.&nbsp;]]></Text>
      <TextAuthor>BCCB</TextAuthor>
      <TextSourceTitle>February 2026</TextSourceTitle>
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      <SubjectHeadingText>oak tree; tree; leaves; animals; birds; insects; branches; wildlife; winter; woodpeckers; acorns; food; roots; soil; deer; bears; owl; environment; environmental science; nature; natural world; ecosystem; educational; science; STEM; accessible nonfiction; nonfiction picture books for 4 5 6 7 8 year olds pre-k kindergarten grades 1 2 3; Fungi Grow; One Day This Tree Will Fall by Barnard Booth; Log Life Tiny Habitats by Amy Hevron; Trees by Tony Johnston; Be a Tree by Maria Gianferrari; Green on Green by Dianne White; The Magic and Mystery of Trees by Jen Green; Because of an Acorn by Schaefer; Tree Lady by H. Joseph Hopkins;</SubjectHeadingText>
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      <Text><![CDATA[<b>Three starred reviews!</b><BR> <BR><b>Explore an oak tree, from its leafy crown to its roots underground, and learn all the amazing ways it supports the animals, plants, and habitat where it lives in this </b><b>&ldquo;satisfyingly comprehensive and appreciative&rdquo; (<i>Publishers Weekly</i>, starred review)</b><b> nonfiction picture book companion to the award-winning <i>Fungi Grow</i>. </b><BR><BR>An oak tree is so much more than meets the eye. From tiny fungi to mighty mammals, this amazing tree contains a whole world.<BR> <BR>For insects and birds, the oak&rsquo;s leaves, branches, and bark are a home. For bears and squirrels, the thousands of acorns the oak produces are a nutritious superfood. Owls, deer, foxes, and many more creatures are drawn to the rich and healthy environment an oak creates. Because of a single oak tree, its many neighbors flourish.]]></Text>
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      <Text><![CDATA[Maria Gianferrari is a picture book reader/writer, tea-drinker, dog-lover, and birdwatcher. Maria writes books that honor our bonds with creatures both domestic and wild and that celebrate the natural world around us, including&nbsp;<i>Fungi Grow&nbsp;</i>and<i>&nbsp;Just One Oak</i>, illustrated by Diana Sudyka;&nbsp;<i>Ice Cycle: Poems about the Life of Ice,</i>&nbsp;illustrated by Jieting Chen;&nbsp;<i>Being a Dog: A Tail of Mindfulness</i>,<i>&nbsp;</i>illustrated by Pete Oswald;&nbsp;<i>Bobcat Prowling</i>,&nbsp;illustrated by Bagram Ibatouilline; and&nbsp;<i>Be a Tree!</i>, illustrated by Felicita Sala. She lives with her family in Massachusetts in a house encircled by trees. To learn more about Maria, visit her website:&nbsp;MariaGianferrari.com.<BR><BR>Diana Sudyka is a Chicago-based illustrator. Early on, she created screen-printed gig posters for musicians but currently her illustration work focuses on young adult, middle grade, and children&rsquo;s books. She has illustrated several volumes of the award-winning book series The Mysterious Benedict Society by Trenton Lee Stewart and&nbsp;<i>Circus Mirandus&nbsp;</i>by Cassie Beasley, as well as the picture books&nbsp;<i>Would You Come Too?</i>&nbsp;by Liz Garton Scanlon,&nbsp;<i>Sometimes Rain&nbsp;</i>by Meg Fleming,&nbsp;<i>What Miss Mitchell Saw&nbsp;</i>by Hayley Barrett,&nbsp;<i>How to Find a Bird&nbsp;</i>by Jennifer Ward, and&nbsp;<i>Fungi Grow&nbsp;</i>and<i>&nbsp;Just One Oak&nbsp;</i>by Maria Gianferrari. Visit her at DianaSudyka.com.]]></Text>
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      <Text><![CDATA[*Many readers think of animals when they hear the term keystone species, but this book spreads the word about how the hard-working oak tree also serves as a keystone in its environment. Lyrical descriptions of main points introduce each spread, such as how the oak tree shelters insects through the winter. . . . Paintings show the variety of life that depends on the oak, from white-tailed deer and black bears to field mice and fungi. Nearly everything is labeled for easy identification. Some images show the entire tree and its surroundings, while others zoom in for a closer look at leaf litter or the insects that create homes in acorns. . . . Highly recommended for the layered text and intricate illustrations that make this a wonderful read-aloud for younger grades, while offering plenty of information for budding botanists.]]></Text>
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      <Text><![CDATA[In this arbor-centric work of children&rsquo;s nonfiction, readers get to track the growth of a large oak tree through the seasons and are introduced to the various birds, animals, and insects that benefit from all the tree has to offer, from acorns to shelter to filtered air. . . the text moves with a poetic cadence as it expounds upon all the interactions between the tree and its various denizens. Watercolors blend seamlessly between scenes of winter into spring, showcasing especially the rich soil that sustains the oak, while shifts in perspective demonstrate the stages of the oak&rsquo;s life. . . Gianferrari does an excellent job balancing artful, rhythmic prose with easily grasped concepts and factual accuracy. . . [this book] is sure to please young plant lovers and tiny artists alike&mdash;though even readers who do not find themselves drawn to the science side of things will be drawn to the colorful artwork and poetic writing.]]></Text>
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      <Text><![CDATA[*In a richly illustrated picture book that&rsquo;s chock-full of ecological facts, Gianferrari and Sudyka venerate the astounding oak for its critical role as a keystone species. Employing anaphora, assonant lines highlight the many varied roles a single tree plays for a multitude of species across the seasons . . . Accompanying captions dive deep into adjacent topics, introducing concepts including marcescence (when a tree&rsquo;s withered leaves remain attached) and the brown food web (the recyclers and decomposers who reside in leaf litter). . . . the text goes on to celebrate the deciduous specimen&rsquo;s roots (&ldquo;farther than/ the canopy is wide&rdquo;), acorns (&ldquo;a nutritious superfood!&rdquo;), and its important functions cleaning air and preventing erosion. Spreads depicting an abundance of goggle-eyed critters washed in watery earthy hues incorporate labels for a field guide&ndash;like effect that IDs myriad flora and fauna living in concert with a lone tree. It&rsquo;s a satisfyingly comprehensive and appreciative portrait of oaks and their numerous contributions.]]></Text>
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      <Text><![CDATA[*Gianferrari and Sudyka explore the many life forms and natural processes&mdash;both visible and invisible to the naked eye&mdash;that a single oak tree &ldquo;nurtures and nourishes.&rdquo; From feeding and sheltering wildlife above- and belowground to producing oxygen and preventing soil erosion, and beyond, the oak touches everything around it, forming a micro-ecosystem of its own. Gianferrari&rsquo;s text, with its frequent alliteration, occasional rhyme, and refrain of &ldquo;just one oak,&rdquo; constitutes an ode to the &ldquo;beautiful and bountiful&rdquo; tree&rsquo;s life-giving power. Sudyka&rsquo;s vibrant, painterly illustrations enrich the reading experience, zooming in and out as necessary to put a spotlight on different aspects of the oak-ecosystem.]]></Text>
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      <Text><![CDATA[A joyous tribute to the many roles one living tree can take&mdash;from creating a microclimate to feeding and housing a wide variety of wild creatures. In a mix of lyrical general statements and expansive notes in smaller type, Gianferrari describes how oaks offer a &ldquo;dining room&rdquo; for more types of moths and butterflies than any other native tree genus and a winter granary for woodpeckers, which drill holes where they stash acorns. . . . In her painted illustrations, Sudyka envisions a mature tree teeming with wildlife, from googly-eyed bugs to birds and bears&mdash;nearly all identified with discreet labels&mdash;as well as associated flora, fungi, and, in a final scene, a racially diverse set of young tree lovers. . . . Offers plenty of cause to root for this keystone species.]]></Text>
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      <Text><![CDATA[<b>A <I>New York Times</I> bestseller!</b><BR> <BR><b>From the team behind the <i>New York Times </i>bestselling and Caldecott Medal&#8211;winning <i>Creepy Carrots!</i> and its sequels comes the second entry in a spin-off chapter book series in which Jasper Rabbit tells the story of a badger who discovers broccoli can bite back!</b><BR><BR>Jasper the Rabbit is back! A little older and wiser, he collects creepy stories to share as cautionary tales. If you&rsquo;re ready for some chills and chuckles alike, tune in as Jasper weaves the yarn of Thadeus Badger and the sticky situation he found himself in.<BR> <BR>Now, Thadeus is a typical badger. He and his best friend, Oliver Possum, love burgers as much as they dislike exercise. And they hate eating veggies even more. But when they make a deal with Oliver&rsquo;s parents to eat an entire salad&hellip;well let&rsquo;s just say the chompers might soon become the chomped. This is a creepy tale after all and even the healthiest things can turn on you.<BR> <BR>Join Jasper and Thadeus in this second Creepy Tale chapter book and learn from Thadeus&rsquo;s mistakes before it&rsquo;s too late!]]></Text>
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      <Text><![CDATA[Aaron Reynolds is a #1&nbsp;<i>New York Times</i>&nbsp;bestselling author of many highly acclaimed books for kids including&nbsp;<i>Creepy Carrots!</i>,&nbsp;<i>Creepy Pair of Underwear!</i>,&nbsp;<i>Creepy Crayon!</i>,&nbsp;<i>The Incredibly Dead Pets of Rex Dexter</i>, and the epic fantasy series Fart Quest.&nbsp;He has a passion for kids&rsquo; books and seeing kids reading them. He regularly makes time to visit elementary schools, where his hilarious and heartfelt presentations keep kids spellbound. He lives in Chicago with his wife, two kids, three cats, and anywhere between zero and ten goldfish, depending on the day.&nbsp;Visit Aaron at Aaron-Reynolds.com.&nbsp;<BR><BR>Peter Brown is the author and illustrator of many bestselling children&rsquo;s books, including&nbsp;<i>Children Make Terrible Pets</i>,&nbsp;<i>Mr. Tiger Goes Wild</i>, and&nbsp;<i>The Curious Garden</i>. He is also the author of the bestselling middle&nbsp;grade Wild Robot series. He is the recipient of a Caldecott Honor for&nbsp;<i>Creepy Carrots!</i>, two E.B. White Read&nbsp;Aloud Awards, a&nbsp;<i>New York Times</i>&nbsp;Best Illustrated Children&rsquo;s Book Award, and a Children&rsquo;s Choice Book Award for Illustrator of the Year. Peter&rsquo;s website is&nbsp;PeterBrownStudio.com.]]></Text>
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      <Text><![CDATA[THERE IS A PLACE WHERE the odd intersects with the absurd. Where silliness crisscrosses with fear. Where that which is spooky and weird crashes straight into everything that is goofy and nonsensical.<BR><BR>&#160; The road to this place is paved with words and pages, not concrete and asphalt.<BR><BR>&#160; A guide is required to enter. A fuzzy long-eared companion who, through long experience, has learned to navigate these creepy supernatural byways.<BR><BR>&#160; And there is a price for admission. <I>What is that fee?</I> you ask. You must surrender yourself completely to imagination. To goofiness. And to the unknown.<BR><BR>&#160; Have you surrendered? If so, then your journey begins here.<BR><BR>&#160; &#160;<BR><BR>Imagine, if you can, the world of long ago.<BR><BR>&#160; It is an ancient world ruled by fear and folklore. A world where every mystery of the universe is explained by guesswork and superstition.<BR><BR>&#160; What causes the full moon? Easy. An enormous rabbit in the sky makes a huge wheel of cheese, once every month. Mystery explained.<BR><BR>&#160; Why are vegetables healthy? A magic fox goes around at night filling all vegetables with goody-juice. Obviously.<BR><BR>&#160; What makes scary noises in the darkness of the night? Monsters. Plain and simple.<BR><BR>&#160; Fast-forward to the world of today. It is a modern world of logic and science. In this modern world lives a modern reader.<BR><BR>&#160; You.<BR><BR>&#160; And a modern badger.<BR><BR>&#160; &#160; THADDEUS BADGER.<BR><BR>&#160; To a modern reader like you and a modern badger like Thaddeus, the ancient ways seem silly. Rational thought explains the mysteries in his life.<BR><BR>&#160; Why does the moon go from empty to full? Rotation. And orbit. And other explainable stuff.<BR><BR>&#160; Why do vegetables make you healthy? Science. There is no magic fox. And goody-juice is the stuff of myth.<BR><BR>&#160; What makes the noises that go bump in the night? Not monsters, that&rsquo;s for sure. Our great and vast knowledge explains the boogeyman away.<BR><BR>&#160; And yet even in this age of logic, despite our vast understanding of the ways of the world&hellip; some mysteries remain.<BR><BR>&#160; Modern badgers like Thaddeus can pretend the mysteries aren&rsquo;t there. They can squash the unknown with sound scientific arguments. But some mysteries won&rsquo;t be explained away. They remain, lurking just on the edge of vision. Hiding in the dark. Hungrily lingering in the shadows, just waiting to pull a modern badger&hellip;<BR><BR>&#160; &hellip; into a<BR><BR>&#160; CREEPY TALE.]]></Text>
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      <Text><![CDATA[Jasper Rabbit stumbles across creepy objects and presents tales both spine-tingling and side-splitting in this beloved series from&nbsp;<I>New York Times</I>&nbsp;bestselling and Caldecott Medal&ndash;winning duo Aaron Reynolds and Peter Brown.]]></Text>
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      <Text><![CDATA[<b>A noblewoman in the scandalous French court finds herself under the dangerous and watchful eye of the Parisian royalty when she falls in love with the handsome king who is betrothed to her former lover in this bisexual <i>The Three Musketeers</i> by way of <i>Bridgerton</i> and F.T. Lukens.</b><BR><BR>Paris, 1572. Seventeen-year-old Jacqueline &ldquo;Jac&rdquo; d&rsquo;Argenson-Aunis is lady-in-waiting to her best friend and former lover, the French Princess Marguerite &ldquo;Margot&rdquo; de Valois, but she dreams of more. If Jac plays her cards right, one day, she&rsquo;ll become a full member of the Societas Solis, a secret society of spies&#8212;just like her uncle and guardian, Viscount Gabriel d&rsquo;Argenson-Aunis.<BR> <BR>But it&rsquo;s hard to think about her own ambitions while France is on the brink of war, and the only thing that might save the country is an alliance&#8212;a marriage between the Catholic Princess Margot and Henry, the awful son of the Huguenot queen. Who would be the <I>perfect </I>person to play matchmaker? Jac, of course. <BR> <BR>Jac resents lying to her best friend almost as much as she resents the brazen and arrogant King Henry, but it&rsquo;s her one chance to prove to the Societas Solis that she belongs among their ranks before her uncle can marry her off or worse. The more time Jac spends in the French Court&rsquo;s clandestine corners, though, the more she starts to wonder if Henry is&hellip;not as terrible as she once believed. And the Societas Solis may not be what they seem. <BR> <BR>Politics. Spies. Chaos in the French court. Perhaps even witchcraft? Everything&rsquo;s more dangerous when love is involved.]]></Text>
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      <Text><![CDATA[Chapter One <link rel="stylesheet" type="text/css" href="../styles/9781665961219.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER ONE <img src="../images/common01.jpg" role="presentation" alt=""> <BR>IT IS A truth universally acknowledged that a gentleman creeping about a ball uninvited is up to no good.<BR> <BR>The ch&#226;teau is ablaze, light knifing through the forest&rsquo;s dark heart beyond. One can almost spy the walls of Paris just north for all the tallow and oil burning away the shadows. Tables groan on bronzed legs beneath soaring ceilings, their glistening meats and cakes barely touched. Thrice I&rsquo;ve counted the servants heaving out fresh great wine barrels from the kitchens, their faces pink and damp, expressions teetering someplace between exhaustion and despair. It is well beyond midnight and the court dances on, toes bloody and blistered in their gilded slippers. Still the young king roars for more.<BR> <BR>This ball is one of so many, they all run together like a long, boring illness. One demanded we dress like animals, another as pagan gods. At the latest, the king and his princely brothers snarled and galloped on all fours to see who could frighten the most ladies. Oncle reminded me five times that kicking the king of France was still a crime no matter how much he deserved it. The king only stopped when his mother suggested it would be more fun to shoot songbirds from her rosebushes.<BR> <BR>Such is the way of the French court, a place run by boys and their egos and women and their wits. Everyone knows the Queen Mother, Catherine de&rsquo; Medici, truly wears the crown, but we must pretend that is not the case by satisfying King Charles&rsquo;s whims whenever he shouts them into the sky.<BR> <BR>Truth be told, this unknown gentleman is the most interesting thing that&rsquo;s happened to me for weeks.<BR> <BR>Is this sad? Yes. Perhaps even a little bit pathetic? Also yes. But a girl must find her fun somewhere.<BR> <BR>I watch him prowl through the seething ballroom. His clothes are finely made, if a season or two out of fashion. It&rsquo;s his shoes that betray his true rank&#8212;ever so slightly scuffed, the leather water-stained.<BR> <BR>I sit up straighter, suddenly wide-awake.<BR> <BR>I wonder which royal guard he paid off, which one he blackmailed or conned into looking the other direction so he could slip in unseen?<BR> <BR>I caress the familiar pins in my hair, fighting the itch to slide them free. I should find Oncle. This is what he says to do. With a winning smile, he&rsquo;ll slip away from whomever he&rsquo;s charming to dirty his hands. Later in our family&rsquo;s private apartments, I&rsquo;ll cajole him into telling me how he caught the man, how he saved the night from disaster.<BR> <BR>He doesn&rsquo;t like to tell me these stories. He says they give me ideas. And God forbid a lady has ideas.<BR> <BR>The man pauses at the unguarded corridor at the back of the ballroom. I lean forward, no one at my empty table to notice my interest. He disappears inside after a single glance over his shoulder.<BR> <BR>My eyes slice to the empty seat beside King Charles, my chest clenching. Sneaking into a busy ballroom is one thing, but trespassing into the quiet gardens is quite another. It&rsquo;s time to find Oncle. But a quick sweep of the room reveals he&rsquo;s gone, vanished without a word. <i>Even though he promised you he wouldn&rsquo;t leave.</i><BR> <BR>A sharp breath pulls through my teeth. I shove the thought away, trying not to let it bother me.<BR> <BR>Oncle wouldn&rsquo;t want me to do this. But if he&rsquo;s gone, then I&rsquo;ve no choice but to trail the man myself.<BR> <BR>Sometimes being useful feels like being wanted, and I&rsquo;m the only person left sitting alone.<BR> <BR>The ball&rsquo;s animal heat disappears in the stone corridor. A breeze sighs past, damp and redolent of roses from the garden beyond. Most of the torches have already sputtered out. The man makes no effort to hide himself, so I don&rsquo;t either.<BR> <BR>&ldquo;No one would ever see you and see a threat,&rdquo; Oncle said when he first slid the pins with their hidden blades into my hair. Our eyes met in the mirror and his mouth quirked. &ldquo;But they should.&rdquo;<BR> <BR>I loosen one of my pins now and follow the man into the greenery.<BR> <BR>The garden is a riot of shadows: blue, violet, and grey all smudged together. There&rsquo;s no music save for the soft rustle of the forest beyond, the gentle lapping of the moat against the stone wall fencing us in.<BR> <BR>Then, a barely there sigh.<BR> <BR>The man whips his head toward the noise. His hand twitches&#8212;<BR> <BR>I&rsquo;m on him before he touches his weapon.<BR> <BR>I strike his temple with my still-sheathed blade. He slithers to the ground with a soft gasp. Before he can get a good look at me, the loose ribbon from my gown pocket is around his eyes. Then I tie his wrists with another ribbon and his legs with a third.<BR> <BR>I dearly do love a gown with pockets. So useful!<BR> <BR>Now if only I could convince Oncle to let me carry rope instead.<BR> <BR>&ldquo;Godless&#8212;royal&#8212;scum!&rdquo; the man wheezes.<BR> <BR>I cup his cheek and smile, all of Oncle&rsquo;s rules and warnings forgotten. &ldquo;<i>Mon cher</i>, you must be more vulgar than that to shock me.&rdquo;<BR> <BR>I grab his bound legs and drag him to the wall. It is difficult work&#8212;he&rsquo;s got at least several dozen pounds on me and the rose briars are rather thick and prickly&#8212;but eventually I get him up the wall that separates the gardens from the moat.<BR> <BR>The moat glitters, deadly and deep. Wind shakes the forest just beyond, low branches twisting across the surface as if to grab the prisoner. The scent of the stagnant water cuts through the sweet roses. He starts crying softly.<BR> <BR>&ldquo;Don&rsquo;t be afraid,&rdquo; I say. &ldquo;Can&rsquo;t say you&rsquo;ll love where I&rsquo;m sending you, but there are worse places.&rdquo;<BR> <BR>&ldquo;There are places for people like you with us.&rdquo; His words are so quick and low, I nearly miss them. &ldquo;The Valois family must be stopped! Their reign is a wolf feasting on the French people! We&rsquo;d take you, even though you&rsquo;re a woman!&rdquo;<BR> <BR>There&rsquo;s a pang under my ribs. I ignore it and lift the man higher. &ldquo;Tell your master the princess sends her regards, but regretfully, she is occupied at the moment.&rdquo;<BR> <BR>His mouth drops open&#8212;shocked that I know his target&#8212;but before he can ask me more questions, I cut the bindings on his legs and shove him over the wall.<BR> <BR>At the enormous splash, a torch flares brighter in the chatelet guarding the drawbridge. Then there&rsquo;s the distant murmur of male voices and the whoosh of more torches sputtering to life.<BR> <BR>I disappear before their light catches me. The would-be assassin won&rsquo;t drown&#8212;as long as he can swim, which he should have considered carefully before infiltrating the Ch&#226;teau de Fontainebleau and its fearsome moat&#8212;but he won&rsquo;t be escaping with his bound hands anytime soon either. The royal guards will catch and question him, and that shall be that. If he&rsquo;s a decent liar, he might even walk away with all his bits.<BR> <BR>I sheathe my blade and tuck the pin back into my hair. It&rsquo;s time to find Margot. If an intruder figured out the best place to find her would be in the gardens, then it won&rsquo;t be long before the court does as well.<BR> <BR>I walk until I see a tremendous boxwood cut into the likeness of a lion trembling. Pausing beside it, I clear my throat.<BR> <BR>The boxwood goes still. And then a frosty voice demands, &ldquo;Who disturbs us?&rdquo;<BR> <BR>&ldquo;Only me, madame. May I have a word?&rdquo;<BR> <BR>The bushes tremble, and out steps Marguerite de Valois, Princess of France, with a pretty girl shielded behind her skirts. Upon seeing me, the princess sighs and heaves her eyes heavenward.<BR> <BR>I curtsy to her&#8212;more for the girl&rsquo;s sake than for the princess&rsquo;s. It&rsquo;s been years since Margot has allowed me to pay her any sort of royal deference. &ldquo;But it&rsquo;s the proper greeting for a princess!&rdquo; I protested when she demanded I stop curtsying. She had yanked me up wearing that mischievous smirk I&rsquo;ve grown to know all too well. &ldquo;Yes, but it&rsquo;s no way to greet your dearest friend.&rdquo;<BR> <BR>&ldquo;Jac, you scared me half to death!&rdquo; Margot says.<BR> <BR>&ldquo;Someone is snooping around the gardens. Perhaps it&rsquo;s time to return to the ball? You&rsquo;ve been busy for quite a while,&rdquo; I say, pushing on the final word just a little.<BR> <BR>Margot pouts. &ldquo;You&rsquo;re no fun at all, but I see your point. Make me presentable?&rdquo;<BR> <BR>I straighten her hair and dab carmine on her mouth from the tiny pot she keeps close for occasions such as these. Satisfied, she turns back to the girl. The two share a final kiss and whispered conversation that ends with a giggle. The girl gets up and leaves. I swallow, keeping my gaze politely on my feet, not wanting to know whom Margot has beguiled tonight.<BR> <BR>Margot stares after her longingly, freshly painted lips pressed together. &ldquo;<i>Mon dieu</i>, I love the countryside. Can&rsquo;t find girls like that in Paris.&rdquo;<BR> <BR>I force a laugh and pat her shoulder consolingly. &ldquo;You aren&rsquo;t looking in the right places in Paris then.&rdquo;<BR> <BR>Her face darkens. &ldquo;It&rsquo;s difficult to find someone to kiss in the city when your mother never lets you leave her sights.&rdquo;<BR> <BR>She tilts her face toward the moon, a delicate crescent nestled against the blue-black clouds. A cool breeze rustles the treetops beyond the walls, caressing the nape of my neck and its loose curls. It beckons like a crooked finger. An invitation to explore the world on the other side, a promise of more.<BR> <BR>Margot heaves an unladylike sigh, and I know she feels it too.<BR> <BR>&ldquo;Let&rsquo;s get on with it, then.&rdquo; She offers me her arm and we return to the brilliant ballroom. With our dark hair swept up with golden pins, only the clinking sapphires sewn on her bodice readily distinguish Marguerite, Princess of France, from me, her loyal lady-in-waiting.<BR> <BR>I watch the heads turn as we arrive, see how Margot&rsquo;s presence ripples through the crowd like a body tossed in a lake. The suitors swarm her in their peacock-bright doublets, with hungry smiles and eager hands. So close, I can almost pretend they&rsquo;re there for me. When I&rsquo;m beside Margot, the entire world feels at my fingertips, the shine of Catherine de&rsquo; Medici&rsquo;s gorgeous youngest daughter spilling over me just by being near.<BR> <BR>&ldquo;We could be sisters,&rdquo; Margot had said today as we beheld ourselves in the grand mirrors before the ball began.<BR> <BR>We could be. Were it not for the, oh, let&rsquo;s say, about a hundred ranks of nobility separating her royal Valois titles from my own lowborn birth. I bite my lip and push back the old urge to tell Margot more. How I not only spotted the assassin but apprehended him myself.<BR> <BR>&ldquo;Secrets stay among family,&rdquo; Oncle said in a sharp voice the one and only time I had asked if I might show Margot how to hurl my knives. He gripped my arm so hard, it bruised. &ldquo;Don&rsquo;t you <i>ever</i> forget that.&rdquo;<BR> <BR>One of Margot&rsquo;s suitors stops us with an elaborate bow, just a hairbreadth above what would be appropriate for her brother, His Royal Highness King Charles IX. &ldquo;Madame, would you do me the honor of a dance?&rdquo; He extends one leather-gloved hand to her.<BR> <BR>Margot considers the hand for a long, long moment. The man&rsquo;s fingers tremble with nerves. I bite back a laugh and turn it into a polite cough. Margot catches my eye and winks wickedly before yanking me closer.<BR> <BR>&ldquo;That depends. What could you possibly offer me that my dear Jacqueline cannot?&rdquo;<BR> <BR>The man&rsquo;s throat bobs, searching for words. Another gentleman steps smoothly in front of him, his hand slipping about Margot&rsquo;s without asking. He brings her knuckles to his lips.<BR> <BR>&ldquo;Dance with me instead and find out,&rdquo; he promises against her skin.<BR> <BR>Margot breaks into a delighted laugh and allows herself to be swept away, leaving the dejected suitor behind with nothing but an air kiss. The young man&rsquo;s cheeks flush bright red and he flees the room without even inventing an excuse.<BR> <BR>He never stood a chance. But he doesn&rsquo;t know that the suitor with Margot in his arms doesn&rsquo;t stand a chance either. Even still, watching them waltz makes my vision spot. Once, Margot and I were the lovers in the garden. It&rsquo;s for the best our romance is behind us, but seeing her in the arms of this unworthy man still fills me with a sour, sulky feeling.<BR> <BR>I&rsquo;m glad Margot is enjoying herself&#8212;and has been, for hours&#8212;but I&rsquo;m not, and now that the thrill of the would-be assassin is over, all I want to do is flop on my bed, but I can&rsquo;t. Not until King Charles decides the night is over.<BR> <BR>I turn away, ready to spend the rest of the night alone, when a long, horrible scream pierces the noise.<BR> <BR>The entire ballroom pivots toward the throne. A woman sobs inconsolably, half in the king&rsquo;s lap. The music screeches to a halt. The crowd surges, confused and alarmed. I search the room for Margot, hairpin already in hand. My mind races through the potential threats.<BR> <BR>I caught one would-be assassin tonight, but what if there was another? One I missed?<BR> <BR>I move to unsheathe my blade, but someone catches my wrist, stopping me. Oncle stares down, his mouth a serious slash.<BR> <BR>&ldquo;The queen is dead. We must leave.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[In this historical thriller, ambitious young noblewoman Jacqueline is caught between her desire to be a supernatural spy for the mysterious Societas Solis and her friendship with the French princess, Marguerite de Valois. In a time when religious wars ravage Europe and assassins stalk the royal family, the Societas Solis wants Catholic Marguerite to marry the Huguenot (Protestant) King of Navarre, Henry de Bourbon, in order to avoid religious violence. Marguerite, an enthusiastic skirt-chaser, has no interest in men, or marriage. What should Jacqueline and Marguerite prioritize: peace and safety for religious minorities, or their own personal freedom from the patriarchal oppression of marriage? This dilemma is complicated by Jacqueline&rsquo;s attraction to both Marguerite and Henry and by the machinations of Marguerite&rsquo;s mother, Catherine de&rsquo; Medici, who is an evil witch. Ultimately, the novel substitutes made-up problems for the extremely high stakes of history as Jacqueline, Marguerite, and Henry race to stop Queen Catherine from pulling a Frankenstein and reviving her dead husband. As a result, the notorious St. Bartholomew Day&rsquo;s massacre&mdash;in which thousands of innocents were murdered&mdash;has about as much emotional impact as the blas&eacute; carnage of a superhero film. Cotter demonstrates good overall knowledge of the cultural and historical context, yet she underplays the nexus of religious and political issues in favor of swoony scenes. The prose is flavorful, occasionally dipping into purple prose for the romance. VERDICT A pathway into a complicated, fascinating moment in history through a queer feminist perspective.]]></Text>
      <TextAuthor>School Library Journal</TextAuthor>
      <TextSourceTitle>3/14/25</TextSourceTitle>
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      <Text><![CDATA[&quot;[H]eaps of magic, witchcraft, swordplay, and intrigue keep the fantastical mystery and tension high...Cotter charms with the adventures of bold Jac, self-indulgent Margot, and courageous Henry as they search for a way to both save their country and forge their own paths.&quot;]]></Text>
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      <TextSourceTitle>12/2/2024</TextSourceTitle>
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      <Text><![CDATA[It is 1572, and 17-year-old Jacqueline, or Jac, desires to be a member of the Societas Solis order rather than be a lady-in-waiting attending royal balls. Her Oncle, a member, refuses Jac&rsquo;s pleas and would rather Jac forgo a life of espionage. When her best friend and love interest Princess Marguerite de Valois (Margot) is forced to marry King Henry of Navarre, Jac&rsquo;s Oncle gives her the mission of assuring Margot, who prefers women, goes through with the marriage. That task proves more difficult when Jac and Henry develop feelings for each other. Along with the murdering of young men on the streets of Paris and sorcery, Jac rushes to solve the developing mysteries, while coming to terms with her romantic attractions. Cotter&rsquo;s sophomore work is a thoughtful period piece exploring the difficulties of young adults freely expressing their polyamorous sexuality. Other important topics that arise in the story are social inequality and lack of freedom for women. An enjoyable read that dips into the history of the St. Bartholomew&rsquo;s Day Massacre.&nbsp;]]></Text>
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      <BiographicalNote><![CDATA[Michael Rex has been writing and illustrating children&rsquo;s books since 1995. He is the creator of over fifty books, including the number-one bestseller and Halloween favorite&nbsp;<i>Goodnight Goon</i>&nbsp;and its follow up&nbsp;<i>We&rsquo;re Going on a Goon Hunt</i>. His picture books include&nbsp;<i>Eat Pete</i>&nbsp;and the popular&nbsp;<i>Facts vs. Opinions vs. Robots</i>. His graphic novel series Your Pal Fred is about the nicest boy in the apocalypse, and in 2014, his Fangbone graphic novels were turned into an animated TV show.&nbsp;His early reader&nbsp;<i>The Tunneler Tunnels in the Tunnel&nbsp;</i>received a Theodor Seuss Geisel Honor.&nbsp;He loves traveling the country to visit schools and talk about his work with students of all ages; he has a master&rsquo;s degree in arts education and taught high school art for three years in the Bronx. He lives with his wife, two sons, and a dog in Leonia, New Jersey.]]></BiographicalNote>
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      <SubjectHeadingText>fruit; banana; repetition; banana bread; baking; food going bad; baking; explore; adventure; humor; funny; sight words; phonics; word families; decoding; whole language; Theodor Seuss Geisel Honor-winning author; Leveled Beginning Early Emerging Reader; Ready to Read; bestselling author-illustrator; book for five six seven year olds kindergarten grade 1 2; I Can Read; Step into Reading; Tunneler Tunnels in the Tunnel; Squid in Pants by Kaz Windness; Stop That Mop by Jonathan Fenske; Penguin Parade by Heidi E. Y. Stemple; Pizza for Pia by Betsy Groban;</SubjectHeadingText>
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      <Text><![CDATA[<b>Find out what to do with a banana gone bad in this hilarious Level 2 Ready-to-Read from bestselling </b><b>and Theodor Seuss Geisel Honor&#8211;winning </b><b>author-illustrator Michael Rex.</b><BR><BR>Wow, that&rsquo;s one bad banana. Look at it&#8212;it&rsquo;s soft. It&rsquo;s squishy. Its yellow peel has lots of spots! Could there be hope for a banana like that?]]></Text>
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      <Text><![CDATA[Michael Rex has been writing and illustrating children&rsquo;s books since 1995. He is the creator of over fifty books, including the number-one bestseller and Halloween favorite&nbsp;<i>Goodnight Goon</i>&nbsp;and its follow up&nbsp;<i>We&rsquo;re Going on a Goon Hunt</i>. His picture books include&nbsp;<i>Eat Pete</i>&nbsp;and the popular&nbsp;<i>Facts vs. Opinions vs. Robots</i>. His graphic novel series Your Pal Fred is about the nicest boy in the apocalypse, and in 2014, his Fangbone graphic novels were turned into an animated TV show.&nbsp;His early reader&nbsp;<i>The Tunneler Tunnels in the Tunnel&nbsp;</i>received a Theodor Seuss Geisel Honor.&nbsp;He loves traveling the country to visit schools and talk about his work with students of all ages; he has a master&rsquo;s degree in arts education and taught high school art for three years in the Bronx. He lives with his wife, two sons, and a dog in Leonia, New Jersey.]]></Text>
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      <Text><![CDATA[Blast off with the fun Ready-to-Read series that offers five reading levels&mdash;perfect for beginning readers.]]></Text>
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      <Text><![CDATA[With an average of four to six sentences per page and at least that many laughs, this level 2 reader is ripe for repeated reading.]]></Text>
      <TextAuthor>Booklist</TextAuthor>
      <TextSourceTitle>January 2026</TextSourceTitle>
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      <Text><![CDATA[A-peeling.]]></Text>
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      <Text><![CDATA[<B>A luminously illustrated and thoroughly informative picture book poetry collection by Sibert Honor&#8211;winning duo Melissa Stewart and Sarah S. Brannen that captures the beauty and complexity of monarch and mourning cloak butterflies.</B><BR><BR>Monarch and mourning cloak butterflies may seem similar on the surface; they are about the same size and common throughout North America. But following along at a butterfly&rsquo;s-eye-view, readers will discover how they live in different habitats, eat different foods, and have different strategies for avoiding enemies and making it through winter. Because even though all butterflies have the same basic body features and life cycle, each species has its own special way of surviving.<BR> <BR>Delightful and illuminating poems, informational sidebars, and lush illustrations will immerse curious young readers in the lives of these two fascinating butterfly species.]]></Text>
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      <Text><![CDATA[Melissa Stewart is the award-winning author of more than 150 science books for children, including the celebrated&nbsp;<I>Meet the Mini Mammals</I>, illustrated by Brian Lies, and&nbsp;<I>Can an Aardvark Bark?&nbsp;</I>and<I>&nbsp;Fourteen Monkeys: A Rain Forest Rhyme</I>, both illustrated by Steve Jenkins. After earning a bachelor&rsquo;s degree in biology from Union College and a master&rsquo;s degree in science journalism from New York University, Melissa worked as a children&rsquo;s book editor for nine years before becoming a full-time writer. While gathering information for her books, she has explored tropical rain forests in Costa Rica, gone on safari in East Africa, and swum with sea lions in the Galapagos Islands. She lives in Acton, Massachusetts.<BR><BR>Sarah S. Brannen is an award-winning author and illustrator of more than twenty books for children. Her authored works include the groundbreaking&nbsp;<I>Uncle Bobby&rsquo;s Wedding</I>, illustrated by Lucia Soto, and her illustrated works include Melissa Stewart&rsquo;s Sibert Honor book&nbsp;<I>Summertime Sleepers</I>. Sarah lives in Massachusetts.]]></Text>
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      <Text><![CDATA[In the visual treat and researcher&rsquo;s delight&nbsp;Monarch and Mourning Cloak: A Butterfly Journal, the duo [author Melissa Stewart and illustrator Sarah S. Brannen] shares with readers the lifecycles, habitats, food sources and activities of two species of butterflies as they flutter through the seasons and bring enchantment into the world. Budding naturalists will revel in the wealth of information presented in a format resembling a diary made of collage featuring engaging poems and interesting observations; detailed, colorful drawings alongside rough pencil sketches; and illustrations that look like taped-on bits of paper and pressed flowers. . . . Monarch and Mourning Cloak&nbsp;is perfect for home, library and classroom, and sure to inspire conservationists, artists and writers of all ages. The picture book even encourages readers to record their own real-life observations. There&rsquo;s &ldquo;no right or wrong way to keep a journal,&rdquo; Stewart says. Adds Brannen, we need only &ldquo;go outside and look.&rdquo;]]></Text>
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      <Text><![CDATA[This diary warmly welcomes readers to bask in butterfly lore. Most of the handsome spreads resemble real journal pages populated by sketches, taped-in ephemera, handwritten notes, and pinned pieces of text, creating a casual atmosphere perfect for imparting information. Two separate species are under observation&mdash;monarchs and mourning cloaks&mdash;and readers will be intrigued immediately by their distinct differences, along with certain similarities. . . . The lyrical text is as lovely as it is educational, and final pages of notes expand a bit more fully on many of the processes mentioned. Appealing illustrations act as macro and micro lenses on the animals, zooming in on tiny eggs and then widening for a glimpse of larger habitats. Readers are sure to walk away with an interest in butterflies&mdash;and a desire to journal their newfound knowledge.]]></Text>
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      <Text><![CDATA[Gentle poems and richly detailed artwork reveal each species&rsquo; distinct habitats, diets and survival strategies all safely cocooned in gorgeous landscape illustrations. . . . Readers of all ages will love browsing the book and admiring the &shy;illustrations, but older children will &shy;especially value its literacy craft and wealth of information. . . . a lyrical nature journal that will be enjoyed by budding entomologists and artists alike. The end notes offer a treasure trove of information on butterfly life cycles, sketching tips, and observations practices, making it a strong choice for classroom nature studies as well as independent exploration. Is this a poetry book packed full of information, or a nonfiction study with a sprinkling of poetic joy? . . . &nbsp;when found by the right readers, it will be pored over and cherished.]]></Text>
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      <Text><![CDATA[*The author focuses on the familiar orange monarch and the less-celebrated brown mourning cloak, comparing their adaptations through accessible verse. . . . Brannen&rsquo;s illustrations, rendered in watercolor, pen, and pencil, evoke authentic field sketches, complete with color-swatch palettes, date and time stamps, and observational notes presented in a naturalist&rsquo;s handwriting. . . . The stunning &ldquo;A Winter&rsquo;s Rest: Monarch&rdquo; spread demonstrates Brannen&rsquo;s meticulous attention to detail&mdash;hundreds of individual monarchs clustering on fir branches in their Mexican hibernation site create a mesmerizing tapestry of orange and black against evergreen and sky blue. . . . Enthusiastic young naturalists will devour every detail. A pretty, thoughtful celebration.]]></Text>
      <TextAuthor>Kirkus Starred Review</TextAuthor>
      <TextSourceTitle>December 15, 2025</TextSourceTitle>
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      <Text><![CDATA[Alastair Heim is the author of more than twenty children&rsquo;s picture books including the #1&nbsp;<i>New York Times</i>&nbsp;bestselling official sequel to&nbsp;<i>How the Grinch Stole Christmas!</i>&nbsp;titled&nbsp;<i>How the Grinch Lost Christmas!</i>, as well as&nbsp;<i>Hello, Door</i>, which was named one of the New York Public Library&rsquo;s Best Books of 2018;&nbsp;<i>The Great Puppy Invasion</i>, which won the 2019 Oklahoma Redbud Read-Aloud Award; and&nbsp;<i>Quiet Down, Loud Town!</i>, which was named a 2021 Junior Library Guild Gold Standard Selection. He has also written four books for Dr. Seuss Beginner Books titled&nbsp;<i>If I Had Your Vote</i>,&nbsp;<i>If I Ran Your School</i>,&nbsp;<i>If I Were Saint Nick</i>, and&nbsp;<i>If I Drove an Ice Cream Truck</i>&mdash;all featuring the Cat in the Hat. He is represented by Kelly Sonnack of the Andrea Brown Literary Agency and lives in Kansas City with his wife and three children.<BR><BR>Pablo Pino was born in August 1981 in Buenos Aries, Argentina. He grew up watching cartoons, playing football, and drawing a lot. These days, he doesn&rsquo;t watch as much TV and only plays football once a week, but still has the joy of painting every day because for the last ten years, he&rsquo;s been working as a professional illustrator for different print media. What he enjoys the most is illustrating books for children and teenagers. In addition to illustrating almost fifty books, Pablo also does character designs and board games and collaborates on designs for schoolbooks and magazines with various worldwide publishing companies. He is self-taught and his illustrations are mostly computer drawn, but he always adds textures that he makes with pencils, crayons, acrylics, and pretty much any material that lets him gets messy like when he was child.]]></Text>
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      <Text><![CDATA[Clover is the unluckiest leprechaun in his village, and he knows it. He oversleeps for the St. Patrick&rsquo;s Day sing-along, bakes a cake that collapses into a drippy mess, and is the only leprechaun unable to find a four-leaf clover. Feeling discouraged and left out, Clover leaves home to search for his rainbow and the treasure he hopes will finally bring him luck. Unfortunately, his bad luck follows him into the human world, where each attempt ends in another mess or mishap, punctuated by the recurring refrain, &ldquo;Of all the luck!&rdquo; Heim&rsquo;s rhyming text makes this a lively and engaging read-aloud, while gently addressing themes of disappointment, perseverance, and self-acceptance. The story resolves in a delightful and affirming way, as Clover&rsquo;s string of disasters unexpectedly brings joy to the community&mdash;each blunder creating a rainbow that helps make the town&rsquo;s St. Patrick&rsquo;s Day celebration its best ever. Pino&rsquo;s full-page digital illustrations are bright and expressive, featuring charming, diverse leprechauns and humans in a range of skin tones that add warmth and inclusivity to the familiar folklore. <B>VERDICT</B> <B>Lively rhyme, bright illustrations, and a joyful conclusion make this title a welcome addition for St. Patrick&rsquo;s Day storytimes and seasonal displays.</B>]]></Text>
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      <Text><![CDATA[A tale of an unlucky leprechaun&rsquo;s quest in the human world.<BR> <BR> A joyful sing-along brings out all of the leprechaun land&rsquo;s small inhabitants&mdash;except for chronically unfortunate little Clover, who&rsquo;s overslept. Determined to find better luck, Clover sets off to discover his rainbow and the treasure that goes with it. He&rsquo;s soon joined by a cute puppy (though he doesn&rsquo;t recognize that event as evidence of good luck). Clover and the pooch see a puddle with a rainbow and jump in. But instead of finding the treasure, they just douse the onlooking human kids. Clover subsequently spots and pursues promising rainbows on a bookstore door, on a frozen treat, on a skateboard, in a bouquet of balloons, and on a giant kite. Bad luck results in Clover losing every one, signaled by his refrain, &ldquo;Of ALL the luck!&rdquo; But just as he bemoans his &ldquo;saddest, baddest day,&rdquo; it&rsquo;s redeemed by a crowd who tell him that&mdash;despite the damage Clover&rsquo;s wrought&mdash;a leprechaun&rsquo;s visit has made this St. Patrick&rsquo;s Day the best ever. And Clover sees those previously lost rainbows reappearing everywhere. Pino&rsquo;s jauntily ebullient rainbow-colored cartoon art depicts diverse humans and leprechauns, while Heim&rsquo;s upbeat verse brings the tale to a chipper conclusion. A baseball cap and green tracksuit let pale-skinned, red-haired Clover fit into the human world, despite his tiny proportions.<BR> <BR> A lighthearted story of going for one&rsquo;s goal no matter what.&nbsp;]]></Text>
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      <BiographicalNote><![CDATA[Rie Neal is a children&rsquo;s book author who loves all things space. Growing up, she was often dragged on her grandfather&rsquo;s unauthorized tours of NASA&rsquo;s Ames Research Center, which she didn&rsquo;t appreciate enough at the time. Eventually, though, she became a full-blown space fan&nbsp;and began to write space-related books for kids. She also has a doctor of audiology degree from the University of Iowa and is nationally certified as an audiologist through the American Speech-Language-Hearing Association. Today, she lives in the Silicon Valley with her husband and kids, where they drag people on (authorized) tours of the NASA Ames visitor center. Learn more about her books at RieNeal.com or connect with her on Instagram (@RieNealWriter).]]></BiographicalNote>
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      <SubjectHeadingText>family; family business; space; STEM; science; school-based; new experience; new move; new school; friendship; science fair; insecurity; overcoming challenges obstacles; fitting in; coffee shop; science project; experiment; hearing aid use; hard-of-hearing; LGBTQ+ family representation; women girls in STEM; bridge book; young middle grade; illustrated; for 7 8 9 10 year olds grades 2 3 4 5; older chapter book; Meena Zee by Karla Manternach; Front Desk by Kelly Yang; Shipwrecked by Mary Alice Monroe; Jojo vs. Middle School by Joy McCullough; Maizey Chen&#39;s Last Chance by Lisa Yee; Zara&#39;s Rules for Living Your Best Life by Hena Khan;</SubjectHeadingText>
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      <Text><![CDATA[<B>A budding scientist must figure out how to help save her family&rsquo;s cafe and impress at her new school&rsquo;s science fair in this charming young middle grade read, perfect for fans of the Meena Zee and Front Desk series.</B><BR><BR>Curious ten-year-old Saffron Speiser-Green loves science&#8212;unfortunately, her &ldquo;experiments&rdquo; tend to end in more messes than actual answers. (Just ask the broken alarm clock that&rsquo;s <I>still</I> at the bottom of her backpack.) Saffron has a plan, though&#8212;a blue ribbon in her school&rsquo;s Project Showcase will show the world she means business.<BR> <BR>But when Saffron&rsquo;s beloved volcano project ruins the walls at Mama&rsquo;s job and gets her fired, Saffron will do anything to make things right&#8212;including helping Mama convince her other mom, Mimi, that they should move to the Silicon Valley to run Gran&rsquo;s coffee shop. Mama&rsquo;s dream job is worth giving up the blue ribbon. Right?<BR> <BR>Luckily for Saffron, her new friends in the Silicon Valley are busy preparing for a STEM Expo, and Saffron is determined to find a project &ldquo;smart&rdquo; enough to show everyone she belongs there. But the coffee shop? No customers, no vision, and&hellip;tons of debt. And if it closes, Saffron&rsquo;s family will have to move again. After a class trip to the STEAMology Museum in San Francisco, though, Saffron knows how to save the caf&#233;&#8212;<I>and</I> what to do for her STEM Expo project. But she&rsquo;s going to need a lot of help.<BR> <BR>Can Saffron prove she&rsquo;s more than a mess-maker and rescue the family business?]]></Text>
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      <Text><![CDATA[Rie Neal is a children&rsquo;s book author who loves all things space. Growing up, she was often dragged on her grandfather&rsquo;s unauthorized tours of NASA&rsquo;s Ames Research Center, which she didn&rsquo;t appreciate enough at the time. Eventually, though, she became a full-blown space fan&nbsp;and began to write space-related books for kids. She also has a doctor of audiology degree from the University of Iowa and is nationally certified as an audiologist through the American Speech-Language-Hearing Association. Today, she lives in the Silicon Valley with her husband and kids, where they drag people on (authorized) tours of the NASA Ames visitor center. Learn more about her books at RieNeal.com or connect with her on Instagram (@RieNealWriter).]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665972543.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" alt="A sketch featuring science- and technology-themed objects, including a planet, a rocket, gears, a battery, a pencil, a paperclip, and a bubbling flask."></figure> <BR> CHAPTER 1 <BR> <BR>SWEAT TRICKLING DOWN my neck, I eased the old caf&#233; door open and a blast of AC hit my face. It was like stepping off Venus and onto Pluto.<BR> <BR>My backpack chose that moment to fall off my shoulder. I&rsquo;d forgotten to zip it again, and books and pencils tumbled out. The alarm clock I&rsquo;d been taking apart landed below a table near me. <i>Beep! Beep! Beep!</i> I scrambled after it and ripped the remaining wires apart to turn it off. I still hadn&rsquo;t figured out how it all went back together.<BR> <BR>Hopefully, Mr. Millson hadn&rsquo;t heard it. If he was in a bad mood&hellip;<BR> <BR>I spotted the small brown bottle rolling away from me and lunged after it. I didn&rsquo;t want him seeing <i>that</i>, for sure.<BR> <BR>At the counter, Mama handed Mrs. Blackburn her usual plain Earl Grey tea (<i>blech</i>). Mama popped the register drawer shut with her hip. &ldquo;I hope Laurie gets that promotion,&rdquo; she told Mrs. Blackburn.<BR> <BR>&ldquo;Thank you, dear.&rdquo; Mrs. Blackburn picked up her purse. &ldquo;She&rsquo;s a hard worker. Just like you.&rdquo;<BR> <BR>&ldquo;Is Mr. Millson here?&rdquo; I hissed to Mama, stuffing things back into my backpack.<BR> <BR>Her eyes flashed.<BR> <BR>That was a yes. Lava testing would have to wait.<BR> <BR>Once everything was back in my backpack, I dragged myself to the tall stool in the corner behind the main counter. The stool was gummy with years of grime. It had a broken rung I couldn&rsquo;t fix, and a folded napkin I&rsquo;d wedged under one leg so it wouldn&rsquo;t wobble.<BR> <BR>Unfortunately, this was <i>my</i> stool. Mr. Millson, who owned the caf&#233; and was Mama&rsquo;s boss, let me stay with her after school, but only if I sat <i>right here</i>. It was like being banished to Mercury, the most boring planet in the solar system, because it was just a big rock.<BR> <BR>&ldquo;Well, hello, Miss Saffron.&rdquo; Mrs. Blackburn waved her bony hand at me.<BR> <BR>&ldquo;Hi, Mrs. Blackburn.&rdquo; I flopped my planet encyclopedia open on the narrow strip of counter next to me, scooting aside a small, dusty spice rack. How much longer would Mr. Millson stay? I glanced behind Mama to the kitchen. Now I could see him&#8212;he was unpacking a box of paper cups. I reached up to make sure my bone-anchored hearing aid was screwed into my skull all the way. It helped me hear better on my right side, but not so much for things that were far away. So from the front door, I couldn&rsquo;t see <i>or</i> hear Mr. Millson.<BR> <BR>&ldquo;How is the volcano coming, dear?&rdquo; Mrs. Blackburn had seen me working on it yesterday.<BR> <BR>&ldquo;It&rsquo;s ready.&rdquo; I&rsquo;d spent the last three weeks watching every elephant toothpaste video I could find online, so I&rsquo;d know the perfect way to design my volcano. The inside had a wide base but a narrow top, so the lava would shoot straight up. &ldquo;Epic&rdquo; was an understatement for how the eruption was going to be. &ldquo;I just need to test the lava. My mom even got me some potassium iodide online. It makes more foam than yeast does.&rdquo; With a glance at the back, I pulled the small brown bottle out of my backpack. &ldquo;See?&rdquo;<BR> <BR>Mrs. Blackburn looked at Mama. &ldquo;Oh. Well. That was nice of you.&rdquo;<BR> <BR>&ldquo;No, not Mama. <i>Mimi</i>. My <i>other</i> mom.&rdquo;<BR> <BR>&ldquo;Oh.&rdquo; Mrs. Blackburn chuckled. &ldquo;I always forget you have two. Don&rsquo;t mind this old lady; I don&rsquo;t think I&rsquo;ll ever catch up.&rdquo;<BR> <BR>Mama smiled politely as Mrs. Blackburn left.<BR> <BR>&ldquo;Saffron,&rdquo; Mama hissed as soon as the bells on the door jingled. &ldquo;Why was that bottle in your backpack? I thought you and Mimi were going to work on your lava <i>at home</i> tonight.&rdquo;<BR> <figure ><img src="../images/f0004-01.jpg" alt="A small volcano with flowing lava-like material cascading down its sides."></figure> <BR>&ldquo;Well, yeah. I just&hellip; wanted to show my teacher,&rdquo; I said. &ldquo;Besides, I don&rsquo;t need Mimi&rsquo;s help. I can test it here, by myself. Just a teensy, tiny bit, and after Mr. Millson leaves. The Project Showcase is next week.&rdquo;<BR> <BR>&ldquo;It sounds messy. I think it&rsquo;s best if you wait.&rdquo; Mama stepped closer. &ldquo;And watch your volume when you ask whether Mr. Millson is here.&rdquo;<BR> <BR>&ldquo;Sorry,&rdquo; I said. I didn&rsquo;t want to get Mama in trouble. I just wanted to be able to <i>do</i> things. Another fun fact about Mercury? It was either really hot or really cold. Just like the caf&#233;. When Mr. Millson was here, I felt frozen and trapped. But when he was gone, and it was just me and Mama and customers, it felt warm and cozy.<BR> <BR>Mama pushed my short, snarly red hair back from the implanted screw behind my right ear. &ldquo;He&rsquo;s leaving soon,&rdquo; she whispered.<BR> <BR>The door jingled again then, and Mama went to help the customer.<BR> <BR>I went back to my book. <i>The Biggest Space Book Ever</i> was full of cool facts about our solar system. Without it, I wouldn&rsquo;t have known that it rained diamonds on Uranus and Neptune. Or that Uranus smelled like farts. (Seriously.)<BR> <BR>But my favorite planet was Venus. It was covered with volcanoes and lava rivers, and it rained sulfuric acid. It was the most exciting planet in our solar system, and my volcano would fit right in.<BR> <BR>My &ldquo;lava&rdquo; only had three ingredients. I&rsquo;d already grabbed the bottle of hydrogen peroxide from the first aid kit yesterday, and hidden it behind the spices. And now I had the potassium iodide. I set them side by side on the counter next to me. The last ingredient I needed was dish soap.<BR> <BR>Mama was restocking the glass case full of stale pastries. (The ones she made at home were way better, but Mr. Millson wouldn&rsquo;t let her sell them here.) I watched her load in a tray of croissants, and then I saw it: Behind her, under the sink, was an extra bottle of clear dish soap.<BR> <BR>&ldquo;I&rsquo;m taking off, Emily.&rdquo; Mr. Millson strode out. He saw me just as I made it back to my spot. &ldquo;And you. Stay on that stool. The last thing we need is a child getting in the way. What are you doing with those?&rdquo; He pointed to my lava ingredients.<BR> <BR>The frozen feeling took over my body. &ldquo;Uh&hellip;&rdquo;<BR> <BR>He squinted at the bottles, then humphed. &ldquo;I don&rsquo;t violate child labor laws. No cleaning. You stay on that stool.&rdquo;<BR> <BR>He thought they were cleaning products.<BR> <BR>I nodded.<BR> <BR>Mama took a deep breath. &ldquo;Ed. I wonder if you&rsquo;ve had time to consider what I suggested yesterday, about selling some fresh-baked chocolate chip cookies? Muffins from scratch? I&rsquo;ve been trying out new recipes for&hellip;&rdquo;<BR> <BR>Mama and Mr. Millson had some version of this argument once a week. Mama loved baking, and everybody knew that the pastries here were just from the grocery store&rsquo;s freezer section. Mama thought he should do other things to increase business too. But Mr. Millson wanted to save money. He thought people just needed time to come back after the pandemic. That hadn&rsquo;t been the right strategy at the last caf&#233; Mama had worked at, though. It had closed six months ago, and now we were stuck here, because it was the only caf&#233; left in Cedar Springs, Iowa, where we lived.<BR> <BR>With another humph (he was good at those), Mr. Millson finally stormed out the front door.<BR> <BR>I felt myself begin to thaw. I hated that Mr. Millson was Mama&rsquo;s boss. I hated that she had to work here.<BR> <BR>I also hated that I had to come here after school. Mr. Millson made me feel as small as bacteria. But despite what he (and maybe also the kids at school) thought, I <i>wasn&rsquo;t</i> just a mess-maker. I was a <i>scientist</i>. And someday, I was going to win a Nobel Prize. Or maybe I&rsquo;d just go to a really fancy college.<BR> <BR><i>Something</i>.<BR> <BR>And I was starting with a blue ribbon at the Project Showcase.<BR> <BR>Mama was now playing peekaboo with the toddler of a friend who&rsquo;d just come in.<BR> <BR>I didn&rsquo;t have my volcano here, and Mama wanted me to wait. But I could at least mix the hydrogen peroxide and dish soap here at the caf&#233;. That part wasn&rsquo;t really a chemical reaction&#8212;as in, nothing would happen. It wasn&rsquo;t until you added the potassium iodide that the huge snake of boiling-hot foam would happen.<BR> <BR>On the counter next to me, I poured some hydrogen peroxide into a glass jar. It wasn&rsquo;t the same perfect shape as my volcano, but this was just a test. I squirted in a bunch of dish soap. With a wooden spoon I stirred.<BR> <BR>I stared at the bottle of potassium iodide. It looked so lonely.<BR> <BR>Mama was still chatting with the woman and her toddler.<BR> <BR>I should have put a lid on the jar. I should have waited for Mimi to help me at home.<BR> <BR>But the circuit connecting those thoughts to my hands must&rsquo;ve shorted.<BR> <BR>Because I was already tipping the bottle of potassium iodide into the jar.<BR> <BR>The liquid fizzled. And then&hellip; it grew.<BR> <BR>Orange foam built so fast that it shot straight up. I scrambled off my stool, barely rescuing my space book in time.<BR> <BR>&ldquo;Saffron!&rdquo; Mama shouted.<BR> <BR>The foam didn&rsquo;t stop. It formed a mushroom-shaped cloud as it gathered in the air above the jar. Then the mushroom splattered onto the walls and back down onto the counter, as more and more and <i>more</i> foam kept coming up out of the jar. Heat radiated out from the chaos, steam rising to the ceiling.<BR> <BR>Now, <i>this</i> was lava.<BR> <BR>&ldquo;Wow,&rdquo; I breathed.<BR> <BR>But someone grabbed my arm.<BR> <BR>Mr. Millson&rsquo;s eyes bulged, his face inches from mine. &ldquo;<i>What</i> have you <i>done</i>?&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[&ldquo;Burgeoning science nerds, especially fans of the Frankie Sparks and Astrid the Astronaut series,<BR> will be swept along by the book&rsquo;s the short chapters, and the occasional illustration nicely reflects Saffron&rsquo;s journey from zero to hero.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Lighthearted and humorous, this novel addresses themes relatable to upper elementary readers: belonging, being oneself, and forging friendships.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Rie Neal is a children&rsquo;s book author who loves all things space. Growing up, she was often dragged on her grandfather&rsquo;s unauthorized tours of NASA&rsquo;s Ames Research Center, which she didn&rsquo;t appreciate enough at the time. Eventually, though, she became a full-blown space fan&nbsp;and began to write space-related books for kids. She also has a doctor of audiology degree from the University of Iowa and is nationally certified as an audiologist through the American Speech-Language-Hearing Association. Today, she lives in the Silicon Valley with her husband and kids, where they drag people on (authorized) tours of the NASA Ames visitor center. Learn more about her books at RieNeal.com or connect with her on Instagram (@RieNealWriter).]]></BiographicalNote>
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      <Text><![CDATA[<B>A budding scientist must figure out how to help save her family&rsquo;s cafe and impress at her new school&rsquo;s science fair in this charming young middle grade read, perfect for fans of the Meena Zee and Front Desk series.</B><BR><BR>Curious ten-year-old Saffron Speiser-Green loves science&#8212;unfortunately, her &ldquo;experiments&rdquo; tend to end in more messes than actual answers. (Just ask the broken alarm clock that&rsquo;s <I>still</I> at the bottom of her backpack.) Saffron has a plan, though&#8212;a blue ribbon in her school&rsquo;s Project Showcase will show the world she means business.<BR> <BR>But when Saffron&rsquo;s beloved volcano project ruins the walls at Mama&rsquo;s job and gets her fired, Saffron will do anything to make things right&#8212;including helping Mama convince her other mom, Mimi, that they should move to the Silicon Valley to run Gran&rsquo;s coffee shop. Mama&rsquo;s dream job is worth giving up the blue ribbon. Right?<BR> <BR>Luckily for Saffron, her new friends in the Silicon Valley are busy preparing for a STEM Expo, and Saffron is determined to find a project &ldquo;smart&rdquo; enough to show everyone she belongs there. But the coffee shop? No customers, no vision, and&hellip;tons of debt. And if it closes, Saffron&rsquo;s family will have to move again. After a class trip to the STEAMology Museum in San Francisco, though, Saffron knows how to save the caf&#233;&#8212;<I>and</I> what to do for her STEM Expo project. But she&rsquo;s going to need a lot of help.<BR> <BR>Can Saffron prove she&rsquo;s more than a mess-maker and rescue the family business?]]></Text>
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      <Text><![CDATA[Rie Neal is a children&rsquo;s book author who loves all things space. Growing up, she was often dragged on her grandfather&rsquo;s unauthorized tours of NASA&rsquo;s Ames Research Center, which she didn&rsquo;t appreciate enough at the time. Eventually, though, she became a full-blown space fan&nbsp;and began to write space-related books for kids. She also has a doctor of audiology degree from the University of Iowa and is nationally certified as an audiologist through the American Speech-Language-Hearing Association. Today, she lives in the Silicon Valley with her husband and kids, where they drag people on (authorized) tours of the NASA Ames visitor center. Learn more about her books at RieNeal.com or connect with her on Instagram (@RieNealWriter).]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665972543.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/common01.jpg" alt="A sketch featuring science- and technology-themed objects, including a planet, a rocket, gears, a battery, a pencil, a paperclip, and a bubbling flask."></figure> <BR> CHAPTER 1 <BR> <BR>SWEAT TRICKLING DOWN my neck, I eased the old caf&#233; door open and a blast of AC hit my face. It was like stepping off Venus and onto Pluto.<BR> <BR>My backpack chose that moment to fall off my shoulder. I&rsquo;d forgotten to zip it again, and books and pencils tumbled out. The alarm clock I&rsquo;d been taking apart landed below a table near me. <i>Beep! Beep! Beep!</i> I scrambled after it and ripped the remaining wires apart to turn it off. I still hadn&rsquo;t figured out how it all went back together.<BR> <BR>Hopefully, Mr. Millson hadn&rsquo;t heard it. If he was in a bad mood&hellip;<BR> <BR>I spotted the small brown bottle rolling away from me and lunged after it. I didn&rsquo;t want him seeing <i>that</i>, for sure.<BR> <BR>At the counter, Mama handed Mrs. Blackburn her usual plain Earl Grey tea (<i>blech</i>). Mama popped the register drawer shut with her hip. &ldquo;I hope Laurie gets that promotion,&rdquo; she told Mrs. Blackburn.<BR> <BR>&ldquo;Thank you, dear.&rdquo; Mrs. Blackburn picked up her purse. &ldquo;She&rsquo;s a hard worker. Just like you.&rdquo;<BR> <BR>&ldquo;Is Mr. Millson here?&rdquo; I hissed to Mama, stuffing things back into my backpack.<BR> <BR>Her eyes flashed.<BR> <BR>That was a yes. Lava testing would have to wait.<BR> <BR>Once everything was back in my backpack, I dragged myself to the tall stool in the corner behind the main counter. The stool was gummy with years of grime. It had a broken rung I couldn&rsquo;t fix, and a folded napkin I&rsquo;d wedged under one leg so it wouldn&rsquo;t wobble.<BR> <BR>Unfortunately, this was <i>my</i> stool. Mr. Millson, who owned the caf&#233; and was Mama&rsquo;s boss, let me stay with her after school, but only if I sat <i>right here</i>. It was like being banished to Mercury, the most boring planet in the solar system, because it was just a big rock.<BR> <BR>&ldquo;Well, hello, Miss Saffron.&rdquo; Mrs. Blackburn waved her bony hand at me.<BR> <BR>&ldquo;Hi, Mrs. Blackburn.&rdquo; I flopped my planet encyclopedia open on the narrow strip of counter next to me, scooting aside a small, dusty spice rack. How much longer would Mr. Millson stay? I glanced behind Mama to the kitchen. Now I could see him&#8212;he was unpacking a box of paper cups. I reached up to make sure my bone-anchored hearing aid was screwed into my skull all the way. It helped me hear better on my right side, but not so much for things that were far away. So from the front door, I couldn&rsquo;t see <i>or</i> hear Mr. Millson.<BR> <BR>&ldquo;How is the volcano coming, dear?&rdquo; Mrs. Blackburn had seen me working on it yesterday.<BR> <BR>&ldquo;It&rsquo;s ready.&rdquo; I&rsquo;d spent the last three weeks watching every elephant toothpaste video I could find online, so I&rsquo;d know the perfect way to design my volcano. The inside had a wide base but a narrow top, so the lava would shoot straight up. &ldquo;Epic&rdquo; was an understatement for how the eruption was going to be. &ldquo;I just need to test the lava. My mom even got me some potassium iodide online. It makes more foam than yeast does.&rdquo; With a glance at the back, I pulled the small brown bottle out of my backpack. &ldquo;See?&rdquo;<BR> <BR>Mrs. Blackburn looked at Mama. &ldquo;Oh. Well. That was nice of you.&rdquo;<BR> <BR>&ldquo;No, not Mama. <i>Mimi</i>. My <i>other</i> mom.&rdquo;<BR> <BR>&ldquo;Oh.&rdquo; Mrs. Blackburn chuckled. &ldquo;I always forget you have two. Don&rsquo;t mind this old lady; I don&rsquo;t think I&rsquo;ll ever catch up.&rdquo;<BR> <BR>Mama smiled politely as Mrs. Blackburn left.<BR> <BR>&ldquo;Saffron,&rdquo; Mama hissed as soon as the bells on the door jingled. &ldquo;Why was that bottle in your backpack? I thought you and Mimi were going to work on your lava <i>at home</i> tonight.&rdquo;<BR> <figure ><img src="../images/f0004-01.jpg" alt="A small volcano with flowing lava-like material cascading down its sides."></figure> <BR>&ldquo;Well, yeah. I just&hellip; wanted to show my teacher,&rdquo; I said. &ldquo;Besides, I don&rsquo;t need Mimi&rsquo;s help. I can test it here, by myself. Just a teensy, tiny bit, and after Mr. Millson leaves. The Project Showcase is next week.&rdquo;<BR> <BR>&ldquo;It sounds messy. I think it&rsquo;s best if you wait.&rdquo; Mama stepped closer. &ldquo;And watch your volume when you ask whether Mr. Millson is here.&rdquo;<BR> <BR>&ldquo;Sorry,&rdquo; I said. I didn&rsquo;t want to get Mama in trouble. I just wanted to be able to <i>do</i> things. Another fun fact about Mercury? It was either really hot or really cold. Just like the caf&#233;. When Mr. Millson was here, I felt frozen and trapped. But when he was gone, and it was just me and Mama and customers, it felt warm and cozy.<BR> <BR>Mama pushed my short, snarly red hair back from the implanted screw behind my right ear. &ldquo;He&rsquo;s leaving soon,&rdquo; she whispered.<BR> <BR>The door jingled again then, and Mama went to help the customer.<BR> <BR>I went back to my book. <i>The Biggest Space Book Ever</i> was full of cool facts about our solar system. Without it, I wouldn&rsquo;t have known that it rained diamonds on Uranus and Neptune. Or that Uranus smelled like farts. (Seriously.)<BR> <BR>But my favorite planet was Venus. It was covered with volcanoes and lava rivers, and it rained sulfuric acid. It was the most exciting planet in our solar system, and my volcano would fit right in.<BR> <BR>My &ldquo;lava&rdquo; only had three ingredients. I&rsquo;d already grabbed the bottle of hydrogen peroxide from the first aid kit yesterday, and hidden it behind the spices. And now I had the potassium iodide. I set them side by side on the counter next to me. The last ingredient I needed was dish soap.<BR> <BR>Mama was restocking the glass case full of stale pastries. (The ones she made at home were way better, but Mr. Millson wouldn&rsquo;t let her sell them here.) I watched her load in a tray of croissants, and then I saw it: Behind her, under the sink, was an extra bottle of clear dish soap.<BR> <BR>&ldquo;I&rsquo;m taking off, Emily.&rdquo; Mr. Millson strode out. He saw me just as I made it back to my spot. &ldquo;And you. Stay on that stool. The last thing we need is a child getting in the way. What are you doing with those?&rdquo; He pointed to my lava ingredients.<BR> <BR>The frozen feeling took over my body. &ldquo;Uh&hellip;&rdquo;<BR> <BR>He squinted at the bottles, then humphed. &ldquo;I don&rsquo;t violate child labor laws. No cleaning. You stay on that stool.&rdquo;<BR> <BR>He thought they were cleaning products.<BR> <BR>I nodded.<BR> <BR>Mama took a deep breath. &ldquo;Ed. I wonder if you&rsquo;ve had time to consider what I suggested yesterday, about selling some fresh-baked chocolate chip cookies? Muffins from scratch? I&rsquo;ve been trying out new recipes for&hellip;&rdquo;<BR> <BR>Mama and Mr. Millson had some version of this argument once a week. Mama loved baking, and everybody knew that the pastries here were just from the grocery store&rsquo;s freezer section. Mama thought he should do other things to increase business too. But Mr. Millson wanted to save money. He thought people just needed time to come back after the pandemic. That hadn&rsquo;t been the right strategy at the last caf&#233; Mama had worked at, though. It had closed six months ago, and now we were stuck here, because it was the only caf&#233; left in Cedar Springs, Iowa, where we lived.<BR> <BR>With another humph (he was good at those), Mr. Millson finally stormed out the front door.<BR> <BR>I felt myself begin to thaw. I hated that Mr. Millson was Mama&rsquo;s boss. I hated that she had to work here.<BR> <BR>I also hated that I had to come here after school. Mr. Millson made me feel as small as bacteria. But despite what he (and maybe also the kids at school) thought, I <i>wasn&rsquo;t</i> just a mess-maker. I was a <i>scientist</i>. And someday, I was going to win a Nobel Prize. Or maybe I&rsquo;d just go to a really fancy college.<BR> <BR><i>Something</i>.<BR> <BR>And I was starting with a blue ribbon at the Project Showcase.<BR> <BR>Mama was now playing peekaboo with the toddler of a friend who&rsquo;d just come in.<BR> <BR>I didn&rsquo;t have my volcano here, and Mama wanted me to wait. But I could at least mix the hydrogen peroxide and dish soap here at the caf&#233;. That part wasn&rsquo;t really a chemical reaction&#8212;as in, nothing would happen. It wasn&rsquo;t until you added the potassium iodide that the huge snake of boiling-hot foam would happen.<BR> <BR>On the counter next to me, I poured some hydrogen peroxide into a glass jar. It wasn&rsquo;t the same perfect shape as my volcano, but this was just a test. I squirted in a bunch of dish soap. With a wooden spoon I stirred.<BR> <BR>I stared at the bottle of potassium iodide. It looked so lonely.<BR> <BR>Mama was still chatting with the woman and her toddler.<BR> <BR>I should have put a lid on the jar. I should have waited for Mimi to help me at home.<BR> <BR>But the circuit connecting those thoughts to my hands must&rsquo;ve shorted.<BR> <BR>Because I was already tipping the bottle of potassium iodide into the jar.<BR> <BR>The liquid fizzled. And then&hellip; it grew.<BR> <BR>Orange foam built so fast that it shot straight up. I scrambled off my stool, barely rescuing my space book in time.<BR> <BR>&ldquo;Saffron!&rdquo; Mama shouted.<BR> <BR>The foam didn&rsquo;t stop. It formed a mushroom-shaped cloud as it gathered in the air above the jar. Then the mushroom splattered onto the walls and back down onto the counter, as more and more and <i>more</i> foam kept coming up out of the jar. Heat radiated out from the chaos, steam rising to the ceiling.<BR> <BR>Now, <i>this</i> was lava.<BR> <BR>&ldquo;Wow,&rdquo; I breathed.<BR> <BR>But someone grabbed my arm.<BR> <BR>Mr. Millson&rsquo;s eyes bulged, his face inches from mine. &ldquo;<i>What</i> have you <i>done</i>?&rdquo;<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Breanna Carzoo is the author-illustrator of the picture books&nbsp;<I>Lou</I>,&nbsp;<I>Greenlight</I>, and&nbsp;<I>The Squish</I>&nbsp;and the Little Landscapers board book series. She crafts illustrations with painted cut-paper collage and mixed media. Her debut picture book,&nbsp;<I>Lou</I>, was named on many state award lists. Both&nbsp;<I>Lou</I>&nbsp;and&nbsp;<I>Greenlight</I>&nbsp;were named&nbsp;<I>Kirkus Reviews</I>&nbsp;Best Picture Books and her latest picture book,&nbsp;<I>The Squish</I>, was named a&nbsp;<I>Publishers Weekly</I>&nbsp;Best Picture Book. Breanna lives in Austin, Texas, with her husband, Chris, and their dog, Ozzie. Outside of writing and illustrating books, she&rsquo;s a beginner swimmer and an avid hobby board gamer! Visit her at BreannaCarzoo.com.]]></BiographicalNote>
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      <BiographicalNote><![CDATA[Breanna Carzoo is the author-illustrator of the picture books&nbsp;<I>Lou</I>,&nbsp;<I>Greenlight</I>, and&nbsp;<I>The Squish</I>&nbsp;and the Little Landscapers board book series. She crafts illustrations with painted cut-paper collage and mixed media. Her debut picture book,&nbsp;<I>Lou</I>, was named on many state award lists. Both&nbsp;<I>Lou</I>&nbsp;and&nbsp;<I>Greenlight</I>&nbsp;were named&nbsp;<I>Kirkus Reviews</I>&nbsp;Best Picture Books and her latest picture book,&nbsp;<I>The Squish</I>, was named a&nbsp;<I>Publishers Weekly</I>&nbsp;Best Picture Book. Breanna lives in Austin, Texas, with her husband, Chris, and their dog, Ozzie. Outside of writing and illustrating books, she&rsquo;s a beginner swimmer and an avid hobby board gamer! Visit her at BreannaCarzoo.com.]]></BiographicalNote>
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      <Text><![CDATA[Chapter 1: Tea and Misfortune <link rel="stylesheet" type="text/css" href="../styles/9781665974110.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <img src="../images/common01.jpg" role="presentation" alt=""> 1 TEA AND MISFORTUNE <BR>Amira Shah was convinced that if her phone didn&rsquo;t stop chirping out notifications within the next five seconds, she would toss Deja Brew&rsquo;s $20,000 espresso machine across the room&#8212;taking care not to murder anyone in the process because, really, that would be a bit much&#8212;and scream a string of curses so profane that her ancestors would come back from the dead and stuff her mouth with soap.<BR> <BR>Instead, she closed her eyes and steadied herself against the counter. Breathed in through her nose, out through her mouth, the way most people learned from their sports coaches and/or therapists.<BR> <BR><i>She&rsquo;d</i> learned it from her ACT tutor. The same ACT tutor she paid weekly in cold, hard cash from Deja Brew&rsquo;s measly barista paycheck.<BR> <BR>A girl had to eat, sure&#8212;but more importantly, a girl had to get into college.<BR> <BR>The phone buzzed in her pocket once, twice. Three times. She sighed and glanced at the door leading into the caf&#233;&rsquo;s break room. Her manager, Isabel, was relatively chill, but with the number of people congregating near the cash register today (there wasn&rsquo;t even enough room to form an actual <i>line</i>), Amira had a gut feeling she&rsquo;d get reprimanded for having her phone out in front of customers.<BR> <BR>Still, the shop wasn&rsquo;t her only responsibility. Mama would throw a fit of her own if her clients weren&rsquo;t seen to on time.<BR> <BR>&ldquo;Two minutes,&rdquo; she mouthed to Layla. Her best friend rolled her eyes but took over the drink Amira had been working on&#8212;an iced XXXspresso, because nothing on Deja Brew&rsquo;s menu could be named anything sensible. Obviously.<BR> <BR>Amira slipped off her apron, hung it on one of the hooks lining the back wall, and made a beeline for the bathroom.<BR> <BR>Once inside, she made a show of flushing the toilet and washing her hands (the wall between the break room and the bathroom was brutally thin) before checking her phone.<BR> <BR>As expected, there were about fifty million notifications from Farrah&rsquo;s Fortunes. A form on Mama&rsquo;s website would send out emails to Amira&rsquo;s inbox whenever someone requested an appointment, a follow-up consultation, or a refund because <i>my husband was cheating on me with his sister-in-law, not his secretary, so clearly you were WRONG.</i><BR> <BR>Amira had taken over the administrative tasks of confirming palm-reading appointments from her mother about a year ago. Or rather, Farrah Shah had realized that Google Forms was annoying, and what better way to focus on the client-facing aspect of her business than to outsource the behind-the-scenes labor to her technologically competent, totally-not-busy-with-school-and-debate-club daughter?<BR> <BR>At least, that&rsquo;s what Amira figured Mama&rsquo;s thought process had been.<BR> <BR>With a few swipes of her fingers, Amira confirmed the appointments that had popped up in the calendar field, ignored one condescending review (she&rsquo;d let Mama deal with that one&hellip; if the customer ever came back to their business at all), and reloaded her inbox to make sure she hadn&rsquo;t missed anything.<BR> <BR>Deep down, she was just hoping that Kaidan would finally reach out again. Even if it were over something as boring and professional as a stupid email. And not so they could get back together or anything; that would be ridiculous. But so that she could finally spew in his face all the pent-up rage her heartbreak had boiled down to. As it was, Layla had forced her to block his number and delete all traces of him from her phone, so she didn&rsquo;t even have their old text messages to vent in. A notepad would work, but it would feel too much like a school assignment. And carrier pigeons were probably also off the table.<BR> <BR>&ldquo;Hey, Amira?&rdquo; Isabel&rsquo;s voice called from outside the bathroom. It was followed by a couple of polite but quick raps on the door. &ldquo;Did you get lost in the toilet, or are you, like, actually sick?&rdquo;<BR> <BR>Amira&rsquo;s gaze flitted to the door in the mirror, then to her reflection. Purple half-moons had made their home beneath her eyes in the last couple of weeks, her dark hair looked like it hadn&rsquo;t been washed in twice that amount of time, and she had a raw, stubborn cut at the corner of her bottom lip from chewing on it aggressively.<BR> <BR>She wasn&rsquo;t sick. She was <i>tired</i>. And irritated. And&#8212;<BR> <BR>&ldquo;Amira?&rdquo; came Isabel&rsquo;s voice once more.<BR> <BR>&#8212;and still on the clock.<BR> <BR>With another sigh, Amira slammed the button on the hand dryer again, let it run for a few seconds over her very much not-wet hands, then swung the door open to face her manager.<BR> <BR>Isabel was a pixie at barely five feet tall, but the force of her frown still caused Amira to shrink back a bit.<BR> <BR>&ldquo;Oh, good. You&rsquo;re not dead,&rdquo; the woman said with a snort and a toss of her fire-engine-red curls. She gestured to the hallway leading back to Deja Brew&rsquo;s front of house. &ldquo;Mind rejoining the land of the living?&rdquo;<BR> <BR>Amira wiped her now-sweaty palms on her pants. &ldquo;Sorry. I was just&hellip; it&rsquo;s that time of the month, you know?&rdquo;<BR> <BR>Isabel nodded slowly as if to say <i>Yeah, right.</i> But before Amira could sidle past her, she held out her key ring. The silver keys rattled together like coins in a tip jar.<BR> <BR>Amira lifted a brow.<BR> <BR>&ldquo;Can you close up shop today? I gotta pick up Martin early from his after-school program&#8212;kid vomited all over the carpet during show-and-tell.&rdquo;<BR> <BR>&ldquo;Will do,&rdquo; Amira said, doing her best to hold back a grimace. She took the proffered keys and slipped them into her pocket. &ldquo;And I promise I won&rsquo;t get lost in the toilet again.&rdquo;<BR> <BR>&ldquo;Was that Kaidan?&rdquo; Layla hesitantly asked as Amira returned to her station. She hadn&rsquo;t looked up from the foam art she was constructing on an overpriced oat-milk latte, but Amira could still feel the weight of her attention in the words.<BR> <BR>&ldquo;It was three different white women named Jennifer who were looking to get an appointment with my mom,&rdquo; she replied with a sigh. Thankfully, the line had dispersed in the ten minutes that she&rsquo;d hidden in the bathroom, and all she had to do was stand around and wait for the next order. She busied herself by wiping up some spilled milk on the counter.<BR> <BR>The idea that Kaidan would ever contact her again <i>was</i> ridiculous, despite how much she hoped for it. She shouldn&rsquo;t hope for it. It was nauseating. She hated Kaidan Jaziri and his stupid brown eyes and his thoughtful gestures and his crooked smile. If he ever emailed her, the best course of action would be to (a) toss her phone into the depths of Lake Erie and (b) run far, far away.<BR> <BR>It&rsquo;d been two weeks since Amira&rsquo;s seventeenth birthday. Two weeks since Kaidan had stood at the edge of her front yard, in the middle of a storm, and told her in no uncertain terms that their relationship was over. He hadn&rsquo;t even bothered to step into her house and hand her a birthday/apology/goodbye present and grab some basbousa for the road! All he&rsquo;d gifted her was that <i>Hey, can we talk? I&rsquo;m outside your place</i> text message that every person dreads getting.<BR> <BR>She still remembered in vivid detail that day last year when she&rsquo;d been staring at him during their volleyball unit in gym class and Layla had leaned over to whisper, &ldquo;The new guy is <i>so</i> cute&#8212;definitely your type.&rdquo;<BR> <BR>Sophomore-year Amira had scoffed at the idea.<BR> <BR>&ldquo;Agree to disagree,&rdquo; she&rsquo;d said, spiking a volleyball that went wide and flew out of bounds. One of her teammates shot her an irritated look.<BR> <BR>In the school hierarchy, Kaidan was at the top of the pyramid. A jock. A god. And to everyone else, Amira was a lowly teacher&rsquo;s pet. A nerd obsessed with arguing and proving everyone wrong to the point that she&rsquo;d become the youngest debate club president in her school&rsquo;s history. It also didn&rsquo;t help that all the other students at school knew about Mama&rsquo;s job and teased her for it. How many times had the popular upperclassmen guys come up to her, leering, and asked if she could give them a &ldquo;palm reading&rdquo;?<BR> <BR>But Kaidan&#8212;he&rsquo;d been different. Somehow, despite his obnoxious friends and all the girls practically flinging themselves headlong at him like a pack of horny lemurs, he&rsquo;d sat next to <i>her</i> at lunch and invited <i>her</i> to the library. And the library sessions had turned into coffee sessions at Deja Brew. And the coffee sessions had turned into&hellip; well, other types of sessions.<BR> <BR>And after all that, the teasing from her classmates had stopped. It&rsquo;d stopped, and for what felt like the first time in two long years, Amira had been able to <i>breathe</i>. She wasn&rsquo;t Amira Shah, Teacher&rsquo;s Pet; Amira Shah, Palm Reader&rsquo;s Daughter. She was <i>Amira Shah</i>. Period.<BR> <BR>Losing that&hellip; going back to the powerless person she&rsquo;d told herself she&rsquo;d never be again&hellip; sometimes, it felt worse than a breakup.<BR> <BR>And then sometimes, like now, when she stared at the faded blue love seat tucked away in the corner of Deja Brew near one of its big picture windows&#8212;she thought maybe, just <i>maybe</i>, it was the person she missed. Not the power.<BR> <BR>By five p.m., Layla had already gone home, and Isabel had left Amira with clear instructions about removing the garbage and cleaning the floor before she could leave. She&rsquo;d swept every corner, tidied up the counters, and thrown away expired flyers on the corkboard near the bathroom. It was nearing six p.m. by the time the place looked spotless. Grabbing her keys in one hand and the two giant trash bags in the other, Amira gingerly opened the door to the caf&#233; and peered out into the darkness.<BR> <BR>It was warm tonight. Humid, too. She wrinkled her nose as she stepped onto the sidewalk and the stench of warm trash blew in from the alley nearby. Leaves scuttled across the asphalt, heading for gutters and the end of the street, but otherwise, nobody would have thought it anything other than a late summer day.<BR> <BR>And yet it was mid-November in <i>Dearborn, Michigan</i>, for God&rsquo;s sake. Global warming might have been taking its toll on the entirety of the planet, but that didn&rsquo;t mean the past few weeks of drizzly Midwestern cold and icy wind would just up and vanish within one shift.<BR> <BR>Something was decidedly off. The type of something her mother would have muttered about in one of her sessions.<BR> <BR>Holding her breath, Amira checked over her shoulder to make sure the door was shut and hoisted the garbage bags up from where they were skimming the sidewalk before making the dreaded walk to the dumpsters.<BR> <BR>The entrance to the alley was just in view when she heard it. A shout cutting through the silence:<BR> <BR>&ldquo;I don&rsquo;t <i>care</i> that you&#8212;&rdquo;<BR> <BR>Amira froze in her steps as her heartbeat went into overdrive. She knew that voice&#8212;it was one she hadn&rsquo;t heard in two weeks, but she recognized it instantly.<BR> <BR><i>Kaidan?</i><BR> <BR>She leaned the trash bags against Deja Brew&rsquo;s rough brick wall and peered around the corner.<BR> <BR>Two men stood opposite each other, illuminated by a pool of golden lamplight. The stranger&rsquo;s back was to her, but when he shifted, she caught a glimpse of her ex-boyfriend&rsquo;s face.<BR> <BR>Amira bit her lip, hard, to keep herself from calling out his name. It was late, and though she couldn&rsquo;t make out what they&rsquo;d been discussing, the argument seemed to be escalating dangerously close to a full-out brawl.<BR> <BR>But she could stop it, couldn&rsquo;t she? <i>Shouldn&rsquo;t</i> she?<BR> <BR>She made to grab for the trash bags&#8212;it would serve well as a distraction to break up the fight, maybe even give Kaidan an excuse to go back to Deja Brew with her&#8212;but as soon as she turned to glance at the two men again, her fingers slipped from the plastic drawstrings.<BR> <BR>The two men were falling down. No, not down. <i>Into</i>. They had dropped&#8212;leaped? Amira&rsquo;s brain couldn&rsquo;t quite catch up&#8212;right into a hole in the ground.<BR> <BR>And then they vanished.<BR> <BR>Amira finally allowed herself to call out his name: &ldquo;Kaidan?&rdquo;<BR> <BR>She ran into the alley at full speed, skidding to a stop at the edge of the sinkhole. But it wasn&rsquo;t a sinkhole. It couldn&rsquo;t be. From this angle, only a few feet away, it was more an eddy of swirling, shifting air. Darkness, to be sure, but an awaiting darkness. An invitation.<BR> <BR>Amira looked back at the mouth of the alley. There was no time to get help. And she&rsquo;d stupidly left her phone back in the shop. But if Kaidan had gone in there&hellip; If he was in danger&hellip;<BR> <BR>She clasped the old necklace her mother had given her for her birthday as she thought of the stormy sky outside her house as he&rsquo;d left her. Of his silence these last two weeks at school.<BR> <BR>The hole was shrinking, bits of the alley&rsquo;s asphalt showing through at the edges.<BR> <BR>It was disappearing.<BR> <BR>She had to make a split-second choice&#8212;now or never.<BR> <BR>&ldquo;Damn you, Kaidan Jaziri,&rdquo; she hissed through her teeth. Then she closed her eyes and stepped forward.<BR> <BR>The darkness swallowed her whole.<BR> </section>]]></Text>
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      <SubjectHeadingText>classics; timeless; fairy tales; folk tales; fantasy; German; Brothers Grimm; folklore; legends; princesses; princes; morals; royalty; castles; magic; love; romance; virtue; parent-child relationship; rags to riches; snow white; hansel and gretel; rapunzel; little red riding hood; the golden goose; Rumpelstiltskin; sleeping beauty; tom thumb; the frog king; cinderella; oral tradition; childhood nostalgia; nineteenth century literature; anthology; story collection; collector’s gift edition; bedtime stories for children; fairy tale gift; middle grade for 8 9 10 11 12 year olds grades 3 4 5 6 7; all ages; Hans Christian Andersen; Joseph Jacobs; Charles Perrault; classic Disney movies princesses;</SubjectHeadingText>
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      <Text><![CDATA[<b>Fifty-two of the Brothers Grimms&rsquo; iconic fairy tales are now</b> <b>available together in this beautiful collectible edition.</b><BR><BR>In the early 19th century, the Grimm brothers set out to collect folktales from Germany and other parts of Europe, publishing them in a book titled <i>Children&rsquo;s and Household Tales</i>. By the 20th century, that book was the second most read book in Germany after the Bible.<BR> <BR>With classic stories like &ldquo;Rapunzel,&rdquo; &ldquo;Hansel and Gretel,&rdquo; &ldquo;Snow White,&rdquo; &ldquo;The Frog Prince,&rdquo; and &ldquo;Rumpelstiltskin,&rdquo; these fairy tales have shaped childhood imaginations for centuries.<BR> <BR>This timeless collection includes:<BR> &ldquo;Snow White&rdquo;<BR> &ldquo;Hansel and Gretel&rdquo;<BR> &ldquo;Rapunzel&rdquo;<BR> &ldquo;The Golden Goose&rdquo;<BR> &ldquo;Rumpelstiltskin&rdquo;<BR> &ldquo;Sleeping Beauty&rdquo;<BR> &ldquo;The Frog King&rdquo;<BR> &ldquo;Cinderella&rdquo;<BR> And more!]]></Text>
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      <Text><![CDATA[Jacob (1785&ndash;1863) and Wilhelm (1786&ndash;1859) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.<BR><BR>Wilhelm (1786&ndash;1859) and Jacob (1785&ndash;1863) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.]]></Text>
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      <Text><![CDATA[1. The Frog Prince <link rel="stylesheet" type="text/css" href="../styles/9781665975315.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> THE FROG PRINCE <img src="../images/common02.jpg" role="presentation" alt=""> <BR>IN OLD TIMES WHEN WISHING still helped one, there lived a king whose daughters were all beautiful, but the youngest was so beautiful that the sun itself, which has seen so much, was astonished whenever it shone in her face. Close by the King&rsquo;s castle lay a great dark forest, and under an old lime tree in the forest was a well, and when the day was very warm, the King&rsquo;s child went out into the forest and sat down by the side of the cool fountain, and when she was dull she took a golden ball, and threw it up on high and caught it, and this ball was her favorite plaything.<BR> <BR>Now it so happened that on one occasion the princess&rsquo;s golden ball did not fall into the little hand which she was holding up for it, but onto the ground beyond, and rolled straight into the water. The King&rsquo;s daughter followed it with her eyes, but it vanished, and the well was deep, so deep that the bottom could not be seen.<BR> <BR>On this she began to cry, and cried louder and louder, and could not be comforted. And as she thus lamented, someone said to her, &ldquo;What ails thee, King&rsquo;s daughter? Thou weepest so that even a stone would show pity.&rdquo; She looked round to the side from whence the voice came, and saw a frog stretching forth its thick, ugly head from the water.<BR> <BR>&ldquo;Ah! Old water-splasher, is it thou?&rdquo; said she. &ldquo;I am weeping for my golden ball, which has fallen into the well.&rdquo;<BR> <BR>&ldquo;Be quiet, and do not weep,&rdquo; answered the frog, &ldquo;I can help thee, but what wilt thou give me if I bring thy plaything up again?&rdquo;<BR> <BR>&ldquo;Whatever thou wilt have, dear frog,&rdquo; said she. &ldquo;My clothes, my pearls and jewels, and even the golden crown which I am wearing.&rdquo;<BR> <BR>The frog answered, &ldquo;I do not care for thy clothes, thy pearls and jewels, or thy golden crown, but if thou wilt love me and let me be thy companion and playfellow, and sit by thee at thy little table, and eat off thy little golden plate, and drink out of thy little cup, and sleep in thy little bed&#8212;if thou wilt promise me this, I will go down below and bring thee thy golden ball up again.&rdquo;<BR> <BR>&ldquo;Oh yes,&rdquo; said she, &ldquo;I promise thee all thou wishest, if thou wilt but bring me my ball back again.&rdquo; She, however, thought, &ldquo;How the silly frog does talk! He lives in the water with the other frogs, and croaks, and can be no companion to any human being!&rdquo;<BR> <BR>But the frog, when he had received this promise, put his head into the water and sank down, and in a short while came swimming up again with the ball in his mouth, and threw it on the grass. The King&rsquo;s daughter was delighted to see her pretty plaything once more, and picked it up, and ran away with it.<BR> <BR>&ldquo;Wait, wait,&rdquo; said the frog. &ldquo;Take me with thee. I can&rsquo;t run as thou canst.&rdquo; But what did it avail him to scream his <i>croak, croak</i>, after her, as loudly as he could? She did not listen to it, but ran home and soon forgot the poor frog, who was forced to go back into his well again.<BR> <BR>The next day when she had seated herself at table with the King and all the courtiers, and was eating from her little golden plate, something came creeping, <i>splish-splash, splish-splash</i>, up the marble staircase, and when it had gotten to the top, it knocked at the door and cried, &ldquo;Princess, youngest princess, open the door for me.&rdquo;<BR> <BR>She ran to see who was outside, but when she opened the door, there sat the frog in front of it. Then she slammed the door in great haste, sat down to dinner again, and was quite frightened. The King saw plainly that her heart was beating violently and said, &ldquo;My child, what art thou so afraid of? Is there perchance a giant outside who wants to carry thee away?&rdquo;<BR> <BR>&ldquo;Ah, no,&rdquo; replied she. &ldquo;It is no giant but a disgusting frog.&rdquo;<BR> <BR>&ldquo;What does a frog want with thee?&rdquo;<BR> <BR>&ldquo;Ah, dear father, yesterday as I was in the forest sitting by the well, playing, my golden ball fell into the water. And because I cried so, the frog brought it out again for me, and because he so insisted, I promised him he should be my companion, but I never thought he would be able to come out of his water! And now he is outside there and wants to come in to me.&rdquo;<BR> <BR>In the meantime the frog knocked a second time and cried,<BR> <BR>&ldquo;Princess! Youngest princess!<BR> <BR>Open the door for me!<BR> <BR>Dost thou not know what thou saidst to me<BR> <BR>yesterday by the cool waters of the fountain?<BR> <BR>Princess, youngest princess!<BR> <BR>Open the door for me!&rdquo;<BR> <BR>Then said the King, &ldquo;That which thou hast promised must thou perform. Go and let him in.&rdquo;<BR> <BR>She went and opened the door, and the frog hopped in and followed her, step by step, to her chair. There he sat and cried, &ldquo;Lift me up beside thee.&rdquo; She delayed, until at last the King commanded her to do it.<BR> <BR>Once the frog was on the chair he wanted to be on the table, and when he was on the table he said, &ldquo;Now push thy little golden plate nearer to me so that we may eat together.&rdquo; She did this, but it was easy to see that she did not do it willingly.<BR> <BR>The frog enjoyed what he ate, but almost every mouthful she took choked her. At length the frog said, &ldquo;I have eaten and am satisfied; now I am tired, carry me into thy little room and make thy little silken bed ready, and we will both lie down and go to sleep.&rdquo;<BR> <BR>The King&rsquo;s daughter began to cry, for she was afraid of the cold frog which she did not like to touch, and which was now to sleep in her pretty, clean little bed. But the King grew angry and said, &ldquo;He who helped thee when thou wert in trouble ought not afterward to be despised by thee.&rdquo; So she took hold of the frog with two fingers, carried him upstairs, and put him in a corner.<BR> <BR>But when she was in bed he crept to her and said, &ldquo;I am tired, I want to sleep as well as thou, lift me up or I will tell thy father.&rdquo;<BR> <BR>Then she was terribly angry, and took him up and threw him with all her might against the wall. &ldquo;Now thou wilt be quiet, odious frog,&rdquo; said she.<BR> <BR>But when he fell down, he was no frog but a king&rsquo;s son with beautiful kind eyes. He, by her father&rsquo;s will, was now her dear companion and husband. Then he told her how he had been bewitched by a wicked witch, and how no one could have delivered him from the well but herself, and that tomorrow they would go together into his kingdom.<BR> <BR>Then they went to sleep, and the next morning when the sun awoke them, a carriage came driving up with eight white horses, which had white ostrich feathers on their heads, and were harnessed with golden chains, and behind stood the prince&rsquo;s servant Faithful Henry. Faithful Henry had been so unhappy when his master was changed into a frog that he had caused three iron bands to be laid round his heart, lest it should burst with grief and sadness.<BR> <BR>The carriage was to conduct the king&rsquo;s son into his kingdom. Faithful Henry helped them both in and placed himself behind again, and was full of joy because of this deliverance. And when they had driven a part of the way the king&rsquo;s son heard a cracking behind him as if something had broken. So he turned round and cried, &ldquo;Henry, the carriage is breaking.&rdquo;<BR> <BR>&ldquo;No, master, it is not the carriage. It is a band from my heart, which was put there in my great pain when you were a frog and imprisoned in the well.&rdquo; Again and once again while they were on their way something cracked, and each time the king&rsquo;s son thought the carriage was breaking; but it was only the bands which were springing from the heart of Faithful Henry because his master was set free and was happy.<BR> </section>]]></Text>
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      <Text><![CDATA[<b>Fifty-two of the Brothers Grimms&rsquo; iconic fairy tales are now</b> <b>available together in this beautiful collectible edition.</b><BR><BR>In the early 19th century, the Grimm brothers set out to collect folktales from Germany and other parts of Europe, publishing them in a book titled <i>Children&rsquo;s and Household Tales</i>. By the 20th century, that book was the second most read book in Germany after the Bible.<BR> <BR>With classic stories like &ldquo;Rapunzel,&rdquo; &ldquo;Hansel and Gretel,&rdquo; &ldquo;Snow White,&rdquo; &ldquo;The Frog Prince,&rdquo; and &ldquo;Rumpelstiltskin,&rdquo; these fairy tales have shaped childhood imaginations for centuries.<BR> <BR>This timeless collection includes:<BR> &ldquo;Snow White&rdquo;<BR> &ldquo;Hansel and Gretel&rdquo;<BR> &ldquo;Rapunzel&rdquo;<BR> &ldquo;The Golden Goose&rdquo;<BR> &ldquo;Rumpelstiltskin&rdquo;<BR> &ldquo;Sleeping Beauty&rdquo;<BR> &ldquo;The Frog King&rdquo;<BR> &ldquo;Cinderella&rdquo;<BR> And more!]]></Text>
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      <Text><![CDATA[Jacob (1785&ndash;1863) and Wilhelm (1786&ndash;1859) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.<BR><BR>Wilhelm (1786&ndash;1859) and Jacob (1785&ndash;1863) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.]]></Text>
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      <Text><![CDATA[1. The Frog Prince <link rel="stylesheet" type="text/css" href="../styles/9781665975315.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> THE FROG PRINCE <img src="../images/common02.jpg" role="presentation" alt=""> <BR>IN OLD TIMES WHEN WISHING still helped one, there lived a king whose daughters were all beautiful, but the youngest was so beautiful that the sun itself, which has seen so much, was astonished whenever it shone in her face. Close by the King&rsquo;s castle lay a great dark forest, and under an old lime tree in the forest was a well, and when the day was very warm, the King&rsquo;s child went out into the forest and sat down by the side of the cool fountain, and when she was dull she took a golden ball, and threw it up on high and caught it, and this ball was her favorite plaything.<BR> <BR>Now it so happened that on one occasion the princess&rsquo;s golden ball did not fall into the little hand which she was holding up for it, but onto the ground beyond, and rolled straight into the water. The King&rsquo;s daughter followed it with her eyes, but it vanished, and the well was deep, so deep that the bottom could not be seen.<BR> <BR>On this she began to cry, and cried louder and louder, and could not be comforted. And as she thus lamented, someone said to her, &ldquo;What ails thee, King&rsquo;s daughter? Thou weepest so that even a stone would show pity.&rdquo; She looked round to the side from whence the voice came, and saw a frog stretching forth its thick, ugly head from the water.<BR> <BR>&ldquo;Ah! Old water-splasher, is it thou?&rdquo; said she. &ldquo;I am weeping for my golden ball, which has fallen into the well.&rdquo;<BR> <BR>&ldquo;Be quiet, and do not weep,&rdquo; answered the frog, &ldquo;I can help thee, but what wilt thou give me if I bring thy plaything up again?&rdquo;<BR> <BR>&ldquo;Whatever thou wilt have, dear frog,&rdquo; said she. &ldquo;My clothes, my pearls and jewels, and even the golden crown which I am wearing.&rdquo;<BR> <BR>The frog answered, &ldquo;I do not care for thy clothes, thy pearls and jewels, or thy golden crown, but if thou wilt love me and let me be thy companion and playfellow, and sit by thee at thy little table, and eat off thy little golden plate, and drink out of thy little cup, and sleep in thy little bed&#8212;if thou wilt promise me this, I will go down below and bring thee thy golden ball up again.&rdquo;<BR> <BR>&ldquo;Oh yes,&rdquo; said she, &ldquo;I promise thee all thou wishest, if thou wilt but bring me my ball back again.&rdquo; She, however, thought, &ldquo;How the silly frog does talk! He lives in the water with the other frogs, and croaks, and can be no companion to any human being!&rdquo;<BR> <BR>But the frog, when he had received this promise, put his head into the water and sank down, and in a short while came swimming up again with the ball in his mouth, and threw it on the grass. The King&rsquo;s daughter was delighted to see her pretty plaything once more, and picked it up, and ran away with it.<BR> <BR>&ldquo;Wait, wait,&rdquo; said the frog. &ldquo;Take me with thee. I can&rsquo;t run as thou canst.&rdquo; But what did it avail him to scream his <i>croak, croak</i>, after her, as loudly as he could? She did not listen to it, but ran home and soon forgot the poor frog, who was forced to go back into his well again.<BR> <BR>The next day when she had seated herself at table with the King and all the courtiers, and was eating from her little golden plate, something came creeping, <i>splish-splash, splish-splash</i>, up the marble staircase, and when it had gotten to the top, it knocked at the door and cried, &ldquo;Princess, youngest princess, open the door for me.&rdquo;<BR> <BR>She ran to see who was outside, but when she opened the door, there sat the frog in front of it. Then she slammed the door in great haste, sat down to dinner again, and was quite frightened. The King saw plainly that her heart was beating violently and said, &ldquo;My child, what art thou so afraid of? Is there perchance a giant outside who wants to carry thee away?&rdquo;<BR> <BR>&ldquo;Ah, no,&rdquo; replied she. &ldquo;It is no giant but a disgusting frog.&rdquo;<BR> <BR>&ldquo;What does a frog want with thee?&rdquo;<BR> <BR>&ldquo;Ah, dear father, yesterday as I was in the forest sitting by the well, playing, my golden ball fell into the water. And because I cried so, the frog brought it out again for me, and because he so insisted, I promised him he should be my companion, but I never thought he would be able to come out of his water! And now he is outside there and wants to come in to me.&rdquo;<BR> <BR>In the meantime the frog knocked a second time and cried,<BR> <BR>&ldquo;Princess! Youngest princess!<BR> <BR>Open the door for me!<BR> <BR>Dost thou not know what thou saidst to me<BR> <BR>yesterday by the cool waters of the fountain?<BR> <BR>Princess, youngest princess!<BR> <BR>Open the door for me!&rdquo;<BR> <BR>Then said the King, &ldquo;That which thou hast promised must thou perform. Go and let him in.&rdquo;<BR> <BR>She went and opened the door, and the frog hopped in and followed her, step by step, to her chair. There he sat and cried, &ldquo;Lift me up beside thee.&rdquo; She delayed, until at last the King commanded her to do it.<BR> <BR>Once the frog was on the chair he wanted to be on the table, and when he was on the table he said, &ldquo;Now push thy little golden plate nearer to me so that we may eat together.&rdquo; She did this, but it was easy to see that she did not do it willingly.<BR> <BR>The frog enjoyed what he ate, but almost every mouthful she took choked her. At length the frog said, &ldquo;I have eaten and am satisfied; now I am tired, carry me into thy little room and make thy little silken bed ready, and we will both lie down and go to sleep.&rdquo;<BR> <BR>The King&rsquo;s daughter began to cry, for she was afraid of the cold frog which she did not like to touch, and which was now to sleep in her pretty, clean little bed. But the King grew angry and said, &ldquo;He who helped thee when thou wert in trouble ought not afterward to be despised by thee.&rdquo; So she took hold of the frog with two fingers, carried him upstairs, and put him in a corner.<BR> <BR>But when she was in bed he crept to her and said, &ldquo;I am tired, I want to sleep as well as thou, lift me up or I will tell thy father.&rdquo;<BR> <BR>Then she was terribly angry, and took him up and threw him with all her might against the wall. &ldquo;Now thou wilt be quiet, odious frog,&rdquo; said she.<BR> <BR>But when he fell down, he was no frog but a king&rsquo;s son with beautiful kind eyes. He, by her father&rsquo;s will, was now her dear companion and husband. Then he told her how he had been bewitched by a wicked witch, and how no one could have delivered him from the well but herself, and that tomorrow they would go together into his kingdom.<BR> <BR>Then they went to sleep, and the next morning when the sun awoke them, a carriage came driving up with eight white horses, which had white ostrich feathers on their heads, and were harnessed with golden chains, and behind stood the prince&rsquo;s servant Faithful Henry. Faithful Henry had been so unhappy when his master was changed into a frog that he had caused three iron bands to be laid round his heart, lest it should burst with grief and sadness.<BR> <BR>The carriage was to conduct the king&rsquo;s son into his kingdom. Faithful Henry helped them both in and placed himself behind again, and was full of joy because of this deliverance. And when they had driven a part of the way the king&rsquo;s son heard a cracking behind him as if something had broken. So he turned round and cried, &ldquo;Henry, the carriage is breaking.&rdquo;<BR> <BR>&ldquo;No, master, it is not the carriage. It is a band from my heart, which was put there in my great pain when you were a frog and imprisoned in the well.&rdquo; Again and once again while they were on their way something cracked, and each time the king&rsquo;s son thought the carriage was breaking; but it was only the bands which were springing from the heart of Faithful Henry because his master was set free and was happy.<BR> </section>]]></Text>
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      <Text><![CDATA[This series of European fairy tales collects influential authors and story collectors like the Grimm brothers and Hans Christian Andersen whose works still shape childhoods today.]]></Text>
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      <Text><![CDATA[<b>Enjoy more than forty magical fairy tales from Hans Christian Andersen, the storyteller behind beloved stories like &ldquo;The Little Mermaid&rdquo; and &ldquo;Thumbelina,&rdquo; available together in this beautiful collectible edition.</b><BR><BR>Discover Hans Christian Andersen&rsquo;s classic fairy tales in this lovely selection of some of his most famous stories, originally published in the 19th century. His tales are filled with memorable characters such as the little mermaid, the princess and the pea, Thumbelina, the ugly duckling, and the emperor from &ldquo;The Emperor&rsquo;s New Clothes.&rdquo;<BR> <BR>Sometimes bitter, sometimes sweet, but always enchanting, these tales are timeless bedtime stories and an essential addition to the libraries of fairy tale readers.<BR> <BR>This charming collection includes:<BR> &ldquo;The Little Mermaid&rdquo;<BR> &ldquo;Thumbelina&rdquo;<BR> &ldquo;The Steadfast Tin Soldier&rdquo;<BR> &ldquo;The Princess and the Pea&rdquo;<BR> &ldquo;The Ugly Duckling&rdquo;<BR> &ldquo;The Emperor&rsquo;s New Clothes&rdquo;<BR> &ldquo;The Red Shoes&rdquo;<BR> &ldquo;The Snow Queen&rdquo;<BR> &ldquo;The Nightingale&rdquo;<BR> And more!]]></Text>
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      <Text><![CDATA[1. The Beetle Who Went on His Travels <link rel="stylesheet" type="text/css" href="../styles/9781665975346.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> THE BEETLE WHO WENT ON HIS TRAVELS <img src="../images/common02.jpg" role="presentation" alt=""> <BR>THERE WAS ONCE AN EMPEROR who had a horse shod with gold. He had a golden shoe on each foot, and why was this? He was a beautiful creature, with slender legs, bright, intelligent eyes, and a mane that hung down over his neck like a veil. He had carried his master through fire and smoke in the battle-field, with the bullets whistling round him; he had kicked and bitten, and taken part in the fight, when the enemy advanced; and, with his master on his back, he had dashed over the fallen foe, and saved the golden crown and the emperor&rsquo;s life, which was of more value than the brightest gold. This is the reason of the emperor&rsquo;s horse wearing golden shoes.<BR> <BR>A beetle came creeping forth from the stable, where the farrier had been shoeing the horse. &ldquo;Great ones, first, of course,&rdquo; said he, &ldquo;and then the little ones; but size is not always a proof of greatness.&rdquo; He stretched out his thin leg as he spoke.<BR> <BR>&ldquo;And pray what do you want?&rdquo; asked the farrier.<BR> <BR>&ldquo;Golden shoes,&rdquo; replied the beetle.<BR> <BR>&ldquo;Why, you must be out of your senses,&rdquo; cried the farrier. &ldquo;Golden shoes for you, indeed!&rdquo;<BR> <BR>&ldquo;Yes, certainly; golden shoes,&rdquo; replied the beetle. &ldquo;Am I not just as good as that great creature yonder, who is waited upon and brushed, and has food and drink placed before him? And don&rsquo;t I belong to the royal stables?&rdquo;<BR> <BR>&ldquo;But why does the horse have golden shoes?&rdquo; asked the farrier. &ldquo;Of course you understand the reason?&rdquo;<BR> <BR>&ldquo;Understand! Well, I understand that it is a personal slight to me,&rdquo; cried the beetle. &ldquo;It is done to annoy me, so I intend to go out into the world and seek my fortune.&rdquo;<BR> <BR>&ldquo;Go along with you,&rdquo; said the farrier.<BR> <BR>&ldquo;You&rsquo;re a rude fellow,&rdquo; cried the beetle as he walked out of the stable; and then he flew for a short distance, till he found himself in a beautiful flower-garden, all fragrant with roses and lavender. The lady-birds, with red and black shells on their backs, and delicate wings, were flying about, and one of them said, &ldquo;Is it not sweet and lovely here? Oh, how beautiful everything is.&rdquo;<BR> <BR>&ldquo;I am accustomed to better things,&rdquo; said the beetle. &ldquo;Do you call this beautiful? Why, there is not even a dung-heap.&rdquo; Then he went on, and under the shadow of a large haystack he found a caterpillar crawling along. &ldquo;How beautiful this world is!&rdquo; said the caterpillar. &ldquo;The sun is so warm, I quite enjoy it. And soon I shall go to sleep, and die as they call it, but I shall wake up with beautiful wings to fly with, like a butterfly.&rdquo;<BR> <BR>&ldquo;How conceited you are!&rdquo; exclaimed the beetle. &ldquo;Fly about as a butterfly, indeed! What of that. I have come out of the emperor&rsquo;s stable, and no one there, not even the emperor&rsquo;s horse, who, in fact, wears my cast-off golden shoes, has any idea of flying, excepting myself. To have wings and fly! Why, I can do that already.&rdquo; And so saying, he spread his wings and flew away. &ldquo;I don&rsquo;t want to be disgusted,&rdquo; he said to himself, &ldquo;and yet I can&rsquo;t help it.&rdquo;<BR> <BR>Soon after, he fell down upon an extensive lawn, and for a time pretended to sleep, but at last fell asleep in earnest. Suddenly a heavy shower of rain came falling from the clouds. The beetle woke up with the noise and would have been glad to creep into the earth for shelter, but he could not. He was tumbled over and over with the rain, sometimes swimming on his stomach and sometimes on his back; and as for flying, that was out of the question. He began to doubt whether he should escape with his life, so he remained, quietly lying where he was.<BR> <BR>After a while the weather cleared up a little, and the beetle was able to rub the water from his eyes, and look about him. He saw something gleaming, and he managed to make his way up to it. It was linen which had been laid to bleach on the grass. He crept into a fold of the damp linen, which certainly was not so comfortable a place to lie in as the warm stable, but there was nothing better, so he remained lying there for a whole day and night, and the rain kept on all the time. Toward morning he crept out of his hiding-place, feeling in a very bad temper with the climate. Two frogs were sitting on the linen, and their bright eyes actually glistened with pleasure.<BR> <BR>&ldquo;Wonderful weather this,&rdquo; cried one of them, &ldquo;and so refreshing. This linen holds the water together so beautifully, that my hind legs quiver as if I were going to swim.&rdquo;<BR> <BR>&ldquo;I should like to know,&rdquo; said another, &ldquo;if the swallow who flies so far in her many journeys to foreign lands ever met with a better climate than this. What delicious moisture! It is as pleasant as lying in a wet ditch. I am sure anyone who does not enjoy this has no love for his fatherland.&rdquo;<BR> <BR>&ldquo;Have you ever been in the emperor&rsquo;s stable?&rdquo; asked the beetle. &ldquo;There the moisture is warm and refreshing; that&rsquo;s the climate for me, but I could not take it with me on my travels. Is there not even a dunghill here in this garden, where a person of rank, like myself, could take up his abode and feel at home?&rdquo; But the frogs either did not or would not understand him.<BR> <BR>&ldquo;I never ask a question twice,&rdquo; said the beetle, after he had asked this one three times, and received no answer. Then he went on a little farther and stumbled against a piece of broken crockery-ware, which certainly ought not to have been lying there. But as it was there, it formed a good shelter against wind and weather to several families of earwigs who dwelt in it. Their requirements were not many, they were very sociable, and full of affection for their children, so much so that each mother considered her own child the most beautiful and clever of them all.<BR> <BR>&ldquo;Our dear son has engaged himself,&rdquo; said one mother, &ldquo;dear innocent boy; his greatest ambition is that he may one day creep into a clergyman&rsquo;s ear. That is a very artless and lovable wish; and being engaged will keep him steady. What happiness for a mother!&rdquo;<BR> <BR>&ldquo;Our son,&rdquo; said another, &ldquo;had scarcely crept out of the egg, when he was off on his travels. He is all life and spirits, I expect he will wear out his horns with running. How charming this is for a mother, is it not Mr. Beetle?&rdquo; for she knew the stranger by his horny coat.<BR> <BR>&ldquo;You are both quite right,&rdquo; said he; so they begged him to walk in, that is to come as far as he could under the broken piece of earthenware.<BR> <BR>&ldquo;Now you shall also see my little earwigs,&rdquo; said a third and a fourth mother, &ldquo;they are lovely little things, and highly amusing. They are never ill-behaved, except when they are uncomfortable in their inside, which unfortunately often happens at their age.&rdquo;<BR> <BR>Thus each mother spoke of her baby, and their babies talked after their own fashion, and made use of the little nippers they have in their tails to nip the beard of the beetle.<BR> <BR>&ldquo;They are always busy about something, the little rogues,&rdquo; said the mother, beaming with maternal pride; but the beetle felt it a bore, and he therefore inquired the way to the nearest dung-heap.<BR> <BR>&ldquo;That is quite out in the great world, on the other side of the ditch,&rdquo; answered an earwig. &ldquo;I hope none of my children will ever go so far, it would be the death of me.&rdquo;<BR> <BR>&ldquo;But I shall try to get so far,&rdquo; said the beetle, and he walked off without taking any formal leave, which is considered a polite thing to do.<BR> <BR>When he arrived at the ditch, he met several friends, all of them beetles. &ldquo;We live here,&rdquo; they said, &ldquo;and we are very comfortable. May we ask you to step down into this rich mud, you must be fatigued after your journey.&rdquo;<BR> <BR>&ldquo;Certainly,&rdquo; said the beetle, &ldquo;I shall be most happy; I have been exposed to the rain, and have had to lie upon linen, and cleanliness is a thing that greatly exhausts me; I have also pains in one of my wings from standing in the draft under a piece of broken crockery. It is really quite refreshing to be with one&rsquo;s own kindred again.&rdquo;<BR> <BR>&ldquo;Perhaps you came from a dung-heap,&rdquo; observed the oldest of them.<BR> <BR>&ldquo;No, indeed, I came from a much grander place,&rdquo; replied the beetle; &ldquo;I came from the emperor&rsquo;s stable, where I was born, with golden shoes on my feet. I am traveling on a secret embassy, but you must not ask me any questions, for I cannot betray my secret.&rdquo;<BR> <BR>Then the beetle stepped down into the rich mud, where sat three young-lady beetles, who tittered, because they did not know what to say.<BR> <BR>&ldquo;None of them are engaged yet,&rdquo; said their mother, and the beetle maidens tittered again, this time quite in confusion.<BR> <BR>&ldquo;I have never seen greater beauties, even in the royal stables,&rdquo; exclaimed the beetle, who was now resting himself.<BR> <BR>&ldquo;Don&rsquo;t spoil my girls,&rdquo; said the mother; &ldquo;and don&rsquo;t talk to them, pray, unless you have serious intentions.&rdquo;<BR> <BR>But of course the beetle&rsquo;s intentions were serious, and after a while our friend was engaged. The mother gave them her blessing, and all the other beetles cried, &ldquo;Hurrah.&rdquo;<BR> <BR>Immediately after the betrothal came the marriage, for there was no reason to delay. The following day passed very pleasantly, and the next was tolerably comfortable; but on the third it became necessary for him to think of getting food for his wife, and, perhaps, for children.<BR> <BR>&ldquo;I have allowed myself to be taken in,&rdquo; said our beetle to himself, &ldquo;and now there&rsquo;s nothing to be done but to take them in, in return.&rdquo;<BR> <BR>No sooner said than done. Away he went, and stayed away all day and all night, and his wife remained behind a forsaken widow.<BR> <BR>&ldquo;Oh,&rdquo; said the other beetles, &ldquo;this fellow that we have received into our family is nothing but a complete vagabond. He has gone away and left his wife a burden upon our hands.&rdquo;<BR> <BR>&ldquo;Well, she can be unmarried again, and remain here with my other daughters,&rdquo; said the mother. &ldquo;Fie on the villain that forsook her!&rdquo;<BR> <BR>In the meantime the beetle, who had sailed across the ditch on a cabbage leaf, had been journeying on the other side. In the morning two persons came up to the ditch. When they saw him they took him up and turned him over and over, looking very learned all the time, especially one, who was a boy. &ldquo;Allah sees the black beetle in the black stone, and the black rock. Is not that written in the Koran?&rdquo; he asked.<BR> <BR>Then he translated the beetle&rsquo;s name into Latin, and said a great deal upon the creature&rsquo;s nature and history. The second person, who was older and a scholar, proposed to carry the beetle home, as they wanted just such good specimens as this. Our beetle considered this speech a great insult, so he flew suddenly out of the speaker&rsquo;s hand. His wings were dry now, so they carried him to a great distance, till at last he reached a hothouse, where a sash of the glass roof was partly open, so he quietly slipped in and buried himself in the warm earth. &ldquo;It is very comfortable here,&rdquo; he said to himself, and soon after fell asleep. Then he dreamed that the emperor&rsquo;s horse was dying, and had left him his golden shoes, and also promised that he should have two more. All this was very delightful, and when the beetle woke up he crept forth and looked around him. What a splendid place the hothouse was! At the back, large palm-trees were growing; and the sunlight made the leaves look quite glossy; and beneath them what a profusion of luxuriant green, and of flowers red like flame, yellow as amber, or white as new-fallen snow! &ldquo;What a wonderful quantity of plants,&rdquo; cried the beetle; &ldquo;how good they will taste when they are decayed! This is a capital store-room. There must certainly be some relations of mine living here; I will just see if I can find anyone with whom I can associate. I&rsquo;m proud, certainly; but I&rsquo;m also proud of being so.&rdquo; Then he prowled about in the earth, and thought what a pleasant dream that was about the dying horse, and the golden shoes he had inherited.<BR> <BR>Suddenly a hand seized the beetle, and squeezed him, and turned him round and round. The gardener&rsquo;s little son and his playfellow had come into the hothouse, and, seeing the beetle, wanted to have some fun with him. First, he was wrapped in a vine-leaf, and put into a warm trousers&rsquo; pocket. He twisted and turned about with all his might, but he got a good squeeze from the boy&rsquo;s hand, as a hint for him to keep quiet. Then the boy went quickly toward a lake that lay at the end of the garden. Here the beetle was put into an old broken wooden shoe, in which a little stick had been fastened upright for a mast, and to this mast the beetle was bound with a piece of worsted. Now he was a sailor, and had to sail away. The lake was not very large, but to the beetle it seemed an ocean, and he was so astonished at its size that he fell over on his back, and kicked out his legs. Then the little ship sailed away; sometimes the current of the water seized it, but whenever it went too far from the shore one of the boys turned up his trousers, and went in after it, and brought it back to land. But at last, just as it went merrily out again, the two boys were called, and so angrily, that they hastened to obey, and ran away as fast as they could from the pond, so that the little ship was left to its fate. It was carried away farther and farther from the shore, till it reached the open sea. This was a terrible prospect for the beetle, for he could not escape in consequence of being bound to the mast. Then a fly came and paid him a visit. &ldquo;What beautiful weather,&rdquo; said the fly; &ldquo;I shall rest here and sun myself. You must have a pleasant time of it.&rdquo;<BR> <BR>&ldquo;You speak without knowing the facts,&rdquo; replied the beetle; &ldquo;don&rsquo;t you see that I am a prisoner?&rdquo;<BR> <BR>&ldquo;Ah, but I&rsquo;m not a prisoner,&rdquo; remarked the fly, and away he flew.<BR> <BR>&ldquo;Well, now I know the world,&rdquo; said the beetle to himself; &ldquo;it&rsquo;s an abominable world; I&rsquo;m the only respectable person in it. First, they refuse me my golden shoes; then I have to lie on damp linen, and to stand in a draft; and to crown all, they fasten a wife upon me. Then, when I have made a step forward in the world, and found out a comfortable position, just as I could wish it to be, one of these human boys comes and ties me up, and leaves me to the mercy of the wild waves, while the emperor&rsquo;s favorite horse goes prancing about proudly on his golden shoes. This vexes me more than anything. But it is useless to look for sympathy in this world. My career has been very interesting, but what&rsquo;s the use of that if nobody knows anything about it? The world does not deserve to be made acquainted with my adventures, for it ought to have given me golden shoes when the emperor&rsquo;s horse was shod, and I stretched out my feet to be shod, too. If I had received golden shoes I should have been an ornament to the stable; now I am lost to the stable and to the world. It is all over with me.&rdquo;<BR> <BR>But all was not yet over. A boat, in which were a few young girls, came rowing up. &ldquo;Look, yonder is an old wooden shoe sailing along,&rdquo; said one of the younger girls.<BR> <BR>&ldquo;And there&rsquo;s a poor little creature bound fast in it,&rdquo; said another.<BR> <BR>The boat now came close to our beetle&rsquo;s ship, and the young girls fished it out of the water. One of them drew a small pair of scissors from her pocket, and cut the worsted without hurting the beetle, and when she stepped on shore she placed him on the grass. &ldquo;There,&rdquo; she said, &ldquo;creep away, or fly, if thou canst. It is a splendid thing to have thy liberty.&rdquo; Away flew the beetle, straight through the open window of a large building; there he sank down, tired and exhausted, exactly on the mane of the emperor&rsquo;s favorite horse, who was standing in his stable; and the beetle found himself at home again. For some time he clung to the mane, that he might recover himself. &ldquo;Well,&rdquo; he said, &ldquo;here I am, seated on the emperor&rsquo;s favorite horse, sitting upon him as if I were the emperor himself. But what was it the farrier asked me? Ah, I remember now&#8212;that&rsquo;s a good thought&#8212;he asked me why the golden shoes were given to the horse. The answer is quite clear to me, now. They were given to the horse on my account.&rdquo; And this reflection put the beetle into a good temper. The sun&rsquo;s rays also came streaming into the stable, and shone upon him, and made the place lively and bright. &ldquo;Traveling expands the mind very much,&rdquo; said the beetle. &ldquo;The world is not so bad after all, if you know how to take things as they come.&rdquo;<BR> </section>]]></Text>
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      <BiographicalNote><![CDATA[Hans Christian Andersen (1805&ndash;1875) was a Danish author who is best known for his fairy tales, which have become definitive staples of the genre.]]></BiographicalNote>
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      <Text><![CDATA[1. The Beetle Who Went on His Travels <link rel="stylesheet" type="text/css" href="../styles/9781665975346.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> THE BEETLE WHO WENT ON HIS TRAVELS <img src="../images/common02.jpg" role="presentation" alt=""> <BR>THERE WAS ONCE AN EMPEROR who had a horse shod with gold. He had a golden shoe on each foot, and why was this? He was a beautiful creature, with slender legs, bright, intelligent eyes, and a mane that hung down over his neck like a veil. He had carried his master through fire and smoke in the battle-field, with the bullets whistling round him; he had kicked and bitten, and taken part in the fight, when the enemy advanced; and, with his master on his back, he had dashed over the fallen foe, and saved the golden crown and the emperor&rsquo;s life, which was of more value than the brightest gold. This is the reason of the emperor&rsquo;s horse wearing golden shoes.<BR> <BR>A beetle came creeping forth from the stable, where the farrier had been shoeing the horse. &ldquo;Great ones, first, of course,&rdquo; said he, &ldquo;and then the little ones; but size is not always a proof of greatness.&rdquo; He stretched out his thin leg as he spoke.<BR> <BR>&ldquo;And pray what do you want?&rdquo; asked the farrier.<BR> <BR>&ldquo;Golden shoes,&rdquo; replied the beetle.<BR> <BR>&ldquo;Why, you must be out of your senses,&rdquo; cried the farrier. &ldquo;Golden shoes for you, indeed!&rdquo;<BR> <BR>&ldquo;Yes, certainly; golden shoes,&rdquo; replied the beetle. &ldquo;Am I not just as good as that great creature yonder, who is waited upon and brushed, and has food and drink placed before him? And don&rsquo;t I belong to the royal stables?&rdquo;<BR> <BR>&ldquo;But why does the horse have golden shoes?&rdquo; asked the farrier. &ldquo;Of course you understand the reason?&rdquo;<BR> <BR>&ldquo;Understand! Well, I understand that it is a personal slight to me,&rdquo; cried the beetle. &ldquo;It is done to annoy me, so I intend to go out into the world and seek my fortune.&rdquo;<BR> <BR>&ldquo;Go along with you,&rdquo; said the farrier.<BR> <BR>&ldquo;You&rsquo;re a rude fellow,&rdquo; cried the beetle as he walked out of the stable; and then he flew for a short distance, till he found himself in a beautiful flower-garden, all fragrant with roses and lavender. The lady-birds, with red and black shells on their backs, and delicate wings, were flying about, and one of them said, &ldquo;Is it not sweet and lovely here? Oh, how beautiful everything is.&rdquo;<BR> <BR>&ldquo;I am accustomed to better things,&rdquo; said the beetle. &ldquo;Do you call this beautiful? Why, there is not even a dung-heap.&rdquo; Then he went on, and under the shadow of a large haystack he found a caterpillar crawling along. &ldquo;How beautiful this world is!&rdquo; said the caterpillar. &ldquo;The sun is so warm, I quite enjoy it. And soon I shall go to sleep, and die as they call it, but I shall wake up with beautiful wings to fly with, like a butterfly.&rdquo;<BR> <BR>&ldquo;How conceited you are!&rdquo; exclaimed the beetle. &ldquo;Fly about as a butterfly, indeed! What of that. I have come out of the emperor&rsquo;s stable, and no one there, not even the emperor&rsquo;s horse, who, in fact, wears my cast-off golden shoes, has any idea of flying, excepting myself. To have wings and fly! Why, I can do that already.&rdquo; And so saying, he spread his wings and flew away. &ldquo;I don&rsquo;t want to be disgusted,&rdquo; he said to himself, &ldquo;and yet I can&rsquo;t help it.&rdquo;<BR> <BR>Soon after, he fell down upon an extensive lawn, and for a time pretended to sleep, but at last fell asleep in earnest. Suddenly a heavy shower of rain came falling from the clouds. The beetle woke up with the noise and would have been glad to creep into the earth for shelter, but he could not. He was tumbled over and over with the rain, sometimes swimming on his stomach and sometimes on his back; and as for flying, that was out of the question. He began to doubt whether he should escape with his life, so he remained, quietly lying where he was.<BR> <BR>After a while the weather cleared up a little, and the beetle was able to rub the water from his eyes, and look about him. He saw something gleaming, and he managed to make his way up to it. It was linen which had been laid to bleach on the grass. He crept into a fold of the damp linen, which certainly was not so comfortable a place to lie in as the warm stable, but there was nothing better, so he remained lying there for a whole day and night, and the rain kept on all the time. Toward morning he crept out of his hiding-place, feeling in a very bad temper with the climate. Two frogs were sitting on the linen, and their bright eyes actually glistened with pleasure.<BR> <BR>&ldquo;Wonderful weather this,&rdquo; cried one of them, &ldquo;and so refreshing. This linen holds the water together so beautifully, that my hind legs quiver as if I were going to swim.&rdquo;<BR> <BR>&ldquo;I should like to know,&rdquo; said another, &ldquo;if the swallow who flies so far in her many journeys to foreign lands ever met with a better climate than this. What delicious moisture! It is as pleasant as lying in a wet ditch. I am sure anyone who does not enjoy this has no love for his fatherland.&rdquo;<BR> <BR>&ldquo;Have you ever been in the emperor&rsquo;s stable?&rdquo; asked the beetle. &ldquo;There the moisture is warm and refreshing; that&rsquo;s the climate for me, but I could not take it with me on my travels. Is there not even a dunghill here in this garden, where a person of rank, like myself, could take up his abode and feel at home?&rdquo; But the frogs either did not or would not understand him.<BR> <BR>&ldquo;I never ask a question twice,&rdquo; said the beetle, after he had asked this one three times, and received no answer. Then he went on a little farther and stumbled against a piece of broken crockery-ware, which certainly ought not to have been lying there. But as it was there, it formed a good shelter against wind and weather to several families of earwigs who dwelt in it. Their requirements were not many, they were very sociable, and full of affection for their children, so much so that each mother considered her own child the most beautiful and clever of them all.<BR> <BR>&ldquo;Our dear son has engaged himself,&rdquo; said one mother, &ldquo;dear innocent boy; his greatest ambition is that he may one day creep into a clergyman&rsquo;s ear. That is a very artless and lovable wish; and being engaged will keep him steady. What happiness for a mother!&rdquo;<BR> <BR>&ldquo;Our son,&rdquo; said another, &ldquo;had scarcely crept out of the egg, when he was off on his travels. He is all life and spirits, I expect he will wear out his horns with running. How charming this is for a mother, is it not Mr. Beetle?&rdquo; for she knew the stranger by his horny coat.<BR> <BR>&ldquo;You are both quite right,&rdquo; said he; so they begged him to walk in, that is to come as far as he could under the broken piece of earthenware.<BR> <BR>&ldquo;Now you shall also see my little earwigs,&rdquo; said a third and a fourth mother, &ldquo;they are lovely little things, and highly amusing. They are never ill-behaved, except when they are uncomfortable in their inside, which unfortunately often happens at their age.&rdquo;<BR> <BR>Thus each mother spoke of her baby, and their babies talked after their own fashion, and made use of the little nippers they have in their tails to nip the beard of the beetle.<BR> <BR>&ldquo;They are always busy about something, the little rogues,&rdquo; said the mother, beaming with maternal pride; but the beetle felt it a bore, and he therefore inquired the way to the nearest dung-heap.<BR> <BR>&ldquo;That is quite out in the great world, on the other side of the ditch,&rdquo; answered an earwig. &ldquo;I hope none of my children will ever go so far, it would be the death of me.&rdquo;<BR> <BR>&ldquo;But I shall try to get so far,&rdquo; said the beetle, and he walked off without taking any formal leave, which is considered a polite thing to do.<BR> <BR>When he arrived at the ditch, he met several friends, all of them beetles. &ldquo;We live here,&rdquo; they said, &ldquo;and we are very comfortable. May we ask you to step down into this rich mud, you must be fatigued after your journey.&rdquo;<BR> <BR>&ldquo;Certainly,&rdquo; said the beetle, &ldquo;I shall be most happy; I have been exposed to the rain, and have had to lie upon linen, and cleanliness is a thing that greatly exhausts me; I have also pains in one of my wings from standing in the draft under a piece of broken crockery. It is really quite refreshing to be with one&rsquo;s own kindred again.&rdquo;<BR> <BR>&ldquo;Perhaps you came from a dung-heap,&rdquo; observed the oldest of them.<BR> <BR>&ldquo;No, indeed, I came from a much grander place,&rdquo; replied the beetle; &ldquo;I came from the emperor&rsquo;s stable, where I was born, with golden shoes on my feet. I am traveling on a secret embassy, but you must not ask me any questions, for I cannot betray my secret.&rdquo;<BR> <BR>Then the beetle stepped down into the rich mud, where sat three young-lady beetles, who tittered, because they did not know what to say.<BR> <BR>&ldquo;None of them are engaged yet,&rdquo; said their mother, and the beetle maidens tittered again, this time quite in confusion.<BR> <BR>&ldquo;I have never seen greater beauties, even in the royal stables,&rdquo; exclaimed the beetle, who was now resting himself.<BR> <BR>&ldquo;Don&rsquo;t spoil my girls,&rdquo; said the mother; &ldquo;and don&rsquo;t talk to them, pray, unless you have serious intentions.&rdquo;<BR> <BR>But of course the beetle&rsquo;s intentions were serious, and after a while our friend was engaged. The mother gave them her blessing, and all the other beetles cried, &ldquo;Hurrah.&rdquo;<BR> <BR>Immediately after the betrothal came the marriage, for there was no reason to delay. The following day passed very pleasantly, and the next was tolerably comfortable; but on the third it became necessary for him to think of getting food for his wife, and, perhaps, for children.<BR> <BR>&ldquo;I have allowed myself to be taken in,&rdquo; said our beetle to himself, &ldquo;and now there&rsquo;s nothing to be done but to take them in, in return.&rdquo;<BR> <BR>No sooner said than done. Away he went, and stayed away all day and all night, and his wife remained behind a forsaken widow.<BR> <BR>&ldquo;Oh,&rdquo; said the other beetles, &ldquo;this fellow that we have received into our family is nothing but a complete vagabond. He has gone away and left his wife a burden upon our hands.&rdquo;<BR> <BR>&ldquo;Well, she can be unmarried again, and remain here with my other daughters,&rdquo; said the mother. &ldquo;Fie on the villain that forsook her!&rdquo;<BR> <BR>In the meantime the beetle, who had sailed across the ditch on a cabbage leaf, had been journeying on the other side. In the morning two persons came up to the ditch. When they saw him they took him up and turned him over and over, looking very learned all the time, especially one, who was a boy. &ldquo;Allah sees the black beetle in the black stone, and the black rock. Is not that written in the Koran?&rdquo; he asked.<BR> <BR>Then he translated the beetle&rsquo;s name into Latin, and said a great deal upon the creature&rsquo;s nature and history. The second person, who was older and a scholar, proposed to carry the beetle home, as they wanted just such good specimens as this. Our beetle considered this speech a great insult, so he flew suddenly out of the speaker&rsquo;s hand. His wings were dry now, so they carried him to a great distance, till at last he reached a hothouse, where a sash of the glass roof was partly open, so he quietly slipped in and buried himself in the warm earth. &ldquo;It is very comfortable here,&rdquo; he said to himself, and soon after fell asleep. Then he dreamed that the emperor&rsquo;s horse was dying, and had left him his golden shoes, and also promised that he should have two more. All this was very delightful, and when the beetle woke up he crept forth and looked around him. What a splendid place the hothouse was! At the back, large palm-trees were growing; and the sunlight made the leaves look quite glossy; and beneath them what a profusion of luxuriant green, and of flowers red like flame, yellow as amber, or white as new-fallen snow! &ldquo;What a wonderful quantity of plants,&rdquo; cried the beetle; &ldquo;how good they will taste when they are decayed! This is a capital store-room. There must certainly be some relations of mine living here; I will just see if I can find anyone with whom I can associate. I&rsquo;m proud, certainly; but I&rsquo;m also proud of being so.&rdquo; Then he prowled about in the earth, and thought what a pleasant dream that was about the dying horse, and the golden shoes he had inherited.<BR> <BR>Suddenly a hand seized the beetle, and squeezed him, and turned him round and round. The gardener&rsquo;s little son and his playfellow had come into the hothouse, and, seeing the beetle, wanted to have some fun with him. First, he was wrapped in a vine-leaf, and put into a warm trousers&rsquo; pocket. He twisted and turned about with all his might, but he got a good squeeze from the boy&rsquo;s hand, as a hint for him to keep quiet. Then the boy went quickly toward a lake that lay at the end of the garden. Here the beetle was put into an old broken wooden shoe, in which a little stick had been fastened upright for a mast, and to this mast the beetle was bound with a piece of worsted. Now he was a sailor, and had to sail away. The lake was not very large, but to the beetle it seemed an ocean, and he was so astonished at its size that he fell over on his back, and kicked out his legs. Then the little ship sailed away; sometimes the current of the water seized it, but whenever it went too far from the shore one of the boys turned up his trousers, and went in after it, and brought it back to land. But at last, just as it went merrily out again, the two boys were called, and so angrily, that they hastened to obey, and ran away as fast as they could from the pond, so that the little ship was left to its fate. It was carried away farther and farther from the shore, till it reached the open sea. This was a terrible prospect for the beetle, for he could not escape in consequence of being bound to the mast. Then a fly came and paid him a visit. &ldquo;What beautiful weather,&rdquo; said the fly; &ldquo;I shall rest here and sun myself. You must have a pleasant time of it.&rdquo;<BR> <BR>&ldquo;You speak without knowing the facts,&rdquo; replied the beetle; &ldquo;don&rsquo;t you see that I am a prisoner?&rdquo;<BR> <BR>&ldquo;Ah, but I&rsquo;m not a prisoner,&rdquo; remarked the fly, and away he flew.<BR> <BR>&ldquo;Well, now I know the world,&rdquo; said the beetle to himself; &ldquo;it&rsquo;s an abominable world; I&rsquo;m the only respectable person in it. First, they refuse me my golden shoes; then I have to lie on damp linen, and to stand in a draft; and to crown all, they fasten a wife upon me. Then, when I have made a step forward in the world, and found out a comfortable position, just as I could wish it to be, one of these human boys comes and ties me up, and leaves me to the mercy of the wild waves, while the emperor&rsquo;s favorite horse goes prancing about proudly on his golden shoes. This vexes me more than anything. But it is useless to look for sympathy in this world. My career has been very interesting, but what&rsquo;s the use of that if nobody knows anything about it? The world does not deserve to be made acquainted with my adventures, for it ought to have given me golden shoes when the emperor&rsquo;s horse was shod, and I stretched out my feet to be shod, too. If I had received golden shoes I should have been an ornament to the stable; now I am lost to the stable and to the world. It is all over with me.&rdquo;<BR> <BR>But all was not yet over. A boat, in which were a few young girls, came rowing up. &ldquo;Look, yonder is an old wooden shoe sailing along,&rdquo; said one of the younger girls.<BR> <BR>&ldquo;And there&rsquo;s a poor little creature bound fast in it,&rdquo; said another.<BR> <BR>The boat now came close to our beetle&rsquo;s ship, and the young girls fished it out of the water. One of them drew a small pair of scissors from her pocket, and cut the worsted without hurting the beetle, and when she stepped on shore she placed him on the grass. &ldquo;There,&rdquo; she said, &ldquo;creep away, or fly, if thou canst. It is a splendid thing to have thy liberty.&rdquo; Away flew the beetle, straight through the open window of a large building; there he sank down, tired and exhausted, exactly on the mane of the emperor&rsquo;s favorite horse, who was standing in his stable; and the beetle found himself at home again. For some time he clung to the mane, that he might recover himself. &ldquo;Well,&rdquo; he said, &ldquo;here I am, seated on the emperor&rsquo;s favorite horse, sitting upon him as if I were the emperor himself. But what was it the farrier asked me? Ah, I remember now&#8212;that&rsquo;s a good thought&#8212;he asked me why the golden shoes were given to the horse. The answer is quite clear to me, now. They were given to the horse on my account.&rdquo; And this reflection put the beetle into a good temper. The sun&rsquo;s rays also came streaming into the stable, and shone upon him, and made the place lively and bright. &ldquo;Traveling expands the mind very much,&rdquo; said the beetle. &ldquo;The world is not so bad after all, if you know how to take things as they come.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[<B>Eight timeless fairy tales by Charles Perrault from &ldquo;Cinderella&rdquo; to &ldquo;Bluebeard&rdquo; are available together in this beautiful collectible edition.</B><BR><BR>Inspired by oral folktales and written with his own spin, Charles Perrault&rsquo;s stories helped define the fairy tale genre and have inspired many adaptations over the centuries. First published in the late 17th century, Perrault used a popular figure of fairy tales and nursery rhymes, Mother Goose, as the face of his anthology.<BR> <BR>Discover eight of Perrault&rsquo;s <i>Tales of Mother Goose</i>, from the familiar stories starring Cinderella, Sleeping Beauty, and Little Red Riding Hood to the lesser-known tales of Riquet and Bluebeard. Each ending with a moral, these enchanting stories have long captured the glamor of castles and royalty, as well as the hearts of generations of readers.<BR> <BR>This magical collection includes:<BR> &ldquo;Cinderella&rdquo;<BR> &ldquo;Sleeping Beauty&rdquo;<BR> &ldquo;Little Red Riding Hood&rdquo;<BR> &ldquo;Puss in Boots&rdquo;<BR> &ldquo;Riquet with the Tuft&rdquo;<BR> &ldquo;Bluebeard&rdquo;<BR> &ldquo;The Fairies&rdquo;<BR> &ldquo;Little Thumbling&rdquo;]]></Text>
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      <Text><![CDATA[Charles Perrault (1628&ndash;1703) was a French author born in Paris. He was elected as a member of the Acad&eacute;mie Fran&ccedil;aise and worked as an advisor in the court of Louis XIV. Perrault is best known for writing&nbsp;<I>The Tales of Mother Goose</I>&nbsp;and is considered to be a founder of the fairy tale genre.]]></Text>
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      <Text><![CDATA[1. The Sleeping Beauty in the Wood <link rel="stylesheet" type="text/css" href="../styles/9781665975377.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> THE SLEEPING BEAUTY IN THE WOOD <img src="../images/common2.jpg" role="presentation" alt=""> <BR>THERE WERE ONCE A KING and Queen who were very unhappy at not having any children, more unhappy than words can tell. Vows, pilgrimages, everything was tried, but nothing was of any avail. At length, however, a little daughter was born to them.<BR> <BR>There was a splendid christening. For godmothers, they gave the young Princess all the fairies they could find in the country&#8212;they were seven in number&#8212;so that each might make her a gift, according to the custom of fairies in those days, and by those means, the Princess might become possessed of all imaginable perfections. When the ceremony was over, all the company returned to the King&rsquo;s palace, where a great banquet had been prepared for the fairies. The table was magnificently laid for them, and before each fairy was placed a massive gold case containing a spoon, a fork, and a knife of fine gold set with diamonds and rubies.<BR> <BR>But as they were all taking their seats, an old fairy entered who had not been invited, for everyone thought that she was either dead or enchanted, as she had not been outside the tower in which she lived for upward of fifty years. The King ordered a cover to be laid for her, but there was no possibility of giving her a massive gold case, such as the others had, because there had been only seven made expressly for the seven fairies. The old fairy thought she had been treated with contempt and muttered some threats between her teeth. One of the young fairies, who chanced to be near her, overheard her grumblings and was afraid she might bestow some evil gift on the young Princess. Accordingly, as soon as they rose from the table, she went and hid herself behind the hangings in order to be the last to speak and so enable herself to repair, as far as possible, any harm the old fairy might do.<BR> <BR>Meanwhile the fairies began bestowing their gifts on the Princess. The youngest, as her gift, promised that she should be the most beautiful person in the world; the next fairy, that she should have the mind of an angel; the third, that every movement of hers should be full of grace; the fourth, that she should dance to perfection; the fifth, that she should sing like a nightingale; the sixth, that she should play on every kind of instrument in the most exquisite manner possible. It was now the turn of the old fairy, and she said, while her head shook more with malice than with age, that the Princess should pierce her hand with a spindle and die of the wound.<BR> <BR>The whole company trembled when they heard this terrible prediction, and there was not one among them who did not shed tears. At this moment the young fairy advanced from behind the tapestry and said, speaking that all might hear, &ldquo;Comfort yourselves, King and Queen; your daughter shall not die of the wound. It is true that I have not sufficient power to undo entirely what my elder has done. The Princess will pierce her hand with a spindle, but, instead of dying, she will only fall into a deep sleep, which will last a hundred years, at the end of which time a king&rsquo;s son will come and wake her.&rdquo;<BR> <BR>The King, in the hope of preventing the misfortune foretold by the old fairy, immediately sent forth a proclamation forbidding everyone, on pain of death, either to spin with a spindle or to have spindles in their possession.<BR> <BR>Fifteen or sixteen years had passed when, the King and Queen being absent at one of their country houses, it happened that the Princess, while running about the castle one day and up the stairs from one room to the other, came to a little garret at the top of a turret, where an old woman sat alone spinning with distaff and spindle, for this good woman had never heard the King&rsquo;s proclamation forbidding the use of the spindle.<BR> <BR>&ldquo;What are you doing there?&rdquo; asked the Princess.<BR> <BR>&ldquo;I am spinning, my pretty child,&rdquo; answered the old woman, who did not know who she was.<BR> <BR>&ldquo;Oh, how pretty it is!&rdquo; exclaimed the Princess. &ldquo;How do you do it? Give it to me, that I may see if I can do it as well.&rdquo;<BR> <BR>She had no sooner taken hold of the spindle than, being very hasty and rather thoughtless, and moreover, the fairies having ordained that it should be so, she pierced her hand with the point of it and fainted away. The poor old woman was in great distress and called for help. People came running from all quarters. They threw water in the Princess&rsquo;s face, they unlaced her dress, they slapped her hands, they rubbed her temples with Queen of Hungary&rsquo;s water, but nothing would bring her to.<BR> <BR>The King, who had returned and run upstairs at the noise, then remembered the prediction of the fairies and wisely concluded that this accident must have happened as the fairies had said it would. He ordered the Princess to be carried into a beautiful room of the palace and laid on a bed embroidered with silver and gold. One might have thought it was an angel lying there, so lovely did she look, for the rich colors of her complexion had not faded in her swoon; her cheeks were still rosy, and her lips like coral. Only, her eyes were closed, but they could hear her breathing softly, which showed that she was not dead.<BR> <BR>The King gave orders that she was to be left to sleep there in quiet, until the hour of her awaking should arrive. The good fairy who had saved her life, by condemning her to sleep for a hundred years, was in the Kingdom of Mataquin, twelve thousand leagues away, when the Princess met with her accident, but she was informed of it instantly by a little dwarf who had a pair of seven-league boots&#8212;that is, boots which enabled the wearer to take seven leagues at a stride.<BR> <BR>The fairy set out immediately, and an hour afterward, she was seen arriving in a chariot of fire drawn by dragons.<BR> <BR>The King advanced to hand her out of the chariot. She approved of all he had done, but being gifted with great foresight, she bethought her that the Princess would feel very lost and bewildered on awaking and finding herself all alone in the old castle; so this is what the fairy did. With her wand she touched everybody who was in the castle, except the King and Queen: governesses, maids of honor, women of the bed-chamber, gentlemen, officers, stewards, cooks, scullions, boys, guards, porters, pages, footmen; she also touched the horses that were in the stables with their grooms, the great mastiffs in the courtyard, and little Fluff, the pet dog of the Princess, that was on the bed beside her. As soon as she had touched them, they all fell asleep, not to wake again until the hour arrived for their mistress to do so, in order that they should all be ready to attend upon her as soon as she should want them. Even the spits before the fire, hung with partridges and pheasants, and the very fire itself, went to sleep. All this was done in a moment, for fairies never lost much time over their work.<BR> <BR>The King and Queen now kissed their dear daughter, who still slept on, quitted the castle, and issued a proclamation forbidding any person, whosoever, to approach it. These orders were unnecessary, for in a quarter of an hour there grew up around the park such a number of trees, large and small, of brambles and thorns interlacing each other, that neither man nor beast could have gotten through them, and nothing could be now seen of the castle but the tops of the turrets, and they only from a considerable distance. Nobody doubted that this also was some of the fairy&rsquo;s handiwork, in order that the Princess might be protected from the curiosity of strangers during her long slumber.<BR> <BR>When the hundred years had passed away, the son of the King at that time upon the throne, and who was of a different family to that of the sleeping Princess, having been hunting in the neighborhood, inquired what towers they were that he saw above the trees of a very thick wood. Each person answered him according to the story he had heard. Some said it was an old castle, haunted by ghosts; others, that all the witches of the country held their midnight revels there. The more general opinion, however, was that it was the abode of an ogre, and that he carried thither all the children he could catch in order to eat them at his leisure and without being pursued, he alone having the power of making his way through the wood.<BR> <BR>The Prince did not know what to believe of all this, when an old peasant spoke in his turn and said to him, &ldquo;Prince, it is more than fifty years ago since I heard my father say that there was in that castle the most beautiful Princess that was ever seen; that she was to sleep for a hundred years and would be awakened by a king&rsquo;s son, for whom she was intended and was waiting.&rdquo;<BR> <BR>The young Prince, at these words, felt himself all on fire. He had not a moment&rsquo;s doubt that he was the one chosen to accomplish this famous adventure, and urged to the deed by love and glory, he resolved, without delay, to see what would come of it.<BR> <BR>Scarcely had he approached the wood when all those great trees, all those brambles and thorns, made way for him to pass of their own accord. He walked toward the castle, which he saw at the end of a long avenue he had entered, and he was somewhat surprised to find that none of his people had been able to follow him, the trees having closed up again as soon as he had passed. Nevertheless, he continued to advance; a young prince, inspired by love, is always courageous. He came to a large fore-court, where everything he saw might well have frozen his blood with terror. A frightful silence reigned around; death seemed everywhere present; on every side, nothing to be seen but the bodies of men and animals stretched out, apparently lifeless. He soon discovered, however, by the shining noses and red faces of the porters, that they were only asleep; and their goblets, in which still remained a few drops of wine, sufficiently proved that they had dozed off while drinking.<BR> <BR>He next passed through a large courtyard paved with marble, ascended the staircase, and entered the guard-room, where the guards stood, drawn up in line, their carbines shouldered, and snoring their loudest. He traversed several rooms with ladies and gentlemen all asleep, some standing, others seated. At last he came to one covered with gold, and there on a bed, the curtains of which were open on either side, he saw the most lovely sight he had ever looked upon&#8212;a Princess who appeared to be about fifteen or sixteen and whose dazzling beauty shone with a radiance which scarcely seemed to belong to this world. He approached, trembling and admiring, and knelt down beside her.<BR> <BR>At that moment, the enchantment being ended, the Princess awoke, and gazing at him for the first time with unexpected tenderness, she said, &ldquo;Is it you, Prince? I have waited long for you to come.&rdquo;<BR> <BR>The Prince, delighted at these words, and still more by the tone in which they were uttered, knew not how to express his joy and gratitude. He assured her that he loved her better than himself. His words were rather confused, but she was all the more pleased with them; there was little eloquence but a great deal of love. He was much more embarrassed than she was, which is not to be wondered at. She had had time to think over what she should say to him, for there is reason to believe, although history does not mention it, that during her long, long sleep, the good fairy had let her enjoy very pleasant dreams. In short, they talked for four hours without having said half what they had to say to each other.<BR> <BR>In the meanwhile, all the palace had been roused at the same time as the Princess. Everybody remembered his or her duty, and as they were not all in love, they were dying with hunger. The lady-in-waiting, as hungry as any of them, became impatient and announced loudly to the Princess that the meat was on the table. The Prince assisted the Princess to rise; she was fully dressed, and most magnificently, but he was careful not to tell her that she was dressed like his grandmother and wore a stand-up collar, for in spite of this, she was not a whit less beautiful.<BR> <BR>They passed into a hall of mirrors, where they supped, waited upon by the officers of the Princess. The violins and oboes played old but charming pieces of music, notwithstanding that it was a hundred years since they had been performed by anybody, and after supper, without loss of time, the grand almoner married the royal lovers in the chapel of the castle.<BR> <BR>Early next morning the Prince returned to the city, where he knew his father would be in anxiety about him. The Prince told him that he had lost his way in the forest whilst hunting and that he had slept in the hut of a woodcutter, who had given him black bread and cheese to eat.<BR> <BR>The King, his father, who was a simple-minded man, believed him, but his mother was not so easily satisfied. She noticed that he went hunting nearly every day and had always some story ready as an excuse when he had slept two or three nights away from home, and so she felt quite sure that he had a lady-love.<BR> <BR>More than two years went by, and the Princess had two children; the first, which was a girl, was named Aurora, and the second, a son, was called Day, because he was still more beautiful than his sister.<BR> <BR>The Queen, hoping to find out the truth from her son, often said to him that he ought to form some attachment, but he never dared to trust her with his secret. Although he loved her, he feared her, for she was of the race of ogres, and the King had only married her on account of her great riches. It was even whispered about the court that she had the inclinations of an ogress, and that when she saw little children passing, it was with the greatest difficulty that she restrained herself from pouncing upon them. The Prince, therefore, would never say one word to her about his affairs.<BR> <BR>On the death of the King, however, which took place two years later, the Prince, being now his own master, made a public declaration of his marriage and went in great state to bring the Queen, his wife, to the palace. She made a magnificent entry into the capital, with her two children, one on either side of her.<BR> <BR>Sometime afterward, the King went to war with his neighbor, the Emperor Cantalabute. He left the Queen-mother, Regent of the Kingdom, earnestly recommending his wife and children to her care. He was likely to be all summer in the field, and he had no sooner left than the Queen-mother sent her daughter-in-law and the children to a country house in the wood so that she might more easily gratify her horrible longing. She followed them thither a few days after and one evening said to her head cook, &ldquo;I will eat little Aurora for dinner to-morrow.&rdquo;<BR> <BR>&ldquo;Ah, madam!&rdquo; exclaimed the cook.<BR> <BR>&ldquo;I will,&rdquo; said the Queen-mother, and she said it in the voice of an ogress longing to eat fresh meat; &ldquo;and I will have her served with my favorite sauce.&rdquo;<BR> <BR>The poor man, seeing plainly that an ogress was not to be trifled with, took his great knife and went up to little Aurora&rsquo;s room. She was then about four years old and came jumping and laughing to throw her arms about his neck and ask him for sweetmeats. He burst into tears, and the knife fell from his hands; then he went down again and into the farmyard, and there killed a little lamb which he served up with so delicious a sauce that his mistress assured him she had never eaten anything so excellent. In the meanwhile, he had carried off little Aurora and given her to his wife, that she might hide her in the lodging which she occupied at the further end of the farmyard.<BR> <BR>A week later, the wicked Queen said to her head cook, &ldquo;I will eat little Day for supper.&rdquo; He made no reply, having decided in his own mind to deceive her as before.<BR> <BR>He went in search of little Day and found him with a tiny foil in his hand, fencing with a great monkey, though he was only three years old. He carried the child to his wife, who hid him where she had hidden his sister, and then cooked a very tender young goat in the place of little Day, which the ogress thought wonderfully good.<BR> <BR>All had gone well enough so far, but one evening this wicked Queen said to the head cook, &ldquo;I should like to eat the young Queen with the same sauce that I had with the children.&rdquo;<BR> <BR>Then the poor cook was indeed in despair, for he did not know how he should be able to deceive her. The young Queen was over twenty years of age, without counting the hundred years she had slept, and no longer such tender food, although her skin was still white and beautiful. Where among all his animals should he find one old enough to take her place?<BR> <BR>He resolved at last that, to save his own life, he would kill the young Queen, and he went up to her room, determined to carry out his purpose without delay. He worked himself up into a passion and entered the Queen&rsquo;s room, dagger in hand. He did not wish, however, to take her by surprise, and so he repeated to her, very respectfully, the order he had received from the Queen-mother.<BR> <BR>&ldquo;Do your duty,&rdquo; she said, stretching out her neck to him; &ldquo;obey the orders that have been given you. I shall again see my children, my poor children, whom I loved so dearly,&rdquo; for she had thought them dead ever since they had been carried away from her without a word of explanation.<BR> <BR>&ldquo;No, no, madam!&rdquo; replied the poor cook, touched to the quick. &ldquo;You shall not die, and you shall see your children again, but it will be in my own house, where I have hidden them. I will again deceive the Queen-mother by serving up to her a young hind in your stead.&rdquo;<BR> <BR>He led her forthwith to his own apartments. Then, leaving her to embrace her children and weep with them, he went and prepared a hind, which the Queen-mother ate at her supper with as much appetite as if it had been the young Queen. She exulted in her cruelty and intended to tell the King, on his return, that some ferocious wolves had devoured his wife, and their two children.<BR> <BR>One evening, while she was prowling, as usual, round the courts and poultry-yards of the castle to inhale the smell of fresh meat, she overheard little Day crying in one of the lower rooms because his mother was about to whip him for being naughty, and she also heard little Aurora begging forgiveness for her brother. The ogress recognized the voices of the young Queen and her children, and furious at having been deceived, she gave orders in a voice that made everybody tremble, that the next morning early there should be brought into the middle of the court a large copper pot, which she had filled with toads, vipers, and serpents, in order to throw into it the young Queen and her children, the head cook, his wife, and his maid-servant. She further commanded that they should be brought thither with their hands tied behind them.<BR> <BR>There they stood, and the executioners were preparing to fling them into the copper pot, when the King, who had not been expected back so soon, entered the courtyard on horseback. He had ridden post-haste and, in great astonishment, asked what was the meaning of this horrible spectacle. No one dared tell him, when the ogress, enraged at what she saw, flung herself head foremost into the copper pot, where she was instantly devoured by the horrid reptiles, with which she had herself caused it to be filled. The King could not help being sorry for it&#8212;she was his mother&#8212;but he quickly consoled himself with his beautiful wife and children.<BR> <BR>Some time for a husband to wait<BR> <BR>Who is young, handsome, wealthy, and tender,<BR> <BR>May not be a hardship too great<BR> <BR>For a maid whom love happy would render.<BR> <BR>But to be for a century bound<BR> <BR>To live single&#8212;I fancy the number<BR> <BR>Of Beauties but small would be found<BR> <BR>Who could so long patiently slumber.<BR> <BR>To lovers who hate time to waste,<BR> <BR>And minutes as centuries measure,<BR> <BR>I would hint, those who marry in haste<BR> <BR>May live to repent it at leisure<BR> <BR>Yet so ardently onward they press,<BR> <BR>And on prudence so gallantly trample,<BR> <BR>That I haven&rsquo;t the heart, I confess,<BR> <BR>To urge on them Beauty&rsquo;s example.,<BR> </section>]]></Text>
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      <Text><![CDATA[<B>Eight timeless fairy tales by Charles Perrault from &ldquo;Cinderella&rdquo; to &ldquo;Bluebeard&rdquo; are available together in this beautiful collectible edition.</B><BR><BR>Inspired by oral folktales and written with his own spin, Charles Perrault&rsquo;s stories helped define the fairy tale genre and have inspired many adaptations over the centuries. First published in the late 17th century, Perrault used a popular figure of fairy tales and nursery rhymes, Mother Goose, as the face of his anthology.<BR> <BR>Discover eight of Perrault&rsquo;s <i>Tales of Mother Goose</i>, from the familiar stories starring Cinderella, Sleeping Beauty, and Little Red Riding Hood to the lesser-known tales of Riquet and Bluebeard. Each ending with a moral, these enchanting stories have long captured the glamor of castles and royalty, as well as the hearts of generations of readers.<BR> <BR>This magical collection includes:<BR> &ldquo;Cinderella&rdquo;<BR> &ldquo;Sleeping Beauty&rdquo;<BR> &ldquo;Little Red Riding Hood&rdquo;<BR> &ldquo;Puss in Boots&rdquo;<BR> &ldquo;Riquet with the Tuft&rdquo;<BR> &ldquo;Bluebeard&rdquo;<BR> &ldquo;The Fairies&rdquo;<BR> &ldquo;Little Thumbling&rdquo;]]></Text>
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      <Text><![CDATA[Charles Perrault (1628&ndash;1703) was a French author born in Paris. He was elected as a member of the Acad&eacute;mie Fran&ccedil;aise and worked as an advisor in the court of Louis XIV. Perrault is best known for writing&nbsp;<I>The Tales of Mother Goose</I>&nbsp;and is considered to be a founder of the fairy tale genre.]]></Text>
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      <Text><![CDATA[1. The Sleeping Beauty in the Wood <link rel="stylesheet" type="text/css" href="../styles/9781665975377.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> THE SLEEPING BEAUTY IN THE WOOD <img src="../images/common2.jpg" role="presentation" alt=""> <BR>THERE WERE ONCE A KING and Queen who were very unhappy at not having any children, more unhappy than words can tell. Vows, pilgrimages, everything was tried, but nothing was of any avail. At length, however, a little daughter was born to them.<BR> <BR>There was a splendid christening. For godmothers, they gave the young Princess all the fairies they could find in the country&#8212;they were seven in number&#8212;so that each might make her a gift, according to the custom of fairies in those days, and by those means, the Princess might become possessed of all imaginable perfections. When the ceremony was over, all the company returned to the King&rsquo;s palace, where a great banquet had been prepared for the fairies. The table was magnificently laid for them, and before each fairy was placed a massive gold case containing a spoon, a fork, and a knife of fine gold set with diamonds and rubies.<BR> <BR>But as they were all taking their seats, an old fairy entered who had not been invited, for everyone thought that she was either dead or enchanted, as she had not been outside the tower in which she lived for upward of fifty years. The King ordered a cover to be laid for her, but there was no possibility of giving her a massive gold case, such as the others had, because there had been only seven made expressly for the seven fairies. The old fairy thought she had been treated with contempt and muttered some threats between her teeth. One of the young fairies, who chanced to be near her, overheard her grumblings and was afraid she might bestow some evil gift on the young Princess. Accordingly, as soon as they rose from the table, she went and hid herself behind the hangings in order to be the last to speak and so enable herself to repair, as far as possible, any harm the old fairy might do.<BR> <BR>Meanwhile the fairies began bestowing their gifts on the Princess. The youngest, as her gift, promised that she should be the most beautiful person in the world; the next fairy, that she should have the mind of an angel; the third, that every movement of hers should be full of grace; the fourth, that she should dance to perfection; the fifth, that she should sing like a nightingale; the sixth, that she should play on every kind of instrument in the most exquisite manner possible. It was now the turn of the old fairy, and she said, while her head shook more with malice than with age, that the Princess should pierce her hand with a spindle and die of the wound.<BR> <BR>The whole company trembled when they heard this terrible prediction, and there was not one among them who did not shed tears. At this moment the young fairy advanced from behind the tapestry and said, speaking that all might hear, &ldquo;Comfort yourselves, King and Queen; your daughter shall not die of the wound. It is true that I have not sufficient power to undo entirely what my elder has done. The Princess will pierce her hand with a spindle, but, instead of dying, she will only fall into a deep sleep, which will last a hundred years, at the end of which time a king&rsquo;s son will come and wake her.&rdquo;<BR> <BR>The King, in the hope of preventing the misfortune foretold by the old fairy, immediately sent forth a proclamation forbidding everyone, on pain of death, either to spin with a spindle or to have spindles in their possession.<BR> <BR>Fifteen or sixteen years had passed when, the King and Queen being absent at one of their country houses, it happened that the Princess, while running about the castle one day and up the stairs from one room to the other, came to a little garret at the top of a turret, where an old woman sat alone spinning with distaff and spindle, for this good woman had never heard the King&rsquo;s proclamation forbidding the use of the spindle.<BR> <BR>&ldquo;What are you doing there?&rdquo; asked the Princess.<BR> <BR>&ldquo;I am spinning, my pretty child,&rdquo; answered the old woman, who did not know who she was.<BR> <BR>&ldquo;Oh, how pretty it is!&rdquo; exclaimed the Princess. &ldquo;How do you do it? Give it to me, that I may see if I can do it as well.&rdquo;<BR> <BR>She had no sooner taken hold of the spindle than, being very hasty and rather thoughtless, and moreover, the fairies having ordained that it should be so, she pierced her hand with the point of it and fainted away. The poor old woman was in great distress and called for help. People came running from all quarters. They threw water in the Princess&rsquo;s face, they unlaced her dress, they slapped her hands, they rubbed her temples with Queen of Hungary&rsquo;s water, but nothing would bring her to.<BR> <BR>The King, who had returned and run upstairs at the noise, then remembered the prediction of the fairies and wisely concluded that this accident must have happened as the fairies had said it would. He ordered the Princess to be carried into a beautiful room of the palace and laid on a bed embroidered with silver and gold. One might have thought it was an angel lying there, so lovely did she look, for the rich colors of her complexion had not faded in her swoon; her cheeks were still rosy, and her lips like coral. Only, her eyes were closed, but they could hear her breathing softly, which showed that she was not dead.<BR> <BR>The King gave orders that she was to be left to sleep there in quiet, until the hour of her awaking should arrive. The good fairy who had saved her life, by condemning her to sleep for a hundred years, was in the Kingdom of Mataquin, twelve thousand leagues away, when the Princess met with her accident, but she was informed of it instantly by a little dwarf who had a pair of seven-league boots&#8212;that is, boots which enabled the wearer to take seven leagues at a stride.<BR> <BR>The fairy set out immediately, and an hour afterward, she was seen arriving in a chariot of fire drawn by dragons.<BR> <BR>The King advanced to hand her out of the chariot. She approved of all he had done, but being gifted with great foresight, she bethought her that the Princess would feel very lost and bewildered on awaking and finding herself all alone in the old castle; so this is what the fairy did. With her wand she touched everybody who was in the castle, except the King and Queen: governesses, maids of honor, women of the bed-chamber, gentlemen, officers, stewards, cooks, scullions, boys, guards, porters, pages, footmen; she also touched the horses that were in the stables with their grooms, the great mastiffs in the courtyard, and little Fluff, the pet dog of the Princess, that was on the bed beside her. As soon as she had touched them, they all fell asleep, not to wake again until the hour arrived for their mistress to do so, in order that they should all be ready to attend upon her as soon as she should want them. Even the spits before the fire, hung with partridges and pheasants, and the very fire itself, went to sleep. All this was done in a moment, for fairies never lost much time over their work.<BR> <BR>The King and Queen now kissed their dear daughter, who still slept on, quitted the castle, and issued a proclamation forbidding any person, whosoever, to approach it. These orders were unnecessary, for in a quarter of an hour there grew up around the park such a number of trees, large and small, of brambles and thorns interlacing each other, that neither man nor beast could have gotten through them, and nothing could be now seen of the castle but the tops of the turrets, and they only from a considerable distance. Nobody doubted that this also was some of the fairy&rsquo;s handiwork, in order that the Princess might be protected from the curiosity of strangers during her long slumber.<BR> <BR>When the hundred years had passed away, the son of the King at that time upon the throne, and who was of a different family to that of the sleeping Princess, having been hunting in the neighborhood, inquired what towers they were that he saw above the trees of a very thick wood. Each person answered him according to the story he had heard. Some said it was an old castle, haunted by ghosts; others, that all the witches of the country held their midnight revels there. The more general opinion, however, was that it was the abode of an ogre, and that he carried thither all the children he could catch in order to eat them at his leisure and without being pursued, he alone having the power of making his way through the wood.<BR> <BR>The Prince did not know what to believe of all this, when an old peasant spoke in his turn and said to him, &ldquo;Prince, it is more than fifty years ago since I heard my father say that there was in that castle the most beautiful Princess that was ever seen; that she was to sleep for a hundred years and would be awakened by a king&rsquo;s son, for whom she was intended and was waiting.&rdquo;<BR> <BR>The young Prince, at these words, felt himself all on fire. He had not a moment&rsquo;s doubt that he was the one chosen to accomplish this famous adventure, and urged to the deed by love and glory, he resolved, without delay, to see what would come of it.<BR> <BR>Scarcely had he approached the wood when all those great trees, all those brambles and thorns, made way for him to pass of their own accord. He walked toward the castle, which he saw at the end of a long avenue he had entered, and he was somewhat surprised to find that none of his people had been able to follow him, the trees having closed up again as soon as he had passed. Nevertheless, he continued to advance; a young prince, inspired by love, is always courageous. He came to a large fore-court, where everything he saw might well have frozen his blood with terror. A frightful silence reigned around; death seemed everywhere present; on every side, nothing to be seen but the bodies of men and animals stretched out, apparently lifeless. He soon discovered, however, by the shining noses and red faces of the porters, that they were only asleep; and their goblets, in which still remained a few drops of wine, sufficiently proved that they had dozed off while drinking.<BR> <BR>He next passed through a large courtyard paved with marble, ascended the staircase, and entered the guard-room, where the guards stood, drawn up in line, their carbines shouldered, and snoring their loudest. He traversed several rooms with ladies and gentlemen all asleep, some standing, others seated. At last he came to one covered with gold, and there on a bed, the curtains of which were open on either side, he saw the most lovely sight he had ever looked upon&#8212;a Princess who appeared to be about fifteen or sixteen and whose dazzling beauty shone with a radiance which scarcely seemed to belong to this world. He approached, trembling and admiring, and knelt down beside her.<BR> <BR>At that moment, the enchantment being ended, the Princess awoke, and gazing at him for the first time with unexpected tenderness, she said, &ldquo;Is it you, Prince? I have waited long for you to come.&rdquo;<BR> <BR>The Prince, delighted at these words, and still more by the tone in which they were uttered, knew not how to express his joy and gratitude. He assured her that he loved her better than himself. His words were rather confused, but she was all the more pleased with them; there was little eloquence but a great deal of love. He was much more embarrassed than she was, which is not to be wondered at. She had had time to think over what she should say to him, for there is reason to believe, although history does not mention it, that during her long, long sleep, the good fairy had let her enjoy very pleasant dreams. In short, they talked for four hours without having said half what they had to say to each other.<BR> <BR>In the meanwhile, all the palace had been roused at the same time as the Princess. Everybody remembered his or her duty, and as they were not all in love, they were dying with hunger. The lady-in-waiting, as hungry as any of them, became impatient and announced loudly to the Princess that the meat was on the table. The Prince assisted the Princess to rise; she was fully dressed, and most magnificently, but he was careful not to tell her that she was dressed like his grandmother and wore a stand-up collar, for in spite of this, she was not a whit less beautiful.<BR> <BR>They passed into a hall of mirrors, where they supped, waited upon by the officers of the Princess. The violins and oboes played old but charming pieces of music, notwithstanding that it was a hundred years since they had been performed by anybody, and after supper, without loss of time, the grand almoner married the royal lovers in the chapel of the castle.<BR> <BR>Early next morning the Prince returned to the city, where he knew his father would be in anxiety about him. The Prince told him that he had lost his way in the forest whilst hunting and that he had slept in the hut of a woodcutter, who had given him black bread and cheese to eat.<BR> <BR>The King, his father, who was a simple-minded man, believed him, but his mother was not so easily satisfied. She noticed that he went hunting nearly every day and had always some story ready as an excuse when he had slept two or three nights away from home, and so she felt quite sure that he had a lady-love.<BR> <BR>More than two years went by, and the Princess had two children; the first, which was a girl, was named Aurora, and the second, a son, was called Day, because he was still more beautiful than his sister.<BR> <BR>The Queen, hoping to find out the truth from her son, often said to him that he ought to form some attachment, but he never dared to trust her with his secret. Although he loved her, he feared her, for she was of the race of ogres, and the King had only married her on account of her great riches. It was even whispered about the court that she had the inclinations of an ogress, and that when she saw little children passing, it was with the greatest difficulty that she restrained herself from pouncing upon them. The Prince, therefore, would never say one word to her about his affairs.<BR> <BR>On the death of the King, however, which took place two years later, the Prince, being now his own master, made a public declaration of his marriage and went in great state to bring the Queen, his wife, to the palace. She made a magnificent entry into the capital, with her two children, one on either side of her.<BR> <BR>Sometime afterward, the King went to war with his neighbor, the Emperor Cantalabute. He left the Queen-mother, Regent of the Kingdom, earnestly recommending his wife and children to her care. He was likely to be all summer in the field, and he had no sooner left than the Queen-mother sent her daughter-in-law and the children to a country house in the wood so that she might more easily gratify her horrible longing. She followed them thither a few days after and one evening said to her head cook, &ldquo;I will eat little Aurora for dinner to-morrow.&rdquo;<BR> <BR>&ldquo;Ah, madam!&rdquo; exclaimed the cook.<BR> <BR>&ldquo;I will,&rdquo; said the Queen-mother, and she said it in the voice of an ogress longing to eat fresh meat; &ldquo;and I will have her served with my favorite sauce.&rdquo;<BR> <BR>The poor man, seeing plainly that an ogress was not to be trifled with, took his great knife and went up to little Aurora&rsquo;s room. She was then about four years old and came jumping and laughing to throw her arms about his neck and ask him for sweetmeats. He burst into tears, and the knife fell from his hands; then he went down again and into the farmyard, and there killed a little lamb which he served up with so delicious a sauce that his mistress assured him she had never eaten anything so excellent. In the meanwhile, he had carried off little Aurora and given her to his wife, that she might hide her in the lodging which she occupied at the further end of the farmyard.<BR> <BR>A week later, the wicked Queen said to her head cook, &ldquo;I will eat little Day for supper.&rdquo; He made no reply, having decided in his own mind to deceive her as before.<BR> <BR>He went in search of little Day and found him with a tiny foil in his hand, fencing with a great monkey, though he was only three years old. He carried the child to his wife, who hid him where she had hidden his sister, and then cooked a very tender young goat in the place of little Day, which the ogress thought wonderfully good.<BR> <BR>All had gone well enough so far, but one evening this wicked Queen said to the head cook, &ldquo;I should like to eat the young Queen with the same sauce that I had with the children.&rdquo;<BR> <BR>Then the poor cook was indeed in despair, for he did not know how he should be able to deceive her. The young Queen was over twenty years of age, without counting the hundred years she had slept, and no longer such tender food, although her skin was still white and beautiful. Where among all his animals should he find one old enough to take her place?<BR> <BR>He resolved at last that, to save his own life, he would kill the young Queen, and he went up to her room, determined to carry out his purpose without delay. He worked himself up into a passion and entered the Queen&rsquo;s room, dagger in hand. He did not wish, however, to take her by surprise, and so he repeated to her, very respectfully, the order he had received from the Queen-mother.<BR> <BR>&ldquo;Do your duty,&rdquo; she said, stretching out her neck to him; &ldquo;obey the orders that have been given you. I shall again see my children, my poor children, whom I loved so dearly,&rdquo; for she had thought them dead ever since they had been carried away from her without a word of explanation.<BR> <BR>&ldquo;No, no, madam!&rdquo; replied the poor cook, touched to the quick. &ldquo;You shall not die, and you shall see your children again, but it will be in my own house, where I have hidden them. I will again deceive the Queen-mother by serving up to her a young hind in your stead.&rdquo;<BR> <BR>He led her forthwith to his own apartments. Then, leaving her to embrace her children and weep with them, he went and prepared a hind, which the Queen-mother ate at her supper with as much appetite as if it had been the young Queen. She exulted in her cruelty and intended to tell the King, on his return, that some ferocious wolves had devoured his wife, and their two children.<BR> <BR>One evening, while she was prowling, as usual, round the courts and poultry-yards of the castle to inhale the smell of fresh meat, she overheard little Day crying in one of the lower rooms because his mother was about to whip him for being naughty, and she also heard little Aurora begging forgiveness for her brother. The ogress recognized the voices of the young Queen and her children, and furious at having been deceived, she gave orders in a voice that made everybody tremble, that the next morning early there should be brought into the middle of the court a large copper pot, which she had filled with toads, vipers, and serpents, in order to throw into it the young Queen and her children, the head cook, his wife, and his maid-servant. She further commanded that they should be brought thither with their hands tied behind them.<BR> <BR>There they stood, and the executioners were preparing to fling them into the copper pot, when the King, who had not been expected back so soon, entered the courtyard on horseback. He had ridden post-haste and, in great astonishment, asked what was the meaning of this horrible spectacle. No one dared tell him, when the ogress, enraged at what she saw, flung herself head foremost into the copper pot, where she was instantly devoured by the horrid reptiles, with which she had herself caused it to be filled. The King could not help being sorry for it&#8212;she was his mother&#8212;but he quickly consoled himself with his beautiful wife and children.<BR> <BR>Some time for a husband to wait<BR> <BR>Who is young, handsome, wealthy, and tender,<BR> <BR>May not be a hardship too great<BR> <BR>For a maid whom love happy would render.<BR> <BR>But to be for a century bound<BR> <BR>To live single&#8212;I fancy the number<BR> <BR>Of Beauties but small would be found<BR> <BR>Who could so long patiently slumber.<BR> <BR>To lovers who hate time to waste,<BR> <BR>And minutes as centuries measure,<BR> <BR>I would hint, those who marry in haste<BR> <BR>May live to repent it at leisure<BR> <BR>Yet so ardently onward they press,<BR> <BR>And on prudence so gallantly trample,<BR> <BR>That I haven&rsquo;t the heart, I confess,<BR> <BR>To urge on them Beauty&rsquo;s example.,<BR> </section>]]></Text>
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      <Text><![CDATA[Jacob (1785&ndash;1863) and Wilhelm (1786&ndash;1859) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.<BR><BR>Wilhelm (1786&ndash;1859) and Jacob (1785&ndash;1863) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.<BR><BR>Joseph Jacobs (1854&ndash;1916) was an Australian-born writer who is best remembered for his collections of folklore. Jacobs spent&nbsp;much of his life studying literature, and he was an advocate against antisemitism. Inspired by Charles Perrault, the Grimm brothers, and the romantic nationalism movement, he collected English fairy tales so that English children could read stories from their own heritage. Additionally, he published collections of Celtic and Indian tales.<BR><BR>Hans Christian Andersen (1805&ndash;1875) was a Danish author who is best known for his fairy tales, which have become definitive staples of the genre.<BR><BR>Charles Perrault (1628&ndash;1703) was a French author born in Paris. He was elected as a member of the Acad&eacute;mie Fran&ccedil;aise and worked as an advisor in the court of Louis XIV. Perrault is best known for writing&nbsp;<I>The Tales of Mother Goose</I>&nbsp;and is considered to be a founder of the fairy tale genre.]]></Text>
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      <Text><![CDATA[Jacob (1785&ndash;1863) and Wilhelm (1786&ndash;1859) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.<BR><BR>Wilhelm (1786&ndash;1859) and Jacob (1785&ndash;1863) Grimm were two German brothers who are best known for their collection of fairy tales. After studying law and linguistics, the brothers began collecting folktales and published their first volume in 1812. These tales became wildly popular and have been published in over 100 different languages, influencing children&rsquo;s literature and pop culture around the world. In addition to their academic contributions, the brothers were supporters of the nationalistic movement in Germany and played a role in shaping German cultural identity through their work.<BR><BR>Joseph Jacobs (1854&ndash;1916) was an Australian-born writer who is best remembered for his collections of folklore. Jacobs spent&nbsp;much of his life studying literature, and he was an advocate against antisemitism. Inspired by Charles Perrault, the Grimm brothers, and the romantic nationalism movement, he collected English fairy tales so that English children could read stories from their own heritage. Additionally, he published collections of Celtic and Indian tales.<BR><BR>Hans Christian Andersen (1805&ndash;1875) was a Danish author who is best known for his fairy tales, which have become definitive staples of the genre.<BR><BR>Charles Perrault (1628&ndash;1703) was a French author born in Paris. He was elected as a member of the Acad&eacute;mie Fran&ccedil;aise and worked as an advisor in the court of Louis XIV. Perrault is best known for writing&nbsp;<I>The Tales of Mother Goose</I>&nbsp;and is considered to be a founder of the fairy tale genre.]]></Text>
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      <Text><![CDATA[<B>&ldquo;A timeless story for every young person who needs to understand that they are not alone.&rdquo; &#8212;Judy Blume</B><BR> <BR><B>A faux leather&#8211;bound collector&rsquo;s edition of the #1 <I>New York Times </I>bestselling coming-of-age story with millions of copies in print that takes a sometimes heartbreaking, often hysterical, and always honest look at high school in all its glory.</B><BR><BR>The critically acclaimed debut novel from Stephen Chbosky follows observant &ldquo;wallflower&rdquo; Charlie as he charts a course through the strange world between adolescence and adulthood. First dates, family drama, and new friends. Sex, drugs, and <I>The Rocky Horror Picture Show</I>. Devastating loss, young love, and life on the fringes. Caught between trying to live his life and trying to run from it, Charlie must learn to navigate those wild and poignant roller-coaster days of growing up.<BR> <BR>A #1 <I>New York Times</I> bestseller for more than a year, adapted into a major motion picture starring Logan Lerman and Emma Watson (and written and directed by the author), and an American Library Association Best Book for Young Adults (2000) and Best Book for Reluctant Readers (2000), this novel for teen readers (or wallflowers of more advanced age) will make you laugh, cry, and perhaps feel nostalgic for those moments when you, too, tiptoed onto the dance floor of life.]]></Text>
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      <Text><![CDATA[Stephen Chbosky wrote and directed the feature film adaptation of his award-winning novel, <i>The Perks of Being a Wallflower</i>. He has worked in film and television, on projects including the film version of the smash-hit musical <i>Rent</i>; the TV show <i>Jericho</i>; and others. He also edited <I>Pieces</I>, a collection of short stories. A native of Pittsburgh, Pennsylvania, Chbosky graduated from the University of Southern California&rsquo;s Filmic Writing Program. His first film, <i>The Four Corners of Nowhere</i>, premiered at Sundance Film Festival. Follow Stephen on X @StephenChbosky.]]></Text>
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      <Text><![CDATA[<i>This reading group guide for</i>&nbsp;<b>The Perks of Being A Wallflower</b>&nbsp;<i>includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.<BR><BR></i><BR><b>Introduction</b><BR><BR> First published in 1999, <i>The Perks of Being a Wallflower</i> is a modern classic that captures the aching, confusing, and glorious experience of being a teenager&#8212;all through the eyes, ears, and letters of the book&#8217;s narrator, Charlie. We don&#8217;t know where Charlie lives and we don&#8217;t know to whom he is writing. But Charlie&#8217;s haunting letters, addressed only to &#8220;Dear Friend,&#8221; bring readers straight to the heart of his struggles to fit in, to find the will to &#8220;participate&#8221; in life, and to cope with the realities of the larger world as he learns how to grow up. &nbsp; <BR><BR><b>Topics &amp; Questions for Discussion&nbsp;</b><BR><BR> 1. Discuss the epistolary format of the book. Why do you think Chbosky chose to use letters as his narrative structure? How did this structure affect the book, both in terms of the story and in terms of your reading experience? How would the book have been different if Chbosky had written it in first-person or third-person narrative? <BR><BR> 2. Who do you think Charlie was writing to? Does it ultimately matter whom, or even if he is, writing to someone? Why or why not? <BR><BR> 3. Who did you identify with the most? Did you see parts of yourself in any one specific character? <BR><BR> 4. Discuss Charlie&#8217;s character. Is he sympathetic? Would you be friends with Charlie? Why or why not? <BR><BR> 5. What do you think kept Charlie from &#8220;participating&#8221; when he entered high school? What held him back? Have you ever felt this way before? <BR><BR> 6. Who is Charlie&#8217;s greatest ally? Who is his worst influence? <BR><BR> 7. From <i>Naked Lunch</i> by William S. Burroughs to Harold and Maude to The Beatles&#8217; song &#8220;Dear Prudence,&#8221; Charlie references numerous pieces of literature, film, and music. How did these references shape your reading? Why are they so important to Charlie? <BR><BR> 8. When Bill invites Charlie over for lunch Charlie observes, &#8220;He was talking for real. It was strange.&#8221; (p. 181) What do you think Charlie means by &#8220;real&#8221;? How does he discern between what is real and what is not real? <BR><BR> 9. Sam confronts Charlie before she leaves for college, pleading: &#8220;You can&#8217;t just sit there and put everybody&#8217;s lives ahead of yours and think that counts as love.You just can&#8217;t.You have to do things.&#8221; (p. 200) Do you agree with Sam? How does this exchange relate to their relationship on a grander scale? <BR><BR> 10. Discuss Aunt Helen&#8217;s character and presence in the novel. Were you surprised when the truth about her relationship with Charlie was revealed? In what other ways did seemingly positive aspects of Charlie&#8217;s life turn out to be negative? <BR><BR> 11. After watching an art film with Mary Elizabeth Charlie says: &#8220;The movie itself was very interesting, but I didn&#8217;t think it was very good because I didn&#8217;t really feel different when it was over.&#8221; (p. 124) Do you agree with Charlie that in order to be &#8220;good,&#8221; creative works must make you feel differently? How did you feel after reading <i>The Perks of Being a Wallflower</i>? <BR><BR> 12. Discuss the following passage: &#8220;Maybe it&#8217;s good to put things in perspective. Sometimes, I think that the only perspective is to really be there.&#8221; (p. 213) How has Charlie&#8217;s outlook shifted from the beginning of the story? <BR><BR> 13. <i>The Perks of Being a Wallflower</i> grapples with a complex, universally difficult stage of life. What reflections did it inspire about your own life? What parts of the story resonated most deeply with you? <BR><BR><b>Enhance Your Book Club</b><BR><BR>&nbsp; 1. <i>The Perks of Being a Wallflower</i> was released as a major motion picture starring Logan Lerman, Emma Watson, and Ezra Miller in September 2012. Host a movie night with your book club and watch the adaptation! How did the movie differ from the book? How did the casting of the movie match the characters you&#8217;d formed in your mind from reading the book? Which felt more authentic to you? <BR><BR> 2. <i>The Perks of Being a Wallflower</i> has been included on the American Library Association&#8217;s annual &#8220;10 Most Frequently Challenged Books&#8221; list five times in the past ten years. Check out the other books listed on the ALA&#8217;s list at <a href= &#8220;www.ala.org/advocacy/banned/frequentlychallenged/21stcenturychallenged&#8221;> www.ala.org/advocacy/banned/frequentlychallenged/21stcenturychallenged </a>. What are your thoughts on the issue of censorship? Consider choosing one of the other listed titles for your next book club meeting. <BR><BR> 3. Take part in the time-honored tradition of writing letters with your book club. Write letters to your fellow book club members, family members, loved ones, or even to yourself. Or consider participating as a group with one of the following organizations to write letters to those in need. As you write together, share your notes. How do you feel after reaching out to someone with pen and paper? <BR><BR> <a href=&#8220;www.MoreLoveLetters.com&#8221;>www.MoreLoveLetters.com</a>&#8212;An organization that coordinates a community of &#8220;love letter writers&#8221; with a mission to deliver love letters to those in need of a positive word or encouragement. <a href=&#8220;www.AMillionThanks.org&#8221;> www.AMillionThanks.org </a>&#8212;A year-round campaign to show appreciation to U.S. military troops through letters, cards, and emails.]]></Text>
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      <TitleText>Paradise Coast</TitleText>
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      <PersonName>Suzanne Young</PersonName>
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      <BiographicalNote><![CDATA[Suzanne Young is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of The Program series. Originally from Utica, New York, Suzanne moved to Arizona to pursue her dream of not freezing to death. She is a novelist and an English teacher, but not always in that order. Suzanne is also the author of&nbsp;<i>Girls with Sharp Sticks</i>,&nbsp;<i>All in Pieces</i>,&nbsp;<i>Hotel for the Lost</i>, and several other&nbsp;novels for teens. Visit her online at AuthorSuzanneYoung.com or follow her on Instagram at @AuthorSuzanneYoung.]]></BiographicalNote>
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      <SubjectHeadingText>suspenseful contemporary romance; Atmospheric; Beach; Florida; Coast; Mystery; Everglades; Class difference discrimination; Forbidden romance; wealthy; resort; vacation; island; Action; Adventure; Teen groups cliques; Ocean; treasure; betrayal; lies; secrets; drama; past tragedy; paradise; local history; abandoned hotel; fire; suspicious death; investigation; tension; Beach Read; young adult ya teen book novel for 12 13 14 15 16 17 18 year olds grades 7 8 9 10 11 12; for fans of Outer Banks; White Lotus; We Were Liars; E. Lockhart; Summer&#39;s Edge by Dana Mele; This Lie Will Kill You by Chelsea Pitcher; Bad Things Happen Here by Rebecca Barrow;</SubjectHeadingText>
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      <Text><![CDATA[<B>Rival groups of local and wealthy teens in a small Everglades town confront the secrets that rise from the waters in the wake of a hurricane in this sizzling and suspenseful thriller from <I>New York Times</I> bestselling author Suzanne Young&#8212;perfect for fans of <I>Outer Banks</I> and <I>The White Lotus.</I></B><BR><BR><I>Some secrets won&rsquo;t stay buried. Not even in the Everglades.</I><BR> <BR>Deep in the Everglades, there was once a luxurious and legendary hotel enjoyed by the wealthy elite. Until one mysterious night when a fire tore through the building, killing a young socialite and casting blame on a local dock worker. Soon after, the hotel vanished, swallowed up by the wetlands like it never existed at all. <BR> <BR>Until now.<BR> <BR>When a powerful hurricane unearths the ruins of the long-forgotten hotel, the past is dragged back to the surface as clues to the devasting truth about the night of the fire are revealed. <BR> <BR>It&rsquo;s the truth that die-hard local Noa and her friends have been chasing for years in the hopes of clearing their ancestor&rsquo;s name and pushing back against the rich families trying to force them out. With the help of Jamie, the rebellious son of a wealthy businessman, Noa and her crew begin a desperate fight for the justice they deserve. <BR> <BR>It won&rsquo;t be easy. Because the wealthy control just about everything on Paradise Coast&#8212;including the truth. And they will do whatever it takes, even kill, to make sure the past stays buried.]]></Text>
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      <Text><![CDATA[Suzanne Young is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of The Program series. Originally from Utica, New York, Suzanne moved to Arizona to pursue her dream of not freezing to death. She is a novelist and an English teacher, but not always in that order. Suzanne is also the author of&nbsp;<i>Girls with Sharp Sticks</i>,&nbsp;<i>All in Pieces</i>,&nbsp;<i>Hotel for the Lost</i>, and several other&nbsp;novels for teens. Visit her online at AuthorSuzanneYoung.com or follow her on Instagram at @AuthorSuzanneYoung.]]></Text>
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      <Text><![CDATA[Chapter One <link rel="stylesheet" type="text/css" href="../styles/9781665983556.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER ONE <BR>&#8212;NOA<BR> <BR>The storm is almost here. I feel it in the air, heavy as it coats my skin in that sticky kind of dampness. The sky has already started to darken, even though it&rsquo;s barely past noon&#8212;which means we&rsquo;re running out of time. As I look along the beach, the ocean churns, the waves rising in jagged bursts, thrashing against the shore in warning.<BR> <BR>It&rsquo;s true that living in Cape Hope&#8212;living in the Florida Everglades&#8212;isn&rsquo;t like being anywhere else. Sure, it&rsquo;s beautiful, even with the humidity settling into our bones. But it&rsquo;s also a constant struggle to stay ahead of everything nature throws at us. Hurricanes, flooding, wildfires&hellip; tourists&#8212;it&rsquo;s all part of the rhythm of this place.<BR> <BR>Then again, there are also those perfect moments. Moments where everything feels suspended in time. On my days off, I&rsquo;ll take a kayak out into the mangroves, letting the quiet settle around me. There the water is still, perfumed with the smell of salt and fresh mud. In those perfect moments, I can pretend that everything&rsquo;s okay.<BR> <BR>&ldquo;Pretend&rdquo; being the key word. Sooner or later, I&rsquo;m interrupted by the distant roar of an engine from one of the tour boats or I see a helicopter heading toward the resort, and the illusion shatters. The line between us is drawn.<BR> <BR>As the wind starts to whip around me on the sand, I glance at the Grand Augustus Resort perched high on the hill above the beach. There, the rich won&rsquo;t have to lift a finger. No shutters to close, no sandbags to move. Instead, they&rsquo;ll watch the storm roll in from the safety of their hurricane-proof windows, commenting on the danger and how lucky they are that they <i>have people</i> for this kind of thing.<BR> <BR>That&rsquo;s us. We&rsquo;re the people. We&rsquo;re the ones out here protecting their livelihoods as much as our own.<BR> <BR>&ldquo;Hey, Noa, grab that line!&rdquo; my best friend Shawn yells, her voice faint under the rising wind. Her long blond hair lashes at her face, her inner arms dotted with bruises from carrying in loose boat equipment. She pulls me back into the chaos of the approaching storm.<BR> <BR>&ldquo;Got it,&rdquo; I say, jogging onto the dock to grab the rope for one of the rowboats so she can secure it to the dock. I&rsquo;m already exhausted; we all are, but this is just what we do.<BR> <BR>I look down to the other end of the dock and see my father balancing near the edge, the wooden slats swaying with the waves. His green rain slicker blows in the wind, his hat lost somewhere in the ocean. He&rsquo;s barking orders at my friend Tech, trying to get the boats secured before the winds get worse.<BR> <BR>Tech&rsquo;s not wearing his glasses, blinking quickly in the blowing wind. He tightens down the ropes, winching the line closer to the dock. He moves along the edge methodically, stopping at each boat. His muscles flex with each pull, visible rope burns across his dark skin. Although Tech&rsquo;s a pro, his movements are jerky. Panicked. The water&rsquo;s rougher than we expected.<BR> <BR>I hate this. I hate feeling so small, so helpless. Every storm is different, but they all feel the same in the end. We fight like hell to protect what&rsquo;s ours, and the storm doesn&rsquo;t care. It&rsquo;s coming no matter how many lines we tie, no matter how many boats we pull up, no matter how many hours we spend running back and forth on the dock, soaking wet, bruised, and exhausted.<BR> <BR>&ldquo;Dad! You good?&rdquo; I shout over the wind. I don&rsquo;t know if he hears me. He&rsquo;s working on the boat closest to open water. The small yacht belongs to one of the tourists, and it&rsquo;s worth more than all the other boats combined.<BR> <BR>My father winces when he grabs a fresh section of rope. His left hand is bleeding, his fingers slick with it, and I can&rsquo;t tell if it&rsquo;s from the ropes or if he cut himself on something sharp.<BR> <BR>&ldquo;Dad!&rdquo; I try again, but my voice is swallowed by the rising winds. My heart is pounding wildly.<BR> <BR>I know my father is tough. He&rsquo;s been through worse. But right now he looks all alone, framed by a writhing ocean and ominous clouds. I wish my brother were here. Ellis was always the one who could keep his cool, the one who knew what to do without needing anyone to tell him. My whole world would be better if he were still here. But he&rsquo;s not. He&rsquo;s gone. And right now his absence is a gaping hole in my chest, an open wound.<BR> <BR>The wind howls like something alive, tugging at the boats, shaking the dock. The first real raindrops start to fall, sharp as needles, and soak through my Surf Shack sweatshirt. I pull up my hood, but a wind gust forcefully pushes it back down.<BR> <BR>The waves slam against the dock, lifting the boats higher and higher. We don&rsquo;t have enough time. We have to move faster. I dash toward my father to help him.<BR> <BR>&ldquo;Dad, please&#8212;&rdquo; I start, but then I see him stumble on the shaky dock, trying to retie a line. His left hand slips on the wet rope&#8212;his palm shredded.<BR> <BR>Blood drips onto the dock, and for a split second, everything feels like it&rsquo;s frozen. Yet, despite his horrific-looking injury, my father grabs the rope again, determined.<BR> <BR>&ldquo;Dad, stop,&rdquo; I shout.<BR> <BR>But he won&rsquo;t. He&rsquo;s still trying to do it all by himself.<BR> <BR>Tech and Shawn run over to help, knowing that if we don&rsquo;t get everything tied down now, we&rsquo;re going to lose it all. And I&rsquo;m overwhelmed&#8212;devastated at the thought.<BR> <BR>I need my brother. The sudden anger at the thought gives me a boost of adrenaline. I grab the rope from my father&rsquo;s hands.<BR> <BR>&ldquo;Dad, sit down!&rdquo; I order. &ldquo;You&rsquo;re going to make it worse.&rdquo;<BR> <BR>He shakes his head in refusal and grabs another rope. He&rsquo;s always been stubborn, pushing through pain and exhaustion. Pushing through death and disappearances.<BR> <BR>The wind howls relentlessly, the sound jarring me. The boats rock violently, their lines straining and groaning against the pressure, and every gust of wind feels like it&rsquo;s trying to rip the dock from its moorings. It&rsquo;s all happening so fast.<BR> <BR>Shawn pulls a tarp over one of the boats, but the wind rips it right out of her hands and out into the ocean. She curses, throwing up her arms in defeat.<BR> <BR>Determined, I grab the last rope and try to secure it to the dock, but the waves are rising faster than I can work. The water washes over the dock, making the wood slick. We need to hurry or we could get knocked off and pulled out to sea. But if we don&rsquo;t finish, if we don&rsquo;t secure everything, it&rsquo;ll be gone by the morning.<BR> <BR>&ldquo;Tech!&rdquo; I scream. He looks up, eyes wide, and rushes over to help me. The pressure&rsquo;s so intense now, I can hardly keep my footing, but we finally manage to tie down the last line, the ropes as tight as we can get them. I sag with the momentarily relief.<BR> <BR>The rain has turned into a full-on downpour, washing over my face. The world is just wind and rain, and I can barely breathe with the salt and dampness pressing against my chest.<BR> <BR>My father stumbles again, this time falling to his knees on the dock. I don&rsquo;t know if it&rsquo;s the pain or the exhaustion, but his face is pale, his breath ragged. I rush to him and kneel beside him, worried he&rsquo;s gone too far this time.<BR> <BR>&ldquo;I&rsquo;m fine,&rdquo; he grunts, but his voice is strained and weak.<BR> <BR>&ldquo;No you&rsquo;re not, old man,&rdquo; I reply, taking his arm. &ldquo;We have to get inside. The storm&rsquo;s just&#8212;&rdquo;<BR> <BR>A deafening crack of thunder booms around us, and for a moment, the whole world seems to hold its breath. It&rsquo;s apocalyptic. The next wave crashes into the dock with a force that nearly knocks me off my feet. The boat beside us lurches, its ropes snapping, and it drifts away, free from its mooring.<BR> <BR>&ldquo;No!&rdquo; I scream, but my voice is swallowed by the storm. I look around desperately, but there is nothing more we can do. &ldquo;Come on,&rdquo; I tell my father, yanking him forward as he watches the boat disappear into the storm-tossed sea.<BR> <BR>&ldquo;Not yet,&rdquo; he mutters, almost to himself. But he&rsquo;s wrong. The storm&rsquo;s here. It&rsquo;s here, and it&rsquo;s taking everything.<BR> <BR>The realization hits me like a punch to the gut. We can&rsquo;t win. All we can do now is hold on and hope that when it&rsquo;s over, there&rsquo;s something left to rebuild.<BR> <BR>&ldquo;Tech, Shawn,&rdquo; I shout. &ldquo;We need to get inside.&rdquo;<BR> <BR>They nod, and together, we pull my father down the dock, away from the last traces of our fight. We have to make it to shelter. Luckily, our beach cabin is above the tide line, and we make a dash for it.<BR> <BR>We move fast, slipping and sliding on the dock until our feet sink into the wet sand. I glance back, just for a second, at the empty boats that are still tied to the dock. I wonder how many of them will make it through this. If our business will survive the damage.<BR> <BR>I&rsquo;m suddenly aware of being watched. In the middle of a hurricane, I lift my gaze again toward the Augustus Resort. Its windows glint in the storm&rsquo;s darkening light. The whole resort looks untouched; the electricity is even still on. Not only that, there are people gathered on the enclosed balcony of one of the resort&rsquo;s restaurants. Sitting there comfortably, watching the storm. Watching us race to save their belongings.<BR> <BR>Even from here, I know it&rsquo;s the Collective, what we call the rich resort investors and their kids, the ones who truly run Cape Hope. What a joke&#8212;the <i>Collective?</i> They sound like a secret society of vampires, and none of them are cool enough for that. They&rsquo;re opportunists. While we&rsquo;re hustling just to stay afloat, they buy up whatever they want. For them, living in Cape Hope is easy.<BR> <BR>For us? Every day is a struggle, even with my family owning our own business for the last twenty years. It&rsquo;s the same for all the local families. Every time the Augustus Resort expands, they push more of us into the margins. They call it the price of progress, but it doesn&rsquo;t feel like progress. It feels like they&rsquo;re squeezing us out, carving up the land until there&rsquo;s nothing left.<BR> <BR>I hate the Collective. I hate that they don&rsquo;t have to be out here with us in the storm, tying down boats and risking their lives alongside ours. They don&rsquo;t have to work for their piece of paradise. It&rsquo;s handed to them. The beach, the dock, the water&#8212;it&rsquo;s all just something they buy up, package, and sell to the highest bidder.<BR> <BR>I grip my father&rsquo;s arm tighter, my eyes still locked on the Augustus Resort. &ldquo;Let&rsquo;s go,&rdquo; I whisper, finally pulling my gaze away from the resort.<BR> <BR>This rivalry will never end. The Collective call us Chasers&#8212;locals who have stuck around this long. They gave us that name because they think we&rsquo;re always chasing what they have, as if we dream about polo shirts and boring business meetings. Not even close.<BR> <BR>We&rsquo;re Chasers, sure. We&rsquo;re chasing the sun, chasing our dreams. But we&rsquo;re also chasing our chance to pay them back for everything they&rsquo;ve done to Cape Hope. Now, that&rsquo;s a dream we&rsquo;ll chase until the day we die.<BR> </section>]]></Text>
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      <Text><![CDATA[In the Everglades town of Cape Hope, Florida, the tensions between the Chasers&mdash;townies with small businesses and jobs that depend on the tourist season&mdash;and the Collective&mdash;the wealthy hotel owners and elite who want to either buy up or downright steal the Chasers&rsquo; businesses&mdash;are simmering to a boil. Noa&rsquo;s family&rsquo;s Surf Shack is one of the few Chaser-owned places left standing, but after Noa&rsquo;s brother took off and left just Noa and her dad to run the place, their finances are increasingly strained. There could be a way out of it, however, if Noa can finally pin down the Collective&rsquo;s role in a decades-old mystery involving a dead socialite, a missing Chaser, and a vanishing island. To do this, she must find the mysterious Rum Runner Island, and she&rsquo;ll need a sturdy, functioning boat, so she&rsquo;s going to have to enlist her ex-boyfriend Jamie, a Collective kid who broke her heart last summer but seems eager to help now. Things take a turn when a dead body washes up on the shore and later two guys with guns show up, making it clear Noa and Jamie are onto something that might take the Collective down for good. Skillful writing evokes the treacherous allure of the Everglades, making it perfectly plausible that an island could simply disappear in this wild place where predatory gators lie in wait and the air is so oppressive it would surely muffle any cries for help. Less plausible are the incongruent plot beats that rely too heavily on leaps of logic and a deus ex machina in the form of a strangely knowledgeable but unknown relative. Fortunately, the dual narration between Jamie and Noa keeps the pace lively and lays out the emotional stakes well enough to keep readers engaged. Direct fans of Lockhart&rsquo;s <I>We Were Liars</I> series (BCCB 6/14, et al.) here for another look at beautiful places with dangerous secrets.<BR> KQG]]></Text>
      <TextAuthor>BCCB</TextAuthor>
      <TextSourceTitle>January 2026</TextSourceTitle>
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      <Text><![CDATA[&quot;Atmospheric and suspenseful; readers will be engrossed until the last page.&quot;]]></Text>
      <TextAuthor>Kirkus</TextAuthor>
      <TextSourceTitle>December 15, 2025</TextSourceTitle>
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      <Text><![CDATA[&quot;A community&rsquo;s decades-old feud comes to a head in this savvy thriller from Young (In Nightfall) . . . Pulse-pounding mystery and romance.&quot;]]></Text>
      <TextAuthor>Publishers Weekly</TextAuthor>
      <TextSourceTitle>11/17/2025</TextSourceTitle>
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      <Text><![CDATA[Deep in the Florida Everglades, a mystery holds sway over the community of Cape Hope. Years ago, a hotel burned, a woman was murdered, and the cover-up caused the town to divide. The &shy;Collective, the rich people who own and control &shy;everything, and the Chasers, the less &shy;well-off &shy;townies, still are at violent odds with each other. The story bounces back and forth between the viewpoints of two protagonists: Noa, a young teen girl who helps her dad run the Surf Shack; and Jamie, a social &shy;pariah who holds on to just enough influence to run with the rich kids. Together, along with others, Noa and Jamie will investigate what really happened at the Starline Hotel (&shy;seeking to clear the reputation of the suspected murderer) and how their families and others are connected to the darker history of the town. Fans of mysteries around beach communities like television series Outer Banks will flock to Young&rsquo;s (The Program) summer mystery. A mix of romance, adventure, and class struggle, this story brings something for all readers&mdash;&shy;especially mystery fans, who will enjoy trying to follow the clues that the characters discover. The racial/ethnic identity of the characters are not mentioned. <B>VERDICT</B> Perfect as either a beach read or stormy night mystery, this is a hit that will roll right off shelves.&nbsp;]]></Text>
      <TextAuthor>School Library Journal</TextAuthor>
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      <Text><![CDATA[A community&rsquo;s decades-old feud comes to a head in this savvy thriller from Young (<I>In Nightfall</I>). Teen Noa finds comfort in running the Surf Shack on Cape Hope with her father. Following her mother&rsquo;s death and her brother&rsquo;s disappearance, the family business feels like the only thing she has left. But the Collective, influential Cape Hope residents, seems intent on slowly forcing the establishment out of business. Meanwhile, Noa&rsquo;s ex-boyfriend and Collective member Jamie has always been uneasy with his community&rsquo;s elitist ways. The clash between working-class locals and the Collective is generations-old, beginning when a disgruntled shift worker purportedly set fire to the hotel where he worked, killing a rich heiress in the process. When Noa discovers inconsistencies about the hotel blaze, she and Jamie endeavor to uncover the truth, which might be more tied up in Jamie&rsquo;s family history than he anticipated. Conversations regarding gentrification and class differences are surface-level and well-trodden, but sensorial depictions of the marshy Florida setting steal the show as the white-cued protagonists navigate pulse-pounding mystery and romance. Ages 12&ndash;up.&nbsp;<I>Agent: Sarah Gerton, New Leaf Literary. (Feb.)</I>]]></Text>
      <TextAuthor>Publishers Weekly</TextAuthor>
      <TextSourceTitle>11/17/2025</TextSourceTitle>
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      <TextFormat>02</TextFormat>
      <Text><![CDATA[An attempt to solve a 40-year-old Florida mystery turns into a high-stakes thriller when a recent murder comes to light.<BR> <BR> Decades ago, a young socialite ended up dead, a local teen went on the run, and animosities flared between Cape Hope&rsquo;s locals&mdash;labeled Chasers&mdash;and the rich and powerful resort community called the Collective. For years, the Everglades have hidden the secrets of the crumbling Starline Hotel on Rum Runner Island, but a powerful storm churns up the past. In alternating first-person chapters, Noa Acosta and Jamie Matthews&mdash;along with their friends, Tech Mendez and Shawn Callen&mdash;search for evidence to unravel the mystery that&rsquo;s shaped the town, stop the hostility that&rsquo;s brewing between its communities, clear a family&rsquo;s name, and offer a chance at redemption. Young creates an ominous tone, immersing readers in a visceral and vivid setting&mdash;a lush landscape, where a dead body is clasped in a &ldquo;marsh&rsquo;s wet embrace&rdquo; and a &ldquo;thick, sludgy kind of quiet&rdquo; permeates the air. The stakes are high&mdash;with threats both from the unforgiving nature of the landscape and from those who want to keep the truth buried. Elements of the past and current murders are expertly woven together with carefully laid backstory. Jamie and Shawn read white, and Noa and Tech are cued Latine.<BR> <BR> Atmospheric and suspenseful; readers will be engrossed until the last page.]]></Text>
      <TextAuthor>Kirkus</TextAuthor>
      <TextSourceTitle>December 15, 2025</TextSourceTitle>
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      <Text><![CDATA[CHAPTER 1 <BR><BR>&#160; One bright sunny afternoon Lily, Jasmine, and Sky soared over the treetops of Fairy Forest. They were on their way to meet their friend Willow in the lush flower garden planted by Willow&rsquo;s grandmother.<BR><BR>&#160; &ldquo;There she is!&rdquo; Lily called, spotting Willow sitting on a knotty pine bench next to a row of yellow honeysuckles.<BR><BR>&#160; Cautiously, the fairies fluttered over and hid behind a bush.<BR><BR>&#160; &ldquo;Psst, Willow! Is the coast clear?&rdquo; Sky whispered, poking her head out between the leaves.<BR><BR>&#160; &ldquo;Oh!&rdquo; Willow cried, jumping at the sight of the tiny fairy and nearly falling off the bench.<BR><BR>&#160; She had been so busy watching two bees buzzing around a purple crocus that she hadn&rsquo;t noticed the fairies&rsquo; arrival.<BR><BR>&#160; &ldquo;You surprised me again.&rdquo; Willow giggled.<BR><BR>&#160; &#160; The last time the fairies had surprised Willow, they had snuck into her lunch bag at school. It was a bit of a challenge to hide from the other students. After all, only Willow knew the fairies even existed. Still, the friends ended up having the most exciting adventure.<BR><BR>&#160; Willow beamed at the fairies. &ldquo;Don&rsquo;t worry. No one&rsquo;s around,&rdquo; she assured the group. &ldquo;Grandma&rsquo;s in the kitchen baking plum tarts and talking to her best friend, Lila, on the phone.&rdquo;<BR><BR>&#160; &#160; At the mention of tarts, Sky licked her lips. &ldquo;Yum! Plum tarts.&rdquo; She drooled. &ldquo;Do you think she might have extras?&rdquo;<BR><BR>&#160; Everyone laughed. Sky loved anything sweet&hellip; or salty&hellip; and everything in between.<BR><BR>&#160; &ldquo;I&rsquo;ll see what I can do,&rdquo; Willow promised, grinning.<BR><BR>&#160; Just then, Lily, who had been flitting around a sweet-smelling rosebush, noticed a strange object on the ground. It had a glossy surface with delicate coral, pink, and white swirls all over it.<BR><BR>&#160; &ldquo;Oooh! What is that?&rdquo; the fairy asked Willow. &ldquo;It&rsquo;s beautiful!&rdquo;<BR><BR>&#160; &ldquo;That&rsquo;s a seashell,&rdquo; the girl explained to the fairies. &ldquo;I found it at the beach. The ocean polished it, so it&rsquo;s extra shiny.&rdquo;<BR><BR>&#160; &ldquo;What&rsquo;s a beach?&rdquo; Lily asked.<BR><BR>&#160; &ldquo;What&rsquo;s an ocean?&rdquo; Jasmine added.<BR><BR>&#160;&#160; &#160; &#160; It made sense that the fairies had no idea what an ocean or a beach was. They spent almost all their lives in Fairy Forest. Plus, the nearest ocean was miles and miles away. It would take forever to fly that far with only little fairy wings for transportation.<BR><BR>&#160; &ldquo;The beach is amazing,&rdquo; Willow said excitedly. She told them about the soft, sandy dunes, the multicolored seashells, the white sand dollars, and the tiny crabs. She told them about the vast blue ocean with its frothy waves and about the dolphins and whales and other incredible creatures that lived under the sea.<BR><BR>&#160; When Willow was finished, Lily&rsquo;s eyes were huge. &ldquo;It sounds like the most magical place ever,&rdquo; she said dreamily.<BR><BR>&#160; &#160; Later that night, lying in her fairy hammock, Lily stared up at the night sky peppered with glittering stars. She couldn&rsquo;t stop thinking about the beach. If only she could see it for herself. Just then, she remembered something Willow had told her. In the human world, if you made a wish on a star, sometimes your dream came true.<BR><BR>&#160; But could wishing on a star work for a fairy? There was only one way to find out.<BR><BR>&#160; With her eyes on the brightest star in the sky, Lily made a wish.]]></Text>
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      <Text><![CDATA[Chapter 1&#160; Test Taking<BR><BR>&#160; &ldquo;Time&rsquo;s up, class!&rdquo;<BR><BR>&#160; Whew! I had just finished answering the last question on my history test with a few seconds to spare. <I>Two down, three to go,</I> I thought as I handed in my test and walked down the hallway for lunch.<BR><BR>&#160; Test-taking week at Fenton Street School was no joke. My whole grade was getting grilled on math, science, English, history, and gym. Yesterday, I had my gym exam&#8212;so easy! After history this morning, all I had left today was my science test.<BR><BR>&#160; When I reached the cafeteria, I saw my friends Emily, Ethan, Natalie, and Alana sitting at our usual table. We&rsquo;re all part of the Mini Cupcake Club, and we normally baked treats for different events.<BR><BR>&#160; &#160; But this week, we&rsquo;d all been studying hard for our tests. So that meant no baking.<BR><BR>&#160; &ldquo;How was history?&rdquo; asked Natalie as I sat down and took out my lunch.<BR><BR>&#160; &ldquo;Not too hard,&rdquo; I replied. &ldquo;You&rsquo;re taking the math test after lunch, right?&rdquo;<BR><BR>&#160; Natalie nodded. &ldquo;Stephanie helped me study.&rdquo;<BR><BR>&#160; &#160; That made me happy to hear. Natalie and her twin sister, Stephanie, had recently gone through a rough patch, but they were a lot better now. It was awesome that Stephanie was helping Natalie with her schoolwork. For a moment, I wished I had a sibling to help me study.<BR><BR>&#160; &ldquo;I really miss baking,&rdquo; said Emily, biting into her sandwich.<BR><BR>&#160; &ldquo;No orders for two weeks while we study. Grades matter,&rdquo; Alana reminded us.<BR><BR>&#160; &ldquo;I know,&rdquo; Emily said with a sigh. &ldquo;But I still miss it.&rdquo;<BR><BR>&#160;&#160; &#160; &#160; Before lunch ended, my friends and I promised to hop on a quick video call when we got home to see how our latest tests went. I headed over to my next class, and before I knew it, the day was almost over, and it was time for my science exam.<BR><BR>&#160; I read through the questions.<BR><BR>&#160; &#160; I couldn&rsquo;t help but feel so proud of myself&#8212;I knew every single answer and was one of the first to finish!<BR><BR>&#160; &#160; As I waited for the last bell, I thought about the past few months. Ever since starting at Fenton, everything had been great. I was doing well in school, and I had amazing friends.<BR><BR>&#160; When the final bell rang, I jumped up. I couldn&rsquo;t wait to tell my parents that I&rsquo;d aced my exams! Plus, it was my parents&rsquo; fifteen-year wedding anniversary this weekend. <I>Maybe we&rsquo;ll do something fun at the end of test week to celebrate,</I> I thought.<BR><BR>&#160;&#160; &#160;]]></Text>
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      <BiographicalNote><![CDATA[Lee Heart has always been a hopeless romantic and looks back on her middle school days fondly. Now, she spends her time writing about middle school tween adventures in her beach house, where it feels like summer all year long. When she&rsquo;s not writing, she spends her time reading, collecting seashells, perfecting her secret s&rsquo;mores recipe, making crafts with her BFF, and looking for shooting stars.]]></BiographicalNote>
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      <SubjectHeadingText>romantic comedies; rom-com; romance; crushes; middle school; friendship; drama; spring break; pool fun; spring fling; vacation; friend zone; love triangle; friends to crush; jealousy; gossip; boy drama; grandmother granddaughter relationship; tween; reluctant reader; easy to read; short middle grade fiction series for 8 9 10 11 12 year olds grades 3 4 5 6 7; Written in the Stars; Meet Me at Sunset; Playing for Keeps; Courtesy of Cupid by Nashae Jones; All My Bests by Britnee Meiser; Not If You Break Up with Me First by G.F. Miller; Operation Pucker Up by Rachele Alpine; Coco Simon</SubjectHeadingText>
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      <Text><![CDATA[<B>A girl&rsquo;s spring break gets complicated by an unexpected love triangle in this latest installment in the tween middle grade rom-com series, Spotlight Sprinkles!</B><BR><BR>At first, Anna thought spending spring break with Grandma Gina would be a total snooze fest, but her grandma&rsquo;s friend Lillian has the cutest grandson&#8212;Mason! Anna and Mason get along great, until Grandma Gina&rsquo;s neighbor brings over her chatty grandkids, Daniella and Daniel.<BR> <BR>How can Anna figure out if Mason feels the same way she does if every time they&rsquo;re together, Daniel keeps trying to get her attention? Is it possible that Daniel <i>and </i>Mason like Anna? How does she tell Daniel that she likes someone else? <i>Oh no</i>, what if Mason is trying to tell Anna <i>he </i>likes someone else?!]]></Text>
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      <Text><![CDATA[Chapter 1 <link rel="stylesheet" type="text/css" href="../styles/9781665984843.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <figure ><img src="../images/f0001-01.jpg" alt="A hand holding a ticket labeled &ldquo;Spring Break&rdquo; with swirling decorative elements in the background."></figure> CHAPTER 1 <BR>My name is Ana Miller and at this very moment, I&rsquo;m trying to block out my friends by staring and poking at my salad with a fork. Normally I love talking with my friends at lunchtime, but today it&rsquo;s just making me depressed.<BR> <BR>&ldquo;And our resort has its own private beach,&rdquo; Jessica brags, practically jumping up and down in her seat. &ldquo;So we can just walk out of the hotel and right onto the sand. And the temperature there right now is eighty degrees! Isn&rsquo;t that awesome? I am so tired of the cold,&rdquo; she says.<BR> <BR>&ldquo;And the snow,&rdquo; Emily adds, glancing toward the nearby window. Mounds of winter snow are piled up in the middle school parking lot and along the walkway. Icicles drip from the bare tree branches and snowflake flurries swirl around in the freezing wind.<BR> <BR>&ldquo;It&rsquo;s Chicago. It&rsquo;s supposed to be cold in winter,&rdquo; I point out, repeating something my dad says often. It never actually makes me feel better about the weather, though. I <i>love</i> the summer, when it isn&rsquo;t necessary to bundle up every day. The summer sun just makes everything feel happier.<BR> <BR>&ldquo;Well, I <i>love</i> the snow,&rdquo; Ava says. With her jet-black hair and blue eyes, Ava always looks like a snow princess from a fairy tale. &ldquo;I can&rsquo;t believe we&rsquo;re finally going skiing in Colorado! It&rsquo;s going to be awesome.&rdquo;<BR> <BR>Emily frowns. &ldquo;We&rsquo;re not going far at all. Mom&rsquo;s taking us to Mammoth Lodge. It&rsquo;s kind of lame, but at least they have an indoor pool.&rdquo;<BR> <BR>Jessica turns to her attention to me. &ldquo;So, are you guys doing anything?&rdquo;<BR> <BR><i>Ugh.</i> I sigh. &ldquo;You know we never do. My dad says this year I can help out in his office and make some extra money.&rdquo;<BR> <BR>&ldquo;That&rsquo;s pretty lame too,&rdquo; Ava remarks, and Jessica shoots her a look as if to say, <i>Don&rsquo;t be so rude</i>. &ldquo;I don&rsquo;t mean that Ana&rsquo;s lame. I mean her dad is lame, you know, for making her work,&rdquo; Ava adds, correcting herself.<BR> <BR>&ldquo;It&rsquo;s okay,&rdquo; I reply glumly. &ldquo;You&rsquo;re right. It is lame.&rdquo;<BR> <BR>&ldquo;It&rsquo;s not all that bad,&rdquo; Jessica says, trying to cheer me up. &ldquo;With some money, you can finally buy those great earrings we saw at Sparks.&rdquo;<BR> <BR>&ldquo;Yeah,&rdquo; I say, dropping my eyes and poking at my salad again. Jessica is super sweet and a great best friend. But there&rsquo;s nothing she can do to get me out of this mood.<BR> <BR>It&rsquo;s just not fair! I&rsquo;m pretty sure that my family is the only one in the whole school who never goes anywhere during spring break. Things get awfully complicated for my family in March and April.<BR> <BR>For one thing, even though it&rsquo;s &ldquo;spring break,&rdquo; it still feels like winter in Chicago. My mom is a pediatrician, and this time of year she&rsquo;s bombarded with kids coming down with the flu.<BR> <BR>And it&rsquo;s not like my dad can take us anywhere alone. My dad is an accountant, which means he has to help dozens of people do their taxes before April fifteenth. So he can&rsquo;t take off work either.<BR> <BR>My mom&rsquo;s go-to response is, &ldquo;We&rsquo;ll make it up to you in the summer,&rdquo; and it is true&#8212;we always go on a nice vacation in the summer. But our last vacation is a distant memory, and in two weeks all I have to look forward to is filing folders in my dad&rsquo;s office, watching the snow fall outside.<BR> <BR>&ldquo;Well, the week goes by fast anyway,&rdquo; Jessica says.<BR> <BR>Emily takes a break from scrolling on her phone to show us her screen. &ldquo;Hey, I forgot that Mammoth Lodge has horseback riding! Maybe it won&rsquo;t be so bad after all.&rdquo;<BR> <BR>Ava looks at all of us and leans in. In a hushed voice, she says, &ldquo;Okay. If you could go on spring break with any boy in our class, who would it be?&rdquo;<BR> <BR>&ldquo;That&rsquo;s easy. Aiden Jones,&rdquo; Emily replies. &ldquo;He&rsquo;s so cute.&rdquo;<BR> <BR>&ldquo;No way!&rdquo; Ava squeals. &ldquo;I was going to pick him!&rdquo;<BR> <BR>&ldquo;Well, I think I would want to go with Evan Davis,&rdquo; Jessica says a little shyly.<BR> <BR>&ldquo;Him? He&rsquo;s so nerdy!&rdquo; Emily laughs.<BR> <BR>Jessica blushes. &ldquo;That&rsquo;s why I like him,&rdquo; she says.<BR> <BR>Ava turns to me. &ldquo;What about you, Ana?&rdquo;<BR> <BR>I shrug. &ldquo;I don&rsquo;t really know.&rdquo; Which is true. I have never had a real crush on a boy yet. Sure, there are some nice, cute boys in my class, but I would never think of, like, <i>dating</i> any of them. &ldquo;Besides, it doesn&rsquo;t matter, because I&rsquo;m not going on spring break anyway,&rdquo; I respond.<BR> <BR>Finally the lunch bell rings. I&rsquo;m so glad the conversation is over, but I already know that spring break will be the only thing on my mind all day.<BR> <BR><i>I&rsquo;ll keep working on Mom and Dad</i>, I think as I grab the rest of my books for my afternoon classes. There has to be some way to save spring break! I&rsquo;ll wait and bring it up at dinner tonight.<BR> <BR>It&rsquo;s Thursday night, which means that Mom gets home late, and Dad decides to make something easy for dinner. Tonight it&rsquo;s spaghetti with cooked meatballs from the freezer. I&rsquo;ve been told to make the salad. My twin brother, Adam, is in charge of garlic bread, and we both have to set the table.<BR> <BR>When I walk into the kitchen to make the salad, I find a pot of boiling water. My dad is infamous for starting things in the kitchen and then wandering off to make a phone call or check something on his computer. My mom gets so mad&#8212;because of the whole you-can-burn-down-the-house thing. Usually we all yell at him when this happens, but tonight I just take the big yellow salad bowl out of the cabinet, get the vegetables out of the refrigerator, and then put them on the counter. Next I take out the box grater so I can shred the carrots into the salad, just the way my dad likes it. Normally I just chop them up because I&rsquo;ve always been a little afraid of using the grater, but tonight I have to keep my dad&rsquo;s spirits high.<BR> <BR>Adam comes into the kitchen while I&rsquo;m grating the carrots and stops when he sees me.<BR> <BR>&ldquo;So what are you asking Dad for?&rdquo; he asks.<BR> <BR>I&rsquo;m not surprised that Adam can tell that I have ulterior motives for grating the carrots. It&rsquo;s one of those twin things. It&rsquo;s not like we can read each other&rsquo;s minds or anything, but sometimes I just know what Adam is going to say before he says it, and vice versa&#8212;stuff like that. Or I can usually tell just by looking at Adam if he&rsquo;s worried about something, or keeping a secret, or coming down with a cold.<BR> <BR>I peek over my shoulders and around the room before explaining. Parents have a way of popping up behind you when you least expect them.<BR> <BR>&ldquo;I really want us to go on spring break,&rdquo; I reply.<BR> <BR>Adam nods. &ldquo;Me too. But you know we can&rsquo;t go.&rdquo;<BR> <BR>&ldquo;But there&rsquo;s got to be some way,&rdquo; I point out. &ldquo;Mom can&rsquo;t be the only doctor in Chicago who treats the flu. She could find someone to fill in for her.&rdquo;<BR> <BR>&ldquo;Yeah, well, what about Dad?&rdquo; Adam asks.<BR> <BR>&ldquo;He could have a working vacation,&rdquo; I reason. &ldquo;He does half of his work here on his computer anyway.&rdquo;<BR> <BR>Adam walks up to the counter, picks up a carrot, and bites into it. &ldquo;Might work. Go for it.&rdquo;<BR> <BR><i>That&rsquo;s Adam,</i> I think, <i>just happy to go with the flow</i>. If I didn&rsquo;t bring up spring break, Adam wouldn&rsquo;t have bothered to mention it. That&rsquo;s just the way he is.<BR> <BR>Sometimes it&rsquo;s hard for me to believe that we&rsquo;re twins. Sure, we both have fair skin, hair that can&rsquo;t decide if it&rsquo;s brown or black, and brown eyes. And we both have what our parents call the &ldquo;Miller nose,&rdquo; which turns up a little bit at the end and which every Miller is supposedly born with.<BR> <BR>But I&rsquo;m about a half an inch taller than Adam (although Dad always points out that boys grow more slowly than girls). And Adam&rsquo;s brown eyes have a hint of green in them while mine are a light brown.<BR> <BR>Anyway, lots of brothers and sisters look alike, not just twins. But our personalities&#8212;that&rsquo;s where we&rsquo;re really different. Adam is always really&hellip; mellow. Things never bug him. He just takes everything in stride. If his pillow is lumpy, he&rsquo;ll sleep on it without complaining.<BR> <BR>I&rsquo;m the opposite. If something is bugging me, I want to&#8212;no, have to&#8212;fix it. If I have a lumpy pillow, I won&rsquo;t sleep a wink until I find a pillow without lumps.<BR> <BR>My mom uses the same sentence to describe our personalities to everyone: &ldquo;If life were an ocean, Adam would be riding the currents and Ana would be on a Jet Ski speeding past him.&rdquo; And the funny thing is, I&rsquo;m sure that Mom is complimenting me, but Adam is always confident that he&rsquo;s the one being complimented. Mom says that means we&rsquo;re each happy with who we are, and that that is good.<BR> <BR>Just then, I notice steam pouring from under the lid of the pot my dad put on the stove, so I grab a rag to pick up the lid and peek inside.<BR> <BR>&ldquo;Dad, you&rsquo;re boiling!&rdquo; I call out.<BR> <BR>My dad comes rushing in, tucking his phone into his front shirt pocket. He picks up a box of spaghetti from the counter and dumps it into the boiling water.<BR> <BR>&ldquo;Thanks, Ana,&rdquo; he says. &ldquo;Oh gosh! I forgot to do the meatballs. Guess I&rsquo;ll microwave them. Mom will be home soon.&rdquo;<BR> <BR>I finish up the salad at the same time that Adam gets done slathering butter on the bread and sprinkling it with garlic powder.<BR> <BR>&ldquo;Dad, can you turn on the broiler?&rdquo; Adam asks.<BR> <BR>&ldquo;Sure thing,&rdquo; Dad says.<BR> <BR>While Adam reaches into the cabinets to grab the plates, I take the utensils out of the drawer.<BR> <BR>&ldquo;That&rsquo;s five,&rdquo; I correct him. &ldquo;We only need four, remember?&rdquo;<BR> <BR>&ldquo;Oh yeah,&rdquo; Adam says casually, putting a plate back, but I see a brief cloud pass over his face. The fifth plate would have been for our older brother, Kai, who is away at college for his spring semester. I miss him a lot, but I know Adam misses him even more.<BR> <BR>Fifteen minutes later, the table is set with the salad, garlic bread, and spaghetti and meatballs. Dad gives Adam and me a high five right as Mom walks into the kitchen.<BR> <BR>&ldquo;We are a well-oiled machine,&rdquo; Dad says.<BR> <BR>&ldquo;Smells great in here!&rdquo; says my mother. She peels off her hat, coat, scarf, and gloves. Underneath it all is an average-sized woman with jet-black straight hair like Adam&rsquo;s and mine, and a perfectly fine nose (even though it isn&rsquo;t a &ldquo;Miller nose&rdquo;).<BR> <BR>My mom washes her hands at the sink (&ldquo;Hand washing is the enemy of germs!&rdquo; is her motto), and then we all sit down at the table. We chat for a few minutes about the usual stuff&#8212;what happened in school, the client who brought Dad chocolate-chip cookies, Mom&rsquo;s patient who stuck a marble up his nose. Then there&rsquo;s a break, and a moment of silence. This is my chance.<BR> <BR>&ldquo;So, I&rsquo;ve been thinking. It&rsquo;s not too late for us to plan a trip for spring break,&rdquo; I say. &ldquo;In fact, I saw some great last-minute deals online.&rdquo;<BR> <BR>My mom lets out a huge sigh. &ldquo;Oh, honey, I know how much you want a break, but you know that your dad and I have to work.&rdquo;<BR> <BR>&ldquo;I was thinking about that,&rdquo; I counter, then I launch into the plan that I shared with Adam. &ldquo;So it&rsquo;s definitely possible, right?&rdquo; I say when I finish.<BR> <BR>&ldquo;You know that you two have to be careful in the sun because of your fair skin,&rdquo; Mom says.<BR> <BR>&ldquo;You know we&rsquo;re always careful when we go out in the sun,&rdquo; I reason. &ldquo;And anyway, I&rsquo;d be happy just to get away. We don&rsquo;t have to go to a beach. There&rsquo;s lots we could do.&rdquo;<BR> <BR>Here Mom and Dad look at each other. I wish I could read their faces the same way I can read Adam&rsquo;s, but my parents are a different story.<BR> <BR>&ldquo;We&rsquo;ll think about it,&rdquo; Mom says, and I decide not to push it any further, that&rsquo;ll have to be good enough. But that doesn&rsquo;t mean I&rsquo;m not going to think about it for the rest of dinner.<BR> <BR>Once we finish eating Adam and I clear the table and I head up to my room, taking two steps at a time. I open my laptop and immediately start searching the web.<BR> <BR><i>Best spring break destinations,</i> I type, and pictures of palm trees and white beaches pop up on the screen. Everything looks amazing. I jot down notes about the ones that seem the best, like a hiking trip out West and a scuba-diving vacation in the Caribbean. I even take down the info on Mammoth Lodge just in case my parents don&rsquo;t want to go too far.<BR> <BR>But I know my parents, and a great destination alone isn&rsquo;t enough to sway them.<BR> <BR>I delete my previous search and type <i>benefits of vacation</i> and tons of articles appear&#8212;some of them are even written by doctors. Mom is going to love that.<BR> <BR>I read a few of them, taking a lot of notes. One article mentions that people who take vacations get sick less often and are less stressed out. Another one says that people who go on vacation are more productive at work. My dad is going to love that one.<BR> <BR>I start putting together a presentation on my computer using all the research I just did. I&rsquo;m pulled away from my computer by Dad&rsquo;s knock on the door.<BR> <BR>&ldquo;You&rsquo;re awfully quiet in here. Homework?&rdquo; he asks.<BR> <BR>&ldquo;No, a special project,&rdquo; I answer.<BR> <BR>&ldquo;Well, good for you,&rdquo; he says. &ldquo;But you need to wrap it up and get ready for bed, okay, hon?&rdquo;<BR> <BR>&ldquo;Sure, Dad,&rdquo; I say. I don&rsquo;t need the presentation anyway. I&rsquo;m going to slay them with my amazing facts!<BR> <BR>As I fall into a deep sleep, I start dreaming about sitting under an umbrella on a white sandy beach, listening to the sound of gentle waves lapping against the shore.<BR> </section>]]></Text>
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      <Text><![CDATA[Chapter One: Big News <link rel="stylesheet" type="text/css" href="../styles/9781665988063.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER ONE <img src="../images/common01.jpg" role="presentation" alt=""> Big News <BR>&ldquo;SO WHAT DO YOU THINK George wants to talk to us about?&rdquo; my friend Bess asked with a big grin, plopping down in the passenger seat of my car. It was a sunny afternoon a few days before a school break, the kind of day that feels ripe with possibilities. &ldquo;New crush or new video game?&rdquo;<BR> <BR>I gave her a wry smile. George is a techie and loves gaming, but I wasn&rsquo;t sure that was the source of her GET OVER HERE RIGHT NOW I HAVE BIG NEWS!!! text to Bess and me just a half hour before. I was just hoping it was <i>good</i> big news.<BR> <BR>&ldquo;I&rsquo;m not sure,&rdquo; I said honestly.<BR> <BR>&ldquo;Maybe she dyed her hair?&rdquo; Bess wondered as I pulled back out of her driveway. &ldquo;She&rsquo;s always talking about going blue, but I never thought she&rsquo;d do it&hellip;&rdquo;<BR> <BR>Luckily, George lives pretty close to Bess, who just happens to be her cousin. (Yep, my two BFFs are related.) So it was only about five minutes later that we pulled into George&rsquo;s driveway and piled out. The side door was open, as always, so Bess and I plowed in, entering the kitchen and calling, &ldquo;George? What&rsquo;s the big news?&rdquo; as we grabbed a few graham crackers out of the box on the counter.<BR> <BR>&ldquo;In the study!&rdquo; George&rsquo;s voice called.<BR> <BR>Munching crackers, we wandered through the living room and into the small, book-lined room, where George sat in front of her laptop, a huge smile on her face.<BR> <BR>&ldquo;Okay, cuz, what is it?&rdquo; Bess demanded. &ldquo;I was writing an outline for my paper. This better be big!&rdquo;<BR> <BR>George waved a hand. &ldquo;Sorry, cuz, I know you&rsquo;re busy with that poetry class. But I promise you, this <i>is</i> big! It&rsquo;s <i>huge</i>, honestly!&rdquo;<BR> <BR>Bess examined her cousin. &ldquo;Well, it&rsquo;s not your hair.&rdquo;<BR> <BR>George rolled her eyes. Her hair was the same dark bob she always wore. &ldquo;Only <i>you</i> would hear &lsquo;life-changing news&rsquo; and think, &lsquo;She must have changed her hair.&rsquo;?&rdquo;<BR> <BR>The truth was, it had seemed plausible to me, too. George <i>had</i> been admiring the blue streaks in her cousin Veronica&rsquo;s hair for months. But now I was at a total loss.<BR> <BR>&ldquo;Tell us, George!&rdquo; I urged. &ldquo;It&rsquo;s not like you to freak out like this. It must be something important!&rdquo;<BR> <BR>George turned to me, beaming. Then she grabbed her laptop and turned it around, hitting the mouse button.<BR> <BR>She was on Vidz, the video-sharing social media site. Onscreen, a pretty blond woman in a slightly dented straw hat and a boho dress was resting her hand on the shoulder of a guy with long brown hair and a bushy beard. They were sitting at a table in a small space, and behind them, a window showed a gorgeous desert vista.<BR> <BR>&ldquo;Soooo,&rdquo; the woman said, &ldquo;as you guys know, Matt and I have been watching all of your entry videos to decide who is the perfect person to drive our van from Chicago to LA.&rdquo;<BR> <BR>Bess turned to George, a crinkle forming between her eyebrows. &ldquo;Van?&rdquo; she asked. &ldquo;What van?&rdquo;<BR> <BR>&ldquo;Just watch,&rdquo; George commanded, pointing at the screen.<BR> <BR>&ldquo;Aaaaand,&rdquo; the man, Matt, added with a mischievous grin, &ldquo;I think Sammy and I have found a winner!&rdquo;<BR> <BR>&ldquo;There were lots of great entries,&rdquo; Sammy went on. &ldquo;You guys are so creative! And honestly, so many of you are so excited to try van life, we really encourage you all to find a way&#8212;even if it&rsquo;s just renting an RV for a week!&rdquo;<BR> <BR>&ldquo;Van life?&rdquo; Bess asked. &ldquo;What&rsquo;s that?&rdquo;<BR> <BR>But actually, gears were starting to turn in my mind. I was remembering a conversation I&rsquo;d had with George over smoothies a few weeks back. She&rsquo;d shown me her phone, scrolling through a bunch of Vidz posts featuring beautiful landscapes, dreamy sunsets, and photos of couples snuggling close beside roaring fires.<BR> <BR>&ldquo;Doesn&rsquo;t that look amazing?&rdquo; she&rsquo;d asked me. &ldquo;Imagine being able to live wherever you want. No commute, few possessions. Cooking your meals outside. Imagine how <i>free</i> you&rsquo;d feel. They call it #vanlife&hellip;&rdquo;<BR> <BR>At the time, I think I asked, &ldquo;But where do they go to the bathroom?&rdquo; George had scowled and changed the subject. I wrote it off as George fantasizing about getting away from her family&rsquo;s basement-cleaning project, which had been in full swing that weekend. But&hellip; did this have something to do with those posts?<BR> <BR>&ldquo;Keep watching,&rdquo; George said now, nodding at the screen.<BR> <BR>&ldquo;Anyway,&rdquo; Matt said, &ldquo;the winner my lovely wife and I chose <i>is&hellip;</i>&rdquo;<BR> <BR>He started drumming on a table in front of him. Sammy joined in.<BR> <BR>&ldquo;Oh, just tell us!&rdquo; Bess cried.<BR> <BR><i>&ldquo;George Fayne!&rdquo;</i> the couple in the video shouted in unison.<BR> <BR><i>&ldquo;What?&rdquo;</i> Bess and I both cried in surprise, looking at George.<BR> <BR>George nodded to the screen, beaming. &ldquo;I know! Check it out.&rdquo;<BR> <BR>Matt and Sammy had stood up and were now aiming the camera around what looked like an incredibly small&#8212;like, closet-sized&#8212;studio apartment. Not a studio apartment, I realized quickly. This must be their van! &ldquo;All of this will be yours, George!&rdquo; Sammy announced with a huge grin.<BR> <BR>There was a double bed wedged against a wide window with curtains. A tiny bathroom with a doll-sized, low toilet within. And a small kitchen, with a teeny fridge, stove, oven, microwave, and what looked like a high-end espresso machine. The camera swerved to the left, and we saw a small sitting area, two chairs facing a fold-out table.<BR> <BR>The van had everything you would need to live in it for a long time. Because that was what George had won: the opportunity to live in this van while she drove it from Chicago to LA.<BR> <BR>Because getting to live in a van was a <i>good</i> thing?<BR> <BR>&ldquo;All we ask,&rdquo; Sammy went on, &ldquo;is that you bring a friend or two and document your whole trip. All the Matt and Sammy subscribers will love seeing a newbie fall in love with van life! While we spend some quality time with our families in Chicago, you&rsquo;ll be living your best van life: stopping at some super-fun roadside attractions and traveling through some of the most gorgeous scenery this country has to offer! When you reach LA, you&rsquo;ll drop the van off for service with our favorite van technician, who first outfitted her for us, and we&rsquo;ll cover all your travel back to Chicago. Look out for an email with all the deets, George! And have an <i>amazing</i> time!&rdquo;<BR> <BR>George hit the Pause button and looked up at us. Her face was hopeful now. It was clear that she thought getting to live in a van was a very, very good thing. &ldquo;You guys will come with me, won&rsquo;t you?&rdquo; she asked.<BR> <BR><i>&ldquo;What?&rdquo;</i> Bess asked.<BR> <BR>&ldquo;Are you serious?&rdquo; I added. &ldquo;To live in the van with you? All three of us in that space?&rdquo;<BR> <BR>George nodded eagerly. &ldquo;It&rsquo;s bigger than it looks!&rdquo;<BR> <BR>Bess groaned. &ldquo;I don&rsquo;t think it is, cuz.&rdquo;<BR> <BR>As George frowned at her, I shook my head. &ldquo;When is this even supposed to be?&rdquo;<BR> <BR>&ldquo;Oh, you have time to prepare&#8212;don&rsquo;t worry,&rdquo; George said with a shrug. &ldquo;We would leave on Sunday.&rdquo;<BR> <BR><i>&ldquo;Sunday?&rdquo;</i> Bess cried. It was Thursday.<BR> <BR>&ldquo;How long would we be gone?&rdquo; I asked. As it happened, I didn&rsquo;t have any plans next week aside from a tentative date with my boyfriend, Ned, and a couch-shopping trip with my dad. Both could be rescheduled without a problem. But that didn&rsquo;t mean I was sure about this. &ldquo;And&hellip; where would we be going, exactly?&rdquo;<BR> <BR>George&rsquo;s eyes lit up. &ldquo;We&rsquo;d be gone for a week,&rdquo; she said. &ldquo;And it&rsquo;s just like Matt and Sammy told us&#8212;we&rsquo;d have this incredible itinerary driving through Iowa, Nebraska, Colorado, Utah, on into Nevada, and then California. We&rsquo;d travel through Denver and Las Vegas, but mostly it&rsquo;s just a wild landscape. You know: the sunset, a fire, and our van! Can you imagine how much fun we&rsquo;ll have?&rdquo;<BR> <BR>&ldquo;What about&hellip; plumbing?&rdquo; Bess asked, looking very unthrilled. &ldquo;Are we not going to shower for a week? What if we have to go to the bathroom?&rdquo;<BR> <BR>George shook her head. &ldquo;Cuz, you <i>saw</i> there&rsquo;s a toilet in the van, and there&rsquo;s an outdoor solar shower you can use. But we&rsquo;ll mostly be staying in campgrounds where they will have bathhouses, too.&rdquo;<BR> <BR>Bess turned to me, looking horrified. &ldquo;What is that toilet even hooked up to?&rdquo; she asked.<BR> <BR>&ldquo;I&rsquo;m guessing it&rsquo;s a compost toilet,&rdquo; I replied. &ldquo;You know, a toilet that turns waste into compost.&rdquo;<BR> <BR>&ldquo;Exactly,&rdquo; George said. &ldquo;And we have to empty it every so often, but let&rsquo;s not worry about that now. Bess, van life is no harder than camping, and you go camping all the time.&rdquo;<BR> <BR>&ldquo;?&lsquo;All the time&rsquo; is an exaggeration,&rdquo; Bess retorted. &ldquo;And I don&rsquo;t go camping for <i>seven days</i>. I&rsquo;m not some kind of survivalist! Besides, what about my poetry class, George? The university isn&rsquo;t on break next week, so I have my last class on Monday. And I have my big paper on Wordsworth due next week.&rdquo;<BR> <BR>Bess was taking a poetry class at River Heights University, the same school my boyfriend, Ned, goes to. She&rsquo;d recently become interested in songwriting and thought that learning more about poetry might help her write lyrics. She was also earning college credit she could use later, and she&rsquo;d ended up really loving the class too. I looked at George curiously. Would that mean Bess couldn&rsquo;t go&#8212;and I&rsquo;d end up accompanying George alone?<BR> <BR>Did <i>I</i> even want to go? I&rsquo;m usually up for an adventure, but I would never go camping for more than two days either. I like the outdoors, but I also like my memory foam mattress and soaker tub.<BR> <BR>George nodded patiently. &ldquo;I know, Bess, and I know how important that class is to you. I looked it up online, and you&rsquo;re allowed to attend lectures via video conference, aren&rsquo;t you?&rdquo;<BR> <BR>Bess wrinkled her nose. &ldquo;I guess? I&rsquo;ve always gone in person.&rdquo;<BR> <BR>&ldquo;And you could be working on your paper on the road,&rdquo; George went on. &ldquo;The van has electricity, and I checked: All the campgrounds on the itinerary offer Wi-Fi. So you can sign in to your class on Monday, before we leave the campground. And then you can be working on your paper whenever you need&#8212;there&rsquo;ll be a lot of downtime while we&rsquo;re driving&#8212;and you can turn it in electronically while we&rsquo;re at a campground.&rdquo;<BR> <BR>Bess sighed, then looked at me. &ldquo;What do you think, Nance?&rdquo; she asked. &ldquo;Does this sound ridiculous to you?&rdquo;<BR> <BR>&ldquo;Kind of,&rdquo; I admitted. &ldquo;But&hellip; I&rsquo;m not saying no yet.&rdquo; I turned to the prizewinner. &ldquo;How important is this to you, George?&rdquo;<BR> <BR>George&rsquo;s eyes widened as she leaned toward us. &ldquo;<i>Soooooooo</i> important, you guys,&rdquo; she said earnestly. &ldquo;I know this might seem like a new interest to you, but it&rsquo;s something I&rsquo;m <i>really</i> excited about. If I like these seven days, maybe I would start thinking about saving up for a van or RV. Matt and Sammy have this amazing life!&rdquo;<BR> <BR>&ldquo;Actually, I remember you mentioning it a few weeks ago,&rdquo; I admitted. &ldquo;I just&#8212;didn&rsquo;t realize how serious you were, I guess?&rdquo;<BR> <BR>&ldquo;How expensive are these vans?&rdquo; Bess asked. &ldquo;Like, how valuable is this prize?&rdquo;<BR> <BR>&ldquo;They&rsquo;re really expensive,&rdquo; George replied. &ldquo;Like, hundreds of thousands of dollars. It costs a lot to outfit a van to make it livable year-round. You can save a little money doing it yourself, but&hellip; it&rsquo;s a little house, basically.&rdquo;<BR> <BR>&ldquo;So this might be your only shot,&rdquo; Bess said. &ldquo;At trying van life, I mean.&rdquo;<BR> <BR>George nodded. &ldquo;I&rsquo;m too young to rent an RV. So yeah. This is kind of a huge opportunity.&rdquo;<BR> <BR>Bess looked at me. I stared back at her. An understanding seemed to pass between us. I could feel clearly that neither one of us was terribly excited about this. I love traveling, but given a week to explore a new place, I would be flying and staying in a nice hotel with a pool, thank you very much. And Bess likes the occasional camping trip, but she likes her creature comforts, too. But: We both love George to bits. And George is always there for us and never asks for much. If it was her dream come true to drive a camper van from Chicago to Los Angeles, and she needed Bess and me to do it&hellip;<BR> <BR>&ldquo;Okay,&rdquo; I said, at the same time Bess turned to George and announced, &ldquo;We&rsquo;re in.&rdquo;<BR> <BR>George pushed her laptop away and leaped up to hug us.<BR> <BR>&ldquo;You guys!&rdquo; she cried, reaching out to pull us both close. &ldquo;I knew I could count on you! And I promise we&rsquo;ll have the <i>best</i> time. I&rsquo;ve been doing a lot of research! I&rsquo;m going to make this a super-smooth trip for all of us!&rdquo;<BR> <BR>Bess raised an eyebrow at me over George&rsquo;s back, but I pretended not to see. I was feeling pretty trepidatious about this &ldquo;van life&rdquo; too. No matter how much three people liked or loved one another, was it possible to live in a tiny van for seven days and have it all go &ldquo;super smooth&rdquo;?<BR> <BR>But I was going to give this my best shot&#8212;for George. &ldquo;Road trip!&rdquo; I yelled excitedly.<BR> <BR>&ldquo;Road trip!&rdquo; George shouted back, hugging us harder.<BR> <BR>&ldquo;Road trip!&rdquo; Bess called, shaking her head. &ldquo;I&rsquo;ll start making a playlist, guys.&rdquo;<BR> </section>]]></Text>
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      <Text><![CDATA[<B>Can you find the Easter bunny in this interactive board book? Peek through the holes on each page of this sweet, funny story!</B><BR><BR><I>Easter&rsquo;s almost here</I><BR> <I>and there&rsquo;s one more thing to do:</I><BR> <I>find the bunny who will bring</I><BR> <I>Easter treats to you!</I><BR><BR>Little readers will love peeking through the holes in this board book as they search for the Easter bunny in a festive game of hide-and-seek! Just when it <I>looks</I> like the Easter bunny might be on the next page&hellip;look again!]]></Text>
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      <Text><![CDATA[<B>From grief quests to altar-making, to dinner parties to Dungeons & Dragons, <I>Renegade Grief </I>is an &ldquo;offering</B> <B>to the struggle and art of being human&rdquo; (Krista Tippett, <I>New York Times</I> bestselling author) and a profound, vulnerable exploration of care practices and rituals that empower grievers in a culture that expects us to simply &ldquo;give it time.&rdquo;</B><BR><BR>So, you&rsquo;ve lost someone. At first, there is an outpour of support and phone calls and care packages. But after the services are done and the phone stops ringing, there is a quiet in the air and an expectation to get on with your life. The problem is that death has a way of making all plans go out the window. <I>Renegade Grief</I> offers the support in this next stage of grieving&#8212;when you feel isolated in your loss and are figuring out how to navigate it.<BR> <BR>Shaped by her own experience with the death of her father and her time cofounding The Dinner Party, a leading peer-support organization for people who&rsquo;ve experienced a major loss, Carla Fernandez pushes back on the death-denying culture we live in. For too long, grief has been treated as something pitiable, simply sad, to be gotten over as soon as possible. But after fifteen years of being in a community with fellow grievers, Carla has witnessed a different side of the story. Grieving a significant loss is hardcore, hardly something to be swept under the rug, but an experience to be held with respect, a creative spirit, and with friends. Through inspiring stories of real grievers, patterns from across history, and fresh science, <I>Renegade Grief</I> enlivens you with the permission and possibility to explore your grief in your own unique way and reminds you that you&rsquo;re not alone in doing it.<BR> <BR><I>Renegade Grief </I>is an indispensable resource for people at any stage of the grieving process and with Carla&rsquo;s candid and compassionate guidance, you learn that life after loss isn&rsquo;t about the futile attempt of arriving at some other side. Rather, it&rsquo;s about building your community, adjusting to change, and finding the way for your grief to become a pathway into your own version of a soulful life.]]></Text>
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      <Text><![CDATA[Carla Fernandez&rsquo;s work focuses on how circles come together to foster collective care and change culture when a new status quo is called for. She is the cofounder of The Dinner Party, a national network of peer-support circles for young adult grievers, featured in <i>The New York Times</i>, NPR, <i>Oprah Daily</i>, and cited in multiple books. In addition to her work in grief, Carla partners with a range of clients through her community design studio as an impact strategist and facilitator, particularly on initiatives&nbsp;related to climate change, democracy, and the arts. Carla is a senior fellow with USC&rsquo;s Annenberg School Innovation Lab and a Catherine B. Reynolds Foundation Scholar in Social Entrepreneurship at NYU. She divides her time between the Hudson Valley and Joshua Tree.]]></Text>
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      <Text><![CDATA[<i>This reading group guide for <b>Renegade Grief</b></i> <i>includes discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book. For additional resources, visit </i><i>https://www.carlafernandez.co/book-resources&#8203;.</i><BR> <BR> <b>Topics and Questions for Discussion:</b><BR> <BR> <b><u>Renegade Grief in Your Own Words</u></b><BR> <BR> 1. What are the care practices or forms of peer support that have been most supportive to you in your loss?<BR> <BR> 2. Any care practices or forms of peer support that you thought would be supportive, but ended up being a flop? Explain why.<BR> <BR> 3. Have there been any parts of your grief experience that have required you to go renegade - to defy the status quo? Or ways that the cultural expectation around grief have left you feeling like there must be another way?<BR> <BR> 4. If you let yourself lean into the renegade spirit in your grief journey, what permission might that give you?<BR> <BR> 5. If you were to explain to a new member of the grief club what they needed to &ldquo;get ready to ride&rdquo;, what would you share with them, or what questions would you encourage them to ask themselves?<BR> <BR> <b><u>Supporting Each Other & Strengthening Community</u></b><BR> <BR> 1. How do you feel supported in your grief? Where do you still need support?<BR> <BR> 2.What does being a grief ally mean to you? How can you show up for others in their grief?<BR> <BR> 3.What cultural or familial grief traditions have shaped your understanding of loss?<BR> <BR> 4. What kind of ongoing check-in or ritual can this group do to support one another beyond this discussion?<BR> <BR> 5.How can we collectively create more space for grief in our communities and relationships?<BR> <BR> <b><u>Exploring the Book</u></b><BR> <BR> 1. Was there a chapter, story, or care practice that spoke to you deeply? Why?<BR> <BR> 2.Were there any parts of the book that didn't resonate with you or felt challenging?<BR> <BR> 3. Is there a grief care practice from the book that you'd like to try&#8212;or one you know you never will? Why?<BR> <BR> 4.How does Renegade Grief challenge or affirm the way you have been taught to grieve?<BR> <BR> 5.What emotions or memories surfaced for you while reading?]]></Text>
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      <Text><![CDATA[<B>A guide to long-term pacing that balances hustle and leisure, whether you&rsquo;re chasing bold dreams or just trying to stay afloat in daily life, inspired by the strategies of elite athletes and renowned psychologists.</B><BR><BR>Every distance runner knows this cardinal rule: don&rsquo;t go too fast, or you&rsquo;ll drain your energy well before the finish line. Intuitive for athletes, most of us struggle to pace ourselves in daily life. We find ourselves caught between two extremes: an endless sprint, or complete disengagement. Yet, cultivating this pacing sensibility can give us the breathing room we need to create a rich, meaningful life, all while making meaningful progress on our goals.<BR> <BR>In <I>The Art of Pacing</I>, science writer Elizabeth Svoboda explores how shifting between the full range of paces can transform the way you reach your goals. Blending memoir, cutting-edge research, and interviews with Olympic athletes and entrepreneurs, Svoboda artfully uncovers the nuances of pacing and provides techniques to adjust your tempo across life&rsquo;s challenges, so you can effectively balance ambition with rest. You&rsquo;ll learn:<BR> <BR>- How to determine your natural &ldquo;pulse points&rdquo; so you can reserve your most important work for your circadian high points and build in plenty of restorative rest.<BR> <BR>- Why practicing modulation lays important groundwork for designing a life that nourishes you.<BR> <BR>- What brief candle moments are, and how you can use them in your life to build in strategic, meaningful pauses.<BR> <BR>- How narrative reflection reveals what gives you a sense of purpose, so you can pare excess from your life and make space for what matters.<BR><BR> Written with the perfect mix of soul and science, <I>The Art of Pacing </I>offers a refreshing alternative to all-or-nothing living&#8212;and reveals the path toward lasting success.]]></Text>
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      <Text><![CDATA[&quot;Every runner knows the danger of going out too fast. Managing your pace is the key to fulfilling your potential. <I>The Art of Pacing </I>shows us how that same principle governs work, relationships, and life itself. This book is a much-needed antidote to hustle culture, which has left many of us burned out or disengaged. Svoboda expertly draws on science, sport, and real-world stories to argue that the path to a meaningful life isn&#39;t about going harder. It&#39;s about going wiser.&quot;<B>&mdash;Steve Magness, author of <I>Do Hard Things</I> and <I>Win the Inside Game</I></B>]]></Text>
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      <Text><![CDATA[&quot;<I>The Art of Pacing </I>is a wise and welcome antidote to hustle culture. Blending science, research, and storytelling, Svoboda makes a compelling case that the secret to thriving in the modern world is not to speed everything up or slow it all down. It&#39;s to find the right pace&mdash;for the task, the moment, the life you wish to lead. Because mastering the art of pacing is how you master the art of living.&quot;<B>&mdash;Carl Honor&eacute;, author of<I> In Praise of Slowness</I></B>]]></Text>
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      <Text><![CDATA[&quot;Engaging and deeply reported,<I> The Art of Pacing</I> is essential reading for anyone who seeks to work hard without burning out.&quot;<B>&mdash;Olga Khazan, author of <I>Me, But Better</I></B>]]></Text>
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      <Text><![CDATA[<B>If you&rsquo;ve ever left a doctor&rsquo;s appointment with a prescription but no plan, a stack of &ldquo;normal&rdquo; lab results but no answers, or the feeling that no one actually listened, you&rsquo;re not alone.</B><BR><BR>In <i>Beyond the Prescription</i>, Dr. Lucy McBride explains why: Modern health care prioritizes transactions over relationships, screens over stories, and data over context. Into that void has stepped a massive wellness industry offering seductive promises of control&#8212;&ldquo;optimize,&rdquo; &ldquo;detox,&rdquo; &ldquo;biohack&rdquo;&#8212;often without evidence and with real risks.<BR> <BR>McBride refuses the false choice between conventional medicine and wellness culture. Instead, she offers a practical middle path built on health agency: the capacity to make informed decisions aligned with your values while advocating effectively for support. This book isn&rsquo;t prescriptive or perfectionist. It&rsquo;s a framework to help you navigate uncertainty, misinformation, and the realities of your life.<BR> <BR>At the center is a five-step process that moves you from redefining health on your own terms, through mapping your full health ecosystem and understanding how you personally approach care, to asking for help more effectively and making peace with what you cannot control.<BR> <BR>McBride then maps health as an interconnected ecosystem with four pillars:<BR> <BR><b>-INFORMATICS</b> (health data + your biography and lived context)<BR> <b>-INPUTS</b> (everything you consume, including supplements and medications)<BR> <b>-INFRASTRUCTURE</b> (movement, injury, disability, and the body that carries you)<BR> <b>-INSIGHT</b> (mental health, brain health, and the unconscious stories that drive behavior)<BR> <BR>Reflection and action guides help you translate insight into real-world decisions.<BR> <BR>The result is a practical, evidence-based guide for anyone navigating the question too rarely asked in health care: <i>Are you okay?</i>]]></Text>
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      <Text><![CDATA[Lucy McBride, MD, is a primary care physician and cofounder of the Ackerly McBride Group in Washington, DC. For over twenty-five years, she has practiced evidence-based, relationship-centered medicine. A graduate of Princeton and Harvard Medical School, with a master&rsquo;s degree in pharmacology from Cambridge as a Fulbright Scholar, she completed her internal medicine residency at Johns Hopkins Hospital. She writes the weekly newsletter <i>Are You Okay?</i> and hosts the podcast <i>Beyond the Prescription</i>. Her work has appeared in <i>The Atlantic</i>, <i>The Washington Post</i>, and <i>USA TODAY</i>. She has contributed to CNN, MSNBC, and PBS, advocating for a holistic, patient-centered approach to health.]]></Text>
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      <Text><![CDATA[&quot;A must-read book for anyone who has ever felt confused or lost in today&rsquo;s healthcare system&mdash;which I am pretty sure is everyone! This book empowers you with clear information, practical skills, and simple activities to help you take control of your care and not be led astray by influencers and the wellness industry. I look forward to more patients coming into my office confident and knowing the value of mental health to their overall health!&quot; <b>&mdash;Jessi Gold, MD MS, psychiatrist and author of the bestselling book <i>How Do You Feel?</i></b>]]></Text>
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      <Text><![CDATA[&quot;Everyone should be lucky enough to have Dr. Lucy McBride as their physician. But since everyone can&#39;t, the next best thing is to read her book. Hugely informative, empathetic, clear, and above all wise, <i>Beyond the Prescription&nbsp;</i>will equip you for a healthier and happier life. And buy an extra copy for your doctor&mdash;who may benefit from its wisdom even more than you will!&rdquo;&nbsp;<B>&mdash;Scott&nbsp;Stossel, National Editor,<i>&nbsp;The Atlantic</i>, and author of <i>My Age of Anxiety&nbsp;</i></B>]]></Text>
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      <Text><![CDATA[&quot;<i>Beyond the Prescription</i> is a welcome antidote to a healthcare landscape split between futuristic technology and natural remedies. Dr. McBride makes the case &mdash; convincingly and warmly &mdash; that 21st-century medicine works best when rigorous evidence meets personalized, relationship-centered care.&quot;&nbsp;<B><i>&mdash;</i>Adam Cifu, MD, Professor of Medicine at the University of Chicago, and cofounder and editor of <i>Sensible Medicine</i></B>]]></Text>
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      <Text><![CDATA[&quot;Dr. Lucy McBride combines wisdom and empathy in ways that are all too rare in medicine.&nbsp;<i data-originalcomputedfont="" data-removefont="">Beyond the Prescription</i>&nbsp;is the practical, never preachy book that thoughtful patients &ndash; and their doctors &ndash; have been waiting for. Highly recommended.&quot;&nbsp;<B>&mdash;</B><B>Robert Wachter, MD, Professor and Chair of the Department of Medicine at UCSF and bestselling author of&nbsp;<i data-originalcomputedfont="" data-removefont="">A Giant Leap: How AI is Transforming Healthcare and What That Means for Our Future</i></B>]]></Text>
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      <SubjectHeadingText>trastorno alimenticio; eating disorder; anorexia; bulimia; recuperaci&#243;n; enfermedad; malestar; illness; duelo; grief; enfermedad mental; mental illness; positividad corporal; body positive; libro sobre trastornos alimentarios; libro sobre trastornos alimenticios; memorias sobre enfermedades mentales; mujeres; mallary tenore tarpley; libro de mallary tenore tarpley; amor propio; self love; infancia; childhood; maternidad; motherhood; recuperaci&#243;n de trastornos alimentarios; recuperaci&#243;n de trastornos alimenticios; anorexia nerviosa; memorias personales; salud mental; tratamiento de trastornos alimentarios; recuperaci&#243;n para toda la vida; imagen corporal; sanaci&#243;n emocional; emotional healing; apoyo para trastornos alimentarios; eating disorder support; memorias sobre trastornos alimentarios; libros sobre imagen corporal; proceso de sanaci&#243;n; body image; trastornos alimentarios; trauma y recuperaci&#243;n; atracones; binge eating; neutralidad corporal; libertad alimentaria; bienestar mental; memorias de recuperaci&#243;n; identidad y sanaci&#243;n; viaje terap&#233;utico; autoaceptaci&#243;n; nutrici&#243;n y salud mental; trabajo con el ni&#241;o interior; ni&#241;o interior; nino interior; resiliencia; sanaci&#243;n compasiva; compasion contigo misma; compasi&#243;n contigo misma; comunidad de recuperaci&#243;n; verg&#252;enza y vulnerabilidad; shame and vulnerability; concientizaci&#243;n sobre los trastornos alimentarios; memorias en forma de diario; Atencion a trastornos alimentarios; Atenci&#243;n a trastornos alimenticios; sanaci&#243;n a trav&#233;s de la escritura; relaciones madre-hija; dismorfia corporal; sanaci&#243;n de relaciones; alimentaci&#243;n consciente; historias de supervivientes; resiliencia psicol&#243;gica; herramientas de recuperaci&#243;n; esperanza y sanaci&#243;n; hope and healing; recovery tools; mindful eating; mother-daughter relationships; Eating disorder books in spanish; books on binge eating in spanish; mother-daughter relationship in Spanish; memoir; recovery; sickness; body positivity; eating disorder book; memoirs about mental illness; women; mallary tenore tarpley book; eating disorder recovery; anorexia nervosa; personal memoir; mental health; eating disorder treatment; lifelong recovery; body image; eating disorder memoir; healing journey; disordered eating; trauma and recovery; body neutrality; food freedom; mental wellness; recovery memoirs; identity and healing; therapy journey; self-acceptance; nutrition and mental health; inner child work; resilience; compassionate healing; recovery community; eating disorder awareness; journal-style memoirs; healing through writing; body dysmorphia; healing relationships; mindful eating; survivor stories; psychological resilience; recovery tools;</SubjectHeadingText>
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      <Text><![CDATA[<B><b >&ldquo;A gorgeous, paradigm-smashing book&rdquo; (Emi Nietfeld, author of <i>Acceptance</i>) written by journalist and professor at the University of Texas-Austin Mallary Tenore Tarpley, <i>Slip </i>offers a groundbreaking framework for understanding eating disorder recovery and interweaves poignant personal stories, immersive reporting, and cutting-edge science. &ldquo;This tremendous book will comfort, inspire, and educate readers&rdquo; (Christie Tate, <i>New York Times </i>bestselling author).</b></B><BR><BR>When Mallary Tenore Tarpley lost her mother at eleven years old, she wanted to stop time. If growing up meant living without her mother, then she wanted to stay little forever. What started as small acts of food restriction soon turned into a full-blown eating disorder, and a year later, Tarpley was admitted to Boston&rsquo;s Children&rsquo;s Hospital. With honesty and grace, <i>Slip </i>chronicles Tarpley&rsquo;s childhood struggles with anorexia to her present-day experiences grappling with recovery.<BR> <BR> This book tells Tarpley&rsquo;s story, but it also transcends her personal narrative. A journalist by trade, Tarpley interviewed and surveyed hundreds of patients, doctors, and researchers to provide a deeper understanding of eating disorder treatment. She draws on this original reporting, as well as cutting-edge science, to illuminate what has changed in the years since she was first diagnosed.<BR> <BR> As Tarpley came to learn, &ldquo;full recovery&rdquo; from an eating disorder is complicated. And that idea provides the basis for the groundbreaking new framework explored in this book: that there is a &ldquo;middle place&rdquo; between sickness and full recovery, a place where slips are accepted as part of the process but progress is always possible.<BR> <BR> With new insights and an uplifting message, <i>Slip</i> brings much-needed attention to an issue that affects many. It offers a beacon of hope with its revolutionary perspective on recovery. This inspiring and life-affirming book is a must-read for individuals with eating disorders, their loved ones, educators, medical professionals, and anyone seeking to understand eating disorders and the path to recovery.]]></Text>
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      <Text><![CDATA[Mallary Tenore Tarpley is a journalism and writing professor at the University of Texas at Austin&rsquo;s Moody College of Communication and McCombs School of Business. Her writing has appeared in&nbsp;<i>The New York Times</i>,&nbsp;<i>The Washington Post</i>, the&nbsp;<i>Los Angeles Times</i>,&nbsp;<i>Time</i>, and&nbsp;<i>Teen Vogue</i>, among other publications. She is the recipient of a prestigious Alfred P. Sloan Foundation grant, which helped support her research and writing. Mallary graduated from Providence College and has a Master of Fine Arts in nonfiction writing from Goucher College. She lives outside of Austin, Texas, with her husband and two children.&nbsp;<i>Slip</i>&nbsp;is her first book.]]></Text>
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      <Text><![CDATA[Author&rsquo;s Note <link rel="stylesheet" type="text/css" href="../styles/9781668035030.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section aria-labelledby="authornote_hd"> Author&rsquo;s Note <BR>I was twelve when I developed anorexia nervosa, less than one year after my mother died of metastatic breast cancer. After years of treatment I got better, but not <i>all</i> better. I spent my early adulthood hoping the day would arrive when I would feel as though I had achieved the fullest expression of recovery. The truth is, though, that day hasn&rsquo;t arrived. I&rsquo;m further along than I ever thought I would be, but my disorder isn&rsquo;t gone.<BR> <BR>My recovery has been messy and maddening, and it is not redemptive in the ways our society hopes illness narratives will be. On one end of the spectrum of how we talk about this disease, there is sickness. On the other, full recovery. I live my life in the in-between, in what I&rsquo;ve come to call the middle place. It&rsquo;s the liminal space that many of us inhabit as we work our way toward wellness. And it&rsquo;s an alternative to black-and-white thinking that bifurcates the world into two halves without exploring the beauty in between. In the middle place, hope and hardship coexist, slips are expected, and progress is possible.<BR> <BR>As I&rsquo;ve moved through the middle place, people have asked: What helped you get better? It&rsquo;s a difficult question to answer. It took me years to realize that I had to work toward recovery first and foremost for myself. Intrinsic motivation is an important part of the process, and studies show that it can yield more positive outcomes. But I couldn&rsquo;t do it <i>by</i> myself. No one can. I needed a team of people helping me, step by step, to get to where I am today. I was lucky to have the support of family and medical providers who cared for me and treated me over the course of five hospitalizations and a year and a half of residential treatment. It was only after getting help that I was able to begin the recovery process.<BR> <BR>Recovery, I learned, is not a return to who you once were so much as a retrieval of all you lost while you were sick: pleasure, possibility, some semblance of peace. It requires a ruthless commitment to hard work. It&rsquo;s an accumulation of slow steps, with an acceptance that some steps will lead to slips. And it&rsquo;s a promise that you&rsquo;ll be honest about the slips, knowing they are an inevitable part of progress. You can&rsquo;t slip, after all, if you&rsquo;re standing still. As you move forward, you may or may not reach full recovery, but you emerge as someone who can lead a fuller life.<BR> <BR><i>Slip</i> isn&rsquo;t a tidy narrative about defeating my disorder but, rather, an intimate look at what it means to live with its imprints. By framing this book around the middle place, I hope to show what it takes to engage with the world even as I traverse the space between sickness and full recovery. I don&rsquo;t mean to suggest that full recovery is not possible; for many people, it is. Nor do I want to imply that people in the middle place aren&rsquo;t trying hard enough or are somehow settling. Living in the middle place isn&rsquo;t about giving up on full recovery; it&rsquo;s about viewing recovery as an ongoing process rather than a final destination.<BR> <BR>To better understand my own story as a woman in the middle place, I poured through old therapy workbooks and medical records. I read the hundreds of journal entries I wrote while in treatment, and I interviewed former staffers and patients to corroborate my memory. I traveled back to the places where I was treated, where I relapsed, and where I got better. While resurfacing painful memories, it sometimes felt like I was climbing an emotional Mount Everest. I ascended with caution as I taught myself how to revisit my past without getting lost in it. Along the way, I arrived at a telling truth: it&rsquo;s hard to be sick, but it&rsquo;s even harder to fully recover.<BR> <BR>When it comes to eating disorders, &ldquo;full recovery&rdquo; is complicated. Clinicians have varying thoughts on what it means, and those with lived experience are often left to grapple with the elusiveness of a term that has not been adequately defined. The middle place provides a framework that is more inclusive of people who don&rsquo;t see themselves as fully recovered. Some people in the middle place meet all the BMI and body-weight criteria associated with someone who&rsquo;s fully recovered, but they may still have distorted thoughts that dictate their choices regarding food and exercise. Some of us struggle silently, fearful of sharing our stories and ashamed that we aren&rsquo;t &ldquo;all better.&rdquo; It&rsquo;s easier to keep our secrets hidden if we don&rsquo;t fit the stereotypical mold of someone with an eating disorder.<BR> <BR>I&rsquo;ve written this book with an awareness that people of all different sizes, races, ethnicities, genders, ages, and socioeconomic statuses can struggle with eating disorders, and with a deep sensitivity to the fact that many people are overlooked or denied treatment because they don&rsquo;t match the stereotype. I am also sensitive to the fact that some of the childhood thoughts and writings I share may come across as fatphobic. I have spent my adult years trying to unlearn diet culture&rsquo;s harmful anti-fat messages. I recognize the damage that weight stigma and discrimination have caused, and I believe diet culture hurts everyone.<BR> <BR><i>Slip</i> follows my own story, but it is not my story alone. The book features diverse perspectives from others with lived experience and from clinicians and researchers who have helped broaden my scope of understanding about eating disorders, the treatment of them, and recovery from them. As part of my reporting, I spoke with dozens of experts who are quoted throughout the book. I also created a survey that I shared with communities of recovered individuals, eating disorder support and recovery groups on social media, clinicians, and treatment centers. Respondents were asked to consider a variety of topics, including the factors that contributed to their eating disorder; whether they ever received treatment (and if they considered it effective); and the biggest obstacles they faced while working toward recovery. I also introduced respondents to the concept of the middle place, knowing that I wanted to explore the recovery process through this frame. The survey ultimately reached 718 people from forty-four states and thirty-seven countries. About 71 percent of respondents indicated they were still struggling with an eating disorder, while the remaining 29 percent said they were fully recovered or in recovery. Of all respondents, 85 percent said they&rsquo;ve been in the middle place.<BR> <BR>To expand my understanding of this in-between space, I interviewed nearly 170 survey respondents, clinicians, and researchers. My interviews were conducted between 2021 and 2024, so some details from people&rsquo;s personal stories may have naturally changed since then. In some cases, I have used first-name pseudonyms for sources who were willing to share their stories with me but did not want to do so publicly. In other cases, I left out details from people&rsquo;s stories (and my own) when I thought they would be too triggering for readers. It is a tricky balancing act as a writer&#8212;to reveal the hard truths of one&rsquo;s personal narrative and to determine which details are better left unsaid. It is an even trickier one when you&rsquo;re telling another&rsquo;s narrative. Whenever interviewing people with lived experience, I asked them each the same question: How would you like me to describe where you&rsquo;re at in your recovery process? I want to honor the language we each use, however far along we may be. And I hope that by naming the middle place, I can help people put words to this prevalent but often overlooked part of recovery.<BR> <BR>This book is for my fellow travelers in the middle place. It&rsquo;s also for people on either end of the spectrum&#8212;those who are acutely sick and those who consider themselves to be fully recovered. I hope this book will arrive like a knowing friend to families dealing with the ravages of eating disorders and that it will be of service to medical providers, educators, legislators, and others who want to deepen their understanding of how and why eating disorders take shape and what it takes to recover.<BR> <BR>The story that follows marries memoir and journalism. Each chapter starts with my own story, told from the perspective of my younger self. That opens to my writing from my present-day self as a daughter, mother, wife, professor, and journalist living in the middle place, with stories and insights from others woven in. This structure, with its mix of narrative, research, and reflection, has enabled me to write intimately about my past and then examine all that has changed in the eating-disorder field in the twenty-five years since I was in treatment&#8212;and all the work that remains to be done.<BR> </section>]]></Text>
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      <Text><![CDATA[<B>An all-new graphic novel in the explosive fantasy series based on the smash-hit RPG YouTube series by Dingo Doodles and Felix Irnich!</B><BR><BR>Have you ever saved an entire city with a hairbrush? If you have, you might be a member of the Fool&rsquo;s Gold crew! The gang returns in this thrilling graphic novel&#8212;and so do their past mistakes&#8212;as alternative timelines collide in an all-new adventure!<BR> <BR> Can these misfits navigate the realm of souls? Avoid a dragon&rsquo;s wrath? Get through one party without everything going awry? Stop a robot from leveling a whole city?! Unfortunately, it&rsquo;s not up for them to decide...it&rsquo;s up to the dice!]]></Text>
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      <Text><![CDATA[Jenna &ldquo;Dingo Doodles&rdquo; Woldenga has been a storyteller and artist ever since she learned how to speak her first words and hold a crayon. She grew up in the Okanagan Valley in British Columbia, Canada, and started her artistic career immediately after graduating high school, producing a weekly webcomic series while attending the Guru Digital Arts College in Alberta. In 2018, she launched her YouTube channel,&nbsp;<i >Dingo Doodles</i>, which was supposed to be a side hobby, but YouTube had different ideas and her videos soon garnered millions of views in record time and turned her hobby into a full-blown career. Her voice acting has since been featured in multiple animated shorts, as well as video games such as&nbsp;<i >Solasta: Crown of the Magister</i>.<BR><BR>Felix Irnich is a storyteller and entrepreneur based in Kelowna, British Columbia, Canada. He immigrated to Canada from Germany as a teenager in 2007 and soon developed a passion for business. His ventures include founding a distillery and a gelato factory, video game development, and now:&nbsp;<i>Fool&rsquo;s Gold</i>. In 2020, he was recognized as Top 40 Under 40 at the young age of twenty-six. His style of storytelling makes him living proof that Germans have a sense of humor after all. He has been telling stories through&nbsp;Dungeons &amp; Dragons&nbsp;for twelve years, and was the writer and game designer behind the&nbsp;Fool&rsquo;s Gold: Into the Bellowing Wilds&nbsp;D&amp;D campaign setting.<BR><BR>Christopher Hastings is a&nbsp;<i>New York Times</i>&nbsp;bestselling author of graphic novel series like&nbsp;InvestiGators: Agents of S.U.I.T.&nbsp;and&nbsp;Five Nights at Freddy&rsquo;s. He&rsquo;s the creator of&nbsp;The Adventures of Dr. McNinja&nbsp;and cocreator of Marvel&rsquo;s&nbsp;Gwenpool. He&rsquo;s played&nbsp;Dungeons &amp; Dragons&nbsp;since when it was called&nbsp;Advanced Dungeons &amp; Dragons, and you can listen to him do silly voices as the game master of the narrative play podcast&nbsp;<i>Rude Tales of Magic</i>.<BR><BR>Avery Howett is a Canadian storyteller and artist who has been passionate about three things ever since she was small: art, dinosaurs, and Halloween. Avery discovered her love for comics while attending a digital arts college in Alberta, Canada, and built her close friendship with Jenna Woldenga over their shared passion. She has since worked on multiple comic and graphic novel projects for over a decade. She also played Gothi in the Fool&rsquo;s Gold <i>Dungeons &amp; Dragons</i> campaign and went on to be the lead artist for the <i>Fool</i><I>&rsquo;</I><i>s Gold: Into The Bellowing Wilds</i> D&amp;D campaign setting, as well as the Fool&rsquo;s Gold graphic novel series.<BR><BR>Princess Abella is a digital artist based in Canada with a background in animation. Before her studies in British Columbia, she discovered a passion for tabletop RPGs that sparked her creativity and set her on a path towards visual storytelling. After graduating, she brought her outstanding knack for color and design to the Fool&rsquo;s Gold graphic novel series as the colorist for the series. In her free time, she has fun mining for diamonds in her silly block game.<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[<B>In a riveting new novel from the acclaimed author of <I>The Astrology House</I>, three women come together to investigate a string of haunting disappearances in a tropical paradise.</B><b> </b><BR><BR>When Paige arrives at Sue&#241;os, the Caribbean&rsquo;s most exclusive resort on Beck Island, she&rsquo;s eager to use the time away from her young son to shake off the writer&rsquo;s block that has stifled her new career as an author.<BR> <BR> Hollywood starlet Lindsay Law is on a mission of her own at Sue&#241;os: spiraling from a recent Oscar loss, she&rsquo;s determined to find out why the winner in her category gave thanks to Mara Morgan, the legendary actress who owned Beck Island before her tragic death.<BR> <BR> While Paige and Lindsay are drawn together by creative inspiration, Gabby, the resort&rsquo;s concierge, is torn apart by the loss of a coworker and the mysterious appearance of a man from her past. Gabby still has the power to grant her guests&rsquo; most over-the-top requests, but she&rsquo;s helpless against her own grief and confusion.<BR> <BR> As the sun-soaked days of bliss morph into sinister connections, Paige, Lindsay, and Gabby are united by a shocking twist, and must race to untangle the knot of Beck Island&rsquo;s mysteries before another woman vanishes.]]></Text>
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      <Text><![CDATA[&quot;Get ready to luxuriate in<i >&nbsp;the&nbsp;</i>ultimate beach read of the season&mdash;<i >The Dahlia Suite,</i>&nbsp;a perfect escapist mystery with three fascinating women at the heart of a spellbinding story that will keep you racing from page to page.&quot;&nbsp;<b >&mdash;</b><B>Vanessa Lillie, bestselling author of&nbsp;<i >Blood Sisters</i>&nbsp;</B>]]></Text>
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      <Text><![CDATA[<B>A Black couple leaves their downtown Chicago condo for a new suburban subdivision, only to find themselves at the center of a maelstrom in this gripping page-turner from the award-winning author of <I>Three Girls from Bronzeville</I>.</B><BR><BR>Tired of the daily drama in his emergency room, Dr. Langdon Blaque is in search of a place where he can leave the world behind. He loves his job and has no delusions about the suburbs being perfect, but he wants peace and quiet. His wife Josephine, a lawyer, grew up listening to her father&rsquo;s stories about the Jim Crow South, and sundown towns. She prefers the city. Still, she agrees to move with the caveat that they stay for a year and reassess.<BR> <BR>The tight-knit, predominantly white group of neighbors in Majestic Hills initially welcomes them with open arms. But beneath the veneer of privileged harmony, tensions simmer. When a horrifying crime rocks the community, the illusion of safety is shattered, and Josephine and Langdon find themselves at the heart of a brewing storm that pits neighbor against neighbor, exposes deeply ingrained prejudices, and threatens to implode into violence.<BR> <BR>As their experiment in suburban living ticks toward the one-year mark, the Blaques are pushed to a breaking point. Can they find a way to make a home in Majestic Hills? Or has the move put their future, their marriage, and even their safety in jeopardy?]]></Text>
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      <Text><![CDATA[Dawn Turner is an award-winning journalist and novelist. A former columnist and reporter for the&nbsp;<i>Chicago Tribune</i>, Turner spent a decade and a half writing about&nbsp;race, politics, and people whose stories are often dismissed and ignored.&nbsp;Turner, who served as a 2017 and 2018 juror for the Pulitzer Prize in commentary, has written commentary for&nbsp;<i>The Washington Post</i>, PBS&nbsp;<i>NewsHour</i>, CBS&nbsp;<i>Sunday Morning News&nbsp;</i>show, NPR&rsquo;s&nbsp;<i>Morning Edition</i>&nbsp;show,&nbsp;the&nbsp;<i>Chicago Tonight</i>&nbsp;show,&nbsp;and elsewhere. She has covered national presidential conventions, as well as Barack Obama&rsquo;s 2008 presidential election and inauguration. Turner has been a regular commentator for several national and international news programs, and has reported from around the world in&nbsp;countries&nbsp;such as Australia, China, France,&nbsp;and&nbsp;Ghana. She spent the 2014&ndash;2015 school year as a Nieman Journalism fellow at Harvard University. In 2018, she served as a fellow and journalist-in-residence at the University of Chicago&nbsp;Institute of Politics. Turner is the author of two novels,&nbsp;<i>Only Twice I&rsquo;ve Wished for Heaven&nbsp;</i>and&nbsp;<i>An Eighth of August.&nbsp;</i>In 2018, she established the Dawn M. Turner and Kim D. Turner Endowed Scholarship in Media at her alma mater, the University of Illinois at Urbana-Champaign.&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;<I>Majestic Hills</I> is a wry and wicked tale of suburban discontent, a thrill of a read that grapples with some very big ideas&mdash;about class, race, violence, and the inequities on which so much of American life is predicated.&rdquo; &ndash;<B>Rumaan Alam, <I>New York Times</I> bestselling author of <I>Leave the World Behind</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;<I>Majestic Hills</I> is a wry and wicked tale of suburban discontent, a thrill of a read that grapples with some very big ideas&mdash;about class, race, violence, and the inequities on which so much of American life is predicated.&rdquo; &ndash;<B>Rumaan Alam, <I>New York Times</I> bestselling author of <I>Leave the World Behind</I></B>]]></Text>
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      <Text><![CDATA[&quot;<i>Majestic Hills </i>is a novel of legacy, identity, and the ways that race and class affect even the most intimate relationships. I was riveted by this story of a picture-perfect new community and what truths were roiling just beneath the surface.&quot; - <B>Mary Beth Keane,&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>Ask Again, Yes</i>&nbsp;</B>]]></Text>
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      <Text><![CDATA[&quot;This novel from lyrical talent Dawn Turner, could not be more timely or spot on in its portrait of a&nbsp;utopic&nbsp;suburban neighborhood that becomes a simmering cauldron of fault-lines, tensions, divisions, and good intentions gone awry. It asks the questions: what does it mean to be a true community and what does it take for it to fall apart? In today&#39;s America, where flashpoints and divisions abound, the lens of this novel proves pressing and urgent.&nbsp;<I>Majestic Hills</I>,&nbsp;with its thought-provoking observations, strong emotional pull, and cast of well-drawn characters,&nbsp;has all the ingredients to be an absolutely *ideal* book club read.&quot; &ndash;<B>Christine Pride, bestselling coauthor of <I>We Are Not Like Them</I></B> &nbsp;]]></Text>
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      <Text><![CDATA[<B>For the millions seeking to pursue their Hollywood dreams, this is the definitive guide to breaking into the entertainment industry that explores and demystifies dozens of careers from acting to post-production, and also takes into account changes brought by the rise of streaming and AI.</B><BR><BR>Everyone loves a captivating Hollywood rags-to-riches story. Take Charlize Theron, who was on her last paycheck and in a heated discussion with a bank teller when a kind stranger&#8212;who happened to be a talent agent&#8212;stepped in to help her cash an out-of-town check. Or consider Rosario Dawson, discovered right on her front porch by filmmakers looking for fresh talent for <i>Kids</i>. And then there&rsquo;s Leonardo DiCaprio, the son of a secretary and a writer and distributor of underground comics, who saw acting as a way out of poverty.<BR> <BR> But that&rsquo;s not how it usually happens for the tens of thousands of people who work in the entertainment industry. For many just starting out, and even those already in the business, the road can feel mysterious and overwhelming. From actors and directors to behind-the-scenes heroes like managers, grips, and sound designers, <i>Breaking into the New Hollywood</i> is here to uncover the many opportunities for newcomers hustling in what the <i>Los Angeles Times</i> calls the &ldquo;company town&rdquo;&#8212;and beyond.<BR> <BR> This practical guide offers invaluable insights on navigating the industry today. How has working in film changed in the age of streaming? What does CGI mean for special effects? Even with the rapid rise of YouTubers and social media stars raking in millions of views and competing for traditional movie theater audiences, there are still more job opportunities than ever for those eager to start a career in film and TV. <i>Breaking into the New Hollywood</i> is an up-to-date roadmap for aspiring stars wanting to make a living in front of the camera, but it&rsquo;s also for those passionate about being part of the collaborative, creative community like no other.]]></Text>
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      <Text><![CDATA[Published since 1881, the <i>Los Angeles Times</i> is the sixth-largest newspaper by circulation in the United States, as well as the largest newspaper in the western United States.<BR> <BR> Ada Tseng is a writer and editor who led the Hollywood careers series at the <i>Los Angeles Times.</i> She cohosts the Asian American pop culture history podcast <i>Saturday School</i> with Brian Hu.<BR> <BR> Jon Healey is a former reporter and editor for the <i>Los Angeles Times</i>, where he spent more than two decades doing explanatory journalism, tech reporting, opinion pieces, and breaking news.]]></Text>
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      <Text><![CDATA[Chapter 1: How to Become an Actor in Film or Television <link rel="stylesheet" type="text/css" href="../styles/9781668049990.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> <h2 id="ch01_hd" >CHAPTER 1 How to Become an Actor in Film or Television</h2> <BR>We see actors everywhere. We see them in our favorite films and TV shows. We see them on talk shows and posters. We see them on red carpets and on their Instagram posts (showing us how they glammed up for the red carpets). We see them win awards. We read their memoirs.<BR> <BR>Unlike the hundreds of other jobs in Hollywood that are often so seamlessly tucked behind the scenes that they&rsquo;re invisible, the job of an actor is hyper-visible. It&rsquo;s the job&#8212;professionals say&#8212;that everyone <i>thinks</i> they understand.<BR> <BR>But the public often only sees the most glamorous parts of being a celebrity, not the daily grind of a typical Hollywood actor.<BR> <BR>When you book an acting role, you get to do all the work that made you want to be an actor in the first place. You break down a script. You learn your lines. You create your character with the help of hair, makeup, and costume people. You discuss your role with the director. You rehearse with your fellow cast members. You deliver the best performance you can muster with the time you were given to prepare and the number of takes you were able to do. Then you hope it&rsquo;s shot and edited in a way that showcases your brilliance, so you can have an easier time booking your next big role.<BR> <BR>But it&rsquo;s imperative for aspiring film and TV actors to understand that for most professional actors in Hollywood, the time on a set is very limited.<BR> <BR>&ldquo;People come out of high school and college, they&rsquo;ve been acting in theater their whole lives, they&rsquo;ve been cast in every single school play, and that&rsquo;s just a very different lifestyle than a working actor,&rdquo; said Ben Whitehair, an actor, active Screen Actors Guild member, and cofounder of Working. Actor, an extensive resource for aspiring actors.<BR> <BR>The main part of the job is auditioning. It&rsquo;s the hustle. Many working actors liken the lifestyle to owning a small business. While you&rsquo;re starting out, you have to be your own talent, marketing, customer service, and community outreach departments. Like with any small business, it takes time, energy, and money to get an acting career off the ground.<BR> <BR>There is a tremendous amount of luck involved. Get comfortable with rejection that you cannot control&#8212;rejection that often has more to do with the superficial parts of you (how you look, your chemistry with another actor, how much you match with someone&rsquo;s idea of a script&rsquo;s character) and less to do with your talent and skills.<BR> <BR>In the beginning, you won&rsquo;t book many gigs. You&rsquo;ll need another way to pay your bills that allows you to easily take time off to do auditions or take on small roles. Even when you start landing gigs regularly&#8212;a combination of student films, indie films, voice-over gigs, workshops, table reads, commercials and other one-day appearances&#8212;none of them, by themselves, will provide a livable wage. But it all adds up, and the reward is that you get to do what you love for work.<BR> <BR>Outsiders can easily point out an actor&rsquo;s most high-profile credits on IMDb. For Behzad Dabu, that would be his role as Simon Drake on <i>How to Get Away with Murder</i>. But when he made enough money that he was able to quit his safety job as a college admissions administrator, that was a huge win for him.<BR> <BR>Many professionals would love for people to stop romanticizing the role of a working actor. What does a typical Hollywood actor really look like? &ldquo;They can go to the park and grocery store without getting stopped or mobbed,&rdquo; Dabu said. &ldquo;They bought a house. They raised children. They have a car. And they can afford all of that by being an actor.&rdquo;<BR> <section> <h3 >What Qualities Do You Find in a Successful Actor?</h3> <BR>It might sound obvious, but actors need to love performing. You have to love it so much that you&rsquo;re willing to do things that you don&rsquo;t always want to do to get paid to act. That could include juggling multiple side jobs to support yourself, taking any role that comes your way, or making self-taped auditions not knowing if someone is going to watch them all the way through.<BR> <BR>Actors are storytellers. They tend to be good listeners who are highly attuned to all the different ways people communicate and show their emotions. They also tend to be curious about human behavior and psychology, because part of the job is being empathetic and understanding why people do the dramatic things they do.<BR> <BR>Actors usually love doing research about different cultures and time periods. They do a lot of that to embody their characters.<BR> <BR>And lastly, actors must have really thick skin. Actors who survive in Hollywood have to be very good at managing their emotions. They have to be the type of people who can be extremely vulnerable on camera; give their entire heart, mind, and body to a project; won&rsquo;t get fazed by comments from anonymous strangers who pick apart their looks and performances; and afterward decide that they want to do it again.<BR> </section> <section> <h3 >How Do You Get Started?</h3> <BR>Training&#8212;and continuing to train even when you start getting work&#8212;is essential. There are many ways to get training. You could get a theater degree at a college or university. (Look up the annual lists of best acting colleges compiled by <i>Backstage</i> or the <i>Hollywood Reporter</i>. Juilliard, Yale, the University of North Carolina, and Carnegie Mellon are often listed among the top-tier schools.) You could enroll in more intensive acting conservatory programs, like Los Angeles Performing Arts Conservatory, T. Schreiber, Atlantic Acting School, William Esper Studio, the Lee Strasberg Theatre &amp; Film Institute, or Stella Adler Studio of Acting. You could take classes focused on acting techniques, like Stanislavski&rsquo;s Method or the Meisner technique.<BR> <BR>There are also classes that teach specific skills, including scene study, character study, auditioning, and improv. There are classes that focus on acting for commercials. There are coaches&#8212;including DaJuan Johnson (<i>Bosch</i>), founder of Think Bigger Coaching, and Anna LaMadrid (<i>This Fool</i>), owner of Put Me On Self-Tape&#8212;who specialize in helping actors film self-taped auditions. Modeling classes can help you get comfortable in front of the camera. Learning stand-up comedy can help you nail your comedic timing and find your unique voice.<BR> <BR>The goal is to eventually get good enough at your craft that you get booked for roles that will give you on-the-job training. To book these roles, you often need representation&#8212;an agent who submits you for jobs and negotiates contracts, and a manager who guides your career.<BR> <BR>But first, you need headshots, a r&#233;sum&#233;, and a reel. So how do you create a reel of work before you&rsquo;ve booked anything?<BR> <BR>There are national casting networks and websites&#8212;including Actors Access and <a href="http://Backstage.com">Backstage.com</a>&#8212;that list auditions, also known as breakdowns, that you can apply for on your own if you don&rsquo;t yet have an agent. These are typically for smaller projects: short films, commercials, web series, and social media sketches. There are many local networks and Facebook groups that are free. Most opportunities will be found in Los Angeles and New York, but there are growing hubs in cities including Las Vegas, Atlanta, San Francisco, Austin, and Chicago.<BR> <BR>The process can be a grind. &ldquo;Let&rsquo;s say you submit yourself to thirty projects, two get back to you, you do those two auditions, and you don&rsquo;t hear anything. Tomorrow, submit yourself to thirty more projects,&rdquo; Dabu said.<BR> <BR>While you&rsquo;re getting used to rejection, make your own content. Actor Randall Park (<i>WandaVision, Fresh Off the Boat</i>) regularly directed and starred in his own comedic short films&#8212;often featuring alumni from the LCC Theatre Company, the Asian American company he cofounded at UCLA as a student&#8212;decades before he got his first professional directing opportunity. Even if you just get your friends together and piece some clips over a few months, you can create a reel to show agents and managers who focus on discovering new actors.<BR> <BR>Look for representation that&rsquo;s right for you. A manager oversees the day-to-day operations of your career, while agents help find and secure opportunities, bookings, and auditions. Once you start booking more gigs, you might consider hiring a publicist and an attorney for dealing with contracts.<BR> <BR>And lastly, anytime you get the chance to work on set, think about everything you can do in the moment to help yourself get your next role. That means showing up on time, being respectful, and making everyone else&rsquo;s job easier. It means learning how different departments work and connecting with like-minded people you might want to collaborate with in the future.<BR> <BR>Don&rsquo;t define yourself (or be defeated) by any individual project. Treat all your experiences&#8212;big and small, good and bad&#8212;as steps to develop yourself as an artist and build toward your eventual goal. That goal often evolves as you learn more about the industry and yourself.<BR> </section> <section> <h3 >What Are the Career Paths?</h3> <BR>There is no one path and no set timeline for the career of an actor. But there is a general hierarchy. Most working actors start with agents and managers who specialize in getting actors with less experience auditions for smaller jobs, and then eventually work up to the higher-profile agents and managers, who can get auditions for major networks and streaming services.<BR> <BR>The only way to fast-track to the top is if a casting director or filmmaker chooses you for a role that&rsquo;s much bigger than the one you did before. But that&rsquo;s out of your control.<BR> <BR>Here is a breakdown of the typical acting roles in television:<BR> <ul > <li >Background actor: These actors used to be called extras. They don&rsquo;t have any lines, but they help create the atmosphere of the scene.</li> <li >Bit role, costar, or &ldquo;under-5&rdquo;: This refers to an actor who has fewer than five lines of dialogue.</li> <li >Guest star: This is a role that affects plot.</li> <li >Recurring guest star: This is a character that affects plot for multiple episodes.</li> <li >Top of show guest star: This is when you&rsquo;ve become a recognizable actor and your name comes up in the credits at the beginning of the show.</li> <li >Series regulars: These are the characters you see in every episode of the show.</li> </ul> <BR>There are similar levels for acting in film: extras, featured extras, supporting roles, supporting leads, and leads.<BR> </section> <section> <h3 >How Do You Make Money? And What Kind of Money?</h3> <BR>Getting into the union&#8212;SAG-AFTRA&#8212;is imperative. Once you get into the union, you agree to stop taking nonunion jobs for any work covered by the SAG-AFTRA contract. Statistically, that limits your options, but union work will offer protections, including health insurance, and set you up for the higher pay you need to have a sustainable acting career.<BR> <BR>For most actors, though, it takes at least a couple of years to book jobs that will qualify them for membership. There are two primary routes to get into SAG-AFTRA: You get a job on a union project, or you do work as a member of an affiliated performers&rsquo; union, such as the American Guild of Musical Artists or the American Guild of Variety Artists.<BR> <BR>How do you get a job on a union project if you&rsquo;re nonunion? A producer files a Taft-Hartley form to hire a nonunion actor if they can&rsquo;t find a union one to fill the role. &ldquo;A common example would be if they need a person who has a particular skill,&rdquo; said Whitehair. &ldquo;For example, if the character speaks Farsi, they might petition to hire a nonunion actor, and then [the actor] becomes eligible for the union.&rdquo;<BR> <BR>SAG-AFTRA has a number of rate sheets that dictate the minimum pay that its members make for a given production. As of 2025, the amount for an episode&#8212;a day&rsquo;s work for a performer is worth a minimum of $1,246 and a performer who is hired longer term has to be paid $4,326 a week&#8212;might seem high at first glance, but keep in mind that most actors are not booking gigs throughout the year. And it takes a while to book these more well-paid roles, because it takes time to get the type of representation you need to get those types of auditions.<BR> <BR>Even established actors might book only two $14,000-an-episode guest star roles a year. Also, most working actors take home only about 40 percent of their check. The rest goes to their agent, manager, and lawyer, as well as the union and taxes.<BR> <BR>The reality is that most actors, even if they appear established, have another job that makes them money. They might produce projects, invest in restaurants, dabble in real estate, or start small businesses. Having another source of income isn&rsquo;t a temporary phase or a sign of failure, professionals say. It&rsquo;s a strategy that helps actors sustain their creative career.<BR> <BR>Commercials can provide income for actors in between jobs. Actor Brent Bailey (<i>The Idea of You, The Holiday Dating Guide</i>), who has shot over one hundred commercials, said he&rsquo;s rarely had to turn down a TV or film role because of a commercial, because the turnaround time is so fast. &ldquo;If I get offered a really big TV or film role, obviously I&rsquo;d take that role, but commercials pay so well that it&rsquo;s hard to say no,&rdquo; he said. &ldquo;You can audition for a commercial this week that shoots next week, and it only shoots for one day.&rdquo;<BR> <BR>How much you&rsquo;ll get paid for working in a commercial depends on such factors as whether you&rsquo;re the principal or a background actor, whether it runs on cable or broadcast television, how long it runs, how large its reach is, and, most important, whether it&rsquo;s shot under a union contract. A principal actor could earn up to $20,000 for a national broadcast TV commercial, but only about $1,000 for an ad shot for YouTube.<BR> <BR>With the advent of streaming and the decline of traditional advertising, commercial acting is not as lucrative as it once was. But acting in commercials can also be a good opportunity to work with big directors and cinematographers in the business. Bailey shot commercials with both Doug Liman (<i>The Recruit, The Bourne Identity</i>) and Antoine Fuqua (<i>Michael, Training Day</i>).<BR> </section> <section> <h3 >How Is This Career Different from Ten or Twenty-Five Years Ago?</h3> <BR>One of the main changes is the transition from in-person auditions to self-tapes. Self-taped auditions were becoming more popular before the COVID-19 pandemic. But when the shutdowns proved how safe and effective those prerecorded versions can be&#8212;allowing casting directors to see far more actors, including ones out of town&#8212;they&rsquo;ve become an industry standard.<BR> <BR>Actors suddenly needed to learn the basics of filmmaking, lighting, and sound so that their tapes would be competitive. SAG-AFTRA also put in protections for their members for how many pages actors could be asked to film for first-round self-tape auditions and interviews. It felt like an extra responsibility placed upon actors, who just wanted to act. But some professionals encourage actors to think of it as a new opportunity&#8212;a way to take control of the audition and submit their best take.<BR> <BR>The marketplace for actors has also changed dramatically. In previous generations, actors put most of their emphasis on training. And while mastering the craft is still important, actors are more focused now on expanding beyond the traditional confines of an actor&#8212;and they have more opportunity to do so.<BR> <BR>Carolyn Michelle Smith (<i>The Chi, Familiar Touch</i>) coaches and mentors young actors, and she said their references for success are actors who also write and produce, like Michaela Coel, creator and star of <i>Chewing Gum</i> and <i>I May Destroy You</i>, and Quinta Brunson, creator and star of <i>Abbott Elementary</i>. Or Tabitha Brown, an actor, author, and media personality who&rsquo;s gained a massive online following with comedic videos about veganism.<BR> <BR>Professionals say there are more opportunities to craft your own life and career as an actor than ever before. That said, the abrupt production shutdowns caused by the 2023 actors&rsquo; and writers&rsquo; strike was a reminder that it&rsquo;s always important to be prepared for disruptions as a working actor by saving money and having multiple income streams.<BR> </section> <section> <h3 >What&rsquo;s Some Good Advice?</h3> <BR><b>Be (extremely) patient.</b> Whitehair tells aspiring actors to go on IMDb, the Internet Movie Database, and look up their favorite actor&rsquo;s very first credits&#8212;knowing that this credit probably took a while for them to get. Then look at how long it took them to get from their first job to their first <i>recognizable</i> job, and you&rsquo;ll see how acting careers almost always take a long time to build and grow.<BR> <BR><b>Don&rsquo;t attach yourself to any one part&#8212;or one vision of what your acting career should look like.</b> &ldquo;It may take longer than you thought it would,&rdquo; Whitehair said. &ldquo;Daily life might look different than you thought it would. But you can always be an actor. You can always tell stories.&rdquo;<BR> <BR><b>Audition for the casting directors, not for the specific role.</b> Instead of trying to guess what casting directors want, it&rsquo;s better to showcase your personal strengths. Keep in mind that casting directors are not only trying to cast their current project; they&rsquo;re always on the lookout for talent for future projects.<BR> <BR><b>Don&rsquo;t compare yourself to anyone.</b> Actors can feel like they&rsquo;re being pitted against one another, and it&rsquo;s easy to become jealous, especially when people feel like there are limited opportunities. &ldquo;But for me, I&rsquo;ve been in L.A. fourteen years now, and to see people I knew in college or an acting class now be on a show&#8212;it&rsquo;s so exciting to me,&rdquo; Whitehair said. &ldquo;And it proves to me that it&rsquo;s possible. This isn&rsquo;t a &lsquo;celebrity.&rsquo; This is my buddy, my friend.&rdquo;<BR> <BR><b>Don&rsquo;t let anyone tell you that you&rsquo;re too old to start acting.</b> There are roles for all ages. People start their acting careers later in life for all sorts of reasons. They may get distracted by life challenges. They may be afraid of putting themselves out there. They may have been dissuaded from pursuing acting by loved ones.<BR> <BR>As in any industry, it&rsquo;s easier to have an earlier start. But having other life experiences can also work in your favor, and one of the benefits of starting to act later in life may be that you have achieved financial stability.<BR> <BR><b>Have a wellness plan.</b> Professionals say that the actor&rsquo;s life is made of extreme highs&#8212;when you&rsquo;re on set, living the dream&#8212;which can also come with big crashes when the job is over, you&rsquo;re alone in your apartment, and you don&rsquo;t have anything lined up.<BR> <BR>Many actors recommend therapy. &ldquo;We&rsquo;re constantly going through the process of healing and breaking down, and sometimes your body doesn&rsquo;t understand that it&rsquo;s imagination, and it feels real,&rdquo; said actor Annie Gonzalez, best known for <i>Flamin&rsquo; Hot</i> and <i>Gentefied</i>.<BR> <BR>Have a plan for how to make use of your downtime so you don&rsquo;t spiral, Smith recommended. That&rsquo;s when you should update your social media and all your materials. Make lists of people you&rsquo;ve worked with and whom you&rsquo;d like to work with. See what connections you have. Start thinking about passion projects. Soak up culture. And rest. &ldquo;Now you see it as a gift of time, not a curse,&rdquo; she said. &ldquo;The reason it&rsquo;s a gift is because you could be creating your next project.&rdquo;<BR> <BR><b>Find a solid community.</b> Actors Nik Dodani (<i>The Parenting, Atypical</i>) and Vinny Chhibber (<i>Big Sky, For All Mankind</i>) are cofounders of The Salon, a forum for South Asians in entertainment with a mentorship program for mid-career talent. It started as a social gathering, but they soon realized how crucial it was for actors and creatives&#8212;especially in marginalized communities&#8212;to have spaces that allow them to have honest conversations about their struggles.<BR> <BR>They try to be transparent with their mentees when they first meet. They&rsquo;ll tell them it&rsquo;s a very tough, competitive industry. You need to find people who will validate you when you are being mistreated and help you figure out how to navigate the systems.<BR> <BR>Social media and word of mouth are simple ways to find communities that share your culture or goals. Those support systems help you feel confident and safe as you&rsquo;re exploring your own path.<BR> <BR>&ldquo;At the end of the day, you have to be in the driver&rsquo;s seat,&rdquo; Dodani said. &ldquo;The only person who is going to be thinking about your career twenty-four-seven is you. But it&rsquo;s a lot easier when you don&rsquo;t feel like you&rsquo;re dealing with these struggles by yourself.&rdquo;<BR> <BR>Don&rsquo;t let Hollywood be the center of your entire life. Acting is &ldquo;the type of career where a lot of people fool themselves into putting everything into it,&rdquo; Park said. &ldquo;They believe that everything has to be sacrificed to be successful in this.&rdquo;<BR> <BR>You don&rsquo;t want your relationship with the industry to be an abusive, unbalanced one. Therapist Brian Torres, who works regularly with Hollywood clients, tries to get artists to pinpoint what drives them to act. Is it about telling stories or expressing yourself? Is it about the adrenaline of the stage or the power to change minds? He encourages actors to find other ways to feel fulfilled outside of the often brutal acting grind.<BR> <BR><b>Expect some heartbreak.</b> Park said the reality of pursuing a career in the entertainment industry is that you won&rsquo;t come out unscathed. &ldquo;I think just by doing it, you get destroyed a little bit,&rdquo; he said. &ldquo;In life too, right?&rdquo;<BR> <BR>He added, &ldquo;It makes sense that the funnest job in the world is really hard to get&hellip;. If you want to experience that much fun for a living, you gotta go through some hoops.&rdquo;<BR> </section> </section>]]></Text>
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      <BiographicalNote><![CDATA[Joe Pan is the author of five poetry books and founder of Brooklyn Arts Press, one of the smallest independent houses ever honored with a National Book Award in Poetry, and publisher of Augury Books, honored with a Lambda Literary Award in Lesbian Poetry. His writing has appeared in the <i >Boston Review</i>, <i >Hyperallergic</i>, <I>The</I> <i >New York Times</i>, and <i >Poets &amp; Writers</i>, and he&rsquo;s&nbsp;been profiled by <i >Publishers Weekly</i>, <I>The</I><i >&nbsp;Rumpus</i>, and <I>The</I> <i >Wall Street Journal</i>. He grew up along the Space Coast of Florida and now lives in Los Angeles. With his wife he cofounded BAH, an activist group that serves unhoused populations with sleeping bags and goods. <i >Florida Palms </i>is his debut novel.&nbsp;]]></BiographicalNote>
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      <SubjectHeadingText>Florida; Space Coast; motorcycles; palm trees; bikers; biker gang; motorcycle; drug trafficking; panther; big cat; swamp; Chevy Nova; switchblade; boat; truck; sportscar; meth; hitman; designer drugs; tattoos; 2008; financial crisis; Hells Angels; criminal organization; redemption; poverty cycle; American subculture; HBO series; motorcycle mythology; coming of age; crime fiction; literary fiction; escape stories</SubjectHeadingText>
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      <Text><![CDATA[<b><i>The Outsiders </i>meet<i> Sons of Anarchy</i> in this gripping debut about a group of young men dragged into a drug-running operation </b><b >on the Space Coast of Florida.</b><BR><BR>It&rsquo;s 2009, the height of the Great Recession. Best friends Eddy, Cueball, and Jesse are fresh out of high school and wild at heart, but the economy is in the dumps. With jobs scarce along Florida&rsquo;s Space Coast, they join a furniture-moving company run by Cueball&rsquo;s father, a gruff ex-con biker who&rsquo;s supposedly retired from the fast life. But when a mysterious old boss arrives in town, the payload is switched out, and the young men are coerced into shipping a new designer drug up the East Coast.<BR> <BR>What is advertised as a bastion of brotherhood and respect quickly spirals into back-alley deals, bloodshed, and an all-out turf war that will test the bounds of love and friendship. Enticed by larger paychecks, and fueled by burgeoning drug habits, the young friends find themselves trapped between rank opportunists, warring gangsters, meth zombies, crazed bikers, and a blowgun-wielding hitman, all vying for a shot at the big time.<BR> <BR>Soaring, ambitious, and deeply humane, <I>Florida Palms</I> is a gritty coming-of-age story with enormous heart and an unflinching vision of the violence and inequities facing forgotten communities. In a relentless race against desperate circumstances, the young friends must fully embrace the crime life or abandon their loyalties and risk ending up face down in the muck of the unforgiving swamps.]]></Text>
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      <Text><![CDATA[Joe Pan is the author of five poetry books and founder of Brooklyn Arts Press, one of the smallest independent houses ever honored with a National Book Award in Poetry, and publisher of Augury Books, honored with a Lambda Literary Award in Lesbian Poetry. His writing has appeared in the <i >Boston Review</i>, <i >Hyperallergic</i>, <I>The</I> <i >New York Times</i>, and <i >Poets &amp; Writers</i>, and he&rsquo;s&nbsp;been profiled by <i >Publishers Weekly</i>, <I>The</I><i >&nbsp;Rumpus</i>, and <I>The</I> <i >Wall Street Journal</i>. He grew up along the Space Coast of Florida and now lives in Los Angeles. With his wife he cofounded BAH, an activist group that serves unhoused populations with sleeping bags and goods. <i >Florida Palms </i>is his debut novel.&nbsp;]]></Text>
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      <Text><![CDATA[1) &ldquo;It was survival-living dressed up as culture&hellip;&rdquo; <i>Florida Palms</i> portrays working-class people eking out a tough existence in a small Space Coast town during the Great Recession. How does the economic instability of the region shape the characters&rsquo; moral choices, their relationships, and their sense of purpose as they struggle to make ends meet?<BR> <BR>2) The book begins just after Eddy and Cueball have graduated high school and have begun working for Bird&rsquo;s moving company. What futures are the boys imagining for themselves? What futures did you (or do you) imagine for yourself when you graduate(d) high school? What kind of lives do you think await young people like Cueball and Eddy today?<BR> <BR>3) &ldquo;We had something once&hellip;a code.&rdquo; How does Del Ray&rsquo;s lament define the outlaw identity? What did he feel was missing?<BR> <BR>4) What bound these characters together most strongly at the beginning of the book&#8212;loyalty, love, proximity, shared morals, necessity, a sense of survival, or fear? Did this change by the end, and if so, for whom and how?<BR> <BR>5) Family ties in <i>Florida Palms </i>are often fractured and imperfect; the same can be said for those personal bonds requiring fraught allegiances. How did Eddy&rsquo;s difficult relationship with his mother and Cueball&rsquo;s deeply flawed relationship with his father shape their lives and later play out in their other relationships?<BR> <BR>6) Drugs and alcohol pervade the novel&#8212;are they used as forms of escapism, rebellion, coping, self-destruction? How does Pan portray the thin line between euphoria and ruin?<BR> <BR>7) How did the lyrical descriptions of Florida&rsquo;s landscape help develop the novel&rsquo;s mood and atmosphere? Did this impact your reading of certain passages? Would you describe Florida as a character itself?<BR> <BR>8) Del Ray delivered a few philosophical monologues in the book. Did you read these passages as moments of wisdom, self-mythology, delusion? Which passages or speeches lingered with you the most, and why?<BR> <BR>9) What role did humor play in humanizing these morally gray characters?<BR> <BR>10) Violence permeates the novel, from backwoods executions to Gumby&rsquo;s brutal takedown of several characters. How does the casual presence of violence shape the atmosphere of Palm Bay? Were there moments you found especially unsettling or illuminating? Analyze how violence escalates in the novel&#8212;when is it depicted as senseless, ritualized, necessary, or redemptive?<BR> <BR>11) Discuss how ideas surrounding masculinity were illustrated in the creation of the Armstrong Crew. Were the elder club leaders more mentors or manipulators? How does Pan balance sympathy for these characters with critiques of them?<BR> <BR>12) Discuss how Eddy evolves across the five parts of the novel&#8212;from drifting son to reluctant participant to regime crony to forced outsider. Locate the moments where we witness the transformations happen&#8212;are these moments erosions of Eddy&rsquo;s moral compass or necessary obstacles on his journey into manhood?<BR> <BR>13) In an earlier conversation, Gin said she believed &ldquo;people never changed,&rdquo; while Eddy thinks people &ldquo;eventually find their way.&rdquo; Who do you think is more right by the end of the book?<BR> <BR>14) In the end, what does <i>Florida Palms </i>seem to say about power structures and capitalism? Do any characters successfully escape their origins? Do they find something better than before?<BR> <BR>15) Which character arc or moment in the book affected you most? Did the ending leave you with a sense of closure, unease, or something else?]]></Text>
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      <Text><![CDATA[<b><b>A terrifying novel from bestselling #HorrorBookTok sensation Ania Ahlborn&#8212;the acclaimed author of the modern classic <i>Brother</i>.</b></b><BR><BR>&ldquo;Haunting and unsettling, choked with tension...takes you down a long, dark hallway of familial terror. Ania Ahlborn is horror&rsquo;s next superstar.&rdquo; &#8212;Richard Chizmar, <I>New York Times</I> bestselling author of <I>Memorials</I><BR> <BR>Isla Hansen, a mother reeling from a devastating loss, is beside herself when a mysterious orphan appears on the outskirts of the Hansens&rsquo; secluded Colorado property. Although strange and unexplainable, the child&rsquo;s presence breathes new life into Isla. But as they settle in, Isla&rsquo;s husband, Luke, and their five children notice peculiarities that hint at something far beyond the ordinary&#8212;anomalies that challenge the very fabric of reality itself. The tension within the Hansen household grows&hellip;and with it, the sense that there is something very wrong with the new kid in the house.<BR> <BR><I>The Unseen</I> is a haunting tale that walks the line between the familiar and the unknown, drawing us into a chilling narrative where reality itself feels just out of reach.]]></Text>
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      <Text><![CDATA[Ania Ahlborn is the bestselling author of the horror works&nbsp;<I>Brother</I>,&nbsp;<I>If You See Her</I>,&nbsp;<I>The Devil Crept In</I>,&nbsp;<I>Within These Walls</I>,&nbsp;<I>The Bird Eater</I>,&nbsp;<I>The Shuddering</I>,&nbsp;<I>The Neighbors</I>, and&nbsp;<I>Seed</I>, the thrillers&nbsp;<I>Good and Joyful Things</I>&nbsp;and&nbsp;<I>Dark Across the Bay</I>, the novella collection&nbsp;<I>Apart in the Dark</I>, and the novellas&nbsp;<I>Palmetto</I>,&nbsp;<I>I Call Upon Thee</I>, and&nbsp;<I>The Pretty Ones</I>. Born in Ciechan&oacute;w, Poland, she now lives with her family in North Carolina. Visit her at&nbsp;AniaAhlborn.com&nbsp;or follow the author on Facebook (@Ania.Ahlborn.Author) and Instagram (@AniaAhlborn).]]></Text>
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      <Text><![CDATA[&quot;Both riveting and unsettling, Ahlborn&rsquo;s latest is a fresh take on a classic horror trope....a spine-chilling atmosphere that crackles with anticipation. Ahlborn does not sacrifice character for plot, as each individual attempts to reckon with the family dynamics and secrets amid horrors that lurk in the shadows. The result is a creepy thrill-ride that belies the familial grief and longing bubbling just below the surface. Ahlborn&rsquo;s writing is all-consuming, dragging readers into a world filled with unseen terrors...This compulsively readable book deserves a spot in horror collections.&quot; <I><B>&mdash;Library Journal</B></I>]]></Text>
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      <Text><![CDATA[&ldquo;Ania Ahlborn is in top form with&nbsp;<I>The Unseen.&nbsp;</I>A tapestry of mounting horror and otherworldly suspense, Ahlborn knows how to turn that screw to keep her readers constantly on edge, proving once more that she is&nbsp;a writer who has mastered the art of the creeping dread. This unsettling gem comes highly recommended.&rdquo; <B>&mdash;Ronald Malfi</B>, bestselling author of <I>Senseless</I> and&nbsp;<I>Small Town Horror</I>]]></Text>
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      <Text><![CDATA[&quot;Scary...Ahlborn&rsquo;s take on the classic changeling narrative should have readers talking for years to come.&quot; <B>&mdash;<I>CrimeReads</I></B>]]></Text>
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      <Text><![CDATA[<b>&ldquo;A sabbatical might be the most important career move you ever make. Read this book to see why&#8212;and how to do it.&rdquo; &#8212;Arthur C. Brooks, harvard professor and #1 <i>New York Times</i> bestselling author</b><BR> <BR> <b><b data-olk-copy-source="MessageBody">A guide to transforming your well-being and your career through purposeful time off, from Harvard Business School Senior Lecturer and</b> <b>founder of the Sabbatical Project.</b></b><BR><BR>Our world of work prioritizes the <I>urgent</I>, but the most <I>important</I> moments of our life rarely happen at a desk. In <I>Big Time Off</I>, Sabbatical Project founder DJ DiDonna explores a simple but radical idea: sabbaticals help us avoid sleepwalking through life by giving us time to be present in moments of celebration, difficulty, and transition. <BR> <BR>Integrating original research and compelling stories of sabbatical-takers from all walks of life&#8212;from teachers and nonprofit leaders to startup founders and Fortune 500 employees&#8212;<I>Big Time Off </I>explores why extended time away from work has such a profound effect on people&rsquo;s identity, relationships, creativity, and direction. You&rsquo;ll learn:<BR> <ul> <li>When to take a sabbatical&#8212;and how to avoid waiting for a crisis to take off.</li> <li>Why sabbaticals&#8212;unlike vacations&#8212;help you forge a new career path, feel human again, and live a more authentic life.</li> <li>How to navigate your sabbatical using archetypes&#8212;the explorer, the seeker, and the achiever&#8212;and avoid common pitfalls.</li> <li>Best practices for individuals&#8212;no matter the circumstances&#8212;and organizations of all sizes to make extended leave possible and sustainable.</li> </ul> <BR>Whether you dream of making a big change, exploring the world, or simply carving out space to heal, think, and recalibrate, <I>Big Time Off</I> is your guide to creating a richer, more intentional life.]]></Text>
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      <Text><![CDATA[<b>A constellation of shining stories set in the vastly diverse space opera world of the Liaden series</b><BR><BR>The sixth Constellation collects eleven stories set in Sharon Lee and Steve Miller&rsquo;s vast, versatile, and beloved Liaden Universe&#174;. Themes range from military to western to found family, and include discovery stories and novel outtakes. All showcase Lee and Miller&rsquo;s deft touch with characterization and their acclaimed world-building skill. Also included in this volume is the text of Sharon Lee&rsquo;s speech accepting the Robert A. Heinlein Award for outstanding published works in science fiction literature, which was presented at the 59th Baltimore Science Fiction Convention.<BR> <BR> Stories included in this collection are: &ldquo;Standing Orders,&rdquo; &ldquo;Gadreel&rsquo;s Folly,&rdquo; &ldquo;The Last Train to Clarkesville,&rdquo; &ldquo;Wise Child,&rdquo; &ldquo;Songs of the Fathers,&rdquo; &ldquo;From Every Storm a Rainbow,&rdquo; &ldquo;Our Lady of Benevolence,&rdquo; &ldquo;Chimera,&rdquo; &ldquo;Neutral Ground,&rdquo; &ldquo;Mother&rsquo;s Love,&rdquo; and &ldquo;Core Values,&rdquo; plus a foreword from the author, original to this volume.]]></Text>
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      <Text><![CDATA[Maine-based writers&nbsp;<b>Sharon Lee </b>and<b> Steve Miller</b>&nbsp;teamed up in the late 1980s to bring the world the story of Kinzel, an inept wizard with a love of cats, a thirst for justice, and a staff of true power.<BR> <BR> In the decades since, until Steve&#39;s death in 2024, the Lee-and-Miller&nbsp;writing team published over 100 works of fantastic fiction, the majority set in their genre-bending&nbsp;Liaden Universe&reg;, demonstrating their shared philosophy that fiction ought to be fun&mdash;both the reading and the&nbsp;writing of it.<BR> <BR> During their long and&nbsp;storied career,&nbsp;Steve and&nbsp;Sharon&nbsp;were celebrated as guests of honor at more than two dozen science fiction conventions across the country and were also frequent panelist and featured speakers.<BR> <BR> Their awards include the Prizm for Best Futuristic Romance, The Golden Duck for Best YA SF, the Reader&rsquo;s Choice Award for the Year&rsquo;s Best Military and Adventure SF of 2017, and the Edward E. Smith Memoria Award for Imaginative Fiction (the <i>Skylark</i>).<BR> <BR> Sharon is continuing to work in the universe she and Steve built together.<BR> <BR> For more information about the Liaden Universe&reg;, including reading orders, go to korval.com.]]></Text>
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      <Text><![CDATA[<b>Praise for&nbsp;<i>A Liaden Universe Constellation: Volume 1:</i></b><BR> &ldquo;. . . adds a bit of sparkle to ordinary life. . . . This series [is] . . . the premier place to find good romantic SF adventure. . . . strong characters finding their own way (and, often, each other) in an action-packed galaxy of worlds. . . . Every story stands on its own; readers don&rsquo;t have to be familiar with the Liaden universe. Those who have had the pleasure, though, will find many connections to existing tales.&rdquo; &mdash;<i>Analog</i>]]></Text>
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      <Text><![CDATA[<b>Praise for the Liaden Universe series:</b><BR> &ldquo;I love the Liaden Universe books for their complex weaving of cultures&nbsp;and manners and the dangers of space travel. I was fascinated by&nbsp;<i>Ribbon Dance</i>&rsquo;s focus on the careful work of establishing trade with a&nbsp;long-isolated world where psi powers are common. At play are the differences&nbsp;between offworld procedures and the traditions and suspicions&nbsp;of the planetary society. And an elderly, politely demanding norbear.&rdquo;&nbsp;&mdash;Kathryn Sullivan,&nbsp;<i>Talking to Trees</i><BR> <BR> &ldquo;Time spent with the Tree and Dragon is always a joy.&nbsp;<i>Ribbon Dance</i>&nbsp;is a&nbsp;marvelous tale, a feast for Liaden fans. And everyone should be a Liaden&nbsp;fan.&rdquo; &mdash;#1&nbsp;<i>New York Times</i>&nbsp;Best Seller Patricia Briggs&nbsp;<BR> <BR> &ldquo;Space Opera as finely crafted as a Tree-and-Dragon trade deal. Lee&nbsp;and Miller always deliver the goods.&rdquo;&nbsp;&mdash;Jack Campbell, author of&nbsp;<i>In Our Stars</i>&nbsp;and&nbsp;<i>Implacable</i><BR> <BR> &ldquo;Breathtaking, innovative, and absolutely charming!&rdquo;&nbsp;&mdash;Lawrence M. Schoen, award-winning author of&nbsp;<i>Barsk: The Elephants&rsquo; Graveyard</i><BR> <BR> &ldquo;A brilliant entry in the Liaden series, with romance, intrigue, new friends<BR> and old, and a new world to test Clan Korval!&rdquo;&nbsp;&mdash;Ryk Spoor, author of&nbsp;<i>Choosing the Players&nbsp;</i>and the&nbsp;Demons of the Past trilogy<BR> <BR> &ldquo;Starts fast and runs hot and true. Perhaps Lee &amp; Miller&rsquo;s strongest work&nbsp;to date. Space opera the way it should be.&rdquo;&nbsp;&mdash;James D. Macdonald, coauthor of&nbsp;<i>The Price of the Stars</i><BR> <BR> &ldquo;Deftly written, with politics, passion and power winding together to create&nbsp;an incredibly satisfying story that spans generations, cultures, and&nbsp;worlds. What a treat. Sure to satisfy long-time readers and newcomers&nbsp;alike!&rdquo; &mdash;C.E. Murphy, author of The Walker Papers series]]></Text>
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      <Text><![CDATA[<b>A CANNONBALL RUN ACROSS AN AMERICA FULL OF MAGIC</b><BR><BR>Silas Danger can&rsquo;t stop running.<BR> <BR> The year is 1975. Silas drives a red Pontiac GTO. Trapped in the back of his muscle car are the ghost of his sister Betty and half of the demon that killed her. He doesn&rsquo;t know how she died, and he hasn&rsquo;t figured out how to save her yet, but he knows that if he spends three days in any one place, the other half of the demon will catch up, kill him, and drag Betty down to hell.<BR> <BR> Silas works as a scout, messenger, courier, herald, and sometimes spy across the weird, fragmented, magical world of Other America. Dodging bridge trolls as well as alien grays, lamiae along with snallygasters, undead blues singers and also bison-headed giants, he runs errands in exchange for information that will help him save his sister.<BR> <BR> This time, he&rsquo;s hired to run a deck of Tarot cards from New York to San Francisco on a tight schedule. The first complication comes when the dame with the card deck won&rsquo;t just hand them over, she insists on coming along. The second is that everyone else in Other America seems to know that Silas has the cards, and everyone seems willing to kill to get them.]]></Text>
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      <Text><![CDATA[<B><b>WHO OWNS THE SKY?</b><BR> <BR> <b>The Trillionaires Are At It Again! Can Pirates Save Us?</b><BR> <BR> &ldquo;A hard science fiction tour de force, populated by memorable characters in a tale of intrigue, adventure, and irresistible market forces.&rdquo; &#8212;Linda Nagata</B><BR><BR>When oligarchs control the space program, is piracy a virtue?<BR> <BR> While trillionaires jockey for control of space resources and rogue AIs prowl the Internet, a dangerous alien technology&#8212;the Fracture&#8212;has fallen into the hands of space pirates who have no idea what they stole. Unfortunately, law and order are hard to come by when you&rsquo;re a million miles from Earth.<BR> <BR> Meanwhile, the balance of power, already precarious, has tumbled Cislunar space into an undeclared war. Now, in a race against time, the crew of the CV <I>Defender</I> must track the pirates to their lair before the Fracture destroys the entire Solar System. But in a world this complex, who exactly are the good guys?]]></Text>
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      <Text><![CDATA[<B>Praise for&nbsp;<i>Rich Man&#39;s Sky</i><I>:</I></B><BR> &ldquo;Action SF built on a hard foundation of cutting-edge science.&rdquo; &mdash;Walter Jon Williams<BR> <BR> &ldquo;An action-crammed story that darts at hyper-speed from Burning Man, Nevada to Suriname to a convent on the Moon to an orbiting colony that&rsquo;s clearly up to something. A jam-packed adventure fizzing with mind-blowing concepts, and a great read!&rdquo; &mdash;Connie Willis<BR> <BR> &ldquo;A hard science fiction tour de force, populated by memorable characters in a tale of intrigue, adventure, and irresistible market forces.&rdquo; &mdash;Linda Nagata<BR> <BR> <B>Praise for&nbsp;<i>Antediluvian:</i></B><BR> &ldquo;. . . gripping and . . . grounded in archaeology.&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR> &ldquo;. . . plenty of verisimilitude . . . superbly intriguing and captivating . . . bravura historical recreations, full of conjectural material. . . . Presenting us with a colorful cast of characters from across the millennia who have thick and rich existences, and affirming that the cosmic stream of life flows forcefully despite all small blockades, McCarthy has written a novel that looks both forwards and backwards, thus making a stellar return to the field.&rdquo; &mdash;<i>Locus</i><BR> <BR> <B>Praise for Wil McCarthy:</B><BR> &ldquo;McCarthy is an entertaining, intelligent, amusing writer, with Heinlein&#39;s knack for breakneck plotting and, at the same time, Clarke&#39;s thoughtfulness.&rdquo; &mdash;<i>Booklist</i><BR> <BR> &ldquo;Imagination really is the only limit.&rdquo; &mdash;<i>The New York Times</i><BR> <BR> &ldquo;The future as McCarthy sees it is a wondrous place.&rdquo; &mdash;<i>Publishers Weekly</i><BR> <BR> &ldquo;A bright light on the SF horizon.&rdquo; &mdash;David Brin<BR> <BR> &ldquo;Wil McCarthy demonstrates that he has a sharp intelligence, a galaxy-spanning imagination, and the solid scientific background to make it all work.&rdquo; &mdash;Connie Willis<BR> <BR> &ldquo;In nearly every passage, we get another slice of the science of McCarthy&rsquo;s construction, and a deeper sense of danger and foreboding . . . McCarthy develops considerable tension.&rdquo; &mdash;<i>San Diego Union-Tribune</i><BR> <BR> &ldquo;An ingenious yarn with challenging ideas, well-handled technical details, and plenty of twists and turns.&rdquo; &mdash;<i>Kirkus</i>]]></Text>
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      <Text><![CDATA[<b>A NEW SOLO NOVEL IN DAVID WEBER</b><B>&rsquo;</B><b>S <i>NYT</i> BEST-SELLING HONORVERSE</b><BR><BR><i>&ldquo;It is our duty to pay for our liberty with our own blood. The freedom that we shall win through our sacrifice and exertions, we shall be able to preserve with our own strength.&rdquo;</i> &#8212;Subhas Chandra Bose<BR> <BR> Lieutenant Brandy Bolgeo has come home from the Battle of Hancock Station wounded in both body and spirit. She will need months to regenerate her lost leg, but how long will it take to heal her heart?<BR> <BR> She&rsquo;s come home to find that her wounds, her ship&rsquo;s brutal damage, the deaths of so many friends, were the fault of an arrogant, aristocratic coward who broke and ran in the face of the enemy. Who left her ship to pay the price for his craven desertion under fire. And whose powerful political allies are determined to protect and preserve him at any price.<BR> <BR> They have held hostage the declaration of war until Lord Pavel Young escaped the consequences of his cowardice. They didn&rsquo;t care what it cost the Navy. They didn&rsquo;t care what it cost the entire Star Kingdom of Manticore. Their tactics have cost the Royal Navy the priceless initiative as revolution and military purges wrack the People&rsquo;s Republic of Haven, and that lost window of opportunity will cost the Star Kingdom seventeen years of bloody warfare and hundreds of thousands of deaths.<BR> <BR> Now Young is free to seek vengeance on the people he feels have &ldquo;wronged&rdquo; him. People like Paul Tankersley and Honor Harrington. Paid duelists, smear tactics, hired assassins in public restaurants . . . nothing is beneath Pavel Young. But Captain Harrington can look after herself, and Pavel Young is about to face the fury of the woman the newsies call the &ldquo;Salamander.&rdquo; Yet who will save the Star Kingdom from the repercussions of his actions?<BR> <BR> Women and men like Brandy Bolgeo are about to pay the toll for the Star Kingdom of Manticore&rsquo;s honor.]]></Text>
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      <BiographicalNote><![CDATA[Giri Nathan is a staff writer and cofounder at Defector Media. His writing has appeared in <i>New York&nbsp;</i>magazine,&nbsp;<i>The Washington Post</i>,&nbsp;<i>The Guardian</i>, <i>The New York Times</i>,&nbsp;<i>National Geographic</i>,&nbsp;<i>The New Yorker</i>, and <i>The Believer</i>. He is the senior correspondent at tennis outlet&nbsp;<i>The Second Serve. </i>In 2022, he received the Tom Perrotta Prize for Tennis Journalism. His work was selected for the 2025 editions of&nbsp;<i>The Year&rsquo;s Best Sports Writing </i>and&nbsp;<i>The Best American Food and Travel Writing</i>.&nbsp;]]></BiographicalNote>
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      <SubjectHeadingText>Tennis; Novak Djokovic; Rafael Nadal; Roger Federer; Carlos Alcaraz; US Open; Wimbledon; French Open; Australian Open; Grand Slam; Coco Gauff; Jannik Sinner; Danil Medvedev; Taylor Fritz; Tommy Paul; Ben Shelton; Joao Fonseca; John McEnroe; BNP Paribas; Indian Wells; Tennis rivalries; Tennis culture; Tennis writing; Sports rivalry; Big Three; GOAT; Greatest of All Time; The Second Serve; Raquet Magazine; Men’s Tennis; Sports writing; Tennis history; Tennis future; Netflix; Alcaraz the Docuseries; Rivalry; Stories; Books; Literature; John McPhee; David Foster Wallace; America; Europe; Spain; Italy; Serbia; Best tennis writing; Professional tennis; ATP Tour; WTA Tour; Tennis biography; Tennis documentary; Tennis analysis; Tennis fan guide; Tennis legends; Tennis career highlights; U.S. Open 2025; Sinner; Alcaraz; U.S. Open finals</SubjectHeadingText>
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      <Text><![CDATA[<b><b>NATIONAL BESTSELLER</b></b><BR> <BR> <b>NAMED A BEST BOOK OF 2025 BY<BR> <i>* THE NEW YORKER </i>* NPR <i>* </i></b><b><i>TOWN & COUNTRY *</i></b><BR> <BR> <b><b>The story of Carlos Alcaraz, Jannik Sinner, and their epic rivalry, as told by "the best tennis writer in America" (Brian Phillips, <i>The Ringer</i>).</b></b><BR><BR>For more than two decades, Novak Djokovic, Rafael Nadal, and Roger Federer dominated men&rsquo;s tennis so thoroughly that it became difficult to imagine how the game would keep its shine once they retired.<BR> <BR> Then came 2024&#8212;the first year since 2002 that none of them won a Grand Slam tournament&#8212;and a technicolor future was revealed. The major titles were divided between a pair of prodigies in their early twenties: the effervescent showman Carlos Alcaraz, whose infinite variety of shots won him the French Open and Wimbledon; and the relentlessly cool Jannik Sinner, whose power and precision secured him the Australian Open and US Open even amid a doping controversy. Though other young contenders jostled for the spotlight, and Djokovic tried to hold his ground, the transcendentally gifted Alcaraz and Sinner just kept installing their new regime.<BR> <BR> &ldquo;Witty&rdquo; (<i>The Wall Street Journal</i>), delivering &ldquo;loads of insight&rdquo; (<i>The Washington Post</i>), and rooted in a true fan&rsquo;s love of the game, this &ldquo;scintillating account&rdquo; (<i>Publishers Weekly</i>) serves as a primer to the rivalry poised to define the next decade of the sport.]]></Text>
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      <Text><![CDATA[Giri Nathan is a staff writer and cofounder at Defector Media. His writing has appeared in <i>New York&nbsp;</i>magazine,&nbsp;<i>The Washington Post</i>,&nbsp;<i>The Guardian</i>, <i>The New York Times</i>,&nbsp;<i>National Geographic</i>,&nbsp;<i>The New Yorker</i>, and <i>The Believer</i>. He is the senior correspondent at tennis outlet&nbsp;<i>The Second Serve. </i>In 2022, he received the Tom Perrotta Prize for Tennis Journalism. His work was selected for the 2025 editions of&nbsp;<i>The Year&rsquo;s Best Sports Writing </i>and&nbsp;<i>The Best American Food and Travel Writing</i>.&nbsp;]]></Text>
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      <Text><![CDATA[Chapter 1: Empires <link rel="stylesheet" type="text/css" href="../styles/9781668076262.css"> <link rel="stylesheet" type="text/css" href="../styles/SS_global.css"> <section role="doc-chapter" aria-labelledby="ch01_hd"> CHAPTER 1 Empires <BR>In the beginning, there was Roger Federer.<BR> <BR>He was lean and composed, and seemed never to sweat. His feet moved over the court as do the feet of a water bug on the surface of a pond. His style was arty and aggressive. He always struck the ball a fraction of a second earlier than I expected. As a viewer, I was constantly taken aback by this, like a clap that landed just ahead of the beat, over and over. His opponents had no time to appreciate this quality, because the ball had already arrived at their feet. Many fans enjoyed seeing a hard game made to look so easy. But even Roger, at the outset of his career, was not yet so interested in toil. &ldquo;Grit,&rdquo; as he&rsquo;d later describe it, was something he had to learn. So he did. By his early twenties, the man from Switzerland was dominating the professional tour in a way few ever had. Ponytailed for a while, then with floppy locks tucked into a headband. Somewhat supercilious, keenly aware of his distance from the rest of the pack, Roger was aloft on his own cloud. He was the first one at the party.<BR> <BR>Next to arrive was Rafael Nadal.<BR> <BR>A strange chimera, who seemed ancient, yet terribly modern. Feral, but also quite polite. Long hair, long shorts, no sleeves, big muscles. He applied spin to the ball with a fury not yet seen. His shots sailed high over the net and plunged back to earth with urgency. He was also curiously damp. On the island of Mallorca, the lefty Rafa was raised on clay, one of three main surfaces on which tennis is played, and he ruled it from the moment he set foot on tour. Tennis players are oddly fond of the term &ldquo;fighting spirit,&rdquo; and Rafa was its living embodiment, a man who did not grasp surrender. Though he seemed impossibly full of life, he also grappled with injuries all over his body, causing many to question his longevity, which, in the end, would be no problem at all. He and Roger played indelible epics. Nadal unwound Federer&rsquo;s poise and forced the Swiss to evolve beyond his instinctive style. For a while it seemed it would be just these two, locked in permanent struggle, carving one another into genius as great rivals do.<BR> <BR>Maybe it would have been so if not for Novak Djokovic.<BR> <BR>To call him &ldquo;limber&rdquo; was too mild. He seemed to be composed of something other than flesh, some taffy-like substance that let him elongate and coil his body into confounding positions. He had short-cropped hair and close-set eyes that would widen as if in terror when he was about to return serve, which he did better than anyone ever had. His genius was less showy than the others, more attritional, but just as keen. And where the other two had grown up well-off in western Europe, he had emerged from Serbia during the Yugoslav Wars. His path to the high life of pro tennis had been more perilous. A wall he used to hit tennis balls against as a child had been struck by NATO bombs. He spoke of his family&rsquo;s experience with loan sharks. Early on, he would wilt in long or hot matches, which was funny in retrospect, because raw stamina became a defining trait. He liked to do silly impressions of his peers, eager to perturb the sport&rsquo;s sterile atmosphere. Sometimes he sparred with crowds. In time he relished his role as interloper. With his talent as crowbar, he pried his way into the Roger-Rafa duopoly. Where there had been one rivalry, now there were three, each of them distinct.<BR> <BR>After him came&#8212;well, no one. For two decades, aside from the occasional guest stopping by for a cocktail and then getting shooed away, it would be just the three of them at the party, and a lot of people banging at the door.<BR> <BR>The professional tennis tour runs all year long, across dozens of tournaments. The most important are the four majors. If you&rsquo;ve heard of any, you&rsquo;ve heard of these: the Australian Open, Roland-Garros (colloquially, the French Open), Wimbledon, and the U.S. Open. At the outset of each tournament, there are 128 players. Two weeks later, there is only one champion, who has won seven consecutive matches. A victory pays a few million dollars, assures a place in history, and improves or reaffirms a player&rsquo;s ranking. At any given time, a tennis player knows precisely where he ranks among his peers. He lives every day in a bare hierarchy that anyone can look up. Winning a match rewards a player with &ldquo;ranking points.&rdquo; To get a sense of the relative importance of the tournaments, all you need to do is look at the points. A major is worth 2000 points. Beneath those are the Masters 1000 tournaments, which are unsurprisingly worth 1000 points. Beneath those, 500-level tournaments, then 250-level tournaments. You can imagine this as the pyramid that makes up the top professional division of men&rsquo;s tennis, also known as the ATP Tour. Beneath it are lower levels of competition&#8212;the Challenger Tour, Futures&#8212;that can be thought of as the minor leagues.<BR> <BR>Perhaps I have given you an emotionally impoverished version of the story. No child drifts to sleep thinking of winning 2000 ranking points&#8212;they dream of winning a major. These four tournaments are the stuff of legacy, the currency in tedious debates about who is better than whom. For some fans, the simplest shorthand for a player&rsquo;s historic significance is the number of majors they won. There are many, many worthy feats in tennis outside of winning those tournaments, but in the popular imagination, and to hear many players tell it themselves, these four are untouchable. If given a chance, a player would trade any number of smaller trophies for just one of them. The exchange rate is infinite.<BR> <BR>The tennis major is one of the hardest feats to pull off in contemporary sport. Winning seven best-of-five-set tennis matches is a profound physical and psychic ordeal, a truth that has only deepened as the sport&rsquo;s athletic demands have increased. To win those matches requires an alignment of circumstances: the tactical know-how to adapt to seven different opponents, the ability to recover from the wear-and-tear of each match, the mental acuity to play each point in isolation without getting overwhelmed by the enormity of the whole task. I have always thought about a major as a marathon run while engaged in hand-to-hand combat.<BR> <BR>For roughly two decades, from 2004 to 2023, Federer, Nadal, and Djokovic won almost all the majors. As a result, they came to be known as a collective unit&#8212;the Big Three&#8212;like some cabal conspiring to hoard all the joy and prestige for themselves. It is not as though they were the only good tennis players born between the years 1981 and 1987. They had brilliant peers, players who would have won a major or two in other eras but had the blunt misfortune of being born at the same time as the three best ever to play. In any attempt to win a major, inevitably, a player would have to muscle their way past one member of the Big Three. Sometimes they&rsquo;d beat one of them only to be evicted by another. Tom&#225;&scaron; Berdych, the flinty, powerful Czech, once beat two of them in a row only to be eliminated by the third in the Wimbledon final. It was too much to ask of any one mortal.<BR> <BR>Perhaps the most poignant way to understand the Big Three was to see the optimism steadily squeezed out of their contemporaries, as if by a juicer, a cup filled to the brim with hopes and dreams. You would hear the most extraordinary admissions of inadequacy. In pro sports, particularly individual sports, militant self-belief is a prerequisite for the job. And yet here these gifted competitors were, their confidence cracked, openly explaining to the press that their best efforts weren&rsquo;t remotely enough against these three adversaries. And that was only what they were willing to say in public. Who knows what macabre doubts went stalking through their heads as they took their post-match showers or car rides to the airport.<BR> <BR>Broadly speaking, these valiant victims of the Big Three moved through recognizable phases of career grief. First in this sequence was Persistence; all it would take was some dedicated training, some tactical adjustments, perhaps a few more twists of good fortune, and an important match may well swing his way in the future. After said match definitively did not swing in his favor, nor the one after, nor the one after that, the player might admit to Cluelessness. At this phase, they would have no particular intuition about what they could have done to win, and would feel altogether lost on the court. There could be bright flashes of Anger or Despair en route, but in time, the player arrived at Resignation. Perhaps this was the reality of playing tennis in this era, as stark and immovable as the face of a cliff, and there was nothing else to be done. At the end of this path was Enlightenment, a lovely ego death. To play a game for a living, to travel the world, to be alive at all, was a privilege&#8212;what&rsquo;s that about a major?&#8212;no, he was content to sniff the freshly cut grass, kick the clay out of his shoes, and feel gratitude.<BR> <BR>The players whose talent most closely approached the Big Three were the ones to most clearly see the chasm that still separated them. Often, these players would explain just how unpleasant their matches had been. Andy Roddick, a funny and frank American with one of history&rsquo;s great serves, who actually <i>did</i> win the U.S. Open in 2003, shortly before the Big Three shut the door behind them, battled with Federer too many times not to see the situation clearly. Once after a defeat in 2005: &ldquo;I was bringing heat, too. I was going at him, trying different things. You just have to sit back and say &lsquo;too good&rsquo; sometimes. Hope he gets bored or something. I don&rsquo;t know.&rdquo; Jo-Wilfried Tsonga, a barrel-chested Frenchman who looked a little like a young Muhammad Ali and had a pugilistic play style to match, was totally out of ideas in 2013, reflecting on two narrow five-set losses to Djokovic and Federer. &ldquo;To be honest, I have no idea. You know, if you have some advice for me, I will take it because I don&rsquo;t know.&rdquo; That same year David Ferrer, a Spaniard blessed with uncommon foot speed and consistency, described the landscape dispassionately. &ldquo;I am trying to do my best every match. But I know they are better than me. What can I do?&rdquo; he wondered after being routed by Djokovic in an Australian Open semifinal. Five months later he would lose to Nadal in the Roland-Garros final. At season&rsquo;s end he was asked if he could envision himself winning a major the next year: &ldquo;No, I don&rsquo;t think so.&rdquo; In a work culture defined by positive visualization exercises and constant gestures of self-motivation, this was hair-raising stuff. Years later, after Tsonga had retired, he was chatting with his countryman Ga&#235;l Monfils&#8212;also shut out by the Big Three, also immensely gifted&#8212;and the two discussed why they&rsquo;d been unable to win a major. &ldquo;I was not good enough,&rdquo; said Tsonga, and Monfils agreed.<BR> <BR>But even if the Big Three&rsquo;s direct contemporaries suffered, surely there would be a path for the next generation of players. Time was on their side, theoretically. They were younger, and this was a game premised on agility and reflexes, qualities that do not age like wine. By mid-2017, Djokovic had joined Federer and Nadal as people in their thirties. That is the decade when a player slips out of his physical prime and reckons with the cumulative damage of a life on tour. And the trio seemed, for a brief moment, vulnerable. If you squinted, you could pinpoint 2016 as a year of hope. Two members of the cabal disappeared into injury exile. Federer had taken an awkward step while giving his kids a bath. He heard a click in his left knee and wound up requiring surgery on his meniscus. Nadal, nursing pain in his left wrist, missed big chunks of the season, even withdrawing midway through his favorite tournament, Roland-Garros. Not to accuse anyone in the locker room of celebrating a competitor&rsquo;s pain, but the youth saw an opening, a knife-width of light in the doorjamb.<BR> <BR>Instead, Federer and Nadal returned the following season and split 2017&rsquo;s majors, two apiece, playing the most visionary tennis of their late careers. Federer had adopted a larger racquet, which souped up his sometimes vulnerable one-handed backhand. Nadal played a near-perfect clay season. The hair on their heads had thinned out, and their first step wasn&rsquo;t quite as explosive as it had been, but their self-knowledge was absolute, and they were still beating everyone on tour. It was a down year for Djokovic, who&rsquo;d insisted on playing through an elbow injury that eventually required surgery. But he&rsquo;d be back the next season, and as a unit, the Big Three were not budging. The story continued as it had.<BR> <BR>The major tournament, historically a site of glimmery intrigue, became a fortnight of foregone conclusions. No matter how spirited some underdog looked at the start of a tournament, you knew, at the business end of the tournament, it would be one of three familiar faces holding the trophy. Time did not conspire in favor of youth, at least not quickly enough to rescue whole generations of players from doom. In tennis, the wealth is concentrated at the very top of the tour. And the Big Three were the first to play in an era when one could amass roughly the GDP of a small island nation, thanks to both prize money and endorsement deals. The nine-figure reward for dominating the modern game could then be applied to cutting-edge conditioning and medical care, prolonging careers beyond their assumed expiration dates. This was an emerging pattern across sports at the time&#8212;think of LeBron James or Tom Brady or Lionel Messi tearing it up well into their mid-thirties. Like them, the Big Three were scrupulous stewards of their own bodies. Federer&rsquo;s style of quick, punchy points was easier on the aging physique. Nadal carefully managed his complex suite of ailments, including a congenital foot problem he&rsquo;d been working around since the start of his pro career. Djokovic was a seeker, living at the frontier of forward-thinking inquiry and batty pseudoscience, which would later manifest itself in knottier ways. But his emphasis on mobility was paying off, allowing him to continue his on-court contortionism well into his silver years, and his stamina was legend.<BR> <BR>So this trio kept winning. And the career grief, like some intergenerational trauma, was inherited by the next batch of players, too. It was no longer just the members of the Big Three&rsquo;s direct age cohort, but then also the younger millennials, those born in the nineties, tasked with the same impossible labor. Among them was Grigor Dimitrov, the spry Bulgarian saddled with the nickname of &ldquo;Baby Fed&rdquo; due to strokes that resembled those of his frustratingly overtalented colleague. There was Kei Nishikori, the fragile but deadly sharpshooter from Japan, and Milos Raonic, the ace machine from Canada. All of them managed moments of transcendence but never fulfilled the major dream. This generation followed the last into the juicer. And then yet <i>another</i> generation emerged. Surely, this would be the one to break the spell?<BR> <BR>Reader, it would not. The same words of confusion and futility from 2004 were spoken by different men 15 years later: &ldquo;His game style has something that it kind of makes the other half of your brain work more than it usually does,&rdquo; said Stefanos Tsitsipas, a dreamy, pseudo-philosophical Greek seen as potential heir to major titles, reflecting on a 2019 drubbing from Rafael Nadal. &ldquo;I&rsquo;m trying to understand, but I cannot find an explanation for that.&rdquo; That same year, another top prospect, Dominic Thiem of Austria, described &ldquo;the unique and also brutal thing&rdquo; in the structure of his job. He had just ended Djokovic&rsquo;s 26-match winning streak at the majors, only to run straight into another monster. &ldquo;I beat yesterday one of the biggest legends of our game. Not even 24 hours later, I have to step on court against another amazing legend of our game, against the best clay-court player of all time.&rdquo;<BR> <BR>As a writer, I began to feel a little stupid. There was a cycle. I was exhilarated by a young prospect, who was playing tennis that appeared fresh and audacious, and who seemed hardworking and shepherded by a smart coach, and I hoped to draw attention to their cause, only to know, in the innermost chamber of my tennis conscience, that they would be slain time and again by this geriatric elite. It was a narrative conundrum. Each time I could convince myself to write the story, allowing myself to feel the frisson of novelty. But I knew that would fade. Each time I felt a little bit more like Charlie Brown approaching the football. At times, I could even be a bit ungrateful about these three great men, unfolding three of the most spectacular rivalries in the history of sport. But I wanted to see new players test them in new ways. Sometimes I just wanted to write about the new rather than the old.<BR> <BR>We cannot advance another step without acknowledging those men who did manage to break down the door and enter the major title party. The Big Three were comprehensive, but not total. Chief among all other players was Andy Murray, the crotchety Scot who established a tier of his own. He made it to world No. 1, he beat all of them at the biggest events, and he clogged up the late stages of so many majors that the term was sometimes extended to &ldquo;Big Four&rdquo; to include him. He would end with three major titles. Then there was Federer&rsquo;s countryman Stan Wawrinka, a rumpled late bloomer who looked as if he&rsquo;d rolled out of bed only to demonstrate some of the most hellacious groundstrokes anyone had ever seen. Though far less consistent than Murray, this occasional juggernaut won three majors also. Then there were four one-offs, all of whom managed to sneak in a U.S. Open title. First was Juan Mart&#237;n del Potro, a soulful colossus with a forehand to pierce any defense. As a 20-year-old the Argentine had upset a swaggering Federer to win the 2009 U.S. Open, and seemed fated for many more such titles, only to be waylaid by injuries. There was Marin Cilic, a slightly hunched Croat with a mighty baseline game who peaked in a wild two-week run in 2014. There was the aforementioned Thiem, a hardworking bruiser who fashioned himself into the Big Three&rsquo;s most serious threat in the late 2010s. He won a 2020 tournament empty of fans due to the pandemic, and empty of Novak Djokovic, for reasons we will soon explore. And finally there was Daniil Medvedev, far too flavorful a character to relegate to an aside. We&rsquo;ll get to him later. But this is the end of our list of exceptions.<BR> <BR>The era ended on a long fade, not a cut to black. In 2018, Federer won his record 20th and final major at the Australian Open, and in 2020, he was slowed down by another knee problem, this time for good. He played infrequently until the end of 2022, when he retired at an exhibition tournament, his hand clenching Nadal&rsquo;s, both blubbering. The two original rivals had become good friends. By then Nadal had already surpassed Federer&rsquo;s major record, setting a new standard at 22, his last coming at Roland-Garros in 2022, which he played on a left foot so quieted by pain-killing injections that he described it as &ldquo;asleep.&rdquo; From there, his injuries, too, became unsustainable, and the prospect of retirement drew closer over the next two years, even though he played well in those rare windows of good health. Djokovic, the youngest member of the bunch, seemed as supple and motivated as ever. He had gained the upper hand in each of his rivalries against Federer and Nadal. He erased many of their other records, achieved new ones, and acted, even in the absence of his two counterparts, as a solitary &ldquo;final boss&rdquo; to test the mettle of all newcomers. They almost always failed that test. Djokovic kept stacking up major titles until he stood alone at 24.<BR> <BR>If this last phase of the Big Three era was something of a predictable one-man act, it was also a fascinating full-spectrum character study of an eclectic figure. Djokovic could be intelligent and humane at one turn, cranky and dour the next. His thinking was sophisticated in some ways and regressive in others, a prominent example of what might be termed &ldquo;jock epistemology,&rdquo; where elite athletes accumulate some useful beliefs for good reasons, some useful beliefs for bad reasons, and some bad beliefs for bad reasons. He could be quite generous to players at the outset of their careers. Sometimes he agitated as a labor organizer on behalf of lower-ranked players. He also professed his belief in telepathy and telekinesis. He once invited a man to explain to his sizable social media audience, on a live stream, that positive emotions could purify tainted water. He was skeptical of conventional medicine and did not want to vaccinate himself against the coronavirus, a conviction so firmly held that he skipped out on major tournaments that would have required him to cave. He attracted a new sort of fan in this era, people who fancied themselves to be raging against the establishment, who seemed always to locate him as the victim of a vast conspiracy, and expressed their love for him in paranoid style. (One prominent member of this fan base, whom Djokovic once shouted out by name, speculated that Nadal had colluded with Bill Gates and Joe Biden to prevent Djokovic from attending the 2022 U.S. Open.) He arrived in Australia for the 2022 Australian Open, under the impression that he had obtained a vaccine exemption, only to be detained and deported in a Kafkaesque legal saga that clearly wounded him. He won a lot of tennis matches in between all this. It was odd to see a man so frequently aggrieved even as he rose to the unquestioned status of Greatest of All Time, surpassing his two historic peers.<BR> <BR>All the while, it had become more and more difficult to make sense of the future, which had been obscured by these three men for so many years. The tour had become littered with stunted, thwarted little careers, like a landscape of bonsai trees. When Djokovic stopped winning&#8212;assuming that happened before the heat death of the universe and the attendant end of organized tennis&#8212;would the major titles be distributed more erratically? Would the steady dictatorial rule of the Big Three be followed by a riotous free-for-all? Would fans, long invested in these three rich characters, lose touch with the pro tour? The only certain thing, it seemed to all of us, fans and journalists alike, was this: Whatever was coming next could not possibly look like what had just passed.<BR> </section>]]></Text>
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      <Text><![CDATA[&ldquo;Insightful, witty and well-timed . . . Even for tennis addicts,&nbsp;<i>Changeover</i>&nbsp;is full of unremarked-upon verities.&rdquo;<BR> &mdash;<i><b>THE WALL STREET JOURNAL</b></i><BR> &nbsp;<BR> &quot;Nathan&rsquo;s book&mdash;which is thoughtful, elegantly written, and frequently very funny&mdash;manages to get to a human truth about its subjects.&quot;&nbsp;<BR> &mdash;<I><B>THE&nbsp;NEW YORK REVIEW OF BOOKS</B></I><BR> <BR> &ldquo;Nathan excels as a kind of insider-outsider who&rsquo;s tracking not just the matches but how the narratives around them take shape . . . he is resourceful and endlessly curious.&rdquo;<BR> &mdash;<I><B>THE NEW YORKER</B></I><BR> <BR> &ldquo;With his critic&rsquo;s eye and powers of description, Nathan delivers loads of insight.&rdquo;<BR> &mdash;<i><b>THE WASHINGTON POST</b></i><BR> <BR> &quot;Littered with witty humor, delicate phrasing and just overall beautiful prose.&quot;<BR> &mdash;<b><i>SPORTS ILLUSTRATED</i></b><BR> <BR> &ldquo;An extended celebration of tennis genius.&rdquo;<BR> <b><i>&mdash;TENNIS.COM</i></b><BR> <BR> &ldquo;A scintillating account&hellip; Nathan compellingly chronicles how Alcaraz and Sinner began to flourish as the previous era of tennis&rsquo;s &lsquo;Big Three&rsquo; (Novak Djokovic, Roger Federer, and Rafael Nadal) receded&hellip; Throughout, Nathan provides exceptional commentary on how the pair operates as foils in both style of play and temperament. This gripping chronicle of a new frontier in the game aces it.&rdquo;<BR> &mdash;<i><b>PUBLISHERS WEEKLY </b></i><b>(starred review)</b><BR> <BR> &ldquo;Tennis players, fans of the sport, and anyone who enjoyed Netflix&rsquo;s&nbsp;<i>Break Point</i>&nbsp;will love this lovingly written, humorous, and well-researched exploration of the end of an era in tennis&hellip; Nathan&rsquo;s prose has the same energy as the players profiled in this debut, making this book a quick read that still offers well-researched information about the players and a valuable primer for readers about the future of men&rsquo;s tennis.&rdquo;<BR> &mdash;<b><i>LIBRARY JOURNAL</i> (starred review)</b><BR> <BR> &ldquo;Given how ubiquitous Carlos Alcaraz and Jannik Sinner have become, it&rsquo;s easy to forget the speed with which these players have come to dominate men&rsquo;s tennis &hellip; Nathan, a co-founder of the sports site&nbsp;<i>Defector</i>, captures the phenomenon astutely. His propulsive book is the first to chronicle the two athletes in such depth.&rdquo;<BR> &mdash;<b><i>BLOOMBERG</i>, &ldquo;The 10 Best Books of Summer 2025&rdquo;</b><BR> <BR> &quot;Mesmerized by the Wimbledon and French Open men&#39;s finals this year between Carlos Alcaraz and Jannik Sinner? Us, too. Giri Nathan had the foresight to write about this new rivalry dominating the sport&mdash;and it&#39;s a fascinating tale of two very different young men and how they are colliding at this moment in time.&quot;&nbsp;<BR> &mdash;<b><i>TOWN &amp; COUNTRY,</i>&nbsp;&ldquo;Best Books of August 2025&rdquo;</b><BR> <BR> &quot;If you enjoy insightful explorations of the sport of tennis, you&rsquo;re probably already familiar with&nbsp;the work&nbsp;of Giri Nathan . . . If you&rsquo;re looking for a memorable portrait of a sport during a transformative time, look no further.&quot;<BR> &mdash;<b><i>INSIDE HOOK</i>,&nbsp;&ldquo;10 Best Books of August 2025&rdquo;</b><BR> <BR> &ldquo;Award-winning tennis journalist Nathan&rsquo;s fresh writing style captures the passion for this sport as he contrasts each player&rsquo;s background, temperament, and playing style.&rdquo;<BR> &mdash;<i><b>BOOKLIST</b></i><BR> <BR> &ldquo;It&rsquo;s brilliant, I loved it. I really did. It&rsquo;s beautifully written but incredibly accessible.&rdquo;<BR> &mdash;<b>CATHERINE WHITAKER on&nbsp;THE TENNIS PODCAST</b><BR> <BR> &ldquo;<i>Changeover</i> is a breezy, delightful read . . . if you&rsquo;re looking for a time capsule of how two generational talents simultaneously rose to prominence, written in a stylish way, this is for you . . . The finished product is an obvious labor of love from one of tennis&rsquo; youngest and best scribes.&rdquo;<BR> &mdash;<b>UBITENNIS</b><BR> <BR> &ldquo;Giri Nathan is the best tennis writer in America. When too many of us are busy looking back at the era that&#39;s ending, he&#39;s written a book that looks forward, with optimism and insight, to the era that lies ahead. <i>Changeover</i>&nbsp;is an absolute joy.&rdquo;<BR> &mdash;<b>BRIAN PHILLIPS</b>,&nbsp;<i>New York Times</i> bestselling author of<i> Impossible Owls</i> and senior staff writer at <i>The Ringer</i><BR> <BR> &ldquo;What strikes and delights me about <i>Changeover</i> is the tenderness with which Giri Nathan speaks on the page. The book is warm, inviting, curious, and abundantly caring.&rdquo;<BR> &mdash;<b>HANIF ABDURRAQIB</b>,&nbsp;<i>New York Times</i> bestselling author of <i>There&#39;s Always This Year: On Basketball and Ascension</i><BR> <BR> &ldquo;A&nbsp;tour de force&mdash;as dazzling as any Sinner-Alcaraz match. Stylish, smart, funny, and humane. I&#39;ll return to&nbsp;<i>Changeover</i>&nbsp;again and again.&quot;<BR> &mdash;<b>LOUISA THOMAS</b>,&nbsp;<i>New York Times</i> bestselling coauthor of <i>Mind and Matter: A Life in Math and Football</i> and staff writer at <i>The New Yorker</i><BR> <BR> &ldquo;Giri Nathan is our best young tennis writer: Avid, shrewd, droll, culturally attuned, searching. <i>Changeover</i> is Nathan in full flight.&rdquo;<BR> &mdash;<b>GERALD MARZORATI</b>,&nbsp;author of <i>Seeing Serena</i> and <i>Late to the Ball</i><BR> <BR> &ldquo;Deftly weaving between awestruck wonderment and playful irreverence, Nathan breathes fresh life into tennis prose&mdash;just as Sinner and Alcaraz have done on court, and with just as many jaw-dropping highlights.&rdquo;<BR> &mdash;<b>BEN ROTHENBERG</b>, author of <i>Naomi Osaka</i><BR> <BR> &ldquo;A riveting exploration of the most electrifying new rivalry in tennis.&nbsp;Nathan brings to the page a rare gift&mdash;some writerly blend of Alcaraz&#39;s creativity and Sinner&#39;s precision. <i>Changeover</i> is a triumph.&rdquo;<BR> &mdash;<b>BEN TAUB</b>, Pulitzer Prize-winning journalist for <i>The New Yorker</i>]]></Text>
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      <Text><![CDATA[&ldquo;Insightful, witty and well-timed . . . Even for tennis addicts,&nbsp;<i>Changeover&nbsp;</i>is full of unremarked-upon verities.&rdquo;<BR> &mdash;<i><b>THE WALL STREET JOURNAL</b></i><BR> &nbsp;<BR> &quot;Nathan&rsquo;s book&mdash;which is thoughtful, elegantly written, and frequently very funny&mdash;manages to get to a human truth about its subjects.&quot;&nbsp;<BR> &mdash;<I><B>NEW YORK REVIEW OF BOOKS</B></I><BR> <BR> &ldquo;Nathan excels as a kind of insider-outsider who&rsquo;s tracking not just the matches but how the narratives around them take shape . . . he is resourceful and endlessly curious.&rdquo;<BR> &mdash;<I><B>THE NEW YORKER</B></I><BR> <BR> &ldquo;With his critic&rsquo;s eye and powers of description, Nathan delivers loads of insight.&rdquo;<BR> &mdash;<i><b>THE WASHINGTON POST</b></i><BR> <BR> &quot;Littered with witty humor, delicate phrasing and just overall beautiful prose.&quot;<BR> &mdash;<b><i>SPORTS ILLUSTRATED</i></b><BR> <BR> &ldquo;An extended celebration of tennis genius.&rdquo;<BR> <b><i>&mdash;TENNIS.COM</i></b><BR> <BR> &ldquo;A scintillating account&hellip; Nathan compellingly chronicles how Alcaraz and Sinner began to flourish as the previous era of tennis&rsquo;s &lsquo;Big Three&rsquo; (Novak Djokovic, Roger Federer, and Rafael Nadal) receded&hellip; Throughout, Nathan provides exceptional commentary on how the pair operates as foils in both style of play and temperament. This gripping chronicle of a new frontier in the game aces it.&rdquo;<BR> &mdash;<i><b>PUBLISHERS WEEKLY </b></i><b>(starred review)</b><BR> <BR> &ldquo;Tennis players, fans of the sport, and anyone who enjoyed Netflix&rsquo;s&nbsp;<i>Break Point</i>&nbsp;will love this lovingly written, humorous, and well-researched exploration of the end of an era in tennis&hellip; Nathan&rsquo;s prose has the same energy as the players profiled in this debut, making this book a quick read that still offers well-researched information about the players and a valuable primer for readers about the future of men&rsquo;s tennis.&rdquo;<BR> &mdash;<b><i>LIBRARY JOURNAL</i> (starred review)</b><BR> <BR> &ldquo;Given how ubiquitous Carlos Alcaraz and Jannik Sinner have become, it&rsquo;s easy to forget the speed with which these players have come to dominate men&rsquo;s tennis &hellip; Nathan, a co-founder of the sports site&nbsp;<i>Defector</i>, captures the phenomenon astutely. His propulsive book is the first to chronicle the two athletes in such depth.&rdquo;<BR> &mdash;<b><i>BLOOMBERG</i>, &ldquo;The 10 Best Books of Summer 2025&rdquo;</b><BR> <BR> &quot;Mesmerized by the Wimbledon and French Open men&#39;s finals this year between Carlos Alcaraz and Jannik Sinner? Us, too. Giri Nathan had the foresight to write about this new rivalry dominating the sport&mdash;and it&#39;s a fascinating tale of two very different young men and how they are colliding at this moment in time.&quot;&nbsp;<BR> &mdash;<b><i>TOWN &amp; COUNTRY,</i>&nbsp;&ldquo;Best Books of August 2025&rdquo;</b><BR> <BR> &quot;If you enjoy insightful explorations of the sport of tennis, you&rsquo;re probably already familiar with&nbsp;the work&nbsp;of Giri Nathan . . . If you&rsquo;re looking for a memorable portrait of a sport during a transformative time, look no further.&quot;<BR> &mdash;<b><i>INSIDE HOOK</i>,&nbsp;&ldquo;10 Best Books of August 2025&rdquo;</b><BR> <BR> &ldquo;Award-winning tennis journalist Nathan&rsquo;s fresh writing style captures the passion for this sport as he contrasts each player&rsquo;s background, temperament, and playing style.&rdquo;<BR> &mdash;<i><b>BOOKLIST</b></i><BR> <BR> &ldquo;It&rsquo;s brilliant, I loved it. I really did. It&rsquo;s beautifully written but incredibly accessible.&rdquo;<BR> &mdash;<b>CATHERINE WHITAKER on&nbsp;THE TENNIS PODCAST</b><BR> <BR> &ldquo;<i>Changeover</i> is a breezy, delightful read . . . if you&rsquo;re looking for a time capsule of how two generational talents simultaneously rose to prominence, written in a stylish way, this is for you . . . The finished product is an obvious labor of love from one of tennis&rsquo; youngest and best scribes.&rdquo;<BR> &mdash;<b>UBITENNIS</b><BR> <BR> &ldquo;Giri Nathan is the best tennis writer in America. When too many of us are busy looking back at the era that&#39;s ending, he&#39;s written a book that looks forward, with optimism and insight, to the era that lies ahead. <i>Changeover</i>&nbsp;is an absolute joy.&rdquo;<BR> &mdash;<b>BRIAN PHILLIPS</b>,&nbsp;<i>New York Times</i> bestselling author of<i> Impossible Owls</i> and senior staff writer at <i>The Ringer</i><BR> <BR> &ldquo;What strikes and delights me about <i>Changeover</i> is the tenderness with which Giri Nathan speaks on the page. The book is warm, inviting, curious, and abundantly caring.&rdquo;<BR> &mdash;<b>HANIF ABDURRAQIB</b>,&nbsp;<i>New York Times</i> bestselling author of <i>There&#39;s Always This Year: On Basketball and Ascension</i><BR> <BR> &ldquo;A&nbsp;tour de force&mdash;as dazzling as any Sinner-Alcaraz match. Stylish, smart, funny, and humane. I&#39;ll return to&nbsp;<i>Changeover</i>&nbsp;again and again.&quot;<BR> &mdash;<b>LOUISA THOMAS</b>,&nbsp;<i>New York Times</i> bestselling coauthor of <i>Mind and Matter: A Life in Math and Football</i> and staff writer at <i>The New Yorker</i><BR> <BR> &ldquo;Giri Nathan is our best young tennis writer: Avid, shrewd, droll, culturally attuned, searching. <i>Changeover</i> is Nathan in full flight.&rdquo;<BR> &mdash;<b>GERALD MARZORATI</b>,&nbsp;author of <i>Seeing Serena</i> and <i>Late to the Ball</i><BR> <BR> &ldquo;Deftly weaving between awestruck wonderment and playful irreverence, Nathan breathes fresh life into tennis prose&mdash;just as Sinner and Alcaraz have done on court, and with just as many jaw-dropping highlights.&rdquo;<BR> &mdash;<b>BEN ROTHENBERG</b>, author of <i>Naomi Osaka</i><BR> <BR> &ldquo;A riveting exploration of the most electrifying new rivalry in tennis.&nbsp;Nathan brings to the page a rare gift&mdash;some writerly blend of Alcaraz&#39;s creativity and Sinner&#39;s precision. <i>Changeover</i> is a triumph.&rdquo;<BR> &mdash;<b>BEN TAUB</b>, Pulitzer Prize-winning journalist for <i>The New Yorker</i>]]></Text>
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      <Text><![CDATA[&ldquo;Insightful, witty and well-timed . . . Even for tennis addicts,&nbsp;<i>Changeover&nbsp;</i>is full of unremarked-upon verities.&rdquo;<BR> &mdash;<i><b>THE WALL STREET JOURNAL</b></i><BR> &nbsp;<BR> &quot;Nathan&rsquo;s book&mdash;which is thoughtful, elegantly written, and frequently very funny&mdash;manages to get to a human truth about its subjects.&quot;&nbsp;<BR> &mdash;<B><I>THE</I>&nbsp;</B><I><B>NEW YORK REVIEW OF BOOKS</B></I><BR> <BR> &ldquo;Nathan excels as a kind of insider-outsider who&rsquo;s tracking not just the matches but how the narratives around them take shape . . . he is resourceful and endlessly curious.&rdquo;<BR> &mdash;<I><B>THE NEW YORKER</B></I><BR> <BR> &ldquo;With his critic&rsquo;s eye and powers of description, Nathan delivers loads of insight.&rdquo;<BR> &mdash;<i><b>THE WASHINGTON POST</b></i><BR> <BR> &quot;Littered with witty humor, delicate phrasing and just overall beautiful prose.&quot;<BR> &mdash;<b><i>SPORTS ILLUSTRATED</i></b><BR> <BR> &ldquo;An extended celebration of tennis genius.&rdquo;<BR> <b><i>&mdash;TENNIS.COM</i></b><BR> <BR> &ldquo;A scintillating account&hellip; Nathan compellingly chronicles how Alcaraz and Sinner began to flourish as the previous era of tennis&rsquo;s &lsquo;Big Three&rsquo; (Novak Djokovic, Roger Federer, and Rafael Nadal) receded&hellip; Throughout, Nathan provides exceptional commentary on how the pair operates as foils in both style of play and temperament. This gripping chronicle of a new frontier in the game aces it.&rdquo;<BR> &mdash;<i><b>PUBLISHERS WEEKLY </b></i><b>(starred review)</b><BR> <BR> &ldquo;Tennis players, fans of the sport, and anyone who enjoyed Netflix&rsquo;s&nbsp;<i>Break Point</i>&nbsp;will love this lovingly written, humorous, and well-researched exploration of the end of an era in tennis&hellip; Nathan&rsquo;s prose has the same energy as the players profiled in this debut, making this book a quick read that still offers well-researched information about the players and a valuable primer for readers about the future of men&rsquo;s tennis.&rdquo;<BR> &mdash;<b><i>LIBRARY JOURNAL</i> (starred review)</b><BR> <BR> &ldquo;Given how ubiquitous Carlos Alcaraz and Jannik Sinner have become, it&rsquo;s easy to forget the speed with which these players have come to dominate men&rsquo;s tennis &hellip; Nathan, a co-founder of the sports site&nbsp;<i>Defector</i>, captures the phenomenon astutely. His propulsive book is the first to chronicle the two athletes in such depth.&rdquo;<BR> &mdash;<b><i>BLOOMBERG</i>, &ldquo;The 10 Best Books of Summer 2025&rdquo;</b><BR> <BR> &quot;Mesmerized by the Wimbledon and French Open men&#39;s finals this year between Carlos Alcaraz and Jannik Sinner? Us, too. Giri Nathan had the foresight to write about this new rivalry dominating the sport&mdash;and it&#39;s a fascinating tale of two very different young men and how they are colliding at this moment in time.&quot;&nbsp;<BR> &mdash;<b><i>TOWN &amp; COUNTRY,</i>&nbsp;&ldquo;Best Books of August 2025&rdquo;</b><BR> <BR> &quot;If you enjoy insightful explorations of the sport of tennis, you&rsquo;re probably already familiar with&nbsp;the work&nbsp;of Giri Nathan . . . If you&rsquo;re looking for a memorable portrait of a sport during a transformative time, look no further.&quot;<BR> &mdash;<b><i>INSIDE HOOK</i>,&nbsp;&ldquo;10 Best Books of August 2025&rdquo;</b><BR> <BR> &ldquo;Award-winning tennis journalist Nathan&rsquo;s fresh writing style captures the passion for this sport as he contrasts each player&rsquo;s background, temperament, and playing style.&rdquo;<BR> &mdash;<i><b>BOOKLIST</b></i><BR> <BR> &ldquo;It&rsquo;s brilliant, I loved it. I really did. It&rsquo;s beautifully written but incredibly accessible.&rdquo;<BR> &mdash;<b>CATHERINE WHITAKER on&nbsp;THE TENNIS PODCAST</b><BR> <BR> &ldquo;<i>Changeover</i> is a breezy, delightful read . . . if you&rsquo;re looking for a time capsule of how two generational talents simultaneously rose to prominence, written in a stylish way, this is for you . . . The finished product is an obvious labor of love from one of tennis&rsquo; youngest and best scribes.&rdquo;<BR> &mdash;<b>UBITENNIS</b><BR> <BR> &ldquo;Giri Nathan is the best tennis writer in America. When too many of us are busy looking back at the era that&#39;s ending, he&#39;s written a book that looks forward, with optimism and insight, to the era that lies ahead. <i>Changeover</i>&nbsp;is an absolute joy.&rdquo;<BR> &mdash;<b>BRIAN PHILLIPS</b>,&nbsp;<i>New York Times</i> bestselling author of<i> Impossible Owls</i> and senior staff writer at <i>The Ringer</i><BR> <BR> &ldquo;What strikes and delights me about <i>Changeover</i> is the tenderness with which Giri Nathan speaks on the page. The book is warm, inviting, curious, and abundantly caring.&rdquo;<BR> &mdash;<b>HANIF ABDURRAQIB</b>,&nbsp;<i>New York Times</i> bestselling author of <i>There&#39;s Always This Year: On Basketball and Ascension</i><BR> <BR> &ldquo;A&nbsp;tour de force&mdash;as dazzling as any Sinner-Alcaraz match. Stylish, smart, funny, and humane. I&#39;ll return to&nbsp;<i>Changeover</i>&nbsp;again and again.&quot;<BR> &mdash;<b>LOUISA THOMAS</b>,&nbsp;<i>New York Times</i> bestselling coauthor of <i>Mind and Matter: A Life in Math and Football</i> and staff writer at <i>The New Yorker</i><BR> <BR> &ldquo;Giri Nathan is our best young tennis writer: Avid, shrewd, droll, culturally attuned, searching. <i>Changeover</i> is Nathan in full flight.&rdquo;<BR> &mdash;<b>GERALD MARZORATI</b>,&nbsp;author of <i>Seeing Serena</i> and <i>Late to the Ball</i><BR> <BR> &ldquo;Deftly weaving between awestruck wonderment and playful irreverence, Nathan breathes fresh life into tennis prose&mdash;just as Sinner and Alcaraz have done on court, and with just as many jaw-dropping highlights.&rdquo;<BR> &mdash;<b>BEN ROTHENBERG</b>, author of <i>Naomi Osaka</i><BR> <BR> &ldquo;A riveting exploration of the most electrifying new rivalry in tennis.&nbsp;Nathan brings to the page a rare gift&mdash;some writerly blend of Alcaraz&#39;s creativity and Sinner&#39;s precision. <i>Changeover</i> is a triumph.&rdquo;<BR> &mdash;<b>BEN TAUB</b>, Pulitzer Prize-winning journalist for <i>The New Yorker</i>]]></Text>
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      <Text><![CDATA[&ldquo;Insightful, witty and well-timed . . . Even for tennis addicts,&nbsp;<i>Changeover&nbsp;</i>is full of unremarked-upon verities.&rdquo;<BR> &mdash;<i><b>THE WALL STREET JOURNAL</b></i><BR> &nbsp;<BR> &quot;Nathan&rsquo;s book&mdash;which is thoughtful, elegantly written, and frequently very funny&mdash;manages to get to a human truth about its subjects.&quot;&nbsp;<BR> &mdash;<B><I>THE</I>&nbsp;</B><I><B>NEW YORK REVIEW OF BOOKS</B></I><BR> <BR> &ldquo;Nathan excels as a kind of insider-outsider who&rsquo;s tracking not just the matches but how the narratives around them take shape . . . he is resourceful and endlessly curious.&rdquo;<BR> &mdash;<I><B>THE NEW YORKER</B></I><BR> <BR> &ldquo;With his critic&rsquo;s eye and powers of description, Nathan delivers loads of insight.&rdquo;<BR> &mdash;<i><b>THE WASHINGTON POST</b></i><BR> <BR> &quot;Littered with witty humor, delicate phrasing and just overall beautiful prose.&quot;<BR> &mdash;<b><i>SPORTS ILLUSTRATED</i></b><BR> <BR> &ldquo;An extended celebration of tennis genius.&rdquo;<BR> <b><i>&mdash;TENNIS.COM</i></b><BR> <BR> &ldquo;A scintillating account&hellip; Nathan compellingly chronicles how Alcaraz and Sinner began to flourish as the previous era of tennis&rsquo;s &lsquo;Big Three&rsquo; (Novak Djokovic, Roger Federer, and Rafael Nadal) receded&hellip; Throughout, Nathan provides exceptional commentary on how the pair operates as foils in both style of play and temperament. This gripping chronicle of a new frontier in the game aces it.&rdquo;<BR> &mdash;<i><b>PUBLISHERS WEEKLY </b></i><b>(starred review)</b><BR> <BR> &ldquo;Tennis players, fans of the sport, and anyone who enjoyed Netflix&rsquo;s&nbsp;<i>Break Point</i>&nbsp;will love this lovingly written, humorous, and well-researched exploration of the end of an era in tennis&hellip; Nathan&rsquo;s prose has the same energy as the players profiled in this debut, making this book a quick read that still offers well-researched information about the players and a valuable primer for readers about the future of men&rsquo;s tennis.&rdquo;<BR> &mdash;<b><i>LIBRARY JOURNAL</i> (starred review)</b><BR> <BR> &ldquo;Given how ubiquitous Carlos Alcaraz and Jannik Sinner have become, it&rsquo;s easy to forget the speed with which these players have come to dominate men&rsquo;s tennis &hellip; Nathan, a co-founder of the sports site&nbsp;<i>Defector</i>, captures the phenomenon astutely. His propulsive book is the first to chronicle the two athletes in such depth.&rdquo;<BR> &mdash;<b><i>BLOOMBERG</i>, &ldquo;The 10 Best Books of Summer 2025&rdquo;</b><BR> <BR> &quot;Mesmerized by the Wimbledon and French Open men&#39;s finals this year between Carlos Alcaraz and Jannik Sinner? Us, too. Giri Nathan had the foresight to write about this new rivalry dominating the sport&mdash;and it&#39;s a fascinating tale of two very different young men and how they are colliding at this moment in time.&quot;&nbsp;<BR> &mdash;<b><i>TOWN &amp; COUNTRY,</i>&nbsp;&ldquo;Best Books of August 2025&rdquo;</b><BR> <BR> &quot;If you enjoy insightful explorations of the sport of tennis, you&rsquo;re probably already familiar with&nbsp;the work&nbsp;of Giri Nathan . . . If you&rsquo;re looking for a memorable portrait of a sport during a transformative time, look no further.&quot;<BR> &mdash;<b><i>INSIDE HOOK</i>,&nbsp;&ldquo;10 Best Books of August 2025&rdquo;</b><BR> <BR> &ldquo;Award-winning tennis journalist Nathan&rsquo;s fresh writing style captures the passion for this sport as he contrasts each player&rsquo;s background, temperament, and playing style.&rdquo;<BR> &mdash;<i><b>BOOKLIST</b></i><BR> <BR> &ldquo;It&rsquo;s brilliant, I loved it. I really did. It&rsquo;s beautifully written but incredibly accessible.&rdquo;<BR> &mdash;<b>CATHERINE WHITAKER on&nbsp;THE TENNIS PODCAST</b><BR> <BR> &ldquo;<i>Changeover</i> is a breezy, delightful read . . . if you&rsquo;re looking for a time capsule of how two generational talents simultaneously rose to prominence, written in a stylish way, this is for you . . . The finished product is an obvious labor of love from one of tennis&rsquo; youngest and best scribes.&rdquo;<BR> &mdash;<b>UBITENNIS</b><BR> <BR> &ldquo;Giri Nathan is the best tennis writer in America. When too many of us are busy looking back at the era that&#39;s ending, he&#39;s written a book that looks forward, with optimism and insight, to the era that lies ahead. <i>Changeover</i>&nbsp;is an absolute joy.&rdquo;<BR> &mdash;<b>BRIAN PHILLIPS</b>,&nbsp;<i>New York Times</i> bestselling author of<i> Impossible Owls</i> and senior staff writer at <i>The Ringer</i><BR> <BR> &ldquo;What strikes and delights me about <i>Changeover</i> is the tenderness with which Giri Nathan speaks on the page. The book is warm, inviting, curious, and abundantly caring.&rdquo;<BR> &mdash;<b>HANIF ABDURRAQIB</b>,&nbsp;<i>New York Times</i> bestselling author of <i>There&#39;s Always This Year: On Basketball and Ascension</i><BR> <BR> &ldquo;A&nbsp;tour de force&mdash;as dazzling as any Sinner-Alcaraz match. Stylish, smart, funny, and humane. I&#39;ll return to&nbsp;<i>Changeover</i>&nbsp;again and again.&quot;<BR> &mdash;<b>LOUISA THOMAS</b>,&nbsp;<i>New York Times</i> bestselling coauthor of <i>Mind and Matter: A Life in Math and Football</i> and staff writer at <i>The New Yorker</i><BR> <BR> &ldquo;Giri Nathan is our best young tennis writer: Avid, shrewd, droll, culturally attuned, searching. <i>Changeover</i> is Nathan in full flight.&rdquo;<BR> &mdash;<b>GERALD MARZORATI</b>,&nbsp;author of <i>Seeing Serena</i> and <i>Late to the Ball</i><BR> <BR> &ldquo;Deftly weaving between awestruck wonderment and playful irreverence, Nathan breathes fresh life into tennis prose&mdash;just as Sinner and Alcaraz have done on court, and with just as many jaw-dropping highlights.&rdquo;<BR> &mdash;<b>BEN ROTHENBERG</b>, author of <i>Naomi Osaka</i><BR> <BR> &ldquo;A riveting exploration of the most electrifying new rivalry in tennis.&nbsp;Nathan brings to the page a rare gift&mdash;some writerly blend of Alcaraz&#39;s creativity and Sinner&#39;s precision. <i>Changeover</i> is a triumph.&rdquo;<BR> &mdash;<b>BEN TAUB</b>, Pulitzer Prize-winning journalist for <i>The New Yorker</i>]]></Text>
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      <Text><![CDATA[<b>NAMED ONE OF THE BEST COOKBOOKS OF SPRING: <i>Forbes</i></b><BR> <BR> <b>Over 100 flavorful and simple recipes for every occasion and craving from one of social media's most beloved food content creators.</b><BR><BR>In her debut cookbook, content creator Erin O&rsquo;Brien draws inspiration from three generations of women who taught her to create her own modern spin, with a stress-free approach to boldly flavored food. Erin has built a thriving community of over 1.5 million followers across platforms who turn to her for delicious, manageable, and creative meals, and are eagerly awaiting this book.<BR> <BR><I>Dig In!</I> is the ultimate collection of simple and delicious recipes that cater to every craving and occasion, from comfort food classics to weeknight dinners and family meals to share and savor. In the chapter called WTF to Make for Dinner, Erin solves the age-old dilemma with effortless recipes like <B>One-Pan Chicken Marsala & Orzo </B>and <B>Loaded Twice-Baked Broccoli Cheddar Potatoes</B>. You&rsquo;ll find easy bites like <B>Mom&rsquo;s Secret Salsa</B> and shortcut <B>Faux-caccia</B> in App-y Hour. The Pasta: My Love Language chapter includes <B>Erin&rsquo;s Spicy Garlic Shrimp Linguine with Crispy Panko</B> that guests will be begging you to share the recipe for. You&rsquo;ll learn that salads can be the star of the table with dishes like <B>Summer Stone Fruit Salad with Basil Mint Vinaigrette</B> and, of course, fan favorite <B>Nana&rsquo;s Iconic Crunchy Lemon Parm Salad</B>. Even Erin&rsquo;s cozy soups and standout side dishes recipes may steal the show with delightful options such as <B>White Bean, Corn & Chicken Chili</B> or <B>Honey & Chile Roasted Carrots with Labneh</B>. Lastly, you can&rsquo;t forget delicious desserts, or as Erin says, the Cherry on Top of any great meal, like <B>Key Lime Pie with Pecan Graham Cracker Crust</B> and <B>Loaded Brown Butter Chocolate Chip Cookies</B>. In addition, there are fun and approachable (sommelier-approved!) wine pairings throughout the book, as Erin&rsquo;s fans have grown to love in her posts, but for those occasions when you want to have a little more fun, her <B>Blackberry Bourbon Smash</B> is a must-try.<BR> <BR>Packed with practical tips and foolproof methods, <I>Dig In!</I> is an essential companion for anyone hoping to elevate their home cooking and make every meal one to remember.]]></Text>
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      <Text><![CDATA[Erin O&rsquo;Brien is a Southern California&ndash;based creator who has garnered the attention of millions by sharing simple and delicious homestyle recipes. She originally fell in love with cooking because of time spent in the kitchen with her mom and grandma, who owned a Mexican restaurant in La Jolla. Erin has always seen food as the ultimate love language and something that should be accessible to everyone, which is what prompted her to share her recipes on social media. Her platforms have grown but her authenticity and intention has never wavered&mdash;showing that when you have easy recipes, a stress-free approach, good music, and a glass of wine, cooking becomes something that everyone will enjoy. Erin lives in Los Angeles, California, with her husband, Andrew, and their dog, Izzy. Find out more at ErinOBrien.life and follow her on Instagram @ErinnOBrienn.]]></Text>
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      <Text><![CDATA[&ldquo;Erin O&rsquo;Brien is known for her simple, tasty recipes that solve the nightly debacle of what to make for dinner. That&rsquo;s where&nbsp;<i>Dig In!</i>&nbsp;comes in&hellip; From classics like meatballs and marinara to centerpiece-worthy orange blossom olive oil cake, this cookbook has a collection of go-to dishes that you&rsquo;ll feel comfortable returning to again and again.&rdquo;<B>&mdash;</B><b><i>Forbes</i>, Best Cookbooks of Spring 2026</b>]]></Text>
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      <Text><![CDATA[&ldquo;I thought that I was the queen of comfort food, but after reading&nbsp;<i>Dig In!</i>, I&#39;m more than happy to share the crown with Erin! From cozy appetizers to perfect pastas and irresistible desserts, these are more than just recipes&mdash;they&#39;re edible hugs.&rdquo;<b>&mdash;Dan Pelosi (aka GrossyPelosi),&nbsp;<i>New York Times&nbsp;</i>bestselling author of&nbsp;<i>Let&#39;s Party</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;Erin&rsquo;s debut cookbook is everything we love about her: delicious food, vibrant energy, and creativity rooted in her Mexican heritage and Southern California upbringing. Her recipes work just as well for busy weeknights as they do for entertaining. From her Famous Brown Butter Lemon Chicken to Nana&rsquo;s Cure-All Fideo, these are dishes you&rsquo;ll cook on repeat all year long. The best part? Every recipe comes with thoughtful wine pairings, reminding us to slow down, savor, and enjoy the simple pleasures of good food and good company.&rdquo;&mdash;<b>Alex Snodgrass,<i>&nbsp;New York Times&nbsp;</i>bestselling author and creator of The Defined Dish</b>]]></Text>
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      <Text><![CDATA[&ldquo;I love food that brings people together, and this book does exactly that. Erin&rsquo;s recipes are full of heart&mdash;comforting, fun, and the kind you&rsquo;ll want to make again and again. Reading it feels like being invited to her family table, and I&rsquo;m glad I came hungry.&rdquo;<b>&mdash;Phil Rosenthal,&nbsp;<i>New York Times</i>&nbsp;bestselling author and host of&nbsp;<i>Somebody Feed Phil</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;<i>Dig In!</i>&nbsp;is packed with the kind of recipes you&rsquo;ll actually want to cook&mdash;comforting, classic, and ridiculously delicious. And as if the recipes weren&#39;t enough, there&#39;s a carefully and expertly selected wine pairing for each one! Erin keeps it simple and approachable, with recipes that have been loved in her family for generations (and will quickly become your family&rsquo;s greatest hits, too). These are the dishes you&rsquo;ll cook for friends, pass down to family, and never get tired of eating.&rdquo;&mdash;<b>Carissa Stanton,&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>Seriously, So Good</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;Erin&rsquo;s first cookbook is absolutely stunning. Every page is filled with beauty, inspiration, and the kind of recipes that make you want to linger in the kitchen. I couldn&rsquo;t be more excited for her!&rdquo;<b>&mdash;Gaby Dalkin,&nbsp;<i>New York Times</i>&nbsp;bestselling author and founder of What&#39;s Gaby Cooking</b>]]></Text>
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      <Text><![CDATA[<b>&ldquo;A riveting tale about war, intrigue, love, and perseverance.&rdquo; &#8212;John Grisham</b><BR> <BR> <b>&ldquo;Absorbing...Unfolds like a detective novel...The story barrels ahead urgently...Duty, anger, sorrow, conscience and even hope mix together to form the novel&rsquo;s bracingly intimate ending.&rdquo; &#8212;<i>The Wall Street Journal</i></b><BR> <BR> <b>&ldquo;What if not two but three atomic bombs wound up in the Pacific theater?...Hawley&rsquo;s impeccably detailed narrative offers an unnerving fictional answer...The novel&rsquo;s tension mounts in highly cinematic fashion, despite our awareness of what the history books tell us.&rdquo; &#8212;<i>The New York Times</i></b><BR> <BR> <b>A sweeping and suspenseful novel of love and war, set in Japan during the final days of World War II, with a shocking historical premise: three atomic bombs were actually delivered to the Pacific&#8212;not two&#8212;and when one of them falls into the hands of the Japanese, the fate of a couple that has been separated from one another becomes entangled with the fate of this terrifying new device.</b><BR><BR>War has taken everything from physicist Keizo Kan. His young daughter was killed in the Great Tokyo Air Raid, and now his Japanese American wife, Noriko, has been imprisoned by the brutal Thought Police. An American bomber, downed over Japan on the first day of August 1945, offers the scientist a surprising chance at salvation. The Imperial Army dispatches him to examine an unusual device recovered from the plane&rsquo;s wreckage&#8212;a bomb containing uranium&#8212;and tells him that if he can unlock its mysteries, his wife will be released.<BR> <BR> Working in secrecy under crushing pressure, Kan begins to disassemble the bomb and study its components. One of his assistants falls ill after mishandling the uranium, but his alarming deterioration, and Kan&rsquo;s own symptoms, are ignored by the commanding officer demanding results. Desperate to stave off Japan&rsquo;s surrender to the Allies, the army will stop at nothing to harness the weapon&rsquo;s unimaginable power. They order Kan to prepare the bomb for manual detonation over a target&#8212;a suicide mission that will strike a devastating blow against the Americans. Kan is soon confronted with a series of agonizing decisions that will test his courage, his loyalty, and his very humanity.<BR> <BR> An extraordinary debut novel that is the result of twenty-seven years of work by its author, <i>Daikon</i> is a gripping and powerfully moving saga that calls to mind such classics as <i>Cold Mountain</i>. It is set amid the chaos and despair of the world&rsquo;s third largest city lying in ruins, its population starving and its leadership under escalating assault from without and within. Here is a haunting epic of love, survival, and impossible choices that introduces a singular new voice on the literary landscape.]]></Text>
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      <Text><![CDATA[Samuel Hawley was born and raised in South Korea, the son of Canadian missionaries, and taught English in Korea and Japan for nearly two decades. He is the author of the nonfiction book <i>The Imjin War</i>, the most comprehensive account in English of Japan&rsquo;s 16th-century invasion of Korea and attempted conquest of China. He currently lives in Istanbul, Turkey. <i>Daikon</i> is his debut novel.]]></Text>
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      <Text><![CDATA[<b><i>Daikon</i></b><BR> <BR><b>Samuel Hawley</b><BR> <BR><b>Reading Group Guide</b><BR><BR><b>Introduction</b><BR> <BR>World War II is nearing its end when a third atomic bomb falls into the hands of the Japanese military. This third bomb, code-named &ldquo;Daikon&rdquo; because of its shape, could have the power to radically change the outcome of the war. It certainly changes the lives of Keizo and Noriko Kan, the couple at the heart of Samuel Hawley&rsquo;s debut novel, <i>Daikon</i>. When the Japanese discover the Daikon, physicist Keizo is told that if he unlocks its secrets and reassembles the bomb, his wife may be released from a notoriously brutal prison. What ensues is a riveting page-turner, a love story, a thriller, and a brilliantly researched and beautifully written work of historical fiction.<BR> <BR><b>Discussion Questions</b><BR> <BR>1. The Prologue is notably different from the rest of <i>Daikon </i>in many ways. Why do you think the author chose to begin with this romantic, nostalgic scene in America? Do you think the desired effect is achieved?<BR> <BR><i>2. Daikon </i>is ultimately a story of homecoming. At the end of the book, Keizo, Noriko, and Yagi all experience coming home or rebuilding home, in different ways. Did you find yourself drawn to one of their stories more than the others?<BR> <BR>3. At the end of the book, it is revealed that Aiko&rsquo;s name, which means &ldquo;child of love,&rdquo; is hidden within &ldquo;Daikon.&rdquo; A &ldquo;child of love&rdquo; nested in a bomb. How is this symbolic of the motivations Keizo has, and the choices he makes, toward the end of the war?<BR> <BR>4. Though they are both starkly different in many ways, both Keizo Kan and Colonel Sagara exhibit what appears to be bravery. Especially toward the end of the book, how do their shows of bravery differ?<BR> <BR>5. On page 111, the commander addressing the kaiten pilots is heard to say, &ldquo;[The enemy] loves his country and has his own national spirit . . . So you must strengthen your Japanese spirit. You must love your country even more and fight even harder!&rdquo; Who do you think exhibits patriotism and love of their country most profoundly in <i>Daikon</i>? Are there any shows of patriotism that surprised you?<BR> <BR>6. What literary devices does the author employ to keep suspense high throughout the book?<BR> <BR>7. Compare and contrast Colonel Sagara and Captain Onda. In what ways are they similar, and different?<BR> <BR>8. Further tension between Keizo and Japanese military ideals is introduced when Keizo recalls his time studying under Oppenheimer in California. How did Oppenheimer&rsquo;s words to Keizo on page 197 change how Keizo thought about physics, thereby affecting his future work on the bomb in Japan?<BR> <BR>9. How do you think Noriko, Keizo, and Yagi would each define &ldquo;home?&rdquo; How might their answers vary?<BR> <BR>10. Yagi and Keizo could easily have been enemies, but instead they gradually developed a powerful friendship that outlasted the war. At what point did their strong bond begin to form?<BR> <BR>11. Reread Colonel Sagara&rsquo;s story in chapter 8. Now that you have read the entire book, do these pages spark empathy within you or encourage you to look at Sagara differently than you did when you finished the book?<BR> <BR>12. Throughout the book, the flashbacks are put in italics to differentiate them from the rest of the text. Why do you think the author chose to use italics in this way? What effect does it have on the reader?<BR> <BR>13. How did you respond to finding Aiko&rsquo;s name hidden in <i>Daikon</i>?<BR> <BR><b>Enhance Your Book Club</b><BR> <BR><i>1. Daikon</i> is a masterclass in writing about love: love of one&rsquo;s romantic partner (Keizo and Noriko), love of one&rsquo;s friend (Keizo and Yagi), and love of one&rsquo;s country. Choose one of the above and make a list of techniques the author uses to bring this love to life for the reader. Once you&rsquo;ve studied this, try your own hand at writing a love scene or a love letter! Set a timer for twenty to thirty minutes and borrow the author&rsquo;s techniques for your own short piece of writing. Afterward, discuss this experience with the group.<BR> <BR>2. There is a long history of people all over the world singing folk songs, songs of home, during the war to recall what they once knew (and hope to know again soon). On page 178, Yagi and Kan find comfort in singing <i>Crossing the Hill</i>. Choose a favorite folk song, or look up one with which you aren&rsquo;t familiar, and do a bit of research&#8212;does this tune have any significant connection to wartime? The answer may surprise you! If you aren&rsquo;t familiar with many folk songs, try searching one of the following: &ldquo;Looking for a Home;&rdquo; &ldquo;Battle Hymn of the Republic;&rdquo; &ldquo;Amazing Grace.&rdquo;<BR> <BR>3. Analyze the covers of a variety of novels set during WWII. What commonalities do you find? How is the cover of <i>Daikon </i>similar/different to these other covers? Why do you think this cover was used to represent a novel so rich with a variety of themes?<BR> <BR><b>A Conversation with Samuel Hawley</b><BR> <BR><b>What made you first consider writing a what-if story about a third atomic bomb?</b><BR> <BR>Back in the late 1990s I was doing a lot of reading about the Hiroshima and Nagasaki atomic bombs, the story from both the American and the Japanese side. One thing that struck me was how either of these missions could have so easily failed. Neither the Hiroshima uranium bomb nor the Nagasaki plutonium bomb had been fully tested, dropped from a plane to remotely detonate over a target. What if something went wrong? What if one of the bombs was a dud? What if it fell to earth and didn&rsquo;t explode and the Japanese recovered it? I was intrigued by the idea and started trying to imagine what might have happened next. How long would it have taken the Japanese to figure out what this bomb was? What would they have done with it? How would the volatile political situation in Tokyo have played out if the Japanese had possessed an atomic bomb? As I mulled over these questions, a novel became to take shape in my mind.<BR> <BR><b>You grew up in South Korea and taught English in Korea and Japan for many years. How did this personal history influence the writing of <i>Daikon</i>?</b><BR> <BR>The biggest influence my Korea experience had on <i>Daikon</i> was probably on my decision to make the character of Petty Officer Yagi an ethnic Korean. I probably wouldn&rsquo;t have done that otherwise, and it had a big impact on the story. Beyond that, there were little things I remember from that time that influenced how I imagined Japan in the final days of the war. The references in the novel to treeless hillsides, for example, to pine trees being cut down for fuel&#8212;this is how I remember Seoul from my childhood, the hills denuded for firewood. One of the biggest shocks I experienced when I returned to Korea many years later was that there were so many trees! Colonel Sagara&rsquo;s teenage memory of falling down Mt. Fuji, which I liked for its symbolic value&#8212;this actually happened to my older brother, Jim Hawley, when he was at the World Boy Scout Jamboree held in Japan in 1971. He fell down Fuji while racing down the scree on the descent and returned home with a stitched-up face and our dad&rsquo;s Olympus camera broken. The Riken complex where Keizo Kan worked&#8212;the original pre-war campus of Yonsei University in Seoul was in the back of my mind when I was composing these scenes. When Kan and Yagi are on a freight train bound for Tama Airfield and pass through Numazu, and Kan remembers the trip to Hakone where Aiko was conceived&#8212;my wife and I lived near here from 1988 to 1990, when we first went to Japan to teach English at a little language school called F.I.A., run by a jazz musician named Shoichi Kaneko. We lived in the village of Iwanami, a few stops north of Numazu on the Gotemba line, and took several enjoyable hikes to Hakone.<BR> <BR><b>You must have done a great deal of research into WWII in Japan and the mechanics of the atomic bomb. What did your research project look like? What part of the process did you find most exciting?</b><BR> <BR>I did indeed do a lot of research for <i>Daikon</i>. I <i>like</i> doing research. I actually like it more than writing, because there&rsquo;s no pressure to produce anything in the end, a scene or a chapter or a book, that has to be judged. Research is simply an act of <i>doing</i>. I can be pretty obsessive about it, but I find it a satisfying kind of obsession, maybe like what a squirrel feels as it busily hunts for nuts to stash away for the winter.<BR> <BR>Most of the research that went into <i>Daikon</i> was simply dogged, methodical work. But there were moments of quiet satisfaction along the way&#8212;finding a diagram of the thermal diffusion separator that was built at the Riken for Project Ni-Go&rsquo;s failed attempt to enrich uranium, for example&#8212;and a few eureka moments too. The biggest concerned the development of Petty Officer Yagi. I didn&rsquo;t like how I&rsquo;d written him in earlier drafts. He seemed wooden and dull. Then I stumbled on the little-known story of Japanese actor Toshiro Mifune&rsquo;s experience in the war, and in that moment something clicked. Yagi became a young Mifune in my mind, a quirky, real person that I could imagine, right down to the way he spoke and grunted&#8212;and in that imagining, a whole new dynamic emerged between Yagi and Kan. It was like things fell into place after that. The story finally worked! It even led to the novel getting a new title, <i>Daikon.</i> (For anyone that&rsquo;s interested, I made a video about Toshiro Mifune in the war. You can watch it on my YouTube channel.)<BR> <BR>The second eureka moment concerned the prologue, where Keizo and Noriko are together in San Francisco before the war and Keizo is too shy to propose. I was struggling to come up with a scene, something based around them going to a movie. Once again, it was research that guided me to the finished scene. I went through old San Francisco and Oakland newspapers to see what was playing at local theaters at the time (Jan. 1937), <i>The Plainsman</i>, <i>Pigskin Parade</i>, <i>My Man Godfrey</i>, <i>Camille</i>, etc., and I read up on various films and looked up their posters online. When I saw the poster for <i>Camille</i>, with the tagline &ldquo;Garbo Loves Taylor&rdquo;&#8212;<i>boom</i>, right there, the scene came to me in a flash. It was glimpsing those three words on that poster.<BR> <BR><b>Keizo&rsquo;s relationship with Noriko and his unlikely friendship with Yagi are very significant threads in this war story. Why did you choose to focus so heavily on these relationships and the ways that they developed under great duress?</b><BR> <BR>The story as I originally conceived it was very different. The main focus was on the political struggle between the hardliners in the Japanese government who were determined to continue the war and the moderates who wanted to accept the Allies&rsquo; terms of surrender. Colonel Sagara was the key character in all this. But I found that what I was writing just wasn&rsquo;t compelling. Sagara&rsquo;s motivation, his desire to fight on&#8212;it was intellectually interesting but it didn&rsquo;t move me in a personal way. But Keizo and Noriko Kan&rsquo;s struggle to survive, and the impossible choices they faced&#8212;that <i>was</i> personal. I could <i>feel</i> it. I could imagine in a very visceral way, for example, the fear that Keizo must have experienced in being forced to go on a suicide mission; and Noriko&rsquo;s terror during the firebombing of Tokyo; and Yagi&rsquo;s conflicted feelings about his home country Japan, angry at being treated as an outsider. So I developed their characters more and more, and gradually all the political intrigue and struggle I had envisioned faded into the background, to the point where whole chapters I had written were reduced to just a few sentences or disappeared altogether.<BR> <BR><b>Were there any books or texts that were particularly influential to you as you wrote <i>Daikon</i>?</b><BR> <BR><i>Daikon</i> revolves around the atomic bomb&#8212;the Japanese recovering it and investigating it and ultimately reassembling it to use against the Americans. To write a believable story, I therefore needed to have a good idea of what the bomb looked like and how it worked. It was a main character and I needed to get to know it. I needed <i>details.</i> I found them in <i>Atomic Bombs </i>by John Coster-Mullen<a href="#_msocom_1">[CJ1]</a> , a truck driver who through amateur research and study and sheer perseverance became a leading expert on the &ldquo;Little Boy&rdquo; (Hiroshima) and &ldquo;Fat Man&rdquo; (Nagasaki) atomic bombs. It was Coster-Mullen, for example, who first revealed that the uranium projectile that was fired down the barrel inside the Hiroshima bomb slid <i>onto</i> the uranium target (i.e. was female), rather than the other way around, as previously depicted in all books. This was classified information that Coster-Mullen figured it out by pure deduction. Without his valuable book, I probably never would have even started writing <i>Daikon</i>.<BR> <BR><b>Why did you wait until Noriko discovered she was again pregnant to reveal the details of Aiko&rsquo;s death?</b><BR> <BR>The death of her daughter, Aiko, was so traumatic for Noriko that she has blocked it off in a corner of her mind. In revealing her story to the reader, I wanted to do it in stages, like peeling away the layers of an onion, going deeper and deeper until we get to that most painful moment that Noriko has been unable to face, the moment in the river with Aiko struggling and Noriko drowning and the animal instinct taking over. As for Noriko being pregnant, I felt this was needed to give her the motivation and strength to carry on, to get to Tokyo and reunite with Keizo and rebuild their family, even if she has to crawl the whole way there. Finally, I wanted to make Noriko and Keizo symbolize Japan at the end of the story. They have both suffered horribly, but there is hope ahead, the prospect of renewal in the form of their new child. The closing sentence, &ldquo;They followed the Americans onto the train,&rdquo; is meant to symbolize Japan&rsquo;s post-war history, the country embarking on a new journey into the American occupation and increasing prosperity beyond.<BR> <BR><b>You&rsquo;ve written several works of nonfiction, but this is your first novel. Was there anything that surprised you about the novel-writing process? </b><BR> <BR>I find writing nonfiction easier than fiction because the plot of the story is already somewhat set. It&rsquo;s history. It&rsquo;s what happened. As a writer, you have to learn the details (research, interview people, etc.), then figure out how to tell the story in an interesting way. But the story is already there. In other words, there are parameters set with nonfiction, boundaries within which you operate. With fiction, there are no boundaries. You are in an open field that stretches all the way to the horizon, an endless sheet of blank paper, and you can write basically <i>anything</i>. And that&rsquo;s hard!<BR> <BR><b>Flashbacks into Noriko&rsquo;s American radio show work are fascinating and, at times, entertaining. Is there a particular reason that you chose to feature one American-born character with perhaps the most emphasized connection to Western culture?</b><BR> <BR>My conception of Keizo Kan was as a Japanese scientist who studied in the United States, at UC Berkeley. From there it was a natural progression to imagine him meeting and marrying a Japanese American woman during his time in Oakland/San Francisco. As for Noriko herself, she began to take shape from my study of Iva Toguri, who was labeled Tokyo Rose. Iva was a young Nisei woman from Los Angeles who was visiting relatives in Japan at the time of the Pearl Harbor attack and ended up being marooned there for the duration of the war. She went to work at Radio Tokyo as a propaganda announcer to earn a living and support herself, but she remained loyal to the United States, subtly undermining the intended demoralizing effect of her broadcasts so that they became mere entertainment. She was delighted when America won the war and she was at last free to go home. But when she did, she was charged with treason and sent to prison. (She was pardoned in 1977.) I felt great sympathy for Iva as I researched about her and was really interested in her story. When I decided that I needed to put Keizo Kan&rsquo;s wife in peril, to cast her into prison, I therefore borrowed from Iva&rsquo;s NHK experience to flesh out Noriko&rsquo;s character, to make Noriko &ldquo;problematic.&rdquo;<BR> <BR><b><i>Daikon</i></b><b> can be (and has been) categorized as many things: a love story, a thriller, speculative fiction. If you had to use just one or two words to describe this book, what would you choose, and why?</b><BR> <BR>This was not my first conception of the novel, by the way. <i>Daikon </i>as I originally wrote it was alternate history&#8212;but a different kind of alternate history. Usually with alternate history novels, the story takes place <i>after</i> the big change that is the premise for the transformed world the author imagines. An example is Philip K. Dick&rsquo;s <i>The Man in the High Tower</i>, set in 1962 in a re-imagined world where Germany and Japan won WWII seventeen years before. I think almost all alternative history is like this: the &ldquo;change&rdquo; in history that makes the novel &ldquo;alternate&rdquo; has already happened. A shift has occurred that has created an intriguing new world in which the characters live. What I originally tried to do with <i>Daikon</i>, which I thought would be different, maybe almost unique, was to write a story about the change, the shift, as it was actually happening. It started out in the prologue as totally factual narrative history, the story of the B-29 <i>Enola Gay,</i> manned by Colonel Paul Tibbets and crew, all real people, taking off from Tinian on August 6, 1945, to drop the first atomic bomb on Hiroshima. Then, around page six, the plane develops an engine fire and crashes. At that point, narrative history becomes alternate history. In the rest of the story we follow history as it veers off in this new course.<BR> <BR>It was my agent, Warren Frazier, who first suggested that this approach was not wholly effective because there would always be the thought in the back of the reader&rsquo;s mind, &ldquo;Yeah, but this isn&rsquo;t how it really played out. We all know that the <i>Enola Gay</i> didn&rsquo;t crash. It didn&rsquo;t actually happen that way.&rdquo; And he was right. I also realized that the attempt to rewrite history as it was happening was part of what had made it so hard for me to write the story in the first place. So, at Warren&rsquo;s suggestion, I shifted the story from alternate history to hidden history, moving the opening back five days to August 1, 1945, and a covered-up earlier atomic bomb mission. Doing that was so freeing! I now had a timeline to follow, a framework to operate within. It released me from the burden of rewriting history and allowed me to concentrate on the characters more fully.<BR> <BR><b>You were born in Korea to Canadian parents, have lived in Japan, and currently reside in Turkey. What does home mean to you, and do you relate to a particular character&rsquo;s understanding of home in <i>Daikon</i>?</b><BR> <BR>I guess you could say that <i>Daikon</i> is ultimately about people who are trying to find or restore a sense of &ldquo;home.&rdquo; We see this most dramatically with Keizo and Noriko Kan, their house destroyed and their daughter killed in the Great Tokyo Air Raid on the night of March 9-10, 1945. It leaves them both distraught and broken. But then hope is rekindled, sending them on a quest to restore their &ldquo;home,&rdquo; to rebuild something of what they had.<BR> <BR>Petty Officer Yagi has lost his home, too, the childhood home where he grew up in Osaka. But he never had the same sense of &ldquo;home&rdquo; that the Kans&rsquo; had. As an ethnic Korean in Japan, he has never fully belonged. He must always be an outsider. In <i>Daikon</i> we see dying glimmers of his youthful yearning to be accepted, to &ldquo;belong.&rdquo; But he never can. In the epilogue, when we encounter Yagi for the last time, he has embraced his outsider status by becoming a yakuza gangster.<BR> <BR>In my own much less dramatic life, I can relate to Yagi. I was born and grew up in South Korea, the son of missionary parents. Our foreign community in Seoul and at Taechon Beach on the Yellow Sea where we spent summers was &ldquo;home&rdquo; for me from 1960 until 1975, a kind of protective bubble. Then my family returned to Canada, and I never quite fit in after that. After graduating from university, I became an English teacher and eventually returned to Korea. I taught at Yonsei University in Seoul, in the very neighborhood where I&rsquo;d grown up. But everything had changed so much by then that it was like the home I&rsquo;d known had never existed. And at Taechon Beach&#8212;the cabins in the pines had been largely replaced by hotels and condos. So I can understand Yagi&rsquo;s feelings, in my own small way. I suspect a lot of readers out there can too. We lose our childhood sense of security and belonging when we grow up, and for the rest of our lives a part of us yearns to recover it. But we never quite can.<BR> <BR><b><i>Daikon</i></b><b> took twenty-seven years to write and publish. What advice would you give to aspiring novelists who feel discouraged by the amount of time it is taking to write and perfect their work?</b><BR> <BR>It took me five major attempts, going back to the late 1990s, to get <i>Daikon</i> finished to my satisfaction. Earlier drafts just weren&rsquo;t any good and I gave up in disgust and worked on something else. It was the first book I ever tried writing&#8212;and by the time I finished it, I&rsquo;d written ten other books!<BR> <BR>Perhaps the most important lesson I learned from this long struggle is that a premise devoid of character is not a starting point for a novel. (&ldquo;Imagine the end of WWII, but with the Japanese having an atomic bomb.&rdquo;) This is a recipe for cardboard characters&#8212;which is exactly what I got in my first attempts at writing <i>Daikon</i>. A lot of the struggle I had was simply bringing the characters to life, to the point where I actually <i>cared</i> about them. So lesson number one to aspiring writers: Make character your starting point. Who is the main character in your story and what is his or her predicament? Get that nailed down to the point where you can express it in just one or two sentences. It&rsquo;s stupidly simple. But it took me a long time to learn, to really internalize, this lesson.<BR> <BR>If there&rsquo;s a single lesson in all this, maybe it&rsquo;s the following: When you&rsquo;re on a 1,000-mile journey, don&rsquo;t give up at mile 999.<BR><BR> <a href="#_msoanchor_1">[CJ1]</a>No s per: https://www.amazon.com/Atom-Bombs-Secret-Inside-Little/dp/B0006S2AJ0]]></Text>
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      <BiographicalNote><![CDATA[Joseph Lee is an Aquinnah Wampanoag writer based in New York City. He has an MFA from Columbia University and teaches creative writing at Mercy University. His writing has been published in&nbsp;<i>The Guardian</i>,&nbsp;<i>BuzzFeed News</i>,&nbsp;<i>Vox</i>,&nbsp;<i>Electric Literature, High Country News</i>, and more. He was a Margins Fellow at the Asian American Writers&rsquo; Workshop and a Senior Indigenous Affairs Fellow at Grist. He has won multiple awards from the Indigenous Journalists Association for environmental coverage, health coverage, and beat reporting and was awarded a 2024 Silvers Grant for Work in Progress. Follow him on X at @JosephVLee and on Instagram at @Joseph.V.Lee.&nbsp;]]></BiographicalNote>
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      <Text><![CDATA[<B>Finalist for the 2026 PEN/John Kenneth Galbraith Award for Nonfiction</B><BR> <BR><b>A <i>Time</i> Must-Read Book of 2025</b><BR> <BR> <strong font-size:="" open="">An NPR Books We Love Most pick<BR> <BR> <strong font-size:="" open="">A <i>Tribal College </i>Best Native Studies Book of 2025<BR> <BR> <strong font-size:="" open=""><b><b>From award-winning journalist Joseph Lee, a sweeping, personal exploration of Indigenous identity and the challenges facing Indigenous people around the world.</b></b></B></B></B><BR><BR>Before Martha&rsquo;s Vineyard became one of the most iconic vacation destinations in the country, it was home to the Wampanoag people. Today, as tourists flock to the idyllic beaches, the island has become increasingly unaffordable for tribal members, with nearly three-quarters now living off-island. Growing up Aquinnah Wampanoag, journalist Joseph Lee grappled with what this situation meant for his tribe, how the community can continue to grow, and more broadly, what it means to be Indigenous.<BR> <BR> In <i>Nothing More of This Land, </i>Lee weaves his own story and that of his family into a panoramic narrative of Indigenous life around the world. He takes us from the beaches of Martha&rsquo;s Vineyard to the icy Alaskan tundra, the smoky forests of Northern California to the halls of the United Nations, and beyond. Along the way he meets activists fighting to protect their land, families clashing with their own tribal leaders, and communities working to reclaim tradition.<BR> <BR> Together, these stories reject stereotypes to show the diversity of Indigenous people today and chart a way past the stubborn legacy of colonialism.]]></Text>
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      <Text><![CDATA[Joseph Lee is an Aquinnah Wampanoag writer based in New York City. He has an MFA from Columbia University and teaches creative writing at Mercy University. His writing has been published in&nbsp;<i>The Guardian</i>,&nbsp;<i>BuzzFeed News</i>,&nbsp;<i>Vox</i>,&nbsp;<i>Electric Literature, High Country News</i>, and more. He was a Margins Fellow at the Asian American Writers&rsquo; Workshop and a Senior Indigenous Affairs Fellow at Grist. He has won multiple awards from the Indigenous Journalists Association for environmental coverage, health coverage, and beat reporting and was awarded a 2024 Silvers Grant for Work in Progress. Follow him on X at @JosephVLee and on Instagram at @Joseph.V.Lee.&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Lee brings his expansive journeys and conversations to life in this consistently thoughtful, accessible narrative that blends cultural history and memoir, research and reportage. Clear-eyed about both the destructive legacy of colonialism and the complications and contradictions often forced upon those working to challenge it, he positions himself as a curious and deeply engaged fellow learner, inviting readers to explore questions of community and identity along with him.&rdquo;<BR> <B>&mdash;Nicole Chung, 10 Best Memoirs, TIME</B><BR> <BR> &ldquo;A deeply personal account of Lee&rsquo;s search for identity and a forthright assessment of the modern-day effects of colonialism at home and abroad.&rdquo;<BR> <b>&mdash;Katy Abel,&nbsp;<i>The Provincetown Independent</i></b><BR> <BR> &ldquo;Lee&rsquo;s writing resists the tendency toward mythmaking that&rsquo;s common to destinations laden with outsize reputations. . . . Engaging. . . . Despite the author&rsquo;s deep breadth of knowledge &mdash; in addition to his lived experience as an Aquinnah Wampanoag, he&rsquo;s also a journalist who covers Indigenous affairs &mdash; he is refreshingly frank about his own misconceptions while coming of age and how he learned to correct them while researching and writing this book. . . . By offering these glimpses into his mind and his own internal conflicts, Lee proves to be an adroit, honest narrator, resisting any desire to wax poetic by instead reminding readers that real people live here. . . . Through a diverse array of sources, Lee offers readers a valuable understanding of the many forms that 21st-century Indigenous life can take and how they might evolve in the future. . . . It&rsquo;s clear how much Lee cherishes his connection to Martha&rsquo;s Vineyard, a place that&rsquo;s easy to love. And in these pages, he&rsquo;s crafted a must-read for anyone who seeks to know the island with depth that extends well beyond its superficial myths.&rdquo;<BR> <b>&mdash;<i>Boston Globe</i></b><BR> <BR> &ldquo;Intimate and lively&hellip; Lee&rsquo;s reflections demand one contemplate not only the governments in Indian Country but the troubled experiment in government that is the United States of America.&rdquo;<BR> <b>&mdash;Philip J. Deloria, <i>The New York Times</i></b><BR> <BR> &ldquo;A powerful, genre-crossing memoir that sparkles with clarity and perspective.&rdquo;<BR> <b>&mdash;<i>BookPage</i></b><BR> <BR> &ldquo;A searching and timely exploration of indigeneity and its many interpretations.&rdquo;<BR> <b>&mdash;<i>Kirkus</i>&nbsp;(starred review)</b><BR> <BR> &ldquo;A potent exploration of what it means to be Indigenous. . . . A deft combination of affective memoir and keen journalism, this profound examination on identity and place impresses.&rdquo;&nbsp;<BR> <b>&mdash;<i>Publishers Weekly</i>&nbsp;(starred review)</b>]]></Text>
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      <Text><![CDATA[&quot;<i>Nothing More of This Land</i>&nbsp;is written with scrupulous attention to nuance and ambiguity. It is an exploration of a complex heritage that is self-searching, deeply intelligent and honest. But it is also a book about America, the public realm, what an Indigenous identity means in this country, and how this has molded the life of Joseph Lee, who is a brilliant and sensitive chronicler of his own destiny and that of his community.&quot;<BR> <b>&mdash;Colm T&oacute;ib&iacute;n, bestselling author of&nbsp;<i>Brooklyn</i>&nbsp;and&nbsp;<i>Long Island</i></b><BR> <BR> &ldquo;<I>Nothing More of This Land</I>&nbsp;is a moving meditation on the legacy of colonialism and what it means for the Indigenous to belong and find home on stolen land. I will never forget the personal and historical accounts Joseph Lee powerfully shares in this monumental debut.&rdquo;<BR> <B>--Qian Julie Wang,&nbsp;<I>New York Times</I>&nbsp;best-selling author of&nbsp;<I>Beautiful Country</I></B><BR> <BR> &quot;<i>Nothing More Of This Land</i>&nbsp;is a stark, beautifully rendered reminder of all that had to occur for the happening of our existences to take place, and all who lived and fought against their own erasure to maintain a semblance of a legacy. This is a profound, and moving book, a powerful indictment of the colonial mindset that firmly balances an ode to people, to place, to remaining.&quot;<BR> <b>&mdash;Hanif Abdurraqib, author of&nbsp;<i>There&#39;s Always This Yea</i></b><i>r</i><BR> <BR> &quot;A forcefully illuminating and utterly compelling blend of personal narrative and vivid reportage, Joseph Lee&rsquo;s <i>Nothing More of this Land</i>&nbsp;is a triumph of complexity and insight. We follow Lee from the red clay cliffs of Aquinnah to the halls of the UN, from the Klamath River basin to a feast of muktuk and tundra greens&nbsp;in Bethel, Alaska; and very early on I realized I&rsquo;d follow him anywhere. Lee has given us a timely reckoning with Native sovereignty and community that is adroitly committed to the mess and nuance of lived experience, rather than sentimentalized accounts of victimhood or resilience. Nothing More of this Land&nbsp;is tender, ferocious, surprising, and tenaciously thoughtful; its existence makes the world a bigger and truer place.&quot;<BR> <b>&mdash;Leslie Jamison, bestselling author of&nbsp;<i>The Empathy Exams</i></b><BR> &nbsp;<BR> &ldquo;With lucid intimacy, Lee traces the story of the Aquinnah Wampanoag across centuries and shorelines, anchoring sweeping histories in the particular texture of lived experience. The past is not background here&mdash;it presses forward, unresolved. At its core, this is a book about how to stay in relationship with a land, a people, and a culture that colonialism has scattered and strained. What begins as personal memoir opens into a broader reckoning with Indigenous identity in motion. Lee writes not to restore some lost purity, but to chart a map forward&mdash;one that embraces contradiction, survival, and the quiet force of continuity. Few books manage to feel this intimate and this expansive, this tender and this unflinching. It&rsquo;s not just beautifully told&mdash;it&rsquo;s deeply earned.&rdquo;<BR> <b>&mdash;Morgan Talty, national bestselling author of&nbsp;<i>Night of the Living Rez</i>&nbsp;and&nbsp;<i>Fire Exit</i></b><BR> <BR> &quot;A&nbsp;wise meditation on belonging, Lee offers the reader a global perspective on what it means to be Indigenous. Lee&rsquo;s desire for reciprocity and community will move readers to think about our planetary future. A journalistic feat, heartfelt, well-researched, and vital.&quot;<BR> <b>&mdash;Deborah Jackson Taffa, author of National Book Award finalist&nbsp;<i>Whiskey Tender</i></b>]]></Text>
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      <Text><![CDATA[<b><b>Join an adventurous and charismatic independent journalist (perhaps you know him from YouTube) on a journey through some of the very best of America, reminding us of all the reasons we&rsquo;ve got to love this place and one another.</b></b><BR><BR>Have you ever swapped stories on a porch with Amish snowbirds in Florida? Searched for reindeer with the Siberian Yupik in Alaska? Been a guest on a houseboat deep in the Louisiana bayou?<BR> <BR>Peter Santenello hadn&rsquo;t either, until after years spent traveling through eighty-five countries and living abroad, he realized the most unfamiliar territory was often his own American backyard. And so, with a camera in hand and an open mind, he began visiting communities across the country that most media overlooks or misrepresents, from tiny towns in Appalachia to the streets of East LA.<BR> <BR>What began as curiosity became&#8212;one story at a time&#8212;an intimate, revealing portrait of America today. From road trips and chance encounters to dinners shared in locals&rsquo; homes, <I>Your Fellow Americans </I>captures what makes this country so dynamic, so resilient, and most of all, so very human. Because what Peter discovered on his travels wasn&rsquo;t a nation torn in two. He found something more complex and more powerful: people who want to be seen, who are willing to listen, and who still believe we&rsquo;re more alike than we are different.<BR> <BR>With humor, exuberance, and reverence for the human spirit, <I>Your Fellow Americans</I> is a celebration of the United States that exists far beyond the headlines&#8212;and an invitation to sit down, open up, and rediscover the soul of this place that we call home.]]></Text>
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      <Text><![CDATA[<b>The inspiring story of the Declaration of Independence&#8212;the first to take us from its drafting by Thomas Jefferson to today&#8212;charting the many lives of a document that captures the soul of America and has united generations around its defiant ideals, published for the 250th anniversary of America</b><b>&rsquo;</b><b>s founding.</b><BR><BR>Quiet and politically untested, Thomas Jefferson was not the obvious choice to draft a statement of principles explaining why the American colonies were breaking ties with the King of England. His soaring rhetoric would inspire generations of Americans to live up to the founders&rsquo; dreams. <i>National Treasure</i> is the gripping story of our most revered founding relic, as a physical object and a set of ideals that have made America what it is today.<BR> <BR> An award-winning historian, Michael Auslin take us from the boarding house in Philadelphia where Jefferson put quill to paper to the Declaration&rsquo;s covert signing, dissemination in the doldrums of the revolutionary war, and long, harrowing, and ultimately hallowed afterlife. We follow the parchment as it is hauled out of a soon-to-be-burning Washington in 1814 and see it hidden in a dank cellar, posted in classrooms, recited on village greens, printed on handkerchiefs, and used to sell insurance and bundle coal. An inspiration to both Abraham Lincoln and Jefferson Davis in the Civil War, it has grown more important for each new generation. While FDR and Churchill celebrated its commitment to freedom from tyranny, the document itself was lowered into a bunker at Fort Knox. After the war, its precious ink fading, it was painstakingly preserved and enshrined.<BR> <BR> Through it all, Jefferson&rsquo;s words have inspired implausibly varied causes, from suffragists and civil rights leaders to groups waging war on the US government. As Jefferson had hoped, the principles enshrined in the Declaration became a beacon to the world. But what lessons should we take from it today? Can this statement of ideals in whose name the signers pledged their lives and sacred honor bring a disparate nation together? As we gather to celebrate the 250th anniversary of the founders&rsquo; bold experiment in democracy, Auslin reminds us that this enduring document was not just a call for freedom and equality but an eloquent statement of the principles that bind us together.]]></Text>
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      <Text><![CDATA[Michael Auslin is the Payson J. Treat Distinguished Research Fellow at Stanford University&rsquo;s Hoover Institution. Prior to that, he was an associate professor of history at Yale. He wrote&nbsp;<i>National Treasure</i>&nbsp;as a Distinguished Visiting Scholar at the Library of Congress&rsquo;s John W. Kluge Center and an American Heritage Partners Fellow at the Society of the Cincinnati&rsquo;s American Revolution Institute. He writes a Substack,&nbsp;<i>The Patowmack Packet</i>, on Washington, DC, past and present, and lives in Virginia.]]></Text>
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      <Text><![CDATA[&ldquo;An engaging account of the fortunes of the document . . . Auslin does good historical footwork . . . Welcome reading in this bisesquicentennial year.&rdquo;<BR> <b><i>&mdash;Kirkus Reviews</i></b>]]></Text>
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      <Text><![CDATA[&nbsp;&ldquo;Even 250 candles on the nation&rsquo;s birthday cake cannot be as illuminating as Michael Auslin&rsquo;s fascinating story of the making, and still undiminished resonance, of the world&rsquo;s most consequential political document. His mind-opening book&nbsp;closes&nbsp;a question that is currently hotly contested. Is ours a creedal nation? Yes! Auslin supplies the exclamation mark.&rdquo;&nbsp;<BR> <b>&mdash;George F. Will, author of&nbsp;<i>American Happiness and Discontents</i></b>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;The Declaration&mdash;both the parchment and its principles&mdash;have had an eventful history. Michael Auslin deftly walks us through each chapter, as we have forgotten the document, mangled it, mythologized it, hijacked it, and every once in a while even lived up to it. A nimble, captivating view of the defiant 1,320 words that have knit themselves into every chapter of the last 250 years, only gaining in importance along the way.&rdquo;<BR> <b>&mdash;Stacy Schiff, author of <i>The Revolutionary</i></b><BR> &nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Deeply researched and propulsively written,&nbsp;<i>National Treasure</i>&nbsp;follows the Declaration of Independence from its birth in 1776 to today. Michael Auslin has given us much to debate and much to celebrate. Treating our shared American scripture as a set of ideas, a national covenant, and a material artifact that continues to evolve, he has uncovered a history that will inspire, provoke, and delight even readers deeply familiar with our founding vision.&rdquo;<BR> <b>&mdash;Jane Kamensky, President &amp; CEO of Thomas Jefferson&#39;s Monticello</b>]]></Text>
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      <Text><![CDATA[&ldquo;As we commemorate our nation&rsquo;s 250th at a time of political division, we can strengthen our shared bonds by appreciating the profound story of our Declaration of Independence. In this fascinating and well-researched book, Michael Auslin weaves the glorious narrative&nbsp;of this document&mdash;as a piece of parchment, as a symbol of enduring principles, and as a cultural object&mdash;from its inception to our day.&nbsp;It&rsquo;s a marvelous way to celebrate who we are, and who we should be.&rdquo;&nbsp;<BR> &mdash;<b>Walter Isaacson, author of&nbsp;<i>Benjamin Franklin</i></b>]]></Text>
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      <Text><![CDATA[<B>A novelist once wrote, &ldquo;There are stories one must tell, and years when one must tell them.&rdquo; Jill Biden&rsquo;s time to discuss her four years in the White House is now.</B><BR><BR>Jill Biden became First Lady at a complicated moment in US history, at the height of the COVID-19 pandemic and in the shadow of the January 6 insurrection. These were the circumstances under which she set up office in the East Wing, where she hit the ground running. Throughout her husband&rsquo;s presidency, Jill remained a tireless advocate for her causes, including women&rsquo;s health, military families, vaccine awareness, cancer initiatives, and education. She made history as the first-ever First Lady to hold an outside job while her husband was in office, continuing to work as a professor at a nearby community college. Yet all the while, she saw herself as an ordinary woman living an extraordinary life.<BR> <BR> In <i>View from the East Wing</i>, Jill shares her White House experiences for the first time, in her own words. She reflects on the Biden presidency and its impact on her family. She brings you behind the scenes, from Camp David to Air Force One, from grading papers in the Rose Garden to witnessing the abrupt end of her husband&rsquo;s bid for reelection. This is the story of a woman dedicated to her roles as a wife, mother, grandmother, teacher&#8212;and First Lady of the United States.]]></Text>
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      <Text><![CDATA[<b>A definitive and thorough handbook from the fun and personable Dr. Amie Hornaman (a.k.a. &ldquo;The Thyroid Fixer&rdquo;) that brings functional medicine and self-advocacy to the underdiagnosed epidemic of thyroid issues, particularly in women.</b><b> </b><BR><BR><i>It&rsquo;s not you; it&rsquo;s your thyroid.</i><BR> <BR> If you feel like there&rsquo;s something wrong but you can&rsquo;t get a doctor to listen, don&rsquo;t have a diagnosis yet, or have a diagnosis and your treatment isn&rsquo;t working, this book is for you. People&#8212;especially women&#8212;are consistently being dismissed and encouraged to accept symptoms that are anything but normal: weight gain that won&rsquo;t budge, exhaustion that never lifts, hair loss, anxiety, brain fog, and mood swings.<BR> <BR> Dr. Amie Hornaman is here to change that. <i>The Thyroid Fix</i> addresses what most doctors overlook: the real reason women feel fat, foggy, and fatigued isn&rsquo;t laziness, aging, or a lack of willpower&#8212;it&rsquo;s their thyroid. This book is a wake-up call&#8212;and a solution&#8212;for millions of women who are sick of feeling dismissed and misdiagnosed. It&rsquo;s direct, real, and filled with strategies that actually work.<BR> <BR> In this book, Dr. Hornaman teaches you what your lab results <i>really</i> mean, why &ldquo;normal&rdquo; ranges are often meaningless, and how to get treatment that actually works for <i>your</i> body. With authority and empathy, she invites you to bust myths, understand your labs, and finally get real answers. Readers will walk away with a self-assessment, facts, and questions to approach their doctors with, and solutions that range from conventional and functional medicine to prescriptions, supplements, and lifestyle shifts.<BR> <BR> <i>The Thyroid Fix</i> is the straightforward, clinically-backed thyroid health guide you didn&rsquo;t know you needed, but that might just change your life.]]></Text>
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      <Text><![CDATA[Dr. Amie Hornaman, known worldwide as the Thyroid Fixer, is one of the foremost voices in thyroid health with a doctorate in clinical nutrition and functional medicine. She is also the founder and&nbsp;CEO of The Better Thyroid and Hormone Institute with a telehealth practice serving all fifty states and the originator of The FIX Method program with over twenty-five&nbsp;years dedicated to private clinical practice. Dr. Hornaman earned a bachelor&rsquo;s degree in psychology from Pennsylvania State University, a master&rsquo;s degree in clinical nutrition from West Virginia University, and a doctorate in clinical nutrition and functional medicine from Maryland University. She&rsquo;s taken the stage at major health and biohacking events across the US&nbsp;and Europe and is regularly featured on top platforms like Ben Greenfield&rsquo;s Life Network and Natalie Niddam&rsquo;s Biohacking Longevity group.]]></Text>
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      <Text><![CDATA[&quot;If you are doing &#39;all the right things&#39;&nbsp;including eating protein first and challenging your muscles and your body still won&rsquo;t respond &mdash; the problem isn&rsquo;t discipline. It&rsquo;s metabolism. And you don&rsquo;t fix metabolism without fixing the thyroid. I&rsquo;ve watched too many women lift heavier, eat smarter, and still get told they&rsquo;re &#39;normal&#39;&nbsp;while their thyroid quietly kept them stuck. In&nbsp;<i>The Thyroid Fix</i>, Dr. Amie Hornaman tells the truth about what actually works and how to make it work for you.&quot;&nbsp;&mdash;JJ Virgin, <I>New York Times </I>best-selling author of <i>The Virgin Diet,&nbsp;The Virgin Diet Cookbook, </i>and <i>JJ&nbsp;Virgin&rsquo;s Sugar Impact Diet</i>]]></Text>
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      <Text><![CDATA[&ldquo;In <I>The Thyroid Fix</I>, Dr. Amie Hornaman does what conventional medicine too often fails to do, she listens to the body and addresses the thyroid as the metabolic command center it truly is. This book is a lifeline for women who feel dismissed, misdiagnosed, and stuck despite &lsquo;normal&rsquo; labs. Dr. Amie brilliantly connects thyroid dysfunction to stalled metabolism, stubborn fat, brain fog, and fatigue, while empowering readers with the tools to decode labs, advocate for better care, and restore true metabolic freedom. If you&rsquo;ve been doing everything &lsquo;right&rsquo; and still feel broken, this book will show you that you&rsquo;re not, and that real healing is possible.&rdquo; &mdash;Ben Azadi, <I>New York Times </I>best-selling author of <I>Metabolic Freedom&nbsp;</I>]]></Text>
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      <Text><![CDATA[&ldquo;If you&rsquo;ve ever felt dismissed because your thyroid labs were &lsquo;fine&rsquo; but you didn&rsquo;t feel fine, you&rsquo;re not alone&mdash;and you&rsquo;re not imagining it. Thyroid confusion is everywhere. Clarity is rare. <i>The Thyroid Fix</i> delivers clarity&mdash;fast. Dr. Amie Hornaman lays out what matters, what to test, what to track, and how to stop spinning your wheels. If you&rsquo;re tired of vague advice and want a real strategy, read this book.&rdquo; &mdash;Dr. Betty Murray, PhD, MS, IFMCP]]></Text>
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      <Text><![CDATA[&quot;So many midlife women come to me feeling defeated because their labs are &#39;normal&#39; but their symptoms are not. I&rsquo;ve seen this over and over in my own community, and I&rsquo;ve watched Dr. Amie help many of my clients finally understand what&rsquo;s been missed. The Thyroid Fix bridges the gap no one else is addressing. It&rsquo;s straightforward, science-based, and gives women the answers they&rsquo;ve been searching for.&quot; &mdash;Natalie Jill, author of <i>Aging in Reverse</i>]]></Text>
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      <Text><![CDATA[Wally Lamb is the author of seven&nbsp;<I>New York Times&nbsp;</I>bestselling novels: <I>The River Is Waiting</I>,&nbsp;<I>I&rsquo;ll Take You There</I>,&nbsp;<I>We Are Water</I>,&nbsp;<I>Wishin&rsquo; and Hopin&rsquo;</I>,<I>&nbsp;The Hour I First Believed</I>,&nbsp;<I>I Know This Much Is True</I>, and&nbsp;<I>She&rsquo;s Come Undone</I>. Lamb also edited&nbsp;<I>Couldn&rsquo;t Keep It to Myself</I>&nbsp;and<I>&nbsp;I&rsquo;ll Fly Away</I>, two volumes of essays from students in his writing workshop at York Correctional Institution, a women&rsquo;s prison in Connecticut, where he was a volunteer facilitator for twenty years. Lamb lives in Connecticut with his wife, Christine, and they have three sons.]]></Text>
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      <Text><![CDATA[<b>Reader's Group Guide for <i>The River Is Waiting</i></b><BR><BR>Discussion Questions:<BR><BR>1. Corby is a deeply flawed yet sympathetic character. Does his character challenge your preconceived notions about morality and empathy, particularly within the context of his life decisions? How does he evolve throughout the novel?<BR><BR>2. The Wequonnoc River serves as a profound symbol within the narrative. Beyond its role in the story, reflect on the river's significance as a metaphor for life's continuous flow and transformations. What does the river represent to the novel&rsquo;s characters?<BR><BR>3. Consider Emily&rsquo;s guilt over her last conservation with Corby. How does her struggle with forgiveness parallel larger themes within the story? Do you believe forgiveness is essential for personal growth?<BR><BR>4. The plot touches on systemic injustices within the prison system, particularly with Corby&rsquo;s experience with officers Anselmo and Piccardy. How does the narrative critique societal structures, and what insights does it offer into the complexities and failures of the justice system?<BR><BR>5. Consider how addiction and mental health are portrayed within the novel. How do these challenges impact Corby&rsquo;s choices and relationships? In what ways does the story prompt a deeper understanding of the societal and personal dimensions of these issues?<BR><BR>6. The mural Corby painted in the prison library becomes a symbol of his legacy. What does the mural mean to Emily and Maisie? Discuss how art can become a form of resistance and hope.<BR><BR>7. Manny plays a pivotal role in helping Emily reconcile with Corby&rsquo;s death. What does Manny&rsquo;s survival and his eventual contact with Emily suggest about the enduring connections between people?<BR><BR>8. Grief is a central theme in the novel. Evaluate the portrayal of mourning and the diverse coping mechanisms embodied by various characters. Which characters&rsquo; journeys resonated most with your own experiences, and why?<BR><BR>9. The Law of Threefold Return, associated with Wiccan beliefs, is woven into the story. Discuss its thematic relevance and how its principles of karmic justice influence the narrative's outcomes and character arcs.<BR><BR>10. Solomon's interactions with Corby highlight themes of mentorship, guidance, and moral complexity. Do you think Solomon benefitted from Corby&rsquo;s influence? Why or why not?<BR><BR>11. Emily is at a crossroads in her life, torn between her grief for Corby and her new relationship with Bryan. How does she balance these two aspects of her life? Discuss the psychological and emotional intricacies of her choices; is it possible to have new beginnings when so much of your life is tied to the past?<BR><BR>12. The novel&rsquo;s structure includes multiple perspectives and spans several years. How does this structure enhance or challenge your understanding of the characters and their journeys?<BR><BR>13. The inclusion of the Covid-19 pandemic adds an additional layer to the story's gravity. Discuss how the pandemic context affects the characters, particularly Corby and Manny, and highlights broader themes of vulnerability and systemic challenges.<BR><BR>14. How are themes of memory and legacy woven throughout the book? How do Corby&rsquo;s artistic creations, such as his stone and mural, help Emily and Maisie remember him? Is there anything in your life that serves as a symbol for remembrance or legacy?<BR><BR>15. The novel explores the complexities of father-son relationships, including themes of legacy, expectations, and reconciliation. How do you interpret the relationship dynamics between fathers and sons in this story? Are there moments or struggles that resonate with relationships you&rsquo;ve observed or experienced in your own life?<BR><BR>16. Imagine you're in charge of casting a film adaptation of <i>The River is Waiting</i>. Who would you pick to play Corby and Emily, and why? What qualities or traits of these characters should the actors bring to life on screen? Are there other actors for the book&rsquo;s additional characters that spring to mind?<BR><BR>Enhanced Book Club Activities:<BR><BR>1. Documentary Screening: Visit PBS.org or search the Frontline PBS YouTube channel to watch the documentary <a href="https://www.youtube.com/watch?v=9PNAuBQRuOs"><i>Prison State</i></a>. Discuss which moments stood out to you the most from the film. What systemic issues or policies do you think contribute to the challenges depicted in the documentary? Discuss the real-world parallels and experiences depicted in the novel.<BR> <BR>2. Artistic Legacy Project: Create an art piece inspired by Corby&rsquo;s mural, incorporating elements that reflect themes of transformation and hope. Share your piece with group members and use as a springboard for discussing how art can effect change and preserve memory.<BR> <BR>3. Prison Library Research: Check out organizations such as <a href="https://freedomreads.org/">Freedom Reads</a> (freedomreads.org), <a href="https://prisonbookprogram.org/">Prison Books Program</a> (prisonbookprogram.org), and <a href="https://booksthroughbarsnyc.org/">Books Through Bars</a> (booksthroughbarsnyc.org) to learn more about the power of promoting literacy and access to reading material for incarcerated individuals. Consider finding an organization or local volunteer chapter that serves individuals in your state or community. <BR><BR>Questions for the Author:<BR> <BR>1. What inspired you to write <i>The River Is Waiting</i>? How much of Corby Ledbetter&rsquo;s journey came from real-life experiences versus pure imagination?<BR><BR>2. The book dives deep into incarceration and systemic injustice. How did you tackle writing about these tough topics, especially keeping in mind that some readers might be unfamiliar with aspects of the prison experience?<BR><BR>3. Nature, especially the Wequonnoc River, is an important part of the story. How did you come up with the idea to use it as a metaphor and emotional anchor?<BR><BR>4. Manny&rsquo;s journey is all about resilience and hope. What shaped his character, and what do you want readers to take away from his life after incarceration?<BR><BR>5. Art plays a big role in Corby&rsquo;s story&#8212;it&rsquo;s both an escape and a legacy. Why did you decide to make Corby an artist, and what does artistic expression mean in the story?<BR><BR>6. Addiction and mental health are handled with so much care in the book. How did you approach writing about these themes in an authentic way?<BR><BR>7. The multiple perspectives and time jumps in the book add significant dimension to the story. How did you decide on this structure and balance storylines to make the characters feel so real?<BR><BR>8. Emily scattering Corby&rsquo;s ashes is a deeply powerful moment. How did you decide on this ending, and what do you hope readers will take from it?<BR><BR>9. Including the Covid-19 pandemic added a contemporary dimension to the story. Why did you want to weave this into the narrative? How does it highlight issues facing incarcerated individuals?<BR><BR>10. What is one takeaway you hope readers will have after finishing <i>The River is Waiting</i>?<BR><BR><u>Readers Group Guide: Questions for the Author</u><BR><BR><b>1.</b> <b>What inspired you to write <i>The River Is Waiting</i>? How much of Corby Ledbetter&rsquo;s journey came from real-life experiences versus pure imagination?</b><BR><BR>Starting a novel is always difficult for me. I usually begin by going back to ancient folktales and myths&#8212;the stories that have withstood the test of time because people need them to be told and retold. In 2018, I discovered a Mexican folktale called &ldquo;The Weeping Woman.&rdquo; It&rsquo;s about a ghost who wanders near bodies of water, mourning the loss of her children whom she has drowned. <i>The River Is Waiting</i> goes far afield from that story but it, too, is about a parent who mourns a child for whose death he is responsible and who goes to the river to seek his truths. <BR><BR>As to real-life experiences, the writer Tom Drury said it best when he answered this perennial question: <i>How much of you is there in your characters? </i>Think of it this way, Drury said. A fiction writer takes a baseball bat to a stained-glass portrait of himself. Then he sits before the broken pieces and creates a whole different portrait. There are shards of me in Corby, but he and I are different people. <BR><BR>2. <b>The book dives deep into incarceration and systemic injustice. How did you tackle writing about these tough topics, keeping in mind that some readers might be unfamiliar with aspects of the prison experience?</b><BR> <BR>Almost all the novels I&rsquo;ve written explore in some way how power is used and sometimes abused&#8212;personally, politically, judicially. Although it&rsquo;s not the central theme, <i>The River Is Waiting</i> comments, through Corby&rsquo;s growing awareness, on the racist white paternity&rsquo;s historical and contemporary abuses of power to the detriment of Black and Indigenous people. <BR> <BR>From 1999 to 2019, I facilitated a writing program for incarcerated women at a maximum-security facility where inmates of color far outnumbered white inmates. Many of my students&rsquo; autobiographical essays told me why. Crime and punishment is a complicated equation in which race, class, and economics are factors. Many of the women in our program gained self-awareness by examining in writing the &ldquo;hows&rdquo; and &ldquo;whys&rdquo; that led to their imprisonment. Other writers focused on the day-to-day details and challenges of prison life. Prison administrators and officers don&rsquo;t necessarily want the public to know everything that goes on in the institutions they maintain. Perhaps Corby&rsquo;s story lends some transparency to life behind the prison walls, particularly for those unfamiliar with the challenges of this existence.<BR><BR><b>3.</b> <b>Nature, especially the Wequonnoc River, is an important part of the story. How did you come up with the idea to use it as a metaphor and emotional anchor? </b><BR> <BR>The Wequonnoc is a fictional river that shares characteristics with three rivers that conjoin in my hometown of Norwich, Connecticut. An East Coast native who lives about 45 minutes from the ocean, I&rsquo;ve always been drawn to the sight, sound, and power of moving water. That fascination extends to rivers, streams, waterfalls, floods&#8212;and even to indoor plumbing! (I&rsquo;ve gotten some of my best writing ideas in the shower.) There&rsquo;s something about the flow of water that unblocks me and carries me along, as a writer and a problem solver. <BR> <BR>Corby goes to the river seeking clarity. Should he confess and take responsibility for the tragedy he caused or use the loophole his attorney has suggested? He makes his decision when he stares eye to eye with a great blue heron perched on a rock in the middle of the swiftly moving river. <BR><BR><b>4.</b> <b>Manny&rsquo;s journey is all about resilience and hope. What shaped his character, and what do you want readers to take away from his life after incarceration?</b><BR><BR>There&rsquo;s a lot of sadness in this novel. To some extent, Manny is a character who provides a measure of comic relief. But he functions in other ways as well. The Yates Prison chapters depict two opposing forces: evil and good. The forces of evil are embodied in Officers Piccardy and Anselmo and Corby&rsquo;s first cellmate, Pug. The forces of good include Mrs. Millman, Officer Cavagnero, Dr. Patel, and, despite the crimes he&rsquo;s committed, Manny DellaVecchia. I like to think Manny&rsquo;s compassion and humanity, as when he reaches out to Emily, will serve him well in his post-prison journey. That said, his employment opportunities are likely to be limited to low-paying service jobs like the one he has at the mall. I know from my formerly incarcerated students that employers are often reluctant to take a chance on someone who has a prison record. <BR><BR><b>5.</b> <b>Art plays a big role in Corby&rsquo;s story&#8212;it is both an escape and a legacy. Why did you decide to make Corby an artist, and what does his artistic expression mean in the story?</b><BR><BR>I imagine making one&rsquo;s living as a commercial artist is different than following one&rsquo;s artistic impulses irrespective of a salary. Corby&rsquo;s job provides him a living but does little to nurture his creative soul. Yet when his employer lets him go, it triggers his downward spiral toward addiction. Ironically, when he is tapped to create his mural, that confinement in prison frees him to follow his instincts, restoring his love of art for art&rsquo;s sake.<BR><BR>When I was a kid, I loved to draw. I wrote and illustrated my own comic books. Recognizing that I had some artistic talent, my elementary school teachers&#8212;god rest their overworked souls&#8212;taped bedsheet-sized paper to the classroom walls and let me draw and paint full-size murals during recess. In high school I was voted &ldquo;Class Artist&rdquo; and entered college planning to major in art. Then I fell in love with literature and swerved in a different direction. In my twenties I had no idea I would become a novelist, but in retrospect it all makes sense. Drawing and fiction writing drink from the same well. I often see scenes play in my head like movies before I put them into words. All that drawing I did as a kid prepared me to become a storyteller.<BR><BR><b>6.</b> <b>Addiction and mental health are handled with so much care in the book. How did you approach writing about these themes in an authentic way?</b><BR><BR>The town where I grew up housed Connecticut&rsquo;s largest hospital for the mentally ill. Riding past that sprawling campus when I was a kid spooked and fascinated me. It wasn&rsquo;t until I was an adult that a family secret was divulged: my maternal grandfather had lived the last years of his life in that hospital&rsquo;s forensic building. <BR><BR>Many of my incarcerated students were doing time because of DUI fatalities and/or addictions that led them to criminal behavior. Their honest explorations of how they came to crave substances that were destroying their lives opened my eyes to the self-defeating power of addiction. Corby&rsquo;s problems start with his depression and subsequent anxiety, for which he is prescribed an addictive anti-anxiety drug. I wrote about his overreliance on alcohol based somewhat on personal experience. When I was in my fifties, my drinking went from enthusiastic to problematic, but I have been happily sober for fourteen years.<BR><BR><b>7.</b> <b>The multiple perspectives and time jumps in the book add significant dimension to the story. How did you decide on this structure and balance storylines to make the characters feel so real? </b><BR><BR>I began the story knowing that the tragedy would come near the beginning, but I didn&rsquo;t yet know much about who Corby and Emily were as a couple, so in chapters two and three, I took a hiatus from 2017 and began writing their backstory covering the years 2005 through 2013. Later, I wrote several flashback scenes to inform myself what Corby&rsquo;s childhood had been like with a difficult father and a mother who was checking out by smoking weed. I wasn&rsquo;t thinking about a readership during this process; I was writing for myself so that I could understand Corby on a deeper level. I don&rsquo;t outline or plot my stories ahead of time; I sit behind my laptop and discover them on a day-to-day basis.<BR><BR>I had a chunk of the novel written before I began working with my wise and perceptive editor, Marysue Rucci. Back then, the story swung back and forth between two points of view: Corby&rsquo;s and Emily&rsquo;s. Marysue urged me to tell the story from a single viewpoint, Corby&rsquo;s, and let us know Emily through his eyes. That went a long way toward focusing and improving what I had drafted. Throughout our work together, Marysue&rsquo;s feedback was rigorous and invaluable. She helped me to write a much better book.<BR><BR>8. <b>Emily scattering Corby&rsquo;s ashes is a deeply powerful moment. How did you decide on this ending and what do you hope readers will take from it?</b><BR><BR>Titling my novels is always a big deal for me and, as many of my readers have observed, there&rsquo;s always a tie-in to music. That&rsquo;s because I play music while I&rsquo;m writing and a snatch of song lyric or a refrain sometimes will point me in a direction that surprises me. Titling is my way of tipping my hat to musicians and songwriters. &ldquo;The River Is Waiting&rdquo; is a song I first heard sung by New Orleans&rsquo;s soul queen, Irma Thomas. I later learned it was written and recorded by John Fogerty. The song kept playing in my head until I realized on a conscious level that that would be the title of my then story in progress. That left me with two questions I needed to answer: <i>who or what was the river waiting for and why? </i><BR><BR>The scattering of the ashes comes <i>near</i> but not <i>at</i> the end. In the book&rsquo;s final scene, Corby and Emily&rsquo;s surviving twin, Maisie, reaches up to touch the rendering of her lost brother Niko in Corby&rsquo;s mural. &ldquo;Hello, boy,&rdquo; she says. That ending wasn&rsquo;t something I intellectualized about; it came to me full-blown and moved me to tears. For those brief few seconds, Maisie reconnects with her lost twin.<BR><BR><b>9.</b> <b>Including the Covid-19 pandemic added a contemporary dimension to the story. Why did you want to weave this into the narrative? How does it highlight issues facing incarcerated individuals? </b><BR><BR>I began writing this novel two years before the outbreak of Covid-19. Since Corby enters prison in August of 2017 with a three-year sentence, his release is scheduled for the summer of 2020, at which time the coronavirus was rampant. It would have been unrealistic to avoid this health crisis in a novel set in the real world at a specific place and time. <BR><BR>Because they live in close proximity to one another, prisoners were extremely vulnerable during the pandemic. Facilities had protocols to lessen the possibility of infection, but they were not always adhered to. Inmates were sequestered in their cells for weeks at a time, family visits were cancelled, and volunteer programs were shut down. Some incarcerated individuals still suffer from long Covid and the effect of long-term isolation.<BR><BR><b>10.</b> <b>What is one takeaway you hope readers will have after finishing <i>The River Is Waiting?</i></b><BR><BR>What readers take away from the novel is up to them, not me. I only hope the story is useful and perhaps applicable to their own lives.]]></Text>
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      <Text><![CDATA[&quot;An epic tale&hellip;[Wally Lamb&#39;s] incandescent writing can illuminate even the darkest of stories.&quot;&ndash;<b>Oprah Daily</b>]]></Text>
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      <Text><![CDATA[&ldquo;Lamb sheds light on the inhumanity and cruelty of the American prison system, while also offering glimmers of hope and friendship&hellip; There are no simple resolutions in this gripping drama, and Lamb offers plenty to ponder about guilt, innocence, rehabilitation, and forgiveness.&rdquo; &mdash;<B><I>Booklist</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;[A] heart-wrenching story of redemption&hellip; Lamb lays bare the vagaries of his protagonist&rsquo;s life in accessible prose and concludes on a bittersweet note. This will please the author&rsquo;s fans.&rdquo; <b>&mdash;<i>Publishers Weekly</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;Riveting&hellip; Lamb expertly shows [Corby&rsquo;s] arduous, bumpy progression&hellip; a gripping [&hellip;] story of grief, guilt, and healing.&rdquo;<B> &mdash;<I>Kirkus</I></B>]]></Text>
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      <Text><![CDATA[&quot;Wally Lamb has always written with compassion for all of his characters, no matter their flaws. But here, in this moving exploration of an otherwise good man and loving father who happens to be an addict, Lamb goes deeply into what it means not only to survive tragedy, but to actually heal from it by stepping tentatively into real forgiveness. I could not put down <I>The River is Waiting</I>, and I predict that you won&#39;t be able to either.&rdquo;&nbsp;<B>&mdash;Andre Dubus III, <I>New York Times </I>bestselling author of <I>House of Sand and Fog </I>and <I>Ghost Dogs</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;A heartwrenching, moving tale about the power of forgiveness, resilience and growth.&rdquo; <B>&mdash;<I>Woman&#39;s World</I>, &quot;12 Most Anticipated Books of 2025&quot;</B>]]></Text>
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      <Text><![CDATA[&quot;I was awestruck by this brilliant novel! I know that &ldquo;authenticity&rdquo; isn&rsquo;t the sexiest takeaway, but on my honor, page after riveting page, I asked myself, &ldquo;How did he know this? How is this so moving, so real, so close to the bone?&rdquo; Bravo, Wally Lamb. &nbsp;Not that you needed another masterpiece to demonstrate your unerring eye, ear, and signature heart, but may I say <I>The River is Waiting</I> might crown them all.&rdquo; <B>&mdash;Elinor Lipman, author of <I>Every Tom, Dick &amp; Harry</I> and <I>Ms. Demeanor</I></B>]]></Text>
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      <Text><![CDATA[&quot;As usual, Wally Lamb gripped me with his perceptive, page-turning novel, <I>The River Is Waiting</I>, a story that illuminates how the traumas of mass incarceration and addiction stigma spare no one.&nbsp;Lamb delivers what&rsquo;s most needed in these turbulent times&mdash;an absolute empathy bomb.&quot; <B>&mdash;Beth Macy, author of <I>Dopesick</I> and <I>Raising Lazarus</I></B>]]></Text>
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      <Text><![CDATA[&quot;Time and time again, the amazing&nbsp;Wally Lamb&rsquo;s imperfect people break our hearts and help us understand the unfathomable depths of guilt and grief as we look for light in the world.&quot; <B>&mdash;Alice Hoffman,&nbsp;<I>New York Times&nbsp;</I>bestselling author of The Practical Magic series</B>]]></Text>
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      <Text><![CDATA[&ldquo;<i>The River is Waiting </i>is an ambitious, affecting novel that&rsquo;s not afraid to look directly at human suffering, and to map out the pain we inflict on others, and on ourselves. With an unflinching eye and an unsentimental compassion for his characters, Wally Lamb finds glimmers of hope and healing and decency in the darkest places.&quot;<b> &mdash;Tom Perrotta,&nbsp;<i>New York Times</i>&nbsp;bestselling author of <i>The Leftovers</i> and <i>Little Children</i></b>]]></Text>
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      <Text><![CDATA[<b>Elisa&nbsp;Kleven</b> writes and illustrates picture books because she&rsquo;s never outgrown her childhood passion for art and storymaking. Having spent much of her childhood creating magical, miniature worlds,&nbsp;Elisa&nbsp;now creates similar worlds inside of her picture books. She is the acclaimed author and/or illustrator of over thirty children&rsquo;s books, including<i>&nbsp;Sun Bread</i>, a&nbsp;<i>New York Times</i>&nbsp;Best Illustrated Book,&nbsp;<i>The Paper Princess</i>, and&nbsp;<i>Abuela</i>, by Arthur Dorros.&nbsp;Her books have been included in Dolly Parton&rsquo;s Imagination Library and the&nbsp;<i>Reading Rainbow&nbsp;</i>series.&nbsp;Elisa&#39;s stories have also been performed as plays and ballets by professional theater and dance companies. To learn more about&nbsp;Elisa&nbsp;and her work, please visit her website:&nbsp;www.elisakleven.com]]></Text>
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      <Text><![CDATA[<B>A haunting and tender debut about guilt, grief, and the unexpected places we go to find redemption.</B><BR><BR>When thirty-year-old Conner Robbins hits and kills a cyclist, no one blames him&#8212;a freak accident, they say. But he can&#8217;t stop blaming himself. Conner is consumed by guilt, and begins to shut himself off from the people who care about him, risking his closest relationships and a career he no longer feels he deserves.<BR><BR>In the weeks following the accident, Conner finds an unexpected sense of solace in an unlikely place: a budding friendship with Lauren, the mother of the young man he killed. But as their connection deepens, they begin to neglect the people and responsibilities in their own lives. Now, both Conner and Lauren must confront the truth about their relationship: is it a path toward healing, or are they simply prolonging the pain?<BR><BR>Tender, intimate, and emotionally resonant, <I>I'm the Undertow</I> is a stunning debut about guilt, grace, and the complicated ways we try to move forward after loss.]]></Text>
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      <Text><![CDATA[<B>A reinvention of classic British comics characters from the mind of Alan Moore (<B>The League of Extraordinary Gentlemen</B>).</B><BR><BR>The Spider, The Steel Claw, Grimly Feendish, Captain Hurricane. Born in the pages of <B>Lion</B>, <B>Valiant</B>, <B>Smash!</B> and <B>Wham!</B>, these are some of the most beloved characters in the history of British comics. But what if they were all real people?<BR> <BR>Danny, a keen comics enthusiast, and his new friend, Penny, go in search of the long-missing heroes and villains from the classic comics of the past. But where have they been all these years? And what happens if they find them?<BR> <BR>From the mind of the legendary Alan Moore (<B>The League of Extraordinary Gentlemen</B>) with scripts by Leah Moore &amp; John Reppion (<B>Megadeth: Death By Design</B>), and art by Shane Oakley (<B>The Fall of the House of Usher</B>).]]></Text>
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      <Text><![CDATA[<B>Alan Moore</B><BR> <BR>Perhaps the most widely respected comic writer of the modern era, Alan Moore&rsquo;s contribution to the comics world is incalculable. Creator of some of <B>2000 AD</B>&rsquo;s most popular series, including <I>Abelard Snazz</I>, <I>The Ballad of Halo Jones</I>, <I>D.R. &amp; Quinch</I> and <I>Skizz</I>, he has also worked on <I>A.B.C. Warriors</I>, <I>Ro-Busters</I>, <I>Rogue Trooper</I>, <I>Ro-Jaws&rsquo; Robo-Tales</I>, <I>Tharg the Mighty</I>, <I>Time Twisters</I> and several one-off strips.<BR> <BR>Outside of the Galaxy&rsquo;s Greatest Comic, Moore is best known for his work on the classic <B>Watchmen</B>, which redefined the superhero genre in 1986, but this is simply touching the surface of a career which has included <B>1963</B>, <B>A1&rsquo;s Warpsmiths</B>, <B>Bojeffries Saga</B>, <B>Maxwell the Magic Cat</B>, <B>AARGH!</B>, <B>Batman</B>, <B>Big Numbers</B>, <B>Brought to Light</B>, <B>Captain Britain</B>, <B>Deathblow</B>, <B>Flesh and Bones</B>, <B>From Hell</B>, <B>Glory</B>, <B>Green Lantern Corps</B>, <B>Lost Girls</B>, <B>Miracleman</B>, <B>A Small Killing</B>, <B>Snakes and Ladders</B>, <B>Spawn</B>, <B>Supreme</B>, <B>Swamp Thing</B>, <B>Superman</B>, <B>V For Vendetta</B>, <B>WildC.A.T.S.</B> and <B>Youngblood</B>.]]></Text>
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      <Text><![CDATA[<B>Ringo Starr&rsquo;s eventful and remarkable life laid bare in a first-of-its-kind mosaic biography of one of the greatest musicians of all time.</B><BR><BR> Often overshadowed by his former bandmates, Starr&rsquo;s remarkable story is no less compelling. &lsquo;Ringo: A Fab Life&rsquo; highlights a life so jaw-droppingly eventful that one is left wondering how he also had time to become one of the best musicians on the planet.<BR><BR> Through an episodic, mosaic format critically acclaimed author Tom Doyle takes readers through the ride of a lifetime, from Starr&rsquo;s brushes with death as a child bought up in poverty, through to dizzying heights of fame and success with The Beatles and beyond. By examining pivotal moments, anecdotes and cautionary tales, we see Starr soar as part of the biggest band in the world - and then try and cope with life outside of it: a film career, misadventures with friends, children&rsquo;s TV narrator, furniture designer, marriage to a Bond girl, before eventually finding peace and sobriety as one of the elder statesmen of rock.<BR><BR> So much more than another Beatles related biography, we follow Starr&rsquo;s career far beyond the rose-tinted sixties, through the various addictions and career left turns in the seventies and eighties, before reaching the 1990&rsquo;s, his legacy and reputation intact.<BR><BR> The life of Richard Starkey is long overdue a proper inspection and this book - with exclusive new interviews conducted by Doyle with, amongst others, Starr himself - provides a never-before-seen level of detail that will delight hardcore fans and curious readers alike.<BR><BR><I>Ringo: A Fab Life</I>&#160;- hilarious, moving, insightful and constantly surprising - is the definitive account of one of the greatest living musicians and the uncontested best drummer in The Beatles.]]></Text>
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      <Text><![CDATA[<B>&ldquo;</B><B>Particularly poignant ... tasteful and compassionate&rdquo; </B><I><B>Shindig</B></I><BR><BR><B>Capturing all the pain and glory of this incredible family saga, Surf&rsquo;s Up is the definitive tribute to a remarkable band - and the genius who made it all possible.</B><BR><BR>If any man in pop history deserved the tag of genius, it was Brian Wilson. As leader, producer and chief composer of the Beach Boys, he displayed an instinctive command of melody, harmony and arranging skills. The result was a run of hits that included many of the most sparkling and creative records of the 1960s.<BR><BR>But there was a dark side to this seemingly effortless success, rooted in his tortured family background. No sooner had Brian masterminded such gems as the Pet Sounds album and Good Vibrations than his psychological demons began to derail his life.<BR><BR>The Beach Boys were left struggling for survival, grasping for salvation from such bizarre figures as TM guru the Maharishi and cult leader Charles Manson. Their story could have ended there, but somehow the band survived. Ahead lay decades of trauma, triumph and tragedy, as the band members all developed as songwriters but also found themselves increasingly at odds with each other. Through it all the music survived, as Brian&rsquo;s younger brother Dennis Wilson emerged as an equally creative but troubled presence.<BR><BR><I>Surf&rsquo;s Up</I> sees lifelong Beach Boys fan Peter Doggett capture all the glory and pain of this complex family saga. He celebrates the band&rsquo;s array of musical gems, and also explores many of their passionate obsessions , from surfing and cars to politics and food.<BR><BR>Filled with drama and pathos, <I>Surf&rsquo;s Up</I> is the ultimate tribute to a remarkable band - and the genius who made it all possible.]]></Text>
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      <Text><![CDATA[<B>Missing &hellip; without a trace &hellip; into thin air.</B><BR /><BR /> In&#160;Missing,&#160;Nicole Morris, best-selling author of&#160;Vanished&#160;and founder of the Australian Missing Persons Register, delves into the chilling world of long-term missing persons cases. With over 55,000 disappearances annually in Australia, each story is a heart-wrenching account of unanswered questions and shattered lives.<BR /><BR /> From a West Australian man entangled in the dangers of online dating to an Adelaide father possibly linked to Australia&#39;s most notorious serial killings, Morris uncovers haunting tales of those who vanished without a trace. Three mothers leaving behind bewildered children, a young hitchhiker lost on a desolate Queensland highway, and two Sydney men who lost their way&mdash;all woven into the fabric of inexplicable disappearances.<BR /><BR /> The narrative spans decades, from the 1980s to present-day mysteries, including the puzzling case of a gentle Greenpeace worker vanishing amidst inner-city Melbourne, the suspicious disappearance of a 21-year-old, and the grim discovery of scattered remains in Queensland, unravelling a harrowing tale of violence and tragedy. And then there is the perplexing case of a man who went missing over and over again.<BR /><BR /> Missing&#160;sheds light on the untold stories of those who vanished, leaving behind a void of unanswered questions and enduring pain. Nicole Morris brings attention to the cold cases from families of missing persons, raising awareness, and hopefully uncovering new leads for desperate families searching for the truth<BR /><BR /><B>Author located in Brisbane.<BR /><BR /> Location of the stories:<BR /><BR /> Steven Lockey &ndash; Elizabeth, Davoren Park, Broadmeadows, Kilburn Adelaide SA; Joanne Butterfield &ndash; Cairns, Mossman, Mowbray, Pin Gin Hill QLD; Rigby Fielding &ndash; Perth, Kwinana, Rockingham WA; Gail King &ndash; Brahma Lodge, Adelaide,. Minlaton, Yorke Peninsula SA; Anthony Jones &ndash; Townsville, Hughenden, Mt Isa QLD and Perth WA; Owen Redman &ndash; Brunswick, St Kilda, Melbourne, Victoria; Andrew Anderson &ndash; Nambucca Heads, Valla, Bowraville, Thora, Dorrigo, Bellingen, Macksville, Mid North Coast New South Wales; Jamie Howe &ndash; Glebe, Ashfield, Leichhardt, Broadway, Sydney, New South Wales; Sandrine Jourdan &ndash; Caboolture, QLD; Stephen Mitchell &ndash; Beverley Hills, Mortdale, Narwee, Hurstville, Olds Park, Kurnell, Jannali, Matraville, Miranda, Cronulla, Botany, Sydney, NSW; Shaun Barker &ndash; Pacific Pines, Broadbeach Gold Coast, Toolara State Forest, Cooloola Cove, Gympie, QLD; Paul &ndash; Nowra NSW<BR /><BR /> praise for the author:</B><BR /><BR /><I>&quot;Thank you Nicole for all you do in helping these families and being their voice in getting the word out there. Excellent true crime book about what the families feel when a loved one goes missing. Written well so it&rsquo;s an easy listen to heartbreaking stories that will stay with you.&quot;<BR /> &quot;I read this book within one day. I think it was a fantastic and informative exploration into these individuals stories&quot;<BR /> &quot;Commendation to Nicole Morris for what she does for families of missing persons&quot;</I>]]></Text>
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      <Text><![CDATA[<B>A proven, easy-to-follow blueprint for creating wealth your way, to live a life free from financial stress on your terms.</B><BR><BR>It&rsquo;s never too early or too late to start designing your own journey to financial freedom.<BR> <BR>There are certain ad hoc rules that we all apply when we&rsquo;re managing our money &#8211; such as not spending all our cash, having some savings in a high-interest account; maybe we bought a stock on a tip from a friend, or even thought about buying an investment property. As they say, if you fail to plan, you plan to fail. And this is where Wealth by Design comes in. Don&rsquo;t leave your financial future to chance; follow the rules in this informative and practical book and design the future lifestyle that you desire.<BR> <BR>Stuart Wemyss&rsquo; 8 Rules for smarter investing and financial freedom are not just theory, they are rooted in simple maths, academic studies and/or common sense. They are tested and have been proven to work.]]></Text>
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      <Text><![CDATA[<B>This is the first enchanting new tarot from the bestselling Seasons of the Witch series! Lorriane Anderson dives into the wintery wisdom of Yule and Imbolc, embracing a time of rest and reflection. Richly illustrated by Tijana Lukovic, this is the beginning of a captivating new tarot series, designed to guide you through the depths of winter and illuminate your spiritual journey. The booklet includes a foreword by bestselling author Juliet Diaz.</B><BR><BR>Where one journey ends, a new one begins and the wheel turns yet again . . .The bestselling Seasons of the Witch series continues its odyssey, this time unveiling a beautiful, brand new series featuring the four seasons: spring, summer, fall and winter. We begin our adventure with the Winter Tarot, where familiar elements of the tried and true Rider-Waite Smith system are reimagined in an evocative story of festive maidens, snowy creatures and frosty potions; brews and magical tools. Seventy-eight cards unearth wintry themes of rest, reflection and - of course - the sabbats too. Explore how the harmonic relationship between Yule, Imbolc and the earth's barest season seamlessly blend to unlock deep, divinatory wisdom, all while embracing a new way for the tarot to shift its energy throughout the year.]]></Text>
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      <Text><![CDATA[<B>This beautiful journal expands on the themes of Seasons of the Witch &#8211; Mabon Oracle, which celebrates balance, equity and harmony, as the wheel of the year comes to an end.</B><BR><BR>This journal is crafted to be an extension of your mind, body, and soul. Its pages hold a sanctuary where your thoughts and reflections, musings, and insights may take refuge, unfurl, and nourish your deepening intuition.<BR> Mabon, or the autumn equinox, honors the earth and is a celebration of balance, equality, and harmony. It&rsquo;s a time to give thanks for the abundance of Mother Earth, literally and spiritually.<BR> Inspired by the insightful messages of Seasons of the Witch: Mabon Oracle, this journal offers opportunities to reflect, release tension, and set new goals. Drawing on the 44 beautiful illustrations of the oracle deck, with six new images to evoke even more thoughts and feelings, it will help you to unlock your inner wisdom with the assistance of powerful spiritual forces.]]></Text>
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      <BiographicalNote><![CDATA[<P>Jason Somerville is an Australian writer and filmmaker whose work draws directly from lived experience inside policing and undercover operations. He served more than a decade with the Queensland Police Service, including time working covert roles during the mid 1990s, where he operated under long term assumed identities in drug and serious crime investigations.<br>After leaving the police, Jason transitioned into writing and screen based storytelling, focusing on identity, deception, and the quiet psychological cost of institutional work. His writing is grounded, observational, and restrained, shaped by real events rather than genre tropes. He approaches crime not as spectacle, but as a human system where intention, morality, and consequence rarely align neatly.<br>Jason’s work spans long form nonfiction, screenwriting, and film development, with projects recognised through Australian and international screenplay platforms and festivals. Undercurrent is his first book, written as both a standalone literary work and a screen adaptable narrative, offering an unfiltered account of undercover life and the personal erosion that comes with living someone else’s identity.<br>Jason lives in Brisbane, Australia.<br>&#160;</P>]]></BiographicalNote>
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      <Text><![CDATA[<P><B>The city pulled him in. The lie pulled him under.</B></P><P>Undercurrent is a first-hand account of what happens when a police officer disappears into an undercover identity and stays there too long.</P><P>Brisbane, mid-1990s. Jason Somerville is a young Queensland police officer who never planned on joining the force, let alone working covert operations. After a routine buy-bust draws attention to his instincts on the street, he is selected for undercover work and gradually absorbed into a world built on deception, performance and constant threat. His assumed identity, Michael Bates, becomes more than a cover name. It becomes a survival tool.</P><P>Undercover policing is not cinematic. It is patient, tense and psychologically demanding. It means handling drugs instead of seizing them, laundering money to maintain credibility, and earning the trust of people you know you will eventually arrest. Every word is measured. Every interaction recorded. Act too much like a cop and you are exposed. Act too well as a criminal, and you risk becoming one.</P><P>As the operations escalate, so does the personal cost. Jason lives between safe houses and courtrooms. His marriage strains under secrecy. Trust erodes. The line between the man and the persona blurs until pretending no longer feels temporary.</P><P>In this world, the “white lie” is not harmless. It is currency. It keeps you breathing. But each compromise leaves a mark. The question is not whether to deceive, but how much of yourself you can surrender before something fundamental shifts.</P><P>Written with blunt honesty and a distinctly Australian voice, Undercurrent captures the grit, danger and moral tension of sustained undercover work. It is a true story about identity under pressure and the slow erosion that comes from living too long in the grey.</P><P><br>“Uncompromising, gritty, authentic … grounded in lived experience.”</P><P><br>“A compelling exploration of identity, moral compromise and the cost of losing yourself.”</P><P><br>“Survival can depend on the lies you learn to live with”&#160;</P>]]></Text>
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      <Text><![CDATA[<P><B>Lost … still waiting … still searching.</B></P><P>In Lost, bestselling author of Vanished and Missing, and founder of the Australian Missing Persons Register, Nicole Morris returns with her most investigative and wide-reaching book yet.</P><P>Cold cases. Empty chairs. Birthdays marked in absence.</P><P>From a blonde Texan backpacker who survived the dangers of 1970s America only to vanish on the NSW mid north coast, possibly crossing paths with a serial killer, to a brilliant computer prodigy who made a frantic 000 call before disappearing on a lonely highway, Morris uncovers cases as baffling as they are heartbreaking.</P><P>There is the elderly husband who scaled two fences trying to return to the wife he adored. A 10-year-old Indigenous boy who ran for a train and never made it home. A teenage foster child believed to have been abducted from a Melbourne street. A man lost in remote desert country, leaving messages scratched into red earth as searchers followed close behind. In a rainforest, unidentified remains hang unanswered for decades, belonging to someone still missing from a family somewhere.</P><P>But this time, the search goes further.</P><P>Nicole tracks down eyewitnesses to suspected abductions who were never formally interviewed, uncovering first-hand accounts unheard for decades. She speaks to parents, children, partners, investigators and searchers, and interviews former teenage runaways to expose why so many young Australians disappear each year. With access to letters, police files and personal testimony, she follows new leads and asks difficult questions.</P><P>Nicole Morris once again shines a light on Australia’s long-term missing and invites readers to remember their names and help bring them home.</P><P><B>“Compassionate, compelling and impossible to forget.”</B></P><P><B>“Nicole Morris gives a powerful voice to families who refuse to stop searching.”</B></P><P><B>“Without Nicole, we would never have known the information she uncovered. Knowing she is still looking gives us peace of mind.”&#160;</B><br><B>— Tammy Lockey, former wife of Steven Lockey</B></P><P><B>“A lifeline of hope. You inspire others to genuinely care.”</B><br><B>— Lynelle Crowther</B></P><P><B>“Truly a godsend. Thank you for the work you do.”</B><br><B>— Jackie Hutchison, sister of Gail Lynch, missing’</B></P><P><B>“Without you, I would be lost trying to cope. I thank and appreciate you.”</B><br><B>— Sandi, mother of Leisl Smith, missing</B></P><P><B>“Having a missing loved one is the worst feeling in the world. Thank you for keeping their stories alive.”</B><br><B>— Malcolm Goodall, brother of Leanne Goodall, missing 1978</B><br>&#160;</P>]]></Text>
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      <BiographicalNote><![CDATA[<P>Major General Roger Noble is one of the most operationally experienced Australian military officers of his generation. As a 26-year-old captain, he helped destroy chemical weapons inside Saddam Hussein’s Iraq. Two decades later, he served as Deputy Commanding General of the Coalition Land Force during the liberation of Mosul from ISIS in 2016.<br>Across six operational deployments, he held senior leadership roles in peacekeeping and combat missions in Iraq, Afghanistan and East Timor. His career spans the full spectrum of modern Coalition warfare, from frontline command to multinational campaign leadership.<br>With more than twenty-five years of engagement in the Middle East, and senior military and diplomatic appointments across the Indo-Pacific, Europe and North America, Noble has worked at the intersection of operations, strategy and international policy. As Australia’s Counter Terrorism Ambassador, he played a central role in the global effort to counter violent extremism.<br>&#160;</P>]]></BiographicalNote>
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      <Text><![CDATA[<P><B>Six deployments. Twenty-six years. A soldier’s account of Australia’s long wars.</B><br>For more than a quarter of a century, Major General Roger Noble stood at the centre of Australia’s contribution to the wars in Iraq, Afghanistan and East Timor. His career spans the evolution of Coalition warfare from the immediate aftermath of the Cold War to the brutal fight against ISIS.<br>As a 26-year-old captain, he helped destroy chemical weapons inside Saddam Hussein’s Iraq. Decades later, he served as Deputy Commanding General of the Coalition Land Force responsible for the liberation of Mosul in 2016. Between those moments lay six operational deployments and a generation of continuous conflict.<br>My Long War is both a personal account and a strategic reckoning. Noble commanded at the tactical street corner of war, where split-second decisions carried life-or-death consequences. He later helped oversee large, complex multinational campaigns in which military action was inseparable from politics, diplomacy and media scrutiny.<br>He writes candidly about the realities of fighting among the people in remote and fractured societies. About the strain of command. About death, catastrophic injury and the enduring weight carried by those who serve. He addresses the most difficult questions head-on: insider attacks, allegations of misconduct, the ethics of targeting, and the constant effort to prevent civilian casualties while confronting adaptive and ruthless adversaries.<br>Beyond the battlefield, Noble exposes the day-to-day complexity of sustaining modern campaigns in a world connected in real time. Local grievances, tribal loyalties, international alliances and global narratives intersect with every patrol and every strike.<br>Above all, My Long War distils the critical lessons for Australia as a middle power that has now been deeply engaged in Coalition warfare for more than a generation. Noble argues that hard-won experience must inform future strategy, force design and political decision-making. Failure to learn is not an abstract risk. It carries consequences measured in national security and Australian lives.<br>Clear, direct and unsparing, this is an insider’s account of modern war and a call to ensure that sacrifice is matched by understanding.</P><P>‘The most authoritative Australian account of the Iraq and Afghanistan wars.’</P><P>‘The hard lessons Australia cannot afford to forget.’</P><P>‘Courageous and uncompromising.’<br>&#160;</P>]]></Text>
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      <Text><![CDATA[<B><strong data-end="321" data-start="213" >Blow Up Your Life is the book your husband doesn&rsquo;t want you to read&#8212;and the one you can&rsquo;t afford not to. </B>&#193;ine Rock was living the picture-perfect life&#8212;marriage, motherhood, stability&#8212;when she realized it was built on one missing piece: desire. What follows is a radical unraveling and a reclamation of pleasure, power, and the right to want more.</B><BR><BR>In <B>Blow Up Your Life: The Wild Art of Wanting More</B>, &#193;ine Rock explores the moment when quiet dissatisfaction turns into undeniable truth. After years of trying to be the &ldquo;good&rdquo; wife and mother - managing a household, maintaining harmony, and suppressing her own desires - Rock finds herself confronting the reality that the life she carefully constructed is slowly extinguishing her sense of self.<BR> <BR> In this unapologetic, smart, and deeply human manual, Aine Rock - certified coach, pleasure priestess, mother, and guide - leads women through the messy, electrifying terrain of desire, power, and personal transformation. From navigating motherhood, marriage, and career to confronting childhood sexual trauma, Aine combines raw storytelling, somatic practices, and sacred sexuality to show that liberation comes when you stop complying with life&rsquo;s narrow expectations.<BR> <BR> What follows is not a tidy reinvention but a profound dismantling. As her marriage ends and her identity begins to unravel, Rock embarks on a journey through somatic healing, spiritual practice, motherhood, sexuality, and radical self-trust. Blending memoir, ritual, and embodied practices, <B>Blow Up Your Life</B> is an exploration of what happens when women stop performing the lives they were taught to live and begin following the deeper intelligence of their bodies, intuition, and longing.<BR> <BR> Along the way, Aine uncovers a powerful truth: the desires women are taught to suppress often hold the map back to themselves. Smart, edgy, and unflinchingly honest, <B>Blow Up Your Life</B> is for any woman ready to take back her life, her pleasure, and her power... and never look back.]]></Text>
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      <Text><![CDATA[<B>"Profiles more than 60 dwellings and monuments built by artists." &#8212;<I>Publishers Weekly</I></B><BR> <BR><b>From Miami&rsquo;s Coral Castle to LA&rsquo;s Watts Towers, Architectural Fantasies explores over 60 dwellings across more than 30 states. These artist-built spaces allow one to step directly into the artwork, and range from scratch-built creations and modified structures to monuments, sites of devotion, and intricately decorated interiors.</b><BR><BR>Is it a rollercoaster? A cathedral? A dream? There you are, traveling along the beautiful backroads of western Tennessee, or the majestic mountains of Colorado, or a quiet neighborhood in upstate New York, when you encounter a monumental and wondrous creation. You have found Billy Tripp&rsquo;s Mindfield, Jim Bishop&rsquo;s Castle, or Prophet Isaiah Robertson&rsquo;s Second Coming House&#8212;examples of unconventional and unique visionary architecture.<BR> <BR>All across the U.S., these self-taught artists and architects, working outside of the mainstream, unite function with fantasy. The works are generally monumental, frequently provocative, often whimsical, sometimes reverential, and regularly misunderstood&#8212;but always remarkable. Experience this window into the passion and the innovation of some of our most creative artists and the ways they transform the spaces in which they live and work.]]></Text>
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      <Text><![CDATA[<B>Jo Farb Hern&aacute;ndez</B>, Director Emerita of SPACES (Saving and Preserving Arts and Cultural Environments) and Professor Emerita at San Jos&eacute; State University, is an internationally recognized scholar of the work of self-taught artists, and an award-winning author, curator, and photographer. Hern&aacute;ndez has been particularly focused on the field of vernacular art environment builders for over five decades&ndash;first in the US and, for the last 25 years, in Spain&ndash;and is one of very few scholars worldwide to dedicate their careers to this under-recognized group of makers. Notably, her series<I> Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments</I>, (Raw Vision 2013; 5 Continents Editions 2023), based on two dozen years of primary fieldwork in Spain, provides an encyclopedic treatment of the field.<BR><BR><B>Fred Scruton </B>worked as a Brooklyn-based freelance photographer of artwork and architecture for twenty years, and his photography and writings have been reproduced in numerous books and periodicals, including Raw Vision and Folk Art Messenger magazines. His work has also been exhibited widely at such venues as The Drawing Center and OK Harris Gallery in New York City. Now Emeritus Professor of Art at PennWest University, Scruton travels extensively throughout the United States to document self-taught, &ldquo;outsider,&rdquo; and &ldquo;visionary&rdquo; artists and their built environments. Often befriending them, his process of collaborative documentation typically extends over many years, with repeated return visits.]]></Text>
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      <Text><![CDATA[&ldquo;Gathering decades&rsquo; worth of research and documentation, the book includes spectacular photographs by Fred Scruton and highlights the remarkable diversity of hand-built environments....Hern&aacute;ndez champions these individualistic works as monumental exemplars of the vast potential and wonderful weirdness of the human imagination.&rdquo;<BR> &nbsp;]]></Text>
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      <Text><![CDATA[&quot;These unusual environments represent a magnificent act of resistance. They also embody the idea of ephemerality in creation and, above all, the idea that art, in all its forms&mdash;like that of Salvation Mountain of Leonard Knight&mdash;can save us.&quot;]]></Text>
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      <Text><![CDATA[<b>"Charming and comprehensive... takes readers on a world tour of egg-centric recipes." <i>&#8212;Publishers Weekl</i><i>y</i></b><BR> <BR> <b>"Provides readers with the </b><b>knowledge to cook eggs in every way possible." &#8212;</b><i><b>Booklist</b></i><BR> <BR> <b>How do you boil an egg so the yolk stays perfectly creamy? What causes it to coagulate? And what happens when you slowly whisk in oil? An ode to the egg in all its forms, this cookbook cracks open the techniques and recipes that make the humble egg the most versatile ingredient in your kitchen.</b><BR><BR>This is a book about eggs. They play a starring role in some of the world&rsquo;s tastiest dishes: egg noodles, shakshuka, huevos rancheros, Scotch eggs, eggs Benedict, tea eggs, egg custard, and the classic French omelette&#8212;perfectly smooth and firm on the outside, creamy and tender within.<BR> <BR> Here, you'll find the techniques and know-how you need to master these recipes and more, from boiled and poached eggs to souffl&#233;s, ramens, and tartares. With dishes like these, you can, if you want, eat eggs with every meal. And you do.]]></Text>
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      <Text><![CDATA[Nilsson (Ramen, 2017) gives readers lots of ideas for cooking with eggs, a humble but workhorse ingredient packed with protein, compiling many tips and techniques for perfecting fried, boiled, poached, and scrambled eggs, and suggesting many other ways to cook them. Besides classics like omelets and eggs Benedict, there&rsquo;s shakshuka, several variations on Scotch eggs, and many desserts, such as cr&egrave;me br&ucirc;l&eacute;e. As Nilsson provides readers with the knowledge to cook eggs in every way possible, step-by-step photos in each recipe show what to expect during the process. Another useful feature is an explanation of how to make meringue properly, including the different preparations, such as Italian meringue. The book is a great resource for cooks of all ages and levels (especially egg-lovers, of course!). Standout recipes include chorizo Scotch eggs, Spanish tortilla, and miso and sesame ramen.]]></Text>
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      <Text><![CDATA[<B><strong data-end="174" data-start="35">From Noemi Vola, creator of <I>The Unfortunate Life of Worms</I>, comes a powerful&nbsp;story about the limits of no and the possibilities of yes.</B></B><BR><BR>Right in the middle of whatever Spider is doing&#8212;brushing his teeth, reading a book, or watching a storm&#8212;he thinks of Frog. The strange thing is, Frog isn&rsquo;t even nice. On the contrary, she&rsquo;s quite rude. She never suggests going for a walk, never cares if anyone is hot or cold, and, most of all, she always says NO. And she there are all kinds of NOs:<BR> <BR> the big NO,<BR> the small NO,<BR> the baffling NO,<BR> the mysterious NO,<BR> and sometimes even the repeated NO, NO, NO.<BR> <BR> Spider keeps all these NOs tangled in his web, but when a storm sweeps everything away, it brings a new friend who helps him discover the value of YES.]]></Text>
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      <Text><![CDATA[<B> Follow along as one young adventurer embarks on an epic road trip to discover the breathtaking beauty of every national park in the United States</B><BR><BR>Which park is home to the driest, lowest, and hottest landscape in America? Where can you find lots of mountain goats and more glaciers than anywhere else in the lower 48 states? And what would it be like to journey through all 63 national parks in one incredible adventure?<BR> <BR> That's exactly what our young adventurer sets out to do&#8212;packing up an old camper van and hitting the road, traveling from Acadia to the Everglades, Death Valley to the North Cascades, Hawaii Volcanoes to Alaska&rsquo;s Denali, and every other park in between. Inspired by a true story, <i>The Nature of Our National Parks </i>shares detailed insights into each park&rsquo;s unique flora, fauna, and geographic formations alongside kid-friendly hikes and insider tips that make every destination exciting and accessible for families.<BR> <BR> Celebrate the 250th anniversary of the United States&rsquo; founding with this beautifully illustrated and comprehensive book that inspires readers of all ages to explore, learn about, and connect with America&rsquo;s national parks. With all kinds of trip recommendations for every park and hundreds of fun facts about the fascinating species found across our country, you&rsquo;ll be motivated to immerse yourself in our wild, magical lands.]]></Text>
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      <Text><![CDATA[<B>This isn&rsquo;t another book about AI technology. This is a book about the organizational evolution that AI demands.</B><BR><BR>Most leaders are paralyzed without a human blueprint for AI transformation. Isolated successes don't scale because they collide with company culture, roles, and resistance to change. Without a plan for people, the path from promising experiments to AI-native future remains frustratingly unclear.<BR> <BR> AI integration expert Melissa Reeve provides the missing blueprint. Drawing from four decades of organizational research reimagined for the AI era, she reveals how companies like Moderna, Nike, and Toyota evolved from running AI projects to becoming Hyperadaptive Organizations that sense, respond, and evolve at AI speed.<BR> <BR> This book delivers the five-stage progression from AI foundation to organizational orchestration with concrete actions for each phase, explains why 80% of AI initiatives fail and how to avoid predictable pitfalls, guides you through the "messy middle" where old structures collide with new capabilities, provides practical frameworks for restructuring roles, governance, and resources as AI reshapes work, and shares real-world case studies of organizations that successfully rewired themselves for AI.<BR> <BR> Whether you're a senior executive setting strategic vision, division leader implementing solutions, or change champion driving adoption, this book addresses your specific challenges. It doesn't promise overnight transformation but provides honest guidance, proven patterns, and hard-won insights needed to evolve your organization incrementally but inevitably toward Hyperadaptivity]]></Text>
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      <Text><![CDATA[Melissa Reeve brings a unique interdisciplinary perspective shaped by over three decades at the intersection of executive leadership, organizational transformation, and process excellence. Her foundation in the Lean mindset began at Waseda University in Tokyo, where she studied the Toyota Production System and witnessed Hino Motor Company&rsquo;s Andon cords in action. This early exposure to process excellence informed her pioneering work with Agile marketing from 2011.<BR> <BR> As the first VP of Marketing at Scaled Agile and thought leader in the SAFe in Marketing space, Melissa immersed herself in systems thinking, Total Quality Management, DevOps, and Lean principles. She went on to co-found the Agile Marketing Alliance, where she built a community of Agile marketing practitioners and gained firsthand insight into the challenges of organizational change.<BR> <BR> Recognizing the enormous impact of AI with ChatGPT&#39;s introduction in November 2022, Melissa dedicated herself to researching AI&#39;s organizational impacts. Hyperadaptive represents the culmination of this work, offering a synthesis of process excellence, organizational evolution, and the human side of AI integration that provides leaders with a practical pathway to becoming AI-native enterprises.]]></Text>
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      <Text><![CDATA[<b>From the author of <i>New York Times</i> bestseller <i>The New New Deal, </i>a groundbreaking piece of reportage from the trenches of the next climate war: the fight to fix our food system.</b><BR><BR>Humanity has cleared a land mass the size of Asia plus Europe to grow food, and our food system generates a third of our carbon emissions. By 2050, we&rsquo;re going to need a lot more calories to fill nearly 10 billion bellies, but we can&rsquo;t feed the world without frying it if we keep tearing down an acre of rainforest every six seconds. We are eating the earth, and the greatest challenge facing our species will be to slow our relentless expansion of farmland into nature. Even if we quit fossil fuels, we&rsquo;ll keep hurtling towards climate chaos if we don&rsquo;t solve our food and land problems.<BR><BR> In this rollicking, shocking narrative, Grunwald shows how the world, after decades of ignoring the climate problem at the center of our plates, has pivoted to making it worse, embracing solutions that sound sustainable but could make it even harder to grow more food with less land. But he also tells the stories of the dynamic scientists and entrepreneurs pursuing real solutions, from a jungle-tough miracle crop called pongamia to genetically-edited cattle embryos, from Impossible Whoppers to a non-polluting pesticide that uses the technology behind the COVID vaccines to constipate beetles to death. It&rsquo;s an often infuriating saga of lobbyists, politicians, and even the scientific establishment making terrible choices for humanity, but it&rsquo;s also a hopeful account of the people figuring out what needs to be done&#8212;and trying to do it.<BR> <BR> Michael Grunwald, bestselling author of <i>The Swamp</i> and <i>The New New Deal</i>, builds his narrative around a brilliant, relentless, unforgettable food and land expert named Tim Searchinger. He chronicles Searchinger&rsquo;s uphill battles against bad science and bad politics, both driven by the overwhelming influence of agricultural interests. And he illuminates a path that could save our planetary home for ourselves and future generations&#8212;through better policy, technology, and behavior, as well as a new land ethic recognizing that every acre matters.]]></Text>
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      <BiographicalNote><![CDATA[Micki McElya is a professor of history at the University of Connecticut, specializing in the histories of women, gender, race, and sexuality in the United States from the Civil War to the present, with an emphasis on political culture and memory. Her most recent book,&nbsp;<I>The Politics of Mourning: Death and Honor in Arlington National Cemetery&nbsp;</I>was a finalist for the Pulitzer Prize and received a number of other accolades; her 2007 book,&nbsp;<I>Clinging to Mammy: The Faithful Slave in Twentieth-Century America&nbsp;</I>was the cowinner of a 2007 Outstanding Book Award from the Gustavus Myers Center for the Study of Bigotry and Human Rights. McElya has written for&nbsp;<I>The Atlantic&nbsp;</I>and&nbsp;<I>Boston Review</I>, and her work has been featured in <I>The New York Times</I>, NPR, MSNBC,&nbsp;<I>The Nation</I>,&nbsp;<I>Elle</I>, and more. She is a graduate of Bryn Mawr College and New York University and is a Distinguished Lecturer for the Organization of American histories. She lives in Cambridge, Massachusetts.]]></BiographicalNote>
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      <Text><![CDATA[<B>A sweeping, definitive work of history exploring the road to the September 1968 protests of the Miss American Pageant&#8212;one led by women&rsquo;s liberationists and the other organized by the emergent Miss Black America Pageant&#8212;and the birth of a new politics of beauty. </B><BR><BR>A revolution was brewing. In the dying days of the summer of 1968, during one unprecedented Pageant weekend, Atlantic City played host not only to the fifty young contestants and thousands of eager visitors who had arrived in town for the Miss America crowning, but also to the first Miss Black America Pageant, mounted to protest its &ldquo;lily-white&rdquo; sister competition, as well as raucous actions from women&rsquo;s liberationists. For just a few hours, the boardwalk became a site of vigorously contested ideas&#8212;ideas that would redefine the women&rsquo;s movement and reverberate across American culture.<BR> <BR>Now, Pulitzer Prize finalist Micki McElya unfolds the full scope of this history, detailing the shocking injustices and passionate debates that led to the demonstrations, as well as the broader social and political landscape that gave rise to some of the most iconic women on both sides of the ideological spectrum. Here, we find complex portraits of Betty Friedan, Gloria Steinem, Florynce Kennedy, Phyllis Schlafly, and Anita Bryant as well as glimpses of Hillary Rodham Clinton, John Lewis, Vanessa Williams, and Donald Trump years before they became the public figures we know them as today.<BR> <BR>Immersive, galvanizing, and endlessly edifying, <I>Liberation Summer</I> is also a kaleidoscopic panorama of the year that saw the assassinations of Martin Luther King Jr. and Robert Kennedy, the Tet Offensive and the escalation of the Vietnam War, violence at the Republican and Democratic National Conventions, and the election of Richard Nixon. Within this ever-shifting terrain, lesser-known characters like reporter Charlotte Curtis, radical feminist organizers Robin Morgan and Carol Hanisch, Miss America 1968 Debra Barnes, and the first Miss Black America Saundra Williams fought to not only define their conception of ideal womanhood, but to live it.<BR> <BR>Engagingly told and meticulously researched, <I>Liberation Summer</I> proves how the battle for beauty&rsquo;s meaning has always been inextricably political&#8212;and how its enduring impact continues to shape our politics today.]]></Text>
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      <Text><![CDATA[Micki McElya is a professor of history at the University of Connecticut, specializing in the histories of women, gender, race, and sexuality in the United States from the Civil War to the present, with an emphasis on political culture and memory. Her most recent book,&nbsp;<I>The Politics of Mourning: Death and Honor in Arlington National Cemetery&nbsp;</I>was a finalist for the Pulitzer Prize and received a number of other accolades; her 2007 book,&nbsp;<I>Clinging to Mammy: The Faithful Slave in Twentieth-Century America&nbsp;</I>was the cowinner of a 2007 Outstanding Book Award from the Gustavus Myers Center for the Study of Bigotry and Human Rights. McElya has written for&nbsp;<I>The Atlantic&nbsp;</I>and&nbsp;<I>Boston Review</I>, and her work has been featured in <I>The New York Times</I>, NPR, MSNBC,&nbsp;<I>The Nation</I>,&nbsp;<I>Elle</I>, and more. She is a graduate of Bryn Mawr College and New York University and is a Distinguished Lecturer for the Organization of American histories. She lives in Cambridge, Massachusetts.]]></Text>
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      <Text><![CDATA[&ldquo;A wide-ranging, comprehensive cultural history. . . . Drawing on a wealth of sources&mdash;including memoirs, published interviews, biographies, and histories&mdash;McElya recounts the origins and activities of the many contingencies that roiled American society. . . . [Her] prodigious research informs a lively contribution to women&rsquo;s history.&rdquo; <B>&mdash;<I>Kirkus Reviews</I>, starred review</B><BR> <BR> &ldquo;With historical nuance and narrative flair, Micki McElya guides us to the Atlantic City boardwalk in late summer 1968, where the political, racial, and social tensions of that tumultuous year explode in a battle over that icon of womanly perfection&mdash;Miss America. Blending deft portraits with vibrant storytelling, McElya provides a kaleidoscopic view of the politics of beauty, sex, and race colliding on the beach, illuminating the personalities and ideas that propelled&mdash;or strenuously resisted&mdash;an emerging women&#39;s liberation movement. A mesmerizing chronicle of the moment the second wave of feminism came crashing onto American shores.&rdquo; <b>&mdash;Elaine Weiss, author of <i>The Woman&#39;s Hour: The Great Fight to Win the Vote</i></b><BR> <BR> &quot;Piercingly smart and seductively current. Even <i>fun</i>. Rarely has history-storytelling turned on the terrifying axis of this exact quandary&mdash;beauty&rsquo;s quagmire&mdash;in this way. What is brilliantly layered here, what is exquisitely puzzle-pieced here, will alert you and amaze you. Especially since gender&rsquo;s racialized grip on beauty isn&rsquo;t done with us.&quot;&nbsp;<b>&mdash;Kathryn Bond Stockton, author of <i>Gender(s)&nbsp;</i></b><BR> <BR> &quot;In <i>Liberation Summer</i>, Micki McElya offers an ambitious and original account of beauty as a central force in postwar American political life. Rather than simply retelling the Miss America story, she reframes it as a foundational struggle over political power, revealing how women across lines of race, ideology, and activism understood beauty as a terrain on which authority was distributed and contested. Crucially, McElya shows that Black women, their ideas, and their organizations were central to this history.&quot;&nbsp;<b>&mdash;Sherie M. Randolph, author of <i>Florynce &ldquo;Flo&rdquo; Kennedy: The Life of a Black Feminist Radical</i></b><BR> <BR> &ldquo;As Micki McElya&rsquo;s gorgeous and urgent&nbsp;<i>Liberation Summer&nbsp;</i>reveals,&nbsp;the spectacle at Atlantic City in 1968 was not a side show, but the world-shifting main event in an era of upheaval&mdash;with reverberations that still shape how we see ourselves and each other.&nbsp;McElya shows how a vast array of characters, drawn into surprising coalitions and conflicts, held up a mirror to a nation, confronting its shortcomings and&nbsp;what it would take to shed them.&nbsp;<i>Liberation Summer</i>&nbsp;foregrounds the essential freedom to control one&rsquo;s body and how others perceive it while reminding us that even small groups of motivated women can reset the course of history in a short time. Fascinating, maddening, and especially, inspiring.&rdquo; <b>&mdash;Katherine Turk, author of&nbsp;<i>The Women of NOW: How Feminists Built an Organization that Transformed America</i></b><BR> <BR> &quot;<i>Liberation Summer</i> explores the iconic and enduring legend of the &#39;bra-burners&#39; with drama, rigor and complexity. Venturing through the origins of the women&#39;s liberation movement and its backlash, Micki McElya uses the protests surrounding the 1968 Miss America Pageant as a fascinating lens to understand the dramatic&nbsp;upheaval&nbsp;to gender norms unfolding in the late 1960s and how, then as now, beauty standards served as a proxy for larger debates about the position of women&nbsp;in society.&quot;&nbsp;<b>&mdash;Rebecca Grant, author of <i>Access:&nbsp;Inside the Abortion Underground and the Sixty-Year Battle for Reproductive Freedom</i></b><BR> <BR> &quot;An informative, incisive and engaging examination of the course of American feminism through the incongruous backdrop of the Miss America contest. Beginning with the political turbulence of 1968 through the&nbsp;clashing of the Me-Too and MAGA worlds, the reader is immersed in the sweeping onrush of cultural, racial and political change in this important contribution to our understanding of the history of the women&rsquo;s movement over the past six decades.&quot;<b>&nbsp;&mdash;John Lawrence, author of<i> Arc of Power: Inside Nancy Pelosi&#39;s Speakership 2005-2010</i></b><BR> <BR> &ldquo;A thought-provoking read. By tracing debates about beauty, feminism, and race from the late 1960s through the 1980s and beyond, Micki McElya&rsquo;s<i> Liberation Summer&nbsp;</i>illustrates how ideas about beauty and their connections to women&rsquo;s public opportunities continue to shape American society.&rdquo; <b>&mdash;Melissa Estes Blair, author of <i>Bringing Home the White House: The Hidden History of Women who Shaped the Presidency in the Twentieth Century</i></b><BR> <BR> &quot;Here, in the most famous moment in beauty pageant history, lies a primer for understanding the fierce battles over feminism, family values, and race that continue to inform our politics today. As Micki McElya convincingly demonstrates, we dismiss the significance of beauty contests at our peril.&quot;&nbsp;<b>&mdash;Blain Roberts, author of <i>Denmark Vesey&#39;s Garden: Slavery and Memory in the Cradle of the Confederacy</i></b>]]></Text>
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      <Text><![CDATA[&quot;Over the decades I have read many novels with Malta as their setting. <I>Eight Pointed Cross</I> is the first one I have found to be accurate and factual in all of its cultural and historical details, while at the same time, having a thrilling and exciting plot depicted from both sides of the warring factions. Marthese Fenech is phenomenal!&quot;]]></Text>
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      <Text><![CDATA[<B>Blast off into outer space with this interactive trivia book from</B> <B><I>Jeopardy!</I></B> <B>host and </B><B>champion and</B> <B><I>New York Times</I></B> <B>bestselling author Ken Jennings&#8212;featuring updated facts!</B><BR><BR>Take one giant leap into space with Ken Jennings to become a Junior Genius! In this book about outer space, you&rsquo;ll discover Mars&rsquo;s massive volcanoes, witness the birth of stars like our sun, explore black holes, and more! With stellar illustrations, cosmic facts, and out-of-this-world activities, this Junior Genius Guide will have you reaching for the stars!]]></Text>
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      <Text><![CDATA[Ken Jennings is the&nbsp;<i>New York Times</i>&nbsp;bestselling author of&nbsp;<i>Brainiac</i>,&nbsp;<i>Maphead</i>,&nbsp;<i>Because I Said So!</i>, <i>Planet Funny</i>, and <i>100 Places to See After You Die</i>. In 2020, he won the &ldquo;Greatest of All Time&rdquo; title on the quiz show&nbsp;<i>Jeopardy!</i>&nbsp;and later succeeded Alex Trebek as the show&rsquo;s&nbsp;host.&nbsp;He lives in Seattle with his family.<BR><BR>Mike&nbsp;Lowery&nbsp;is an author and bestselling illustrator&nbsp;who has worked on more than eighty books for children, including&nbsp;the Mac B., Kid Spy series with Mac Barnett,&nbsp;<i>They Call Me</i>&nbsp;<i>No Sam!</i>&nbsp;with Drew Daywalt, and more. He is also the creator of the Everything Awesome and Bug Scouts books. He lives in Decatur, Georgia, with his wife and kids, and his daily sketchbook can be seen at&nbsp;MikeLowery.com.]]></Text>
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      <Text><![CDATA[Outer Space <link rel="stylesheet" type="text/css" href="../styles/9781481401722.css"> <BR><a id="ch01"></a><a id="page_6"></a><img src="../images/f0006-01.jpg" alt="Images"><BR> <h3 >Our Mr. Sun</h3> <BR>Have you ever complained about the Sun, Junior Geniuses?<BR> <BR>&ldquo;It&rsquo;s too hot today!&rdquo;<BR> <BR>&ldquo;Ugh, that&rsquo;s bright.&rdquo;<BR> <BR>&ldquo;No more sunscreen, Mom!&rdquo;<BR> <BR><img src="../images/f0006-02.jpg" alt="Images"><BR> <BR>Well, after today&rsquo;s lesson, I never want to hear you bad-mouth the Sun again! The only reason that life can exist on Earth at all, everything from figs to walruses to TV repairmen, is because of the light and warmth we get from our nearest star.<BR> <BR><a id="page_7"></a>This is the Sun.<BR> <BR><img src="../images/f0007-01.jpg" alt="Images"><BR> <BR>Wait, that&rsquo;s not right. Why would the Sun need to wear sunglasses? Think about it; how would that help? Let&rsquo;s try that again.<BR> <BR><img src="../images/f0007-02.jpg" alt="Images"><BR><BR>No Crayons Allowed<BR> <BR>Please don&rsquo;t color this drawing with a yellow crayon, Junior Geniuses. Not only would that deface this fine book, it would also be scientifically inaccurate! Sunlight only looks yellow to us because we&rsquo;re seeing it through our atmosphere. From space the Sun is perfectly white!<BR> <BR><img src="../images/f0007-03.jpg" alt="Images"><BR><BR><a id="page_8"></a>When you look at the Sun&#8212;wait, hold on. Public service announcement:<BR> <BR><img src="../images/f0008-01.jpg" alt="Images"><BR> <BR>The light is so intense it can literally cook the retinas in your eyes. To observe the Sun, glance and then look away. Don&rsquo;t stare. There are health faddists called &ldquo;sungazers&rdquo; who claim they get all their nutrition from staring at the Sun a few minutes a day. But that really doesn&rsquo;t work, so please don&rsquo;t try this.<BR> <BR><img src="../images/f0008-02.jpg" alt="Images"><BR> <BR>Okay. When you briefly glance at the Sun, you&rsquo;re actually looking back in time! Sunlight travels at the speed of light, which means it takes an average of eight minutes and twenty seconds for it to reach the Earth. So the Sun outside your window isn&rsquo;t actually where <a id="page_9"></a>you think it is. By the time you see it, the real Sun has moved forward two Sun-diameters in the sky.<BR> <BR><img src="../images/f0009-01.jpg" alt="Images"><BR> <BR>But we&rsquo;re going to travel back in time even further: not eight and a half minutes but 4.5 billion years! That&rsquo;s when the story of our solar system begins.<BR> <h4 >A Star Is Born</h4> <BR><img src="../images/f0009-02.jpg" alt="Images"><BR> <BR>Over 4 billion years ago a nebula&#8212;a gigantic space-cloud of gas&#8212;collapsed on itself, possibly due to the shock wave from a nearby exploding star. As it shrank, the whirling cloud began to spin faster and faster and grow hotter and hotter. It flattened into a big pizza-shaped thing called a protoplanetary disk, and soon thereafter (just 50 <a id="page_10"></a>million years&#8212;that&rsquo;s &ldquo;soon&rdquo; in cosmic terms!) the middle of the disk got hot enough to light its nuclear furnace. The Sun was born!<BR> <BR><img src="../images/f0010-01.jpg" alt="Images"><BR> <BR>A lot of the leftover dust and gas spinning around the new baby Sun began to clump together, which is how planets form. But these weren&rsquo;t the planets we know today! There were probably hundreds of little planets zooming around and smashing into each other, until they merged into bigger ones. Others collided at such high speeds (due to the immense gravity of big planets like Jupiter and Saturn) that they shattered into tiny chunks called asteroids.<BR> <BR>Today, just eight main planets survive, most of which we&rsquo;ve named for different gods of Roman mythology.<BR> <BR><img src="../images/f0010-02.jpg" alt="Images"><BR><BR>Pop Quiz!<BR> <BR><a id="page_11"></a>Since classical times, we&rsquo;ve used special symbols to refer to the planets and most refer to mythology. The Venus symbol, <img src="../images/sym1.jpg" alt="Images">, looks like a mirror, because she was the goddess of beauty. Mars looks like a spear and shield, <img src="../images/sym2.jpg" alt="Images">, because he was the god of war. What is the Neptune symbol, <img src="../images/entity.jpg" alt="Images">, supposed to be?<BR> <BR><img src="../images/f0011-01a.jpg" alt="Images"><BR> <BR> <h4 >Spaceballs</h4> <BR>But that diagram isn&rsquo;t quite accurate, because the solar system is much, much bigger than we can draw in a book. The Sun is massively bigger than everything else, for one thing. It accounts for 99.8 percent of the mass of the solar system! (Jupiter is most of the rest.)<BR> <BR><img src="../images/f0011-01.jpg" alt="Images"><BR> <BR>The distances between planets are even harder to imagine. Let&rsquo;s pretend that a superpowerful alien has somehow shrunk the eight planets of our solar system to fit inside a baseball stadium. (This alien is apparently a big baseball fan.) The solar system is so big that our massive Sun would be the size <a id="page_12"></a>of a golf ball, sitting at home plate! At this scale, Mercury is a dust speck in the batter&rsquo;s box, while Venus and Earth are grains of sand near the edge of the home plate circle. Mars is another dust speck one-third of the way to the pitcher&rsquo;s mound. Jupiter and Saturn are the sizes of apple seeds, with Jupiter sitting just past the pitcher&rsquo;s mound and Saturn at second base. Uranus is a pinhead near one of the foul poles, and Neptune is a pinhead at the fence in deep center field. (Pluto got kicked out of the ballpark in 2006 for arguing with the umpires. Hit the showers, Pluto.)<BR> <BR><img src="../images/f0012-01.jpg" alt="Images"><BR> <BR>Here&rsquo;s the bottom line, Junior Geniuses: Space is incredibly big. Our little solar system by itself&#8212;our own tiny neighborhood in a vast galaxy&#8212;is so big that it fries even my amazing brain when I try to think about it.<BR><BR>Junior Genius Joviality!<BR> <BR><a id="page_13"></a>Ask a grown-up how far it&rsquo;s possible to see on a clear day. I guarantee they will guess low! The correct answer, as long as you can see the Sun, is &ldquo;93 million miles.&rdquo; That&rsquo;s also known as one &ldquo;astronomical unit&rdquo;&#8212;the distance from the Earth to the Sun.<BR> <BR> <h4 >Whirled News</h4> <BR>Today we take it for granted that the planets of the solar system spin around the Sun, but for most of history people have assumed that the Earth was the center of the universe! Five hundred years ago heliocentrism (&ldquo;hee-lee-oh-SENT-rizz-um&rdquo;), or the idea that the Sun was the center of things, was so controversial that people who believed it could be put on trial. The great astronomer Galileo spent the last ten years of his life under house arrest for insisting it was the Earth that moved around the Sun, not the other way around.<BR> <BR><img src="../images/f0013-01.jpg" alt="Images"><BR> <BR><a id="page_14"></a>But&#8212;sorry, Galileo!&#8212;that doesn&rsquo;t mean the Sun is the exact center of the solar system! Gravity works both ways, Junior Geniuses. The Sun tugs on each planet&#8212;take Jupiter for instance&#8212;in a big way, because the sun is so massive. But, at the same time, Jupiter is tugging on the Sun in a small way. Instead of saying that Jupiter orbits the Sun, it&rsquo;s more accurate to say that they both orbit a third point, called a barycenter, which is about thirty thousand miles above the surface of the Sun.<BR> <BR><img src="../images/f0014-01.jpg" alt="Images"><BR><BR>Are You Sitting Still?<BR> <BR><img src="../images/f0014-02.jpg" alt="Images"><BR> <BR>The Earth is moving at a pretty good clip right now: spinning on its axis at 1,000 miles per hour and whirling around the Sun at 66,000 miles per hour. But don&rsquo;t forget that the Sun is moving too, spinning around the Milky Way like a giant pinwheel at about 483,000 miles per hour. And today scientists can use leftover radiation from the Big Bang to measure how fast our whole galaxy is moving through the universe: 1.3 million miles per hour!<BR> <BR><a id="page_15"></a>We don&rsquo;t feel any of this motion, of course, because everything around us is moving at the exact same speed we are. But the next time a grown-up says, &ldquo;Have you been sitting in that chair all day? Get up and get some exercise!&rdquo; tell them you&rsquo;ve already covered a few million miles today, and you&rsquo;re pooped!<BR> <BR> <h4 >All Systems Glow</h4> <BR>But let&rsquo;s take a close-up look at the Sun. (NOTE: AGAIN, DO NOT TAKE A REAL CLOSE-UP LOOK AT THE SUN. IT IS VERY BRIGHT.) Luckily, Mr. Sun produces a lot of energy, or we would be very cold right now and bumping into things all the time. But where does that energy come from?<BR> <BR><img src="../images/f0015-01.jpg" alt="Images"><BR> <BR>At the middle of the Sun is a very dense core, where the pressure gets pretty intense&#8212;over one hundred times what it is at the bottom of Earth&rsquo;s oceans, in fact. All that gravity pushes atoms together with a pressure of one hundred tons per square inch, enough <a id="page_16"></a>to crush atoms into each other. Hydrogen atoms fuse together to form helium atoms, and that process produces the energy that powers the Sun.<BR><BR>Lighter than Air<BR> <BR>Helium is the second most common element in the universe (after hydrogen), but it went undiscovered until 1868, when astronomers spotted the wavelength of a new element in the sunlight emitting from an eclipse. Earth has large underground deposits of helium gas, but the element was discovered millions of miles away on the Sun almost thirty years before it was discovered right here under our feet!<BR><BR><img src="../images/f0016-01.jpg" alt="Images"><BR> <BR>The fusion in the Sun&rsquo;s core produces little energy particles called photons&#8212;but they don&rsquo;t radiate out into space right away. In fact, they bounce around inside the Sun for thousands of years before making their way to the surface.<BR> <BR>So the sunlight you see in the sky today might have been born in the Sun&rsquo;s core as much as 170,000 years ago!<BR> <BR><img src="../images/f0017-01.jpg" alt="Images"><BR> <BR><a id="page_17"></a>All that fusion produces a lot of energy. In fact, the Sun produces the equivalent of 77 trillion atomic bombs&#8212;every second. If we could somehow collect just one second&rsquo;s worth of that energy, it could power human civilization for the next half a million years!<BR> <BR><img src="../images/f0017-02.jpg" alt="Images"><BR> <BR>Despite all that, the weird thing about the surface of the Sun is that it&rsquo;s not very hot. Well, okay, it&rsquo;s almost ten thousand degrees Fahrenheit, which is pretty hot for, say, a bowl of ramen. But it&rsquo;s not that hot on a cosmic scale. Right here on Earth, a bolt of lightning is five times hotter than the surface of the Sun, which doesn&rsquo;t seem right. The temperature at the core of the sun is 27 million degrees Fahrenheit, while its outermost layer, the corona, is 3.5 million degrees Fahrenheit. So why is the bright photosphere so much chillier than the dark corona?<BR> <BR><a id="page_18"></a><img src="../images/f0018-01.jpg" alt="Images"><BR> <BR>For many years scientists were baffled, but a new discovery may partly explain the problem. We now know that, believe it or not, there are thousands of giant magnetic tornadoes swirling around the upper levels of the Sun at speeds greater than six thousand miles an hour. Some are the size of the United States! These twisters pull heat from the inner layers of the Sun and inject it out into the corona.<BR> <h4 >Fun on the Sun</h4> <BR>Giant megatornadoes aren&rsquo;t the only thing the surface of the Sun has going for it. In fact, there&rsquo;s a lot to see on the Sun. (NOTE: AGAIN, DO NOT TRY TO SEE THINGS ON THE SUN. IT IS DANGEROUSLY BIG AND SHINY.)<BR> <BR>DO NOT LOOK AT THE SUN!<BR><BR><img src="../images/f0018-02.jpg" alt="Images"><BR> <h3 >SOLAR PROMINENCES</h3> <BR>What are they? Huge loops of gas that surge out into space and can hang around for weeks or even months.<BR> <BR><a id="page_19"></a>Cool, but why should I care? Because they&rsquo;re huge! The biggest ones on record extended half a million miles into space.<BR><BR><img src="../images/f0019-01.jpg" alt="Images"><BR> <h3 >SUNSPOTS</h3> <BR>What are they? Dark, cool dots on the Sun&rsquo;s surface caused by magnetism. They come and go in an eleven-year cycle.<BR> <BR>Cool, but why should I care? They may have helped cause an ice age! In the late seventeenth century, a period of low sunspot activity called the Maunder Minimum corresponded with a period of bitterly cold weather.<BR><BR><img src="../images/f0019-02.jpg" alt="Images"><BR> <h3 >SOLAR WIND</h3> <BR>What is it? A constant stream of invisible but electrically charged particles the Sun releases in all directions.<BR> <BR>Cool, but why should I care? It could interrupt your cartoons. Strong solar wind can mess up radio and TV signals. It also causes the auroras that shine in the sky over the North and South Poles.<BR><BR><a id="page_20"></a><img src="../images/f0020-01.jpg" alt="Images"><BR> <h3 >SOLAR FLARES</h3> <BR>What are they? Sudden bright flashes on the Sun that eject a massive amount of energy from the corona.<BR> <BR>Cool, but why should I care? They could literally light you on fire! The Carrington Event was a massive solar storm caused by a flare on September 1, 1859. The northern lights extended all the way south to the Caribbean that day, and were so bright you could read by them all night. Birds started chirping at midnight, and people accidentally got up and went to work. Telegraph poles all over the world sparked, and some telegraph machines built up so much charge they could send messages without being plugged in! In Washington, DC, an arc of fire jumped from the telegraph to the head of its operator, badly burning him.<BR><BR><img src="../images/f0020-02.jpg" alt="Images"><BR> <h3 ><a id="page_21"></a>It Came from the Oort Cloud!</h3> <BR>The solar wind is also what puts the tails on comets! Comets are chunks of ice and dust a few miles wide that come from two areas with funny names way out at the edge of the solar system: the Kuiper Belt and the Oort cloud. Their very long orbits occasionally bring them near the Earth, and we can see their 60-million-mile-long tails of gas and dust being &ldquo;blown&rdquo; away from the coma (the &ldquo;head&rdquo; of the comet) by the solar wind.<BR><BR> <img src="../images/f0021-01.jpg" alt="Image"> <BR>THE TAIL DOESN&rsquo;T TRAVEL &ldquo;BEHIND&rdquo; THE COMET AS IT MOVES . . . IT ALWAYS POINTS AWAY FROM THE SUN.<BR><BR> <h4 >Five Cool Comets to Know</h4> <BR>SHOEMAKER-LEVY 9. Crashed into Jupiter in 1994, leaving scars that were visible from Earth for months.<BR> <BR>SWIFT-TUTTLE. Causes an amazing meteor shower called the Perseids in the night sky every August as Earth passes through its debris trail.<BR> <BR><a id="page_22"></a>THE COMET THAT KILLED THE DINOSAURS. Sixty-six million years ago something crashed into a shallow sea off the coast of Mexico, kicking up dust that killed 70 percent of all the species on Earth. Today many scientists believe the extinction bomb was a comet.<BR> <BR><img src="../images/f0022-01.jpg" alt="Images"><BR> <BR>WILD 2. Visited in 2004 by a NASA probe called Stardust, which collected dust samples from its coma and shot them back to Earth in a little capsule for analysis.<BR> <BR>HALLEY&rsquo;S COMET. Swings by Earth every seventy-five years, so we&rsquo;ll see it next in 2061. The writer Mark Twain was born in 1835, when Halley&rsquo;s Comet was in the sky, and said he expected to go out with it as well. Sure enough, he died in 1910, one day after the comet&rsquo;s return.<BR><BR>Panic in the Streets<BR> <BR><a id="page_23"></a>When Halley&rsquo;s Comet passed by Earth in 1910, one astronomer predicted that the gases in the comet&rsquo;s tail might be poisonous. The public freaked out, and crooked businessmen made a killing selling gas masks, &ldquo;comet-proof umbrellas,&rdquo; and &ldquo;anti-comet pills&rdquo; that cost a dollar a pop!<BR> <BR><img src="../images/f0023-01.jpg" alt="Images"><BR> <BR> <h4 >Fade to Black</h4> <BR>The Sun won&rsquo;t burn forever, of course. At some point it&rsquo;ll run out of hydrogen to fuse, and the lights will go out. That collapse will happen in about 8 billion years&#8212;but look at the bright side, Junior Geniuses. It will finally be safe to look at the Sun without a grown-up nagging you!<BR> <BR>But before it gets colder, the Sun will do something worse: It will get hotter! In about 3.5 billion years, the seas will boil, and Earth will become unable to support life. Hopefully the human race will have found someplace better to live by then.]]></Text>
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      <Text><![CDATA[<B>La reconocida escritora Reyna Grande comparte su experiencia personal de cruzar fonteras y culturas en esta autobiograf&#237;a adaptada para lectores de nivel intermedio. <I>La distancia entre nosotros</I> (<I>The Distance Between Us</I>) &ldquo;es un notable relato de las muchas formas en que la inmigraci&#243;n impacta en la ni&#241;ez&rdquo; (<I>Booklist</I>, rese&#241;a relevante).</B><BR><BR>Cuando sus padres emprendieron la peligrosa e ilegal traves&#237;a de cruzar la frontera de M&#233;xico, en busca del sue&#241;o americano, Reyna y sus hermanos son forzados a vivir con su abuela enojona, mientras aguardan a que sus padres construyan los cimientos de una nueva vida.<BR> <BR>Pero cuando las cosas no resultan como lo hab&#237;an planeado , Reyna decide preparar su propio viaje hacia &ldquo;El Otro Lado&rdquo; (The Other Side), para vivir con el hombre que durante a&#241;os hab&#237;a estado presente en su imaginaci&#243;n: su largamente ausente padre. Divertida y a la vez desgarradora, <I>La distancia entre nosotros </I>(<I>The Distance Between Us</I>) arroja luz sobre la experiencia de la migraci&#243;n, captando de una manera hermosa la lucha de Reyna y sus hermanos al tratar de asimilarse a una cultura diferente, al idioma y la vida familiar en El Otro Lado.]]></Text>
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      <Text><![CDATA[Reyna Grande es una reconocida escritora, conferencista motivacional y maestra de escritura. Cuando era ni&#241;a, cruz&#243; la frontera de M&#233;xico y Estados Unidos para reunirse con su familia en Los &#193;ngeles, un viaje estremecedor que relat&#243; en <I>La distancia entre nosotros (The Distance Between Us)</I>, una obra finalista en el Premio del C&#237;rculo Nacional de Cr&#237;ticos de Libros (National Book Critics Circle Award). Es tambi&#233;n autora de las novelas <I>Ballad of Love and Glory </I>(<I>Corrido de amor y gloria</I>), <I>Across a Hundred Mountains </I>(<I>A trav&#233;s de cien monta&#241;as</I>), y<I> Dancing with Butterflies </I>(Bailando con mariposas); las autobiograf&#237;as: <I>The Distance Between Us: Young Readers</I> <I>Edition </I>(<I>La distancia entre nosotros</I>, edici&#243;n para j&#243;venes lectores), y <I>A Dream Called Home</I> (<I>La</I> b&#250;squeda<I> de un sue&#241;o</I>); y la antolog&#237;a <I>Somewhere We Are Human: Authentic Voices on Migration</I>, <I>Survival, and New Beginnings</I>. Actualmente vive en Woodland, California, con su esposo, su hijo y su hija. Para mayor informaci&#243;n, consulte ReynaGrande.com.]]></Text>
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      <Text><![CDATA[<B>La reconocida escritora Reyna Grande comparte su experiencia personal de cruzar fonteras y culturas en esta autobiograf&#237;a adaptada para lectores de nivel intermedio. <I>La distancia entre nosotros</I> (<I>The Distance Between Us</I>) &ldquo;es un notable relato de las muchas formas en que la inmigraci&#243;n impacta en la ni&#241;ez&rdquo; (<I>Booklist</I>, rese&#241;a relevante).</B><BR><BR>Cuando sus padres emprendieron la peligrosa e ilegal traves&#237;a de cruzar la frontera de M&#233;xico, en busca del sue&#241;o americano, Reyna y sus hermanos son forzados a vivir con su abuela enojona, mientras aguardan a que sus padres construyan los cimientos de una nueva vida.<BR> <BR>Pero cuando las cosas no resultan como lo hab&#237;an planeado , Reyna decide preparar su propio viaje hacia &ldquo;El Otro Lado&rdquo; (The Other Side), para vivir con el hombre que durante a&#241;os hab&#237;a estado presente en su imaginaci&#243;n: su largamente ausente padre. Divertida y a la vez desgarradora, <I>La distancia entre nosotros </I>(<I>The Distance Between Us</I>) arroja luz sobre la experiencia de la migraci&#243;n, captando de una manera hermosa la lucha de Reyna y sus hermanos al tratar de asimilarse a una cultura diferente, al idioma y la vida familiar en El Otro Lado.]]></Text>
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      <Text><![CDATA[Reyna Grande es una reconocida escritora, conferencista motivacional y maestra de escritura. Cuando era ni&#241;a, cruz&#243; la frontera de M&#233;xico y Estados Unidos para reunirse con su familia en Los &#193;ngeles, un viaje estremecedor que relat&#243; en <I>La distancia entre nosotros (The Distance Between Us)</I>, una obra finalista en el Premio del C&#237;rculo Nacional de Cr&#237;ticos de Libros (National Book Critics Circle Award). Es tambi&#233;n autora de las novelas <I>Ballad of Love and Glory </I>(<I>Corrido de amor y gloria</I>), <I>Across a Hundred Mountains </I>(<I>A trav&#233;s de cien monta&#241;as</I>), y<I> Dancing with Butterflies </I>(Bailando con mariposas); las autobiograf&#237;as: <I>The Distance Between Us: Young Readers</I> <I>Edition </I>(<I>La distancia entre nosotros</I>, edici&#243;n para j&#243;venes lectores), y <I>A Dream Called Home</I> (<I>La</I> b&#250;squeda<I> de un sue&#241;o</I>); y la antolog&#237;a <I>Somewhere We Are Human: Authentic Voices on Migration</I>, <I>Survival, and New Beginnings</I>. Actualmente vive en Woodland, California, con su esposo, su hijo y su hija. Para mayor informaci&#243;n, consulte ReynaGrande.com.]]></Text>
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      <Text><![CDATA[&ldquo;This bold memoir is a strong choice for biography and nonfiction collections serving Spanish-speaking families.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Susan Vaught is the two-time Edgar Award&shy;&ndash;winning author of&nbsp;<i>Footer Davis Probably Is Crazy</i>&nbsp;and&nbsp;<i>Me and Sam-Sam Handle the Apocalypse</i>.&nbsp;<i>Things Too Huge to Fix by Saying Sorry&nbsp;</i>received three starred reviews, and&nbsp;<i>Super Max and the Mystery of Thornwood&rsquo;s Revenge&nbsp;</i>was called&nbsp;&ldquo;an excellent addition to middle grade shelves&rdquo; by&nbsp;<i>School Library Journal</i>. Her debut picture book,&nbsp;<i>Together We Grow</i>, received four starred reviews and was called a &ldquo;picture book worth owning and cherishing&rdquo; by&nbsp;<i>Kirkus Reviews</i>. She works as a neuropsychologist at a state psychiatric facility and lives on a farm with her wife and son in rural western Kentucky. Learn more at SusanVaught.com.]]></BiographicalNote>
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      <SubjectHeadingText>fairness; farm animals; farm; barn; sheep; horses; fox; deer; goat; duck; raccoon; possum; turkey; owl; community; natural disaster; rebuilding; repair; loss; recovery; acceptance; inclusion; generosity; diversity; celebrate difference; immigration; refugee; allegory; metaphor; conversation starter; picture book about immigration; no ban no wall; acceptance; picture book for 4 5 6 7 8 year olds pre-k kindergarten grades 1 2 3; natural disasters; floods; storms; community; shelter; fear; support; farm animals; difficult emotions feelings; SEL; social emotional learning; picture books about community; diversity; picture books that start conversations; for 4 5 6 7 8 year olds pre-k kindergarten grades 1 2 3; Together We Build; The Big Umbrella The Welcome Home by Amy June Bates Juniper Bates; All Are Welcome by Suzanne Kaufman Alexandra Penfold; Harlem Grown by Tony Hillery Jessie Hartland; The Last Stand by Antwan Eady Jarrett Pumphrey; There&#39;s Always Room for One More Ishaa Lobo by Robyn McGrath;</SubjectHeadingText>
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      <Text><![CDATA[<B>Four starred reviews!</B><BR> <BR><B>From award-winning novelist Susan Vaught comes an &ldquo;emotionally charged and eloquently rendered&rdquo; (<I>Kirkus Reviews</I>, starred review) picture book that celebrates inclusivity, acceptance, and the importance of rebuilding a community in the wake of disaster.</B><BR><BR><I>Lightning gash!</I><BR> <I>Windy lash!</I><BR> <BR>A storm drives all the farm animals indoors except for a lonely fox family. The barn isn&rsquo;t their home. But where will they go for safety?<BR> <BR>This stunning picture book explores themes of acceptance and belonging:<BR> <I>Large or small,</I><BR> <I>Short and tall,</I><BR> <I>There is room,</I><BR> <I>There is room,</I><BR> <I>There is room</I><BR> <I>For us all.</I>]]></Text>
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      <Text><![CDATA[Susan Vaught is the two-time Edgar Award&shy;&ndash;winning author of&nbsp;<i>Footer Davis Probably Is Crazy</i>&nbsp;and&nbsp;<i>Me and Sam-Sam Handle the Apocalypse</i>.&nbsp;<i>Things Too Huge to Fix by Saying Sorry&nbsp;</i>received three starred reviews, and&nbsp;<i>Super Max and the Mystery of Thornwood&rsquo;s Revenge&nbsp;</i>was called&nbsp;&ldquo;an excellent addition to middle grade shelves&rdquo; by&nbsp;<i>School Library Journal</i>. Her debut picture book,&nbsp;<i>Together We Grow</i>, received four starred reviews and was called a &ldquo;picture book worth owning and cherishing&rdquo; by&nbsp;<i>Kirkus Reviews</i>. She works as a neuropsychologist at a state psychiatric facility and lives on a farm with her wife and son in rural western Kentucky. Learn more at SusanVaught.com.<BR><BR>Kelly Murphy is a&nbsp;<i>New York Times</i>&nbsp;bestselling author-illustrator and recipient of the E.B. White&nbsp;Read-Aloud Award. She teaches illustration at her alma mater, the Rhode Island School of Design. Kelly currently lives in her native New England, surrounded by the flora and fauna featured in&nbsp;<i>Together We Grow.&nbsp;</i>She is also the illustrator of&nbsp;<i>Together We Build</i>.&nbsp;Find out more at KelMurphy.com.]]></Text>
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      <Text><![CDATA[* &quot;Emotionally charged and eloquently rendered in words and art, this picture book is worth owning and cherishing.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;Kirkus Reviews&lt;/I&gt;, STARRED REVIEW</TextAuthor>
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      <Text><![CDATA[* &quot;A truly inspiring picture book that will resonate with both children and adults.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;School Library Journal&lt;/I&gt;, STARRED REVIEW</TextAuthor>
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      <Text><![CDATA[* &quot;The tale is told in short rhyming couplets that, along with the appealing pictures, present a sense of unity among the diverse barn population. Here is a gentle tale of inclusion and fairness that children will clearly understand.&quot;]]></Text>
      <TextAuthor>&lt;I&gt;Booklist&lt;/I&gt;, STARRED REVIEW</TextAuthor>
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      <Text><![CDATA[* &quot;Inviting dialogue about the need for inclusivity, Vaught (<i >Things Too Huge to Fix by Saying Sorry</i>) offers a lyrical narrative in concise rhyming couplets that are fleshed out in dramatic mixed-media illustrations by Murphy (<i >The Slowest Book Ever</i>).&quot;&nbsp;]]></Text>
      <TextAuthor>&lt;I&gt;Publishers Weekly&lt;/I&gt;, STARRED REVIEW</TextAuthor>
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      <Text><![CDATA[In times of need, uneasy alliances align. Enemies become partners, if only for a little while.This sweet picture book, told in rhyming couplets, pairs Vaught&#39;s lean, soothing text with Murphy&#39;s exquisite illustrations. Vaught is a practicing neuropsychologist and a lover of animals. Both traits play well in this tale that imagines a dark and stormy night in which its barnyard beasts must decide whether to shelter outsiders. A family of foxes is caught out in the storm, and the mother is desperate to protect her kits&#39;s. Understandably, the farm animals, normally prey for the fox, are not eager to share the warmth of their barn. However, the generous actions of the tiniest among them, a yellow duckling, allows the other creatures to see that in this time of crisis, even foxes need refuge. Murphy creates stunning images of deep blue stormy skies, and cows&#39;, pigs&#39;, chicken&#39;s, and other animals&#39; emotion-filled eyes. Scenes that shift between the cold, wet out-of-doors and the cozy, well-lit interior emphasize the foxes&#39; predicament. Vaught&#39;s clipped, staccato couplets speed the pacing along, occasionally halting so readers can take in Murphy&#39;s well-timed wordless spreads. One, in which mother fox and duckling commune silently, muzzle to bill, will have readers lingering and pondering.Emotionally charged and eloquently rendered in words and art, this picture book is worth owning and cherishing. (Picture book. 4-8)]]></Text>
      <TextAuthor>Kirkus Reviews, STARRED REVIEW</TextAuthor>
      <TextSourceTitle>March 1, 2020</TextSourceTitle>
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      <Text><![CDATA[With a thunderstorm threatening, the animals on the farm seek shelter in the barn. The darkening sky, heavy rain, and lashing wind are contrasted with the warm, yellow light spilling from the barn, which promises a haven from the elements. The building fills with the usual sheep, horses, pigs, and chickens, as well as a raccoon, squirrel, turtle, and skunk seeking respite from the torrential rain. When a mother fox comes looking for a dry spot for herself and her kits, though, the others tell her, &ldquo;Go away! We&rsquo;re full today!&rdquo; It takes one of the smallest critters in the barn to show empathy and literally reach out toward the fox and her family. The group&rsquo;s world expands when they recognize how needlessly fearful and selfish they&rsquo;re being in not sharing their safe, secure refuge. Lovely illustrations using acrylic paints, oil paints, and gel medium create charming images of the vast array of animals that get along harmoniously in the small space. The tale is told in short rhyming couplets that, along with the appealing pictures, present a sense of unity among the diverse barn population. Here is a gentle tale of inclusion and fairness that children will clearly understand.]]></Text>
      <TextAuthor>Booklist *Starred*</TextAuthor>
      <TextSourceTitle>March 15, 2020</TextSourceTitle>
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      <Text><![CDATA[Inviting dialogue about the need for inclusivity, Vaught (<i>Things Too Huge to Fix by Saying Sorry</i>) offers a lyrical narrative in concise rhyming couplets that are fleshed out in dramatic mixed-media illustrations by Murphy (<i>The Slowest Book Ever</i>). As dark clouds overtake the sky, farm animals dash toward a barn to take refuge from an impending storm: &ldquo;Lightning gash!/ Windy lash!&rdquo; Huddled together, the menagerie (which includes a few critters&mdash;frogs, raccoons, a snail&mdash;not usually associated with barn life) looks up apprehensively at a window where a fox appears (&ldquo;Go away!/ We&rsquo;re full today!&rdquo;). After one intrepid duckling ventures out into the lashing rain&mdash;and, in a stirring full-bleed spread, is seen face-to-face with the fox&mdash;the animals emerge to help usher the vulpine family into their dry sanctuary, where all&mdash;&ldquo;Brindle and gray,/ dapple or bay&rdquo;&mdash;remain until blue skies return. Murphy makes effective use of shadow and light in pictures that convey the expressive animals&rsquo; apprehension and eventual change of heart&mdash;and underscore the importance of trust and acceptance. Ages 4&ndash;8.&nbsp;<i>(May)</i>]]></Text>
      <TextAuthor>Publishers Weekly *STARRED*</TextAuthor>
      <TextSourceTitle>April 6, 2020</TextSourceTitle>
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      <Text><![CDATA[*VAUGHT, Susan. Together We Grow. illus. by Kelly Murphy. 40p. S. &amp; S./Paula Wiseman Bks. May 2020. Tr $17.99. ISBN 9781534405868.<BR> <BR> PreS-Gr 1&ndash; A severe rainstorm lures a series of different animals, big and small, together for shelter in a barn. The fox family is initially shunned, as all the animals yell: &ldquo;Go away!&nbsp; We&rsquo;re full today!&rdquo; A lone duck, however, is brave and compassionate enough to approach them, demonstrating that to &ldquo;learn and show together we grow&rdquo; is the best approach. Ultimately, with acceptance, teamwork, and sharing during a catastrophe, &ldquo;there is room for all.&rdquo; Vaught&rsquo;s spare, meticulous rhyming text perfectly complements Murphy&rsquo;s eye-catching illustrations, which begin with a striking blue sky severed by jagged white lines for lightning. The lone duck is illuminated in bright yellow&ndash;a positive touch about the enlightening power of kindness and compassion in the midst of gloomy dark danger. The phrase &ldquo;together we grow&rdquo; is a bit unclear compared to the more apt &ldquo;love prevails&rdquo; and &ldquo;there is room for us all.&rdquo; Nonetheless, the overall message about working together effectively despite differences in times of need is a worthy lesson. VERDICT A truly inspiring picture book that will resonate with both children and adults.&ndash;Etta Anton, Yeshiva of Central Queens, NY]]></Text>
      <TextAuthor>School Library Journal STARRED REVIEW</TextAuthor>
      <TextSourceTitle>May 2020</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Fogliano uses surprising connections to telegraph love with frequently unexpected results . . . [Her] choice to eschew the subjunctive mood makes the comparisons seem tantalizingly possible. Jewel-toned images full of light, formed by sumptuous acrylic paints, bring the distant near and the miniscule close. Gentle on ear and eye, a keen display of relationships bound together in love and complexity.&rdquo;]]></Text>
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      <Text><![CDATA[<B>About the Authors</B><BR><BR><B>Meredith Marsh, Ph.D. (Bakersfield, MO) </B>Received her bachelor&rsquo;s degree in geography from Calvin College in 1999, her Master&rsquo;s Degree in geography from the University of California, Santa Barbara (UCSB) in 2003, and her Ph.D. (also in geography) from UCSB in 2009. Meredith has worked as a Reader for the APHG exam for the past several years and she is currently an associate professor of geography at Lindenwood University in St. Charles, Missouri. <BR><BR><B>Peter S. Alagon, Ph.D. (Santa Barbara, CA)</B> Currently an assistant professor of history and environmental studies at the University of California, Santa Barbara. He holds an M.A. degree in geography from the University of California, Santa Barbara, and M.A. and Ph.D. degrees in history from the University of California, Los Angeles. He has also held academic positions at both Harvard and Stanford universities. <BR><BR><B>About the Publisher</B><BR><BR> Many great things begin with a tiny spark, and for Manuel H. Barron that spark came from a mimeograph machine in the basement of his Brooklyn, NY, bookstore in the late 1930s. People from the community asked Mr. Barron for books to help their children study for the New York State Regents exams. After realizing there wasn&#39;t anything available, Mr. Barron created his own study guides. Now, more than 80 years later, Barron&rsquo;s continues to help millions of learners worldwide prepare for their next steps. With offerings from pre-college prep to world language guides and professional certification exams, Barron&rsquo;s wants to be part of your success story no matter what learning path you&rsquo;re on. You can trust Barron&rsquo;s to provide exceptional products created only by top experts with years of experience in education. From generation to generation, our mission remains the same: Learn, grow, and succeed with Barron&rsquo;s throughout your life-long learning journey.]]></Text>
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      <Text><![CDATA[<b>Annual statistics of male abuse can't accurately be recorded when there is a lack of reporting. Fear keeps its victims silent, and for decades, author and international exectutive Ed Cohen kept his lips sealed. Fans of <i>What My Bones Know </i>will enjoy this story of triumph as one successful man finally faces the one thing holding him down: the monster of his past.</b><BR><BR>What stops men from reporting abuse? Is it shame, the fear of not being taken seriously, or a lack of support and guidance? The answer is all of the above.<BR> <BR> Because of the stigma attached to male abuse, millions of men across the globe suffer in silence each year. For several decades, Ed Cohen was one of them. For over fifty years, Ed carried a secret, living a life that looked like success on the outside, while inside, he battled silence, shame, and pain rooted in deep trauma. At a breaking point, he asked himself the same question he now poses to any victim looking for peace: <B>What if the very mask you wore to succeed was the thing that kept you from healing?</B><BR> <BR> Ed&rsquo;s memoir, <I>Vulnerable</I>, is more than a journey; it&rsquo;s a movement. A call to end the silence around abuse, shame, and hidden wounds. It&rsquo;s a roadmap for anyone ready to break free from their past and step into a life of truth, resilience, and purpose. Also serving as a guidebook, readers will find: five core transformative principles, practical strategies for building meaningful relationships, lifelong adaptability, and authentic purpose, inspiring mantras, and an A to Z appendix of healing challenges. Whether you are healing from your own scars or standing with someone who is, <I>Vulnerable</I> empowers you to be seen, to be heard, and to reclaim your life.<BR> <BR> The time to end the silence is <B>now</B>. This is your invitation to join the movement.]]></Text>
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      <Text><![CDATA[Ed Cohen (<a href="http://edcohen.org">edcohen.org</a>) is a globally respected leader in talent development and executive coaching whose life exemplifies the transformative power of resilience. From a childhood marked by severe abuse and silence, he rose to design leadership and learning programs that have impacted tens of thousands across more than seventy-five countries including during pivotal roles at Booz Allen Hamilton and Satyam (now Tech Mahindra) in India. Today, Ed is a bold, compassionate voice for healing through vulnerability. He has authored the books <I>Leadership Without Borders</I> (John Wiley &amp; Sons, 2007), and <I>Transforming Teams</I> (ATD Press, 2026) and co-authored <I>Riding the Tiger </I>(ASTD Press, 2010) with Priscilla Nelson. Through his work, his writing, and his willingness to share the truth behind the mask, he inspires others to break free from shame and reclaim their stories. His passion for empowerment spans from mentoring vulnerable youth in India to helping executives lead with authenticity and purpose. His message is clear: healing is possible and no one has to walk that path alone.]]></Text>
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      <Text><![CDATA[&ldquo;Vulnerable by Ed Cohen is a raw, unflinching look at what it takes to overcome parental failings and choose your own destiny. With grit and grace, Cohen explores the courage required to be seen and the transformative power of self-care. It&rsquo;s an essential read for anyone looking to turn their greatest wounds into their greatest source of purpose.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;To know Ed Cohen is to know a leader of immense warmth and capability, but Vulnerable reveals the staggering emotional journey it took to get there. A masterpiece of resilience and authentic leadership. Ed Cohen&rsquo;s raw, courageous journey from trauma to triumph is a powerful reminder that our deepest wounds can become our greatest sources of strength and connection. I couldn&#39;t put it down.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;It&#39;s profound, important, and difficult work to break the destructive cycles from our past. This book is a story and a guide on how you might do that too.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Having known Ed for more than twenty-five years, I can attest to the truth and depth of this journey. In Vulnerable, he transforms pain into purpose, offering a powerful invitation to reclaim worth, release shame, and love fully. Through his story, he encourages readers to speak their truth and recognize their inherent worth, sharing the simple guiding principles that helped him break free from feelings of unworthiness. Ed&rsquo;s honesty and vulnerability offer hope to anyone seeking freedom from shame and the courage to love fully.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Ed Cohen&rsquo;s contributions to the field of learning are countless. He has been a champion of human flourishing, resilience, and authentic leadership as long as I&rsquo;ve known him. His new book, Vulnerable, reveals the furnace in which those qualities were forged. This brave, raw story is a different kind of learning journey, but an important one: the journey of self-discovery, healing, and authenticity.&rdquo;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;This is a magnificent and courageous book that will help millions to break the silence and open their hearts and souls to the truth about their lives. It is the book I wish I had read when I was experiencing my own dark night of the soul; afraid to speak about my own abuse, neglect, and abandonment. It is also about those who suffer along with us, feel our pain, and are desperate to find a way through the barriers that keep us encapsulated and cut off. Ed not only breaks the silence so many live with, but he offers wisdom that can lead us to the freedom we long to know and the success that is not tainted by our hidden pain. I highly recommend Vulnerable. It is a triumph of the human spirit.&rdquo;&nbsp;<BR> <BR>&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Some of the strongest lives are forged in the courage to face what once felt unbearable. In Vulnerable, Ed Cohen reminds us that healing begins the moment we stop hiding and start telling the truth. His story is a hopeful invitation to move beyond silence and discover that our greatest wounds can become our greatest source of purpose.&quot;]]></Text>
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      <Text><![CDATA[<B><B>MOTHRA YEAR:</B> This book will have a large focus on Mothra, as 2026 marks both the 65th anniversary of the character and the 30th anniversary of the Heisei-era Mothra trilogy.<BR><BR><B>BOX OFFICE PERFORMANCE:</B><I>Godzilla vs. Kong</I> (2021) became an instant hit with fans across the globe, grossing $100.9M in the US and Canada and an additional $369.1M in the international market. Earlier films in the Monsterverse similarly wowed fans, with <I>Godzilla</I> (2014) grossing $529M, <I>Kong: Skull Island</I> (2017) grossing $566.7M, and <I>Godzilla: King of the Monsters</I> (2019) grossing $386.6M.<BR><BR><B>FIRST TO MARKET:</B> This book will be the first official compendium of creature art spanning almost the entire Monsterverse.</B><BR><BR>&ldquo;ATTN: MONARCH AGENTS AND RESEARCHERS<BR><BR>Attached for immediate review are <I>The Monarch Files</I>: a comprehensive, vital, and highly sensitive dossier on notable monsters, Titans, and Massive Unidentified Terrestrial Organisms (M.U.T.O.s). You will find up-to-date behavioral profiles, physiological analyses, and capability assessments.<BR><BR>Also contained within are field reports detailing operatives&rsquo; encounters with M.U.T.O.s. It is expected that every Monarch employee study these accounts with diligence.<BR><BR>Note: High-resolution photographs are included where possible, but artist approximations have been substituted in for cases when mission photographers did not return from their field surveys.<BR><BR>All information contained herein on employees, technology, and geographical locations is confidential, for Monarch employees with B-grade clearance or greater. DO NOT DISSEMINATE.&rdquo;<BR><BR><B>FROM THE MONARCH VAULT: </B>The first, and only, official guide on the Titans of the Monsterverse!<BR><BR><B>GORGEOUS ART: </B>Hi-res imagery and gorgeous artwork make this a must-have coffee table book.<BR><BR><B>COMPLETE YOUR COLLECTION: </B>This book joins Insight&rsquo;s Monsterverse line, which includes <I>The Art of Godzilla x Kong: The New Empire</I>,<I> Godzilla vs. Kong: One Will Fall</I>, and <I>Godzilla: The Art of Destruction</I>.]]></Text>
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      <Text><![CDATA[<B>Weaving the wisdom of ancient Hindu tales with contemporary analysis and guided meditations, <I>Stories of Our Lives</I> illustrates how these age-old stories teach universal lessons and insights for understanding ourselves today.</B><BR><BR>Passed down for generations, India&rsquo;s puranas consist of ancient tales and epics filled with rich symbolism, beloved characters and deities, and sage lessons for understanding the world. <I>Stories of Our Lives</I> presents a retelling of eight classic tales, along with a detailed analysis of their symbolism and contemporary significance, reflection questions for contemplation, guided meditations, mudras, and mantras.<BR><BR>Whether you are a devoted student of the puranas or this is your first introduction to them, you will find something to identify with in these engaging, wisdom-filled stories.<BR><BR><B>TIME-HONORED CLASSICS: </B><I>Stories of Our Lives </I>includes classic Hindu epics such as the stories of Lakshmi, Durga, Hanuman, and other gods and goddesses. Told with engrossing, eloquent prose, author Janet Stone breathes new life into these time-honored tales<BR><BR><B>EXPERIENCED AUTHOR:</B> A dedicated student of yoga since first traveling to India, the birthplace of her grandfather, Janet Stone has more than 30 years&rsquo; experience studying Hinduism and more than 20 years&rsquo; experience as a Vinyasa and Bhakti yoga teacher<BR><BR><B>ANALYSIS &amp; GUIDED MEDITATIONS: </B>Accompanying each tale is an in-depth analysis of the story&rsquo;s major themes and symbols and its contemporary significance. Additionally, to further apply the wisdom of the stories in your own life and spiritual practice, each story includes reflection questions and exercises, guided meditations and movement practices, mudras, and mantras<BR><BR><B>DEEPEN YOUR YOGA PRACTICE: </B>The wisdom and spiritual teachings found within the puranas are inextricably linked to the practice of yoga. <I>Stories of Our Lives</I> provides an opportunity for the beginner yogi to deepen their knowledge of yogic tradition and enhance their practice in the process]]></Text>
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      <Text><![CDATA[<B>Accessing deeper levels of rune magic to achieve self-transformation</B><BR><BR>&#8226; Comprehensively explores the meanings of the 24 Elder Futhark runes and how each serves as a distinct interface to the greater Mystery<BR><BR>&#8226; Draws upon source texts such as the Prose and Poetic Eddas as well as the Anglo Saxon, Norwegian, and Icelandic Rune Poems<BR><BR>&#8226; Offers methods to incorporate the runes into your daily life as powerful tools for contemplation and magical self-transformation<BR><BR>The runes are a system of magical symbols that can be used for divination and casting spells, both to harm and protect. While these uses of the runes are powerful, David Linder focuses on a deeper and arguably more significant level of the runic mysteries&#8212;the magic of self-transformation.<BR><BR>The runes of the Elder Futhark are 24 facets of the great Mystery, which is translated as <I>Runa</I>. Each rune serves as a distinct interface that allows access to certain aspects of the great Mystery in order to heal, to reconnect, and to transform oneself. To grasp a rune is not just a matter of intellectual understanding, but a task of experiencing it physically and spiritually. Linder reveals how the lived experience of grasping a rune&#8217;s meaning is an initiatory step toward realizing one&#8217;s higher self and coming closer to the great Mystery.<BR><BR>The author draws upon the Prose and Poetic Eddas as well as the Anglo-Saxon, Norwegian, and Icelandic Rune Poems to explain each rune. These source texts show how Nordic spirituality is more concerned with the practicalities of mundane life than dogmatic codes. Linder contextualizes the meaning of each rune for our time and reveals the concrete opportunities for growth that each rune offers when the spiritual insight is lived and embodied in the modern world.<BR><BR><I>Advanced Rune Magic</I> teaches methods to incorporate the runes into your daily life as tools for both contemplation and self-transformation, showing how simple applications can produce tangible results. While these methods can enrich one&#8217;s magical and spiritual practices, they will also lead to improved daily functioning, a stronger sense of purpose, and overall well-being.]]></Text>
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      <Text><![CDATA[David Linder holds a bachelors degree in German linguistics and European history. A licensed falconer, he has studied the runes and Norse mythology extensively with a focus on practical applications. He lives in northern Switzerland with his wife and children.]]></Text>
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      <Text><![CDATA[INTRODUCTION<BR><BR><B>TWILIGHT AND DAWN<BR><BR></B><I>HOW IT ALL BEGAN . . .</I><BR><BR>Twilight rules in the mythical realm before time. All that can be seen is the silhouette of an enormous tree, its branches swaying softly in the breeze that comes from no place and goes nowhere. The otherwise serene air carries the barely audible sounds of a wounded man close to death. Far up in the tree, his shape can be made out. He&#8217;s been hanging there for nine days and nights without food or drink, bleeding from a self-inflicted wound. He is the true seeker, the one who never stops and never rests&#8212;always wandering, always searching for ways to expand his consciousness and slake his unquenchable thirst for knowledge. But in this empty realm before time, all that exists is the tree: the mighty mother who will give life to all things that ever come to be, and who will swallow them up again when their time is done. He has used all his strength to climb this wondrous tree, tie himself to one of its mighty branches, and stab himself with his spear. His blood drips steadily onto the branches below, slowly shading the evergreen foliage red.<BR><BR>He can feel them lurking in the shadows&#8212;the three cruel women who will become the weavers of fate once the Universe is born. But for now, they don&#8217;t show themselves. They hand him no food, they hold no horn to his lips so that he may drink, and they do not dress his ever-bleeding wound. They watch from the shadows in silence, unmoving and emotionless, as his life slowly drains away.<BR><BR>Now the last drop of his blood leaves his body. He draws his final breath, the air barely getting past his swollen tongue, burning his parched throat on its way into his lungs. Nothing has been revealed to him; his sacrifice was for naught. He exhales that last breath and lets it all go: his hopes and his dreams, his desperation and his disappointment. As the air leaves his chest, he lets his head droop downward with a strange sense of relief. He has given his all, and&#8212;even though he has failed&#8212;this thought sets him free. As his chin comes to rest on his chest, his eyelids grow heavy and he closes them for good. And suddenly, he sees! He sees the things to come, the things that will be: the intricacy of how it all works, how one thing causes the next and how it is all connected in this marvelous and deadly frightening web of causality. He sees the creation, destruction, and rebirth of worlds, Gods, Giants, Dwarves, Elves, Humans, animals, plants, and myriad other lifeforms. One after the other, images assault his weakened frame, demanding entry into his now-fractured mind until they condense into radiant red staves representing the whole Universe that has not yet come into existence. When he had climbed Yggdrasil, he was Odin. But now he is Fjolnir and Fimbultyr, Omi and Oski, Herjann and Helblindi, Gondlir and Grimnir, and countless others. Screaming, he takes up these mysterious staves deep into the shattered core of his Self; then the great mother suddenly releases him and he falls back toward nothingness.<BR><BR>Or, to say it in the words of a Norse poet:<BR><BR><i>I know that I hung, on a wind-swept tree</i><BR><BR><i>for all of nine nights,</i><BR><BR><i>wounded by spear, and given to Odin,</i><BR><BR><i>myself to myself,</i><BR><BR><i>on that tree of which no man knows</i><BR><BR><i>from what root it rises.</i><BR><BR><i>They dealt me no bread, nor drinking horn.</i><BR><BR><i>I looked down, I drew up the runes,</i><BR><BR><i>screaming I took them up,</i><BR><BR><i>and fell back from there.</i><BR><BR><i>Havamal </i>138&#8211;39 (trans. Chisholm)<BR><BR><B>THE TRUE SEEKER<BR><BR></B>This is a book for those who want to see what Odin spied when facing his imminent death. It is a book for those of us who are chasing the great Mystery, those with a fire in their belly that keeps them ever restless and always seeking&#8212;for more knowledge, more insights, more consciousness. <i>Runa</i>, the great Mystery, cannot be known as it can&#8217;t be put into words.* It can only be encountered by directly experiencing it, and each of those experiences again stokes the eternal flame, which in turn keeps us searching and hunting to find it once more. The Runes of the Elder Futhark are twenty-four facets of this great Mystery: twenty-four interfaces that allow us to interact with certain aspects of Runa as a means for healing. Thus, we may reconnect with our roots, our past, and with nature, in order to transform ourselves. Each Rune contains vast amounts of energy, emotion, and experience. Each one is linked to the innermost core of consciousness, to the void out of which it manifested and to which it shall again return. Each one is closely interwoven with the everlasting cycle of life and death. This is what makes it so difficult to define these mysterious signs, or to to simply say &#8220;Fehu stands for wealth&#8221; and leave it at that. Such a statement may be true on one level, but if you really want to understand any Rune, you must delve far deeper than that, for there are many&#8212;perhaps countless&#8212;other levels to explore and integrate. You cannot know a Rune in a purely intellectual way. If you wish to discover the inner tension it holds&#8212;the wealth of knowledge, the connectedness to your psyche and your innermost being, to the natural world, the Universe, life, death, consciousness, the Gods, the Wights, the Giants&#8212;you must experience it.<BR><BR><i>But let us start at the beginning . . .</i><BR><BR><B>THE EMERGENCE OF THE UNIVERSE</B><BR><BR><i>It was in the earliest times that Ymir dwelled.</i><BR><BR><i>Neither sand nor sea, nor cold waves, nor earth</i><BR><BR><i>were to be found. There was neither heaven above,</i><BR><BR><i>nor grass anywhere, there was nothing</i><BR><BR><i>but Ginnungagap.</i><BR><BR><i>Voluspa </i>3 (trans. Chisholm)<BR><BR>Many creation stories begin at a similar point: there is an emptiness in which creation takes place at the behest or direct action of some divine spirit. Norse mythology has a rather different story to offer, however.<BR><BR><i>Ginnungagap essentially means &#8220;Yawning Void.&#8221; This emptiness </i><i>contained the potential for everything and therefore allowed for nothing </i><i>to ever manifest. Darkness canceled out light, heat canceled out cold, </i><i>height canceled out depth. But one day an opposing pair of elemental </i><i>forces escaped the clutches of the seemingly almighty void. The pair </i><i>immediately split, each trying to get as far away from the other so that </i><i>it could come into existence without being canceled out by its opposite. </i><i>They didn&#8217;t get very far, though, as they were suddenly gripped by a </i><i>hidden structure that seemed to have emerged at the same time as </i><i>Ginnungagap. This structure would later become known as Yggdrasil, </i><i>the great World Tree. It was an ash or a yew tree, and its roots reached </i><i>far down into Ginnungagap and there are no stories and no lore </i><i>about how it came to be as no one yet existed who could witness its </i><i>birth. Nevertheless, the pair was still far enough apart that they could </i><i>manifest. The first one to come into existence was a hot spark of pure </i><i>energy that burst into a fiery world called Muspelheim. Its counterpart </i><i>became Niflheim, the world of mist, the source of all water. The mist </i><i>in this cold and hostile world stemmed from a huge geyser in its center, </i><i>called Hvergelmir (&#8220;boiling cauldron&#8221;). The water that it emitted wasn&#8217;t </i><i>clear drinking water but was laced with yeast, venom, and salt. More </i><i>and more water gathered, and when it couldn&#8217;t be contained any longer, </i><i>it started to flow out of Niflheim and was inevitably drawn back toward </i><i>Ginnungagap. As the once-hot water was flowing through empty space, </i><i>it chilled and froze. The pleasant sound of rushing water turned into a </i><i>grating din as the newly formed sheets of ice started to rub against each </i><i>other. The waters continued to flow out of Niflheim, relentlessly pushing </i><i>the ice forward until it reached Ginnungagap. The noise increased as the </i><i>sheets of ice began to pile up&#8212;the ones at the bottom cracking under </i><i>the immense weight, as greater quantities of ice tumbled into the void, </i><i>starting to fill it up.</i><BR><BR><i>The boundless energy of Muspelheim could not be contained, either. </i><i>Glowing sparks, each as hot as the sun, were hurtled out of this fiery </i><i>furnace and drifted toward Ginnungagap. There they hit the sheets of </i><i>ice, melting it upon contact, creating pools of murky water. More sparks </i><i>floated down and hit the water with loud hissing noises, heating it up </i><i>and returning it into its original boiling state. No one was present to </i><i>behold this impressive spectacle, to hear the incredible commotion of </i><i>screeching, cracking ice, the hissing of searing hot sparks landing on ice </i><i>and water, boiling, evaporating, charging it with the boundless energy of </i><i>Muspelheim until suddenly there was a scream so loud that all the other </i><i>sounds seemed to fade away instantly. In the middle of this chaos there </i><i>now stood a figure so large that it defied description, shouting at the top </i><i>of its lungs. Ymir, the first being, had been born.</i>]]></Text>
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      <Text><![CDATA[FOREWORD<BR><B>TALES FROM TRUE SEEKER</B><BR><BR><I>DAVE LEE<BR></I><BR>NOTE TO THE READER<BR>ON THE TRANSLATIONS USED IN THIS BOOK <BR><BR>INTRODUCTION<BR><B>TWILIGHT AND DAWN</B><BR><I>HOW IT ALL BEGAN . . . <BR></I><BR><B>THE FIRST FAMILY</B><BR><BR>FEHU&#8212;CATTLE <BR><BR>URUZ&#8212;AUROCHS <BR><BR>THURISAZ&#8212;THORN<BR><BR>ANSUZ&#8212;GOD<BR><BR>RAIDO&#8212;RIDING<BR><BR>KENAZ&#8212;TORCH<BR><BR>GEBO&#8212;GIFT <BR><BR>WUNJO&#8212;JOY <BR><BR><B>THE SECOND FAMILY<BR><BR></B>HAGALAZ&#8212;HAIL <BR><BR>NAUDIZ&#8212;NEED<BR><BR>ISA&#8212;ICE<BR><BR>JERA&#8212;YEAR<BR><BR>EIHWAZ&#8212;YEW <BR><BR>PERTHRO&#8212;LOT BOX <BR><BR>ELHAZ&#8212;ELK<BR><BR>SOWILO&#8212;SUN<BR><BR><B>THE THIRD FAMILY<BR><BR></B>TIWAZ&#8212;TYR <BR><BR>BERKANO&#8212;BIRCH<BR><BR>EHWAZ&#8212;HORSE<BR><BR>MANNAZ&#8212;MAN<BR><BR>LAGUZ&#8212;WATER<BR><BR>INGWAZ&#8212;ING <BR><BR>DAGAZ&#8212;DAY<BR><BR>OTHALA&#8212;HOMELAND<BR><BR>EPILOGUE<BR><BR><I><B>THEN I BEGAN TO GROW . . .</B></I> <BR><BR>APPENDIX<BR><BR><B>THE RUNE POEMS<BR><BR></B>THE ANGO-SAXON RUNE POEM<BR><BR>THE NORWEGIAN RUNE POEM<BR><BR>THE ICELANDIC RUNE POEM<BR><BR><B>LEXICON OF NORSE NAMES, PLACES, AND TERMS</B> <BR><BR><B>SOURCES AND FURTHER READING<BR><BR>INDEX</B>]]></Text>
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      <Text><![CDATA[&ldquo;In the growing flora of books that treat rune magic, <I>Advanced Rune Magic</I> stands out as a valuable addition&#8212;with insight into tradition as well as innovative creativity that gives the reader new perspectives on the runes. The book is rooted in historical runology and highlights esoteric aspects of the medieval rune poems, while being at the same time applicable to contemporary practitioners. Given all the beginner books on magic and runes, it is also appreciated to have a book that is aimed at experienced practitioners.&rdquo;]]></Text>
      <TextSourceTitle>Thomas Karlsson, PhD, senior lecturer at Stockholm University and author of Nightside of the Runes</TextSourceTitle>
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      <Text><![CDATA[&ldquo;This book presents the runes the way they were meant to be approached: through the worldview of the ancients, grounded in literary sources, not modern fantasy. It honors how the ancient Norse peoples understood and used the runes, then carries that wisdom forward into a clear, practical application for life today. This is the way I believe the runes are best understood: historically rooted, spiritually alive, and immediately usable.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Here David presents a mythic travelogue through the mysteries of the runes. Anyone who seeks to travel these roads and rivers at the highest levels will find in these pages a useful guide and companion.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Truly a book of advanced rune magic! Whether you are a novice or an experienced practitioner, this work will still teach you something. Above all, it has a positive, magical application to one&rsquo;s daily life.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;This is a book that shows the reader how to employ the magic of the runes for radical self-transformation. David bases his explanation of the runes on the historic medieval rune poems and then links each rune to the wights of the Nordic world&#8212;the deities, elves, giants, and dwarves&#8212;and to their mythology, making impressive sense of how the old tales fit together. An inspiring book for seasoned practitioners as well as beginners.&rdquo;]]></Text>
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      <BiographicalNote><![CDATA[Jerry Sargeant discovered the ability to heal after a serious road traffic accident, led him on his spiritual journey where he remembered the power of Star Magic. Using an extra-terrestrial light frequency Jerry has successfully removed tumors, restored eye sight, dissolved fibromyalgia and more.]]></BiographicalNote>
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      <Text><![CDATA[<B>Activa c&#243;digos de consciencia de alta vibraci&#243;n para facilitar la sanaci&#243;n de tu cuerpo y mente</B><BR><BR>&#8226; Descubre c&#243;mo trabajar con frecuencias de luz extraterrestre para limpiar, energizar, elevar y potenciar tu cuerpo y mente, acelerando el proceso de sanaci&#243;n<BR><BR>&#8226; Aprende modos de sanaci&#243;n b&#225;sicos, intermedios y avanzados, con ilustraciones paso a paso, ejercicios, meditaciones y casos reales de transformaciones con magia estelar<BR><BR>&#8226; Aprende a trabajar con planos hologr&#225;ficos, activa tu gl&#225;ndula pineal y domina el campo <I>mer-ka-ba</I> para potenciar tu vida, as&#237; como muchas otras t&#233;cnicas poderosas<BR><BR>EXPANDE TU CONSCIENCIA, eleva tu vibraci&#243;n y acelera el proceso de sanaci&#243;n con la magia estelar. A trav&#233;s de una serie de eventos trascendentales en su vida, Jerry Sargeant ha vuelto a despertar esta avanzada tecnolog&#237;a del alma y la comparte en estas p&#225;ginas para ayudar a liberar todo el potencial de cada ser humano.<BR><BR>La magia estelar te alinea con los c&#243;digos de la consciencia de alta vibraci&#243;n presentes en la Tierra en tiempos del antiguo Egipto. Aprende a utilizar las frecuencias de luz extraterrestre de forma segura y eficaz para energizar, elevar y potenciar conscientemente tu propia vida, la vida de los dem&#225;s y la del planeta.<BR><BR>Jerry comparte herramientas pr&#225;cticas de sanaci&#243;n con ilustraciones paso a paso, ejercicios y meditaciones para elevar tus vibraciones a un nivel superior. Explora los planos hologr&#225;ficos, la activaci&#243;n de la gl&#225;ndula pineal, el conocimiento cu&#225;ntico, las realidades paralelas y el impacto de los cristales y la geometr&#237;a sagrada. Aprende a activar y dominar tu campo <I>mer-ka-ba</I> abriendo las puertas a la abundancia infinita. Estudios de casos reales muestran c&#243;mo Jerry ha utilizado frecuencias de luz de alta vibraci&#243;n para sanar, reparar relaciones personales e impulsar el &#233;xito en los negocios.<BR><BR>La magia estelar desvela la llave para acceder al poder ancestral para sanar en los niveles m&#225;s profundos y encontrar la alineaci&#243;n con el prop&#243;sito de tu alma.]]></Text>
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      <Text><![CDATA[Jerry Sargeant, el visionario fundador de la sanaci&#243;n con magia estelar, es un poderoso orador motivacional y sanador. Conocido por su capacidad para generar transformaciones r&#225;pidas y profundas en los planos mental, f&#237;sico, emocional y espiritual de las personas, ha transformado muchas vidas. Jerry viaja por todo el mundo impartiendo conferencias, sanando y formando a otras personas en el camino de la magia estelar. Actualmente, vive en Cheltenham, Inglaterra.]]></Text>
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      <Text><![CDATA[Introducci&#243;n<BR><BR><B>PARTE 1<BR></B><BR><B>1</B> Tecnolog&#237;a del alma<BR><BR><B>2</B> &#191;C&#243;mo comenz&#243; mi viaje de sanaci&#243;n?<BR><BR><B>3</B> Cinco ingredientes m&#225;gicos<BR><BR><B>4</B> &#191;Por qu&#233; se enferman las personas?<BR><BR><B>5</B> La base de datos universal<BR><BR><B>PARTE 2<BR></B><BR><B>6</B> Curva de aprendizaje: no todo es como creemos<BR><BR><B>7</B> Cirug&#237;a ps&#237;quica<BR><BR><B>8</B> En el ojo del observador<BR><BR><B>9</B> La luz es combustible: activa el biotransductor<BR><BR><B>10</B> El facilitador<BR><BR><B>11 </B>C&#225;mara lenta<BR><BR><B>12</B> Valor intr&#237;nseco<BR><BR><B>PARTE 3</B><BR><B><BR>13</B> Control de temperatura y el proceso de activaci&#243;n<BR>del sistema nervioso<BR><BR><B>14</B> Preparaci&#243;n para la facilitaci&#243;n<BR><BR><B>15</B> Planos hologr&#225;ficos<BR><BR><B>16</B> Modos b&#225;sicos de sanaci&#243;n y visualizaciones<BR><BR><B>17</B> Modos intermedios de sanaci&#243;n<BR><BR><B>18</B> Cristales y geometr&#237;a<BR><BR><B>19</B> Geometr&#237;a<BR><BR><B>20</B> Herramientas de poder<BR><BR><B>21</B> Nivel celular: un poco m&#225;s profundo<BR><BR><B>22</B> Modo del cuerpo separado<BR><BR><B>23</B> Limpieza con pir&#225;mides<BR><BR><B>PARTE 4<BR></B><BR><B>24</B> Equipo personal<BR><BR><B>25</B> Equipo estelar<BR><BR><B>26</B> Piscinas egipcias de la consciencia <BR><BR><B>27</B> Visualizaci&#243;n de sanaci&#243;n para el empoderamiento personal<BR><BR><B>28</B> Visualizaci&#243;n de sanaci&#243;n para la expansi&#243;n y el crecimiento<BR><BR><B>29</B> T&#233;cnicas de meditaci&#243;n<BR><BR><B>30</B> Meditaci&#243;n guiada al templo de cristal de la alegr&#237;a (Atl&#225;ntida):<BR>luz de la 12D<BR><BR><B>31</B> Activaci&#243;n de la gl&#225;ndula pineal<BR><BR><B>32</B> Conocimiento cu&#225;ntico<BR><BR><B>33</B> Realidades paralelas<BR><BR><B>34</B> Par&#225;sitos de sombra<BR><BR><B>PARTE 5<BR><BR>35</B> Nutrici&#243;n real<BR><BR><B>36</B> C&#243;digos de consciencia de la magia estelar: la receta secreta<BR><BR><B>37</B> C&#243;digos y realidades: el verdadero poder<BR><BR><B>38</B> Modos avanzados de magia estelar<BR><BR><B>39</B> Ver: un paso m&#225;s all&#225;<BR><BR><B>40</B> Como es arriba, es abajo<BR><BR><B>41</B> 13 chakras, 13 constelaciones estelares<BR><BR><B>42</B> Aura humana<BR><BR><B>43</B> Campo mer-ka-ba<BR><BR><B>44</B> Sanaci&#243;n para sanadores<BR><BR><B>45</B> Lidiar con las emociones<BR><BR><B>46</B> Libera todo tu potencial humano<BR><BR><B>AP&#201;NDICE<BR></B>Casos reales<BR>S&#237;mbolo para cargar el agua con amor<BR><BR>Gu&#237;a de ilustraciones<BR><BR>&#205;ndice anal&#237;tico<BR><BR>Sobre el autor]]></Text>
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      <Text><![CDATA[&ldquo;&lsquo;Espera lo inesperado&rsquo;, afirma Jerry Sargeant en su libro Sanaci&#243;n con frecuencias de luz, y realmente los invito a hacer precisamente eso. En su visi&#243;n y enfoque de la sanaci&#243;n, este autor va m&#225;s all&#225; de lo que muchos podr&#237;an considerar posible durante los tratamientos. Como resultado, anima al individuo a explorar y encarnar su pleno potencial de sanaci&#243;n, as&#237; como su pleno potencial como ser humano&rdquo;.]]></Text>
      <TextSourceTitle>TJITZE DE JONG, practicante de Brennan Healing Science y autor de Energetic Cellular Healing and Can</TextSourceTitle>
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      <Text><![CDATA[&ldquo;Existen numerosas personas que han escrito libros sobre autosanaci&#243;n, pero muy pocos, en realidad, introducen el &#225;rea tem&#225;tica de la energ&#237;a cu&#225;ntica: el campo y c&#243;mo acceder a &#233;l. A&#250;n menos son los que muestran, una vez all&#237;, c&#243;mo crear resultados verificables en el mundo f&#237;sico. En su libro <I>Sanaci&#243;n con frecuencias de luz</I>, Jerry logra precisamente esto. Profundiza, mostrando c&#243;mo interactuar con este espacio maravilloso y c&#243;mo se puede usar el mundo cu&#225;ntico para inducir cambios de vida incre&#237;bles. He utilizado las herramientas y t&#233;cnicas de Jerry y he visto resultados asombrosos. Resultados que han llevado a otros a exclamar: &lsquo;&#161;Vaya! &#191;Qu&#233; acabas de hacer?&rsquo;. Jerry ha convertido lo que es un tema complejo en un juego de ni&#241;os. Es divertido y emocionante. Es pura genialidad&rdquo;.]]></Text>
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      <Text><![CDATA[&ldquo;Como m&#233;dico, soy consciente de las limitaciones del campo de la medicina. Buscaba respuestas, y <I>Sanaci&#243;n con frecuencias de luz</I> me proporcion&#243; informaci&#243;n sobre t&#233;cnicas de sanaci&#243;n que son muy poderosas y han producido resultados cl&#237;nicos notables. Durante una sesi&#243;n de sanaci&#243;n con una v&#237;ctima de derrame cerebral que sufr&#237;a par&#225;lisis, mis colegas y yo pudimos observar efectos visibles. Las c&#233;lulas, los tejidos y los &#243;rganos produc&#237;an ciertas frecuencias colectivas al trabajar con las frecuencias de luz de la magia estelar. Se lograron cambios muy r&#225;pidos en todos los niveles de la mente y el cuerpo. La magia estelar me ha permitido sanar sin medicamentos ni derivaciones para cirug&#237;a. Todo se puede sanar mediante la energ&#237;a de la magia estelar y las herramientas de<I> Sanaci&#243;n con frecuencias de luz</I>. Lo que logr&#233; como m&#233;dico utilizando la magia estelar fueron resultados r&#225;pidos, f&#237;sicos y verificables. Gracias, Jerry Sargeant, por las incre&#237;bles ense&#241;anzas y este libro que me ha cambiado la vida&rdquo;.]]></Text>
      <TextSourceTitle>DR. VANDANA RANNJJIT ASHAR, B.H.M.S. experta en ciencias m&#233;dicas homeop&#225;ticas, facilitador</TextSourceTitle>
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      <SubjectHeadingText>PSYCHEDELICS;PERSONAL GROWTH;SELF-ACTUALIZATION;PSYCHEDELIC THERAPY;INTEGRATIVE MEDICINE;POSITIVE PSYCHIATRY;SPIRITUAL AWAKENING;DEEP HEALING;TRAUMA TREATMENT;MENTAL ILLNESS;PSYCHEDELIC CULTURE;REGULATORY ENVIRONMENT;AI IN PSYCHEDELICS;INFORMATION AGE;PSYCHEDELIC RENAISSANCE;COUNTERCULTURE;PSYCHEDELIC HISTORY;ELEUSINIAN MYSTERIES;PEYOTE RITUALS;PSILOCYBIN LEGALIZATION;MDMA THERAPY;PILATES;FELDENKRAIS;NEUROFEEDBACK;BIOFEEDBACK;VIRTUAL REALITY;TRANSPERSONAL PSYCHOLOGY;SPIRITUAL GROWTH;SOCIAL PROGRESS</SubjectHeadingText>
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      <Text><![CDATA[<B>A guide to psychedelically facilitated personal growth and self-discovery</B><BR><BR>&#8226; Includes a brief history of the ancient roots of psychedelics, their rediscovery by the counterculture, and their contemporary use in treating trauma and mental illness<BR><BR>&#8226; Offers the &#8220;Human Promise&#8221; program blending spiritual and philosophical tools and practices with psychedelics for self-actualization<BR><BR>&#8226; Explores today&#8217;s regulatory environment, the role of AI, and the influence of the Information Age on psychedelic culture<BR><BR>Despite an unsettled legal landscape, the promise and potential of psychedelics continue to be at the forefront of thinking and research in the United States and around the world. What medicinal and therapeutic properties do the substances of MDMA, psilocybin, LSD, ibogaine, ayahuasca, and ketamine possess, and how can they help us to grow as individuals and as a culture?<BR><BR>Dr. Carlos Warter, with input from mental health counselor Arthur Lawida, explores these questions to offer a guide to psychedelics that blends history, contemporary context, and tools and practices to help readers realize self-actualization. Warter considers the history of psychedelics from North American peyote rituals to the counterculture of the 1960s and the psychedelic renaissance, exploring how the public perception of psychedelics has changed with an increasing acceptance of their therapeutic value.<BR><BR>Moving toward the Human Promise of enlightenment, this book explains how psychedelics can be used in a transpersonal context for sustainable growth and self-discovery. It suggests tools and practices that can round out a program of self-development, including Pilates, Feldenkrais work, neurofeedback systems, and virtual reality. Readers will also learn how AI and information technology are changing the psychedelic and human-development landscape to help with deep healing and spiritual awakening.]]></Text>
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      <Text><![CDATA[Carlos Warter, MD, PhD, has been a pioneer in spiritual regenerative psychiatry, integrative medicine, and psychedelic therapy since the 1970s. The author of more than 24 books, he is a practicing physician and founder of the World Health Foundation for Development and Peace. His work is now called the Human Promise and is delivered in series of retreats over a three-year curriculum. He lives in Southern California.<BR><BR>Arthur Lawida, MS, is a mental health counselor, executive business coach, and 30-year student of Dr. Warter applying his techniques. He lives near San Diego, California.]]></Text>
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      <Text><![CDATA[<B>1<BR><BR>What Is the Human Promise?<BR></B><BR><I><B>The Eidos of Entelechia</B></I><BR><BR>What do I mean by the Human Promise? The Human Promise is not a static goal or endpoint; it is continuous and ongoing. Its path is inner work, and it requires a conscious directed effort toward growth and realization. The Human Promise is a fulfillment&#8212;and a transcendence&#8212;of our human potential.<BR><BR>Human evolution isn&#8217;t a straight path&#8212;it&#8217;s a series of steady steps punctuated by exponential leaps forward or decisions that lead to stagnation. Sometimes we inch ahead through effort and understanding. Other times, everything changes all at once, like a light switching on in a dark room. This book is about one of those leaps, what I call the Human Promise.<BR><BR>I coined the term <i>Human Promise</i>, and it&#8217;s central to everything we explore here. It&#8217;s about a transformation, transmutation and transcendence, one that could redefine not only how we understand the universe but who we are as human beings.<BR><BR>To help you imagine it, picture this: Right now in Southern California, monarch butterflies are beginning their migration. You probably remember from school that these butterflies begin life as caterpillars&#8212;creatures that live low to the ground, eating leaves and crawling through the dirt. Their entire existence revolves around survival as a caterpillar. There&#8217;s no sign they&#8217;re destined for anything beyond that.<BR><BR>But something extraordinary happens. They undergo metamorphosis, transforming into butterflies&#8212;creatures of color, light, and flight, capable of traveling thousands of miles. That caterpillar had no way of knowing what it was becoming. Its <i>potential </i>was to be a better caterpillar. But its <i>promise </i>was to become something utterly different.<BR><BR>That&#8217;s what I intend to mean by the Human Promise. The actual work toward it will be presented as the Human Promise Program, a course offered by the World Health Foundation for Development and Peace. I started this foundation during the International Year of Peace of the United Nations, and we later received the Messenger of Peace Award in the 1980s. As a species, our potential is to become stronger from within, kinder, wiser, more loving versions of ourselves. But our promise goes beyond that&#8212;it&#8217;s to become something radically new. Not just better humans, but beings that exist in a completely new way, with a new consciousness we can&#8217;t yet imagine. With the advent of powerful AI, we must be careful to learn to find our essence instead of believing we are an algorithm that provides utilitarian information in this new era and religion of datism.<BR><BR>This book shares ideas, practices, and tools that help us shed the layers of conditioning, history, and false identity that keep us locked into the familiar. I call this path the realization of the Human Promise (HP). Many of these practices&#8212;meditation, mindfulness, conscious company, breathwork, rituals, even psychedelics&#8212;have helped people grow for thousands of years. But if any of them could fully unlock this transformation, we&#8217;d already be there. These tools matter, but they&#8217;re only part of the preparation for the leap. The embodiment of the teaching is fundamental to be able to transmit it for the time needed to present a set of experiences that the location of its nonlocal identity matters.<BR><BR>Consider physics as an example. For centuries, Newtonian physics helped us understand and interpret the world&#8212;it was a massive breakthrough in its time. But then came quantum mechanics, which changed everything. It wasn&#8217;t a refinement of the old&#8212;it was a completely new paradigm that opened doors we didn&#8217;t even know existed. The laws of Newton still worked, when contextualizing reality at that exact level, but quantum theory showed us a deeper and different explanation of that nature of what we call reality.<BR><BR>The Human Promise is like that. It&#8217;s not about becoming slightly better&#8212;it&#8217;s about entering a new paradigm. A new way of being. And just like quantum physics, it might arrive through insight, not effort. A shift that redefines what it even means to be human.<BR><BR>This book invites you to hold this idea in your thoughts, in your heart, in your quiet moments. Sit with the possibility of a transformation that isn&#8217;t just about progress, but about transcendence. It may sound bold&#8212;but I believe it&#8217;s not only possible . . . it&#8217;s our destiny.<BR><BR>And isn&#8217;t that a more exciting future than simply becoming a slightly better version of ourselves?<BR><BR>The Human Promise is the tendency toward enlightenment. It is not just about personal fulfillment or success but involves a deeper, conscious, more altruistic, compassionate, and inclusive engagement with the world, others, and the messages of the cosmos. Collectively, it suggests that humanity can evolve toward greater harmony, understanding, and cooperation, achieving heights of civilization previously unimagined. By tapping into and actualizing our individual potential, we partake in a shared journey toward a more aware, caring, and interconnected global community, fulfilling the grand Human Promise of individual and collective progress and well-being. The Human Promise is like a curve that remains asymptotic to an ideal line of events and never touches, which I refer to as a &#8220;tendency.&#8221;<BR><BR>We live in an exciting novel time, full of possibilities. Technological innovation is accelerating at an ever-increasing rate, yet our inner development has seemingly not kept pace with external progress. Human beings still create a tremendous amount of unnecessary suffering for themselves, the planet, and other species.<BR><BR>In my introduction, I mentioned the role of psychedelics within the traditional medical model. From a technology perspective, we would call this the break/fix model. Psychedelics can help us fix problems in our consciousness that we have intentionally or unintentionally created.<BR><BR>While they can be powerful medicines to help alleviate suffering, this only scratches the surface of their ultimate potential. While some mental illnesses are heritable, all of them carry a genetic component and many of them are created by humans acting in ways that create suffering for ourselves and others around us. War, sexual assault, wo/men trafficking, negative parenting, and a misunderstanding of the purpose of life can all create suffering that could then be sometimes alleviated or cured by traditional or psychedelic medicines.<BR><BR>However valuable these medicines are, spending so much effort to cure conditions that we create is not the purpose of human life. It seems circular.<BR><BR>There is the possibility that instead of spending trillions in resources to fix problems that we create, we can go inward to address the root problem of why we do this to ourselves and learn how to stop. We can then apply our vast resources to the positive exploration of the Human Promise.<BR><BR><B>An Overview of Entelechia,<BR>the Realization of Fullest Potential<BR></B><BR>The <i>eidos </i>(meaning &#8220;idea&#8221; or &#8220;essence&#8221;) of the Human Promise represents a profound exploration of our possibilities, both individually and as a species. It encompasses the idea that ALL persons harbor unique capacities, developmental expansion, and virtues that, when fully realized, contribute to the collective advancement of the individual and all of humanity.<BR><BR>The Human Promise is rooted in the philosophical term <i>entelechy</i>, derived from Aristotle&#8217;s ancient Greek term <i>entelechia</i>, which signifies the ongoing realization of something&#8217;s fullest potential. This principle suggests that both individuals and groups are engaged in a continuous journey toward achieving their utmost capabilities, a process that evolves and reveals practical implications over time.<BR><BR>Aristotle&#8217;s works (particularly <i>Metaphysics </i>and <i>On the Soul</i>) frequently discuss the interplay between potentiality and actuality across various domains, including physiology, metaphysics, and ethics. <i>Potentiality </i>is the inherent capability of something to evolve into a more complete state. It is often categorized into two types: a <i>strong</i> <i>potentiality</i>, which emerges from a natural tendency and unfolds almost inevitably under the right conditions, and a <i>weak potentiality</i>, which is transient and occurs sporadically by chance. <i>Actuality</i>, on the other hand, is the manifestation of potential through action or change, rather than remaining in a passive state. Aristotle introduced two terms to describe this actualization process: <i>energia</i>, which is the basic state of being actively engaged, and <i>entelechia</i>, a more advanced form of energia that achieves the ultimate potential or purpose of an entity.<BR><BR>This dynamic of actualization underscores that achieving one&#8217;s ultimate potential is not a static endpoint or a final destination but a state of continual engagement and effort. The work of fulfilling the Human Promise is ongoing and integral to what I term <i>inner work</i>. Inner work is the conscious awareness and focused action directed toward realizing one&#8217;s own entelechy. It isn&#8217;t just about having the right conditions but involves a constant, directed effort toward growth and realization.<BR><BR>Thus, the Human Promise suggests a transformative process where the potential is not just a static quality but is dynamically realized through continuous effort. This echoes the mythical philosopher&#8217;s stone, believed to turn base metals into gold and grant immortality, symbolizing the profound and transformative and evolutionary power of achieving one&#8217;s full potential through persistent and dedicated effort.]]></Text>
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      <Text><![CDATA[Foreword by James Fadiman, PhD<BR><BR>Acknowledgments<BR><BR>Preface: The Why and How of This Book<BR><BR>Introduction: The Road Map to<BR>the Human Promise<BR><BR><B>PART 1<BR><BR>AWAKENING WITH PSYCHEDELICS<BR></B><BR>1 What Is the Human Promise?<BR><I>The Eidos of Entelechia<BR><BR></I>2 Cross-Cultural Uses of Psychedelics<BR>as Sacraments<BR><I>From Kykeon of the Eleusinian Mysteries to<BR>Peyote in Navajo Country</I><BR><BR>3 The Psychedelic Experience<BR><I>Journeys on Notable Entheogens<BR><BR></I>4 Spiritual and Philosophical Resources<BR>for Inner Exploration<BR><I>Direct Experience of Higher States<BR>of Consciousness</I> <BR><BR>5 Personal Sovereignty and the Pyramid<BR>of Healing<BR><I>We Are Unique Beings Yet One Consciousness<BR><BR></I><B>PART 2<BR></B><BR><B>PSYCHEDELICS IN PSYCHOLOGY</B><BR><BR>6 Recent History of Psychedelics<BR><I>Counterculture to Mainstream Medicine</I> <BR><BR>7 Psychological Therapies<BR><I>Remembering the Essential Nature of the Mind</I> <BR><BR>8 Nontraditional Therapies <BR><I>On the Pathway to Fulfillment</I> <BR><BR>9 Understanding Psychedelics and the Brain<BR><I>Neuroplasticity, the Frontal Lobe, and Tech Devices</I> <BR><BR>10 Body-Centered Therapies<BR><I>Personal Transformation Through Movement,<BR>Body Awareness, and Physical Fitness<BR><BR></I>11 Treating Trauma and Mental Illness<BR>with Psychedelic Therapy<BR><I>Depression, Anxiety, PTSD, and Addiction</I> <BR><BR><B>PART 3 <BR><BR>THE FUTURE OF PSYCHEDELIC USE <BR>IN CONTEMPORARY SOCIETY<BR><BR></B>12 Ethical and Safety Considerations<BR><I>Maintaining Equilibrium while Reaching Catharsis<BR><BR></I>13 The Legal and Regulatory Landscape<BR><I>Navigating Treatment Protocols with<BR>a Changing Government<BR><BR></I>14 Artificial Intelligence and the Information Age<BR><I>Balancing the Possibilities with the Risks</I> <BR><BR>Conclusion: Embracing Universal Human Values<BR><BR>References<BR><BR>Index<BR><BR>About the Authors]]></Text>
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      <Text><![CDATA[&ldquo;Dr. Carlos Warter and Arthur Lawida have produced a tour de force that elegantly synthesizes the renaissance in psychedelic medicine with rigorous scholarship and clinical sophistication. Their Human Promise program represents a paradigm shift in how we conceptualize human potential&#8212;moving beyond conventional therapeutic models to embrace what the data increasingly supports: that psychedelics, properly integrated, may be psychiatry&rsquo;s most promising frontier. This book brilliantly navigates the intersection of neuroscience, consciousness studies, and emerging technologies with the intellectual rigor our field demands and the visionary thinking that readers and our patients deserve.&rdquo;]]></Text>
      <TextSourceTitle>Anna Yusim, MD, psychiatrist, executive coach, and best-selling author of Fulfilled</TextSourceTitle>
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      <Text><![CDATA[<I>&ldquo;Psychedelics and Human Potential</I> is a masterful synthesis of more than fifty years of Dr. Carlos Warter&rsquo;s pioneering work in the field of consciousness and psychedelics. With deep insight, Dr. Warter explores how these substances can catalyze both personal healing and the fulfillment of the Human Promise. This book is essential reading for anyone serious about integrating psychedelics into a journey of growth, transformation, and the realization of our highest potential.&rdquo;]]></Text>
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      <Text><![CDATA[&ldquo;Carlos Warter is a true &lsquo;psychedelic elder&rsquo; who shares in this book a wealth of wisdom gained over a lifetime investigating these powerful, mystical medicines.&rdquo;]]></Text>
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      <Text><![CDATA[<b>A chart-driven, practical guide from award-winning tech-finance expert Igor Pejic that shows investors how to beat the market by mastering the cycles of technology.</b><BR><BR>Technology has redefined the global economy and created trillion-dollar companies at breakneck speed. From AI and blockchain to crypto and Big Tech, fortunes are being made&#8212;and lost&#8212;every day. But for most investors, figuring out how to ride the next wave remains a mystery.<BR> <BR> In <I>Tech Money</I>, Igor Pejic&#8212;internationally recognized expert on the intersection of technology and finance&#8212;provides a clear, evidence-based roadmap. Through 100 carefully curated charts, Pejic explains how to recognize and realize &ldquo;technology alpha&rdquo;: the outsized returns generated by tech-driven investments. He demonstrates how to distinguish winners from hype, identify the sweet spot in the technology life cycle, and manage the risks of volatile sectors.<BR> <BR> Pejic combines rigorous research with insights from top investors, entrepreneurs, and technologists to reveal the rules of the new investment game. From spotting asymmetric opportunities in crypto to timing entries into frontier tech, readers will learn to harness the very cycles that confound even Wall Street veterans. Whether you&rsquo;re a retail investor, financial advisor, or executive deciding where to place tech dollars, <I>Tech Money </I>offers the systematic framework to grow wealth in the innovation economy.]]></Text>
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      <Text><![CDATA[<B>Igor Pejic </B>is a leading expert on technology and money, as well as an award-winning author, keynote speaker, and banker. Pejic is the author of&nbsp;<I>Blockchain Babel</I>&nbsp;and&nbsp;<I>Big Tech in Finance</I>, which earned him the Independent Press Award and made him a finalist at the Bracken Bower Prize awarded by McKinsey and the Financial Times.<BR> <BR>Pejic&rsquo;s articles and interviews regularly appear in media such as <I>The New York Times</I>,&nbsp;<I>American Banker</I>, and Bloomberg. He is the publisher of the Substack newsletter&nbsp;<I>The New Frontier</I>, in which he analyzes the latest trends about tech and finance and interviews leading personalities in the field. Pejic worked as a business journalist and a management consultant advising Fortune 100 companies, before occupying different management positions in banking, payments, and technology.]]></Text>
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      <Text><![CDATA[&ldquo;Igor Pejic approaches technology investing as a serious craft. He reads widely, writes clearly, and helps investors connect the energy of innovation with the discipline of capital.&rdquo;<BR> &mdash;<B>David Gardner</B>, co-founder of the Motley Fool and author of&nbsp;<I>Rule Breaker Investing&nbsp;</I><BR> &nbsp;<BR> &ldquo;In&nbsp;<I>Tech Money</I>,&nbsp;Igor Pejic turns complex market dynamics into crystal-clear insights.&nbsp; One hundred powerful charts reveal the real drivers of tech investing today.&nbsp; Clear, concise, and immediately actionable&mdash;highly recommended.&rdquo;<BR> &mdash;<B>Mike Rubin</B>, CEO of Northpond Ventures<BR> &nbsp;<BR> &ldquo;Understanding the business models for technology companies and their shortened life cycles is critical to telling plausible valuation stories for these companies.&nbsp; The information and tools in this book will help you navigate that treacherous landscape.&rdquo;<BR> &mdash;<B>Aswath Damodaran</B>, professor of finance at NYU Stern School of Business<BR> &nbsp;<BR> &ldquo;A great book full of clarity.&rdquo;<BR> &mdash;<B>Rupert Sausgruber</B>, rector of WU Vienna University of Economics and Business<BR> &nbsp;<BR> &ldquo;<I>Tech Money</I> provides a structured, data-backed framework for identifying where real asymmetric opportunities lie and when to act on them.&nbsp; Anchored by a hundred compelling charts, this is a smart guide for navigating the new game of technology investing.&rdquo;<BR> &mdash;<B>Jeff Desjardins</B>, founder and editor-in-chief of Visual Capitalist<BR> &nbsp;<BR> &ldquo;<I>Tech Money</I> demystifies the cycles of tech disruption and equips investors&mdash; beginners and seasoned alike&mdash;with the tools to spot high-conviction opportunities and time them effectively.&rdquo;<BR> &mdash;<B>Rick Heitzmann</B>, founder and managing director at FirstMark Capital<BR> <BR> &quot;One of the best things about this book is the quantity and quality of the advice provided. Each of the 100 mini-chapters is filled with tips or angle that investors can, with a little effort, profitably incorporate into their everyday behaviour, such as how to use patent filings to predict the areas in which the technologies of the future are going to appear. Even if the current tech boom proves to be overdone, this book is a treasure trove of practical advice that will change the way you approach investing.&quot;<BR> &ndash;<i><b>Money Week</b></i>]]></Text>
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      <Text><![CDATA[<B>The Remarkable True Story of Dan Tana</B><BR><BR>Serbian immigrant, soccer star, legendary Hollywood restaurateur, Dan Tana called himself the luckiest man alive, and lived as if it were true.<BR> <BR> Born in wartime Yugoslavia, Dan survived bombings, displacement, and the long shadows of World War II before fleeing as a teenage soccer prodigy in search of a future. What followed reads like a modern American myth: a refugee who became a European football star, an actor, a film producer, an unlikely companion of Frank Sinatra, James Dean, and other Hollywood immortals, and the founder of one of Hollywood&rsquo;s most beloved institutions.<BR> <BR> When Dan Tana&rsquo;s opened in 1964, it became more than a restaurant. It became a second home. Lew Wasserman, Fred Astaire, and John Wayne were regulars. Jack Nicholson, Linda Ronstadt, and Barbra Streisand passed through its red booths. Bobby Fischer was snuck in, Wilt Chamberlain towered over the room, Harry Dean Stanton basically lived at the bar, and generations of artists, athletes, and legends gathered not for spectacle&#8212;but for belonging. George Clooney, Leonardo DiCaprio, Joni Mitchell, Magic Johnson&#8212;the names span eras, but the feeling never changed.<BR> <BR> Told in Dan&rsquo;s warm, unassuming voice, <I>Everybody Came to Tana&rsquo;s</I> is as much about people as it is about fame. It&rsquo;s a story of friendship, loyalty, resilience, and gratitude. Of a man who crossed continents, survived history, and built a life that welcomed the world.<BR> <BR> At once an immigrant&rsquo;s journey, a love letter to Hollywood, a devotion to sport, and a portrait of a singular &ldquo;lucky&rdquo; life, <I>Everybody Came to Tana&rsquo;s</I> captures a spirit that cannot be replicated&#8212;only remembered and enjoyed.]]></Text>
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      <Text><![CDATA[<B>"As a member of EWF during its heyday, Johnson was arguably the band&rsquo;s most important member...A gentle reminiscence about a hard-driving pop act."&#8212;<I>Kirkus Reviews </I></B><BR> <BR><b>Embrace over fifty years of Earth, Wind & Fire through percussionist and vocalist Ralph Johnson&rsquo;s profound memoir. Ralph has seen it all and, for the first time, shares the inside story of their rise to fame through uplifting music, the challenges of the music industry, and the iconic mega band&rsquo;s mission to ascend themselves and listeners to greater heights. With 30 color photos inside! </b><BR><BR><i>Rhythm & Fire</i> is a roadmap of music, resilience, and reflection as Ralph Johnson digs deep to tell the motivational story of Earth, Wind & Fire, from humble roots to worldwide fame and success.<BR> <BR> Ralph began his drumming craft absorbing the vibrant energy of the &rsquo;60s and &rsquo;70s Los Angeles music culture where family and faith built the band&rsquo;s strong foundation. With the aid of founding vocalist Maurice White, they swear off the era&rsquo;s vices of excessive drugs and sex, instead aspiring to create powerful music of spirituality, hope, and soulfulness. Through this artistic exploration and their goal of spreading positive influence, their music propelled them around the world.<BR> <BR> While the band was as strong as Earth and ascended like the Wind, they faced their share of Fire as Ralph provides real insight into the band&rsquo;s struggles (such as Maurice&rsquo;s abrupt hiatus, leaving their future uncertain) and the years of personal evolution needed to reclaim their triumphs. As Ralph and the other bandmates learned to persevere individually, they found a renewed purpose and reignited the band, keeping their shining star ever bright.<BR> <BR> Ralph Johnson&rsquo;s genuine and inspiring stories delve into the deeper meanings of fame, success, faith, and community, proving why, even after fifty years of Earth, Wind & Fire, the band and its message still resonates with fans around the world today.]]></Text>
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      <Text><![CDATA[<B>Ralph Johnson</B> is the percussionist and vocalist for the legendary band Earth, Wind &amp; Fire. As an original member, he has witnessed five decades of thrills and awards including ASCAP, NAACP, BET, and Grammy Lifetime Achievement Awards, Rock &rsquo;n&rsquo; Roll Hall of Fame induction, a star on the Hollywood Walk of Fame, Kennedy Center Honors, and eight number one hits, leading to seven Grammys and 100 million albums sold globally.&nbsp;<BR><BR>Ahmir Khalib Thompson, who uses the stage name Questlove, is an American musician, producer, director, author, and DJ. He&#39;s best known as the drummer and co-frontman for the Grammy-winning hip-hop band the Roots, who have been the house band for <i>The Tonight Show Starring Jimmy Fallon</i> since 2014. He has published eight books<i>&nbsp;</i>including&nbsp;<i>Mo&#39; Meta Blues, Soul Train, Creative Quest,&nbsp;</i>and&nbsp;<I>Music is History&nbsp;</I>among others.<BR><BR>Rory Pullens, currently the Chief Learning Officer for Soapbox Studios, has been a Hollywood scriptwriter, producer, and longtime arts education administrator in Los Angeles, Denver, and Washington DC.&nbsp;]]></Text>
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      <Text><![CDATA[<b>A vivid, propulsive Revolutionary-era thriller with the spy-craft verve of the streaming hit <i>TURN: Washington&rsquo;s Spies</i> and the electricity of 1776&rsquo;s New York that <i>Hamilton</i> lovers will recognize, this story is inspired by the lone female operative in Washington&rsquo;s spy ring.</b><BR><BR>In occupied New York, a schoolteacher with everything to lose turns information into a weapon, threading between Redcoats and rebels as plots against Washington gather steam.<BR> &nbsp;<BR> After rogue Redcoats assault her and strip her family&rsquo;s Long Island farm, Abigail Trench fights to survive in New York City&mdash;tutoring in a high-ranking British officer&rsquo;s Water Street household by day, navigating taverns, informants, and soldiers by night. Through Abigail&rsquo;s keen eyes&mdash;and a counter-narrative following a principled British major&mdash;the novel renders the moral gray zones of occupation with gritty intimacy. As rumors swirl of a strike at General Washington, Abigail&rsquo;s vantage inside upper-crust parlors and rough waterfront rooms makes her an ideal courier&mdash;and a target.&nbsp;<BR> <BR>This historical thriller delivers high tension, textured world-building, and a captivating heroine who put it all on the line for freedom.]]></Text>
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      <Text><![CDATA[<B>On America&rsquo;s 250th anniversary comes the story of our nation&rsquo;s fiercest ideological struggle&#8212;over the Declaration&rsquo;s true meaning&#8212; fought by the Founders, enslaved people, suffragists, civil rights leaders, and more, an enduring battle that has tested and reaffirmed the unifying principles of our democracy. </B><BR><BR>As America celebrates the 250th anniversary of the Declaration of Independence, the nation remains divided over the true meaning of its most resonant words&#8212;equality, liberty, and unalienable rights. Alongside the historical figures who forged the most powerful interpretations of the Declaration&rsquo;s ideals, readers enter the rooms, streets, battlefields, churches, and courtrooms where these meanings were questioned, defended, and redefined. They encounter Thomas Jefferson drafting the Declaration under impossible pressure, Abigail Adams urging the nation to &ldquo;remember the ladies,&rdquo; Frederick Douglass insisting that America honor the universal promise of equality, and more. <BR> <BR>From the nation&rsquo;s founding through abolition, suffrage, anti-imperialism, civil rights, and beyond, here is the story of an evolving document that has inspired movements, fueled resistance, and sparked conflict from 1776 to today. Yet it is also the story of the Declaration&rsquo;s greatest strength: the power to unite.]]></Text>
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      <Text><![CDATA[<b>David J. Bobb, Ph.D.</b>, is President and CEO of the Bill of Rights Institute (BRI), one of the nation&rsquo;s leading civic-education organizations, whose programs reach tens of thousands of&nbsp;teachers and millions of students annually. A nationally recognized scholar of American political thought, Dr. Bobb has spent more than two decades working to strengthen civic knowledge and constitutional understanding through curriculum development, public programming, and large-scale educational initiatives.<BR> <BR> Before joining BRI, Bobb served as the founding director of the Kirby Center for Constitutional Studies and Citizenship at Hillsdale College in Washington, D.C., where he built a prominent academic center dedicated to studying the American founding and its enduring relevance. His writing has appeared in major national outlets, and he is a frequent lecturer at universities, civic organizations, and public-policy forums.<BR> <BR> Bobb has advised state and national leaders on civic education and has been a driving force behind several America 250 initiatives designed to reengage citizens with the nation&rsquo;s founding ideals. His career has been dedicated to helping Americans&mdash;especially young people&mdash;understand the principles and debates that shaped the Declaration of Independence, the Constitution, and the evolution of the republic.<BR><BR><b>Tony Williams</b> is a Senior Fellow at the Bill of Rights Institute and one of today&rsquo;s&nbsp;most widely read interpreters of the American founding. The author of six acclaimed works of narrative history, including <i>The Pox and the Covenant</i>, <i>Washington and Hamilton: The Alliance That Forged a Nation</i>, and <i>Hamilton: An American Biography</i>, Williams has built a distinguished career bringing early American history to life for general readers, teachers, and students. His books have been praised for their dramatic storytelling, meticulous research, and ability to frame historical moments within broader political and ideological currents.<BR> <BR> Williams has spent more than twenty years teaching, speaking, and writing about the ideas that shaped the nation, with particular expertise in the Revolutionary era, the early republic, and the struggles to define American liberty. At BRI, he helps lead national teacher-training programs, authors curriculum materials used in classrooms across the country, and collaborates with partner institutions on civic-education initiatives reaching millions of learners.<BR> <BR> A sought-after lecturer, Williams presents regularly at schools, historical societies, libraries, teacher conferences, and civic forums. His deep knowledge of founding-era debates&mdash;and his gift for connecting them to the civic challenges of the present&mdash;make him a vital voice in the country&rsquo;s ongoing conversation about the meaning of the Declaration of Independence.]]></Text>
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      <Text><![CDATA[&ldquo;Sometimes a book is published with just the right message at just the right time.&nbsp; David Bobb and Tony Williams are bringing us that book now. They are masters of the brilliance of our founding documents.&nbsp;The principles not only withstand the test of time, but bind us together&nbsp;whenever we foolishly try and pull apart at the seams. I know their message will resonate with both academics and the average citizen alike.&rdquo;<BR> &mdash;<b>Colonel Robert Naething</b>, U.S. Army (retired)<BR> <BR> &ldquo;Offers readers compelling evidence of the importance of the Declaration&rsquo;s promise of equality and liberty in our national&nbsp;history. In each chapter, the authors bring to life the debates over the meaning of this promise and introduce us to the women and men who shaped those debates. The civic conversation they focus on is as critical today as it was in preceding centuries&mdash;and the authors make their case for our participation in that conversation today.&rdquo;<BR> &mdash;<b>Carol Berkin</b>, author of&nbsp;<i>A Brilliant Solution: Inventing the American Constitution</i><BR> <BR> &ldquo;This important and insightful analysis of Americans&rsquo; longstanding relationship with the Declaration of Independence focuses on that document&rsquo;s enduring power to both unite and divide. As Bobb and Williams demonstrate, for 250 years Americans have debated how best to interpret and apply the Declaration. The ongoing struggle to make good on its promises and live up to its principles has yielded revolutionary results.&rdquo;<BR> &mdash;<b>Robert M. S. McDonald</b>, United States Military Academy, author of&nbsp;<i>Confounding Father: Thomas Jefferson&rsquo;s Image in His Own Time</i><BR> <BR> &ldquo;Getting Americans interested about America has become both a major challenge and a grave national need. Divided by the Declaration offers an engaging path for citizens&hellip; to appreciate our common ground by embracing our tradition of profound argument about our founding document. Bobb and Williams invite us to join the debate so we can discover, or renew, our civic commitment to a country that quite amazingly protects and respects civil disagreement about its core ideals. This is a feast for learners of all ages and backgrounds.&rdquo;<BR> &mdash;<b>Paul Carrese</b>, Director, Center for American Civics, Arizona State University, author of&nbsp;<i>Teaching America: Reflective Patriotism in Schools, College, and Culture</i><BR> <BR> &ldquo;A timely book for the celebration of the 250th anniversary of the Declaration of Independence, and a bold invitation to discuss the meaning of the timeless principles of America&rsquo;s defining document.&rdquo;<BR> &mdash;<b>Shilo Brooks</b>, President and CEO, George W. Bush Presidential Center<BR> <BR> &ldquo;<i>Divided Over the Declaration&nbsp;</i>provides a whirlwind tour of American history, driven forcefully forward by its focus on our nation&rsquo;s founding. . . . This is history as it should be learned, and enjoyed: the push and pull, give and take, over competing conceptions of human flourishing and political community. The word &lsquo;divided&rsquo; has come to have overwhelmingly negative connotations, but Bobb and Williams show that being forever divided over the Declaration is in fact a quintessentially American tradition and one that unites us as citizens of our republic.&rdquo;<BR> &mdash;<b>Oren Cass</b>, chief economist,&nbsp;<i>American Compass</i><BR> <BR> &ldquo;Bobb and Williams demonstrate that the Declaration of Independence has not only served as a moral touchstone, but a &ldquo;corrective mechanism&rdquo; throughout America&rsquo;s history.&nbsp;Highly readable and peppered with riveting anecdotes,&nbsp;<i>Divided</i>&nbsp;takes the reader on a journey that begins with Thomas Jefferson and John Adams, continues through Frederick Douglass, Abraham Lincoln, and women&rsquo;s suffrage in the 19th century, and culminates in the 1963 March on Washington and Martin Luther King and John Lewis.&nbsp;An engrossing history lesson in itself<i>, Divided</i>&nbsp;makes a strong argument for better civics and history education, so that the Declaration&rsquo;s relevance never fades.&rdquo;<BR> &mdash;<b>Joseph Wheelan</b>, author of&nbsp;<i>Mr. Adams&rsquo;s Last Crusade: John Quincy Adams&#39;s Extraordinary Post-Presidential Life In Congress</i>]]></Text>
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      <Text><![CDATA[<B>For newly diagnosed cancer patients, a uniquely comprehensive and empowering guide offering all the information needed to navigate critical early decisions with clarity, confidence, and a greater sense of control.</B><BR><BR>&ldquo;You have cancer.&rdquo; Few phrases hit harder&mdash;or leave you feeling more lost.<BR> <BR><I>Just Diagnosed </I>is a compassionate resource for people reeling from the shock of a life-changing diagnosis. Written by seasoned journalist and twenty-four-year cancer survivor Jennifer Omholt, this practical guide empowers patients to take charge of their care from day one. With warmth and clarity, Omholt offers guidance on how to share the news, enlist the help of loved ones, prepare for appointments, ask the right questions, build a trusted care team, and navigate insurance.<BR> <BR>In addition to logistical guidance, this book offers emotional support and evidence-based integrative therapies that support immune health and ease anxiety, depression, and fatigue. A dedicated chapter on financial resources also offers real-world tools for managing the high cost of cancer care.<BR> <BR>With a foreword by Dr. Debu Tripathy of MD Anderson Cancer Center, <I>Just Diagnosed</I> draws on lived experience to shepherd readers from overwhelm to action, helping them feel less alone, more prepared, and ready to take the next step.]]></Text>
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      <Text><![CDATA[&ldquo;For the past forty years, I have been asked to read and review a great many books on the cancer experience.&nbsp;<i>Just Diagnosed</i>&nbsp;is unquestionably one of the best and most useful. It is beautifully written with profound insights and great wisdom.&rdquo;<b>&mdash;Rachel Naomi Remen, MD,&nbsp;<i>New York Times</i>&nbsp;best-selling author of&nbsp;<i>Kitchen Table Wisdom</i>&nbsp;and cofounder of the Commonweal Cancer Help Program</b><BR> <BR> &ldquo;<i>Just Diagnosed</i>&nbsp;is a compassionate, practical guide that empowers patients to take charge of their care so they can navigate cancer with clarity and confidence. Drawing on personal experience and evidence-based strategies, Jennifer Omholt provides tools for informed medical decisions and for building emotional and physical resilience. An essential resource for anyone facing the uncertainty of a new diagnosis.&rdquo;<b>&mdash;Lorenzo Cohen, PhD, Richard E. Haynes Distinguished Professor and Director, Integrative Medicine Program, MD Anderson Cancer Center, and coauthor of <i>Anticancer Living: Transform Your Life and Health with the Mix of Six</i></b><BR> <BR> &ldquo;What a treasure! A blow-up of the cover should be posted by the front entrance of all cancer centers. <i>Just Diagnosed</i> is an invaluable gift to people commencing their cancer journey who seek to increase their sense of control and become an active participant on their care team. Incredibly complete, detailed, user-friendly, and empowering!&rdquo;<b>&mdash;Donald I. Abrams, MD, Professor Emeritus of Medicine, University of California, San Francisco, and&nbsp;specialist in integrative cancer care&nbsp;at the UCSF Osher Center for Integrative Health</b><BR> <BR> &ldquo;You are not a statistic; this guide ensures you won&rsquo;t feel like one. J<i>ust Diagnosed</i> transforms fear into actionable steps, blending personal insight with practical tools&mdash;from diaphragmatic breathing techniques to navigating clinical trials and medical bills.&rdquo;<BR> <b>&mdash;Ting Bao, MD, MS, FSIO, Co-Director, Leonard P. Zakim Center for Integrative Therapies and Healthy Living at the Dana-Farber Cancer Institute; Associate Professor, Harvard Medical School</b><BR> <BR> &ldquo;The days and weeks after hearing the words &lsquo;You have cancer&rsquo; can be among the most overwhelming moments in a person&rsquo;s life. Drawing from her lived experience, Jennifer shares thoughtful, practical guidance and resources for patients and families as they take their first steps on the cancer journey&mdash;because survivorship begins at the moment of diagnosis.&rdquo;<B>&mdash;Jun J. Mao, MD, MSCE,&nbsp;Chief, Integrative Medicine and Wellness Service,&nbsp;and&nbsp;Laurance S. Rockefeller Chair in Integrative Medicine&nbsp;at Memorial Sloan Kettering Cancer Center</B><BR> &nbsp;<BR> &ldquo;Cancer survivorship is most often measured retrospectively.&nbsp;<I>Just Diagnosed</I>&nbsp;reorients the cancer journey by affirming that survivorship begins at diagnosis. By acknowledging the existential shock of a new cancer diagnosis, this book guides patients to build their care team, surround themselves with support, and pursue evidence-based treatment while remaining open to complementary approaches.&rdquo;<B>&mdash;Robert A. Figlin, MD, FACP,&nbsp;Steven Spielberg Family Chair in Hematology-Oncology, professor of medicine and biomedical sciences, and interim director at Cedars-Sinai Cancer and interim director of the Samuel Oschin Comprehensive Cancer Institute</B><BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>For fans of Bren&eacute; Brown, Suze Orman, or Lynne Twist comes this compassionate, transformative guide&mdash;an essential roadmap to uncovering the emotional roots of money struggles, transforming relationships, and finally finding true financial peace.</B><BR><BR>Have you ever wondered <I>why</I> you handle money the way you do? Why anxiety creeps in when you check your bank account, or why certain spending habits seem impossible to break?<BR> <BR>In this eye-opening guide, author and financial wellness coach Tari Vickery explores the deep emotional currents that shape your financial life, taking you beneath the surface to reveal how childhood experiences, family dynamics, and societal messages silently influence every money decision you make. Through candid personal stories and compelling client experiences, Vickery shows how unresolved money trauma, emotional spending, and inherited beliefs can quietly control your financial reality&mdash;often more than income or education ever could.<BR> <BR>But this isn&rsquo;t just about awareness&mdash;it&rsquo;s about healing. With compassion and clarity, Vickery offers a powerful path to understand your money story and rewrite it. With her help, you&rsquo;ll uncover the emotional patterns driving your financial behavior and learn how to build a healthier, more empowering relationship with money.<BR> <BR>Whether you&rsquo;re starting fresh or seeking a deeper shift, <I>The Emotional Side of Money </I>will help you release anxiety, reclaim your power, and finally feel at peace with your finances&mdash;from the inside out.]]></Text>
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      <Text><![CDATA[&ldquo;Readers will find themselves in good hands . . . A sage and caring guide to facing one&rsquo;s fears about money.&rdquo;&mdash;<i><b>Kirkus Reviews</b></i><BR> <BR> &ldquo;By tackling a topic that is often taboo, Vickery opens communication lines between generations, nudges readers toward self-compassion, and paves the way toward a &lsquo;powerful, peaceful relationship with money.&rsquo;&rdquo;<B>&mdash;BookLife Reviews</B><BR> <BR> &ldquo;With warmth and compassion, Tari Vickery invites us to gently explore the emotions and stories that shape our relationship with money.&nbsp;<i>The Emotional Side of Money</i>&nbsp;is a wise and reassuring guide, leading us from fear or shame into peace, freedom, and alignment with what matters most. It is more than a book about money&mdash;it is a path to financial well-being.&rdquo;<b>&mdash;Lynne Twist, author of&nbsp;<i>The Soul of Money</i></b><BR> <BR> &ldquo;In <i>The Emotional Side of Money</i>, Tari Vickery feels like a wise, compassionate friend, helping us discover why money so often brings stress. With warmth and clarity, she guides us through uncovering lifelong patterns and experiences, transforming anxiety into confidence, peace, and even joy.&rdquo;<b>&mdash;Julie Lythcott-Haims, New York Times best-selling author of <i>How to Raise an Adult</i></b><BR> <BR> &ldquo;Years ago, Tari visualized this book into being&mdash;literally wrapping a handmade cover around her dream. Now it&#39;s real! And so is her gift: Tari shows us that our stories about money can transform for the better. With passion, heart, and hard-won wisdom, Tari proves abundance starts with belief.&rdquo;<b>&mdash;Elle Luna, author&nbsp;<i>The Crossroads of Should and Must</i></b><BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>For readers trying to make sense of America&rsquo;s political turmoil and eroding reproductive rights, an incisive examination, enhanced with personal stories, of how care work has been extracted and compelled throughout American history.</B><BR><BR>In the wake of <i>Dobbs, </i>and now with the country in the grip of Trump and a resurgent far right, the question everyone seems to be asking is&#8212;<i>How could this happen in America?</i> Lawyer Carolyn McConnell has a few ideas. <BR> <BR> After becoming a mother, McConnell was forced to face the myth of autonomy that American individualism breeds: the idea that independence is always good and dependence always bad. <i>Why does America have such a problem offering social support for care work</i>, she wondered,<i> when mothering is the essential work of reproducing society?</i><BR> <BR> In <i>Motherhood Discounted</i>, McConnell turns a searching eye on autonomy, asking what it is and what it is for. Tracing this myth&rsquo;s development through American history, she frames each episode with personal stories and incisive analysis. In doing so, she offers women readers of all ages seeking to understand their own experiences in these disturbing times a potent explanation for how we got here&#8212;and sounds a clarion call for political change.]]></Text>
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      <Text><![CDATA[<B>Carolyn McConnell</B>&nbsp;is a lawyer and an activist dedicated to resisting attacks on public services. She has published extensively on reproductive rights, feminism, and women&rsquo;s history and holds graduate degrees in philosophy from Johns Hopkins University and nonfiction writing from the University of Iowa. She lives in Seattle, Washington.]]></Text>
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      <Text><![CDATA[&quot;The author makes her case in supremely cogent and delightfully pointed terms, conducting an intensive interrogation of female oppression.&quot;<b >&mdash;<i>Kirkus Reviews&nbsp;</i>(starred review)</b>]]></Text>
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      <Text><![CDATA[&quot;McConnell creatively deploys an incisive, cutting analysis of seemingly disparate histories&mdash;from witchcraft to welfare, Cesarean sections to safety nets&mdash;to weave together a broader understanding of autonomy, care, and our unfulfilled social contract to both mothers and families.&quot;<b >&mdash;Gretchen Sisson, author of&nbsp;<i>Relinquished</i></b>]]></Text>
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      <Text><![CDATA[&quot;As right-wing movements worldwide demand that women embrace motherhood as a matter of national security&mdash;while continuing to denigrate support for families as parasitism&mdash;McConnell&rsquo;s message can&rsquo;t come soon enough.&quot;<b >&mdash;Kathryn Joyce, author of&nbsp;<i>The Child Catchers</i>&nbsp;and&nbsp;<i>Quiverfull</i></b>]]></Text>
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      <Text><![CDATA[&quot;Who&rsquo;s afraid of dependency? Certainly not Carolyn McConnell, whose bold and illuminating book exposes the myth of autonomy for what it is: a lie that effectively devalues and exploits care work; normalizes patriarchy, poverty, racism, and ableism; undermines reproductive rights; endangers mothers and children; and obscures the real source of our deeply unequal world. McConnell offers a path forward, a declaration of dependence that demands we think, act, and count differently.&quot;<b>&mdash;Robin D. G. Kelley,</b>&nbsp;<b>PEN America Open Book Award&ndash;winning</b>&nbsp;<b>author of&nbsp;<i>Thelonious Monk&nbsp;</i>and&nbsp;<i>Yo&rsquo; Mama&rsquo;s DisFunktional</i></b>]]></Text>
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      <Text><![CDATA[&quot;In this accessible, carefully researched book, Carolyn McConnell inspires us to imagine alternative modes of living in community, rooted in care and a robust recognition of our interdependence.&rdquo;<B>&mdash;</B><B>Emily Callaci, professor of history at the University of Wisconsin-Madison and author of&nbsp;<I>Wages for Housework</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;This important book explains how the &lsquo;autonomy myth&rsquo; blinds us to the reality that we all are dependent throughout our lives on social relationships, and institutions. Carolyn McConnell uses her experience as a mother to compellingly demonstrate how this affects not only individual lives but the entire society. Highly recommend.&rdquo;<B>&mdash;Martha Albertson Fineman, Robert W. Woodruff Professor of Law and author of&nbsp;<I>The Autonomy Myth</I></B>]]></Text>
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      <Text><![CDATA[<B>For fans of the series&nbsp;<I>Finding Your Roots</I>,&nbsp;</B><B>a compelling memoir about how land connects us all&mdash;and how, if we are to mend our relations to each other and the earth, we must first reckon with our past, no matter how distant, shameful, or tragic.</B><BR><BR>When Jill Swenson returns to her mother&rsquo;s hometown after her funeral, she finds a new Seven Clans Casino under construction in Warroad, Minnesota, on Lake of the Woods. There, she learns, Red Lake Nation has recently dispossessed descendants of Ojibway spiritual leader Kakaygeesick from their land&mdash;land where the family has lived for the last two centuries&mdash;and has also denied them tribal membership.&nbsp;<BR> <BR>In searching for answers, Jill meets the great-grandson of Kakaygeesick. Over weeks, months, and years, a friendship forms between them, and Jill gradually discovers what allotments, blood quantum, and the history of the Bureau of Indian Affairs have to do with her, the great-granddaughter of immigrants who homesteaded on reservation land. Estranged from her father, still mourning the suicide of her husband and the loss of their farm in upstate New York, and now grieving her mother&rsquo;s death, Jill has spent decades trying to put the past behind her&mdash;but discovers the only path forward is to reckon with history.<BR> <BR>Clear-eyed and yet deeply personal,&nbsp;<I>The Land of Everlasting Sky&nbsp;</I>is a compelling exploration of the history we inherit and our relationships to land and each other.]]></Text>
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      <Text><![CDATA[<B>Jill D. Swenson</B>&nbsp;grew up in the Twin Cities and moved to Wisconsin in high school. She graduated from Lawrence University and earned an MA and PhD from The University of Chicago before going on to teach journalism and media studies at the University of Georgia-Athens and earn tenure at Ithaca College. For a decade she lived off the grid on a small-scale sustainable farm in upstate New York; now she lives in Appleton, Wisconsin, where she works as an editor and literary consultant, belongs to a curling club and a poetry group, and enjoys walking her dog.&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;Deeply moving and eye-opening, this memoir confronts the centuries of systemic bigotry that have led to Indigenous erasure.&rdquo;<b >&mdash;<i>Kirkus Reviews</i></b>]]></Text>
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      <Text><![CDATA[&quot;<i >The Land of Everlasting Sky</i>&nbsp;is a beautiful and heartbreaking memoir that delves deeply into notions of place, identity, reconciliation, and justice. Jill Swenson achieves something devastating in this uncommonly honest and vulnerable story&mdash;bravo.&quot;<b >&mdash;Nickolas Butler, author of&nbsp;<i>Shotgun Lovesongs</i>&nbsp;and&nbsp;<i>A Forty Year Kiss</i></b>]]></Text>
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      <Text><![CDATA[&ldquo;A lamentation for sacred places on land and in the heart.&rdquo;<B>&mdash;Carolyn&nbsp;Porter, author of&nbsp;<I>Marcel&#39;s Letters</I></B>]]></Text>
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      <Text><![CDATA[&quot;The past is ever present in Jill Swenson&rsquo;s&nbsp;<i >The Land of Everlasting Sky</i>, a raw, unsparing memoir that braids together history, grief, love, and loss into a moving portrayal of identity, place, and belonging.&quot;<b>&mdash;Cathryn J. Prince, journalist and author of&nbsp;</b><i ><b>For the Love of Labor</b></i>]]></Text>
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      <Text><![CDATA[&ldquo;If a young Jill Swenson breathed in Kakaygeesick&rsquo;s spirit, this memoir is the long-awaited exhale&mdash;a guided meditation blending research and memory, facts and dreams, history and hallucination.&rdquo;<B>&mdash;Laura Jean Baker, author of&nbsp;<I>The Motherhood Affidavits</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;<I>The Land of Everlasting Sky</I>&mdash;quite literally&mdash;takes readers down a narrow road to the deep north. It&rsquo;s an&nbsp;emotional and spiritual journey&nbsp;into the heart of a family&rsquo;s history, as well as the forgotten history of a uniquely rugged and remote geography. A compelling and affecting tale.&rdquo;<B>&mdash;David McGlynn, author of&nbsp;<I>Everything We Could Do</I></B>]]></Text>
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      <Text><![CDATA[&ldquo;To make sense of her personal losses and the losses of the Ojibway people of Minnesota, Jill Swenson takes us on a uniquely absorbing journey into the past, through her own deeply meaningful relationships to people and place as well as through painful, painstaking research. Like two rivers flowing to the same sea, these twinned stories feed a larger American story&mdash;one of grief and hope&mdash;of how we carry each other&#39;s histories within us.&rdquo;<B>&mdash;Eleanor Henderson, author of&nbsp;<I>Everything I Have Is Yours</I></B>]]></Text>
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      <Text><![CDATA[<B>Seventeen-year-old Lexa Donovan&rsquo;s timid, plus-size life goes sideways when the spirit of Marilyn Monroe takes up residence in her body in this laugh-out-loud funny paranormal YA tale perfect for fans of Lisa Schroeder and Ashley Poston.</B><BR><BR>High school senior Lexa Donovan longs to be more than a bit player in her own drab life&mdash;and when she&rsquo;s chosen to be part of her school&rsquo;s spring production of <I>Bus Stop</I>, she thinks her wish has come true. But her thrill turns to panic when she&rsquo;s tapped to play the leading role, sexy showgirl Cherie. One thing tall, plus-size Lexa knows for sure is that she is the exact opposite of the most famous Cherie ever: sex-goddess Marilyn Monroe.<BR> <BR>Lexa wants out before she makes a fool of herself in front of everyone. But then something entirely unexpected happens: The spirit of Marilyn Monroe appears&mdash;ready and willing to be Lexa&rsquo;s personal acting coach&mdash;and talks her out of quitting.&nbsp;<BR> <BR>Soon, Lexa&rsquo;s life becomes a screwball comedy, with her bouncing between Marilyn&rsquo;s acting &ldquo;help,&rdquo; her crush on her gorgeous co-star Brian, and her unexpected attraction to the mysterious Jeremy Leith. Comedy shifts to drama, though, as Lexa&rsquo;s fear of humiliation&mdash;fueled by Brian&rsquo;s jealous girlfriend&mdash;morphs into full-on stage fright. A fright that grows dangerously intense when Marilyn starts having decidedly un-spiritish feelings that have nothing to do with Lexa or the play.<BR> <BR>Before the curtain rises on opening night, Lexa and Marilyn will have to learn to trust their own hearts and act on what each truly needs to move on&mdash;in life and in death.&nbsp;]]></Text>
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      <Text><![CDATA[<B>Mima Tipper</B> is half Greek and half American, and her writing reflects her heritage&mdash;a little bit old-country, a little bit rock and roll; one foot wandering through the dreamy realm of myths and faerie tales, the other running on the solid ground of fast-paced, contemporary story. She earned her MFA in Writing for Children and Young Adults from Vermont College of Fine Arts, and has published YA fiction in <I>Hunger Mountain</I> and <I>Sucker Literary</I> magazine. When not working on her own writing, she is committed to promoting literacy and to supporting the writing community. Mima lives in Vermont.&nbsp; &nbsp;]]></Text>
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      <Text><![CDATA[<B>For fans of Jennette McCurdy&rsquo;s&nbsp;<I>I&rsquo;m Glad My Mom Died</I>, a memoir for daughters who recognize that to truly understand themselves and the patterns of their lives, they must first understand their mothers and the forces that shaped these women.</B><BR><BR>When Margaret Whitford&rsquo;s mother was dying, she told those present that her daughter &ldquo;had her history.&rdquo; This was true; Margaret had conducted interviews with her mother during the last decade of her life. But this didn&rsquo;t end their estrangement, and Margaret chose not to return to her mother&rsquo;s side during her final days.<BR> <BR>In this memoir, Margaret confronts this decision by unearthing in her mother&rsquo;s traumatic history the roots of the emotional distance between them. She explores how a history marked by the devastation of World War II in Europe, a violent childhood home, and sexual assault accumulated into complex PTSD that shaped her mother and the way she parented Margaret as her firstborn and as a daughter&mdash;and, in turn, how Margaret carried her mother&rsquo;s trauma forward in her sense of self, in her relationships to others, and in the ways she navigated her world. Indeed, Margaret not only&nbsp;<I>had</I>&nbsp;her mother&rsquo;s history&mdash;she embodied it.<BR> <BR>Ultimately,&nbsp;<I>The History We Carry</I>&nbsp;confronts the legacy of intergenerational trauma with wisdom and compassion, revealing how familial history shapes each of us but need not be wholly determinative of whom we become and how we choose to live.&nbsp;]]></Text>
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      <Text><![CDATA[&ldquo;An unflinching, well-rendered memoir that generously encompasses love, trauma, and the fraught relationship between a mother and daughter.&rdquo;<b>&mdash;<i>Kirkus Reviews&nbsp;</i>(starred review)</b><BR> <BR> &ldquo;Margaret Whitford&rsquo;s compelling memoir&mdash;a reflection on her family history, her relationship with her mother, and trauma that spans generations&mdash;is clear-eyed, compassionate, and often startling in its insight and originality. I was engrossed from beginning to end.&rdquo;<B>&mdash;Clifford Thompson, author of&nbsp;<I>Jazz June: A Self-Portrait in Essays</I></B><BR> &nbsp;<BR> &ldquo;Rarely have I finished a memoir understanding how our histories, both personal and generational, live and breathe within us in the present. By unearthing the complicated and poignant relationship she has with her mother, Margaret Whitford also powerfully speaks to the collective soul-searching so vitally necessary during these trying times. Written in elegant, luminous prose, this is a memoir that will stay with you long after the story is told.&rdquo;<B>&mdash;Ken Harvey, author of <I>The Book of Casey Adair</I></B><BR> &nbsp;<BR> &ldquo;Despite Tolstoy&rsquo;s famous quote&mdash;families are generally neither happy nor unhappy&mdash;they are complicated, like Whitford&rsquo;s. This important memoir delves into sibling conflict, parental infidelity, and substance abuse. Overlying these familial tensions is geopolitical upheaval and the effects of successive world wars, almost unwanted family members themselves. <I>The History We Carry</I>&nbsp;seats them together at its literary table and gives each their due in courageous, precise, and ultimately both urgent and forgiving prose.&rdquo;<B>&mdash;Sue William Silverman, author of <I>Selected Misdemeanors: Essays at the Mercy of the Reader</I></B><BR> &nbsp;<BR> &ldquo;An exhilarating mix of memoir and deep personal research,&nbsp;<I>The History We Carry&nbsp;</I>explores a mother&rsquo;s complex history and a daughter&rsquo;s lifelong struggle to understand and connect with her mother. In clear prose that never presents simple answers but rather digs to discover unknown truths and questions even her own long-held narratives, Margaret Whitford has written a robust story of love and trauma.&rdquo;<B>&mdash;Sheryl St. Germain, author of&nbsp;<I>50 Miles</I></B><BR> &nbsp;<BR> &ldquo;All our parents live lives before we arrive, lives that come to bear on our own. In this new memoir, Margaret Whitford bravely ventures into her mother&rsquo;s past to better understand her own present and future.&nbsp;<I>The History We Carry&nbsp;</I>is a gorgeously written book about generational trauma and the intersections of love and grief. It&rsquo;s a stunning debut.&rdquo;<B>&mdash;Lee Martin, author of Pulitzer Prize finalist&nbsp;<I>The Bright Forever</I></B><BR> &nbsp;]]></Text>
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      <Text><![CDATA[<B>For readers of&nbsp;<I>Why Be Happy When You Could Be Normal?</I>, a debut memoir about a woman born into a conservative family who spends decades grappling with self-acceptance and her parents&rsquo; conditional love&mdash;until she finally learns how to love herself.</B><BR><BR>Born with a cleft lip into an upper-middle-class, conservative family obsessed with image and success, Jill Vanneman was subjected early to a &ldquo;perfection campaign&rdquo; aimed at erasing flaws.&nbsp;<BR> <BR>Told with unflinching honesty, moments of wit, and emotional depth, this coming-of-age story unfolds against the backdrop of 1980s America&mdash;a time and place where being a lesbian could cost you your job, your family, and your sense of self. As she grows into adolescence, college, and early adulthood, Jill begins to question not only her place in her family but also her sexual identity. Her journey leads her through turbulent relationships, professional achievements shadowed by internalized shame, and a heartbreaking attempt to reconcile with disapproving parents. Gradually, through therapy, spiritual exploration, and painful introspection, Jill learns that healing doesn&rsquo;t come from perfection but from embracing the flawed, fierce truth of who she is.&nbsp;<BR> <BR>A raw, deeply personal memoir of family expectations, social shame, and a relentless drive for perfection,&nbsp;<I>The Perfection Campaign</I>&nbsp;is a compelling testament to resilience, identity, and the high cost&mdash;and ultimate liberation&mdash;of living authentically.]]></Text>
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      <Text><![CDATA[<B>After heartbreak in Pennsylvania, a forty-five-year-old widow journeys to Sudan&rsquo;s war zone, where a chaotic maternity ward teaches her a new kind of strength&mdash;and becomes her path to healing.</B><BR><BR>When Sheila&rsquo;s husband died, grief didn&rsquo;t just visit&#8212;it swallowed her whole. She didn&rsquo;t want casseroles or kind words. She wanted out.<BR> <BR> Broken and carrying a battered rucksack, she joined a humanitarian mission in war-torn South Sudan, where gunfire drove her under delivery-room tables and days blurred as she triaged mothers and children ravaged by tropical disease. But even the pulse of the frantic mission could not strip away her sorrow until she heard the ululation of the Sudanese women: a fierce, haunting cry, to celebrate life, to exorcise sorrow, and to rip the past from the body to make space for the now.<BR> <BR> <i>Waiting for the Kick: A Midwife&rsquo;s Grief and Rebirth in Africa</i> recounts Sheila Kimble Haas&rsquo;s journey from a home thick with loss in America to the edge of the world, where she delivers babies in mud-walled clinics, navigates tribal customs and civil unrest, and stands shoulder-to-shoulder with women whose strength redefined survival.<BR> <BR> This powerful memoir of loss, reckoning, and unexpected transformation is both a tribute to the unbreakable spirit of women and the story of a midwife who discovered that healing begins not in comfort, but in surrender.]]></Text>
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      <Text><![CDATA[<B>For readers of Armistead Maupin&rsquo;s&nbsp;<I>Logical Family</I>, a heartfelt coming-out and coming-of-age story of a young man uniting his divided self and finding proof of eternal love&rsquo;s existence.</B><BR><BR>When society is primed to regard you as an outcast even before a sexually transmitted disease starts killing your gay brothers, coming out of the closet is hard enough&mdash;but even that is only the first step. Afterward, it can be challenging to cultivate self-respect, let alone find the lasting love you deserve and the home you crave.&nbsp;<BR> <BR>In this earnest, hopeful memoir, Brooks Kolb explores the conflict between his personal and professional identities as he traces his round trip journey from Seattle to Paris, Philadelphia, London, and San Francisco against the backdrop of the 1970s sexual revolution and the devastating AIDS pandemic that followed. During his travels, Brooks becomes a landscape architect, comes out of the closet, crosses racial barriers to win lasting love, loses that love, and finds belonging. Along the way he learns that freedom demands that one construct their own morality in the face of social ostracism, that loss is an inherent attribute of love, and that the need to belong can be just as urgent as the need for love.<BR> <BR>Heartbreaking but ultimately inspiring,&nbsp;<I>Landscape in Lavender</I>&nbsp;will charm readers across generations&mdash;LGBTQ+, cisgender, and straight alike&mdash;who struggle, or have struggled, to live a truly authentic life.]]></Text>
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      <Text><![CDATA[<B>Brooks Kolb&nbsp;</B>was educated at the American College in Paris, University College London, and the University of Pennsylvania. At Penn he trained under Ian McHarg, famed author of&nbsp;<I>Design With Nature</I>, and with Laurie Olin, subject of the 2024 documentary&nbsp;<I>Sitting Still</I>. After coming out of the closet, he moved to San Francisco, where he witnessed two key periods of gay history: the post-Stonewall era of sexual liberation and the tragic AIDS epoch. The principal of Brooks Kolb LLC Landscape Architecture and an avid swimmer, Brooks lives in Seattle with his husband, Dennis, and their dog, Stella.]]></Text>
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      <Text><![CDATA[&ldquo;A&nbsp;moving, meditative memoir about the nonlinear process of coming out to oneself and one&rsquo;s family.&rdquo;<b >&mdash;<I>Foreword Clarion Reviews</I></b>]]></Text>
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      <Text><![CDATA[&ldquo;Kolb tells a heartfelt tale of searching, discovery, lust, leather, and love.&nbsp;<i >Landscape in Lavender</i>&nbsp;is the memoir of an adventurous, aspiring young man on his way to liberation and wisdom.&rdquo;<b >&mdash;Laura Kalpakian, author of&nbsp;<i>Memory Into Memoir</i></b>]]></Text>
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      <BiographicalNote><![CDATA[Stephen King was born in Portland, Maine in 1947, the second son of Donald and Nellie Ruth Pillsbury King. He made his first professional short story sale in 1967 to Startling Mystery Stories. In the fall of 1971, he began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels. In the spring of 1973, Doubleday &amp; Co., accepted the novel Carrie for publication, providing him the means to leave teaching and write full-time. He has since published over 50 books and has become one of the world&#39;s most successful writers. King is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to the American Letters and the 2014 National Medal of Arts.<BR> <BR>Stephen lives in Maine and Florida with his wife, novelist Tabitha King. They are regular contributors to a number of charities including many libraries and have been honored locally for their philanthropic activities.<BR> <BR>Photo Credit: Shane Leonard]]></BiographicalNote>
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      <Text><![CDATA[<b>The first collection from <i>USA Today</i> bestselling author Nat Cassidy, featuring his unique blend of gleefully terrifying short fiction.</b><BR> <BR> <b>"These stories are f*cking great. They rule. So read them." &#8211; Stephen King, from his introduction</b><BR><BR>There are locations in this world where the light doesn&rsquo;t seem to reach. Where, no matter how illuminated the place might be, shadows creep in too strongly to fight back.<BR> <BR> A suspiciously empty gas station rest stop in the middle of the night, littered with googley eyes... A doctor&rsquo;s office, where a bottle of booze and a tear-stained folder wait on the desk... A tech millionaire&rsquo;s haunted kitchen... A Bible-quoting ventriloquist&rsquo;s dingy apartment... A yoga retreat in the middle of the desert, silent except for the screaming...<BR> <BR> These locations and more are your destination and bestselling author Nat Cassidy will be your guide. Featuring the Bram Stoker Award-nominated, critically acclaimed novella <i>Rest Stop</i> (one of <i>Esquire</i>&rsquo;s Best Horror Books of 2024), along with a number of other original short stories, some which have never been published before, <i>I Know A Place: Rest Stop and Other Dark Detours</i> is a travelogue down twisting side streets and through alleyways where the darkness has eyes... and teeth.<BR> <BR> Let&rsquo;s hope you make it home in one piece.<BR> <BR>&bull; <B>Top 10 Books of May 2026 - Library Reads</B><BR> <BR> <b><i>"</i>A terrifying joy... Dripping with unrelenting dread, immersive fear, and existential terror... A singular voice, Cassidy doesn&rsquo;t just know a place, he has planted a flag there, cementing his status with a collection that feels like a conversation about horror (both the feeling and the genre) between author and readers." &#8212; <i>Library Journal</i>, starred</b>]]></Text>
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      <Text><![CDATA[Nat Cassidy writes horror for the page, stage, and screen.<BR> <BR>His acclaimed novels, including <I>When the Wolf Comes Home</I> (USA Today Bestseller; called &quot;a classic&quot; by Stephen King), <I>Mary: An Awakening of Terror</I> (one of Audible&#39;s &quot;Top 100 Horror Novels of All Time&quot;), <I>Nestlings</I>, and <I>Rest Stop</I> (Bram Stoker Award nominee), have been featured in best-of lists from Esquire, Harper&#39;s Bazaar, NPR, the Chicago Review of Books, the NY Public Library, Amazon, and more, and he was named one of the &quot;writers shaping horror&rsquo;s next golden age&quot; by Esquire.<BR><BR>Stephen King was born in Portland, Maine in 1947, the second son of Donald and Nellie Ruth Pillsbury King. He made his first professional short story sale in 1967 to Startling Mystery Stories. In the fall of 1971, he began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels. In the spring of 1973, Doubleday &amp; Co., accepted the novel Carrie for publication, providing him the means to leave teaching and write full-time. He has since published over 50 books and has become one of the world&#39;s most successful writers. King is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to the American Letters and the 2014 National Medal of Arts.<BR> <BR>Stephen lives in Maine and Florida with his wife, novelist Tabitha King. They are regular contributors to a number of charities including many libraries and have been honored locally for their philanthropic activities.<BR> <BR>Photo Credit: Shane Leonard]]></Text>
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      <Text><![CDATA[&quot;A terrifying joy... Dripping with unrelenting dread, immersive fear, and existential terror... A singular voice, Cassidy doesn&rsquo;t just know a place, he has planted a flag there, cementing his status with a collection that feels like a conversation about horror (both the feeling and the genre) between author and readers.&quot;]]></Text>
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      <Text><![CDATA[&ldquo;Nat Cassidy is quickly becoming one of those names in horror&mdash;along with Tananarive Due, Keith Rosson, and Silvia Moreno-Garcia&mdash;that inhabit the &lsquo;go to&rsquo; section of my brain with it comes to picking up new books. They always delight, intrigue and horrify. Guaranteed to deliver.&rdquo;]]></Text>
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      <TextAuthor>&lt;B&gt;Rachel Harrison&lt;/B&gt;, &lt;I&gt;New York Times&lt;/I&gt; bestselling author of &lt;I&gt;Play Nice&lt;/I&gt; and &lt;I&gt;Cackle&lt;/I&gt;, on &lt;I&gt;When the Wolf Comes Home&lt;/I&gt;</TextAuthor>
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      <BiographicalNote><![CDATA[As Chief Information Officer of lululemon, Julie Averill led the technology transformation that&nbsp;helped scale&nbsp;the company from&nbsp;$2 billion&nbsp;to over&nbsp;$10 billion&nbsp;in revenue while building global teams capable of sustaining that growth. Prior to lululemon, she led omni-channel and digital transformations at Nordstrom and REI, navigating system failures, high-stakes crises, and the complicated work of integrating technology with business strategy at scale.&nbsp;<BR> <BR> Julie spent her career navigating systems that&nbsp;weren&#39;t&nbsp;designed for her - and helped change them along the way. A female leader in technology. A gay woman in rooms where difference still raises eyebrows. A mother who carried two and adopted one child while leading global technology organizations. And a Chief Information Officer who believes the future of AI depends less on machines and more on how human&nbsp;we&#39;re&nbsp;willing to be.&nbsp;<BR> <BR> Today, she advises boards, CEOs, and founders at the intersection of AI capability and organizational readiness - the place where most transformations stall. She speaks globally on leadership in the age of AI and helps organizations build what technology&nbsp;can&#39;t&nbsp;deliver: teams that tell the truth, leaders who can turn pilots into real change, and cultures that sustain transformation instead of performing it.&nbsp;<BR> <BR> After years in corporations proving herself, building teams, and transforming companies, Julie learned that what matters most is not the systems you build or the revenue you generate, but the people whose capabilities you unlock, the leaders who become more than they thought possible, and the ripple effects that continue long after you&#39;re gone.&nbsp;<BR> <BR> She lives in Bellevue, Washington, with her wife Cindy and their three children. When not speaking, advising, or writing,&nbsp;she&#39;s&nbsp;on the pickleball court, traveling to visit family across continents, or learning from her global family that the most profound transformations happen when we expand who&nbsp;we&#39;re&nbsp;willing to become.&nbsp;]]></BiographicalNote>
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      <Text><![CDATA[<B>Julie Averill, the CIO behind lululemon&rsquo;s rapid growth from $2B to $10B shares a playbook for&nbsp;executives and technology leaders navigating today&#39;s AI revolution,&nbsp;and&nbsp;reveals&nbsp;why authentic human leadership is your competitive advantage.&nbsp;</B><BR><BR>Every organization claims they're "doing AI," but many are just burning money on technology while ignoring the human intelligence required to make transformations stick. Julie Averill learned this the hard way while scaling lululemon from a $2 billion athletic apparel company to a $10 billion global powerhouse as their Global CIO.<BR> <BR> In <i>Chief Impact Officer</i>, Julie pulls back the curtain on what actually happens when you try to transform a company. This isn't a polished case study or a consultant's framework. It's the messy, honest story of leading through a pandemic, building technology teams across three continents, and discovering that the hardest part of transformation has nothing to do with the technology.<BR> <BR> As a lesbian in high tech and corporate retail, Julie learned that succeeding meant showing up as her authentic self - not despite her identity, but because of what that journey taught her about building trust. That realization allowed her to build an India Tech Hub with nearly 50% women engineers (earning NASSCOM's AI Game Changer Award), lead through a pandemic that turned every assumption about work upside down, and create the psychological safety that high-performance teams need. She discovered that influence without authority beats positional power, that vulnerability is a leadership competency, and that the professional masks that helped her climb the ladder were exactly what was holding her team back.<BR> <BR> But she also made mistakes, faced failures, and had to unlearn decades of code-switching and strategic silence.<BR> <BR> This book is for executives, technology leaders, and anyone responsible for driving change. It's for leaders tired of AI hype who want the truth: transformation requires psychological safety, not just algorithms. It demands vulnerability, not just vision. And it needs leaders who understand that culture isn't a soft skill - it's your competitive infrastructure.<BR> <BR> With practical insights from building global technology organizations at lululemon, Nordstrom, and REI, Julie delivers a blueprint for leading in the AI era that's grounded in reality, not buzzwords. Because real transformation requires human, not just artificial, intelligence.]]></Text>
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      <Text><![CDATA[&ldquo;Julie has had an instrumental role in building winning cultures across multiple companies. &nbsp;There are so many great leadership lessons from those experiences, and Julie does a great job of telling an inspiring story that is relevant to anyone who wants to build a winning culture.&rdquo;&nbsp;&nbsp;<BR> &nbsp;]]></Text>
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